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-SIMON COWELL: -What's your name, darling? | 0:00:02 | 0:00:03 | |
OK, and who would you like to be as successful as? | 0:00:05 | 0:00:08 | |
On Saturday the 11th of April 2009, something unforgettable | 0:00:08 | 0:00:13 | |
happened here on this stage in Glasgow. | 0:00:13 | 0:00:15 | |
An eccentric, middle-aged, unemployed woman who lived | 0:00:16 | 0:00:19 | |
alone with her cat marched on the stage. | 0:00:19 | 0:00:22 | |
The audience started to snigger. | 0:00:24 | 0:00:26 | |
And then she started to sing. | 0:00:26 | 0:00:27 | |
# I dreamed a dream in time gone by... # | 0:00:27 | 0:00:33 | |
The phrase "overnight star" is often used to describe someone's path to fame and fortune. | 0:00:33 | 0:00:38 | |
You didn't expect that, did you? Did you? No! | 0:00:38 | 0:00:42 | |
But there could be no better description to describe the journey of Susan Boyle. | 0:00:42 | 0:00:46 | |
The day after her Britain's Got Talent audition, Susan Boyle | 0:00:49 | 0:00:53 | |
achieved national fame. | 0:00:53 | 0:00:55 | |
Within a week, she'd achieved international fame. | 0:00:55 | 0:00:58 | |
About 100 million people watched her audition on YouTube. | 0:00:58 | 0:01:01 | |
# When dreams were made and used and wasted... # | 0:01:01 | 0:01:06 | |
If you were going to draw up a blueprint for a pop star, | 0:01:06 | 0:01:12 | |
a middle-aged woman from a mining village in central Scotland | 0:01:12 | 0:01:16 | |
would not be what you would draw up. | 0:01:16 | 0:01:19 | |
But by the time Susan had reached the final of Britain's Got Talent, | 0:01:22 | 0:01:26 | |
the country's mood towards her had shifted. | 0:01:26 | 0:01:29 | |
The paparazzi were hounding her. There were press reports | 0:01:29 | 0:01:33 | |
of foul-mouthed outbursts. | 0:01:33 | 0:01:34 | |
The pressure was all too much and she had a very public breakdown. | 0:01:34 | 0:01:39 | |
Well, I wasn't aware that I had reached that point. | 0:01:42 | 0:01:46 | |
I just knew that I wasn't sleeping very well and I wasn't eating very well. | 0:01:46 | 0:01:50 | |
So there was a week I was really going about in a kind of trance, if you like. | 0:01:50 | 0:01:54 | |
# And still I dream he'll come to me... # | 0:01:54 | 0:01:58 | |
After a of period recuperating, | 0:01:59 | 0:02:01 | |
Susan returned to the place she was born and raised - Blackburn, West Lothian. | 0:02:01 | 0:02:06 | |
And it's this community of friends, family | 0:02:07 | 0:02:10 | |
and especially her church, that enabled Susan to bounce back. | 0:02:10 | 0:02:14 | |
And boy, did Susan Boyle bounce back! | 0:02:14 | 0:02:17 | |
Her first album became the world's most successful in 2009. | 0:02:20 | 0:02:25 | |
The next three also topped the charts. | 0:02:25 | 0:02:28 | |
She's duetted with Elaine Paige, Donny Osmond, Placido Domingo | 0:02:28 | 0:02:33 | |
and even sang for the Pope. | 0:02:33 | 0:02:35 | |
Yet throughout Susan has kept her feet on the ground. | 0:02:35 | 0:02:40 | |
-# Now life has killed the dream I dreamed. -# | 0:02:40 | 0:02:47 | |
I think what makes Susan Boyle special, apart from that | 0:02:47 | 0:02:50 | |
remarkable voice, is her persona. | 0:02:50 | 0:02:52 | |
She is a very gentle person and I think the general public | 0:02:52 | 0:02:57 | |
thinks she is one of us, which she is. | 0:02:57 | 0:02:59 | |
As Susan herself admits, she has had her difficulties | 0:03:00 | 0:03:04 | |
with life, with friends, with society. | 0:03:04 | 0:03:08 | |
I've come to the beautiful Stobo Castle to meet Susan | 0:03:08 | 0:03:11 | |
and ask her how her faith has kept her motivated | 0:03:11 | 0:03:14 | |
and enabled her and supported her through the difficult hand that life has thrown at her. | 0:03:14 | 0:03:19 | |
-Thank you very much. -Not a problem. | 0:03:32 | 0:03:34 | |
-How are you? -Very well, thank you. -Good. | 0:03:34 | 0:03:36 | |
-Had a good day so far? -It's been a brilliant day. | 0:03:36 | 0:03:38 | |
This is really lovely to meet you, Susan. | 0:03:38 | 0:03:41 | |
I've been looking forward to this very much indeed. | 0:03:41 | 0:03:44 | |
Your family life at home sounds so loving and busy and big, | 0:03:44 | 0:03:50 | |
and you were very kind to let us into your house to let us have a look at it. | 0:03:50 | 0:03:55 | |
And you were... How many children were there? | 0:03:55 | 0:03:58 | |
-Well, I'm one of nine. -One of nine. | 0:03:58 | 0:04:01 | |
There was no television! | 0:04:01 | 0:04:02 | |
BOTH LAUGH | 0:04:02 | 0:04:04 | |
Susan's journey began in Blackburn, | 0:04:18 | 0:04:21 | |
a former mining village, halfway between Edinburgh and Glasgow. | 0:04:21 | 0:04:26 | |
Her brothers and sisters were born in the 1950s and by the time | 0:04:26 | 0:04:30 | |
Susan arrived in '61, the council house her big Catholic family | 0:04:30 | 0:04:35 | |
lived in was already bursting at the seams. | 0:04:35 | 0:04:38 | |
This used to be the lassies' room. | 0:04:40 | 0:04:43 | |
There was a big bed in the corner. There was a dressing table. | 0:04:43 | 0:04:47 | |
And we all used to get ready in here. | 0:04:48 | 0:04:50 | |
The three girls - there was Bridie, Mary and Kathleen. | 0:04:52 | 0:04:57 | |
We all slept in here. | 0:04:57 | 0:04:59 | |
This used to be known as my mum and dad's room. | 0:04:59 | 0:05:01 | |
The bed was over there. | 0:05:03 | 0:05:05 | |
They had a wee Z-bed beside them. Guess who was in the Z-bed? Me! | 0:05:05 | 0:05:08 | |
They had the wardrobe there and everything. I remember it. | 0:05:10 | 0:05:13 | |
Mm-hm. So that's where it used to be - in here. | 0:05:14 | 0:05:17 | |
And my room now used to be the laddies' room. | 0:05:19 | 0:05:24 | |
That's Joe, John, James and Gerry. | 0:05:26 | 0:05:28 | |
Used to be all in here. | 0:05:28 | 0:05:30 | |
So you can imagine what it would be like with four men in here! | 0:05:31 | 0:05:34 | |
But never mind! | 0:05:34 | 0:05:35 | |
# Just walking in the rain | 0:05:35 | 0:05:39 | |
# Getting soaking wet... # | 0:05:41 | 0:05:44 | |
Typical for a community at that time, alongside the pits, | 0:05:45 | 0:05:49 | |
the pubs, the social clubs and the big housing estates, was church. | 0:05:49 | 0:05:53 | |
And in the Catholic tradition, a devotion to mother of God - | 0:05:56 | 0:06:00 | |
the Virgin Mary, known as Our Lady. | 0:06:00 | 0:06:03 | |
And church and religion was always a big part of the household? | 0:06:04 | 0:06:08 | |
It was, yeah, it was. | 0:06:08 | 0:06:09 | |
As people know, we're Roman Catholic and there's a very... | 0:06:09 | 0:06:12 | |
It's a very important part of my upbringing... | 0:06:12 | 0:06:15 | |
Indeed it's the backbone of my life. | 0:06:15 | 0:06:18 | |
Yes, exactly. | 0:06:18 | 0:06:19 | |
Do you remember the first time that you understood that | 0:06:19 | 0:06:23 | |
this was church and you were learning about Our Lady and Jesus and God? | 0:06:23 | 0:06:29 | |
I remember being four years old, and maybe younger, and going to Mass with my dad. | 0:06:29 | 0:06:35 | |
And he had to get in, into some kind of procession. | 0:06:35 | 0:06:37 | |
I can't remember the exact time of the year it was, but I remember | 0:06:37 | 0:06:40 | |
screaming the place down cos he'd left my side. | 0:06:40 | 0:06:42 | |
And when, and your mother... | 0:06:42 | 0:06:45 | |
I think it was your mother who gave you a really strong faith in Our Lady? | 0:06:45 | 0:06:51 | |
-She did, yes. -Yes, what did she tell you? | 0:06:51 | 0:06:53 | |
She told me to always trust in Our Lady and to always trust in God | 0:06:54 | 0:06:59 | |
because he has a special plan for you... | 0:06:59 | 0:07:04 | |
and he'll see you right. | 0:07:04 | 0:07:07 | |
Frank Quinn has known Susan for years and taught her at college. | 0:07:14 | 0:07:19 | |
He is not only a close friend but, as a devout Catholic himself, | 0:07:19 | 0:07:23 | |
has guided Susan on her spiritual journey. | 0:07:23 | 0:07:27 | |
He's seen first-hand Susan's devotion to her faith and the Virgin Mary. | 0:07:27 | 0:07:32 | |
Susan's faith is like a beacon to her, you know? | 0:07:36 | 0:07:39 | |
It, it gives her light on her journey. | 0:07:39 | 0:07:42 | |
