Episode 1 Alternativity


Episode 1

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This is Bethlehem.

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MUSIC: Wonderful Christmastime by Paul McCartney

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World capital of the international Jesus Christ birthday business.

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This year, Bethlehem became home to a unique hotel.

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-REPORTER:

-..where, just metres from its doors,

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is the concrete wall Israel has built...

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..and this whole room is a Banksy...

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It's an intervention into one of the poorest parts

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of a would-be Palestinian state.

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Billed as having the worst view in the world,

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Banksy's Walled Off Hotel

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sits under the gaze of an Israeli watchtower

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in the occupied Palestinian territories.

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The place where Christmas was invented

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now feels like a city under siege,

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and in serious need of some festive cheer.

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This is the story of what happened

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when Banksy asked a world-famous movie director

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to come all the way to the little town of Bethlehem...

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..to put on a nativity play like no other

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in what was once the most Christmassy place on earth.

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My name is Wisam Salsaa,

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and I'm the manager of the Walled Off Hotel in Bethlehem.

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Working with Banksy is not something easy to do, it's not a normal job.

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I have to do everything.

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I clean bathrooms.

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I paint, I make stencils.

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It was annoying, in the beginning, to work with him,

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because I did not understand his head.

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I'm the only one who can communicate to Banksy,

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so that makes things so complicated.

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OK, there's a cameraman in front of me, filming me,

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so I'm going to take off the...

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I'm going to take off the mic, OK, and talk to you,

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unless you want me, you want him to record what I'm saying?

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Never easy to work for Banksy.

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Things are very complicated.

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I need the story, I need the story, I need the story.

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I need the story.

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Everything is unusual.

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He would, like, give someone a job,

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he would just think how to make the most difficult thing to achieve.

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Banksy's new plan is crazy, I think.

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Just crazy like the previous ones -

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and he invited some Oscar-winning film director,

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his name is Danny Boyle,

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to come and do something at the hotel's car park.

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Cool.

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Yeah, it's very sweet.

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Yeah, you can see where he's going!

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Never met Banksy or had any correspondence with him,

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or know the first thing about him, really, apart from his work.

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I mean, I like his work very much.

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I can't imagine there's many people

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who don't know something about Banksy.

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He's voted Britain's favourite artist,

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above Constable, above Turner, all that lot.

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I got a message purporting to be from Banksy,

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would I consider being roped in to...

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..helping him make a nativity play

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in the car park of his hotel in Bethlehem?

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"Dear Danny,

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"I recently opened a guesthouse in Bethlehem

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"but turns out it's less Christmassy than you might imagine.

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"So I've decided we need to put on a nativity play.

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"There's stiff competition from the church down the road,

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"the place where Jesus was actually born,

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"and our show needs to appeal to everybody in the region.

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"An Alternativity. Can you help?

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"After all, you managed to make Britain look cool at the Olympics,

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"so bringing peace to the Middle East

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"through an amateur dramatics performance shouldn't be a problem.

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"Please consider. Yours, Banksy.

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"PS, finding a donkey won't be difficult

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"but I wonder if we can make it snow?"

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So I replied and said, yes, of course,

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and tomorrow morning I leave for Bethlehem.

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I've never been to Israel, Palestine.

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Never been anywhere near there, really.

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I think Majorca's the most closest I've ever got!

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There are no international airports in the West Bank.

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Tourists fly into Tel Aviv in Israel.

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From there, Bethlehem is only an hour by car...

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..but the journey means crossing through

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a 400-mile long heavily fortified separation barrier

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into the occupied Palestinian territories.

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Inside this enclosed region, movement is restricted,

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and most Palestinians are not allowed to leave without permits.

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It's a small step for Danny,

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but a huge leap into a very different reality.

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For my mother, Bethlehem meant something, completely.

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She was very strict Irish Catholic,

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and she would be very pleased that I'd finally made it to Bethlehem,

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making a nativity play.

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She would love that!

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And there's the wall. Wow.

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Yeah, look at that.

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Is this it, is this the hotel?

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-Yeah.

-Oh, cool!

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-Hey!

-Hi, how are you?

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Hey, I'm Danny. Thank you.

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-Welcome.

-Great, thank you.

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So, this goes like this...

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..and then...

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-You push.

-That's the room?!

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This is...!

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-This is the way...

-You're kidding!

-..to your room.

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Yep.

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Oh, wow.

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Oh, it's lovely.

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Wow, look at the wall!

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-Let me just pull this up.

-Yes, please.

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OK.

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The wall's extraordinary, isn't it?

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You'd no idea how...

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..um...like, kind of...

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It's just like nails driven into the ground. It's like...

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You just imagine something different, really.

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It's so crude and brutal.

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Well, I'm looking at the car park where we're going to do it!

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You could say it looks promising, yes.

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In fact, I wouldn't mind having a walk round that right now, actually.

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-So this is the car park?

-Yeah.

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Great.

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So what we're looking at is we set up a stage

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-and somehow stage the nativity in here.

-Mm.

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-Yep.

-And...

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And people would come and stand - we won't have seating...

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-Yeah.

