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He's one of Britain's last great variety entertainers. | 0:00:09 | 0:00:13 | |
Well, how tickled I am to be here with you tonight! | 0:00:16 | 0:00:18 | |
Has anybody seen my show before? AUDIENCE: Yes! | 0:00:18 | 0:00:21 | |
Would you mind telling me what I do next, please? | 0:00:21 | 0:00:23 | |
At the age of 86, | 0:00:24 | 0:00:26 | |
he's still touring and performing up to three shows a week. | 0:00:26 | 0:00:30 | |
I feel absolutely tattyfilarious and full of plumptiousness. | 0:00:30 | 0:00:34 | |
Celebrating 60 years in show business next year - | 0:00:34 | 0:00:37 | |
his Diamond Jubilee - he is as constant as Her Majesty | 0:00:37 | 0:00:42 | |
and also as mysterious. | 0:00:42 | 0:00:44 | |
For all that time, | 0:00:48 | 0:00:50 | |
Ken Dodd's tattyfilarious sense of humour has been tickling | 0:00:50 | 0:00:53 | |
the nation's funny bone. | 0:00:53 | 0:00:55 | |
Well...haven't you brought yours? | 0:00:55 | 0:00:58 | |
Being top of the bill with your name in lights, | 0:00:58 | 0:01:00 | |
that's what it's all about. | 0:01:00 | 0:01:01 | |
# Tears for souvenirs... # | 0:01:01 | 0:01:05 | |
His hit singles have competed in the charts with The Beatles. | 0:01:05 | 0:01:09 | |
You'd like to do a bit more comedy? | 0:01:09 | 0:01:11 | |
Yeah, but it's so hard, isn't it? Well... | 0:01:11 | 0:01:14 | |
He was the fifth Beatle. | 0:01:14 | 0:01:17 | |
If he'd just have kept his hair flat... | 0:01:18 | 0:01:21 | |
He's appeared in Doctor Who. | 0:01:21 | 0:01:23 | |
Surprise! Surprise! | 0:01:23 | 0:01:25 | |
Tonight is your lucky night. | 0:01:25 | 0:01:28 | |
# We are the Diddymen... # | 0:01:28 | 0:01:30 | |
His Diddymen put Knotty Ash on the map. | 0:01:30 | 0:01:32 | |
# We are the Diddymen... # Come on, kids, | 0:01:32 | 0:01:34 | |
let's go to the jam-butty mines and see how business is. | 0:01:34 | 0:01:37 | |
THROWS VOICE: 'I'm jacking it in.' | 0:01:37 | 0:01:39 | |
# We are the Diddymen who come from Knotty Ash. # | 0:01:39 | 0:01:43 | |
And Liverpudlians have voted him | 0:01:44 | 0:01:46 | |
the greatest Merseysider of all time. | 0:01:46 | 0:01:49 | |
And a man uncoiled himself, he said, | 0:01:49 | 0:01:52 | |
"Cripes! What a horrible sight!" | 0:01:52 | 0:01:55 | |
His sticky-out teeth, his mad hair, his tickling sticks - | 0:01:58 | 0:02:03 | |
they're just props that surround this comedy genius. | 0:02:03 | 0:02:07 | |
But Ken has known difficult times too. | 0:02:09 | 0:02:12 | |
I shall never forget the way he said, "Well, a comedian's role | 0:02:13 | 0:02:16 | |
"is not too different from that of a priest," and very poignantly | 0:02:16 | 0:02:21 | |
he said, "And of course, | 0:02:21 | 0:02:24 | |
"they're both quite lonely professions." | 0:02:24 | 0:02:26 | |
A court which is trying Ken Dodd on tax charges... | 0:02:27 | 0:02:31 | |
In the 1980s, he was tried and acquitted of tax evasion. | 0:02:31 | 0:02:36 | |
If he'd have gone inside, he would've died. He would've died. | 0:02:36 | 0:02:41 | |
Ken still lives in Liverpool | 0:02:41 | 0:02:43 | |
and is part of the congregation at the Anglican cathedral. | 0:02:43 | 0:02:46 | |
I said, "What would you have done, Ken, if you weren't a comedian?" | 0:02:46 | 0:02:50 | |
He said, "I wouldn't mind being a vicar." | 0:02:50 | 0:02:52 | |
Maybe that's the reason I'm here. | 0:02:52 | 0:02:54 | |
I've been blessed with a chuckle muscle. | 0:02:54 | 0:02:57 | |
Ladies and gentlemen, | 0:02:57 | 0:02:58 | |
I feel absolutely tattyfilarious and full of plumptiousness. | 0:02:58 | 0:03:01 | |
Ken Dodd is hugely charismatic | 0:03:01 | 0:03:04 | |
and, yet, on the other hand, intensely enigmatic. | 0:03:04 | 0:03:07 | |
Does anybody really know him? Who is the man behind the laughter? | 0:03:07 | 0:03:12 | |
I was expecting to meet Ken Dodd in his natural habitat, a theatre. | 0:03:31 | 0:03:35 | |
But instead, he's asked me to meet him here | 0:03:35 | 0:03:38 | |
in Liverpool's Anglican Cathedral. | 0:03:38 | 0:03:40 | |
It's a place where he says he feels a greater connection with God. | 0:03:40 | 0:03:45 | |
When I first came to here, | 0:03:54 | 0:03:56 | |
I was absolutely amazed, enthralled, | 0:03:56 | 0:04:01 | |
and a wonderful feeling of the music and the choir. | 0:04:01 | 0:04:06 | |
It's a wonderful service, the Evensong. | 0:04:06 | 0:04:09 | |
And when I'd done it a few times I thought, | 0:04:11 | 0:04:14 | |
"Am I coming here to be entertained? | 0:04:14 | 0:04:17 | |
"Am I coming here because it's show business, | 0:04:17 | 0:04:19 | |
"or am I coming here to communicate with my creator?" | 0:04:19 | 0:04:24 | |
And I still wonder a little bit sometimes | 0:04:24 | 0:04:28 | |
cos I do enjoy it, I must admit. | 0:04:28 | 0:04:30 | |
SWING MUSIC PLAYS | 0:04:30 | 0:04:32 | |
Kenneth Arthur Dodd was born on 8th November 1927 | 0:04:39 | 0:04:44 | |
in a suburb of Liverpool called Knotty Ash. | 0:04:44 | 0:04:47 | |
His father, Arthur, was a coal merchant. His mother was Sarah. | 0:04:55 | 0:05:01 | |
The business was run from the family home. | 0:05:01 | 0:05:04 | |
Because it was a very hard-working household, | 0:05:04 | 0:05:07 | |
they struggled, like most people did, | 0:05:07 | 0:05:11 | |
to make a living - Ken was caught up in that. | 0:05:11 | 0:05:14 | |
But that it was a household where there were the traditional values. | 0:05:14 | 0:05:19 | |
He quite often talks about his father who was in the coal business, | 0:05:19 | 0:05:23 | |
who was a brilliant teller of gags, | 0:05:23 | 0:05:27 | |
and that's what got him going. | 0:05:27 | 0:05:29 | |
He said his dad used to tell jokes brilliantly. | 0:05:29 | 0:05:31 | |
Ken had an older brother, Billy, and younger sister, June. | 0:05:32 | 0:05:37 | |
They lived just across the road from St John's Church. | 0:05:37 | 0:05:42 | |
This... This is the playground of the infant school | 0:05:44 | 0:05:47 | |
and this was my favourite subject - playtime. That and singing, | 0:05:47 | 0:05:50 | |
singing in the choir of St John's Church there. | 0:05:50 | 0:05:53 | |
# All for the wings | 0:05:53 | 0:05:56 | |
# Of the wings of a dove... # | 0:05:56 | 0:05:59 | |
He was a chorister at St John's in Knotty Ash, | 0:05:59 | 0:06:02 | |
and people think Knotty Ash | 0:06:02 | 0:06:03 | |
is just a fictional place | 0:06:03 | 0:06:05 | |
but in fact Knotty Ash is a very real place. | 0:06:05 | 0:06:08 | |
He was always full of fun, laughing. | 0:06:08 | 0:06:12 | |
I wouldn't say centre of attention, | 0:06:12 | 0:06:14 | |
but popular. | 0:06:14 | 0:06:16 | |
For someone who messes his hair up, | 0:06:18 | 0:06:21 | |
pulls through his hair, | 0:06:21 | 0:06:22 | |
protrudes his teeth and pulls funny faces, | 0:06:22 | 0:06:25 | |
I wanted to know, was he funny child at school? | 0:06:25 | 0:06:29 | |
Did he make other kids laugh? | 0:06:29 | 0:06:31 | |
Was the humour still there then? | 0:06:31 | 0:06:33 | |
But he said, no, he wasn't. | 0:06:33 | 0:06:35 | |
He was probably too good-looking, as he says, to be a funny child. | 0:06:35 | 0:06:40 | |
I had the most marvellous mother and father. | 0:06:40 | 0:06:42 | |
I never saw two people work so hard in their lives as my mother | 0:06:42 | 0:06:45 | |
and father when they ran the coal business. | 0:06:45 | 0:06:48 | |
Yeah. And they were so kind to us. | 0:06:48 | 0:06:51 | |
Were you a religious family? | 0:06:51 | 0:06:53 | |
Well, my mother taught us prayers and a couple of hymns, yes, | 0:06:53 | 0:06:58 | |
and my dad, who was, | 0:06:58 | 0:07:00 | |
as well as being a coal merchant, he was also a musician. | 0:07:00 | 0:07:03 | |
You know, he used to play the saxophone, which, as everybody knows, | 0:07:03 | 0:07:06 | |
is an ill wind that nobody blows good | 0:07:06 | 0:07:09 | |
but he'd play the hymns on the saxophone. | 0:07:09 | 0:07:11 | |
So, yeah, I suppose we were, yes. And we'd go to church like most children. | 0:07:11 | 0:07:15 | |
I went to Sunday school and heard the usual, er... | 0:07:15 | 0:07:19 | |
stories, the famous, you know, Moses and the bulrushes. | 0:07:19 | 0:07:23 | |
I was a choirboy for a long time | 0:07:23 | 0:07:25 | |
till they found out where the noise was coming from. | 0:07:25 | 0:07:28 | |
And we'd take turns | 0:07:28 | 0:07:30 | |
in flicking pellets...paper pellets across the choir stalls. | 0:07:30 | 0:07:37 | |
The usual reading comics while the vicar was preaching his sermon. | 0:07:38 | 0:07:44 | |
But when he was still a baby, Ken fell seriously ill. | 0:07:48 | 0:07:53 | |
