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Hello and welcome to Animal Park. I'm Kate Humble... | 0:00:29 | 0:00:32 | |
..and I'm Ben Fogle. And we're up on the roof of Longleat House. | 0:00:32 | 0:00:37 | |
And it is extremely impressive. | 0:00:37 | 0:00:39 | |
38,000 square feet, and these chimneys, | 0:00:39 | 0:00:41 | |
and there are 99 of them, have all been hand-crafted from Bath stone. | 0:00:41 | 0:00:46 | |
But I think the most special thing about being up here, are the views across the estate. | 0:00:46 | 0:00:51 | |
They are spectacular. We'll be bringing you stories | 0:00:51 | 0:00:54 | |
from not around the house but the entire safari park. Coming up today - | 0:00:54 | 0:00:58 | |
A life and death situation when the vet has to perform an emergency operation. | 0:00:58 | 0:01:04 | |
There's the before... and the after, when I find out how to turn eggs into chicks. | 0:01:04 | 0:01:11 | |
And we'll discover what Mike, Michelle | 0:01:11 | 0:01:13 | |
and Little Mandu the marmoset make of the world's favourite pongs. | 0:01:13 | 0:01:18 | |
But now, across the safari park, the keepers | 0:01:24 | 0:01:27 | |
are always trying to find ways to enrich the lives of their animals. | 0:01:27 | 0:01:31 | |
That could be building a climbing frame for the pygmy goats, | 0:01:31 | 0:01:35 | |
hanging up unusual food for the giraffes to browse, | 0:01:35 | 0:01:39 | |
or making a giant scratching post for the lions to play with. | 0:01:39 | 0:01:43 | |
As one of our closest relatives in the animal kingdom, the gorillas need plenty of mental stimulation. | 0:01:43 | 0:01:48 | |
Keeper Michelle Stevens is constantly trying to come up with something to keep them interested. | 0:01:48 | 0:01:54 | |
It's very much like trying to stimulate young child. | 0:01:56 | 0:02:00 | |
You've always got to be on the ball with them, | 0:02:00 | 0:02:02 | |
you always have to think of new ideas to keep them entertained. | 0:02:02 | 0:02:06 | |
And that's quite a large part of the job. | 0:02:06 | 0:02:08 | |
To keep our gorillas enriched we have a TV in the house which is quite unusual. | 0:02:08 | 0:02:12 | |
They seem to enjoy it. | 0:02:12 | 0:02:13 | |
It gives some things to look at. | 0:02:13 | 0:02:15 | |
It also gives them feed enrichment as well. | 0:02:15 | 0:02:19 | |
We scatter food around the island and create little puzzles | 0:02:19 | 0:02:22 | |
for them to fathom as well. | 0:02:22 | 0:02:24 | |
Anything to increase the amount of time they forage for their food, | 0:02:24 | 0:02:28 | |
which is what they do in the wild, | 0:02:28 | 0:02:30 | |
that is what we have to try and replicate in captivity. | 0:02:30 | 0:02:33 | |
Nico the silverback male, and Samba the female, are both complicated characters. | 0:02:33 | 0:02:39 | |
There's always something to learn with gorillas and they're always learning something about you. | 0:02:39 | 0:02:44 | |
It's a constant relationship which is building all the time. | 0:02:44 | 0:02:47 | |
They get to know you and you get to know them and their little habits as well. | 0:02:47 | 0:02:51 | |
I've only been there for two years and I'm still learning all the time. | 0:02:51 | 0:02:56 | |
Michelle has also expanded her education recently with a specialist animal management course. | 0:02:58 | 0:03:04 | |
In her studies she's heard of an experiment | 0:03:04 | 0:03:07 | |
that was done to see if primates recognize images of themselves. | 0:03:07 | 0:03:11 | |
Researchers found that gorillas were sometimes fascinated by their reflection in a mirror. | 0:03:11 | 0:03:16 | |
So this morning Michelle's trying it with Nico, to see if it gets him thinking. | 0:03:16 | 0:03:22 | |
NICO GRUNTS | 0:03:22 | 0:03:24 | |
That sort of noise is what he makes very rarely, when he watches chimpanzees on TV. | 0:03:24 | 0:03:30 | |
So whether he's thinking, "This is another silverback looking at me, I'm territorial," or, my guess is, | 0:03:30 | 0:03:37 | |
that he knows it is him, and he's just reacting to it. | 0:03:37 | 0:03:41 | |
It might wind him up as well if he could see himself all the time, so... | 0:03:41 | 0:03:45 | |
But now, | 0:03:45 | 0:03:47 | |
