
Browse content similar to 09/11/2017. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Tonight: | 0:00:03 | 0:00:05 | |
We hear from the family
of Kirsty Maxwell, six months | 0:00:05 | 0:00:07 | |
after she fell to her death
from a balcony in Benidorm, | 0:00:07 | 0:00:10 | |
as questions remain
about what happened. | 0:00:10 | 0:00:18 | |
And why ballet could be getting
more popular among men. | 0:00:18 | 0:00:28 | |
Welcome to Timeline, | 0:00:44 | 0:00:45 | |
where ahead of Armistice Day,
we look at the new musical tribute | 0:00:45 | 0:00:48 | |
to an old connection. | 0:00:48 | 0:00:49 | |
Between the poet Wilfred Owen
and a former Edinburgh | 0:00:49 | 0:00:51 | |
hospital for soldiers. | 0:00:51 | 0:00:53 | |
And ... | 0:00:53 | 0:00:56 | |
..Very important policeman. | 0:00:56 | 0:00:59 | |
Actor Jordan Young will be | 0:00:59 | 0:01:01 | |
here to tell us about the return
of Scot Squad. | 0:01:01 | 0:01:05 | |
It's just over six months
since Kirsty Maxwell fell | 0:01:05 | 0:01:08 | |
to her death from the 10th floor
balcony of a Spanish | 0:01:08 | 0:01:10 | |
apartment block. | 0:01:10 | 0:01:11 | |
She was part of a group
of 20 women who travelled | 0:01:11 | 0:01:14 | |
to Benidorm for a hen party. | 0:01:14 | 0:01:17 | |
Kirsty's death is still being
investigated by Spanish police - | 0:01:17 | 0:01:19 | |
but many questions
are still unanswered. | 0:01:19 | 0:01:21 | |
I've been speaking
to her husband Adam, | 0:01:21 | 0:01:22 | |
and her parents Denise and Brian. | 0:01:22 | 0:01:32 | |
Kirsty was a beautiful... Kind,
happy, from childhood straight | 0:01:36 | 0:01:43 | |
through. Never complained about
anything and she was trust worthy. | 0:01:43 | 0:01:54 | |
She was my best friend. We had a lot
of good times as mothers and | 0:01:54 | 0:01:59 | |
daughters do.
She was just always a joy to be | 0:01:59 | 0:02:05 | |
around. Meeting Adam, she was so
happy to meet Adam as well. Adam, | 0:02:05 | 0:02:15 | |
you were the one who took the call
to say that something had | 0:02:15 | 0:02:19 | |
happened... What did they say? Who
called you? I received a phone call | 0:02:19 | 0:02:25 | |
about mid-day on Saturday the 29th
of April. In very broken English, he | 0:02:25 | 0:02:32 | |
advised me he was a Spanish police
officer. He asked if I was Adam | 0:02:32 | 0:02:39 | |
Maxwell, Kirsty Maxwell's husband.
He then asked if I was seated. | 0:02:39 | 0:02:43 | |
Which I did. And then he explained
to me that Kirsty had died. I didn't | 0:02:43 | 0:02:52 | |
get much more than that at all. It's
quite hard to describe the feeling | 0:02:52 | 0:02:57 | |
at that moment. I mean, obviously, I
was still in shock at the time. You | 0:02:57 | 0:03:04 | |
don't want to believe it.
The phone went and I just got a | 0:03:04 | 0:03:12 | |
voice saying "Denise" I thought it
was Adam. But at that point I had a | 0:03:12 | 0:03:17 | |
gut feeling it was something was
wrong, it was Kirsty. I kept | 0:03:17 | 0:03:21 | |
screaming in the car.
So, you are trying, Brian, to deal | 0:03:21 | 0:03:26 | |
with this terrible, terrible shock
and process exactly what happened as | 0:03:26 | 0:03:31 | |
well, did you head off to Spain
right away? We just wanted to get | 0:03:31 | 0:03:39 | |
across there, to be where Kirsty
was. We had nowhere to stay, we | 0:03:39 | 0:03:43 | |
didn't know what to do, where
Kirsty's body was, we had to go to | 0:03:43 | 0:03:50 | |
the police station the next day.
