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Our 15,000 year old partnership with man's best friend is breaking down. | 0:00:02 | 0:00:06 | |
No! Ah, no! | 0:00:10 | 0:00:12 | |
Sit! | 0:00:12 | 0:00:14 | |
Britain has more badly behaved dogs than ever before. | 0:00:14 | 0:00:19 | |
No, go away, go. | 0:00:19 | 0:00:21 | |
Dog bites alone have tripled in the last seven years. | 0:00:21 | 0:00:25 | |
Chica, come here! | 0:00:25 | 0:00:27 | |
DOGS SNARL | 0:00:27 | 0:00:30 | |
But don't blame the dogs... | 0:00:32 | 0:00:35 | |
because experts agree their owners are to blame. | 0:00:35 | 0:00:39 | |
Instead of controlling them, I'd rather just play with them. | 0:00:39 | 0:00:42 | |
Chico, oi! | 0:00:42 | 0:00:43 | |
In this series, 12 out of control dog owners... | 0:00:45 | 0:00:50 | |
He does not listen to a word that I say, it's just a nightmare. | 0:00:50 | 0:00:53 | |
..who have reached breaking point... | 0:00:53 | 0:00:56 | |
Supposed to be one of my best friends and I don't feel like he is. | 0:00:56 | 0:01:00 | |
..are leaving their dogs behind... | 0:01:00 | 0:01:02 | |
I didn't even know stuff like that existed. | 0:01:02 | 0:01:04 | |
Wow! | 0:01:04 | 0:01:06 | |
..to be flown across the globe to meet the toughest | 0:01:07 | 0:01:10 | |
working dog professionals. | 0:01:10 | 0:01:12 | |
You are going to be the pack leader, you are going to be the dog's boss. | 0:01:12 | 0:01:15 | |
They will live and work alongside dogs... | 0:01:15 | 0:01:19 | |
It stinks in here! | 0:01:19 | 0:01:21 | |
..that herd... | 0:01:21 | 0:01:22 | |
Spice, to me! | 0:01:22 | 0:01:23 | |
..race... | 0:01:23 | 0:01:25 | |
Don't ever, ever let that go! Those are MY dogs. | 0:01:25 | 0:01:28 | |
..act... | 0:01:28 | 0:01:29 | |
Hold it. | 0:01:29 | 0:01:31 | |
..and track. | 0:01:31 | 0:01:32 | |
Come on, good boy! | 0:01:32 | 0:01:35 | |
Have they got what it takes to master these dogs... | 0:01:35 | 0:01:39 | |
It's too heavy! | 0:01:39 | 0:01:40 | |
Do not swear at me! | 0:01:40 | 0:01:42 | |
Look out, look out! | 0:01:42 | 0:01:43 | |
..and their own lives? | 0:01:44 | 0:01:46 | |
Because it's not just their dogs that need to change. | 0:01:46 | 0:01:50 | |
Meet 29-year-old sales executive Ronnie Ahmed. | 0:01:55 | 0:01:59 | |
His 16-month-old pug Bella is in control of every aspect of his life. | 0:01:59 | 0:02:03 | |
Bella might be tiny, but she's ruling Ronnie | 0:02:05 | 0:02:08 | |
and girlfriend Hayley's life. | 0:02:08 | 0:02:10 | |
Bella, naughty! | 0:02:10 | 0:02:11 | |
This dog doesn't do anything she's told. | 0:02:11 | 0:02:14 | |
Bella, come on, pack it in, please. | 0:02:14 | 0:02:15 | |
She constantly seeks attention... | 0:02:15 | 0:02:17 | |
Bella! | 0:02:17 | 0:02:19 | |
..and is destroying the house. | 0:02:19 | 0:02:21 | |
Constant chewing, biting, weeing on the sofa. | 0:02:21 | 0:02:23 | |
There's a big one under there. | 0:02:23 | 0:02:26 | |
She is generally the complete nightmare of a dog. | 0:02:26 | 0:02:28 | |
The couple got Bella over a year ago. | 0:02:29 | 0:02:31 | |
We decided to get a dog as we felt that we needed something extra in our relationship, | 0:02:31 | 0:02:35 | |
and wanted to go to the next level but we weren't ready for kids. | 0:02:35 | 0:02:38 | |
But having kids might have been easier. | 0:02:38 | 0:02:40 | |
It's hard to get a good night's sleep. | 0:02:40 | 0:02:42 | |
Physically, you've gotta keep running around after her, | 0:02:42 | 0:02:46 | |
you've got to be on your guard, and emotionally, it just totally | 0:02:46 | 0:02:49 | |
and utterly drains every bit of life out of you. | 0:02:49 | 0:02:51 | |
-I'll be up in six hours, Ronnie. -I know. -Bella! | 0:02:51 | 0:02:54 | |
Bella's bad behaviour isn't winning her any friends in Ronnie's family. | 0:02:54 | 0:02:58 | |
What can we do with her? Something's going to have to be done. | 0:02:58 | 0:03:02 | |
His dad has banned the dog from his house for being a nuisance. | 0:03:02 | 0:03:05 | |
But he thinks he knows who's responsible for creating this little monster. | 0:03:05 | 0:03:09 | |
I think a lot of Bella's misbehaviour's caused through Ronnie | 0:03:09 | 0:03:12 | |
and Hayley. They treat her like a little child | 0:03:12 | 0:03:15 | |
instead of her being a dog. | 0:03:15 | 0:03:16 | |
She's really spoilt, yeah, but can't help it. | 0:03:16 | 0:03:20 | |
It's me baby, me little dog, so I've got to do it for her really. | 0:03:20 | 0:03:22 | |
Ronnie's treating Bella like a kid but she's stopping the couple | 0:03:22 | 0:03:27 | |
from taking the next step in their relationship. | 0:03:27 | 0:03:29 | |
It's the time now that's right for us to have kids | 0:03:29 | 0:03:32 | |
but Bella's too much of a handful and wouldn't allow us | 0:03:32 | 0:03:35 | |
to have that sort of freedom in our life to have kids. | 0:03:35 | 0:03:38 | |
Ronnie got Bella to create the family unit | 0:03:38 | 0:03:40 | |
he missed out on as a child. | 0:03:40 | 0:03:43 | |
He was 12 when his parents divorced and he hasn't seen his mum since. | 0:03:43 | 0:03:47 | |
I do feel that it's the affection that he had for his mother | 0:03:47 | 0:03:50 | |
that he's now giving to the dog. | 0:03:50 | 0:03:52 | |
But instead of giving the love back, Bella is driving a wedge | 0:03:52 | 0:03:56 | |
between Ronnie and Hayley. | 0:03:56 | 0:03:58 | |
Out! Get out! | 0:03:58 | 0:04:00 | |
It's tearing a hole in mine and Hayley's relationship. | 0:04:00 | 0:04:02 | |
You're absolutely destroying everything! | 0:04:02 | 0:04:04 | |
Get at her, don't keep telling me to get her all the time! | 0:04:04 | 0:04:07 | |
'We have got to the point where it's been sort of breaking point. | 0:04:07 | 0:04:10 | |
where we have talked about splitting up. | 0:04:10 | 0:04:13 | |
-You do something. -It's me, I always do! | 0:04:13 | 0:04:15 | |
-You don't at all. -I do. | 0:04:15 | 0:04:17 | |
I don't know how I'd be able to look at the dog every day | 0:04:17 | 0:04:20 | |
knowing that it was the dog's fault that my relationship finished. | 0:04:20 | 0:04:23 | |
Over in Oxfordshire, meet Holly Gallienne-Schmidt. | 0:04:27 | 0:04:31 | |
This 24-year-old beauty therapist should be in full control | 0:04:32 | 0:04:35 | |
of her two-year-old toy dog, Alfie... | 0:04:35 | 0:04:37 | |
Alfie, Alfie! | 0:04:37 | 0:04:38 | |
..but she's not. | 0:04:38 | 0:04:40 | |
I don't know how to train a dog. He can be an absolute nightmare. | 0:04:41 | 0:04:45 | |
This way. | 0:04:45 | 0:04:46 | |
This small dog is causing big problems. | 0:04:46 | 0:04:48 | |
Alfie, come, come. Alfie! | 0:04:48 | 0:04:51 | |
He doesn't listen to a word Holly says. | 0:04:51 | 0:04:53 | |
I think he can't hear me, maybe he's deaf. | 0:04:53 | 0:04:55 | |
Holly spoils Alfie like he's a little human. | 0:04:55 | 0:04:58 | |
Alfie sits on my lap every time I get in the car, | 0:04:58 | 0:05:01 | |
I don't know if it's legal or not. | 0:05:01 | 0:05:03 | |
But he has no respect for Holly who hasn't even toilet trained him. | 0:05:03 | 0:05:07 | |
Why bother when he can use the family home? | 0:05:07 | 0:05:10 | |
He poos in the house as well as weeing everywhere. | 0:05:10 | 0:05:13 | |
There's one, two, three, four... | 0:05:13 | 0:05:16 | |
..eleven, twelve that I can see alone here. | 0:05:16 | 0:05:18 | |
So my poor mum, she's going to have to eventually... | 0:05:18 | 0:05:22 | |
Well, re-carpet her room. | 0:05:22 | 0:05:24 | |
Holly still lives at her mum and stepdad's country pile. | 0:05:24 | 0:05:28 | |
Mum's not impressed with Holly's dog training. | 0:05:28 | 0:05:31 | |
I said to you, "Are you doing puppy classes?" How many did you go to? | 0:05:31 | 0:05:34 | |
Holly's quite irresponsible when it comes to dog ownership, | 0:05:34 | 0:05:37 | |
I don't think she's ever really thought it through. | 0:05:37 | 0:05:39 | |
Mum never wanted Holly to get a dog of her own. | 0:05:39 | 0:05:41 | |
I said, "You are joking, aren't you?" | 0:05:41 | 0:05:43 | |
I said, "I'm telling you for now, you get that dog, you do not | 0:05:43 | 0:05:46 | |
"live with us, we do not want another dog in the house." | 0:05:46 | 0:05:48 | |
No, back. | 0:05:48 | 0:05:50 | |
She did say, "You can't live here if you get him." | 0:05:50 | 0:05:52 | |
I didn't think she'd do it but she did. | 0:05:52 | 0:05:54 | |
It was a slap in the face for me cos I knew what the outcome would be. | 0:05:54 | 0:05:58 | |
And she was right. Holly's let Alfie run amok in her life. | 0:05:58 | 0:06:02 | |
Holly's friends blame her for Alfie's unruly behaviour too. | 0:06:02 | 0:06:06 | |
She should be a lot more stricter with him, and I think | 0:06:06 | 0:06:09 | |
if she was stricter at the beginning then he wouldn't be like this. | 0:06:09 | 0:06:13 | |
Alfie's getting older and he's getting worse. | 0:06:13 | 0:06:15 | |
Holly's gotta sort it out. | 0:06:15 | 0:06:17 | |
I'd love to have a well-trained dog but I let him | 0:06:17 | 0:06:20 | |
get away with most things just because he's, like, so cute. | 0:06:20 | 0:06:23 | |
Two years of Alfie's mischief | 0:06:25 | 0:06:27 | |
have piled pressure onto this family's relationships. | 0:06:27 | 0:06:30 | |
The other day, he'd done a poo behind Jeremy's chair again. | 0:06:30 | 0:06:33 | |
My mum is kind of in-between me and my stepdad. | 0:06:33 | 0:06:35 | |
He'll be angry at my mum, my mum'll be angry at me - it's, like, chaos. | 0:06:35 | 0:06:39 | |
So what will you do, Holly... before I end up getting a divorce? | 0:06:39 | 0:06:44 | |
It's created a rift and it's carried on being bad. | 0:06:44 | 0:06:48 | |
I mean, there's tension always because of Alfie. | 0:06:48 | 0:06:52 | |
Holly's refusing to take things seriously | 0:06:52 | 0:06:54 | |
and it's turning everyone against her. | 0:06:54 | 0:06:56 | |
It's me and Alfie against the world. | 0:06:56 | 0:06:59 | |
There's much debate about how to control dogs, | 0:07:02 | 0:07:05 | |