that's a reaction... | 0:03:47 | 0:03:49 | |
That's kind of an aggressive reaction, showing the teeth, making | 0:03:49 | 0:03:53 | |
himself look really big, so I think he's probably getting a little bit agitated. | 0:03:53 | 0:03:57 | |
Showing who's boss at the moment, I think. | 0:03:59 | 0:04:03 | |
Hmm? | 0:04:03 | 0:04:04 | |
'But he has come back for another look... | 0:04:04 | 0:04:07 | |
'he's really quite interested.' | 0:04:07 | 0:04:09 | |
'So Michelle's trying something else. | 0:04:12 | 0:04:15 | |
'Nico sees the sea lions every day, | 0:04:15 | 0:04:17 | |
'but what will he make of them on video? | 0:04:17 | 0:04:21 | |
'No reaction. What about other animals? | 0:04:21 | 0:04:23 | |
'Not interested. | 0:04:25 | 0:04:26 | |
'But he sits up when Longleat's Rhesus Macaque monkeys come on.' | 0:04:26 | 0:04:31 | |
It just looks like he is really concentrating on the TV. | 0:04:31 | 0:04:36 | |
It just sort of... | 0:04:36 | 0:04:39 | |
he's really focusing on something, trying to work it out, I think. | 0:04:39 | 0:04:43 | |
Trying to make out what it is. | 0:04:43 | 0:04:45 | |
It seems to me that he knows it's a primate. | 0:04:46 | 0:04:50 | |
Because he seems to respond to this and not to sea lions or the horses. | 0:04:50 | 0:04:55 | |
'So, what will the gorillas make of a video of themselves? | 0:04:55 | 0:04:59 | |
'Hopefully, they will find it stimulating viewing.' | 0:04:59 | 0:05:02 | |
I took a video of the gorillas and showed it back to them and they were quite receptive to it. | 0:05:02 | 0:05:08 | |
They did actually what it quite intently, especially Nico again. | 0:05:08 | 0:05:12 | |
He sat with arms crossed and watched the whole thing. | 0:05:12 | 0:05:15 | |
I showed him other videos of other things and he has not shown | 0:05:15 | 0:05:18 | |
any interest. He has actually walked away. So I think he knows it's him. | 0:05:18 | 0:05:22 | |
It is hard to know what Nico's thinking, but he is glued to the telly. | 0:05:22 | 0:05:27 | |
HE GRUNTS | 0:05:27 | 0:05:29 | |
That's the same noise that we were hearing when we showed him the mirror. | 0:05:29 | 0:05:32 | |
He's probably just interested to see what he looks like. | 0:05:32 | 0:05:36 | |
He probably recognises the logs and everything as well and the actual island. | 0:05:38 | 0:05:43 | |
'But suddenly, something breaks the spell.' | 0:05:43 | 0:05:47 | |
HE HITS THE WALL | 0:05:48 | 0:05:49 | |
That was a good reaction. | 0:05:49 | 0:05:51 | |
He's just basically getting a bit agitated and little bit... | 0:05:51 | 0:05:56 | |
unnerved and he wants it to end, I think. | 0:05:56 | 0:06:00 | |
In fact, it's time to go out for the day anyway. | 0:06:00 | 0:06:04 | |
The gorillas were fascinated with themselves on video, | 0:06:04 | 0:06:07 | |
even if Nico decided in the end that he didn't like that show. | 0:06:07 | 0:06:11 | |
It's a really good response, especially with the mirror as well. | 0:06:11 | 0:06:14 | |
I didn't think they'd be that interested, to be honest. | 0:06:14 | 0:06:17 | |
I knew they'd have a look but didn't think it would keep their attention for that long. | 0:06:17 | 0:06:21 | |
They are creatures that do recognise their own reflection and they're very intelligent. | 0:06:21 | 0:06:27 | |
It's everything I thought it would be, actually. | 0:06:27 | 0:06:29 | |
For Michelle it's been an interesting experiment, | 0:06:30 | 0:06:33 | |
and for the gorillas it may well have given them something to think about for the rest of the day. | 0:06:33 | 0:06:38 | |
For some of the residents just having a grassy patch | 0:06:45 | 0:06:48 | |
and a few friends around is all the enrichment they need. | 0:06:48 | 0:06:52 | |
The guinea fowl is a ground-dwelling bird from Africa, | 0:06:52 | 0:06:55 | |
and at Longleat, they range free all across the East Africa Reserve. | 0:06:55 | 0:06:59 | |
And as they go, they lay free-range eggs. | 0:06:59 | 0:07:03 | |
Ben's gone to find out what happens to them. | 0:07:03 | 0:07:07 | |
I've come up to the incubation house was Senior Warden Bev Evans. | 0:07:07 | 0:07:11 | |
And a collection of eggs. What are these actually for...? | 0:07:11 | 0:07:14 | |