-Will we have seating?

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-I don't think so.

-Probably not. Just standing.

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Standing room only.

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-Yeah.

-That's OK, that's all right.

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-It would be too cold to sit.

-It'd be like...

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This is an extraordinary puzzle, really, I suppose.

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But its purpose and its outcome is unclear.

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In a way, the most obvious thing in the world

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is what he wants us to do,

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which is to stage a nativity play in Bethlehem.

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What school teacher wouldn't think that was a good idea?

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Being the artist that he is,

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it isn't going to be just like a school play,

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but there will be a function of the evening

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that is beyond the automatic...

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..goodwill of a school play.

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Banksy told me that Danny has done events before,

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but living in the occupied territories,

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nothing is straightforward,

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so he's going to need my help.

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I need to appoint an assistant director,

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someone who's going to rehearse while I'm away.

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Do you know anybody who has that motivation to put plays on?

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You know what? I know a young girl...

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..she's very much involved, she teaches drama,

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-I think she has the time...

-Yeah.

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..I think she's creative and she has the time, you know,

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she has, you know, the passion.

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If you want, I can call her.

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That would be wonderful.

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She will be here in two minutes.

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Oh, wonderful.

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Hello. Are you Riham?

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-Riham.

-Riham, I'm Danny.

-Yes.

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-Hey, nice to meet you.

-He got my name right!

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What we're doing is,

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we're looking to stage a little nativity play

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in the car park of the Walled Off Hotel.

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We're trying to evolve a way of involving the community in it.

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Where I come from,

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where, if kids do nativity plays,

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and it's cute beyond belief, and it has a beautiful charm,

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and it would be interspersed, maybe, with some local performers,

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like a rapper or a poet or a singer or a dancer,

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so, what I was looking for...

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..is for someone to be my co-director.

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OK.

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Do you like Banksy's work?

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-Do you know his work?

-Yes, of course.

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And?

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Do you want me to be honest?

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-Yes.

-Yes?

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I am, I really like his work,

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but I was very sceptical once the hotel opened.

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Suddenly it is becoming like a very touristic exposure.

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I'm against even like going and painting on the wall in general.

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Is it something that would really change,

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-or like just painting on it is very...

-Yeah.

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..is something that's, for you, as a satisfactory moment

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that you go and, like... you do it, and then that's it.

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-Then...

-Interesting.

-Yeah, the wall thing.

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And there's a lot of people who think it.

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I was surprised from Riham's reaction after meeting with Danny.

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I thought she would be more excited -

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but this wall is not a place to have fun with or to use in a play.

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This wall dominates everything in our lives, even going to work.

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-Hi, Danny.

-Hey, Fadi. Good morning.

-Good morning. How are you?

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Fadi, a local guide, is taking Danny

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to experience Bethlehem's version of the rush-hour,

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at 5am, when thousands of labourers queue for hours

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to get to work on the other side, in Israel.

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The separation barrier

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and the Israeli occupation of Palestinian land

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have sliced through communities, separating neighbours.

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Thousands have been imprisoned for refusing to leave their land,

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and although the exact boundaries are hotly disputed,

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many have been evicted and are now on blacklists,

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banning them from entering Israel,

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meaning they are unable to travel for work.

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One of these is Amin.

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Imprisoned as a teenager,

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he now makes his living selling refreshments to the workers.

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My day is my night and my night is my day.

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They came to my land, and...

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They take me to the prison, and I stayed for one year

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because I am a terrorist because I fight them, you know?

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And I lost my land, lost my life, lost my study.

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I hope next year when you come here, no wall.

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So this will have gone?

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-Inshallah.

-Ugh! Inshallah.

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You can see the guys going to work.

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You know, it's almost like their heads were down

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so that they didn't see the indignity

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they were having to go through to pass through this thing.

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I don't know how you get inside the consciousness of people

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who actually live near it, or for whom it is a part of their life.

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When it's been a part of your life for over a decade,

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do you think about it in any way?

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Do you think about it once a day?

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Never a day? I don't know.

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I went to the Berlin Wall before it came down in the early '80s...

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..but this is so tall compared to that. It's like...

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It's like double the height of the Berlin Wall.

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Obviously, reading history and the background,

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obviously the wall was a response to suicide bombings

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and shocking acts of terror, really,

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where innocent people were blown up and a nation clearly reacts

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in an incredibly aggressive and dominant way

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to a force that they feel threatens them.

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So, I can understand - although I, personally, don't...

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It's not a solution that I think works, ultimately,

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nor I think is it a solution that is fair for any nation

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to impose upon itself or a community within itself.

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I find that very, very, very difficult.

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HE HUMS TO HIMSELF

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Apparently, for a census, for taxation reasons,

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you had to go and register where you were from,

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and so Joseph had to return to Bethlehem,

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and so they undertook... Which is quite a considerable journey.

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So, I think a sense of journeying is very important -

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and, obviously, it was very interesting seeing all the workers

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who travel to the other side of the wall to work,

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and then had to walk back through the wall again.

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So, the sense of foot travel, journeying,

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would be a very powerful way to start it, I think.

