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It's a tense day in Tiger territory | 0:00:04 | 0:00:06 | |
because one of the oldest and most loved animals in the park | 0:00:06 | 0:00:09 | |
is due for an operation. | 0:00:09 | 0:00:11 | |
Kadu has a severely ingrown claw | 0:00:11 | 0:00:13 | |
which needs to be operated on immediately. | 0:00:13 | 0:00:16 | |
It's an operation she's had before, but at 22 years old, | 0:00:16 | 0:00:19 | |
the risks from the anaesthetic are greater than ever. | 0:00:19 | 0:00:22 | |
We'll be bringing you all of the news on today's show. | 0:00:22 | 0:00:25 | |
Also coming up today - there are some new arrivals at the park, | 0:00:47 | 0:00:51 | |
but these have got faces that surely only a mother could love. | 0:00:51 | 0:00:55 | |
And we find out why deputy head warden, Ian Turner, | 0:00:56 | 0:00:59 | |
also assumes the role of park paparazzo. | 0:00:59 | 0:01:02 | |
But the big news today is in tiger territory. | 0:01:04 | 0:01:07 | |
A few months ago three young sisters arrived from France, | 0:01:10 | 0:01:14 | |
and while they might have grabbed the headlines, | 0:01:14 | 0:01:17 | |
in no way have they replaced Longleat's most loved tiger, dear Kadu. | 0:01:17 | 0:01:22 | |
Tigers in the wild would rarely live over 15 years, so at 22, | 0:01:22 | 0:01:28 | |
Kadu's doing remarkably well, but as she's aged, her health has faltered. | 0:01:28 | 0:01:34 | |
I've come up to the Tiger House | 0:01:34 | 0:01:36 | |
to meet up with deputy head of section, Bob Trollope. | 0:01:36 | 0:01:39 | |
Bob, I gather that there's some not great news | 0:01:39 | 0:01:42 | |
about Kadu this morning? | 0:01:42 | 0:01:44 | |
No, I was in here earlier on and I was giving her some chunks, | 0:01:44 | 0:01:47 | |
and I got her to stand up just to check her nails, | 0:01:47 | 0:01:49 | |
and there's one grown into the pad again. | 0:01:49 | 0:01:51 | |
This isn't the first time that Kadu has suffered from this problem. | 0:01:53 | 0:01:57 | |
Three years ago, she had to be put under anaesthetic | 0:01:57 | 0:02:00 | |
in order to sort it out. | 0:02:00 | 0:02:02 | |
Oh, this is really deeply embedded. That's real nasty. | 0:02:02 | 0:02:06 | |
I was there when it all went horribly wrong. | 0:02:06 | 0:02:09 | |
Is she breathing? | 0:02:09 | 0:02:12 | |
She isn't breathing, is she? | 0:02:12 | 0:02:15 | |
Kadu had a bad reaction to the drug and she stopped breathing. | 0:02:15 | 0:02:20 | |
Right, just keep doing that every five seconds, all right? | 0:02:20 | 0:02:24 | |
Luckily, she did survive, but you can see why it's such a worry now. | 0:02:24 | 0:02:30 | |
Why are these claws going into the pads? | 0:02:30 | 0:02:33 | |
What it is, cos she's so old now, she's not scratching on things. | 0:02:33 | 0:02:37 | |
We've got logs in there for her to do it, | 0:02:37 | 0:02:39 | |
but she doesn't scratch on there as a younger tiger would, | 0:02:39 | 0:02:42 | |
and clean the shoes off, and they're not getting any shorter - | 0:02:42 | 0:02:46 | |
they're just growing. | 0:02:46 | 0:02:47 | |
Unfortunately, because she's old, she doesn't bother, | 0:02:47 | 0:02:50 | |
and they just grow into the pad. | 0:02:50 | 0:02:51 | |
Duncan, the vet, is preparing outside. | 0:02:51 | 0:02:54 | |
Is he going to have to go down the general anaesthetic route again? | 0:02:54 | 0:02:57 | |
I think so, cos from what I can see, | 0:02:57 | 0:02:59 | |
you want to be able to get to it properly and trim it up. | 0:02:59 | 0:03:03 | |
Now, she is 22 years old, she doesn't have a great history | 0:03:03 | 0:03:07 | |
under general anaesthetic, she worried us all sick last time. | 0:03:07 | 0:03:11 | |
The thing we're all worried about now, | 0:03:11 | 0:03:14 | |
is the fact she's getting older now | 0:03:14 | 0:03:17 | |
and she isn't in the best of health. | 0:03:17 | 0:03:20 | |
She's got problems with her kidneys, | 0:03:20 | 0:03:23 | |
so it's going to be a bit of a problem. | 0:03:23 | 0:03:25 | |
We keep our fingers crossed, we honestly do. | 0:03:25 | 0:03:28 | |
Well, we are going to stay up at the Tiger House today | 0:03:28 | 0:03:32 | |
and we will be following the progress of Kadu's operation, | 0:03:32 | 0:03:35 | |
and of course we'll bring you any news as soon as we get it. | 0:03:35 | 0:03:39 | |
With almost 750,000 visitors every year, | 0:03:51 | 0:03:54 | |
Longleat is home to some of the country's most photographed animals. | 0:03:54 | 0:03:59 | |
And the person who's taken more pictures than anyone else | 0:04:01 | 0:04:05 | |
