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Hello, and welcome to Animal Park. | 0:00:29 | 0:00:31 | |
-I'm Ben Fogle... -And I'm Kate Humble, and we are | 0:00:31 | 0:00:34 | |
out in the East Africa reserve, which is home to giraffes, zebras, | 0:00:34 | 0:00:38 | |
llamas, camels and ostrich. | 0:00:38 | 0:00:41 | |
And also wallabies, tapirs, guinea fowl and giant tortoises and pygmy goats. | 0:00:41 | 0:00:48 | |
With all these animals, we've got a whole host of stories for you on today's programme, including: | 0:00:48 | 0:00:53 | |
The lion cubs' latest challenge. | 0:00:53 | 0:00:55 | |
If they want any dinner, they'll have to take on Mum and Dad. | 0:00:55 | 0:00:59 | |
I'll find out why the chameleons like nothing better than to get caught in the rain. | 0:01:01 | 0:01:08 | |
And the keepers must take desperate measures | 0:01:08 | 0:01:11 | |
when a rare stag gets hopelessly tangled in wire. | 0:01:11 | 0:01:15 | |
But first we're going up to lion country because it's a big day for the two cubs in Kabir's pride. | 0:01:21 | 0:01:27 | |
Malaika and Jasira are going to get the chance to hunt the feed truck for the very first time. | 0:01:27 | 0:01:32 | |
They'll have to learn to chase, grab and hold on to their dinner. | 0:01:32 | 0:01:36 | |
But more than that, they're going to need to stand up for themselves. | 0:01:36 | 0:01:41 | |
Already in their young lives they've faced a series of challenges, | 0:01:41 | 0:01:45 | |
under the close supervision of keepers Bob Trollope and Brian Kent. | 0:01:45 | 0:01:49 | |
First came inoculations, starting from when they were six weeks old. | 0:01:49 | 0:01:53 | |
Then the cubs learnt about the great outdoors, where | 0:01:53 | 0:01:56 | |
they could play with each other after two months of separation. | 0:01:56 | 0:02:00 | |
They also had to meet their dad, Kabir, face to face for the first time. | 0:02:03 | 0:02:08 | |
So far, it's all gone well, and now they're in the process of | 0:02:08 | 0:02:12 | |
being weaned, swapping their mother's milk for raw meat. | 0:02:12 | 0:02:16 | |
Everything is at it would be in the wild. | 0:02:18 | 0:02:21 | |
The little one still goes to Mum for a drink. | 0:02:21 | 0:02:25 | |
She's not there as long because she doesn't need so much | 0:02:25 | 0:02:28 | |
because she's eating the meat now, and she's drinking water. | 0:02:28 | 0:02:33 | |
But Malaika now, she doesn't seem to go to Mum. Maybe Mum's dried up. | 0:02:33 | 0:02:38 | |
They're at that stage where they're semi-weaned. | 0:02:38 | 0:02:42 | |
As you can see, some nice teeth in there, some nice little claws to hold onto the meat. | 0:02:42 | 0:02:47 | |
And the tongue is like a little rasp. | 0:02:47 | 0:02:51 | |
All it is is very coarse hair. | 0:02:51 | 0:02:55 | |
It's what they use for stripping sinew off the bones, | 0:02:55 | 0:02:59 | |
and also for when they're cleaning themselves. | 0:02:59 | 0:03:03 | |
Malaika has a particularly good appetite, just like her dad. | 0:03:03 | 0:03:07 | |
He likes his food, so if there's a lot of it around, he'll try and pinch others'. | 0:03:09 | 0:03:14 | |
So we've got to be careful when he's outside that he doesn't grab all the meat off all the others. | 0:03:14 | 0:03:19 | |
You've got to watch him all the time. | 0:03:19 | 0:03:21 | |
So the cubs' next meal won't be so easy. | 0:03:21 | 0:03:24 | |
If they want to eat, Malaika and Jasira are going to have to chase, | 0:03:24 | 0:03:28 | |
grab and hold a big joint on the bone out in the open enclosure, | 0:03:28 | 0:03:33 | |
and they may well have to fight Dad for it. | 0:03:33 | 0:03:36 | |
We'll see if they rise to the challenge later on. | 0:03:36 | 0:03:39 | |
I'm in Pets Corner with keeper Sarah Clayson | 0:03:42 | 0:03:46 | |
and one of Longleat's two magnificent chameleons. | 0:03:46 | 0:03:50 | |
Sarah, this is such a treat. | 0:03:50 | 0:03:52 | |
-They are the most beautiful creatures. -They are, definitely. | 0:03:52 | 0:03:55 | |
He's got his mouth open. Is that a threat thing to you? | 0:03:55 | 0:03:59 | |
Is he saying, "Back off and leave me alone"? | 0:03:59 | 0:04:03 | |
Yeah. Occasionally, we're all right, and you can handle them, but they are quite moody sometimes. | 0:04:03 | 0:04:08 | |
You never know what mood they're going to be in. | 0:04:08 | 0:04:11 | |
Can I take that and have a good look at him? He's quite heavy actually. | 0:04:11 | 0:04:16 | |
Yeah. | 0:04:16 | 0:04:17 | |
The first thing everyone tells you about chameleons is that they change | 0:04:17 | 0:04:23 | |
colour so they completely merge in with their background. | 0:04:23 | 0:04:27 | |
I can't say he has changed into oak leaf colour, | 0:04:27 | 0:04:30 | |
but he has gone these remarkable bright colours. | 0:04:30 | 0:04:33 | |
-What happens there? -It tends to be related to the mood they're in, | 0:04:33 | 0:04:37 | |
so because he's by us and he feels a bit nervous around us, | 0:04:37 | 0:04:42 | |
he will flare up quite brightly as a display warning to us. | 0:04:42 | 0:04:47 | |
Oh, right. The other thing you notice having him here on the branch | 0:04:47 | 0:04:51 | |
are these extraordinary feet that seem so perfectly adapted to walking along trees. | 0:04:51 | 0:04:58 | |
-Yeah, they're like mittens! -They really are. | 0:04:58 | 0:05:00 | |
They've actually got five toes on each foot, but they're fused together, | 0:05:00 | 0:05:05 | |
and helps them move along branches easily, and get a better grip. | 0:05:05 | 0:05:10 | |
He's gripping me now. Is he all right? | 0:05:10 | 0:05:12 | |
Yeah, he's comfortable there. | 0:05:12 | 0:05:14 | |
He's absolutely beautiful. | 0:05:14 | 0:05:17 | |
The crest on top of his head, does that show whether he's male or female, or is it just | 0:05:17 | 0:05:22 | |
