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Just over 40 years ago, a young BBC reporter came here to Dublin. | 0:00:09 | 0:00:14 | |
It was 1972 and much of the job involved reporting | 0:00:17 | 0:00:21 | |
on the conflict in the north of Ireland, known as the Troubles. | 0:00:21 | 0:00:25 | |
The correspondent was in his mid-20s when he arrived here. | 0:00:27 | 0:00:31 | |
But it was to mark the start of a career that took him | 0:00:31 | 0:00:34 | |
to the front lines of conflicts and revolutions around the globe. | 0:00:34 | 0:00:38 | |
As the brothers left the dock, after receiving the heaviest | 0:00:38 | 0:00:42 | |
sentences imposed for armed robbery in Ireland since the war... | 0:00:42 | 0:00:45 | |
For the next four decades, John Simpson became the trusted | 0:00:45 | 0:00:48 | |
face of BBC reports on events that shaped our world. | 0:00:48 | 0:00:52 | |
What seems to be happening is that there's a sniper | 0:00:52 | 0:00:54 | |
just above our heads. | 0:00:54 | 0:00:56 | |
If he wants to do something, he will do it | 0:00:56 | 0:00:59 | |
and there's not much, especially not BBC bosses, who will stop him. | 0:00:59 | 0:01:03 | |
John Simpson was there when the tanks rolled into Tiananmen Square, | 0:01:03 | 0:01:07 | |
when the wall fell in Berlin, | 0:01:07 | 0:01:09 | |
when apartheid ended in South Africa, | 0:01:09 | 0:01:12 | |
and when war broke out in Iraq and Afghanistan. | 0:01:12 | 0:01:15 | |
It's amazing the company you keep on trips like this, you know? | 0:01:17 | 0:01:20 | |
From controversial politicians to dictators, | 0:01:20 | 0:01:24 | |
he's interviewed countless world leaders. | 0:01:24 | 0:01:28 | |
I've been physically assaulted by the Prime Minister of the country | 0:01:28 | 0:01:32 | |
and I was going to lose my job. | 0:01:32 | 0:01:35 | |
All of this has brought a clutch of awards. | 0:01:39 | 0:01:42 | |
There's an International Emmy, two BAFTAs, Journalist of the Year - | 0:01:42 | 0:01:47 | |
twice, and for his coverage of the First Gulf War, a CBE. | 0:01:47 | 0:01:53 | |
But working on the front line has inevitably brought its risks. | 0:01:53 | 0:01:58 | |
EXPLOSION | 0:01:58 | 0:02:00 | |
In Iraq, in 2003, John's television crew were caught up | 0:02:00 | 0:02:04 | |
in a so-called friendly fire attack. | 0:02:04 | 0:02:07 | |
EXPLOSION | 0:02:07 | 0:02:08 | |
They dropped a thousand-pound bomb right bang slap | 0:02:11 | 0:02:14 | |
in the middle of our position. | 0:02:14 | 0:02:17 | |
'This is just a scene from hell here, all the vehicles on fire...' | 0:02:17 | 0:02:21 | |
He was left deaf in one ear. | 0:02:21 | 0:02:24 | |
His translator lost his life. | 0:02:24 | 0:02:27 | |
Losing that young man was a dreadful thing for John. | 0:02:27 | 0:02:30 | |
I don't think he's ever got over it and I don't think he ever will. | 0:02:30 | 0:02:33 | |
John has witnessed the extremes of human existence. | 0:02:33 | 0:02:36 | |
From moments of intense joy... | 0:02:36 | 0:02:39 | |
to terrible suffering. | 0:02:39 | 0:02:41 | |
He has spent his journalistic career trying to find out | 0:02:41 | 0:02:45 | |
what is happening around the world. | 0:02:45 | 0:02:47 | |
At the age of 69, he's still working and has a new young family. | 0:02:49 | 0:02:54 | |
I don't want him growing up not knowing about religion. | 0:02:55 | 0:03:00 | |
Despite all he's seen, John has hung on to his faith in God. | 0:03:00 | 0:03:04 | |
I want to find out how he squares his faith with some of the terrible | 0:03:06 | 0:03:10 | |
suffering he's witnessed and whether that faith has helped when, for the | 0:03:10 | 0:03:14 | |
sake of a story, he finds himself in very frightening situations. | 0:03:14 | 0:03:19 | |
And how a front row seat at some of the biggest global events | 0:03:19 | 0:03:23 | |
over the past half a century has shaped his personal belief in God. | 0:03:23 | 0:03:27 | |
John Cody Fidler-Simpson was born near Blackpool in 1944. | 0:03:42 | 0:03:48 | |
His family had moved away from their London home to avoid | 0:03:48 | 0:03:52 | |
the bombing of World War II. | 0:03:52 | 0:03:53 | |
Returning south after the war, John's father, Roy, had many jobs, | 0:03:55 | 0:04:01 | |
but he couldn't settle. | 0:04:01 | 0:04:02 | |
His father had, very much, an up and down life. | 0:04:02 | 0:04:05 | |
Selling property, buying property, making money, losing money. | 0:04:05 | 0:04:09 | |
And John was used to, I think, | 0:04:09 | 0:04:10 | |
moving from one part of the world literally to another. | 0:04:10 | 0:04:14 | |
John's mother, Joyce, was a widow who already had two older children. | 0:04:17 | 0:04:22 | |
She was a very pleasant woman, | 0:04:23 | 0:04:25 | |
but she was very sort of... She was older than John's father. | 0:04:25 | 0:04:28 | |
I met his mother, who seemed a quiet, | 0:04:28 | 0:04:31 | |
perhaps - this is in retrospect - | 0:04:31 | 0:04:34 | |
perhaps slightly sad, I am not sure. | 0:04:34 | 0:04:36 | |
But certainly a quiet, rather dignified person, I remember that. | 0:04:36 | 0:04:40 | |
His parents had a troubled relationship | 0:04:41 | 0:04:44 | |
and Joyce sometimes left to live with her older children. | 0:04:44 | 0:04:48 | |
So tell me about your parents cos they were an interesting pair. | 0:04:48 | 0:04:51 | |
Your mother was widowed quite young with her first husband. | 0:04:51 | 0:04:55 | |
That's right. | 0:04:55 | 0:04:56 | |
My mother had two quite a lot older children by her first marriage. | 0:04:56 | 0:05:02 | |
My father didn't like her kids. My father was a very difficult man, | 0:05:02 | 0:05:07 | |
no doubt about it. My mother was a very gentle lady. | 0:05:07 | 0:05:10 | |
Very, very gentle and sweet natured. | 0:05:10 | 0:05:12 | |
My father was always quick-tempered, bright and sharp. | 0:05:12 | 0:05:17 | |
The kind of man, when he came into the room... | 0:05:17 | 0:05:20 | |
I mean, I envy that so much, I wish I had that quality. | 0:05:20 | 0:05:23 | |
..that everybody stops talking they all turn round, "Oh, it's Roy. | 0:05:23 | 0:05:27 | |
"Roy has arrived." You know, he was the absolute heart | 0:05:27 | 0:05:30 | |
and soul of every group that he was in. | 0:05:30 | 0:05:34 | |
And I think my mother found him quite difficult. | 0:05:34 | 0:05:38 | |
In what sense? | 0:05:38 | 0:05:40 | |
Short tempered, absolutely dead set in his ways, | 0:05:40 | 0:05:45 | |
and couldn't, you know... | 0:05:45 | 0:05:47 | |
He had to have the windows open every day of the year, | 0:05:47 | 0:05:51 | |
and if you so much as suggested it was, you know, | 0:05:51 | 0:05:55 | |
getting slightly down below freezing in the room, | 0:05:55 | 0:05:58 | |
he'd go crazy. | 0:05:58 | 0:06:01 | |
Let us open our service by singing hymn number 81. | 0:06:01 | 0:06:05 | |
John's father became interested in Christian Science, | 0:06:05 | 0:06:09 | |
a movement popular with the middle classes in 1950s London. | 0:06:09 | 0:06:12 | |
It was founded in the 19th century by the American Mary Baker Eddy. | 0:06:17 | 0:06:21 | |
Based on her reading of the Bible, Mary wrote about spiritual, | 0:06:21 | 0:06:26 | |
prayer-based healing. | 0:06:26 | 0:06:27 | |
Both the Bible and her writings are studied by followers. | 0:06:27 | 0:06:31 | |
They were heard by John each Sunday | 0:06:31 | 0:06:34 | |
when he was taken to church by his father. | 0:06:34 | 0:06:37 | |
He was the person who brought faith into your life, | 0:06:39 | 0:06:44 | |
but as most parents would perhaps be Protestant or Baptist or | 0:06:44 | 0:06:47 | |
Catholic, or whatever it is, he was Christian Science. | 0:06:47 | 0:06:51 | |
Well, he was, he couldn't bear the Establishment, | 0:06:51 | 0:06:56 | |
he loathed the Church of England and the Catholic Church. | 0:06:56 | 0:07:00 | |
He thought they were both abominations. | 0:07:00 | 0:07:03 | |
Also, he hated other aspects of the Establishment. | 0:07:03 | 0:07:07 | |
He couldn't bear doctors - loathed doctors. | 0:07:07 | 0:07:09 | |
So when he came across an American religion | 0:07:09 | 0:07:12 | |
which taught you that you didn't need to go to doctors | 0:07:12 | 0:07:17 | |
and take medicine | 0:07:17 | 0:07:18 | |
and which allowed you to think for yourself - | 0:07:18 | 0:07:21 | |
where it was up to you to change your life, he adored it. | 0:07:21 | 0:07:26 | |
So Christian Science at that time meant that you did believe | 0:07:26 | 0:07:30 | |
in God but that you didn't like the doctor, didn't need the doctor... | 0:07:30 | 0:07:34 | |
Didn't need the doctor, I think you could say, yes. | 0:07:34 | 0:07:37 | |
