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Hello, and welcome to a brand-new series of Animal Park. | 0:00:32 | 0:00:36 | |
-I'm Kate Humble. -And I'm Ben Fogle. | 0:00:36 | 0:00:38 | |
It's a momentous year here at Longleat, as the safari park is celebrating its 40th anniversary. | 0:00:38 | 0:00:43 | |
We'll be getting close up, not just to the giraffes but to the 40 other species of animal who live here. | 0:00:43 | 0:00:50 | |
Telling stories from all parts of the estate both on land and on water. | 0:00:50 | 0:00:56 | |
And of course we'll be meeting Lord Bath | 0:00:56 | 0:00:58 | |
and exploring his magnificent house and its extraordinary contents. | 0:00:58 | 0:01:02 | |
Here's what's coming up on today's programme. | 0:01:02 | 0:01:05 | |
A life and death struggle when things go very wrong for Imogen the pregnant giraffe. | 0:01:05 | 0:01:12 | |
There's monkey mischief afoot after we hide their breakfast. | 0:01:12 | 0:01:17 | |
And there are new babies in the lions' den. | 0:01:18 | 0:01:21 | |
We'll be there to capture rare footage of ther latest cubs | 0:01:21 | 0:01:25 | |
as they're actually being born. | 0:01:25 | 0:01:28 | |
First, we're going up to the giraffe house where, recently, there were some dramatic events. | 0:01:33 | 0:01:39 | |
When babies arrive, it's not always good news | 0:01:39 | 0:01:43 | |
because sometimes the miracle of birth can go horribly wrong. | 0:01:43 | 0:01:47 | |
Imogen's ten-years-old, everyone was pleased for her | 0:01:49 | 0:01:53 | |
because, after several years of trying, she finally managed to carry a baby to term. | 0:01:53 | 0:01:58 | |
With giraffes, that's 15 months. | 0:01:58 | 0:02:01 | |
When it looked like her time had come, one of the first there was keeper Bev Evans. | 0:02:01 | 0:02:06 | |
It was really exciting when we came in | 0:02:08 | 0:02:10 | |
and she was starting to go into labour, | 0:02:10 | 0:02:12 | |
but obviously with that came the complications. | 0:02:12 | 0:02:15 | |
From really exciting to really worrying in quite a short space of time, actually. | 0:02:15 | 0:02:20 | |
When Imogen's labour went on for over a day, | 0:02:22 | 0:02:24 | |
it was clear to Andy Hayton, the keeper in charge of the giraffes, that something was wrong. | 0:02:24 | 0:02:30 | |
Sunday morning, a vet came out, looked at her | 0:02:30 | 0:02:33 | |
and the decision was taken - we would probably have to pull the calf. | 0:02:33 | 0:02:37 | |
The calf was badly presented. We thought possibly it could have been a breach birth, | 0:02:37 | 0:02:43 | |
or the head was tilted back so she just couldn't push it out. | 0:02:43 | 0:02:46 | |
Pulling the calf out by hand would be the only way to help, | 0:02:46 | 0:02:50 | |
but to do that, Imogen would have to be sedated with an anaesthetic. | 0:02:50 | 0:02:55 | |
And that's always a risky business, as vet Duncan Williams knows. | 0:02:55 | 0:02:59 | |
Anaesthetic-wise, I think giraffes are the most dangerous. | 0:02:59 | 0:03:03 | |
The literature of reports are, basically, | 0:03:03 | 0:03:06 | |
one in three anaesthetics with giraffes ended in fatalities. | 0:03:06 | 0:03:10 | |
But if they didn't do something, Imogen and the baby would certainly die. | 0:03:10 | 0:03:15 | |
Nevertheless, deputy head warden Ian Turner didn't like the odds. | 0:03:15 | 0:03:19 | |
The last thing you want to do is knock out a giraffe. | 0:03:19 | 0:03:22 | |
Even worse is knock out a giraffe that's got a baby inside. | 0:03:22 | 0:03:26 | |
So it was a last resort. We hadn't got any choice in the matter. | 0:03:26 | 0:03:30 | |
We'd waited until the last minute and it was just fingers crossed from then on. | 0:03:30 | 0:03:34 | |
A whole team of vets and staff has been urgently summoned to help. | 0:03:38 | 0:03:42 | |
Nothing like this has ever been done here before, and Ian is concerned to record every detail, | 0:03:42 | 0:03:47 | |
so he and his keepers are going to film whatever happens. | 0:03:47 | 0:03:52 | |
The anaesthetic is administered using a syringe on the end of a pole. | 0:03:55 | 0:04:00 | |
Andy's dreading what will happen next. | 0:04:00 | 0:04:03 | |
When they go, sometimes what they'll do is force themselves into a corner and try to prop themselves up. | 0:04:05 | 0:04:12 | |
What can happen is they'll flip themselves straight back over | 0:04:12 | 0:04:16 | |
where they just can't fight any more and are out on their feet, almost, and just collapse. | 0:04:16 | 0:04:21 | |
The big worry for us is if she goes over straight backwards, she could break her spine. | 0:04:21 | 0:04:26 | |
Um... | 0:04:26 | 0:04:27 | |
The boxes are all lined out with large bales of hay to soften it as much as we can do. | 0:04:27 | 0:04:32 | |
The straw on the floor has also been piled up to cushion the impact. | 0:04:32 | 0:04:37 | |
The next minutes will be critical, | 0:04:44 | 0:04:46 | |
and we'll be back very soon to find out if Imogen and her baby survive. | 0:04:46 | 0:04:51 | |
Longleat is home to a troop of over 80 rhesus macaque monkeys. | 0:04:53 | 0:04:57 | |
The species is found all across Asia, from the tropics right up to the chilly foothills of the Himalayas. | 0:04:57 | 0:05:04 | |
So they're quite happy to live outside in Wiltshire all year round, | 0:05:04 | 0:05:08 | |
just as long as they've got something to keep them occupied and plenty to eat. | 0:05:08 | 0:05:13 | |
I'm up at Monkey Jungle with keeper Kevin Knibbs, | 0:05:14 | 0:05:17 | |
and we're trying a bit of an experiment this morning, Kev? | 0:05:17 | 0:05:20 | |
Yes. We've come here this morning with the dry food. | 0:05:20 | 0:05:23 | |
I was looking at this, because don't you usually feed them fruit and vegetables and things? | 0:05:23 | 0:05:28 | |
Yep, they get the fruit and veg in the afternoons. We feed this in the mornings. | 0:05:28 | 0:05:32 | |
-We've got primate pellets here. -OK. | 0:05:32 | 0:05:34 | |
It's pretty much like Weetabix, muesli, that we have in the mornings. | 0:05:34 | 0:05:38 | |
-It gets them going for the rest of the day. -OK, so what's the experiment? | 0:05:38 | 0:05:42 | |
We've noticed a lot of birds around this time of year. | 0:05:42 | 0:05:46 | |
They tend to steal all the monkeys' food, so we're feeding them twice as much food as what we need to. | 0:05:46 | 0:05:51 | |
