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DANNY BOYLE: So this is... | 0:00:18 | 0:00:20 | |
So this is an extraordinary kind of, like, puzzle really, I suppose. | 0:00:21 | 0:00:25 | |
Because although its origins are prestigious, you know, | 0:00:25 | 0:00:29 | |
he's obviously... | 0:00:29 | 0:00:30 | |
..an incredible artist, its purpose and its outcome is unclear. | 0:00:32 | 0:00:38 | |
It's really just like, in a way, the most obvious thing | 0:00:52 | 0:00:55 | |
in the world is what he wants us to do, which is to stage | 0:00:55 | 0:00:58 | |
a nativity play in Bethlehem. | 0:00:58 | 0:01:01 | |
What school teacher wouldn't think that was a good idea, | 0:01:01 | 0:01:05 | |
you know, for your school play? | 0:01:05 | 0:01:07 | |
You think, "Oh, let's go and do it actually in Bethlehem." | 0:01:07 | 0:01:10 | |
And so I think it's clear that, being the artist that he is, | 0:01:10 | 0:01:16 | |
he wants that context, the pure context, | 0:01:16 | 0:01:20 | |
to be not so pure, I would think. | 0:01:20 | 0:01:23 | |
Because obviously his work is pictorial and two-dimensional, | 0:01:28 | 0:01:34 | |
it's the placing of it that obviously gives it such context. | 0:01:34 | 0:01:40 | |
Here we go. | 0:01:40 | 0:01:42 | |
It's a celebration as well as having some provocation in it, | 0:01:46 | 0:01:51 | |
but I always imagine that the provocation would be | 0:01:51 | 0:01:53 | |
the context of it being made here | 0:01:53 | 0:01:56 | |
and how it was made in the shadow of the wall. | 0:01:56 | 0:02:00 | |
It isn't going to be just like a school play. | 0:02:03 | 0:02:05 | |
There will be a function of the evening | 0:02:05 | 0:02:09 | |
that is beyond the automatic goodwill of a school play. | 0:02:09 | 0:02:14 | |
It'll be very interesting to see how that resonates, | 0:02:18 | 0:02:21 | |
to see what ripples come out from that, really. | 0:02:21 | 0:02:24 | |
THEY SPEAK ENGLISH | 0:02:56 | 0:02:58 | |
THEY SING 'GLORIA IN EXCELSIS DEO' | 0:03:09 | 0:03:13 | |
THEY REPEAT IN OWN LANGUAGE | 0:03:21 | 0:03:24 | |
CHEERING AND APPLAUSE | 0:03:35 | 0:03:37 | |
Good evening, ladies and gentlemen, children and any angels. | 0:03:45 | 0:03:52 | |
SHE TRANSLATES IN OWN LANGUAGE | 0:03:52 | 0:03:54 | |
HE SPEAKS ENGLISH | 0:03:58 | 0:04:00 | |
CHEERING AND APPLAUSE | 0:04:08 | 0:04:10 | |
THEY SING 'JINGLE BELLS' IN OWN LANGUAGE | 0:04:14 | 0:04:18 | |
# Jingle bells, jingle bells | 0:04:31 | 0:04:34 | |
# Jingle all the way | 0:04:34 | 0:04:35 | |
# Oh, what fun is to ride in a one-horse open sleigh | 0:04:35 | 0:04:40 | |
# Jingle bells, jingle bells | 0:04:40 | 0:04:42 | |
# Jingle all the way | 0:04:42 | 0:04:44 | |
# Oh, what fun it is to ride in a one-horse sleigh! # | 0:04:44 | 0:04:48 | |
SHE SPEAKS ENGLISH | 0:05:00 | 0:05:03 | |
MUSIC: POWER by Kanye West | 0:05:17 | 0:05:21 | |
-KANYE WEST: -# I'm living in that 21 century | 0:05:29 | 0:05:31 | |
# Doing something mean to it | 0:05:31 | 0:05:33 | |
# Do it better than anybody you ever seen do it | 0:05:33 | 0:05:36 | |
# Screams from the haters, got a nice ring to it... # | 0:05:36 | 0:05:39 | |
HER PHONE BEEPS | 0:05:39 | 0:05:41 | |