You could cure yourself with faith. | 0:07:37 | 0:07:38 | |
-By thinking, yes, by thought. -Thinking yourself better. -Yes. | 0:07:38 | 0:07:41 | |
No drink, no cigarettes, what else? | 0:07:41 | 0:07:44 | |
It really played to the intellect. | 0:07:44 | 0:07:47 | |
It encouraged you to think. | 0:07:47 | 0:07:51 | |
I mean, every Sunday we would go to church and they'd read | 0:07:51 | 0:07:56 | |
from the Christian Science text book and the Bible and for a kid of my | 0:07:56 | 0:08:00 | |
age to sit there and listen to these long, long words | 0:08:00 | 0:08:05 | |
and concepts, it of course enriched my vocabulary | 0:08:05 | 0:08:10 | |
and my ideas of the world, hugely. | 0:08:10 | 0:08:13 | |
But that's where your faith grew and God became important to you. | 0:08:13 | 0:08:18 | |
Well, I think I never, after that... | 0:08:18 | 0:08:23 | |
had any doubt that... | 0:08:23 | 0:08:26 | |
there was a God, | 0:08:26 | 0:08:29 | |
I mean, I have seen a lot of things in my life that might incline me | 0:08:29 | 0:08:34 | |
to my mother's view that there couldn't possibly be a God | 0:08:34 | 0:08:38 | |
which created a world as hellish as this one, | 0:08:38 | 0:08:42 | |
but weirdly, the Christian Science God is a God of kind of | 0:08:42 | 0:08:46 | |
principle, of love, of spirit, | 0:08:46 | 0:08:50 | |
sort of immaterial qualities, not a physical God | 0:08:50 | 0:08:55 | |
that sits there and thinks "that John Simpson needs a bit of lesson." | 0:08:55 | 0:09:01 | |
Bingo, and then you have a car crash or something like that. | 0:09:01 | 0:09:04 | |
Not that kind of thing at all. | 0:09:04 | 0:09:07 | |
John's world was turned upside down at a young age. | 0:09:09 | 0:09:14 | |
When he was just seven, his parents' marriage ended. | 0:09:14 | 0:09:18 | |
In the middle of one last row, they made John choose between them. | 0:09:18 | 0:09:23 | |
My mother was sitting on the stairs with her bags packed and said, | 0:09:23 | 0:09:27 | |
"I'm leaving, I have thought about it, and I am leaving", | 0:09:27 | 0:09:32 | |
and my father said | 0:09:32 | 0:09:34 | |
"Well, don't you think we ought to ask the boy what he thinks?" | 0:09:34 | 0:09:37 | |
And I was a serious-minded kid, I didn't take things lightly, | 0:09:37 | 0:09:42 | |
and so when they both turned round at me and said, | 0:09:42 | 0:09:46 | |
"What do you want to do? Do you want to stay or do you want to go?" | 0:09:46 | 0:09:50 | |
Erm, I thought, you know, I've got to really work this one out, | 0:09:50 | 0:09:55 | |
and I remember standing there for a bit and then saying "Well, I... | 0:09:55 | 0:09:59 | |
"I think I'd better stay with Daddy because he hasn't got any kids." | 0:09:59 | 0:10:03 | |
To his great credit he didn't say, "No, no, no, you must go with Mum." | 0:10:03 | 0:10:08 | |
He said "OK," and he did take you on. | 0:10:08 | 0:10:10 | |
Yes, but I don't know whether he really... | 0:10:10 | 0:10:12 | |
I think... I don't know. | 0:10:12 | 0:10:14 | |
He did adore me. I now realise, you know, through all | 0:10:14 | 0:10:20 | |
the sort of irritation - "Come on, for God's sake, we're late" | 0:10:20 | 0:10:24 | |
and all this kind of stuff, I realise how much he loved me so... | 0:10:24 | 0:10:28 | |
-Your mother must have adored you... -Oh, yes. | 0:10:28 | 0:10:31 | |
..and heartbreak for you to choose your father over her. | 0:10:31 | 0:10:34 | |
Awful, and that... | 0:10:34 | 0:10:36 | |
I've also always thought that the | 0:10:36 | 0:10:38 | |
kind of mutual guilt on her part for walking away | 0:10:38 | 0:10:45 | |
from her child, and on my part for choosing against her, as it were, | 0:10:45 | 0:10:51 | |
that it just made the possibility of a close relationship | 0:10:51 | 0:10:57 | |
almost null and void. | 0:10:57 | 0:11:01 | |
John was now the only son of a single parent father. | 0:11:02 | 0:11:06 | |
It was a highly unusual setup for 1950s Britain. | 0:11:06 | 0:11:09 | |
Together with Brian Brooks, his dad's business partner, | 0:11:12 | 0:11:16 | |
they found an old house in Dunwich, in Suffolk. | 0:11:16 | 0:11:20 | |
It had originally been an enormous country house on the coast, | 0:11:20 | 0:11:25 | |
sort of looking straight out to sea. | 0:11:25 | 0:11:28 | |
It was one very big house | 0:11:28 | 0:11:31 | |
made into three houses and we had one part of it. | 0:11:31 | 0:11:34 | |
But the whole venture was totally impractical from start to finish. | 0:11:34 | 0:11:40 | |
What on earth they were doing?! | 0:11:40 | 0:11:41 | |
It was five hours' drive from London, | 0:11:41 | 0:11:44 | |
where both of them had their business activities. | 0:11:44 | 0:11:47 | |
I think it was just that we all fell in love with this gorgeous, | 0:11:47 | 0:11:51 | |
mad, gorgeous house. | 0:11:51 | 0:11:53 | |
Having seen a photograph, I can understand why. | 0:11:53 | 0:11:55 | |
John was a hard-working boy who would often retreat to his books. | 0:11:56 | 0:12:01 | |
He really needed to get away from his father's personality. | 0:12:01 | 0:12:05 | |
So what he used to do was sort of go into another room, | 0:12:05 | 0:12:09 | |
without saying anything, and sort of sit and read a book. | 0:12:09 | 0:12:13 | |
And I've often thought, you know, as life's gone by, what a sensible | 0:12:13 | 0:12:16 | |
way that was of dealing with somebody that was very close | 0:12:16 | 0:12:19 | |
to you and yet was a character as well. | 0:12:19 | 0:12:22 | |
John's studies paid dividends. | 0:12:24 | 0:12:27 | |
He won a place at the prestigious St Paul's School in London. | 0:12:27 | 0:12:31 | |
And then, in 1963, to Cambridge University to read English. | 0:12:36 | 0:12:41 | |
We went to a rather snobby college at that time - | 0:12:43 | 0:12:46 | |
Magdalene College, Cambridge. | 0:12:46 | 0:12:48 | |
We had one very large rectangular room | 0:12:48 | 0:12:52 | |
which was called A1, First Court, Magdalene College, Cambridge. | 0:12:52 | 0:12:56 | |
So we used to call it the classiest address in Western civilisation. | 0:12:56 | 0:13:00 | |
Separate bedrooms, obviously, but this one long room | 0:13:00 | 0:13:03 | |
in which we arranged to play cricket using the table | 0:13:03 | 0:13:08 | |
as a place to bounce the ball. | 0:13:08 | 0:13:09 | |
Crazy student pranks and things. | 0:13:09 | 0:13:12 | |
But in many ways John wasn't a typical student. | 0:13:13 | 0:13:16 | |
The '60s were about to swing but this wasn't really his scene. | 0:13:17 | 0:13:23 | |
I remember, I think it was in my room, | 0:13:23 | 0:13:25 | |
surrounded by our new friends at that point, that John started | 0:13:25 | 0:13:30 | |
talking about being a Christian Scientist. | 0:13:30 | 0:13:32 | |
I just remember making the obvious point, as did my friends, | 0:13:32 | 0:13:35 | |
"Well, if you fall off a tree, and you break your leg, | 0:13:35 | 0:13:38 | |
"don't you call a doctor?" | 0:13:38 | 0:13:39 | |
And we couldn't understand that, and John was very patient | 0:13:39 | 0:13:43 | |
about it, and from that moment on I think it was just understood. | 0:13:43 | 0:13:49 | |
My landlord said to me... I hurt myself and for some reason I went | 0:13:49 | 0:13:53 | |
to see him and he was a doctor and he was messing around with my wrist. | 0:13:53 | 0:13:57 | |
And I went "Ow!", like that, | 0:13:57 | 0:13:59 | |
and he said "Oh, you feel pain easily, do you?" | 0:13:59 | 0:14:01 | |
Didn't you say, actually, "I don't believe in doctors" | 0:14:01 | 0:14:04 | |
because you still had that Christian Science belief, didn't you? | 0:14:04 | 0:14:07 | |
Oh, yes, I did, yes, yes. Erm, I didn't actually. | 0:14:07 | 0:14:10 | |
Possibly because I thought he might tweak it again, you know. | 0:14:10 | 0:14:13 | |
So, occasionally, you did see a doctor, but on the other hand... | 0:14:13 | 0:14:16 | |
Well, in that case. | 0:14:16 | 0:14:17 | |
Yes, but as a student, and they were all drinking and smoking | 0:14:17 | 0:14:21 | |
-and carousing, you didn't do any of that? -I didn't. No, I didn't. | 0:14:21 | 0:14:25 | |
Erm... | 0:14:25 | 0:14:27 | |
The thing is about being a Christian Scientist, | 0:14:27 | 0:14:33 | |
about being the son of, essentially, a one-parent family, | 0:14:33 | 0:14:39 | |
of having this funny sort of background, | 0:14:39 | 0:14:43 | |
I always felt a real outsider, and the business of not smoking, | 0:14:43 | 0:14:48 | |
not drinking, not going to doctors, all that kind of stuff, really | 0:14:48 | 0:14:53 | |
reinforced that in a way - | 0:14:53 | 0:14:56 | |
that sense of being outside | 0:14:56 | 0:15:00 | |