this particular sort of chameleon that has that? | 0:05:22 | 0:05:25 | |
Male and female chameleons have them, but the females' are quite a lot smaller. | 0:05:25 | 0:05:31 | |
The males use them as a display dominance thing, | 0:05:31 | 0:05:36 | |
but they also use them | 0:05:36 | 0:05:39 | |
to catch water droplets to help them drink, | 0:05:39 | 0:05:42 | |
-because they can't actually see still water. -Really? | 0:05:42 | 0:05:45 | |
It's just moving water they drink because that's all they can see. | 0:05:45 | 0:05:49 | |
Extraordinary. So is this why you've got your water sprayer here? | 0:05:49 | 0:05:54 | |
Yeah, every morning we come in and give them both a spray down. | 0:05:54 | 0:05:59 | |
So you literally just squirt like that? | 0:05:59 | 0:06:02 | |
Yeah, and the water droplets all run down into the corner of his mouth. | 0:06:02 | 0:06:07 | |
And they just sit there and open and shut their mouth | 0:06:07 | 0:06:10 | |
and just catch the water as it comes down. | 0:06:10 | 0:06:13 | |
These veiled chameleons, where would you find them in the wild? | 0:06:13 | 0:06:17 | |
They come from Saudi Arabia and Yemen. | 0:06:17 | 0:06:20 | |
Right, so quite dry areas! | 0:06:20 | 0:06:23 | |
Don't fall off! | 0:06:23 | 0:06:25 | |
-Is it true their tongues are almost as long as their bodies? -Yes. | 0:06:25 | 0:06:29 | |
They've got a big, sticky blob on the end, | 0:06:29 | 0:06:32 | |
and they flick it out and pick up the prey on the end of it. | 0:06:32 | 0:06:36 | |
So, they'll literally... Hello. Do you want to come back to me? | 0:06:36 | 0:06:39 | |
So, they'll literally stick the insect | 0:06:39 | 0:06:42 | |
to the end of their tongue and pull it back in again? | 0:06:42 | 0:06:46 | |
Yeah, it's really fascinating to watch because both their eyes - they move independently - swing forward | 0:06:46 | 0:06:52 | |
so they can get the depth, and they just poke their tongue out slightly, | 0:06:52 | 0:06:56 | |
so they look quite funny when they do that. Then they just grab it. | 0:06:56 | 0:07:01 | |
They are the most fantastic creatures. | 0:07:01 | 0:07:03 | |
Sarah, thank you very much. I'm becoming attached to this one! | 0:07:03 | 0:07:07 | |
Are you going to stay with me for the day? | 0:07:07 | 0:07:10 | |
At the keepers' lodge, | 0:07:17 | 0:07:19 | |
head of section, Tim Yeo, is preparing for a difficult task. | 0:07:19 | 0:07:23 | |
It's not something he's looking forward to. | 0:07:27 | 0:07:31 | |
This morning, on his rounds out in the enclosure, | 0:07:34 | 0:07:37 | |
he spotted something worrying. | 0:07:37 | 0:07:39 | |
Somehow, the Pere David's stag | 0:07:39 | 0:07:41 | |
had managed to get a piece of fencing wire tangled in his antlers. | 0:07:41 | 0:07:45 | |
Pere David's deer are listed as critically endangered in the wild. | 0:07:50 | 0:07:53 | |
With just a few thousand left in the world, | 0:07:53 | 0:07:56 | |
the park's five females and one male are incredibly precious animals. | 0:07:56 | 0:08:01 | |
Tim must act quickly or the stag could get badly hurt. | 0:08:01 | 0:08:06 | |
The only way that we can remove the wire is to sedate him. | 0:08:08 | 0:08:13 | |
And so... Which actually can be quite a difficult sort of job, | 0:08:13 | 0:08:18 | |
because they're difficult to get close to. | 0:08:18 | 0:08:21 | |
But no other way of removing it. It's got to come off. | 0:08:21 | 0:08:25 | |
If it stays, he's liable to get more and more tangled up in it | 0:08:25 | 0:08:29 | |
and it's an enormous hazard to him. | 0:08:29 | 0:08:32 | |
Darting is a tricky procedure. | 0:08:33 | 0:08:36 | |
But Tim is highly trained and holds a licence to use this equipment. | 0:08:36 | 0:08:40 | |
He's also very experienced. | 0:08:40 | 0:08:43 | |
There are risks to it to the animal obviously, but... | 0:08:43 | 0:08:48 | |
in this instance there's no other way, we have to do this. | 0:08:48 | 0:08:51 | |
It's crucial to get the amount of sedative right. | 0:08:51 | 0:08:55 | |
Too small a dose and the stag won't go to sleep. | 0:08:55 | 0:08:59 | |
But too large a dose could kill him. | 0:08:59 | 0:09:02 | |
To get close to the stag, Tim's come up with a cunning plan. | 0:09:07 | 0:09:12 | |
He's going to go with the film crew in their vehicle. | 0:09:12 | 0:09:16 | |
I'm hoping that perhaps we can... | 0:09:17 | 0:09:19 | |
go in disguise somewhat. | 0:09:19 | 0:09:22 | |
This vehicle's very good because they get suspicious of certain vehicles. | 0:09:22 | 0:09:27 | |
And certainly mine they see a lot and they're very suspicious of it. | 0:09:27 | 0:09:31 | |
They shouldn't be with this one. | 0:09:31 | 0:09:34 | |
The Pere David's are shy creatures and very quick on their feet | 0:09:37 | 0:09:42 | |
so they're extremely difficult to dart. | 0:09:42 | 0:09:45 | |
Can we stop there, Will, please? | 0:09:49 | 0:09:52 | |
Tim wants to get as close as possible | 0:09:52 | 0:09:55 | |
to make sure his first shot is accurate. | 0:09:55 | 0:09:58 | |
You get one really good chance at this and that's the first chance, | 0:09:58 | 0:10:03 | |
because if it goes wrong the first time, | 0:10:03 | 0:10:06 | |
the stag that we're trying to sedate is wary | 0:10:06 | 0:10:10 | |
and presents a far more difficult target the second time and beyond. | 0:10:10 | 0:10:15 | |
The Pere David's are not cooperating. | 0:10:15 | 0:10:19 | |
(He doesn't really present a shot at the minute.) | 0:10:19 | 0:10:23 | |
Tim's still at quite a long range from the stag | 0:10:23 | 0:10:27 | |
but suddenly he sees a chance. | 0:10:27 | 0:10:29 | |
No, that missed. | 0:10:32 | 0:10:34 | |
Unfortunately, the dart went wide. | 0:10:34 | 0:10:37 | |
Tim has to pick it up and start again. | 0:10:41 | 0:10:45 | |
Having missed once, | 0:10:45 | 0:10:47 | |
it's going to be even harder now. | 0:10:47 | 0:10:49 | |