is the safari park's deputy head warden, Ian Turner. | 0:04:05 | 0:04:08 | |
He's got thousands and thousands. | 0:04:08 | 0:04:11 | |
I've been doing photography since about 15, | 0:04:13 | 0:04:15 | |
and since I've been at Longleat, I've been here 32 years, | 0:04:15 | 0:04:17 | |
it's been a hobby, which has now grown into part of the job, | 0:04:17 | 0:04:21 | |
and now it's a quite big part of the job. | 0:04:21 | 0:04:23 | |
Taking photographs is probably what I love best. | 0:04:23 | 0:04:25 | |
I'm very, very lucky to be able to do | 0:04:25 | 0:04:28 | |
what I love doing as part of a job. | 0:04:28 | 0:04:30 | |
I think it's excitement of actually taking the picture, | 0:04:30 | 0:04:33 | |
having the skill to realise that the bird is going to fly off | 0:04:33 | 0:04:37 | |
or the animal's going to do this, or waiting for the big yawn, | 0:04:37 | 0:04:40 | |
and at getting that photograph. | 0:04:40 | 0:04:42 | |
You can tell, once you've pressed the button, | 0:04:42 | 0:04:44 | |
if it's worked or not straightaway, and that's the exciting bit. | 0:04:44 | 0:04:49 | |
With so many pictures going back so far, | 0:04:50 | 0:04:53 | |
there are some extraordinary shots here, | 0:04:53 | 0:04:55 | |
amongst them, some of Ian himself. | 0:04:55 | 0:04:57 | |
We've got 30 years of coverage of the whole safari park here. | 0:04:57 | 0:05:02 | |
Babies being born and whatever. | 0:05:02 | 0:05:04 | |
We just keep records of what's going on in the park. | 0:05:04 | 0:05:07 | |
Ian has now officially assumed the role of park paparazzo, | 0:05:07 | 0:05:11 | |
covering everything from glossy publicity shots for the brochure, | 0:05:11 | 0:05:16 | |
to individual ID photos for all the tortoises. | 0:05:16 | 0:05:20 | |
-Yep, superb. -That's brilliant, yeah. | 0:05:20 | 0:05:22 | |
But this morning, he's out to shoot zebras. | 0:05:22 | 0:05:25 | |
I'm gonna get left-hand side, right-hand side, front and back. | 0:05:28 | 0:05:33 | |
If a zebra goes away, it's got to have, like, a passport photograph. | 0:05:33 | 0:05:37 | |
In the days gone by, the vet used to have to fill out this form here. | 0:05:37 | 0:05:40 | |
It's an outline of a horse, and what the vet's got to do, | 0:05:40 | 0:05:43 | |
he's got to put all the black-and-white stripes here | 0:05:43 | 0:05:46 | |
cos no two zebras look the same. | 0:05:46 | 0:05:47 | |
It's got to be exactly right, so he can look at that picture | 0:05:47 | 0:05:50 | |
and see that he's getting the right zebra. | 0:05:50 | 0:05:52 | |
And to draw all these lines exactly right | 0:05:52 | 0:05:54 | |
would take absolutely hours cos most vets are not good drawers. | 0:05:54 | 0:05:58 | |
So, obviously a good set off photos is a much better idea. | 0:05:58 | 0:06:02 | |
If only Ian could get them to pose nicely and say "cheese". | 0:06:02 | 0:06:07 | |
The hiccup comes is if the zebras don't stay still, | 0:06:07 | 0:06:10 | |
cos they don't always do what they're supposed to do. | 0:06:10 | 0:06:14 | |
And there's one shot, but, you see, that's the first shot gone | 0:06:14 | 0:06:18 | |
and he's going off. | 0:06:18 | 0:06:19 | |
So we've got to wait to see where he's going to go to. | 0:06:19 | 0:06:22 | |
You know what they say - "never work with animals." | 0:06:22 | 0:06:24 | |
-There he is. Just right. -CAMERA CLICKS | 0:06:24 | 0:06:28 | |
You've got to be quick cos the click makes them jump away. | 0:06:28 | 0:06:31 | |
That's the other side. All we need now is the head-on shot. | 0:06:31 | 0:06:35 | |
In wildlife photography, patience is not just a virtue, it's essential. | 0:06:35 | 0:06:41 | |
Wherever you seem to be, you seem to get bottom shots, | 0:06:41 | 0:06:44 | |
so getting a picture of a bottom's never any trouble. | 0:06:44 | 0:06:46 | |
If you do get a head shot, their head's to the floor, | 0:06:46 | 0:06:49 | |
so you've got wait till they lift it up. | 0:06:49 | 0:06:51 | |
And a lot of times they look round to either side for predators, | 0:06:51 | 0:06:55 | |
but you need them to be looking straight at you. | 0:06:55 | 0:06:59 | |
I can pick up signs. | 0:06:59 | 0:07:00 | |
It's like when they're eating, | 0:07:00 | 0:07:02 | |
you can tell when they're going to lift their head up, | 0:07:02 | 0:07:05 | |
so you can be ready for that second. | 0:07:05 | 0:07:07 | |
He's looking straight at us. Yeah, well, that's that ready. Done. | 0:07:07 | 0:07:10 | |
One zebra in the bag. And that went reasonably well. | 0:07:10 | 0:07:14 | |
Sometimes, I've spent a lot longer. That's one. | 0:07:14 | 0:07:16 | |