Then we found out what had happened, | 0:03:50 | 0:03:55 | |
it turned into a homicide.
What are you able to ascertain about | 0:03:55 | 0:04:00 | |
the circumstances that led to her
death that night so far? We know at | 0:04:00 | 0:04:05 | |
Kirsty's party there were 20 girls
there. They were staying over three | 0:04:05 | 0:04:11 | |
floor, the 8th, 9th and 10th. The
room that Kirsty died on was on the | 0:04:11 | 0:04:17 | |
10th floor, next door to Kirsty's
party. At some point between 7.00am | 0:04:17 | 0:04:24 | |
and 7.45am, Kirsty left her room.
The door which, I have been to the | 0:04:24 | 0:04:31 | |
apartment myself, it is a heavy
door. It had closed behind Kirsty | 0:04:31 | 0:04:36 | |
and she was in the floor above.
There were five men in the room? | 0:04:36 | 0:04:43 | |
Five men. One of the men were
arrested. It was treated as a | 0:04:43 | 0:04:48 | |
homicide. He was later released two
days after. So we were in Spain at | 0:04:48 | 0:04:53 | |
that point. Do you think she may
have accidentally ended up in this | 0:04:53 | 0:04:58 | |
room? We think so. From that moment
on, we, it's hard to put into words | 0:04:58 | 0:05:05 | |
what could have possibly happened.
Where is the police investigation | 0:05:05 | 0:05:09 | |
now? At the moment it's still open.
We have had fears over the last six | 0:05:09 | 0:05:15 | |
months that it would be closed at
certain pointsment It's now been | 0:05:15 | 0:05:21 | |
declared as complex, which is a term
in Spain where effectively they have | 0:05:21 | 0:05:26 | |
to keep it open at the moment. We
don't know how long it will take, we | 0:05:26 | 0:05:33 | |
don't have any idea of timescales
but as a family we owe this to | 0:05:33 | 0:05:38 | |
Kirsty to do whatever we can to find
out what happened. It is not clear. | 0:05:38 | 0:05:45 | |
You want the Scottish Government to
do more to help those who have lost | 0:05:45 | 0:05:51 | |
loved ones abroad, what more can
they do? Well, we feel that they can | 0:05:51 | 0:05:56 | |
do a lot more, not just the Scottish
Government but the UK Government as | 0:05:56 | 0:05:59 | |
well. We feel there should be
procedures in place so that when | 0:05:59 | 0:06:03 | |
something like this happens to
someone abroad, that there is a | 0:06:03 | 0:06:07 | |
procedure that picks you up, a
vehicle that takes care of you, so | 0:06:07 | 0:06:12 | |
that you are not running around
endlessly not knowing what to do. We | 0:06:12 | 0:06:19 | |
feel we were abandoned for a week.
Imagine this is taking over every | 0:06:19 | 0:06:24 | |
waking moment of your life? A lot of
the things that we are doing are not | 0:06:24 | 0:06:29 | |
very nice. It is important for us to
remember the nice life we had | 0:06:29 | 0:06:33 | |
together. Ten of the happiest years
I have ever had and most likely ever | 0:06:33 | 0:06:38 | |
will.
Well we wish you well in your quest | 0:06:38 | 0:06:42 | |
for answers. I know it's not been
easy. Thank you for talking to | 0:06:42 | 0:06:46 | |
Timeline.
