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One night in 1990 a 24-year-old Salford factory worker left his | :00:32. | :00:40. | |
seat by the bar here in the Railway Inn and sang. The song was a Neil | :00:40. | :00:43. | |
Diamond classic called Love On The Rocks and by the time he'd finished | :00:43. | :00:53. | |
:00:53. | :01:05. | ||
That pub singer was Russell Watson. He's gone on to sell millions of | :01:05. | :01:08. | |
albums and played some of the biggest music venues around the | :01:08. | :01:18. | |
world to thousands of people. has been an astonishing rise from | :01:18. | :01:23. | |
this guy who sang in local pubs. But for his friends there was a | :01:23. | :01:28. | |
time when Russell forgot his roots. I texted him a couple of times and | :01:28. | :01:32. | |
he never replied and that was basically it for two and a half | :01:32. | :01:38. | |
years. And he wasn't the same person. | :01:39. | :01:45. | |
Then at the peak of his fame, Russell's world fell apart. In the | :01:45. | :01:48. | |
last decade, he has faced three serious illnesses - one career | :01:48. | :01:58. | |
:01:58. | :02:03. | ||
threatening and two life He's a fighter. I know at one point | :02:03. | :02:09. | |
he wanted to give up himself. seen myself go to hell and back but | :02:09. | :02:19. | |
:02:19. | :02:30. | ||
I'm fascinated to discover how success, fame and illness have | :02:30. | :02:39. | |
changed Russell Watson. But I'd also like to know what remains of | :02:39. | :02:42. | |
the Salford working class lad and what are the qualities that have | :02:42. | :02:52. | |
:02:52. | :02:58. | ||
So how are you? I am very good, thank you. I am, I am feeling very | :02:58. | :03:05. | |
good. I feel fit I feel strong and the voice is good. Which is amazing | :03:06. | :03:08. | |
coming from someone whose career has been fabulous and then | :03:08. | :03:12. | |
something else has chipped away at you. Its' like a roller coaster | :03:12. | :03:19. | |
it's Isn't it? Yes. It's like, it is, it's like a roller coaster - | :03:19. | :03:23. | |
these amazing highs and then these cataclysmic lows. I feel like, if I | :03:23. | :03:26. | |
was an athlete they'd have to invent a new race. It would have to | :03:26. | :03:30. | |
be like the 1000 metre hurdles because I feel like I've had to | :03:30. | :03:38. | |
clear so many in my life and my career. Do you feel guided? Yes. I | :03:38. | :03:41. | |
feel a connection with something spiritual now every time I walk on | :03:41. | :03:46. | |
stage. I like to think that God isn't just something that is | :03:46. | :03:49. | |
outside of me but something that is very much predominantly inside me | :03:49. | :03:59. | |
:03:59. | :04:10. | ||
as well in my heart and in my soul. Russell Watson was born on 24 | :04:10. | :04:12. | |
November 1966 in Salford, Lancashire to mum Nola and father | :04:12. | :04:22. | |
:04:22. | :04:35. | ||
My dad worked his backside off and he would be doing 14 hour shifts | :04:35. | :04:41. | |
you know six, seven days a week. was a crane driver, wasn't he? | :04:41. | :04:46. | |
was, yes, at the steel works but I saw the sweat and toil that went on. | :04:46. | :04:49. | |
I saw my dad working incredibly hard just to afford to buy us | :04:49. | :04:58. | |
birthday presents and Christmas presents and keep food on the table. | :04:58. | :05:01. | |
I'd get home from a 12 hour shift, probably be absolutely knackered | :05:01. | :05:05. | |
and he'd just, I'd walk in and he'd look up at me and I knew he'd done | :05:05. | :05:14. | |
something wrong. He'd been threatened by his mother, of course. | :05:14. | :05:17. | |
"Wait till your father gets home, I'll be telling him what you've | :05:17. | :05:23. | |
been doing". And your mum, she was a stay-at-home mum? Yes. My mum was | :05:23. | :05:29. | |
a stay-at-home mum. She wrapped me in this little cotton wool bud | :05:29. | :05:32. | |
called Sunningdale Drive and that's pretty much where I spent the first | :05:32. | :05:39. | |
12, 13 years of my life other than going to school. My parents didn't | :05:39. | :05:43. | |
go out they didn't go out for dinner, my dad didn't go to the pub. | :05:43. | :05:49. | |
And that was it. That was my life. It was a little bubble. Russell | :05:49. | :05:51. | |
attended Irlam Endowed Primary School but instead of concentrating | :05:52. | :05:55. | |
on his studies he put most of his energy into dreaming up out of | :05:55. | :06:05. | |
:06:05. | :06:11. | ||
I would organise football tournaments and subutteo games. | :06:11. | :06:14. | |
We'd have draws for the matches, I'd do all little cards for each | :06:14. | :06:17. | |
person's name. We'd have somebody drawing the numbers out and | :06:17. | :06:21. | |
somebody calling the names out and I would organise all that as a kid. | :06:21. | :06:26. | |
If things didn't go his way the mood was unbelievable. It was just, | :06:26. | :06:30. | |
you were thinking this is only a kick about but for him it was a | :06:30. | :06:35. | |
World Cup so that was. I would say, I won't say it was a bad thing, | :06:35. | :06:38. | |
obviously it's helped him because he is a very driven person but it | :06:38. | :06:41. | |
was quite comical then you thought he's not happy and he'd storm off | :06:41. | :06:45. | |
and he'd have his oranges in the bag and he's not giving them anyone | :06:45. | :06:48. | |
because nobody's performed, you know, and off he'd storm, you know. | :06:48. | :06:55. | |
And football became your life? Football was everything. I wasn't | :06:55. | :06:59. | |
particularly good at it. I thought I was world class, you know. There | :06:59. | :07:03. | |
was that marvellous game - there you are in the goal waiting... | :07:03. | :07:05. | |
Highlight of my football career. The seven-a-side championship at | :07:05. | :07:10. | |
Moorfield School. For me, it was a Roy of the Rover's moment. It went | :07:10. | :07:15. | |
to penalties. The last penalty kick was due to come up and all I had to | :07:15. | :07:20. | |
do was save the ball. I saw the ball sort of skidding across the | :07:20. | :07:23. | |
mud and I somehow managed to hurl my body saving superman fashion, | :07:23. | :07:33. | |
:07:33. | :07:35. | ||
slid what felt like 20 feet across the mud. Tipped the ball round the | :07:35. | :07:40. | |
corner of the post and that was the glory moment. It was amazing. I've | :07:40. | :07:43. | |
just won the seven a side cup single handedly. Has he told you | :07:43. | :07:48. | |
that, yeah? What happened was, when he made it out as though he'd won | :07:48. | :07:52. | |
us the game, we did actually happen to mention that, well wasn't it our | :07:52. | :07:58. | |
goals that won the actual final, Russ? Two goals from me and one | :07:58. | :08:02. | |
