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We're out in the middle of lion country. | 0:00:04 | 0:00:07 | |
We're safe for now because it's daylight and we've got keepers | 0:00:07 | 0:00:11 | |
protecting us with guns, but at night, it's a whole different story. | 0:00:11 | 0:00:15 | |
Yes, when the sun goes down, it's a lion's instinct to hunt | 0:00:15 | 0:00:19 | |
so we're going to come back with a big feed to find out what they get up to after dark. | 0:00:19 | 0:00:24 | |
Coming up on today's especially creepy show - | 0:00:49 | 0:00:54 | |
we open the vaults on some of the estate's most terrifying tales. | 0:00:54 | 0:00:59 | |
We swore we'd never ever go in there again and to this day I have never. | 0:00:59 | 0:01:05 | |
Meet a savage predator that oozes toxic slime. | 0:01:05 | 0:01:10 | |
And the lions do much more than go bump in the night. | 0:01:10 | 0:01:14 | |
THEY SNARL | 0:01:14 | 0:01:16 | |
At the park, lions are the king of the carnivores. | 0:01:21 | 0:01:26 | |
Just like there wild cousins, they only eat three to four times a week | 0:01:26 | 0:01:30 | |
but when they do, the males consume | 0:01:30 | 0:01:32 | |
the equivalent of ten average-sized family roasts at each sitting. | 0:01:32 | 0:01:38 | |
They're fed from a meat wagon which forces them to chase their food, | 0:01:40 | 0:01:44 | |
just as they would in the wild. | 0:01:44 | 0:01:46 | |
Out on the plains of Africa, they are powerful hunters | 0:01:49 | 0:01:54 | |
and they'll take anything that moves and breathes. | 0:01:54 | 0:01:56 | |
As most of their prey can run faster than them, | 0:01:56 | 0:02:01 | |
they work in well-organised groups, ganging up and then pouncing. | 0:02:01 | 0:02:05 | |
But it's at night, when their senses are heightened, that they are at their most deadly. | 0:02:10 | 0:02:16 | |
So back at the park, their keepers have decided to give Charlie and his pride of five females | 0:02:16 | 0:02:21 | |
their dinner after dark. | 0:02:21 | 0:02:25 | |
Why would feeding the lions at night be different from feeding them during the day? | 0:02:25 | 0:02:29 | |
-A lot more happens at night. Cats are nocturnal and lions are as well. -Yeah. | 0:02:29 | 0:02:34 | |
-In the wild, they would generally feed at night also. -Yeah. | 0:02:34 | 0:02:37 | |
So I suppose, in a way, it's a form of enrichment... | 0:02:37 | 0:02:40 | |
-Yeah. -..by us doing it. -Yeah. | 0:02:40 | 0:02:42 | |
-So it's something a bit different...? -A bit different from normal. -Yeah. | 0:02:42 | 0:02:45 | |
OK. We are taking advantage of the fact that Bob and Brian are going to be feeding the lions later, | 0:02:45 | 0:02:52 | |
which explains why we've got all this unbelievable amount of kit all around us here. | 0:02:52 | 0:02:59 | |
What I'm going to do is ask you to look up there and you can see that | 0:02:59 | 0:03:04 | |
there are some sort of brackets, magic arms they're called, clamped to the fence | 0:03:04 | 0:03:10 | |
and those got cameras on them, they're infrared cameras, which means that they can film in the dark. | 0:03:10 | 0:03:15 | |
Brian is doing a wonderful job of being our body double, almost literally. | 0:03:15 | 0:03:20 | |
-That's where the meat is going, isn't it, Bob? -Yeah. -We'll put the meat down there, | 0:03:20 | 0:03:24 | |
so those cameras will be able to film that meat. | 0:03:24 | 0:03:28 | |
Now, you may think, how do they work in the dark? They need sunlight. | 0:03:28 | 0:03:31 | |
Well, we thought of that too. | 0:03:31 | 0:03:34 | |
We've got this, which is an infrared light. | 0:03:34 | 0:03:37 | |
You can probably just see a bit of red on there but this is brilliant, | 0:03:37 | 0:03:41 | |
this stuff, because what it'll do is actually flood this area with light that's totally invisible to the lions | 0:03:41 | 0:03:48 | |
and to us, but on a special infrared camera like those two up there, | 0:03:48 | 0:03:52 | |
they can then pick up that light | 0:03:52 | 0:03:54 | |
and it will almost look like daylight, only slightly spookily black and white. | 0:03:54 | 0:03:58 | |
-And come and have a look at this, Bob, because it's brilliant. -OK. | 0:03:58 | 0:04:02 | |
The left-hand camera is on what's called a hothead, | 0:04:02 | 0:04:05 | |
which means it's remote control and, Bob, in fact let me... if you hold that... | 0:04:05 | 0:04:10 | |
-OK. -You can see Brian, looking a bit shifty there, actually, | 0:04:10 | 0:04:14 | |
and look, we can turn the camera to the left, to the right, | 0:04:14 | 0:04:19 | |
we can pan it up and down, | 0:04:19 | 0:04:22 | |
which means we can get really good lion action wherever they happen to be. | 0:04:22 | 0:04:27 | |
Do you think that they will be kind of excited by this, Bob? | 0:04:27 | 0:04:31 | |
I should imagine there's going to be plenty of action because Charlie has got a girlfriend so... | 0:04:31 | 0:04:37 | |
Oh, has he? | 0:04:37 | 0:04:38 | |
Putting a feed out, he'll be protective of the food and of her, so we should get something. | 0:04:38 | 0:04:42 | |
Because what tends to happen with Charlie's pride, or indeed with most of the Longleat prides, | 0:04:42 | 0:04:50 | |
and probably in the wild, as well, is that the male always gets first dibs at the best bits. | 0:04:50 | 0:04:55 | |
-He does, the lion's share as such. -Yeah. | 0:04:55 | 0:04:58 | |
And yeah, Charlie's no different. | 0:04:58 | 0:05:00 | |
He will try and get his best bit, and also look after her as well. | 0:05:00 | 0:05:04 | |
So if he's got a girlfriend - who is the girlfriend? Who's the lucky lady? | 0:05:04 | 0:05:09 | |
-Skye. -Oh. Skye. OK. Well, she's very beautiful. | 0:05:09 | 0:05:13 | |
-She is, yeah. -Good choice. | 0:05:13 | 0:05:14 | |
So, what will he do? Will he take a bit for her as well, | 0:05:14 | 0:05:18 | |
or will he just kind of let her in before the others? | 0:05:18 | 0:05:21 | |
We're going to stake 'em down well so that they don't run off with 'em. | 0:05:21 | 0:05:25 | |
-Yes. So that we can get the best view possible...? -Wherever we can. | 0:05:25 | 0:05:29 | |
-I should imagine he would let her get in there first and just keep an eye on her. -OK. | 0:05:29 | 0:05:33 | |
-Even though there's no other males in this section, he will keep the females away from her as well. -Wow. | 0:05:33 | 0:05:39 | |
-It'll be an interesting night. -Hopefully, yeah. | 0:05:39 | 0:05:42 | |
Well, join us a little later to find out just how chivalrous Charlie is, | 0:05:42 | 0:05:47 | |
and whether the lions really do like to feed at night. See you in a bit. | 0:05:47 | 0:05:51 | |
This is the cane toad, | 0:05:56 | 0:05:59 | |
a poisonous beast with a voracious appetite to compete with the lions. | 0:05:59 | 0:06:04 | |
Originating from North and South America, its reputation as a big eater | 0:06:04 | 0:06:09 | |
gave farmers an idea - | 0:06:09 | 0:06:11 | |
get them to eat a nasty beetle that was destroying their crops. | 0:06:11 | 0:06:16 | |
So some bright spark took a few to Australia, | 0:06:19 | 0:06:22 | |
and they were growing sugar cane, and there was a bug called a cane beetle, and they thought, | 0:06:22 | 0:06:27 | |
"Let's introduce something that'll eat the cane beetle" | 0:06:27 | 0:06:31 | |
and so they bred them and let them go. | 0:06:31 | 0:06:33 | |
This species has taken huge swathes of Australia by storm | 0:06:33 | 0:06:36 | |
and it's probably not eaten many cane beetles in its life, but it eats everything else that moves. | 0:06:36 | 0:06:41 | |
They were introduced to Australia in the 1930s and, 70 years later, | 0:06:41 | 0:06:47 | |
rather than helping the eco-system, they're destroying it. | 0:06:47 | 0:06:51 | |
Many native species, including birds and crocodiles, eat them | 0:06:51 | 0:06:55 | |
and are poisoned by toxins released from their skin. | 0:06:55 | 0:06:58 | |
And with ten toads for every human, the problem is not going away. | 0:06:58 | 0:07:04 | |
The other thing about cane toads is that they breed very well in the wild. | 0:07:05 | 0:07:10 | |
In captivity... Well, a lot of people don't want to breed them, but we, | 0:07:10 | 0:07:14 | |
as part of our education programme here, | 0:07:14 | 0:07:17 | |
we have to show the good and the bad, so we've had this idea of having a big display of cane toads, | 0:07:17 | 0:07:22 | |
of an invasive species and I want lots. I want to put people off their tea. | 0:07:22 | 0:07:26 | |
I want a vivarium full of cane toads swarming, eating everything in sight, | 0:07:26 | 0:07:30 | |
and I can say to people, especially the children, "Look! If you let things get out of control, | 0:07:30 | 0:07:35 | |
"if you meddle, this is what can happen." | 0:07:35 | 0:07:38 | |