Keep going, Will, as steady as you are. | 0:10:54 | 0:10:57 | |
The Pere David's are nervous and even more wary than before. | 0:10:57 | 0:11:02 | |
TIM WHISTLES | 0:11:02 | 0:11:04 | |
But eventually Tim sees another opportunity. | 0:11:04 | 0:11:08 | |
Oh, I hit him, did I? | 0:11:10 | 0:11:11 | |
I don't know if I hit him. | 0:11:11 | 0:11:13 | |
Do you think you got him? | 0:11:14 | 0:11:17 | |
I don't know if I hit him. I swung through and... | 0:11:17 | 0:11:20 | |
I'm not sure. | 0:11:22 | 0:11:24 | |
The shot was good but somehow the stag is still standing up. | 0:11:24 | 0:11:30 | |
The last dart hit him | 0:11:30 | 0:11:32 | |
but he didn't receive the whole drug so... | 0:11:32 | 0:11:35 | |
it's not been nearly enough to sedate him, | 0:11:35 | 0:11:39 | |
to get him into a state that we can deal with him. | 0:11:39 | 0:11:42 | |
So I feel now... | 0:11:42 | 0:11:44 | |
we need to back off, leave it well alone for tonight. | 0:11:44 | 0:11:48 | |
I think we need to start afresh tomorrow. | 0:11:49 | 0:11:52 | |
We'll be back to see if Tim can sedate the stag | 0:11:52 | 0:11:57 | |
before it gets badly injured by the wire. | 0:11:57 | 0:12:00 | |
All across Britain, there's a network of conservation volunteers | 0:12:05 | 0:12:09 | |
who've taken on the task of monitoring and assessing the state of the natural environment. | 0:12:09 | 0:12:14 | |
These are the County Recorders, and each is a specialist, responsible | 0:12:16 | 0:12:20 | |
for just one kind of plant or creature on their own home patch. | 0:12:20 | 0:12:24 | |
I'm out in Longleat's East Woodland with county beetle recorder | 0:12:28 | 0:12:32 | |
Michael Derby, and hopefully, here, some beetles. What have we got here? | 0:12:32 | 0:12:38 | |
What we've got here is a longhorn beetle. | 0:12:38 | 0:12:41 | |
This is a beetle that lives in its larval stages in wood, and they're | 0:12:41 | 0:12:46 | |
called longhorn beetles because they've got long antennae like that. | 0:12:46 | 0:12:50 | |
-Can I put this down now? -Yeah, do. -Where else might we look? | 0:12:50 | 0:12:54 | |
This is a good fallen tree, which we ought to find something interesting. | 0:12:54 | 0:12:58 | |
As an example, how many types of beetles are there in the UK? | 0:12:58 | 0:13:05 | |
-There are 4,200 different species of beetle in the UK. -That's incredible. | 0:13:05 | 0:13:10 | |
Not that we find all those in Wiltshire, of course. | 0:13:10 | 0:13:13 | |
This is the so-called wire worm. | 0:13:13 | 0:13:16 | |
They're a great pest to gardeners, but this particular species, they're click beetles, some live in wood, | 0:13:16 | 0:13:22 | |
some live in the roots of garden plants and so on. | 0:13:22 | 0:13:25 | |
This is one of the woodland species. | 0:13:25 | 0:13:27 | |
It so happens, I did actually find some adults of that earlier in the day, which I've... | 0:13:27 | 0:13:34 | |
got in a tube here to show you. | 0:13:34 | 0:13:36 | |
Your pockets are crammed full of beetle paraphernalia. | 0:13:36 | 0:13:40 | |
Is it true that beetles have their skeleton | 0:13:40 | 0:13:43 | |
on the outside of their body, the reverse to what we have? | 0:13:43 | 0:13:47 | |
Yes, and that's a great advantage for them because it means they can | 0:13:47 | 0:13:52 | |
have an entirely different system of muscles to us, and so | 0:13:52 | 0:13:55 | |
they're much stronger in proportion to their size. Ants can lift the equivalent of pianos, say. | 0:13:55 | 0:14:00 | |
-And they can fall from great heights. -Yes, and not be damaged. | 0:14:00 | 0:14:03 | |
There are problems. It means you can't grow, so you can only | 0:14:03 | 0:14:06 | |
-take in as much food as you need to perform essential bodily functions. -You're only as big as your skeleton. | 0:14:06 | 0:14:12 | |
And you can't feel, so you've got to have a system of hairs in order to enable you to feel. | 0:14:12 | 0:14:16 | |
These are the ones I found earlier. | 0:14:16 | 0:14:20 | |
This is what that will turn into. | 0:14:20 | 0:14:23 | |
Longleat has 4,000 acres, literally a million trees. | 0:14:23 | 0:14:27 | |
What have your studies here so far indicated about the quality of the wood here? | 0:14:27 | 0:14:32 | |
We've found enough to score Longleat at around about 330, I think,. | 0:14:32 | 0:14:38 | |
which would put it in the top ten of woods in the west of England, which is pretty good. | 0:14:38 | 0:14:44 | |
I'm quite sure that given more time we'll add to that quite considerably. | 0:14:44 | 0:14:49 | |
-We've really only skimmed the surface here. -Michael, thank you very much. | 0:14:49 | 0:14:53 | |
I had no idea that beetles could be so interesting. | 0:14:53 | 0:14:56 | |
It's lunchtime in lion country, and today the two cubs, Jasira | 0:14:58 | 0:15:03 | |
and Malaika, will be hunting the feed truck for the very first time. | 0:15:03 | 0:15:07 | |
They've been using this method of feeding here for many years. | 0:15:07 | 0:15:11 | |
Meat is dropped from a chute at the back of the trailer, while it's on the move. | 0:15:11 | 0:15:15 | |
This means the lions must run and chase for their food, just as they would in the wild. | 0:15:15 | 0:15:21 | |
For the cubs it's going to be a challenge, as keeper Bob Trollope knows. | 0:15:21 | 0:15:26 | |
This is the big tester. We're actually feeding them for the first time outside in the park. | 0:15:26 | 0:15:31 | |
As you can see, Kabir's up for it, but the cubs aren't too sure what they've got to do at the moment. | 0:15:31 | 0:15:37 | |
Hopefully they will follow Mum. | 0:15:37 | 0:15:40 | |
Oh, here they come. | 0:15:40 | 0:15:42 | |
This is a whole new vehicle. They've never seen this one before. | 0:15:43 | 0:15:47 | |
So it's... It must be a bit daunting for them. | 0:15:47 | 0:15:52 | |
This is a big machine. | 0:15:52 | 0:15:54 | |