Her prayer, her prayer is very important to her - | 0:07:42 | 0:07:47 | |
she prays devoutly to Our Lady. | 0:07:47 | 0:07:50 | |
She sees Our Lady as being the mother of God. | 0:07:50 | 0:07:54 | |
# How great Thou art | 0:07:54 | 0:08:01 | |
# How great Thou art. # | 0:08:01 | 0:08:07 | |
Across the road from the church Susan attended every Sunday | 0:08:07 | 0:08:11 | |
was the local Catholic primary school. | 0:08:11 | 0:08:14 | |
But from the start she found studying difficult. | 0:08:14 | 0:08:17 | |
I knew I was very slow at school, and I knew I couldn't pick up | 0:08:20 | 0:08:23 | |
things the way I should have. | 0:08:23 | 0:08:25 | |
I was always aware that I was never going to be an academic | 0:08:25 | 0:08:28 | |
and there were some people in my class who were very intelligent | 0:08:28 | 0:08:32 | |
and who tended to get all the attention. | 0:08:32 | 0:08:35 | |
And I was sort of left behind. | 0:08:35 | 0:08:38 | |
I think you find that in most schools, though - | 0:08:38 | 0:08:42 | |
I'm just speaking generally here. | 0:08:42 | 0:08:43 | |
And when you... I read in your book that you said that you knew... | 0:08:43 | 0:08:49 | |
You understood the question and you knew the answer, | 0:08:49 | 0:08:52 | |
but it was trying to get it all together and be able | 0:08:52 | 0:08:54 | |
to say it in time before everyone else had moved on. | 0:08:54 | 0:08:57 | |
That's right. There was a kind of lack of co-ordination, if you like. | 0:08:57 | 0:09:00 | |
I knew what I wanted to say, but it wouldn't come out. | 0:09:00 | 0:09:03 | |
I found that very frustrating. | 0:09:03 | 0:09:04 | |
Yeah, yeah. And singing was always there when you were a little girl at the little school. | 0:09:04 | 0:09:11 | |
And it was the headmaster who had a singing competition one week, didn't he? | 0:09:12 | 0:09:17 | |
It was a Burns Competition, yeah. | 0:09:17 | 0:09:19 | |
And I sang Ye Banks And Braes. | 0:09:19 | 0:09:21 | |
I never really got very far in the competition | 0:09:21 | 0:09:24 | |
but I really enjoyed what I was doing, | 0:09:24 | 0:09:26 | |
and I did a section of poetry as well. | 0:09:26 | 0:09:28 | |
-There you are. OK? -Hiya. | 0:09:28 | 0:09:31 | |
Lorraine Campbell runs a pub in Bathgate, near to where Susan lives. | 0:09:32 | 0:09:37 | |
She's a close friend of Susan's but was also at school with her | 0:09:37 | 0:09:40 | |
and can recall her difficulties fitting in. | 0:09:40 | 0:09:43 | |
You always knew, you know, Susan was on her own - just watching. | 0:09:43 | 0:09:48 | |
If she did engage in any fun or games, you know, | 0:09:48 | 0:09:50 | |
a big issue always in Susan's life was the bullying side - | 0:09:50 | 0:09:55 | |
folk making fun of her, you know? | 0:09:55 | 0:09:57 | |
Just because she was that bit different from everybody else. | 0:09:57 | 0:10:02 | |
But when she started singing - | 0:10:02 | 0:10:04 | |
at the age of nine, it would be at school - | 0:10:04 | 0:10:08 | |
and that was the first time I realised Susan Boyle | 0:10:08 | 0:10:12 | |
had a voice, and a beautiful voice. | 0:10:12 | 0:10:13 | |
This ability of Susan's to connect to people through her singing | 0:10:27 | 0:10:32 | |
would only be realised later in life. | 0:10:32 | 0:10:35 | |
But first she had to endure the difficulties of being a loner | 0:10:35 | 0:10:39 | |
at secondary school. | 0:10:39 | 0:10:41 | |
I got bullied a lot at school as well and that sort of held me back in some ways, you know? | 0:10:43 | 0:10:48 | |
There's one day I think they sort of chased you home from school, didn't they? | 0:10:48 | 0:10:52 | |
Well, they chased me home from school. | 0:10:52 | 0:10:54 | |
I remember this clearly, actually. And I got to my gate, | 0:10:54 | 0:10:58 | |
and of course they'd no way... | 0:10:58 | 0:11:00 | |
I mean, I just made a hell of a lot of noise. | 0:11:00 | 0:11:02 | |
Of course, my mum came out to see what was wrong. | 0:11:02 | 0:11:04 | |
Saw them, saw what was happening and just brought me into the house. | 0:11:04 | 0:11:07 | |
Sadly, on leaving school, things didn't get any better for Susan. | 0:11:11 | 0:11:15 | |
After briefly landing a job as a kitchen assistant in a local college, she was made redundant. | 0:11:16 | 0:11:21 | |
But of course, that's another knock, isn't it, to confidence, | 0:11:23 | 0:11:27 | |
and you have written very movingly about a depression that crept on you. | 0:11:27 | 0:11:32 | |
People do get depressed at some stage in their life. | 0:11:32 | 0:11:35 | |
I felt as if I was going into a very dark tunnel and I couldn't get out of it. | 0:11:35 | 0:11:40 | |
But there was some light at the end of it, but I didn't know where | 0:11:40 | 0:11:43 | |
that light was and I was kind of searching most of my life. | 0:11:43 | 0:11:45 | |
Did you find joy in anything during that period? | 0:11:48 | 0:11:50 | |
It was a very long period of depression. | 0:11:50 | 0:11:53 | |
And there were times I was OK and times I wasn't OK. | 0:11:53 | 0:11:57 | |
-You do get that. -Absolutely. | 0:11:59 | 0:12:01 | |
Could you take joy in holidays, in being with your family? | 0:12:01 | 0:12:05 | |
Well, sometimes I felt OK. Sometimes I didn't feel OK. | 0:12:06 | 0:12:11 | |
But the times I did feel OK made up for it, | 0:12:11 | 0:12:14 | |
because it's important to have your family and friends around you. | 0:12:14 | 0:12:18 | |
It was very important then also to have my faith as well. | 0:12:18 | 0:12:21 | |
So let's go from the beginning of the last section. | 0:12:21 | 0:12:25 | |
Back in the '90s, Susan, unemployed and depressed, | 0:12:30 | 0:12:34 | |
decided to throw herself into what made her happy - singing. | 0:12:34 | 0:12:39 | |
First step - lessons. | 0:12:39 | 0:12:41 | |
Fred O'Neil, who lived locally, was her first vocal coach. | 0:12:41 | 0:12:46 | |
It was a November afternoon. | 0:12:48 | 0:12:50 | |
She'd made an appointment a week before. | 0:12:50 | 0:12:52 | |
It was a really rainy day, and she arrived in a yellow raincoat, | 0:12:52 | 0:12:59 | |
with a plastic kind of cover thing, | 0:12:59 | 0:13:02 | |
you know these plastic covery things, and kind of all dripping. | 0:13:02 | 0:13:06 | |
And arrived and was full of enthusiasm and we got on really well from the beginning. | 0:13:06 | 0:13:13 | |
From the start, Fred noticed something quite special about this new pupil of his. | 0:13:18 | 0:13:22 | |
With Susan, what people hear is that, between Susan's emotion | 0:13:25 | 0:13:32 | |
and her voice, there isn't a block - | 0:13:32 | 0:13:35 | |
her emotions and her singing are one. | 0:13:35 | 0:13:39 | |
She thinks of an emotion, or summons up an emotion - she sings, | 0:13:39 | 0:13:42 | |
and it's reflected somewhere in her voice, in her tone. | 0:13:42 | 0:13:46 | |
# Don't let the stars get in your eyes... # | 0:13:49 | 0:13:52 | |
Amongst the Scottish working classes, there was always a great tradition of the sing-song. | 0:13:52 | 0:13:56 | |
# Love blooms at night In daylight it dies... # | 0:13:56 | 0:14:02 | |
In the homes and the pubs. | 0:14:02 | 0:14:04 | |
And even by the '90s, it wasn't difficult for Susan to find somewhere to perform. | 0:14:04 | 0:14:09 | |
# ..it was all so simple then | 0:14:09 | 0:14:12 | |
# Or has time rewritten every line? # | 0:14:15 | 0:14:20 | |
So you would turn up at the pubs and the clubs where they had | 0:14:22 | 0:14:26 | |
singing competitions or open mic or whatever it's called nowadays... | 0:14:26 | 0:14:30 | |
And how did you get the confidence together to think, right, | 0:14:30 | 0:14:35 | |
I'm going to sit here quietly, listen to what's going on | 0:14:35 | 0:14:38 | |
and then it's going to be my turn - I'm going to get up and sing? | 0:14:38 | 0:14:41 | |
It took...took a bit of time. | 0:14:41 | 0:14:43 | |
It was...as I said before, I was very shy at the time, | 0:14:43 | 0:14:46 | |
but the compere at the time, a Mr Murphy, you know, he used to compere | 0:14:46 | 0:14:53 | |
the sing-songs in Blackburn, | 0:14:53 | 0:14:55 | |
and that was very much part of the community then, | 0:14:55 | 0:14:58 | |
that you went to that sing-song on the Thursday anyway. | 0:14:58 | 0:15:01 | |
And it was a good night out. | 0:15:01 | 0:15:03 | |
