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Now on BBC News it's time for Witness with Tanya Beckett. | :00:00. | :00:29. | |
Hello, and welcome to Witness, with me, Tanya Beckett, here at the | :00:30. | :00:36. | |
British library in London. We've got another five people who have | :00:37. | :00:39. | |
experienced extraordinary moments in history. | :00:40. | :00:42. | |
This month on the programme, a French artist recalls the protests | :00:43. | :00:50. | |
in Paris in May, 1968. The son of a famous British sailor remembers his | :00:51. | :00:53. | |
pioneering solo voyage around the world. And we get a personal account | :00:54. | :00:59. | |
of the launch of the world's most famous photo agency. First, we are | :01:00. | :01:09. | |
going back to 1939, when a ship with Jewish refugees on-board fleeing | :01:10. | :01:12. | |
from the Nazis was refused entry by US authorities. And forced to return | :01:13. | :01:18. | |
to Europe. Gellibrand stills on board. -- Joa Granston. | :01:19. | :01:31. | |
Prejudice against Jews started virtually immediately after Hitler | :01:32. | :01:43. | |
came to power. It became clear even to a five-year olds that I am a | :01:44. | :01:46. | |
nobody. My father and my grandfather were | :01:47. | :01:59. | |
planning, where could we go? And one of the few countries that took you, | :02:00. | :02:08. | |
albeit for money, was Cuba. Jews from all parts of the Reich | :02:09. | :02:15. | |
liquidating their properties, Kim Little generations, and drift into | :02:16. | :02:19. | |
hamburg... Cuba was a stepping stone to get us come at two get us to the | :02:20. | :02:26. | |
United States. The voyage was, to me, a two-week delight. I remember, | :02:27. | :02:40. | |
still to this day, drinking fizzy lemonade, all the things I shouldn't | :02:41. | :02:44. | |
have done. The treatment on board the ship, and what was happening in | :02:45. | :02:54. | |
Germany, was a huge, huge contrast. When we got to Havana, immigration | :02:55. | :03:00. | |
and customs came aboard and they were very pleasant, very nice, but I | :03:01. | :03:06. | |
learnt my first and only word of Spanish, which was manana. | :03:07. | :03:14. | |
Everything was "Tomorrow". We left Havana after five days. Captain | :03:15. | :03:21. | |
showed sailed up and down the Florida coast fairly certain that | :03:22. | :03:24. | |
Bruce Billson would relent and let the ship come into an American port. | :03:25. | :03:34. | |
-- certain that result would relent. -- Roosevelt. All to no avail. | :03:35. | :03:38. | |
Roosevelt was standing for re-election. Rather than have his | :03:39. | :03:45. | |
political enemies say, you let another 900 Jews in, decided, keep | :03:46. | :03:51. | |
them out, let somebody else worry. We were going back to Germany, where | :03:52. | :03:57. | |
there was no hope whatsoever for the Jewish people. My father didn't hide | :03:58. | :04:12. | |
his emotions very easily. And more than once, he cried. It became known | :04:13. | :04:23. | |
that four countries were prepared to take us, and this was the | :04:24. | :04:29. | |
Netherlands, Belgium, France, and the United Kingdom. The sad thing is | :04:30. | :04:35. | |
that those people who made it to France, the Netherlands, Belgium, | :04:36. | :04:41. | |
those who were still there wants the Nazis conquered them, they were the | :04:42. | :04:47. | |
first of the arrested, because they were German Jews. -- once the Nazis | :04:48. | :04:59. | |
conquered them. Lucky is a word I use many times. If my father and I | :05:00. | :05:06. | |
had not come to the United Kingdom in 1939, I wouldn't be here now. | :05:07. | :05:12. | |
Gerald Branson at his home in London. Next, to post-war Japan, | :05:13. | :05:24. | |
where a musician developed a revolutionary method to teaching | :05:25. | :05:27. | |
violin to very young children. It would later take off around the | :05:28. | :05:34. | |
world. Our next witnesses are two brothers, who were two of his first | :05:35. | :05:36. | |
pupils. VADS here is that from the age of | :05:37. | :06:20. | |
three, Japanese children can be taught to play simple tunes by ear. | :06:21. | :06:23. | |
As the Japanese teacher Shinichi Suzuki himself says, they learn to | :06:24. | :06:27. | |
speak with the violin at the same time they learn to speak their | :06:28. | :06:28. | |
mother tongue. Still playing violin decades later. | :06:29. | :09:36. | |
Now, we are going back to 1967 and the moment a British sailor called | :09:37. | :09:46. | |
Frances CHichester completed an epic solo trip around the world. His son, | :09:47. | :09:53. | |
Giles Chichester, was in the huge crowds that had gathered to give him | :09:54. | :09:57. | |