We've got two more to do. All we need to do now is move around. | 0:07:16 | 0:07:20 | |
We'll be back with Ian, later, | 0:07:20 | 0:07:22 | |
when he goes after something with much bigger teeth. | 0:07:22 | 0:07:25 | |
Back up at the Tiger House, safari park vet, Duncan Williams, | 0:07:37 | 0:07:41 | |
is standing by to administer Kadu's sedative for her operation. | 0:07:41 | 0:07:46 | |
Duncan, about three years ago, | 0:07:46 | 0:07:48 | |
I was with you when you operated on her before to remove this claw. | 0:07:48 | 0:07:52 | |
The big worry with Kadu | 0:07:52 | 0:07:54 | |
is that she doesn't ever react well to general anaesthetic. | 0:07:54 | 0:07:57 | |
Yeah. I think the problem was when she was actually very ill, | 0:07:57 | 0:08:01 | |
because her claw was infected where it had been growing in. | 0:08:01 | 0:08:05 | |
The pad was infected. | 0:08:05 | 0:08:07 | |
And this time we're doing it a bit earlier. | 0:08:07 | 0:08:10 | |
She's nice and healthy, she's eating well, she's not sick, | 0:08:10 | 0:08:13 | |
and also because of her age, we haven't given her a lot... | 0:08:13 | 0:08:16 | |
We've reduced the dose of the anaesthetic quite a bit. | 0:08:16 | 0:08:19 | |
Is it literary just a matter of clipping the claw, | 0:08:19 | 0:08:22 | |
making sure the wound's clean? | 0:08:22 | 0:08:23 | |
I want to take a blood sample, | 0:08:23 | 0:08:25 | |
cos we're worried about kidney function. | 0:08:25 | 0:08:27 | |
She's lost a lot of weight, | 0:08:27 | 0:08:28 | |
she's on medication which reduces her blood pressure | 0:08:28 | 0:08:32 | |
so that she can absorb more protein out of the bloodstream | 0:08:32 | 0:08:35 | |
when it goes through her kidneys, | 0:08:35 | 0:08:36 | |
and I want to see what her levels are at. | 0:08:36 | 0:08:38 | |
She's 22 years old. | 0:08:38 | 0:08:42 | |
I hate to say it, but could things go wrong? | 0:08:42 | 0:08:45 | |
Well, possibly things could go wrong, | 0:08:45 | 0:08:48 | |
but if we reduce the time of the anaesthesia as much as possible, | 0:08:48 | 0:08:51 | |
she's not gonna become dehydrated. | 0:08:51 | 0:08:53 | |
I mean, if it was a long procedure, | 0:08:53 | 0:08:55 | |
-we'd put her on fluids and give her stuff like that. -Right. | 0:08:55 | 0:08:58 | |
But it's going to be as quick as possible. | 0:08:58 | 0:09:00 | |
Hopefully she'll be back up on her feet within an hour, I would hope. | 0:09:00 | 0:09:04 | |
Great. Duncan, we'll let you carry on, and we will keep you posted. | 0:09:04 | 0:09:09 | |
Out in the safari park, | 0:09:22 | 0:09:23 | |
it's been a bit of a rough year for the keepers | 0:09:23 | 0:09:26 | |
who look after the animals down by Half Mile Lake. | 0:09:26 | 0:09:29 | |
It's now been a while since their treasured female gorilla Samba died, | 0:09:30 | 0:09:34 | |
and the mourning period has been very difficult for all the staff, | 0:09:34 | 0:09:39 | |
but particularly head of section, Mark Tye. | 0:09:39 | 0:09:44 | |
They were definitely in need of some good news, | 0:09:44 | 0:09:47 | |
and it may have finally arrived, | 0:09:47 | 0:09:49 | |
courtesy of these pink-backed pelicans. | 0:09:49 | 0:09:52 | |
Ben has gone to get the latest. | 0:09:52 | 0:09:56 | |
-Hi, Mark. -Hi, Ben. -So, what's the news? | 0:09:57 | 0:10:00 | |
The news is, Ben, brilliant. | 0:10:00 | 0:10:02 | |
We have now five pelican eggs, | 0:10:02 | 0:10:03 | |
pink-backed pelican eggs, in the incubators. Brilliant! | 0:10:03 | 0:10:07 | |
Look at the smile on your face. I mean, that says it all, really. | 0:10:07 | 0:10:10 | |
I'm really pleased, cos we had no success last year at all, | 0:10:10 | 0:10:14 | |
and the last time we had any was the year previous. | 0:10:14 | 0:10:18 | |
And we did successfully rear three chicks out of that batch. | 0:10:18 | 0:10:21 | |
And we've learnt an awful lot with different things we've tried, | 0:10:21 | 0:10:25 | |
so we're really hopeful these little babies | 0:10:25 | 0:10:27 | |
are going to do something for us this year. | 0:10:27 | 0:10:29 | |
I really haven't seen you looking so excited for a long time. | 0:10:29 | 0:10:32 | |
Now, first of all, why are they in incubators here? | 0:10:32 | 0:10:35 | |
Mainly because the parents are not very good | 0:10:35 | 0:10:38 | |
at looking after them themselves. | 0:10:38 | 0:10:40 | |
-OK. -We've left them with eggs in the past, and they've fought over them, | 0:10:40 | 0:10:45 | |
kicked them off the nests, stood on them, broken them. | 0:10:45 | 0:10:48 | |