So for education purposes, Darren has decided that the time has come to kick-start the breeding programme. | 0:07:38 | 0:07:46 | |
However, there's one minor problem. | 0:07:46 | 0:07:50 | |
I got Michael in as an unsexed animal, so we didn't know if it was a boy or a girl. | 0:07:50 | 0:07:54 | |
Over a period of time, we convinced ourselves it was a boy, | 0:07:54 | 0:07:59 | |
and looking back now, it was probably rather ignorant of us, | 0:07:59 | 0:08:02 | |
we were saying, "Right, it's Michael, it's a boy. Michael Caine - cane toad - | 0:08:02 | 0:08:07 | |
"got to be a boy." He looked like a boy, | 0:08:07 | 0:08:09 | |
and then, just recently, I've been looking at it | 0:08:09 | 0:08:12 | |
and thought, "I don't know if it is." | 0:08:12 | 0:08:14 | |
There was only one way to find out - | 0:08:14 | 0:08:16 | |
introduce Michael to a female toad and, hopefully, let nature take its course. | 0:08:16 | 0:08:22 | |
# I met a girl She was a frog princess... # | 0:08:24 | 0:08:28 | |
So I got another cane toad and, of course, when I got them together, | 0:08:30 | 0:08:35 | |
I suddenly thought, "I don't actually know if Michael is a boy and if the new one is a girl." | 0:08:35 | 0:08:40 | |
We called the new one Valerie. They get on great, | 0:08:40 | 0:08:43 | |
but now we're back to the age-old thing of, is it a boy, is it a girl? | 0:08:43 | 0:08:47 | |
So we've been looking at ways of telling them apart. | 0:08:47 | 0:08:50 | |
But this has only doubled the confusion. | 0:08:50 | 0:08:52 | |
The problem is, male and female cane toads are remarkably similar in appearance. | 0:08:52 | 0:08:58 | |
Darren has been doing some research, but he's still no nearer to reaching a conclusion. | 0:08:58 | 0:09:04 | |
Boys are a bit smaller than girls in the species but we had nothing to compare him with. | 0:09:05 | 0:09:10 | |
The other way is, boys have a dark throat pouch, supposedly, under here. | 0:09:10 | 0:09:15 | |
Again I think that was quite dark on Michael, so I figured, well, hey ho, he could be a boy. | 0:09:15 | 0:09:19 | |
So now that he's got Valerie to compare Mike to, | 0:09:19 | 0:09:24 | |
can he spot any differences and work out which one is the male? | 0:09:24 | 0:09:29 | |
Now, this is Valerie. | 0:09:29 | 0:09:32 | |
Come on, sweetheart. I'll just hold her by her... | 0:09:32 | 0:09:35 | |
Now, she's quite a bit smaller. Can see the difference? | 0:09:35 | 0:09:40 | |
But age difference might come into that. She's younger as well. | 0:09:40 | 0:09:44 | |
The throat pouch on her, I actually thought was darker than Michael's, | 0:09:44 | 0:09:48 | |
so instantly though, oh-oh, maybe Valerie is actually a little boy. | 0:09:48 | 0:09:53 | |
Either this one is definitely a boy, or they could both be girls, | 0:09:53 | 0:09:58 | |
and it never entered my mind that they could both be girls and this just be a young girl. | 0:09:58 | 0:10:03 | |
So, the plot thickens. | 0:10:07 | 0:10:10 | |
Is Mike really a Michelle? | 0:10:10 | 0:10:12 | |
Fortunately, though, there is one final way for Darren to work out the sexes of this rather ugly pairing. | 0:10:12 | 0:10:20 | |
To do this, he's going to need our help. | 0:10:20 | 0:10:23 | |
I've been told that boy cane toads croak quite loudly and girls don't croak, | 0:10:24 | 0:10:30 | |
so what we're going to do is, with the help of one of the crew here, | 0:10:30 | 0:10:36 | |
he's going to help us fit up a little sound machine in here, | 0:10:36 | 0:10:39 | |
and a camera, and see if we can hear any croaking, | 0:10:39 | 0:10:42 | |
and if we can, yet again, it will tell us at least one of these two IS a little boy. | 0:10:42 | 0:10:46 | |
If we don't hear croaking, then I'm going to lean towards we might have two girls here and no fella, | 0:10:46 | 0:10:53 | |
so we won't get many baby cane toads out of it. | 0:10:53 | 0:10:56 | |
But what I'll do is, I'll put her back and we'll set up the equipment and then we'll see | 0:10:56 | 0:11:00 | |
if this can point us in the right direction. | 0:11:00 | 0:11:04 | |
-Right, that's all set. -Fantastic. -If they croak, that will get it. | 0:11:04 | 0:11:08 | |
Stu, this will solve the international mystery. Thank you very much. Appreciate that. | 0:11:08 | 0:11:12 | |
We'll be back with Darren later | 0:11:12 | 0:11:14 | |
as he tries to solve the riddle of this croak-and-dagger plot once and for all. | 0:11:14 | 0:11:19 | |
It's been 17 years since the safari park had a baby rhino | 0:11:30 | 0:11:35 | |
but the keepers haven't given up as a few years ago, | 0:11:35 | 0:11:40 | |
three young rhino arrived from South Africa, and deputy head warden Ian Turner was extremely hopeful. | 0:11:40 | 0:11:47 | |
Well, it's got three new young rhinos - one male and two females - | 0:11:47 | 0:11:52 | |
perfect for breeding, so down the line, we should have two young ones. | 0:11:52 | 0:11:57 | |
Today, things are certainly looking promising. | 0:11:57 | 0:12:01 | |
The youngsters are now sexually mature | 0:12:01 | 0:12:04 | |
and the great news is that Injanu, the male, has been playing his part. | 0:12:04 | 0:12:08 | |
There's finally been some mating. | 0:12:08 | 0:12:10 | |
So Injanu's been doing the business but, so far, there's no concrete sign of a pregnancy. | 0:12:12 | 0:12:19 | |
I've joined head warden Keith Harris to find out more. | 0:12:21 | 0:12:25 | |
So, what's the issue with Merashi, then? | 0:12:25 | 0:12:28 | |
Well, she hasn't been coming into season, she hasn't been cycling properly, | 0:12:28 | 0:12:33 | |
and obviously, we want to try and look at see if we can find out a reason why. | 0:12:33 | 0:12:37 | |
-A while ago, she was left in the yard overnight with a bull. -Mm-hm. | 0:12:37 | 0:12:40 | |
-Now, as far as we were aware, she didn't do anything but... -You are talking about mating here? | 0:12:40 | 0:12:47 | |
Yeah. She wasn't mated, but we're going to take a blood sample and send it off, just to make sure. | 0:12:47 | 0:12:53 | |
And is the cycling of a rhino the same as many other animals? I mean, is it monthly? | 0:12:53 | 0:12:57 | |
Monthly. I think it's 32 days, and, you know, they'll be mated and that's it. | 0:12:57 | 0:13:05 | |
The biggest problem that we know within the rhino population throughout Europe | 0:13:05 | 0:13:11 | |
is with these young rhinos, if they just keep coming into season, | 0:13:11 | 0:13:14 | |
they just what we call flatline - they just stop coming into season. | 0:13:14 | 0:13:18 | |
-Right. -Their reproductive system closes down. | 0:13:18 | 0:13:21 | |
So it's very important that we get animals of this age breeding. | 0:13:21 | 0:13:24 | |
'Duncan the vet is on hand to take the blood samples from Merashi's ear.' | 0:13:24 | 0:13:30 | |
You're going for the ear because it's the thinnest area, presumably, and the veins are nearest the top? | 0:13:30 | 0:13:35 | |
Well, it's just an area that we easily get a superficial vein, and that's... | 0:13:35 | 0:13:40 | |
-Just putting this rubber band round as a sort of tourniquet. -Right. | 0:13:40 | 0:13:44 | |
That'll just pool the blood in the veins. | 0:13:44 | 0:13:46 | |
So that's like a tourniquet you would put around your arm, if you were taking blood from a human? | 0:13:46 | 0:13:51 | |
Yeah, very similar, yeah. Just to try and raise a vein. | 0:13:51 | 0:13:55 | |
And remind me, Keith, what is the gestation period if she was pregnant now? | 0:13:55 | 0:13:59 | |
It's 15 to 18 months, so they tend to vary in between the two. | 0:13:59 | 0:14:05 | |
-That's a long time to carry a calf, isn't it? -Yes, it is. | 0:14:05 | 0:14:09 | |
So we need her a bit closer, don't we? | 0:14:09 | 0:14:11 | |
I think she's going to go back to her nuts in a minute. | 0:14:11 | 0:14:14 | |
-Be careful of that horn. -Have to be very careful of her horn. | 0:14:14 | 0:14:17 | |
-That's an occupational hazard. The horn is their main weapon. -Yeah. | 0:14:17 | 0:14:21 | |
-Even though she might not mean to. -So you've got the needle in there? | 0:14:21 | 0:14:24 | |
Yeah, just letting it drip into the tube now. | 0:14:24 | 0:14:27 | |
That's about enough in that one. | 0:14:30 | 0:14:32 | |
Let's get her in that thing, I think. | 0:14:32 | 0:14:35 | |
'Merashi's becoming agitated, so for her and Duncan's protection, | 0:14:35 | 0:14:40 | |
'she's moved to a smaller holding cage.' | 0:14:40 | 0:14:42 | |
-Are you going to fill another one? -I'm not sure what the lab that we'll check the pregnancy with takes, | 0:14:44 | 0:14:51 | |
so I'm just going to make sure I've got everything. | 0:14:51 | 0:14:54 | |
-I suppose you don't want to do this again. -No. | 0:14:54 | 0:14:56 | |
She doesn't want us to do it again, either. | 0:14:56 | 0:15:00 | |
-I think we'll take it off her now. -All right, mate. | 0:15:00 | 0:15:03 | |
