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are commemorating the centenary of the outbreak of the First World War. | :00:21. | :00:49. | |
just joined us, you're warmly welcome. We are talking about what | :00:50. | :00:53. | |
happened a century ago, because in an hour's time, the people of the | :00:54. | :00:58. | |
United Kingdom will come together to reflect on the immense sacrifice of | :00:59. | :01:02. | |
the generation of the First World War, the Great War, as it's still | :01:03. | :01:06. | |
known in many parts. Candles will be lit in homes all over the country. | :01:07. | :01:12. | |
In Burnley, for example, people will be gathering around the war memorial | :01:13. | :01:16. | |
there and from the Houses of Parliament here at Westminster, to | :01:17. | :01:20. | |
the great iconic structure of Blackpool tower, the lights will go | :01:21. | :01:24. | |
out in a powerful, symbolic act. Here at Westminster Abbey, special | :01:25. | :01:30. | |
candle-lit service attended by the Duchess of Cornwall. We're looking | :01:31. | :01:34. | |
forward to it, watching events in the abbey is my colleague, Eddie | :01:35. | :01:38. | |
Butler. It will be a solemn commemoration, | :01:39. | :01:44. | |
it's in the content, the poems, letters, prayers, the extracts from | :01:45. | :01:49. | |
books. There will be anticipation, but more sorrow, frustration and | :01:50. | :01:54. | |
bitterness. There will be hauntingly sad music, a deepening darkness and | :01:55. | :02:01. | |
silence. The sense of trepidation will be enhanced by movement towards | :02:02. | :02:06. | |
one place in the Abbey, the grave of tonight's central character, who had | :02:07. | :02:11. | |
not yet fought, had not yet died, but here he is, an unidentified | :02:12. | :02:16. | |
British soldier, honoured among kings, the symbol of sacrifice to | :02:17. | :02:21. | |
come. There's also the theme of vigil, of being awake in the night, | :02:22. | :02:28. | |
a time for calm and reflection, but also of determination. Whatever the | :02:29. | :02:32. | |
arguments have been for or against the war, now there was this | :02:33. | :02:39. | |
determination to stand together, not to flea from what -- flee from what | :02:40. | :02:43. | |
darkness might bring. But darkness there would be and darkness there | :02:44. | :02:47. | |
will be tonight, a reference to the words of Sir Edward Grey, the then | :02:48. | :02:52. | |
Foreign Secretary, who says, "The lamps are going out all over Europe. | :02:53. | :02:58. | |
We shall not see them lit again in our lifetime." On that note, there | :02:59. | :03:04. | |
is a twist in the tale. But first, now in the north trancept, Sian. | :03:05. | :03:11. | |
As people start taking their seats here and the congregation prepare to | :03:12. | :03:14. | |
pick up their candles for the service, I'm joined here by James, | :03:15. | :03:22. | |
who has been an Abbey volunteer and was also here and sang in the | :03:23. | :03:27. | |
coronation and the actor and writer Mark Gaitiss as well. Mark, what are | :03:28. | :03:33. | |
you doing? I'm reading a poem called The Messages, as part of the | :03:34. | :03:35. | |
ceremony tonight. What's the significance this afternoon poem for | :03:36. | :03:41. | |
you? It's the first recorded poem about shell shock. Gibson actually | :03:42. | :03:46. | |
didn't serve abroad for quite a long time because he tried four times, | :03:47. | :03:50. | |
but I think his eye sight was too bad. It's a very moving, sad poem. | :03:51. | :03:56. | |
I'm here really to represent my grandfather, who was at the Somme | :03:57. | :04:03. | |
and happily survived. I just want to acknowledge the amazing sacrifice | :04:04. | :04:07. | |
that they all made for us. And the war has been so much debated of | :04:08. | :04:11. | |
late, about its actual merits and we grew up with the idea that it was a | :04:12. | :04:15. | |
complete waste of time. Whatever side you come down on, it's very | :04:16. | :04:20. | |
important to acknowledge the sacrifice everyone made. James, you | :04:21. | :04:24. | |
have a personal connection as well, don't you? My grandfather was killed | :04:25. | :04:33. | |
at Passchendaele in This is 1917. Him, Edward. Yes. He's got a | :04:34. | :04:43. | |
memorial, but he has no known grave. We do have a letter from him, the | :04:44. | :04:52. | |
last letter he wrote. Oh, yes. He's talking about not getting any | :04:53. | :04:57. | |
letters. Yes. "I wrote to dad on 24th of September and have not had a | :04:58. | :05:01. | |
reply to it. I've written at least two since. It's rotten to be treated | :05:02. | :05:06. | |
like this, especially when one gets nervy." The little mouse, he talks | :05:07. | :05:12. | |
about a mouse running around his feet, while he's writing as well. It | :05:13. | :05:17. | |
seems so human, doesn't it? When you think of the horror of what he was | :05:18. | :05:20. | |
facing to be writing things like this. "We have a fairly dry dugout, | :05:21. | :05:26. | |
but HQ took a fancy to it. I have to go. Still, this will do for tonight. | :05:27. | :05:30. | |
After that, we'll be luck dwroi get a nice, dry shell house. The mouse | :05:31. | :05:34. | |
has just bolted. He was a fat little chap." That, to me, is just, it hits | :05:35. | :05:41. | |
me absolutely to think that in all that carnage, you can worry about a | :05:42. | :05:46. | |
dear little mouse. Yes, and he died fairly soon after writing Four days | :05:47. | :05:49. | |
that. After that. He was killed and they never found his body. Well, the | :05:50. | :05:56. | |
mud was so horrendous any way. It's just the thought that people could | :05:57. | :05:59. | |
go through that, in those days, it's unbelievable. What does it mean, | :06:00. | :06:03. | |
then for you to be here? You know the Abbey so well, but to be here | :06:04. | :06:07. | |
and thinking about him and all the others who lost their lives? | :06:08. | :06:10. | |
Absolutely, this is the whole thing about this whole atmosphere here. | :06:11. | :06:14. | |
It's a church. It's not just a memorial place. It is a living, | :06:15. | :06:22. | |
breathing memorial. Tonight, as the candles go out, I think that will | :06:23. | :06:27. | |
probably finish me. James, thank you. And you too. That is going to | :06:28. | :06:35. | |
be the key moment, of course, the Grave of the Unknown Warrior... | :06:36. | :06:40. | |
Those of you wondering where Her Majesty the Queen has been today, | :06:41. | :06:43. | |
because we've seen the Prince of Wales and the Duke and Duchess of | :06:44. | :06:47. | |
Cambridge, Prince Harry, well the Queen is spending her traditional | :06:48. | :06:51. | |
summer break at Balmoral. She was attending a private commemoration | :06:52. | :06:55. | |
today for the centenary of the outbreak of the First World War, | :06:56. | :07:01. | |
private service, this is at Crathie Kirk, the local church for mall | :07:02. | :07:05. | |
moral. Her Majesty was attending a private service there today in | :07:06. | :07:08. | |
contrast to the big, public, official events that we've seen. So, | :07:09. | :07:13. | |
that's where the Queen was earlier. Here we are at Westminster Abbey. | :07:14. | :07:19. | |
Shirley Williams still with me. David Olusoga too, the historian and | :07:20. | :07:23. | |
broadcaster and historian, Margaret MacMillan as well. Thank you for | :07:24. | :07:26. | |
staying with us. We are looking forward to the service. You were | :07:27. | :07:30. | |
discussing your mother, Vera, earlier, I was reading a couple of | :07:31. | :07:35. | |
the notes again about the history that she'd lost a fiance, which we | :07:36. | :07:41. | |
mentioned earlier, Ay brother. Her -- a brother. Her only brother. | :07:42. | :07:46. | |
Close friends too. The question I want to ask and viewers may want me | :07:47. | :07:52. | |
to ask, how she dealt with that, we know about her writing, how she | :07:53. | :07:56. | |
dealt with that overwhelming grove throughout her life? How did it | :07:57. | :08:00. | |
manifest itself? Primarily she felt that she was dedicated to recreating | :08:01. | :08:06. | |
the characters of the men she'd lost. That was one of the things | :08:07. | :08:11. | |
that drove her into writing. She wanted people to know what Roland, | :08:12. | :08:15. | |
Edward, Victor and Geoffrey were like. That made her feel that she | :08:16. | :08:19. | |
could give them a life back. They would become, in a limited sense, | :08:20. | :08:23. | |
immortal, if you know what I mean. That drove her and gave her the real | :08:24. | :08:28. | |
determination to finish the book, which she found hard to do. On the | :08:29. | :08:32. | |
other hand, there was something in her whole character that was always | :08:33. | :08:38. | |
buried in the fields of Flanders, something that never quite changed. | :08:39. | :08:43. | |
She never, I don't ever remember her laughing without any restraint. I | :08:44. | :08:51. | |
don't remember her having a sense of just unmitigated joy. She had a | :08:52. | :08:56. | |
sense of humour. She had a sense of pleasure, but you had the feeling it | :08:57. | :09:00. | |
was always balanced against this vast weight of what history had | :09:01. | :09:03. | |
given to her. That's what really drove her to become a great peace | :09:04. | :09:08. | |
maker in the world, the other side of the part that was saved by the | :09:09. | :09:13. | |
pursuit of the immortal and men she'd known. In all your research, | :09:14. | :09:17. | |
David, what was your experience of people dealing with grief, those who | :09:18. | :09:20. | |
survived, the families who lost people - what's your experience, | :09:21. | :09:24. | |
what did you come across in terms of the way that people sometimes | :09:25. | :09:31. | |
internalised what they hurt, the grief? I think there's a sea change | :09:32. | :09:35. | |
when the war comes to an end, where people feel the crisis has passed | :09:36. | :09:38. | |
and they can allow themselves to embrace their grief. What you see | :09:39. | :09:44. | |
over and over again is families facing the reality of the wounded, | :09:45. | :09:49. | |
of people whose minds are broken by the war and needing to put them | :09:50. | :09:53. | |
first. There's nothing that can be done for the dead other than | :09:54. | :09:56. | |
remembering them, as your mother did. But there was such a colossal | :09:57. | :10:00. | |
weight of men with broken bodies and damaged minds. They were the | :10:01. | :10:04. | |
preoccupation of many nations. How powerful a theme was that post-war | :10:05. | :10:09. | |
and the way that people tried to cope with injuries, psychological | :10:10. | :10:12. | |
injuries, that they'd not really had to talk about or dealt with before | :10:13. | :10:16. | |