a hero 's welcome when he returned to Plymouth harbour. This was the | :09:58. | :10:00. | |
scene at Plymouth as a quarter million people had their long wait | :10:01. | :10:04. | |
rewarded by the privilege of being the first to observe, from the | :10:05. | :10:07. | |
shore, the approach of Gypsy Mok. A fleet of welcoming boats went out to | :10:08. | :10:13. | |
meet him. People said he was too old and his boat was too big to him. He | :10:14. | :10:18. | |
would never manage. Well, of course that was a red rag to a bull. It | :10:19. | :10:22. | |
made him even more determined to go on and do it. That fleet ensures him | :10:23. | :10:29. | |
a proud place in the company of the greatest of maritime history. My | :10:30. | :10:33. | |
father was in his mid- 60s when he planned this voyage. In a way, the | :10:34. | :10:40. | |
history of this goes back to when he did he is flying in the 1930s. He | :10:41. | :10:44. | |
had this sense of adventure. So flash forward to the 60s, when he | :10:45. | :10:54. | |
took up sailing. He made certain that all the saucy needed for the | :10:55. | :10:57. | |
next 100 days were properly stowed away. -- stores. Gypsy Moth for was | :10:58. | :11:05. | |
a very narrow boat. No fridge, no mod cons like that. He navigated, | :11:06. | :11:09. | |
this is critical, using a sextant. Today people use satellite | :11:10. | :11:13. | |
navigation. That is a big, big difference. From the Cape of good | :11:14. | :11:17. | |
Hope he will follow the route of the bishops to Australia, turning around | :11:18. | :11:22. | |
Cape Horn. -- the clipper ships. On the way out he was determined to | :11:23. | :11:26. | |
celebrate his birthday. He was going to have his 65th birthday en route. | :11:27. | :11:31. | |
And in order to do that, he took his green smoking jacket, which was made | :11:32. | :11:37. | |
to him in the 1930s. He obviously took some champagne to celebrate. He | :11:38. | :11:41. | |
was a very congenial fellow, actually. He enjoyed company. People | :11:42. | :11:46. | |
may imagine somebody who goes single-handedly solitary and | :11:47. | :11:51. | |
antisocial. Far from it. Probably the biggest crisis point was in the | :11:52. | :11:55. | |
southern Indian Ocean in the Roaring 40s. It was gloom all round, when he | :11:56. | :12:03. | |
radioed that this altar had broke, he was giving up. But he slapped on | :12:04. | :12:08. | |
it, he devised his own temporary self steering device. -- slapped on | :12:09. | :12:15. | |
it. And that saved the day. He made only one stop in the | :12:16. | :12:19. | |
circumnavigation, in Sydney, to mirror the root of the clippers. But | :12:20. | :12:25. | |
within the first few hours, leaving Sydney, he hit the tail end of a | :12:26. | :12:31. | |
hurricane. And the boat was knocked over, so that he went way over the | :12:32. | :12:37. | |
horizontal. He survived that, and he was fascinated, measuring this after | :12:38. | :12:41. | |
the fact, by seeing the angle at which knives from the galley draws | :12:42. | :12:45. | |
had stuck in the ballkid on the opposite side. Chichester had | :12:46. | :12:50. | |
circumnavigated the globe. More than that, he had accomplished the | :12:51. | :12:56. | |
stupendous foot feat alone. The voyage around the world was just | :12:57. | :13:01. | |
over 29,000 miles. It took him 226 days sailing time. Perhaps this son | :13:02. | :13:07. | |
assuming man would have preferred a private welcome. But deeds such as | :13:08. | :13:12. | |
his demanded a hero's reception. He was a little pottery when he got in, | :13:13. | :13:16. | |
so I did the celebrating for the family. I confess I stayed up all | :13:17. | :13:20. | |
night, partying and drinking and having a good time. With Sir Francis | :13:21. | :13:27. | |
Drake's soared, the Queen was to dub the sailor as Knight Commander of | :13:28. | :13:31. | |
the British Empire. They decided to have a public investiture, which is | :13:32. | :13:34. | |
an extremely rare event. This was a bit of a surprise. My father more or | :13:35. | :13:40. | |
less took it in his stride. The whole thing was the most wonderful | :13:41. | :13:47. | |
adventure. Giles Chichester talking to us from | :13:48. | :13:49. | |
his family home in London. Remember, you can watch Witness | :13:50. | :14:06. | |
every month on our website. Now, to one of the key moments of recent | :14:07. | :14:12. | |
history in France. In May, 1968, revolution was in the air. Students | :14:13. | :14:17. | |
and workers took to the streets to demand change. Witness has met an | :14:18. | :14:27. | |