Everybody took part in it | 0:15:03 | 0:15:04 | |
and he noticed one night that I was a bit shy and, um, he just got me up to sing. | 0:15:04 | 0:15:09 | |
And before you sang, what was the reaction of the audience | 0:15:11 | 0:15:14 | |
as you walked towards the microphone? | 0:15:14 | 0:15:17 | |
Well, I couldn't really gauge it then, | 0:15:17 | 0:15:19 | |
but I went up to sing... | 0:15:19 | 0:15:22 | |
and their reaction was, "You can do it!" | 0:15:22 | 0:15:28 | |
You know? There was a lot of clapping going on. | 0:15:28 | 0:15:32 | |
I says, "Hmm, made a bit of an impact here. | 0:15:32 | 0:15:33 | |
"I'm not coming back here in a hurry!" You know? | 0:15:33 | 0:15:36 | |
Blanket over head job, you know? | 0:15:38 | 0:15:40 | |
Actress Elaine C Smith, herself an accomplished singer, | 0:15:48 | 0:15:52 | |
played the role of Susan Boyle in the musical of her life. | 0:15:52 | 0:15:55 | |
Usually in singers, there's just one or two notes that break your heart, | 0:15:57 | 0:16:01 | |
and Susan's got a bit of... | 0:16:01 | 0:16:06 | |
She has got that in her voice. | 0:16:06 | 0:16:08 | |
She'll hit a certain note and you'll sit and listen to it, | 0:16:08 | 0:16:12 | |
going, "Oh, that's very nice, la la la" and then you know - Wild Horses. | 0:16:12 | 0:16:15 | |
And there's a couple of notes in there that break your heart, | 0:16:15 | 0:16:20 | |
and that's what a true artist does. | 0:16:20 | 0:16:22 | |
And that's about connecting and the desire to connect. | 0:16:22 | 0:16:25 | |
There's lots of artists out there who just want to show off, | 0:16:25 | 0:16:28 | |
and go, "Hey, look what I can do - I'm brilliant at that" | 0:16:28 | 0:16:31 | |
and you go, "Yes, how marvellous". | 0:16:31 | 0:16:32 | |
But there are other ones that make you go (GASPS) and Susan's got that in her voice. | 0:16:32 | 0:16:36 | |
# Wild horses | 0:16:36 | 0:16:43 | |
# Couldn't drag me away | 0:16:44 | 0:16:48 | |
# Wild horses... # | 0:16:53 | 0:16:59 | |
Susan's musical ability was no accident of birth. | 0:16:59 | 0:17:02 | |
There was always music in the Boyle household | 0:17:02 | 0:17:06 | |
and as a miner in the '50s, | 0:17:06 | 0:17:07 | |
Susan's dad Patrick was famous for his tenor voice. | 0:17:07 | 0:17:11 | |
She can recall her dad belting out popular songs like Scarlet Ribbons. | 0:17:11 | 0:17:15 | |
# And I heard my child in prayer | 0:17:15 | 0:17:21 | |
# Send for me some scarlet ribbons... # | 0:17:23 | 0:17:29 | |
So when the strong man in her life became ill, it came as a huge shock. | 0:17:30 | 0:17:36 | |
My dad had been deteriorating for some time | 0:17:37 | 0:17:41 | |
and he went into hospital. | 0:17:41 | 0:17:43 | |
I saw him just before he...before he passed away | 0:17:45 | 0:17:48 | |
and said my goodbyes to him and all that, cos you do that. | 0:17:48 | 0:17:51 | |
But it's the first time I actually encountered somebody who...who died. | 0:17:51 | 0:17:55 | |
And I found that hard to get my head round. | 0:17:55 | 0:17:59 | |
In what way? | 0:18:00 | 0:18:01 | |
Well, it was a new area, but a very frightening area for me. | 0:18:03 | 0:18:06 | |
You know. | 0:18:08 | 0:18:09 | |
What helped you during that time? | 0:18:09 | 0:18:12 | |
The fact that my mother was still there. | 0:18:15 | 0:18:17 | |
But I didn't fully understand what she was going through. | 0:18:17 | 0:18:20 | |
-No. -The loneliness she was experiencing and stuff like that. | 0:18:21 | 0:18:26 | |
I'm beginning to understand it a bit better now. | 0:18:30 | 0:18:33 | |
Because I'm older now, a bit more mature. | 0:18:34 | 0:18:36 | |
But I didn't have the maturity to understand the situation at the time. | 0:18:37 | 0:18:40 | |
# In our town no scarlet ribbons... # | 0:18:40 | 0:18:47 | |
The setbacks didn't stop there. | 0:18:49 | 0:18:51 | |
Soon after the death of her father, Susan's sister Kathleen, | 0:18:51 | 0:18:55 | |
who she was close to, died of an asthma attack. | 0:18:55 | 0:18:59 | |
Then her mother became ill. | 0:18:59 | 0:19:01 | |
And it fell to Susan to be the carer. | 0:19:01 | 0:19:04 | |
# ..my heart was aching... # | 0:19:04 | 0:19:10 | |
Well, when you're looking after somebody, | 0:19:10 | 0:19:14 | |
there is a small amount of resentment, | 0:19:14 | 0:19:17 | |
because you feel as if all responsibility is on your shoulders | 0:19:17 | 0:19:21 | |
and you can't cope with it. | 0:19:21 | 0:19:23 | |
But then that resentment can turn to love. | 0:19:24 | 0:19:26 | |
It did with me, you know. | 0:19:28 | 0:19:30 | |
I'd be telling a lie to say, "Oh, I was completely loving." | 0:19:30 | 0:19:33 | |
There was a wee bit of resentment because I couldn't do | 0:19:33 | 0:19:35 | |
what other people my age did and I couldn't go out a bit more. | 0:19:35 | 0:19:38 | |
Isolated in the home with her frail mother, | 0:19:46 | 0:19:50 | |
Susan needed direction in life. | 0:19:50 | 0:19:52 | |
From a young age, | 0:19:52 | 0:19:54 | |
Susan found comfort from pilgrimage to Catholic shrines. | 0:19:54 | 0:19:57 | |
So Susan decided to pay a visit the French town, Lourdes. | 0:19:57 | 0:20:01 | |
Here it's said apparitions of the Virgin Mary | 0:20:01 | 0:20:05 | |
appeared in the 19th century. | 0:20:05 | 0:20:07 | |
Now it's a place where people go | 0:20:07 | 0:20:09 | |
to strengthen their faith or pray for a cure for their illness. | 0:20:09 | 0:20:14 | |
And when you went to Lourdes, what did you feel? | 0:20:18 | 0:20:20 | |
I felt a great sense of peace... | 0:20:20 | 0:20:23 | |
A sense of being able to communicate my own personal thoughts. | 0:20:23 | 0:20:29 | |
And, er, there was a detachment, if you like, | 0:20:31 | 0:20:34 | |
from the worries of the outside world. | 0:20:34 | 0:20:37 | |
That's powerful too, isn't it? | 0:20:39 | 0:20:41 | |
Well, sometimes you need that. | 0:20:43 | 0:20:44 | |
You need that kind of detachment, if you like, if you want to, er... | 0:20:44 | 0:20:48 | |
How can I best put this? | 0:20:48 | 0:20:52 | |
If you want to focus more on what's really bothering you. | 0:20:54 | 0:20:56 | |
You need that kind of reflection, if you like, | 0:20:56 | 0:20:59 | |
that reflection to really...make a difference to yourself. | 0:20:59 | 0:21:04 | |
And what was it that you needed to focus on? | 0:21:04 | 0:21:07 | |
I didn't know what direction my life was going. | 0:21:08 | 0:21:11 | |
I didn't know... | 0:21:11 | 0:21:13 | |
Really, what I wanted, you know, so I thought...really, leave it | 0:21:13 | 0:21:18 | |
to a higher authority and let Him sort out my life for me. | 0:21:18 | 0:21:23 | |
So that visit to Lourdes - when you came home, did life change? | 0:21:23 | 0:21:27 | |
Was there a miracle? | 0:21:27 | 0:21:29 | |
I wouldn't say it was a miracle in a way, | 0:21:32 | 0:21:34 | |
but I began to do things on my own more. | 0:21:34 | 0:21:36 | |
This is Susan last year collecting an honorary degree | 0:21:43 | 0:21:47 | |
from Queen Margaret University. | 0:21:47 | 0:21:49 | |
It was in recognition of a course in caring she started after her visit to Lourdes years before. | 0:21:49 | 0:21:55 | |
All part of an effort to be more independent and get her life back on track. | 0:21:55 | 0:22:00 | |
Just hold it right up in the air for us. | 0:22:02 | 0:22:03 | |
Hold it right up. | 0:22:03 | 0:22:05 | |
When I looked at Susan, she had a capacity about her, | 0:22:05 | 0:22:11 | |
and having worked with students for many years, you can pick that up - | 0:22:11 | 0:22:15 | |
it's an intuitive thing that tutors have, | 0:22:15 | 0:22:18 | |
and I knew that Susan had a capacity to succeed. | 0:22:18 | 0:22:22 | |
She wasn't sure whether she did or not, | 0:22:23 | 0:22:25 | |
but I was confident that she had a capacity to actually succeed. | 0:22:25 | 0:22:29 | |
But as Susan was learning how to care for her mum, | 0:22:34 | 0:22:37 | |
her mother's health continued to deteriorate. | 0:22:37 | 0:22:40 | |
I remember her saying to me, and she was pretty low at this time... | 0:22:43 | 0:22:47 | |
"Susan, I'm not going to live very long. | 0:22:48 | 0:22:50 | |
"Look after my house and look after my cat." | 0:22:50 | 0:22:53 | |