-These are from our guinea-fowl. -Wow. So they were laid... -Around the giraffe area. | 0:07:14 | 0:07:18 | |
-I had to search everywhere for them. -And why are we here? -We've brought them to be incubated. -OK. | 0:07:18 | 0:07:23 | |
Hiding in here is head of section Mark Tye. Good morning, Mark. | 0:07:23 | 0:07:26 | |
What is Mark going to do with these? | 0:07:26 | 0:07:31 | |
Hopefully incubate them if you've got some room? | 0:07:31 | 0:07:34 | |
-We've got plenty of room. -What are you looking for with these eggs and what does incubation involve? | 0:07:34 | 0:07:39 | |
Firstly, what we need to look for straight away is that they're clean and not deformed at all. | 0:07:39 | 0:07:47 | |
Sometimes you can get calcification not all over the shell which would indicate a poor quality egg. | 0:07:47 | 0:07:52 | |
These all look pretty good to me. | 0:07:52 | 0:07:54 | |
And then we need to put them in the machine and 28 days later, | 0:07:54 | 0:07:58 | |
out pop some chicks. | 0:07:58 | 0:08:00 | |
So we have a few things there, 28 days is the period it will take | 0:08:00 | 0:08:05 | |
for a chick to hatch. But why can we not just leave these out and about around the estate? | 0:08:05 | 0:08:10 | |
One of the reasons is they get predated by crows. | 0:08:10 | 0:08:15 | |
What a game bird like this will do is lay eggs, one a day over X amount of days. | 0:08:15 | 0:08:20 | |
The trouble is that crows are really good at finding nests and they just seal the eggs. | 0:08:20 | 0:08:24 | |
Is this an incubation machine? Is this where they would be put? | 0:08:24 | 0:08:28 | |
Yes, this is one of the specialist machines. | 0:08:28 | 0:08:31 | |
This one does turning and controls the humidity as well. | 0:08:31 | 0:08:36 | |
We can keep that at a set point. | 0:08:36 | 0:08:39 | |
It turns the eggs every hour. With these eggs... | 0:08:39 | 0:08:41 | |
I don't know, if you can turn the light out we can see... | 0:08:41 | 0:08:44 | |
All you can see is just a clear shell with a dark patch in the middle which is the yoke. | 0:08:46 | 0:08:52 | |
So there isn't a chicken there yet? | 0:08:52 | 0:08:54 | |
There's not an embryo in there at all at this stage. | 0:08:54 | 0:08:57 | |
That's what you are looking for initially. | 0:08:57 | 0:08:59 | |
Just a nice, dark yolk shape. | 0:08:59 | 0:09:02 | |
-OK. -But with some eggs over here which is a partridge and doing for Tim... | 0:09:02 | 0:09:08 | |
Wow, you really are... you are the egg man! | 0:09:08 | 0:09:12 | |
I am. You might be able to see, all these veins. | 0:09:12 | 0:09:16 | |
-You can see the dark bits...yes! -See these veins? | 0:09:16 | 0:09:19 | |
So is that that the chick forming inside? | 0:09:19 | 0:09:21 | |
Yes, that's the embryo growing inside. | 0:09:21 | 0:09:24 | |
What happens is, the first thing you'll see at about 44 days in a partridge is a little heart beat. | 0:09:24 | 0:09:30 | |
-You will be able to see that? -You'll see the heart pumping away. | 0:09:30 | 0:09:33 | |
And from that heart beat all these blood vessels start spreading out. | 0:09:33 | 0:09:37 | |
The blood vessels have to grow all around the outside and inside the shell. | 0:09:37 | 0:09:42 | |
And that is then their outer blood supply. | 0:09:42 | 0:09:45 | |
It's a bit similar to a mammal being connected to the centre. | 0:09:45 | 0:09:48 | |
-How many eggs do you have? -We have about 12. | 0:09:48 | 0:09:51 | |
I don't know how many we are likely to get out of that. | 0:09:51 | 0:09:54 | |
I would hope about 80%. | 0:09:54 | 0:09:57 | |
-That's not bad. -You will always find, particularly with birds that lay lots of eggs, some don't work. | 0:09:57 | 0:10:03 | |
-Bear in mind, these are guinea-fowl. They are not native to the UK. -No, these are African. | 0:10:03 | 0:10:08 | |
How many do you have now? | 0:10:08 | 0:10:10 | |
-We have 34. -Do you need more? -Yes. | 0:10:10 | 0:10:13 | |
They do spread out a lot because they are good at free-ranging. | 0:10:13 | 0:10:17 | |
So 34 now, but how many of those eggs will hatch? | 0:10:17 | 0:10:22 | |
We'll be back later to find out. | 0:10:22 | 0:10:25 | |