and kind of looking in at everybody else through a window | 0:15:00 | 0:15:03 | |
and not wanting to join the group. | 0:15:03 | 0:15:07 | |
I don't want to go along with the... with the crowd. | 0:15:07 | 0:15:11 | |
The summer before he had gone to Cambridge, John spent in America. | 0:15:13 | 0:15:17 | |
He met a young artist there, Diane, at a Christian Science conference. | 0:15:17 | 0:15:22 | |
My dad was a very good-looking bloke and because he had a British accent | 0:15:22 | 0:15:26 | |
and my mother was from California so I think everyone was kind of... | 0:15:26 | 0:15:29 | |
"I love your accent", and so this was when the Beatles were really | 0:15:29 | 0:15:32 | |
big as well, so I think there was a lot of excitement about my dad. | 0:15:32 | 0:15:36 | |
For two years, John and Diane conducted | 0:15:36 | 0:15:39 | |
a long-distance relationship. | 0:15:39 | 0:15:41 | |
But by John's third year at Cambridge, they had decided to marry. | 0:15:41 | 0:15:45 | |
The other sense of you being maybe, feeling on the outside at Cambridge | 0:15:47 | 0:15:51 | |
was because you had already met the woman you wanted to marry. | 0:15:51 | 0:15:54 | |
And you married her while you were still a student. | 0:15:54 | 0:15:57 | |
Why did I get married? Well, partly - oh, dear - because the master | 0:15:57 | 0:16:01 | |
of my college said to me "Now, I really feel, and the college | 0:16:01 | 0:16:06 | |
"also believes that you would make a great mistake to get married". | 0:16:06 | 0:16:11 | |
So I thought, "Right, that's it. I am going!" | 0:16:11 | 0:16:14 | |
Very stupid! Because here am I | 0:16:14 | 0:16:16 | |
saying I don't like taking my views from other people | 0:16:16 | 0:16:20 | |
but then, in a sense, that is what you are doing, | 0:16:20 | 0:16:22 | |
you are taking the reverse | 0:16:22 | 0:16:23 | |
of their views simply because they express it. | 0:16:23 | 0:16:26 | |
So very silly, but on the other hand, it was a lovely time | 0:16:26 | 0:16:29 | |
-and we were very happy. -You had fallen in love. | 0:16:29 | 0:16:32 | |
And I had fallen very deeply in love and we had a lovely, lovely time. | 0:16:32 | 0:16:36 | |
After Cambridge, John joined the BBC. | 0:16:41 | 0:16:44 | |
On the 1st of September 1966, he began his career in journalism | 0:16:44 | 0:16:49 | |
as a sub-editor in the radio newsroom. | 0:16:49 | 0:16:52 | |
But it wasn't a particularly welcoming place | 0:16:52 | 0:16:54 | |
for inexperienced graduates. | 0:16:54 | 0:16:56 | |
Oh, he hated working in the radio newsroom, yeah. | 0:16:57 | 0:17:00 | |
I don't think he was very good at it because it meant | 0:17:00 | 0:17:03 | |
he was a sub, a sub-editor, | 0:17:03 | 0:17:05 | |
and it meant sort of... | 0:17:05 | 0:17:07 | |
It was like marking exam papers almost, you know. | 0:17:07 | 0:17:10 | |
You'd make corrections to copy that had come in. | 0:17:10 | 0:17:14 | |
It was tough in those days | 0:17:14 | 0:17:15 | |
because lots of people were from Fleet Street, | 0:17:15 | 0:17:17 | |
and they were determined to prove that these fancy graduates, | 0:17:17 | 0:17:21 | |
people like John and people like me, would not be able to succeed. | 0:17:21 | 0:17:25 | |
Can you remember your first day in the BBC newsroom? | 0:17:25 | 0:17:29 | |
Yeah. It was awful! | 0:17:29 | 0:17:32 | |
-I remember my first day and it was awful. -Was it awful? | 0:17:32 | 0:17:35 | |
-Absolutely horrible. -Were they nasty to you? -Yes. | 0:17:35 | 0:17:37 | |
I have been in the BBC for 46 years. | 0:17:37 | 0:17:42 | |
I think it still makes me angry and when I spot the kind | 0:17:42 | 0:17:46 | |
of people that tormented me when I was a very, very young sub-editor. | 0:17:46 | 0:17:52 | |
I loathe them, and I don't want to have anything to do with them. | 0:17:52 | 0:17:59 | |
But in those days as well, I mean, I look back quite fondly | 0:17:59 | 0:18:03 | |
to those moments when the clack of typewriters is going constantly, | 0:18:03 | 0:18:08 | |
when suddenly there'd be a literal physical fight. | 0:18:08 | 0:18:11 | |
The testosterone in the newsroom was huge. | 0:18:11 | 0:18:14 | |
And reporters would be bashing each other | 0:18:14 | 0:18:16 | |
and if you stood up, it was to stand up into a fog of cigarette smoke | 0:18:16 | 0:18:20 | |
-so you'd have to duck down to see anybody. -Absolutely! | 0:18:20 | 0:18:24 | |
And in a way, I look back, although I was terrified at the time, | 0:18:24 | 0:18:29 | |
with some kind of badge of honour to think we did that. | 0:18:29 | 0:18:32 | |
I think it's a badge of honour to have survived it. | 0:18:32 | 0:18:35 | |
The system was kind of intentionally out to beat us, | 0:18:35 | 0:18:40 | |
I feel, beat us down and to be able to stand up against that is... | 0:18:40 | 0:18:45 | |
I am quite proud of it. | 0:18:45 | 0:18:48 | |
Undeterred by the old attitudes, John found his own way of forging | 0:18:50 | 0:18:54 | |
a career at the BBC. | 0:18:54 | 0:18:56 | |
He was an extraordinary character cos he gave the impression, | 0:18:58 | 0:19:02 | |
the false impression, that he shouldn't really be | 0:19:02 | 0:19:04 | |
employed at all by the BBC, let alone as a BBC reporter. | 0:19:04 | 0:19:08 | |
And this was John's self-deprecating way of just being charming | 0:19:08 | 0:19:13 | |
and not giving the impression how hard he worked | 0:19:13 | 0:19:16 | |
and how ambitious he was. | 0:19:16 | 0:19:17 | |
But John hid his competitiveness | 0:19:17 | 0:19:19 | |
by pretending that he really shouldn't be there at all. | 0:19:19 | 0:19:22 | |
So by 1970, John, you have graduated from sub-editor to | 0:19:22 | 0:19:27 | |
reporter and your first assignment is to go and see Harold Wilson. | 0:19:27 | 0:19:32 | |
I was sent down to platform seven at Euston Station. | 0:19:32 | 0:19:37 | |
I can take you to the precise place where it happened. | 0:19:37 | 0:19:40 | |
Harold Wilson comes down the platform | 0:19:40 | 0:19:43 | |
and it had been allowed to be known that there was going to be | 0:19:43 | 0:19:46 | |
an election called but nobody had said anything. | 0:19:46 | 0:19:50 | |
And so I went up to him | 0:19:50 | 0:19:51 | |
and I said, "Excuse me, Prime Minister, I just wondered, | 0:19:51 | 0:19:54 | |
"there's been a lot of stuff in the papers about the possibility of you | 0:19:54 | 0:19:57 | |
"calling an election. Are you going to do it?" | 0:19:57 | 0:20:00 | |
Except that I didn't get that far. | 0:20:00 | 0:20:02 | |
In fact, I only got as far as saying, "Excuse me, Prime..." | 0:20:02 | 0:20:07 | |
Harold Wilson exploded with rage, grabbed the microphone, tried | 0:20:07 | 0:20:13 | |
to break it out of my hand, and with his right, punched me | 0:20:13 | 0:20:18 | |
really quite hard in the stomach. | 0:20:18 | 0:20:20 | |
He said this was an outrage | 0:20:20 | 0:20:22 | |
and he was going to put in a personal complaint | 0:20:22 | 0:20:25 | |
to the director general when he got to Liverpool. | 0:20:25 | 0:20:29 | |
And...that was it. | 0:20:29 | 0:20:32 | |
I was left sort of standing there, breathless of course, | 0:20:32 | 0:20:36 | |
still hunched over. | 0:20:36 | 0:20:37 | |
He's on the train, people are saying to me, | 0:20:37 | 0:20:39 | |
"You can't ask the Prime Minister a question, sonny!" | 0:20:39 | 0:20:43 | |
I looked at my watch - it was 9.50, | 0:20:43 | 0:20:47 | |
it was my first day out as a reporter. | 0:20:47 | 0:20:51 | |
I had been physically assaulted by the Prime Minister of the country | 0:20:51 | 0:20:54 | |
and I was going to lose my job by about 1.30 when he got to a phone. | 0:20:54 | 0:21:02 | |
Actually, I went back and waited very, very nervously | 0:21:03 | 0:21:07 | |
and nothing happened! | 0:21:07 | 0:21:09 | |
That was my first day. All I can say is it's gone downhill ever since! | 0:21:09 | 0:21:14 | |
In fact, John's career was just getting under way. | 0:21:18 | 0:21:21 | |
In 1972 he got his first posting as a correspondent - | 0:21:21 | 0:21:26 | |
reporting on the Troubles in Northern Ireland. | 0:21:26 | 0:21:29 | |
At first sight, the story that came out today in court was | 0:21:29 | 0:21:32 | |
a bizarre one involving as it did the IRA, | 0:21:32 | 0:21:34 | |
the British Secret Service and a secret meeting with a British | 0:21:34 | 0:21:38 | |
government minister. | 0:21:38 | 0:21:39 | |
But it was a steep learning curve. | 0:21:39 | 0:21:42 | |
He and fellow reporter John Sergeant were travelling in the same car | 0:21:42 | 0:21:46 | |
when they were kidnapped by a member of the IRA. | 0:21:46 | 0:21:50 | |