And because they are such a valuable commodity to us, | 0:10:48 | 0:10:52 | |
we take them away and do them ourselves, cos it's a lot safer. | 0:10:52 | 0:10:57 | |
Basically, an incubator keeps it at the right temperature, | 0:10:57 | 0:11:00 | |
moves them around slightly. | 0:11:00 | 0:11:02 | |
Yeah, it keeps them at the correct temperature, the humidity level, | 0:11:02 | 0:11:06 | |
and they get turned automatically, | 0:11:06 | 0:11:09 | |
so it is pretty much put them in, forget about them. | 0:11:09 | 0:11:12 | |
And are you monitoring them? Are you keeping an eye on them? | 0:11:12 | 0:11:15 | |
Yeah, we do a lot of monitoring, we weigh them every day, | 0:11:15 | 0:11:19 | |
and also we measure the vein growth, which is the external blood supply | 0:11:19 | 0:11:23 | |
spreading around the inside of the shell. | 0:11:23 | 0:11:26 | |
And we take all these, | 0:11:26 | 0:11:28 | |
so that we know we're doing everything correctly. | 0:11:28 | 0:11:30 | |
And I've got lots of graphs | 0:11:30 | 0:11:32 | |
from good and bad eggs so I know when we're going right. | 0:11:32 | 0:11:35 | |
OK. So, how on earth can you look at the veins within the egg? | 0:11:35 | 0:11:39 | |
Well, the easiest way is we candle them with this candling lamp, | 0:11:39 | 0:11:43 | |
and we hold the egg in front of the light. | 0:11:43 | 0:11:45 | |
And so it shines a light into the egg and you can then look in. | 0:11:45 | 0:11:48 | |
-Can we look at it now, then? -We have to turn the light off. | 0:11:48 | 0:11:51 | |
OK. Can I have a quick look at the egg, as well. Could I see that? | 0:11:51 | 0:11:54 | |
I won't touch it just cos I don't want to break it. | 0:11:54 | 0:11:56 | |
So it's almost like a goose egg size. | 0:11:56 | 0:11:58 | |
I actually thought it might be a bit larger. | 0:11:58 | 0:12:00 | |
Yeah, it's slightly smaller than a goose egg, really. | 0:12:00 | 0:12:04 | |
Very chalky, chalky shell. | 0:12:04 | 0:12:07 | |
-So first thing you look at, is what the shell looks like. -Yeah. | 0:12:07 | 0:12:10 | |
From my experience, that's a really nice quality egg shell, you know? | 0:12:10 | 0:12:16 | |
That one there is not so good, | 0:12:16 | 0:12:18 | |
a bit calcified, a bit lumpy, but this is a nice quality egg. | 0:12:18 | 0:12:23 | |
-OK, so I turn the light off, do I? -Yeah. | 0:12:23 | 0:12:25 | |
OK, there we go, a bit dark, | 0:12:25 | 0:12:27 | |
-and then you're going to hold that up to the lamp. -Yeah. | 0:12:27 | 0:12:29 | |
-What are you looking for, then? -I'm looking for these veins here. | 0:12:29 | 0:12:34 | |
I can see them there, the red veins. | 0:12:34 | 0:12:36 | |
-Yeah, quite thick, and you can see this big shadow here. -Yes. | 0:12:36 | 0:12:39 | |
You might be able to see it move. There's a pretty good picture. | 0:12:39 | 0:12:43 | |
You should see it moving. | 0:12:43 | 0:12:45 | |
That is the embryo, developing embryo, inside the egg. | 0:12:45 | 0:12:48 | |
Isn't that incredible?! Now, what's that up at the top of the egg? | 0:12:48 | 0:12:51 | |
I can see a sort of area, a much lighter area. | 0:12:51 | 0:12:54 | |
That is the air cell. | 0:12:54 | 0:12:55 | |
And when you first get the egg, | 0:12:55 | 0:12:57 | |
it's just a tiny little bubble at the end, | 0:12:57 | 0:13:00 | |
but as the egg progresses through the incubation period, | 0:13:00 | 0:13:03 | |
the air cell gets larger. | 0:13:03 | 0:13:05 | |
And just before the chick is due to hatch, | 0:13:05 | 0:13:08 | |
it breaks through into the air cell and breathes with its own lungs. | 0:13:08 | 0:13:12 | |
And then, a day after it's done that, | 0:13:12 | 0:13:15 | |
it breaks a hole through the shell to get more oxygen in, | 0:13:15 | 0:13:19 | |
so it can breathe, and then it chips its way all the way round, | 0:13:19 | 0:13:22 | |
-and hopefully pops out. -Wow! | 0:13:22 | 0:13:24 | |
-Shall I turn the light back on? -Yep. | 0:13:24 | 0:13:26 | |
So, basically, how much longer do you estimate that egg will take | 0:13:26 | 0:13:30 | |
before potentially it hatches? | 0:13:30 | 0:13:33 | |
Well, he's on day 15 at the moment, | 0:13:33 | 0:13:35 | |
-so he's got about another 13 days to go. -Right. So, 28 days... | 0:13:35 | 0:13:40 | |
Between 28 and 30 days normally. Well, Mark, listen, best of luck. | 0:13:40 | 0:13:43 | |
And, of course, we'll have our fingers crossed that this year | 0:13:43 | 0:13:46 | |
we'll see some new pelicans here at Longleat. | 0:13:46 | 0:13:49 | |
Meanwhile, out in the park, Ian Turner and his camera | 0:13:52 | 0:13:57 | |