# No one man should have all that power | 0:05:42 | 0:05:45 | |
# The clock's ticking, I just count the hours | 0:05:45 | 0:05:48 | |
# Stop tripping, I'm tripping off the power | 0:05:48 | 0:05:51 | |
# 21st century schizoid man. # | 0:05:51 | 0:05:54 | |
Huh?! | 0:06:59 | 0:07:01 | |
ORGAN PLAYS, THEY SING IN OWN LANGUAGE | 0:07:01 | 0:07:05 | |
# Whoa | 0:07:49 | 0:07:51 | |
-CROWD: -# Whoa, whoa | 0:07:51 | 0:07:52 | |
# Oh, oh, oh | 0:08:07 | 0:08:09 | |
# Oh, oh, oh | 0:08:09 | 0:08:10 | |
# Oh, oh, oh, oh, oh, oh-oh | 0:08:10 | 0:08:13 | |
# Oh, oh, oh | 0:08:13 | 0:08:15 | |
# Oh, oh, oh | 0:08:15 | 0:08:16 | |
# Oh, oh, oh, oh, oh, oh-oh | 0:08:16 | 0:08:19 | |
# Oh, oh, oh | 0:08:32 | 0:08:33 | |
# Oh, oh, oh | 0:08:33 | 0:08:35 | |
# Oh, oh, oh, oh, oh, oh-oh | 0:08:35 | 0:08:38 | |
# Oh, oh, oh | 0:08:38 | 0:08:40 | |
# Oh, oh, oh | 0:08:40 | 0:08:42 | |
# Oh, oh, oh, oh, oh, oh-oh. # | 0:08:42 | 0:08:44 | |
The king is born in Bethlehem! | 0:08:46 | 0:08:49 | |
THEY SPEAK OWN LANGUAGE | 0:08:49 | 0:08:51 | |
HE SPEAKS ENGLISH | 0:08:52 | 0:08:54 | |
The king is born! | 0:08:56 | 0:08:58 | |
HE SPEAKS OWN LANGUAGE | 0:08:58 | 0:09:00 | |
THEY SPEAK ENGLISH | 0:09:01 | 0:09:04 | |
THEY HUM TUNE OF 'SILENT NIGHT' | 0:09:25 | 0:09:30 | |
-CHORUS, IN OWN LANGUAGE: -# Jesus is born | 0:10:56 | 0:10:58 | |
# Hallelujah! | 0:10:58 | 0:11:02 | |
# Jesus is born | 0:11:02 | 0:11:04 | |
# Hallelujah! | 0:11:04 | 0:11:08 | |
# Jesus is born Jesus is born | 0:11:08 | 0:11:13 | |
# Jesus is born | 0:11:13 | 0:11:16 | |
# Hallelujah! | 0:11:16 | 0:11:19 | |
# Hallelujah! Hallelujah! | 0:11:19 | 0:11:25 | |
# Hallelujah! | 0:11:25 | 0:11:31 | |
# Hallelujah! Hallelujah! | 0:11:31 | 0:11:36 | |
# Hallelujah! # | 0:11:36 | 0:11:41 | |
-UP-TEMPO: -# Jesus is born | 0:11:42 | 0:11:44 | |
# Hallelujah! | 0:11:44 | 0:11:47 | |
# Jesus is born | 0:11:47 | 0:11:49 | |
# Hallelujah! | 0:11:49 | 0:11:52 | |
# Jesus is born Jesus is born | 0:11:52 | 0:11:57 | |
# Jesus is born | 0:11:57 | 0:11:58 | |
# Hallelujah! | 0:11:58 | 0:12:01 | |
# Jesus is born | 0:12:01 | 0:12:03 | |
# Hallelujah! | 0:12:03 | 0:12:05 | |
# Jesus is born | 0:12:05 | 0:12:07 | |
# Hallelujah! | 0:12:07 | 0:12:09 | |
# Jesus is born Jesus is born | 0:12:09 | 0:12:13 | |
# Jesus is born | 0:12:13 | 0:12:15 | |
# Hallelujah! | 0:12:15 | 0:12:17 | |
# Jesus is born | 0:12:17 | 0:12:19 | |
# Hallelujah! | 0:12:19 | 0:12:21 | |
# Jesus is born | 0:12:21 | 0:12:22 | |
# Hallelujah! | 0:12:22 | 0:12:24 | |
# Jesus is born Jesus is born | 0:12:24 | 0:12:28 | |
# Jesus is born | 0:12:28 | 0:12:29 | |
# Hallelujah! | 0:12:29 | 0:12:32 | |
# Jesus is born | 0:12:32 | 0:12:37 | |
# Hallelujah! # | 0:12:39 | 0:12:44 | |
CHEERING AND APPLAUSE | 0:12:46 | 0:12:49 | |
ELECTRICAL BUZZING | 0:12:51 | 0:12:54 | |
CHEERING AND APPLAUSE | 0:13:09 | 0:13:11 | |
CHEERING | 0:15:29 | 0:15:31 | |
CHEERING AND APPLAUSE | 0:15:44 | 0:15:47 | |
MUSIC: In The Hall Of The Mountain King by Greig | 0:16:06 | 0:16:11 | |
Hoo-ah! Hoo-ah! Hoo-ah! Hoo-ah! | 0:16:11 | 0:16:15 | |
Hoo-ah! Hoo-ah! | 0:16:15 | 0:16:18 | |
SOLDIERS REPEAT | 0:16:20 | 0:16:23 | |
Hoo-ah! Hoo-ah! Hoo-ah! | 0:16:23 | 0:16:26 | |
SOLDIERS REPEAT | 0:16:31 | 0:16:34 | |
SOLDIERS REPEAT | 0:16:36 | 0:16:38 | |
