Browse content similar to 16/09/2012. Check below for episodes and series from the same categories and more!
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Good morning, and welcome. As we all gear up for the party | :00:39. | :00:46. | |
conferences, we're all enjoying the spectacle of a retiring, self-deep | :00:46. | :00:53. | |
reKateing blonde talk stalking our Prime Minister, the poll votes | :00:53. | :00:57. | |
Boris Johnson the most popular politician. | :00:57. | :01:03. | |
Boris famously said there's nor chance of him being reincarated as | :01:03. | :01:09. | |
an olive as being properly. The other day, I speared an olive, and | :01:09. | :01:19. | |
:01:19. | :01:20. | ||
I believe it said "my dear, who claim claim". And Europe editor of | :01:20. | :01:25. | |
Time magazine, and columnist to Tony Blair. Fear of rebellion, | :01:25. | :01:30. | |
stalked the conference season, warned the Observer today. Tory MPs | :01:30. | :01:34. | |
are telling Cameron improve or you're out. It is tough being the | :01:34. | :01:40. | |
leader of the Conservative Party, as this man knows, 20 years ago to | :01:40. | :01:46. | |
Black Wednesday, John Major is here to talk about the eurozone, and | :01:46. | :01:50. | |
classical era, we could get tips on him to keeping dissident at bay. | :01:50. | :01:55. | |
Today is the last day at work, for the BBC's outgoing director again, | :01:55. | :02:00. | |
after the cut in the funding, Mark Thompson agreed to and rouse over | :02:00. | :02:05. | |
big salaries to top xex and gaffs, how does the DG assess the highs | :02:05. | :02:09. | |
and lows of the past eight years, and what does he think of the | :02:09. | :02:15. | |
fewture of television itself? We'll be asking the legendary, movie | :02:16. | :02:22. | |
mogul, Harvey Weinstein, Pulp scam fiction, why on earth his project | :02:22. | :02:31. | |
is a theatre production in Leicester. Plus, here, excellent | :02:32. | :02:39. | |
music. You can see them in the middle, that's fresh from | :02:39. | :02:43. | |
performing from the Paralympics and Africa express tour, we have the | :02:43. | :02:48. | |
The Noisettes. First though, over to Ris for this morning's news | :02:48. | :02:54. | |
headlines. Thank youed six NATO troops, two British have been | :02:54. | :02:59. | |
killed by men wearing Afghan uniforms, the two members of the | :02:59. | :03:03. | |
3rd Battlion The Yorkshire Regiment were shot at a checkpoint in the | :03:03. | :03:05. | |
south of Nahr-e Saraj district in Helmand Province. Their families | :03:05. | :03:11. | |
have been informed, in another incident, four NATO soliders were | :03:11. | :03:18. | |
shot, near the border with Pakistan. The United States has ordered all | :03:18. | :03:22. | |
non-essential staff and families to leave the embassies in Sudan and | :03:22. | :03:25. | |
Tunisia. The decision is made because of violent protests, about | :03:25. | :03:31. | |
a video, made in America, which offended Muslims around the world. | :03:31. | :03:35. | |
The US ambassador to Libya was one of several people killed. One of | :03:35. | :03:39. | |
the bosses of the Irish newspaper, which published topless photographs, | :03:39. | :03:43. | |
says he will do what he can to shut down the paper. A third publication, | :03:43. | :03:49. | |
says it will print the pictures. As the royal couple continue their | :03:49. | :03:56. | |
tour, a third publication said it will print the pictures, an Italian | :03:56. | :04:00. | |
magazine, is planning to publish the photos tomorrow. A promising | :04:00. | :04:04. | |
young rugby player was among three men from the same family killed dem | :04:04. | :04:08. | |
a farming accident in Hillsborough in Northern Ireland. 22-year-old, | :04:08. | :04:12. | |
neveren Expense, died along withlies father and brother, after | :04:12. | :04:16. | |
falling in a slurry tank. His sister is treated in hospital. | :04:16. | :04:21. | |
Plans to reform school exams in England, will be revealed by the | :04:21. | :04:24. | |
Government on Tuesday. The Education Secretary, Michael Gove | :04:24. | :04:29. | |
and Deputy Prime Minister, Nick Clegg, will announce GCSEs will be | :04:29. | :04:33. | |
scrapped. The replacement qualification will not be taught | :04:33. | :04:38. | |
until 2015. That's all from me for now, I'll be back before 9.30. | :04:38. | :04:43. | |
Thank you. Many thanks. Now to the front pages, as usual, | :04:43. | :04:50. | |
lots and lots of coverage, still of those pictures, everybody in angry | :04:50. | :04:54. | |
those pictures, everybody in angry mode. "Kate it is pure greed, says | :04:54. | :05:01. | |
the Sun. The Sunday Mirror is in punitive form "jail them for | :05:01. | :05:08. | |
hurting my Kate" it says. Lots more coverage of that ta as well. | :05:08. | :05:14. | |
Photographs on virtually every paper. Mail on Sunday "at last | :05:14. | :05:18. | |
dumbed down, exams are axed, ""saying O-levels are coming back, | :05:18. | :05:21. | |
but not until after the next election, to Michael Gove's | :05:21. | :05:25. | |
irritation, probably. Then you have the Sunday Telegraph | :05:25. | :05:31. | |
here, another, Prince story, two Princes, saying Prince Harry was | :05:31. | :05:39. | |
the target in the fatal Taliban attacks in Afghanistan. Sunday | :05:39. | :05:44. | |
Times says there's more pictures, 200 pictures, of the Duchess, one | :05:45. | :05:50. | |
of the Italian magazines says it has. Two stories, here, hilarious | :05:50. | :05:55. | |
story, about Lord Hill,ed Education Minister, who tried to quit the | :05:55. | :06:00. | |
Government, tried to resign, but David Cameron wasn't listening to | :06:00. | :06:04. | |
him. Instead of accepting, he praiseed him for his hard work, | :06:05. | :06:10. | |
told him to carry on and strode him out of the room. The man is in the | :06:10. | :06:17. | |
office, and there are 100 adult cod left in the North Sea. Catherine | :06:17. | :06:23. | |
and Phil thank you both for coming in. We will have to talk about the | :06:23. | :06:29. | |
pictures, enormous row heating up? The two royal stories, you have the | :06:29. | :06:34. | |
one hand, Kate being shot at by cameras, and Harry shot at by real | :06:34. | :06:38. | |
things. It is remarkable the picture story | :06:38. | :06:44. | |
is absolutely everywhere, and knocking the other one out in most | :06:44. | :06:49. | |
cases. It is demonstrating, a very interesting thing about modern | :06:49. | :06:54. | |
celebrity, on one hand, self- regulation has worked, that there | :06:54. | :06:59. | |
is lots of coverage, but no pictures, in a country with a | :06:59. | :07:04. | |
privacy law, they're everywhere. It remains to be seen. In the story in | :07:04. | :07:07. | |
all the papers is the anger and legal action that will follow. It | :07:08. | :07:11. | |
will be interesting test case, whether that has any impact at all. | :07:11. | :07:17. | |
It suggests this is very much going back to Diana, and this is, Prince | :07:17. | :07:19. | |
William's memories of what happened to his mother, that drives the | :07:19. | :07:26. | |
determination to go to court and push ra push? That's right. And | :07:26. | :07:30. | |
there's some high octane rhetoric coming out of St James's Palace, it | :07:30. | :07:34. | |
is firing the story on. Because there's not a lot more happened in | :07:34. | :07:39. | |
the story. Do you think it is all a bit much? I was going to say, | :07:39. | :07:42. | |
there's an awful lot of anger around this morning, and I'm sorry | :07:42. | :07:46. | |
around this morning, and I'm sorry to add to it, but this makes me | :07:46. | :07:52. | |