-Do you want to? -Yeah, I'll take it off her now. | 0:15:03 | 0:15:05 | |
-All right, girl. -So we're going...? -That's enough. If it's going to upset her there's no point in going on. | 0:15:05 | 0:15:12 | |
There we go, so that's the needle out. | 0:15:12 | 0:15:14 | |
-So we just have to get the tourniquet? -Yeah. | 0:15:14 | 0:15:17 | |
-And you're constantly keeping an eye on how she's reacting and... -Yeah. | 0:15:17 | 0:15:21 | |
-..basically making a decision accordingly? -Yeah. | 0:15:21 | 0:15:24 | |
Because we want to do this again in the future, it's no good | 0:15:24 | 0:15:27 | |
-really upsetting her now, so she's, you know, she's getting a little bit agitated, so that's enough. -Yeah. | 0:15:27 | 0:15:33 | |
-We'll leave her again. -Duncan, a sigh of relief? | 0:15:33 | 0:15:35 | |
-Yeah, yeah. I just want to clean it up a bit. -Yeah. | 0:15:35 | 0:15:39 | |
Obviously, because the needle's there, | 0:15:39 | 0:15:42 | |
-just drip, drip, drip sort of thing. -And there she goes. -There she goes. | 0:15:42 | 0:15:46 | |
-Duncan, the process is that those are sent off to the lab, are they? -Yeah, we'll send them off today. | 0:15:46 | 0:15:51 | |
And what sort of tests will you do? | 0:15:51 | 0:15:53 | |
We can do a general profile, make sure everything's OK in terms of haematology and biochemistry, | 0:15:53 | 0:15:59 | |
-but more importantly, we'll get this pregnancy check. -Guys, thanks very much and well done | 0:15:59 | 0:16:03 | |
and we'll keep you posted on the progress throughout the series. | 0:16:03 | 0:16:07 | |
The great house is set amongst 900 acres of spectacular grounds. | 0:16:16 | 0:16:21 | |
In charge of its day-to-day running is land agent Tim Moore | 0:16:21 | 0:16:26 | |
but the design we see today | 0:16:26 | 0:16:29 | |
was drawn up 300 years ago by the man known as England's greatest gardener. | 0:16:29 | 0:16:35 | |
The design is by Capability Brown, | 0:16:35 | 0:16:38 | |
and so it's very much a sort of pastoral landscape | 0:16:38 | 0:16:43 | |
with sheep grazing and deer, with water, key elements either side of the house, | 0:16:43 | 0:16:48 | |
and what we've got here now is pretty well what Brown created. | 0:16:48 | 0:16:52 | |
But there's one area of the park's landscape that needs | 0:16:55 | 0:16:59 | |
a bit of sprucing up, and that's down by the model railway track. | 0:16:59 | 0:17:04 | |
A few years ago, I suggested to Lord Bath one way to get some interest | 0:17:04 | 0:17:09 | |
would be to have these enormous timber cut-outs of people who'd had a role at Longleat. | 0:17:09 | 0:17:16 | |
Lord Bath came up with the sort of the guest list. | 0:17:16 | 0:17:20 | |
That included the Grey Lady, who's the alleged ghost at Longleat, | 0:17:20 | 0:17:24 | |
Capability Brown, Lord Bath himself right at the end. | 0:17:24 | 0:17:28 | |
I think we've got a lion in there as well. | 0:17:28 | 0:17:30 | |
They were all short term, they were never going to stay all that long. | 0:17:30 | 0:17:34 | |
They've got a bit well worn, they've been seen by plenty of people, and were past their sell-by date. | 0:17:34 | 0:17:39 | |
So the challenge was, what will we replace them with? | 0:17:39 | 0:17:42 | |
So the gauntlet was thrown down to head of grounds and gardens Tommy Parker | 0:17:42 | 0:17:47 | |
to come up with something a bit special... | 0:17:47 | 0:17:50 | |
..and he took his inspiration from the park's smallest residents, the leaf-cutter ants. | 0:17:53 | 0:18:00 | |
They may be tiny, but their bodies are amazingly powerful, | 0:18:00 | 0:18:05 | |
able to carry pieces of leaf that weigh at least 20 times their own weight. | 0:18:05 | 0:18:09 | |
That's the same as a human carrying a one-ton load. | 0:18:09 | 0:18:14 | |
WOMAN SCREAMS | 0:18:15 | 0:18:18 | |
To help him build his army of ants, Tommy turned to artist Alan Ross. | 0:18:18 | 0:18:23 | |
Started off tinkering with bits of bicycle components like these, | 0:18:23 | 0:18:27 | |
and that was fine for a while, and things started getting bigger. | 0:18:27 | 0:18:31 | |
I started using bigger bits of material, and it's grown from there. | 0:18:31 | 0:18:34 | |
This is the original model that Alan came up with | 0:18:34 | 0:18:40 | |
and it's very much changed, because he built this in about two hours because he was so excited about it. | 0:18:40 | 0:18:47 | |
Alan had certainly never done anything quite on this scale before. | 0:18:49 | 0:18:53 | |
I looked at loads of pictures of ants on the internet and books, I've read books about ants, | 0:18:53 | 0:18:59 | |
and I figured if I could just get the basic essence of what an ant is | 0:18:59 | 0:19:03 | |
and expand that to four-and-a-half metres long, it would do the job. | 0:19:03 | 0:19:07 | |
It's not just somebody's private collection. | 0:19:07 | 0:19:09 | |
This is now for the public to see, and we'll have 20,000 people a day looking at it. That IS exciting! | 0:19:09 | 0:19:16 | |
We'll be following the story as these terrifying creatures take shape. | 0:19:16 | 0:19:20 | |
As the park closes and the sun sets, | 0:19:31 | 0:19:33 | |
most of the animals are getting ready for bed, | 0:19:33 | 0:19:36 | |
but for others, this is when they start stirring. | 0:19:36 | 0:19:42 | |
It's about ten o'clock at night and I'm standing outside the lion house with keeper Bob Trollope. | 0:19:50 | 0:19:57 | |
In my hand I've got a little infrared camera, | 0:19:57 | 0:20:01 | |
and our cameraman is also using an infrared camera | 0:20:01 | 0:20:04 | |
so that you can see me and Bob in the dark and, um what's our plan, Bob? | 0:20:04 | 0:20:09 | |
We're going to go in and see what they're like. | 0:20:09 | 0:20:12 | |
Because it's pitch black, there's no lights in there whatsoever. | 0:20:12 | 0:20:16 | |
-Presumably this is not something you do on a very regular basis? -No, we're not allowed in there at night. | 0:20:16 | 0:20:21 | |
-OK. -Because it is dangerous. -Is it? -Yeah. | 0:20:21 | 0:20:25 | |
-Why are we going in?! -It's all part of enrichment...for us and them. -Right, yes, I think it is. | 0:20:25 | 0:20:33 | |
-The door's over here, so, do you want to lead ahead? -Yeah. -I'm going to use this camera. | 0:20:33 | 0:20:40 | |
Basically, the plan is, I'm going to use this camera to help Bob and I actually see what the lions are doing | 0:20:40 | 0:20:47 | |
because, as he said, it is absolutely pitch dark in here, | 0:20:47 | 0:20:51 | |
and there is no way we'll be able to see them. | 0:20:51 | 0:20:54 | |
-Now, who have we got in here, Bob? -This is Charlie's pride. | 0:20:54 | 0:20:57 | |
-OK. Bob, look, can you see the screen in here? -Oh, yeah. | 0:20:57 | 0:21:02 | |
Presumably, they're going to be quite intrigued | 0:21:02 | 0:21:08 | |
about why people are here in the middle of the night? | 0:21:08 | 0:21:11 | |
Yeah. They're going to be very curious because this is something totally strange to them. | 0:21:11 | 0:21:16 | |
THEY GROWL | 0:21:16 | 0:21:18 | |
-Hear that great noise. -Growling. -It's amazing how well the infrared picks up these animals. | 0:21:18 | 0:21:25 | |
Now, just in case you are thinking, "Oh, it's not really that dark in here. | 0:21:25 | 0:21:32 | |
'It's very bright." Well, these are very clever little cameras, | 0:21:32 | 0:21:35 | |
so I'm just going to shut mine off, | 0:21:35 | 0:21:37 | |
and ask the crew to turn the infrared light off, | 0:21:37 | 0:21:41 | |
and there, now you can see it really is dark in here, isn't it, Bob? | 0:21:41 | 0:21:46 | |
You're aware of shapes moving but there is no way you could pick out | 0:21:46 | 0:21:51 | |
-whether it's Charlie or one of the females moving past you, could you? -Yeah, that's right. | 0:21:51 | 0:21:56 | |
While Kate and Bob prepare for the big feed, we're going back in time | 0:21:56 | 0:22:01 | |
to bring you a spine-chilling story from the Animal Park Tales. | 0:22:01 | 0:22:05 | |
A lot's gone on at Longleat over the last four-and-a-half centuries. | 0:22:18 | 0:22:23 | |
Conspiracies have been hatched in these corridors of power, | 0:22:23 | 0:22:26 | |
tragedies have unfolded, murders perhaps. | 0:22:26 | 0:22:32 | |
Many believe that kind of history can soak into the very stones and fabric of the building itself | 0:22:32 | 0:22:40 | |
so that sometimes, in the dark of the moon, things go bump in the night. | 0:22:40 | 0:22:44 | |
In fact, it's said that seven restless spirits still linger in these ancient walls. | 0:22:48 | 0:22:56 | |
A few years ago, head cleaner June Winders and a colleague recall a close encounter with one of them. | 0:22:56 | 0:23:03 | |
It was in the old staff quarters at the top of the house. | 0:23:03 | 0:23:07 | |
We both walked in with our equipment to start, | 0:23:07 | 0:23:10 | |