from you. 3-2. Yeah, and his comment was he got a bit annoyed | :08:02. | :08:05. | |
and said, well it's all right for you, you won other football things. | :08:05. | :08:12. | |
But it was a good save I'll give him that. Yeah. He weren't bad. | :08:12. | :08:16. | |
champion returned home and told his mum and what did his mum say? | :08:16. | :08:22. | |
God. I think I stood at the door and she went, "Where's Russell?" I | :08:22. | :08:26. | |
was covered from head to toe in mud. My mum went crazy. Ah, mums don't | :08:26. | :08:30. | |
always understand, do they? they don't. They certainly didn't | :08:30. | :08:34. | |
understand a few of the things I got up to. Oh, would you like to | :08:34. | :08:40. | |
expand on that or is that still secret? Well, I was a naughty boy I | :08:40. | :08:43. | |
used to get into scraps and it was always down to the fact that if | :08:43. | :08:46. | |
anybody was bullying my friends, I'd just run straight in and deal | :08:46. | :08:51. | |
with it. That was me, from a very early age. So a strong moral | :08:51. | :08:55. | |
compass. Was that brought on by churchgoing, Sunday school, a | :08:55. | :09:01. | |
belief in God? It was based on what I saw develop inside the household. | :09:01. | :09:04. | |
I learned about respect from my parents and, and honesty and | :09:04. | :09:11. | |
integrity. I mean, I did believe in God I think but in a way that | :09:11. | :09:18. | |
wasn't forcedly pushed on me. It was probably only later on in life | :09:18. | :09:21. | |
towards my sort of early to mid teens that I started to question, | :09:21. | :09:25. | |
what is this God? And while you were thinking about those things, | :09:25. | :09:28. | |
which do start to take a back burner because you were growing | :09:28. | :09:31. | |
into an adult and you're thinking this is what I am going to do with | :09:31. | :09:37. | |
my life? Was what you wanted to do with your life, music at that time? | :09:37. | :09:41. | |
I had no aspirations to do or be anything. My life was so | :09:41. | :09:46. | |
unbelievably flippant at that stage. I very much lived for the day and | :09:47. | :09:56. | |
that's why I think my career is, in my opinion has been so incredibly... | :09:56. | :10:00. | |
Incredibly organic and almost a mistake. It was almost like a | :10:00. | :10:03. | |
mistake it was almost like it shouldn't have happened but it did. | :10:03. | :10:07. | |
What were your musical experiences? Did you have things going on at | :10:07. | :10:11. | |
home? It was a real eclectic mix of styles in the house During the day, | :10:11. | :10:14. | |
mum would be playing Chopin and Tchaikovsky and Abba and then in | :10:14. | :10:18. | |
the evening, Dad would come home and it would be Johnny Cash and | :10:18. | :10:21. | |
Dire Straits and Meatloaf so there was a real mix of different styles | :10:21. | :10:30. | |
constantly being played in the household. I didn't differentiate | :10:30. | :10:37. | |
between the two styles. I just saw classical music and pop music as | :10:37. | :10:43. | |
music that I liked. That's interesting, so there was no line | :10:43. | :10:48. | |
between them at all? No, it was music that I liked, there was no | :10:48. | :10:53. | |
division, there was no cultural division. There was no there was no, | :10:53. | :10:58. | |
what would be the word? Class division? There was no class | :10:58. | :11:07. | |
Having been weaned on a mixed diet of anything from Abba to Ashkenazy, | :11:07. | :11:10. | |
Russell did what many teenage boys do and joined a band - called The | :11:10. | :11:20. | |
:11:20. | :11:24. | ||
Crowd. The Crowd, indeed. You were the singer? At that point, no. | :11:25. | :11:28. | |
was probably a little bit too shy to stand up and get on the | :11:28. | :11:32. | |
microphone and sing but what I did do was I played guitar and a little | :11:32. | :11:35. | |
bit of keyboard because I had had piano lessons from being around | :11:35. | :11:39. | |
about the age of seven. Music was something that I did for fun, apart | :11:39. | :11:44. | |
from anything else. I never had any great aspirations to be the next | :11:44. | :11:49. | |
big band. I wasn't thinking we were going to be the Beatles or the Jam | :11:49. | :11:53. | |
or anything like that or the Rolling Stones. Russ was kind of | :11:53. | :11:56. | |
the director, in a way because he was the one with the musical | :11:56. | :12:00. | |
background and he's also quite a bit of a perfectionist, isn't he? | :12:00. | :12:05. | |
Yeah. Yeah, so things like when you're playing and your guitar is | :12:05. | :12:08. | |
just going slightly out of tune because they've very old strings | :12:08. | :12:12. | |
and we would stop the song and it would be out of tune and if it was | :12:12. | :12:16. | |
a song that he was heavily involved in we used to do Green Onions which | :12:16. | :12:19. | |
I don't know if you know but its very repetitive and the thing is it | :12:19. | :12:23. | |
got mind numbing because Russ would say let's do it again, let's do it | :12:23. | :12:29. | |
again, let's do it again. After Russell left school he got | :12:29. | :12:32. | |
what he called a mind numbingly repetitive job at a local nuts and | :12:32. | :12:40. | |
bolts factory. �25 a week is how much I picked up | :12:40. | :12:45. | |
for doing that. It wasn't very much, but I made a lot of friends there, | :12:45. | :12:50. | |
and that was it was great fun. you got a nickname? I got a | :12:50. | :12:58. | |
nickname. Minty. Oh Good Lord, yeah. Did you know why they called you | :12:59. | :13:03. | |
Minty? No it took me a while to work it out somebody explained to | :13:03. | :13:08. | |
me after a few years why. Which is? Because when we clocked on, you | :13:08. | :13:12. | |
were supposed to get, to get in around about ten to eight or | :13:12. | :13:15. | |
thereabouts. I was always late, so I would always turn up "after | :13:15. | :13:25. | |
:13:25. | :13:26. | ||
eight". Hence the name, Minty. Very clever. It ground you down. You | :13:26. | :13:29. | |
woke up every morning thinking, I can't, I can't do another day of | :13:29. | :13:35. | |
this. Yeah. The job. It was the singular most mind numbing, boring | :13:35. | :13:45. | |
:13:45. | :13:47. | ||
draining job that has ever been Then one night in February 1990, | :13:47. | :13:57. | |
:13:57. | :13:58. | ||
fate presented Russell with a way On a pub-crawl with his mates, he | :13:58. | :14:01. | |
walked into the Railway Inn slap bang in the middle of a radio | :14:01. | :14:07. | |
talent contest. He had no inkling that the next few hours would | :14:07. | :14:17. | |
:14:17. | :14:19. | ||
We were hoping what we would find was a brand new pop singer or a | :14:19. | :14:24. | |