cross That there is so much space, devoted to the stories, and that | :07:52. | :07:57. | |
we're enenabling a phoney debate here. First of all, just on the | :07:57. | :08:02. | |
point about space, to me the most important story in the world is the | :08:02. | :08:12. | |
tax on US institutions, and but, in the wake of the film: YouTube film, | :08:12. | :08:16. | |
made by a dodgy character who has now been arrested? Which, we will | :08:16. | :08:22. | |
talk about. However, just before that, in terms of the debate we're | :08:22. | :08:29. | |
now having, it is such a phoney outrage, the Sun's head line about | :08:29. | :08:38. | |
"greed". This is an strin of outrage about these pictures, these | :08:38. | :08:44. | |
pictures, are a commodity. The debate the really important debate | :08:44. | :08:49. | |
about press freedoms, the Leveson Inquiry has sought to look into, | :08:49. | :08:54. | |
has sort of hijacked by this bizarre notion about what it's | :08:54. | :08:58. | |
important to print and what isn't and where press freedoms lie and | :08:58. | :09:02. | |
where they don't. You agree it was wrong to take the pictures, and | :09:02. | :09:07. | |
wrong to publish them. But it is the level of obsession, and | :09:07. | :09:13. | |
hysteria around the store, is that right? And people who would have | :09:13. | :09:20. | |
otherwise glady published them, but post-Leveson world will now not do | :09:20. | :09:24. | |
so. They're filling the photos in formulations rather than photos. | :09:24. | :09:29. | |
Isn't that good, that one time they would have thought something and | :09:29. | :09:33. | |
now they think another, haven't they got position from indefensible | :09:33. | :09:36. | |
to one that is defensible. It is a position, that is possibly better | :09:36. | :09:40. | |
than it was, it is not going to stop whoever took the photos were | :09:41. | :09:46. | |
making a lot of money out of them. We have in some of the columnists, | :09:46. | :09:53. | |
we have "hang on a minute, isn't this all a bit much" and Janet | :09:53. | :09:57. | |
Porter is inching towards that. Then we move on to the story, the | :09:57. | :10:02. | |
attacks around the world on US embassies. And not just in America, | :10:02. | :10:07. | |
Germany and other embassies, in the West have been attacked too? | :10:07. | :10:13. | |
have to get this, this is a story, in the Observer, about the arrest | :10:13. | :10:16. | |
in the Observer, about the arrest of somebody who Probably made the | :10:16. | :10:21. | |
movie. And who describes himself as a corporateic Christian. But you | :10:21. | :10:25. | |
have to get right to the middle of the Observer and other papers, even | :10:25. | :10:32. | |
to get any of this coverage at all today. It is, an interesting story, | :10:32. | :10:36. | |
but one of the things that is interesting about the story, is the | :10:36. | :10:41. | |
way in which of the different party to the Parliament have used it for | :10:41. | :10:47. | |
their own end. So, what this tiny little film that would never have | :10:47. | :10:53. | |
been noticed, has been seized upon by different extremes. The culture | :10:53. | :10:57. | |
of complaint, people looking for something to be angry about, | :10:57. | :11:03. | |
desperate to be angry. And this is particularly relevant, because this | :11:03. | :11:11. | |
is also, 20 years after the fatwa? And Joseph an ton has written his | :11:11. | :11:15. | |
memoirs, that was the name that Rushdie was given. He was written | :11:15. | :11:18. | |
the recollections of that time and a lot more besides, it is a memoir | :11:18. | :11:23. | |
of reflection on his life too. It is the same basic question, here is | :11:23. | :11:28. | |
a work of art, critique of a religion, and extraordinary storm | :11:28. | :11:37. | |
followed after it. And it divided people, which side were you on. | :11:37. | :11:42. | |
This is fascinating reflection on that. I got a chance to interview | :11:42. | :11:47. | |
him tomorrow, to start the week. What is interesting, is that I | :11:47. | :11:51. | |
don't think he had any idea of what he was setting off when it started. | :11:51. | :12:00. | |
If you ask the question, who won, who won the culture wars, there's | :12:00. | :12:06. | |
that much self-Ken soreship, it is not clear who won. Let's turn to | :12:06. | :12:13. | |
another American story, domestic politics. It looks like Obama is | :12:13. | :12:18. | |
starting to be a leader? The last sets of polls, have shown a lead | :12:18. | :12:23. | |
for Obama. But, one the things that was interesting, we've just gone | :12:23. | :12:28. | |
through convention season in the States. And of course, Mitt did not | :12:28. | :12:33. | |
get the bounce from the convention that Obama got. But the other thing | :12:33. | :12:38. | |
of course, is that we're through it, and he is the, Mitt Romney has | :12:38. | :12:41. | |
officially been declared the candidate, the perception is that | :12:41. | :12:47. | |
he may be changing, and reverting back to who he is. And who he is, | :12:47. | :12:53. | |
is somebody who is possibly a lot more liberal than the tea party | :12:53. | :12:57. | |
tendencies happy with. The story I found interesting is a small story | :12:57. | :13:02. | |
on the inside of the Sunday Times here, about his sister, being | :13:03. | :13:10. | |
sidelineed. She, apparently, came to a campaign event, and asked a | :13:10. | :13:15. | |
question about his stance on abortion and said he is pro-choice. | :13:15. | :13:20. | |
Which is not the message? It is very much not the message, and | :13:20. | :13:24. | |
embarrassing relatives are the fun features of any campaign. It is the | :13:24. | :13:26. | |
standard journey of American campaigning, you campaign to the | :13:27. | :13:31. | |
party in the first part and when you come to win, you campaign back | :13:31. | :13:35. | |
to the country, I think Mitt Romney has shown himself in the later | :13:35. | :13:38. | |
phase, rather than the former. He always looked unfortunately, but it | :13:38. | :13:48. | |
is too late. Obama has been always been ahead. We need to keep | :13:48. | :13:55. | |
cracking on. Let come, back home. With the kofrplgs season about to | :13:55. | :14:00. | |
start. There's all - conference season about to start. There's an | :14:00. | :14:05. | |
interesting Observer front page, to what could be the next big policy | :14:05. | :14:12. | |
blowup, which is IDS's welfare bill. Firstly it is hugely dependent on | :14:12. | :14:16. | |
somebody goes in the Department of Work and Pensions, presses a button | :14:16. | :14:20. | |
and a computer comes on and everything works per effectly. It's | :14:21. | :14:26. | |
never happened before, but that's what they rely on, the machine that | :14:26. | :14:30. | |
goes ping. The whole loads of things, that they're trying to get | :14:30. | :14:35. | |
people who are working, and go to the adviser and work more. In the | :14:35. | :14:41. | |
absence of no jobs, that's a forlorn q Big story there. You pibd | :14:41. | :14:48. | |
the Cabinet reshuffle as well. But, we got to talk about the | :14:48. | :14:52. | |
Conservative story? Well Well I picked the sexist reshuffle, forces | :14:52. | :14:56. | |
women to bottom of power list. There is apparently a list that is | :14:56. | :14:59. | |
put out, that gives order of precedence for ministers, so you | :14:59. | :15:06. | |
know, if you're not high on the list, then of to become at the beck | :15:06. | :15:10. | |
and call to visit them in their office. So the few women who got | :15:10. | :15:15. | |
through, they're not only a few number, but low on the list, my | :15:15. | :15:20. | |
