Browse content similar to Katherine Jenkins. Check below for episodes and series from the same categories and more!
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Just listen to the sounds coming out of these rehearsal rooms. Lucky | :00:21. | :00:25. | |
students, training hard to be professional, classical singers and | :00:25. | :00:35. | |
:00:35. | :00:43. | ||
Soprano Cathy is training to be a professional singer. This is | :00:43. | :00:50. | |
preparation for opera school auditions. It is in two weeks. | :00:50. | :00:54. | |
me, you sound amazing. These young people are the most | :00:54. | :00:58. | |
recent in a long line of Royal Academy students with plenty of | :00:58. | :01:04. | |
talent and big dreams. In 1997, a shy young girl from South Wales | :01:04. | :01:09. | |
came here, to the Royal Academy, with one great ambition. She wanted | :01:09. | :01:15. | |
to be a successful classical singer. And it was only in a very few short | :01:15. | :01:25. | |
:01:25. | :01:26. | ||
years that the ambition was Katherine Jenkins is now one of | :01:26. | :01:30. | |
Britain's most successful performance. She has had numerous | :01:30. | :01:35. | |
hit albums and musical wards. Although purists may not approve of | :01:35. | :01:40. | |
her extravagant stage shows, there is no denying she has brought a | :01:40. | :01:50. | |
:01:50. | :01:50. | ||
whole new audience to classical and She's got a cracking voice. Her | :01:50. | :01:55. | |
persona is so strong and beautiful. I think she will be going for ever | :01:55. | :02:02. | |
and ever. When I first saw Catherine, she came walking into | :02:02. | :02:12. | |
:02:12. | :02:15. | ||
the GMT studio and immediately I She walks her talk. What you see is | :02:15. | :02:19. | |
what you get. She touches the audience. They are cleverer than | :02:19. | :02:27. | |
you think at picking up what is true and sincere. But her time in | :02:27. | :02:30. | |
the spotlight has not been without its down sides. I wasn't sure if | :02:30. | :02:35. | |
this was going to be a career- ending moment. People, at this | :02:35. | :02:40. | |
point, still thought that I was very saintly. She might not be a | :02:40. | :02:46. | |
saint, but she has inherited the title held by Dame Vera Lynn. That | :02:47. | :02:51. | |
of forces sweetheart. I sometimes think of Catherine as a bit of a GI | :02:51. | :02:55. | |
Jane. She has made many trips to the front line to entertain British | :02:55. | :03:02. | |
troops. Afghanistan, she is like, when is the next plane I can get | :03:02. | :03:07. | |
out on? She has even appeared on Dr Who. The shy student from the Royal | :03:07. | :03:17. | |
:03:17. | :03:23. | ||
I know that her first love was sacred music. I wonder if that was | :03:23. | :03:26. | |
born of her faith, and if she can still have bad faith in a life that | :03:26. | :03:36. | |
:03:36. | :03:47. | ||
is so fast and furious. -- have I met up with Catherine at a London | :03:47. | :03:51. | |
hotel, not far from the Royal Academy. The first thing I wanted | :03:51. | :03:59. | |
to know was when she realised she had a singing voice. I don't know | :03:59. | :04:03. | |
if I really thought about it like that. I was wanting to sing because | :04:03. | :04:07. | |
it was something that really made me happy. That was the whole reason | :04:07. | :04:12. | |
for his in the beginning. It wasn't until I won choir girl of the year, | :04:12. | :04:17. | |
when I was 10 or 11, that was the first achievement I had been | :04:17. | :04:24. | |
singing. People started telling my mum that I should have lessons, | :04:24. | :04:29. | |
before that it was just enjoyment. When somebody comes to you and says, | :04:29. | :04:33. | |
you could train up and do lessons, do you think it is not going to be | :04:33. | :04:38. | |
so much fun? I was really excited about the prospect of learning to | :04:38. | :04:43. | |
sing. I had been doing that in church. But this would have been on | :04:43. | :04:49. | |
my own, finding a singing teacher. Yeah, that was really exciting. I | :04:49. | :04:52. | |
remember having to ask my mum, for quite a long time, if I could have | :04:52. | :04:57. | |
them. She didn't let me have them straight away. Was money a | :04:57. | :05:01. | |
question? It must have been expensive. Yeah, and my parents | :05:02. | :05:05. | |
didn't have tons of money to play around with. I am so grateful that | :05:06. | :05:10. | |
they found whatever they could to put on the lessons. I think they | :05:10. | :05:14. | |
just wanted me to really want it. What was your earliest memory of | :05:14. | :05:20. | |
standing up and singing to an audience? I was four. I sang in a | :05:20. | :05:24. | |
school talent show, in the church hall next to the school. I remember | :05:24. | :05:28. | |
hearing about the show and running out of school and saying to my mum, | :05:28. | :05:34. | |
there is a show and I have to sing, you have to teach me a song. She | :05:34. | :05:40. | |
taught me a song called going down the garden to eat worms. It had all | :05:40. | :05:45. | |
the actions. She dressed me up in this Q2 dress. I remember it like | :05:45. | :05:50. | |
yesterday. She was first on, being the youngest. The headmaster stood | :05:50. | :05:56. | |
in front of her. She had little pigtails and a little dress. She | :05:57. | :06:03. | |
was dying to get going. She kept starting the song as he tried to | :06:03. | :06:09. | |
introduce her. He had to practically sit on her, it was | :06:10. | :06:18. | |
quite funny. But she did it very # Go down the garden to eat worms... | :06:18. | :06:24. | |
I was just amazed at her precociousness. | :06:24. | :06:28. | |
From that moment, do you think that was the moment that ambition was | :06:28. | :06:33. | |
born in you? I think that is the moment when I knew that I loved it. | :06:33. | :06:37. | |
I heard the applause and laughter. I thought, I quite like this. I | :06:37. | :06:46. | |
think that is the moment that the When most little girls were dancing | :06:46. | :06:50. | |
around their bedrooms, listening to pop music, the young Katherine | :06:50. | :06:55. | |
Jenkins was into sacred music. And they are still at the heart of her | :06:55. | :07:05. | |
:07:05. | :07:09. | ||
Songs of Praise had been particularly poignant in her career. | :07:09. | :07:13. | |
I always made sure that we were there from the beginning, because | :07:13. | :07:18. | |
of her spirituality and because of her singing the sacred arias. I | :07:18. | :07:21. | |
think she has proved there is a definite market place for sacred | :07:21. | :07:31. | |
:07:31. | :07:34. | ||
Why was it that church music, sacred music appealed to you? | :07:34. | :07:38. | |
feel it is a very pure kind of music. Singing in church always | :07:38. | :07:46. | |