that? The trouble was we still didn't know enough about them. I'm | :10:17. | :10:19. | |
not sure we treated them in the best way. We were learning. It was a slow | :10:20. | :10:23. | |
process. What the great losses of the war did was feed into a longing, | :10:24. | :10:27. | |
certainly in Britain and other countries for peace. I think that's | :10:28. | :10:31. | |
an important theme in the 1930s. People wanted to do almost anything | :10:32. | :10:36. | |
to avoid another war. Well, we've said it before, but of course, the | :10:37. | :10:41. | |
Great War is now beyond living memory. I think we mentioned Harry | :10:42. | :10:46. | |
Patch in the ceremony there in Belgium a short while ago, who died, | :10:47. | :10:51. | |
I think, six years ago. But the people who fought it have not been | :10:52. | :10:56. | |
forgotten, clearly. Tonight communities throughout the United | :10:57. | :10:59. | |
Kingdom are determined to recognise them in commemorations of their own | :11:00. | :11:02. | |
and since late July, people of Burnley have been laying crosses to | :11:03. | :11:06. | |
commemorate more than 4,000 men and women from the town it and | :11:07. | :11:09. | |
surrounding area who gave their lives in the war, many of the | :11:10. | :11:12. | |
crosses have been laid by local school children. | :11:13. | :11:42. | |
The children that were here today are from Holy Trinity Church | :11:43. | :11:45. | |
They have a church associated with their school called St Matthew's | :11:46. | :11:48. | |
They were given those particular names to research | :11:49. | :11:52. | |
Burnley at that time in 1914 was a network of terraced streets. | :11:53. | :11:57. | |
And within that community were churches with shops with schools. | :11:58. | :12:07. | |
The losses from those communities were felt even more because whole | :12:08. | :12:15. | |
streets of people went off to serve, streets of people who died. | :12:16. | :12:20. | |
The person on my cross was Leonard Mosely. | :12:21. | :12:23. | |
Leonard Mosely died because of a submarine. | :12:24. | :12:27. | |
He was on a ship called the Royal Edwards and he drowned. | :12:28. | :12:34. | |
I liked learning about the world war because I liked | :12:35. | :12:36. | |
learning about all the soldiers and listening to all the stories. | :12:37. | :12:41. | |
The people that I put down were Maurice Renwick and | :12:42. | :12:44. | |
I know about Alfred Victor Smith that he won the Victoria Cross medal | :12:45. | :12:52. | |
for jumping on a grenade to save the people around him. | :12:53. | :12:55. | |
I felt sad but a different feeling that I can't describe | :12:56. | :13:00. | |
because it was sad but he jumped on a grenade to save everyone else. | :13:01. | :13:08. | |
The last Burnley crosses will be laid at the cenotaph later | :13:09. | :13:11. | |
They will include the name of Private Harry Manders, | :13:12. | :13:16. | |
whose relatives Margaret, Ginette and Robie-Lea will be | :13:17. | :13:18. | |
We'll all be going up to Towneley Park at 11 o'clock at night | :13:19. | :13:23. | |
But Robie-Lea will be laying a cross for Harry Manders. | :13:24. | :13:27. | |
He's the youngest man to be killed in the war in Burnley. | :13:28. | :13:32. | |
He was in the war in 1916 and he was killed when he went out of the | :13:33. | :13:36. | |
He was about to get back in but he was shot in the back. | :13:37. | :13:43. | |
And he went in with three other 16 year olds. | :13:44. | :13:53. | |
He was killed, another was injured and the other had to go back | :13:54. | :13:56. | |
The soldiers were just like normal people and they gave their lives so | :13:57. | :14:01. | |
that we could have a better future and not be in a war, like they were. | :14:02. | :14:16. | |
children in Burnley, who have been playing their nart preparing for | :14:17. | :14:20. | |
today. Let's have a little more. I mentioned the fact there are events | :14:21. | :14:24. | |
everywhere. We want to catch up with Burnley tonight and join Tony | :14:25. | :14:31. | |
Livesey who's there. Thank you very much. We're here in | :14:32. | :14:38. | |
Burnley. We have seen Robie-Lea, she's with me now. What's it like to | :14:39. | :14:42. | |
be able to lay that cross tonight? I feel honoured to be able to lay a | :14:43. | :14:46. | |
cross down for somebody who died in Word War I and fought. | :14:47. | :14:51. | |
Your great-great-uncle did a marvellous thing. Lots of school | :14:52. | :14:56. | |
children will lay crosses tonight. Some people slightly older, in their | :14:57. | :15:00. | |
years, Katherine is here. Who are you remembering? My grandfather, | :15:01. | :15:10. | |
James and his brother, Thomas, who, Thomas was killed at Gallipoli. They | :15:11. | :15:17. | |
never found his body. My grandfather was killed... He gave his life in | :15:18. | :15:23. | |
the First World War. Here he is. There's a poignant story to James, | :15:24. | :15:27. | |
what happened? He got compassionate leave to go and see his baby son. | :15:28. | :15:34. | |
Unfortunately, he was killed before he saw him. He never saw Here is | :15:35. | :15:38. | |
him. A picture of his son. Also called, in honour of James. James, | :15:39. | :15:43. | |
yes. He was called James as well. He never saw him. You will lay two | :15:44. | :15:47. | |
crosses tonight. Ken, you have three crosses in your hand. What's your | :15:48. | :15:51. | |
story? My story is that my grandfather went to war with three | :15:52. | :15:54. | |
of his brothers and only my grandfather returned. The three | :15:55. | :15:57. | |
brothers were killed in different theatres of the war. There was | :15:58. | :16:02. | |
Thomas, who's buried in Malta. He was killed in Gallipoli. There was | :16:03. | :16:11. | |
Fred, who was honoured in Basra. He was killed in Egypt. There was John, | :16:12. | :16:16. | |
who was killed on the Somme and he's buried in France. How does it feel | :16:17. | :16:21. | |
for both of you to be here today honouring these men? I'm pleased | :16:22. | :16:26. | |
that I am here to do this. I wish my mother was here to see it, because | :16:27. | :16:30. | |
she would be thrilled. She gave my son the medals. He's now over in | :16:31. | :16:38. | |
Belgium celebrating, well, not celebrating, commemorating. There is | :16:39. | :16:42. | |
your mother in the picture What does there. Mean to you? It means a lot. | :16:43. | :16:46. | |
I want to remember it for my grandchildren and pass it on to | :16:47. | :16:50. | |
them, so that they don't forget. OK, there we are. The procession is due | :16:51. | :16:55. | |
to take place. The last 300 crosses will be lain down, followed by a | :16:56. | :17:01. | |
two-minutes silence and the lights will go out. | :17:02. | :17:04. | |
Tony, thank you very much. Many thanks to your guests for sharing | :17:05. | :17:07. | |
their experiences and bringing their photographs too. It was nice to hear | :17:08. | :17:12. | |
from them. Not just densely populated towns and cities that | :17:13. | :17:16. | |
suffered. Tiny villages, in remote areas, they bore their share of | :17:17. | :17:17. | |
losses too. And a way of life that had existed | :17:18. | :17:21. | |
for centuries would change forever. The Heligan estate | :17:22. | :17:26. | |
in Cornwall has been owned by the Tremayne family | :17:27. | :17:28. | |
for more than 400 years. Before the war Heligan enjoyed | :17:29. | :17:37. | |
a golden age. It was known | :17:38. | :17:40. | |
for its elegant gardens. More than 20 workers were employed | :17:41. | :17:43. | |
by the landowner Jack Tremayne. We're here | :17:44. | :17:48. | |
in Heligan's head gardener's office and it would be recognisable to | :17:49. | :17:59. | |
the men of that 1914 period. Sadly not many of Heligan's records | :18:00. | :18:03. | |
have survived from that era but we do have access to the Heligan labour | :18:04. | :18:06. | |
books which show that in April 1914 There would have been labourers, | :18:07. | :18:09. | |
there would have been carpenters, there would have been stone masons | :18:10. | :18:17. | |
amongst the men working here. This rural Edwardian | :18:18. | :18:22. | |
existence would be shattered He lived in the nearby village | :18:23. | :18:25. | |
of Gorran Haven with his wife Laura In 1917 he was called up to | :18:26. | :18:37. | |
the army. The next year Charles was wounded | :18:38. | :18:42. | |
and transferred to a war hospital Laura was in Cornwall | :18:43. | :18:45. | |
and obviously didn't know what was happening - she received | :18:46. | :18:57. | |
a telegram telling her about Charles's wounds, that's the first | :18:58. | :18:59. | |
thing she really knew about it. Charles wrote many letters to | :19:00. | :19:02. | |
his wife and daughter In the beginning he | :19:03. | :19:04. | |
used to write himself and then he was so ill the nurses | :19:05. | :19:09. | |
wrote for him. I think he used to It was mainly about his family, | :19:10. | :19:12. | |
his wife, his child But, within a few days, | :19:13. | :19:17. | |
Laura received a letter He wrote that Charles was feeble | :19:18. | :19:25. | |
but still thinking of his family. On the back there was | :19:26. | :19:29. | |
a hastily written postscript. I called again at the ward where | :19:30. | :19:32. | |
your husband was before mailing this | :19:33. | :19:35. | |
letter and I regret to have to I'm sure Laura would | :19:36. | :19:37. | |
have been absolutely devastated because she had hope he | :19:38. | :19:45. | |
was going to survive and then suddenly to be told he'd died would | :19:46. | :19:48. | |
be absolutely heartbreaking for her. Charles Ball | :19:49. | :19:53. | |
and several other Heligan workers The house at Heligan served | :19:54. | :19:55. | |
as a hospital during the war, after which Jack Tremayne returned | :19:56. | :20:06. | |
to his estate. Many of his garden team had perished | :20:07. | :20:12. | |
and it had a significant effect He said he couldn't live with | :20:13. | :20:19. | |
the ghosts of the place and he eventually emigrated to Italy | :20:20. | :20:23. | |
in 1923. He was the last Squire Tremayne | :20:24. | :20:27. | |
to live at Heligan, 91 years ago. Heligan fell into decline and | :20:28. | :20:36. | |
by the Second World War It was only in the 1990s that | :20:37. | :20:38. | |
they were rescued and restored. Heligan is now a tribute to | :20:39. | :20:44. | |
those long lost gardeners who Today the estate continues to employ | :20:45. | :20:49. | |
generations of local people, Toby is the great great grandson | :20:50. | :20:56. | |
of estate worker Charles Ball. It's funny how everything's | :20:57. | :21:06. | |
so connected - my great great grandfather worked here over | :21:07. | :21:13. | |
100 years ago, I'm sort of gardens. Yesterday at dawn people | :21:14. | :21:29. | |