There were fears that he wouldn't survive. | 0:07:55 | 0:07:59 | |
At two years old, I had a very, very bad case of pneumonia. | 0:08:02 | 0:08:06 | |
Both, both lungs, yeah. | 0:08:09 | 0:08:12 | |
And, erm... | 0:08:12 | 0:08:13 | |
..people prayed for me. | 0:08:15 | 0:08:16 | |
I was told the story. It's a little bit personal so a little bit private | 0:08:17 | 0:08:23 | |
but somebody came along and prayed for me all night. | 0:08:23 | 0:08:28 | |
And in those days they didn't have antibiotics, | 0:08:29 | 0:08:32 | |
and you had to wait for what they called "the crisis". | 0:08:32 | 0:08:35 | |
And the crisis came...and went. | 0:08:36 | 0:08:40 | |
And I was spared, so... | 0:08:40 | 0:08:42 | |
So you've always felt that? | 0:08:43 | 0:08:45 | |
Maybe I have been told to hang about and do something worthwhile. | 0:08:45 | 0:08:50 | |
I'd like to think so. | 0:08:51 | 0:08:52 | |
And it wasn't long before the young Ken found his purpose in life. | 0:08:56 | 0:09:00 | |
On family outings to the theatre, he fell in love with the stage. | 0:09:11 | 0:09:15 | |
My dad and my mother, and my brother and sister, | 0:09:17 | 0:09:20 | |
we used to go down to a little theatre here in Liverpool | 0:09:20 | 0:09:23 | |
in a place called Fraser Street, called The Shakespeare Theatre of Varieties. | 0:09:23 | 0:09:28 | |
Ooh. And this was variety theatre. | 0:09:28 | 0:09:30 | |
And as a boy of about nine or ten, I was... I fell in love with this... | 0:09:30 | 0:09:36 | |
this dark room and this lovely smell of cigars and oranges. | 0:09:36 | 0:09:42 | |
And suddenly this curtain went up and this magical place was revealed. | 0:09:42 | 0:09:47 | |
All... Everybody looked so healthy. | 0:09:47 | 0:09:50 | |
I didn't realise what it was... It was called "five-and-nine". | 0:09:50 | 0:09:53 | |
That's the pan stick. Five-and-nine. No, long before pan... Greasepaint. | 0:09:53 | 0:09:56 | |
Greasepaint. Actually they were called "five-and-niners". | 0:09:56 | 0:09:59 | |
And I saw this wonderful place, | 0:09:59 | 0:10:02 | |
and everybody came on looking so healthy and so happy, | 0:10:02 | 0:10:05 | |
and men in big checked suits started shouting at the audience | 0:10:05 | 0:10:09 | |
and making them laugh. I thought, "That's the job I want." | 0:10:09 | 0:10:12 | |
The aspiring young entertainer turned to his parents | 0:10:14 | 0:10:17 | |
for guidance on a career in show business. | 0:10:17 | 0:10:20 | |
According to my mum, | 0:10:20 | 0:10:23 | |
in life you can be anything you want to be, | 0:10:23 | 0:10:26 | |
as long as you want to be. | 0:10:26 | 0:10:27 | |
And I wanted to be... I wanted to be an entertainer. | 0:10:27 | 0:10:32 | |
You said earlier, your father was a very funny man. | 0:10:32 | 0:10:34 | |
He taught me how to tell jokes. Did he? | 0:10:34 | 0:10:36 | |
I went to him one day, I said, "Dad, | 0:10:36 | 0:10:38 | |
"I've watched all these shows and it seems to me that | 0:10:38 | 0:10:41 | |
"the boss, the engine driver is the comedian, he's top of the bill." | 0:10:41 | 0:10:46 | |
In the variety shows? Yeah. "So how do you comede?" | 0:10:46 | 0:10:50 | |
And he told me some jokes, and he told me how to... | 0:10:50 | 0:10:55 | |
well, how to tell a joke. | 0:10:55 | 0:10:57 | |
Ken started doing shows for family and friends | 0:10:58 | 0:11:02 | |
at his house in Knotty Ash. | 0:11:02 | 0:11:04 | |
We went to the "coal yard", as we used to call it, Doddy's place, | 0:11:06 | 0:11:10 | |
and watched him there. | 0:11:10 | 0:11:12 | |
It was good fun, because he made everybody laugh without being | 0:11:12 | 0:11:16 | |
unkind or critical in any way. He was just great fun to be with. | 0:11:16 | 0:11:21 | |
I can remember if you made the mistake | 0:11:21 | 0:11:23 | |
and knocked on the front door, | 0:11:23 | 0:11:25 | |
Mum would shout, "Get round the back!" | 0:11:25 | 0:11:27 | |
Ken saw an advert in a comic for how to be a ventriloquist. | 0:11:29 | 0:11:34 | |
He sent off for it straightaway. | 0:11:34 | 0:11:37 | |
I'm proud to say I was very intellectual. | 0:11:37 | 0:11:39 | |
I used to read The Wizard and The Hotspur. | 0:11:39 | 0:11:42 | |
SHE LAUGHS | 0:11:42 | 0:11:43 | |
The Wizard, The Hotspur and The Rover. | 0:11:43 | 0:11:46 | |
And I saw on the back page, it had this big advertisement. | 0:11:46 | 0:11:49 | |
It had a man with a big box on his back and the bubble came, "Help!" | 0:11:49 | 0:11:54 | |
And the advert said - "Fool your teachers, amaze your friends. | 0:11:54 | 0:11:59 | |
"Send sixpence in stamps. Become a ventriloquist." So I did. | 0:11:59 | 0:12:03 | |
Didn't I? THROWS VOICE: 'Yes!' And that's how I started. | 0:12:03 | 0:12:06 | |
So, I had this ventriloquist figure. | 0:12:06 | 0:12:10 | |
Didn't I? 'Yes!' | 0:12:10 | 0:12:12 | |
And she used to pack my case for me with my props in, | 0:12:12 | 0:12:16 | |
and send me off to a gig, a little job somewhere. | 0:12:16 | 0:12:20 | |
And she said, "Kenny, I don't care where you go or what you do, | 0:12:20 | 0:12:24 | |
"as long as you wear a clean shirt." | 0:12:24 | 0:12:26 | |
That's Mum. Yeah. | 0:12:28 | 0:12:29 | |
NEWSREEL: 'Coal is one of the most vital raw materials | 0:12:31 | 0:12:33 | |
'required for war production. | 0:12:33 | 0:12:35 | |
'It's the cheap source of power for the factories now forging | 0:12:35 | 0:12:37 | |
'the weapons with which we will deal Hitler the knockout blow.' | 0:12:37 | 0:12:42 | |
By the time Ken was 14, Britain was in the middle of World War II. | 0:12:42 | 0:12:46 | |
He left school and went to work in the family coal business. | 0:12:48 | 0:12:52 | |
From there he would branch out on his own, | 0:12:52 | 0:12:54 | |
selling household goods door-to-door. | 0:12:54 | 0:12:57 | |
But by night, Ken was supplementing his wages doing gigs. | 0:12:58 | 0:13:02 | |
It makes me absolutely discumknickerated to see that | 0:13:02 | 0:13:06 | |
so many of you have turned up for the free soup and... | 0:13:06 | 0:13:09 | |
Ken's ambition is to make people laugh, | 0:13:09 | 0:13:11 | |
and I think he figured that | 0:13:11 | 0:13:13 | |
if he could consistently make people laugh, | 0:13:13 | 0:13:16 | |
good things would happen for him. | 0:13:16 | 0:13:17 | |
In the days of variety when he was doing 10 to 15 minutes, | 0:13:17 | 0:13:22 | |
there was a part of him, | 0:13:22 | 0:13:24 | |
I now know with hindsight, that was trying to break out of that mould. | 0:13:24 | 0:13:28 | |
He did not want to be like anybody else, he wanted to be Ken Dodd. | 0:13:28 | 0:13:33 | |
He was proud of where he came from, he was proud of Knotty Ash, | 0:13:33 | 0:13:38 | |
he was proud of his roots, | 0:13:38 | 0:13:39 | |
and he wanted to extend that in a manner that perhaps at that time | 0:13:39 | 0:13:43 | |
he didn't know, but he knew there was more to just telling jokes. | 0:13:43 | 0:13:47 | |
It makes me absolutely... | 0:13:47 | 0:13:49 | |
In 1954, Ken became a full-time professional comedian. | 0:13:49 | 0:13:53 | |
Are you all enjoying yourselves? AUDIENCE: Yeah! | 0:13:55 | 0:13:57 | |
Why, what are you doing? | 0:13:57 | 0:13:58 | |
My first foray into comedy, | 0:14:01 | 0:14:02 | |
I would bill myself as Professor Yaffle Chuckle Butty - | 0:14:02 | 0:14:06 | |
operatic tenor and sausage-knotter. | 0:14:06 | 0:14:08 | |
And that was my first character. Where did he come from? | 0:14:08 | 0:14:12 | |
My dad used to tell us all stories about... | 0:14:12 | 0:14:15 | |
If you were poorly, if you had chicken pox or something like that, | 0:14:15 | 0:14:19 | |
my dad would say, "We'll get Doctor Chuckle Butty to come and see you." | 0:14:19 | 0:14:23 | |
When I first played the Glasgow Empire, | 0:14:23 | 0:14:25 | |
which to most English comedians is the house of terror... | 0:14:25 | 0:14:29 | |
Mmm. | 0:14:29 | 0:14:31 | |
Hmm, it would have 1954. | 0:14:31 | 0:14:33 | |
I'd only been pro about four or five weeks, | 0:14:33 | 0:14:35 | |
and they sent me up to Glasgow. | 0:14:35 | 0:14:37 | |
Yes. And the manager, lovely man, came out on a Monday morning | 0:14:38 | 0:14:42 | |
and he said, "Right, no football gags, cos we need the seats. | 0:14:42 | 0:14:47 | |
"And you'll get the bird on Friday night." What?! | 0:14:47 | 0:14:50 | |
Getting the bird means...? | 0:14:50 | 0:14:52 | |
Means getting either the slow handclap or... | 0:14:52 | 0:14:56 | |
Abuse. You know, shouts of "Get off!" | 0:14:56 | 0:15:00 | |
I went on the stage as Professor Chuckle Butty | 0:15:00 | 0:15:03 | |
with a battered old trumpet, | 0:15:03 | 0:15:05 | |
with my shirt hanging out, and my bow tie all over here... | 0:15:05 | 0:15:09 | |