Adam Maxwell and Kirsty Maxwell's | 0:06:46 | 0:06:52 | |
parents, Denise and Brian. | 0:06:52 | 0:06:55 | |
If you have a story
to share or anything you'd | 0:06:55 | 0:06:58 | |
like us to follow up then
get in touch. | 0:06:58 | 0:07:00 | |
You can find us on facebook, | 0:07:00 | 0:07:01 | |
twitter, and online,
or you can email us. | 0:07:01 | 0:07:03 | |
And many of you have
been doing just that. | 0:07:03 | 0:07:05 | |
Yes, especially after we brought
you the story of how the brain | 0:07:05 | 0:07:08 | |
handles our local lingo and dialect
AND English in the same | 0:07:08 | 0:07:11 | |
way as if we speak two
different languages. | 0:07:11 | 0:07:13 | |
This is what the broadcaster,
Jim Spence, told us: | 0:07:13 | 0:07:21 | |
The Dundee dialect is a language on
its own. | 0:07:21 | 0:07:26 | |
Every tonne downian is bilingual,
some multilingual. | 0:07:26 | 0:07:31 | |
It can slip quicker than you can
saying... -- Dundonian. A big | 0:07:31 | 0:07:40 | |
reaction on social media. | 0:07:40 | 0:07:43 | |
Let's take a look at
what you've been saying. | 0:07:43 | 0:07:45 | |
John from the US says that: | 0:07:45 | 0:07:46 | |
Here in Pittsburgh they sell | 0:07:46 | 0:07:50 | |
dictionaries to help newcomers
and visitors understand | 0:07:50 | 0:07:51 | |
"Pittsburghese". | 0:07:51 | 0:07:57 | |
And, a bit closer to
home, Jeanette from | 0:08:11 | 0:08:12 | |
the North East reckons: | 0:08:12 | 0:08:15 | |
Excellent, Glenn but can you tell me
what Foville means? What to you | 0:08:26 | 0:08:32 | |
reckon? Confused? I thought so too
but apparently it means stammer. | 0:08:32 | 0:08:38 | |
Well if you know better, please get
in touch. | 0:08:38 | 0:08:44 | |
-- Faffle. | 0:08:44 | 0:08:45 | |
-- Faffle. | 0:08:45 | 0:08:46 | |
A growing number of Scottish boys
are taking up ballet, | 0:08:46 | 0:08:49 | |
but what about Scottish men? | 0:08:49 | 0:08:50 | |
Funny you should ask -
because a new evening class just | 0:08:50 | 0:08:52 | |
for men has started in Glasgow. | 0:08:52 | 0:08:54 | |
And it's believed to be
the first of its kind. | 0:08:54 | 0:08:56 | |
So is it a Nutcracker of an idea -
or a step tutu far? | 0:08:56 | 0:09:04 | |
Do you hate that one? I do.
So, how many of you have never done | 0:09:04 | 0:09:09 | |
a ballet class before? There are a
lot of beginners ballet classes | 0:09:09 | 0:09:15 | |
around but they are mostly attended
by women and I know as a man you can | 0:09:15 | 0:09:22 | |
feel a little bit intimidated coming
into that kind of space, you are | 0:09:22 | 0:09:25 | |
usual ale the only guy in there.
I developed a real joy in dance in a | 0:09:25 | 0:09:33 | |
men's only environment because I
felt like I could come in and there | 0:09:33 | 0:09:37 | |
was nobody there who had a lot of
knowledge, there was no intimidating | 0:09:37 | 0:09:42 | |
people... Well, I almost didn't come
in as I was quite scared to go into | 0:09:42 | 0:09:55 | |
a ballet class. But I thought, you
don't know until you have tried it. | 0:09:55 | 0:09:59 | |
I have been to gym and all kinds of
challenging thing but this is not | 0:09:59 | 0:10:04 | |
easy as all. It's not as easy as it
looks. It's a type of training that | 0:10:04 | 0:10:09 | |
you don't get anywhere else. It
works muscles you are not going to | 0:10:09 | 0:10:14 | |
work in any other type of class. A
lot of boxers do ballet, football e | 0:10:14 | 0:10:20 | |
rugby players, a lot of the
top-level professionals are really | 0:10:20 | 0:10:23 | |
getting on board with the idea that
it's, you've got to train different | 0:10:23 | 0:10:30 | |
muscle groups in different ways and
have that kind of cross-training. We | 0:10:30 | 0:10:37 | |
are taking one, two, three, close
four. | 0:10:37 | 0:10:40 | |
A lot of the time with the gym and
sports, you are in a really | 0:10:40 | 0:10:45 | |
competitive environment and it is
about who can do the most and the | 0:10:45 | 0:10:48 | |
best. What I find really amazing
about dance, is that it's just for | 0:10:48 | 0:10:53 | |
you.