sounds really good. I am really drawn to these good Welsh hymns. | :07:46. | :07:56. | |
:07:56. | :07:56. | ||
That is probably why I keep going back to them. Singing in church, | :07:56. | :08:02. | |
you were a church-going family? from as young as I can remember we | :08:02. | :08:06. | |
would attend Sunday school, go to church. I joined the choir when I | :08:06. | :08:12. | |
was seven and my sister followed when she was about 6 and a half. I | :08:12. | :08:17. | |
feel like quite a lot of my time growing up was spent in church. I | :08:17. | :08:22. | |
was there in the choir for 10 years. But it was an amazing time. I had | :08:22. | :08:26. | |
great friends in the choir. That is why I learned to sing. Your | :08:26. | :08:30. | |
Christian faith is strong? Yes, I would say so. I think I have had | :08:30. | :08:37. | |
times when I have maybe lost it. But it is something that I think | :08:37. | :08:42. | |
you have really strongly within you. Even though I am not able now to | :08:42. | :08:45. | |
attend one particular church regularly, because of my travelling, | :08:45. | :08:50. | |
I still think I have that within meet. I try to go with my mum when | :08:50. | :08:57. | |
I get back home. Do you think your talent to seeing his God-given? | :08:57. | :09:02. | |
think it is a gift, I do. I think it is something that I have a | :09:02. | :09:08. | |
responsibility to look after. I know that I am lucky to have it. I | :09:08. | :09:16. | |
feel lucky that I am able to sing. Her beliefs and Christianity, that | :09:16. | :09:21. | |
underpinning of what is good in the world, it is really testament to | :09:21. | :09:28. | |
how she is, day to day. She is very honest. She is very truthful. She | :09:28. | :09:33. | |
is very courageous. Her faith is evident throughout her everyday | :09:33. | :09:38. | |
life. She walks her talk. What you see is what you get. Everybody asks | :09:38. | :09:44. | |
me, is she as nice as she seems? The answer is absolutely yes. What | :09:44. | :09:50. | |
you see is what you get. She grow up in the small market town of | :09:50. | :09:56. | |
Neath, South Wales. Her parents, Susan and Selwyn, gave Catherine | :09:56. | :10:04. | |
and her younger sister an idyllic childhood. It is the kind of place | :10:04. | :10:07. | |
where it feels everybody knows everybody. There was a real sense | :10:07. | :10:14. | |
of community. My family are very close-knit, quite big, and | :10:14. | :10:19. | |
socialised with each other a lot. My cousins felt almost like sisters. | :10:19. | :10:25. | |
You know, really good memories. Your mother and your father, there | :10:25. | :10:30. | |
was quite an age gap between them. It was a real love story? I think | :10:30. | :10:38. | |
it was about 23 years. My mum went back to work and my father took | :10:38. | :10:44. | |
early retirement. Then, that was quite a forward step from my dad, | :10:44. | :10:48. | |
coming from a different generation. He became the house husband and | :10:48. | :10:52. | |
spent most of the time with me and Laura. I feel, having had an older | :10:52. | :10:57. | |
father, he was just so worldly Wise is and calm, because he had been | :10:57. | :11:02. | |
there and done everything. I think he definitely passed that on to us. | :11:02. | :11:06. | |
His routine would be to get you up and off to school? Make packed | :11:06. | :11:16. | |
:11:16. | :11:19. | ||
lunches, drive us to school. Take the neighbours. Whenever we got | :11:19. | :11:24. | |
home, we would ask him what had happened in Neighbours. We would | :11:24. | :11:27. | |
get home, we would watch it together and he would make tea | :11:27. | :11:30. | |
before mum came home. The first thing I think about when I think | :11:30. | :11:35. | |
about my dad is the laughter. Even down to my singing, not taking it | :11:35. | :11:40. | |
too seriously. Trying to make me laugh through it and make sure I | :11:40. | :11:47. | |
was enjoying it. My best memories of him are of him clowning around, | :11:47. | :11:55. | |
singing, just making everybody laugh. Selwyn and Susan had clearly | :11:55. | :11:59. | |
created a happy home for their daughters. But the good times were | :11:59. | :12:08. | |
not to last. At 15, on the eve of your GCSEs, he was... He had just | :12:08. | :12:13. | |
turned 70. He died. He had terrible and cancer. You didn't know he was | :12:14. | :12:19. | |
ill for quite a while, did you? think we knew that something was | :12:19. | :12:25. | |
wrong. But we didn't know what. I remember my mum coming to talk to | :12:25. | :12:32. | |
me and Laura. I remember thinking it would be a lot longer. If I am | :12:32. | :12:38. | |
remembering it right, I think it was only a couple of months. I was | :12:38. | :12:44. | |
in school, being pulled out of school by my aunt to say, your dad | :12:44. | :12:49. | |
has slipped into a coma and we need to go to the hospice. Somebody said | :12:49. | :12:53. | |
the very important thing, that although he was in a coma, he could | :12:53. | :12:58. | |
hear? I'm sorry. It's OK. But you have the opportunity to speak to | :12:58. | :13:07. | |
him? Yes, even at 15 you're not really prepared. Even though I had | :13:08. | :13:11. | |
two months with him, I still thought he was going to get better. | :13:11. | :13:16. | |
Which is crazy, but I still did think that. So I didn't say goodbye | :13:16. | :13:20. | |
when I should have done. But I am grateful that the nurse spoke to me | :13:20. | :13:25. | |
and said, you know, have a bit of time with him because he can hear | :13:25. | :13:35. | |
:13:35. | :13:36. | ||
Selwyn never again -- regained consciousness and died on 7th May, | :13:36. | :13:41. | |
1995. It affected both of my daughters. They held it together | :13:42. | :13:51. | |
for me. But I think it also gave them determination to make him | :13:51. | :14:00. | |
proud and make me proud. And help me. Your grief at the time, when | :14:00. | :14:04. | |
you are only 15 and the next couple of days you have got to get on with | :14:04. | :14:12. | |
your GCSEs, your grief manifested itself in anger, really? It was the | :14:12. | :14:15. | |
long summer that you have after your GCSEs. You really have time to | :14:15. | :14:20. | |
think. I think that is when I did lose my faith in God. I was really | :14:20. | :14:27. | |
angry at God for allowing this to happen to my dad. I was having | :14:27. | :14:34. | |
crazy dreams, horrible nightmares about him being ill. I went to see | :14:34. | :14:38. | |
a counsellor and it is the best thing I could have done. I think | :14:38. | :14:42. | |
you need to talk to somebody that is not related to it. You cannot | :14:42. | :14:46. | |
talk to your mum. I couldn't talk to my sister because we were all | :14:46. | :14:50. | |
