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This programme contains scenes of repetitive flashing images. | 0:00:02 | 0:00:04 | |
The countdown started seven years ago. We're seconds away from | 0:00:04 | 0:00:06 | |
the sounding of the great Olympic Bell | 0:00:06 | 0:00:08 | |
and the start of the London Games of 2012. | 0:00:08 | 0:00:11 | |
MUSIC: "Baba O'Reilly" by The Who (Instrumental) | 0:00:11 | 0:00:13 | |
MUSIC: "Surf Solar" | 0:01:00 | 0:01:02 | |
WATER TRICKLES, BIRDSONG | 0:01:07 | 0:01:09 | |
WINGS BEAT | 0:01:13 | 0:01:15 | |
PULSING BEAT | 0:01:15 | 0:01:19 | |
CHILDREN GIGGLE | 0:01:25 | 0:01:27 | |
DUCKS QUACK | 0:01:32 | 0:01:33 | |
-Ho, ho! -Look out, Rat! -Oh! | 0:01:33 | 0:01:36 | |
MUSIC PAUSES, BIRDSONG | 0:01:36 | 0:01:39 | |
PULSING BEAT RESUMES | 0:01:39 | 0:01:41 | |
LAUGHTER AND CHEERING | 0:01:45 | 0:01:48 | |
TRAIN HORN BLARES | 0:01:50 | 0:01:51 | |
GEESE HONK | 0:01:57 | 0:01:59 | |
'David Hemery wins for Britain!' | 0:02:06 | 0:02:08 | |
'And it's Wilkie!' | 0:02:08 | 0:02:10 | |
'Double gold medal for Britain!' | 0:02:10 | 0:02:12 | |
# Swing, swing together | 0:02:14 | 0:02:18 | |
# With your bodies between your knees. # | 0:02:18 | 0:02:21 | |
GENTLE BIRDSONG | 0:02:21 | 0:02:24 | |
PULSING BEAT CONTINUES | 0:02:25 | 0:02:26 | |
PIG GRUNTS | 0:02:28 | 0:02:30 | |
BIG BEN CHIMES | 0:02:30 | 0:02:32 | |
CLOCK TICK-TOCKS | 0:02:32 | 0:02:35 | |
BONG! MUSIC: The South Bank Show theme | 0:02:37 | 0:02:41 | |
MUSIC: "God Save The Queen" by The Sex Pistols | 0:02:41 | 0:02:45 | |
# God save the Queen... # | 0:02:48 | 0:02:50 | |
EASTENDERS' DOOF-DOOFS | 0:02:54 | 0:02:56 | |
# We're in a dream | 0:03:00 | 0:03:02 | |
# Under the moon... # | 0:03:03 | 0:03:05 | |
MUSIC: "London Calling" by The Clash | 0:03:05 | 0:03:07 | |
'Mind the gap.' | 0:03:09 | 0:03:11 | |
MUSIC: "Pomp And Circumstance" by Sir Edward Elgar | 0:03:11 | 0:03:13 | |
MUSIC: "Smile" by Lily Allen | 0:03:16 | 0:03:19 | |
MUSIC: "Map Of The Problematique" by Muse | 0:03:19 | 0:03:22 | |
AUDIENCE CHEERS | 0:03:39 | 0:03:41 | |
-AUDIENCE: -Ten! | 0:03:46 | 0:03:48 | |
Nine! | 0:03:48 | 0:03:50 | |
Eight! | 0:03:50 | 0:03:52 | |
Seven! | 0:03:52 | 0:03:54 | |
Six! | 0:03:54 | 0:03:56 | |
Five! | 0:03:56 | 0:03:58 | |
Four! | 0:03:58 | 0:03:59 | |
Three! | 0:03:59 | 0:04:01 | |
Two! | 0:04:01 | 0:04:03 | |
One! | 0:04:03 | 0:04:05 | |
CHEERING | 0:04:05 | 0:04:08 | |
-ANNOUNCER: -Ladies and gentlemen, welcome to London | 0:04:08 | 0:04:12 | |
and to the Games of the 30th Olympiad. | 0:04:12 | 0:04:15 | |
To open our ceremony, Olympic cyclist, member of Team GB | 0:04:15 | 0:04:19 | |
and Britain's first winner of the Tour de France, Bradley Wiggins. | 0:04:19 | 0:04:23 | |
CHEERING | 0:04:23 | 0:04:26 | |
HAZEL: Sacre bleu, it's Wiggo! | 0:04:31 | 0:04:33 | |
Congratulations, Bradley. The yellow jersey winner, | 0:04:33 | 0:04:37 | |
the first man from these isles to do so. | 0:04:37 | 0:04:41 | |
The Tour de France winner. | 0:04:41 | 0:04:44 | |
And in the best British tradition, Bradley, keep calm and carry on. | 0:04:44 | 0:04:48 | |
BELL TOLLS | 0:04:50 | 0:04:53 | |