I was terrified and the guy drove the car at about 80mph | 0:21:50 | 0:21:52 | |
into the Bogside. | 0:21:52 | 0:21:54 | |
We were dumped - all they wanted was the car. | 0:21:54 | 0:21:56 | |
They wanted our car, a hired car. It had done 400 miles, that's all. | 0:21:56 | 0:22:00 | |
And so we were told to get out. We then got out | 0:22:00 | 0:22:03 | |
and John, cool as could be, really cool, said, "Erm, do you think | 0:22:03 | 0:22:07 | |
"we could get our tape recorders out of the back of the car?" | 0:22:07 | 0:22:09 | |
Just like that. | 0:22:09 | 0:22:11 | |
On another occasion, John was sent to report on an IRA funeral. | 0:22:13 | 0:22:18 | |
But he was mistaken for a British Army spy. | 0:22:18 | 0:22:21 | |
I have always been a bit dopey about some things. | 0:22:23 | 0:22:27 | |
In particular, I am never good, I suppose because I don't like it, | 0:22:27 | 0:22:30 | |
at carrying identification. | 0:22:30 | 0:22:32 | |
I never remember to bring my passport anywhere | 0:22:32 | 0:22:34 | |
and never remember to have my BBC identification | 0:22:34 | 0:22:38 | |
or anything and it's still true all these decades later, | 0:22:38 | 0:22:42 | |
and it was true then, and this group gathered round afterwards. | 0:22:42 | 0:22:46 | |
IRA men? | 0:22:46 | 0:22:48 | |
It was obvious they weren't quite certain what to do with me | 0:22:48 | 0:22:50 | |
until a girl, rather nice-looking girl of about 25, | 0:22:50 | 0:22:56 | |
said "Give him a bullet up the nostril", | 0:22:56 | 0:23:00 | |
which was how they killed people - sort of stuck a gun up the nose. | 0:23:00 | 0:23:05 | |
What goes through your mind when someone says that to you? | 0:23:05 | 0:23:09 | |
I know it sounds stupid, I just got this utter... | 0:23:10 | 0:23:13 | |
I am not quite sure what went through my mind then | 0:23:13 | 0:23:16 | |
but I have known it since. | 0:23:16 | 0:23:18 | |
That kind of thing has happened to me various times. | 0:23:18 | 0:23:22 | |
Erm... I got this tremendous faith in my ability | 0:23:22 | 0:23:26 | |
to talk my way out of things. | 0:23:26 | 0:23:28 | |
And I didn't then, it wasn't... | 0:23:28 | 0:23:30 | |
I was saved and rescued by a wonderful older reporter | 0:23:30 | 0:23:36 | |
from the Sunday Times who came over to me in a very sort of grand | 0:23:36 | 0:23:41 | |
and calm way and said, "Oh, is there some problem, John? | 0:23:41 | 0:23:44 | |
I mean, yeah, there was, I was just about to be murdered. | 0:23:44 | 0:23:48 | |
And he said, "Oh, no, Mr Simpson comes from the BBC. | 0:23:48 | 0:23:51 | |
"Of course, we all know that," and they | 0:23:51 | 0:23:53 | |
knew him, and they let me go and that was fine. | 0:23:53 | 0:23:57 | |
With security along the border now one of the republic's main considerations, | 0:23:57 | 0:24:01 | |
there's a constant search for better ways of patrolling it. | 0:24:01 | 0:24:05 | |
After three years building up experience in Ireland, | 0:24:05 | 0:24:09 | |
John's skill and confidence grew. | 0:24:09 | 0:24:11 | |
He began to be sent to report on other parts of the world. | 0:24:11 | 0:24:15 | |
The political initiative now lies totally with the Ayatollah. | 0:24:15 | 0:24:19 | |
Now that he's back, he'll very soon announce | 0:24:19 | 0:24:21 | |
the establishment of a government of his own. | 0:24:21 | 0:24:24 | |
In 1979 he boarded a plane with the exiled Ayatollah Khomeini, | 0:24:24 | 0:24:28 | |
returning to lead the Iranian revolution. | 0:24:28 | 0:24:31 | |
There had been several threats that Khomeini's plane would be destroyed | 0:24:31 | 0:24:35 | |
and when it reached Tehran, it had to circle overhead for 20 minutes. | 0:24:35 | 0:24:39 | |
BBC bosses had told John not to board the plane. | 0:24:39 | 0:24:42 | |
If he wants to do something, he will do it | 0:24:44 | 0:24:47 | |
and there's not much, especially not BBC bosses, who will stop him. | 0:24:47 | 0:24:51 | |
I mean, if a BBC boss says to John | 0:24:51 | 0:24:53 | |
"Under no account must you do that or go there", | 0:24:53 | 0:24:56 | |
then it's like ordering him to do it. | 0:24:56 | 0:24:59 | |
The great reporter is the person who, | 0:24:59 | 0:25:01 | |
when everyone is going one way, particularly if they are put | 0:25:01 | 0:25:04 | |
onto a bus, if a reporter is put onto a bus, just watch the reporter | 0:25:04 | 0:25:07 | |
who tricks the organisers and leaves on a motorbike | 0:25:07 | 0:25:11 | |
or goes the other way. That's the great reporter. | 0:25:11 | 0:25:14 | |
So there is an element with John, | 0:25:14 | 0:25:17 | |
a rather sort of individualistic, "I do it my way, I want to get | 0:25:17 | 0:25:22 | |
"this done, I want to tell the story | 0:25:22 | 0:25:23 | |
"in the way I want to tell the story". | 0:25:23 | 0:25:25 | |
That makes a great reporter and that's why he is such a good one. | 0:25:25 | 0:25:28 | |
I've actually always been of the opinion that | 0:25:28 | 0:25:31 | |
things are never as dangerous as they seem on the outside and often | 0:25:31 | 0:25:37 | |
erm, that is... | 0:25:37 | 0:25:40 | |
Well, I mean, it pretty much always is the case. | 0:25:40 | 0:25:43 | |
There's not very many things I wouldn't do. | 0:25:43 | 0:25:47 | |
I mean, there are some things | 0:25:47 | 0:25:50 | |
that are obviously just kind of an elaborate way of committing suicide. | 0:25:50 | 0:25:53 | |
And I wouldn't do that. I don't feel at all suicidal. | 0:25:53 | 0:25:57 | |
I have got a lot to live for, even now at my age, | 0:25:57 | 0:26:01 | |
but I always feel and so far, just about, I have been proven right, | 0:26:01 | 0:26:08 | |
that you can get away with much more than you think. | 0:26:08 | 0:26:12 | |
Here in the streets, the demonstrators are having | 0:26:15 | 0:26:17 | |
everything their own way. | 0:26:17 | 0:26:19 | |
This was once one of the two or three biggest police | 0:26:19 | 0:26:21 | |
stations in Tehran. | 0:26:21 | 0:26:23 | |
Last September I, myself, was held here for some time after | 0:26:23 | 0:26:26 | |
being arrested for filming in the streets. | 0:26:26 | 0:26:29 | |
As John reported from some of the most dangerous | 0:26:29 | 0:26:32 | |
places in the world, back at home, his wife Diane | 0:26:32 | 0:26:36 | |
and their two young daughters could only watch on TV. | 0:26:36 | 0:26:40 | |
I always used to admire her for being so balanced about it | 0:26:40 | 0:26:44 | |
because she had certain times when he was there all the time, | 0:26:44 | 0:26:48 | |
and then sort of five minutes later he'd departed. | 0:26:48 | 0:26:51 | |
And she always seemed to be tremendously philosophical about it. | 0:26:51 | 0:26:55 | |
I think it was just quite hard for my mother, who was at home | 0:26:55 | 0:26:59 | |
with us and doing the school run and all that kind of malarkey. | 0:26:59 | 0:27:02 | |
It's just hard if you are not in the same building for a significant | 0:27:02 | 0:27:06 | |
part of each year, I would say. It has a profound effect. | 0:27:06 | 0:27:10 | |
The stress of knowing that your husband is walking | 0:27:10 | 0:27:13 | |
out of the door and he may not come back is fearful, | 0:27:13 | 0:27:16 | |
it doesn't lead to a happy home life. | 0:27:16 | 0:27:19 | |
Then, in 1980, John received devastating news. | 0:27:19 | 0:27:24 | |
His father had died, suddenly, of a massive heart attack. | 0:27:24 | 0:27:28 | |
I think his death had a totally seismic effect on my father. | 0:27:29 | 0:27:35 | |
I think he rang me up to tell me that his father had died and... | 0:27:35 | 0:27:41 | |
Well, I suppose it was very much the end of an era, really. | 0:27:41 | 0:27:44 | |
At the same time, John's career took an unexpected turn. | 0:27:46 | 0:27:51 | |
Good evening. | 0:27:51 | 0:27:52 | |
The effort to avoid a shooting war in the Falklands is | 0:27:52 | 0:27:55 | |
now in its crucial phase. | 0:27:55 | 0:27:56 | |
During a brief, unhappy spell as political editor, | 0:27:56 | 0:28:00 | |
he'd heard that the BBC wanted trained journalists rather than | 0:28:00 | 0:28:04 | |
presenters to read the Nine O'Clock News. | 0:28:04 | 0:28:07 | |
He successfully lobbied for the job alongside John Humphrys. | 0:28:07 | 0:28:11 | |
The audience hated us and the critics hated us even more | 0:28:11 | 0:28:15 | |
because we were taking over from much-loved figures | 0:28:15 | 0:28:19 | |
like Richard Baker and Kenneth Kendall and so on, | 0:28:19 | 0:28:23 | |
people who'd been reading the news for donkey's years. | 0:28:23 | 0:28:26 | |
They were part of the nation's consciousness | 0:28:26 | 0:28:29 | |