having to be strong for each other. The grief counsellor told you to | :14:50. | :14:55. | |
write off part paid letter? Yes. You wrote a very long letter to him. | :14:55. | :15:01. | |
I did. Has anybody ever seen it? and nobody will. But you still have | :15:01. | :15:11. | |
:15:11. | :15:16. | ||
After the tragedy of losing her father, Katherine found some | :15:16. | :15:21. | |
comfort in the belief that he was still guiding her. Soon after he | :15:21. | :15:28. | |
died, a remarkable thing happened. I know he's here, I feel that quite | :15:28. | :15:35. | |
often, and I felt it the first time was actually doing my GCSEs. My | :15:35. | :15:40. | |
least favourite subject would-be maths, and it was on the eve of my | :15:40. | :15:46. | |
exam. I was prepared, and I had a dream where my dad was telling me | :15:46. | :15:54. | |
to look under my bed for a book. I woke up and thought there will not | :15:54. | :16:00. | |
be a book I have not revised, and I found this book with one page in it, | :16:00. | :16:06. | |
it was an algebra equation. I read that, and went back to sleep, and | :16:06. | :16:14. | |
it turned up on the last page of my exam. It was that equation. I | :16:14. | :16:19. | |
couldn't believe it. I felt so strongly that my dad had helped me | :16:19. | :16:24. | |
in that exam, because he had always helped me with my maths homework, | :16:24. | :16:29. | |
and he helped me again. I ended up getting an A grade, which was a | :16:29. | :16:36. | |
complete fluke, and I still talk to him when I go on stage. Just when | :16:36. | :16:40. | |
the orchestra is playing the overture, I know I am going on, and | :16:41. | :16:50. | |
:16:51. | :17:01. | ||
I say "help me, Dad, to sing well". It's nice that she always thinks he | :17:01. | :17:11. | |
:17:11. | :17:14. | ||
is there with her, and I am sure he is. some people might think I am | :17:14. | :17:24. | |
:17:24. | :17:24. | ||
crazy but I do believe he is watching over the three of us. | :17:24. | :17:28. | |
Katherine was very young when she lost her father. There is no good | :17:28. | :17:33. | |
time to lose a parent, my dad has been gone for about 20 years and I | :17:33. | :17:38. | |
think about him every day. He will have been a massive influence on | :17:38. | :17:42. | |
her, and everyone who achieves success without our parents being | :17:42. | :17:46. | |
there to witness, there will always be a melancholy about that, there | :17:46. | :17:52. | |
will always be a regret, there will always be I wonder what he would | :17:52. | :17:58. | |
have thought of that. The anger that Katherine felt towards God for | :17:58. | :18:02. | |
allowing her father to die is perhaps understandable. I wondered | :18:02. | :18:09. | |
how long it took for her to regain her faith. I would say it took | :18:09. | :18:15. | |
quite a few years. I think probably more into my sort-of 23, 24, | :18:15. | :18:22. | |
something like that, before it really... I still had my faith, but | :18:22. | :18:26. | |
there were points where I've really questioned it and I think now it is | :18:27. | :18:32. | |
something as I get older, it grows more and more, it becomes more | :18:32. | :18:37. | |
important. I see that in my mum and I see it is important to her as | :18:37. | :18:44. | |
well. I have a godson and it is important to pass that on. I feel | :18:44. | :18:49. | |
it is something that will only grow from this point on. Has it taken | :18:49. | :18:55. | |
away your fear of death? Do you have any fear of dying? And no, I | :18:55. | :19:02. | |
don't. Life is so short, and I think as long as you have made it | :19:02. | :19:07. | |
everything you can, that is the one thing I learnt from losing my | :19:07. | :19:12. | |
father so young. You have to treasure every day, and take every | :19:12. | :19:18. | |
opportunity. I really feel like I have done that so I am not scared | :19:18. | :19:24. | |
about that at all. Throughout her teens, Katherine retained her love | :19:24. | :19:30. | |
of singing. She progressed through the church choir, and won a number | :19:30. | :19:34. | |
of competitions. Her voice was getting her noticed. I think it has | :19:34. | :19:43. | |
got a velvety quality, and a sort of kind quality, and I think she | :19:43. | :19:49. | |
has that in spades. It is like a chocolate, and soothing. During one | :19:49. | :19:53. | |
Christmas carol concert when she was 18, Katherine discovered her | :19:53. | :19:59. | |
voice also had explosive potential. Is it true that you shattered | :19:59. | :20:09. | |
:20:09. | :20:10. | ||
chandelier? Was it the top be? I was singing in Swansea and I was | :20:10. | :20:16. | |
the soloist with my college choir, and when I hit the high note there | :20:16. | :20:21. | |
was this bang, but it sounded like a gunshot. The audience docked, and | :20:22. | :20:25. | |
we were all startled and there were pieces of glass coming down from | :20:25. | :20:35. | |
:20:35. | :20:36. | ||
the ceiling. I realised then, oh, OK! You think that is only things | :20:36. | :20:40. | |
that happen in cartoons. I don't think I could make that happen | :20:40. | :20:45. | |
again, but I would love to do it as a party trick. Katherine decided | :20:45. | :20:52. | |
she wanted to make music her career. In 1997, she won a scholarship to | :20:52. | :21:00. | |
the Royal Academy of music. It was a dream come true, but a scary | :21:00. | :21:07. | |
prospect none the less. She was in an outstanding year, she was the | :21:07. | :21:13. | |
youngest in her year. London itself is just intimidating, but also it | :21:13. | :21:17. | |
is a famous institution, an old institution, and that can be | :21:17. | :21:23. | |
daunting. It was a huge thing for me coming | :21:23. | :21:28. | |
from somewhere like Neath. I didn't know any other singers like myself. | :21:28. | :21:38. | |
I was petrified I would be in a class of geeks! I thought they | :21:38. | :21:45. | |
would be people not like me, I thought they would be very posh | :21:45. | :21:51. | |
people and in a certain way and I was not going to fit in. Then I | :21:51. | :21:58. | |
came to the academy, and they were all people who had a voice but they | :21:58. | :22:02. | |
were also young and wanted to do fun things. I thought this was | :22:02. | :22:07. | |
amazing, I couldn't believe how we gelled so quickly. I taught her | :22:07. | :22:12. | |
this technique of singing, how to breed, have to place your voice, | :22:12. | :22:17. | |
but also to prepare her for the profession. The business head, a | :22:17. | :22:22. | |
real application, motivation, she had all of these things from an | :22:22. | :22:28. | |
early start. It is not like going to university. I look at my friends | :22:28. | :22:32. | |
who went into the student union thing, and you don't have that at | :22:32. | :22:38. | |