artist who joined in the protest. The worst street fighting in the | :14:28. | :14:31. | |
capital since liberation in 1944. Students and police clashed | :14:32. | :14:36. | |
following extremist political action against the war in Vietnam's. -- | :14:37. | :14:57. | |
Vietnam. It was 1968. Too many people were out in the same moment. | :14:58. | :15:06. | |
There was a factory strike and universities were a stroke. | :15:07. | :15:09. | |
Everybody decided to go into the street. It was 6pm at night on the | :15:10. | :15:18. | |
13th of May. Workers and students were together. Leaders from the | :15:19. | :15:32. | |
Sorbonne were meeting with leaders of workers organisations to plan | :15:33. | :15:49. | |
their next move. We've were fighting for our rights and for better lives. | :15:50. | :16:05. | |
Me and my friend decided to go back and try to get involved in making | :16:06. | :16:12. | |
posters for the movement. The first thing we did was to organise paints | :16:13. | :16:21. | |
and brushes and paper for all the people coming down. The area became | :16:22. | :16:31. | |
very famous and people wanted to posters to stick on the wall. My job | :16:32. | :16:40. | |
was to work and get the posters out and on the wall. Contact factories. | :16:41. | :16:48. | |
We had meetings so we could decide which were good and which word. And | :16:49. | :16:53. | |
a ready had to say something about it. We worked like the workers. We | :16:54. | :17:06. | |
could make 2000 posters, or maybe one big poster. Factories, | :17:07. | :17:17. | |
universities, and unions, were now coming together. The government was | :17:18. | :17:26. | |
trained to separate the people. We thought that was the end of the | :17:27. | :17:33. | |
society. Instead of that, a new people, new students and workers | :17:34. | :17:56. | |
came out and could work together. We stay in the French capital for our | :17:57. | :18:02. | |
far north film. In May, 1947, some of the world's most famous | :18:03. | :18:11. | |
photographers got together in Paris to form Magnum Photos. -- final | :18:12. | :18:32. | |
film. Magnum was a committee of spirits. ICQ is a group of lunatics. | :18:33. | :18:41. | |
Very passionate. -- I think it was. It was set up in 1947 by a few | :18:42. | :18:49. | |
dealers photographers who suddenly found the world changed, but wanted | :18:50. | :18:55. | |
to continue operating in the old way and were willing to take risks. | :18:56. | :19:09. | |
That's me. In January, 1950, I answered this advertisement, and I | :19:10. | :19:16. | |
think it was for a secretary research International, or something | :19:17. | :19:21. | |
like that. The active and dynamic party of the group was, who was | :19:22. | :19:32. | |
already famous from the civil war. -- of the group was Robert Carper. | :19:33. | :19:43. | |
And his long-time friend, Jim, was an actor in Paris in the 1930s. And | :19:44. | :19:49. | |
also in the Spanish steel wall. -- civil war. And that group was joined | :19:50. | :20:06. | |
by George Roger, who was a nonconformist adventurer. I think | :20:07. | :20:20. | |
they change photography in different ways. When you look at Robert | :20:21. | :20:31. | |
Carper's wall pictures, he was more concerned with the pictures of | :20:32. | :20:36. | |
suffering than any glory from the war. -- Robert Capa. I remember | :20:37. | :20:46. | |
another picture of the independence of Indonesia. And Robert Capa's | :20:47. | :20:57. | |
pictures from Palestine... They didn't want to be told what to do. | :20:58. | :21:01. | |
That was more important to them than having a nice fat salary. This was | :21:02. | :21:12. | |
from a big Magnum show. It was a cooperative at a family atmosphere. | :21:13. | :21:20. | |
Everybody was very affectionate. When Robert Capa and Chim came in | :21:21. | :21:27. | |
from Paris, they brought perfume and elegant things. There was never any | :21:28. | :21:34. | |
idea of you being the boss, or the secretary. A Christmas parties, Capa | :21:35. | :21:41. | |
would come and dance with the bookkeeper. I don't know whether I | :21:42. | :21:51. | |
was more enchanted with the personalities of the photographers | :21:52. | :22:03. | |
than with the photographs. And Magnum Photos is still going strong | :22:04. | :22:07. | |
today. That is it from Witness for this month will stop next month, | :22:08. | :22:12. | |
will be at the British Library going through five moments of history. But | :22:13. | :22:18. | |
from me, for now, thank you for joining us. Goodbye. | :22:19. | :22:39. | |
We'll do the easy bit first and then I'll give you the forecast, | :22:40. | :22:50. | |
which is probably the bit you're after, anyway. | :22:51. | :22:53. |