And she says something else as well, "Remember you're mine." | 0:22:54 | 0:22:59 | |
And I said, "OK." | 0:22:59 | 0:23:00 | |
I can talk about it now. Couldn't at the time | 0:23:02 | 0:23:05 | |
because I would always burst into tears, | 0:23:05 | 0:23:07 | |
but you get strength from somewhere. | 0:23:07 | 0:23:09 | |
And after my mother's death, I got strength from the Legion of Mary. | 0:23:11 | 0:23:16 | |
I joined the Legion of Mary. | 0:23:17 | 0:23:18 | |
Those who join the Legion of Mary | 0:23:22 | 0:23:23 | |
devote themselves to the duties of their local church, | 0:23:23 | 0:23:26 | |
such as evangelising and caring for the vulnerable, old and sick. | 0:23:26 | 0:23:31 | |
As self-sacrificing as this work was, | 0:23:31 | 0:23:34 | |
it didn't sustain Susan and she struggled to cope. | 0:23:34 | 0:23:37 | |
I was down to six and a half stone. | 0:23:40 | 0:23:42 | |
The house was in an absolute mess, I was in a mess. | 0:23:42 | 0:23:46 | |
I think...yeah... | 0:23:51 | 0:23:52 | |
I was in a mess. Had social services in. | 0:23:52 | 0:23:55 | |
Because you couldn't look after yourself? | 0:23:56 | 0:23:58 | |
I had such a shock at my mother dying, | 0:23:58 | 0:24:01 | |
so I had that for about two years. | 0:24:01 | 0:24:03 | |
Oh, Susan was very low. | 0:24:03 | 0:24:06 | |
She was unhappy, you know, | 0:24:06 | 0:24:09 | |
for about seven months, you know. | 0:24:09 | 0:24:12 | |
You couldn't really talk to Susan, engage in conversation, | 0:24:12 | 0:24:15 | |
cos her social's going to church, going to the local shops, | 0:24:15 | 0:24:18 | |
and just having a wee talk with folk in the street when she's going by, | 0:24:18 | 0:24:22 | |
and that wasn't happening. | 0:24:22 | 0:24:24 | |
And then she kind of thought, I'm sitting here doing nothing. | 0:24:24 | 0:24:27 | |
She had a purpose and she always wanted to make her mum proud, and her family. | 0:24:27 | 0:24:32 | |
And then, just when you, you thought things couldn't... | 0:24:32 | 0:24:35 | |
Maybe can improve a bit, I said, well, there's only one thing you could do, | 0:24:36 | 0:24:40 | |
if you can't have anything else - you could try your hand at singing. | 0:24:40 | 0:24:45 | |
And I hadn't sung for quite some time because of the death of my mother. | 0:24:47 | 0:24:50 | |
So I applied for various auditions and the one I did apply for | 0:24:50 | 0:24:54 | |
was Britain's Got Talent but I never really thought I'd get through. | 0:24:54 | 0:24:59 | |
I just put the form in anyway. | 0:24:59 | 0:25:01 | |
And er...I got, I got through | 0:25:01 | 0:25:05 | |
and then I get a phone call to meet the panel. | 0:25:05 | 0:25:08 | |
So I says, in a way, my mother must have wanted me to do this. | 0:25:09 | 0:25:12 | |
Susan's got a determination in her. Although she can be quite shy | 0:25:14 | 0:25:18 | |
and fragile and, you know, quite vulnerable, | 0:25:18 | 0:25:21 | |
if she wants to do something, | 0:25:21 | 0:25:24 | |
she's determined, stubborn and she'll do what she wants to do. | 0:25:24 | 0:25:27 | |
She got up that day and she wanted to go along to that audition. | 0:25:27 | 0:25:31 | |
That whole day started very, very early in the morning. | 0:25:31 | 0:25:34 | |
Half past six in the morning. | 0:25:34 | 0:25:36 | |
Half past six in the morning. | 0:25:36 | 0:25:38 | |
You were recovering from the death of your mother. | 0:25:38 | 0:25:41 | |
You decided, "I'm going to go and do this". | 0:25:41 | 0:25:43 | |
So you had no-one at home to say, "Hmm, Susan, I don't think the white shoes are right"? | 0:25:43 | 0:25:48 | |
I just stuck anything on me, you know? | 0:25:49 | 0:25:53 | |
Hopped on the bus. It was the wrong bus. | 0:25:53 | 0:25:56 | |
The wrong bus. I could see the place but I couldn't get to the damn place. Excuse me! | 0:25:56 | 0:26:01 | |
Got another bus. Got there. | 0:26:02 | 0:26:04 | |
That's right. I was supposed to be there at half past nine. | 0:26:04 | 0:26:07 | |
I arrived maybe a couple of minutes late, and they said, | 0:26:07 | 0:26:10 | |
"You have to wait till the next batch of auditions." | 0:26:10 | 0:26:12 | |
So I said, "I'm not going back home all this distance, | 0:26:13 | 0:26:17 | |
"having come this far", | 0:26:17 | 0:26:18 | |
so I just decided...well, they decided to put me into the holding room. | 0:26:18 | 0:26:21 | |
Susan performed her audition at the Glasgow's SECC auditorium in January 2009. | 0:26:22 | 0:26:29 | |
-What's your name, darling? -My name is Susan Boyle. | 0:26:29 | 0:26:32 | |
You sang so beautifully for that audition and when you saw... | 0:26:32 | 0:26:38 | |
Did you feel the audience's atmosphere change? | 0:26:38 | 0:26:43 | |
-I felt...I felt they were listening to me. -Yeah. | 0:26:43 | 0:26:46 | |
I could also sense that my dad was there as well. | 0:26:46 | 0:26:49 | |
-Could you? -Mm-hm. | 0:26:49 | 0:26:51 | |
# Then I was young and unafraid... # | 0:26:51 | 0:26:55 | |
-Around you? Next to you? -Probably next to me. | 0:26:55 | 0:26:57 | |
# And dreams were made and used and wasted... # | 0:26:57 | 0:27:02 | |
So you could feel that and sing so beautifully all at the same time? | 0:27:02 | 0:27:07 | |
Maybe it was him that had helped me. | 0:27:07 | 0:27:08 | |
SHE HOLDS NOTE | 0:27:08 | 0:27:11 | |
RAPTUROUS APPLAUSE | 0:27:16 | 0:27:18 | |
Look at that! | 0:27:18 | 0:27:21 | |
Other than the audience, | 0:27:23 | 0:27:25 | |
nobody knew how well Susan's audition really went. | 0:27:25 | 0:27:28 | |
# That we would live the years together... # | 0:27:28 | 0:27:32 | |
Had you told anyone at home that you were doing this? | 0:27:32 | 0:27:35 | |
I think I told the half the... half the people in Blackburn. | 0:27:36 | 0:27:38 | |
# And there are storms we cannot weather... # | 0:27:38 | 0:27:42 | |
But they used to go, "That's just Susan talking. | 0:27:44 | 0:27:47 | |
"Just leave her. Just leave her alone." | 0:27:47 | 0:27:49 | |
Really? Just thought you'd made it up? | 0:27:49 | 0:27:51 | |
So I got the application form at that time | 0:27:56 | 0:27:58 | |
and I showed it to somebody and they went, | 0:27:58 | 0:28:01 | |
"You didn't do that. I bet you never even went." | 0:28:01 | 0:28:04 | |
I says, "I did. I'm just back." | 0:28:04 | 0:28:06 | |
# Now life has killed the dream I dreamed. # | 0:28:08 | 0:28:15 | |
The minute her audition was broadcast, | 0:28:19 | 0:28:21 | |
there was a knock at the door. | 0:28:21 | 0:28:23 | |
So I goes to answer the door and these screaming kids... | 0:28:24 | 0:28:27 | |
Everybody was sort of, well... Every house was lit up and every door was open | 0:28:27 | 0:28:32 | |
and I was, "Oh, my God!" | 0:28:32 | 0:28:35 | |
You know? | 0:28:35 | 0:28:36 | |
That's when it started going a bit crazy. | 0:28:36 | 0:28:38 | |
Within days, Susan was a national phenomenon. | 0:28:42 | 0:28:45 | |
Within a week, her Britain's Got Talent audition went viral | 0:28:45 | 0:28:48 | |
around the globe and she achieved international stardom. | 0:28:48 | 0:28:53 | |
Overnight, the 48-year-old has become a worldwide internet sensation, | 0:28:53 | 0:28:57 | |
with even Hollywood stars talking about her extraordinary voice. | 0:28:57 | 0:29:01 | |
I had a student. | 0:29:07 | 0:29:09 | |
He'd come to me, a young man, and he said, | 0:29:09 | 0:29:13 | |
"Have you seen the papers? | 0:29:13 | 0:29:14 | |
"There's a woman in Whitburn they're calling Paula Potts". | 0:29:14 | 0:29:21 | |
I said, "Oh, that must be Susan", | 0:29:21 | 0:29:23 | |
because I think they got it wrong in saying Whitburn | 0:29:23 | 0:29:26 | |
and not Blackburn at that stage, and I just knew it was Susan. | 0:29:26 | 0:29:32 | |
There just couldn't be two singers in the area | 0:29:32 | 0:29:37 | |
who would have that reaction. Not at all. | 0:29:37 | 0:29:40 | |
When the whole explosion of Susan took place, I was in the... | 0:29:41 | 0:29:45 | |
I was lucky enough to be in the West End, doing Calendar Girls. | 0:29:45 | 0:29:49 | |
I was in the original cast of that | 0:29:49 | 0:29:51 | |
and we were the first ones to go in the West End. | 0:29:51 | 0:29:54 | |
And on the evening of the Britain's Got Talent now mega-event, | 0:29:54 | 0:29:59 | |
I'd come down after the interval, ready to go on for the second act, | 0:29:59 | 0:30:03 | |