"Haw haw haw!" Like this. And my teeth like this. | 0:15:09 | 0:15:12 | |
And I looked at the Glasgow audience, | 0:15:12 | 0:15:14 | |
and I said, "I suppose you're all wondering why I've sent for you." | 0:15:14 | 0:15:17 | |
And...? | 0:15:19 | 0:15:21 | |
And a man uncoiled himself, | 0:15:21 | 0:15:23 | |
from the third row, with half a bottle of whisky, and he said... | 0:15:23 | 0:15:27 | |
IN SCOTTISH ACCENT: "Cripes! What a horrible sight!" | 0:15:27 | 0:15:30 | |
SHE LAUGHS | 0:15:30 | 0:15:31 | |
I got a big laugh and that was probably the only laugh. | 0:15:31 | 0:15:34 | |
Anyway, I got off to a good start! | 0:15:34 | 0:15:35 | |
Ken's professional career took off. | 0:15:39 | 0:15:41 | |
He toured right across the North - | 0:15:41 | 0:15:44 | |
including performing in the premiere location | 0:15:44 | 0:15:47 | |
for any northern entertainer - Blackpool. | 0:15:47 | 0:15:49 | |
Everyone's enjoying themselves here at Blackpool down on the beach. | 0:15:51 | 0:15:55 | |
D'you know, it's so crowded here in Blackpool, | 0:15:55 | 0:15:57 | |
the corporation's had to send to Morecambe for more seagulls. | 0:15:57 | 0:16:01 | |
Me Auntie Nellie, me big Auntie Nellie... | 0:16:02 | 0:16:04 | |
'I first was aware of Ken Dodd | 0:16:04 | 0:16:06 | |
'when I went to Blackpool for my holidays.' | 0:16:06 | 0:16:08 | |
..he said, "would you mind getting off the beach? | 0:16:08 | 0:16:11 | |
"The tide's waiting to come in." | 0:16:11 | 0:16:13 | |
'And he was working in Blackpool, | 0:16:13 | 0:16:15 | |
'I think he was at the Central Pier, | 0:16:15 | 0:16:17 | |
'and this has got to be in' | 0:16:17 | 0:16:19 | |
late '50s. | 0:16:19 | 0:16:20 | |
And I went to see the show. I loved to go, I loved Blackpool | 0:16:20 | 0:16:23 | |
cos they got more shows than anywhere else | 0:16:23 | 0:16:26 | |
outside of Las Vegas, I think. | 0:16:26 | 0:16:27 | |
And I went to see Ken, not knowing who he was, what he was. | 0:16:27 | 0:16:31 | |
And I laughed and I laughed and I laughed. | 0:16:31 | 0:16:35 | |
Yesterday she dived into the sea, | 0:16:35 | 0:16:37 | |
and six trawlers were beached at the Isle of Man. | 0:16:37 | 0:16:39 | |
'It was really the top venue for summer shows,' | 0:16:40 | 0:16:43 | |
and that was the place to go to be in, | 0:16:43 | 0:16:46 | |
it was a place to go to if you wanted to see | 0:16:46 | 0:16:49 | |
the great comics of their time. | 0:16:49 | 0:16:51 | |
And he went to Blackpool almost, I think, as an unknown. | 0:16:51 | 0:16:55 | |
But the audiences there, | 0:16:55 | 0:16:56 | |
they loved comedy and immediately they took to Ken. | 0:16:56 | 0:16:59 | |
He gave them value for money. | 0:16:59 | 0:17:02 | |
Ladies and gentlemen, please welcome Mr Ken Dodd! | 0:17:02 | 0:17:05 | |
APPLAUSE AND CHEERING | 0:17:05 | 0:17:08 | |
Ken's popularity grew out of his rapport with the audience. | 0:17:08 | 0:17:12 | |
'The great thing about Ken, he works off an audience and to me, | 0:17:12 | 0:17:17 | |
'that's what a great comedian should do.' | 0:17:17 | 0:17:20 | |
Picking out the woman in the audience, | 0:17:20 | 0:17:22 | |
somebody who's got a laugh or really gave a big laugh, | 0:17:22 | 0:17:25 | |
and then everything would be aimed at her, and that is just like | 0:17:25 | 0:17:29 | |
dropping a pebble into a pool. | 0:17:29 | 0:17:30 | |
If you get that one going, the ripples go out | 0:17:30 | 0:17:33 | |
and the whole audience suddenly come in and he's got them all. | 0:17:33 | 0:17:36 | |
Watching him create a joke, build the audience up, | 0:17:36 | 0:17:38 | |
Ken does that so well. | 0:17:41 | 0:17:42 | |
He owns the whole stage. He's by himself on it, | 0:17:42 | 0:17:45 | |
but you feel as if he's on the whole stage. | 0:17:45 | 0:17:47 | |
I remember him once telling me that | 0:17:47 | 0:17:50 | |
there is no greater thrill or pleasure | 0:17:50 | 0:17:54 | |
than standing in front of a thousand people | 0:17:54 | 0:17:57 | |
and saying something, and in one moment and at the same time, | 0:17:57 | 0:18:01 | |
a thousand heads throw back | 0:18:01 | 0:18:05 | |
and come out with the greatest laugh. | 0:18:05 | 0:18:05 | |
and come out with the greatest laugh. | 0:18:06 | 0:18:09 | |
I think that's what sustains him. | 0:18:09 | 0:18:12 | |
Yuletide, Yuletide, ladies and gentlemen, is nearly upon us. | 0:18:12 | 0:18:14 | |
Only 12 more shoplifting days till Christmas. | 0:18:14 | 0:18:16 | |
Another wonderful day... | 0:18:16 | 0:18:19 | |
But Ken's chosen profession was double edged. | 0:18:21 | 0:18:24 | |
To earn the applause, he had to stand and face the world alone. | 0:18:29 | 0:18:33 | |
What it must be like when that curtain opens | 0:18:38 | 0:18:41 | |
and then suddenly you've got to perform. | 0:18:41 | 0:18:44 | |
But not just tell a story, you want the response of hearing laughter. | 0:18:44 | 0:18:47 | |
If you don't laugh at the jokes, | 0:18:47 | 0:18:49 | |
I'll follow you home and shout them through your letter box. | 0:18:49 | 0:18:51 | |
I was in a shop in Leeds the other morning, | 0:18:51 | 0:18:54 | |
and I said to the fellow, "Can you help me out?" | 0:18:54 | 0:18:56 | |
He said, "Certainly. Which way did you come in?" | 0:18:56 | 0:18:58 | |
I shall never forget the way he said, | 0:18:58 | 0:19:00 | |
"Well, a comedian's role is not too different from that of a priest." | 0:19:00 | 0:19:04 | |
"You're observers of life. You observe the absurdities of life. | 0:19:04 | 0:19:09 | |
"You try and make some sense of it through humour, | 0:19:09 | 0:19:13 | |
"or, you know, through stories." | 0:19:13 | 0:19:16 | |
And then at the end, there was a pause and very poignantly | 0:19:16 | 0:19:21 | |
he said, "And of course, they are both quite lonely professions." | 0:19:21 | 0:19:26 | |
Preparing your mind to go on, you've seen a race horse | 0:19:35 | 0:19:37 | |
in the stalls, you've seen them, and sometimes they sweat up | 0:19:37 | 0:19:41 | |
or sometimes they kick their back legs up... | 0:19:41 | 0:19:44 | |
Well, that's... An entertainer is like that, | 0:19:44 | 0:19:47 | |
when you're waiting to go on, it...it's terrifying. | 0:19:47 | 0:19:51 | |
Do you have a ritual? Yes. | 0:19:51 | 0:19:54 | |
Are you going to share it with us? | 0:19:54 | 0:19:56 | |
Yes, if you want to. Yes, please. You have word with head office. | 0:19:56 | 0:20:00 | |
Is that it? Yeah. A little word... | 0:20:00 | 0:20:04 | |
A word with head office. What do you say? Say a little prayer. | 0:20:04 | 0:20:07 | |
And say, you know... | 0:20:07 | 0:20:09 | |
could I have...have another piece of help, please? | 0:20:09 | 0:20:14 | |
Do you talk to head office a lot? Yes. Do you? Yes. | 0:20:14 | 0:20:17 | |
Regularly? Just chatting, or do you make time to sit and pray? | 0:20:17 | 0:20:21 | |
Erm... | 0:20:21 | 0:20:23 | |
Most of the time I think, because I am me, | 0:20:23 | 0:20:27 | |
I am asking for things. | 0:20:27 | 0:20:29 | |
So I, er... | 0:20:29 | 0:20:31 | |
Daily I ask for...you know, a little bit of help. | 0:20:31 | 0:20:36 | |
And hope that I'm doing the right thing, yeah. | 0:20:36 | 0:20:40 | |
And does he talk back to you? I think so. | 0:20:40 | 0:20:43 | |
Yeah? I think so, yes. | 0:20:43 | 0:20:44 | |
You just have to be... You have to believe that there is, er... | 0:20:44 | 0:20:44 | |
You just have to be... You have to believe that there is, er... | 0:20:46 | 0:20:49 | |
an all-powerful creator that made us, | 0:20:49 | 0:20:53 | |
and for some reason or other, | 0:20:53 | 0:20:55 | |
we are here. Maybe it's just to tell jokes. | 0:20:55 | 0:20:59 | |
A teacher at Sunday School said, "Where does God live?" | 0:20:59 | 0:21:03 | |
And a little boy said "In our bathroom." | 0:21:05 | 0:21:07 | |
"Hmm? How do you..." "God lives in our bathroom." "How do you mean?" | 0:21:08 | 0:21:12 | |
"Every morning my dad bangs on the door and says, | 0:21:12 | 0:21:14 | |
"'God, are you still in there?'" | 0:21:14 | 0:21:16 | |
Maybe that's it. | 0:21:16 | 0:21:18 | |
Maybe that's... Maybe that's the reason I'm here. | 0:21:18 | 0:21:22 | |
I have been blessed with a chuckle muscle. | 0:21:22 | 0:21:24 | |
# So still runs the river | 0:21:24 | 0:21:28 | |
# While I wait... # | 0:21:28 | 0:21:31 | |
But Ken's act had always been more than comedy. | 0:21:31 | 0:21:34 | |
Songs were also an important part of the show. | 0:21:34 | 0:21:37 | |
I remember years and years ago Ken saying, | 0:21:39 | 0:21:42 | |
"You must sing in the middle of it, don't just go on pattering." | 0:21:42 | 0:21:45 | |