the Royal Academy. It is much more intense. Every day you are all | :22:38. | :22:42. | |
begins your peers and it is a very intense place but there is fun as | :22:42. | :22:48. | |
well. It was that quest for fun that would land Katherine in | :22:48. | :22:52. | |
trouble a decade later. In 2008, she admitted in an interview that | :22:52. | :23:02. | |
:23:02. | :23:03. | ||
as a student she had experimented with drugs. Being an angel was | :23:03. | :23:07. | |
never her trademark, and the general public, let's be honest, | :23:07. | :23:12. | |
they liked the fact people can come clean and move on. I am not going | :23:12. | :23:16. | |
to dwell on this but you fell into the trap of drugs and partying and | :23:17. | :23:21. | |
you have spoken about this before, but with a bit more distance and | :23:21. | :23:25. | |
hindsight, if you could say to somebody else who was facing that | :23:25. | :23:33. | |
temptation, what would you say? Funny, I wish I had not done it. I | :23:33. | :23:40. | |
look back and it is something I feel has been exaggerated in that | :23:40. | :23:46. | |
it wasn't a drugs problem. It was a teenage thing of experimenting in | :23:46. | :23:51. | |
things and rebelling, doing things you shouldn't do, but I realised | :23:51. | :23:56. | |
pretty quickly that wasn't for me and I am glad I had that strength | :23:56. | :24:02. | |
to see that, but I am not... I don't regret talking about it. I | :24:02. | :24:08. | |
regret doing it, but not talking about it, because I feel like, if | :24:08. | :24:12. | |
one person listens to that and thinks actually, she tried it and | :24:12. | :24:17. | |
it didn't work, then I hope that puts somebody else off. | :24:17. | :24:25. | |
instance, your godson, if he was 17 and just going to university and he | :24:25. | :24:30. | |
said I know that you did these things so why shouldn't I? I would | :24:30. | :24:35. | |
just be really honest and I would be there to talk about it with him. | :24:35. | :24:39. | |
I have unfortunately got the experience to talk about it with | :24:39. | :24:44. | |
him but I would hope for the use that in a positive way. I don't | :24:44. | :24:48. | |
think... If somebody is going to do things, they are going to do it, | :24:49. | :24:53. | |
but I hope I could be there to be the person who could understand in | :24:53. | :24:58. | |
some way. Also, you're doing it at a time when you don't realise how | :24:58. | :25:02. | |
famous he will be. When somebody says they have a story they will | :25:02. | :25:08. | |
sell to the papers, you have to make a decision. Do I come clean | :25:08. | :25:13. | |
and say this before There is a massive story or let it happen and | :25:13. | :25:19. | |
keep quiet? It was the best thing to talk about it. I had had a chat | :25:19. | :25:23. | |
with Piers Morgan about it and I felt uncomfortable I had not been | :25:23. | :25:29. | |
completely honest with him. I did an interview with him for GQ, and I | :25:29. | :25:33. | |
felt when he asked me the question about drugs, I didn't really know | :25:33. | :25:37. | |
how to respond because I was conscious about the fact that in | :25:37. | :25:42. | |
some ways I am a role model to young people and if I am saying yes, | :25:42. | :25:46. | |
and my some are saying that is fine to go ahead and do that, and if I | :25:46. | :25:51. | |
said No I was not telling the truth. It was something that really | :25:51. | :25:56. | |
bothered me, and the nights after that I had conversations with my | :25:56. | :26:03. | |
friends - what do I do about this, shall I put it right? And I am glad | :26:03. | :26:09. | |
I did. Katherine decided to contact Piers Morgan and set the record | :26:09. | :26:13. | |
straight. She admitted she had lied. I remember when we were at the | :26:13. | :26:18. | |
Festival of Remembrance with Katherine when the story came out. | :26:18. | :26:25. | |
I remember being upset about it, all of us being upset because we | :26:25. | :26:30. | |
are protective of her, and I think she did the right thing. I wasn't | :26:30. | :26:35. | |
sure if this was going to be a career ending moment because people | :26:35. | :26:39. | |
still thought I was very sent me, even though I had never said that | :26:39. | :26:49. | |
:26:49. | :26:52. | ||
about myself. -- saintly. In fact, the response was very humbling | :26:52. | :26:57. | |
because it shows how much sense people have got. People said we | :26:57. | :27:01. | |
have all done so me things, just unfortunately for you you are | :27:01. | :27:09. | |
famous and everyone will know about it. I really appreciated that. | :27:09. | :27:14. | |
mum, again, it is very important, when you have got to tell her | :27:14. | :27:19. | |
something you know will horrify her. How did you react? She knew because | :27:19. | :27:23. | |
we had talked about it at the time, just after the time. I have always | :27:24. | :27:29. | |
been quite open with my mum, I talked about it then. Of course she | :27:29. | :27:34. | |
wasn't happy but she did know. actually, as a parent, you are | :27:34. | :27:40. | |
dismayed but I had been reassured it was only an experiment, it | :27:40. | :27:48. | |
hadn't gone any further. I am sure everybody, many people, experiment. | :27:48. | :27:53. | |
I was proud that she had admitted it, and I am still proud of her. | :27:53. | :27:59. | |
What does the whole drugs situation tell you? It tells you she is human, | :27:59. | :28:05. | |
do we think any worse of her for it? I certainly don't. | :28:06. | :28:09. | |
Katherine Jenkins who graduated from the Royal Academy of Music was | :28:09. | :28:14. | |
a lot more confident and worldly wise than the girl who had first | :28:14. | :28:18. | |
arrived four years before. She decided to become a music teacher | :28:18. | :28:21. | |
to earn some money so she could return to the Academy and continue | :28:21. | :28:27. | |
her studies. Katherine was brought in as my singing teacher when I was | :28:27. | :28:33. | |
in a girl band. She came in every weekend to rehearse and teach us | :28:33. | :28:43. | |
have to sing. She always made the classes fun and as a result we | :28:43. | :28:47. | |
became friends. It was clear she had an amazing talent, and for that | :28:47. | :28:55. | |
not to be put to good use as it has been would have been a real shame. | :28:55. | :28:59. | |
From Katherine, I have learnt obviously how to sing, but more | :28:59. | :29:05. | |
than that just have to... She is just a very, very inspiring person | :29:05. | :29:09. | |
to know. A friend who believed Katherine have potential suggested | :29:09. | :29:14. | |
she made a demo tape that could be sent to record companies. One of | :29:14. | :29:23. | |
the largest, Universal Music, liked They just wanted to meet me to | :29:23. | :29:27. | |