and they were going, "Oh, Elaine, | 0:30:03 | 0:30:04 | |
"there's this wee woman from Glasgow. | 0:30:04 | 0:30:06 | |
"She just went on and she looked terrible, | 0:30:06 | 0:30:08 | |
"and then she sang and we were crying". | 0:30:08 | 0:30:10 | |
And we were laughing. They says, "You should see it". | 0:30:10 | 0:30:13 | |
And I turned to Sian Phillips, who will tell you | 0:30:13 | 0:30:15 | |
this is the absolute truth, | 0:30:15 | 0:30:16 | |
and I laughed, and Sian said, "Are you going in to watch it?" | 0:30:16 | 0:30:19 | |
And I said, "No. I'll end up playing her in the story of her life!" | 0:30:19 | 0:30:22 | |
But becoming an overnight worldwide celebrity | 0:30:25 | 0:30:28 | |
comes with its own pressures, | 0:30:28 | 0:30:30 | |
with red-top tabloids like The Sun demanding scandal about SuBo. | 0:30:30 | 0:30:35 | |
It was quite hard and difficult to deal with. | 0:30:38 | 0:30:41 | |
It was just myself and Susan, out of our comfort zone. | 0:30:41 | 0:30:45 | |
Never experienced anything like this. The only way I could ever say... | 0:30:45 | 0:30:49 | |
It was like Princess Diana, the way she was chased | 0:30:49 | 0:30:52 | |
and the way people wanted a piece of her. | 0:30:52 | 0:30:55 | |
We were staying in London at the time. | 0:30:55 | 0:30:57 | |
Lorraine and I were at a friend's house and she was up in the shower | 0:30:57 | 0:31:00 | |
and I sneaked out to get a paper. | 0:31:00 | 0:31:03 | |
You can't sneak out! You're Susan Boyle. | 0:31:05 | 0:31:07 | |
You're the woman who's on every page! | 0:31:07 | 0:31:09 | |
Well, I sneaked out to get a paper that time, purely for recreation. | 0:31:09 | 0:31:13 | |
And she followed... Lorraine followed me out. | 0:31:13 | 0:31:18 | |
I thought, "How do I get myself back?" | 0:31:18 | 0:31:21 | |
We're supposed to going back to the studios later on. | 0:31:21 | 0:31:24 | |
And I was shaking, you know, cos it was so daunting, | 0:31:24 | 0:31:27 | |
the whole process of trying to get her from a shop, | 0:31:27 | 0:31:30 | |
getting her back to the house. | 0:31:30 | 0:31:32 | |
There must have been hundreds of people round her. | 0:31:32 | 0:31:35 | |
People were running out of shops, | 0:31:35 | 0:31:37 | |
cars were stopping in the middle of the street, buses, everything. | 0:31:37 | 0:31:41 | |
It was...it was bizarre. | 0:31:41 | 0:31:44 | |
But it wasn't just the press making Susan's life difficult - | 0:31:47 | 0:31:50 | |
it was her fear of going on stage. | 0:31:50 | 0:31:53 | |
Yvie Burnett is a vocal coach on many big-branded entertainment shows | 0:31:54 | 0:31:58 | |
and worked with Susan on Britain's Got Talent, on her albums and on her tour. | 0:31:58 | 0:32:03 | |
So how's your voice? | 0:32:03 | 0:32:06 | |
Not bad, but I'm a bit husky. | 0:32:06 | 0:32:08 | |
It's interesting with Susan, | 0:32:08 | 0:32:10 | |
because I think she builds up in her head | 0:32:10 | 0:32:13 | |
a fear of going out on the stage, | 0:32:13 | 0:32:15 | |
and it's so ironic, | 0:32:15 | 0:32:17 | |
because when she is out on the stage, she loves it. | 0:32:17 | 0:32:20 | |
And if she could somehow equate, | 0:32:20 | 0:32:23 | |
if she would somehow convince herself | 0:32:23 | 0:32:26 | |
before she goes on that she loves it, | 0:32:26 | 0:32:29 | |
that would be the key to her nerves. | 0:32:29 | 0:32:30 | |
She always fears she's going to fail. | 0:32:30 | 0:32:32 | |
She fears that people won't like her singing any more. | 0:32:32 | 0:32:34 | |
She's enjoyed so much that people are loving her singing, | 0:32:34 | 0:32:37 | |
she just wants to hold on to that and have everyone still love it and love it forever. | 0:32:37 | 0:32:41 | |
Back in 2009, Susan had to perform both the live semifinal | 0:32:45 | 0:32:50 | |
and the live final in one week. | 0:32:50 | 0:32:52 | |
This, combined with being on the front page of tabloids | 0:32:52 | 0:32:55 | |
on daily basis, meant that Susan was becoming ever more anxious. | 0:32:55 | 0:32:59 | |
Well, I wasn't aware that I had reached that point. | 0:33:05 | 0:33:08 | |
I just knew that I wasn't sleeping very well | 0:33:08 | 0:33:11 | |
and I wasn't eating very well. | 0:33:11 | 0:33:12 | |
So there was a week I was really going about in a kind of trance, if you like. | 0:33:12 | 0:33:16 | |
You know, I didn't really know what I was doing. | 0:33:18 | 0:33:20 | |
So by the final, I looked an absolute mess, you know. | 0:33:21 | 0:33:25 | |
How did you feel inside? | 0:33:25 | 0:33:27 | |
Inside I felt I really tense... | 0:33:28 | 0:33:32 | |
-worried...totally exhausted. -Yeah. | 0:33:32 | 0:33:36 | |
Did you think to yourself, | 0:33:36 | 0:33:38 | |
"This isn't worth it. I'm going to do a runner"? | 0:33:38 | 0:33:40 | |
"I'm going home"? | 0:33:40 | 0:33:42 | |
I'm not a defeatist. I'd see it right through to the end | 0:33:42 | 0:33:46 | |
and see what the result was. | 0:33:46 | 0:33:48 | |
It was suddenly like not a little show taking place | 0:33:48 | 0:33:51 | |
in Wembley any more - it was this international big deal | 0:33:51 | 0:33:54 | |
that Susan Boyle was in the final | 0:33:54 | 0:33:56 | |
and I think now we look at it, we think, | 0:33:56 | 0:33:58 | |
it must have just been so strange for a little lady from Blackburn. | 0:33:58 | 0:34:03 | |
Just not even in the realms of what she's used to. | 0:34:03 | 0:34:07 | |
The whole day, you could see her getting more and more worried, | 0:34:07 | 0:34:11 | |
more and more upset, feeling ill, feeling sick, thinking she | 0:34:11 | 0:34:15 | |
was going to be sick. | 0:34:15 | 0:34:16 | |
Not normal nerves, and it was, it was hard. | 0:34:17 | 0:34:20 | |
In the run-up to her final performance, | 0:34:21 | 0:34:23 | |
Susan was inconsolable - frightened to set foot on stage. | 0:34:23 | 0:34:28 | |
In desperation, Frank Quinn was called while on holiday. | 0:34:28 | 0:34:33 | |
The phone rang and it was Lorraine, her friend, putting Susan on, | 0:34:33 | 0:34:38 | |
and Susan was indicating to me... And it was one of five phone calls | 0:34:38 | 0:34:43 | |
that day, leading up, | 0:34:43 | 0:34:45 | |
to say that she didn't think she had the courage to go out on stage. | 0:34:45 | 0:34:50 | |
As a friend would do, I focused and refocused Susan | 0:34:50 | 0:34:55 | |
on the fact, "Susan, you are here - this is what you want to do. | 0:34:55 | 0:35:00 | |
"Our Lady is on one side of you, your mum is on the other. | 0:35:00 | 0:35:03 | |
"All you have to do is get out on the stage and sing. I promise you, | 0:35:03 | 0:35:08 | |
"once you start to sing, you will have them in the palm of your hand". | 0:35:08 | 0:35:12 | |
Susan Boyle! | 0:35:13 | 0:35:14 | |
Do you remember anything about leaving your dressing room | 0:35:16 | 0:35:21 | |
and walking to the stage to give that last performance? | 0:35:21 | 0:35:25 | |
I knew I was on automatic pilot. | 0:35:27 | 0:35:30 | |
I can remember some of it. I remember the tension | 0:35:30 | 0:35:34 | |
when I was performing... | 0:35:34 | 0:35:36 | |
..and the kind of disappointment... | 0:35:38 | 0:35:43 | |
..and all the other emotions that goes with it when I came second, | 0:35:46 | 0:35:49 | |
because I thought everything was over then. | 0:35:49 | 0:35:51 | |
Really, you thought that was it? | 0:35:51 | 0:35:52 | |
No-one would ever want to hear from you again? | 0:35:52 | 0:35:55 | |
That's right, I did think that, yeah. | 0:35:55 | 0:35:56 | |
Susan never seen what was happening behind the scenes, | 0:35:56 | 0:35:59 | |
how famous she was, even coming in second, and what was... | 0:35:59 | 0:36:03 | |
what doors were going to open for her. | 0:36:03 | 0:36:06 | |
And she was sad, you know? | 0:36:06 | 0:36:08 | |
It was like she seen it as another failing in her life. | 0:36:08 | 0:36:11 | |
You know, she always wanted to feel she was part of it. | 0:36:11 | 0:36:15 | |
Susan still struggles today trying to feel she's accepted. | 0:36:15 | 0:36:19 | |
It's a word that she always uses - "I just want to feel accepted, | 0:36:19 | 0:36:23 | |
"like everybody else in society". | 0:36:23 | 0:36:25 | |
A combination of the intense pressure | 0:36:29 | 0:36:31 | |