This winter has been cold. | 0:05:51 | 0:05:52 | |
We've moved the buffalo out of the jungle, where they needed a bit more shelter. | 0:05:52 | 0:05:57 | |
-We've got a spare shelter here now. -This is where the buffalo hang out when they want shelter? | 0:05:57 | 0:06:02 | |
We've put loads of straw in here. Wewant to put the food in the straw and the bedding, | 0:06:02 | 0:06:06 | |
-kick fresh straw over the top and let the monkeys help themselves. -So they can forage for it? -Absolutely. | 0:06:06 | 0:06:12 | |
-Brilliant idea. So shall I just put handfuls out? -Yeah, throw it anywhere you want. | 0:06:12 | 0:06:16 | |
-Throw it around in the straw. -Yes, that's it. | 0:06:16 | 0:06:19 | |
-We'll just come over afterwards and kick fresh straw over the top so it's hidden. -OK. | 0:06:20 | 0:06:25 | |
So we can literally... I suppose hiding it quite well | 0:06:25 | 0:06:29 | |
-is better for the monkeys, makes them work harder for it. -Exactly. | 0:06:29 | 0:06:33 | |
It's very good enrichment for them and it's like a natural behaviour. | 0:06:33 | 0:06:37 | |
In the wild they'd forage through leaf mould and leaf litter, for bugs | 0:06:37 | 0:06:41 | |
and bits of fruit and veg. This is just recreating that, really. | 0:06:41 | 0:06:45 | |
Lucky monkeys. | 0:06:45 | 0:06:47 | |
Right. We're nearly done here. | 0:06:48 | 0:06:51 | |
We'll get out of the way. Shall we kick that over there like that? | 0:06:51 | 0:06:55 | |
Yep. | 0:06:55 | 0:06:56 | |
Join us later to see if the monkeys like their new experiment. | 0:06:56 | 0:07:00 | |
Last year, new blood arrived at Longleat - | 0:07:04 | 0:07:07 | |
Kabir the Barbary lion. | 0:07:07 | 0:07:09 | |
He was brought from Port Lympne animal park in Kent | 0:07:11 | 0:07:14 | |
to try to establish a new pride. | 0:07:14 | 0:07:17 | |
The hope was that this would, in time, a real family with cubs to raise. | 0:07:17 | 0:07:22 | |
Kabir's intended mates were a couple of young sisters - Luna | 0:07:25 | 0:07:28 | |
and Yendi. They settled down straightaway | 0:07:28 | 0:07:32 | |
and it seemed to be a match made in heaven. | 0:07:32 | 0:07:34 | |
In fact encouraging behaviour was soon spotted | 0:07:35 | 0:07:38 | |
but would it lead to anything? | 0:07:38 | 0:07:41 | |
We just had to wait and see. | 0:07:41 | 0:07:44 | |
Now keeper Brian Kent has some wonderful news. | 0:07:45 | 0:07:49 | |
We've got a lion cub born | 0:07:50 | 0:07:52 | |
so that's really exciting cos it's Kabir's. | 0:07:52 | 0:07:55 | |
There's a new lion here and he's been here, what, seven months? | 0:07:55 | 0:07:59 | |
So he's produced some goods. | 0:07:59 | 0:08:01 | |
The new cub is a little girl. | 0:08:03 | 0:08:06 | |
She's Yendi's first baby | 0:08:08 | 0:08:10 | |
but that's a worry because sometimes new lion mothers don't know how to look after their young. | 0:08:10 | 0:08:16 | |
But, so far, Yendi's been doing all the right things. | 0:08:16 | 0:08:20 | |
Basically we've noticed her caring for her and licking her, | 0:08:21 | 0:08:25 | |
making sure she's clean. | 0:08:25 | 0:08:27 | |
The cub's now seven weeks old so she's still on milk | 0:08:27 | 0:08:31 | |
and also starting to eat food, as well, | 0:08:31 | 0:08:33 | |
so she's doing well. | 0:08:33 | 0:08:35 | |
And, hopefully, her sister - who's on the other side - | 0:08:35 | 0:08:38 | |
is due as well for some cubs. | 0:08:38 | 0:08:40 | |
I thought she was going to have them last week | 0:08:40 | 0:08:43 | |
but no such luck. | 0:08:43 | 0:08:44 | |
So it's just a matter of waiting at the moment. | 0:08:44 | 0:08:47 | |
While her sister Yendi had one cub, | 0:08:47 | 0:08:51 | |
Luna is looking large. | 0:08:51 | 0:08:53 | |
They think she may be carrying more. | 0:08:53 | 0:08:55 | |
Lions normally have between two and four at a time. | 0:08:55 | 0:08:59 | |
But lions are secretive and only have their cubs | 0:08:59 | 0:09:02 | |
when they're alone - usually the middle of the night. | 0:09:02 | 0:09:05 | |
It's a rare event that's almost never been seen. Certainly no-one here has ever been lucky enough. | 0:09:05 | 0:09:10 | |
So we've called in Andy Milk. He's a specialist cameraman. | 0:09:10 | 0:09:14 | |
He's had a lot of experience finding ways to film the unfilmable. | 0:09:14 | 0:09:18 | |
We're hoping he'll help us to witness the miracle of birth for the very first time. | 0:09:18 | 0:09:24 | |
I've just fitted the brackets up and got all that ready. | 0:09:24 | 0:09:28 | |
I'm just now doing the final connection | 0:09:28 | 0:09:32 | |
and, hopefully, it's in the right place | 0:09:32 | 0:09:34 | |
and we're not going to be obscured by the wire on the cage. | 0:09:34 | 0:09:38 | |
What I've done is installed everything outside | 0:09:38 | 0:09:43 | |
and there's nothing in the cage at all so the lion can't get to it, | 0:09:43 | 0:09:46 | |
can't touch anything and it's all quite safe. | 0:09:46 | 0:09:48 | |
The spy camera works like a CCTV system | 0:09:48 | 0:09:52 | |
so it won't disturb Luna at all. | 0:09:52 | 0:09:55 | |
And it can get pictures in complete darkness | 0:09:55 | 0:09:58 | |
by using infra-red lamps. | 0:09:58 | 0:10:00 | |
Infra-red is just basically light of a different wavelength to what the human eye can respond to. | 0:10:00 | 0:10:06 | |
Um, I don't think a lion will see it | 0:10:06 | 0:10:08 | |
although they're not actually that concerned about light at all so it wouldn't matter. | 0:10:08 | 0:10:13 | |
But if we were to come in at night, | 0:10:13 | 0:10:16 | |
the picture on here would be fine but we wouldn't be able to see anything in the cage itself. | 0:10:16 | 0:10:21 | |
The system can record continuously for up to ten hours. | 0:10:21 | 0:10:24 | |
So, as night approaches, it's turned on. | 0:10:24 | 0:10:28 | |
We'll be back later to find out | 0:10:28 | 0:10:30 | |
if our spy camera really can capture these precious moments - | 0:10:30 | 0:10:34 | |
the very first minutes of life. | 0:10:34 | 0:10:37 | |
Back in the giraffe house, | 0:10:42 | 0:10:44 | |
the process of giving birth seems more like a nightmare. | 0:10:44 | 0:10:48 | |
Vet Duncan Williams has just given Imogen an injection of anaesthetic. | 0:10:48 | 0:10:52 | |
The trouble is, with giraffes, the anaesthetic itself can be the most dangerous thing. | 0:10:52 | 0:10:58 | |