feeling about the sexist Cabinet reshuffle is it tells a bigger | :15:20. | :15:26. | |
story about the lack of women in politics, in public positions, and | :15:26. | :15:30. | |
retaining female talent is the big issue here. We have to talk about | :15:30. | :15:36. | |
Boris mania. It has taken over lots of middle parts of the papers at | :15:36. | :15:42. | |
least? Absolutely, Talk us through, there is genuine dissent inside the | :15:42. | :15:44. | |
Conservative Party in Parliament about the Prime Minister, there's a | :15:44. | :15:48. | |
group of relatively small group, but vocal and pushy people who | :15:48. | :15:53. | |
would like to see to be shot of David Cameron? They're loose | :15:53. | :16:00. | |
tongueed over the weekend, every paper careies an anonymous quotes | :16:00. | :16:05. | |
to that effect. One person is quoted that is suggesting Graham | :16:05. | :16:10. | |
Brady one of the famous men is a possible leader in the Conservative | :16:10. | :16:15. | |
Party, in the event they got rid of David Cameron. I have nothing | :16:15. | :16:19. | |
against Brady, but when you get that kind of talk, you realise they | :16:19. | :16:25. | |
are in a peculiar place. And Boris is at the centre of this. He will | :16:25. | :16:29. | |
turn up to the conference, he will speak on how to win, and how to | :16:29. | :16:33. | |
beat Labour, it is going to be the big moment of the conference. | :16:33. | :16:37. | |
you not think he does have lessons to teach politicians about how to | :16:37. | :16:45. | |
win. I don't know if he has lessons to people how to govern. Very good | :16:45. | :16:51. | |
point. If I were him that's what I would do. The Boris is to confound | :16:51. | :16:56. | |
expectations, stand up and do a serious speech about governing. | :16:56. | :17:02. | |
is going to be quite a frenetic odd feeling party season. In the | :17:02. | :17:06. | |
Observer, the point is made one of the things about a coalition, you | :17:06. | :17:09. | |
can have two leaders under Chancellor eng, but you have Vince | :17:09. | :17:16. | |
Cable, who is on the show last week, at the Liberal Democrats and then | :17:16. | :17:22. | |
you'll get everybody, following the blonde hair around the Tory week. | :17:22. | :17:26. | |
The Liberal Democrats have held up reasonably well in their discipline, | :17:26. | :17:30. | |
through terrible times. Will this be the week in which the discipline | :17:30. | :17:36. | |
cracks? Do they start to think about Vince. I think that would be | :17:36. | :17:40. | |
a mistake, the only strategy is to behind the leader and be the | :17:40. | :17:43. | |
Government. Just before we leave this, because | :17:43. | :17:46. | |
we're running out of time. Strictly come dance something back, | :17:46. | :17:51. | |
all over the papers, I think. Got it there. | :17:52. | :17:56. | |
As is Downton Abbey, I should say. Strictly, this is a fun piece, | :17:57. | :18:02. | |
because they're actually passing the formula, that they've used to | :18:02. | :18:07. | |
select the shrictry contenders. And Vince Cable, we would have like to | :18:07. | :18:13. | |
see Vince in strictly. I don't know about. And Boris. They'd be | :18:13. | :18:19. | |
excellent. Maybe that's the answer. You have Jerry Hall is the older | :18:19. | :18:27. | |
woman, you have your older man, they're trying. I have a fan of | :18:27. | :18:31. | |
Strictly, when you see the joins of the formula, that's where the | :18:31. | :18:35. | |
programme starts to decline, they have to be careful, because they're | :18:35. | :18:41. | |
easily slotted into the roles here. Agree. At least I know who they are | :18:41. | :18:45. | |
this time. Maybe that's the answer to the party leaders, persuade them | :18:45. | :18:50. | |
to go on Strictly. Weather now. Much of the country's wall lowing, | :18:50. | :18:54. | |
in the sparkles of our Indian summer. The best month of the year, | :18:54. | :19:00. | |
September, but for how much longer. Let's go to the weather studio. | :19:00. | :19:04. | |
Good morning. You can run but you can't hide. The worden on the lips, | :19:04. | :19:08. | |
will be Autumn as the weather acknowledge sell rates its change | :19:08. | :19:12. | |
of seasons. Today there's cloud around compared to yesterday. And | :19:12. | :19:16. | |
although it is dry at the Great North Run start line, at lunch time, | :19:16. | :19:22. | |
we'll see wind coming through. But these are decent temperatures for | :19:22. | :19:25. | |
the runners. Heavier rain in north west England and North Wales | :19:25. | :19:28. | |
through the day to the north of that, sunshine, blustery showers, | :19:28. | :19:33. | |
to the south of that, it is mainly dry, despite the cloud. We'll take | :19:33. | :19:38. | |
a look at things at 4.00, these are beefy showers, risk of hail and | :19:38. | :19:42. | |
thunder, brightness in between, but gusty winds. Heavy rain and lasting | :19:42. | :19:47. | |
well on through the day, north west England and North Wales, but the | :19:47. | :19:51. | |
rain taking time to get to south- east Wales. So rain arriving later, | :19:51. | :19:55. | |
with sunshine. We'll see bright or sunny spells frighting will you the | :19:56. | :20:01. | |
cloud in southern England. But not as warm as yesterday. A cooler | :20:01. | :20:06. | |
night tonight. Blustery, hechive showers tomorrow. Cloud increasing, | :20:06. | :20:10. | |
across the rest of England and Wales, but mainly dry. Week ahead, | :20:10. | :20:13. | |
some sunshine at times but blustery showers, especially in the north. | :20:14. | :20:21. | |
Cool days, and chilly nights to Cool days, and chilly nights to | :20:21. | :20:23. | |
come as well. Well that's not too bad. The BBC achieved record | :20:23. | :20:28. | |
rateings in the Olympics, 27 million people watched the Opening | :20:28. | :20:34. | |
Ceremony and human audiences for performances like Mo Farah, it was | :20:34. | :20:38. | |
the culmination of Mark Thompson's eight years of jecttor general | :20:38. | :20:43. | |
tomorrow. He hands the baton on to George. Although he leaves on the | :20:44. | :20:52. | |
high of the Games he's had his fair share of arguments. | :20:52. | :20:55. | |
The media environment is changing, drastically and Mark Thompson joins | :20:55. | :21:01. | |
me now. Welcome. Let's start if we may talking about the BBC. I guess | :21:01. | :21:05. | |
the Olympics, were the highlight. The best was at the end? I thought | :21:05. | :21:09. | |
this summer was amazing. And I thought it showed how close, the | :21:09. | :21:14. | |
BBC and British public are. It was, the coverage of the sport itself. | :21:14. | :21:18. | |
Those 24 channels so people could choose and watch everything they | :21:19. | :21:22. | |
wanted. But it was an amazing moment for the country and we were | :21:22. | :21:30. | |
there in the right way. The cultural Olympiad, had a amazing | :21:30. | :21:34. | |
properly season, Shakespeare, and Parade's End running now. But | :21:34. | :21:39. | |
everything, I hoped and prayed it would be, it came good. | :21:39. | :21:44. | |
On the down side, I guess the Rustle Brand was of your hardest | :21:44. | :21:48. | |
was it? To be honest, by far the most difficult thing that happened | :21:49. | :21:52. | |
was the Alan Johnson kidnapping, when somebody's life at stake. It | :21:52. | :22:02. | |
:22:02. | :22:03. | ||
is a completely different thing. But of course, Jonathan s are | :22:03. | :22:08. | |
ussell loomed large. With an organisation like BBC when you're | :22:08. | :22:13. | |
broadcasting, tens and thousands of life hours, and presenters do crazy | :22:13. | :22:16. | |
things, you're going to have problems. And sometimes, you'll | :22:16. | :22:21. | |