It's quite fun! Apparently I have | 0:10:53 | 0:11:04 | |
good hips, and that always helps. So
just waddling through! It feels like | 0:11:04 | 0:11:12 | |
we're trying to be beautiful, which
men aren't often allowed to be in | 0:11:12 | 0:11:17 | |
men-only spaces, so I feel quite
strongly that is important. | 0:11:17 | 0:11:24 | |
Yeah, I think there is a mental
health element to it. The release | 0:11:24 | 0:11:29 | |
endorphins that you get from
exercise always helps with any | 0:11:29 | 0:11:33 | |
issue. I think everybody Leaves
feeling better. That's great. Do you | 0:11:33 | 0:11:40 | |
fancy it? I'm not sure it's on my
bucket list. But impressed with John | 0:11:40 | 0:11:47 | |
Beattie when he tried it last year. | 0:11:47 | 0:11:48 | |
But impressed with John Beattie
when he tried it last year. | 0:11:48 | 0:11:51 | |
New figures reveal that death rates
for the over 60s from alcohol are up | 0:11:51 | 0:11:54 | |
by more than a third,
with a sharp rise in the number | 0:11:54 | 0:11:57 | |
of deaths among women. | 0:11:57 | 0:11:58 | |
So are we turning a blind eye
to the wine o'clock culture | 0:11:58 | 0:12:01 | |
of drinking at home,
and to drinkers not normally | 0:12:01 | 0:12:03 | |
considered a problem? | 0:12:03 | 0:12:04 | |
We've been finding out
what some of you think. | 0:12:04 | 0:12:07 | |
It's a habit I try to break out of
but, yeah, definitely. I come in, | 0:12:07 | 0:12:12 | |
the kids are in bed and a wee glass
of wine, definitely. Due to | 0:12:12 | 0:12:19 | |
stressful jobs, people, the first
thing that they reach for when they | 0:12:19 | 0:12:23 | |
come back from work is a glass of
wine. I never had thought about it | 0:12:23 | 0:12:28 | |
being bad for people.
The last time I was at the doctor, | 0:12:28 | 0:12:32 | |
he said he considered me a binge
drinker but I wouldn't have thought | 0:12:32 | 0:12:37 | |
that as I only drink when I go out.
But he was saying that I drink more | 0:12:37 | 0:12:43 | |
when I'm out. But I don't drink
regularly through the week. I think | 0:12:43 | 0:12:55 | |
when you aren't out, because of
price, that is why people have drink | 0:12:55 | 0:12:59 | |
in the house.
Allison, who are the problem | 0:12:59 | 0:13:03 | |
drinkers? A lot of us assume that
the problem drinkers are younger | 0:13:03 | 0:13:08 | |
people but it is those of us in the
middle to older age that are | 0:13:08 | 0:13:14 | |
drinking the most and suffering the
greatest harm. As you showed the | 0:13:14 | 0:13:17 | |
death rates are going up in the late
50s and early 60 age groups. | 0:13:17 | 0:13:23 | |
Why is that? Why that particular age
group? It is basically a life time | 0:13:23 | 0:13:29 | |
of drinking. A change in culture for
women, I think, that we are drinking | 0:13:29 | 0:13:34 | |
more than perhaps our parents or
grandparents did. But also an | 0:13:34 | 0:13:38 | |
accumulation of drinking over a
number of decades that we are seeing | 0:13:38 | 0:13:42 | |
the long-term health harms. And the
problem is that people don't have an | 0:13:42 | 0:13:47 | |
appreciations of the health harms as
shown on the clips. There is an | 0:13:47 | 0:13:52 | |
assumption if we are there or there
abouts with our peers, we are not | 0:13:52 | 0:13:58 | |
causing ourselves harm. But there
are a whole range of harms from | 0:13:58 | 0:14:05 | |
cardiovascular diseases and cancers,
and also liver problems. | 0:14:05 | 0:14:09 | |
Why is it worse in Scotland than as
opposed to down south? Part of our | 0:14:09 | 0:14:16 | |
Scottish identity is that we are
very hail fellowow and like to have | 0:14:16 | 0:14:23 | |
a drink and people tend to associate
relaxing with drinking and being | 0:14:23 | 0:14:29 | |
friends but we have fallen into a
pattern of drinking and encouraging | 0:14:29 | 0:14:33 | |
one another to drink, that it is not
acceptable to opt out of drinking. | 0:14:33 | 0:14:39 | |
So, a kind of go on, take a drink
culture? Absolutely. | 0:14:39 | 0:14:43 | |
What must we do about it? The
evidence is strong that increasing | 0:14:43 | 0:14:49 | |
the price of alcohol, hopefully next
week we will hear, very much, we | 0:14:49 | 0:14:53 | |
hope to hear of the success for the
case for the Scottish Government to | 0:14:53 | 0:14:58 | |
implement minimum unit prices and
the widespread availability of | 0:14:58 | 0:15:02 | |
alcohol. We have a licensed premises
for every 250 King's Cross. And you | 0:15:02 | 0:15:08 | |
will know yourself, you see it as
coffee shops in a way you did not | 0:15:08 | 0:15:13 | |
used to in the past, so limiting the
ability. So not every corner shop is | 0:15:13 | 0:15:18 | |
selling alcohol.