I think the big problem is, you know, a massive animal, | 0:11:00 | 0:11:03 | |
when they fall down, you've got the risk of regurgitation of stomach contents - | 0:11:03 | 0:11:08 | |
it can go up the oesophagus and get swallowed into the lungs. | 0:11:08 | 0:11:13 | |
So, as quickly as possible, an air tube needs to be inserted | 0:11:14 | 0:11:18 | |
all the way down that long throat, to the top of the lungs. | 0:11:18 | 0:11:21 | |
That's the most important thing to do. | 0:11:21 | 0:11:24 | |
That didn't quite go according to plan. | 0:11:24 | 0:11:28 | |
Just as we were getting the tube down, she regurgitated, but luckily the tube was just down in time. | 0:11:28 | 0:11:34 | |
One of the four vets on the team is an anaesthetist | 0:11:34 | 0:11:37 | |
from Bristol University's veterinary school - Pamela Murison. | 0:11:37 | 0:11:41 | |
She's responsible for the air tube and life support. | 0:11:41 | 0:11:45 | |
They're so big! | 0:11:45 | 0:11:47 | |
I'm used to anaesthetising large animals, | 0:11:47 | 0:11:51 | |
but they're very long with long legs, long necks, | 0:11:51 | 0:11:54 | |
and you know in the back of your mind all the time that it is such a risky procedure. | 0:11:54 | 0:12:01 | |
With Imogen anaesthetised, Duncan can start his examination. | 0:12:01 | 0:12:05 | |
He needs to find out what state the calf is in, and how it's lying, just by feel. | 0:12:05 | 0:12:12 | |
The ropes are essential for everyone's safety, and it takes a lot of hands to hold them secure. | 0:12:12 | 0:12:18 | |
Ian's called in staff from all over the safari park to help. | 0:12:18 | 0:12:22 | |
There's 30 odd people around, so if the giraffe kicks, | 0:12:22 | 0:12:26 | |
somebody's going to end up seriously injured or even worse. | 0:12:26 | 0:12:30 | |
If they kicked a lion, for instance, it would be dead. | 0:12:33 | 0:12:35 | |
I've actually been trampled on by a giraffe and it's not really pleasant. | 0:12:35 | 0:12:40 | |
They've got really big hooves. | 0:12:40 | 0:12:42 | |
You've got that big swing from a distance, | 0:12:42 | 0:12:44 | |
and they don't know they're doing it. | 0:12:44 | 0:12:47 | |
If you imagine a leg going like that back and you're just in the wrong place, it sends you flying. | 0:12:47 | 0:12:52 | |
Not recommended. | 0:12:52 | 0:12:53 | |
Duncan's internal examination has revealed some sad news. | 0:12:58 | 0:13:02 | |
The calf inside is already dead. | 0:13:02 | 0:13:04 | |
It may have been dead for some time. | 0:13:04 | 0:13:08 | |
Keeper Bev Evans had been looking forward to having a new baby in the giraffe house. | 0:13:08 | 0:13:13 | |
It was quite sad to lose the calf. | 0:13:14 | 0:13:17 | |
The vets and everybody couldn't do anything about that. | 0:13:17 | 0:13:21 | |
We couldn't have done anything, so there's no point worrying too much about that | 0:13:21 | 0:13:25 | |
but, yeah, it's such a shame that we lost him. It was a little boy. | 0:13:25 | 0:13:30 | |
Now all their efforts are concentrated just on trying to save Imogen. | 0:13:30 | 0:13:37 | |
They have to get the dead calf out | 0:13:37 | 0:13:40 | |
but there's been a complication. | 0:13:40 | 0:13:42 | |
Unfortunately, the drug that we gave her | 0:13:42 | 0:13:46 | |
to relax the uterus | 0:13:46 | 0:13:48 | |
has made her body think that she's stopped being in labour, | 0:13:48 | 0:13:52 | |
so she's actually closing her cervix down. | 0:13:52 | 0:13:55 | |
So a cervix that's capable of holding in a baby giraffe | 0:13:55 | 0:14:00 | |
is obviously quite a strong muscle, so that's closed down. | 0:14:00 | 0:14:04 | |
What we're trying to do is pull something this big | 0:14:04 | 0:14:06 | |
out of something that big, which isn't happening. | 0:14:06 | 0:14:09 | |
You can see the amount of effort that the guys are putting in trying to pull the calf. | 0:14:09 | 0:14:14 | |
There was no way that it was going to come, | 0:14:17 | 0:14:20 | |
because everything had closed down again. | 0:14:20 | 0:14:23 | |
We did quite a major pull on it and it just wasn't shifting, unfortunately. | 0:14:23 | 0:14:29 | |
Duncan and the team must come up with a new plan, and fast, | 0:14:29 | 0:14:33 | |
because now Imogen's life is balanced on a knife-edge. | 0:14:33 | 0:14:36 | |
We'll return to the giraffe house very soon. | 0:14:36 | 0:14:40 | |
I'm back in Monkey Jungle with keeper Kevin Knibbs. | 0:14:57 | 0:15:01 | |
Earlier we spread food out, hidden in the straw in that shelter. | 0:15:01 | 0:15:05 | |
The monkeys are just starting to come around, Kev. | 0:15:05 | 0:15:09 | |
They've obviously... | 0:15:09 | 0:15:10 | |
Do you think they knew what we were up to? | 0:15:10 | 0:15:13 | |
Do they smell it? How do you think they know that there's food around? | 0:15:13 | 0:15:16 | |
They're very curious as a species, | 0:15:16 | 0:15:18 | |
so anything we do, they're there straightaway. | 0:15:18 | 0:15:21 | |
As soon as they find food they'll make little noises to each other, | 0:15:21 | 0:15:24 | |
communicating that they've found some food. | 0:15:24 | 0:15:27 | |
So all the rest of the troupe? There are monkeys scattered around in the dead wood up there, | 0:15:27 | 0:15:32 | |
and they are beginning to head over this way. | 0:15:32 | 0:15:35 | |
They pick up these signals. | 0:15:35 | 0:15:37 | |
"Oi, there's food over here!" | 0:15:37 | 0:15:39 | |
Yes. This is great. | 0:15:39 | 0:15:41 | |
This is perfect natural behaviour. | 0:15:41 | 0:15:43 | |
This big guy at the front is Timmy, our dominant male. | 0:15:43 | 0:15:46 | |
-He's there straightaway. -Right. | 0:15:46 | 0:15:48 | |
As he would be in the wild. | 0:15:48 | 0:15:50 | |
Obviously that food, we buried it quite well, and the little maize pellets are tiny. | 0:15:50 | 0:15:56 | |
How are they finding it? Are they using smell or sight or everything? | 0:15:56 | 0:16:00 | |
Mostly, it's sight. They'll dig through it with their hands. | 0:16:00 | 0:16:03 | |
If they see something they can eat, they'll put it into their mouth, | 0:16:03 | 0:16:07 | |
bite it. If they can eat it, great, if they can't they'll throw it away. | 0:16:07 | 0:16:11 | |
They sniff things well. They've got a very good sense of smell. | 0:16:11 | 0:16:14 | |
They're just going to fill up their cheek pouches. | 0:16:14 | 0:16:18 | |