comedian. But what we did find was an opera singer and an opera singer | :14:24. | :14:27. | |
from Salford. And, I mean, opera singers do not come from Salford. | :14:27. | :14:30. | |
They come from Turin or Milan. But there was Russell and he was | :14:30. | :14:40. | |
:14:40. | :14:59. | ||
# love on the rocks... # And that night in the pub, when you got up | :14:59. | :15:03. | |
on stage, you hadn't prepared. You had not thought, this is what I am | :15:03. | :15:07. | |
going to do tonight but you got up on stage and said, OK, what have | :15:07. | :15:11. | |
you got for me to sing? Yeah. I sang this Neil Diamond song, gave | :15:11. | :15:14. | |
it everything I had and the place went mad. There was probably 30, 40 | :15:14. | :15:18. | |
people in there that night. It was not busy and they said, well done, | :15:18. | :15:22. | |
Son, you are going through to the next round. Oh. Great. OK. You went | :15:22. | :15:25. | |
all the way through to the final? All the way through to the finals, | :15:25. | :15:35. | |
:15:35. | :15:36. | ||
which was held live on Piccadilly Lovely. I can remember that, on the | :15:36. | :15:41. | |
final day, there were several competitors lined up. We lined them | :15:41. | :15:44. | |
up all on telephone lines and they were waiting actually for the | :15:44. | :15:51. | |
result. And the telephone call came through to me and I thought, oh, | :15:51. | :15:55. | |
they are ringing me up to tell me to get lost and they rang me up and | :15:55. | :15:59. | |
went... We are pleased to tell you, you have won. I was like, yeah. The | :15:59. | :16:03. | |
second thing I have won in my life. I am not sure really whether he was | :16:03. | :16:06. | |
very confident that he would win. But when it came through he was | :16:06. | :16:13. | |
actually the winner, he blew the audience away. And then, did you | :16:13. | :16:17. | |
think, this is it for me then. I'll give up the job and I am going to | :16:17. | :16:23. | |
be a singer? Er, pretty it, pretty much so, yeah. I think I | :16:23. | :16:26. | |
immediately thought, wow, this is fantastic. I mean, there was a | :16:26. | :16:30. | |
little bit of prestige as well with winning the competition. There were | :16:30. | :16:33. | |
a few agents and what have you there, you know, waiting to give me | :16:33. | :16:37. | |
a bit of work. And, literally, I think it was the next day or the | :16:37. | :16:47. | |
:16:47. | :16:48. | ||
day after. I walked into the factory with the proverbial oily | :16:48. | :16:51. | |
rag and threw it on the floor. I think I got in about 8:07am. On | :16:51. | :16:55. | |
purpose. I walked into the office and I said, Robin, I am, leaving. | :16:55. | :17:05. | |
And he went, really? I said, mmm hmm. He says, what are you going to | :17:05. | :17:09. | |
do? I said, I am going to be a singer. And he went, see you next | :17:09. | :17:19. | |
:17:19. | :17:24. | ||
The radio win was the kick-start of Russell's career. He was no longer | :17:24. | :17:30. | |
a young man living for the moment. He was pursuing a dream that would | :17:30. | :17:40. | |
:17:40. | :17:43. | ||
require a thick skin and lots of I spent ten years serving my | :17:43. | :17:53. | |
:17:53. | :17:56. | ||
apprenticeship as an artist and I In the North, they say what they | :17:56. | :18:00. | |
think. They have paid their money and they want to be entertained. | :18:00. | :18:03. | |
And if they do not like it, they will tell you very quickly and very | :18:03. | :18:08. | |
sharply. It was tough and the audiences were tough. They would | :18:08. | :18:11. | |
literally sit back in their chairs, fold their arms as you walked on | :18:11. | :18:15. | |
the stage, and they would almost get this sense of, well, go on then, | :18:15. | :18:23. | |
entertain us, Son. If you can. you can get through wet Sunday | :18:23. | :18:26. | |
afternoons in a working men's club, say in Dukinfield, then I think, | :18:26. | :18:29. | |
you know, you become hardened to the whole business and you can | :18:29. | :18:39. | |
handle it. If you can do that, I As Russell learnt the show business | :18:39. | :18:42. | |
ropes, he became a popular booking in pubs and clubs around the North | :18:42. | :18:45. | |
West. But some venues would have challenged even the most seasoned | :18:45. | :18:52. | |
performers. There was this one particular place that I went into | :18:52. | :18:57. | |
this night. I am halfway through my first song, which I think was an | :18:57. | :19:06. | |
Elton John track, Sacrifice. It is a human sign when things go wrong. | :19:06. | :19:10. | |
Next thing, crash bang wallop. All the side doors, fire exits, the lot, | :19:10. | :19:15. | |
all come crashing open. There are like I don't know, ten, 15 plain | :19:15. | :19:18. | |
clothes detectives. They have got arms up backs and they have got | :19:18. | :19:22. | |
guys pinned to the floor. I am like, what the heck is going on here, you | :19:22. | :19:29. | |
know? This is just unreal. It is like a scene from the OK Corral. I | :19:29. | :19:33. | |
went over to the landlady and I said, well I had best get off, | :19:33. | :19:38. | |
hadn't I?' She went, gerroff, she went. Get on with it, you soft lad, | :19:38. | :19:45. | |
it happens every bloody night in For Russell, the 1990s were not all | :19:45. | :19:51. | |
about his singing ambition. In 1993, he married and became a father and | :19:51. | :19:56. | |
with extra mouths to feed, money was tight. In fact, the Watsons | :19:56. | :20:05. | |
found themselves in a real financial crisis. There is a knock | :20:05. | :20:08. | |
on the door and there is a man standing outside in the pouring | :20:08. | :20:11. | |
rain with a runny nose. Mr Jones, the bailiff. What a lovely man! I | :20:11. | :20:15. | |
know it sounds odd that a bailiff is a lovely man, but he was. He was | :20:15. | :20:19. | |
in a little Mac with a little goatee beard and he stood there and | :20:19. | :20:25. | |
he went, Mr Watson. I say, yes? Mr Watson, we have got to come and | :20:25. | :20:31. | |
seize some of your possessions. I went, mmm, dear. I said, well, | :20:31. | :20:34. | |
first of all, why don't you come in because you are drenched, you are | :20:34. | :20:38. | |
going to catch your death. And I think he was a little bit surprised | :20:38. | :20:41. | |
at the way I responded to him but I genuinely believe that, if you | :20:41. | :20:44. | |
treat people with respect, it does not matter what they are there for, | :20:44. | :20:50. | |
or who they are, they will respond to that. I do genuinely believe | :20:50. | :20:57. | |
that you reap what you sow. And he sat down and he had a cup of tea | :20:57. | :21:00. | |