Thank you very much. | 0:15:18 | 0:15:24 | |
It may feel like longer, but it's
now a year since Donald Trump | 0:15:24 | 0:15:27 | |
won the US election. | 0:15:27 | 0:15:28 | |
The half-Scottish president
is a wholly controversial figure | 0:15:28 | 0:15:30 | |
as we found in Scotland when he came
to build a golf resort. | 0:15:30 | 0:15:33 | |
Glenn's been looking
at President Trump's difficult | 0:15:33 | 0:15:36 | |
relationship with Scotland
for a documentary on air tonight. | 0:15:36 | 0:15:38 | |
Among the people he's been speaking
to is the veteran photographer, | 0:15:38 | 0:15:43 | |
Harry Benson, a Scotsman who's taken
many pictures of President | 0:15:43 | 0:15:46 | |
Trump over the years. | 0:15:46 | 0:15:47 | |
Here's his take. | 0:15:47 | 0:15:57 | |
Presidents don't behave like that.
Presidents are for uniting people. | 0:16:02 | 0:16:11 | |
There was always the decency of
doing the right thing. | 0:16:11 | 0:16:24 | |
Heery is with $1 million. It's in
the casino at the Taj Mahal. He told | 0:16:25 | 0:16:31 | |
me he didn't like this picture when
I was photographing him for Time | 0:16:31 | 0:16:36 | |
magazine. Because it is greed. You
couldn't come pairing with anybody. | 0:16:36 | 0:16:46 | |
With any of the bushes, Nixon, Jimmy
Carter. If you think of JFK really, | 0:16:46 | 0:17:00 | |
what they represented. I mean,
there's loads more. You put them | 0:17:00 | 0:17:11 | |
back because Glenn Campbell bending
them! Did you really bent Harry | 0:17:11 | 0:17:21 | |
Benson's photos? No, but he was
bantering like that throughout the | 0:17:21 | 0:17:26 | |
whole time we spent together. I
think with him it's like you can | 0:17:26 | 0:17:30 | |
take Harry Benson out of Glasgow but
you can't take Glasgow out of Harry | 0:17:30 | 0:17:35 | |
Benson. Are we going to see more of
the documentary? Yes. For those of | 0:17:35 | 0:17:40 | |
you who don't know Harry Benson,
he's the guy who photographed the | 0:17:40 | 0:17:43 | |
Beatles having a pillow fight, he
was there when Bobby Kennedy was | 0:17:43 | 0:17:47 | |
assassinated and as you saw in the
film, he has photographed every US | 0:17:47 | 0:17:52 | |
president since Eisenhower. Is
extremely well-connected and we have | 0:17:52 | 0:17:57 | |
saved the story of what Donald
Trump's first wife told Harry about | 0:17:57 | 0:18:04 | |
Trump's relevancy to the presidency
when they bumped into each other in | 0:18:04 | 0:18:07 | |
a restaurant. Interesting, what is
to be got? We traced his family | 0:18:07 | 0:18:14 | |
heritage to the Isle of Lewis where
his mum was born and brought up. We | 0:18:14 | 0:18:18 | |
also look at his golf businesses,
including many in Aberdeen shirt and | 0:18:18 | 0:18:24 | |
wonder where the investment that
Donald Trump promised has gone. We | 0:18:24 | 0:18:29 | |
also try and join the dots between
the Donald Trump who came to | 0:18:29 | 0:18:34 | |
Scotland as a businessman and the
Donald Trump who is now occupy | 0:18:34 | 0:18:38 | |
notably the highest presidential
office in the present in me... BBC | 0:18:38 | 0:18:46 | |
One Scotland. I should be rushing
home to see! Backs! | 0:18:46 | 0:18:50 | |
As armistice day approaches,
the role that Edinburgh's | 0:18:50 | 0:18:52 | |
Craiglockhart Hospital played