But now, back up in the East African Reserve there's an emergency with the pygmy goats. | 0:10:30 | 0:10:34 | |
The vet, Duncan Williams has just arrived, and Bev Evans has been called back to help. | 0:10:34 | 0:10:40 | |
Lily, one of the pregnant nannies, began to go into labour yesterday. | 0:10:40 | 0:10:44 | |
They think she's got twins. | 0:10:44 | 0:10:46 | |
But almost 24 hours later, she still hasn't given birth. | 0:10:46 | 0:10:50 | |
There must be something wrong. | 0:10:50 | 0:10:52 | |
With a pygmy goat, my hand is a bit too big to get in there. | 0:10:52 | 0:10:56 | |
If it was a sheep or something you'd be able to lamb it quite easily. | 0:10:56 | 0:11:00 | |
But I can't do it. I think we will have to do a caesarean. | 0:11:00 | 0:11:04 | |
So it looks like the only chance to save Lily and her babies | 0:11:04 | 0:11:09 | |
is to perform an emergency caesarean section. | 0:11:09 | 0:11:12 | |
There's no time to take Lily to the surgery, so the operation will have to be performed right here. | 0:11:12 | 0:11:19 | |
The vet needs light, and the brightest place is actually outside in the yard. | 0:11:19 | 0:11:24 | |
Andy Hayton is here to help. | 0:11:24 | 0:11:26 | |
He's the keeper in charge of the pygmy goats. | 0:11:26 | 0:11:29 | |
The problems we've been having this year is that they are all inexperienced mums. | 0:11:29 | 0:11:33 | |
These are all their first kids. They are not pushing. | 0:11:33 | 0:11:36 | |
This is a uterine relaxant which makes the caesar a bit easier to do. | 0:11:38 | 0:11:42 | |
I think if you pop her up there... A bit of antibiotic. | 0:11:42 | 0:11:46 | |
Duncan's going to use a local anaesthetic because it would | 0:11:47 | 0:11:51 | |
be very risky to knock Lily out with a general anaesthetic. | 0:11:51 | 0:11:55 | |
Apart from the increased risk to her, the babies inside would also receive a dose of the drug, | 0:11:55 | 0:12:00 | |
and if they're already weak, that could be very dangerous. | 0:12:00 | 0:12:06 | |
I'm going to just do this under a local block which is fine. | 0:12:06 | 0:12:11 | |
We've given her a little bit of a sedative as well. | 0:12:11 | 0:12:13 | |
So she's a little bit dopey but not much. | 0:12:13 | 0:12:16 | |
Lily is a very popular goat, and Bev's the keeper who knows her best. | 0:12:16 | 0:12:22 | |
Lily's one of our friendliest goats. | 0:12:22 | 0:12:24 | |
She's always quite pleased to get a bit of attention. | 0:12:24 | 0:12:28 | |
She looks fine. She's quite calm. | 0:12:28 | 0:12:31 | |
A little bit dopey because of the sedative. | 0:12:31 | 0:12:34 | |
But she seems fine. | 0:12:34 | 0:12:35 | |
But now, Duncan's ready to make the incision. | 0:12:37 | 0:12:40 | |
OK, just feeling in there for the uterus. | 0:12:40 | 0:12:45 | |
I'll grab the inside of the uterus. | 0:12:45 | 0:12:48 | |
It takes just moments to get the first baby out. | 0:12:48 | 0:12:52 | |
There's no sign of life. | 0:12:52 | 0:12:55 | |
-It's dead, isn't it? -Swinging the baby is to clear fluid from the lungs. | 0:12:55 | 0:12:59 | |
Massaging is to encourage the heart to start. | 0:13:03 | 0:13:06 | |
Now the second baby is out. | 0:13:10 | 0:13:12 | |
Still no signs of life. | 0:13:12 | 0:13:14 | |
But there was never any hope. By the time he starts to do the sutures, Duncan has discovered what happened. | 0:13:17 | 0:13:25 | |
Unfortunately, the placenta was detached already, so the kids had died in the uterus. | 0:13:25 | 0:13:30 | |
Probably some time during the night, because she didn't get on with it. | 0:13:30 | 0:13:35 | |
What we're doing now is just sewing her up. | 0:13:35 | 0:13:37 | |
We'll sew up the uterus first and then we'll sew up the skin. | 0:13:37 | 0:13:42 | |
Mothers don't normally die from a caesarean but it can happen | 0:13:42 | 0:13:45 | |
if they get peritonitis or something but she's perfectly healthy. | 0:13:45 | 0:13:49 | |
An hour later, Lily is back indoors. | 0:13:52 | 0:13:56 | |
Bev is sitting with her. | 0:13:56 | 0:13:58 | |
She's looking surprisingly well considering what she has just been through. | 0:13:58 | 0:14:03 | |
She was only on a light sedation anyway. | 0:14:03 | 0:14:07 | |