are out on the prowl for some great shots of lion country. | 0:13:57 | 0:14:01 | |
We're in Kabir's pride. | 0:14:01 | 0:14:04 | |
I'm going to try and take some photographs | 0:14:04 | 0:14:07 | |
of the two dominant females and the older females. | 0:14:07 | 0:14:10 | |
I've done a similar thing to the second section, Charlie's pride, | 0:14:10 | 0:14:14 | |
and it's sort of an idiot sheet for new members of staff, | 0:14:14 | 0:14:17 | |
so they can recognise them when they see them. | 0:14:17 | 0:14:19 | |
This is the one I've done for Charlie's pride. | 0:14:19 | 0:14:23 | |
And it's literally just a small write-up about the animal | 0:14:23 | 0:14:26 | |
and then, obviously, a photograph, | 0:14:26 | 0:14:28 | |
so new members of staff can have this in their vehicle with them, | 0:14:28 | 0:14:31 | |
and they look at this as they're watching the lions at the same time. | 0:14:31 | 0:14:35 | |
And it makes the job more interesting | 0:14:35 | 0:14:36 | |
if they know the names of the lions they're looking at. | 0:14:36 | 0:14:39 | |
As you can see, if I wanted to take the male, | 0:14:39 | 0:14:42 | |
it'd be no trouble whatsoever. | 0:14:42 | 0:14:44 | |
And, obviously, I don't need to take a picture of the male, | 0:14:44 | 0:14:46 | |
cos if they can't distinguish between the male | 0:14:46 | 0:14:49 | |
and the female, they shouldn't be here. | 0:14:49 | 0:14:51 | |
One of the ones I want is just here, | 0:14:51 | 0:14:52 | |
but she's got her head down just licking off that bit of meat. | 0:14:52 | 0:14:56 | |
What I need to do is just wait for her to lift her head up. | 0:14:56 | 0:14:59 | |
It's the facial marks you need more than anything else. | 0:14:59 | 0:15:02 | |
The other reason to keep a record | 0:15:02 | 0:15:04 | |
is because some animals are constantly changing. | 0:15:04 | 0:15:07 | |
Kabir's pride, for example, is full of youngsters. | 0:15:07 | 0:15:10 | |
I just need them to turn. She's looking at me. | 0:15:10 | 0:15:14 | |
I reckon that's the one. | 0:15:17 | 0:15:18 | |
Once he's got the shots, Ian heads back to his office | 0:15:18 | 0:15:22 | |
to put them on his computer and print off the best ones. | 0:15:22 | 0:15:26 | |
Well, hopefully, we've got four different lionesses here. | 0:15:28 | 0:15:31 | |
As you can see, three of them look completely different. | 0:15:31 | 0:15:34 | |
Those two are very similar. | 0:15:34 | 0:15:37 | |
Luckily, big cat keeper, Bob, is on hand | 0:15:37 | 0:15:40 | |
to help Ian identify exactly who is who. | 0:15:40 | 0:15:43 | |
-Hi, Bob. -Hiya. | 0:15:43 | 0:15:45 | |
We've got some pictures here. | 0:15:45 | 0:15:47 | |
-Right. -Have a look and tell me if you recognise who's who. | 0:15:47 | 0:15:50 | |
That's Malaika. | 0:15:52 | 0:15:53 | |
-Those two are the same. -Right. | 0:15:54 | 0:15:57 | |
And that's Luna. | 0:15:57 | 0:15:59 | |
You're missing Jasira. | 0:15:59 | 0:16:02 | |
That's her. That's Jasi. | 0:16:02 | 0:16:05 | |
So, we need to print off another one of those, then. | 0:16:05 | 0:16:08 | |
And how do you know those two are the same? | 0:16:08 | 0:16:10 | |
The easiest thing is the nose. | 0:16:10 | 0:16:12 | |
Oh, right, the little bit on the end of the nose? | 0:16:12 | 0:16:15 | |
Dots on her nose. On there. | 0:16:15 | 0:16:17 | |
-Hers is quite pale. -That's clear. | 0:16:17 | 0:16:19 | |
Look at Luna. She's got a lot of dots and darker. | 0:16:19 | 0:16:22 | |
So, in some ways, that's a good way | 0:16:22 | 0:16:24 | |
-of spotting the difference, by the noses? -Yeah. | 0:16:24 | 0:16:27 | |
All we've got to do is get them copied together, | 0:16:27 | 0:16:30 | |
and that's that done. | 0:16:30 | 0:16:31 | |
-Thanks for that then, Bob. -That's quite all right. | 0:16:31 | 0:16:34 | |
So far, we've seen the photographs Ian takes for business. | 0:16:34 | 0:16:38 | |
We'll catch up with him later for the pictures he takes for pleasure. | 0:16:38 | 0:16:43 | |
Back up at the Tiger House, Kadu is ready for her operation. | 0:16:50 | 0:16:55 | |
But time is of the essence. | 0:16:55 | 0:16:56 | |
She's only been given the low dose of anaesthetic, | 0:16:56 | 0:17:00 | |
so won't be under sedation for long. | 0:17:00 | 0:17:02 | |
The drug has just taken effect, so the team must work fast. | 0:17:02 | 0:17:06 | |
This is the high-tech way of checking that she's asleep. | 0:17:06 | 0:17:10 | |
Just tap her on the head with a broom handle! | 0:17:10 | 0:17:14 | |
I think we can crack on, then. | 0:17:14 | 0:17:16 | |
-Are you happy for us to come in, Duncan? -Yeah. | 0:17:18 | 0:17:21 | |