find things that are wrong. What we talk to the public, it is | :22:21. | :22:26. | |
interesting, even if in the middle of the Ross Brand row, or the | :22:26. | :22:31. | |
competition row, the public said they trusted the BBC to understand | :22:31. | :22:36. | |
this is wrong and put it right. That's how you're judged, whether | :22:36. | :22:40. | |
wuck discripple thait and work out the boundaries, and if you go over | :22:40. | :22:47. | |
the boundary to act romently. - promptly. If you take the | :22:47. | :22:51. | |
newspapers and phone hacking years go by, and it is not clear the | :22:51. | :22:57. | |
people behind it, understood it was wrong. If the BBC is held to a high | :22:57. | :23:01. | |
level of accountability, what about the money question, you got stick | :23:01. | :23:05. | |
for your salary, presenters got stick, and general feeling, | :23:05. | :23:10. | |
certainly, in the first half of your tenure, that there were too | :23:11. | :23:15. | |
many xextives paid too much, was that a fair criticism? What's the | :23:15. | :23:18. | |
dilemma. The dilemma is the public want to the BBC to be the best | :23:18. | :23:23. | |
broadcaster, in the world, I think we are. You want the best people in | :23:23. | :23:28. | |
front of the camera and microphone and behind the cam ka are a. And it | :23:28. | :23:31. | |
is true, the public mood changed and the market changed in | :23:31. | :23:36. | |
immediatea. And I think, what you would have seen over this time, is | :23:36. | :23:43. | |
I, and the governing body, BBC trust, responding promptly. I don't | :23:43. | :23:46. | |
think there is another public institution, to address what I | :23:46. | :23:51. | |
would regard legitimate public concern on this. When you heard, | :23:51. | :23:55. | |
your 850,000, was too much, did you think, hold on a minute, the mood | :23:55. | :23:59. | |
in the country has changed, and actually, they have a point and I | :23:59. | :24:05. | |
have to really, consider this. joined the director-general in 2004. | :24:05. | :24:11. | |
This was day one, awaiveed, all bonusesings I've never taken a | :24:11. | :24:17. | |
bonus, because there's a sensitivity about public servants | :24:17. | :24:22. | |
taking bonuses, my pay has gone down in 40%, what the BBC tries to | :24:22. | :24:28. | |
do, in the way it runs itself is sensitive, again, to what its | :24:28. | :24:32. | |
owners, the brick public think. There's no question, what we have | :24:32. | :24:36. | |
avenue seen over the eight years, tovering do with public life, a | :24:36. | :24:41. | |
change in attitude about these things, and we try to respond to. | :24:42. | :24:45. | |
Your successor is getting half? BBC will continue to wrestle with | :24:45. | :24:49. | |
that challenge. How do you get the best, the best sports rights, | :24:49. | :24:53. | |
presenters and creative leaders, and do that in a way that is | :24:53. | :25:00. | |
acceptable to the public. Overhanging all of this, is the | :25:00. | :25:04. | |
effective 2017 real terms cut in what the BBC's got. Is this as bad | :25:04. | :25:09. | |
as it can get for the BBC, without starting to lose services in large | :25:09. | :25:14. | |
numbers? My view, this was my view in 2010 when the license settlement | :25:14. | :25:21. | |
was reached in short order was the BBC was asked, to make 16% cuts in | :25:21. | :25:25. | |
four years, very much in line with what the British Museum, National | :25:25. | :25:29. | |
Gallery and theatre. Those culture institutions which in many ways, | :25:29. | :25:33. | |
the Government was trying to protect in a tough period, the BBC | :25:33. | :25:38. | |
was being asked to do the same n the end, you can't want to be the | :25:38. | :25:42. | |
national broadcaster, and go through some of the same pain as | :25:42. | :25:46. | |
the rest of the country. What I do think, the cuts were achievable | :25:46. | :25:50. | |
without a loss in quality, but we're getting close to the edge now | :25:50. | :25:53. | |
there. Are many parts of the BBC, we saw the controversy about local | :25:53. | :25:57. | |
radio, where, when you look around the operation, it is hard to see | :25:57. | :26:02. | |
what more you could cut. I would hope, when the funding comes up for | :26:02. | :26:08. | |
discussion, in 2010-2016, it is recognised if you want a BBC with | :26:08. | :26:13. | |
high quality it has to be paid for. This is your last day in office, | :26:13. | :26:16. | |
from their perspective, what's the future of television? We have lots | :26:16. | :26:20. | |
and lots of younger people who barely watch television in the old | :26:20. | :26:27. | |
way these days? You put your finger on it, TV is changing, people want | :26:27. | :26:32. | |
choice when to watch a programme, the I player has revolutionised | :26:32. | :26:36. | |
that. How they watch it, devices, the smartphones, tablets. And | :26:37. | :26:41. | |
choice in their hands. The 24 channels in the Olympics, people | :26:41. | :26:44. | |
deciding themselves, and being their own schedule and controller. | :26:45. | :26:47. | |
But the fundamental point, do people want to connect with | :26:47. | :26:51. | |
television. There's no evidence in the UK or around the world, that | :26:51. | :26:57. | |
television is going out of tile. People's fascination with live | :26:57. | :27:06. | |
television, and great entertainment, that's undiminished. Do you think, | :27:06. | :27:11. | |
BBC and other organisations will cease to be broadcaster, and be | :27:11. | :27:15. | |
publishers, makers of programmes and people can get them in 101 | :27:15. | :27:20. | |
different ways? I don't. In the way the broadcaster, may be an obsolete | :27:20. | :27:26. | |
term, plusher may be as well. BBC news, even today, BBC news, is a | :27:26. | :27:32. | |
kind of cloud of information. People often forget how they heard | :27:32. | :27:38. | |
a news story, was it Blackberry or iPhone or screen on work, already | :27:38. | :27:42. | |
we're begining to see multi-media use of news. And we will ale see | :27:42. | :27:47. | |
that more and more. The idea of gathering public money together to | :27:47. | :27:53. | |
pay for, and to be pooled to create any quality content. Be it at the | :27:53. | :27:58. | |
BBC or New York Times, I believe that quality, is going to be one of | :27:58. | :28:01. | |
the real discriminatetors in this period. Thank you very much for | :28:01. | :28:08. | |
that. You're off to New York, very soon? Yeah. I'm starting properly | :28:08. | :28:12. | |
in November, but I'll spend a bit of time there. You're married to a | :28:13. | :28:17. | |
American? I'm a Brit, through and through, and a proud one. | :28:17. | :28:23. | |
Now then, my next guest, person fies what most would imagine a | :28:23. | :28:27. | |
Hollywood director to be, a hot tempered force of nature who always | :28:27. | :28:35. | |
gets his way. Harvey Weinstein's successes with Miria Max are legend, | :28:35. | :28:41. | |
Pulp Fiction, Others, is now he's turning to stage, opening in | :28:41. | :28:45. | |
Leicester. I asked him why he had chosen | :28:45. | :28:51. | |
Leicester, that particular location. It's got incredible equipment. It's | :28:51. | :28:56. | |
got incredible stage, fabulous rehearsal facility and I hear | :28:56. | :29:01. | |
fantastic audiences, we'll find out Saturday night when we open. If | :29:01. | :29:06. | |
they're really fantastic or run us out of town. But you know, we're | :29:06. | :29:12. | |
finding never land the movie, was something that Jonnie Depp said | :29:12. | :29:18. | |
remains in England. When we made the movie, we felt it was English, | :29:18. | :29:25. | |