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My instinct is to replicate an image we all have

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that is embedded in so many of us,

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I think, which is the school nativity play,

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and let the circumstances of where it is set,

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out here in this car park, by the wall,

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and by putting those two worlds together, that, to me, is enough.

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I think, if I try to decorate the nativity play,

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if I try to put a twist on that,

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that in some way reflects on the circumstances here,

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I think it would be very patronising.

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Yeah, there's a message from Banksy.

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"Here are a couple of random thoughts."

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HE CHUCKLES

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"Peace on Earth and goodwill to all, asterix,

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"terms and conditions apply!

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"Opening, Mary gets a text from a number she doesn't recognise

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"telling her she's pregnant."

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So, he's thinking more modern day.

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I'm not sure about that. I worry about modernising it.

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Um, maybe it can be traditional and she does have a phone,

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maybe that's the...maybe that's fun,

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that that actually she pulls a Samsung or an Apple

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out of her traditional costume, you know?

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So, I'm going to take you today to the Church of the Nativity.

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How do you do, are you good?

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-Yes. Good morning.

-Good morning, how are you?

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But Danny's nativity won't be the only show in town.

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This is Bethlehem - the birth of Jesus is big business.

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A short drive from the hotel is Manger Square,

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and the actual birthplace of Jesus Christ.

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The Church of the Nativity might be cut off from the world

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by walls and watchtowers,

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but it still gets over a million tourists a year.

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This is the exit of the... of the cave where Jesus was born.

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Right.

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Wow.

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It's the manger where he was laid after being born over there.

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Obviously, under intense tourist pressure, um,

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like, of the intensity of the experience for everyone.

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Banksy?

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Yeah.

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Sides of the world, isn't it?

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And the ever-present Banksy T-shirt's here.

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HE CHUCKLES

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Incredible.

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Everybody knows Banksy here, like, Banksy's a big thing in Bethlehem.

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Sometimes I feel that some people deal with Banksy

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as a prophet or a god or something.

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I met Banksy in 2005.

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At that time, I was working as a tour guide,

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and there were not much tourists coming to Palestine.

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So, he was my only customer -

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but he was a weird customer,

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because he did not want to go to see the holy sites,

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he wanted to look at the walls and paint the walls.

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-This is amazing.

-And there's a store where you can go in

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and they encourage you to paint the wall.

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And, even, I run Banksy's hotel

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but my hotel is not the only Banksy hotel in Bethlehem.

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Hi. You are most welcome, come in, please.

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It's a Banksy guest house.

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Yeah, this is the sitting room.

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It's a sharing room.

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Every room has a toilet.

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You can come in, please, welcome.

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This is one of the bedrooms and it has this view.

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We wanted to let the people come

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and have the experience how to live surrounded by the wall

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from three sides.

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Banksy, he has a really nice face and nice mind.

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He looks a gentleman -

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but I won't tell how he looks like because I respect his anonymous...

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..that he is anonymous.

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This room, called Bristol, because he came from Bristol,

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that's what he said.

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We had the name of Banksy's Guesthouse about two years,

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and then, in March, this Banksy's hotel, The Walled Off, appeared,

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and now we might have to change the name because

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the clients booked here

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thinking that they're coming to Banksy's hotel,

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and we have to deal with the manager in the hotel.

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Oh, I can't say that!

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Forget it! He will come and kill me!

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That manager might run the official Banksy hotel now,

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but he is actually from a family of carpenters,

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and is taking Danny to an olive wood factory.

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Oh.

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HE LAUGHS

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He's a bit rusty.

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Maybe 20 years since I carved one of these like this.

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Mind your fingers!

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The olive tree is hugely important in Palestinian culture,

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but thousands of families have seen their olive groves

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enclosed by the wall and uprooted.

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The wood is now used to produce souvenirs for tourists -

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but Danny wants to find a way to reference trees

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in The Alternativity.

0:20:570:20:59

Could you make me one of those that is as...

0:20:590:21:03

..as big as the stage?

0:21:040:21:06

Yes, how many metres do you want?

0:21:060:21:08

That's not a problem.

0:21:080:21:10

About five metres, four metres? Of course.

0:21:100:21:12

And it would be on the... it would be on the stage,

0:21:120:21:15

-and the nativity would happen under it.

-Oh? Of course.

0:21:150:21:18

Last night, Danny met Riham, a local director

0:21:250:21:29

who he hopes will help him create and cast The Alternativity.

0:21:290:21:34

I'm very, very excited about the ideas.

0:21:340:21:36

I have the connections,

0:21:360:21:38

I have the ability to, like, connect with different...

0:21:380:21:42

..people for this project.

0:21:420:21:44

And it's going to be a challenge,

0:21:450:21:47

because, yeah, it's a big thing, and you're not here, and...

0:21:470:21:50

Yeah, but I'm up for it.

0:21:500:21:52

-Wonderful.

-I had a good thought about it but I'm up for it.

0:21:520:21:54

-Oh, wonderful.

-I'm up for the challenge.

0:21:540:21:56

-Wonderful, wonderful.

-Yeah, yeah, yeah.