-Thank you. -Just make sure she's fully asleep. -OK. | 0:17:21 | 0:17:24 | |
Do you want me to take that, Brian? | 0:17:29 | 0:17:31 | |
Do you want to go there so me and Chris can do the blood? | 0:17:31 | 0:17:35 | |
OK, so Duncan's just having a look here. | 0:17:35 | 0:17:39 | |
This is the problem one, look. | 0:17:39 | 0:17:42 | |
-It has grown. -Use that swab, Chris. | 0:17:42 | 0:17:46 | |
-Cor, that's nasty. -Is it in there deep? | 0:17:46 | 0:17:50 | |
-Do they have a quick...? -Yeah, they have, us can't really see them now. | 0:17:52 | 0:17:55 | |
I've just taken quite a chunk. | 0:17:55 | 0:17:57 | |
It's come out. | 0:17:57 | 0:18:00 | |
There it is. | 0:18:00 | 0:18:01 | |
It's just starting to get a bit infected. That's pretty bad. | 0:18:01 | 0:18:04 | |
It's amazing she wasn't showing more signs of that. | 0:18:04 | 0:18:08 | |
I know, she hadn't really been lame. | 0:18:08 | 0:18:11 | |
I want to try and take as much as possible off. | 0:18:13 | 0:18:16 | |
And will you clip all the others while you're here? | 0:18:16 | 0:18:19 | |
Yeah. That one hasn't got a claw. That's totally lost. | 0:18:19 | 0:18:23 | |
Right. Is that a sign of old age? | 0:18:23 | 0:18:25 | |
I dunno, really. I think she's probably lost that | 0:18:25 | 0:18:28 | |
through the years at some stage or another. | 0:18:28 | 0:18:31 | |
They're astonishingly thick. | 0:18:31 | 0:18:33 | |
These look like the things you would use to trim horse's hooves. | 0:18:33 | 0:18:36 | |
Yeah, that's what they are. | 0:18:36 | 0:18:38 | |
I think you can just about see the quick in that one. | 0:18:42 | 0:18:45 | |
Oh, just a little bit, yeah. | 0:18:45 | 0:18:48 | |
We can see her teeth while we're here. | 0:18:50 | 0:18:52 | |
Quite worn down. She is an old cat. | 0:18:52 | 0:18:55 | |
She's not got a lot of them missing there. | 0:18:55 | 0:18:57 | |
Premolars. That canine's been missing for years. Incisors. | 0:18:57 | 0:19:02 | |
These canines are all right. | 0:19:02 | 0:19:03 | |
That's right. | 0:19:03 | 0:19:05 | |
I might just give her the Antisedan now. | 0:19:05 | 0:19:09 | |
-And that's the thing that will bring her round, is it? -Yeah. | 0:19:09 | 0:19:14 | |
Cos I'm pretty sure we've got enough time | 0:19:15 | 0:19:20 | |
to get the blood sample and get out! | 0:19:20 | 0:19:23 | |
I'm going to give her antibiotics, as well. | 0:19:23 | 0:19:26 | |
This is a long-acting penicillin | 0:19:26 | 0:19:28 | |
to help clear up the infection in her pad. | 0:19:28 | 0:19:31 | |
She's just starting to show a few twitches and stuff. | 0:19:31 | 0:19:35 | |
She's blinking. I think we probably need to leave her alone soon. | 0:19:35 | 0:19:39 | |
I've got a nice collection of darts and matted hair. | 0:19:39 | 0:19:42 | |
-Do you want a toenail, Bob? -Oh, thank you. -As a souvenir. | 0:19:42 | 0:19:44 | |
I'll treasure that for the rest of my days. | 0:19:44 | 0:19:47 | |
Well, we will be keeping a close eye on Kadu | 0:19:47 | 0:19:49 | |
for the rest of the day, | 0:19:49 | 0:19:51 | |
and hope that we will be able to come back and see her | 0:19:51 | 0:19:54 | |
when she comes round. But Bob, Brian, thank you very much indeed. | 0:19:54 | 0:19:58 | |
Kadu, sleep it off and we look forward to seeing you later. | 0:19:58 | 0:20:01 | |
It's the end of Ian Turner's working day. | 0:20:05 | 0:20:08 | |
But, before he heads home, | 0:20:08 | 0:20:10 | |
he takes his camera for a final lap of the park. | 0:20:10 | 0:20:13 | |
Because even after working here for over 30 years, | 0:20:13 | 0:20:16 | |
there's always something new to capture. | 0:20:16 | 0:20:19 | |
This is a great opportunity. | 0:20:21 | 0:20:22 | |
Just as you're driving round, we've just got a wolf pop out. | 0:20:22 | 0:20:26 | |
They've been born a few weeks ago | 0:20:26 | 0:20:27 | |
and they don't come out very often. | 0:20:27 | 0:20:29 | |
Just as we are coming out, | 0:20:29 | 0:20:30 | |
there's just one over by the tree there. | 0:20:30 | 0:20:33 | |
You've just got to take the opportunity when you can. | 0:20:33 | 0:20:35 | |
They'll just go to ground again, | 0:20:35 | 0:20:37 | |
you won't see them for two weeks or more. | 0:20:37 | 0:20:39 | |
This is just a great time to take shots. | 0:20:39 | 0:20:43 | |
-Come on, then! -HE WHISTLES | 0:20:51 | 0:20:55 | |
One of the things we do is taking shots of babies, | 0:20:58 | 0:21:01 | |
and if you can see in the distance down there, | 0:21:01 | 0:21:04 | |
that little stripy thing is a baby tapir. | 0:21:04 | 0:21:07 | |