but experts agree that the majority of problems are caused by the owner. | 0:07:05 | 0:07:08 | |
To break this destructive cycle, Ronnie and Holly | 0:07:08 | 0:07:11 | |
need dealing with first. | 0:07:11 | 0:07:14 | |
They're going to leave their dogs and cross the world | 0:07:14 | 0:07:16 | |
to spend a week learning specialist tips from some of the world's best dog handlers. | 0:07:16 | 0:07:21 | |
Bye, Alfie! | 0:07:21 | 0:07:23 | |
If they can fix themselves, perhaps they can fix the canine crisis at home. | 0:07:23 | 0:07:27 | |
-Hi, are you all right? -Hi, I'm all right. | 0:07:27 | 0:07:29 | |
-Hi, I'm Ronnie, nice to meet you. -Nice to meet you. | 0:07:29 | 0:07:32 | |
The Brits don't know it but they're off to work | 0:07:32 | 0:07:34 | |
in one of the most competitive places on Earth. | 0:07:34 | 0:07:36 | |
Hollywood. | 0:07:38 | 0:07:40 | |
Meet Joe Timko and Randy Neece, owners of the most exclusive | 0:07:42 | 0:07:45 | |
training and boarding facility in LA. | 0:07:45 | 0:07:49 | |
It may look like a high-end spa retreat, | 0:07:49 | 0:07:51 | |
but this place is just for dogs, | 0:07:51 | 0:07:54 | |
and not just anyone's dogs! | 0:07:54 | 0:07:56 | |
We have people like Harrison Ford, Sylvester Stallone... | 0:07:56 | 0:08:00 | |
J Lo, Pierce Brosnan. | 0:08:00 | 0:08:02 | |
..Christina Aguilera. | 0:08:02 | 0:08:03 | |
You know, the list goes on | 0:08:03 | 0:08:04 | |
but regardless of whether they're famous or not, | 0:08:04 | 0:08:07 | |
we really have the same exacting standards for every single dog. | 0:08:07 | 0:08:10 | |
Randy and Joe have worked with dogs for over 12 years. | 0:08:10 | 0:08:14 | |
Joe can knock even the naughtiest pup into shape. | 0:08:14 | 0:08:17 | |
Down, stay. Heel! | 0:08:17 | 0:08:20 | |
Here at Canyon View Ranch, we have one of the best training programmes in the world. | 0:08:20 | 0:08:24 | |
With celebrities clambering to get their pooches trained | 0:08:24 | 0:08:27 | |
at this Disneyland for dogs, Randy and Joe must run a very tight ship. | 0:08:27 | 0:08:31 | |
It's a lot of work around here and it's relentless. | 0:08:31 | 0:08:33 | |
It starts very early in the morning and goes very late at night. | 0:08:33 | 0:08:37 | |
While Joe is the dog trainer... | 0:08:37 | 0:08:39 | |
Bella, heel. Come. | 0:08:39 | 0:08:40 | |
..Randy is the task master. | 0:08:40 | 0:08:42 | |
First of all I want to get the pool cleaned up a little bit... | 0:08:42 | 0:08:46 | |
Joe tells me that a lot of the staff are sort of afraid of me. | 0:08:46 | 0:08:49 | |
I don't generally ask people to do stuff, I tell them to do it | 0:08:49 | 0:08:52 | |
and I expect them to do it. | 0:08:52 | 0:08:54 | |
They've gotta get water, also. | 0:08:54 | 0:08:55 | |
Randy and Joe can teach the A-list to train a dog, | 0:08:55 | 0:08:58 | |
but will the Brits be more Z-list when it comes to Hollywood high expectations? | 0:08:58 | 0:09:02 | |
I'm going to need all the focus I can possibly get from the Brits. | 0:09:02 | 0:09:06 | |
We're dealing with famous people's animals and we want to make sure | 0:09:06 | 0:09:09 | |
that our reputation is intact when they leave here. | 0:09:09 | 0:09:13 | |
The Brits have arrived on the west coast of America, | 0:09:13 | 0:09:16 | |
in sunny California. | 0:09:16 | 0:09:18 | |
But they don't know where they're heading yet. | 0:09:19 | 0:09:21 | |
I'm really scared now. All of a sudden, it's hit me. | 0:09:21 | 0:09:24 | |
I'm like, "Oh, my God, what am I doing?!" | 0:09:24 | 0:09:26 | |
What are you hoping for? | 0:09:26 | 0:09:28 | |
I want a Chihuahua to train or something. | 0:09:28 | 0:09:30 | |
They're off to the ranch where only the rich and famous | 0:09:30 | 0:09:33 | |
bring their precious pooches, tucked away in the Santa Monica hills. | 0:09:33 | 0:09:38 | |
We're going in. | 0:09:38 | 0:09:40 | |
Oh, my God. | 0:09:40 | 0:09:42 | |
There's dogs. | 0:09:42 | 0:09:43 | |
Oh, my god. They're fake, they're fake dogs! | 0:09:43 | 0:09:46 | |
I'm scared! | 0:09:47 | 0:09:49 | |
There they are. How you doing? | 0:09:51 | 0:09:53 | |
OK, I'm really nervous. | 0:09:53 | 0:09:56 | |
Nervous already, you just got here! | 0:09:56 | 0:09:58 | |
How you doing? Hi, nice to meet you. | 0:09:58 | 0:10:00 | |
-I'm Joe Timko. -I'm Ronnie. | 0:10:00 | 0:10:01 | |
Randy quickly gets niceties out of the way and lays down the law. | 0:10:01 | 0:10:06 | |
OK, guys, one of the things you have to understand here is that | 0:10:06 | 0:10:09 | |
because of our location so close to Hollywood and Malibu, | 0:10:09 | 0:10:11 | |
we've got a lot of high-end people, a lot of famous people | 0:10:11 | 0:10:15 | |
bring their dogs here so we have a huge responsibility | 0:10:15 | 0:10:18 | |
in watching and making sure that dog has a great time here | 0:10:18 | 0:10:21 | |
and goes home happy and healthy and raring to come back again sometime. | 0:10:21 | 0:10:27 | |
Do we get to meet the celebrities? | 0:10:27 | 0:10:28 | |
Well, if they happen to show up, you will, but one of the things | 0:10:28 | 0:10:31 | |
we ask our staff to do is not to make a big deal about it, OK? | 0:10:31 | 0:10:34 | |
The Brits will be training all week in Hollywood | 0:10:34 | 0:10:37 | |
and working behind the scenes at the ranch, but that's not all. | 0:10:37 | 0:10:41 | |
This is not just about poop scooping stuff. | 0:10:41 | 0:10:43 | |
At the end of the week we're shooting a commercial, | 0:10:43 | 0:10:45 | |
and we need you guys to work with the dogs | 0:10:45 | 0:10:49 | |
throughout the week cos we'll need you to get them | 0:10:49 | 0:10:51 | |
to do certain things on camera, on cue. | 0:10:51 | 0:10:53 | |
So, you guys getting ready to start? | 0:10:53 | 0:10:55 | |
-Yep. -All right, let me give you your hats. Here's a hat. | 0:10:55 | 0:10:58 | |
The Brits have only one week to become expert dog handlers, | 0:10:58 | 0:11:02 | |
but they're more concerned with meeting celebrities. | 0:11:02 | 0:11:04 | |
If there's a famous dog we could put a note on the collar | 0:11:04 | 0:11:08 | |
so when it goes home the owner reads it. | 0:11:08 | 0:11:11 | |
And it doesn't take them long to spot a celebrity's dog. | 0:11:11 | 0:11:15 | |
Mia - Dave Grohl from the Foo Fighters' miniature Pinscher. | 0:11:15 | 0:11:18 | |
That's a famous dog. | 0:11:18 | 0:11:19 | |
A little starstruck, the Brits think this week's going to be easy. | 0:11:19 | 0:11:23 | |
See, they said it's going to be hard work but I don't find dogs... | 0:11:23 | 0:11:26 | |
Apart from my dog obviously, | 0:11:26 | 0:11:28 | |
these dogs seem trained so I don't think they'll be hard work. | 0:11:28 | 0:11:30 | |
It'll be a walk in the park compared to Bella. | 0:11:30 | 0:11:32 | |
But Randy and Joe are putting them straight to work in separate yards | 0:11:32 | 0:11:36 | |
to see how they handle dogs. | 0:11:36 | 0:11:38 | |
I don't think these Brits have any idea what they're in for here. | 0:11:38 | 0:11:41 | |
This is a lot of work. | 0:11:41 | 0:11:42 | |
I think they're in for a very, very tough week. | 0:11:42 | 0:11:45 | |
Ronnie's in Wonderland with the big dogs under the watchful eye of Joe. | 0:11:45 | 0:11:48 | |
They are big and I think you have a pug? | 0:11:48 | 0:11:52 | |
Yeah, she's quite small. | 0:11:52 | 0:11:53 | |
So the dogs you'll be dealing with are going to be nice big guys. | 0:11:53 | 0:11:56 | |
They want to see the basics, how the Brits act around dogs | 0:11:56 | 0:11:59 | |
and if they can look after them. | 0:11:59 | 0:12:00 | |
I am pretty scared right now, I didn't want to work with big dogs. | 0:12:00 | 0:12:03 | |
I was snapped at a few times by bigger dogs when I was younger | 0:12:03 | 0:12:06 | |
and I need to pretend that I'm really, really brave, | 0:12:06 | 0:12:09 | |
even though I'm not, I'm shaking like mad. | 0:12:09 | 0:12:11 | |
But...I've got to go for it and got to do it I suppose. | 0:12:11 | 0:12:14 | |
BARKING | 0:12:14 | 0:12:17 | |
Yikes! | 0:12:17 | 0:12:19 | |
The Brits have their hands full with one dog at home. | 0:12:19 | 0:12:21 | |
Here they have dozens to contend with. | 0:12:21 | 0:12:23 | |
Over in Munchkinland, Holly's with the little dogs | 0:12:25 | 0:12:28 | |
being watched over by Randy. | 0:12:28 | 0:12:30 | |
Get away. | 0:12:30 | 0:12:31 | |
OK, don't be afraid to like walk around with them, have fun. | 0:12:31 | 0:12:34 | |
Yeah, come on, guys! Come on, guys. | 0:12:34 | 0:12:36 | |
She should be in her element with the small dogs. | 0:12:36 | 0:12:39 | |
Ah, that dog keeps biting me! | 0:12:39 | 0:12:41 | |
No... Cona! | 0:12:41 | 0:12:42 | |
Just like at home, the dogs have sensed a soft touch | 0:12:42 | 0:12:46 | |
and before long, Holly has them walking all over her... Literally. | 0:12:46 | 0:12:50 | |
Randy! | 0:12:50 | 0:12:51 | |
-OK, just pull her off, don't let... -Every time I... | 0:12:51 | 0:12:53 | |
Holly, that is a good example of a top dog. | 0:12:53 | 0:12:56 | |
-That dog is trying to be dominant with you. -It's pulling my... | 0:12:56 | 0:12:59 | |
Take him off your shoulders right now. Pull him off. | 0:12:59 | 0:13:02 | |
Good, OK, put him down on the ground. | 0:13:02 | 0:13:05 | |
You got some humping going on, tell her stop it right now. | 0:13:05 | 0:13:08 | |
Say, "Leave it." | 0:13:08 | 0:13:10 | |
No! | 0:13:10 | 0:13:11 | |
In the big yard, Ronnie is trying to keep things running smoothly | 0:13:11 | 0:13:15 | |
despite his fears. | 0:13:15 | 0:13:16 | |
They're all over the place, they're jumping, they're biting my hand | 0:13:17 | 0:13:20 | |
and I don't know what to do. | 0:13:20 | 0:13:22 | |
I'm still pretty nervous but I'm trying to do what Joe said | 0:13:22 | 0:13:24 | |
and be strong and show that I'm not afraid of them. | 0:13:24 | 0:13:27 | |
Ronnie, if you see any dog just off by themselves | 0:13:27 | 0:13:30 | |
and not having a good time, go over to them and pet them | 0:13:30 | 0:13:34 | |
and, you know, try getting them into the mix. | 0:13:34 | 0:13:36 | |