in helping soldiers | 0:18:52 | 0:18:53 | |
recover from shell-shock
during the First World War is being | 0:18:53 | 0:18:55 | |
marked by a special musical project. | 0:18:55 | 0:18:58 | |
A violin-maker has created three
new instruments as a tribute | 0:18:58 | 0:19:00 | |
to a trio of celebrated
war poets with strong | 0:19:00 | 0:19:03 | |
links to the hospital -
Wilfred Owen, Siegfried Sassoon | 0:19:03 | 0:19:05 | |
and Robert Graves. | 0:19:05 | 0:19:14 | |
Gas! Gas! Quick, boys. But someone
still was yelling out and stumbling, | 0:19:14 | 0:19:24 | |
foundering like a man on fire. Dim,
through the misty panes and thick | 0:19:24 | 0:19:32 | |
green light. As under a green sea
they saw him drowning. Especially a | 0:19:32 | 0:19:44 | |
blackbird. They can sing out like a
bow, working with wood and trying to | 0:19:44 | 0:19:52 | |
get a voice out of it is very much
like listening to some of the | 0:19:52 | 0:19:56 | |
songbirds. Wilfred Owen wrote some
of the best-known anti-war poetry | 0:19:56 | 0:20:09 | |
and that is what these are standing
for. Not just a violin maker, I like | 0:20:09 | 0:20:14 | |
to take trees and give them
connections. Chance came up for | 0:20:14 | 0:20:19 | |
brands from Craiglockhart which have
been looking for four years. That's | 0:20:19 | 0:20:24 | |
actually from a tree. This is where
the Wilfred Owen violin came from | 0:20:24 | 0:20:31 | |
and the Robert Graves violin. You
for corner blocks... So the Wilfred | 0:20:31 | 0:20:37 | |
Owen violin was made in 2014, the
Sassoon violin was made in 2017 and | 0:20:37 | 0:20:42 | |
the third violin was the month after
in October 20 17th, for Robert | 0:20:42 | 0:20:49 | |
Graves. Before Wilfred Owen came
here he has had some bad experiences | 0:20:49 | 0:20:54 | |
on the front line. The story goes
that he was beside one of his | 0:20:54 | 0:21:03 | |
compatriots and was honestly blown
to pieces. Wilfred Owen had to stay | 0:21:03 | 0:21:06 | |
where he was for some considerable
time. What is passing bells for | 0:21:06 | 0:21:11 | |
those who died cattle. Only the
monstrous anger of the guns... No | 0:21:11 | 0:21:21 | |
mockeries now for them, no prayers
nor bells, nor any voice of mourning | 0:21:21 | 0:21:26 | |
save for choirs. The shrill,
demented choirs... And bugles | 0:21:26 | 0:21:31 | |
calling for them. 'S Wilfred Sassoon
was sent to the hospital because he | 0:21:31 | 0:21:40 | |
protested against the continuous of
the war. Robert Graves, the other | 0:21:40 | 0:21:43 | |
one in the trio pleaded that Sassoon
should be badly shocked by what he | 0:21:43 | 0:21:51 | |
had seen on the front. Sassoon comes
to the hospital in the July, Wilfred | 0:21:51 | 0:21:57 | |
Owen is already here and he affects
an introduction. Sassoon encourages | 0:21:57 | 0:22:01 | |
him to sweat is puts out writing
poetry. Graves, although he was | 0:22:01 | 0:22:07 | |
never a patient at the hospital did
come back and visit and on the | 0:22:07 | 0:22:11 | |
occasion of the three poets meeting,
Wilfred Owen takes Robert Graves to | 0:22:11 | 0:22:17 | |
the golf course where Sassoon is
playing an Owen shows Graves poem | 0:22:17 | 0:22:20 | |
that he's just written as well, to
which Graves says that Saddam fine | 0:22:20 | 0:22:24 | |