They get bigger cheeks on them, and off they go. | 0:16:18 | 0:16:20 | |
That's brilliant, that one, sliding down the pole! | 0:16:33 | 0:16:36 | |
They are just fantastic to watch, aren't they? | 0:16:36 | 0:16:38 | |
They've blown it. I was going to say I'm quite surprised how calm they all are. | 0:16:38 | 0:16:42 | |
-There's no fighting, presumably that's because there's enough to go round. -Yeah, definitely. | 0:16:42 | 0:16:48 | |
They all know their role as well. | 0:16:48 | 0:16:50 | |
Occasionally you get a very brave little one coming in to try and steal some food, | 0:16:50 | 0:16:54 | |
and that's not acceptable in monkey society, and they get told very quickly it's not acceptable. | 0:16:54 | 0:17:00 | |
But it is amazing. If you just saw that scene, | 0:17:00 | 0:17:02 | |
it would be very difficult to tell which one is dominant. | 0:17:02 | 0:17:05 | |
We've got some very small ones in there, | 0:17:05 | 0:17:08 | |
and it seems to be they've got the society quite well worked out. | 0:17:08 | 0:17:13 | |
Exactly. | 0:17:13 | 0:17:14 | |
The males are the big dominant ones and the females come after that. | 0:17:14 | 0:17:18 | |
-Normally the females rule it. They're very clever. -Are they? | 0:17:18 | 0:17:21 | |
They make sure nothing happens, and the males lay back and do their bit. | 0:17:21 | 0:17:26 | |
MONKEY SQUEAKS | 0:17:26 | 0:17:27 | |
When you get a squeak like that, is that a warning? | 0:17:27 | 0:17:31 | |
"Just be careful." Look at that. | 0:17:31 | 0:17:33 | |
Is this Timmy at the front? | 0:17:33 | 0:17:35 | |
This one's called Maggie, a female. | 0:17:35 | 0:17:38 | |
She's always on the lookout for people and likes to make faces at people. This is a threat. | 0:17:38 | 0:17:43 | |
So she's pulling a face at our cameraman? | 0:17:43 | 0:17:45 | |
Yeah, because we're looking at her - she's threatening us to stay away from the food. | 0:17:45 | 0:17:50 | |
Do you think, now, this might be something you repeat? | 0:17:50 | 0:17:55 | |
-Has this been a successful experiment? -Yes. I'd like to do this every day, if we can. | 0:17:55 | 0:17:59 | |
Every morning we'll do this until they get bored. If they do, we'll think of something else. | 0:17:59 | 0:18:05 | |
Come up with another idea. Kev, thank you very, very much. | 0:18:05 | 0:18:08 | |
It's just a fantastic sight. | 0:18:08 | 0:18:10 | |
Monkeys everywhere! | 0:18:10 | 0:18:12 | |
With Imogen's baby not only dead but also hopelessly stuck, | 0:18:24 | 0:18:28 | |
there's only one way left to try to save her life, | 0:18:28 | 0:18:31 | |
despite the fact that, as senior keeper Andy Hayton knows, there's little chance of success. | 0:18:31 | 0:18:37 | |
We're gonna attempt a Caesarean, just to give her a go. | 0:18:37 | 0:18:41 | |
We can't just decide we're going to put her down and quit here. | 0:18:41 | 0:18:46 | |
We've got to... Like I say, even if it doesn't come out | 0:18:46 | 0:18:52 | |
the right decision or the right outcome that we want, | 0:18:52 | 0:18:56 | |
we've got to at least try it. | 0:18:56 | 0:18:57 | |
So we're going to attempt a Caesarean now and see how we go. | 0:18:57 | 0:19:01 | |
This will be the first Caesarean that's ever been performed on a giraffe at Longleat. | 0:19:01 | 0:19:07 | |
Duncan Williams is the vet in charge of the team. | 0:19:07 | 0:19:10 | |
'We do Caesareans in cattle all the time. | 0:19:11 | 0:19:13 | |
'The actual operation itself is very much similar to a cow.' | 0:19:13 | 0:19:18 | |
But it is different... She was lying down, cows are normally standing up. | 0:19:18 | 0:19:23 | |
'We don't normally have quite so many people helping.' | 0:19:23 | 0:19:28 | |
I've never done anything like that in a giraffe at all. No. | 0:19:28 | 0:19:31 | |
Imogen has now been under anaesthetic for over two hours. | 0:19:31 | 0:19:36 | |
For a giraffe, that's a dangerously long time. | 0:19:36 | 0:19:39 | |
It's up to Pam Murison, the veterinary anaesthetist, to monitor her condition. | 0:19:39 | 0:19:43 | |
'We monitored her blood-pressure, making sure | 0:19:43 | 0:19:46 | |
'that that was within normal range and not too high, not too low. | 0:19:46 | 0:19:50 | |
'Also trying to make sure she's adequately anaesthetised, | 0:19:50 | 0:19:54 | |
'so that she is not either very, very deeply anaesthetised, | 0:19:54 | 0:19:57 | |
'which is going to cause problems for her organs' | 0:19:57 | 0:20:02 | |
and reduce the amount of blood getting to them, | 0:20:02 | 0:20:05 | |
or very, very lightly anaesthetised | 0:20:05 | 0:20:07 | |
and liable to move or be aware of what's going on. | 0:20:07 | 0:20:10 | |
Meanwhile, the other three vets are desperately trying to get the dead calf out. | 0:20:10 | 0:20:16 | |
Even deputy head warden Ian Turner is losing hope. | 0:20:16 | 0:20:20 | |
I've never seen a Caesarean on a giraffe. | 0:20:20 | 0:20:22 | |
Literally, if the giraffe survived it would be a miracle. | 0:20:22 | 0:20:25 | |
Here it comes. Towards me. | 0:20:25 | 0:20:27 | |
Go on. It should come now. Pull. | 0:20:27 | 0:20:30 | |
We've just taken a baby giraffe out of her stomach, | 0:20:30 | 0:20:33 | |
which, as you know, is a 6ft-odd baby, so that's removed. | 0:20:33 | 0:20:39 | |
So the actual wound, the stitches, we're talking that sort of size stitching. | 0:20:39 | 0:20:43 | |
She's got two lots of internal stitching plus the external stitching. | 0:20:43 | 0:20:49 | |
You know, it's going to be touch-and-go whether she survives this operation | 0:20:49 | 0:20:53 | |
but to go through that time and all this... | 0:20:53 | 0:20:55 | |
She's been prodded around, poked, | 0:20:55 | 0:20:57 | |
stitches here and the rigmarole of what's gone on - | 0:20:57 | 0:21:02 | |
it's quite a traumatic time for her. | 0:21:02 | 0:21:04 | |
The stitches need to be made very strong, because giraffes | 0:21:04 | 0:21:08 | |
must always stand up, even when they've got such a massive wound. | 0:21:08 | 0:21:12 | |
The moment of truth will come when the job is finished and they try to revive Imogen. | 0:21:12 | 0:21:18 | |
We'll be back to see what happens later on. | 0:21:18 | 0:21:21 | |
I'm down in Pets Corner with keeper Bev Alan and two very sweet little guinea pigs. | 0:21:37 | 0:21:42 | |