0:21:560:21:58

Bethlehem has the largest Christian population

0:22:050:22:08

in the occupied Palestinian territories -

0:22:080:22:11

but the nativity isn't just a Christian story,

0:22:110:22:15

and Danny's nativity needs to be relevant to all.

0:22:150:22:19

So, he's visiting the mainly Muslim city of Hebron.

0:22:190:22:22

Peace talks in the mid-'90s

0:22:230:22:25

carved the West Bank up into areas A, B and C,

0:22:250:22:29

under Palestinian, combined and Israeli control respectively -

0:22:290:22:35

but Hebron is especially contested,

0:22:350:22:37

with Jewish settlers occupying specific streets,

0:22:370:22:40

and sometimes even specific houses.

0:22:400:22:43

Here, the heavily defended settlers come and go as they please.

0:22:440:22:48

But Danny's guides, Fadi, a Christian,

0:22:490:22:52

and Said, a Muslim,

0:22:520:22:54

are both Palestinians...

0:22:540:22:55

-Yeah, I've got a passport.

-And this is my passport.

0:22:550:22:59

..and neither of them are allowed into the parts of Hebron

0:22:590:23:03

claimed by the settlers.

0:23:030:23:04

OK.

0:23:040:23:05

-Thank you.

-Bye-bye.

-Thanks, now.

-See you.

0:23:050:23:07

It's like a ghost town, isn't it?

0:23:130:23:15

It's like a western, isn't it?

0:23:150:23:16

It's like a showdown or something.

0:23:160:23:18

It's crazy to think like that,

0:23:180:23:20

but it makes you feel like that, doesn't it?

0:23:200:23:22

Danny, what does this do for the kind of...project in hand?

0:23:220:23:27

Well, it's kind of... It's sad, really, I suppose.

0:23:270:23:31

I mean, I do understand his thinking with the hotel

0:23:310:23:34

is to emphasise...the human story of a divided community, a divided line.

0:23:340:23:41

Art does reach, you know, beyond.

0:23:440:23:46

You don't want to be hopelessly romantic about it,

0:23:460:23:48

but it's one of the things that can transcend politics, you know?

0:23:480:23:52

So, that's extraordinary

0:23:560:23:58

to see a man out walking peacefully on the Sabbath with his wife,

0:23:580:24:01

and his child in a buggy,

0:24:010:24:02

and he's got an AK-47 or whatever the machine gun is.

0:24:020:24:06

It's a machine gun, on his...

0:24:060:24:08

So, his...

0:24:080:24:09

..statement that he's making about what he expects to find,

0:24:110:24:15

to protect his family, which is a natural instinct,

0:24:150:24:18

is terrifying, really. Um...

0:24:180:24:21

..and the Star of David on the doorways

0:24:230:24:25

which are declaring that, obviously, the...

0:24:250:24:29

..that, in these circumstances,

0:24:320:24:34

declaring that this is, this will become,

0:24:340:24:37

um, a settlement home, is shockingly reminiscent

0:24:370:24:41

of something we all...of one of the worst horrors of the world.

0:24:410:24:45

So... That's a bit mind-blowing, really.

0:24:470:24:49

Not all of Hebron has been settled.

0:24:550:24:57

In the main Muslim part of the city,

0:24:580:25:01

Fadi is taking Danny to meet some local women

0:25:010:25:03

who might be able to help him.

0:25:030:25:06

Hey, hello, I'm Danny.

0:25:060:25:07

-I'm Ula.

-Nice to meet you.

0:25:070:25:09

-Nice to meet you.

-Hey!

0:25:090:25:12

Beautiful theatre. Nice to see a theatre.

0:25:120:25:14

-And what's your name?

-Hey.

-Diana.

0:25:140:25:16

Diana, I'm Danny. Hi, nice to meet you.

0:25:160:25:18

There are some women in the community of Hebron,

0:25:180:25:23

they don't like to be shown on a stage or on a TV -

0:25:230:25:27

for example, Ula.

0:25:270:25:29

She doesn't like to be shown, because of her background.

0:25:290:25:32

-Yes.

-So, they found out that she can get the chance

0:25:320:25:35

through the puppets.

0:25:350:25:37

-Through puppeteering.

-So, she's not showing herself,

0:25:370:25:39

she will show the puppet.

0:25:390:25:40

SHE SPEAKS IN OWN LANGUAGE

0:25:480:25:50

SHE LAUGHS

0:25:520:25:54

THEY CHANT AND STAMP

0:25:590:26:01

Wow. Can we see your donkey?

0:26:060:26:08

HE TRANSLATES

0:26:080:26:10

SHE BRAYS

0:26:100:26:12

In this little town of Bethlehem,

0:26:200:26:22

the line between the past and present isn't always clear.

0:26:220:26:27

Banksy's ideas are full of modern references,

0:26:270:26:30

but Danny still has to decide how he will stage The Alternativity.

0:26:300:26:35

I was going to show you the storyboards that Banksy had sent.

0:26:370:26:40

-Ah.

-These are the original storyboards.

0:26:410:26:43

That's, er, the coolest storyboard ever.