This will also be the first time the cubs have had to compete with the adults for food. | 0:15:54 | 0:16:00 | |
The keeper in charge of the lions, Brian Kent, is a little worried about Dad. | 0:16:00 | 0:16:05 | |
Kabir, he's just mad on his meat. | 0:16:05 | 0:16:07 | |
He wants to be fed and he'll have the lot. He'll collect it. | 0:16:07 | 0:16:10 | |
That's what he does. He'll collect it and have it in piles for himself. | 0:16:10 | 0:16:15 | |
Sometimes you've got to be here to push him off a bit, so the females do manage to get some. | 0:16:15 | 0:16:19 | |
If the cubs go for his food, | 0:16:19 | 0:16:21 | |
Kabir might well give them a cuff round the ears. | 0:16:21 | 0:16:25 | |
Trouble is, his paw is like a sledgehammer with a pitchfork at the end. | 0:16:25 | 0:16:30 | |
He's a big male lion. He's 100 times their size, | 0:16:30 | 0:16:34 | |
so a little smack from him could do a lot of damage. | 0:16:34 | 0:16:39 | |
This could be a dangerous part of their growing-up process. | 0:16:39 | 0:16:44 | |
He's so much of a glutton that he wants every single bit that you chuck out, which, you know, he's | 0:16:46 | 0:16:51 | |
basically getting the lion's share of things, but he's also got to allow the others to feed. | 0:16:51 | 0:16:56 | |
You'll more likely find, Mum will grab a piece and the cubs will run off after them. | 0:16:56 | 0:17:01 | |
Which is fine, because Mum will let them | 0:17:03 | 0:17:05 | |
eat their meat. I'm not so sure that Kabir would. | 0:17:05 | 0:17:10 | |
Just as in the wild, this stage is not just about the food. | 0:17:10 | 0:17:14 | |
It's also about the cubs learning to fend for themselves. | 0:17:14 | 0:17:18 | |
Mum is in the process of weaning the cubs, | 0:17:19 | 0:17:26 | |
so she knows there is more than enough meat here for all of them. | 0:17:26 | 0:17:30 | |
She's trying to make Cubby go out and get their own. | 0:17:30 | 0:17:33 | |
So by giving them a bit of a clout... | 0:17:33 | 0:17:35 | |
It's not gonna hurt them - it's more upsetting to them because Mummy won't let them have any meat. | 0:17:35 | 0:17:41 | |
In the wild, on a kill, the cubs would be the last ones to feed. | 0:17:41 | 0:17:44 | |
They would have to find their own spot to get in there. | 0:17:44 | 0:17:49 | |
A lot of cubs do get hurt when it's feeding time. | 0:17:49 | 0:17:53 | |
But it doesn't take them long to get the idea. | 0:17:54 | 0:17:57 | |
And there's no question about their appetite. | 0:17:57 | 0:18:00 | |
At the moment I'm very happy with it. | 0:18:01 | 0:18:05 | |
It's gone to plan. | 0:18:05 | 0:18:07 | |
Initially we had thoughts about Kabir being | 0:18:07 | 0:18:11 | |
a little bit aggressive towards the cubs when the food is around. | 0:18:11 | 0:18:15 | |
So far Malaika and Jasira have risen to each new challenge of growing up. | 0:18:17 | 0:18:23 | |
But they've still got a long way to go, | 0:18:23 | 0:18:25 | |
and we'll be there to follow their progress throughout the series. | 0:18:25 | 0:18:29 | |
Longleat is a house packed with treasures, | 0:18:40 | 0:18:43 | |
but looking after such a collection is a grave responsibility. | 0:18:43 | 0:18:47 | |
Funds must always be in place to conserve and keep safe the art and antiques for future generations. | 0:18:47 | 0:18:54 | |
And to do that, sacrifices sometimes have to be made. | 0:18:54 | 0:18:59 | |
So, in 2002, a number of items from Longleat were sold at auction. | 0:19:01 | 0:19:06 | |
Amongst them was a 1460 Virgil manuscript, many paintings by | 0:19:06 | 0:19:11 | |
the Dutch Masters, and four life-size Meissen porcelain animals. | 0:19:11 | 0:19:16 | |
The sale secured the future of the estate | 0:19:16 | 0:19:19 | |
by raising a wopping £27 million. | 0:19:19 | 0:19:23 | |
The Marquess of Bath was delighted with the outcome, | 0:19:23 | 0:19:26 | |
though he couldn't help but notice all the gaps in the decor. | 0:19:26 | 0:19:30 | |
There was a big table back there which I forgot to point out, but that's gone. | 0:19:30 | 0:19:35 | |
These empty walls here weren't empty just last week. | 0:19:35 | 0:19:40 | |
There was a large number of Dutch masters on the walls, | 0:19:40 | 0:19:45 | |
and there were Meissen porcelain animal figures. | 0:19:45 | 0:19:50 | |
They were in various rooms. | 0:19:50 | 0:19:53 | |
And all that was covered, again, with the Dutch Masters. | 0:19:53 | 0:19:57 | |
That's gone. | 0:19:57 | 0:19:59 | |
Things were taken from around here. There was something in that corner. | 0:19:59 | 0:20:04 | |
I can't actually remember what it was. | 0:20:04 | 0:20:06 | |
Now we've closed it up, I keep forgetting what has gone, but there was something there. | 0:20:06 | 0:20:11 | |
Lord Bath may not have missed some of the items, | 0:20:11 | 0:20:14 | |
but he lost one piece that had real sentimental and historical value. | 0:20:14 | 0:20:20 | |
In this room there's one very big, heavy hole here. | 0:20:20 | 0:20:24 | |
That used to house a very large desk where most of my writing throughout my life has been done. | 0:20:24 | 0:20:31 | |
The 19th-century French desk in sycamore sold for a small fortune. | 0:20:31 | 0:20:35 | |
At £160,000... | 0:20:39 | 0:20:41 | |
To fill the gap, Lord Bath commissioned a new desk. | 0:20:44 | 0:20:47 | |
It was designed to hold the family photograph albums, | 0:20:47 | 0:20:51 | |
as well as to provide a workstation fit for a Marquess. | 0:20:51 | 0:20:54 | |
So it was a big day when it arrived. | 0:20:54 | 0:20:57 | |
-Let's have a look, see what you think. -I do think it is indeed a very fine desk. | 0:20:57 | 0:21:04 | |
-Just what it should be for displaying all my albums! -Good. | 0:21:04 | 0:21:07 | |
I'm glad you like the look of it. | 0:21:07 | 0:21:09 | |
-Very much. And the general feeling of finesse about it. -Thank you. | 0:21:09 | 0:21:15 | |