The thing is that's Ken's got a great voice | 0:21:45 | 0:21:48 | |
and he uses it extremely well. | 0:21:48 | 0:21:49 | |
I mean, the songs he picked were smashing songs, | 0:21:49 | 0:21:52 | |
and probably the best one of the lot because it sums him up | 0:21:52 | 0:21:55 | |
better than anything else, Happiness, Happiness. | 0:21:55 | 0:21:58 | |
# Happiness, happiness | 0:21:59 | 0:22:01 | |
# The greatest gift that I possess... # | 0:22:01 | 0:22:04 | |
He looks, when he's singing that on the stage, | 0:22:04 | 0:22:07 | |
he looks happy and he is happy | 0:22:07 | 0:22:10 | |
because he's happy doing what he does. | 0:22:10 | 0:22:13 | |
# ..Human in the human race | 0:22:13 | 0:22:15 | |
# I've got no silver and I've got no gold | 0:22:15 | 0:22:17 | |
# But I've got happiness in my soul... # | 0:22:17 | 0:22:20 | |
As Ken's popularity increased, record producers saw an opportunity. | 0:22:20 | 0:22:25 | |
This somewhat zany comedian had romantic ballads on the charts, | 0:22:27 | 0:22:33 | |
that were sung beautifully. it has to be said. | 0:22:33 | 0:22:36 | |
He could sing in a manner that Andy Williams would almost die for. | 0:22:36 | 0:22:41 | |
# Tears for souvenirs | 0:22:41 | 0:22:45 | |
# Are all you've left me... # | 0:22:45 | 0:22:49 | |
In 1965, Ken's hit single Tears for Souvenirs | 0:22:50 | 0:22:55 | |
topped the charts for five weeks. | 0:22:55 | 0:22:57 | |
# ..I just can't believe | 0:22:59 | 0:23:03 | |
# You could forget me... # | 0:23:03 | 0:23:07 | |
What happened was, you do three songs as a session. | 0:23:07 | 0:23:10 | |
And I had to choose. | 0:23:10 | 0:23:12 | |
Ohh...hmmm...mm... | 0:23:12 | 0:23:14 | |
And then one day somebody said, | 0:23:14 | 0:23:16 | |
"Oh, yes, that's definitely a back of the chara' song." | 0:23:16 | 0:23:19 | |
Tears. You know... HE HUMS THE SONG | 0:23:19 | 0:23:23 | |
Ahh. | 0:23:23 | 0:23:24 | |
I said, "That's the one." | 0:23:24 | 0:23:26 | |
So we... And it...two million. Amazing. | 0:23:26 | 0:23:29 | |
Two million?! Two million. | 0:23:29 | 0:23:32 | |
Two gold discs, yeah. | 0:23:32 | 0:23:34 | |
Unbelievable. I'm a nut from Knotty Ash. | 0:23:34 | 0:23:37 | |
I'm a nut, I'm a comic... | 0:23:37 | 0:23:39 | |
You did Top Of The Pops. | 0:23:39 | 0:23:40 | |
Yeah. Several times, yes. | 0:23:40 | 0:23:43 | |
I'm going, yes. | 0:23:43 | 0:23:44 | |
And all these kids, you're going... HE MIMES | 0:23:44 | 0:23:46 | |
I was going... # So still runs the river... # | 0:23:46 | 0:23:50 | |
FERN LAUGHS | 0:23:50 | 0:23:52 | |
# Happiness, happiness, the greatest gift... # | 0:23:54 | 0:23:59 | |
1965 was also the year that Ken smashed all box office records | 0:23:59 | 0:24:04 | |
at the London Palladium, with a 42-week sell-out season. | 0:24:04 | 0:24:08 | |
# ..To me this world is a wonderful place | 0:24:08 | 0:24:11 | |
# I'm the luckiest human in the human race... # | 0:24:11 | 0:24:15 | |
Being top of the bill with your name in lights, | 0:24:15 | 0:24:17 | |
that's what it's all about. | 0:24:17 | 0:24:18 | |
It's the recognition of success. | 0:24:18 | 0:24:21 | |
# ..measuring a man's success | 0:24:21 | 0:24:23 | |
# Don't count money, count happiness... # | 0:24:23 | 0:24:26 | |
'It was years since the Palladium had seen a comic that good. | 0:24:26 | 0:24:32 | |
'I used to say, "I bet your bottom dollar you will paralyse them," | 0:24:32 | 0:24:36 | |
and he did. | 0:24:36 | 0:24:38 | |
They'd never seen anyone with that attack, | 0:24:38 | 0:24:40 | |
and that caring about the work | 0:24:40 | 0:24:42 | |
and everything has got to be dead right, he was marvellous. | 0:24:42 | 0:24:46 | |
And he really did wipe the floor with everybody a long time before | 0:24:46 | 0:24:49 | |
and a long time afterwards. | 0:24:49 | 0:24:51 | |
# ..I've got more than my share of happiness! # | 0:24:51 | 0:24:58 | |
One of the most terrifying experiences I ever had | 0:25:02 | 0:25:05 | |
was when I opened my first night at the Palladium. | 0:25:05 | 0:25:07 | |
People come from all over Britain to this wonderful, wonderful theatre, | 0:25:07 | 0:25:11 | |
this temple, this... | 0:25:11 | 0:25:13 | |
this absolute pinnacle of show business variety, | 0:25:13 | 0:25:18 | |
the London Palladium, and when you play there, that's it. | 0:25:18 | 0:25:22 | |
You're standing on the spot where Bob Hope and Danny Kaye, | 0:25:22 | 0:25:26 | |
Judy Garland, all these people they all stood there | 0:25:26 | 0:25:30 | |
and yeah, it's a wonderful feeling. | 0:25:30 | 0:25:32 | |
We opened up on a Good Friday, and the place was packed. | 0:25:32 | 0:25:36 | |
And it was a big show. | 0:25:38 | 0:25:40 | |
I'd look through the curtain - "Oh!" | 0:25:40 | 0:25:42 | |
"Ooh!" I was terrified. | 0:25:43 | 0:25:46 | |
Really? Your mouth goes dry. | 0:25:46 | 0:25:48 | |
Your teeth stick to your top lip | 0:25:48 | 0:25:51 | |
FALSETTO: "Hello, everybody." | 0:25:51 | 0:25:53 | |
And you're supposed to go on there, 2,500 people. | 0:25:54 | 0:25:58 | |
And you're supposed to go on there | 0:25:58 | 0:26:01 | |
and prove to them that you're a comedian. | 0:26:01 | 0:26:04 | |
I went out and I was absolutely petrified, | 0:26:05 | 0:26:09 | |
really, I was, oh... | 0:26:09 | 0:26:12 | |
And I couldn't have been more wrong. | 0:26:12 | 0:26:14 | |
A wall, | 0:26:15 | 0:26:17 | |
a wall of affection and encouragement came from that audience. | 0:26:17 | 0:26:19 | |
so I think there was great respect from the Fab Four for the Fab One. | 0:27:09 | 0:27:11 | |
and a friend, George Martin, phoned me | 0:27:34 | 0:27:35 | |
"for St John's Ambulance?" I said, "Yeah, OK." | 0:27:42 | 0:27:43 | |
I went along there about 4pm in the afternoon, | 0:27:43 | 0:27:43 | |
and they were making the most awful row. | 0:27:50 | 0:27:51 | |
There were kids jumping up and down in the seats in the cinema | 0:27:51 | 0:27:54 | |
chucking orange peel at each other, | 0:27:54 | 0:27:56 | |
there were ladies going to the ladies. Oh! I said, "S-s-ssh-ssh..." | 0:27:56 | 0:28:01 | |
He said, "They're terrible, I'll get them off." | 0:28:01 | 0:28:04 | |
And about three years later, I was doing a radio show | 0:28:04 | 0:28:07 | |
and, er, the guests were The Beatles. | 0:28:07 | 0:28:10 | |
They hadn't quite got there yet but they were near enough | 0:28:10 | 0:28:13 | |
and Paul McCartney said to me, | 0:28:13 | 0:28:15 | |
"We've been on with you before, you know, Doddy." | 0:28:15 | 0:28:17 | |
I said, "No, not with me, son, no." | 0:28:17 | 0:28:19 | |
He said, "Yeah, don't you remember? That talent show at Maghull." | 0:28:19 | 0:28:23 | |
"That wasn't you, was it?" | 0:28:23 | 0:28:25 | |
NEWSREEL: 'The show business personality of 1965, | 0:28:25 | 0:28:27 | |
'King of the Diddypeople, Ken Dodd.' | 0:28:27 | 0:28:31 | |
But this A-list celebrity | 0:28:31 | 0:28:33 | |
was not terribly enthusiastic about the trappings of fame. | 0:28:33 | 0:28:36 | |
Ken's never been one for... | 0:28:37 | 0:28:40 | |
er, the kind of traditional showbiz celebrity life, | 0:28:40 | 0:28:44 | |
popping up at parties, you know. He keeps himself to himself, | 0:28:44 | 0:28:47 | |
he's got his own life, he's got his own world. | 0:28:47 | 0:28:50 | |
He'll turn up when it's necessary | 0:28:51 | 0:28:53 | |
for him to turn up and do publicity or whatever it is, | 0:28:53 | 0:28:56 | |
but he's not one for, er, the sort of celebrity lifestyle. | 0:28:56 | 0:29:01 | |
Ken has never really been a great joiner of things, you know, | 0:29:02 | 0:29:06 | |
and he's like every great comedian - | 0:29:06 | 0:29:08 | |
they do keep themselves to themselves, | 0:29:08 | 0:29:10 | |
which is right, and so they should. | 0:29:10 | 0:29:13 | |
They've got a huge responsibility, have people like Ken. | 0:29:13 | 0:29:16 | |
He's adored by the public and everything | 0:29:16 | 0:29:19 | |
and he doesn't ever let them down, | 0:29:19 | 0:29:22 | |
and he works at what he does for a living, and that needs... | 0:29:22 | 0:29:26 | |
not people round him all the time, you know? | 0:29:26 | 0:29:29 | |
You were the toast of the town. | 0:29:29 | 0:29:32 | |
You had everybody coming round to the dressing room. | 0:29:32 | 0:29:36 | |
You could have gone to every party there was, | 0:29:36 | 0:29:38 | |
there were The Beatles around. | 0:29:38 | 0:29:40 | |
That must have been an extraordinary time. | 0:29:40 | 0:29:43 | |
How do you keep your feet on the ground | 0:29:43 | 0:29:46 | |
when you are suddenly given so much fame? | 0:29:46 | 0:29:49 | |
Well, fame is a very, erm... | 0:29:49 | 0:29:53 | |
It's very fragile. | 0:29:53 | 0:29:54 | |