So she had already stood up and we put her in this giraffe box for now | 0:14:07 | 0:14:11 | |
to give her a bit of time on her own. | 0:14:11 | 0:14:14 | |
We've been able to save Lil, | 0:14:15 | 0:14:19 | |
and she's fine in herself, so that is a bonus. | 0:14:19 | 0:14:24 | |
So Lily survived, and she was soon on the mend. | 0:14:24 | 0:14:28 | |
A week later she was well enough to go out, and rejoin the rest of the herd. | 0:14:28 | 0:14:32 | |
Down in Pets' Corner, Jo Hawthorne is preparing a new kind of enrichment, | 0:14:50 | 0:14:56 | |
aimed at stimulating what is for many animals the most interesting of all the senses - smell. | 0:14:56 | 0:15:02 | |
Jo is putting some of our favourite scents, various herbs and spices, | 0:15:02 | 0:15:07 | |
into a basket to see what the marmosets make of them. | 0:15:07 | 0:15:11 | |
They've got three Geoffroy's tufted-eared marmosets here - | 0:15:11 | 0:15:14 | |
a rare species from Brazil. | 0:15:14 | 0:15:16 | |
Mike and Michelle came to Longleat four years ago | 0:15:16 | 0:15:20 | |
and now have their two-year-old daughter Mandu living with them. | 0:15:20 | 0:15:24 | |
Marmosets are part of the monkey family, | 0:15:24 | 0:15:27 | |
so having something new to keep their minds busy is very important. | 0:15:27 | 0:15:31 | |
Kate's gone to see if Jo's basket gets them thinking. | 0:15:31 | 0:15:34 | |
-You've got lavender here. -Yes, we've got lavender growing in Pets' Corner, and it's got quite a strong smell. | 0:15:34 | 0:15:41 | |
Nutmeg, which we use for cooking. | 0:15:41 | 0:15:45 | |
I've tried to stick to things that aren't too... | 0:15:45 | 0:15:48 | |
kind of... | 0:15:48 | 0:15:49 | |
..that would actually put them off. | 0:15:49 | 0:15:52 | |
Like a peppery thing that would make them sneeze. | 0:15:52 | 0:15:55 | |
Yeah, that you and me wouldn't want to get a noseful of, I tried to stay away from. | 0:15:55 | 0:15:59 | |
Ginger. Again, that's quite a nice smell - to you and me. I don't know... | 0:15:59 | 0:16:04 | |
Cinnamon, again going for a really nice natural smell. | 0:16:04 | 0:16:07 | |
And sage, which is also natural, from plants. | 0:16:07 | 0:16:10 | |
-So, who knows? -Who's this? | 0:16:10 | 0:16:13 | |
-That's Dad. -That's Dad, Mikey. | 0:16:13 | 0:16:15 | |
-He's having a good look at the sage on the end there. -He is, isn't he? | 0:16:15 | 0:16:19 | |
He can obviously smell it, because he's having a good look. | 0:16:19 | 0:16:23 | |
Do you think he's rejecting it because there's no food in there? | 0:16:23 | 0:16:26 | |
It is literally just the powders. | 0:16:26 | 0:16:29 | |
He might well do. | 0:16:29 | 0:16:31 | |
There's nothing visibly edible there. | 0:16:31 | 0:16:34 | |
It might be that he's thinking, "Mm..." | 0:16:34 | 0:16:36 | |
-Who's this coming up now? -This is Mandu now. -This is baby. | 0:16:36 | 0:16:39 | |
Mandu always comes in after Dad. | 0:16:39 | 0:16:41 | |
-She's having a look. -She's definitely having a sniff. | 0:16:45 | 0:16:47 | |
She's taking the paper! | 0:16:47 | 0:16:50 | |
Ooh, no, she's... | 0:16:50 | 0:16:52 | |
-She's definitely curious. -She is. | 0:16:52 | 0:16:54 | |
Much more than Dad, actually. | 0:16:54 | 0:16:56 | |
Oh, she's got some on her nose! | 0:16:57 | 0:16:59 | |
Oh, she's licking it! | 0:16:59 | 0:17:01 | |
-Ooh, what's that? -That's the ginger. | 0:17:01 | 0:17:03 | |
She's trying to get that off her nose. Poor little thing. | 0:17:07 | 0:17:10 | |
Bless her. | 0:17:10 | 0:17:12 | |
-She's had a taste. -She's tasted it. | 0:17:12 | 0:17:14 | |
Oh, she's going back for more! | 0:17:14 | 0:17:15 | |
Nope, leapt it. | 0:17:15 | 0:17:17 | |
Oh, no, she is, she's having a look. | 0:17:17 | 0:17:20 | |
She's definitely intrigued by this, isn't she? | 0:17:20 | 0:17:24 | |
She kind of went to get it off her nose. | 0:17:24 | 0:17:26 | |
-She didn't recoil in disgust, did she? -No. | 0:17:26 | 0:17:29 | |
Mum is staying resolutely inside. | 0:17:29 | 0:17:32 | |
She's not interested at all. | 0:17:32 | 0:17:34 | |
She's a bit of a grump like that. She's kind of, whatever they're doing, I don't want to know. | 0:17:34 | 0:17:39 | |