They're young. How old are they? | 0:21:42 | 0:21:44 | |
-About nine weeks old now. Two females. -OK. | 0:21:44 | 0:21:46 | |
This is Tia and that's Maria. | 0:21:46 | 0:21:49 | |
I like those names. | 0:21:49 | 0:21:51 | |
Do guinea pigs of this age take a lot of care? | 0:21:51 | 0:21:53 | |
They do. You've got to make sure that you feed them the correct diet, | 0:21:53 | 0:21:57 | |
lots of hay in their diet. | 0:21:57 | 0:21:59 | |
Also a dry mix as well, and lots of fruit we give ours as well. | 0:21:59 | 0:22:03 | |
They're obviously very popular pets with children. | 0:22:03 | 0:22:06 | |
Would you recommend them? | 0:22:06 | 0:22:08 | |
For younger children I recommend guinea pigs because they're fun. | 0:22:08 | 0:22:11 | |
Also long-haired, you must groom them often. | 0:22:11 | 0:22:14 | |
-Do you have to run a brush, a comb, through their hair? -We do, yeah. | 0:22:14 | 0:22:17 | |
Haircuts as well now and then. | 0:22:17 | 0:22:19 | |
Wow. They are very sweet, aren't they? | 0:22:19 | 0:22:22 | |
-They are. -How long will they live for? | 0:22:22 | 0:22:24 | |
-About four to five years, average. -OK. | 0:22:24 | 0:22:27 | |
Bev, thank you. Don't go away, because here's what's still to come on today's programme. | 0:22:27 | 0:22:32 | |
'Ben and I take on a challenge to see if we can become Longleat guides | 0:22:32 | 0:22:36 | |
'in just one day!' | 0:22:36 | 0:22:38 | |
Yendi's got her new baby | 0:22:40 | 0:22:43 | |
but how will it go when Luna gives birth? | 0:22:43 | 0:22:47 | |
And we'll find out what happens to Imogen. | 0:22:48 | 0:22:51 | |
But, now, up in Longleat House, | 0:22:56 | 0:22:58 | |
kate and I are about to face a test that will try us to the limits. | 0:22:58 | 0:23:02 | |
Every year, a quarter of a million visitors enjoy a tour | 0:23:02 | 0:23:06 | |
of the magnificent state rooms | 0:23:06 | 0:23:08 | |
and it's up to the house guides to make sure they go away | 0:23:08 | 0:23:11 | |
both enlightened and enthralled. | 0:23:11 | 0:23:14 | |
If you worked in the court of Henry VIII | 0:23:14 | 0:23:16 | |
you didn't just acquire a few acres of land... | 0:23:16 | 0:23:19 | |
It's a challenging job | 0:23:19 | 0:23:21 | |
but then we like a challenge. | 0:23:21 | 0:23:23 | |
Kate and I have come up into the great house here at Longleat | 0:23:26 | 0:23:29 | |
with guide Sarah Bartlett and head guide Clare Mound, | 0:23:29 | 0:23:32 | |
to learn how to become a guide in just one day. | 0:23:32 | 0:23:35 | |
-Claire, how long have you been a guide at Longleat? -I've been here for 12 years. | 0:23:35 | 0:23:39 | |
-OK. We are going to try and absorb 12 years' worth of information in just a day. -Possibly. | 0:23:39 | 0:23:46 | |
OK. We're gonna start in this room. Is that right? You and I. | 0:23:46 | 0:23:49 | |
You and I are going to start here, | 0:23:49 | 0:23:50 | |
and Ben and Sarah are going to go next door and try and absorb that room. | 0:23:50 | 0:23:54 | |
OK. We'll get going. | 0:23:54 | 0:23:56 | |
If somebody wants to be a guide at Longleat, what's the process? | 0:23:56 | 0:24:00 | |
You start with an interview, we see if we like each other | 0:24:00 | 0:24:03 | |
and then you start training with other guides | 0:24:03 | 0:24:06 | |
and you gradually absorb information | 0:24:06 | 0:24:08 | |
from lots of reference books and lots of hands-on. | 0:24:08 | 0:24:11 | |
So, how many rooms are open to the public? | 0:24:11 | 0:24:15 | |
How many rooms do you have to get to know intimately? | 0:24:15 | 0:24:18 | |
You get to know, we usually say, about a third of the house, | 0:24:18 | 0:24:21 | |
-sort of 16, 17 rooms. -Wow. -That will keep you going. | 0:24:21 | 0:24:25 | |
Looking at this room, they're just so packed full of things. | 0:24:25 | 0:24:29 | |
Presumably, the public can ask you about anything. | 0:24:29 | 0:24:32 | |
They can ask you about anything, but you will start | 0:24:32 | 0:24:34 | |
by telling them that this is the lower family dining room, | 0:24:34 | 0:24:38 | |
a little bit about their porcelain, the portraits | 0:24:38 | 0:24:41 | |
and the wonderful ceilings. | 0:24:41 | 0:24:43 | |
So we would get to the ceiling, as you say, and it is staggering. | 0:24:43 | 0:24:46 | |
You can't miss it. | 0:24:46 | 0:24:48 | |
What sort of information would you give about this? | 0:24:48 | 0:24:51 | |
Lord Bath's great-grandfather fell in love with Italy. | 0:24:51 | 0:24:55 | |
He employs a London firm, John Dibblee Crace, | 0:24:55 | 0:24:58 | |
to put in very dramatic ceilings. | 0:24:58 | 0:25:00 | |
They're largely copied from the Ducal Palace in Venice. | 0:25:00 | 0:25:04 | |
-Wow. -They were put in in the 1870s and early 1880s. -Yeah. | 0:25:04 | 0:25:07 | |
OK. There's an awful lot to remember. | 0:25:07 | 0:25:10 | |
-A lot to learn, but one or two things in each room. -OK. -That'll see you through. | 0:25:10 | 0:25:14 | |
I'll carry on swotting up. Go and see how Ben's getting on. | 0:25:14 | 0:25:19 | |
While Kate learns about the lower dining room, | 0:25:19 | 0:25:21 | |
I'm in the breakfast room with Sarah. We've got the type of room right. | 0:25:21 | 0:25:25 | |
What are the features in here that I need to learn about? | 0:25:25 | 0:25:28 | |
You need to know the table. That's the important feature. | 0:25:28 | 0:25:31 | |
It was laid out for the opening of the house on 1st April 1949. | 0:25:31 | 0:25:39 | |
-So, this is as it was laid on that date? -Correct. | 0:25:39 | 0:25:42 | |
What's the significance of that? | 0:25:42 | 0:25:44 | |
That is the date that the house opened to the general public. | 0:25:44 | 0:25:47 | |
That was because Lord Bath's grandfather, Thomas... | 0:25:47 | 0:25:52 | |
-Who's in the portrait above the fireplace, is he? -Yes. | 0:25:52 | 0:25:56 | |
That's right. He had died in 1946. | 0:25:56 | 0:25:58 | |
The family had had to sell vast quantities of the estate | 0:25:58 | 0:26:02 | |
-to pay the death duties. -OK. | 0:26:02 | 0:26:03 | |
The table is all original, is it? | 0:26:03 | 0:26:05 | |
-Is that the original paper? -That's the original. | 0:26:05 | 0:26:08 | |
-The eggshells are the same? -Probably. | 0:26:08 | 0:26:11 | |
-Highly probably. Yes. -What else in this room? | 0:26:11 | 0:26:14 | |
The ceiling strikes me as amazing. | 0:26:14 | 0:26:18 | |