start with. They had heard the demo. I just remember meeting them, and | :29:27. | :29:32. | |
they said, where are you from? I said Wales and I felt that they'd | :29:32. | :29:37. | |
liked that. They asked what I was doing, I said I was teaching. They | :29:37. | :29:42. | |
quite liked that. I felt it was going in a positive direction. I | :29:42. | :29:48. | |
felt like I was just having a chat. They said, we need to see you | :29:48. | :29:53. | |
singing live, would it be OK to arrange a showcase? A couple of | :29:53. | :29:59. | |
weeks later they hired a studio and I went in. It was four record | :29:59. | :30:06. | |
company people. When she first came into the room, she did look nervous. | :30:06. | :30:10. | |
I remember thinking, poor kid. I always feel really sorry for any | :30:10. | :30:14. | |
artist that has to be in that situation, in a static situation, | :30:14. | :30:18. | |
where you have a record company executive staring at you, looking | :30:18. | :30:23. | |
totally emotionless. I sang my programme from my final recital at | :30:23. | :30:28. | |
the Royal Academy. Right at the end, they said, well, do you know any | :30:28. | :30:33. | |
musical theatre? And that is not what I had been studying. I turned | :30:33. | :30:38. | |
to my pianist, I said, do you know what I dream daydream? We just | :30:38. | :30:48. | |
busked it. -- I dream to a dream. She sang it off the cuff, I don't | :30:48. | :30:53. | |
even know if she knew the words. sang it, they said, thanks, I'll | :30:53. | :30:59. | |
let you know. They didn't look that interested. They looked bored. | :30:59. | :31:02. | |
don't think we did, but I can forgive her for thinking we'd | :31:02. | :31:06. | |
looked bored. On the way home I called my mum and said, it didn't | :31:06. | :31:11. | |
go very well, they didn't look very happy. I kind of cried on the phone. | :31:11. | :31:19. | |
I remember thinking, yes, she has definitely got it. Within an hour | :31:19. | :31:23. | |
of getting home, I got this call. They said, we are going to offer | :31:23. | :31:28. | |
you a six album deal. You need to get a lawyer. I cried all day again. | :31:28. | :31:31. | |
When you finally got a pay cheque from them, could you tell me how | :31:31. | :31:37. | |
much it was? About �30,000. Wow. And you have to take that to the | :31:37. | :31:42. | |
bank? I took it to the bank, the lady in Barclay is said to me, why | :31:42. | :31:48. | |
have you got a cheque for this much money? It kind of spoiled the | :31:48. | :31:58. | |
:31:58. | :31:59. | ||
moment a little bit. I was really proud that this was my record deal. | :32:00. | :32:05. | |
I had to explain, I've got a record deal. It was a bit strange. | :32:05. | :32:09. | |
didn't believe you? She thought I was cashing in somebody else's | :32:09. | :32:13. | |
cheque. If the first record deal hadn't worked out, what do you | :32:13. | :32:17. | |
think he would be doing now? would probably still be teaching | :32:17. | :32:24. | |
singing. Maybe be in a very small opera chorus, working my way up. | :32:24. | :32:28. | |
That is what I thought my life would be. And I would have been | :32:28. | :32:32. | |
happy doing that. It's amazing how one phone call can change | :32:32. | :32:40. | |
everything. I know. It did feel like a dream. If you wrote that in | :32:40. | :32:45. | |
a film script, it would almost be too easy for it to happen in that | :32:45. | :32:53. | |
way. Do you feel God's hand in there? Destiny? I feel there is a | :32:53. | :32:58. | |
bigger power than me that is putting this path in front of me. I | :32:58. | :33:08. | |
:33:08. | :33:08. | ||
think that is a mixture of my dad Katherine's debut album reached the | :33:08. | :33:11. | |
top of the classical charts in April 2004. She began touring and | :33:11. | :33:17. | |
became a regular on TV screens. next guest is the lovely Katherine | :33:17. | :33:23. | |
Jenkins. Please welcome Katherine Jenkins. Ladies and gentlemen, the | :33:23. | :33:29. | |
fabulous Katherine Jenkins. There was just something different about | :33:29. | :33:33. | |
this girl. She wasn't just a classical singer. There was star | :33:33. | :33:36. | |
quality, but there was accessibility. If you have the | :33:36. | :33:40. | |
magic ingredients of true talent and a lovely personality, or VST | :33:40. | :33:44. | |
you are going to be taken into the hearts of many. -- obviously, you | :33:44. | :33:53. | |
are going to be taken into the She touches the audience. I think | :33:53. | :33:58. | |
the warmth of her personality shows itself. It comes over. The audience | :33:58. | :34:08. | |
:34:08. | :34:13. | ||
is cleverer than we think. They # Sharing words of love and | :34:13. | :34:21. | |
Her voice is clearly the key to her success. To look after it, she has | :34:21. | :34:27. | |
developed a strict regime. There are so many things. I don't drink | :34:27. | :34:33. | |
alcohol before I am singing. Derry, spicy foods, I avoid those. Often, | :34:33. | :34:38. | |
I will go from one concert to the next one, if I am on tour, without | :34:38. | :34:43. | |
speaking one word. That can be quite nice. For people around me! | :34:43. | :34:49. | |
Do you write notes? I write notes, I send texts. I will even mess | :34:49. | :34:57. | |
around and play give me a clue. But my mum and my friends have got | :34:57. | :35:02. | |
really good at lip-reading. long before the performance do you | :35:02. | :35:07. | |
start warming it up again? If I was sitting at 7.30, I would start | :35:07. | :35:11. | |
talking again maybe at 4 o'clock. Suddenly I will announce, OK, I can | :35:11. | :35:17. | |
talk. Then it is a lot easier. preparation, not just for your | :35:17. | :35:22. | |
voice but for the outer Katherine, is that a kind of meditation? | :35:22. | :35:26. | |
find when I am getting ready for a concert that I do my own hair and | :35:26. | :35:31. | |
make-up, usually. I find that is my time to mentally prepare myself and | :35:31. | :35:36. | |
get myself into the mood of being on stage. That is something that I | :35:36. | :35:41. | |
really look forward to, being on stage. I feel really natural. | :35:41. | :35:49. | |
nerves? No, this calm. And I am so grateful for this. It is something | :35:49. | :35:52. | |
that happened when I sang for the first time that the Millennium | :35:53. | :35:57. | |
Stadium in Cardiff. I had just been signed with my record contract. It | :35:57. | :36:00. | |
was my first time singing in front of such a huge crowd. I was | :36:00. | :36:05. | |
petrified. I have always been a nervous performer, especially as a | :36:05. | :36:09. | |
teenager. I feel that it cured it, because it is never going to be | :36:09. | :36:14. | |
that bad again. I was thrown in at the deep end, so now I am this calm | :36:14. | :36:23. | |