because of Peter Pan, andity origin. So, we're flying the Union Jack. | :29:25. | :29:29. | |
You're a film guy, but you're more interested in musicals in | :29:29. | :29:34. | |
particular. If they were, they could make a lot of money, and get | :29:34. | :29:38. | |
bums on seats? And you can make more money in the movie business. | :29:38. | :29:43. | |
But, it is not for that reason. I although it can be probably. I'm | :29:43. | :29:48. | |
interested in theatre in general. And you know, I have all the people | :29:48. | :29:51. | |
who should say that, my first theatre experience was when I was | :29:51. | :29:58. | |
eight years old, I saw the Sound of Music, the minute I saw the nuns, I | :29:58. | :30:04. | |
ran out of theatre and my dad saw me watching Gold Finger. So how I | :30:04. | :30:08. | |
came to like theatre I have no idea. But, this movie meant a lot of to | :30:08. | :30:14. | |
mini-. And I want to have a second life. Let's have a look at Finding | :30:15. | :30:24. | |
:30:25. | :30:29. | ||
# Sad sail on an adventure # Too some far away land | :30:30. | :30:35. | |
# It is all in your imagination # Name the place and at your | :30:35. | :30:38. | |
command # Africa, India # | :30:38. | :30:42. | |
You mentioned England and Britain, you've been, interested in the | :30:42. | :30:48. | |
British culture, from the get-go. I'm thinking of going back to the | :30:48. | :30:51. | |
Secret Policeman's Balance, where you and your brother start in the | :30:51. | :30:57. | |
film industry, and through to films like Shakespeare In Love. Is there | :30:57. | :31:01. | |
a part of you, that is interested in the British thing? I have to | :31:01. | :31:08. | |
tell you, Andrew, that, when I was a kid, his my eye pokeed out, and I | :31:08. | :31:14. | |
must have looked like qausy modeo, because they didn't let me go to | :31:14. | :31:22. | |
school. Timely, I got bored of the soap operas, and I want to do my | :31:22. | :31:27. | |
homework, and teach me about reading to my neighbour. A lot of | :31:27. | :31:31. | |
the books was great British authors, she had me on a good schedule. And | :31:31. | :31:36. | |
I've always been in love with the literature of England, and I love | :31:36. | :31:41. | |
England's appreciation for words. And the film crews in England and | :31:41. | :31:46. | |
technical people, are probably the best in the world. You have a | :31:46. | :31:53. | |
Mittic status in the film industry. Particularly around independent | :31:53. | :31:57. | |
films. You're pretty tough when it comes to reshaping film. What makes | :31:57. | :32:01. | |
a good film, do you have a formula in your head, or is it different | :32:01. | :32:05. | |
for every film? When you have the bits in front of you, what makes | :32:05. | :32:12. | |
the final product work? Well, last week, Paul Anderson, talked about | :32:12. | :32:18. | |
skat the Master, which broke all box office records this week, the | :32:18. | :32:26. | |
highest art house per screen, ever. And, you know, he gave me, he said | :32:26. | :32:32. | |
Harvey's notes were extensive, I took them all, they were good. | :32:32. | :32:38. | |
Dusten Hoffman said the same. I'm from the old school of where you | :32:38. | :32:45. | |
test a movie, do you it, you watch it with an audience, even if it's | :32:45. | :32:52. | |
an Esso teric work, I find to reach an audience. I'm brutal and more | :32:52. | :32:56. | |
charming than you give me credit for Andrew. | :32:56. | :33:00. | |
The Master, will not please the Scientology community. You've had | :33:00. | :33:06. | |
to increase your protection, because of that, is that true? | :33:06. | :33:10. | |
I'm at liberty to say, but let's say there's a difference of opinion | :33:10. | :33:14. | |
from their side to our side. And we just want to make sure, that | :33:14. | :33:19. | |
there's no trouble. The movie deals with more than that. It deals with | :33:19. | :33:23. | |
the journey of soldiers after World War II, who drift in and out of the | :33:23. | :33:28. | |
cults and stuff like that. But Paul has admitted it is based on the | :33:28. | :33:32. | |
early works of Albert. It is controversialal movie and for | :33:32. | :33:37. | |
anybody who is interested in the cults and that thing, you'll find | :33:37. | :33:42. | |
this movie fascinating. It is an important subject. Let me ask you | :33:42. | :33:50. | |
about a very, famous movie, Pulp Fiction, because after the recent | :33:50. | :33:55. | |
shootings in the it is suggested you feel now, that there is too | :33:55. | :34:01. | |
much violence in a lot of movies, and that it probably does have an | :34:01. | :34:05. | |
effect. It is suggested you're asking Quentin to tone down the | :34:05. | :34:08. | |
violence in some of his movies? glad we got a chance to clear that | :34:08. | :34:17. | |
up. All I said was, because I have made movies with violences, after | :34:17. | :34:23. | |
the shootings, we said let's get a seminar and find out. I've never | :34:23. | :34:29. | |
asked him to cut, it is my longest partnership in the industry and my | :34:29. | :34:36. | |
best. I would like to sit with Quentin, and Anderson, and many of | :34:36. | :34:41. | |
the great directors, now working, and let's just sit with the experts, | :34:41. | :34:44. | |
because if we're doing something wrong I want to find out. If it | :34:44. | :34:49. | |
doesn't mean anything, it is carry on, business as usual. Why not find | :34:49. | :34:52. | |
out. So there are a number of people, trying to put together a | :34:53. | :34:59. | |
seminar, and I'm hoping for, this year, sun Dan film festival where | :34:59. | :35:04. | |
we invite the directors, psychiatrists, and educators. | :35:04. | :35:10. | |
sounds fascinating. Last question, you've been help raise money for | :35:10. | :35:14. | |
President Obama's campaign, in your waters, how do you feel is going on | :35:14. | :35:18. | |
in the campaign, what will happen? I was here for the Olympic week, | :35:18. | :35:25. | |
and I must say, that Boyle's ceremony was the most unbelieveable | :35:25. | :35:29. | |
thing to watch, it made me proud of England, and I married an English | :35:29. | :35:33. | |
girl and it was incredible. But I witnessed, Prime Minister, David | :35:33. | :35:39. | |
Cameron said to a group of people, that Mitt Romney had the unique | :35:39. | :35:43. | |
distinct of uniteing all England against him, with his various | :35:44. | :35:49. | |
remarks, so, on maf of my love of England I have to support the | :35:49. | :35:55. | |
President. Who, is anything but making fau pas, he is's strong and | :35:55. | :35:59. | |
smart. Mitt Romney didn't want to launch the missile to kill Osama | :36:00. | :36:05. | |
Bin Laden. He was clear, the President did that. Strong on | :36:05. | :36:09. | |
foreign policy, and at the end of the day, Mitt Romney is the same as | :36:09. | :36:11. | |
Bush. There's a wonderful movie that we're associated with in | :36:11. | :36:15. | |
America, which is opening in England, called the Untouchable. | :36:15. | :36:19. | |
And it is broken every box office record in the world, it is from | :36:19. | :36:24. | |
France, it is absolutely, I know this sounds like a commercial, but, | :36:24. | :36:32. | |
your money back folks, if we don't find the movie, transformational. | :36:32. | :36:39. | |
Thank you very much. Thank you for having me. Back here, 20 years ago | :36:39. | :36:44. | |
to the day, Black Wednesday, blew a hole in the Conservative Government | :36:44. | :36:48. | |
of Sir John major, a man who had the most unusual family backgrounds | :36:48. | :36:54. | |