living in villages, gathered around the war memorial and they read out | :21:30. | :21:32. | |
the names of those who'd lost their lives. | :21:33. | :21:43. | |
The lost men, Charles Ball, aged 42. Richard Billing, aged 38, William | :21:44. | :21:54. | |
Robins Guy, aged 22. John Charles Kirkin, aged 19. Names being read | :21:55. | :22:06. | |
out in Heligan there. The focus is the service at Westminster Abbey and | :22:07. | :22:09. | |
the gradual distinguishing of 2,000 candles. All over the country, | :22:10. | :22:13. | |
people are responding to the call for lights out, an invitation to | :22:14. | :22:17. | |
switch off the lights, to leave on maybe a single lamp to burn a candle | :22:18. | :22:22. | |
for a shared moment of reflection, later this evening, a chance to | :22:23. | :22:27. | |
reflect,if you like, upon the loss and the devastation, the brutality | :22:28. | :22:33. | |
and sacrifice of the First World War generation. In the words of the | :22:34. | :22:38. | |
Royal British Legion, a million cannedled for a million -- candles | :22:39. | :22:41. | |
for a million men. A sense of the activities taking place today, the | :22:42. | :22:47. | |
Derbyshire village of Brassington, the lights are going out across the | :22:48. | :22:52. | |
village, leaving just one light at the local church, St James' church. | :22:53. | :23:00. | |
Very famous, iconic building, Blackpool tower, the illuminations | :23:01. | :23:04. | |
have been switched off to mark the centenary there. That will tell | :23:05. | :23:08. | |
everyone in Blackpool and the surrounding area that this First | :23:09. | :23:11. | |
World War commemoration is happening. Not far from us here at | :23:12. | :23:17. | |
Westminster Abbey, along the Thames, lights to go out across Tower | :23:18. | :23:25. | |
Bridge, one of the most powerful symbols of London. This landmark, | :23:26. | :23:31. | |
the lights will out, apart from a few safety bulbs along the way, will | :23:32. | :23:35. | |
tell everyone, again, that the people of London, too, are thinking | :23:36. | :23:41. | |
of what happened a century ago. Folkestone, we mentioned it earlier, | :23:42. | :23:46. | |
because millions of troops went through Folkestone on their way to | :23:47. | :23:50. | |
the channel to cross over to France. Ceremony is being planned there, | :23:51. | :23:55. | |
which recognises its part in the story, the port, which was so | :23:56. | :24:00. | |
heavily used and Larry Lamb is there to tell us about what is going on. | :24:01. | :24:18. | |
I think Larry is there, but maybe we can't hear him. That's a shame | :24:19. | :24:24. | |
because Larry was going to tell us about the events in Folkestone, | :24:25. | :24:29. | |
where they've been looking at that new memorial arch, which was | :24:30. | :24:34. | |
unveiled a short while ago today by Prince Harry. Of course, that was | :24:35. | :24:39. | |
before Prince Harry went over to Belgium. Then they'll be having a | :24:40. | :24:44. | |
military march past, to retrace the steps of so many of those troops who | :24:45. | :24:49. | |
went through Folkestone 100 years ago. That's where we are. That's | :24:50. | :24:53. | |
Folkestone. If Larry pops up, we'll go back to him straight away. Guests | :24:54. | :24:57. | |
with me still in the studio, I'm glad to say, Shirley is still with | :24:58. | :25:01. | |
me and two special guests have joined us. We have Kristina | :25:02. | :25:06. | |
Reynolds, and we have David Taylor. You're here because you're the | :25:07. | :25:11. | |
granddaughter of private Percy Buck and David you're here as the | :25:12. | :25:16. | |
grandson of private William Taylor. I'm very pleased you joined us and | :25:17. | :25:20. | |
we've been chatting with Shirley a short while ago. You've brought in a | :25:21. | :25:23. | |
wonderful selection of things for us. I'll start with you to say, tell | :25:24. | :25:30. | |
me something about Private Percy Buck and the things you've brought | :25:31. | :25:35. | |
to share with us. Percy was in the 1st Battalion of the Hertfordshire | :25:36. | :25:39. | |
regiment, which was the TA. He was in there for many years, before war | :25:40. | :25:46. | |
was declared. He went to war, like so many did, he was killed in 1917 | :25:47. | :25:54. | |
on the third battle of Ypres, which I think is now known as | :25:55. | :25:58. | |
Passchendaele. He was killed on the first day. He was shot in the side | :25:59. | :26:03. | |
and fell into a shell hole. He was too severely wounded to be moved and | :26:04. | :26:09. | |
I think about 24 hours or maybe longer after, another German unit | :26:10. | :26:14. | |
came along and one of the soldiers found him and found him clutching a | :26:15. | :26:20. | |
photograph of his wife and child and himself and he'd written his address | :26:21. | :26:23. | |
on the back saying whoever finds this could they return it back home. | :26:24. | :26:29. | |
You've brought the photo with you? We haven't got the photo at all. We | :26:30. | :26:34. | |
don't know what's happened to that. We assume, it's the section in the | :26:35. | :26:41. | |
middle of this photo. This is himself with his wife and baby. It | :26:42. | :26:47. | |
was a post card size. The German soldier sent it to the Red Cross. | :26:48. | :26:52. | |
They called it East Germany, which was Poland then, I think. He it | :26:53. | :26:56. | |
translated and sent it to Switzerland and then Switzerland | :26:57. | :27:01. | |
sent it back to my Nan so she knew he'd been killed. The news got | :27:02. | :27:04. | |
through and there we can see, there's the letter there. | :27:05. | :27:08. | |
Essentially, the letter did deliver the very sad news. Yes. You've kept | :27:09. | :27:14. | |
these and you treasure them clearly. Yes. I'm just wondering how much | :27:15. | :27:19. | |
work it's been for you to reconstruct the story or is it a | :27:20. | :27:23. | |
story that's come down through generations of the family? How are | :27:24. | :27:26. | |
you so familiar with it? My father told me the story many years ago | :27:27. | :27:31. | |
when he came across a box with some of these things in. He was quite sad | :27:32. | :27:36. | |
to find the photograph wasn't there, because he does remember seeing it | :27:37. | :27:39. | |
when he was younger, but it wasn't in his mother's things. But he still | :27:40. | :27:43. | |
had the letter and the death penny and everything. They obviously, | :27:44. | :27:49. | |
after he died, they were passed down to myself and my brother. When you | :27:50. | :27:53. | |
say death penny, explain very quickly what that is. This is the | :27:54. | :27:57. | |
death penny. This was handed out to all the families who had someone | :27:58. | :28:03. | |
killed in war. David, I'll bring you in. Tell us about your relative, | :28:04. | :28:10. | |
your an tore and the -- ancestor and the story. My grandfather, 100 years | :28:11. | :28:17. | |
ago tonight he was at the camp in the Chilterns, waiting to hear what | :28:18. | :28:25. | |
was rambling, then they went off to Suffolk and by 4th November, they | :28:26. | :28:32. | |
were in France. As a result of that, they were called old contemptibles. | :28:33. | :28:40. | |
He had the Mons star. He had a wallet which saved his life during | :28:41. | :28:45. | |
the battle of Passchendaele, which I've brought along. He kept the | :28:46. | :28:51. | |
wallet in his tunic breast pocket. Luckily that and the photos that | :28:52. | :28:56. | |
were inside it, took the impact of the shrapnel and saved his What a | :28:57. | :29:01. | |
life. Remarkable story. Yes, he was there at the beginning and he was | :29:02. | :29:05. | |
there at the end. Gosh, and in terms of, again, your family story, that | :29:06. | :29:11. | |
story being passed down, people relating it with pride. How much do | :29:12. | :29:15. | |
you know about him as a person? Well, he was my granddad. I didn't | :29:16. | :29:20. | |
really know him until he was in his 70s and 80s. He was a gardener by | :29:21. | :29:26. | |
profession. He was just a granddad. He loved his bowls. How much did he | :29:27. | :29:31. | |
talk about his wartime past? Not very much. They kept it to | :29:32. | :29:35. | |
themselves. Obviously, they'd seen some very horrible sights. | :29:36. | :29:40. | |
Personally, he had won his military medal by going out and rescuing a | :29:41. | :29:46. | |
comrade and that friendship stayed with him for the rest of their | :29:47. | :29:50. | |
lives. It's lovely of you both to come in and share your stories. | :29:51. | :29:54. | |
Interesting, Shirley, just to listen to individual stories, which | :29:55. | :29:56. | |
actually very different, but they convey lots of the emotion and power | :29:57. | :30:01. | |
of that time. And extraordinary aspects of history. Suddenly, you | :30:02. | :30:05. | |
realise that this memory has been passed down by these older relatives | :30:06. | :30:11. | |
to our two guests. That's a marvellous Thank you thing. Very | :30:12. | :30:14. | |
much for coming in. Lovely to see you. I should remind you, because | :30:15. | :30:17. | |
we're wanting to be underlining the fact that there are lots of | :30:18. | :30:23. | |
different ways for you to take part in tonight's events, the | :30:24. | :30:26. | |
commemorations. People all over the country preparing to reflect on the | :30:27. | :30:31. | |
start of the First World War. Westminster Abbey bathed in the | :30:32. | :30:36. | |
light of 2,000 candles before they are gradually extinguished during | :30:37. | :30:39. | |
the service that will begin shortly. You can join in at home, either by | :30:40. | :30:44. | |
lighting your own candle or if you prefer, a very different way of | :30:45. | :30:48. | |
joining in, you can download an app, it's a special app that's been | :30:49. | :30:53. | |
created for today, by the award-winning video artist Jeremy | :30:54. | :30:59. | |
Della. It's called "lights out". Access that, at 10pm, a flame will | :31:00. | :31:03. | |
appear and burn for just one hour, going out at exactly 11pm. You don't | :31:04. | :31:08. | |
need to have a proper candle, you can actually do it digitally as | :31:09. | :31:11. | |
well, just to show that there are different ways of taking part. So | :31:12. | :31:16. | |
we're about half an hour from the beginning of the service in | :31:17. | :31:20. | |
Westminster Abbey. Anyone who's visited the abbey will know straight | :31:21. | :31:25. | |
away as you walk through the great West Door behind us, the first thing | :31:26. | :31:29. | |
you see is the grave of the st un Grave of the Unknown Warrior, the | :31:30. | :31:34. | |
focus of tonight's vigil. The grave placed there as a response to the | :31:35. | :31:37. | |