-The ceiling is 24 carat gold leaf. -Is it really? | 0:26:18 | 0:26:23 | |
There's so much to take in, isn't there? | 0:26:23 | 0:26:26 | |
How long have you been guiding for? | 0:26:26 | 0:26:29 | |
-I've been guiding for four years now. -Right. | 0:26:29 | 0:26:31 | |
Did you used to take books home, homework, notes and things | 0:26:31 | 0:26:35 | |
to study for the next day? | 0:26:35 | 0:26:37 | |
You did, yes. But as you went round the house, you learnt things. | 0:26:37 | 0:26:41 | |
People asked you questions | 0:26:41 | 0:26:43 | |
which helps because you have to think what the answer is. | 0:26:43 | 0:26:46 | |
I think I have a lot to learn. So the ceiling is 24 carat gold. | 0:26:46 | 0:26:50 | |
-Table 19... -49. -49. | 0:26:50 | 0:26:53 | |
I really do have a lot to take in. | 0:26:53 | 0:26:54 | |
Join us later when we'll be put through our paces. | 0:26:54 | 0:26:58 | |
Back at the lion house, we've set up a spy camera | 0:27:04 | 0:27:07 | |
to try to capture a secret and rarely seen event - | 0:27:07 | 0:27:09 | |
the moment when a lioness gives birth. | 0:27:09 | 0:27:13 | |
But, so far, Luna, the lioness in question, is keeping everyone on tenterhooks. | 0:27:13 | 0:27:18 | |
Still no cubs. | 0:27:19 | 0:27:21 | |
Keeper Brian Kent has been expecting to find new cubs every morning for the last week. | 0:27:21 | 0:27:27 | |
She does look very big now so she's going to have them soon. | 0:27:27 | 0:27:31 | |
It's just a matter of waiting. | 0:27:31 | 0:27:34 | |
Four days later, in the dead of night, it finally happened. | 0:27:34 | 0:27:38 | |
Our spy camera was able to get this unique footage. | 0:27:39 | 0:27:44 | |
Two cubs are out, | 0:27:44 | 0:27:46 | |
and here's the third. | 0:27:46 | 0:27:48 | |
Immediately, Luna starts to clean the baby. | 0:27:50 | 0:27:54 | |
In all the years they've been looking after the lions, | 0:27:55 | 0:27:59 | |
this is the first time Brian Kent and Bob Trollope have ever witnessed these precious moments. | 0:27:59 | 0:28:04 | |
The time limit was getting on a bit. | 0:28:04 | 0:28:06 | |
It was, "Oh, it'll be next week." Never happened. | 0:28:06 | 0:28:11 | |
No, nature takes its course and eventually, out they come. | 0:28:11 | 0:28:15 | |
It was great. It was good to see them. | 0:28:15 | 0:28:18 | |
And to see what I've seen on here now, which is nice. | 0:28:18 | 0:28:21 | |
All the years I've worked here, not to be able to see... | 0:28:21 | 0:28:24 | |
and to be able to see something that close up is great. | 0:28:24 | 0:28:28 | |
Good detail as well. | 0:28:28 | 0:28:30 | |
Now, with daylight, the camera can get | 0:28:30 | 0:28:34 | |
better-quality pictures, in colour, of the cubs' first few hours. | 0:28:34 | 0:28:38 | |
It would normally be impossible to watch this natural behaviour | 0:28:38 | 0:28:41 | |
because of the way Mum reacts when anyone comes in, | 0:28:41 | 0:28:45 | |
as Bob and Brian saw first thing this morning. | 0:28:45 | 0:28:49 | |
She was very protective of them. | 0:28:49 | 0:28:52 | |
As soon as we walked in you knew that she'd had them | 0:28:52 | 0:28:55 | |
because, apart from the noises they were making, | 0:28:55 | 0:28:58 | |
she was up at the front of the cage trying to see us off. | 0:28:58 | 0:29:02 | |
When we went in first of all, | 0:29:02 | 0:29:05 | |
you couldn't quite see how many there was, because she was obviously out there trying to protect them. | 0:29:05 | 0:29:10 | |
We didn't want to spend an awful lot of time in there. | 0:29:10 | 0:29:13 | |
It's best just to keep away. | 0:29:13 | 0:29:14 | |
As long as you've checked them twice a day, | 0:29:14 | 0:29:17 | |
you don't really need to stay there all day, there's just no need because you can make things worse. | 0:29:17 | 0:29:23 | |
It's better to stay away and let her get on with it. | 0:29:23 | 0:29:26 | |
It is amazing to see, because quite often when we go in there | 0:29:26 | 0:29:30 | |
and find the cubs there, they've either been cleaned or have just been born. | 0:29:30 | 0:29:34 | |
To actually see how quick it is that they go to the nipple | 0:29:34 | 0:29:39 | |
and how quick it is between each cub being born... | 0:29:39 | 0:29:42 | |
And how strong they are. | 0:29:42 | 0:29:43 | |
-Yeah, amazing. -You can see them hammering around straightaway. | 0:29:43 | 0:29:47 | |
That's really great to see. | 0:29:47 | 0:29:49 | |
Luna's babies are very vulnerable, each weighs little more than a kilo, | 0:29:52 | 0:29:57 | |
and at this stage they're still blind. | 0:29:57 | 0:29:59 | |
In the wild, only one in five cubs make it to adulthood, | 0:30:01 | 0:30:05 | |
and even in captivity the future of these little ones is far from certain. | 0:30:05 | 0:30:11 | |
You know, you can lose cubs. | 0:30:11 | 0:30:13 | |
Mum may sit on them by accident. It can happen. | 0:30:13 | 0:30:18 | |
So you've just got to wait and hope things go well. | 0:30:18 | 0:30:22 | |
You can't do nothing about it. That's how it goes. | 0:30:22 | 0:30:26 | |
And hopefully she'll do fine. | 0:30:26 | 0:30:30 | |
See how it goes. | 0:30:30 | 0:30:32 | |
Now, with everything looking good, | 0:30:32 | 0:30:34 | |
we'll leave Luna's cubs on their very first day of life. | 0:30:34 | 0:30:38 | |
But, of course, we'll be following all developments in the Lion House | 0:30:38 | 0:30:42 | |
right through the series. | 0:30:42 | 0:30:44 | |
The emergency Caesarean to try to save Imogen's life | 0:30:50 | 0:30:54 | |
has taken three and a half hours. | 0:30:54 | 0:30:56 | |
Her calf was dead inside and it took all the efforts of four vets | 0:30:56 | 0:31:00 | |
and a whole team of keepers to get it out. | 0:31:00 | 0:31:03 | |
Now the time has come to try to wake Imogen up, | 0:31:03 | 0:31:06 | |
and the stress is starting to show. | 0:31:06 | 0:31:09 | |
'It feels like we've been doing this for about a week. | 0:31:09 | 0:31:12 | |
'It has been a long day. | 0:31:12 | 0:31:13 | |
'We've been stood around. | 0:31:13 | 0:31:16 | |
'It's the vets and anaesthetists that have done all the hard work.' | 0:31:16 | 0:31:19 | |
The Caesarean was done, | 0:31:19 | 0:31:21 | |
unfortunately a dead baby, but we were pretty much sure of that. | 0:31:21 | 0:31:26 | |
Surprisingly, for two days of the calf being dead | 0:31:26 | 0:31:29 | |