Susan was under, little sleep and an aggressive press exhausted Susan. | 0:36:31 | 0:36:36 | |
# Now you say you love me... # | 0:36:36 | 0:36:42 | |
After the result, | 0:36:42 | 0:36:43 | |
she had a breakdown and agreed to go into the Priory. | 0:36:43 | 0:36:47 | |
It's not a spa or anything like that, like it is here. | 0:36:47 | 0:36:50 | |
It's a kind of place people go to recover, if you like. | 0:36:51 | 0:36:54 | |
You know. I really shouldn't have been there at the time. | 0:36:56 | 0:36:58 | |
I should've been up the road, home. | 0:36:58 | 0:37:00 | |
Susan's stay in the Priory was her rock bottom - | 0:37:04 | 0:37:07 | |
all conducted in the full glare of the world's media. | 0:37:07 | 0:37:10 | |
But after a few days she was finally allowed to return to Scotland. | 0:37:14 | 0:37:18 | |
As the place where Susan was born and raised, | 0:37:22 | 0:37:24 | |
Blackburn means a lot to Susan Boyle. | 0:37:24 | 0:37:26 | |
# Well, you can cry me a river... # | 0:37:26 | 0:37:30 | |
So much so that despite having a big new house built in the village, | 0:37:30 | 0:37:34 | |
she chooses to still live in the ex-council house | 0:37:34 | 0:37:37 | |
she was brought up in. | 0:37:37 | 0:37:38 | |
And despite having millions in the bank, she still chooses to catch the bus to the shops. | 0:37:41 | 0:37:46 | |
Everybody knows Susan and Susan knows many people in her town. | 0:37:50 | 0:37:55 | |
And the locals are fiercely proud of her. | 0:37:57 | 0:38:00 | |
She can sing and I'm glad it turned out how it did for her. | 0:38:01 | 0:38:06 | |
I think she's fantastic. Should have happened years ago. | 0:38:06 | 0:38:09 | |
She's always been a good singer. | 0:38:11 | 0:38:13 | |
I've seen her singing in local clubs for years. | 0:38:13 | 0:38:16 | |
She's a fantastic singer. | 0:38:18 | 0:38:19 | |
She's done well. | 0:38:19 | 0:38:21 | |
And I'm pleased for her, ken what I mean? | 0:38:21 | 0:38:24 | |
And she deserved it. | 0:38:24 | 0:38:26 | |
Her geographical community | 0:38:26 | 0:38:28 | |
is extremely important to Susan, you know? | 0:38:28 | 0:38:32 | |
The whole area of Blackburn. | 0:38:32 | 0:38:33 | |
She wants to stay there, | 0:38:33 | 0:38:35 | |
because she's on first-name terms with her neighbours. | 0:38:35 | 0:38:38 | |
Everyone knows Susan. | 0:38:38 | 0:38:40 | |
How are you? You doing good, yeah? | 0:38:40 | 0:38:42 | |
-Very well. You're looking very nice, by the way. -Thank you. | 0:38:42 | 0:38:45 | |
-You take care, Susan. -OK, no problem. | 0:38:45 | 0:38:47 | |
Community is essential for Susan being happy and being joyful | 0:38:47 | 0:38:54 | |
and being able to give and to be able to receive. You know? | 0:38:54 | 0:38:58 | |
She continues to write her story. | 0:38:58 | 0:39:00 | |
-Hello! -Hello. | 0:39:00 | 0:39:02 | |
Back in Blackburn, Susan was allowed to recuperate. | 0:39:05 | 0:39:07 | |
How long did it take before you could think straight, | 0:39:09 | 0:39:12 | |
sleep properly, eat again? | 0:39:12 | 0:39:14 | |
I think it probably took me | 0:39:15 | 0:39:17 | |
about maybe three to four months. Maybe six months. | 0:39:17 | 0:39:20 | |
Really, as long as that? | 0:39:20 | 0:39:21 | |
You know, to sort various things out as well. | 0:39:21 | 0:39:24 | |
Where I was going to live and all that. | 0:39:24 | 0:39:28 | |
Had a fight, because the record company wanted me to stay in London | 0:39:28 | 0:39:32 | |
and I was lonely in London | 0:39:32 | 0:39:33 | |
because I was away from friends and my family. | 0:39:33 | 0:39:35 | |
So it was agreed to have me up in Scotland. | 0:39:36 | 0:39:38 | |
And I've never looked back since. | 0:39:38 | 0:39:42 | |
Susan's resolve not to give in to other people's demands | 0:39:45 | 0:39:48 | |
is something her friend Paul O'Grady has seen first hand. | 0:39:48 | 0:39:52 | |
She really has got a inner strength, Susan, and she is her own woman. | 0:39:54 | 0:39:57 | |
She's determined and quite feisty, you know. | 0:39:57 | 0:40:00 | |
She's tough and she is blinkered. | 0:40:00 | 0:40:03 | |
You can't get Susan to do something she doesn't want to do. Forget it. | 0:40:03 | 0:40:06 | |
She is not soft. She really is not delicate! | 0:40:06 | 0:40:11 | |
She's a tough old bird, Susan, and that's what I love about her! | 0:40:11 | 0:40:14 | |
It's one of the things I love about her. | 0:40:14 | 0:40:16 | |
Susan's fear that coming second in Britain's Got Talent | 0:40:21 | 0:40:24 | |
would end her career was ill-founded. | 0:40:24 | 0:40:28 | |
It was time to record an album to capitalise on her worldwide fame. | 0:40:28 | 0:40:33 | |
But her management realised | 0:40:33 | 0:40:34 | |
that Susan would only thrive by going into hiding. | 0:40:34 | 0:40:37 | |
# The stars are brightly shining... # | 0:40:37 | 0:40:43 | |
We knew she felt better, | 0:40:43 | 0:40:44 | |
and we wanted to make sure she stayed well, | 0:40:44 | 0:40:47 | |
so she came to stay with me at my house, | 0:40:47 | 0:40:49 | |
and she moved in with the family and we just had normality. | 0:40:49 | 0:40:53 | |
She's a Scottish woman of a similar age to me. | 0:40:53 | 0:40:55 | |
It was totally normal for Susan | 0:40:55 | 0:40:57 | |
to get up, have breakfast with the family, | 0:40:57 | 0:40:59 | |
kids went to school, we had a little sandwich for our lunch, | 0:40:59 | 0:41:02 | |
we did a bit of singing, | 0:41:02 | 0:41:03 | |
then we went out and had a cup of coffee down the road. | 0:41:03 | 0:41:05 | |
The kids would come home from school, we'd all have our tea, watch the telly... | 0:41:05 | 0:41:09 | |
It was normal life and Susan loved that. | 0:41:09 | 0:41:12 | |
She was probably the happiest I've seen her. | 0:41:12 | 0:41:15 | |
The routine just was so nice for her, | 0:41:15 | 0:41:18 | |
after all the chaos, all the madness. | 0:41:18 | 0:41:20 | |
And nobody really knew she was at my house. | 0:41:20 | 0:41:22 | |
And during her stay at Yvie's, Susan felt equally at home in the bubble of a recording studio. | 0:41:25 | 0:41:31 | |
That was a whole new experience. | 0:41:32 | 0:41:34 | |
Never been in a recording studio in my life. | 0:41:34 | 0:41:36 | |
A happy experience? | 0:41:36 | 0:41:37 | |
It was a great experience, yeah. | 0:41:37 | 0:41:39 | |
So you walk in and they say... | 0:41:39 | 0:41:41 | |
You sit there and put your headphones on... | 0:41:41 | 0:41:44 | |
Did it feel natural to you - somehow coming home? | 0:41:44 | 0:41:48 | |
It felt, it felt safe. It felt secure. | 0:41:48 | 0:41:51 | |
And you just tell the story that those songs portray. | 0:41:51 | 0:41:55 | |
You try and do that, according to how you feel with the music. | 0:41:55 | 0:42:00 | |
# Oh, it's such a perfect day | 0:42:00 | 0:42:06 | |
# I'm glad I spent it with you... # | 0:42:08 | 0:42:11 | |
After all the pain, all the setbacks, all the nerves, | 0:42:11 | 0:42:15 | |
Susan's crowning glory are her studio recordings. | 0:42:15 | 0:42:20 | |
Her first album, I Dreamed A Dream, | 0:42:20 | 0:42:23 | |
became the world's biggest seller in 2009. | 0:42:23 | 0:42:26 | |
Her follow-up album, The Gift, | 0:42:26 | 0:42:29 | |
went platinum in the UK, North America and Australasia. | 0:42:29 | 0:42:33 | |
A remarkable achievement. Her latest album, already Number 1 in Britain, | 0:42:33 | 0:42:37 | |
has also reached the top spot in the United States | 0:42:37 | 0:42:39 | |
and she's only the third act in history to achieve that feat | 0:42:39 | 0:42:43 | |
twice within the same year. | 0:42:43 | 0:42:45 | |
So what's her secret? | 0:42:45 | 0:42:47 | |
A lot of older people | 0:42:50 | 0:42:52 | |
can feel kind of disenfranchised by music. | 0:42:52 | 0:42:56 | |
And...their favourite stars, | 0:42:59 | 0:43:00 | |
who they've liked from when they were young, | 0:43:00 | 0:43:03 | |
have grown older and have kind of, | 0:43:03 | 0:43:07 | |
not used up their talent, but, yes, as you go through a long career, | 0:43:07 | 0:43:11 | |
you're using up a lot of the gold dust of your voice | 0:43:11 | 0:43:15 | |
and of your emotional reserves. | 0:43:15 | 0:43:17 | |
And so by the time these people are in their 50s, | 0:43:17 | 0:43:20 | |
they're almost worn out. | 0:43:20 | 0:43:24 | |