unprecedented loss of life in the First World War. | :31:38. | :31:50. | |
Over a million British and Commonwealth soldiers died | :31:51. | :31:53. | |
And almost half of those are missing, lost far | :31:54. | :31:58. | |
The First World War obliterated men in a way that is almost | :31:59. | :32:06. | |
The battlefields remained battlefields for weeks, | :32:07. | :32:13. | |
months or even years, making it very difficult for their comrades to | :32:14. | :32:16. | |
The burial parties clearing the battle grounds took | :32:17. | :32:23. | |
the identification of their dead seriously. | :32:24. | :32:27. | |
It was horrible to have to gather the bodies, | :32:28. | :32:35. | |
but what was far worse was dying in a foreign place without | :32:36. | :32:38. | |
It was painful too for those waiting at home. | :32:39. | :32:43. | |
One in every six British families suffered a direct bereavement | :32:44. | :32:45. | |
All over the country those who did not know how their loved ones had | :32:46. | :32:53. | |
died set up makeshift shrines as a focus for their grief. | :32:54. | :32:58. | |
An army chaplain on the Western Front, | :32:59. | :33:00. | |
the Reverend David Railton, had an idea when he saw a cross marking | :33:01. | :33:04. | |
He realised those who had lost their loved ones could be given | :33:05. | :33:11. | |
It gave him an idea that was simple, very daring, almost | :33:12. | :33:23. | |
outrageous, which was to bring back the body of a British warrior, to | :33:24. | :33:33. | |
bury him in Westminster Abbey among Kings, among Queens, to give him a | :33:34. | :33:37. | |
funeral that was worthy of the greatest in the land. | :33:38. | :33:44. | |
Railton convinced the authorities of his plan. | :33:45. | :33:47. | |
They chose an unknown British serviceman from four unidentified | :33:48. | :33:49. | |
The Unknown Warrior was then transported with full military | :33:50. | :33:56. | |
When this Unknown Warrior made his final journey in the train from | :33:57. | :34:10. | |
Dover to Victoria his carriage was painted white on the roof so that | :34:11. | :34:13. | |
the crowds who were lining the railway cuttings | :34:14. | :34:16. | |
as he approached could see by the light of the moon the carriage that | :34:17. | :34:20. | |
contained, maybe, their father, their husband, their loved one. | :34:21. | :34:24. | |
On 11th November 1920 the Unknown Warrior was drawn | :34:25. | :34:31. | |
The King placed a wreath of red roses on the coffin before it | :34:32. | :34:43. | |
moved onto Westminster Abbey, where it was buried in the nave. | :34:44. | :34:57. | |
Even after half a -- a century, it is still a source of comfort to | :34:58. | :35:08. | |
those that have lost loved ones in wars. He an ordinary servicemen, | :35:09. | :35:14. | |
buried among poets and kings. His name is presence reflects all that | :35:15. | :35:19. | |
is fleeting, in mortal and extraordinary about the human | :35:20. | :35:20. | |
spirit. The idea that came from the reverend | :35:21. | :35:39. | |
is a very powerful one. His grandson joins me now, along with Juliet | :35:40. | :35:45. | |
Nicolson. There is a sense ever a presence of | :35:46. | :35:49. | |
your grandfather in the abbey today. Yes, there is. His flag still hangs | :35:50. | :35:54. | |
here, not far from the grave. That was the flag that he used throughout | :35:55. | :36:01. | |
the war. Either for barials or services, served as a make shift | :36:02. | :36:08. | |
altar cloth or used for parades or social occasions, either for | :36:09. | :36:11. | |
concerts or boxing matches. It's very fitting that it is here in the | :36:12. | :36:19. | |
Abbey. It was dedicated in 1921 in perpetual memory of the fallen. It | :36:20. | :36:23. | |
hangs very proudly over the grave. You must be very proud of his role. | :36:24. | :36:29. | |
Oh, indeed, very much so. Juliet, just give us a sense of the | :36:30. | :36:34. | |
emotional power and significance of the grave, for people to come and | :36:35. | :36:38. | |
visit when perhaps they have no grave to go to. Exact ly, two years | :36:39. | :36:45. | |
after the war ended, there had been no repatriation, there were half a | :36:46. | :36:50. | |
million men either missing or unidentified. So there were hundreds | :36:51. | :36:55. | |
of thousands of families who were grieving but without a funeral and | :36:56. | :37:00. | |
without a grave to go to. This one man, who arrived here in this | :37:01. | :37:07. | |
beautiful Abbey, with the simplicity of his webbing belt and his helmet | :37:08. | :37:12. | |
on the top of the coffin, nothing grand, nothing to do with Nelson on | :37:13. | :37:18. | |
top of a column, just a humble, young, unidentified man, so we | :37:19. | :37:24. | |
assume, to whom people could bring flowers, to whom children who had | :37:25. | :37:28. | |
lost their fathers could imagine that this was, as one little boy was | :37:29. | :37:33. | |
heard to do, this is a beautiful garden, they've made for my father. | :37:34. | :37:37. | |
So it's had an enduring significance, I think, the grave of | :37:38. | :37:44. | |
the unknown soldier, thanks to David's extraordinarily amazing | :37:45. | :37:47. | |
grandfather, even the Royal Family, when they come here, when the | :37:48. | :37:52. | |
monarch comes to be crowned, he or she side steps that grave, no other | :37:53. | :37:59. | |
grave in the Abbey, but the Unknown Warrior is given the special dignity | :38:00. | :38:03. | |
above no And the other. Focus of the service tonight. Thank you both. | :38:04. | :38:23. | |
It is fast filling up. Nearly 2,000 invited people here, very much the | :38:24. | :38:34. | |
living. It's one of the features of Westminster Abbey that the living | :38:35. | :38:37. | |
can walk anywhere they like over the memorial stones of the greatest | :38:38. | :38:41. | |
names in British history, the one place they cannot walk is over the | :38:42. | :38:44. | |
Grave of the Unknown Warrior, protected tonight by flowers of the | :38:45. | :38:49. | |
Four Nations and those are the flowers from gardens of Britain and | :38:50. | :38:57. | |
sown amongst them seeds of poppies, which are reserved for the Armistice | :38:58. | :39:02. | |
Day. We shall be at the tomb at the end of the service. In this | :39:03. | :39:06. | |
evening's service at Westminster Abbey, David Morrisey will read the | :39:07. | :39:16. | |
poment 1914 by will Fred Owen who is commemorated in Poets' Corner. Out | :39:17. | :39:20. | |
of a war of such brutality that killed millions came art, literature | :39:21. | :39:24. | |
and music of enduring elegance and beauty. The poet has been looking at | :39:25. | :39:31. | |
the life of Wilfred Owen and how one of the great voices of the war | :39:32. | :39:34. | |
emerged from the experience of the Western Front. | :39:35. | :39:42. | |
What passing-bells for these who die as cattle? | :39:43. | :39:44. | |
Only the monstrous anger of the guns. | :39:45. | :39:45. | |
Only the stuttering rifles' rapid rattle | :39:46. | :39:50. | |
What I find fascinating is because of his experiences on the Western | :39:51. | :40:07. | |
front he was trying to find a new way to write about the war, forging | :40:08. | :40:12. | |
a new language. Most of the poems he was known for were written in a 15 | :40:13. | :40:18. | |
month period, far away from the battlefields of France. | :40:19. | :40:20. | |
Wilfred Owen was born in 1893 in Shropshire. | :40:21. | :40:22. | |
From a very young age he always knew he wanted to be a poet. | :40:23. | :40:25. | |
When war came he joined as an officer in 1915 and was quickly | :40:26. | :40:28. | |
He was tasked with guarding a dugout under continuous heavy fire | :40:29. | :40:35. | |
It was an utterly harrowing experience. | :40:36. | :40:44. | |
Owen saw his men dying, being drowned, | :40:45. | :40:45. | |
In January 1917 he wrote to his mother. | :40:46. | :40:56. | |
My own sweet mother, I can see no excuse | :40:57. | :40:59. | |
for deceiving you about these last four days. | :41:00. | :41:01. | |
I have not been at the Front, I have been in front | :41:02. | :41:07. | |
The ground was not mud, not sloppy mud, but an octopus of | :41:08. | :41:13. | |
sucking clay, three, four, and five feet deep relieved only | :41:14. | :41:16. | |
Men have been known to drown in them. | :41:17. | :41:24. | |
In the letters Owen wrote from the front to his mother we can | :41:25. | :41:29. | |
see many of the subjects that would later become important in his poems. | :41:30. | :41:33. | |
This need to tell the unvarnished truth, a kind of survivors report | :41:34. | :41:36. | |
if you like, and also a growing affection | :41:37. | :41:38. | |
In April 1917 Owen was blown in the air by a shell at Savy Wood. | :41:39. | :41:48. | |
The explosion killed a fellow officer and Owen spent several | :41:49. | :41:50. | |
This horrific experience left him with shell shock. | :41:51. | :41:58. | |
He was given leave for six months and sent to Edinburgh to recover | :41:59. | :42:01. | |
Dr Guy Cuthbertson is an expert on Wilfred Owen. | :42:02. | :42:08. | |
He believes Owen's time at Craiglockhart was vital to | :42:09. | :42:11. | |
Why was Craiglockhart so important for Owen? | :42:12. | :42:21. | |
The men had caring and understanding staff treating them, | :42:22. | :42:24. | |
lucky to be there rather than in some other hospitals at the time. | :42:25. | :42:27. | |
Here he got to mix with posh, educated people, | :42:28. | :42:30. | |
a different kind of feel for him from his own schooldays. | :42:31. | :42:34. | |
At Craiglockhart Owen met influential artists like | :42:35. | :42:35. | |
His talent blossomed and he went on to write most of his greatest | :42:36. | :42:41. | |
poems here such as Anthem for Doomed Youth and Dulce et Decorum Est. | :42:42. | :42:47. | |
By June 1918 Owen was passed fit for service. | :42:48. | :42:51. | |
Owen's friends implored him to remain at home, Sassoon even | :42:52. | :42:55. | |
threatened to stab him in the leg to prevent him from going back, | :42:56. | :42:58. | |
His time at Craiglockhart had made him realise that the war needed him | :42:59. | :43:04. | |
He needed to go back to bear witness to the suffering his companions had | :43:05. | :43:15. | |
gone through, the horror, the terror, the awfulness of war. | :43:16. | :43:18. | |
But the war that had forged Owen was ultimately to destroy him. | :43:19. | :43:25. | |
On November 4th, 1918 Wilfred Owen was shot and killed, just seven | :43:26. | :43:27. | |
The unflinching realism and the beauty of the poetry he left behind | :43:28. | :43:37. | |
have made Owen one of the greatest voices of the First World War. | :43:38. | :43:50. | |
In a draft preface to a book of poems that was never to | :43:51. | :43:53. | |