THEY ALL REPEAT | 0:16:38 | 0:16:42 | |
SOLDIERS REPEAT | 0:16:45 | 0:16:47 | |
Rargh! | 0:16:47 | 0:16:48 | |
Huh?! | 0:16:55 | 0:16:57 | |
Yalla! | 0:16:57 | 0:16:59 | |
Hoo-ah! Hoo-ah! Hoo-ah! | 0:16:59 | 0:17:02 | |
Hoo-ah! Hoo-ah! Hoo-ah! Hoo-ah! | 0:17:02 | 0:17:07 | |
-Hoo-ah! Hoo-ah! -CHEERING AND APPLAUSE | 0:17:07 | 0:17:10 | |
Hoo-ah! Hoo-ah! Hoo-ah! | 0:17:10 | 0:17:14 | |
Hoo-ah! Hoo-ah! Hoo-ah! Hoo-ah! | 0:17:14 | 0:17:19 | |
CHEERING AND APPLAUSE | 0:17:19 | 0:17:21 | |
Yes! | 0:17:21 | 0:17:22 | |
CHEERING AND APPLAUSE | 0:17:45 | 0:17:48 | |
CHEERING AND APPLAUSE | 0:17:52 | 0:17:54 | |
MUSIC: Jingle Bells | 0:17:54 | 0:17:57 | |
THEY SING 'JINGLE BELLS' IN OWN LANGUAGE | 0:17:57 | 0:18:02 | |
MUSIC: Jazzy version of Silent Night | 0:18:12 | 0:18:16 | |
I'm very emotional, to be honest. I can't... | 0:18:16 | 0:18:19 | |
-Can't speak. -I'm speechless, actually. | 0:18:19 | 0:18:22 | |
It was great, it was really good. And I tell you what was amazing... | 0:18:22 | 0:18:25 | |
You didn't know whether any Palestinians would turn up, | 0:18:25 | 0:18:28 | |
because they don't want to really sit by the wall. | 0:18:28 | 0:18:31 | |
But we overcame that, didn't we? | 0:18:31 | 0:18:32 | |
It was a real kind of joyous thing, I think. | 0:18:34 | 0:18:37 | |
It felt like a very intimate show as well. | 0:18:37 | 0:18:40 | |
All coming from the heart of the community. | 0:18:41 | 0:18:44 | |
I'll never forget that sight of them COVERED in snow at the front! | 0:18:48 | 0:18:52 | |
But they were as happy as pie. They were so... | 0:18:52 | 0:18:55 | |
You could see they were enraptured by it, weren't they? | 0:18:55 | 0:18:57 | |
-The audience, yeah. -Oh, it was just... | 0:18:57 | 0:18:59 | |
-They were just like this... -Yeah. -..looking at everything. | 0:18:59 | 0:19:02 | |
That was so, so cool. That was really nice. | 0:19:02 | 0:19:05 | |
What I was pleased about - ALL of them performed. | 0:19:29 | 0:19:32 | |
Some of them, like, I know that they're very shy - | 0:19:33 | 0:19:36 | |
they just, like, probably wouldn't think about acting. | 0:19:36 | 0:19:40 | |
But they're, like, very happy they got to do it. | 0:19:40 | 0:19:43 | |
-When Elissa starts to sing... -Yeah. Oh, my God. | 0:19:45 | 0:19:47 | |
-..it's just like... -It's beautiful, isn't it? | 0:19:47 | 0:19:49 | |
-I wanted to cry. -I know. | 0:19:49 | 0:19:51 | |
It's just like, "This girl needs to sing and perform," you know? | 0:19:51 | 0:19:54 | |
THEY LAUGH | 0:19:56 | 0:19:57 | |
That's what I wanted in this show. | 0:19:57 | 0:19:59 | |
For all of us to feel, like... | 0:20:00 | 0:20:02 | |
..proud and to have this feeling that we are... | 0:20:03 | 0:20:06 | |
We are doing this... Even in spite of this situation, you know, | 0:20:06 | 0:20:09 | |
we're living here, we have this amazing energy | 0:20:09 | 0:20:13 | |
-and soul and talent and art. -Yeah, yeah. | 0:20:13 | 0:20:15 | |
-That's what remains at the end of the day. -Yeah. | 0:20:15 | 0:20:18 | |
Yay! | 0:20:18 | 0:20:20 | |
SPRAY CAN HISSES | 0:20:29 | 0:20:33 | |
CHILDREN SING 'JINGLE BELLS' IN OWN LANGUAGE | 0:20:42 | 0:20:48 | |
MUSIC: Electric version of O Little Town Of Bethlehem | 0:21:09 | 0:21:17 |