Well, I'm very pleased with it. | 0:21:15 | 0:21:16 | |
But it wasn't just Lord Bath who lost a desk at the auction. | 0:21:18 | 0:21:21 | |
Lady Bath did, too. | 0:21:21 | 0:21:23 | |
So now she's asked the craftsmen who created her husband's desk to come up with a design for her. | 0:21:23 | 0:21:29 | |
Rupert Senior and Charles Carmichael found inspiration in the painting by Botticelli of the Birth of Venus. | 0:21:29 | 0:21:36 | |
The idea was... | 0:21:36 | 0:21:38 | |
Because the piece is built and designed for the Marchioness, we wanted to | 0:21:38 | 0:21:44 | |
design a piece that was very feminine and elegant and romantic. | 0:21:44 | 0:21:51 | |
As part of the inspiration, | 0:21:51 | 0:21:54 | |
you will see that | 0:21:54 | 0:21:56 | |
we've used a shell motif that appears in various parts of the | 0:21:56 | 0:22:00 | |
desk, including this main shell, which covers the writing surface. | 0:22:00 | 0:22:06 | |
You can see here, this is Botticelli, the Birth of Venus. | 0:22:06 | 0:22:12 | |
And so Project Venus was launched. | 0:22:12 | 0:22:14 | |
Freehand sketches and drawings gradually turned into scale diagrams and plans. | 0:22:14 | 0:22:21 | |
When the design was finished it had to be approved before anything could go ahead. | 0:22:21 | 0:22:27 | |
Lady Bath has brought the plans to show her husband. | 0:22:27 | 0:22:32 | |
So these are the drawings, THE drawing actually. | 0:22:34 | 0:22:38 | |
That's what it's going to look like. What d'you think? | 0:22:38 | 0:22:42 | |
Nice? | 0:22:42 | 0:22:43 | |
It has a very charming design. | 0:22:43 | 0:22:46 | |
Very much more feminine than, let's say, this desk, and I think appropriate for you. | 0:22:46 | 0:22:52 | |
I did ask them for something romantic like the darling desk that I loved. | 0:22:52 | 0:22:56 | |
-It's deliciously romantic. -I think it's very nice. | 0:22:56 | 0:23:01 | |
-It looks like shells, cockleshells. -That's the idea. | 0:23:01 | 0:23:04 | |
It is called the Venus desk because it's got a shell, | 0:23:04 | 0:23:07 | |
like Venus coming out of the seashell. | 0:23:07 | 0:23:11 | |
-Well, you have to put yourself there and then it will look like that! -You bet! | 0:23:11 | 0:23:16 | |
Anyhow, it's nice, isn't it? | 0:23:16 | 0:23:17 | |
-I do think it's nice. -OK, darling. | 0:23:17 | 0:23:21 | |
So I might take to it, because I miss so much my old desk, the one that's gone. | 0:23:21 | 0:23:26 | |
But can the new one live up to expectations? | 0:23:26 | 0:23:30 | |
Later on we'll see what happens as the Venus desk takes shape. | 0:23:30 | 0:23:34 | |
This isn't something you do every day, take a scrubbing brush to a rhino. | 0:23:37 | 0:23:41 | |
I'm out in the rhino yard with keeper Kevin Nibbs. | 0:23:41 | 0:23:44 | |
Kevin, this seems a very strange thing to do. Surely rhinos can look after themselves? | 0:23:44 | 0:23:49 | |
They can, yeah. Normally they'll go up in the paddocks | 0:23:49 | 0:23:52 | |
and roll in the mud and just cover themselves and as it dries it will pull the skin off itself. | 0:23:52 | 0:23:57 | |
So basically what we're doing is getting rid of dead skin? | 0:23:57 | 0:24:01 | |
Yeah, and all this underneath is new skin. | 0:24:01 | 0:24:04 | |
We've had a few skin problems this year with them, so it does look a little bit crusty but as soon as | 0:24:04 | 0:24:10 | |
we get rid of this and the sun comes out, it's going to do his skin good. | 0:24:10 | 0:24:14 | |
So brushing it is like us exfoliating basically, getting rid of the old, dead stuff and | 0:24:14 | 0:24:20 | |
letting the new stuff come out and get into the light and the warmth. | 0:24:20 | 0:24:24 | |
Exactly, it's really good for him. He enjoys it as well. | 0:24:24 | 0:24:27 | |
They've got very sensitive skin, thick but sensitive. | 0:24:27 | 0:24:30 | |
Amazing, because you wouldn't think he'd notice that we were here. | 0:24:30 | 0:24:35 | |
No, no, you wouldn't but it is very sensitive. | 0:24:35 | 0:24:37 | |
They can feel any insects crawling on their skin | 0:24:37 | 0:24:40 | |
which is why they put the mud on themselves, to stop that as well. | 0:24:40 | 0:24:43 | |
-To keep insects off. -Exactly, yes. -And does it work? | 0:24:43 | 0:24:46 | |
They've got very thick skin but do they need protection from the sun? | 0:24:46 | 0:24:50 | |
Not so much in our climate but certainly in Africa, | 0:24:50 | 0:24:53 | |
where it's direct sunlight all the time, definitely. | 0:24:53 | 0:24:56 | |
-So the wallowing would give them a protective layer? -Yeah, yeah. | 0:24:56 | 0:25:00 | |
That's incredible, well he does really seem to be enjoying it, he's standing here looking very relaxed. | 0:25:00 | 0:25:06 | |
We shall carry on beautifying Winston, | 0:25:06 | 0:25:08 | |
but in the meantime here's what else is coming up today. | 0:25:08 | 0:25:11 | |
We'll find whether or not the tangled stag can be saved. | 0:25:11 | 0:25:15 | |
Lady Bath likes the plan, but when the Venus desk is delivered, | 0:25:16 | 0:25:21 | |
what will she think of the real thing? | 0:25:21 | 0:25:24 | |
And I'll be giving tigers Sona and Kadu their tea! | 0:25:24 | 0:25:28 | |
This morning, head of section, Tim Yeo, is up bright and early | 0:25:35 | 0:25:39 | |
preparing himself for an important mission. | 0:25:39 | 0:25:42 | |
Today, he has a second chance to dart the rare Pere David's stag | 0:25:52 | 0:25:57 | |
who's managed to get fencing wire tangled in his antlers. | 0:25:57 | 0:26:01 | |
Yesterday, Tim scored a hit on the stag | 0:26:03 | 0:26:05 | |
but sadly the dart malfunctioned. | 0:26:05 | 0:26:08 | |
It failed to deliver the sedative drug | 0:26:08 | 0:26:11 | |
and is still stuck in the stag's thick hide. | 0:26:11 | 0:26:14 | |
It's vital that the wire is removed as soon as possible | 0:26:16 | 0:26:19 | |