Er, fame is very, erm... | 0:29:56 | 0:29:58 | |
It come and goes, it happens and... | 0:29:59 | 0:30:02 | |
You know that now, but at the time? | 0:30:02 | 0:30:04 | |
Oh, yes, I knew it then. | 0:30:04 | 0:30:06 | |
I was never really, erm... | 0:30:06 | 0:30:08 | |
never really impressed by it. I was more concerned by what I was doing. | 0:30:08 | 0:30:13 | |
I was more... I wanted to be a good comedian. | 0:30:13 | 0:30:16 | |
I wanted to be a good performer - I still do. | 0:30:16 | 0:30:19 | |
I wanted to be a good act, yeah, I wanted to be good at what I do. | 0:30:19 | 0:30:24 | |
So, er, yeah, I've had some magnificent bouquets thrown at me | 0:30:24 | 0:30:29 | |
and yeah, yeah, it's all, it's very nice | 0:30:29 | 0:30:32 | |
but you mustn't take it seriously, you mustn't start... | 0:30:32 | 0:30:36 | |
Once you start thinking you are somebody really special, | 0:30:36 | 0:30:39 | |
you're in trouble, you're in big trouble. No, no. | 0:30:39 | 0:30:43 | |
But just performers, artists, entertainers, | 0:30:43 | 0:30:45 | |
we're just people who were blessed and er, and try to deliver. | 0:30:45 | 0:30:51 | |
By the 1970s, | 0:30:57 | 0:30:59 | |
television was no longer the preserve of affluent households. | 0:30:59 | 0:31:03 | |
Many families now owned a TV and it was the popular market to crack. | 0:31:03 | 0:31:08 | |
# We are the Diddymen | 0:31:12 | 0:31:14 | |
# Itty-bitty Diddymen | 0:31:14 | 0:31:16 | |
# We are the Diddymen who always have a bash. # | 0:31:16 | 0:31:19 | |
A handful of characters designed | 0:31:19 | 0:31:21 | |
to appeal to the children in Ken's audience came into their own. | 0:31:21 | 0:31:25 | |
# ..who come from Knotty Ash. # | 0:31:25 | 0:31:28 | |
The Diddymen of Knotty Ash had been played by children on stage | 0:31:28 | 0:31:32 | |
and occasional appearances on TV as string puppets. | 0:31:32 | 0:31:37 | |
But now they got their own returning TV show, comic stories and annuals. | 0:31:37 | 0:31:43 | |
Och, by the blathering bagpipes o' Killiecrankie! | 0:31:43 | 0:31:46 | |
I've got fireflies in me kilt. | 0:31:46 | 0:31:48 | |
Och! Quick! Quick! Put me oot! Someone put me oot! | 0:31:48 | 0:31:52 | |
I'll put you out, Hamish, me bucko. | 0:31:52 | 0:31:55 | |
Quick! Stand over this soda siphon. That's it, me boy. | 0:31:55 | 0:31:59 | |
When I was growing up, | 0:31:59 | 0:32:01 | |
I bought TV Comic in those days | 0:32:01 | 0:32:02 | |
and that was full of Ken Dodd stories and Diddymen. | 0:32:02 | 0:32:06 | |
# We are the Diddymen | 0:32:06 | 0:32:08 | |
# Doddy's dotty Diddymen | 0:32:08 | 0:32:10 | |
# We are the Diddymen who always have a bash... # | 0:32:10 | 0:32:13 | |
I used to believe that they lived in Knotty Ash | 0:32:13 | 0:32:16 | |
in a little glen and I always wanted to go to the jam-butty mines. | 0:32:16 | 0:32:21 | |
# ..Diddy socks, diddy shoes, diddy hats, diddy trews | 0:32:21 | 0:32:24 | |
# Around the diddy city, we sing our diddy ditty! | 0:32:24 | 0:32:27 | |
# We are the Diddymen... # | 0:32:27 | 0:32:29 | |
Kids absolutely loved them, they really did. | 0:32:29 | 0:32:32 | |
And it was a great thing, that was another string to Ken's bow. | 0:32:32 | 0:32:35 | |
You know, he was a marvellous children's entertainer as well | 0:32:35 | 0:32:39 | |
and he can be a bit naughty on the stage with the gags and things | 0:32:39 | 0:32:43 | |
but quite different with the Diddymen again. | 0:32:43 | 0:32:46 | |
It's the personality of the man and it shines through all the time. | 0:32:46 | 0:32:50 | |
He doesn't have to try. | 0:32:50 | 0:32:52 | |
There was a word in our house, in our family - "diddy". | 0:32:52 | 0:32:55 | |
It meant anything that was quaint, whimsical, lovable. | 0:32:55 | 0:33:00 | |
Look at that little diddy house. Look at that little diddy man. | 0:33:00 | 0:33:03 | |
Look at that diddy bike. Look at that diddy cloud, look at that... | 0:33:03 | 0:33:06 | |
Everything was diddy. | 0:33:06 | 0:33:08 | |
I had to find a Scot, a gentleman from Scotland, | 0:33:08 | 0:33:10 | |
who became Wee Hamish from Invercockieleekie. | 0:33:10 | 0:33:13 | |
I got that off a tin of soup. Wee Hamish from Invercockieleekie. | 0:33:13 | 0:33:18 | |
I got, erm, from London, the Honourable Nigel Ponsonby-Smallpiece. | 0:33:18 | 0:33:23 | |
Er, from Wales was little Evan from Llantyllellyn. | 0:33:23 | 0:33:26 | |
England... Ireland was Mick the Marmalizer. That's it. | 0:33:26 | 0:33:31 | |
To marmalize is a Liverpool word, a verb. To marmalize anybody | 0:33:31 | 0:33:36 | |
means to give them what for. "I'll marmalize you!" | 0:33:36 | 0:33:40 | |
And this little Irishman was always very belligerent | 0:33:40 | 0:33:43 | |
and then of course, I wanted one from Liverpool | 0:33:43 | 0:33:45 | |
so he became, he was Dicky Mint Dicky Mint. Dicky Mint. | 0:33:45 | 0:33:49 | |
Remember, Dicky, ambition, the grass is always greener | 0:33:49 | 0:33:52 | |
the other side of the street? You know who said that? | 0:33:52 | 0:33:54 | |
THROWS VOICE: 'Tom Jones.' | 0:33:54 | 0:33:56 | |
LAUGHTER | 0:33:56 | 0:33:57 | |
But whilst his Diddymen thrived on television, | 0:34:00 | 0:34:03 | |
Ken seemed to find TV a bit restrictive. | 0:34:03 | 0:34:06 | |
There's no question that Ken Dodd was, | 0:34:07 | 0:34:09 | |
in theatre, the world of theatre, | 0:34:09 | 0:34:11 | |
drawing crowds and filling theatres, | 0:34:11 | 0:34:14 | |
was as big as Morecambe Wise, as big as they came. | 0:34:14 | 0:34:17 | |
What he didn't conquer... | 0:34:17 | 0:34:19 | |
..to the extent that Eric and Ernie did, he didn't conquer television. | 0:34:20 | 0:34:24 | |
He's not designed for television. | 0:34:24 | 0:34:26 | |
His performance is too big, | 0:34:26 | 0:34:28 | |
it's between him and the audience, not him and the camera. | 0:34:28 | 0:34:31 | |
# In your smile! | 0:34:31 | 0:34:33 | |
# Dig out a pleasant outlook | 0:34:33 | 0:34:35 | |
# Stick out that noble chin... # | 0:34:35 | 0:34:37 | |
You have to stand on a certain thing, you have to... | 0:34:37 | 0:34:41 | |
Time is very, very important, you have to work to cameras, | 0:34:41 | 0:34:45 | |
and you have to, in effect, forget about the audience. | 0:34:45 | 0:34:49 | |
But that isn't what great comedians are all about. | 0:34:49 | 0:34:53 | |
APPLAUSE | 0:34:57 | 0:34:58 | |
Thank you! | 0:34:58 | 0:34:59 | |
But Ken was most at home on the stage, | 0:35:02 | 0:35:05 | |
using his finely-tuned instincts to work the crowd. | 0:35:05 | 0:35:09 | |
He was in charge, and disciplines that mattered on TV - | 0:35:09 | 0:35:12 | |
like keeping to time - sometimes went out of the window. | 0:35:12 | 0:35:16 | |
We always knew he was bound to overrun. | 0:35:19 | 0:35:22 | |
And one night at the Palladium | 0:35:22 | 0:35:24 | |
he went on so late, and he went on so long... | 0:35:24 | 0:35:27 | |
We used to have to set the finale. | 0:35:27 | 0:35:30 | |
You know, he'd finish his set | 0:35:30 | 0:35:32 | |
and he'd go off and they'd set the finale, there'd be a big finale. | 0:35:32 | 0:35:35 | |
And the stage manager just set the finale | 0:35:35 | 0:35:37 | |
while he was still doing his gags. | 0:35:37 | 0:35:39 | |
Things were dropping in, and he threw the keys on | 0:35:39 | 0:35:42 | |
and said, "You can lock up yourself tonight, Ken," | 0:35:42 | 0:35:44 | |
and just threw the keys on the stage. | 0:35:44 | 0:35:45 | |
# Oooooooo... # | 0:35:48 | 0:35:50 | |
The first review I ever did, it finished at 20 past 12. | 0:35:50 | 0:35:54 | |
# ..Or an hour... # | 0:35:54 | 0:35:57 | |
All the trains were off, so I had to get a taxi. | 0:35:57 | 0:36:01 | |
And I got paid ?10 for the review. The taxi fare was ?30. | 0:36:01 | 0:36:03 | |
And I got paid ?10 for the review. The taxi fare was ?30. | 0:36:05 | 0:36:05 | |
And...the taxi driver who took me home said, "Ah, that'll teach you," | 0:36:05 | 0:36:10 | |
and I said, "I didn't know!" and he said, "Oh, we love him." | 0:36:10 | 0:36:13 | |
All the taxi drivers loved him cos that's how people were getting home. | 0:36:13 | 0:36:16 | |
Time matters not one jot. Let's say all that together. | 0:36:16 | 0:36:19 | |
Time matters not one jot. ALL: Time matters not one jot. | 0:36:19 | 0:36:23 | |
I'll ask you again in about six hours. | 0:36:23 | 0:36:25 | |
There's a wonderful story about him and Eric Sykes | 0:36:26 | 0:36:29 | |
and they were doing a charity show, and Eric by then | 0:36:29 | 0:36:33 | |
couldn't hear very well, he couldn't see very well, he was not good. | 0:36:33 | 0:36:38 | |