and we started talking. He said, well, look, I will do you a favour. | :21:00. | :21:04. | |
I can suspend the warrant on the judgment for you but you will have | :21:04. | :21:09. | |
to pay me �10 by Friday. You have to promise and, basically over the | :21:09. | :21:12. | |
sort of next two or three years, well, I ended up digging myself out | :21:12. | :21:21. | |
of a financial quagmire that I was in. It was, at one point, I think I | :21:21. | :21:23. | |
had something like 12 County Court judgments. We could not afford | :21:23. | :21:29. | |
anything. It was unbelievable. You would not believe how it feels to | :21:29. | :21:32. | |
walk down to the local Post Office and everybody knows that you are | :21:33. | :21:37. | |
going in to buy tokens for gas because you cannot afford any. | :21:37. | :21:43. | |
Looking back, what did that do for you? What did you learn? It gave me | :21:43. | :21:49. | |
an appreciation of what I have now like you would not believe. If ever | :21:49. | :21:52. | |
there is a period in my life, where I start to pity myself and feel | :21:53. | :21:56. | |
sorry for myself, there are periods in my life, which I reflect on - | :21:56. | :21:59. | |
the illness being one of them and the struggle that I had during that | :22:00. | :22:09. | |
:22:10. | :22:11. | ||
period of time financially being the other. As the 1990s drew to a | :22:11. | :22:21. | |
:22:21. | :22:21. | ||
close, Russell's fortunes changed It was the break he needed in his | :22:21. | :22:24. | |
singing career and not only that, it brought together the two | :22:24. | :22:34. | |
:22:34. | :22:38. | ||
greatest passions of his life: So, when you get the phone call | :22:38. | :22:42. | |
saying, Russell, would you like to come and sing at the last match of | :22:42. | :22:45. | |
the season at Old Trafford? Your team, Manchester United, the | :22:46. | :22:51. | |
biggest audience you had ever played. Like by far. I was used to | :22:51. | :23:01. | |
performing in front of 57. thousands? No. 57. I turned up and | :23:01. | :23:04. | |
there was the usual buzz, the anticipation before the start of a | :23:04. | :23:08. | |
football match. I was stood at the side of the pitch with my dad. The | :23:08. | :23:11. | |
guy who was doing the announcing at the time, who calls out the teams, | :23:11. | :23:15. | |
is a friend of mine, called Keith Fame. I remember he leant over he | :23:15. | :23:18. | |
says, how you doing Russ? You all right, Son? I said, yeah, I am all | :23:19. | :23:22. | |
right, Keith. He says, you are a bit nervous. I went, I've got to be | :23:22. | :23:25. | |
honest, I said, I don't normally get nervous, as you know, Keith, I | :23:26. | :23:29. | |
said. But I am feeling a little bit tentative today about this because | :23:29. | :23:33. | |
it is so many people. He went, Russ, you will hammer them, kid. You will | :23:33. | :23:38. | |
knock them dead. This young man walked out. The United fans were | :23:38. | :23:42. | |
having a go at the Spurs fans. The Spurs fans were having a go at the | :23:42. | :23:45. | |
United fans, as you would expect. And then Russell started to sing | :23:45. | :23:55. | |
:23:55. | :23:59. | ||
And the buzz, the chit chat slowly, as the aria went on, started to | :23:59. | :24:08. | |
gradually die down. The crowd was absolutely silent. 70,000 people. | :24:09. | :24:18. | |
:24:19. | :24:19. | ||
Not a sound from any of them. And it was eerie. And I remember going | :24:19. | :24:23. | |
up for the top note and I held the last vincere, and I just held it | :24:23. | :24:33. | |
:24:33. | :24:37. | ||
As I was holding the note, I could hear the applause and the roar | :24:37. | :24:45. | |
starting to build. There were 60 or 70 cynical old hacks there and they | :24:45. | :24:50. | |
stood up and applauded. I have been all over the world and seen some of | :24:50. | :24:56. | |
the biggest matches and I have never seen that, like in 40 years. | :24:56. | :24:59. | |
And I remember I looked up to the heavens and I just thought, oh, | :24:59. | :25:05. | |
does it get any better than this? I walked off to the side of the pitch | :25:05. | :25:08. | |
and my dad, who is not the most emotional human being in the world, | :25:08. | :25:13. | |
was stood at the side, eyes all misted up. I said to him, are you | :25:13. | :25:17. | |
all right, Dad? And he said, aye, I think I have got something in my | :25:17. | :25:27. | |
:25:27. | :25:31. | ||
eye, Son. Wow! It was an incredible day. I do not know whether you said | :25:31. | :25:34. | |
it unconsciously, as you looked up to the heavens, but was there an | :25:34. | :25:37. | |
acceptance that somehow God and fate had brought you to that place | :25:37. | :25:43. | |
at that moment? Yes. Very much so, because I mean, if I look back at | :25:43. | :25:46. | |
my career now, retrospectively, I genuinely believe that my career | :25:46. | :25:56. | |
:25:56. | :25:58. | ||
was not an accident now and that I am here for a reason. And I look | :25:58. | :26:01. | |
back at that point and I think that maybe the essence was starting to | :26:01. | :26:11. | |
:26:11. | :26:21. | ||
Following his performance at Old Trafford, Russell's popularity | :26:21. | :26:31. | |
:26:31. | :26:39. | ||
skyrocketed. There was a record Suddenly, he was appearing | :26:39. | :26:42. | |
alongside some of the country's best-loved stars including his | :26:42. | :26:52. | |
:26:52. | :26:52. | ||
mother's favourite, Cliff Richard. I remember we were at rehearsals | :26:53. | :26:56. | |
one day and he said, Russell, I was out with some friends last night | :26:56. | :27:01. | |
and we were having a little chat about you. We thought that it might | :27:01. | :27:11. | |
:27:11. | :27:11. | ||
be a good idea if you changed your name. And I went, oh, really? Well, | :27:12. | :27:14. | |
we like Watson, we think that is great, but we were thinking | :27:15. | :27:17. | |
something Mediterranean like Russo. I went, really? Like Russo Watson? | :27:17. | :27:25. | |
He went, no, we were thinking more And it is Sir Cliff Richard. OK, I | :27:25. | :27:35. | |
:27:35. | :27:37. | ||
mean this guy... Whom we love. We love. He is a legend. So, when he | :27:37. | :27:40. | |
suggested the name Watson Russo, I think I said something like, mmm, | :27:40. | :27:43. | |
yeah, Cliff, that is a really good idea. And off I toddled the next | :27:43. | :27:46. | |
day. At rehearsals, I remember he was swinging around on some orb | :27:46. | :27:49. | |
type thing in mid air, doing Wired For Sound, lights flashing, and | :27:49. | :27:59. | |
:27:59. | :28:05. | ||
stopped. He looked over and he went, By the way, who would know what a | :28:05. | :28:12. | |
very good impersonator you are? used to be able to do a really good | :28:12. | :28:20. | |