And what Mum does is, she hides it up in this pen. | 0:21:07 | 0:21:10 | |
So for two days, I'd come down on the trot | 0:21:10 | 0:21:13 | |
and not been hidden so well. | 0:21:13 | 0:21:15 | |
But I can't take a photograph if I can't see it. | 0:21:15 | 0:21:17 | |
HE WHISTLES | 0:21:17 | 0:21:20 | |
It's being patient and waiting for something to happen. | 0:21:20 | 0:21:23 | |
I've got some shots of it today. This is quite nice. | 0:21:23 | 0:21:26 | |
We'll put it on to our website so people can see | 0:21:26 | 0:21:29 | |
we've got a new baby tapir and they can come and visit. | 0:21:29 | 0:21:32 | |
Unlike fellow tiger Kadu, | 0:21:32 | 0:21:34 | |
the three young sister tigers have huge amounts of energy, | 0:21:34 | 0:21:39 | |
providing great photo opportunities for Ian. | 0:21:39 | 0:21:42 | |
We're in the tiger section at the moment. | 0:21:42 | 0:21:44 | |
They're brand new, they've literally just come out of quarantine. | 0:21:44 | 0:21:48 | |
This is my favourite section to take photographs. | 0:21:48 | 0:21:51 | |
Cos they're so lively, you get some action shots. | 0:21:51 | 0:21:54 | |
Climbing the trees, moving about. | 0:21:54 | 0:21:56 | |
She's looking round now. | 0:22:03 | 0:22:04 | |
That's the sort of thing you've got to watch out for. | 0:22:04 | 0:22:07 | |
You study the tiger, so you actually watch what the tiger's doing, | 0:22:07 | 0:22:10 | |
when its ears are pricked up, | 0:22:10 | 0:22:12 | |
so you're ready for if it's going to run off, | 0:22:12 | 0:22:14 | |
and what it's going to do. | 0:22:14 | 0:22:15 | |
So, you just got to be alert all the time of what's going on. | 0:22:15 | 0:22:19 | |
This is quite good of her here. | 0:22:21 | 0:22:23 | |
You've got the tree as a background for her head. | 0:22:23 | 0:22:26 | |
If I was being really fussy now, what I would like her to do is yawn. | 0:22:26 | 0:22:29 | |
And, some days, you just get lucky. | 0:22:34 | 0:22:38 | |
That's quite a nice one. | 0:22:38 | 0:22:40 | |
That's half an hour sitting here, | 0:22:40 | 0:22:41 | |
and I've managed to get one good shot. That's good. | 0:22:41 | 0:22:44 | |
This is probably my favourite part of the whole job. | 0:22:45 | 0:22:48 | |
I will definitely never be bored taking photographs, that's for sure. | 0:22:53 | 0:22:57 | |
Earlier, I caught up with Mark Tye, | 0:23:13 | 0:23:16 | |
who is incubating eggs from the pink-backed pelicans. | 0:23:16 | 0:23:20 | |
These are notoriously difficult to care for, | 0:23:20 | 0:23:23 | |
but we were all hoping they'd hatch. | 0:23:23 | 0:23:25 | |
The incubation period is now over, and there's some great news. | 0:23:25 | 0:23:31 | |
Four of the eggs hatched successfully, | 0:23:33 | 0:23:36 | |
leaving Mark with his hands full. | 0:23:36 | 0:23:38 | |
We're feeding currently every three hours, | 0:23:38 | 0:23:41 | |
between eight in the morning and eight at night. | 0:23:41 | 0:23:44 | |
We're feeding them on whole trout and whole sprats. | 0:23:47 | 0:23:52 | |
It's quite alarming how many they'll pack away in one go. | 0:23:52 | 0:23:57 | |
They can hold an awful lot. | 0:23:57 | 0:23:59 | |
If you look at their neck, it's extremely elastic. | 0:23:59 | 0:24:02 | |
As you can see, there's a whole sprat in that neck there. | 0:24:02 | 0:24:05 | |
They're gaining weight by between 10 and 15% every day, | 0:24:05 | 0:24:10 | |
so that's quite a growth. | 0:24:10 | 0:24:12 | |
When you consider that this bird here is 11 days old, | 0:24:12 | 0:24:16 | |
and this one's 18 days old, | 0:24:16 | 0:24:18 | |
there's quite a vast difference in size, isn't there? | 0:24:18 | 0:24:23 | |
As you can imagine, | 0:24:23 | 0:24:25 | |
to come from that to that in 18 days is a pretty phenomenal growth rate. | 0:24:25 | 0:24:33 | |
But they've still got a lot of growing to do. | 0:24:33 | 0:24:36 | |
These adult birds have a wingspan of up to two metres, | 0:24:36 | 0:24:39 | |
making them one of the world's largest flying birds. | 0:24:39 | 0:24:42 | |
With such prehistoric looks, | 0:24:42 | 0:24:44 | |
it's no surprise that pelicans have lived on earth for millions of years. | 0:24:44 | 0:24:48 | |
But the destruction of their nesting sites in Africa | 0:24:48 | 0:24:51 | |
now threatens their existence. | 0:24:51 | 0:24:55 | |
They're just all really important to us, | 0:24:55 | 0:24:58 | |
and really important to the captive population. | 0:24:58 | 0:25:01 | |
Obviously, it means no birds get taken from the wild. | 0:25:01 | 0:25:04 | |
These birds live an extremely long time, | 0:25:04 | 0:25:07 | |