0:26:460:26:49

It's quite nice, isn't it?

0:26:490:26:50

I know, I was very impressed by it.

0:26:500:26:51

That's more, also, like bringing the now and the past.

0:26:510:26:55

He is inclined to inspire us towards that.

0:26:550:26:57

-Yes.

-Whether that's appropriate or not is a very interesting question.

0:26:570:27:02

Images like that, which are highly suggestive and subversive,

0:27:020:27:07

in a way, you know, very ironic,

0:27:070:27:09

my instinct is, if you put that on to children,

0:27:090:27:12

if you use children, then you inject them with adult irony.

0:27:120:27:16

It's like humour, giving them humour that they don't understand...

0:27:160:27:19

-Yeah.

-..and makes adults laugh.

-Totally.

0:27:190:27:21

I'm not... You know, there's something horrible about that.

0:27:210:27:24

You have a duty to protect their own development,

0:27:240:27:28

rather than force-feed it or exploit it, you know?

0:27:280:27:33

You can contextualise it in different ways.

0:27:330:27:36

The painting that's on the wall behind them

0:27:360:27:38

when they enter the car park

0:27:380:27:39

would give a completely different context.

0:27:390:27:41

You know, if it's Hillary and Donald Trump,

0:27:410:27:44

as it is at the moment,

0:27:440:27:46

that gives you, visually, gives you a completely different contexts.

0:27:460:27:49

Or if it is a Banksy that paints over it,

0:27:490:27:52

that's one of his pictures of the children

0:27:520:27:53

-spinning around the watchtower in Gaza...

-Yeah, yeah.

0:27:530:27:56

..it gives a completely different...

0:27:560:27:57

-That would be amazing.

-It gives a completely different...

0:27:570:28:00

I really don't like that, to be our background.

0:28:000:28:02

-HE LAUGHS

-There's enough of Trump.

0:28:020:28:03

-There's enough of him anyway.

-It's enough!

0:28:030:28:05

Working for an invisible man is new to Danny,

0:28:070:28:11

but I have been working with his mad, crazy ideas

0:28:110:28:14

since almost 15 years,

0:28:140:28:16

and I know how to make things happen.

0:28:160:28:18

MUSIC: Silent Night

0:28:210:28:23

"Dear Banksy..."

0:28:280:28:32

It's clear that he's going to have to get involved.

0:28:320:28:34

I don't think the evening can work

0:28:340:28:36

without some contribution from him, really -

0:28:360:28:39

and Riham was very keen that the entryway,

0:28:390:28:42

which is so dominated at the moment by Hillary Clinton and Donald Trump,

0:28:420:28:46

that should be a Banksy, really.

0:28:460:28:48

How - practically, how that happens, I've no idea,

0:28:480:28:50

but that's not, you know...

0:28:500:28:53

We need his involvement.

0:28:530:28:56

"Danny, thanks, good notes.

0:29:170:29:19

"The play.

0:29:190:29:21

"I don't see why we should make too much work for ourselves.

0:29:210:29:23

"I think we should change the traditional nativity

0:29:230:29:26

"as little as possible, whilst emphatically altering the message.

0:29:260:29:30

"I will absolutely be involved as much as you and Riham need me to be,

0:29:300:29:35

"and I'm very glad we have a not uncritical voice

0:29:350:29:37

"working with us on this.

0:29:370:29:39

"You are absolutely correct that children aren't paints,

0:29:390:29:41

"they can't be used to create images beyond who they are.

0:29:410:29:44

"Much as that sounds like it could be super manipulative and fun"!

0:29:440:29:47

I wanted to double-check with you what might be possible here.

0:29:510:29:54

This pylon.

0:29:560:29:57

We wanted to attach a wire to it,

0:29:570:30:00

as though we were jacking the electricity.

0:30:000:30:02

And we would run the wire from here to the balcony.

0:30:020:30:06

-Yeah.

-And on that wire would be our Star of Bethlehem.

0:30:060:30:10

-That's fine.

-This would look like...

0:30:100:30:12

Just to tie something on it?

0:30:120:30:13

Yes, yes, yeah.

0:30:130:30:15

-All that's OK?

-It's OK, but in the end the Israeli army will decide.

0:30:150:30:18

The captain could stand there and say, "Stop the party,

0:30:180:30:22

"stop this gathering,

0:30:220:30:24

"make people leave." And they will do it.

0:30:240:30:27

Despite I'm the manager here,

0:30:270:30:29

I don't imagine bringing my children to an event next to the wall, er,

0:30:290:30:36

being watched by a military watchtower

0:30:360:30:40

and, like that tower, like,

0:30:400:30:42

snipers through that tower, and the other tower over there.

0:30:420:30:45

Already locals are tired and bored

0:30:450:30:48

of having this element in their life.

0:30:480:30:51

And I don't want to bring my children to look at this wall.

0:30:510:30:54

It's Christmas time so we don't want to see this wall.

0:30:540:30:56

If we said we're going to have real snow,

0:31:040:31:08

-would that bring people?

-I think so.

0:31:080:31:11

Yeah.