Paul O'Grady as well. That is good. Lily Savage. And that again the | :28:20. | :28:23. | |
Paul O'Grady, the work that I did with Paul O'Grady, we worked in | :28:23. | :28:26. | |
Blackpool at the North Pier Theatre for three months together and that | :28:26. | :28:36. | |
:28:36. | :28:42. | ||
was a big help to the start of my But Russell's newfound celebrity | :28:42. | :28:49. | |
had its downside. With the fame came the press attention and gossip. | :28:49. | :28:53. | |
I did mention to him once that he was going to get calls from | :28:53. | :28:58. | |
newspapers that he would not welcome. I mean that is just the | :28:58. | :29:03. | |
way it goes. I think that it is unfortunate the bigger the star you | :29:03. | :29:07. | |
are the more intrusive newspapers will be. That is just the way it | :29:07. | :29:10. | |
goes. Sadly your marriage broke up. Yes. Difficult when papers start to | :29:10. | :29:20. | |
:29:20. | :29:25. | ||
attack you and your character and your personality. All that negative | :29:25. | :29:29. | |
stuff. If I look back on that period of time, now, then I think, | :29:29. | :29:32. | |
well yeah, it was a tough time but compared with some of the other | :29:32. | :29:35. | |
things that I have been through, not really. I got slated for a | :29:35. | :29:39. | |
period of time but as my dear old Gran used to say, she used to say, | :29:39. | :29:42. | |
Russ, today's newspaper is tomorrow's fish and chip wrapping, | :29:42. | :29:52. | |
:29:52. | :29:56. | ||
Nevertheless, Russell had to face a further onslaught of negative press. | :29:56. | :29:59. | |
This time it was not about his private life. It was about his | :29:59. | :30:09. | |
:30:09. | :30:15. | ||
voice.All these records are not made in a classical way, they are | :30:15. | :30:19. | |
made in a pop way. He became one of the targets of a growing debate | :30:19. | :30:21. | |
within classical music about dumbing down. The classical buffs | :30:22. | :30:25. | |
start to pick you apart. They did. You are just a man in a working | :30:26. | :30:35. | |
:30:36. | :30:41. | ||
men's club and all that stuff. If it hadn't have been for those | :30:41. | :30:48. | |
remarks, and those people I wouldn't have been the success. | :30:48. | :30:54. | |
Because it makes you go, you watch me. No, it wasn't that. It wasn't | :30:54. | :30:59. | |
necessarily that. There wasn't really much I could do about it. It | :30:59. | :31:04. | |
was the public. It was the them and us and all the people, the working | :31:04. | :31:07. | |
class people, the people that are the life and soul and the energy of | :31:07. | :31:10. | |
this country, those people came to my rescue because the classical | :31:10. | :31:14. | |
elitists and the purists were attacking their boy. And they, they | :31:14. | :31:18. | |
didn't like that and they stood right behind me like an army. And | :31:18. | :31:21. | |
they went out and they bought a million of my records because I was | :31:21. | :31:24. | |
being attacked by people who didn't have names or faces that basically | :31:24. | :31:27. | |
sit in their little ivory towers, you know, criticising and pointing | :31:27. | :31:30. | |
their finger and, and downgrading everybody who hasn't had the right | :31:30. | :31:36. | |
upbringing in life, hasn't had the, what is the word? Education, the | :31:36. | :31:41. | |
Royal Academy. Yes exactly. I worked so incredibly hard with | :31:41. | :31:49. | |
limited budget to work and train my voice. | :31:49. | :31:51. | |
Despite criticism from the classical elite in his own country, | :31:51. | :31:59. | |
Russell was now enjoying success on the world stage. And in 2001 he | :31:59. | :32:02. | |
received his greatest accolade yet - an invitation to sing at the | :32:02. | :32:11. | |
Vatican in the presence of Pope John Paul II. I remember standing | :32:11. | :32:14. | |
on the stage just before I was about to sing and thinking, "How on | :32:14. | :32:21. | |
earth did I get here?" Three years ago this was Wigan Road Working | :32:21. | :32:31. | |
:32:31. | :32:31. | ||
Apology for the loss of subtitles for 46 seconds | :32:31. | :33:17. | |
Men's Club, you know. It's just a #Ave Maria. #. Unbelievable. There | :33:17. | :33:20. | |
was a 110-piece orchestra behind me, 200-piece choir, there were 40 red- | :33:20. | :33:23. | |
robed cardinals and the Pope in his own private box and an audience | :33:23. | :33:26. | |
3,500, and a European audience of half a billion I think or something | :33:26. | :33:36. | |
:33:36. | :33:53. | ||
ridiculous like that watching the I was blessed by the Pope. And I | :33:53. | :34:02. | |
gave him one of my CDs. And about two or three weeks later, a letter | :34:02. | :34:05. | |
popped through the front door of my home and it basically said that the | :34:05. | :34:15. | |
:34:15. | :34:15. | ||
pope invokes God's blessing upon Russell's star was in the | :34:15. | :34:25. | |
In 2002 he performed at the opening of the Commonwealth Games watched | :34:25. | :34:32. | |
by an audience of 1 billion. He sang at the White House and in some | :34:32. | :34:42. | |
:34:42. | :34:58. | ||
of Britain's most prestigious But while the concerts and the | :34:58. | :35:04. | |
occasions got grander, some things didn't change. Russell's pre-show | :35:04. | :35:12. | |
preparations are the same today as they've always been. I hear until | :35:12. | :35:15. | |
the last second, you are still in your pants before you walk out on | :35:15. | :35:25. | |
:35:25. | :35:26. | ||
the stage? Yes, I am. For me, it's a bit like a Formula One driver, | :35:26. | :35:29. | |
you know, once you have put the helmet on and you are sat in the | :35:29. | :35:33. | |
cockpit the focus is then on the race and winning the race and for | :35:33. | :35:37. | |
me, as soon as I put my suit on the focus then was immediately on the | :35:37. | :35:41. | |
performance. So I can't stand around back stage for 30, 40 | :35:41. | :35:51. | |
:35:51. | :35:53. | ||
minutes. If I do I burn out and I genuinely do. Again people say it's | :35:53. | :35:57. | |
a ridiculous demand why does he have to, why can't he just wait 20 | :35:57. | :36:01. | |
minutes by the side of the stage? I can't because I am ready for the | :36:01. | :36:04. | |
fight and the adrenaline is running through my veins. Adrenaline can | :36:04. | :36:07. | |
work two ways with people either revs you up or gets you incredibly | :36:07. | :36:14. | |
nervous. No. Oh revs me up. I am like a hundred meter sprinter | :36:14. | :36:18. | |
waiting in the traps. Just ring that bell and I am off. I can't | :36:18. | :36:28. | |
:36:28. | :36:32. | ||
wait. No nerves? No. No nerves. I love it. The young working class | :36:32. | :36:35. | |