poem. It's quite interesting because
they are all different interests | 0:22:24 | 0:22:31 | |
instruments. With these named after
the war poets they have got | 0:22:31 | 0:22:38 | |
different characters, different tone
and different reaction from people | 0:22:38 | 0:22:41 | |
who listen to them so they are
unique characters like in real life. | 0:22:41 | 0:22:45 | |
And especially this year being the
anniversary of Wilfred Owen arriving | 0:22:45 | 0:22:52 | |
in Edinburgh. The most important
thing for me is keeping these men | 0:22:52 | 0:22:55 | |
and boys remembered. | 0:22:55 | 0:23:06 | |
A beautiful piece of music. I was
college there, you could sense the | 0:23:18 | 0:23:22 | |
history around you. | 0:23:22 | 0:23:24 | |
They're the TV bobbies
on the beat you might not | 0:23:24 | 0:23:27 | |
want to rely on in an emergency. | 0:23:27 | 0:23:28 | |
The new series of the comedy
cop show, Scot Squad, | 0:23:28 | 0:23:31 | |
is about to return to our screens. | 0:23:31 | 0:23:33 | |
The first episode sees an unwanted
eyeful for PC Jack McLaren - | 0:23:33 | 0:23:35 | |
played by Jordan Young. | 0:23:35 | 0:23:43 | |
My partner, Sarah, went to check
fire exits and a look around the | 0:23:43 | 0:23:47 | |
building to see what else had
changed and he gave me a tour of the | 0:23:47 | 0:23:50 | |
VIP area. VIP, very important
policeman. If you want them in here, | 0:23:50 | 0:23:59 | |
that's what will get. Is that for
the football. Yeah, that's were lots | 0:23:59 | 0:24:04 | |
of football. And an insight into the
extras you get in this room. Is at | 0:24:04 | 0:24:13 | |
the toilet? That's illegal, you
cannot film a toilet. Sarah, now. | 0:24:13 | 0:24:19 | |
Don't drop your trousers. No. I saw
it, I saw that. Sarah, I saw that! | 0:24:19 | 0:24:30 | |
No, that is wrong on every level. I
love that show! Jordan is with as | 0:24:30 | 0:24:36 | |
now. That looks at such fun to make,
Jordan. I can on this estate is a | 0:24:36 | 0:24:43 | |
great show to make. It is just a
good laugh because it is improvised, | 0:24:43 | 0:24:48 | |
you're kind of free. Is it all
improvised? I would say the | 0:24:48 | 0:24:53 | |
majority. You have an outline and
suggested lines but the majority of | 0:24:53 | 0:24:58 | |
it is just whatever comes out of
your mouth. It's up to the editor to | 0:24:58 | 0:25:02 | |
make you funny, they're the real
heroes of this! How do you find your | 0:25:02 | 0:25:07 | |
own character? Lumb went into the
audition with your own character so | 0:25:07 | 0:25:13 | |
I decided to make mine one of these
wannabe Robo cops, he loves himself, | 0:25:13 | 0:25:19 | |
arrogant. Someone really far removed
from myself! And you just go with it | 0:25:19 | 0:25:24 | |
and in improvisation you hold onto
your character and hope that the | 0:25:24 | 0:25:28 | |
lines come. What are the real police
think of it, have you had much | 0:25:28 | 0:25:34 | |
feedback? Only positive feedback. A
lot of people, so you must have an | 0:25:34 | 0:25:39 | |
insider because so much of this
stuff we shoot they say is true to | 0:25:39 | 0:25:44 | |
life and almost not as far. That
happens a lot, but police say that. | 0:25:44 | 0:25:48 | |
This year we have some pretty
extreme storylines, so make you want | 0:25:48 | 0:25:51 | |