And they're standing in the wings, waiting to go on, | 0:36:38 | 0:36:41 | |
and Eric turned to Ken and he said, "What a funny combination we are!" | 0:36:41 | 0:36:45 | |
He said, "I don't know when to go on | 0:36:45 | 0:36:47 | |
"and you don't know when to come off!" | 0:36:47 | 0:36:49 | |
This whole business of you famously overrunning your shows. | 0:36:51 | 0:36:56 | |
Oh, that's a load of rubbish. It's a gimmick, a gimmick. | 0:36:56 | 0:37:00 | |
You do it, don't you? It's a gimmick, yes. | 0:37:00 | 0:37:02 | |
You do it, and I was reading stories - you can tell me | 0:37:02 | 0:37:04 | |
if this is true or not. | 0:37:04 | 0:37:06 | |
It wasn't... At the Palladium... | 0:37:06 | 0:37:07 | |
You couldn't do that at the Palladium, no. No? Wow, no, no, no. | 0:37:07 | 0:37:11 | |
If you ran a minute over you'd get told off. | 0:37:11 | 0:37:14 | |
That's not what Michael Grade says. | 0:37:14 | 0:37:16 | |
What happened was, it happened... | 0:37:16 | 0:37:18 | |
Once I'd done the Palladium three times, | 0:37:18 | 0:37:21 | |
four times, five times, six times, | 0:37:21 | 0:37:23 | |
and played many weeks there and recording | 0:37:23 | 0:37:26 | |
and had a double golden disc and a silver and that, | 0:37:26 | 0:37:30 | |
you know, you get quite... Quite confident. | 0:37:30 | 0:37:35 | |
And I was so confident, I started backing my own shows. | 0:37:36 | 0:37:41 | |
So put your own money into getting the show off the ground. That's it. | 0:37:41 | 0:37:46 | |
And that makes you very nervous, | 0:37:46 | 0:37:48 | |
very nervous, I can tell you. Until you hear the tills ringing. | 0:37:48 | 0:37:52 | |
You can hear the sound of empty seats though, | 0:37:52 | 0:37:55 | |
if you're not careful! | 0:37:55 | 0:37:57 | |
But then, it was my show, you see, | 0:37:57 | 0:38:01 | |
and...I was the governor. | 0:38:01 | 0:38:03 | |
Then you could break the rules. Ahhhhh! | 0:38:03 | 0:38:06 | |
DOCTOR WHO THEME | 0:38:06 | 0:38:08 | |
But by the '80s, popular taste in comedy was changing. | 0:38:10 | 0:38:14 | |
Ken still made guest appearances on television, though. | 0:38:14 | 0:38:17 | |
Are we going to have a whole space cruiser to ourselves? | 0:38:17 | 0:38:21 | |
Oh, no. You're going on a scheduled tour with the Navarinos 1950s Club. | 0:38:21 | 0:38:27 | |
But the heyday of variety on television was fading. | 0:38:27 | 0:38:31 | |
Then, in 1989, Ken received unwelcome news. | 0:38:33 | 0:38:37 | |
The comedian Ken Dodd has been accused of hiding | 0:38:37 | 0:38:41 | |
hundreds of thousands of pounds from the taxman. | 0:38:41 | 0:38:43 | |
Ken faced charges of tax evasion and a possible prison sentence. | 0:38:45 | 0:38:50 | |
NEWSREADER: 'Eric Sykes told the court that | 0:38:54 | 0:38:56 | |
'in show business Ken Dodd was King.' | 0:38:56 | 0:38:58 | |
Celebrity friends turned out to provide character references | 0:38:59 | 0:39:03 | |
for the comedian. | 0:39:03 | 0:39:05 | |
When the trial was on and we were all sat up there, we were all | 0:39:07 | 0:39:10 | |
on tenterhooks, and so was Ken, about whether he'd go inside or not. | 0:39:10 | 0:39:13 | |
But if he'd have gone inside, he would have died. He would have died. | 0:39:13 | 0:39:19 | |
He's a very, very | 0:39:23 | 0:39:24 | |
private person, | 0:39:24 | 0:39:25 | |
and this was elements of his whole life being broadcast, | 0:39:25 | 0:39:30 | |
being written about in papers, | 0:39:30 | 0:39:32 | |
and that, I think, was the hardest part for him. | 0:39:32 | 0:39:34 | |
In the end, Ken was acquitted of the charges. | 0:39:35 | 0:39:38 | |
'When your life is at stake, cos that's what was at stake - | 0:39:40 | 0:39:44 | |
'my life... | 0:39:44 | 0:39:47 | |
'I don't really think, if anything had gone terribly wrong, | 0:39:47 | 0:39:52 | |
'I don't think I could have ever appeared in public again. | 0:39:52 | 0:39:55 | |
'So my life was... My life is show business. | 0:39:55 | 0:39:59 | |
'I've only lived for show business, so my life was at stake.' | 0:39:59 | 0:40:03 | |
I've had so many wonderful letters and so many communications | 0:40:03 | 0:40:08 | |
from people who said, "Does this sound like we're praying for you?" | 0:40:08 | 0:40:15 | |
And I have to say, I believe in the power of the prayer. | 0:40:15 | 0:40:19 | |
Yes, I do. Honestly, yes. | 0:40:20 | 0:40:24 | |
A lot of people when they hear Ken talking about the court case | 0:40:24 | 0:40:29 | |
will hear him tell that joke about the self-assessment, you know, | 0:40:29 | 0:40:34 | |
when he says, you know, "They have just introduced this new idea, | 0:40:34 | 0:40:37 | |
"the Inland Revenue self-assessment. | 0:40:37 | 0:40:39 | |
"Actually they got that idea from me," he says, | 0:40:39 | 0:40:41 | |
and he sort of laughs it off. | 0:40:41 | 0:40:43 | |
But those who know Ken and know the spiritual side to him | 0:40:43 | 0:40:47 | |
know that he is also a deeply reflective person. | 0:40:47 | 0:40:51 | |
And I think, like most people, he will have those moments | 0:40:51 | 0:40:57 | |
when, out of the public glare, | 0:40:57 | 0:41:00 | |
he is quiet and reflective and takes things to heart. | 0:41:00 | 0:41:05 | |
Nobody's life runs the smoothest course, nobody's. | 0:41:05 | 0:41:09 | |
We've all had stuff... | 0:41:09 | 0:41:11 | |
Some things that happened quietly and privately, | 0:41:11 | 0:41:13 | |
some things that happened publicly and noisily, | 0:41:13 | 0:41:16 | |
and some things that are very difficult to deal with. | 0:41:16 | 0:41:19 | |
You had a horrible time with a court case. | 0:41:19 | 0:41:23 | |
Everybody in life has trials. You are being tried out. | 0:41:23 | 0:41:27 | |
The secret is really... | 0:41:27 | 0:41:29 | |
It's not a secret, but the answer is how you react to it. | 0:41:29 | 0:41:32 | |
Do you let it get you down, do you let it beat you? | 0:41:32 | 0:41:36 | |
As I say, I have been very blessed, and... | 0:41:36 | 0:41:39 | |
I do have a faith and I do say prayers | 0:41:39 | 0:41:42 | |
and I do ask for help and I know that I've received help. | 0:41:42 | 0:41:46 | |
You never felt that your faith was tested through trials? | 0:41:46 | 0:41:51 | |
Many times, many times. Your faith is tested every day. Yeah. | 0:41:51 | 0:41:55 | |
That something happens and you say, "Well, you know, | 0:41:55 | 0:41:58 | |
"how do I react? Do I just let it go or do I fight it | 0:41:58 | 0:42:03 | |
"or I do start feeling sorry for myself?" | 0:42:03 | 0:42:07 | |
Yeah, and they are all normal human reactions. | 0:42:07 | 0:42:09 | |
Have you ever had days when you felt... | 0:42:09 | 0:42:13 | |
"I just, I can't put one foot after another today, | 0:42:13 | 0:42:17 | |
"I don't want to." No, no, my life has been so, | 0:42:17 | 0:42:22 | |
so blessed that it's been very wonderful. | 0:42:22 | 0:42:25 | |
APPLAUSE AND CHEERING | 0:42:25 | 0:42:27 | |
By Jove! | 0:42:27 | 0:42:29 | |
Ken celebrated 40 years in show business in the 1990s. | 0:42:29 | 0:42:35 | |
Television hadn't always been his favourite medium, | 0:42:35 | 0:42:38 | |
but he wowed new audiences with a TV special. | 0:42:38 | 0:42:42 | |
Thank you! | 0:42:44 | 0:42:46 | |
I only ever think of Ken Dodd as Ken Dodd. | 0:42:46 | 0:42:49 | |
There's very few entertainers, and I am not being ridiculous | 0:42:49 | 0:42:53 | |
and comparing him to Frank Sinatra, | 0:42:53 | 0:42:56 | |
but there is a comparison where Sinatra | 0:42:56 | 0:42:58 | |
suits some mediums maybe better than others, but what you think of | 0:42:58 | 0:43:03 | |
when you think, is Frank Sinatra the man. | 0:43:03 | 0:43:06 | |
And when you think of Ken Dodd you think of Ken Dodd the man, | 0:43:06 | 0:43:09 | |
you don't think of a TV series, | 0:43:09 | 0:43:11 | |
Or you don't think of a hit record, you just think of Ken Dodd. | 0:43:11 | 0:43:14 | |
I think it would be a good idea... We watched you all coming in, you know. | 0:43:14 | 0:43:18 | |
We peeped through the curtains, saw you staggering along the South Bank, | 0:43:18 | 0:43:21 | |
all using your inhalers... Elastic stockings flapping in the breeze... | 0:43:21 | 0:43:26 | |
He is a throwback in certain ways, he's a throwback in his approach | 0:43:26 | 0:43:31 | |
and his delivery and all that, but he's not a throwback when | 0:43:31 | 0:43:34 | |
it comes to thinking and comes to doing topical jokes and new jokes. | 0:43:34 | 0:43:39 | |
Five o'clock this morning in Knotty Ash, | 0:43:39 | 0:43:41 | |
I flung the bedroom windows open, climbed in... | 0:43:41 | 0:43:44 | |
I'd like to do a scientific experiment | 0:43:44 | 0:43:47 | |