of any modern Prime Minister. His mother and father, a man during | :36:54. | :37:00. | |
Queen Victoria's reign was music hall artists. Music hall is a lost | :37:00. | :37:06. | |
world, killed off by the cinema and television and roorks but perhaps | :37:06. | :37:12. | |
its spirit lives on. Sir John Major has written a book about it all. | :37:12. | :37:19. | |
You called this book, My Old Man, and that's where it start. Your | :37:19. | :37:23. | |
father was a music hall arist, he toped the bill at the time, he was | :37:23. | :37:33. | |
:37:33. | :37:34. | ||
a substantial figure in his way? But he was in Music Hall up to 1930. | :37:34. | :37:38. | |
I wouldn't climate all he was one of the greats at music hall, he | :37:38. | :37:42. | |
wasn't. But he and then wife kitty, dependable, very good, always | :37:42. | :37:48. | |
working, on the Bill with most of the greats at some time or another | :37:48. | :37:52. | |
rplt and then formed their own show and toped the bill. So he passed | :37:52. | :37:57. | |
many stories about those days. is a lost world, we will never know | :37:57. | :38:03. | |
quite what they were like, because most weren't recorded until late on. | :38:03. | :38:08. | |
But, give us a tense of the range of performers, who you describe in | :38:08. | :38:12. | |
this book? I learned, quite a lot about it at my father's bedside | :38:12. | :38:18. | |
when he was old and ill. I was his audience as a small by, he was in | :38:18. | :38:21. | |
his 06s when I was born. He would talk about his life on the stage, | :38:21. | :38:25. | |
and the greats, both he worked with, and the perhaps, that he'd seen and | :38:26. | :38:33. | |
not worked with. But Music Hall had a range T might be singing comic | :38:33. | :38:38. | |
songs, comedians, animal acts, monologueists, black face acts, | :38:38. | :38:41. | |
almost anything you could think of as variety today would be part of | :38:41. | :38:47. | |
Music Hall. And you argue, that quite a lot of what we think | :38:48. | :38:51. | |
sincere quintessentially British sure, from radio and television, | :38:51. | :38:58. | |
The Goons, has the origins, in people like Dan Leno? There's no | :38:58. | :39:03. | |
doubt about that. If you look how they performed, what they did, and | :39:03. | :39:08. | |
what we know, a great deal has been handed down. Humour is continuous, | :39:08. | :39:13. | |
what amuses the British psyche, a hundred years ago, tends to tickle | :39:13. | :39:17. | |
it 20. Yes it has been handed down. They were astonishing characters. | :39:17. | :39:22. | |
If you look at their background, some are full of pathos, they came | :39:22. | :39:29. | |
from nowhere. Some never got anywhere, and their lives were full | :39:29. | :39:34. | |
of hard hardship. Some had success and had vast sums of money, and | :39:34. | :39:40. | |
often died destitute. These are he mark 8 stories, of remarkable | :39:40. | :39:44. | |
people. They were like the stories of so many, would-be, rock stars, | :39:44. | :39:48. | |
touring the country, hoping to make it, a few make it, and maybe take | :39:48. | :39:53. | |
too many drugs and drink, and so on, later on. But it is also, like the | :39:53. | :39:57. | |
sort of, popular culture you see in television even now, the dance | :39:57. | :40:03. | |
shows and so on? Nothing is new. And a great deal is repetive. What | :40:03. | :40:07. | |
is different, was in those days, music Hall was the end at the same | :40:07. | :40:16. | |
time. It was very little to compete with it, as there is so much today. | :40:16. | :40:23. | |
It sunk into the psyche. In the 1940s, it was decay, it turned | :40:23. | :40:29. | |
revolution, potential revolution, in the 1840s, in a patriotic roar | :40:29. | :40:35. | |
of joy, 20 years later. It had the great days at the height of empire. | :40:35. | :40:39. | |
Hugely proud. Hugely patriotic, and pro-British, but fed mainly on the | :40:39. | :40:44. | |
lives of the people, who atepded those. And the great artists, | :40:44. | :40:49. | |
reflected those lives. And sang back to them, their lives and | :40:49. | :40:54. | |
talked about their lives. It was hard-edge? Hard edge. Some of the | :40:54. | :41:01. | |
social commentary has the force of a pile drive. Particularly artists | :41:01. | :41:05. | |
like Jenny Hill, feminist, talked about the lives of people who were | :41:05. | :41:09. | |
down trodden and why they were down trodden. Well worth reading about | :41:09. | :41:19. | |
:41:19. | :41:22. | ||
her. Let's turn to politics recently. Music Hall is much more | :41:22. | :41:28. | |
fun. Nonetheless, that was the exist essential for this country. | :41:28. | :41:33. | |
20 Years on, we are still looking at Europe, and particularly, | :41:33. | :41:37. | |
concerned about what is happening to the Euro project now. How | :41:37. | :41:41. | |
dangerous do you think things remain? It is the longest, most | :41:41. | :41:47. | |
boring crisis I can remember? there are two things that are | :41:47. | :41:52. | |
linked, first Europe and the Euro crisis and state of the British | :41:52. | :41:55. | |
economy. You can't regard those as separate independentities. You have | :41:55. | :42:01. | |
to look at two of them. If you take Europe first, a Europe has | :42:01. | :42:05. | |
continuely evolved, it evolved a good deal further, towards | :42:05. | :42:08. | |
centralisation, because of economic failure in Europe over recent years, | :42:08. | :42:12. | |
than anybody imagineed in this timescale. And what you're now | :42:12. | :42:19. | |
seeing, out of failure, not success, is the Euro core looking to | :42:19. | :42:23. | |
integrate further, more towards a federal structure. Which this | :42:23. | :42:28. | |
country could have nothing to do with? You mentioned Black Wednesday, | :42:28. | :42:33. | |
but at Maastricht I opted sterling out of the eurozone, because I | :42:33. | :42:37. | |
didn't think the eurozone would work as fiscal union and economic | :42:37. | :42:41. | |
union. We are apart from that, and stay apart from that. But if the | :42:41. | :42:46. | |
eurozone as I believe, continue to integrate over the next ten years, | :42:46. | :42:51. | |
you're going in essence, within ten years, this isn't going to happen | :42:51. | :42:55. | |
overnight, within ten nears, you will have a Euro core, that is to | :42:55. | :43:01. | |
all intents and purposes, federal. Now, if that happens to a portion, | :43:01. | :43:06. | |
a core, of the European Union, it changes that core's relationship | :43:06. | :43:11. | |
with the rest of the European Union. And if they do that, the rest of | :43:11. | :43:15. | |
the European Union, may feel it is appropriate to change their | :43:15. | :43:20. | |
relationship with the core, and with the European Union as a whole. | :43:20. | :43:26. | |
I think that offers an opportunity for us to clean up one of the long- | :43:26. | :43:29. | |
running sores of British politics, which is the nature of our | :43:29. | :43:33. | |
relationship with Europe. That would have to be a referendum F it | :43:33. | :43:41. | |
was a treaty? If it was a treaty, of course it would. It would do in | :43:41. | :43:45. | |
due course. The British economy, directly, these are grim times. | :43:45. | :43:51. | |
This is the third quarter of technical recession, and Chancellor, | :43:51. | :43:55. | |
incredibly unpopular. You've been through a period where, you are | :43:55. | :43:59. | |
just buffeting through, a hard time. What's your analysis of the | :43:59. | :44:04. | |
stkrents and weaknesses of the economy, and what's your advice? | :44:05. | :44:11. | |
Firstly, it would be surprising if a Chancellor wasn't unpop unpopular. | :44:11. | :44:18. | |