to be a real copper! This is the
fourth series now? Yeah. So nearly | 0:25:51 | 0:25:59 | |
days did anybody mistake you for the
real police? In the first series, me | 0:25:59 | 0:26:03 | |
and Sally were sitting in the police
car as they were setting up and we | 0:26:03 | 0:26:10 | |
were chatting to the show's creator,
Joe, who is in the back of the | 0:26:10 | 0:26:15 | |
police car but insidious, we were in
police gear. A guy was standing | 0:26:15 | 0:26:19 | |
outside and we didn't know he wanted
our attention but Joe looked like we | 0:26:19 | 0:26:24 | |
were apprehending him. And us being
actors, we were saying Joe, that | 0:26:24 | 0:26:28 | |
someone at the window. He leaps out
and approach the guy and a guy got a | 0:26:28 | 0:26:33 | |
fright because he thought that he
was getting out of a word with him. | 0:26:33 | 0:26:37 | |
Then the real police who were on had
to have a word with the guy to come | 0:26:37 | 0:26:43 | |
on down. Of course your character is
very different in this to your other | 0:26:43 | 0:26:47 | |
character in River city. The bad
guy, Alex. Let's have a look at this | 0:26:47 | 0:26:52 | |
guy. And have a quiet word with her.
He gets results. Guinea results is | 0:26:52 | 0:27:01 | |
having the police little about. That
stupid? Caitlin told the entire... | 0:27:01 | 0:27:06 | |
Is a nasty piece of work. He is. A
lovable rogue. Is not very nice. Who | 0:27:06 | 0:27:15 | |
do prefer playing, the good of the
bad guy? It's good fun but is just | 0:27:15 | 0:27:20 | |
nice to be working, it's nice to get
out of the House! I don't know, they | 0:27:20 | 0:27:24 | |
are both completely different. I
love doing comedy but also River | 0:27:24 | 0:27:31 | |
city is great being the bad guy,
been sinister and duplicitous. I | 0:27:31 | 0:27:42 | |
killed the guy. That's been on the
telly, that's fine, I can say that. | 0:27:42 | 0:27:46 | |
I did know it is going to spoil or
not. It's the brothers who are both | 0:27:46 | 0:27:51 | |
now deceased. I hear there is a big
storyline coming up over Christmas, | 0:27:51 | 0:27:55 | |
you part of that? Yes. Is all you
can tell is? Yes. It's myself | 0:27:55 | 0:28:03 | |
editing thinking what can I say and
what can't say. I'll just say yes | 0:28:03 | 0:28:06 | |
and that gets me out of anything.
How far router you filming in | 0:28:06 | 0:28:12 | |
advance? We have filmed up to march
now. Before coming here are just | 0:28:12 | 0:28:16 | |
filmed my last seen before the
Christmas break. So we know he | 0:28:16 | 0:28:21 | |
survives until March! Yeah, I think
mid-March goes up to. So quite far | 0:28:21 | 0:28:27 | |
advance. And in the meantime we've
got Scots what to look forward to. | 0:28:27 | 0:28:33 | |
Cheers. | 0:28:33 | 0:28:37 | |
Scot Squad is on BBC One Scotland
on Wednesday night at 10:40pm. | 0:28:37 | 0:28:40 | |
That's your Timeline for this week. | 0:28:40 | 0:28:41 | |
Thanks for watching. | 0:28:41 | 0:28:42 | |
Don't forget Glenn's Trump
documentary at 9pm on BBC1. | 0:28:42 | 0:28:47 | |
Thank you for that! | 0:28:47 | 0:28:48 | |
Thank you for that! | 0:28:48 | 0:28:49 | |
Shereen and I will be back
next Thursday at 7:30pm. | 0:28:49 | 0:28:55 | |
From both of us, bye for now.
Goodbye. | 0:28:55 | 0:29:00 |