it started to decompose already. | 0:31:29 | 0:31:31 | |
The big worry is if the calf has decomposed so far, | 0:31:31 | 0:31:36 | |
that she's infected. | 0:31:36 | 0:31:39 | |
'Once we'd finished all the operation, | 0:31:40 | 0:31:42 | |
'Duncan had stitched it all back up and got the stitches done | 0:31:42 | 0:31:45 | |
'and cleaned the wound up and give it all the antibiotics and stuff, | 0:31:45 | 0:31:49 | |
'they give it a Revivon. What we do is -' | 0:31:49 | 0:31:54 | |
Andy, Ryan and a couple of others | 0:31:54 | 0:31:57 | |
'stayed in there and we moved out with just Ryan and Andy in there. | 0:31:57 | 0:32:00 | |
'You sit on its neck | 0:32:00 | 0:32:02 | |
'and wait for it to come round. | 0:32:02 | 0:32:04 | |
'At the last minute, once it's up, you get off its neck | 0:32:04 | 0:32:08 | |
'and it sits up.' | 0:32:08 | 0:32:10 | |
It's an anxious time for Pam, the veterinary anaesthetist. | 0:32:10 | 0:32:15 | |
To a certain extent, I think you are relieved | 0:32:15 | 0:32:17 | |
that one part has gone well, | 0:32:17 | 0:32:19 | |
but still nervous about the part that still has to go. | 0:32:19 | 0:32:22 | |
It's not completely finished until she's up standing and well. | 0:32:22 | 0:32:27 | |
For me, particularly, I find that period very nerve-racking, | 0:32:27 | 0:32:31 | |
because beyond... We've got very little control | 0:32:31 | 0:32:34 | |
of how she gets up and she could easily injure herself. | 0:32:34 | 0:32:37 | |
Get out, lads. Get out. | 0:32:42 | 0:32:44 | |
They were expecting Imogen to at least try to stand up | 0:32:49 | 0:32:53 | |
as soon as she came round. | 0:32:53 | 0:32:54 | |
Something is wrong, because lying down is unnatural to a giraffe. | 0:32:54 | 0:32:58 | |
It's dangerous to their health and can lead them to just give up | 0:32:58 | 0:33:02 | |
and lose the will to live. | 0:33:02 | 0:33:04 | |
The longer the anaesthetic, the more likely you are | 0:33:06 | 0:33:09 | |
to have some of the other problems | 0:33:09 | 0:33:11 | |
associated with anaesthesia in large animals. | 0:33:11 | 0:33:13 | |
For example, there's pressure on the muscles | 0:33:13 | 0:33:16 | |
which have been lying in an awkward position | 0:33:16 | 0:33:18 | |
with 600 kilos of giraffe lying on top of certain areas. | 0:33:18 | 0:33:23 | |
'It's a difficult situation. How much do you intervene? Do you let her do it herself?' | 0:33:23 | 0:33:28 | |
You always worry that you don't do enough | 0:33:28 | 0:33:31 | |
and something bad happens and you'll be blaming yourselves. | 0:33:31 | 0:33:35 | |
But a few minutes later, Imogen finds the strength to sit up. | 0:33:39 | 0:33:43 | |
And then, finally, to stand. | 0:33:52 | 0:33:54 | |
The big step is she didn't die in the operation. | 0:34:11 | 0:34:14 | |
The next big step is she got up, or woke up and got up. | 0:34:14 | 0:34:18 | |
If we can... We'll slowly get her eating again. | 0:34:18 | 0:34:21 | |
It is just tiny little steps all the way. | 0:34:21 | 0:34:25 | |
It's a miracle that Imogen has come this far, | 0:34:26 | 0:34:29 | |
but after major surgery on the stable floor, | 0:34:29 | 0:34:32 | |
infection is a very real danger. | 0:34:32 | 0:34:35 | |
If she makes it through tonight, tomorrow, and days on after that, | 0:34:35 | 0:34:40 | |
if she gets to two weeks then we can breathe out. | 0:34:40 | 0:34:42 | |
We'll return later to find out whether or not Imogen makes it | 0:34:42 | 0:34:47 | |
through the hours and days ahead. | 0:34:47 | 0:34:50 | |
I think my brain's going to explode. Ben and I have spent the entire day | 0:35:12 | 0:35:15 | |
trying to learn how to be guides at Longleat House. | 0:35:15 | 0:35:18 | |
There is so much to remember I can't tell you. But now is test time. | 0:35:18 | 0:35:22 | |
I have a willing group. Please come in. | 0:35:22 | 0:35:25 | |
I shall tell you about the lower dining room. | 0:35:25 | 0:35:29 | |
I know that this looks like the most fabulously luxurious room, | 0:35:29 | 0:35:33 | |
but actually this was the day-to-day dining room. | 0:35:33 | 0:35:36 | |
The family would have eaten here every day. | 0:35:36 | 0:35:38 | |
The first thing you notice in this room, if you look up, | 0:35:38 | 0:35:43 | |
is the amazing ceiling. | 0:35:43 | 0:35:45 | |
This ceiling was put in by the fourth Marquess, | 0:35:45 | 0:35:48 | |
the present Lord Bath's grandfather. | 0:35:48 | 0:35:52 | |
He loved Italian - the Italian style. | 0:35:52 | 0:35:57 | |
This ceiling is actually copied from the Ducal Palace in Venice. | 0:35:57 | 0:36:02 | |
-How do they clean it? -Painstakingly. You know your blusher brushes? | 0:36:02 | 0:36:06 | |
That's what they do. | 0:36:06 | 0:36:08 | |
They'll stand up on ladders and get into the... It's so delicate, and obviously it's all gilt. | 0:36:08 | 0:36:13 | |
They will get in and brush it away literally with blusher brushes. | 0:36:13 | 0:36:19 | |
It's not something you want to do too often. | 0:36:19 | 0:36:22 | |
How often do they have to repaint it? | 0:36:22 | 0:36:24 | |
It's done roughly every ten years or so, | 0:36:24 | 0:36:28 | |
but because it's kept in very good condition and is cleaned, | 0:36:28 | 0:36:32 | |
it's kept very well so things do stay preserved | 0:36:32 | 0:36:35 | |
-in this magnificent state. -It's a good job. | 0:36:35 | 0:36:40 | |
If you want to go through into this room, my colleague Ben will meet you in there. | 0:36:40 | 0:36:46 | |
(What a swot!) Follow me in here. | 0:36:46 | 0:36:48 | |
Now, I would like to welcome you into the breakfast room. | 0:36:48 | 0:36:52 | |
Please come along, everyone. | 0:36:52 | 0:36:54 | |
Very impressive. | 0:36:54 | 0:36:56 | |
Lots of paintings of various Baths along the ceilings, | 0:36:56 | 0:37:01 | |
all sorts in fact. | 0:37:01 | 0:37:03 | |
The table is laid still originally from the 1st April 1949, | 0:37:03 | 0:37:11 | |
believe it or not. All totally original. | 0:37:11 | 0:37:13 | |
The original newspaper, even the original egg that was left there at that time. | 0:37:13 | 0:37:18 | |
That was when the fourth Marquess, maybe the fifth, | 0:37:18 | 0:37:22 | |
in the painting above the fireplace passed away. | 0:37:22 | 0:37:25 | |
There were incredible death duties that had to be paid, | 0:37:25 | 0:37:28 | |
so the house had to open to the public | 0:37:28 | 0:37:30 | |