0:31:110:31:12

I was quite, not shocked isn't the word,

0:31:160:31:18

but quite surprised with the moment from Wisam today where he said

0:31:180:31:23

that we'd be hard-pushed to get a local audience.

0:31:230:31:28

He said nobody wants to come here.

0:31:280:31:29

If you live here, you don't want to take your kids to the wall in the

0:31:290:31:33

sight of watchtowers where there could be snipers.

0:31:330:31:36

And who wants to put their children in circumstances like that?

0:31:360:31:40

So that's a challenge, clearly.

0:31:410:31:44

It's only one of the challenges Wisam has been given by Banksy.

0:31:470:31:50

There is also a plan to mark the 100th anniversary of

0:31:520:31:55

the Balfour Declaration, when, with the stroke of a pen,

0:31:550:31:59

the British Government opened the door

0:31:590:32:01

to the establishment of a Jewish homeland in Palestine.

0:32:010:32:04

This is the origin of the modern conflict in the Middle East.

0:32:060:32:09

Millions became refugees, thousands died,

0:32:090:32:12

and hundreds of thousands suffered...

0:32:120:32:15

because of this.

0:32:150:32:18

To acknowledge Britain's role in fuelling a century of conflict,

0:32:200:32:24

Banksy wants to drive his point home with a stunt to be unveiled at a

0:32:240:32:28

children's street party.

0:32:280:32:29

This sign will go on the reception desk on the 1st of November.

0:32:310:32:35

The rejection sign, instead of reception.

0:32:360:32:39

Danny has to go back to his day job as an internationally-renowned film

0:32:430:32:47

director, leaving Riham in charge until he returns.

0:32:470:32:52

But there is one missing element.

0:32:520:32:54

Banksy asked Danny to make an Alternativity for everyone,

0:32:540:32:58

and he has met Christians and Muslims here in the West Bank.

0:32:580:33:01

Hey, Danny. What's up, man?

0:33:010:33:03

-I've got to go.

-Are you leaving now?

0:33:030:33:05

-Yeah, thank you so much.

-Your car outside?

0:33:050:33:07

Yeah. Thank you so much for an amazing stay.

0:33:070:33:10

Most Jewish settlers live in fortified settlements accessible by

0:33:100:33:14

Israeli-only roads.

0:33:140:33:16

There are virtually no Jewish people in Bethlehem.

0:33:160:33:19

And Israeli citizens are warned

0:33:200:33:23

that entering any part of the city is dangerous.

0:33:230:33:26

It's very difficult, clearly,

0:33:290:33:32

and certainly I think one of Banksy's purposes is to try

0:33:320:33:34

and illuminate that, actually, although this is the same nation,

0:33:340:33:39

the chances to interact are reduced so enormously by this wall

0:33:390:33:45

and everything that comes with this wall, so that kind of division

0:33:450:33:50

means that it's very,

0:33:500:33:53

very difficult to get Israelis to come and visit, openly,

0:33:530:33:55

and certainly, obviously, to speak on camera about it,

0:33:550:34:00

so that's a big, big problem that we have.

0:34:000:34:05

Let's cause a little bit of angst.

0:34:200:34:22

Let's put Al Jazeera next to AP.

0:34:220:34:24

-Let's put them there.

-Yeah.

0:34:240:34:26

-Let's have CNN next to AP.

-Yeah.

0:34:260:34:29

PPC is Palestinian...

0:34:290:34:31

That should be a B. Broadcasting Company!

0:34:320:34:35

I think we should keep it as a spelling mistake, cos it's funnier.

0:34:350:34:39

The global news outlets will pick this up, A because it's Banksy,

0:34:390:34:43

B because it's Palestine.

0:34:430:34:45

People love stunts, they love big, brash stunts.

0:34:450:34:49

They love it! Love it.

0:34:490:34:51

Absolutely love it, because they're like, "Ooh, ooh,

0:34:510:34:54

"you've got my ear now.

0:34:540:34:55

"That's not normal, like Camilla ringing up and going, '"Hello,

0:34:550:34:58

"'we've got an event on, la, la, la.'"

0:34:580:35:00

I have a message for you from Banksy

0:35:060:35:09

and everyone at the Walled Off Hotel.

0:35:090:35:11

Now we hope you will join us in clapping as Her Royal Highness

0:35:110:35:17

will unveil a special message from us to you, the Palestinian people.

0:35:170:35:24

NATIONAL ANTHEM PLAYS DISTORTEDLY

0:35:240:35:29

Yay!

0:35:340:35:36

Free, free Palestine! Free, free Palestine!

0:35:430:35:47

Free, free Palestine! Free, free Palestine!

0:35:470:35:51

Free, free Palestine! Free, free Palestine!

0:35:510:35:55

Free, free Palestine! Free, free Palestine!

0:35:550:35:59

Not quite what we anticipated.

0:35:590:36:02

No.

0:36:020:36:04

No, it's not.

0:36:040:36:05

But, you know, it is what it is.

0:36:050:36:07

Free, free Palestine! Free, free Palestine!

0:36:340:36:38

Free, free Palestine! Free, free Palestine!