when I step out. I would like to # Spend all your time waiting for | :36:23. | :36:28. | |
that second chance. # For a break that would make it OK. | :36:28. | :36:36. | |
She is blessed, really. It is a gift. I think her father looks over | :36:36. | :36:46. | |
:36:46. | :36:48. | ||
her, and gives her an extra surge I am interested in how Katherine is | :36:48. | :36:53. | |
coping with the downside of fame. Life is very different for her, now | :36:53. | :36:58. | |
she is successful. The press intrusion, the touring, the many TV | :36:58. | :37:05. | |
appearances. It is a far cry from the simplicity of performing in a | :37:05. | :37:10. | |
church choir in Neath. How much does the rigmarole of fame, fortune, | :37:10. | :37:16. | |
all of this busy mess, affect the purity of you just getting on stage | :37:16. | :37:21. | |
and singing? The trappings can get in the way. There are so many | :37:21. | :37:26. | |
different parts of what I have to do a, interviews, photo-shoots, | :37:27. | :37:31. | |
travelling, the recording. If I am totally honest, the better I love | :37:31. | :37:38. | |
the most is a live performance. That is why I do everything else. I | :37:38. | :37:42. | |
love been on tour, I love performing live with an orchestra. | :37:42. | :37:50. | |
I love the connection with the audience. In some ways, to be in | :37:51. | :37:54. | |
the studio and have months way you completely focus and make something | :37:54. | :38:00. | |
as perfect as you can make it, that is also a lovely thing. But the | :38:00. | :38:04. | |
rest of its kind of goes hand in hand with it. But I would always | :38:04. | :38:11. | |
choose the music part of it. Success also means that something | :38:11. | :38:16. | |
has got to give. For Katherine, the biggest sacrifice his time with her | :38:16. | :38:22. | |
friends and family. When you're working that hard to promote albums, | :38:22. | :38:25. | |
on the road all the time, you're never home, you don't see your | :38:25. | :38:30. | |
mum... I think it is really hard to keep a relationship with anyone in | :38:30. | :38:35. | |
your life, it when you are travelling like that. My mum, she | :38:35. | :38:39. | |
still wants me to call more often and I would like to get back to | :38:39. | :38:43. | |
Wales more often. I think it is something that you have just got to | :38:43. | :38:46. | |
really fight, to keep the relationships in your life that are | :38:46. | :38:50. | |
worth keeping. And you felt driven enough to think, I have been given | :38:50. | :38:56. | |
this opportunity, I must work at it? I do feel like that. I feel | :38:56. | :38:59. | |
like the people in my life who really love me can see the | :39:00. | :39:04. | |
opportunity, can see that I have to make the most of it, can see how | :39:04. | :39:08. | |
happy it makes me. I think they all kind of think that maybe it is | :39:08. | :39:11. | |
something I have to do now. They are there for me and I will be | :39:11. | :39:21. | |
:39:21. | :39:22. | ||
# I tell myself you are coming home, like you have done 1 million times. | :39:22. | :39:30. | |
# If it's all right, I'll still be Part of her life now is criticism | :39:30. | :39:34. | |
from some sections of the music world. As a solo singer, she has | :39:34. | :39:39. | |
taken a role that makes her the centre of attention, but it also | :39:39. | :39:43. | |
makes her vulnerable. Instrumentalists can hide behind | :39:43. | :39:48. | |
their instrument. As a singer, you expose yourself. Singers do get a | :39:48. | :39:55. | |
special name in a profession, because they are living emotions. | :39:55. | :40:05. | |
:40:05. | :40:09. | ||
It is a very special art, I think, Katherine's desire to bring | :40:09. | :40:12. | |
classical music to an audience that wouldn't normally be interested by | :40:12. | :40:16. | |
using some of the techniques of the pop world has not met with | :40:16. | :40:22. | |
universal approval. The main thing about Katherine Jenkins is feeling | :40:22. | :40:26. | |
very safe and accessible, when it comes to choices. If I were | :40:26. | :40:30. | |
critical, it would be that she doesn't seem to make many risks. | :40:30. | :40:34. | |
She has a call audience and she does not want to alienate them. She | :40:34. | :40:38. | |
wants to reach out to as many people as possible. As a result, | :40:38. | :40:46. | |
there can be a bland notes. -- it can be bland. A lot of people get | :40:46. | :40:52. | |
carried away. His Katherine a true opera star or not? I don't think | :40:52. | :41:02. | |
:41:02. | :41:05. | ||
she should worry about that. Nobody One of the key differences between | :41:05. | :41:11. | |
the great opera singers, Joan Sutherland, compare that to | :41:11. | :41:15. | |
Katherine Jenkins, it is really the approach they take to their | :41:15. | :41:20. | |
characters. Opera singing is all about characters. On stage, URL | :41:20. | :41:26. | |
nobleman's wife, a chastened daughter, a vengeful witch. They | :41:26. | :41:32. | |
require careful characterisation. When she sings in a stadium or | :41:32. | :41:35. | |
arena, she is really selling Katherine Jenkins. And that is what | :41:35. | :41:40. | |
her audience want, they want her to be herself, not somebody else. | :41:40. | :41:45. | |
should she worry if she is deemed to be an opera star or not? She is | :41:45. | :41:54. | |
a fine singer and she has got a lot Katherine's success also means that | :41:54. | :41:57. | |
the press is always on the lookout for stories that suggest that fame | :41:57. | :42:01. | |
has gone to her head and she has turned from girl-next-door into a | :42:01. | :42:07. | |
demanding diva. We all have moments when the pressure gets to us and | :42:07. | :42:11. | |
you suddenly stamp your feet and say, I am not having that. Have you | :42:11. | :42:16. | |
had those moments? I am sure that I have. I think there are times when | :42:16. | :42:21. | |
people would like you to be like that. Sometimes I feel the pressure | :42:21. | :42:27. | |
that people want me to be that. They would love you to kick off, | :42:27. | :42:32. | |
they would love used to throw a water bottle. And say, she is | :42:32. | :42:40. | |
demanding? I like things done in a certain way, but I have never | :42:40. | :42:44. | |
thrown a tantrum. I hope I have never been really disrespectful to | :42:45. | :42:48. | |
somebody. Because my mum didn't bring me up like that. I still look | :42:48. | :42:53. | |
at this and think, yes, I do a different job to a lot of other | :42:53. | :42:57. | |
people. But that does not excuse bad behaviour. What has been the | :42:57. | :43:07. | |
:43:07. | :43:09. | ||
worst part of fame, do you think? The intrusion into things that I | :43:09. | :43:13. | |