Right. | 0:13:36 | 0:13:37 | |
Ronnie has to break up dog fights, stop humping and barking | 0:13:37 | 0:13:40 | |
and entertain the dogs while keeping the place looking immaculate. | 0:13:40 | 0:13:44 | |
I don't know where to turn cos there's poop everywhere | 0:13:44 | 0:13:46 | |
and he's telling us there's humping everywhere. | 0:13:46 | 0:13:48 | |
-You got another one here. -Coming. | 0:13:48 | 0:13:50 | |
Because the bottom line is, even celebrities' dogs poo, | 0:13:50 | 0:13:53 | |
and there's a lot of it to clear up. | 0:13:53 | 0:13:56 | |
Hey! | 0:13:56 | 0:13:57 | |
He's doing OK, but OK isn't good enough at this point. | 0:14:02 | 0:14:06 | |
He's intimidated, he's very intimidated by them. | 0:14:06 | 0:14:09 | |
I think we're just going to have to work on his confidence | 0:14:09 | 0:14:12 | |
and work on it quite a bit. | 0:14:12 | 0:14:13 | |
Hey, stop! | 0:14:13 | 0:14:17 | |
Not easy, not getting on too well. There's a lot of dogs | 0:14:17 | 0:14:19 | |
and a lot to watch. So it's really hard. | 0:14:19 | 0:14:22 | |
Hard work, harder than I thought it was going to be. | 0:14:22 | 0:14:25 | |
Ronnie, let's come on over here and sit down. | 0:14:25 | 0:14:27 | |
I just want to talk to you a bit. | 0:14:27 | 0:14:28 | |
Yeah. | 0:14:28 | 0:14:29 | |
Joe's spotted that Ronnie's nerves are getting the better of him. | 0:14:29 | 0:14:32 | |
Tell me, honestly, what's going on inside, what are you feeling inside? | 0:14:32 | 0:14:36 | |
Scared inside. | 0:14:38 | 0:14:39 | |
When they're barking and they're, they're humping | 0:14:39 | 0:14:42 | |
and they're going at each other, I just don't want to go near them | 0:14:42 | 0:14:44 | |
and I'm trying to go to them and tell them to stop | 0:14:44 | 0:14:46 | |
but I'm petrified of it, when they're doing that. | 0:14:46 | 0:14:50 | |
OK, because one of the things, and it's got to be a mindset, | 0:14:50 | 0:14:53 | |
and it'll take some learning on your part, but there is no room | 0:14:53 | 0:14:58 | |
for any type of nervousness | 0:14:58 | 0:15:01 | |
or feeling of being scared | 0:15:01 | 0:15:04 | |
because until then they're not, they're not going to respect you | 0:15:04 | 0:15:06 | |
and you're going to have | 0:15:06 | 0:15:08 | |
the same type of behaviour going on that you don't like. | 0:15:08 | 0:15:10 | |
You gotta pick up the pace because the longer you take | 0:15:10 | 0:15:14 | |
getting that poop scoop, the longer these dogs | 0:15:14 | 0:15:17 | |
aren't getting watched in the yard. | 0:15:17 | 0:15:19 | |
Back in Munchkinland, Holly's grinding almost to a halt. | 0:15:19 | 0:15:22 | |
Oh, my gosh, she is going so slowly. | 0:15:22 | 0:15:26 | |
That's right, good, quickly! | 0:15:26 | 0:15:28 | |
Quickly, scoop it in and then get it away from them. | 0:15:28 | 0:15:33 | |
It's disgusting, this is vile. | 0:15:33 | 0:15:35 | |
It stinks, it's unhygienic and there's flies everywhere. | 0:15:35 | 0:15:40 | |
Now let me see how fast you can actually walk. | 0:15:41 | 0:15:44 | |
That's the pace we go at here, we never ever just walk around here. | 0:15:44 | 0:15:48 | |
Too many things can happen in that time it takes you. | 0:15:48 | 0:15:51 | |
'One of the things that we'll have to work on is her speed.' | 0:15:51 | 0:15:55 | |
She's way too slow, she'll have to really pick up the pace | 0:15:55 | 0:15:57 | |
and she's got a lot to learn. | 0:15:57 | 0:16:00 | |
-No! -Very quickly. | 0:16:00 | 0:16:02 | |
The first task is complete and not a great start for the Brits. | 0:16:02 | 0:16:06 | |
-It is hard to keep your eyes on all the dogs. -Yeah. | 0:16:06 | 0:16:08 | |
But the thing that we're going to have the biggest challenge with, | 0:16:08 | 0:16:11 | |
besides confidence, is I want you to think about walking twice as fast... | 0:16:11 | 0:16:16 | |
Yeah. | 0:16:16 | 0:16:18 | |
..as you've ever walked before, not running but walk twice as fast. | 0:16:18 | 0:16:22 | |
Yeah. | 0:16:22 | 0:16:23 | |
-And we'll take it from there. -OK. | 0:16:23 | 0:16:25 | |
Any other things, any thoughts? | 0:16:25 | 0:16:28 | |
-No. -OK. | 0:16:28 | 0:16:30 | |
Not at the moment. | 0:16:30 | 0:16:31 | |
Thanks. | 0:16:31 | 0:16:33 | |
I feel like I've just been to the gym, | 0:16:33 | 0:16:34 | |
I feel like I've done a workout, | 0:16:34 | 0:16:36 | |
I mean, I didn't realise it would be this hard, and Randy's kind of mean. | 0:16:36 | 0:16:41 | |
The Brits are starting to realise Hollywood isn't all glamour, | 0:16:41 | 0:16:44 | |
and home for the week's not exactly five star either. | 0:16:44 | 0:16:47 | |
I've got to laugh or I'll cry so I've got to laugh. | 0:16:47 | 0:16:49 | |
I almost cried when I saw it. | 0:16:49 | 0:16:51 | |
No, this just isn't going to work. | 0:16:51 | 0:16:53 | |
I'm actually really shocked. | 0:17:01 | 0:17:04 | |
I can't believe I'm in LA | 0:17:04 | 0:17:08 | |
in a caravan. | 0:17:08 | 0:17:09 | |
In the middle of the hills. | 0:17:09 | 0:17:11 | |
Yeah. | 0:17:11 | 0:17:13 | |
Work for the Brits isn't over. | 0:17:13 | 0:17:15 | |
Come on, you... Good girl. Come on. | 0:17:15 | 0:17:18 | |
They have to start putting the dogs into their beds for the night. | 0:17:18 | 0:17:21 | |
Come on, in, in. | 0:17:21 | 0:17:22 | |
The day's not gone well but at least Holly's given Randy and Joe | 0:17:22 | 0:17:26 | |
something to laugh about. | 0:17:26 | 0:17:27 | |
She's in the yard and there's this little dog | 0:17:27 | 0:17:29 | |
and it was very shy, it wasn't really engaging | 0:17:29 | 0:17:31 | |
with the other dogs and I said "Go over and just pick this dog up." | 0:17:31 | 0:17:35 | |
So she did, the dog climbed right up and sat on her head. | 0:17:35 | 0:17:38 | |
THEY LAUGH | 0:17:38 | 0:17:41 | |
-What did she do? -She let it sit on her head! | 0:17:41 | 0:17:43 | |
Her confidence level is way, way low, | 0:17:45 | 0:17:47 | |
and I think the dogs will sense that and they're just going to roll | 0:17:47 | 0:17:51 | |
right over her if she doesn't you know get a little more oomph to her. | 0:17:51 | 0:17:55 | |
So what do you think about Ronnie? Please tell me "great". | 0:17:55 | 0:17:58 | |
He's intimated by large dogs | 0:17:58 | 0:18:00 | |
and just when they were running in the yard and running at him, | 0:18:00 | 0:18:04 | |
he was like, "Oh, my gosh," you can just see it right then | 0:18:04 | 0:18:07 | |
and dogs picked up on that from the moment they came in. | 0:18:07 | 0:18:11 | |
He has to learn that he can be in control and not be fearful | 0:18:11 | 0:18:14 | |
-and if he can do that everything else will fall together. -Yeah. | 0:18:14 | 0:18:17 | |
But until then, nothing will work. | 0:18:17 | 0:18:20 | |
Out in the yard, there's a problem. | 0:18:21 | 0:18:23 | |
Ronnie's found himself alone with the big dogs. | 0:18:27 | 0:18:29 | |
Out the way. | 0:18:29 | 0:18:31 | |
Unable to control his fear, he flees the yard | 0:18:31 | 0:18:33 | |
leaving the dogs unattended which can be dangerous. | 0:18:33 | 0:18:37 | |
I got a bit scared, turned round for some support | 0:18:38 | 0:18:40 | |
and I was by myself so I've got a bit freaked out | 0:18:40 | 0:18:42 | |
-and ran back in the building. -You came to the building? | 0:18:42 | 0:18:44 | |
It knocked my confidence within about 10 minutes of being out there. | 0:18:44 | 0:18:47 | |
Yeah. So you just ran back down in and left them out there fighting? | 0:18:47 | 0:18:50 | |
Yeah. | 0:18:50 | 0:18:51 | |
Hey, no, no. | 0:18:55 | 0:18:56 | |
Worried about Ronnie's fear of big dogs, | 0:18:56 | 0:18:59 | |
Randy and Joe are meeting him at their house to dig a bit deeper. | 0:18:59 | 0:19:02 | |
Just a short time here has opened Ronnie's eyes. | 0:19:04 | 0:19:07 | |
It's sort of unearthed the fact that maybe it's not the big dogs | 0:19:07 | 0:19:12 | |
I'm scared of and it's maybe the fact that I can't... | 0:19:12 | 0:19:15 | |
I haven't got the discipline to control the dogs | 0:19:15 | 0:19:18 | |
because if I can't control a small dog | 0:19:18 | 0:19:21 | |
how am I ever going to survive with sort of 30 big dogs? | 0:19:21 | 0:19:25 | |
We have plenty of dogs the size of Bella and plenty of dogs like Bella, | 0:19:25 | 0:19:30 | |
but our feeling is if we can get you used to working with a large dog, | 0:19:30 | 0:19:35 | |
that's going to do two things. One, it's going to help you, hopefully, | 0:19:35 | 0:19:38 | |
get over whatever this sort of fear or hesitation | 0:19:38 | 0:19:43 | |
or, you know, lack of confidence or however you want to call it, | 0:19:43 | 0:19:47 | |
with large dogs. | 0:19:47 | 0:19:48 | |
But it's also, if you can handle a larger dog, | 0:19:48 | 0:19:51 | |
hopefully that'll translate into handling a smaller dog too. | 0:19:51 | 0:19:54 | |
Randy and Joe want to find out more about the problems at home. | 0:19:54 | 0:19:58 | |
The biggest problem is Bella's constant attention seeking. | 0:20:03 | 0:20:07 | |
Oh. Bella, no! | 0:20:07 | 0:20:08 | |
What strikes Joe the most is Ronnie gives into it every time. | 0:20:08 | 0:20:12 | |
It's amazing how dogs can make the owner do something as simple as, | 0:20:13 | 0:20:16 | |
"Hey, hold me." | 0:20:16 | 0:20:18 | |
They can lunge at the TV and if every time she lunges at the TV, | 0:20:18 | 0:20:21 | |
you take her and coddle her, she's learning to lunge at that TV | 0:20:21 | 0:20:25 | |
-even more because she's getting exactly what she wants. -Mm-hm. | 0:20:25 | 0:20:28 | |
Randy and Joe can see an even bigger problem. | 0:20:28 | 0:20:31 | |
Ronnie treats Bella like the child he really wants. | 0:20:31 | 0:20:34 | |
'We were missing something in the relationship. | 0:20:34 | 0:20:36 | |
'We want it to go to the next level but we weren't ready for kids. | 0:20:36 | 0:20:39 | |
'That's where Bella came into the picture.' | 0:20:39 | 0:20:41 | |
I want children and I don't want to wait too much longer | 0:20:41 | 0:20:46 | |