and it wasn't an entirely happy experience, | 0:28:29 | 0:28:32 | |
let's put it like that. | 0:28:32 | 0:28:34 | |
John Simpson lasted as a newsreader for about a year | 0:28:34 | 0:28:37 | |
before he was sent back out on the road as a correspondent. | 0:28:37 | 0:28:41 | |
These were difficult times. In 1983, his mother died. | 0:28:41 | 0:28:46 | |
He had seen her only a handful of times since the day she left. | 0:28:46 | 0:28:50 | |
And then, in 1984, he walked out of his marriage to Diane. | 0:28:50 | 0:28:56 | |
It was awful but I can't say it's a massive surprise. | 0:28:56 | 0:29:00 | |
I think it's hard for anybody. Even with Skype and all these kind of | 0:29:00 | 0:29:03 | |
things, I still think long-distance relationships are difficult. | 0:29:03 | 0:29:07 | |
John threw himself into work. | 0:29:09 | 0:29:12 | |
In 1988, he was appointed BBC World Affairs Editor. | 0:29:12 | 0:29:17 | |
It was a time of significant change. | 0:29:17 | 0:29:20 | |
The Soviet Union was collapsing | 0:29:20 | 0:29:22 | |
and John spent the next year reporting on landmark events | 0:29:22 | 0:29:25 | |
around the globe. | 0:29:25 | 0:29:27 | |
We know there are trucks | 0:29:27 | 0:29:28 | |
and perhaps tanks in that direction down there, away from the square. | 0:29:28 | 0:29:32 | |
We know that there are trucks | 0:29:32 | 0:29:34 | |
and probably tanks that direction also. | 0:29:34 | 0:29:36 | |
What we don't know is when | 0:29:36 | 0:29:38 | |
they are going to come but everybody here assumes it's going to be soon. | 0:29:38 | 0:29:41 | |
From Tiananmen Square to the fall of the Berlin Wall... | 0:29:41 | 0:29:46 | |
and he again defied his bosses. | 0:29:46 | 0:29:50 | |
GUNFIRE | 0:29:50 | 0:29:52 | |
In 1991, he chose to stay in Baghdad during the First Gulf War. | 0:29:52 | 0:29:58 | |
At the moment, we're waiting for the American bombers to come. | 0:29:58 | 0:30:01 | |
All the firing that's going on, and there's a great deal of it, | 0:30:01 | 0:30:04 | |
is just pretty wildly up in the air, | 0:30:04 | 0:30:06 | |
it doesn't seem to be aimed at anything. | 0:30:06 | 0:30:08 | |
GUNFIRE | 0:30:08 | 0:30:09 | |
Mr John Simpson, Foreign Affairs Editor, | 0:30:09 | 0:30:12 | |
British Broadcasting Corporation. | 0:30:12 | 0:30:15 | |
He was awarded a CBE for his reporting | 0:30:15 | 0:30:18 | |
and named Journalist of the Year. | 0:30:18 | 0:30:21 | |
A BAFTA followed in 1992. | 0:30:21 | 0:30:24 | |
John had built a reputation that opened doors. | 0:30:24 | 0:30:28 | |
He gained access to leading controversial figures. | 0:30:28 | 0:30:31 | |
Do you believe that Britain has intended to assassinate you? | 0:30:31 | 0:30:35 | |
Of course, it is true. | 0:30:35 | 0:30:38 | |
Then you get to the point where you're sitting in front of somebody | 0:30:38 | 0:30:41 | |
who is one of these mad dictators, creating untold violence | 0:30:41 | 0:30:46 | |
and heartache in the world, evil. How do you approach them? | 0:30:46 | 0:30:51 | |
Do you go in thinking "I will charm them" | 0:30:51 | 0:30:56 | |
or "I am so angry I am going to get aggressive"? | 0:30:56 | 0:30:59 | |
Or do you get the cool professionalism? | 0:30:59 | 0:31:01 | |
You just have to bear in mind all the time, that there is a | 0:31:01 | 0:31:07 | |
sense that a proper moral judgment has to be made. | 0:31:07 | 0:31:12 | |
You have to bring them face-to-face with what they have done | 0:31:12 | 0:31:16 | |
and that is not always very nice and easy to do. | 0:31:16 | 0:31:21 | |
When you are in the presence of people who you know are evil, | 0:31:21 | 0:31:25 | |
do you feel that evil in the room? Can you see it in them? | 0:31:25 | 0:31:29 | |
My experience is that people who have done these terrible things | 0:31:29 | 0:31:34 | |
are mostly boringly banal. | 0:31:34 | 0:31:39 | |
There are very, very few who you feel are evil | 0:31:39 | 0:31:43 | |
in the sense that everything they do is wicked, | 0:31:43 | 0:31:47 | |
is planned out to be vicious and cruel. | 0:31:47 | 0:31:51 | |
It's actually, I would say, most people find themselves | 0:31:51 | 0:31:56 | |
in these positions. | 0:31:56 | 0:31:58 | |
Their background, the history, the country, everything | 0:31:58 | 0:32:02 | |
else puts them in a position where they start to do really bad things. | 0:32:02 | 0:32:06 | |
Early this morning, up on the Serbian positions overlooking | 0:32:06 | 0:32:10 | |
Sarajevo, the ceasefire was already in operation. | 0:32:10 | 0:32:14 | |
If the past is anything to go by, this ceasefire, assuming | 0:32:14 | 0:32:17 | |
that it is agreed in the first place, | 0:32:17 | 0:32:20 | |
is by no means certain to succeed. | 0:32:20 | 0:32:22 | |
By now, many of John's colleagues were hanging up their flak jackets. | 0:32:22 | 0:32:27 | |
But after two decades as a foreign correspondent, | 0:32:27 | 0:32:30 | |
John showed no signs of retreating from the front line. | 0:32:30 | 0:32:34 | |
Why do people, like me, after ten years, think "That is it"? | 0:32:34 | 0:32:38 | |
"I want to run and run, I don't want to hear another bang. | 0:32:38 | 0:32:41 | |
"I do not want to hear shouts of 'incoming'. | 0:32:41 | 0:32:44 | |
"I would like to be at Westminster | 0:32:44 | 0:32:46 | |
"where you get these amazing stories but nobody dies. | 0:32:46 | 0:32:49 | |
"I don't want to have people in the Middle East dying around me | 0:32:49 | 0:32:53 | |
"or being shot at". | 0:32:53 | 0:32:54 | |
So, the key question for John is why did he go on? | 0:32:54 | 0:32:59 | |
He was due to go off again to one of those Iraq moments, | 0:32:59 | 0:33:03 | |
and I did say to him, "Do you really feel it's wise to go back there?" | 0:33:03 | 0:33:08 | |
And he made light of it. | 0:33:08 | 0:33:10 | |
He just said, "The story continues." | 0:33:10 | 0:33:13 | |
Nothing that the BBC does, in its huge news division, matters | 0:33:13 | 0:33:20 | |
unless it's based on good, solid, accurate reporting. | 0:33:20 | 0:33:25 | |
I know that what John believes is you find out | 0:33:25 | 0:33:29 | |
what's happening, you interpret it of course, you use | 0:33:29 | 0:33:32 | |
your experience and your authority to put it into context, | 0:33:32 | 0:33:36 | |
but you can't do any of that unless you have found out | 0:33:36 | 0:33:40 | |
what is happening. | 0:33:40 | 0:33:41 | |
That can often be a very dangerous business. | 0:33:41 | 0:33:45 | |
And why we owe a debt of gratitude to John is that he has | 0:33:45 | 0:33:49 | |
spent his journalistic career trying to find out what is | 0:33:49 | 0:33:53 | |
happening around the world. | 0:33:53 | 0:33:54 | |
Christmas Eve at the Catholic cathedral here. | 0:33:57 | 0:34:00 | |
The newly appointed cardinal told the congregation that people | 0:34:00 | 0:34:04 | |
could only rely on God for peace - there was no-one else to turn to. | 0:34:04 | 0:34:08 | |
John Simpson, BBC News, Sarajevo. | 0:34:08 | 0:34:11 | |
John Simpson, BBC World Affairs Editor, columnist, | 0:34:17 | 0:34:21 | |
author and household name. | 0:34:21 | 0:34:23 | |
But somewhere down the years, as John built his reputation | 0:34:24 | 0:34:28 | |
as a trusted journalist, the faith that had helped define him | 0:34:28 | 0:34:32 | |
since childhood started to take a back seat. | 0:34:32 | 0:34:34 | |
In most people's lives they perhaps grow up in a faith | 0:34:38 | 0:34:41 | |
because that is the way their family have shown them. | 0:34:41 | 0:34:44 | |
You start to sort of... | 0:34:44 | 0:34:45 | |
It fades a little, like a radio station, it starts to fade away. | 0:34:45 | 0:34:49 | |
It certainly did fade away, yes. | 0:34:49 | 0:34:52 | |
Certainly, I felt I wasn't erm... I wasn't up to the kind of moral... | 0:34:52 | 0:34:58 | |
level that I ought to be at, and so, therefore, what do you do | 0:34:58 | 0:35:03 | |
if you are in an outfit where you are not sort of following | 0:35:03 | 0:35:08 | |
the rules any more? | 0:35:08 | 0:35:09 | |
Well, the best thing to do is to sort of quietly, | 0:35:09 | 0:35:12 | |
you know, head for the exit. | 0:35:12 | 0:35:15 | |
In 1994, John travelled to South Africa. | 0:35:20 | 0:35:23 | |
He was there to cover the election that would decide the future | 0:35:27 | 0:35:30 | |
of a country on the edge of chaos because of its history of apartheid. | 0:35:30 | 0:35:34 | |
The atmosphere in South Africa in 1994 was one of great uncertainty. | 0:35:37 | 0:35:43 | |
We didn't know if law and order as we'd known it would break down | 0:35:43 | 0:35:49 | |