and it was like walking into a freezer, it was that cold, | 0:23:10 | 0:23:14 | |
and we both started shivering and all the hairs on the backs of our necks stood on end | 0:23:14 | 0:23:19 | |
and we both turned at the same time to get out the door and we got stuck! | 0:23:19 | 0:23:24 | |
But we got out of there and we swore we'd never, ever go in there again, | 0:23:26 | 0:23:30 | |
and to this day, I haven't. | 0:23:30 | 0:23:31 | |
I get my girls to go in there but I don't go in. | 0:23:31 | 0:23:35 | |
When June enquired, she found out that, 100 years ago, there was a tragic death. | 0:23:35 | 0:23:42 | |
A parlour maid or a housemaid that worked when the house was a family home | 0:23:42 | 0:23:47 | |
got herself into a spot of bother with a footman and... because in those days | 0:23:47 | 0:23:52 | |
it was a disgrace and, unfortunately, she threw herself off the top of the house. | 0:23:52 | 0:23:58 | |
So very sad story | 0:23:58 | 0:24:00 | |
but she's still here. | 0:24:00 | 0:24:02 | |
The parlour maid isn't the only phantom supposedly trapped in a room. | 0:24:02 | 0:24:07 | |
Some believe that the Red Library has its very own ghost | 0:24:07 | 0:24:11 | |
but nobody told Pip Percival when she started working here as a house guide. | 0:24:11 | 0:24:17 | |
I was walking from the ante library here through to the dining room, | 0:24:17 | 0:24:22 | |
and as I walked through the Red Library, something moved in that chair down there | 0:24:22 | 0:24:26 | |
and I couldn't tell you what it was, | 0:24:26 | 0:24:28 | |
I couldn't tell you if it was a man or what it was, | 0:24:28 | 0:24:31 | |
but something moved, and I walked through to the dining room, | 0:24:31 | 0:24:34 | |
and Vivienne, who had been here a long time, I said, "Something moved in that chair," | 0:24:34 | 0:24:38 | |
knowing it was beyond the alarm, and she said, "Oh, yes, you are lucky. That was the Man In Black." | 0:24:38 | 0:24:44 | |
They call him the Man In Black because no-one knows his name. | 0:24:44 | 0:24:48 | |
House steward Ken Winders, now retired, was always a pretty down to earth sort... | 0:24:48 | 0:24:53 | |
until the day he believed he encountered a spirit from the other side. | 0:24:53 | 0:24:58 | |
There was just myself and one other person in the house, | 0:24:58 | 0:25:02 | |
house totally locked down, we were actually in this room polishing these wooden floors. | 0:25:02 | 0:25:08 | |
We happened to look round and there was a lady down in the breakfast passage... | 0:25:08 | 0:25:12 | |
30 to 40 yards away, | 0:25:12 | 0:25:16 | |
and we simply thought, in the first instance, | 0:25:16 | 0:25:19 | |
how the devil did she get in, to begin with, and who is it? | 0:25:19 | 0:25:23 | |
But looking closely, she looked like Lady Silvy, which was the then Marquess of Bath's daughter, | 0:25:24 | 0:25:31 | |
Lord Henry's daughter, | 0:25:31 | 0:25:33 | |
so obviously we stopped polishing, and it took both of us, | 0:25:33 | 0:25:37 | |
it wasn't just me, there was two of us, to see this woman, | 0:25:37 | 0:25:40 | |
and we went down to see if we could be of some assistance, | 0:25:40 | 0:25:44 | |
because we thought it was Lady Silvy, | 0:25:44 | 0:25:46 | |
and when we got down there, there was absolutely nobody in that room whatsoever. | 0:25:46 | 0:25:50 | |
I know for a fact all the doors were locked, so nobody could even have crept in, even unbeknown to us, | 0:25:52 | 0:25:57 | |
but I have never yet to this day found a logical explanation for that one. | 0:25:57 | 0:26:02 | |
Lady Silvy is a very beautiful woman in her own right, and I have had people say to me that she looks | 0:26:02 | 0:26:07 | |
very similar to Louisa Carteret, who is the ghost of Longleat that walks the top passages. | 0:26:07 | 0:26:14 | |
Lord Bath hasn't seen any of the ghosts himself but he grew up with tales about the Grey Lady. | 0:26:14 | 0:26:21 | |
The Grey Lady is Louisa Carteret, who married the second viscount, | 0:26:21 | 0:26:26 | |
and this is around the turn of the 18th century, beginning. Queen Anne times. | 0:26:26 | 0:26:33 | |
She arrived at Longleat to marry the second viscount | 0:26:33 | 0:26:37 | |
with someone who might be described as a very faithful servant or footman or groom, | 0:26:37 | 0:26:44 | |
and it was her habit to spend much of her time with him, | 0:26:44 | 0:26:50 | |
which caused a great deal of jealousy in the rest of the household. | 0:26:50 | 0:26:56 | |
I am supposing that they came to the second viscount and said, | 0:26:56 | 0:27:03 | |
he's this awful person and, I don't know, perhaps the second viscount said, "Get rid of him!", | 0:27:03 | 0:27:09 | |
possibly meaning just throw him out of the house, | 0:27:09 | 0:27:13 | |
but something happened worse than that. | 0:27:13 | 0:27:16 | |
He was probably thrown down those stairs there, and his neck was broken. | 0:27:16 | 0:27:21 | |
They probably told her that he'd just packed his bags and gone, and she didn't believe that, | 0:27:24 | 0:27:30 | |
so the ghost story arises then that she spent the rest of her days at Longleat, | 0:27:30 | 0:27:36 | |
always searching all the rooms up in the top passage | 0:27:36 | 0:27:38 | |
to find if he was imprisoned there, or whatever she might find. | 0:27:38 | 0:27:44 | |
And there is a sequel to all that. | 0:27:44 | 0:27:47 | |
When we put in the boilers for the central-heating system earlier in this century, | 0:27:47 | 0:27:54 | |
a body was found, and it was a body wearing Queen Anne clothes. | 0:27:54 | 0:28:02 | |
There wasn't much of it left. It was so crumbled away it was put in a hat box, I was told, | 0:28:02 | 0:28:07 | |
and that was buried in the graveyard of the church. | 0:28:07 | 0:28:12 | |
It's infuriating that some of my guests claim to have seen her. | 0:28:12 | 0:28:16 | |
I don't want to have to fear that I'm going to meet a ghost, | 0:28:16 | 0:28:19 | |
but anyway, as she's my grandma or my great-great-great-great-grandma, I am sure that we will get on fine. | 0:28:19 | 0:28:24 | |
But I wish people wouldn't start claiming to have seen her | 0:28:24 | 0:28:29 | |
in a way that worries me a bit sometimes. | 0:28:29 | 0:28:31 | |
It's strange that while some people see ghosts others never do. | 0:28:33 | 0:28:38 | |
Perhaps that's another mystery beyond our knowledge... like the spirits themselves. | 0:28:38 | 0:28:44 | |
Now it's back over to the lion enclosure | 0:28:46 | 0:28:49 | |
because Charlie and his girls are about to get a midnight feast. | 0:28:49 | 0:28:53 | |
Earlier, Bob Trollope and I were in the lion enclosure looking at | 0:28:53 | 0:28:58 | |
well what looked really like a mass of cables and equipment. | 0:28:58 | 0:29:02 | |
What we've done is set up infrared cameras and infrared lights | 0:29:02 | 0:29:06 | |
because tonight the lions are being fed after dark. | 0:29:06 | 0:29:10 | |
We have now stuck out the meat for them | 0:29:10 | 0:29:15 | |
so their feed but, um whole carcasses, Bob, rather than chunks? | 0:29:15 | 0:29:20 | |
Yeah, we've placed two half-carcasses together | 0:29:20 | 0:29:24 | |
and staked them down to sort of simulate a whole carcass basically. | 0:29:24 | 0:29:28 | |
Right, so should we, they're down in the house still, | 0:29:28 | 0:29:32 | |
Brian's with them, is that right? | 0:29:32 | 0:29:34 | |
-He's there, yeah. -So can we radio Brian and let them out and see... | 0:29:34 | 0:29:38 | |
OK, we can do that. | 0:29:38 | 0:29:39 | |
Line two, Brian. | 0:29:39 | 0:29:41 | |
-Come in. -Everyone is in vehicles and it's safe to let them out. | 0:29:44 | 0:29:49 | |
The big cats are not often let out at night | 0:29:49 | 0:29:52 | |
as after dark they're much less predictable and more dangerous. | 0:29:52 | 0:29:58 | |
Lions have a very strict pride structure which is best demonstrated when hunting and feeding. | 0:29:58 | 0:30:04 | |
The females do most of the work during the hunt | 0:30:06 | 0:30:08 | |
but the male takes charge when it's time to eat. | 0:30:08 | 0:30:11 | |
Fights often break out at this point | 0:30:11 | 0:30:14 | |
as it's when dominance issues are resolved. | 0:30:14 | 0:30:17 | |
This is natural and helps maintain a healthy pride structure. | 0:30:17 | 0:30:22 | |
In Charlie's pride, Sky is currently in season so he's mating with her | 0:30:25 | 0:30:29 | |
and she'll probably get preferential treatment so there could well be | 0:30:29 | 0:30:34 | |
a bit of fur flying tonight but it's all natural behaviour. | 0:30:34 | 0:30:38 | |
-Oh, here's one, here's one. -Here's one, yeah. | 0:30:38 | 0:30:40 | |
-Female. Who's this coming in? -That looks like Aysha. -Right. Gosh. | 0:30:40 | 0:30:44 | |
Yeah, straight in to that. | 0:30:44 | 0:30:47 | |
In fact, three females. | 0:30:47 | 0:30:49 | |