anything between 30 and 40 years. | 0:25:07 | 0:25:09 | |
So there's an awful lot, provided they grow up to maturity, | 0:25:09 | 0:25:12 | |
there's an awful lot of breeding that can come from these birds | 0:25:12 | 0:25:16 | |
and continue to keep the captive population going. | 0:25:16 | 0:25:19 | |
While they may not be the prettiest of babies, | 0:25:19 | 0:25:22 | |
for Mark, beauty is in the eye of the beholder. | 0:25:22 | 0:25:26 | |
And the safe arrival of these pelicans | 0:25:26 | 0:25:28 | |
-is one of the best parts of his job. -This is what we like doing. | 0:25:28 | 0:25:32 | |
You know, it's a very positive thing for us all to do. | 0:25:32 | 0:25:36 | |
This is new life, | 0:25:36 | 0:25:37 | |
and this is what we have to hopefully nurture up to adulthood. | 0:25:37 | 0:25:41 | |
But I can't stand smelling of fish. | 0:25:41 | 0:25:44 | |
And believe you me, when you hand rear pelicans, | 0:25:44 | 0:25:48 | |
you just stink of fish permanently. | 0:25:48 | 0:25:50 | |
No matter how many times you wash your hands, you stink! | 0:25:50 | 0:25:54 | |
And there's nothing worse than going out to the pub in the evening, | 0:25:54 | 0:25:58 | |
after you've had a shower and washed your hands five times, | 0:25:58 | 0:26:02 | |
and still getting a waft of sprat. | 0:26:02 | 0:26:04 | |
Earlier we were all extremely worried, | 0:26:11 | 0:26:14 | |
as Kadu had to undergo an operation to remove an ingrown claw. | 0:26:14 | 0:26:18 | |
We've come up to see keeper Bob Trollope and Kadu. Look at this! | 0:26:18 | 0:26:22 | |
Oh, Bob. She's completely come round. That's fantastic. | 0:26:22 | 0:26:26 | |
Yep, she's completely around. | 0:26:26 | 0:26:28 | |
She's been out having a fuss before you came over. | 0:26:28 | 0:26:31 | |
Oh, really? So, is she fully up on her feet and moving around? | 0:26:31 | 0:26:35 | |
Yeah, she's much more agile than she was. | 0:26:35 | 0:26:37 | |
There's been no kind of bad effects after the anaesthetic? | 0:26:37 | 0:26:41 | |
No, no. She was a bit wobbly, which is understandable. | 0:26:41 | 0:26:44 | |
But I think she's looking forward to something to eat now. | 0:26:44 | 0:26:47 | |
-That's fantastic news. -So, a really quick recovery? | 0:26:47 | 0:26:50 | |
I know you were worried, she's how old? 23, 22? | 0:26:50 | 0:26:54 | |
She's 22, yeah. So, we're happy that she come round reasonably quick. | 0:26:54 | 0:26:57 | |
I wonder if she'll come over and see. | 0:26:57 | 0:26:59 | |
What do you think? Come on, Bob. | 0:26:59 | 0:27:01 | |
You're the tiger whisperer here. See if you can get her over here. | 0:27:01 | 0:27:04 | |
Is this something that would happen often out in the wild, | 0:27:04 | 0:27:07 | |
that they might get something like that, an ingrowing claw? | 0:27:07 | 0:27:10 | |
No, because they wouldn't live this long out in the wild. | 0:27:10 | 0:27:13 | |
It's probably age related because of her arthritis. | 0:27:13 | 0:27:16 | |
She doesn't like scratching on the trees | 0:27:16 | 0:27:19 | |
or the wood that we put in with her, and they're not being cleaned. | 0:27:19 | 0:27:22 | |
So, it's just age, I'm afraid. | 0:27:22 | 0:27:25 | |
It's great news that she has come round. Look at that. | 0:27:25 | 0:27:29 | |
It's hard to believe that they are, | 0:27:29 | 0:27:31 | |
you know, big, very dangerous cats, when you see her like that. | 0:27:31 | 0:27:35 | |
I know we were all very worried, Bob, | 0:27:35 | 0:27:36 | |
but we are delighted that she has made such a good recovery. | 0:27:36 | 0:27:39 | |
Sadly, that's all we've got time for on today's programme. | 0:27:39 | 0:27:43 | |
But here's what's coming up on the next Animal Park. | 0:27:43 | 0:27:46 | |
This man is known for working with African legend George Adamson | 0:27:48 | 0:27:53 | |
and the Born Free lions. | 0:27:53 | 0:27:54 | |
Now, he's come to Longleat. | 0:27:54 | 0:27:56 | |
But what will he make of their pride? | 0:27:56 | 0:27:59 | |
It's strange not to be able to sort of go in there | 0:28:01 | 0:28:04 | |
and play with them, and stuff, which is what I always do. | 0:28:04 | 0:28:08 | |
Up at the feeding station, | 0:28:08 | 0:28:10 | |
the monkeys are getting a trifle picky about their food. | 0:28:10 | 0:28:14 | |
And, there's a disaster in the great house | 0:28:16 | 0:28:19 | |
as one of the ceilings has started to show signs of collapse. | 0:28:19 | 0:28:23 | |
So, don't miss the next Animal Park. | 0:28:24 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:32 | 0:28:35 | |
E-mail [email protected] | 0:28:35 | 0:28:38 |