before the stag gets more tangled up and hurts himself. | 0:26:19 | 0:26:23 | |
So, today, the pressure is on to get it right. | 0:26:23 | 0:26:27 | |
To get close to the stag without being recognised, | 0:26:30 | 0:26:33 | |
Tim's going with our film crew in their car. | 0:26:33 | 0:26:37 | |
He wants to be within 30 metres of his target | 0:26:37 | 0:26:42 | |
when he takes the first shot. | 0:26:42 | 0:26:44 | |
If he misses, as he did yesterday, | 0:26:44 | 0:26:46 | |
the stag will become more skittish than usual | 0:26:46 | 0:26:49 | |
and almost impossible to hit. | 0:26:49 | 0:26:51 | |
But the other animals are not cooperating. | 0:26:51 | 0:26:55 | |
WHISPERING: Rhino around. Oh, no. | 0:26:57 | 0:26:59 | |
Give me a break. | 0:27:00 | 0:27:02 | |
Good boy. Good boy. | 0:27:06 | 0:27:08 | |
Good boy. Good boy. | 0:27:08 | 0:27:10 | |
Go on, then. | 0:27:10 | 0:27:12 | |
It's a waiting game, | 0:27:12 | 0:27:14 | |
as Tim stalks the stag around his favourite wallow. | 0:27:14 | 0:27:18 | |
He's telling her, "Get out." | 0:27:18 | 0:27:21 | |
It's not the ideal place to bring him down. | 0:27:21 | 0:27:25 | |
Trouble is, what about shooting him down like that? | 0:27:27 | 0:27:31 | |
I'm not happy about it. | 0:27:31 | 0:27:33 | |
If sedated here, the stag might drown. | 0:27:33 | 0:27:37 | |
Tim has got to be patient. | 0:27:39 | 0:27:41 | |
TIM WHISTLES | 0:27:43 | 0:27:46 | |
But eventually he sees his chance. | 0:27:47 | 0:27:49 | |
Yes! Yes! | 0:27:50 | 0:27:52 | |
As it's designed to do, the dart falls out once the drug goes in. | 0:27:53 | 0:27:57 | |
It's gone well into muscle, right into the rump, so... | 0:27:59 | 0:28:03 | |
fingers crossed now. We wait and see what happens. | 0:28:03 | 0:28:07 | |
It takes a few minutes for the drug to work. | 0:28:07 | 0:28:10 | |
But soon the entangled stag begins to drift off to sleep. | 0:28:12 | 0:28:16 | |
I'm just giving it time for the drug to fully take effect. | 0:28:18 | 0:28:22 | |
I know he's been down a little while | 0:28:22 | 0:28:24 | |
but if we move him too quickly, he could get up. | 0:28:24 | 0:28:27 | |
He's not likely to do that, but we've had it in the past. | 0:28:27 | 0:28:30 | |
If you move him too quickly, they're up and they're away. | 0:28:30 | 0:28:34 | |
The less stimulation we give him now, the better. | 0:28:34 | 0:28:38 | |
As soon as they're confident that the deer is out cold, | 0:28:38 | 0:28:43 | |
the team can approach him. | 0:28:43 | 0:28:46 | |
Deputy head warden Ian Turner is on hand to help. | 0:28:46 | 0:28:50 | |
It'll just come off, Ian, will it? | 0:28:50 | 0:28:53 | |
Yeah, it is more or less, isn't it? | 0:28:53 | 0:28:55 | |
They want to do this quickly | 0:28:58 | 0:29:00 | |
so the stag is sedated for as little time as possible. | 0:29:00 | 0:29:04 | |
But they have to be gentle. | 0:29:04 | 0:29:06 | |
Oh, I see it, yeah. | 0:29:07 | 0:29:09 | |
Just mind yourself cos I'm bringing his leg out. | 0:29:13 | 0:29:17 | |
Shall we cut some of that? | 0:29:21 | 0:29:23 | |
OK. | 0:29:35 | 0:29:37 | |
Here you go, Ed. | 0:29:39 | 0:29:41 | |
A side effect of the drug | 0:29:41 | 0:29:43 | |
is that the stag loses the ability to regulate his body temperature, | 0:29:43 | 0:29:47 | |
so Tim must make sure he doesn't overheat. | 0:29:47 | 0:29:50 | |
Then it's time to administer the antidote to rouse him. | 0:29:55 | 0:30:00 | |
OK. | 0:30:00 | 0:30:02 | |
I think we could move off when we're ready. | 0:30:02 | 0:30:06 | |
Well done, guys. | 0:30:06 | 0:30:08 | |
We'll just pull away now and leave him. | 0:30:11 | 0:30:14 | |
Now Tim can only wait and hope that the stag will recover. | 0:30:14 | 0:30:20 | |
Within minutes, the stag wakes up. | 0:30:23 | 0:30:25 | |
He's a little groggy for a moment | 0:30:26 | 0:30:29 | |
but then he trots off to rejoin the herd | 0:30:29 | 0:30:33 | |
as if nothing had happened. | 0:30:33 | 0:30:35 | |
The operation has been a success. | 0:30:36 | 0:30:39 | |
I'm so happy that we've managed to catch him | 0:30:40 | 0:30:45 | |
and remove this wire, which is a hazard. | 0:30:45 | 0:30:48 | |
It had begun to wrap around one of his hind legs. | 0:30:48 | 0:30:52 | |
So it's a relief that... we've removed it | 0:30:52 | 0:30:55 | |
before it's been able to do any damage to him. | 0:30:55 | 0:30:58 | |
He's back with the hinds now and...you know, life goes on. | 0:30:58 | 0:31:03 | |
The Marquess and Marchioness of Bath have commissioned a new piece of furniture, a desk for Lady Bath. | 0:31:14 | 0:31:21 | |
They've now seen the design drawings and are quite impressed. | 0:31:21 | 0:31:25 | |
It is most elegant. | 0:31:26 | 0:31:28 | |
It is inspired really by a shell, | 0:31:28 | 0:31:30 | |
by Botticelli's Venus shell coming floating in | 0:31:30 | 0:31:36 | |
and she'll be sitting there, arising from her shell. | 0:31:36 | 0:31:39 | |
It's a huge amount of work but at the same time... | 0:31:40 | 0:31:44 | |
And costly, may I say. | 0:31:44 | 0:31:46 | |
But again, we are trying to compensate for the one we both lost. | 0:31:46 | 0:31:50 | |
He, my husband, for his and me for mine | 0:31:50 | 0:31:52 | |
and I think that it's very beautiful and made in the 21st century. | 0:31:52 | 0:31:58 | |
It will be the 21st century's legacy to Longleat, hopefully. | 0:31:58 | 0:32:04 | |
Rupert Senior and Charles Carmichael are the craftsmen | 0:32:07 | 0:32:12 | |
who are going to create this antique of the future. | 0:32:12 | 0:32:15 | |
The wood they chose is yew | 0:32:17 | 0:32:19 | |
and it all comes from a single 300-year-old tree | 0:32:19 | 0:32:23 | |
that was blown down in the great storm of 1987. | 0:32:23 | 0:32:26 | |
It's been air drying for almost 20 years | 0:32:26 | 0:32:29 | |
so it's top quality timber. | 0:32:29 | 0:32:32 | |