to have children. I want to be quite a young parent. | 0:20:46 | 0:20:48 | |
I don't want to wait too long, and I know Hayley doesn't either, | 0:20:48 | 0:20:52 | |
but with Bella the way she is... | 0:20:52 | 0:20:55 | |
I couldn't bring kids into the world. | 0:20:55 | 0:20:57 | |
I mean, I think it goes back maybe a little bit deeper than that. | 0:20:57 | 0:21:01 | |
I mean, my upbringing was... sort of rocky to start with. | 0:21:01 | 0:21:07 | |
I mean, I haven't really had a relationship with my mum for... | 0:21:07 | 0:21:12 | |
since the age of 12, and maybe that's hard | 0:21:12 | 0:21:14 | |
because I want the perfect family | 0:21:14 | 0:21:18 | |
and I didn't really have it growing up which was upsetting. | 0:21:18 | 0:21:21 | |
I think that's maybe part of the problem with Bella is | 0:21:21 | 0:21:24 | |
because of the way that my mam was with me. | 0:21:24 | 0:21:28 | |
Right, well knowing now a little bit of this back story | 0:21:28 | 0:21:32 | |
and particularly the relationship stress, | 0:21:32 | 0:21:35 | |
for us, I think it's even more important that we send you back home | 0:21:35 | 0:21:38 | |
really having learned a lot here and going home and not only | 0:21:38 | 0:21:43 | |
transforming Bella and you and your relationship but the relationship | 0:21:43 | 0:21:48 | |
you have with Hayley and the relationship Hayley has with Bella. | 0:21:48 | 0:21:51 | |
-Mm-hm. -We'll make this work, OK? -Yeah, good going. | 0:21:51 | 0:21:54 | |
Tonight's been tough for Ronnie. | 0:21:56 | 0:21:58 | |
Top of the morning to ya. What's up? | 0:22:03 | 0:22:07 | |
-Are you upset? -I'm all right. | 0:22:07 | 0:22:09 | |
I cooked dinner. | 0:22:11 | 0:22:13 | |
Thanks. | 0:22:13 | 0:22:14 | |
Are you annoyed? | 0:22:14 | 0:22:16 | |
No, I'm just a bit... | 0:22:16 | 0:22:17 | |
Don't be sad. | 0:22:19 | 0:22:21 | |
Did you watch a video? | 0:22:24 | 0:22:26 | |
Was it really sad? | 0:22:26 | 0:22:28 | |
No, they just talked lots of stuff that makes us sad, that's all. | 0:22:28 | 0:22:31 | |
Are you hungry? | 0:22:34 | 0:22:36 | |
No. I'll eat a little bit of this, in a bit. | 0:22:36 | 0:22:39 | |
It's 6am. Things start early at Canyon View Ranch. | 0:22:47 | 0:22:51 | |
Why don't you guys come over here and let's get these big guys out? | 0:22:51 | 0:22:55 | |
Before their first training session, Ronnie and Holly | 0:22:55 | 0:22:58 | |
are put to work doing the morning chores. | 0:22:58 | 0:23:00 | |
Oh, my God! There is poop everywhere! | 0:23:00 | 0:23:04 | |
It stinks in here, like stinks. | 0:23:04 | 0:23:07 | |
But a night's rest has given Ronnie time to reflect. | 0:23:07 | 0:23:09 | |
Come on, let's go, guys! | 0:23:09 | 0:23:11 | |
I think maybe the DVD got us a little bit upset | 0:23:11 | 0:23:14 | |
cos when you're being spoken to by Joe and Randy | 0:23:14 | 0:23:16 | |
and then memories surface, you start to realise that the bad things | 0:23:16 | 0:23:20 | |
in your mind do affect the way that your dog behaves | 0:23:20 | 0:23:23 | |
and it affects my life and the way I'm treating the dog | 0:23:23 | 0:23:26 | |
which makes the dog the way she is really. | 0:23:26 | 0:23:28 | |
Today Joe's giving the Brits their first chance to train. | 0:23:29 | 0:23:32 | |
See, now, these dogs are a bit on the strong side. Ah, ah! | 0:23:32 | 0:23:36 | |
Look at you, come here, baby! Come here. | 0:23:39 | 0:23:41 | |
All right, so I'm just going to tell the dog to sit. | 0:23:41 | 0:23:45 | |
Joe's unique technique involves gently tucking the dog into a sit. | 0:23:45 | 0:23:50 | |
Sit. Then you pet him. | 0:23:50 | 0:23:52 | |
Hans, come on Hans. | 0:23:52 | 0:23:54 | |
Volto. | 0:23:54 | 0:23:55 | |
Now it's the Brits' turn. | 0:23:55 | 0:23:56 | |
-Volto, Volto! -Come on, Hans. | 0:23:56 | 0:23:58 | |
Sit. | 0:23:58 | 0:23:59 | |
Why d'you do that? | 0:24:01 | 0:24:03 | |
It's probably cos you pushed him down and hurt him. | 0:24:03 | 0:24:06 | |
Think of tucking the dog in. | 0:24:06 | 0:24:08 | |
I don't like this dog any more. | 0:24:08 | 0:24:11 | |
Randy and Joe decide it's time for the Brits' first taste of film work. | 0:24:11 | 0:24:15 | |
They're taking Ronnie and Holly to top Hollywood training facility, | 0:24:20 | 0:24:23 | |
Gentle Jungle. | 0:24:23 | 0:24:25 | |
Gentle Jungle has provided animals for films including Gladiator | 0:24:25 | 0:24:30 | |
and The Chronicles Of Narnia, and it's not just dogs they work with. | 0:24:30 | 0:24:33 | |
How do you train a camel? | 0:24:33 | 0:24:34 | |
They're meeting Eadie Chassie who's worked in the movie industry | 0:24:34 | 0:24:39 | |
for over 15 years... | 0:24:39 | 0:24:40 | |
Cover, hold it. | 0:24:40 | 0:24:42 | |
..and Dart who starred in the blockbuster hit Cowboys & Aliens. | 0:24:42 | 0:24:46 | |
Good shake, all right! | 0:24:46 | 0:24:49 | |
Eadie is one of the best in the business | 0:24:49 | 0:24:52 | |
and the Brits are here to pick up some tips. | 0:24:52 | 0:24:55 | |
Eadie is one of the top Hollywood dog trainers for TV and film | 0:24:55 | 0:24:59 | |
and she'll show you a few things that, you know, things that | 0:24:59 | 0:25:02 | |
you may apply and see where all this is ending up, so watch and learn. | 0:25:02 | 0:25:05 | |
-OK. -OK? Good, have fun. See you later, guys. | 0:25:05 | 0:25:08 | |
Eadie starts by showing the Brits what correct training can do. | 0:25:08 | 0:25:12 | |
Dart, on your feet, stay, back up. | 0:25:12 | 0:25:14 | |
-Good, speak, speak. -DOG BARKS | 0:25:14 | 0:25:17 | |
Good, stay. Dart, sit. | 0:25:17 | 0:25:19 | |
OK, now on your feet, back up, back, back, back, stay, sit. | 0:25:19 | 0:25:22 | |
Speak. DOG BARKS | 0:25:22 | 0:25:24 | |
So what I can do, I can do without saying anything. | 0:25:24 | 0:25:28 | |
Good, speak, speak. So he knows it both ways. | 0:25:29 | 0:25:33 | |
-That's really cool. -That's amazing. | 0:25:33 | 0:25:35 | |
-That is cool. -Pretty sharp. | 0:25:35 | 0:25:36 | |
-Yeah. -Yeah. | 0:25:36 | 0:25:38 | |
It's like...he can speak English cos you're saying speak | 0:25:38 | 0:25:41 | |
and he does it straight away. | 0:25:41 | 0:25:42 | |
Eadie lets them into one of the tricks of the trade - | 0:25:42 | 0:25:45 | |
reward based training. | 0:25:45 | 0:25:47 | |
He works for anybody cos he just wants this, | 0:25:47 | 0:25:49 | |
he's not doing it for you he wants this. | 0:25:49 | 0:25:51 | |
-Mm-hm. -So when it's all about this anybody almost can do it. | 0:25:51 | 0:25:54 | |
It's just you got to make sure he's paying attention to you. | 0:25:54 | 0:25:57 | |
-Want to try? -Yeah, I'll give it a go. | 0:25:57 | 0:25:59 | |
Good, make sure... | 0:25:59 | 0:26:00 | |
Ronnie is meant to communicate to Dart to go to another mark | 0:26:00 | 0:26:03 | |
and bark on command. | 0:26:03 | 0:26:04 | |
Stop. On your mark. | 0:26:04 | 0:26:06 | |
No, back, on your mark. | 0:26:06 | 0:26:09 | |
No, stop. Back up, back up, stop. | 0:26:09 | 0:26:13 | |
On your mark. He won't go on his mark. | 0:26:13 | 0:26:16 | |
-Go, go, go. -On your mark. | 0:26:16 | 0:26:18 | |
I mean, just say the words. Do you use the word "go" first? | 0:26:18 | 0:26:21 | |
-Just because it might help him take... "Go mark". -OK. | 0:26:21 | 0:26:24 | |
Go mark, go mark. | 0:26:24 | 0:26:26 | |
At home with Bella, Ronnie has exactly the same problem. | 0:26:26 | 0:26:30 | |
Sit, sit down, come on. | 0:26:30 | 0:26:33 | |
She doesn't listen to me, she doesn't listen to anybody really. | 0:26:33 | 0:26:35 | |
She'll do something when she wants to do it, | 0:26:35 | 0:26:38 | |
not when you want her to do it. | 0:26:38 | 0:26:39 | |
But the fact is his dog doesn't speak English, or Geordie. | 0:26:39 | 0:26:43 | |
Stay, good. | 0:26:43 | 0:26:45 | |
What I'm going to have you do, and this is tricky, | 0:26:45 | 0:26:47 | |
I'm just going to have... Come with me, just... | 0:26:47 | 0:26:49 | |
Eadie explains that to get a dog to do what you want, | 0:26:49 | 0:26:51 | |
it needs to understand exactly what your command means. | 0:26:51 | 0:26:55 | |
-Then that's a reminder of his mark. -Right. | 0:26:55 | 0:26:57 | |
-So now that you've shown that to him it might help him... -OK. | 0:26:57 | 0:27:00 | |
-..actually go over to that mark. -Dart, on your mark. | 0:27:00 | 0:27:04 | |
Good, stay. | 0:27:04 | 0:27:05 | |
They've clicked and Dart's responding to Ronnie perfectly. | 0:27:05 | 0:27:09 | |
Good boy. Speak. | 0:27:09 | 0:27:10 | |
DOG BARKS | 0:27:10 | 0:27:12 | |
-Tell him to stay. -Speak. Stay. Good boy. | 0:27:12 | 0:27:15 | |
Wow, absolutely amazing, I didn't think he would listen to us. | 0:27:15 | 0:27:18 | |
Obviously, you've trained him for hours and hours, | 0:27:18 | 0:27:20 | |
but I didn't think he'd listen to me. No dog seems to listen to me at all. | 0:27:20 | 0:27:23 | |
You want to give it a try? | 0:27:23 | 0:27:25 | |
OK. | 0:27:25 | 0:27:26 | |
Keeping in mind he really wants that toy, | 0:27:26 | 0:27:29 | |
so the hardest thing really is to keep him away from you. | 0:27:29 | 0:27:31 | |
Cool. I'm nervous. | 0:27:31 | 0:27:34 | |
Just like Ronnie, Holly shows Dart what mark she wants him to go to. | 0:27:34 | 0:27:37 | |
Shall I tap it? | 0:27:37 | 0:27:38 | |
Yep, go ahead, now tell him to get on his mark and tell him to stay. | 0:27:38 | 0:27:41 | |
Go to your mark. Go to your mark. | 0:27:41 | 0:27:44 | |
Go to your mark. | 0:27:44 | 0:27:47 | |
Go to your mark! I'm really rubbish. | 0:27:47 | 0:27:49 | |
Sit. How do you tell him to sit? | 0:27:49 | 0:27:51 | |
Just like you did. | 0:27:51 | 0:27:52 | |
Sit. | 0:27:52 | 0:27:54 | |
Go to your mark, go to your mark. | 0:27:55 | 0:27:57 | |
I'm rubbish. | 0:27:57 | 0:27:58 | |
That's OK. | 0:27:58 | 0:28:00 | |
Dart knows his mark so there's clearly another problem. | 0:28:00 | 0:28:03 | |
Look here, hey! | 0:28:03 | 0:28:04 | |
He wants this, good. Get on your mark. Good, stay. Go ahead, speak... | 0:28:04 | 0:28:07 | |