Now where's Charlie? Is he letting them do all the work, is he? | 0:30:49 | 0:30:52 | |
-No, he's just come up. -Oh, here he comes. | 0:30:52 | 0:30:54 | |
He's come up to the carcass now. | 0:30:54 | 0:30:56 | |
-Oh, this looks fantastic. -That's four of them. | 0:30:56 | 0:30:58 | |
And straight in. GROWLING | 0:30:58 | 0:31:01 | |
-Oops, a big of argy bargy. -Yeah. | 0:31:01 | 0:31:04 | |
There's another one in the background. There she comes. | 0:31:04 | 0:31:09 | |
Oh, now Charlie's trying, as you predicted, to pull the carcass away. | 0:31:09 | 0:31:14 | |
This is really interesting because we never get to see them eat like this. | 0:31:14 | 0:31:18 | |
Charlie! He isn't chivalrous. | 0:31:18 | 0:31:21 | |
We did ask that earlier and I think he's answered the question already. | 0:31:21 | 0:31:24 | |
So who's his girlfriend at the moment? You thought it was Sky. | 0:31:24 | 0:31:28 | |
-Sky. Most probably the one that's eating opposite. -Right. | 0:31:28 | 0:31:32 | |
So he is, he's really having a go at the other females, isn't he? | 0:31:32 | 0:31:36 | |
And it is, it's all lovey dovey when he goes back to her. | 0:31:36 | 0:31:39 | |
-He won't want to offend her obviously... -No, obviously not. | 0:31:39 | 0:31:41 | |
Because he wants her. | 0:31:41 | 0:31:44 | |
Sky is looking quite literally like the cat that's got the cream, | 0:31:44 | 0:31:47 | |
or the carcass, at the moment. | 0:31:47 | 0:31:49 | |
You can see how she really uses all the teeth, you know, | 0:31:49 | 0:31:54 | |
front teeth, back molars, tongue, it is amazing. | 0:31:54 | 0:31:58 | |
As you say though, it could be a wild pride. | 0:31:58 | 0:32:00 | |
It could, it really could. | 0:32:00 | 0:32:02 | |
-Apart from perhaps the oak tree in the background gives it away. -Yeah! | 0:32:02 | 0:32:06 | |
Isn't it funny? Look at all these females lying patiently, | 0:32:06 | 0:32:10 | |
just going, "OK, we'll let Charlie and the favoured one." | 0:32:10 | 0:32:14 | |
Now this is a pride that... | 0:32:14 | 0:32:19 | |
doesn't have cubs. | 0:32:19 | 0:32:21 | |
No. Charlie is vasectomised... | 0:32:21 | 0:32:24 | |
SNARLING Ooh, ooh... | 0:32:24 | 0:32:26 | |
..someone dared to go in. | 0:32:26 | 0:32:28 | |
-Took a chance there. Oh, look. -Quite a big scrap. | 0:32:28 | 0:32:30 | |
You know it's more intimidation than anything. | 0:32:30 | 0:32:33 | |
They're going to get a show, | 0:32:33 | 0:32:35 | |
there's two half-carcasses there so there's plenty to eat. | 0:32:35 | 0:32:39 | |
LOUD SNARLING | 0:32:39 | 0:32:40 | |
Oh, even if... Oh, something is chased off into the dark. | 0:32:40 | 0:32:43 | |
That was quite dramatic, suddenly he's left the carcass - | 0:32:43 | 0:32:47 | |
so he was obviously furious. | 0:32:47 | 0:32:49 | |
Yeah, they do have a hierarchy and you can see that, | 0:32:49 | 0:32:54 | |
-Sky is obviously... -Oh, that's the power all right again. | 0:32:54 | 0:32:58 | |
He's having the meat now, he's gone back to his meat. | 0:32:58 | 0:33:02 | |
He's gone back for some more. | 0:33:02 | 0:33:04 | |
Those females are fairly feisty though, aren't they? | 0:33:04 | 0:33:07 | |
-Oh, if they ganged up together they could sort him out. -Yeah. | 0:33:07 | 0:33:10 | |
He's obviously quite an intimidating sight. | 0:33:10 | 0:33:13 | |
It's quite funny, as soon as he chases off someone | 0:33:13 | 0:33:16 | |
the other two are like, "we'll sneak in for a quick mouthful". | 0:33:16 | 0:33:19 | |
I think a lot of it is more noise than anything, it is intimidation. | 0:33:19 | 0:33:23 | |
Like a lot of blokes, isn't it? Make a lot of noise. | 0:33:23 | 0:33:27 | |
Oh, there he goes again. | 0:33:27 | 0:33:29 | |
Now does this worry you if one of the females did get injured? | 0:33:29 | 0:33:36 | |
It obviously does but, | 0:33:36 | 0:33:39 | |
they're giving back as good as they're getting, | 0:33:42 | 0:33:46 | |
and you do get cuts from time to time, | 0:33:46 | 0:33:49 | |
and we've got a very good veterinary... | 0:33:49 | 0:33:53 | |
They've come right up to the fence here, can we tilt the camera down? | 0:33:53 | 0:33:57 | |
-We're getting it on this camera. -OK. | 0:33:57 | 0:34:01 | |
They are metres away - not even - probably a metre away from the car! | 0:34:01 | 0:34:07 | |
You can see a bit of Charlie there. | 0:34:07 | 0:34:09 | |
-Got Charlie, right by the fence. -His girlfriend's down here, that's why. | 0:34:09 | 0:34:13 | |
-Oh, is that what it is? -Yeah. | 0:34:13 | 0:34:15 | |
By feeding them in this way, | 0:34:17 | 0:34:19 | |
you're not putting any of them into adverse risk? | 0:34:19 | 0:34:22 | |
No, no, no. During the day when we feed you do have little scraps | 0:34:22 | 0:34:27 | |
-like that but that's all part of their hierarchy. -Yeah. | 0:34:27 | 0:34:31 | |
You know, if they didn't do that, | 0:34:31 | 0:34:34 | |
-there would be no character to them. -No, absolutely. | 0:34:34 | 0:34:39 | |
It's all calmed down now. He's a bit grumpy but... | 0:34:41 | 0:34:45 | |
-HE LAUGHS -..he's still got his girlfriend. | 0:34:45 | 0:34:48 | |
So will they stay out for the rest of the night now? Will you leave them? | 0:34:48 | 0:34:51 | |
Yeah. Their house is open for them, if they want to go in they can. | 0:34:51 | 0:34:56 | |
If not, they'll stay out here. | 0:34:56 | 0:34:58 | |
Another little scrap going on. | 0:34:58 | 0:35:01 | |
Charlie! Behave yourself. | 0:35:01 | 0:35:04 | |
SNARLING | 0:35:04 | 0:35:07 | |
-He's just showing off. -He is. As you say, none of the females | 0:35:07 | 0:35:10 | |
he's going for really look that concerned. | 0:35:10 | 0:35:13 | |
-It looks more like play fighting, than any serious intent. -Yeah. | 0:35:13 | 0:35:18 | |
-He's just gone off into the shadows. -Yeah. | 0:35:18 | 0:35:21 | |
If we can go right I don't know whether our lights can pick up, | 0:35:21 | 0:35:25 | |
can pick him up. Do you think that's it? | 0:35:27 | 0:35:30 | |
Well, that, I mean, for me that was an absolutely fantastic experience. | 0:35:30 | 0:35:34 | |
-Are you pleased that that's gone well? -Yeah, yeah. | 0:35:34 | 0:35:36 | |
It shows all the characteristics of a wild pride - | 0:35:36 | 0:35:39 | |
and ultimately that is what we try to get here. | 0:35:39 | 0:35:42 | |
We don't interfere too much and hopefully they live as natural | 0:35:42 | 0:35:48 | |
a life as you can give them. | 0:35:48 | 0:35:50 | |
Well, I think we are going to leave the lions to their midnight feast | 0:35:50 | 0:35:55 | |
but, Bob, if you don't mind, | 0:35:55 | 0:35:57 | |
can we come back in the morning, in the light of day, | 0:35:57 | 0:36:00 | |
and see just how much of these carcasses are left? | 0:36:00 | 0:36:03 | |
-Yeah. -What's your bet? | 0:36:03 | 0:36:06 | |
-Just bones. -Do you think? -Just a few bones, yeah. | 0:36:06 | 0:36:09 | |
OK, well, let's see if Bob is right. | 0:36:09 | 0:36:11 | |
Join us a bit later when we'll find out how well the pride fed | 0:36:11 | 0:36:15 | |
in the middle of the night. | 0:36:15 | 0:36:17 | |
As another day dawns at the park here's what's coming up | 0:36:24 | 0:36:28 | |
on the rest of the show. | 0:36:28 | 0:36:30 | |
Darren discovers if anything went "croak" in the night. | 0:36:34 | 0:36:37 | |
And Ben helps put a bit more bounce into the lives of the vultures. | 0:36:39 | 0:36:43 | |
Let's head straight over to the reptile house where Darren's been | 0:36:50 | 0:36:53 | |
attempting to solve a puzzling mystery, | 0:36:53 | 0:36:56 | |
to discover the gender of his rather revolting cane toads - | 0:36:56 | 0:36:58 | |
Mike and Valerie. | 0:36:58 | 0:37:00 | |
That might sound simple enough | 0:37:00 | 0:37:02 | |
but actually sexing a cane toad is remarkably difficult. | 0:37:02 | 0:37:07 | |
He's hoping the pair will reproduce but unless he's got one male and one | 0:37:08 | 0:37:13 | |
female his breeding programme is unlikely to get off the ground. | 0:37:13 | 0:37:18 | |
The most sure-fire way of telling them apart is that | 0:37:18 | 0:37:21 | |
it's only the male who croaks. | 0:37:21 | 0:37:23 | |
So last night Darren set up some recording equipment to eavesdrop | 0:37:23 | 0:37:28 | |
on their night time activity and listen out for any telltale noises. | 0:37:28 | 0:37:33 | |
This is really interesting actually. | 0:37:33 | 0:37:37 | |
It's like a sneaky insight | 0:37:37 | 0:37:40 | |
into what goes on in the exhibit at night. | 0:37:40 | 0:37:43 | |
They're quite active. | 0:37:46 | 0:37:48 | |
This is quite nice, they're both sat next to each other. | 0:37:48 | 0:37:50 | |
I can see the throat pouches moving, can't hear any noise at the moment. | 0:37:50 | 0:37:56 | |
Oh, I spotted something, what is he doing? | 0:37:56 | 0:37:58 | |
-Oh! -HE LAUGHS | 0:37:58 | 0:38:00 | |