lad from Salford was enjoying success beyond his wildest dreams. | :36:36. | :36:38. | |
But, like so many before him, Russell discovered that all the | :36:38. | :36:48. | |
:36:48. | :36:49. | ||
fame and adulation can change you - and not always for the better. | :36:49. | :36:52. | |
mean, I knew Russell just when he was making his way and I have to | :36:52. | :36:56. | |
say if I'm being totally honest, there was a time when we feared for | :36:56. | :37:00. | |
him that he might be going off the rails that it was going to his head | :37:00. | :37:04. | |
a bit. There's a great old expression especially where I come | :37:04. | :37:08. | |
from in Northern Ireland about that you get too big for your boots. | :37:08. | :37:16. | |
It's possible to get a bit big for your boots? Did you? Oh God, yeah. | :37:16. | :37:21. | |
It all went wrong around 2003. In fact, if you, you can see if you | :37:21. | :37:26. | |
look at the covers of my records. You look at the first record which | :37:26. | :37:29. | |
was The Voice and there is this kind of, "Hey I'm here its | :37:29. | :37:34. | |
brilliant, I don't deserve to be here". And then the second record | :37:34. | :37:38. | |
you can see a man, I was walking, I think I was walking in a travelator | :37:38. | :37:42. | |
in an airport that was the cover of the second record and then I was | :37:42. | :37:45. | |
swinging my arms. The coat was swathing around and it looked like | :37:45. | :37:49. | |
a man who was going somewhere who had intent and who was travelling | :37:49. | :37:53. | |
and who was going somewhere and knew what he wanted. On the third | :37:53. | :37:57. | |
record there was a guy in a blue pinstripe suit with a very sharp | :37:57. | :38:00. | |
tie on and all the make up and the hair immaculate and I remember I | :38:01. | :38:08. | |
was stood like this. I'm number one. Me, me, me, all for himself | :38:08. | :38:13. | |
basically I think. He invited me to his house and he said "I'll put | :38:13. | :38:17. | |
some music on." and so we said to him, "Yeah, so long as it's not | :38:17. | :38:22. | |
your rubbish". He wouldn't have it and in the past he would have | :38:22. | :38:26. | |
laughed. He would have come back with you and he would have a go at | :38:26. | :38:30. | |
yourself but he didn't. And at the end of it I texted him a couple of | :38:30. | :38:34. | |
times and no reply and that was basically it for two and a half | :38:34. | :38:39. | |
years. And he wasn't the same person. I remember that time | :38:39. | :38:45. | |
specifically. It was almost like I had lost myself and what it was all | :38:45. | :38:50. | |
about and where I had come from. I was walking round with you know, | :38:50. | :38:55. | |
three or four bodyguards and all that malarkey. Did you? Why? | :38:55. | :39:05. | |
:39:05. | :39:06. | ||
don't know. I think I thought I was But Russell was about to get a wake | :39:06. | :39:16. | |
:39:16. | :39:19. | ||
up call. By 2003, his most precious asset - his voice - was failing him. | :39:19. | :39:23. | |
My falsetto range of my voice had gone. It's like the light heady | :39:23. | :39:26. | |
sound of my voice. When I was trying to go ooh, all that was | :39:26. | :39:32. | |
happening was oh. The time was very difficult for me because I thought | :39:32. | :39:36. | |
I was going to lose my voice and I thought I was going to lose my | :39:36. | :39:39. | |
means of income and wouldn't be able to sing again which was you | :39:39. | :39:44. | |
know it was career threatening not life threatening career threatening. | :39:44. | :39:47. | |
Russell needed a relatively simple operation to remove a vocal polyp | :39:47. | :39:50. | |
but there was a danger that it could affect the range and quality | :39:50. | :39:58. | |
of his singing. How long was it before you could test your voice | :39:58. | :40:05. | |
out after the operation? Well, I was told not to speak for I think, | :40:05. | :40:12. | |
it was 14 days. Well, like a naughty little boy I went down into | :40:12. | :40:21. | |
my studio this day and very quietly hid in a corner and I went ooh. And | :40:21. | :40:25. | |
it felt like it was amazing and again I looked up and I cried my | :40:25. | :40:35. | |
:40:35. | :40:36. | ||
eyes out because I thought, it's a success. I think we all tend to | :40:36. | :40:40. | |
look for God when we are down or when we are up against the odds. We | :40:40. | :40:45. | |
tend to go searching for God more at those particular points in life. | :40:45. | :40:50. | |
You know, why are we going down this route? You know, why is this | :40:50. | :41:00. | |
:41:00. | :41:05. | ||
happening you know, particularly After the throat operation Russell | :41:05. | :41:08. | |
believed his health worries were behind him and resumed his singing | :41:08. | :41:18. | |
:41:18. | :41:23. | ||
In 2006 he took part in a BBC celebrity show - Just The Two of Us. | :41:23. | :41:33. | |
:41:33. | :41:39. | ||
But, despite appearances, all was I had terrible headaches. And they | :41:39. | :41:46. | |
were headaches from hell, they were. It felt like my head was exploding | :41:46. | :41:49. | |
and the pain that I got in this area here, was so excruciating it | :41:49. | :41:53. | |
would make me cry and I'd have to go and lie in my bedroom close the | :41:53. | :42:02. | |
curtains and wait for the pain to stop. I went to see a specialist | :42:02. | :42:06. | |
and the specialist told me that it was nothing to worry about it was | :42:06. | :42:11. | |
just stress and I needed to take a holiday. And I remember walking out | :42:11. | :42:15. | |
of that that hospital and thinking this isn't stress, there has got to | :42:15. | :42:21. | |
be and there is something more serious. And then I have these | :42:21. | :42:24. | |
internal conversations with myself, oh come on, Russ you're alright. | :42:24. | :42:31. | |
There is nothing wrong with you, get on with it. It's that Salford, | :42:31. | :42:34. | |
that again, what was instilled into me by my, predominantly by my | :42:34. | :42:37. | |
father, you know, just get on with it, son. What's the matter with | :42:37. | :42:44. | |
you? Get on with it, lad. And Russell did just that. In | :42:44. | :42:52. | |
September 2006 he flew out to LA to record a new album. But he ended up | :42:52. | :43:02. | |
:43:02. | :43:03. | ||
in a Los Angeles Hospital I remember, awful experience. The | :43:03. | :43:10. | |
doctor looked at me. He sat back in his chair and went, "Mr Watson, you | :43:10. | :43:20. | |
:43:20. | :43:26. | ||
have a brain tumour". Right. OK. 'What does this mean?' The first | :43:26. | :43:30. | |
question I asked was, am I going to die? That was the first question | :43:30. | :43:35. | |