Eadie demonstrates that your voice needs to be confident to get | 0:28:07 | 0:28:11 | |
a dog to respond. | 0:28:11 | 0:28:12 | |
-It's tough when you don't know the dog... -Yeah. | 0:28:12 | 0:28:14 | |
..but even if I don't know the dog I still kind of... | 0:28:14 | 0:28:17 | |
If you're sure what you're asking him to do, | 0:28:17 | 0:28:19 | |
they'll figure out what you want. | 0:28:19 | 0:28:20 | |
Tell him to get back on his mark. | 0:28:20 | 0:28:22 | |
Back on your mark, go to your mark. | 0:28:22 | 0:28:25 | |
Go to your mark. No. | 0:28:25 | 0:28:27 | |
But there's uncertainty in Holly's voice | 0:28:27 | 0:28:29 | |
and her tendency to give up isn't helping. | 0:28:29 | 0:28:31 | |
-He's wandering, tell him "no". -No. | 0:28:31 | 0:28:33 | |
No, go to your mark. | 0:28:33 | 0:28:36 | |
Holly keeps failing so Eadie calls a time-out. | 0:28:36 | 0:28:39 | |
Dart. | 0:28:39 | 0:28:41 | |
This dog usually works for anyone. | 0:28:41 | 0:28:43 | |
Out, good, mark. | 0:28:43 | 0:28:45 | |
This is just bullshit now, I'm actually really pissed off. | 0:28:45 | 0:28:48 | |
Don't get upset about it. | 0:28:48 | 0:28:51 | |
It can't be helped. That's why we're here, to get help, | 0:28:51 | 0:28:53 | |
so you shouldn't let it upset you. | 0:28:53 | 0:28:55 | |
Come on, you're all right. | 0:28:57 | 0:28:58 | |
He probably just doesn't understand your accent as well, | 0:29:00 | 0:29:04 | |
-I think that's a big... -You're from Newcastle. | 0:29:04 | 0:29:06 | |
Yeah, but mine's a lot... I don't know, I don't know, | 0:29:06 | 0:29:09 | |
but I just think it was hard to understand your accent sometimes. | 0:29:09 | 0:29:13 | |
Minutes later Holly gives up. | 0:29:23 | 0:29:25 | |
She's starting to question everything. | 0:29:27 | 0:29:30 | |
I just feel crap because I can't do anything we're supposed to be doing. | 0:29:33 | 0:29:37 | |
And I feel really stupid crying over it. | 0:29:42 | 0:29:44 | |
This is dog training, but... | 0:29:44 | 0:29:46 | |
And I haven't... | 0:29:46 | 0:29:49 | |
I can't do any of it. | 0:29:49 | 0:29:51 | |
I'm just...I don't know, Maybe I just don't get dogs, | 0:29:51 | 0:29:54 | |
maybe I shouldn't have one. | 0:29:54 | 0:29:56 | |
I don't know. | 0:29:58 | 0:29:59 | |
Holly's shown a lack of staying power, | 0:30:01 | 0:30:04 | |
but it's making her realise her problems are down to her, | 0:30:04 | 0:30:08 | |
and not her dog. | 0:30:08 | 0:30:09 | |
At the ranch, Randy and Joe want to find out | 0:30:09 | 0:30:13 | |
how much this is a problem back home. | 0:30:13 | 0:30:15 | |
So, shall we watch some of this and get an idea | 0:30:15 | 0:30:17 | |
what's going on, then talk through it a little bit? OK. | 0:30:17 | 0:30:20 | |
-ALFIE BARKS -'Alfie, come here!' | 0:30:20 | 0:30:23 | |
'I think he can't hear me. Maybe he's deaf.' | 0:30:23 | 0:30:26 | |
He poos in the house, | 0:30:26 | 0:30:28 | |
'as well as weeing everywhere.' | 0:30:28 | 0:30:29 | |
It doesn't take them long to see that Alfie's spoilt | 0:30:29 | 0:30:31 | |
and Holly has no command over him. | 0:30:31 | 0:30:34 | |
This way! Alfie! | 0:30:34 | 0:30:35 | |
Do you see some of the things you're doing | 0:30:35 | 0:30:39 | |
that might be encouraging him to act that way? | 0:30:39 | 0:30:42 | |
Watching that back, that seemed ridiculous. It's like a joke. | 0:30:42 | 0:30:46 | |
I can't believe that's what I look like around him. | 0:30:46 | 0:30:50 | |
It looks like a comedy sketch, quite frankly. | 0:30:50 | 0:30:52 | |
My feeling is, all of this comes together as a neat little package. | 0:30:52 | 0:30:56 | |
It's not just a matter of working on the come when called, | 0:30:56 | 0:30:59 | |
or working on the pottying, | 0:30:59 | 0:31:01 | |
or working on jumping up on the table. | 0:31:01 | 0:31:04 | |
It's the whole relationship you have with this dog | 0:31:04 | 0:31:06 | |
and changing that dynamic | 0:31:06 | 0:31:08 | |
and, and, and getting Alfie to start respecting you as the leader. | 0:31:08 | 0:31:13 | |
But there's an even bigger problem. | 0:31:13 | 0:31:15 | |
'I said, you are joking. You get that dog, you do not live with us. | 0:31:15 | 0:31:19 | |
'We do not want another dog in the house. | 0:31:19 | 0:31:22 | |
'And it's created a rift and it's carried on being bad. | 0:31:22 | 0:31:26 | |
'I mean, he...there's tension, always, because of Alfie.' | 0:31:26 | 0:31:30 | |
I wanted to ask you before, do you feel like you're spoiled, | 0:31:31 | 0:31:34 | |
or do you think you've been spoiled in life? | 0:31:34 | 0:31:36 | |
I probably have been spoilt. I've got everything I wanted. | 0:31:38 | 0:31:42 | |
That may tie into your lack of sticking to it | 0:31:42 | 0:31:45 | |
and giving up a little too quickly. | 0:31:45 | 0:31:47 | |
There's a major problem going on in the household | 0:31:48 | 0:31:51 | |
that the dog is causing. | 0:31:51 | 0:31:53 | |
Yeah, I mean, it's not fair, | 0:31:53 | 0:31:55 | |
it's not fair on anybody, it's not fair on me and Alfie. | 0:31:55 | 0:31:57 | |
It's not fair on my mum and her husband, it's... | 0:31:57 | 0:32:00 | |
But it does, it just creates major issues, | 0:32:00 | 0:32:03 | |
and I just, I need to sort it, I need to... | 0:32:03 | 0:32:06 | |
..I don't want to create that for them. | 0:32:08 | 0:32:12 | |
Holly's realising that giving up doesn't work. | 0:32:12 | 0:32:16 | |
I guess what Randy was saying is true, | 0:32:16 | 0:32:18 | |
that's what I've been like and I don't want to be. | 0:32:18 | 0:32:21 | |
That's why Alfie is the way he is, because I've probably... | 0:32:21 | 0:32:24 | |
..I haven't kept up, you know, | 0:32:25 | 0:32:28 | |
there's no...I haven't kept up, like, hard work trying to train him. | 0:32:28 | 0:32:33 | |
I've just been...I let things go and I'm like, | 0:32:33 | 0:32:36 | |
"Oh, too hard. I won't train him." | 0:32:36 | 0:32:39 | |
Randy and Joe know | 0:32:49 | 0:32:50 | |
that if Holly is ever going to turn things around at home, | 0:32:50 | 0:32:53 | |
they have to work on her determination. | 0:32:53 | 0:32:55 | |
They've come to Universal Studios, | 0:32:55 | 0:32:57 | |
where movies such as The Bourne Identity have been made, | 0:32:57 | 0:33:00 | |
and home to one of the first movie theme parks in America. | 0:33:00 | 0:33:05 | |
Welcome to Universal's Animal Actors. How's everybody doing? | 0:33:06 | 0:33:11 | |
This is a hugely popular live show seen by over 5,000 people every day. | 0:33:11 | 0:33:16 | |
And there's no room for mistakes in front of a live audience. | 0:33:16 | 0:33:19 | |
Randy and Joe have a surprise in store for Holly | 0:33:19 | 0:33:23 | |
and there's no wriggling out. | 0:33:23 | 0:33:24 | |
Well, you know, your confidence has been really low | 0:33:26 | 0:33:30 | |
on everything you've been doing, | 0:33:30 | 0:33:31 | |
so we've made arrangements for you to meet the trainer... | 0:33:31 | 0:33:34 | |
-Really? -..of the dogs and you're going to be part of the show. | 0:33:34 | 0:33:38 | |
In less than an hour, Holly has to take to the stage | 0:33:38 | 0:33:42 | |
as one of the show's main dog handlers. | 0:33:42 | 0:33:44 | |
Holly's working with celebrity dog Jack, star of Hotel For Dogs, | 0:33:44 | 0:33:48 | |
and Beverley Hills Chihuahua. | 0:33:48 | 0:33:49 | |
He's a really smart dog... | 0:33:49 | 0:33:51 | |
Trainer John doesn't have much time to teach her the part. | 0:33:51 | 0:33:53 | |
..and he knows what you're asking for, so don't feel like, | 0:33:53 | 0:33:56 | |
-"Hey, Jack, please pick it up." It's more like, "Jack, pick it up!" -Yeah. | 0:33:56 | 0:34:00 | |
And be excited, the more excited you are and the more lively you are | 0:34:00 | 0:34:02 | |
and the better you feel about doing it, he's going to pick up on that. | 0:34:02 | 0:34:05 | |
John explains Holly must have confidence in her voice. | 0:34:05 | 0:34:09 | |
When you bring him over here, like, "Jack, come here! Good boy! Ready? | 0:34:09 | 0:34:12 | |
"Good, get in there. Pick it up! | 0:34:12 | 0:34:14 | |
"Good boy!" Just talk and talk and have fun with it. | 0:34:14 | 0:34:16 | |
Now, if you want to give him a treat so his attention's on you. | 0:34:16 | 0:34:19 | |
-Good boy. -Now take him with you, walk this way. | 0:34:19 | 0:34:22 | |
-Let's go. Jack! -Bring him over, call his name. | 0:34:22 | 0:34:24 | |
-Just be, like, "Jack, come on." -Come on, Jack. Let's go. | 0:34:24 | 0:34:26 | |
-Good boy. -There you go. -Jack! -Bring him all the way over. -Jack! | 0:34:26 | 0:34:29 | |
He really likes Charlotte, so... | 0:34:29 | 0:34:31 | |
-Come on, Jack, let's go! -We'll have Charlotte get off the stage. -Jack! | 0:34:31 | 0:34:35 | |
Holly's still a pushover. | 0:34:35 | 0:34:37 | |
-Go ahead and call him. Wait till she gets off. -Jack! Jack! | 0:34:37 | 0:34:39 | |
At home, her problems are exactly the same. | 0:34:39 | 0:34:42 | |
With no authority in her voice, dogs just don't bother listening to her. | 0:34:42 | 0:34:46 | |
Alfie. Alfie. Alfie. | 0:34:46 | 0:34:49 | |
And she always gives up. | 0:34:49 | 0:34:50 | |
He does his own thing and I let him do it. | 0:34:50 | 0:34:53 | |
In 30 minutes, 1,500 people will fill the auditorium, | 0:34:53 | 0:34:57 | |
Holly has to believe she can do this. | 0:34:57 | 0:35:00 | |
-Shall I try and get him? -Just go, yeah, bring him back. | 0:35:00 | 0:35:03 | |
-Jack! What's this? -Bring him all the way back. -Come on, let's go. | 0:35:03 | 0:35:06 | |
Jack! Doesn't like me. | 0:35:06 | 0:35:08 | |
Come on, let's go! Up here! Jack! Come on! | 0:35:08 | 0:35:11 | |
-Good boy! -There you go. Now he's watching you. | 0:35:11 | 0:35:13 | |
-Come on, then. -Bring him back over. -This way. Good boy, good boy. | 0:35:13 | 0:35:16 | |
-There you go. -Good boy. Sit. -Keep his attention. -Sit. Good boy. | 0:35:16 | 0:35:20 | |
His attention's on you now. Took a little bit there, that was fine. | 0:35:20 | 0:35:23 | |
You brought him back. That's what you need to do. | 0:35:23 | 0:35:25 | |