entirely, if there'd be mob rule, how things were going to go. | 0:35:49 | 0:35:56 | |
It was an unforgettable, fantastic, frenzied, | 0:35:56 | 0:36:00 | |
difficult and emotional time. | 0:36:00 | 0:36:03 | |
The election was won by Nelson Mandela. | 0:36:03 | 0:36:07 | |
Apartheid was at an end. | 0:36:07 | 0:36:09 | |
There can't be many people up there on the balcony or down here | 0:36:09 | 0:36:13 | |
in the crowds who could've expected that all this would happen peacefully. | 0:36:13 | 0:36:17 | |
We know that you will lead us out of oppression and injustice. | 0:36:17 | 0:36:22 | |
A key player in the victory had been | 0:36:22 | 0:36:25 | |
a man who not only stood for equality and reform | 0:36:25 | 0:36:28 | |
but was also a leading advocate for the Christian faith. | 0:36:28 | 0:36:31 | |
Archbishop Desmond Tutu left a deep impression on John. | 0:36:33 | 0:36:36 | |
We are the rainbow people of God. | 0:36:38 | 0:36:41 | |
John has seen the Anglican Church at its very best. | 0:36:43 | 0:36:47 | |
We are free! | 0:36:47 | 0:36:49 | |
He thinks the light shines from Desmond Tutu. | 0:36:49 | 0:36:53 | |
He loves him... | 0:36:53 | 0:36:54 | |
..as somebody who isn't just religious | 0:36:56 | 0:36:59 | |
but also practical and also, funny | 0:36:59 | 0:37:02 | |
and also human, warm... | 0:37:02 | 0:37:05 | |
In fact, rather like John in so many ways. | 0:37:05 | 0:37:08 | |
The miracle of South Africa was just... | 0:37:08 | 0:37:12 | |
Well, it's generation-changing, world-changing, everything-changing. | 0:37:12 | 0:37:17 | |
How did that effect your faith? Was your faith on the wane then | 0:37:17 | 0:37:22 | |
and started to wax? | 0:37:22 | 0:37:25 | |
Well, it had been on the wane for a long time but maybe it did | 0:37:25 | 0:37:29 | |
as a result of that. | 0:37:29 | 0:37:30 | |
I used to regard it as a sort of Anglican miracle | 0:37:30 | 0:37:34 | |
what had happened there. | 0:37:34 | 0:37:36 | |
So much, erm, was based in the Christian faith | 0:37:36 | 0:37:40 | |
and particularly because, you know, of Tutu and the others, | 0:37:40 | 0:37:46 | |
a particularly sort of Anglican miracle. | 0:37:46 | 0:37:50 | |
Gatsha Buthelezi, the head of the Inkatha movement, | 0:37:50 | 0:37:54 | |
which was having, effectively, a civil war with the ANC, | 0:37:54 | 0:37:58 | |
stormed out of a meeting before the election happened | 0:37:58 | 0:38:04 | |
to go back and say to his people, | 0:38:04 | 0:38:07 | |
"That's it, I have failed to secure peace, you've got to arm yourself." | 0:38:07 | 0:38:13 | |
Halfway there in the plane, he had a conversion. | 0:38:13 | 0:38:17 | |
He turned the plane around, ordered the pilot to turn | 0:38:19 | 0:38:22 | |
the plane around, and went back, had to go in. Can you imagine how | 0:38:22 | 0:38:25 | |
awkward that would be? Don't think I'd like to do it. | 0:38:25 | 0:38:28 | |
He had to go into the room where these people were still meeting, | 0:38:28 | 0:38:32 | |
the people he had stormed out from, and said "I have changed my mind." | 0:38:32 | 0:38:36 | |
I mean, when you've seen that, you don't forget it. | 0:38:37 | 0:38:42 | |
I started going to the old Church of England after that | 0:38:42 | 0:38:48 | |
cos it... I just thought if it can change people to that extent, | 0:38:48 | 0:38:53 | |
it's worth supporting. | 0:38:53 | 0:38:55 | |
And, you know, I have kind of stayed there ever since. | 0:38:55 | 0:38:59 | |
South Africa was also to produce another turning point for John. | 0:39:07 | 0:39:12 | |
It was here that he met his future wife. | 0:39:12 | 0:39:15 | |
Dee Kruger was a freelance TV producer, hired by the BBC | 0:39:16 | 0:39:21 | |
to work alongside John. | 0:39:21 | 0:39:22 | |
He came across to me | 0:39:24 | 0:39:25 | |
and he said to me "would you like a cup of tea?" | 0:39:25 | 0:39:28 | |
So I was a little bit taken aback by that because, you know, | 0:39:28 | 0:39:32 | |
in South Africa, in those days, blokes didn't make tea! | 0:39:32 | 0:39:36 | |
And it was only later that I realised, you know, this is | 0:39:37 | 0:39:40 | |
actually quite a big guy. | 0:39:40 | 0:39:42 | |
The best moment of my entire long and weird life | 0:39:43 | 0:39:49 | |
was when I met my wife who was given to me by the BBC! | 0:39:49 | 0:39:54 | |
I always feel it's a bit like... | 0:39:54 | 0:39:56 | |
The BBC have done a lot for you! | 0:39:56 | 0:39:59 | |
It's a little bit like, you know, a Japanese company | 0:39:59 | 0:40:03 | |
giving me my job, my title, they give me my this, | 0:40:03 | 0:40:06 | |
and they give me my wife. | 0:40:06 | 0:40:07 | |
It was lovely and that is where it all started. | 0:40:07 | 0:40:11 | |
John and Dee married and they continued to work together. | 0:40:13 | 0:40:18 | |
In 1999, John covered the Kosovo Crisis, opting to | 0:40:18 | 0:40:23 | |
stay on in the Serbian capital Belgrade after | 0:40:23 | 0:40:26 | |
journalists from NATO countries had been ordered to leave. | 0:40:26 | 0:40:30 | |
We've come from one of the countries which, only a few feet | 0:40:30 | 0:40:33 | |
above our head, is busy bombing Belgrade right at the moment. | 0:40:33 | 0:40:38 | |
It won him more awards but his reports haven't always | 0:40:38 | 0:40:42 | |
been so well received. | 0:40:42 | 0:40:43 | |
It was smugglers who took us into Afghanistan and it was the | 0:40:45 | 0:40:48 | |
smugglers who decreed that we should wear burkas, the all-enveloping | 0:40:48 | 0:40:53 | |
garment which the Taliban force every woman in Afghanistan to wear. | 0:40:53 | 0:40:57 | |
In 2001, his decision to secretly enter Afghanistan | 0:40:57 | 0:41:01 | |
dressed in a woman's burka earned him the scorn of the British press. | 0:41:01 | 0:41:05 | |
And they get the worst seats in the vehicle. | 0:41:05 | 0:41:08 | |
Later he was one of the first reporters to enter Kabul | 0:41:08 | 0:41:12 | |
after the fall of the Taliban. | 0:41:12 | 0:41:14 | |
This is it. We're walking into Kabul city. | 0:41:14 | 0:41:18 | |
We don't seem to have any problems around us, there's only people | 0:41:18 | 0:41:23 | |
who are friendly, and are saying, chanting, "Kill the Taliban." | 0:41:23 | 0:41:28 | |
But his decision to make a joke live on national radio | 0:41:28 | 0:41:31 | |
about liberating the city fell flat. | 0:41:31 | 0:41:34 | |
Now on the line from Kabul itself | 0:41:34 | 0:41:36 | |
is our World Affairs Editor, John Simpson. | 0:41:36 | 0:41:38 | |
John, if you can hear me, what's it like in Kabul this morning? | 0:41:38 | 0:41:42 | |
Well, Sue, I have to say I was the first or amongst the first | 0:41:42 | 0:41:47 | |
group of people and it was only BBC people who liberated the city. | 0:41:47 | 0:41:52 | |
John had done a job - a very, very, good job in Kabul. | 0:41:52 | 0:41:57 | |
He'd got in where lots of people didn't get in. | 0:41:57 | 0:42:00 | |
He was, as so often in the past, he was first with the story, | 0:42:00 | 0:42:04 | |
or one of the first with the story, and he told it well. | 0:42:04 | 0:42:07 | |
You've got to remember that for a lot of reporters, | 0:42:07 | 0:42:09 | |
lot of journalists, some of the things that John has done | 0:42:09 | 0:42:12 | |
have been so good and so impressive that people are bound to be annoyed. | 0:42:12 | 0:42:17 | |
That's inevitable. You get someone as good as John | 0:42:17 | 0:42:19 | |
and you are going to get an awful lot of people who will think up | 0:42:19 | 0:42:22 | |
little smart remarks as to why he's not quite as good as he seems. | 0:42:22 | 0:42:26 | |
He is good, he's a very good reporter, | 0:42:26 | 0:42:29 | |
and that just annoys a lot of people. | 0:42:29 | 0:42:31 | |
John's skill as a reporter was put to the test in 2003. | 0:42:35 | 0:42:40 | |
He was in Northern Iraq at the start of the push to topple | 0:42:41 | 0:42:44 | |
Saddam Hussein. | 0:42:44 | 0:42:46 | |
His crew joined a convoy of American and Kurdish special forces. | 0:42:47 | 0:42:51 | |
But they were mistaken for enemy troops | 0:42:51 | 0:42:53 | |
and became the target of so-called American friendly fire. | 0:42:53 | 0:42:57 | |
They dropped a thousand-pound bomb right bang | 0:43:12 | 0:43:15 | |
slap in the middle of our position, where we all were. | 0:43:15 | 0:43:20 | |
An amazing series of escapes. | 0:43:20 | 0:43:23 | |
I mean, my own, apart from anything else, because we paced it out - | 0:43:23 | 0:43:29 | |
there were only 12 yards from where the bomb actually dropped | 0:43:29 | 0:43:34 | |
but because of the angle it dropped at, most of the shrapnel | 0:43:34 | 0:43:39 | |