I tend to find with her, if I'm doing something and I leave it out for days, she'll come in days after | 0:17:39 | 0:17:44 | |
and come out and look, and go, "That's the deal, is it?" | 0:17:44 | 0:17:48 | |
Initially she's a bit fearful of things like that. | 0:17:48 | 0:17:51 | |
She's the sensible one of the three. | 0:17:51 | 0:17:53 | |
It doesn't surprise me that she hasn't gone anywhere near it. | 0:17:53 | 0:17:57 | |
-Well... -A bit of a result. | 0:17:57 | 0:17:59 | |
It was a bit of a result. It was very interesting. | 0:17:59 | 0:18:03 | |
Mikey having a look... | 0:18:03 | 0:18:05 | |
but not having a taste. | 0:18:05 | 0:18:08 | |
Mandu getting her face in it. | 0:18:08 | 0:18:10 | |
-Mandu was thinking, "OK, I'll just do it." -Jo, thank you very much. | 0:18:10 | 0:18:14 | |
That was fascinating. Go on, Michelle. You can have a try. | 0:18:14 | 0:18:17 | |
'The scent basket may not have been an instant hit | 0:18:18 | 0:18:21 | |
'with the whole family, but it has given the marmosets something new to investigate... | 0:18:21 | 0:18:26 | |
'and that's what enrichment is all about.' | 0:18:26 | 0:18:29 | |
Over the last four centuries, 13 generations of the Thynne family | 0:18:34 | 0:18:41 | |
have been doing home improvements on Longleat House. | 0:18:41 | 0:18:44 | |
Today we're going to investigate the one who's left the biggest mark | 0:18:44 | 0:18:48 | |
on the interior of the house. | 0:18:48 | 0:18:50 | |
His name was Alexander Thynne, and he was the fourth Marquess of Bath. | 0:18:50 | 0:18:55 | |
He inherited Longleat in 1837, | 0:18:55 | 0:18:58 | |
the same year that Queen Victoria came to the throne. | 0:18:58 | 0:19:02 | |
After a proper education at Eton and Oxford, Alexander set off | 0:19:02 | 0:19:06 | |
on what had become de rigeur for the well-bred Englishman, | 0:19:06 | 0:19:10 | |
the Grand Tour of Europe. | 0:19:10 | 0:19:12 | |
It had a profound affect on him. | 0:19:12 | 0:19:14 | |
The present Lord Bath, who has the same name, knows all about it. | 0:19:14 | 0:19:19 | |
Once he'd done his Grand Tour, | 0:19:19 | 0:19:22 | |
he saw the magnificent ceilings, the Renaissance ceilings | 0:19:22 | 0:19:28 | |
in Venice and other places, and he suddenly felt, | 0:19:28 | 0:19:32 | |
"That is the decor that should be here," | 0:19:32 | 0:19:35 | |
because the house was inspired from that period. | 0:19:35 | 0:19:39 | |
So on the public side the ceilings all changed. | 0:19:39 | 0:19:45 | |
The public, or state, rooms take up about a third of the house, | 0:19:45 | 0:19:50 | |
and the lavish ceilings often get comments from the visitors. | 0:19:50 | 0:19:54 | |
So the house guides, like Rachel Appleby, feature them prominently on their tours. | 0:19:54 | 0:20:00 | |
Starting with the ceiling above us, we have a very grand ceiling in here. | 0:20:00 | 0:20:05 | |
The paintings up there came from a Venetian palace, | 0:20:05 | 0:20:10 | |
they're by the School of Titian, | 0:20:10 | 0:20:12 | |
bought by the 4th Marquess, instructed by his designer, | 0:20:12 | 0:20:17 | |
who was a man called Crace, a very important designer. | 0:20:17 | 0:20:20 | |
Crace helped the 4th Marquess in all these interiors. | 0:20:20 | 0:20:24 | |
He had a passion for Italy. | 0:20:24 | 0:20:26 | |
John Dibblee Crace helped the 4th Marquess | 0:20:26 | 0:20:29 | |
turn nine of the grandest rooms of Longleat | 0:20:29 | 0:20:32 | |
into a kind of Victorian version | 0:20:32 | 0:20:34 | |
of some great palace from Renaissance Italy. | 0:20:34 | 0:20:37 | |
Above us, the ceiling is another of Crace's ceilings. | 0:20:38 | 0:20:43 | |
The inspiration for this was a palace in Rome. The Palazzo Massimo. | 0:20:44 | 0:20:49 | |
It was important that the house should make a big impression | 0:20:53 | 0:20:56 | |
because the 4th Marquess mixed in very grand circles. | 0:20:56 | 0:21:00 | |
The Prince of Wales and Princess Alexandra are seen here | 0:21:00 | 0:21:04 | |
when they came for a shooting weekend in 1881. | 0:21:04 | 0:21:07 | |
Alexander, the 4th Marquess, is the tall one on the right. | 0:21:07 | 0:21:12 | |
And when they all sat down in the state dining room | 0:21:12 | 0:21:15 | |