would deem not for everybody's knowledge. I have always wanted it | :43:13. | :43:20. | |
to be about the music. Try to keep a line between my personal life and | :43:20. | :43:24. | |
my music. But there are times way you just cannot avoid that. I | :43:24. | :43:28. | |
realise I chose this, so I have to do with the consequences of my | :43:28. | :43:33. | |
choices. But my family did not choose this and I hate it when they | :43:33. | :43:39. | |
get dragged into my crazy world. is nice when they are nice stories. | :43:39. | :43:45. | |
But when you get stories like that business with the drugs, it is very | :43:45. | :43:52. | |
difficult. I don't think we will ever get used to it. Katherine has | :43:52. | :43:57. | |
now taken her music to Europe and America. But also to places few | :43:57. | :44:01. | |
performers go. Her trips to entertain the troops in Iraq and | :44:01. | :44:05. | |
Afghanistan have earned her the title long-held by Dame Vera Lynn, | :44:05. | :44:12. | |
the forces' sweetheart. I sometimes think of Katherine as a bit of a GI | :44:12. | :44:20. | |
Jane. She has this kind of call of duty, a commitment to the armed | :44:20. | :44:25. | |
forces in a way that is second to none. Afghanistan, Iraq. If she can | :44:25. | :44:31. | |
get there, anyway, she tries to. The times when she is not allowed | :44:31. | :44:34. | |
because security is so tight and circumstances have prevented it, | :44:34. | :44:44. | |
:44:44. | :44:54. | ||
she is fuming. She is, like, when The value of her trips is that she | :44:54. | :44:58. | |
communicates the public's support for the sacrifices they make, and | :44:58. | :45:06. | |
it is incredibly important to their morale. She represents home, and | :45:06. | :45:14. | |
that does elicit a very powerful emotional response. It gives them a | :45:14. | :45:18. | |
moment when everything stops and they can reflect, and I think that | :45:18. | :45:27. | |
means a lot. You have taken your voice now to entertain the troops. | :45:27. | :45:33. | |
We have taken over Dame Vera Lynn's position, how did that come about? | :45:33. | :45:38. | |
I went to sing to the Chelsea pensioners, and they have a | :45:38. | :45:43. | |
clubhouse there, but I found they never really had anyone going in to | :45:43. | :45:49. | |
sing to them which seemed very odd to me. I went to saying things like | :45:49. | :45:54. | |
White Cliffs of Dover and we will meet again, and as a result of that | :45:54. | :46:00. | |
I got invited to sing a VE-Day concert with Dame Vera Lynn. | :46:00. | :46:05. | |
Through talking to her, she encouraged me to think about going | :46:05. | :46:10. | |
to somewhere like Iraq, and also the British press were starting to | :46:10. | :46:15. | |
label me as a forces' sweetheart but I didn't feel I had earned that | :46:15. | :46:20. | |
then. I got a call from Jim Davidson representing the British | :46:20. | :46:24. | |
forces Foundation and he said how about going to Iraq for Christmas, | :46:24. | :46:29. | |
and I thought that is exactly what I want to do. Unusual to think I am | :46:29. | :46:35. | |
young, glamorous and gorgeous, and I want to go and spend Christmas | :46:35. | :46:40. | |
with Jim Davidson in Iraq! Although Katherine's mission is to entertain | :46:40. | :46:45. | |
the troops, she also finds her missions can have a more serious | :46:45. | :46:50. | |
purpose. You have met soldiers who are very young and they have been | :46:50. | :46:54. | |
able to confide in you privately in a way they perhaps couldn't with | :46:54. | :47:00. | |
their colleagues? I remember meeting a guy who was very upset, | :47:00. | :47:05. | |
he was missing home, he wasn't happy and I will never forget what | :47:05. | :47:09. | |
he said to me. I hope that in talking to him a little bit about | :47:09. | :47:15. | |
home, taking some time with him, I hope it helps because I feel like | :47:15. | :47:20. | |
that kind of part of it is just as important as the singing. The you | :47:20. | :47:24. | |
put yourself in danger when you were in a helicopter once and there | :47:24. | :47:34. | |
:47:34. | :47:37. | ||
was a missile coming at you. That must have shaken you will orbit! -- | :47:37. | :47:47. | |
shaken you'll all a bit. I remember it so clearly. We were being thrown | :47:47. | :47:54. | |
around, ducking and diving in the helicopter. It seemed to via to the | :47:54. | :48:00. | |
right, then down, and it took some quite dramatic moves but everybody | :48:00. | :48:05. | |
was a lot more pale than they were afterwards than they were before. | :48:05. | :48:10. | |
We landed, then we literally ran on to the next base and the next show | :48:10. | :48:14. | |
and you don't really have time to think about what just happened. I | :48:14. | :48:19. | |
came home, I was back in Neath by about 3 o'clock on Christmas Eve. I | :48:19. | :48:24. | |
went into the pub with my sister, and I was standing there thinking I | :48:24. | :48:28. | |
have been in a war-zone today. I couldn't forget what was happening | :48:29. | :48:33. | |
to me, I couldn't forget when I was eating my Christmas dinner, | :48:33. | :48:38. | |
actually that was a big thing. tell her not to tell me when she is | :48:38. | :48:43. | |
going. Clean know she will be going before Christmas but I don't | :48:43. | :48:47. | |
actually want to know when she is going, just tell me when you come | :48:47. | :48:53. | |
back, then I don't have to worry about it too much. Last Christmas, | :48:53. | :48:58. | |
on an army fled to Afghanistan, Katherine broke into an impromptu | :48:58. | :49:08. | |
:49:08. | :49:08. | ||
version of Silent Night. I feel like we're going for 24 hours, 48 | :49:08. | :49:13. | |
hours, and these people deal with that kind of thing for nine months | :49:14. | :49:23. | |
:49:24. | :49:25. | ||
sometimes. I think more than a sweet heart, she is a champion who | :49:25. | :49:30. | |
genuinely cares about them, their plight and their circumstances. | :49:30. | :49:35. | |
is interesting, looking at the career you have chosen, a lot of | :49:35. | :49:39. | |
classical singers would not be putting themselves in danger, would | :49:39. | :49:44. | |
not sit and openly discussed God, would be more concerned about an | :49:45. | :49:49. | |
image that is classical and sedate and rather more proper. Has anybody | :49:49. | :49:53. | |
suggested to you that you should not talk about your faith, or | :49:53. | :50:02. | |
wanting to go into war zones? think it is just really important | :50:02. | :50:09. | |
to be yourself. I feel like sometimes people have a perception | :50:09. | :50:14. | |
of the classical artist, as you said, and ditties sort of being | :50:14. | :50:19. | |
very serious, never made a mistake, and I have felt the pressure from | :50:19. | :50:26. | |