0:36:380:36:41

A sorry, an apology of sorts from Her Majesty,

0:36:430:36:48

the Queen.

0:36:480:36:50

As a Palestinian, we are only put in one image to the outside world.

0:37:290:37:34

You know, we have to be political, or we have to be the victim.

0:37:340:37:38

I am always, as an artist, trying to challenge that,

0:37:380:37:41

try to show something else to the world.

0:37:410:37:45

With all respect to Banksy, all respect to Danny as well,

0:37:450:37:49

I have my own reasons to be part of this project.

0:37:490:37:52

First day, first introductory day, let's say,

0:38:070:38:10

to give a sense of what is the play, to get into the characters.

0:38:100:38:15

They have a lot of imagination - oh, my God!

0:38:350:38:39

SINGING

0:38:390:38:42

Tell me about Alisa?

0:39:020:39:04

Alisa?

0:39:040:39:06

She had that beautiful, such a beautiful voice.

0:39:250:39:28

She's very tall, though, isn't she?

0:39:280:39:30

But maybe that's good, having a very tall Mary!

0:39:300:39:33

THEY SING

0:39:390:39:41

OK, OK... Listen...

0:39:470:39:49

I wondered about whether, during the show,

0:40:210:40:26

whether there was a running gag of

0:40:260:40:28

somebody trying to create snow.

0:40:280:40:31

I bought boards of foam, and I put them in the blender.

0:40:390:40:43

Don't know what they call this material in English.

0:40:430:40:46

Like, they use this

0:40:460:40:48

to pack

0:40:480:40:50

TVs and washing machines with.

0:40:500:40:53

And then I brought snow machine.

0:41:010:41:04

But... I mean, this is a very small one,

0:41:040:41:08

so I want to try it from here as well.

0:41:080:41:11

OK. Let's go downstairs and look at it.

0:41:160:41:18

The Alternativity is shaping up to be a Christmas spectacle.

0:41:370:41:41

But for the parents, the wall is not an ideal location.

0:41:420:41:46

Some of them don't even tell their kids there is a wall.

0:41:500:41:54

They are worried, you know...

0:41:540:41:57

they're at the location.

0:41:570:42:01

Because it is, like,

0:42:010:42:03

near the checkpoint.

0:42:030:42:05

And it's...

0:42:060:42:08

You never know what might happen.

0:42:080:42:10

Sophia, her father got arrested two days ago.

0:42:560:42:59

I don't know if she will continue with us.

0:42:590:43:01

I have to check, actually.

0:43:010:43:03

Over a million Palestinians live in camps,

0:43:060:43:09

which they were settled in when their lands were occupied after 1948.

0:43:090:43:14

It's been alleged that Sophia's father leads the

0:43:150:43:17

Popular Front for the Liberation of Palestine,

0:43:170:43:20

in the Dheisheh camp where her family lives.

0:43:200:43:23

Danny is in London, but everything is under control.

0:44:100:44:14

The snow is sorted.

0:44:140:44:15

Riham is making sure that everything is coming together.

0:44:150:44:18

Finding a donkey, it's not a problem to find a donkey in Bethlehem.

0:44:180:44:23

They're scared.

0:44:230:44:24

He's a big, fat donkey.

0:44:250:44:27

Careful. Don't stand behind the donkey, OK?

0:44:290:44:31

We have to go and see the other donkey.

0:44:340:44:37

I think he has a wound here in the face.

0:44:390:44:42

He's a mule.

0:45:030:45:04

Yeah - none of them will work, actually.

0:45:090:45:12

The angels, they are like, a gang.

0:45:200:45:23

I thought it would be really nice if they had,

0:45:230:45:25

like, telephones and they are texting.

0:45:250:45:28

So it's coming up, it's coming up. It's all details.

0:45:280:45:31

And just to get really surreal,

0:47:210:47:23

this is apparently what's happening right now, which is...

0:47:230:47:27

This is me, talking to you.

0:47:270:47:30

-The donkey. Is that going to happen?

-Yeah, of course. Yeah, yeah.

0:47:300:47:34

We still need to cast him, you know!

0:47:340:47:37

Yeah. I've been trying to find the right donkey,

0:47:370:47:40

but it seems that we need a very specific one.

0:47:400:47:44

There will be lots of people, and a lot of music and lights,

0:47:440:47:48

and snow,

0:47:480:47:50

so you don't know what will be the reaction of the donkey,

0:47:500:47:53

cos I don't think any of these donkeys have such thing before.

0:47:530:47:57

There are donkeys. Let me...

0:48:000:48:02

HOOTS HORN

0:48:020:48:03

I'm going to...

0:48:030:48:04

Let's stop the truck.

0:48:050:48:07

HOOTS HORN

0:48:070:48:09

The children are visiting the hotel for the first time.

0:49:120:49:16

-Ooh!

-Oooh!

0:49:170:49:19

For some of them, it is also the first time they've been so close to

0:49:220:49:26

the wall.

0:49:260:49:27

Is it hot?

0:49:470:49:49

No. It's freezing!

0:49:490:49:52

It's definitely not snowing.