and the explosive went in a different direction from me. | 0:43:39 | 0:43:43 | |
I got quite a big bit of shrapnel in my side, | 0:43:43 | 0:43:48 | |
which, you know, was neither here nor there, really. | 0:43:48 | 0:43:53 | |
Bits all over my face but none in the eyes | 0:43:53 | 0:43:56 | |
and most of my colleagues had the same. | 0:43:56 | 0:43:58 | |
All around, men had been killed and wounded. | 0:44:05 | 0:44:08 | |
Yet within minutes of the attack and despite his injuries, | 0:44:08 | 0:44:11 | |
John filed a news story. | 0:44:11 | 0:44:13 | |
'This is just a scene from hell here. All the vehicles on fire. | 0:44:15 | 0:44:19 | |
'There's bodies burning around me, there's bodies lying around.' | 0:44:19 | 0:44:23 | |
I wasn't surprised to find that John was able to file at that moment. | 0:44:23 | 0:44:28 | |
I've seen John in some remarkable situations, do some pretty | 0:44:28 | 0:44:32 | |
amazing things, and react to camera and address the camera | 0:44:32 | 0:44:37 | |
in some pretty extraordinary situations. | 0:44:37 | 0:44:39 | |
One of the things I think that even I was surprised was | 0:44:39 | 0:44:43 | |
was just how fair he managed to be. | 0:44:43 | 0:44:45 | |
This is just one of those things that happens in war, I suppose. | 0:44:45 | 0:44:49 | |
These men have been going around saying I can't tell you what | 0:44:49 | 0:44:53 | |
I feel about this, but it has to be said if it hadn't been | 0:44:53 | 0:44:56 | |
for the medical aid that they gave us and our colleague who has been | 0:44:56 | 0:45:01 | |
badly injured, then we'd be in an even worse state | 0:45:01 | 0:45:05 | |
than we are already. | 0:45:05 | 0:45:06 | |
The moment it's gone off, the moment you've been blown off your feet, | 0:45:06 | 0:45:09 | |
the moment you realise that something is hurting, | 0:45:09 | 0:45:14 | |
you are on the satellite phone sending a report home to the BBC. | 0:45:14 | 0:45:18 | |
I suppose it sounds a bit nutty really, doesn't it? | 0:45:20 | 0:45:22 | |
Or a bit sort of... maybe just cold. | 0:45:22 | 0:45:25 | |
-Did you think, "I must make a phone call." -Oh, yes. Oh, absolutely. | 0:45:25 | 0:45:29 | |
-So bam, straight there. -Just as quick as I could get it. | 0:45:29 | 0:45:32 | |
Well, that's been the training. | 0:45:32 | 0:45:34 | |
By that stage, with the training of 30-odd years... | 0:45:34 | 0:45:39 | |
You know, I mean, something happens, you tell people about it... | 0:45:39 | 0:45:45 | |
And...that was that was my... | 0:45:45 | 0:45:49 | |
That was the only reason I was there. | 0:45:49 | 0:45:51 | |
I mean, I wasn't having a holiday. I mean, I was there to work. | 0:45:51 | 0:45:55 | |
And something happened that meant that I had some urgent work to do. | 0:45:55 | 0:46:01 | |
John's crew had hired a young Kurdish translator | 0:46:07 | 0:46:10 | |
called Kamaran to work with them. | 0:46:10 | 0:46:13 | |
He was a graduate keen to gain first-hand experience | 0:46:13 | 0:46:16 | |
with a reporting team. | 0:46:16 | 0:46:18 | |
But in the air strike, Kamaran was fatally wounded. | 0:46:18 | 0:46:21 | |
The hardest thing was that afternoon, John and myself | 0:46:23 | 0:46:28 | |
and one or two other people with us had to go and tell his family. | 0:46:28 | 0:46:35 | |
Losing that young man was a dreadful thing to John. | 0:46:35 | 0:46:39 | |
I don't think he's ever got over it and I don't think he ever will. | 0:46:39 | 0:46:42 | |
It really, that was something that, | 0:46:42 | 0:46:45 | |
that was just, you know, for me to sit here and say it moved him | 0:46:45 | 0:46:49 | |
deeply is... It just doesn't kind of describe properly, I don't think. | 0:46:49 | 0:46:53 | |
19 people were killed, including my lovely young translator. | 0:47:02 | 0:47:07 | |
I try as a kind of matter of duty to think about him every day, | 0:47:08 | 0:47:14 | |
so that we don't just lose him, you know, | 0:47:14 | 0:47:17 | |
"Oh, dear, he was just part of the collateral damage." | 0:47:17 | 0:47:20 | |
I try to remember him and his... And he was a sweet boy. | 0:47:20 | 0:47:23 | |
Did you see his parents? | 0:47:23 | 0:47:25 | |
Oh, I had to, I had to go round and tell his mother. | 0:47:25 | 0:47:28 | |
You told her. | 0:47:28 | 0:47:29 | |
The producer and I went round and he still had the... | 0:47:29 | 0:47:35 | |
Her son's blood on him, but he obviously didn't tell her that. | 0:47:35 | 0:47:41 | |
And the family, I went back again some months later to see them | 0:47:41 | 0:47:46 | |
and was welcomed as a sort of, you know, as a welcome guest, | 0:47:46 | 0:47:53 | |
I wasn't treated as though | 0:47:53 | 0:47:55 | |
I was the person that had lured him into his death | 0:47:55 | 0:47:58 | |
although I do feel I was, actually. | 0:47:58 | 0:48:01 | |
Well, you could say that about all the people who were there. | 0:48:01 | 0:48:05 | |
Yeah. | 0:48:05 | 0:48:06 | |
But he was there specifically because of me. | 0:48:06 | 0:48:09 | |
He was there because he had seen my reporting | 0:48:09 | 0:48:11 | |
and he wanted to help me and be with me. | 0:48:11 | 0:48:16 | |
It brings me to tears, you telling this story, | 0:48:18 | 0:48:22 | |
because I can see there's people around you dying, | 0:48:22 | 0:48:25 | |
and to watch somebody that you've been working with, | 0:48:25 | 0:48:29 | |
their life blood literally ebb from them. | 0:48:29 | 0:48:32 | |
But I've got the photograph of this dear kid that joined us. | 0:48:32 | 0:48:37 | |
And I just keep it where I can look at it every day if I can. | 0:48:37 | 0:48:45 | |
Because there's got to be a purpose behind going to these places. | 0:48:45 | 0:48:50 | |
If you just do it because it's flattering to the ego or something, | 0:48:50 | 0:48:56 | |
then that is worthless, it's worse than worthless. | 0:48:56 | 0:49:01 | |
It's contemptible. | 0:49:01 | 0:49:03 | |
But I feel I go to these places because there's | 0:49:03 | 0:49:06 | |
a purpose, and the purpose is to tell people back home what's happened. | 0:49:06 | 0:49:11 | |
I don't... I didn't in that case certainly, | 0:49:11 | 0:49:14 | |
I didn't want to be involved in the fighting and the bombing. | 0:49:14 | 0:49:19 | |
I would have done anything to keep us out of it if I'd known. | 0:49:19 | 0:49:23 | |
But once you're in there, you've got to do it right | 0:49:23 | 0:49:26 | |
and you've got to do it straight, and it's no good saying. | 0:49:26 | 0:49:30 | |
"I'm scared, I'm going home." | 0:49:30 | 0:49:32 | |
You've got to stick with it, I feel. | 0:49:32 | 0:49:35 | |
But when he got home, John found he couldn't shake the sense of guilt | 0:49:39 | 0:49:43 | |
over Kamaran's death. | 0:49:43 | 0:49:45 | |
When I heard that Kamaran had died, | 0:49:47 | 0:49:49 | |
I knew that John would take that very badly, which he did. | 0:49:49 | 0:49:54 | |
And for quite a long time after that, after he got back here, | 0:49:55 | 0:50:02 | |
we used to go to the pub | 0:50:02 | 0:50:04 | |
and have long talks about it. He was very upset about it. | 0:50:04 | 0:50:10 | |
But you did go and talk with a vicar? | 0:50:10 | 0:50:14 | |
I did. | 0:50:14 | 0:50:16 | |
Can I tell you what the problem was? | 0:50:16 | 0:50:19 | |
The problem was that each one of the people I was with | 0:50:20 | 0:50:26 | |
had had the most extraordinary escapes. | 0:50:26 | 0:50:30 | |
That you would say probably were... | 0:50:30 | 0:50:33 | |
Well, you could if you wanted to make a case up for it, | 0:50:33 | 0:50:36 | |
divine intervention. | 0:50:36 | 0:50:38 | |
Not my translator. | 0:50:38 | 0:50:40 | |
I had that whole sense of survival guilt. | 0:50:40 | 0:50:44 | |
Why should I be so lucky and he should be so unlucky? | 0:50:44 | 0:50:50 | |
Peter Elvy, just kind of talking it over with him, | 0:50:52 | 0:50:56 | |
made that sense of guilt go away. | 0:50:56 | 0:51:00 | |
He doesn't come to me in the night watches, you know, | 0:51:00 | 0:51:03 | |
and say, "You did this to me," | 0:51:03 | 0:51:06 | |
which I think might have happened a bit if I hadn't got rid of that | 0:51:06 | 0:51:11 | |
sense of personal involvement, you know. | 0:51:11 | 0:51:13 | |
So we're heading out of Baghdad to the north now, | 0:51:13 | 0:51:17 | |
toward the Iraqi army base at Taji. | 0:51:17 | 0:51:20 | |
In the ten years since Iraq, | 0:51:20 | 0:51:22 | |
John has continued to report on world affairs. | 0:51:22 | 0:51:25 | |
He's a respected writer | 0:51:25 | 0:51:26 | |
and has published a number of books about his life. | 0:51:26 | 0:51:29 | |
And he became a father for the third time in 2006 | 0:51:30 | 0:51:36 | |