She sticks at it and there's a new tone in Holly's voice | 0:35:25 | 0:35:29 | |
that engages the dog. | 0:35:29 | 0:35:30 | |
Let's go, Jack. Come on. Jack! Jack! Good boy, good boy. Sit. | 0:35:30 | 0:35:33 | |
You have to be someone or something that the animal wants to be with | 0:35:33 | 0:35:38 | |
and if you don't have that, then they don't want to hang out with you, | 0:35:38 | 0:35:41 | |
they want to find something more exciting. | 0:35:41 | 0:35:43 | |
She's starting to understand that Jack wants to be with her | 0:35:43 | 0:35:46 | |
if she's animated and fun and having a good time. | 0:35:46 | 0:35:49 | |
At first I couldn't get into it cos I was nervous. | 0:35:49 | 0:35:51 | |
I was thinking "He's not going to do it," | 0:35:51 | 0:35:53 | |
and as soon as he did it the first time, | 0:35:53 | 0:35:55 | |
you kind of forget everything and you just get into it. | 0:35:55 | 0:35:58 | |
So I still, literally, want to kill myself, I'm so scared, | 0:35:58 | 0:36:02 | |
but it's fine. I'm more excited now. | 0:36:02 | 0:36:04 | |
It's show time. | 0:36:05 | 0:36:06 | |
Paying customers want to see a professional performance | 0:36:09 | 0:36:11 | |
and Holly can't let anyone down, including Randy and Joe. | 0:36:11 | 0:36:15 | |
Welcome to Universal's Animal Actors. How's everybody doing? | 0:36:15 | 0:36:19 | |
As the show begins, John tries to ram home what Holly's learnt. | 0:36:19 | 0:36:23 | |
Some of the important things to remember when you're on stage | 0:36:23 | 0:36:26 | |
is just your body posture, | 0:36:26 | 0:36:27 | |
that you're confident in what you're doing, | 0:36:27 | 0:36:30 | |
you believe in what you're doing, | 0:36:30 | 0:36:32 | |
and that you're able to portray it through your voice. | 0:36:32 | 0:36:34 | |
Yeah. I want to be able to do it. | 0:36:34 | 0:36:37 | |
I've got to leave those negative thoughts behind. | 0:36:37 | 0:36:39 | |
To be honest, I can't back out now, anyway, | 0:36:39 | 0:36:41 | |
so that's probably part of it, otherwise maybe I would have, | 0:36:41 | 0:36:44 | |
but I don't know, I'm nervous, but I'm excited for the end outcome. | 0:36:44 | 0:36:50 | |
Right, you ready? Ready? Off you go. | 0:36:50 | 0:36:53 | |
Let's have a big cheer for Jack and Holly! | 0:36:53 | 0:36:57 | |
APPLAUSE AND CHEERING | 0:36:57 | 0:36:59 | |
With so much riding on this moment, | 0:36:59 | 0:37:01 | |
Randy and Joe are hoping it goes well. | 0:37:01 | 0:37:03 | |
Sit, sit, sit, Jack. Sit. | 0:37:03 | 0:37:06 | |
Yeah. Come on, then. Come on, then. Good boy. | 0:37:06 | 0:37:08 | |
..by jumping over our human hurdle, | 0:37:10 | 0:37:12 | |
racing through the slalom, through the tunnel, | 0:37:12 | 0:37:14 | |
jumping over our human hurdle and ringing the bell! | 0:37:14 | 0:37:18 | |
-Team Jack is in position. Ready, Holly? -Stay. | 0:37:18 | 0:37:21 | |
-Yeah. -Team Jack. On your marks, get set, go! | 0:37:21 | 0:37:24 | |
Come on, Jack! Up, up, up! | 0:37:24 | 0:37:27 | |
Here, here! Here, there, here, there, here. | 0:37:27 | 0:37:31 | |
Go through the tunnel! Up! | 0:37:31 | 0:37:33 | |
Good boy! | 0:37:34 | 0:37:36 | |
Holly's cracked it. | 0:37:36 | 0:37:37 | |
Good boy. | 0:37:37 | 0:37:39 | |
It couldn't have gone better. She did really well. | 0:37:39 | 0:37:41 | |
She did everything we talked about, and she had a good time, | 0:37:41 | 0:37:44 | |
so that was great, and he did it the first time perfectly. | 0:37:44 | 0:37:46 | |
I'm going to go back and meet her. I'll be right back. | 0:37:46 | 0:37:49 | |
Let's have another big round of applause | 0:37:49 | 0:37:51 | |
for our special guest trainer, Holly. | 0:37:51 | 0:37:52 | |
-That went fantastic. -That was amazing. | 0:38:01 | 0:38:04 | |
It couldn't have gone any smoother. Exactly like you had practised. | 0:38:04 | 0:38:07 | |
I didn't look at the audience, I wasn't paying any attention. | 0:38:07 | 0:38:09 | |
-I'm like, really shaking... -He watched you the whole time. | 0:38:09 | 0:38:12 | |
He did everything you asked. You did a great job. | 0:38:12 | 0:38:14 | |
Thank you. | 0:38:14 | 0:38:16 | |
John's not the only one who's thrilled with Holly. | 0:38:16 | 0:38:20 | |
-Well done! -Wow! | 0:38:20 | 0:38:23 | |
Looking back at yesterday, | 0:38:23 | 0:38:25 | |
I mean, even looking back at what? An hour ago? | 0:38:25 | 0:38:28 | |
I felt sick, I couldn't even smile. He was like, "Are you ready?" | 0:38:28 | 0:38:31 | |
And I was like, "Yeah." Thinking, "No, I'm not ready! | 0:38:31 | 0:38:34 | |
"Why are you making me do this?" | 0:38:34 | 0:38:35 | |
But now it's kind of, like, I feel so good for doing that. | 0:38:35 | 0:38:38 | |
At the ranch, Joe's teaching Ronnie some tricks | 0:38:40 | 0:38:43 | |
to help him get control of his own dog. | 0:38:43 | 0:38:45 | |
Slam your hand down on it. | 0:38:45 | 0:38:48 | |
Leave it. | 0:38:50 | 0:38:52 | |
Leave it. | 0:38:53 | 0:38:55 | |
Good leave it, take it. | 0:38:55 | 0:38:57 | |
And Holly's making progress. | 0:38:57 | 0:38:59 | |
No. Sit. | 0:38:59 | 0:39:02 | |
These are the kind of days we, you know, really look forward to | 0:39:02 | 0:39:05 | |
because it starts out so frustrating at the beginning of the week | 0:39:05 | 0:39:09 | |
and you just want to say, you know, you just want to say, | 0:39:09 | 0:39:12 | |
"Don't you understand what we're trying to tell ya?!" | 0:39:12 | 0:39:15 | |
But, but man, when we see this kind of progress, | 0:39:15 | 0:39:19 | |
I mean, it makes us feel like, you know, we're doing our job, | 0:39:19 | 0:39:23 | |
we're doing it right and we're getting the results we're hoping for. | 0:39:23 | 0:39:26 | |
Joe and Randy are sending the Brits on one final trip. | 0:39:28 | 0:39:30 | |
It's the commercial shoot tomorrow | 0:39:30 | 0:39:33 | |
and the Brits need all the advice they can get. | 0:39:33 | 0:39:36 | |
They're off to the legendary Paramount Studios, | 0:39:36 | 0:39:38 | |
birthplace of films such as Mission Impossible and Iron Man. | 0:39:38 | 0:39:42 | |
This is the set of America's favourite TV show, NCIS Los Angeles. | 0:39:43 | 0:39:48 | |
-Wow. -God. | 0:39:48 | 0:39:50 | |
They've seen dogs behind the scenes and on stage. | 0:39:50 | 0:39:53 | |
Now they're meeting an animal trainer | 0:39:53 | 0:39:55 | |
to try their hand at working dogs on an actual Hollywood set. | 0:39:55 | 0:39:57 | |
-Hi. -Hi. -I'm Chrissie, I'm with Studio Animal Service. | 0:39:57 | 0:40:01 | |
-Holly, nice to meet you. -I'm Ronnie. -Nice to meet you... | 0:40:01 | 0:40:03 | |
Holly's up first, and Ronnie is stepping in to play the part | 0:40:03 | 0:40:07 | |
of Special Agent Sam Hanna. | 0:40:07 | 0:40:08 | |
-So who would normally be the actor on this scene? -LL Cool J. | 0:40:08 | 0:40:12 | |
So this is where LL Cool J would be sat during the scene? | 0:40:12 | 0:40:15 | |
That's where he's going to be sitting during the scene. | 0:40:15 | 0:40:18 | |
-Wow. -That's cool. | 0:40:18 | 0:40:19 | |
Holly has to keep the dog's attention. | 0:40:19 | 0:40:21 | |
It's her chance to use that new found voice to full effect. | 0:40:21 | 0:40:24 | |
OK, go ahead. | 0:40:24 | 0:40:25 | |
Mugsy, on your mark! | 0:40:25 | 0:40:27 | |
Good boy... | 0:40:27 | 0:40:29 | |
Movie dogs or pet dog, it seems the principles of training | 0:40:29 | 0:40:32 | |
aren't a million miles apart. | 0:40:32 | 0:40:34 | |
The difference between training your pet dog and a movie dog is | 0:40:34 | 0:40:36 | |
we spend every moment specifically working towards a goal | 0:40:36 | 0:40:41 | |
that the dog, you know, what the dog has to do on set. | 0:40:41 | 0:40:44 | |
Go mark! Mugsy, go mark! | 0:40:44 | 0:40:47 | |
In the end, they're both still dogs and they both still want one thing. | 0:40:47 | 0:40:50 | |
They want to please you. | 0:40:50 | 0:40:52 | |
Good boy. | 0:40:52 | 0:40:53 | |
So I think it's very achievable to get your dog | 0:40:53 | 0:40:56 | |
to play their role at home | 0:40:56 | 0:40:58 | |
just like our movie dogs play their role on set. | 0:40:58 | 0:41:01 | |
Bring him back to this mark and try again. | 0:41:01 | 0:41:03 | |
Come to your mark. Go to your mark. | 0:41:03 | 0:41:06 | |
OK. | 0:41:06 | 0:41:08 | |
Watch. | 0:41:08 | 0:41:10 | |
Pay the dog. | 0:41:10 | 0:41:12 | |
Good boy! | 0:41:14 | 0:41:16 | |
Good boy. | 0:41:16 | 0:41:17 | |
Ronnie's up next. He's rehearsing a different scene for today's shoot. | 0:41:17 | 0:41:20 | |
And action. | 0:41:20 | 0:41:22 | |
Head down. Leave. | 0:41:22 | 0:41:25 | |
Head down! Stay. | 0:41:25 | 0:41:27 | |
Ronnie looks like a seasoned pro. It's made him realise | 0:41:27 | 0:41:31 | |
training a dog isn't a chore. | 0:41:31 | 0:41:32 | |
It can be really fun. I mean, it's not all boring, dog training. | 0:41:32 | 0:41:36 | |
I hope when I get back with Bella, I can have a good time with her | 0:41:36 | 0:41:40 | |
and that she will learn because I am happy. | 0:41:40 | 0:41:42 | |
All right. Good boy! | 0:41:42 | 0:41:45 | |
At Paramount, you never know who you might bump into. | 0:41:45 | 0:41:47 | |
As Ronnie and Holly take a break on the lot, | 0:41:47 | 0:41:51 | |
the show's star, Eric Olsen, turns up for rehearsals. | 0:41:51 | 0:41:54 | |
He plays the dog's owner in the show and knows a thing or two about dogs. | 0:41:54 | 0:41:57 | |
I think one of the things that's so amazing about it | 0:41:57 | 0:42:00 | |
is that the structure that you bring to an animal | 0:42:00 | 0:42:02 | |
when you're in control and giving them set rules and guidelines | 0:42:02 | 0:42:06 | |
makes them more comfortable cos they understand where they, | 0:42:06 | 0:42:08 | |
what role they play in your life and in their own, which is great | 0:42:08 | 0:42:13 | |
cos if, you have, your dog has no understanding of your leadership, | 0:42:13 | 0:42:17 | |
it's, like, fending for itself. It becomes, like, a nomad of emotion. | 0:42:17 | 0:42:20 | |
I think that's the thing. | 0:42:20 | 0:42:22 | |