the guests were always suitably impressed with the new interiors. | 0:21:15 | 0:21:19 | |
I think it sums up the Victorians. | 0:21:19 | 0:21:22 | |
It's dark, | 0:21:23 | 0:21:26 | |
it's very dramatic, it was meant to cause a stir. | 0:21:26 | 0:21:30 | |
And I think it probably did. | 0:21:30 | 0:21:32 | |
What we don't have, | 0:21:32 | 0:21:35 | |
that the Victorians saw, | 0:21:35 | 0:21:38 | |
was the atmosphere that this room would have been seen in. | 0:21:38 | 0:21:42 | |
All those wonderful candles that would have lit this room. | 0:21:42 | 0:21:47 | |
I think, if we could see it like that today, | 0:21:47 | 0:21:50 | |
that would be the icing on the cake. | 0:21:50 | 0:21:52 | |
Alexander, the 4th Marquess, died in 1896, | 0:21:52 | 0:21:56 | |
and since then the state rooms have remained largely unchanged. | 0:21:56 | 0:22:01 | |
The next marquess to have as keen an interest in interiors | 0:22:01 | 0:22:05 | |
was the seventh, also called Alexander. | 0:22:05 | 0:22:08 | |
But the present Lord Bath's renovations have been limited | 0:22:08 | 0:22:11 | |
to the private apartments. | 0:22:11 | 0:22:13 | |
The artwork he's put on the walls | 0:22:13 | 0:22:15 | |
and ceilings has come not from abroad but from his own mind. | 0:22:15 | 0:22:18 | |
So far, he's painted murals to decorate almost 20 rooms. | 0:22:18 | 0:22:24 | |
Recently he's been getting some extra help | 0:22:24 | 0:22:27 | |
from yet another relative with the same name. | 0:22:27 | 0:22:30 | |
Well, this is | 0:22:33 | 0:22:34 | |
what I do in terms of ceilings. | 0:22:34 | 0:22:37 | |
I'm trying to do them | 0:22:37 | 0:22:39 | |
in the spirit of the other side that has a lot a Baroque work | 0:22:39 | 0:22:44 | |
on the ceilings, making them in an ornate Italian style. | 0:22:44 | 0:22:48 | |
I've been getting my nephew, young Alexander, to do a mosaic | 0:22:48 | 0:22:54 | |
wherever I have done a mural within the nursery suite and elsewhere. | 0:22:54 | 0:22:58 | |
All of the ceilings are different. | 0:23:02 | 0:23:04 | |
They've all been done according to the theme I've suggested. | 0:23:04 | 0:23:08 | |
I think young Alex has made a very fine job of it. | 0:23:08 | 0:23:12 | |
I do the actual mural but he does the mosaic work. | 0:23:12 | 0:23:16 | |
Of course, the best judge of any artistic endeavour is posterity. | 0:23:16 | 0:23:21 | |
So in a century's time what will people think | 0:23:21 | 0:23:25 | |
of Lord Bath's contributions to Longleat House? | 0:23:25 | 0:23:28 | |
I think they certainly will feel that the different generations | 0:23:28 | 0:23:34 | |
have made their own marks on the decor of the house, | 0:23:34 | 0:23:38 | |
and decor of the garden and the decor of the park in general. | 0:23:38 | 0:23:43 | |
I think we've all left our fingerprints around the place. | 0:23:43 | 0:23:47 | |
I don't think any of us need be worried. | 0:23:47 | 0:23:49 | |
They're all the same sort of | 0:23:49 | 0:23:51 | |
messy fingerprints that knit well together. | 0:23:51 | 0:23:55 | |
A little over a month ago we brought a dozen of these eggs to Head of Section Mark Tye. | 0:24:20 | 0:24:25 | |
And now, 35 days later, I'm back with Senior Warden Bev Evans and a very smiley face! | 0:24:25 | 0:24:31 | |
And some of these. Have a look. | 0:24:31 | 0:24:33 | |
These baby chicks. Of the guinea fowl. | 0:24:33 | 0:24:36 | |
So how many were eventually born? | 0:24:36 | 0:24:38 | |
I think we have nine. Out of 12 eggs. | 0:24:38 | 0:24:41 | |
If the camera just pans down there in the corner, there are the new litter. | 0:24:41 | 0:24:46 | |
-That's not the term, is it? -Clutch. | 0:24:46 | 0:24:48 | |
A clutch of guinea fowl. | 0:24:48 | 0:24:50 | |
Are you happy with 80 per cent? How many... | 0:24:50 | 0:24:54 | |
We had 12, so to get nine out is pretty reasonable. | 0:24:54 | 0:24:58 | |
That's incredible. | 0:24:58 | 0:24:59 | |
Were they all born over...what sort of gap between each chick? | 0:24:59 | 0:25:04 | |
They all started hatching... | 0:25:04 | 0:25:06 | |
well, one hatched two days early and all the rest were all at the same time. | 0:25:06 | 0:25:11 | |
Is that a problem, premature chicks? | 0:25:11 | 0:25:13 | |