There are a few exceptions, but you feel that. | 0:43:24 | 0:43:26 | |
Whereas Susan was someone who was coming from their generation | 0:43:26 | 0:43:32 | |
but completely fresh. | 0:43:32 | 0:43:34 | |
# Such a perfect day | 0:43:34 | 0:43:35 | |
# You just keep me hanging on... # | 0:43:35 | 0:43:39 | |
Susan represents note to self. | 0:43:41 | 0:43:43 | |
You know - it's not about the packaging, it's about the talent. | 0:43:44 | 0:43:48 | |
She also has that capacity, | 0:43:50 | 0:43:52 | |
coming from her compassion probably, | 0:43:52 | 0:43:56 | |
to be able to reach into the pain | 0:43:56 | 0:43:58 | |
of people who feel that they are broken, | 0:43:58 | 0:44:02 | |
who feel that they are very vulnerable | 0:44:02 | 0:44:04 | |
and I think that's a tremendous gift that Susan definitely has. | 0:44:04 | 0:44:08 | |
Susan delights her fans and critics | 0:44:19 | 0:44:22 | |
by being able to sing so passionately about love and romance. | 0:44:22 | 0:44:28 | |
Yet, at the age of 51, Susan has spent | 0:44:28 | 0:44:30 | |
the vast majority of her life single and living alone. | 0:44:30 | 0:44:34 | |
# And I can hear you sing | 0:44:37 | 0:44:39 | |
# My little fish don't cry | 0:44:41 | 0:44:44 | |
# My little fish don't cry... # | 0:44:46 | 0:44:48 | |
Well, I think with what Susan's had to struggle with, | 0:44:50 | 0:44:53 | |
and what always makes me think "Wow" when she's singing, | 0:44:53 | 0:44:57 | |
it's the passion she's got when she sings about love, | 0:44:57 | 0:45:00 | |
where she's never been loved, and it's the thing that she would love | 0:45:00 | 0:45:03 | |
is to find somebody that's special in her life. | 0:45:03 | 0:45:08 | |
And it's never happened. | 0:45:08 | 0:45:10 | |
And she has got that passion when she sings. | 0:45:10 | 0:45:12 | |
And I think that's the way she can convey | 0:45:12 | 0:45:15 | |
what she would love in her life and | 0:45:15 | 0:45:17 | |
the love that she wants is through her music. | 0:45:17 | 0:45:20 | |
# These autumn leaves | 0:45:20 | 0:45:24 | |
# These autumn leaves are yours tonight. # | 0:45:26 | 0:45:32 | |
When she became famous, Susan was thrilled to be invited to duet | 0:45:35 | 0:45:39 | |
with Donny Osmond, | 0:45:39 | 0:45:40 | |
whom she'd adored as a teenager watching Top Of The Pops. | 0:45:40 | 0:45:44 | |
# And they called it puppy love... # | 0:45:46 | 0:45:50 | |
And to this day, she still idolises him. | 0:45:52 | 0:45:56 | |
Have a good look at that. | 0:45:56 | 0:45:57 | |
It's the nearest I'll get to him - there he is! | 0:45:57 | 0:46:01 | |
I'm never too old - I can dream, but don't touch! | 0:46:04 | 0:46:06 | |
But in her late 20s, while still living with her parents, | 0:46:10 | 0:46:13 | |
Susan did have a real relationship, if not a short and chaste one. | 0:46:13 | 0:46:19 | |
You had a very nice boyfriend. | 0:46:19 | 0:46:20 | |
Very brief boyfriend as well! | 0:46:22 | 0:46:24 | |
Yeah, but it was because of your father | 0:46:24 | 0:46:27 | |
that he became a brief boyfriend. | 0:46:27 | 0:46:29 | |
Well, he didn't really think I was ready for a boyfriend at that time, | 0:46:29 | 0:46:33 | |
so, um...we'll just leave it. | 0:46:33 | 0:46:35 | |
What a shame, though, because he was around for, | 0:46:35 | 0:46:37 | |
I think it was five weeks or something? | 0:46:37 | 0:46:40 | |
-About seven weeks. -Seven weeks. | 0:46:40 | 0:46:42 | |
And you did have a nice time with him, but your father... | 0:46:42 | 0:46:45 | |
on the telephone one evening, | 0:46:45 | 0:46:48 | |
told him that you didn't want to see him, | 0:46:48 | 0:46:50 | |
didn't want to speak to him, and that was the end. | 0:46:50 | 0:46:52 | |
And you obeyed your father. | 0:46:52 | 0:46:54 | |
Reluctantly, but never mind. | 0:46:54 | 0:46:56 | |
Yeah. Well, that's a shame, though. | 0:46:56 | 0:46:59 | |
Do you think your father did the right thing? | 0:46:59 | 0:47:01 | |
Probably at the time, but I don't want to say too much here. | 0:47:02 | 0:47:05 | |
-You know, it's a bit personal. -Fair enough, of course. | 0:47:05 | 0:47:09 | |
And has there been anybody ever since? | 0:47:09 | 0:47:11 | |
-I had male friends, but I've not had any boyfriends. -OK. | 0:47:16 | 0:47:20 | |
One ongoing relationship in Susan's life is with her faith | 0:47:27 | 0:47:31 | |
and in September 2010, she was asked to sing in front of Pope | 0:47:31 | 0:47:35 | |
and a congregation of tens of thousands in Glasgow. | 0:47:35 | 0:47:38 | |
But a concern was Susan's nerves. | 0:47:42 | 0:47:44 | |
Since becoming famous, she had been invited to Asia | 0:47:46 | 0:47:49 | |
to perform in huge venues - this was one was in China. | 0:47:49 | 0:47:52 | |
Ladies and gentlemen, Susan Boyle! | 0:47:54 | 0:47:57 | |
But when asked to perform | 0:47:57 | 0:47:59 | |
in a similar venue in Japan, Susan wobbled. | 0:47:59 | 0:48:02 | |
We were doing a rehearsal with the orchestra and Susan didn't want to do it. | 0:48:02 | 0:48:06 | |
She just said, "I can't face it. I don't want to do it". | 0:48:06 | 0:48:08 | |
And she was really, really upset. She was in her room, so I said, | 0:48:08 | 0:48:10 | |
"OK, then, I'll do it." So I went out on stage, got the music, | 0:48:10 | 0:48:14 | |
stood in front the orchestra, was about to sing... | 0:48:14 | 0:48:17 | |
Sure enough, Susan comes toddling along - | 0:48:18 | 0:48:20 | |
"It's OK, I'll do it!" And stands up and does it. | 0:48:20 | 0:48:23 | |
So the thought that actually I would do it, | 0:48:23 | 0:48:24 | |
she wouldn't enjoy doing the rehearsal with the orchestra... | 0:48:24 | 0:48:27 | |
And I didn't intend to do it like that, | 0:48:27 | 0:48:29 | |
but I did smile to myself at the thought | 0:48:29 | 0:48:31 | |
that actually she loves it. | 0:48:31 | 0:48:32 | |
She's nervous, but she didn't want not to do it. | 0:48:32 | 0:48:35 | |
She wanted to do it. | 0:48:35 | 0:48:37 | |
On the day, Susan conquered her nerves. | 0:48:41 | 0:48:44 | |
# When I was a child | 0:48:44 | 0:48:47 | |
# I could see the wind in the trees... # | 0:48:49 | 0:48:55 | |
And she did the same in front of the Pope in Glasgow, | 0:48:56 | 0:49:00 | |
delivering a performance that was one of her finest. | 0:49:00 | 0:49:03 | |
That was some experience. Pope Benedict. | 0:49:08 | 0:49:11 | |
When I met him. | 0:49:11 | 0:49:13 | |
I never thought I'd actually come face-to-face with His Holiness. | 0:49:13 | 0:49:16 | |
I sang...the three songs | 0:49:16 | 0:49:18 | |
and then they told me I was going to meet him afterwards, | 0:49:18 | 0:49:22 | |
but my legs turned to jelly. | 0:49:22 | 0:49:24 | |
But, er, it was quite an experience. Quite awe-inspiring. | 0:49:26 | 0:49:29 | |
# Where there is despair in life... # | 0:49:29 | 0:49:33 | |
You know, in times where she might feel a little bit down | 0:49:33 | 0:49:36 | |
or whatever, that memory of that day was just stunning. | 0:49:36 | 0:49:42 | |
Susan's faith is solid, but she has had it tested, especially during | 0:49:46 | 0:49:50 | |
the "bad periods", as she calls them. | 0:49:50 | 0:49:52 | |
Susan Boyle! | 0:49:53 | 0:49:55 | |
There are times even now I get angry. | 0:49:56 | 0:49:57 | |
And you begin to wonder why | 0:49:59 | 0:50:00 | |
He puts things like that in your path. | 0:50:00 | 0:50:02 | |
But I think, really, it's His way of really testing you. | 0:50:04 | 0:50:08 | |
It is. It is a test. | 0:50:08 | 0:50:10 | |
Has your faith ever been tested to the point where you thought... | 0:50:10 | 0:50:15 | |
"I don't want to believe this any more. | 0:50:16 | 0:50:18 | |
"I don't need it"? | 0:50:18 | 0:50:20 | |
I think as you get older there's always the danger... | 0:50:22 | 0:50:25 | |
..that your faith becomes diluted. | 0:50:26 | 0:50:28 | |
Diluted? | 0:50:28 | 0:50:29 | |
You know, in that, you begin to see it as a kind of... | 0:50:29 | 0:50:32 | |
..a kind of something that didn't really happen. | 0:50:34 | 0:50:37 | |
I would say that... | 0:50:37 | 0:50:39 | |
I'm beginning to reflect on myself just recently... | 0:50:39 | 0:50:42 | |
..and I've realised that during these testing times, | 0:50:44 | 0:50:47 | |
during these kind of moments of doubt, | 0:50:47 | 0:50:52 | |