I'm going to rewind that. | 0:38:00 | 0:38:02 | |
He spotted something nice to eat. | 0:38:02 | 0:38:03 | |
Bam! Oh, dear, goodness, that was definitely a little feast there. | 0:38:03 | 0:38:09 | |
Bit of activity here. I can hear that jumping very clearly | 0:38:11 | 0:38:15 | |
on these, I haven't actually heard any croaking at the moment. | 0:38:15 | 0:38:21 | |
What I was hoping, was that I would hear... | 0:38:21 | 0:38:24 | |
a loud, you know, a toad croak. | 0:38:24 | 0:38:27 | |
So far there's a lot of shuffling but absolutely no croaking. | 0:38:27 | 0:38:32 | |
-The thing is I've got... Oh! -TICKING NOISE | 0:38:32 | 0:38:35 | |
At last there's a noise. | 0:38:35 | 0:38:38 | |
Could this be the croak that Darren's been desperate to hear? | 0:38:38 | 0:38:43 | |
Sounds like a grandfather clock. | 0:38:43 | 0:38:45 | |
That's not a croak, is it? | 0:38:45 | 0:38:48 | |
TICKING CONTINUES | 0:38:48 | 0:38:50 | |
Ah, now, there you are, I can hear that again. | 0:38:50 | 0:38:53 | |
It goes tick, tick, tick. | 0:38:54 | 0:38:57 | |
It's getting faster. | 0:38:58 | 0:39:00 | |
That is the thermostat, there is a thermostat in there on the wall | 0:39:06 | 0:39:10 | |
and obviously it's just reaching temperature, | 0:39:10 | 0:39:13 | |
that's what I can hear there. | 0:39:13 | 0:39:16 | |
Ah, well, I thought that was going to be a croak but it's not a croak, | 0:39:18 | 0:39:22 | |
that's not a croak. | 0:39:22 | 0:39:23 | |
And look at, there's no behaviour going on here, there's no | 0:39:23 | 0:39:26 | |
extended throat pouches, there's no raising up on their... | 0:39:26 | 0:39:30 | |
hind legs. | 0:39:30 | 0:39:32 | |
Yeah, that's power, | 0:39:32 | 0:39:33 | |
that's the heater coming on and raising the temperature. | 0:39:33 | 0:39:36 | |
Never mind! Let me stop that. | 0:39:36 | 0:39:40 | |
Unfortunately for Darren the ticking of the thermostat | 0:39:40 | 0:39:43 | |
was the closest he came to hearing a croak in the night. | 0:39:43 | 0:39:47 | |
It may not be the outcome that he was after but at least | 0:39:47 | 0:39:51 | |
it confirms his suspicions. | 0:39:51 | 0:39:53 | |
I don't know, I think, | 0:39:53 | 0:39:54 | |
taking everything into consideration | 0:39:54 | 0:39:56 | |
I think I'm leaning towards - they're both girls. | 0:39:56 | 0:39:59 | |
That won't help our breeding of an increased number of cane toads | 0:39:59 | 0:40:03 | |
over next couple the years so I think I'll do a bit more research, | 0:40:03 | 0:40:08 | |
and see if I can find and track down someone who's got a 100% | 0:40:08 | 0:40:11 | |
verified male, have a comparison with a couple of photographs | 0:40:11 | 0:40:15 | |
and then put out the feelers and see if we can't find a male. | 0:40:15 | 0:40:18 | |
So, interesting for me as a keeper but research-wise, | 0:40:18 | 0:40:23 | |
no croaks, no boys. | 0:40:23 | 0:40:24 | |
Of course there is another positive side to all this, | 0:40:24 | 0:40:27 | |
nine hours of no croaking but we know the thermostat is working. | 0:40:27 | 0:40:31 | |
Back now to the park's impending invasion by an army of giant ants. | 0:40:43 | 0:40:48 | |
Head of gardens and grounds Tommy Parker has | 0:40:48 | 0:40:51 | |
asked artist Alan Ross to make seven giant sculptures of leafcutter ants. | 0:40:51 | 0:40:57 | |
He has come down to Alan's workshop to see how he's getting along. | 0:40:57 | 0:41:01 | |
-Hi Tommy, how's things? -Not too bad. | 0:41:05 | 0:41:08 | |
-Good, good. -How are we getting on then? | 0:41:08 | 0:41:10 | |
This is fine, this is leaf number four I think it is. | 0:41:10 | 0:41:12 | |
-So have we got an ETA for getting done? -Should be a couple of weeks. | 0:41:12 | 0:41:17 | |
-Can we have a look at the one's you've completed? -Yes. | 0:41:17 | 0:41:20 | |
-I'll just get my hat. -Excellent. | 0:41:20 | 0:41:22 | |
So far all Tommy's seen is a small prototype of one ant, | 0:41:24 | 0:41:28 | |
just a fraction of the size of the finished article. | 0:41:28 | 0:41:32 | |
Oh, wow, they're looking good, | 0:41:32 | 0:41:34 | |
absolutely fantastic. Just what I wanted. | 0:41:34 | 0:41:37 | |
Oh, we going to get some fantastic reactions from the public. | 0:41:37 | 0:41:41 | |
I think people will appreciate this. | 0:41:41 | 0:41:42 | |
-Yeah. They're really good. -They move with the wind. | 0:41:42 | 0:41:45 | |
Which should give them life when they're in the field which is nice. | 0:41:45 | 0:41:48 | |
-Absolutely excellent. -Good, good. | 0:41:48 | 0:41:50 | |
I mean, we get six of these and the big soldier ant will look fantastic. | 0:41:50 | 0:41:54 | |
I mean he looks awesome. He really does. | 0:41:54 | 0:41:57 | |
-Yeah, he doesn't look too bad. -He really does. | 0:41:57 | 0:42:00 | |
The only thing is the position I want to put this one, | 0:42:00 | 0:42:03 | |
I want it to look more aggressive as if it's attacking a nest. | 0:42:03 | 0:42:08 | |
-OK. -Right so if we could maybe do something with the legs. | 0:42:08 | 0:42:12 | |
You grab that leg I'll show you exactly what I want. | 0:42:12 | 0:42:14 | |
OK, so where do we want it then? | 0:42:14 | 0:42:18 | |
If we could lift it up so it's probably more up like that. | 0:42:18 | 0:42:21 | |
-About like that? -Yeah. -I can modify the front legs. | 0:42:21 | 0:42:24 | |
-We could get the head up a bit. -I can do that. | 0:42:24 | 0:42:26 | |
Looking down at the train. | 0:42:26 | 0:42:28 | |
This'll look at the train so it'll get a good reaction from the public. | 0:42:28 | 0:42:33 | |
They are fantastic, I just can't wait to get them on site. | 0:42:33 | 0:42:36 | |
Wait and see what happens when Longleat finally experiences | 0:42:41 | 0:42:46 | |
the attack of the ants. | 0:42:46 | 0:42:48 | |
They soar through the sky in search of death. | 0:42:51 | 0:42:56 | |
These are the African white-backed vultures, | 0:42:56 | 0:43:00 | |
a huge bird that preys on rotting flesh. | 0:43:00 | 0:43:04 | |
In the wild vultures like these spend most of their time in the air | 0:43:04 | 0:43:07 | |
but here at Longleat they spend most of it perching like these ones | 0:43:07 | 0:43:11 | |
which can sometimes lead to pressure sores on the feet. | 0:43:11 | 0:43:14 | |
But keeper Mark here has tried to come up with a way of avoiding this. | 0:43:14 | 0:43:19 | |
What have you come up with Mark? | 0:43:19 | 0:43:20 | |
Well, initially we had a problem attaching branches to trees | 0:43:20 | 0:43:25 | |
because obviously straight branch, round tree was all a bit complicated, | 0:43:25 | 0:43:29 | |
they didn't stay up very well. | 0:43:29 | 0:43:30 | |
This is an entirely man-made aviary here so it's just the posts. | 0:43:30 | 0:43:35 | |
Yes, all these were stuck in the ground. | 0:43:35 | 0:43:37 | |
So I asked Tim the welder if he could come up with something just to attach | 0:43:37 | 0:43:41 | |
a branch and we got a bit carried away along the line, | 0:43:41 | 0:43:44 | |
and came up with this contraption here. | 0:43:44 | 0:43:46 | |
What on earth is this? | 0:43:46 | 0:43:48 | |
Well, this was originally just the bracket to hold it to the tree, | 0:43:48 | 0:43:52 | |
but then from there we decided | 0:43:52 | 0:43:54 | |
perhaps it would be quite nice if we could build an amount of springing | 0:43:54 | 0:43:57 | |
into the branch so it would act more like a branch on a normal tree. | 0:43:57 | 0:44:01 | |
So we've used a section of leaf-spring off the back of a truck | 0:44:01 | 0:44:05 | |
so that it would allow an amount of flex in there. | 0:44:05 | 0:44:10 | |
So basically, when the birds land on it it will kind of flex up | 0:44:10 | 0:44:13 | |
and down and it acts like a spring for their legs and feet. | 0:44:13 | 0:44:18 | |
Yeah, just as if they were landing on a normal branch. | 0:44:18 | 0:44:21 | |
So we have to get it up on the tree and see how it works. | 0:44:21 | 0:44:23 | |
OK. Well, at this point you'll probably notice there | 0:44:23 | 0:44:26 | |
isn't quite enough room for all of you guys, the crew as well, | 0:44:26 | 0:44:29 | |
so you're going to have to watch this on Ben cam. | 0:44:29 | 0:44:32 | |
-I will help you and film proceedings, if that's OK? -OK. | 0:44:32 | 0:44:35 | |
Wish me luck. So we've now kind of got to come in... | 0:44:35 | 0:44:38 | |
Come in against a tree here. | 0:44:38 | 0:44:40 | |
..a little bit. I'm assuming it's somewhere around here that | 0:44:40 | 0:44:44 | |
we're going to want to put this up. | 0:44:44 | 0:44:46 | |
Yeah, this is where we're going to attach our... | 0:44:46 | 0:44:48 | |
I think it's that one. | 0:44:53 | 0:44:55 | |
And just tell me, how... | 0:44:56 | 0:44:58 | |
dangerous are these pressure sores that the vultures tend to get? | 0:44:58 | 0:45:03 | |
It can cause big problems on the soles of their feet | 0:45:03 | 0:45:06 | |