and get a room full of people who really can't stand him, | 0:43:47 | 0:43:51 | |
don't like him or never heard of him, | 0:43:51 | 0:43:53 | |
and say, "Right, you are going to sit and you are going to watch | 0:43:53 | 0:43:57 | |
"Ken Dodd in the theatre, and you mustn't laugh." | 0:43:57 | 0:44:01 | |
And I tell you, three...maximum six gags in, they'll be cracked up. | 0:44:01 | 0:44:06 | |
You know, you just can't help it. | 0:44:06 | 0:44:08 | |
He is still the funniest, funniest, funniest man. | 0:44:08 | 0:44:11 | |
This Is Your Life, the 500th for Thames Television, | 0:44:18 | 0:44:21 | |
and we've got a bumper, extended edition. | 0:44:21 | 0:44:24 | |
Now the Master of Mirth whose name is on this book is at this moment | 0:44:24 | 0:44:27 | |
approaching another London theatre. | 0:44:27 | 0:44:29 | |
This Is Your Life marked its 500th anniversary | 0:44:29 | 0:44:33 | |
with a special edition dedicated to Ken. | 0:44:33 | 0:44:36 | |
It does look nice. | 0:44:36 | 0:44:38 | |
It's also a beautiful day for me to say...Ken Dodd. Oh, no! | 0:44:38 | 0:44:42 | |
This is your life. Oh! Oh! Oh! | 0:44:42 | 0:44:47 | |
How discumnockerating! | 0:44:47 | 0:44:50 | |
APPLAUSE | 0:44:50 | 0:44:52 | |
Fiancee Anne Jones made a rare public appearance at Ken's side. | 0:44:54 | 0:44:59 | |
I used to work nine to five, and now it's nine to five | 0:44:59 | 0:45:02 | |
but I finish at five in the morning! | 0:45:02 | 0:45:04 | |
KEN MOUTHS | 0:45:05 | 0:45:06 | |
It's a hard life! | 0:45:06 | 0:45:08 | |
LAUGHTER | 0:45:08 | 0:45:09 | |
Ken is the most private of celebrities. | 0:45:12 | 0:45:15 | |
He has never written a biography, | 0:45:15 | 0:45:17 | |
and rarely discusses details of his personal life. | 0:45:17 | 0:45:20 | |
He doesn't want people to know how, why he got here or there | 0:45:22 | 0:45:25 | |
or, you know, what food he eats, apart from jam butties. | 0:45:25 | 0:45:29 | |
But...it's that privacy and I think that is why | 0:45:29 | 0:45:33 | |
he's one of the few celebrities who won't let you in. | 0:45:33 | 0:45:36 | |
You're only allowed so far. | 0:45:36 | 0:45:37 | |
Someone else you have in your life who looks after you wonderfully | 0:45:37 | 0:45:41 | |
is Anne. Oh, yes. Anne Jones. | 0:45:41 | 0:45:44 | |
She is an amazing, wonderful, wonderful person. | 0:45:44 | 0:45:48 | |
And...yeah...absolutely. I can't... | 0:45:48 | 0:45:53 | |
I can't say any more than that. | 0:45:53 | 0:45:55 | |
Yes. And how long has she been with you? | 0:45:55 | 0:45:59 | |
You've been together how long? Oh, all day! | 0:45:59 | 0:46:02 | |
May I ask you a little bit about how you met? No. No? | 0:46:02 | 0:46:07 | |
No. See, you are incredibly private. | 0:46:07 | 0:46:11 | |
I think when people are asking you very personal details of your life, | 0:46:11 | 0:46:18 | |
I think it's like somebody going through your laundry. | 0:46:18 | 0:46:21 | |
You know? There are certain things and certain parts of your life | 0:46:21 | 0:46:25 | |
that you want to keep...not private, I've got no secrets, but personal. | 0:46:25 | 0:46:30 | |
None of us like anybody, you know, trying to have a look | 0:46:30 | 0:46:34 | |
and see what we've got hidden away in the cupboard. | 0:46:34 | 0:46:37 | |
I haven't got anything hidden away, honestly. | 0:46:37 | 0:46:39 | |
I haven't got anything hidden away. | 0:46:39 | 0:46:42 | |
I resent people being a nosy parker, you know. Yes. They can ask me | 0:46:42 | 0:46:45 | |
anything they like about Ken Dodd the entertainer, the performer. | 0:46:45 | 0:46:50 | |
Yeah, I'll tell you anything about that. | 0:46:50 | 0:46:52 | |
Tell you all my secrets there. But no... | 0:46:52 | 0:46:56 | |
When it's personal, it's personal. | 0:46:57 | 0:47:00 | |
Fair enough. I wear a vest. Is that what you'd like? | 0:47:00 | 0:47:04 | |
And sometimes I sleep in my socks. | 0:47:04 | 0:47:08 | |
How much more personal do you want it? That's pretty personal! | 0:47:08 | 0:47:12 | |
THEY LAUGH | 0:47:12 | 0:47:14 | |
We say, "Welcome to Liverpool, the greatest city in the world." | 0:47:25 | 0:47:29 | |
Yeah, I was going to ask you about this skyline. | 0:47:29 | 0:47:32 | |
Throughout his career, Ken has been a proud ambassador | 0:47:32 | 0:47:36 | |
of his beloved Merseyside. | 0:47:36 | 0:47:38 | |
When they tunneled all the soil | 0:47:42 | 0:47:45 | |
and the rock and the granite and the stuff out of the Mersey Tunnel, | 0:47:45 | 0:47:49 | |
they brought it here and made this beautiful Otterspool Promenade. | 0:47:49 | 0:47:52 | |
The great thing about Ken is that, | 0:48:04 | 0:48:06 | |
unlike other people who may move up in their career, | 0:48:06 | 0:48:10 | |
he hasn't moved away. | 0:48:10 | 0:48:13 | |
And he's stayed, and he's stayed in Knotty Ash, | 0:48:13 | 0:48:16 | |
and he loves the people of Liverpool, and they love him and... | 0:48:16 | 0:48:20 | |
You can never open the Liverpool Echo without there being | 0:48:20 | 0:48:23 | |
a story about Ken, and if you read those stories, | 0:48:23 | 0:48:28 | |
they're about him encouraging local people, local charities. | 0:48:28 | 0:48:33 | |
You must have enough now. | 0:48:33 | 0:48:35 | |
Thank you. | 0:48:35 | 0:48:36 | |
What's your name? Eileen. Eileen? | 0:48:36 | 0:48:39 | |
Eileen from Skelm. "Eileen" to the left or the right? | 0:48:39 | 0:48:42 | |
'You only have to see him walk down the street,' | 0:48:42 | 0:48:44 | |
you only have to see people at the stage door who just love him, | 0:48:44 | 0:48:48 | |
you know, cos he gives out love and he gets it back in fair measure. | 0:48:48 | 0:48:54 | |
Over the years, Ken has sometimes | 0:48:57 | 0:49:00 | |
gone against the main tide of opinion in Liverpool. | 0:49:00 | 0:49:03 | |
He supported Mrs Thatcher in the run-up to the 1979 General Election. | 0:49:05 | 0:49:11 | |
Liverpool is hardly Thatcher heartland. | 0:49:11 | 0:49:14 | |
Er...I think the Thatcherite supporters | 0:49:14 | 0:49:18 | |
knew they were on with a winner with someone like Ken, | 0:49:18 | 0:49:22 | |
all-wholesome entertainer. | 0:49:22 | 0:49:24 | |
He certainly would make it more light-hearted, wouldn't he? | 0:49:24 | 0:49:27 | |
And more believable. I mean, put Ken Dodd anywhere, | 0:49:27 | 0:49:30 | |
he's going to get people to come to it and... | 0:49:30 | 0:49:32 | |
and listen to him, and I am sure Mrs Thatcher was delighted. | 0:49:32 | 0:49:35 | |
What was she like? | 0:49:35 | 0:49:37 | |
Lovely. Absolutely wonderful, a wonderful lady, yeah. | 0:49:37 | 0:49:41 | |
And a very... A very caring lady, a lady who gave you confidence. | 0:49:41 | 0:49:48 | |
Yeah, she was a lovely lady, yeah. She came to see the show. | 0:49:48 | 0:49:52 | |
She came... The party conference at Blackpool, she came in there | 0:49:52 | 0:49:57 | |
and I happened to mention I was at the Palladium in a few weeks' time. | 0:49:57 | 0:50:01 | |
"Oh," she said, "We must come and see you!" | 0:50:01 | 0:50:03 | |
I said, "Oh, would you like to?" She said, "Yes, we'd love to." | 0:50:03 | 0:50:08 | |
I forgot all about it, and so a fortnight beforehand, | 0:50:08 | 0:50:12 | |
the phone rings. "Mrs Thatcher would like ten seats." | 0:50:12 | 0:50:16 | |
So she came along there and I come on the stage, er... | 0:50:16 | 0:50:21 | |
And she is sitting in the audience and my first spot... | 0:50:21 | 0:50:24 | |
I must have been very cheeky. | 0:50:24 | 0:50:26 | |
I must have been... | 0:50:26 | 0:50:27 | |
I said, "Isn't this wonderful, Mrs Thatcher? This is a first. | 0:50:27 | 0:50:32 | |
"I'm talking and you're listening!" | 0:50:32 | 0:50:35 | |
Politics aside, in 2003, | 0:50:36 | 0:50:40 | |
Liverpudlians voted Ken the greatest Merseysider of all time. | 0:50:40 | 0:50:45 | |
# For Knotty Ash... # | 0:50:46 | 0:50:48 | |
For years he has quietly supported small local charities. | 0:50:48 | 0:50:53 | |
Each year she's just took a staggering 2,000 kids up the canal. | 0:50:54 | 0:50:59 | |
And even brings one or two of them back! | 0:50:59 | 0:51:02 | |
And he was awarded an OBE for his work on behalf of charitable causes | 0:51:02 | 0:51:08 | |
and for services to show business. | 0:51:08 | 0:51:10 | |
Presumably you'll be opening a few bottles this evening? | 0:51:10 | 0:51:13 | |
Oh, I shall go and open a bottle of tickle tonic right away, | 0:51:13 | 0:51:16 | |
immediately, if not before. So, it's a great day, is it? | 0:51:16 | 0:51:19 | |
It is indeed. Great day for Knotty Ash, | 0:51:19 | 0:51:21 | |
and all the Diddymen and Diddy Ladies. | 0:51:21 | 0:51:24 | |
He has helped the choir immensely, financially, | 0:51:26 | 0:51:30 | |