The trouble is, yew is not an easy wood to work with. | 0:32:32 | 0:32:36 | |
Yew wood is inherently very difficult to... | 0:32:38 | 0:32:42 | |
find the right piece. It's a very wasteful timber to work with. | 0:32:42 | 0:32:47 | |
This particular plank | 0:32:47 | 0:32:50 | |
is probably as good as it gets. | 0:32:50 | 0:32:54 | |
Now in this instance that's all looking quite good. | 0:32:54 | 0:32:57 | |
That's all looking quite good and, lo and behold, we turn it over | 0:32:57 | 0:33:03 | |
and we discover that there's | 0:33:03 | 0:33:06 | |
a knot with a big crack down the side of it. That is an inherent weakness. | 0:33:06 | 0:33:10 | |
If we want quite a strong leg | 0:33:10 | 0:33:13 | |
and this is going to come right in the middle of the leg | 0:33:13 | 0:33:16 | |
at this point and the grain is coming off here and here, and this is really | 0:33:16 | 0:33:22 | |
a very weak point and so we will have to disregard that piece. | 0:33:22 | 0:33:26 | |
So, a classic design, executed in a beautiful wood, by master craftsmen. | 0:33:31 | 0:33:36 | |
But furniture this special needs something extra, something unique. | 0:33:36 | 0:33:41 | |
Inspired by the Botticelli painting, the seashell canopy is that original feature. | 0:33:41 | 0:33:48 | |
You can see now that we've achieved... | 0:33:48 | 0:33:52 | |
an almost weightless... | 0:33:52 | 0:33:55 | |
movement on the canopy. | 0:33:55 | 0:33:58 | |
We've never seen a similar desk that operates in this way | 0:33:58 | 0:34:02 | |
and we believe that our design is unique. | 0:34:02 | 0:34:06 | |
Great attention has been paid to every detail. | 0:34:06 | 0:34:09 | |
The monogram has an 'A' for Anna, | 0:34:09 | 0:34:12 | |
and 'B' for Bath. The coronet is the symbol for a marchioness. | 0:34:12 | 0:34:17 | |
It's taken two years to create, and now the Venus desk is finished. | 0:34:17 | 0:34:23 | |
But will it live up to Lady Bath's romantic ideal? | 0:34:23 | 0:34:27 | |
I'm sure she'll love it, but it will be nevertheless very nice | 0:34:27 | 0:34:31 | |
to have that confirmed when she sees it! | 0:34:31 | 0:34:34 | |
We'll find out how the desk is received later on, when it finally arrives at Longleat. | 0:34:34 | 0:34:40 | |
For 17 years there were three tigers living together at Longleat. | 0:34:47 | 0:34:52 | |
But sadly last year Shandi, the white tiger, died of cancer. | 0:34:52 | 0:34:58 | |
That leaves Sona and Kadu, | 0:34:58 | 0:35:01 | |
both elderly and troubled by ill health. | 0:35:01 | 0:35:04 | |
I've come up to the tiger enclosure to meet head of section Brian Kent here. Hi, Brian. | 0:35:06 | 0:35:11 | |
And Kadu, one of the tigers. | 0:35:11 | 0:35:13 | |
How is Kadu doing, how is she? | 0:35:13 | 0:35:15 | |
Kadu's doing very well considering she's an old lady of the park. | 0:35:15 | 0:35:19 | |
-How old is old? -She's 21 this year. | 0:35:19 | 0:35:21 | |
-21. -So she's doing well. -How old would a tiger live in the wild? | 0:35:21 | 0:35:25 | |
Not as long as her, sort of 10 or 15 years. | 0:35:25 | 0:35:28 | |
Right. | 0:35:28 | 0:35:30 | |
-Considering she's got arthritis as well. -Right. | 0:35:30 | 0:35:33 | |
Presumably with a tiger of this age you have to do lots of checks to keep an eye on things basically? | 0:35:33 | 0:35:39 | |
We do check her every day and also the vet comes in once a week. | 0:35:39 | 0:35:43 | |
We do have a check for her claws because we've had problems | 0:35:43 | 0:35:46 | |
with her claws drawn into her pads so we need to check them on a regular basis. | 0:35:46 | 0:35:51 | |
Hopefully the meat will to encourage her up. | 0:35:51 | 0:35:54 | |
Kadu, come here, come on. Come on. | 0:35:54 | 0:35:57 | |
-Good girl. Then we try to have a quick look. -There we go. | 0:35:57 | 0:36:00 | |
You can have a quick look. | 0:36:00 | 0:36:02 | |
-Just to see if they're all... -Yeah, so you can see the claws. | 0:36:02 | 0:36:05 | |
Can I give her a piece as well? She's very gentle, isn't she? | 0:36:05 | 0:36:08 | |
Oh yes, very soft. | 0:36:08 | 0:36:11 | |
She's enjoying this. One more piece there. | 0:36:11 | 0:36:15 | |
There you go, you're enjoying that. Brian, thank you very much. | 0:36:15 | 0:36:18 | |
I'll leave you here and if you follow me down this way, this is the other tiger, Sona. | 0:36:18 | 0:36:23 | |
Now Bob, you're deputy here in the tiger enclosure. | 0:36:23 | 0:36:27 | |
What's all this about? | 0:36:27 | 0:36:29 | |
What we have got here is some mince | 0:36:29 | 0:36:32 | |
because Sona has got a pancreas problem. | 0:36:32 | 0:36:36 | |
OK, presumably is this another thing of old age basically? | 0:36:36 | 0:36:41 | |
Yes, he's had it for several years now. | 0:36:41 | 0:36:44 | |
-He's got kidney problems, he's arthritic as well. -How old is he? | 0:36:44 | 0:36:48 | |
He's 20, slightly younger than Kadu, but an old gentleman. | 0:36:48 | 0:36:53 | |
With this we can put medication in for his pancreas problem | 0:36:53 | 0:36:57 | |
and then he's got all evening, all day to eat it. | 0:36:57 | 0:37:00 | |
-He can come as and when he wants to. -Are we ready to put that in now in fact? | 0:37:00 | 0:37:04 | |
-Yeah, what we have to do, if you just chuck it in. -Just pour it in. | 0:37:04 | 0:37:08 | |
Presumably you have a big mincing machine? | 0:37:08 | 0:37:12 | |
We do have an electronic mincer which is great for us, saves us a lot of time. | 0:37:12 | 0:37:16 | |
Yeah. That looks like a huge amount, can I just say. | 0:37:16 | 0:37:20 | |
How many kilos in there? | 0:37:20 | 0:37:21 | |
There's about seven or eight kilos in there so it's a fair bit. | 0:37:21 | 0:37:26 | |
It's more concentrated and also you can put hearts in there, kidneys, | 0:37:26 | 0:37:31 | |
normal meat and it's all to build him up because... | 0:37:31 | 0:37:35 | |
He's looking a little bit thin. | 0:37:35 | 0:37:38 | |