Everything is, like, slowly fitting into place for me. | 0:42:22 | 0:42:24 | |
I'm somebody that if I don't know where I stand, I can't handle that. | 0:42:24 | 0:42:27 | |
But it's the first time that I've actually realised it | 0:42:27 | 0:42:30 | |
and then my poor little dog doesn't know who its leader is, | 0:42:30 | 0:42:34 | |
it doesn't know not to pee on the carpet | 0:42:34 | 0:42:36 | |
because I don't tell it off for it. And it's kind of all slowly, | 0:42:36 | 0:42:39 | |
it's making me realise that how I've handled my dog is just so wrong | 0:42:39 | 0:42:43 | |
and I blame the dog but, actually, it's been me all the way along. | 0:42:43 | 0:42:48 | |
To show the Brits that small dogs like Bella and Alfie | 0:42:48 | 0:42:53 | |
can be just as well trained, | 0:42:53 | 0:42:54 | |
Chrissie introduces a famous Pomeranian. | 0:42:54 | 0:42:57 | |
This is Le Stat. Le Stat played a character | 0:42:57 | 0:42:59 | |
on a TV show, Heroes, for years. He played Mister Muggles. | 0:42:59 | 0:43:01 | |
And he's probably about the size of your little guys at home. | 0:43:01 | 0:43:06 | |
And like I said, | 0:43:06 | 0:43:07 | |
a lot of people think these little dogs can't be trained to do much | 0:43:07 | 0:43:11 | |
because they're just supposed to be little lap dogs. | 0:43:11 | 0:43:14 | |
But he's a wonderful... Le Stat, come here. | 0:43:14 | 0:43:16 | |
..wonderful little dog that knows lots and lots of stuff, | 0:43:16 | 0:43:19 | |
-especially where my bait bag is! -Yeah. -Stay. | 0:43:19 | 0:43:22 | |
OK, sit. On your feet. Sneeze. | 0:43:23 | 0:43:26 | |
Whoa! Sit. Beg. | 0:43:29 | 0:43:32 | |
All the way up. | 0:43:32 | 0:43:35 | |
Oh, my God. | 0:43:35 | 0:43:36 | |
Back up. | 0:43:36 | 0:43:38 | |
Jump, jump, jump, good! | 0:43:38 | 0:43:41 | |
Circle. Circle. | 0:43:41 | 0:43:44 | |
It is so cool to see, cos we've worked with big dogs the whole time | 0:43:44 | 0:43:48 | |
and a small dog kind of looks and acts completely different | 0:43:48 | 0:43:52 | |
although it's the same training. But it's really cool to see it | 0:43:52 | 0:43:55 | |
with this small... cos we've both got small dogs. | 0:43:55 | 0:43:59 | |
It's like, "We can do this." | 0:43:59 | 0:44:00 | |
It's Holly and Ronnie's last night in LA, | 0:44:03 | 0:44:05 | |
And they're spending it in style | 0:44:05 | 0:44:07 | |
with an all-American meal of corndogs. | 0:44:07 | 0:44:10 | |
Ah, it's wobbly, like...! | 0:44:10 | 0:44:11 | |
You've got to go for it! Watch out, cos it's quite warm inside. | 0:44:16 | 0:44:19 | |
Is it? | 0:44:19 | 0:44:20 | |
Do it. | 0:44:22 | 0:44:23 | |
I'm actually scared. | 0:44:24 | 0:44:26 | |
It's not long before they'll be back in the luxury of their own beds. | 0:44:28 | 0:44:32 | |
But until then... | 0:44:32 | 0:44:33 | |
Right... | 0:44:34 | 0:44:36 | |
-Night. -Night. | 0:44:36 | 0:44:37 | |
-RONNIE BANGS HIS HEAD -Oh, my God. | 0:44:41 | 0:44:43 | |
It's the Brits' final day. First, it's kennel duty. | 0:44:45 | 0:44:48 | |
I'm just lubing up the butt thermometer. | 0:44:48 | 0:44:51 | |
And just go ahead and stick it in, slowly. | 0:44:51 | 0:44:54 | |
Their biggest challenge of the week is coming up, | 0:44:54 | 0:44:57 | |
pulling together all the Hollywood dog training they've learnt so far. | 0:44:57 | 0:45:00 | |
A professional Hollywood cameraman is already setting up, | 0:45:00 | 0:45:03 | |
and in a couple of hours, the Brits will have to direct dogs | 0:45:03 | 0:45:07 | |
on the set of their own commercial. | 0:45:07 | 0:45:10 | |
So Ronnie, your job's going to be to have these dogs | 0:45:10 | 0:45:12 | |
get in their sit-stay as tight together as we can. | 0:45:12 | 0:45:15 | |
Holly, you come on over here and let him get them set, OK? | 0:45:15 | 0:45:17 | |
Today is going to be harder than anything they've done before | 0:45:17 | 0:45:20 | |
as they'll be working with untrained dogs, not highly skilled movie dogs. | 0:45:20 | 0:45:25 | |
-Stay, stay. -Ah, ah. Correct him, correct him, he's... | 0:45:25 | 0:45:28 | |
Things are about to get a lot tougher. | 0:45:28 | 0:45:30 | |
Stay, stay. | 0:45:30 | 0:45:32 | |
It's just such a big responsibility. They're putting us in charge, | 0:45:32 | 0:45:35 | |
I don't want to mess it up for them. | 0:45:35 | 0:45:37 | |
Come on, say something, talk to him. | 0:45:37 | 0:45:39 | |
It is really important to get this right, | 0:45:39 | 0:45:42 | |
it's not just a bit of fun, it's kind of like this is serious now. | 0:45:42 | 0:45:45 | |
Randy was a Hollywood director | 0:45:45 | 0:45:47 | |
before getting into the dog business. | 0:45:47 | 0:45:49 | |
He's slipped back into the role very comfortably. | 0:45:49 | 0:45:52 | |
Can't impress upon you guys enough of how important it is | 0:45:52 | 0:45:55 | |
to really pull this off for us. Time to be professional. | 0:45:55 | 0:45:59 | |
OK, we've had some fun during this week, | 0:45:59 | 0:46:01 | |
but this is the time to get serious, all right? | 0:46:01 | 0:46:04 | |
This is the time to prove to us that you've been listening, | 0:46:04 | 0:46:07 | |
-you know what you're doing. OK? -Yep. | 0:46:07 | 0:46:09 | |
The concept of the commercial is a tennis match | 0:46:09 | 0:46:12 | |
with dogs watching and catching balls. | 0:46:12 | 0:46:15 | |
Good, on your mark. | 0:46:15 | 0:46:16 | |
Rehearsal this morning was a bit, | 0:46:16 | 0:46:19 | |
you know, it wasn't as smooth as I was hoping it was going to be. | 0:46:19 | 0:46:22 | |
I'm a little nervous about it yet. | 0:46:22 | 0:46:25 | |
Get the shot and slate it. | 0:46:25 | 0:46:26 | |
Ranch spot. Scene one, take one. | 0:46:26 | 0:46:28 | |
-Action. -Say watch. -Stay, watch. | 0:46:29 | 0:46:31 | |
For this shot the Brits need to get the dogs | 0:46:31 | 0:46:34 | |
to watch a ball go back and forth as if they're watching a match. | 0:46:34 | 0:46:38 | |
We need to get hotter. More dead camera, dead on camera. | 0:46:38 | 0:46:41 | |
Ronnie has to get the dogs sitting on their marks. | 0:46:41 | 0:46:45 | |
-Come on, come on. -OK, widen out again please. -Stay. | 0:46:45 | 0:46:47 | |
-No, come on. Sit. -Try the ball. | 0:46:47 | 0:46:50 | |
He's done it with well-trained movie dogs | 0:46:50 | 0:46:52 | |
but things are stepping up a gear. | 0:46:52 | 0:46:53 | |
Ah, ah, no! Stay. | 0:46:53 | 0:46:56 | |
See if you can get Whisky a little closer to the other dogs. | 0:46:56 | 0:46:59 | |
Whisky's too far away. | 0:47:00 | 0:47:01 | |
-Look at, look at Whisky and say stay. -Stay. | 0:47:01 | 0:47:05 | |
Over more, Ronnie, stay closer. Pass it back and forth, play catch. | 0:47:05 | 0:47:08 | |
Guys, don't stop hot tossing that ball! Call their names. | 0:47:08 | 0:47:11 | |
Hunter, what's this? | 0:47:11 | 0:47:13 | |
Ah, ah, ah, ah, sit, sit. | 0:47:13 | 0:47:16 | |
Temperatures are soaring | 0:47:16 | 0:47:17 | |
and so is the pressure to get the shot in case the dogs overheat. | 0:47:17 | 0:47:21 | |
-Stay. -Keep your patience. -Watch. | 0:47:21 | 0:47:24 | |
Guys, let's pull 'em off for right now so it's not so hot, | 0:47:24 | 0:47:27 | |
and we're going to do this again, I think we got... | 0:47:27 | 0:47:29 | |
The dogs aren't the only ones getting hot under the collar. | 0:47:29 | 0:47:33 | |
Frustrated? | 0:47:33 | 0:47:34 | |
-Yeah. -Really, really frustrated. It's, see... | 0:47:34 | 0:47:37 | |
-Ready to go, everybody? -No. -OK. | 0:47:37 | 0:47:39 | |
Erm, what happens is, every dog, every day is going to be different, | 0:47:39 | 0:47:46 | |
even throughout the day and that's where the frustration of movie dogs | 0:47:46 | 0:47:51 | |
come into play. You've got to remember, these aren't trained dogs | 0:47:51 | 0:47:56 | |
and part of what we need from you at home, | 0:47:56 | 0:47:59 | |
I think what Bella needs, is for you to be able to do these things. | 0:47:59 | 0:48:03 | |
And it's like, you know, "So what if it doesn't work. | 0:48:03 | 0:48:07 | |
-"I'm going to make it work somehow." -Yeah. This is all... | 0:48:07 | 0:48:09 | |
I think it's just cos it's three dogs rather than one, and it's, | 0:48:09 | 0:48:12 | |
it's hard trying to watch three dogs at one time, | 0:48:12 | 0:48:14 | |
tell them what to do. Not only am I trying to do sit and stay, | 0:48:14 | 0:48:18 | |
I'm also trying to pass a ball and get them to look then sit and stay, | 0:48:18 | 0:48:21 | |
then pass the ball, get 'em to look, | 0:48:21 | 0:48:22 | |
and, sort of, three jobs in one, and three dogs in one. | 0:48:22 | 0:48:25 | |
Ronnie goes back for another take. | 0:48:25 | 0:48:27 | |
Stay. Watch. | 0:48:27 | 0:48:31 | |
Placement, ready and...action. | 0:48:31 | 0:48:34 | |
What's this? | 0:48:34 | 0:48:36 | |
Look. Sit. Sit. | 0:48:36 | 0:48:38 | |
Stay. | 0:48:38 | 0:48:40 | |
Finally his perseverance pays off and he gets the shot they need. | 0:48:40 | 0:48:44 | |
-Excellent. Excellent. -Over here. | 0:48:44 | 0:48:47 | |
Perfect! Cut, that's perfect! Ronnie, good job! | 0:48:47 | 0:48:52 | |
Good boy. | 0:48:52 | 0:48:53 | |
I think I was getting a bit frustrated because there was, | 0:48:53 | 0:48:56 | |
or trying to do three dogs at once but I went away, cleared me head, | 0:48:56 | 0:49:00 | |
kept at it and even though I was getting frustrated, | 0:49:00 | 0:49:03 | |
I just kept thinking that I had to do it for Bella so I kept at it. | 0:49:03 | 0:49:06 | |
Ronnie, yay. Applause for Ronnie! | 0:49:06 | 0:49:07 | |
Yeah. | 0:49:07 | 0:49:10 | |
-Holly, guess who's up next? -Me. | 0:49:10 | 0:49:14 | |
For this next sequence, Holly's on her own trying to get a dog | 0:49:14 | 0:49:17 | |
to catch and then drop tennis balls. | 0:49:17 | 0:49:19 | |
She's got to be determined to get these shots. | 0:49:19 | 0:49:22 | |
-You can bring him forward a little bit, that'd be great. -Stay. | 0:49:22 | 0:49:24 | |
First she needs to get the dog to catch the ball. | 0:49:24 | 0:49:27 | |
-Ready, catch. Good boy, stay, stay. -No problems. | 0:49:27 | 0:49:31 | |