that I need it more than ever. | 0:50:52 | 0:50:53 | |
I need my faith more than ever. | 0:50:53 | 0:50:55 | |
And I need God to help me through these patches, if you like. | 0:50:57 | 0:51:00 | |
-Hello! -How are you doing? | 0:51:02 | 0:51:04 | |
Today, the first Sunday of Advent, will mean a lot to many of us. | 0:51:06 | 0:51:10 | |
But to committed Catholics like Susan, | 0:51:10 | 0:51:13 | |
this time of year will have special resonance. | 0:51:13 | 0:51:16 | |
And we're certainly going to see a lot of Susan this Christmas. | 0:51:16 | 0:51:19 | |
On the big screen, she stars in a Christmas film | 0:51:19 | 0:51:22 | |
called The Christmas Candle. | 0:51:22 | 0:51:24 | |
# Like a candle's flame | 0:51:26 | 0:51:30 | |
# Hope will lead us there... # | 0:51:30 | 0:51:33 | |
Tell me the story and the part you play. | 0:51:33 | 0:51:36 | |
I play Eleanor Hopewell. | 0:51:36 | 0:51:38 | |
Come on - britches too. | 0:51:38 | 0:51:40 | |
You're not the first clergyman I've seen in his underpants. | 0:51:40 | 0:51:43 | |
'I'm married. | 0:51:47 | 0:51:48 | |
'Well, wait for it...' | 0:51:50 | 0:51:52 | |
It doesn't last, because my man dies. | 0:51:52 | 0:51:55 | |
So I was a single fish when I went in | 0:51:55 | 0:51:57 | |
and a single fish when I come out! | 0:51:57 | 0:51:59 | |
Do you at least get a screen love scene? | 0:51:59 | 0:52:02 | |
Well, he does get his first screen kiss, yes. | 0:52:04 | 0:52:06 | |
-And that's all I'm saying. -OK. | 0:52:06 | 0:52:07 | |
Watch and learn! | 0:52:07 | 0:52:09 | |
I will! | 0:52:10 | 0:52:12 | |
But it's a spiritual Christmas story and you play the vicar's wife? | 0:52:14 | 0:52:18 | |
That's right, Eleanor Hopewell. Yeah, that's right. | 0:52:18 | 0:52:21 | |
At the end, you sing THE song of the film. | 0:52:21 | 0:52:25 | |
-Miracle Hymn. -Miracle Hymn, yeah. | 0:52:25 | 0:52:28 | |
What does that mean to you, that song? | 0:52:28 | 0:52:31 | |
It's a Christmas story. | 0:52:31 | 0:52:32 | |
A joyous story, very religious... | 0:52:34 | 0:52:37 | |
..and it carries a special spiritual meaning...of Christmas. | 0:52:38 | 0:52:43 | |
It really captures the Christmas story. | 0:52:43 | 0:52:45 | |
GENERAL CHAT | 0:52:45 | 0:52:47 | |
Susan's also releasing her fifth album, full of Christmas songs. | 0:52:50 | 0:52:55 | |
And in the bright lights of a press conference last month, | 0:52:55 | 0:52:58 | |
Susan revealed that she is gunning for the Christmas Number 1 slot - | 0:52:58 | 0:53:02 | |
a posthumous duet with no less than Elvis Presley. | 0:53:02 | 0:53:06 | |
# O come all ye faithful... # | 0:53:06 | 0:53:13 | |
With any other artist, | 0:53:14 | 0:53:15 | |
this might be regarded as cashing in on Christmas. | 0:53:15 | 0:53:18 | |
But with the single, | 0:53:18 | 0:53:20 | |
Susan's dedicating all profits to Save the Children | 0:53:20 | 0:53:23 | |
and has become, | 0:53:23 | 0:53:25 | |
along with Paul O'Grady, an ambassador for the charity. | 0:53:25 | 0:53:27 | |
# O come let us adore him | 0:53:27 | 0:53:33 | |
# O come let us adore him | 0:53:33 | 0:53:40 | |
# Christ the Lord. # | 0:53:42 | 0:53:49 | |
Oh, I definitely think for Susan that... If a lot of singers | 0:53:51 | 0:53:55 | |
are doing a Christmas album, they're just doing it because, you know, | 0:53:55 | 0:53:59 | |
it's a good idea to do a Christmas album around Christmas - | 0:53:59 | 0:54:02 | |
just have record sales - but for Susan, with a strong faith, | 0:54:02 | 0:54:06 | |
a Christmas album is a very, very special thing. | 0:54:06 | 0:54:08 | |
Listening to Christmas music | 0:54:08 | 0:54:09 | |
gives you that feeling of going to the church over Christmas, | 0:54:09 | 0:54:13 | |
of really believing, you know, the Bible story, the whole thing. | 0:54:13 | 0:54:16 | |
It means so much more. | 0:54:16 | 0:54:18 | |
I know for Susan it will be a very emotional album to do. | 0:54:18 | 0:54:21 | |
Though she's too modest to say it, | 0:54:21 | 0:54:24 | |
Susan gives lot to charitable causes. | 0:54:24 | 0:54:27 | |
And perhaps this generosity is because, other than having | 0:54:27 | 0:54:31 | |
an exceptional talent, she sees herself as an average Joe | 0:54:31 | 0:54:34 | |
who got a lucky break. | 0:54:34 | 0:54:36 | |
When you're singing, who are you singing to? | 0:54:37 | 0:54:40 | |
Who do you picture in your mind? | 0:54:40 | 0:54:42 | |
It depends on the song, really. The words of the song. | 0:54:45 | 0:54:49 | |
I think there's one particular song called Proud, | 0:54:51 | 0:54:56 | |
from the very first album I did, and that song was about conflict... | 0:54:56 | 0:55:00 | |
And I had a lot of conflict | 0:55:02 | 0:55:05 | |
from my father...and my mother on certain occasions. | 0:55:05 | 0:55:10 | |
And when I was singing that song... | 0:55:11 | 0:55:13 | |
..I was being reflective, | 0:55:14 | 0:55:16 | |
because I think my parents would've been proud of me now. | 0:55:16 | 0:55:19 | |
# If I'm allowed | 0:55:19 | 0:55:21 | |
# One day I'll make you proud. # | 0:55:23 | 0:55:27 | |
You know, there's a great saying in Scotland. | 0:55:32 | 0:55:34 | |
There's an old Burns saying of, "We're a' Jock Tamson's bairns", | 0:55:34 | 0:55:37 | |
which means we're actually all the same. | 0:55:37 | 0:55:39 | |
You can put on your finery | 0:55:41 | 0:55:42 | |
and, you know, dye your hair | 0:55:42 | 0:55:44 | |
and have your hair extensions and your spray tan | 0:55:44 | 0:55:47 | |
and your new teeth or whatever, | 0:55:47 | 0:55:49 | |
but actually underneath it all, | 0:55:49 | 0:55:51 | |
we're a' Jock Tamson's bairns, | 0:55:51 | 0:55:53 | |
and for me, Susan represents that. | 0:55:53 | 0:55:56 | |
She is of us, and connects | 0:55:56 | 0:55:59 | |
at a very, very deep and profound level with people. | 0:55:59 | 0:56:03 | |
-Looking forward to Christmas? -Looking forward to Christmas, yeah. | 0:56:03 | 0:56:06 | |
What's the best present that you would like to receive? | 0:56:06 | 0:56:09 | |
-I'd like people to, er, just be happy. -Yeah. | 0:56:09 | 0:56:13 | |
-Just have a happy... Have a happy day. -Yeah. | 0:56:13 | 0:56:17 | |
I interviewed Dolly Parton two or three years ago | 0:56:17 | 0:56:19 | |
and she has a fantastic faith. | 0:56:19 | 0:56:22 | |
And she says every morning she wakes up and she says, | 0:56:22 | 0:56:25 | |
"I put my hand in God's hand and I say - what are we going to do today, God?" | 0:56:25 | 0:56:29 | |
How would you say your relationship is now with God and Our Lady? | 0:56:31 | 0:56:34 | |
My relationship's a very good one with God, | 0:56:35 | 0:56:38 | |
and especially with Our Lady, | 0:56:38 | 0:56:39 | |
because I feel I've got a second mother. | 0:56:39 | 0:56:41 | |
I've got a second mother, spiritually, and she, she... | 0:56:41 | 0:56:45 | |
drives me, she drives me on. | 0:56:45 | 0:56:47 | |
-Well, I wish you a very happy Christmas, Susan. -And you too. | 0:56:48 | 0:56:51 | |
I'm thrilled to have met you. | 0:56:51 | 0:56:53 | |
-Thank you very much indeed. -Not at all. | 0:56:53 | 0:56:55 | |
-Happy Christmas. -Happy Christmas. | 0:56:55 | 0:56:56 | |
Susan Boyle. SuBo. | 0:56:59 | 0:57:02 | |
Someone to laugh at. | 0:57:02 | 0:57:04 | |
It's very easy to create a description like that. | 0:57:04 | 0:57:06 | |
And throughout her life, Susan has had people | 0:57:06 | 0:57:09 | |
underestimating her and hurting her. | 0:57:09 | 0:57:12 | |
And yet, she bears no malice towards her tormentors. | 0:57:12 | 0:57:15 | |
Instead, she shares her gift of singing with us | 0:57:15 | 0:57:18 | |
and requires nothing in return. | 0:57:18 | 0:57:19 | |
Once people laughed at her. Who's laughing now? | 0:57:20 | 0:57:23 | |
Next week I meet a journalist | 0:57:26 | 0:57:28 | |
who has lived his life on the front line. | 0:57:28 | 0:57:30 | |
BBC World Affairs editor John Simpson talks frankly | 0:57:32 | 0:57:35 | |
about how his belief in God sustains him | 0:57:35 | 0:57:38 | |
when reporting from some of the most dangerous places on Earth. | 0:57:38 | 0:57:42 | |
# You're going to reap just what you sow | 0:57:45 | 0:57:50 | |
# You're going to reap just what you sow. # | 0:57:57 | 0:58:02 | |
Subtitles by Red Bee Media Ltd | 0:58:07 | 0:58:09 |