0:50:170:50:19

Yet. But it doesn't stop Bethlehem, and the Walled Off,

0:50:190:50:23

getting everything set for Christmas.

0:50:230:50:25

Ooh! Thank you.

0:50:520:50:54

Here we are. Here we are at the Walled Off.

0:50:590:51:03

Oh, my God, it's beautiful!

0:51:040:51:06

Oh, it's beautiful!

0:51:060:51:08

Oh, wow!

0:51:080:51:09

Oh, it's like a rock movie!

0:51:090:51:11

Yeah, I'm coming, I'm coming... Oh, yeah, the donkey!

0:51:160:51:19

Oh, amazing, it's a beautiful white one!

0:51:190:51:22

-Beep!

-Beep!

0:51:250:51:27

Hello!

0:51:270:51:29

How nice to see you.

0:51:290:51:31

Hey! Looks amazing.

0:51:310:51:33

-I know!

-I mean, it's like...

0:51:330:51:35

-Whoa!

-What is this?!

0:51:350:51:37

It's kind of quite groovy.

0:51:370:51:39

It's quite groovy.

0:51:390:51:41

We're doing great! We'll have a great show.

0:51:540:51:57

-Now we do a run.

-Great.

0:51:580:52:00

With the choir and everything.

0:52:000:52:02

OK, great.

0:52:020:52:03

THEY SING JINGLE BELLS

0:52:030:52:05

Well done! Well done.

0:52:080:52:10

# Jingle bells jingle bells

0:52:120:52:14

# Jingle all the way

0:52:140:52:16

# Oh what fun it is to ride

0:52:160:52:18

# On a one-horse open sleigh

0:52:180:52:20

# Hey!

0:52:200:52:21

# Jingle bells jingle bells... #

0:52:210:52:23

Where have you found him?!

0:52:260:52:28

He's amazing.

0:52:310:52:32

-This is beautiful.

-Yeah, yeah, yeah.

0:52:340:52:37

She won't laugh, will she?

0:52:370:52:40

Keep coming...

0:52:400:52:43

Don't laugh.

0:52:430:52:44

This is incredibly beautiful, don't laugh.

0:52:440:52:47

Come on, boy. Come on.

0:52:470:52:49

Very beautiful.

0:52:530:52:55

Very, very beautiful.

0:52:550:52:56

I'm serious. I'm serious.

0:52:560:52:59

Blackout.

0:53:000:53:02

On the beginning I did not think that Banksy was going to come again to Bethlehem.

0:53:040:53:09

But I was kind of surprised when I got a call telling me that he is

0:53:120:53:19

coming to do something, but never explained to me what he wanted to do.

0:53:190:53:23

HE LAUGHS

0:53:510:53:54

With everything almost in place, there is only one tiny,

0:54:030:54:07

last-minute hitch.

0:54:070:54:08

We sent pictures to Banksy this morning,

0:54:090:54:13

and he did not like the stage, because it looks very modern

0:54:130:54:16

and this is not his style,

0:54:160:54:18

so we are painting this cardboard and we're going to stick on

0:54:180:54:21

the wall, we're going to ask the kids also to do some work with them.

0:54:210:54:24

And I'm expecting this, actually.

0:54:240:54:25

Always, like, last moment. Always crazy.

0:54:250:54:28

I've worked with kids a few times, and it's like,

0:54:390:54:41

one of the interesting things is you've got to be very,

0:54:410:54:43

very careful with them, respectful of their innocence, in a way,

0:54:430:54:47

and I hope we respected that.

0:54:470:54:49

We were warned that you might not get many Palestinians coming either,

0:54:560:54:59

because... They don't really want to be near this wall.

0:54:590:55:02

They want to be as far away from this wall as they can get.

0:55:020:55:05

Sophia's father is still detained in prison.

0:55:100:55:14

The act of culture is an enormously bonding experience that people grow

0:55:220:55:27

through. When you look at the wall,

0:55:270:55:28

you think how are they ever going to be able to do that together

0:55:280:55:32

across that wall, really? And you hope they achieve that.

0:55:320:55:34

It was great, it was really good.

0:56:450:56:47

I'm speechless, actually.

0:56:470:56:49

It was a real joyous thing, I think.

0:56:490:56:53

It felt like a very intimate show as well.

0:56:530:56:56

I'll never forget that sight of them covered in snow.

0:56:560:56:59

-Oh, they were... It was just...

-They were just like this.

-Yeah!

0:56:590:57:02

It was so...

0:57:020:57:03

-Looking at everything.

-That was so cool.

0:57:030:57:05

-It was really nice.

-When Alisa starts to sing...

0:57:050:57:08

-Yeah, my God.

-It's just like...

0:57:080:57:10

-It's beautiful, that, isn't it?

-I wanted to cry.

0:57:100:57:12

That's what I wanted in this show.

0:57:240:57:26

For all of us to feel like, proud and to have this feeling that we are...

0:57:260:57:30

we are doing this even despite of this situation.

0:57:300:57:34

# Hallelujah! #

0:57:360:57:41

We have this amazing energy and soul, and talent and art.

0:57:410:57:45

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