and they can swell up, become infected, | 0:45:06 | 0:45:09 | |
and this is why we've had to come up with this idea. | 0:45:09 | 0:45:13 | |
If this works we can then go ahead and build | 0:45:13 | 0:45:15 | |
quite a few more and put a lot more perches in different places. | 0:45:15 | 0:45:19 | |
So what do you think will be their reaction to this new contraption? | 0:45:19 | 0:45:25 | |
Knowing vultures, they probably won't go anywhere near it! | 0:45:25 | 0:45:28 | |
Vultures have very keen eyesight and on the open plains they can spot | 0:45:28 | 0:45:34 | |
a metre-long carcass from four miles away. | 0:45:34 | 0:45:38 | |
So are we now just missing a branch? | 0:45:38 | 0:45:41 | |
We're missing a branch. I'm going to take some of this slack out of it. | 0:45:41 | 0:45:44 | |
-It feels like the weight's taken, shall I take my hands off, ready? -Yeah. | 0:45:44 | 0:45:49 | |
-Look at that. -Ta da. -That looks... | 0:45:49 | 0:45:51 | |
So, as soon as they land on it you've got that springiness. | 0:45:51 | 0:45:54 | |
There's a little bit of give in it. | 0:45:54 | 0:45:56 | |
That is very clever, I'm really impressed with that. | 0:45:56 | 0:46:00 | |
So, with us well out of the way, it wasn't long before we got a | 0:46:00 | 0:46:04 | |
bird's eye view of the vultures enjoying a lighter landing. | 0:46:04 | 0:46:10 | |
It's morning after the night before and, Bob, they look like... | 0:46:22 | 0:46:26 | |
we've got some very sleepy, very well-fed lions. | 0:46:26 | 0:46:30 | |
Yes, they're at their best. | 0:46:30 | 0:46:32 | |
Now, of course, just to recap, | 0:46:32 | 0:46:34 | |
last night Bob fed the lions in the middle of the night. | 0:46:34 | 0:46:37 | |
SNARLING | 0:46:37 | 0:46:40 | |
It was quite exciting, wasn't it, Bob? | 0:46:42 | 0:46:44 | |
-It was all go, wasn't it? -I really was all go. | 0:46:44 | 0:46:47 | |
Charlie really displayed a) the fact that he's probably | 0:46:47 | 0:46:50 | |
the greediest lion in the pride and also that he is very, very much | 0:46:50 | 0:46:54 | |
in love with his girlfriend now | 0:46:54 | 0:46:56 | |
and wanted to keep all the other girls off the meat. | 0:46:56 | 0:46:58 | |
Yeah, it was quite evident, wasn't it? It was really good stuff. | 0:46:58 | 0:47:02 | |
It really was and this to me is the epitome of a happy lion scene. | 0:47:02 | 0:47:09 | |
They are all very, very contented. They're all fine. | 0:47:09 | 0:47:14 | |
As you can see they're all well-fed and just sleeping it off. | 0:47:14 | 0:47:17 | |
Does that mean that we are safe | 0:47:17 | 0:47:19 | |
and we could wander up and tickle one under the chin? | 0:47:19 | 0:47:22 | |
-No, no, they're not fully asleep. -Right. | 0:47:22 | 0:47:26 | |
-They have one eye open. -Yeah. | 0:47:26 | 0:47:27 | |
And obviously they're quite dangerous. | 0:47:27 | 0:47:30 | |
We've got Adam guarding down there and I'm reasonably confident | 0:47:30 | 0:47:34 | |
we could get in there before they get over here. | 0:47:34 | 0:47:37 | |
Well, I'd hope so because if you look over here, | 0:47:37 | 0:47:41 | |
-this is the slightly sorry remains of a large carcass, Bob. -Yeah, yeah. | 0:47:41 | 0:47:47 | |
I mean, there was a lot of meat down there and they really have, | 0:47:47 | 0:47:51 | |
-well, reduced it to nothing more than a few bones. -No. | 0:47:51 | 0:47:55 | |
Interesting that we can see bits of the carcass spread around | 0:47:56 | 0:48:01 | |
so they obviously did do... | 0:48:01 | 0:48:03 | |
the same that they do when you throw them out chunks of meat, | 0:48:03 | 0:48:07 | |
they do go off on their own, take chunks off on their own. | 0:48:07 | 0:48:10 | |
They've pulled off bits and then gone off and fed on their own | 0:48:10 | 0:48:13 | |
and you can also see there's a bit of mane down here from Charlie's... | 0:48:13 | 0:48:17 | |
Oh, yes, look at this. | 0:48:17 | 0:48:18 | |
So he obviously got a bit of a beating as much as... | 0:48:18 | 0:48:22 | |
-the female was getting. -Amazing. | 0:48:22 | 0:48:24 | |
Gosh it's beautiful, beautiful hair actually. | 0:48:24 | 0:48:26 | |
It's very fine. You'd think it would be much coarser. | 0:48:26 | 0:48:29 | |
-I'd love to have hair that long. -THEY LAUGH | 0:48:29 | 0:48:31 | |
Well, here you are Bob, we can organise that. | 0:48:31 | 0:48:34 | |
Now, in the wild, presumably lions would eat the bones as well? | 0:48:34 | 0:48:38 | |
They'd crunch them up. Nature has a way of finishing everything off. | 0:48:38 | 0:48:43 | |
If the lions had their fill something else comes over. | 0:48:43 | 0:48:47 | |
Right, jackals or... | 0:48:47 | 0:48:48 | |
Jackals and vultures and all sorts and then insects, | 0:48:48 | 0:48:51 | |
so there wouldn't be an awful lot left. | 0:48:51 | 0:48:53 | |
Will you leave this for them to pick at throughout the day? | 0:48:53 | 0:48:56 | |
-Do you think they will return to this? -Oh, yeah they'll come back. | 0:48:56 | 0:48:59 | |
They're having a siesta now and also little birds come down there and... | 0:48:59 | 0:49:03 | |
-And peck away at it. -..pick bits off and they've obviously got nests. | 0:49:03 | 0:49:07 | |
And just looking, it's a bit gory, sorry, everybody, | 0:49:07 | 0:49:10 | |
but I think it is worth having a quick look at this, just how | 0:49:10 | 0:49:13 | |
efficiently they have managed to clean off the meat from the bones. | 0:49:13 | 0:49:17 | |
Yeah, it's incredible. | 0:49:17 | 0:49:19 | |
They will use their tongue as much as their teeth and | 0:49:19 | 0:49:23 | |
they grab the meat and pull as much as they can off. | 0:49:23 | 0:49:26 | |
-Yeah. -And what they can't do with their teeth they lick. -Right. | 0:49:26 | 0:49:29 | |
And this time tomorrow this will be as clean as anything. | 0:49:29 | 0:49:32 | |
That will be completely clean. | 0:49:32 | 0:49:34 | |
Well, what a happy pride of lions and it was an amazing experience, Bob. | 0:49:34 | 0:49:39 | |
Thank you very, very much indeed for allowing us, | 0:49:39 | 0:49:42 | |
as I say, to set up all our cameras and get | 0:49:42 | 0:49:44 | |
those fantastic shots and I think we might just leave them to sleep off... | 0:49:44 | 0:49:50 | |
-Yes. -..their big meal and perhaps pop back into the car, | 0:49:50 | 0:49:53 | |
because as you say, a lion never sleeps properly. | 0:49:53 | 0:49:56 | |
Deep in the heart of the Wiltshire countryside | 0:50:04 | 0:50:07 | |
Longleat stands on the brink of an invasion. | 0:50:07 | 0:50:11 | |
Standing four and a half metres high, five metres long and | 0:50:11 | 0:50:16 | |
500 times larger than in real life, | 0:50:16 | 0:50:19 | |
these are surely the biggest beasts the park has ever seen. | 0:50:19 | 0:50:25 | |
As the army is assembled, | 0:50:27 | 0:50:30 | |
how will the rest of the park's residents cope with the invasion? | 0:50:30 | 0:50:33 | |
They've gone together as they should do, there's no big problems, | 0:50:37 | 0:50:40 | |
no bits gone missing. | 0:50:40 | 0:50:41 | |
It's a relief to see them all up and finished, | 0:50:41 | 0:50:43 | |
standing together in a field at Longleat is a huge relief. | 0:50:43 | 0:50:46 | |
With these ants installed, Ben's gone to find out more | 0:50:50 | 0:50:53 | |
about the minute monsters they were modelled on. | 0:50:53 | 0:50:56 | |
Pets Corner has its very own queen | 0:51:03 | 0:51:06 | |
but this one doesn't have a crown but a very powerful set of jaws. | 0:51:06 | 0:51:11 | |
It is, of course, a leafcutter ant and Kim Tucker here, you're one of | 0:51:11 | 0:51:14 | |
the keepers for the many, many thousands of ants you've got here. | 0:51:14 | 0:51:18 | |
-Yes. -She has many loyal servants, doesn't she? | 0:51:18 | 0:51:20 | |
She has an awful lot, yeah. | 0:51:20 | 0:51:21 | |
The maturity of the colony can be anything up to about five million. | 0:51:21 | 0:51:25 | |
That's incredible. | 0:51:25 | 0:51:26 | |
This is where they all live. I don't know if the camera can see, | 0:51:26 | 0:51:29 | |
but you have to stare for a while and then you start noticing | 0:51:29 | 0:51:32 | |
a very busy little area really. | 0:51:32 | 0:51:34 | |
This is the feeding station so this is where they come to pick food up. | 0:51:34 | 0:51:38 | |
OK, I'm assuming that's what I've got in my hand here then, feed. | 0:51:38 | 0:51:40 | |
Yes, hawthorn is one of their favourite foods, | 0:51:40 | 0:51:43 | |
-it's a light leaf so easy to carry back. -OK, how do we get this in? | 0:51:43 | 0:51:46 | |
-We'll come through this door. -OK. I have never been in here before. | 0:51:46 | 0:51:50 | |
-Well, this is off-show so... -Lucky me! | 0:51:50 | 0:51:52 | |
Just pop the food into the holes. | 0:51:52 | 0:51:54 | |
It means they can come and grab it. | 0:51:54 | 0:51:56 | |