that came into my head. Well, we need to do tests and find out | :43:35. | :43:38. | |
whether its benign or malignant, we have to do MRIs and blah, blah, | :43:39. | :43:48. | |
:43:49. | :43:49. | ||
blah. I was like well, I am making a record. I was told I was stressed. | :43:49. | :43:53. | |
I have got to America and I have now been told I have got a giant | :43:53. | :43:56. | |
tumour growing in my head. And my family are thousands of miles away | :43:56. | :44:00. | |
from me and what did I do? I went in the studio and made the record | :44:00. | :44:04. | |
and didn't tell anybody. I thought I was going to die and I thought | :44:04. | :44:07. | |
when I was leaving the recording I was making was my legacy. It was | :44:07. | :44:13. | |
very scary. And I remember one night I was stood on the balcony of | :44:13. | :44:16. | |
my hotel in Beverly Hills and I was so angry and I remember thinking I | :44:16. | :44:20. | |
just want to throw myself off this balcony and just stop this pain. | :44:20. | :44:30. | |
:44:30. | :44:31. | ||
I've had enough of the ups and the downs and everything just came | :44:31. | :44:41. | |
:44:41. | :44:41. | ||
crushing in on me and I felt What stopped you? The kids. I said | :44:41. | :44:51. | |
:44:51. | :44:54. | ||
I wasn't going to cry today. You're not going to. No, I am not. That is | :44:54. | :45:02. | |
just an illusion. You got something in your eye. But it was, it was | :45:02. | :45:06. | |
pure despair. Your girls. Yeah. Yeah. My kids I thought of my kids | :45:06. | :45:10. | |
how are my kids going to manage without me I have got to get back | :45:10. | :45:15. | |
home and give this a go. And you did. I did. I went in the bathroom | :45:15. | :45:18. | |
and did what I normally do when I'm faced with that type of situation - | :45:18. | :45:22. | |
rinse my face off with cold water, look at myself in the mirror and go | :45:22. | :45:29. | |
come on Watson. We went straight down there and luckily he'd pulled | :45:29. | :45:39. | |
:45:39. | :45:40. | ||
through his operation. But it was hard. When you came round, did they | :45:40. | :45:45. | |
say it was a success? Yes. It wasn't. I couldn't see. | :45:45. | :45:51. | |
couldn't see. No. It was like a mist in front of my face. And the | :45:51. | :46:00. | |
first thing I thought was, well at least I am alive. And you never | :46:00. | :46:05. | |
felt quite right, did you? No. Even then. Still felt like there was | :46:05. | :46:08. | |
something wrong. Even though I was being told that everything was | :46:08. | :46:18. | |
:46:18. | :46:29. | ||
Once again, Russell picked himself up and resumed his singing career. | :46:29. | :46:32. | |
His television comeback appearance was as a guest on the second series | :46:32. | :46:35. | |
of Just the Two of Us. Just nine months later Russell found himself | :46:35. | :46:38. | |
back in hospital being told that the tumour had returned. He was | :46:38. | :46:42. | |
booked in to see a surgeon. But it was an appointment Russell was | :46:42. | :46:50. | |
never going to make. I went to bed one night and I felt sick and | :46:50. | :46:54. | |
during the night. I started vomiting and the pressure of the | :46:54. | :47:04. | |
:47:04. | :47:11. | ||
vomiting caused the tumour to haemorrhage. I thought I was gone, | :47:11. | :47:14. | |
I genuinely thought I was finished and I remember the paramedics | :47:14. | :47:17. | |
coming bursting through the bedroom door and they were carrying me down | :47:17. | :47:20. | |
the stairs in like a stretcher thing and I remember the one thing | :47:20. | :47:25. | |
that I said to this guy was - ha ha I can't believe I said this - 'I am | :47:25. | :47:34. | |
not too heavy for you am I, mate. He said, I think that is the least | :47:34. | :47:38. | |
of your worries, Russ. And then they got me in the back of the | :47:38. | :47:41. | |
ambulance and they were saying I knew because of you know all the | :47:41. | :47:44. | |
things you watch on the Hollywood movies and the, you know, E R and | :47:44. | :47:48. | |
all the rest of it I, you know, that when somebody is saying to you, | :47:48. | :47:58. | |
:47:58. | :48:04. | ||
'Stay with us mate, stay with us pal', that you are in trouble. When | :48:04. | :48:08. | |
they got me to hospital I could hear, I think he's hemorrhaging. We | :48:08. | :48:12. | |
need to get his temperature down. Get him in the MRI scanner. We need | :48:12. | :48:21. | |
to get him to theatre. And there was this bustling and jostling and | :48:21. | :48:24. | |
I was just lying there like I couldn't move. It was like my brain | :48:24. | :48:28. | |
was switched on but my body was switched off. So I could hear what | :48:28. | :48:30. | |
was going on, couldn't see it because my vision had completely | :48:30. | :48:34. | |
gone again, and I remember as they slid me into the MRI and they click, | :48:34. | :48:37. | |
click, clack, clack, bang, bang, bang, bang that the MRI, I remember | :48:37. | :48:40. | |
this moment, this sedate serene moment where everything just shut | :48:40. | :48:43. | |
down and there was this inner peace and there was this calm in my body | :48:43. | :48:53. | |
:48:53. | :49:10. | ||
Come and get me. And there was, I visualised in my head a room. The | :49:10. | :49:14. | |
room that I was in was black and the door that I saw was white. I | :49:14. | :49:18. | |
felt like I had a choice to stay in the room or walk through the door | :49:18. | :49:22. | |
and I knew that if I walked through the door I wouldn't be going back | :49:22. | :49:25. | |
and listening to the MRI scanner and again, it was that, that moment | :49:25. | :49:33. | |
where I thought I need to stay and carry on fighting. I am here for a | :49:34. | :49:36. | |
reason and gradually the clack, clack, clack of the MRI scanner | :49:36. | :49:43. | |
started getting louder. And the buzz of the room came back and the | :49:43. | :49:47. | |
next thing I knew I had come round and I was in a hospital bed with a | :49:47. | :49:57. | |
:49:57. | :49:59. | ||
surgeon at the end of the bed. Mr Leggate. The man who saved my life. | :49:59. | :50:01. | |
I was confronted with this chap with a tumour, with haemorrhage, | :50:02. | :50:04. | |
bleeding and needing to consider surgery to put him back on the | :50:05. | :50:12. | |
straight and narrow, to save his vision and to save his life. We've | :50:12. | :50:22. | |
:50:22. | :50:25. | ||
got to get you to surgery now, he said. I don't want an operation. | :50:25. | :50:35. | |
:50:35. | :50:39. | ||
'You need one.' I'll die if you give me an operation. No, you won't. | :50:39. | :50:45. | |
I will. I know it. I know it. I have been through all this. I'll | :50:45. | :50:50. | |