He has to do unpopular things. Tim Campbell, and Nick Clegg aren't | :44:18. | :44:22. | |
imposing the cuts to hurt people. They're imposing the cuts because | :44:22. | :44:27. | |
the last Government left the cub 350 bare, the gold was gone, the | :44:27. | :44:31. | |
money was gone, they had to take tough medicine. People must | :44:31. | :44:35. | |
understand that is why they are doing it. Of course it is unpopular, | :44:35. | :44:40. | |
and you must expect the Chancellor to be unpopular. Nothing surprising | :44:40. | :44:45. | |
about that. But, since I am no longer in politics, I can say | :44:45. | :44:49. | |
something, that perhaps as a politician, I wouldn't. You | :44:49. | :44:57. | |
mentioned, a Black Wednesday, around about that time, Norman | :44:57. | :45:03. | |
Lamont was taking to piece, to say there was green shoots. But we know | :45:03. | :45:07. | |
he was right. The recovery begins from the darkest moment. I'm not | :45:07. | :45:12. | |
certain, but I think we have passed the darkest moment. And will tell | :45:12. | :45:17. | |
you why. There are oddity in the figures at the moment. Why, in the | :45:18. | :45:22. | |
depth of this recession is employment growing, why is | :45:22. | :45:25. | |
industrial protection going up, why has the stock market risen. I could | :45:25. | :45:29. | |
list a number of other things. There are things happening, that | :45:29. | :45:34. | |
will become apparent. We don't know why or how. My guess, and this is | :45:34. | :45:38. | |
something a minister can't say, but I can. My guess is in due course, | :45:39. | :45:45. | |
we will find that we pass the bottom, that that last revision of | :45:45. | :45:50. | |
GDP, when we had a half per cent repduction is less bad than we | :45:50. | :45:54. | |
thought it was, and we are starting on what will be a slow, road to | :45:54. | :45:58. | |
recovery. I think that is beginning to happen. | :45:58. | :46:01. | |
And I hope that is the case, because I believe it will turn out | :46:01. | :46:07. | |
to be so, for a vast range of reasons. Meanwhile, party | :46:07. | :46:10. | |
conference season, you don't have to be involved in it any more. But | :46:10. | :46:15. | |
there is another Conservative Prime Minister, there are more, | :46:15. | :46:19. | |
whisperings and challenges, but he has borery Johnson bouncing around | :46:19. | :46:23. | |
which you never had. Do you think the Conservative Party | :46:23. | :46:29. | |
needs to calm down and settle down, or do you think this is an | :46:29. | :46:34. | |
inevitable part of the bad year? Well, there's nothing surprising, | :46:34. | :46:38. | |
about people being critical when times are tough. That is true in | :46:38. | :46:41. | |
the Conservative Party, it is true in the Liberal Democratic Party. | :46:41. | :46:46. | |
It's been true in the past. You saw those divisions in the 80s, and the | :46:46. | :46:52. | |
Conservative Party had had wets and drys, you saw it in the '90s, on | :46:52. | :46:56. | |
Europe. You're seeing it again, it is inevitability of political. But, | :46:56. | :46:59. | |
I would have thought if the Conservative Party learnt anything | :46:59. | :47:05. | |
in the past 20 years, it's lerpbled that religion side is not a good | :47:05. | :47:13. | |
idea. Is it? The concept of people challenged Tim Campbell is an | :47:13. | :47:18. | |
extremely good newspaper story, and Boris is an attractive and able and | :47:18. | :47:21. | |
intelligent politician doing a supremely good job in London. But | :47:21. | :47:25. | |
Boris, isn't in Parliament. Boris, hasn't said he wishes to become | :47:25. | :47:31. | |
Prime Minister, the reverse. And, the belief, that suddenly | :47:31. | :47:34. | |
everything will change, we will have a leadership challenge and | :47:34. | :47:40. | |
you're going to have a replacement Prime Minister, that isn't in the | :47:40. | :47:44. | |
real world. We aren't, David Cameron will remain Prime Minister, | :47:44. | :47:48. | |
and contest the next election, and I very much hope he will win it. | :47:48. | :47:52. | |
Your message to the backbenchers, who are constantly contacting | :47:52. | :47:55. | |
newspapers and saying they want to kill the Prime Minister, and | :47:55. | :47:58. | |
they're getting names on bits of paper, all the familiar stuff, your | :47:58. | :48:04. | |
message to them? My message is look at history. Disunity, costs votes, | :48:04. | :48:08. | |
unity helps a Government achieve the changes in our economy, we wish | :48:08. | :48:12. | |
to see, there's good for the nation, the economy, good for them and the | :48:13. | :48:20. | |
next election. Belt up? Your words not mine. After the death of | :48:20. | :48:23. | |
Princess Diana, you were guardian for the Princes, now they're both | :48:23. | :48:30. | |
back on the front pages again. These pictures, have cause an | :48:30. | :48:35. | |
absolute furore, in this country, and it seems, that, St James's | :48:35. | :48:40. | |
Palace, Prince is going to go to court in France, to take action, | :48:40. | :48:44. | |
against the publishers, and who knows, the photographers concerned. | :48:44. | :48:48. | |
Do you think that's an overreaction? I think it is | :48:48. | :48:53. | |
absolutely right. So that people in future, know where the boundaries | :48:53. | :48:57. | |
should be. The boundaries are plainly been crossed. I don't think | :48:57. | :49:00. | |
we need minutes words about the photographs. The way they've been | :49:00. | :49:06. | |
obtained, was tasteless. It is the action of a peeping Tom. In our | :49:06. | :49:10. | |
country, we prosecute peeping Toms, that's what they've done, and | :49:10. | :49:14. | |
peeping with long lenses from a long, way away. They're very | :49:14. | :49:18. | |
distasteful and I'm delighted. I have often, in the past, been | :49:18. | :49:23. | |
critical of the British immediatea. I thoroughly applaud the fact they | :49:24. | :49:28. | |
won't touch the pictures with a barge poll, they deserve credit and | :49:28. | :49:32. | |
it is a pity people overseas have lower seas. If you bumped into | :49:33. | :49:37. | |
Berlusconi this morning, you would have a few words too? It is very | :49:37. | :49:44. | |
unlikely, it might not be a good controversial. The more general | :49:44. | :49:47. | |
media the British papers are waiting for the outcome. The | :49:48. | :49:52. | |
Leveson Inquiry? I gave mief evidence to Leveson. I considered | :49:52. | :49:57. | |
it carefully and gave lengthy evidence, I won't add or subtract | :49:57. | :50:02. | |
to it. Leveson heard evidence from every conceivable point of view, I | :50:02. | :50:07. | |
didn't hear it all, I'm going to wait to see what he recommends. | :50:07. | :50:12. | |
Prince Harry is obviously, in a place of danger, Camp Bastion, in | :50:13. | :50:16. | |
Afghanistan. Taliban claim they are attacking that catch and killed | :50:16. | :50:20. | |
considerable number of people to get at him. Do you think it is | :50:20. | :50:26. | |
right that he's out there, the danger as always, is that he's | :50:26. | :50:31. | |
putting other people's lives at risk. He wants to fight, but is it | :50:31. | :50:38. | |
a danger by putting him in a place, he is endangering other people's | :50:38. | :50:42. | |
lives The first is that Prince Harry trained with his colleagues, | :50:42. | :50:46. | |
he want to serve with colleagues. He most emphatically, would not | :50:46. | :50:52. | |
wish to move. The second point, it would be a huge propaganda triumph, | :50:52. | :50:57. | |
if Prince Harry, were to be moved. And thirdly, I think there's a | :50:57. | :51:03. | |