be published in his lifetime, Owen wrote, "Above all I am not | :43:54. | :43:56. | |
My subject is War, and the pity of War. | :43:57. | :43:59. | |
the Abbey along with actress Rachel Stirling who is taking part in the | :44:00. | :44:16. | |
service which starts in a few moments' time. David, it really is a | :44:17. | :44:22. | |
very, very poignant poem, 1914, about going into darkness. It is. | :44:23. | :44:27. | |
Also at the beginning of the war, for him, many of his poments with | :44:28. | :44:31. | |
famous towards the end of the war and the atrocities during the war. | :44:32. | :44:35. | |
But this poem, given its title 1914 is right at the beginning of the | :44:36. | :44:39. | |
war. I didn't know it actually, funny enough. It's such a privilege | :44:40. | :44:43. | |
to be reading it tonight in this amazing setting as well. So, I feel | :44:44. | :44:51. | |
a bit nervous, actually! We all are. We had a rehearsal today and felt | :44:52. | :44:55. | |
fine about it. Coming in and seeing everybody come in and you know, what | :44:56. | :44:59. | |
it means and people in their uniform for some reason, that also sets the | :45:00. | :45:02. | |
tone in a different way. It's a great privilege for all of us. Is | :45:03. | :45:10. | |
that how you feel? Yes, what's so extraordinary about this service is | :45:11. | :45:14. | |
it commemorates a moment with naivety we went into war, the young | :45:15. | :45:18. | |
boys signing up didn't know what they were in for, the world didn't | :45:19. | :45:23. | |
know what they were about to endure. And I think it's pitched perfectly, | :45:24. | :45:29. | |
a commemoration of that naivety actually. There's something | :45:30. | :45:32. | |
profoundly moving about the First World War, I find, because we just | :45:33. | :45:36. | |
didn't know about the ramifications of this sort of battle. So to be | :45:37. | :45:40. | |
here today is a great privilege. And for us all to reflect as well. Thank | :45:41. | :45:45. | |
you very much for being here and up better get off because the service | :45:46. | :45:52. | |
is starting shortly. Thank you both. Thanks to Sian and the guests. A few | :45:53. | :45:56. | |
minutes to go and Shirley Williams is still with me. We have the best | :45:57. | :46:00. | |
view in the house. That's why I'm here, It's nice wonderful. To have | :46:01. | :46:03. | |
your company. Before the service, I want to share with you one thing. | :46:04. | :46:07. | |
You mentioned, we were talking about your mother, and her remarkable | :46:08. | :46:12. | |
legacy. You revealed to me there is actually a very modern link with | :46:13. | :46:16. | |
today's Germany. There is very pleasingly. Last month, I got | :46:17. | :46:22. | |
invited with my best friend Helga, a German Jewish descent and came as a | :46:23. | :46:27. | |
refugee to Britain in 1939. We've been friends since we were at | :46:28. | :46:30. | |
university together. The city of Hamburg, which was the one which was | :46:31. | :46:34. | |
most devastated by British and American raids in 1943 and 44, | :46:35. | :46:42. | |
almost destroyed, invited me to agree that my mother could be the | :46:43. | :46:46. | |
person after whom they named the new embankment along the canal in the | :46:47. | :46:51. | |
middle of Hamburg. We had a wonderful ceremony. The minister of | :46:52. | :46:58. | |
culture and the local councillor for the area turned up and we stood | :46:59. | :47:05. | |
there and watching the naming of the Hamburg embankment and it was a | :47:06. | :47:09. | |
marvellous moment because my mother would most have longed for | :47:10. | :47:12. | |
reconciliation between the two enemy nations both of which she cared for | :47:13. | :47:17. | |
very much. It's called? The Vera Britten bank. Glad we were able to | :47:18. | :47:22. | |
share it. Thanks very much. A century on from the start of one of | :47:23. | :47:25. | |
the bloodiest conflicts in the history of the world, there is | :47:26. | :47:28. | |
no-one left alive in the United Kingdom who fought through those | :47:29. | :47:31. | |
years. Thanks to the work of the imperial war muse zeal, the thoughts | :47:32. | :47:37. | |
and -- Imperial War Museum, the thoughts of those men have been | :47:38. | :47:39. | |
preserved. As people come together and prepare to reflect on the | :47:40. | :47:44. | |
immense sacrifice of the Great War generation, let the last words be | :47:45. | :47:50. | |
theirs. ( On the 3 rd, August 19 #14, mobilisation orders came out. | :47:51. | :47:56. | |
We were all very excited. Most of us wanted to be out in France before | :47:57. | :48:03. | |
the war was over by Christmas. It was a great thing, said by the | :48:04. | :48:07. | |
papers, it would be over by Christmas. I wasn't excited. I was | :48:08. | :48:12. | |
apprehensive. I didn't believe the war was going to be over by | :48:13. | :48:17. | |
Christmas. I had a feeling that it wasn't going to be all together | :48:18. | :48:20. | |
quick. Joo-Ho over the top we go. As soon | :48:21. | :48:36. | |
as we get over the top, the fear has left you. It's terror. You don't | :48:37. | :48:45. | |
look. You see. You don't hear. You listen. Your nose is filled with | :48:46. | :48:54. | |
fumes and death. Your weapon and you are one. The veneer of civilisation | :48:55. | :49:01. | |
has dropped away. Here we were a gang of boys and all the time | :49:02. | :49:08. | |
Kuwazuru saying to -- and all the time, one was saying to oneself, "If | :49:09. | :49:13. | |
they can take it, I can." Then a shell is on top of you and you break | :49:14. | :49:22. | |
completely. Even the rats became hysterical. They came to seek refuge | :49:23. | :49:28. | |
from this terrific artillery fire. And then, the British Army went over | :49:29. | :49:36. | |
the top. What was it that we soldiers went for each other like | :49:37. | :49:44. | |
mad dogs, to fire at each other from a distance, to drop bombs is | :49:45. | :49:51. | |
something impersonal, but to see each other's white in the eyes and | :49:52. | :49:57. | |
then to run with the bayonet against a man, it was against my conception | :49:58. | :50:07. | |
and against my inner feeling. And there was mud, mud everywhere. Every | :50:08. | :50:13. | |
shell hole was a sea of filthy, oozing mud and the fatigue in that | :50:14. | :50:20. | |
mud was something terrible. When you haven't had sleep for several nights | :50:21. | :50:24. | |
and when you haven't had rest and sometimes hardly a meal, it did get | :50:25. | :50:31. | |
you. You reached a point where there was no beyond. As we withdrew over | :50:32. | :50:38. | |
the ground that had been captured that day, the sight was incredible. | :50:39. | :50:45. | |
It was just like a flock lying asleep in the field. Quite a number | :50:46. | :50:49. | |
of the men were still alive and they were crying out and begging for | :50:50. | :50:54. | |
water. One hefty chap grabbed me round both legs and held me. In the | :50:55. | :51:04. | |
years that have passed, that man's pleadings have haunted me. Yes, it | :51:05. | :51:07. | |
was a dreadful experience, there's no doubt about that. Still those of | :51:08. | :51:13. | |
us survived think ourselves jolly lucky. The voices of yesterday, and | :51:14. | :51:24. | |
those voices echoing really throughout Westminster Abbey | :51:25. | :51:29. | |
tonight. The Deputy Prime Minister, Nick Clegg, among the congregation. | :51:30. | :51:32. | |
Everyone with a candle. There will be 2,000 candles lit in the Abbey. | :51:33. | :51:40. | |
Gradually, those candles will be extinguished during the service | :51:41. | :51:45. | |
until there's just one candle left at the Grave of the Unknown Warrior. | :51:46. | :51:51. | |
The Duchess of Cornwall will be responsible for extinguishing that | :51:52. | :52:00. | |
last candle. Other venues sharing in this solemn experience, there we | :52:01. | :52:05. | |
have lights going out across Tower Bridge in London. And they'll just | :52:06. | :52:09. | |
leave the safety lights across the public walkways. A dramatic gesture. | :52:10. | :52:18. | |
Then if we look at Burnley, locals gathering at the war memorial after | :52:19. | :52:24. | |
a candle lit procession there. Lights going out right across | :52:25. | :52:33. | |
Burnley town. Derbyshire, Brassington. They're switching every | :52:34. | :52:37. | |
light off there, leaving just one candle burning. That's at St James' | :52:38. | :52:44. | |
church. Let's go to Wales, to Cardiff. | :52:45. | :52:52. | |
That's unmistakably Landaff cathedral. Special service there to | :52:53. | :52:58. | |
mark the centenary that we are remembering. To Downing Street, all | :52:59. | :53:04. | |
lights switched off on this anniversary. Leaving a single candle | :53:05. | :53:08. | |
burning there at the door of Number Ten. | :53:09. | :53:14. | |
To Northern Ireland, a special art installation at the City Hall by Bob | :53:15. | :53:22. | |
and Roberta Smith. Then down to Kent, Folkestone, where we've been | :53:23. | :53:26. | |
already tonight, torch-lit parade making its way to the war memorial | :53:27. | :53:30. | |
and they're passing that new memorial arch, which was dedicated | :53:31. | :53:33. | |
earlier today by Prince Harry. That's Folkestone. Now, let's look | :53:34. | :53:40. | |
at Westminster. Because this has been a bit of a closely guarded | :53:41. | :53:47. | |
secret. A light installation calls Spectra, illuminated at Victoria | :53:48. | :53:51. | |
tower gardens, next to the House of Lords, to mark this centenary, a | :53:52. | :53:56. | |
tower of intense white light to reach 15 kilometres into the night | :53:57. | :54:01. | |
sky. It will shine for the next week, a very dramatic new addition | :54:02. | :54:06. | |
to the London skyline. Glasgow Cathedral, we saw the service in | :54:07. | :54:09. | |
honour of the Commonwealth at the Glasgow Cathedral this morning and | :54:10. | :54:13. | |
tonight, people gathering there for their special vigil service. The | :54:14. | :54:20. | |
single candle burning there. To Blackpool, we saw the tower earlier. | :54:21. | :54:24. | |
The lights going out on Blackpool tower. Such a powerful symbol of the | :54:25. | :54:33. | |
respect and the reverence and the remembrance that today is all about. | :54:34. | :54:41. | |
Back here, just a few yards from Westminster Abbey, the Houses of | :54:42. | :54:44. | |
Parliament, one of the great, iconic buildings of the world, lights being | :54:45. | :54:50. | |
switched off across the Palace of Westminster and there we have the | :54:51. | :54:54. | |
lights going off on the everyoning bankment and the terrace of the | :54:55. | :54:57. | |
House of Commons and House of Lords, we can just make out the great face | :54:58. | :55:07. | |
of Big Ben. A wonderful series of very powerful tributes as the lights | :55:08. | :55:12. | |