I don't really want these ants all over me. | 0:51:56 | 0:51:59 | |
No. They can give a nasty bite when they want to. | 0:51:59 | 0:52:03 | |
They've got quite large pincers at the front for cutting the leaves, | 0:52:03 | 0:52:07 | |
if they do catch your fingers or any part of your skin, | 0:52:07 | 0:52:10 | |
-it can hurt quite a lot. -Have you been bitten? | 0:52:10 | 0:52:13 | |
Only by the little ants thankfully, | 0:52:13 | 0:52:15 | |
not by the large soldier ants that we're looking for today. | 0:52:15 | 0:52:18 | |
Now I can only see a handful of ants really in there, so where | 0:52:18 | 0:52:22 | |
are the many thousands of others that look after this queen, | 0:52:22 | 0:52:25 | |
and where's the queen? | 0:52:25 | 0:52:27 | |
All that goes on in the tank behind the feeding station, | 0:52:27 | 0:52:29 | |
so if we go and have a look at that now. | 0:52:29 | 0:52:32 | |
-Right. -If I shut this door. | 0:52:32 | 0:52:33 | |
That's hidden away, which these pipes aren't. What are they for? | 0:52:33 | 0:52:39 | |
The pipes are for them to go quite a way to look for the food | 0:52:39 | 0:52:42 | |
and take it back to the nest because out in the wild | 0:52:42 | 0:52:44 | |
they travel quite a way sometimes to find the food, | 0:52:44 | 0:52:47 | |
-so it replicates what they would normally do. -OK. | 0:52:47 | 0:52:49 | |
Also it gives people a chance to actually watch what they're doing. | 0:52:49 | 0:52:52 | |
-And see these very busy creatures. -Exactly. -And this is their tank. | 0:52:52 | 0:52:55 | |
This is their tank up here, this is where they all live. | 0:52:55 | 0:52:58 | |
-It's a bit of a squeeze in here. -It is very much so. | 0:52:58 | 0:53:01 | |
So you're all going to have to go onto Ben cam for a minute. | 0:53:01 | 0:53:04 | |
So this is, where are they? | 0:53:04 | 0:53:07 | |
Oh, you can see a few but I can just see lots of soil. | 0:53:07 | 0:53:09 | |
-Yep, well if you look in over the top... -Yeah. | 0:53:09 | 0:53:12 | |
..you should be able to see them moving around. | 0:53:12 | 0:53:14 | |
-It's off-show because you can't see a lot going on in there. -Right. | 0:53:14 | 0:53:18 | |
But down in the middle, obviously right in the middle, is the queen. | 0:53:18 | 0:53:21 | |
Right. And how big is the queen? | 0:53:21 | 0:53:24 | |
She can... This colony is only 14 months old so she's not very big | 0:53:24 | 0:53:27 | |
-now but she can become the size of a small field mouse. -What?! -Yep. | 0:53:27 | 0:53:32 | |
-A mouse. -The size of a field mouse? | 0:53:32 | 0:53:34 | |
That's like something from a horror film. | 0:53:34 | 0:53:37 | |
It does sound like it, doesn't it? | 0:53:37 | 0:53:38 | |
-And all the other ants are loyal to her. -They are. | 0:53:38 | 0:53:40 | |
They're cutting all that food for her, are they? | 0:53:40 | 0:53:43 | |
And the rest of the colony as they all need to be fed in order to work. | 0:53:43 | 0:53:47 | |
-Is there a very strict hierarchy, is there a class system? -There is, yes. | 0:53:47 | 0:53:52 | |
The queen is at the top and then all the eggs that she lays | 0:53:52 | 0:53:55 | |
-technically are workers. -Right. | 0:53:55 | 0:53:57 | |
-So the bigger ones that hatch are the soldier ants. -OK. | 0:53:57 | 0:54:00 | |
-They can get to about 1.2 centimetres. -Wow! | 0:54:00 | 0:54:03 | |
-So they're quite large. -Can we see any? | 0:54:03 | 0:54:05 | |
-That is what we're looking for today. -Right. | 0:54:05 | 0:54:07 | |
How will we see the soldiers then? | 0:54:07 | 0:54:09 | |
It sounds really awful but we're going to threaten them a little bit. | 0:54:09 | 0:54:14 | |
-How do we do that, do we RRRRargh! -No, they don't go on sound, | 0:54:14 | 0:54:16 | |
so we'll...if I pick it up from down here we've got some spider skins. | 0:54:16 | 0:54:21 | |
Oh, my god, I want to scream. | 0:54:21 | 0:54:23 | |
These are from our Chilean rose tarantulas. | 0:54:23 | 0:54:25 | |
-These aren't real, are they? -No, well, they used to be. | 0:54:25 | 0:54:28 | |
They are real but not alive. | 0:54:28 | 0:54:29 | |
-This is the moulted skin so there's no actual spider in it. -Right. | 0:54:29 | 0:54:34 | |
We'll place that in the top of the tank, hopefully get a reaction. | 0:54:34 | 0:54:37 | |
This would be a natural predator in the wild? | 0:54:37 | 0:54:40 | |
-Yeah. -So would a spider like this eat the ants? | 0:54:40 | 0:54:42 | |
Possibly not eat them but obviously pose a threat to moving the soil | 0:54:42 | 0:54:46 | |
around on the top and all that sort of stuff. | 0:54:46 | 0:54:48 | |
Right, OK. I'd volunteer to put that in but I'm not going to today. | 0:54:48 | 0:54:51 | |
-That's quite all right, I shall do the honours. -You can do that. | 0:54:51 | 0:54:54 | |
-Pop that into the top of the tank and that will illicit a response. -OK. | 0:54:54 | 0:55:01 | |
What the soldiers do is that when there is a danger or they need to | 0:55:01 | 0:55:05 | |
warn the other ants about anything they will secrete a certain type of | 0:55:05 | 0:55:09 | |
pheromone, so a different smell | 0:55:09 | 0:55:11 | |
that will alert the rest of the ants up to help come and protect. | 0:55:11 | 0:55:14 | |
As their colony isn't under threat | 0:55:14 | 0:55:15 | |
all the time she might not produce many soldier ants. | 0:55:15 | 0:55:18 | |
-Right. -Because she produces the ants | 0:55:18 | 0:55:20 | |
that she needs to keep the colony working at the right level. | 0:55:20 | 0:55:23 | |
-So, no threat for the last 14 months... -Right. | 0:55:23 | 0:55:26 | |
..not so many soldiers possibly. | 0:55:26 | 0:55:27 | |
Who knows. Hopefully she's got soldiers in there | 0:55:27 | 0:55:30 | |
she keeps going all the time in case she's got a threat. | 0:55:30 | 0:55:33 | |
Fantastic. Kim, thank you very much for enlightening me... | 0:55:33 | 0:55:36 | |
-That's all right. -..on the whole world of leafcutter ants. | 0:55:36 | 0:55:38 | |
-Wow. -Indeed. Thank you very much. | 0:55:38 | 0:55:40 | |
Earlier we were at the rhino house with one of the young girls, Marashi. | 0:55:47 | 0:55:52 | |
Well, we're back with the rhinos but this time we're seeing | 0:55:52 | 0:55:56 | |
the old boy of the group, Winston, as he gets ready for bed. | 0:55:56 | 0:55:59 | |
-How's he getting on Kevin? -He's doing very well now. | 0:56:01 | 0:56:04 | |
We had a bit of a rough spell over the winter, | 0:56:04 | 0:56:06 | |
his skin went a little bit iffy, | 0:56:06 | 0:56:08 | |
very rough and it started to die off but we've used a lot of mud on him | 0:56:08 | 0:56:11 | |
and that's brought his skin back to life and he's looking really good. | 0:56:11 | 0:56:15 | |
Remind us how old Winston is now. | 0:56:15 | 0:56:17 | |
He's 39 this year which is very old for a rhino. | 0:56:17 | 0:56:20 | |
And obviously tucking in to his pre-bedtime snack. | 0:56:20 | 0:56:24 | |
What have you got in the bucket here? | 0:56:24 | 0:56:26 | |
These are high fibre cubes which the rhinos particularly enjoy it. | 0:56:26 | 0:56:30 | |
-Can we put some in? -Go for it. | 0:56:30 | 0:56:31 | |
You put them on the ground and he hoovers them up? | 0:56:31 | 0:56:34 | |
Yes, exactly. Just like that. | 0:56:34 | 0:56:36 | |
Now that we've got this wonderful view of him Kevin, he's a white | 0:56:36 | 0:56:41 | |
rhino but white actually doesn't refer to the colour, is that right? | 0:56:41 | 0:56:44 | |
That's right. It refers to the shape of the lips. | 0:56:44 | 0:56:48 | |
-The white rhinos have a very square lip, almost brick-like. -Yeah. | 0:56:48 | 0:56:51 | |
A black rhino has a prehensile lip on the top, like a little hook. | 0:56:51 | 0:56:55 | |
And they'll browse the trees more than the whites do. | 0:56:55 | 0:56:58 | |
So they would pull at bushes and things like that rather than grazing. | 0:56:58 | 0:57:02 | |
That's right, yeah. It's amazing watching them, isn't it? | 0:57:02 | 0:57:06 | |
They do look like dinosaurs. | 0:57:06 | 0:57:07 | |
They are so prehistoric-looking. | 0:57:07 | 0:57:10 | |
Oh, Kevin, it's great to see him looking so well and congratulations | 0:57:10 | 0:57:14 | |
on bringing him back to such good health. | 0:57:14 | 0:57:16 | |
Absolutely, and sadly that's all we've got time for on | 0:57:16 | 0:57:19 | |
today's programme but here's what's coming up on the next Animal Park. | 0:57:19 | 0:57:23 | |
Darren teaches Ben a thing or two about how to pick up a bird. | 0:57:24 | 0:57:30 | |
Never done turkey wrangling before. | 0:57:30 | 0:57:32 | |
There's an imposter in the flamingo enclosure. | 0:57:32 | 0:57:36 | |
And Lord Bath's pride and joy | 0:57:36 | 0:57:38 | |
goes on a hot date with Dandy the labradoodle. | 0:57:38 | 0:57:42 | |
Subtitles by Red Bee Media Ltd | 0:57:55 | 0:57:58 | |
E-mail [email protected] | 0:57:58 | 0:58:01 |