great deal of an attempt to create public relations in the postering | :51:03. | :51:08. | |
of the Taliban at the present time. The Army knows what it is doing, | :51:08. | :51:13. | |
they will know whether there is a risk to those serving with pins | :51:13. | :51:21. | |
Harry and base points on that. There's talk about pulling out | :51:21. | :51:24. | |
troops early from Afghanistan. Would that help the situation in | :51:24. | :51:28. | |
any way? I don't think it is relate. I don't think you can relate that | :51:28. | :51:31. | |
point to the question of Prince Harry. I think there is a credible | :51:31. | :51:36. | |
case for looking at when we actually withdraw troops. The | :51:36. | :51:41. | |
moment, that President Obama said they would withdraw troops in 2014 | :51:41. | :51:44. | |
the Taliban were on notice. As to when the NATO troops would leave. | :51:44. | :51:49. | |
And a large part of the Taliban, if they have any sense, probably moved | :51:49. | :51:55. | |
in north west Pakistan sta and are sitting in the lawel part of | :51:55. | :51:59. | |
Pakistan, waiting to come back, after the troops left. Having given | :51:59. | :52:03. | |
notice of a date upon which we leave, I think you have changed the | :52:03. | :52:13. | |
:52:13. | :52:15. | ||
game. And changed it, totally. Sir John | :52:15. | :52:21. | |
Major thanks. Six NATO troops have been killed by men wearing NATO | :52:21. | :52:24. | |
yuesms. The two members of 3rd Battlion The Yorkshire Regiment | :52:24. | :52:30. | |
were shot at a checkpoint in Nahr-e Saraj district in Helmand Province | :52:30. | :52:36. | |
n another incident, four NATO soldiers were shot near the border | :52:36. | :52:41. | |
with Pakistan. The former Prime Minister, Sir John more said the | :52:41. | :52:45. | |
Duke and Duchess of Cambridge are right to take legal action against | :52:45. | :52:49. | |
the French magazine which published topless pictures of the Duchess. He | :52:49. | :52:53. | |
told the programme, the photographer's behaviour was no | :52:53. | :52:59. | |
different to that of a peeping Tom. A third publication said it will | :52:59. | :53:03. | |
print the pictures, an Italian magazine, will publish a special | :53:03. | :53:06. | |
edition tomorrow, ignoring the threat of legal action. And that's | :53:06. | :53:12. | |
all from me. The next news on BBC One, is at 1.30. Now back to Andrew | :53:12. | :53:15. | |
and guests. Thank you. | :53:15. | :53:18. | |
Mark Thompson returns and as promised we have the The Noisettes. | :53:18. | :53:25. | |
Who have had a great summer. You played at the Paralympics? Fabulous, | :53:25. | :53:28. | |
unforgetable experience. Africa express, tell us about that, that's | :53:28. | :53:33. | |
the current tour? It was a fantastic train, we did a short | :53:33. | :53:39. | |
tour of the UK, and there there were propbljects to interact with | :53:39. | :53:49. | |
people, and there were 85 musicians, having one long jam session, which | :53:49. | :53:53. | |
culminated, and jaming with Paul McCartney was a great moment. | :53:53. | :53:58. | |
will be playing us, tell us about the song you will be playing? | :53:58. | :54:03. | |
will play you a song called That Girl, it is a current single. It is | :54:03. | :54:11. | |
a feel good song. Thank you for having me. Of course the The | :54:11. | :54:15. | |
Noisettes were at the Paralympics, which followed on the Olympics so | :54:15. | :54:19. | |
successfully. Everyone is talking about the spirit of the Olympics, | :54:19. | :54:27. | |
the question is can we bottle it, and keep it in some way? I think it | :54:27. | :54:31. | |
would be marsh bmrveb marvellous if we could. We saw some things, that | :54:31. | :54:37. | |
I thought we had lost from the British chork, extent from the | :54:37. | :54:43. | |
volunteers. The sheer, patriotism of the British nation for the | :54:43. | :54:46. | |
athletes. I was fortunate enough to see aloft the Olympics, and the | :54:46. | :54:52. | |
moment I remember most, was when the Paralympians came on in the | :54:52. | :54:54. | |
Opening Ceremony, there were hour- and-a-half, and suddenly the | :54:54. | :54:58. | |
British team appeared, and as soon as the first British athlete | :54:58. | :55:05. | |
appeared, the whole of that 80,000 stadium was on their feet cheering, | :55:05. | :55:10. | |
I had tears in my eyes. There's so much talent and creativity. The | :55:10. | :55:14. | |
rest of the world knows, I spent a lot of the summer in theates, | :55:14. | :55:18. | |
there's a sense when you want fresh ideas, and want a kourpbl, creative | :55:18. | :55:23. | |
courage, you come to Britain. The rest of the world knows, it and we | :55:24. | :55:28. | |
need to know that ourselves. Were you surprised, because Paralympics, | :55:28. | :55:35. | |
has been in the past, a slight, down-beat, after the main Olympics? | :55:35. | :55:40. | |
This time the enthusiasm continued at the same level? You will have | :55:40. | :55:45. | |
forgotten this. But 27 years ago, I was minister for disabled people. | :55:45. | :55:50. | |
And I I was absolutely thrilled to see it. There was a - I was talking | :55:50. | :56:00. | |
:56:00. | :56:00. | ||
to a foreign athlete, and he said, Paralympic athlete, and he said we | :56:00. | :56:04. | |
never seen anything like this, he said who asked these people to come. | :56:05. | :56:09. | |
They were thrilled of the size of the audience. With the Paralympics, | :56:09. | :56:13. | |
and women's sport, there's something, diskofd about how | :56:13. | :56:17. | |
exciteed and engaged the public can be, and we need to build on that. | :56:17. | :56:21. | |
We'll try and bottle it. That is all for today. Thanks to all of my | :56:21. | :56:27. | |
guests, next week we're back at the usual time, 9.00, but we'll be | :56:27. | :56:30. | |
broadcasting a show from Brighton, where the Liberal Democrats will | :56:30. | :56:34. | |
hold their annual kofrplg, I will be talking to Nick Clegg. Do join | :56:34. | :56:44. | |
:56:44. | :56:47. | ||
me if you can for that. We will # I don't want to know | :56:47. | :56:51. | |
# Don't to hear about the things you say | :56:51. | :56:55. | |
# Running around in my head # I don't want to know about the | :56:55. | :56:59. | |
faist magazines about our bras, and tweets | :56:59. | :57:06. | |
# I tell you something 18 # It ain't no mystery | :57:06. | :57:13. | |
# How come your new best friend looks in your eye | :57:13. | :57:22. | |
# That girl's in love with you # I know, that you're too blind to | :57:22. | :57:30. | |
# I know that it's so blatant to # That girl's in love with you | :57:30. | :57:36. | |
# So madly # Andrew, I don't want to know | :57:36. | :57:41. | |
# If you're not coming home # I'll be down the street | :57:41. | :57:49. | |
# I'd rather dance to the beat # You were with her until four | :57:49. | :57:54. | |
# I don't mind company # Well not officially | :57:55. | :57:59. | |
# But when she sits next to you, # You don't realise | :57:59. | :58:05. | |
# When will you realise # That girl's in love with you | :58:05. | :58:15. | |
:58:15. | :58:16. | ||
# I know that you're too blind to # I know that it's so plain to see | :58:16. | :58:23. | |
# That girl's in love with you # I'm just a so-and-so | :58:23. | :58:29. | |
# Do what I do cos I'm mad but # But just a peep at you, you can | :58:29. | :58:34. | |
see that you're delirious and seriously | :58:34. | :58:42. | |
# That girl's in love with you # I know, that you're too blind to | :58:42. | :58:48. | |
Mrk I know, that Tess a so plain To see | :58:48. | :58:55. | |
# That girl's in love with you, so, plain | :58:55. | :58:59. |