go out across the United Kingdom. We look forward to this special | :55:13. | :55:18. | |
vigil and service at Westminster Abbey itself. It's due to begin and | :55:19. | :55:26. | |
Eddie Butler is there for us. Westminster Abbey, externally | :55:27. | :55:32. | |
illuminated and internally too. But the theme tonight is light going | :55:33. | :55:38. | |
out, we are one hour and five minutes away from the hour of 11pm. | :55:39. | :55:47. | |
1pm on August 4th, 1914, Britain went to war. The Abbey seems such a | :55:48. | :55:55. | |
safe haven, but even it was touched by the First World War. A bomb fell | :55:56. | :55:59. | |
on the newly-built choir school next door. It buried itself eight feet in | :56:00. | :56:06. | |
the ground and didn't explode. 12 servants of the Abbey, including | :56:07. | :56:11. | |
eight former choristers went off to war and didn't come home. | :56:12. | :56:15. | |
Representing Her Majesty, the Queen tonight, Her Royal Highness the | :56:16. | :56:20. | |
Duchess of Cornwall, just arriving outside the Abbey to be greeted by | :56:21. | :56:27. | |
the Dean of Westminster. Dr John Hall, who will lead tonight's | :56:28. | :56:29. | |
service. Her Royal Highness has a history, a | :56:30. | :56:57. | |
family history, of tragedy in the war. Three of her great uncles, | :56:58. | :57:07. | |
Alec, Henry and Hugh were all killed in the space of 18 months in the | :57:08. | :57:18. | |
war. The Dean of Westminster will present the Duchess of Cornwall to | :57:19. | :57:23. | |
the four bishops who are here tonight. The right rerchd Nigel | :57:24. | :57:30. | |
Muculloch. -- Right Reverend. Richard Charters, bishop of London. | :57:31. | :58:02. | |
The Archbishop of Westminster, Cardinal Vincent Nichols. And | :58:03. | :58:15. | |
finally, representing the eadvantage list -- Evangelist church, who will | :58:16. | :58:19. | |
give a prayer in German later in the evening. | :58:20. | :58:34. | |
The Duchess holding her candle. 2,000 candles are now lit. They will | :58:35. | :58:46. | |
go out in sections and the last to go out will be the single candle | :58:47. | :58:50. | |
there, by the Grave of the Unknown Warrior. | :58:51. | :58:56. | |
The choir of Westminster Abbey and the collegiate procession makes its | :58:57. | :59:00. | |
way down the knave. The choir consists of 12 men known | :59:01. | :00:04. | |
as Labour goers and 22 choirboys. -- lay vicars. | :00:05. | :00:11. | |
Carrying the cross of lights, James Grosse, who was speaking earlier. | :00:12. | :00:39. | |
# Plenteous grace with thee is found | :00:40. | :00:43. | |
Welcome to Westminster Abbey, this House of God, | :00:44. | :02:09. | |
the place of burial, amongst the graves and memorials of Kings and | :02:10. | :02:12. | |
Queens of this Kingdom and many of its greatest men and women, of an | :02:13. | :02:17. | |
The Grave reminds us of the meaning of war but our focus | :02:18. | :02:29. | |
In solemnly commemorating the centenary of the outbreak | :02:30. | :02:36. | |
of the First World War, as we reflect on the failure of the human | :02:37. | :02:41. | |
spirit that led to an inexorable slide to war, may we spend | :02:42. | :02:47. | |
# Kyrie eleison # Christe eleison | :02:48. | :03:48. | |
# Kyrie eleison # Lord, have mercy | :03:49. | :04:29. | |
# Kyrie eleison # Christe eleison | :04:30. | :07:24. | |
Longing for the renewal of creation, and seeking the peace of | :07:25. | :07:33. | |
God's kingdon, we are bold to pray: | :07:34. | :07:35. | |
Our Father, who art in heaven, hallowed be thy name, | :07:36. | :07:38. | |
as we forgive those who trespass against us. | :07:39. | :07:53. | |
And lead us not into temptation, but deliver us from evil. | :07:54. | :07:58. | |
For thine is the kingdom, the power and the glory, For ever and ever. | :07:59. | :08:04. | |
Sir Hugh Strong now presents his reflection on the world. Cedric Gray | :08:05. | :08:29. | |
was Foreign Secretary for seven years, making him the longest ever | :08:30. | :08:34. | |
serving holder of that office. Today, we remember him for a single | :08:35. | :08:43. | |
sentence. One evening, during the last week before the outbreak of the | :08:44. | :08:49. | |
Great War, or so the editor of the Westminster Gazette reminded him, he | :08:50. | :08:52. | |
looked out of the window and remarked, the lamps are going out | :08:53. | :08:56. | |
all over Europe, we shall not see them lit again in our lifetime. He | :08:57. | :09:11. | |
was a liberal, but his regret reveals an underlying conservatism. | :09:12. | :09:15. | |
He knew that war could be the midwife of resolution, a point | :09:16. | :09:17. | |
rightly recognised in Russia in 1914. He valued order, international | :09:18. | :09:35. | |
as well as domestic. He believed it rested on a common foundation. His | :09:36. | :09:45. | |
was for a continent, so it embraced Britain's enemies as well as | :09:46. | :09:52. | |
friends. Many of those living in Britain thought their society was on | :09:53. | :09:55. | |
the brink of fundamental change, even without war. Irish nationalism, | :09:56. | :10:03. | |
the strength of the trade unions and the demand for votes, not just for | :10:04. | :10:10. | |
women but for the many disenfranchised men were more | :10:11. | :10:16. | |
pressing than the international situation. On the 4th of August, | :10:17. | :10:30. | |
these ideas were trumped. They recognised it was a day to which the | :10:31. | :10:41. | |
word historic would apply. A decade later, he could not recall using the | :10:42. | :10:45. | |
sentence for which he has become so well-known. He concluded that he had | :10:46. | :10:51. | |
set it on the third, the day before Britain sent its ultimatum to | :10:52. | :10:56. | |
Britain, not on the fourth. His confusion captures the wider | :10:57. | :11:00. | |
uncertainty of the country as a whole. No longer fully at peace, not | :11:01. | :11:11. | |
yet at four. All work apprehensive. -- at war. Each for his or her | :11:12. | :11:19. | |
reason. Most were united by the invasion of algebra. All work united | :11:20. | :11:24. | |
by the realisation that their lives were likely never to be the same | :11:25. | :11:32. | |
again. They did not know how long the war would last or how many would | :11:33. | :11:37. | |
die. In this centenary, we must avoid condescension. The | :11:38. | :11:40. | |
condescension that comes from hindsight and the condescension that | :11:41. | :11:44. | |
says we would have acted differently. Our role is less to | :11:45. | :11:51. | |
judge than to understand. We have over four years in which to do that. | :11:52. | :11:57. | |
So evident are the memorials to the war, in our communities and on the | :11:58. | :12:01. | |
battlefields, that we can forget that they | :12:02. | :12:02. | |
battlefields, that we can forget that were not there in 1914. In | :12:03. | :12:10. | |
1914, our predecessors were embarking on a journey, in which | :12:11. | :12:14. | |
they would discover things about themselves and about the world which | :12:15. | :12:19. | |
100 years ago existed, if at all, only in their imaginations. 100 | :12:20. | :12:31. | |
years on, we too are about to embark on a journey, not too much on a | :12:32. | :12:36. | |
journey of remembrance, not least because few among us have memory of | :12:37. | :12:40. | |
this war, but more a journey like theirs, a journey of discovery, a | :12:41. | :12:47. | |
journey which seeks to understand the past certainly, but also a | :12:48. | :12:51. | |
journey which helps us to understand our own world and its continuing | :12:52. | :13:04. | |
engagement with war. David Morrissey will read 1914 by | :13:05. | :13:06. | |
Wilfred Owen now. War broke: and now the Winter of the | :13:07. | :13:13. | |
world With perishing great darkness closes | :13:14. | :13:15. | |
in. Is over all the width of | :13:16. | :13:18. | |
Europe whirled, Rending the sails of progress. | :13:19. | :13:27. | |
Rent or furled Are all Art's ensigns. Verse wails. | :13:28. | :13:31. | |
Now begin Famines of thought and feeling. | :13:32. | :13:34. | |
Love's wine's thin. The grain of human Autumn rots, down | :13:35. | :13:40. | |
hurled. For after Spring had bloomed in | :13:41. | :13:49. | |
early Greece, And summer blazed her glory out with | :13:50. | :13:51. | |
Rome, An Autumn softly fell, a harvest | :13:52. | :13:53. | |
home, A slow grand age, and rich with all | :13:54. | :13:57. | |
increase. But now, for us, wild Winter, and | :13:58. | :14:04. | |
the need Of sowings for new Spring, and blood | :14:05. | :14:16. | |
for seed. Blow the trumpet in Zion, sound | :14:17. | :14:28. | |
the alarm on my holy mountain! Let all the inhabitants | :14:29. | :14:34. | |
of the land tremble, for the day of the Lord is coming, it is near - | :14:35. | :14:39. | |
a day of darkness and gloom, Like blackness spread upon | :14:40. | :14:43. | |
the mountains a great and powerful army comes, their like has never | :14:44. | :14:58. | |
been from of old, nor will be again Fire devours in front of them, | :14:59. | :15:01. | |
and behind them a flame burns. Before them the land is | :15:02. | :15:09. | |
like the garden of Eden, but after them a desolate wilderness | :15:10. | :15:12. | |
and nothing escapes them. Yet even now, says the Lord, | :15:13. | :15:20. | |
return to me with all your heart, with fasting, with weeping, | :15:21. | :15:27. | |
and with mourning, rend Return to the Lord, your God, for he | :15:28. | :15:31. | |
is gracious and merciful, slow to anger, and abounding in steadfast | :15:32. | :15:49. | |
love, and relents from punishing. # qui per crucem et sanguinem | :15:50. | :16:16. | |
redemisti nos # auxiliare nobis te deprecamur | :16:17. | :17:15. | |
Deus noster # who by the Cross and the Blood | :17:16. | :17:23. | |
have redeemed us I must write you one more line | :17:24. | :18:26. | |
dearest to say Goodbye before we go, as God knows | :18:27. | :18:47. | |
when I shall see you again. I am so awfully glad we are going - | :18:48. | :18:52. | |
it is what we have been waiting for I think there is not much doubt | :18:53. | :19:03. | |
that we are really going: we were served out with | :19:04. | :19:08. | |
our rifles this afternoon and we believe that we shall be | :19:09. | :19:12. | |
at Southampton tomorrow night. So now dear it is goodbye and may | :19:13. | :19:20. | |
we meet again if God wills. You know that if I am allowed to | :19:21. | :19:24. | |
come back I shall feel exactly the same to you as I do now and | :19:25. | :19:29. | |
shall be ready for you whenever you can come to me, and you know that I | :19:30. | :19:35. | |
shall come straight to you and ask We are all fairly shouting with joy | :19:36. | :19:46. | |