Stay. | 0:49:31 | 0:49:32 | |
Now all she has to do is get the dog to miss the ball. | 0:49:32 | 0:49:34 | |
Sounds easy. | 0:49:34 | 0:49:36 | |
Background out, here we go, and action. | 0:49:36 | 0:49:38 | |
Ready, catch. Oh, sorry. | 0:49:38 | 0:49:40 | |
-That's great, we need that shot. -Good boy, good boy. | 0:49:40 | 0:49:43 | |
-That's a wonderful shot. -Come on then, come on then. | 0:49:43 | 0:49:46 | |
At first, failure is taken on the chin. | 0:49:46 | 0:49:48 | |
-Ready, catch. -We got another one. You got plenty of catches here. | 0:49:48 | 0:49:51 | |
-Let's try and get a miss. -I know. | 0:49:51 | 0:49:52 | |
But the dog continues to catch the ball. | 0:49:52 | 0:49:54 | |
Shoot! Catch! | 0:49:54 | 0:49:57 | |
Ready, catch! | 0:50:02 | 0:50:04 | |
Uh, fuck's sake! Good boy. | 0:50:04 | 0:50:07 | |
-Lob it right in front of him. -Stay. | 0:50:07 | 0:50:08 | |
-Right in front of him. Here we go, and do it. -Ready, catch. | 0:50:08 | 0:50:12 | |
-OK, we didn't, we didn't see it. -You didn't see it? -No. | 0:50:14 | 0:50:16 | |
The dog's out of position for the only good take | 0:50:16 | 0:50:19 | |
and Holly's patience runs out. | 0:50:19 | 0:50:22 | |
See, I can't see that so I don't know what you want me to do | 0:50:23 | 0:50:26 | |
and it's pissing me off. | 0:50:26 | 0:50:28 | |
-What's going on? -I don't know what you want me to do, like I can't... | 0:50:28 | 0:50:31 | |
-Just toss it right over. -You're doing fine, honey. | 0:50:31 | 0:50:34 | |
-Don't get frustrated here. -Where's that coming from? | 0:50:34 | 0:50:37 | |
This is just annoying me. | 0:50:37 | 0:50:39 | |
-Hey. -OK, come on over. | 0:50:39 | 0:50:40 | |
OK, so it's real important that you stay calm here. | 0:50:40 | 0:50:43 | |
I don't know what this agitation is, OK. | 0:50:43 | 0:50:45 | |
-I know it's frustrating... -It's not the dog, it's you guys... | 0:50:45 | 0:50:48 | |
..let me finish. Look, let me finish, OK. | 0:50:48 | 0:50:50 | |
This is what you do at home with your dog... | 0:50:50 | 0:50:52 | |
-Yeah. -..is you finally just, you get so frustrated you just give up. | 0:50:52 | 0:50:55 | |
You start pouting and turning into this little kid | 0:50:55 | 0:50:57 | |
who just doesn't get her way. OK, you've got to knock that off. | 0:50:57 | 0:51:01 | |
That is never going to work with your dog. | 0:51:01 | 0:51:03 | |
-Yeah. -OK, that dog is going to roll you right over if you do that. | 0:51:03 | 0:51:07 | |
You've got to get the strength in you, | 0:51:07 | 0:51:09 | |
and, "I don't know what you want..." No. | 0:51:09 | 0:51:11 | |
"OK, I got it guys, I can do this." | 0:51:11 | 0:51:13 | |
OK? Let's do it, come on. | 0:51:13 | 0:51:14 | |
Can I have a ball? Sorry. Just one, thank you, thank you, thank you. | 0:51:17 | 0:51:20 | |
-Go. -Ready. | 0:51:20 | 0:51:22 | |
Good, we got it. Perfect! Cut. That's it. Yay! | 0:51:24 | 0:51:28 | |
After regaining her determination, | 0:51:28 | 0:51:31 | |
Holly's succeeded, and the shot is in the can. | 0:51:31 | 0:51:34 | |
I guess I did go back to day one, but the difference was | 0:51:35 | 0:51:38 | |
it wasn't because of the dog this time, it was because of me. | 0:51:38 | 0:51:41 | |
I do hate that about me. Like it's cringe, it's pathetic. | 0:51:41 | 0:51:44 | |
That's something that I've got to change. | 0:51:44 | 0:51:46 | |
Slate it. | 0:51:48 | 0:51:49 | |
There's just one last easy scene to go. | 0:51:49 | 0:51:51 | |
And, action! | 0:51:51 | 0:51:52 | |
Both the Brits know they've come a long way in just one week. | 0:51:54 | 0:51:57 | |
Cut, that's perfect. | 0:51:57 | 0:52:00 | |
It's a wrap. | 0:52:00 | 0:52:01 | |
Give me a hug, you did it. You really did it. | 0:52:01 | 0:52:04 | |
Both of you guys. I am so proud of you guys. | 0:52:04 | 0:52:07 | |
That was really a lot of work. | 0:52:07 | 0:52:09 | |
This part of the Brits' Hollywood dogs experience is almost at an end. | 0:52:09 | 0:52:13 | |
I just think it's been all round, just an amazing journey. | 0:52:16 | 0:52:19 | |
I've came here, I've learnt so much off Randy and Joe | 0:52:19 | 0:52:22 | |
and I've done things that I never thought I'd do | 0:52:22 | 0:52:26 | |
like going to Universal Studios, Paramount Studios, | 0:52:26 | 0:52:28 | |
working with movie star dogs and it's just been absolutely amazing. | 0:52:28 | 0:52:35 | |
I guess there have been, like, complete highs and lows | 0:52:35 | 0:52:39 | |
and I didn't think coming out here | 0:52:39 | 0:52:42 | |
would make me feel like I have out here. | 0:52:42 | 0:52:46 | |
It's made us realise that the dog just wants love | 0:52:46 | 0:52:52 | |
and to have fun. And she wants a purpose, really. | 0:52:52 | 0:52:56 | |
It's not really the dog's fault. It's my fault as an owner | 0:52:56 | 0:53:00 | |
for not training her and giving her the sort of love that she needs. | 0:53:00 | 0:53:04 | |
This is it, I guess. | 0:53:04 | 0:53:05 | |
Bummer, this is what I hate. | 0:53:05 | 0:53:06 | |
It's taken me to come all the way out here | 0:53:06 | 0:53:09 | |
to see what was on my doorstep | 0:53:09 | 0:53:11 | |
and the fact that I had people telling me | 0:53:11 | 0:53:14 | |
how badly behaved Alfie was, and I knew it was creating a rift | 0:53:14 | 0:53:17 | |
but it's actually taken me to come out to LA | 0:53:17 | 0:53:19 | |
to see it and make me really want to change it. | 0:53:19 | 0:53:22 | |
Now remember, Bella is no longer the boss in that house. You are, OK? | 0:53:22 | 0:53:25 | |
-Yeah. -All right. | 0:53:25 | 0:53:27 | |
And I want you to remember when you go home to Alfie, | 0:53:27 | 0:53:31 | |
don't get upset too easy, please. | 0:53:31 | 0:53:33 | |
-Yeah. I'll try. -OK, OK. Safe trip home, OK? -Thanks guys. | 0:53:33 | 0:53:36 | |
-Thank you. -Oh, I hate saying goodbye to people. | 0:53:36 | 0:53:38 | |
With their Californian dream over, | 0:53:38 | 0:53:41 | |
they're heading home to face new challenges ahead. | 0:53:41 | 0:53:45 | |
Come on. | 0:53:49 | 0:53:51 | |
In South Shields, Ronnie and Bella finally agree on who's in charge. | 0:53:51 | 0:53:54 | |
Ah, ah, leave. | 0:53:54 | 0:53:55 | |
She's seen that, that I am a bit more strict with her, | 0:53:55 | 0:53:57 | |
but I am loving still. | 0:53:57 | 0:53:59 | |
But she knows who I am, she knows I'm the leader in the house. | 0:53:59 | 0:54:03 | |
Go on, then. Good girl. | 0:54:03 | 0:54:04 | |
And the way Bella's responded to him has been amazing. | 0:54:04 | 0:54:07 | |
Ah, ah, ah. No. Good sit. | 0:54:07 | 0:54:10 | |
It's just such a change in her this last sort of two, three weeks. | 0:54:10 | 0:54:15 | |
She's been so good. | 0:54:15 | 0:54:17 | |
Even the house is smelling fresher. | 0:54:17 | 0:54:19 | |
Nice. Right next to the bin, which is good. | 0:54:19 | 0:54:20 | |
We've only been out here two seconds and she's had a poo. | 0:54:20 | 0:54:23 | |
She could have done it in the house but she's chose not to. | 0:54:23 | 0:54:26 | |
Now Bella no longer craves constant attention | 0:54:26 | 0:54:30 | |
the couple are finally able to move forwards. | 0:54:30 | 0:54:32 | |
Because she's being good, me and Hayley are fantastic now | 0:54:32 | 0:54:35 | |
and we don't argue, we don't bicker | 0:54:35 | 0:54:38 | |
and we can see a future now and we are talking about kids. | 0:54:38 | 0:54:42 | |
He's changed. He's more determined and positive about the future. | 0:54:42 | 0:54:47 | |
It's, it's a happy household now. It's a home. | 0:54:47 | 0:54:50 | |
The three of us are really happy. | 0:54:50 | 0:54:52 | |
Good girl. | 0:54:53 | 0:54:55 | |
In Oxfordshire, Hollywood's rubbing off on Alfie | 0:54:55 | 0:54:59 | |
and Holly's training a little star in the making. | 0:54:59 | 0:55:01 | |
Stay. Come. Good boy! | 0:55:01 | 0:55:04 | |
Sit. Down. Play dead. | 0:55:04 | 0:55:07 | |
It's nice having a dog that actually kind of wants to be with me | 0:55:07 | 0:55:11 | |
cos he respects me and not because he thinks I'm an idiot | 0:55:11 | 0:55:14 | |
and takes me for a ride. | 0:55:14 | 0:55:15 | |
Alfie hanging on Holly's every word means no more headaches for Mum. | 0:55:15 | 0:55:19 | |
No little poo parcels underneath the pool table, nothing by the piano. | 0:55:19 | 0:55:24 | |
I've checked believe me, I've checked. | 0:55:24 | 0:55:27 | |
Stay, good boy. | 0:55:27 | 0:55:28 | |
I think with my mum, she can see | 0:55:28 | 0:55:30 | |
that I am actually for once trying to do something about Alfie. | 0:55:30 | 0:55:33 | |
Stay. | 0:55:33 | 0:55:35 | |
That helps as well cos I've got her on my side now. | 0:55:35 | 0:55:38 | |
Come. Good boy. | 0:55:38 | 0:55:40 | |
The stress that was created when she first came home with a dog | 0:55:40 | 0:55:44 | |
doesn't bear thinking about now. It's almost like when you've had a baby. | 0:55:44 | 0:55:47 | |
You forget the pain because it's gone and things are a lot calmer. | 0:55:47 | 0:55:51 | |
Holly's even looking with a friend for a new place to live. | 0:55:51 | 0:55:55 | |
-Ohh. -Ah that's really good for Alfie. -Yeah. | 0:55:55 | 0:55:58 | |
I'm excited to get my new place with Alfie | 0:55:58 | 0:56:00 | |
and carry on training him there cos that'll be different for him. | 0:56:00 | 0:56:04 | |
He'll be in a different environment but, no, things are looking up. | 0:56:04 | 0:56:08 | |
Alfie! Hello! Good boy. | 0:56:08 | 0:56:12 | |
Alfie, do you like this house? D'you want to live here, Alf? | 0:56:12 | 0:56:15 | |
-I think he likes it. -Oh yeah. | 0:56:15 | 0:56:19 | |
Next time, two clueless British dog owners | 0:56:19 | 0:56:21 | |
face the deep freeze in Alaska. | 0:56:21 | 0:56:24 | |
They'll race some of the most powerful dogs on Earth. | 0:56:24 | 0:56:27 | |
That's amazing. | 0:56:27 | 0:56:29 | |
But will they be left out in the cold? | 0:56:29 | 0:56:31 | |
-Don't ever, ever let that go! Those are MY dogs! -OK. | 0:56:31 | 0:56:36 | |
Subtitles by Red Bee Media Ltd | 0:56:42 | 0:56:44 |