No, it could have been that, when the eggs were brought to me, one may have been sat on already. | 0:25:13 | 0:25:19 | |
So it could have been slightly more developed than the others. | 0:25:19 | 0:25:24 | |
Or, sometimes, you just get that odd one that will be different to the rest. | 0:25:24 | 0:25:28 | |
Talking of different to the rest, | 0:25:28 | 0:25:30 | |
there are two little chicks that really stand out in there. | 0:25:30 | 0:25:34 | |
There's two little grey ones and then all the other colours. | 0:25:34 | 0:25:37 | |
Why are they different colours? | 0:25:37 | 0:25:39 | |
To be honest, I don't know. Probably genetics of some description. | 0:25:39 | 0:25:42 | |
I've had it with pheasant chicks as well. | 0:25:42 | 0:25:45 | |
You get 99% of them all the same colour and then you get a couple of different-coloured ones. | 0:25:45 | 0:25:50 | |
And how much maintenance has to go on with the chicks? Is there a lot of hands-on stuff? | 0:25:50 | 0:25:54 | |
No, to be honest, once they have hatched out and we can see | 0:25:54 | 0:25:57 | |
they've all dried out nicely, because they're very wet when they first come out, | 0:25:57 | 0:26:02 | |
once they've dried out we can put them out under a lamp. | 0:26:02 | 0:26:06 | |
So, Bev, it must be very exciting for you. | 0:26:06 | 0:26:08 | |
-You have 35... -34. -34 wild guinea fowl. | 0:26:08 | 0:26:13 | |
To have a whole clutch of extra ones to add to that... | 0:26:13 | 0:26:17 | |
Definitely. And all sorts of colours, which will bring variety. | 0:26:17 | 0:26:21 | |
They range like a lot. | 0:26:21 | 0:26:23 | |
So even 34 is quite a large number, because they're so wide-ranging it doesn't seem that much. | 0:26:23 | 0:26:28 | |
-It is very much hands-off, isn't it? -Oh, yes. We feed them in the morning, and they get up to their own devices. | 0:26:28 | 0:26:34 | |
What sort of age will these chicks be able to...head out? | 0:26:34 | 0:26:38 | |
Really once they're getting up to full size and able to roost as well. | 0:26:38 | 0:26:41 | |
-Once they're able to get up into the trees away from predators then we let them free-range. -Fantastic. | 0:26:41 | 0:26:47 | |
Well, Bev, Mark, congratulations, if that's the word. | 0:26:47 | 0:26:50 | |
Let's hope that these guinea fowl thrive here in Wiltshire. | 0:26:50 | 0:26:54 | |
We're up in Monkey Jungle with Deputy Head Warden Ian Turner. | 0:27:08 | 0:27:12 | |
And just over here are the water buffalo, really living up to their name, Ian! | 0:27:12 | 0:27:16 | |
I don't think I've ever seen them in the water before! | 0:27:16 | 0:27:19 | |
It has to be warm. Today's a day when you want to go in and join them because it is hot. | 0:27:19 | 0:27:24 | |
And this is how they get their name, is it? | 0:27:24 | 0:27:26 | |
Yes. The water buffalo. They like to splash and keep cool. | 0:27:26 | 0:27:30 | |
Because it's so hot. | 0:27:30 | 0:27:32 | |
Presumably, if there were lots of flies or biting insects around, that's a good way of escaping them? | 0:27:32 | 0:27:36 | |
That's right. It keeps all the flies off, yes. The only bit you can see is the head. | 0:27:36 | 0:27:41 | |
And there... | 0:27:41 | 0:27:42 | |
He just flicked it over his head! | 0:27:42 | 0:27:45 | |
-I'm very tempted to join them but I don't think it would be a good idea. -I'm not sure it would! | 0:27:45 | 0:27:50 | |
Ian, thank you very much. | 0:27:50 | 0:27:52 | |
Sadly, that's all we have time for on this programme but here's what's coming up on the next Animal Park. | 0:27:52 | 0:27:57 | |
Up at the Wolf House Freda's had a new litter of cubs | 0:27:57 | 0:28:01 | |
but will all of them survive when she brings them outside? | 0:28:01 | 0:28:05 | |
The Eland herd is growing at quite a pace - we'll be meeting the new arrivals. | 0:28:05 | 0:28:11 | |
And we visit Howlett's Safari Park in Kent, | 0:28:11 | 0:28:14 | |
where Longleat's Michelle Stevens gets up close and personal | 0:28:14 | 0:28:18 | |
with their over-friendly elephants. | 0:28:18 | 0:28:21 | |
So don't miss the next Animal Park. | 0:28:26 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:47 | |
E-mail [email protected] | 0:28:47 | 0:28:48 |