at going and I dare say we shall soon be cursing the day | :19:47. | :19:55. | |
and then when we get back we shall Goodbye darling, | :19:56. | :19:59. | |
may God bless and keep you. He did survive the war with severe | :20:00. | :20:18. | |
facial injuries and he did marry his girlfriend, Joy. | :20:19. | :20:21. | |
whose will is to restore all things in your beloved Son, | :20:22. | :20:28. | |
govern the hearts and minds of those in authority, | :20:29. | :20:33. | |
and bring the families of the nations, | :20:34. | :20:37. | |
divided and torn apart by the ravages of sin, | :20:38. | :20:43. | |
to be subject to his just and gentle rule; | :20:44. | :20:48. | |
who is alive and reigns with you, in the unity of the Holy Spirit, | :20:49. | :20:55. | |
The first symbolic candle will now be distinguished. With that out goes | :20:56. | :21:28. | |
a whole section of candles. Rachel Stirling. | :21:29. | :21:35. | |
Snow is a strange white word. No ice or frost | :21:36. | :21:43. | |
Has asked of bud or bird For Winter's cost. | :21:44. | :21:49. | |
Yet ice and frost and snow From earth to sky | :21:50. | :21:55. | |
This Summer land doth know. No man knows why. | :21:56. | :22:03. | |
In all men's hearts it is. Some spirit old | :22:04. | :22:09. | |
Hath turned with malign kiss Our lives to mould. | :22:10. | :22:16. | |
Red fangs have torn His face. God's blood is shed. | :22:17. | :22:24. | |
He mourns from His lone place His children dead. | :22:25. | :22:32. | |
O! Ancient crimson curse! Corrode, consume. | :22:33. | :22:42. | |
Give back this universe Its pristine bloom. | :22:43. | :22:54. | |
In days to come the mountain of the Lord's house shall be established | :22:55. | :22:58. | |
as the highest of the mountains, and shall be raised above the hills; | :22:59. | :23:02. | |
Many peoples shall come and say, "Come, let us go up to the mountain | :23:03. | :23:11. | |
of the Lord, to the house of the God of Jacob; that he may teach us his | :23:12. | :23:16. | |
ways and that we may walk in his paths." | :23:17. | :23:22. | |
For out of Zion shall go forth instruction, and the word | :23:23. | :23:26. | |
He shall judge between the nations, and shall arbitrate | :23:27. | :23:34. | |
for many peoples; they shall beat their swords into ploughshares, | :23:35. | :23:39. | |
and their spears into pruning hooks; nation shall not lift up | :23:40. | :23:44. | |
sword against nation, neither shall they learn war any more. | :23:45. | :23:55. | |
The reading by the British Army chief of the general staff between | :23:56. | :23:59. | |
2006 and 2009. # Nor the offences of | :24:00. | :24:12. | |
our forefathers # Neither take thou vengeance of our | :24:13. | :24:49. | |
sins # Spare thy people, whom | :24:50. | :25:33. | |
thou hast redeemed The exciting part | :25:34. | :25:59. | |
of the day was now to begin. I walked into the fine church | :26:00. | :27:04. | |
and to my delight, Vespers was being The atmosphere was so moving | :27:05. | :27:10. | |
and restful that I took out my own Office book and said evensong; then | :27:11. | :27:19. | |
went on to another half hour of prayer, not forgetting the war, | :27:20. | :27:24. | |
but forgetting how close it was. And then in the distance over | :27:25. | :27:30. | |
the flat country, a continuous I remembered and looked at my | :27:31. | :27:34. | |
watch-5.30-the time for the Attack. The contrast between Church | :27:35. | :27:47. | |
and this! Little puffs of smoke hung | :27:48. | :27:52. | |
about the poplars on the horizon. I knew that soon at a given moment, | :27:53. | :27:57. | |
in broad sunny daylight as it was, the thin line of some battalion as | :27:58. | :28:02. | |
nice as my own, would spring over Sixhorsed ammunition wagons | :28:03. | :28:08. | |
dashed past me-it was a wonder to And as if to encourage all folk | :28:09. | :28:17. | |
within sound of the battle, a bagpipe band of some Cameron | :28:18. | :28:26. | |
regiment pranced up and down the road never a bit drowned by the | :28:27. | :28:31. | |
guns, but shrieking out a sort of P- and B- were sitting at the | :28:32. | :28:38. | |
window looking towards the sounds. I joined them, and we sat there | :28:39. | :28:47. | |
for an hour and a half saying little, only picturing the state of | :28:48. | :28:52. | |
those dread acres now, wondering how the attack had fared, noting subtle | :28:53. | :28:58. | |
transitions now and then, the imposing rattle | :28:59. | :29:04. | |
of rifle fire all along the line now battling down even the big guns; | :29:05. | :29:09. | |
great salvoes of the latter now To-morrow I shall see some | :29:10. | :29:14. | |
of the result, as I bend over the dying and bloodstained men who | :29:15. | :29:25. | |
will have by then been brought in. Eternal God, from whom all thoughts | :29:26. | :29:46. | |
of truth and peace proceed: kindle, we pray, in the hearts | :29:47. | :29:56. | |
of all, the true love of peace, and guide with your pure and peaceable | :29:57. | :30:02. | |
wisdom those who take counsel for the nations of the earth, that | :30:03. | :30:08. | |
in tranquillity your kingdom may go forward, 'til the earth is filled | :30:09. | :30:14. | |
with the knowledge of your love; Baroness Warsi will extinguish the | :30:15. | :30:21. | |
second candle. In poets corner dame Penelope Keith | :30:22. | :30:56. | |
will read Many Sisters to Many Brothers. | :30:57. | :31:04. | |
When we fought campaigns (in the long Christmas rains) | :31:05. | :31:07. | |
With soldiers spread in troops on the floor, | :31:08. | :31:10. | |
I shot as straight as you, my losses were as few, | :31:11. | :31:15. | |
And when in naval battle, amid cannon's rattle, | :31:16. | :31:22. | |
My cruisers were as trim, my battleships as grim, | :31:23. | :31:28. | |
Or, when it rained too long, and the strength of the strong | :31:29. | :31:37. | |
Surged up and broke a way with blows, | :31:38. | :31:41. | |
I was as fit and keen, my fists hit as black eye matched | :31:42. | :31:47. | |
Was there a scrap or ploy in which you, the boy, | :31:48. | :31:54. | |
Could better me? You could not climb higher, | :31:55. | :31:57. | |
Ride straighter, run as quick (and to smoke made you sick) | :31:58. | :32:02. | |
...But I sit here, and you're under fire. | :32:03. | :32:07. | |
Oh, it's you that have the luck, out there in blood and muck: | :32:08. | :32:11. | |
You were born beneath a kindly star; | :32:12. | :32:15. | |
All we dreamt, I and you, you can really go and do, | :32:16. | :32:19. | |
In a trench you are sitting, while I am knitting | :32:20. | :32:28. | |
A hopeless sock that never gets done. | :32:29. | :32:32. | |
Well, here's luck, my dear; - and you've got it, no fear; | :32:33. | :32:37. | |
How lonely sits the city that once was full of people! | :32:38. | :32:52. | |
How like a widow she has become, she that was great among the nations! | :32:53. | :32:58. | |
She that was a princess among the provinces has become a vassal. | :32:59. | :33:04. | |
She weeps bitterly in the night, with tears on her cheeks; | :33:05. | :33:10. | |
among all her lovers she has no one to comfort her; all her friends have | :33:11. | :33:15. | |
dealt treacherously with her, they have become her enemies. | :33:16. | :33:21. | |
Judah has gone into exile with suffering and hard | :33:22. | :33:28. | |
servitude; she lives now among the nations, and finds no resting place; | :33:29. | :33:35. | |
her pursuers have all overtaken her in the midst of her distress. | :33:36. | :33:41. | |
From daughter Zion has departed all Her Majesty. | :33:42. | :33:46. | |
Jerusalem remembers, in the days of her affliction and | :33:47. | :33:50. | |
wandering, all the precious things that were hers in days of old. | :33:51. | :34:01. | |
no one to help her, the foe looked on mocking over her downfall. | :34:02. | :34:28. | |
# Drop drop slow tears and bathe those beauteous feet | :34:29. | :34:49. | |
# which brought from heaven the news and Prince of peace | :34:50. | :35:10. | |
# Cease not wet eyes his mercies to entreat | :35:11. | :35:28. | |
# to cry for vengeance sin doth never cease | :35:29. | :36:17. | |
# In your deep flood drown all my faults and fears | :36:18. | :36:38. | |
# nor let his eye see sin but through my tears. | :36:39. | :37:35. | |
You are nine months old, my little son, when I begin this Diary. | :37:36. | :37:41. | |
We are parted at present, at what cost to the joy of the | :37:42. | :37:46. | |
You are too young to understand... | :37:47. | :37:52. | |
But there is one solemn reason that makes me start my diary tonight. | :37:53. | :37:56. | |
Grave rumours of a possible terrible conflict of Nations are on | :37:57. | :38:00. | |
everybody's lips, and have been gathering for some days past. | :38:01. | :38:04. | |
If indeed the dread that is in all our hearts is justified | :38:05. | :38:08. | |
by future events, my little boy will have some idea | :38:09. | :38:11. | |
Therefore, my baby, whose dimpled hands, however eager, | :38:12. | :38:20. | |
cannot yet grasp a weapon for the honour of your country, | :38:21. | :38:24. | |
we must wait and see what the next fateful days bring forth. | :38:25. | :38:28. | |
All was quiet at Paddington... | :38:29. | :38:35. | |
But after the departure of the train... | :38:36. | :38:39. | |
numbers of weeping women to file down towards the exits, | :38:40. | :38:43. | |
accompanied some by a small son or an old man trying to console them. | :38:44. | :38:46. | |
For the first time I realise what these scenes mean that are going | :38:47. | :38:50. | |
on round London in every station and all day. | :38:51. | :38:53. | |
All the reservists are being called up. | :38:54. | :38:56. | |
Every hour makes the situation more thrilling. | :38:57. | :39:03. | |
I grudge every moment spent indoors, out of sight of the fresh crop | :39:04. | :39:07. | |
of news posters that seem to spring up continually. | :39:08. | :39:11. | |
London seems to be all turned into streets, which are seething | :39:12. | :39:14. | |
My baby, if ever you read your Mother's diary in years to come | :39:15. | :39:25. | |
you will probably be bored by the details I give of the | :39:26. | :39:29. | |
A few years hence it will not matter a jot where the armies happened to | :39:30. | :39:35. | |
All that will matter to you some day is the result | :39:36. | :39:41. | |
of the terrible suspense we grown-ups are now going through. | :39:42. | :39:50. | |
Lord God, you hold both heaven and earth in a single peace. | :39:51. | :40:11. | |
Let the design of your great love shine on the waste of our wraths | :40:12. | :40:19. | |
and sorrow, and give peace to your Church, peace among nations, peace | :40:20. | :40:28. | |
in our homes, and peace in our hearts; in Jesus Christ our Lord. | :40:29. | :40:36. | |