-And as I say, we can build him up and also he can have all day to eat. -So how do we get it in? | 0:37:38 | 0:37:45 | |
One thing, you've got to be careful because he's quite keen to get it. | 0:37:45 | 0:37:48 | |
If I lift the slide up, you can push it around. | 0:37:48 | 0:37:51 | |
Be careful with the paws because he can get claws out if he wants to. | 0:37:51 | 0:37:53 | |
-He can come out, can he? So just a quick... -Yeah, put it through there. | 0:37:53 | 0:37:58 | |
Here you are, mate. That's it. | 0:37:58 | 0:38:01 | |
He's still kind of grumbling... | 0:38:04 | 0:38:08 | |
He's basically just seeing us off his food. That's his pride. | 0:38:08 | 0:38:11 | |
Well, Bob, thank you very much. | 0:38:11 | 0:38:13 | |
And of course we'll keep you posted on Sona's progress. | 0:38:13 | 0:38:16 | |
Two years in the making and now the day has finally arrived | 0:38:21 | 0:38:25 | |
when the Venus desk is to be unveiled at Longleat. | 0:38:25 | 0:38:29 | |
Rupert Senior and Charles Carmichael have brought it from their workshop, and have just a few minutes | 0:38:31 | 0:38:37 | |
to do the finishing touches before Lady Bath comes to see it for the first time. | 0:38:37 | 0:38:43 | |
It's always an anxious moment moving anything, | 0:38:46 | 0:38:51 | |
but touchwood it's had a good trip. | 0:38:51 | 0:38:54 | |
We've brought two sets of lampshades and we've brought all sorts of bits and pieces, extra keys, you name it | 0:38:54 | 0:39:01 | |
and you know you've always got to second-guess any eventualities. | 0:39:01 | 0:39:08 | |
-So where is it? -Over here. | 0:39:08 | 0:39:11 | |
Come and see your new desk. | 0:39:11 | 0:39:13 | |
It's lovely. It's as I imagined it. | 0:39:14 | 0:39:19 | |
-It's lovely. -So here on the outside we have your monogram at the top. | 0:39:19 | 0:39:24 | |
It's really lovely, it's quite a piece of art, isn't it, really? | 0:39:24 | 0:39:29 | |
We've built it to be... | 0:39:29 | 0:39:32 | |
And it's romantic. | 0:39:32 | 0:39:34 | |
The ancient yew wood has been given 60 coats of French polish | 0:39:36 | 0:39:41 | |
to make sure it's exactly the right golden colour. | 0:39:41 | 0:39:44 | |
There are ten drawers, including two secret ones, each with a polished brass handle. | 0:39:44 | 0:39:50 | |
It's like a piece of jewellery, isn't it? | 0:39:53 | 0:39:55 | |
It's made for centuries to come, isn't it, really? | 0:39:57 | 0:40:02 | |
That why, if you invest in a good piece | 0:40:02 | 0:40:05 | |
of furniture and you have in mind it's going to go down generations, | 0:40:05 | 0:40:10 | |
it's lovely. | 0:40:10 | 0:40:12 | |
And Lady Bath is happy to think that her new Venus desk is indeed worthy of Botticelli. | 0:40:12 | 0:40:19 | |
I'm sure he'd be enamoured with it. | 0:40:19 | 0:40:21 | |
He'd be very flattered that I wanted a Botticelli desk, number one. | 0:40:21 | 0:40:25 | |
I would be if I were an artist. | 0:40:25 | 0:40:27 | |
And I think he would approve, he would highly approve. | 0:40:27 | 0:40:32 | |
Down in Pets Corner there's a colony of degus. | 0:40:50 | 0:40:54 | |
They're a kind of rodent that's related to the guinea pig and to the chinchilla. | 0:40:54 | 0:40:59 | |
Like both of those species, the degu comes from the Andes in South America. | 0:40:59 | 0:41:03 | |
In the wild they live in large colonies, so | 0:41:03 | 0:41:07 | |
they're a very sociable creature and need to be kept in a large group. | 0:41:07 | 0:41:12 | |
Here at Longleat they've got 20, and the colony is still growing. | 0:41:12 | 0:41:16 | |
Kate and I are down in Pets Corner at the degu enclosure with keeper Bev Allen. | 0:41:16 | 0:41:21 | |
Now Bev, why is this particular degu in a cage? | 0:41:21 | 0:41:24 | |
This is one of our new degus that we're trying to mix in with our male degus here at Pets Corner. | 0:41:24 | 0:41:30 | |
So it takes a while to sort of mix them in because they're quite territorial. | 0:41:30 | 0:41:34 | |
Oh really, so they would fight if you just let him go in straight with the others? | 0:41:34 | 0:41:39 | |
Yes, so we have to basically get them used to the | 0:41:39 | 0:41:41 | |
different smells and do it very slowly. It takes a long time to do. | 0:41:41 | 0:41:45 | |
So they obviously are quite complex creatures, | 0:41:45 | 0:41:48 | |
-you wouldn't necessarily recommend them as a pet? -Not really. | 0:41:48 | 0:41:52 | |
A couple of years ago they were quite popular as a pet, but they do have to have | 0:41:52 | 0:41:57 | |
quite a strict diet because they can get diabetes and things like that, and basically the diet | 0:41:57 | 0:42:04 | |
is like the pellets and also hay and also we give them a bit of carrot now and then | 0:42:04 | 0:42:09 | |
-because it is good for their teeth because they should have orange teeth, not white teeth. -Oh really? | 0:42:09 | 0:42:14 | |
-Yeah, white teeth means they're ill. -That's amazing. | 0:42:14 | 0:42:18 | |
Well, hopefully Bev, this little one will be reintroduced with the rest | 0:42:18 | 0:42:23 | |
of the group successfully and we'll look forward to that, won't you? Thanks very much, Bev. | 0:42:23 | 0:42:27 | |
Sadly that's all we've got time for on today's programme, | 0:42:27 | 0:42:30 | |
but here's what's coming up on the next Animal Park. | 0:42:30 | 0:42:33 | |
The lion cubs have been playing too rough, and now both of them have injured a leg. | 0:42:34 | 0:42:40 | |
Up in the great hall, Ben will be getting into some heavy metal. | 0:42:41 | 0:42:45 | |
And don't be fooled by their comical appearance... | 0:42:46 | 0:42:50 | |
hippos are deadly. | 0:42:50 | 0:42:51 | |
We'll have all that and more next time on Animal Park. | 0:42:51 | 0:42:56 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:25 | |
E-mail [email protected] | 0:43:25 | 0:43:29 |