so that you lucky people could have a look around and see what went on in here. | 0:37:30 | 0:37:35 | |
Very impressive ceiling. | 0:37:35 | 0:37:37 | |
In terms of the painting on the ceiling, | 0:37:37 | 0:37:39 | |
would that have been painted and then set into the ceiling? | 0:37:39 | 0:37:42 | |
It would very likely have been painted and then put up there, yes. | 0:37:42 | 0:37:48 | |
Absolutely. | 0:37:48 | 0:37:50 | |
Any questions from anybody? | 0:37:50 | 0:37:52 | |
I hope you enjoyed the room. Please join Sarah this way. Thank you very much for coming, everybody. | 0:37:54 | 0:37:59 | |
(I think I did rather well.) | 0:37:59 | 0:38:01 | |
-Well done, Ben. -SHE LAUGHS | 0:38:03 | 0:38:06 | |
It's been a month now since Imogen underwent an emergency Caesarean. | 0:38:10 | 0:38:15 | |
The baby was already dead, | 0:38:15 | 0:38:17 | |
and no-one really thought that Mum had much chance either. | 0:38:17 | 0:38:21 | |
But here she is, and she's doing fine. | 0:38:24 | 0:38:27 | |
We had hardly any infection to speak of. | 0:38:33 | 0:38:37 | |
In fact it was so little infection | 0:38:37 | 0:38:38 | |
it's not even really worth mentioning. | 0:38:38 | 0:38:41 | |
Yeah, she's just fantastic. | 0:38:41 | 0:38:44 | |
I think, the kind of animal she is, | 0:38:44 | 0:38:47 | |
she's very, very quiet, very laid back. | 0:38:47 | 0:38:49 | |
I think that stood well in her stead | 0:38:49 | 0:38:51 | |
because obviously the stress level from the pain and the darting | 0:38:51 | 0:38:55 | |
and the hassle was very low. | 0:38:55 | 0:38:57 | |
Obviously she didn't know anything about the op | 0:38:57 | 0:38:59 | |
because she was completely out, | 0:38:59 | 0:39:01 | |
but stress will get them in a lot of other ways. | 0:39:01 | 0:39:04 | |
That didn't affect her. | 0:39:04 | 0:39:06 | |
Yeah, really, really pleased. | 0:39:06 | 0:39:08 | |
It's unlikely that Imogen will be allowed to get pregnant again - | 0:39:10 | 0:39:14 | |
the risks are just too high. | 0:39:14 | 0:39:16 | |
But with her steady nature, she still has an important role to play. | 0:39:16 | 0:39:21 | |
She's got a great future in the herd | 0:39:21 | 0:39:23 | |
because she'll be central to a lot of things. | 0:39:23 | 0:39:25 | |
Unfortunately, the one thing she possibly isn't going to do | 0:39:25 | 0:39:28 | |
is have calves of her own. | 0:39:28 | 0:39:30 | |
But she's got two sisters here. | 0:39:30 | 0:39:32 | |
So there are going to be offspring from that family, | 0:39:32 | 0:39:36 | |
and she can just be everybody's dear old maiden aunt | 0:39:36 | 0:39:39 | |
being a bit dotty in the corner, I suppose. | 0:39:39 | 0:39:41 | |
Hello, girls. | 0:39:47 | 0:39:48 | |
Imogen has been getting a lot of visits | 0:39:48 | 0:39:51 | |
from all the staff that helped that day. | 0:39:51 | 0:39:54 | |
It's an experience Head Warden Keith Harris won't forget in a hurry. | 0:39:54 | 0:39:58 | |
I've been involved with giraffes for 30 years ever since I've been here, | 0:39:58 | 0:40:03 | |
but we've sedated them for foot trimming and lameness, | 0:40:03 | 0:40:09 | |
that type of problem, but never a Caesarean. | 0:40:09 | 0:40:14 | |
So for it to actually be successful as well | 0:40:14 | 0:40:20 | |
is quite something, so we're quietly quite chuffed. | 0:40:20 | 0:40:23 | |
The operation what she went through, | 0:40:25 | 0:40:27 | |
fantastic, an absolute miracle of nature that she would recover so well. | 0:40:27 | 0:40:32 | |
Fantastic it is. | 0:40:32 | 0:40:35 | |
Makes her extra-special now to have gone through all she's gone through. | 0:40:35 | 0:40:39 | |
We thought we'd lose her | 0:40:39 | 0:40:41 | |
in the bottom of our hearts - even though you've got to try these things - | 0:40:41 | 0:40:45 | |
we thought she was going to die. | 0:40:45 | 0:40:46 | |
Back up in the house, it's time to find out who's won the guide's challenge - | 0:41:04 | 0:41:09 | |
Ben or me? | 0:41:09 | 0:41:10 | |
The judge is Head Guide Claire Mound, | 0:41:10 | 0:41:14 | |
and I don't know what Ben's been up to, | 0:41:14 | 0:41:16 | |
but I'm beginning to suspect a hint of bias. | 0:41:16 | 0:41:19 | |
I think you did brilliantly, Ben. You didn't lose anybody, did you? | 0:41:19 | 0:41:23 | |
-I hope not! -No-one's still hidden under the table. | 0:41:23 | 0:41:26 | |
-Your answered spontaneous questions that might have floored you, and got them right. -Thank you. | 0:41:26 | 0:41:31 | |
-It's all sounding very good. What about Kate? -Kate did all right, too, didn't you? -I thought I did. | 0:41:31 | 0:41:38 | |
-You got the grandfathers muddled. -I did. There are too many grandfathers in this family. | 0:41:38 | 0:41:43 | |
There are too many Thomases and Johns and things. | 0:41:43 | 0:41:46 | |
-It was great-grandfather, wasn't it? -It was. Otherwise... | 0:41:46 | 0:41:50 | |
No, you were getting there but, by a small whisker, | 0:41:50 | 0:41:54 | |
I think that Ben got slightly better, | 0:41:54 | 0:41:59 | |
-and we'll give you a badge. -No! | 0:41:59 | 0:42:02 | |
-It does mean we might ask you to do some work now. -Oh, really? Does that mean bigger groups? -Yes. | 0:42:02 | 0:42:07 | |
I've got 30 small children waiting downstairs. | 0:42:07 | 0:42:10 | |
I'm going to wear that with... What?! | 0:42:10 | 0:42:12 | |
-How many more rooms do I have to learn about? -Oh, about 10 more. Yes. | 0:42:12 | 0:42:17 | |
-Oh, dear. I have my work cut out. Do you want the badge, Kate? -No, no, no. See you next year. | 0:42:17 | 0:42:22 | |
Sadly that's all we've got time for on today's programme. | 0:42:22 | 0:42:25 | |
Here's what's coming up on the next Animal Park. | 0:42:25 | 0:42:28 | |
There are dramatic developments when Babs the rhino | 0:42:30 | 0:42:33 | |
takes a turn for the worse. | 0:42:33 | 0:42:35 | |
Back with the lions, | 0:42:38 | 0:42:39 | |
it's time to give the youngest cub her injections. | 0:42:39 | 0:42:42 | |
And down in Pets Corner, | 0:42:42 | 0:42:45 | |
we'll meet two new bouncing babies - | 0:42:45 | 0:42:48 | |
the first otter cubs born at Longleat in over 30 years. | 0:42:48 | 0:42:51 | |
So don't miss the next Animal Park. | 0:42:51 | 0:42:54 | |
Subtitles by Red Bee Media Ltd - 2006 | 0:43:16 | 0:43:20 | |
E-mail [email protected] | 0:43:20 | 0:43:24 |