The extinguishing of the third candle by Major-General Edward Smith | :40:37. | :40:51. | |
Osborne, general officer commanding London district. | :40:52. | :41:04. | |
And Mark Gatis reads the poem The Messages. | :41:05. | :41:09. | |
I cannot quite remember... There were five | :41:10. | :41:11. | |
Dropt dead beside me in the trench-and three | :41:12. | :41:14. | |
Whispered their dying messages to me... | :41:15. | :41:17. | |
Back from the trenches, more dead than alive, | :41:18. | :41:19. | |
Stone-deaf and dazed, and with a broken knee, | :41:20. | :41:22. | |
He hobbled slowly, muttering vacantly: | :41:23. | :41:27. | |
I cannot quite remember... There were five | :41:28. | :41:30. | |
Dropt dead beside me in the trench, and three | :41:31. | :41:33. | |
Their friends are waiting, wondering how they thrive - | :41:34. | :41:40. | |
Waiting a word in silence patiently... | :41:41. | :41:43. | |
But what they said, or who their friends may be | :41:44. | :41:47. | |
I cannot quite remember... There were five | :41:48. | :41:52. | |
Dropt dead beside me in the trench-and three | :41:53. | :41:55. | |
Whispered their dying messages to me... | :41:56. | :42:06. | |
For it is the God who said, "Let light shine out of darkness", | :42:07. | :42:09. | |
who has shone in our hearts to give the light | :42:10. | :42:12. | |
of the knowledge of the glory of God in the face of Jesus Christ. | :42:13. | :42:19. | |
But we have this treasure in clay jars, | :42:20. | :42:23. | |
so that it may be made clear that this extraordinary power belongs to | :42:24. | :42:31. | |
We are afflicted in every way, but not crushed; perplexed, but not | :42:32. | :42:46. | |
driven to despair; persecuted, but not forsaken; struck down, but not | :42:47. | :42:55. | |
destroyed; always carrying in the body the death of Jesus, so that the | :42:56. | :43:03. | |
life of Jesus may also be made visible in our bodies. | :43:04. | :43:12. | |
For while we live, we are always being given up to death for Jesus' | :43:13. | :43:19. | |
sake, so that the life of Jesus may be made visible in our mortal flesh. | :43:20. | :43:34. | |
Sir Nicholas Young the chief executive of the British Red Cross. | :43:35. | :43:39. | |
Now the choir sings some Bach and in German. | :43:40. | :43:47. | |
Sebastian Faulks reading an extract from his novel Birdsong. | :43:48. | :46:07. | |
There is always someone sleeping, someone strolling. | :46:08. | :46:25. | |
Men come out from England like emsears from an unknown land. I | :46:26. | :46:30. | |
cannot picture what it means to be at peace. I do not know how people | :46:31. | :46:37. | |
there can lead a life. The only things that sometimes jolt us back | :46:38. | :46:43. | |
from this transare memories of men in the set of eyes of some | :46:44. | :46:50. | |
conscripted boy, I see a look of Douglas and I find myself rigid with | :46:51. | :46:54. | |
imagining. I can see that man's skull open up as he bent down to his | :46:55. | :47:03. | |
friend that summer morning. We are not contemptuous of gunfire, but we | :47:04. | :47:06. | |
have lost the power to be afraid, shells will fall on the reserve | :47:07. | :47:11. | |
lines and we will not stop talking. A boy lay without legs where the men | :47:12. | :47:18. | |
took their tea from the cooker. They stepped over him. I have tried to | :47:19. | :47:23. | |
resist the slide into this unreal world, but I lack the strength. I am | :47:24. | :47:32. | |
tired. Now, I am tired in my soul. Many times I have lain down and I | :47:33. | :47:40. | |
have longed for death. I feel unworthy, death will not come and I | :47:41. | :47:46. | |
am cast adrift in a perpetual present. I do not know what I have | :47:47. | :47:51. | |
done to live in this existence. I do not know what any of us did to tilt | :47:52. | :48:01. | |
the world into this unnatural orbit. We came here only for a few months. | :48:02. | :48:07. | |
No child or future generation will ever know what this was like. They | :48:08. | :48:13. | |
will never understand. When it is over, we will go quietly among the | :48:14. | :48:20. | |
living and we will not tell them. We will talk and sleep and go about our | :48:21. | :48:26. | |
business like human beings. We will seal what we have seen in the | :48:27. | :48:32. | |
silence of our hearts and no words will reach us. | :48:33. | :48:47. | |
Herr unser Gott, taglich erleben wir bis heute Hass | :48:48. | :48:53. | |
Wir bitten um Frieden und Versohnung der Volker, um den Willen zur | :48:54. | :49:05. | |
Verstandigung, wo Konflikte Menschen verbittern, und um Aussohnung, | :49:06. | :49:08. | |
Dies bitten wir durch Jesus Christus, unseren Herrn. | :49:09. | :49:17. | |
Nick Clegg will extinguish the last of the symbolic candles and the | :49:18. | :49:33. | |
fourth section goes out. Jennifer Pike will now play The Lark | :49:34. | :50:02. | |
Ascending. Writ ten in 1914, before the | :50:03. | :51:23. | |
outbreak of war. The exultation of larks, soaring over Britain about to | :51:24. | :51:30. | |
be left behind. The composer himself joined newspaper 1914. -- joined up | :51:31. | :51:36. | |
in 1914. He served in the royal medical corps and then in the royal | :51:37. | :51:42. | |
garrison artillery served at the second battle of the Somme in 1918. | :51:43. | :51:49. | |
Four guardsmen have now placed themselves around the Grave of the | :51:50. | :51:58. | |
Unknown Warrior and Darren Thomas of the Scots Guards, Stephen Walsh of | :51:59. | :52:05. | |
the Irish Guards, Adam Reece of the Welsh Guards. One guard from each of | :52:06. | :52:14. | |
the Four Nations. And the procession now makes its way towards the tomb. | :52:15. | :53:47. | |
Jesus said, "Now my soul is troubled. | :53:48. | :56:02. | |
And what should I say-'Father, save me from this hour?' | :56:03. | :56:05. | |
No, it is for this reason that I have come to this hour. | :56:06. | :56:09. | |
Then a voice came from heaven, "I have glorified it, | :56:10. | :56:14. | |
The crowd standing there heard it and said that it was thunder. | :56:15. | :56:20. | |
Others said, "An angel has spoken to him." | :56:21. | :56:24. | |
Jesus answered, "This voice has come for your sake, not for mine. | :56:25. | :56:28. | |
Now is the judgement of this world; now the ruler | :56:29. | :56:33. | |
And I, when I am lifted up from the earth, | :56:34. | :56:39. | |
He said this to indicate the kind of death he was to die. | :56:40. | :56:45. | |
Jesus said to them, "The light is with you for a little longer. | :56:46. | :56:50. | |
Walk while you have the light, so that | :56:51. | :56:53. | |
Now a special composition by David Matthews. | :56:54. | :57:20. | |
# Oh to whom shall a song of battle be chanted | :57:21. | :58:03. | |
# Not to our lord of the hosts on his ancient throne | :58:04. | :58:24. | |
# Drowsing the ages out in Heaven alone | :58:25. | :58:50. | |
# The celestial choirs are mute the angels have fled | :58:51. | :59:11. | |
# Word is gone forth abroad that our lord is dead | :59:12. | :59:39. | |
# Is it nothing to you all you that pass by | :59:40. | :59:49. | |
# Behold and see if there be any sorrow like unto my sorrow. | :59:50. | :00:03. | |
# Oh to whom shall a song of battle be chanted | :00:04. | :00:40. | |
# If you had only recognised on this day the things that make for peace | :00:41. | :01:00. | |
# But now they are hidden from your eyes | :01:01. | :01:23. | |
# Oh to whom shall a song of battle be chanted | :01:24. | :02:37. | |
Eternal Father, the darkness is no darkness to you, | :02:38. | :02:44. | |
and the night is as clear as the day. | :02:45. | :02:49. | |
Accompany and protect us as we enter the night; give us eyes that watch | :02:50. | :02:56. | |
for the dawn and hearts to learn again the lessons of love, | :02:57. | :03:05. | |
that reconciled to one another and to you we may walk through this | :03:06. | :03:10. | |
world's perils and sorrows as children of light; | :03:11. | :03:16. | |
Amen. One, last, small candle to be skinning wished by the Duchess of | :03:17. | :03:31. | |
Cornwall. 11pm on the night of August 4, 1914, | :03:32. | :03:55. | |
Britain was at war and yet, the darkness was not complete, is not | :03:56. | :04:01. | |
total. The Pascal candle will remain lit for the next four and a quarter | :04:02. | :04:07. | |
years, hope that cannot be skinning wished, the flame that will not die. | :04:08. | :04:17. | |
What we call the beginning is often the end | :04:18. | :04:20. | |
And to make an end is to make a beginning. | :04:21. | :04:25. | |
In the beginning was the Word, and the Word was with God, | :04:26. | :04:49. | |
All things came into being through him, and without | :04:50. | :05:01. | |
What has come into being in him was life, and the life was | :05:02. | :05:13. | |
The light shines in the darkness, and | :05:14. | :05:21. | |
The triumph of light over darkness, of good over evil. Westminster Abbey | :05:22. | :05:43. | |
falls into darkness tonight, just after 11pm, a century ago, Britain | :05:44. | :05:48. | |
had declared war on Germany. It was the start of the First World War. | :05:49. | :05:57. | |
Darkness inside the abbey and outside too. | :05:58. | :06:01. | |
Very powerful symbol of what we've been talking about all day. Shirley | :06:02. | :06:07. | |
Williams still with me. A very moving service and some very | :06:08. | :06:15. | |
powerful contributions. As we went through this long day, I became | :06:16. | :06:19. | |
conscious of millions of ghosts who are mourning with us. The ghosts of | :06:20. | :06:23. | |
all those who lost their lives in that war and in wars subsequently. | :06:24. | :06:28. | |
The other thing, as we came towards the end of the programme and saw the | :06:29. | :06:35. | |
indications of some kind of peace and vision for the future, I also | :06:36. | :06:40. | |
remembered the words of one of the poets we have not quoted so far. "We | :06:41. | :06:49. | |
must love one and other, or die." Nice to have had you with us Shirley | :06:50. | :06:54. | |
Williams today. Thank you very much for sharing your experiences with | :06:55. | :06:58. | |
us. Thank you very much. That brings to an end our day-long commemoration | :06:59. | :07:04. | |
of the outbreak of the First World War, a century ago tonight. We | :07:05. | :07:08. | |
started in Glasgow w a tribute to Commonwealth forces. We were in | :07:09. | :07:12. | |
Belgium earlier this evening for an event which included British and | :07:13. | :07:16. | |
German voices. Tonight, at Westminster Abbey, a candle-lit | :07:17. | :07:22. | |
vigil to mark the hour when war was declared. A four-year conflict, as | :07:23. | :07:28. | |
many as 20 million lives lost and it is our duty to remember. From all of | :07:29. | :07:34. | |
the BBC team, thank you for watching and good night. | :07:35. | :07:39. |