that. I want to show people, as part of the message the classical | :50:26. | :50:30. | |
music is for everyone, that I am just like everybody else as well. I | :50:30. | :50:34. | |
like doing everything that everybody else does. The future | :50:34. | :50:39. | |
will bring many changes to her life. In February, she announced she was | :50:39. | :50:46. | |
engaged to the television presenter Gethin Jones. They had met four | :50:46. | :50:50. | |
years before on this set of Strictly Come Dancing. He was | :50:50. | :50:56. | |
competing and she was singing. is engaged to Gethin Jones now, I | :50:56. | :51:05. | |
know him very well, are playing looking lad. Not that I am jealous | :51:05. | :51:09. | |
in the slightest, but I bet there are a lot of middle-aged men who | :51:09. | :51:19. | |
would like to swap places. Sad, isn't it?! I imagine there are a | :51:19. | :51:27. | |
lot of troops, a lot of men who are gutted she is engaged. The lovely | :51:27. | :51:33. | |
thing for me personally, seen them getting together, is I can see | :51:33. | :51:38. | |
exactly why. They are perfect for each other. They both have a sense | :51:38. | :51:42. | |
of enjoyment of life, they both want the same things, they both | :51:42. | :51:49. | |
love this feeling of a home life and home sweet home. Seeing the two | :51:49. | :51:55. | |
of them together, it just makes you sick really. They're both gorgeous. | :51:55. | :51:59. | |
Look at you two. They are just little more birds sitting on the | :52:00. | :52:04. | |
sofa together. We should wrap them up in chocolate and sell them on | :52:04. | :52:11. | |
the street! Let's not forget, it has virtually blinded me in the | :52:12. | :52:18. | |
last hour or so, a gorgeous sparkler on your hand. He has done | :52:18. | :52:24. | |
very well, hasn't he? What makes Gethin Jones Mr Right? He is just a | :52:24. | :52:29. | |
really good guy. As people see him on the television, that is just how | :52:29. | :52:35. | |
he is, for me with a good heart and kind. Does he share your faith? | :52:35. | :52:42. | |
he does actually. I think when you both come from a similar place, you | :52:42. | :52:47. | |
have the same kind of core beliefs. She shared experiences. Exactly, | :52:47. | :52:54. | |
yes. I know you probably haven't had time to set a date, but | :52:54. | :53:01. | |
presumably the service will be full of music. I would imagine. You know, | :53:01. | :53:06. | |
I think it will be all about music. I know I won't be singing myself. | :53:06. | :53:13. | |
Everybody keeps asking me about that. It will be a day off. But yes, | :53:13. | :53:18. | |
I want it to be emotional and music is such an important part of that | :53:18. | :53:24. | |
for me. When you are finally married, how will you combine the | :53:24. | :53:31. | |
horror, the juggle of being a wife, possibly being a mum, and being an | :53:31. | :53:37. | |
international superstar? I think that, please God, I have children | :53:37. | :53:43. | |
that I will at some point slow down on the touring a little bit. I feel | :53:43. | :53:48. | |
like to be a mother is a real gift and I want to enjoy that. The | :53:48. | :53:52. | |
craziness of my life right now would not allow that, so maybe to | :53:52. | :53:58. | |
wait a little bit, and take a step back and enjoy being a mum for a | :53:58. | :54:02. | |
while. Not give up singing completely, but just enough to take | :54:02. | :54:08. | |
time and enjoy it. The Jenkins family motto is to go forward | :54:08. | :54:16. | |
cautiously, which is a brilliant one. Where did that come from? | :54:16. | :54:20. | |
are strong people, they think about what they will do, they are thought | :54:21. | :54:25. | |
full but they do things with a lot of fun. My family know how to enjoy | :54:25. | :54:31. | |
themselves, know how to enjoy life, know what is important. They are a | :54:31. | :54:41. | |
:54:41. | :54:51. | ||
Yes, she is Katherine Jenkins the star, she is adored by millions, | :54:51. | :54:56. | |
she has a fantastic talent, but in all the years I have known her she | :54:56. | :55:05. | |
has remained a decent girl. I don't think that being famous has changed | :55:05. | :55:10. | |
Katherine. She has managed to stay very grounded and it is the same | :55:10. | :55:17. | |
person I knew 10 years ago, which is testament to her personality. | :55:17. | :55:20. | |
Katherine's career I think will literally go on forever. She is one | :55:20. | :55:24. | |
of these people who has the ability to do that, to keep recreating | :55:24. | :55:29. | |
herself, because she has a true passion for music. She will use her | :55:29. | :55:35. | |
instrument, her voice, as much as she can and it will always keep up- | :55:35. | :55:45. | |
:55:45. | :55:51. | ||
to-date so I think she will be I feel really lucky that I have | :55:51. | :55:56. | |
been able to do what I have done so far and I don't really want to ask | :55:57. | :56:02. | |
for any more, so if I can carry on singing and carry on touring and | :56:02. | :56:06. | |
people still want to listen to me singing, I will be happy with that. | :56:06. | :56:11. | |
What will you be doing for Christmas? I will be back in Wales. | :56:11. | :56:17. | |
I always go home to Wales for Christmas. That, for me, it is the | :56:17. | :56:22. | |
guaranteed time with the family. Just to be back, going to Midnight | :56:22. | :56:28. | |
Mass with my mum, going to my anti- 's house on Christmas night and | :56:28. | :56:37. | |
playing trivial pursuit, I would not change that for the world. | :56:37. | :56:45. | |
does Christmas mean to you? Family. Just quality time. That is all I | :56:45. | :56:50. | |
look for in Christmas. Just knowing I have got the time to feel no | :56:50. | :56:56. | |
pressure, just to, you know, just chill with the family, eat, laugh, | :56:56. | :57:04. | |
just enjoy it. Katherine, thank you. And happy Christmas. Happy | :57:04. | :57:09. | |
Christmas. Thank you for having me. Over the years, I have met | :57:10. | :57:13. | |
Katherine several times and she has never changed, despite her enormous | :57:14. | :57:18. | |
success. I think that old phrase hard work brings good things was | :57:18. | :57:23. | |
made for her. She has worked very hard, she has kept her feet on the | :57:23. | :57:29. | |
ground, she has worked hard at her career, her appearance, her family, | :57:29. | :57:35. | |
her faith, and I think everything about her is truly sincere. I hope | :57:35. | :57:39. | |
that in the future she is very happy. Next week I am meeting | :57:39. | :57:43. | |
Russell Watson, a remarkable singing talent who emerged from | :57:43. | :57:48. | |
pubs and clubs to become an international star. He has faced | :57:48. | :57:56. | |
the death twice through brain tumours, and and experience that | :57:56. | :58:01. |