because he's just been so incredibly generous. | 0:51:30 | 0:51:33 | |
As he is. He's known for it, | 0:51:33 | 0:51:34 | |
and he has done so many shows for us | 0:51:34 | 0:51:37 | |
completely gratis just because he wanted to help the choir. | 0:51:37 | 0:51:40 | |
# Last night I had a dream | 0:51:40 | 0:51:44 | |
# I was walking on the sand... # | 0:51:44 | 0:51:47 | |
And for a private man, Ken has never shied away from | 0:51:49 | 0:51:53 | |
being open about his faith. | 0:51:53 | 0:51:55 | |
He has recorded religious songs, including one adapted by Anne | 0:51:55 | 0:52:00 | |
from the Christian poem Footsteps in the Sand. | 0:52:00 | 0:52:03 | |
# ..Your steps were next to mine | 0:52:03 | 0:52:07 | |
# All the time... # | 0:52:07 | 0:52:09 | |
I can remember... I can tell this story because he's given permission | 0:52:10 | 0:52:14 | |
for me to say it. | 0:52:14 | 0:52:16 | |
I was preaching in one of our churches | 0:52:16 | 0:52:19 | |
not too far from where Ken lives, | 0:52:19 | 0:52:23 | |
and I felt constrained in my sermon to say, | 0:52:23 | 0:52:26 | |
"If you've come here tonight to be entertained by the music, | 0:52:26 | 0:52:30 | |
"you know, to listen to an interesting sermon," I said, | 0:52:30 | 0:52:32 | |
"I think you may be very disappointed, | 0:52:32 | 0:52:35 | |
"but if you have come here tonight | 0:52:35 | 0:52:37 | |
"and are looking for God to speak to you, then maybe he will." | 0:52:37 | 0:52:42 | |
And then the service was over and I stood at the door | 0:52:42 | 0:52:46 | |
and shook hands and I was conscious of a figure in the shadows, | 0:52:46 | 0:52:50 | |
just waiting till everybody had gone. And it was Ken. | 0:52:50 | 0:52:53 | |
And he took my hand in both of his and he said, "You know, tonight, | 0:52:55 | 0:53:00 | |
"I came in to the church and I knelt down and I just said to God, | 0:53:00 | 0:53:06 | |
"'Speak to me, speak to me.'" | 0:53:06 | 0:53:09 | |
And he said, "When you stood up in that pulpit | 0:53:09 | 0:53:12 | |
"and said, 'If you have come here tonight to hear God speak to you'", | 0:53:12 | 0:53:16 | |
he said, "If angels had appeared, I would not have been surprised." | 0:53:16 | 0:53:20 | |
MUSIC: "Oh Come, All Ye Faithful" | 0:53:20 | 0:53:23 | |
Ken is a regular member of the congregation | 0:53:23 | 0:53:26 | |
at Liverpool's Anglican Cathedral. | 0:53:26 | 0:53:28 | |
He always comes in quietly, unobtrusively. | 0:53:29 | 0:53:32 | |
People look and say, | 0:53:32 | 0:53:34 | |
"Is it? Is it?" and we go, "Yes, but sh." | 0:53:34 | 0:53:37 | |
But then he makes his way straight to sit down | 0:53:37 | 0:53:40 | |
and he is part of the congregation. | 0:53:40 | 0:53:43 | |
There is no laughing or joking then. | 0:53:43 | 0:53:45 | |
To see him worshiping and to see him | 0:53:45 | 0:53:47 | |
listening intently to the music and to the lessons and things, | 0:53:47 | 0:53:51 | |
it really does have a large part to play in his persona, I think. | 0:53:51 | 0:53:54 | |
And he... I would say he is a spiritual man, and to he and Anne, | 0:53:54 | 0:53:59 | |
coming here as their spiritual home on a Sunday | 0:53:59 | 0:54:01 | |
does mean very much to them. | 0:54:01 | 0:54:03 | |
Ken has even hinted that if his life had taken a different turn, | 0:54:08 | 0:54:12 | |
he may have considered a bigger role in the church. | 0:54:12 | 0:54:15 | |
I said, "What would you have done, Ken, if you weren't a comedian?" | 0:54:18 | 0:54:22 | |
He said, "I wouldn't mind being a vicar." | 0:54:22 | 0:54:24 | |
I was taken aback by this. | 0:54:24 | 0:54:26 | |
He said, "Yeah, I would." I thought, what a fantastic vicar Ken would be, | 0:54:26 | 0:54:31 | |
what wonderful services they would be. The sermons would be amazing. | 0:54:31 | 0:54:36 | |
The problem is that if you went into morning service | 0:54:36 | 0:54:39 | |
you'd still be there for Evensong! | 0:54:39 | 0:54:41 | |
But Ken's life is firmly on the stage. | 0:54:44 | 0:54:47 | |
At the age of 86, he is still touring, with no plans to stop. | 0:54:47 | 0:54:52 | |
He doesn't tell rude jokes, he doesn't tell nasty jokes, | 0:54:57 | 0:55:00 | |
he doesn't tell jokes that score points out of people. | 0:55:00 | 0:55:03 | |
He talks to an audience like friends. | 0:55:03 | 0:55:07 | |
I have special place for Ken. | 0:55:07 | 0:55:09 | |
I think he is a really lovely man and a super comedian. | 0:55:09 | 0:55:12 | |
He'll sit in his dressing room, if you see him before the show, | 0:55:14 | 0:55:17 | |
he sits there and he's sort of nodding off, you know, | 0:55:17 | 0:55:19 | |
and you think, "Oh, you know, "Ken, you shouldn't be doing this." | 0:55:19 | 0:55:23 | |
And then you go and sit out front and on comes this man | 0:55:23 | 0:55:26 | |
who is 40 years younger than the one you saw in the dressing room, | 0:55:26 | 0:55:30 | |
and the magic is still there, and he is still bringing happiness. | 0:55:30 | 0:55:34 | |
Ladies and gentlemen, please welcome Ken Dodd! | 0:55:34 | 0:55:38 | |
APPLAUSE AND CHEERING | 0:55:38 | 0:55:41 | |
You never stop being a priest or a bishop. | 0:55:41 | 0:55:44 | |
And as Ken so wonderfully shows, you never stop being a comedian, | 0:55:44 | 0:55:50 | |
because it's not just a job. | 0:55:50 | 0:55:52 | |
It's a way of life, it's an attitude to life. | 0:55:52 | 0:55:55 | |
How do you spend Christmas day? | 0:55:55 | 0:55:58 | |
Try to get up early on Christmas day because I don't want to waste it. | 0:55:58 | 0:56:01 | |
Go to the midnight service here on Christmas Eve | 0:56:01 | 0:56:05 | |
and we just go to bed and get up again the next morning | 0:56:05 | 0:56:09 | |
for the first morning service here. Yeah. Christmas Eucharist. | 0:56:09 | 0:56:14 | |
I can say it. At one time a few years ago | 0:56:14 | 0:56:17 | |
I found Christmas rather depressing. | 0:56:17 | 0:56:19 | |
Why? Well, because not having my family any more, here, | 0:56:19 | 0:56:24 | |
to celebrate Christmas. But I read somewhere | 0:56:24 | 0:56:27 | |
the best way to beat depression is to make someone else happy. | 0:56:27 | 0:56:31 | |
And that's good, yeah. | 0:56:31 | 0:56:33 | |
This time of the year I do a lot of... Quite a lot of... | 0:56:33 | 0:56:36 | |
Here, I am doing two carol concerts, | 0:56:36 | 0:56:39 | |
and I get a chance to go into in the pulpit, | 0:56:39 | 0:56:43 | |
so I can pretend I'm the Archbishop of Canterbury. | 0:56:43 | 0:56:47 | |
To me, the most telling of Christmas symbols | 0:56:47 | 0:56:51 | |
is a baby who represents hope. | 0:56:51 | 0:56:55 | |
Who represents...a better world. | 0:56:55 | 0:56:59 | |
Hope, and, please God, happiness. | 0:56:59 | 0:57:03 | |
Happy Christmas, | 0:57:03 | 0:57:06 | |
and congratulations on your diamond anniversary in show business. | 0:57:06 | 0:57:10 | |
Thank you so much. It's been a pleasure, thank you. | 0:57:10 | 0:57:12 | |
May I present to you, as...the journalist of the year, | 0:57:12 | 0:57:19 | |
the Fern that grows in a beautiful garden, | 0:57:19 | 0:57:23 | |
your very own tickling stick. | 0:57:23 | 0:57:25 | |
Bless you. I shall treasure it. | 0:57:25 | 0:57:28 | |
INSTRUMENTAL MUSIC: "Happiness" by Ken Dodd | 0:57:28 | 0:57:33 | |
Ken Dodd. An intensely public man, | 0:57:40 | 0:57:44 | |
and yet also an intensely private man. | 0:57:44 | 0:57:47 | |
I wondered at the beginning if he was as mysterious and enigmatic | 0:57:47 | 0:57:51 | |
as I thought. I don't think he is. | 0:57:51 | 0:57:54 | |
I think what you see is what you get. | 0:57:54 | 0:57:57 | |
He shares his gift of laughter with us and we love him for it. | 0:57:57 | 0:58:02 | |
As he would say, Happy Ticklemas! | 0:58:02 | 0:58:05 | |
Next week I meet world champion, Olympic gold medallist, | 0:58:06 | 0:58:10 | |
and Sports Personality Of The Year nominee Christine Ohuruogu | 0:58:10 | 0:58:14 | |
to ask how her faith has helped her to overcome difficulties | 0:58:14 | 0:58:18 | |
and become one of the greatest female athletes ever. | 0:58:18 | 0:58:22 | |
# I thank the Lord that we've been blessed | 0:58:22 | 0:58:25 | |
# With more than our share of happiness... # Everybody! | 0:58:25 | 0:58:28 | |
# Happiness, happiness | 0:58:28 | 0:58:31 | |
# The greatest gift that you possess | 0:58:31 | 0:58:34 | |
# I thank the Lord that we've been blessed | 0:58:34 | 0:58:37 | |
# With more than our share of happiness | 0:58:37 | 0:58:40 | |
# More than our share of happiness! # | 0:58:40 | 0:58:49 | |
Happiness for you! | 0:58:49 | 0:58:52 | |
Subtitles by Red Bee Media Ltd | 0:58:52 | 0:58:55 |