die. Stupid. He was very ill and you only have a limited amount of | :50:50. | :50:53. | |
time to convince the patient that actually they need to have | :50:53. | :50:56. | |
something done to bring them back into the real world and back from | :50:56. | :50:59. | |
that one foot in the grave situation. He said, I have to walk | :50:59. | :51:03. | |
in this room on many occasions, Mr. Watson and tell people that there | :51:03. | :51:07. | |
is nothing that we can do for them and they have to go home and I am | :51:07. | :51:10. | |
telling you that I can do something so why don't you have think about | :51:10. | :51:14. | |
it and when you have thought give me a buzz. There's a thing by the | :51:14. | :51:17. | |
bed. And then I think just events overtook the situation and then he | :51:17. | :51:21. | |
was confronted with something that he had to deal with there and then. | :51:21. | :51:24. | |
Buzz. The public says, yes. before you have seen the girls? | :51:24. | :51:29. | |
that was the proviso. Yeah. I want to see the kids because if I don't | :51:29. | :51:38. | |
make it at least they get to say goodbye. In some ways I think it | :51:38. | :51:42. | |
was a bit selfish to want to see the kids and to see them when I was | :51:42. | :51:46. | |
in that state but... I think they'd be very angry with you if you | :51:46. | :51:48. | |
popped off without seeing them personally. I think you are | :51:48. | :51:52. | |
probably right. I think you are probably right. The emergency | :51:52. | :51:54. | |
operation, carried out by James Leggate, lasted four hours, longer | :51:54. | :52:04. | |
:52:04. | :52:10. | ||
than normal for someone with Rusol Watson is in a critical | :52:10. | :52:16. | |
condition tonight after emergency surgery on a brain tumour. Rusol is | :52:16. | :52:22. | |
in our intensive care unit. He is critical. He is still in a very | :52:22. | :52:29. | |
critical condition. I have more than my fingers crossed. This was | :52:29. | :52:32. | |
quite something because when we saw him go in there, we wondered | :52:32. | :52:42. | |
:52:42. | :52:46. | ||
whether that would be the last time we saw Russell Watson. As I opened | :52:47. | :52:49. | |
my eyes and they flickered I could see two outlines, white, shaded | :52:50. | :52:56. | |
outlines and I thought,Oh I've made it to heaven. I must have done | :52:56. | :53:02. | |
something right. And they were my kids at the end of the bed. | :53:02. | :53:12. | |
:53:12. | :53:17. | ||
your two angels. Yes. And they are just stood like looking at me, | :53:17. | :53:27. | |
:53:27. | :53:28. | ||
staring at me. Like, hi, daddy and the tears came down my face again. | :53:28. | :53:31. | |
You couldn't get up and go and wash your face could you? No, not this | :53:31. | :53:35. | |
time. He's a fighter. He's a fighter. And I know he did feel | :53:35. | :53:38. | |
like giving up himself. But he thought of his family and his girls. | :53:38. | :53:41. | |
He has been through so much and I'm very proud of him for getting | :53:41. | :53:48. | |
through it. And it's changed him for the better. It was an | :53:48. | :53:51. | |
absolutely magnificent recovery, the doctors did a fantastic job and | :53:51. | :53:55. | |
I think it has made him a better person for it and I think he'd be | :53:55. | :54:05. | |
:54:05. | :54:12. | ||
the first to admit that. I rang and he answered. It was a big relief | :54:12. | :54:16. | |
because he became what he used to be and that was the nice thing. He | :54:16. | :54:19. | |
still looked quite fragile but it was the same Russ that we'd known | :54:19. | :54:29. | |
:54:29. | :54:37. | ||
you know since we were 8 kind of You've got to have been through the | :54:37. | :54:40. | |
bad, you've got to have been through the good, you've got to | :54:40. | :54:44. | |
have had the fortune, you have to have the story, the romance has to | :54:44. | :54:54. | |
:54:54. | :54:55. | ||
be there. It's what makes an artist Now The Voice is back. And this | :54:55. | :54:58. | |
year Russell has fulfilled a promise he made to himself when he | :54:58. | :55:07. | |
was ill - to perform in front of his fans at the Royal Albert Hall. | :55:07. | :55:11. | |
For an artist, a singer, it is a bit like walking through the tunnel | :55:11. | :55:17. | |
at Wembley Stadium for the FA Cup final. He has come a long way from | :55:17. | :55:20. | |
his humble beginnings singing to an audience of 30 in the Railway Inn. | :55:20. | :55:26. | |
So, the future for Russell Watson. Is what? Key for me with life is | :55:26. | :55:31. | |
happiness, happiness just to be happy. That's it. I don't want | :55:31. | :55:36. | |
anything else. I just want to be happy. Happy and healthy. And what | :55:36. | :55:46. | |
:55:46. | :55:53. | ||
does Christmas mean to you? Probably the first thing that most | :55:53. | :55:58. | |
people say every Christmas,Oh My God, where did this year go? And | :55:58. | :56:03. | |
there is a real sense of 'Where did this year go?' for me this year. It | :56:03. | :56:07. | |
feels like it just, it feels like it was only a blink away and that's | :56:07. | :56:11. | |
what I think I tend to focus on at Christmas is - sounds a bit odd | :56:11. | :56:14. | |
this - but how short life is. Christmas makes you think about | :56:14. | :56:17. | |
life, Christmas makes you reflect and I have seen myself go to hell | :56:17. | :56:22. | |
and back but I am back and I am alive and my value of what I have | :56:22. | :56:25. | |
now, the people around me and my life and what I do has been | :56:25. | :56:31. | |
quadrupled, it is unbelievable. And when I walk on stage and I sing now | :56:31. | :56:40. | |
it's... I used to sing before, now I sing. And I sing from the soul | :56:40. | :56:43. | |
and it's completely different to singing music on a piece of paper | :56:43. | :56:53. | |
:56:53. | :57:12. | ||
and you can't teach that at the # 0, Holy Night, the stars of | :57:12. | :57:22. | |
:57:22. | :57:24. | ||
Well, I started the day seeing if I could find out whether fame, | :57:24. | :57:27. | |
fortune and illness had changed Russell at all and they clearly | :57:27. | :57:30. | |
have, haven't they? He's certainly a very thoughtful, grounded man now. | :57:30. | :57:34. | |
But how much of the Salford lad is still in there? Quite a lot I would | :57:34. | :57:40. | |
say. He's still got that naughty, cheeky schoolboy about him, hasn't | :57:40. | :57:50. | |
:57:50. | :57:52. | ||
he? And yet, Russell, no matter what has happened to him, all the | :57:52. | :58:02. | |
:58:02. | :58:14. | ||
ups and downs, he's never going to Next week my guest is the actor | :58:14. | :58:24. | |
:58:24. | :58:30. | ||
Brian Blessed. His life is one big adventure on screen. And on | :58:30. | :58:39. |