when Dee gave birth to their son, Rafe. | 0:51:36 | 0:51:38 | |
He was just besotted with Rafe from the word go. | 0:51:40 | 0:51:44 | |
The bond between them is quite something. | 0:51:44 | 0:51:47 | |
You know, he's got his... | 0:51:47 | 0:51:48 | |
it's sort of a real little chip off the old block, I'm afraid, | 0:51:48 | 0:51:53 | |
and they have this fantastic relationship. | 0:51:53 | 0:51:56 | |
John has always been a bit soppy, to be honest. | 0:51:56 | 0:52:00 | |
There is that bit of him, he tries to present this image | 0:52:00 | 0:52:03 | |
of the hard, tough man but actually he's always been a bit soppy. | 0:52:03 | 0:52:07 | |
And he was nuts about his daughters. | 0:52:07 | 0:52:09 | |
But it was wonderful. He really, well, still is soppy about him. | 0:52:09 | 0:52:13 | |
John wants his son to learn about his faith, | 0:52:15 | 0:52:17 | |
and when he's not away working he takes Rafe to church. | 0:52:17 | 0:52:21 | |
They go to church as much as they can. | 0:52:24 | 0:52:26 | |
John loves history, and I think that's one of the key things | 0:52:26 | 0:52:31 | |
that he'd like Rafe to know, is to understand Britain's place | 0:52:31 | 0:52:35 | |
and where it all comes from, | 0:52:35 | 0:52:37 | |
and where the Anglican church comes from, | 0:52:37 | 0:52:40 | |
which I think would be his gift to Rafe. | 0:52:40 | 0:52:44 | |
And he'd love Rafe to have an affinity for it. | 0:52:44 | 0:52:47 | |
I don't want him growing up not knowing about religion. | 0:52:49 | 0:52:54 | |
I don't want him to think, "Oh, it's just a load of silly old people | 0:52:54 | 0:53:00 | |
"and they wear hats and they go into those buildings | 0:53:00 | 0:53:06 | |
"and something happens there that I don't care about, that doesn't | 0:53:06 | 0:53:09 | |
"have any relationship to me." I don't want that. | 0:53:09 | 0:53:11 | |
He can reject it, fine, that's his business, | 0:53:11 | 0:53:14 | |
but he must reject it from the basis of knowing about it, | 0:53:14 | 0:53:18 | |
not of ignorance. | 0:53:18 | 0:53:19 | |
And so many people now, it seems to me, don't understand | 0:53:19 | 0:53:23 | |
what it's all about. | 0:53:23 | 0:53:26 | |
It's just something they have not been exposed to, | 0:53:26 | 0:53:29 | |
so they don't understand what it is that they're not interested in. | 0:53:29 | 0:53:34 | |
John's faith is not just reserved for his time at home with Rafe. | 0:53:36 | 0:53:40 | |
REPORT: 'This is how we had to come into Iraq this time, | 0:53:42 | 0:53:45 | |
'hitching a lift on an RAF Hercules | 0:53:45 | 0:53:47 | |
'with the crew always on the alert for a missile attack.' | 0:53:47 | 0:53:51 | |
It's also a source of strength, as his work continues to take him | 0:53:53 | 0:53:57 | |
to some of the world's most challenging locations. | 0:53:57 | 0:54:00 | |
So when you are in the hotel room, knowing that you are about to | 0:54:01 | 0:54:05 | |
go out with the crew to do something very dangerous | 0:54:05 | 0:54:09 | |
and you have no idea what the outcome is going to be, | 0:54:09 | 0:54:13 | |
do you have a word with yourself, with God, with what, | 0:54:13 | 0:54:17 | |
before you go? | 0:54:17 | 0:54:19 | |
There's a psalm, I think it's Psalm 139. | 0:54:19 | 0:54:22 | |
I say it to myself more times than I can number. | 0:54:22 | 0:54:28 | |
"Whither shall I go from thy spirit | 0:54:28 | 0:54:30 | |
"And whither shall I flee from thy presence | 0:54:30 | 0:54:34 | |
"If I ascend up in heaven, thou art there | 0:54:34 | 0:54:37 | |
"If I make my bed in hell, thou art there | 0:54:37 | 0:54:39 | |
"If I take the wings of the morning | 0:54:39 | 0:54:41 | |
"And fly into the uttermost parts of the sea, even there | 0:54:41 | 0:54:47 | |
"Shall thy hand lead me and they right hand shall guide me." | 0:54:47 | 0:54:51 | |
I probably got the words slightly wrong. | 0:54:51 | 0:54:54 | |
And that's what I tell myself. | 0:54:54 | 0:54:57 | |
It comforts me, it makes me feel better. | 0:54:57 | 0:55:02 | |
I'm not just on my own, with the forces of chance | 0:55:02 | 0:55:07 | |
all sort of bashing me around | 0:55:07 | 0:55:10 | |
and then, of course, you go downstairs and you meet up | 0:55:10 | 0:55:12 | |
with the camera crew and you all start the usual business | 0:55:12 | 0:55:16 | |
of sort of jokey kind of banter | 0:55:16 | 0:55:19 | |
that takes you right through all of these things. | 0:55:19 | 0:55:21 | |
That's one of the great pleasures of television. | 0:55:21 | 0:55:24 | |
After a lifetime reporting from around the world, | 0:55:27 | 0:55:31 | |
John could now retire, but he has no plans to stop. | 0:55:31 | 0:55:34 | |
I actually did think that perhaps when Rafe arrived, | 0:55:36 | 0:55:39 | |
he would stop travelling a little bit, | 0:55:39 | 0:55:41 | |
but I was wrong about that. | 0:55:41 | 0:55:42 | |
Nothing is going to stop John travelling. | 0:55:42 | 0:55:45 | |
When you ask him, "Are you considering retiring?" | 0:55:45 | 0:55:49 | |
he gets really cross. | 0:55:49 | 0:55:51 | |
It so much defines who he is. | 0:55:51 | 0:55:53 | |
I can't imagine seeing him sort of saying, | 0:55:53 | 0:55:55 | |
"Well, now I'm going to Suffolk," | 0:55:55 | 0:55:57 | |
his favourite place on the planet, | 0:55:57 | 0:56:00 | |
you know, "Hang up my boots and my flak jackets, | 0:56:00 | 0:56:03 | |
"and I'll just be watching the events on television." | 0:56:03 | 0:56:06 | |
I can't imagine him ever retiring and pottering about in the garden. | 0:56:07 | 0:56:12 | |
I just can't. That is never going to happen. | 0:56:12 | 0:56:14 | |
He's too...he just loves what he does, and that's good. | 0:56:14 | 0:56:18 | |
You want that in a parent. | 0:56:18 | 0:56:20 | |
Well, John, here we are, approaching Christmas. | 0:56:20 | 0:56:22 | |
You've spent many Christmases away from home and working | 0:56:22 | 0:56:26 | |
in unpleasant circumstances. | 0:56:26 | 0:56:28 | |
This Christmas, what are you up to? | 0:56:28 | 0:56:30 | |
I used to rather specialise | 0:56:30 | 0:56:32 | |
in spending Christmas in horrible places. | 0:56:32 | 0:56:36 | |
Once, I saw in a newspaper it said, | 0:56:36 | 0:56:39 | |
"We spent the traditional British Christmas - turkey, something else, | 0:56:39 | 0:56:43 | |
"Christmas pudding and watching John Simpson in some dreadful place!" | 0:56:43 | 0:56:48 | |
Now with a seven-year-old kid, I don't want to be ringing him up | 0:56:48 | 0:56:53 | |
and saying, "Have you opened all your presents?" | 0:56:53 | 0:56:56 | |
I want to be there. | 0:56:56 | 0:56:58 | |
And I, er...I haven't changed, | 0:56:58 | 0:57:02 | |
I am not mellowed. | 0:57:02 | 0:57:04 | |
Somebody said, "You've mellowed." | 0:57:04 | 0:57:06 | |
I HAVEN'T mellowed, I'm still... | 0:57:06 | 0:57:09 | |
I still feel better for going to nasty places, | 0:57:09 | 0:57:15 | |
but I don't want to do it on Christmas Day. | 0:57:15 | 0:57:19 | |
-Thank you very much indeed. -Thank you. | 0:57:19 | 0:57:21 | |
-Really lovely. -Thank you. | 0:57:21 | 0:57:23 | |
John Simpson, what an extraordinary man. | 0:57:33 | 0:57:36 | |
I was expecting a hard-nosed, news-bitten journalist, | 0:57:36 | 0:57:40 | |
but he's not like that at all. | 0:57:40 | 0:57:42 | |
He has witnessed some of the worst human atrocities in the world, | 0:57:42 | 0:57:45 | |
man's inhumanity to man, and yet, he's retained his humanity, | 0:57:45 | 0:57:50 | |
and I think that's to do with his faith. | 0:57:50 | 0:57:52 | |
A faith which has sustained him and grown through the years, | 0:57:52 | 0:57:56 | |
so that now, he looks to a world where he wants peace | 0:57:56 | 0:57:59 | |
and hopes for peace. | 0:57:59 | 0:58:00 | |
And if he can do that, perhaps we can too. | 0:58:00 | 0:58:02 | |
But I wish him and his family this year a very peaceful Christmas. | 0:58:02 | 0:58:07 | |
Next week, I meet a comedy legend. | 0:58:07 | 0:58:11 | |
What a beautiful day, folks, | 0:58:11 | 0:58:12 | |
for releasing a rocket in the vicar's vestments! | 0:58:12 | 0:58:15 | |
Lighting a touchpaper and saying, "How's that for a rev-up?!" | 0:58:15 | 0:58:18 | |
Ken Dodd celebrates 60 years in showbiz next year, | 0:58:18 | 0:58:21 | |
and at the age of 86, still performs up to three shows a week. | 0:58:21 | 0:58:25 | |
He has also helped raise millions for charity and has | 0:58:27 | 0:58:30 | |
a faith that has been a constant support throughout his long career. | 0:58:30 | 0:58:35 | |
Tatty-bye, everybody! Tatty-bye! | 0:58:35 | 0:58:36 | |
Subtitles by Red Bee Media Ltd | 0:59:00 | 0:59:03 |