CHEERING AND APPLAUSE | 0:04:53 | 0:04:55 | |
Flying into the mid-stratosphere, balloons carrying the Olympic rings. | 0:05:02 | 0:05:07 | |
# And did those feet in ancient time | 0:05:07 | 0:05:12 | |
# Walk upon England's mountains green? | 0:05:12 | 0:05:18 | |
# And was the holy Lamb of God | 0:05:18 | 0:05:24 | |
# On England's pleasant pastures seen? | 0:05:24 | 0:05:31 | |
# And did the countenance divine | 0:05:31 | 0:05:37 | |
# Shine forth upon our clouded hills? | 0:05:37 | 0:05:44 | |
# And was Jerusalem builded here | 0:05:44 | 0:05:50 | |
# Among those dark, satanic mills? # | 0:05:50 | 0:05:57 | |
# But come ye back when summer's in the meadow | 0:05:57 | 0:06:05 | |
# Or when the valley's hushed and white with snow | 0:06:05 | 0:06:12 | |
# 'Tis I'll be here in sunshine or in shadow | 0:06:12 | 0:06:20 | |
# Oh, Danny boy | 0:06:20 | 0:06:23 | |
# Oh, Danny boy, I love you so. # | 0:06:23 | 0:06:28 | |
# Oh, Flower of Scotland | 0:06:28 | 0:06:32 | |
# When will we see | 0:06:32 | 0:06:36 | |
# Your like again? | 0:06:36 | 0:06:39 | |
# That fought and died for | 0:06:39 | 0:06:44 | |
# Your wee bit hill and glen | 0:06:44 | 0:06:47 | |
# And stood against him | 0:06:47 | 0:06:51 | |
# Proud Edward's army | 0:06:51 | 0:06:55 | |
# And sent him homeward | 0:06:55 | 0:06:59 | |
# Tae think again. # | 0:06:59 | 0:07:04 | |
# Guide me, oh, thou great redeemer | 0:07:04 | 0:07:09 | |
# Pilgrim through this barren land | 0:07:09 | 0:07:14 | |
# I am weak, but thou art mighty | 0:07:14 | 0:07:19 | |
# Hold me with thy powerful hands | 0:07:19 | 0:07:24 | |
# Bread of heaven | 0:07:24 | 0:07:26 | |
# Bread of heaven | 0:07:26 | 0:07:29 | |
# Feed me till I want no more | 0:07:29 | 0:07:35 | |
# Feed me till I want no more. # | 0:07:35 | 0:07:42 | |
# Bring me my bow of burning gold | 0:07:42 | 0:07:49 | |
# Bring me my arrows of desire | 0:07:49 | 0:07:56 | |
# Bring me my spear | 0:07:56 | 0:07:59 | |
# Oh, clouds unfold | 0:07:59 | 0:08:03 | |
# Bring me my chariot of fire | 0:08:03 | 0:08:10 | |
# I will not cease from mental fight | 0:08:10 | 0:08:16 | |
# Nor shall my sword sleep in my hand | 0:08:16 | 0:08:23 | |
# Till we have built Jerusalem | 0:08:23 | 0:08:29 | |
# In England's green and pleasant land. # | 0:08:29 | 0:08:38 | |
CHEERING AND APPLAUSE | 0:08:38 | 0:08:40 | |
Be not afeard. | 0:08:49 | 0:08:52 | |
Be not afeard. | 0:08:53 | 0:08:55 | |
The isle is full of noises. | 0:08:56 | 0:09:00 | |
Sounds and sweet airs, that give delight and hurt not. | 0:09:00 | 0:09:05 | |
Sometimes a thousand twangling instruments | 0:09:05 | 0:09:10 | |
Will hum about mine ears, and sometime voices. | 0:09:10 | 0:09:13 | |
That, if I then had waked after long sleep, | 0:09:13 | 0:09:17 | |
Will make me sleep again: | 0:09:17 | 0:09:20 | |
and then, in dreaming, | 0:09:20 | 0:09:23 | |
The clouds methought would open and show riches | 0:09:23 | 0:09:30 | |
Ready to drop upon me; that, | 0:09:30 | 0:09:33 | |
when I waked, | 0:09:33 | 0:09:35 | |
I cried to dream again. | 0:09:35 | 0:09:40 | |
APPLAUSE | 0:09:46 | 0:09:48 | |
The great British engineer, Isambard Kingdom Brunel, | 0:09:48 | 0:09:51 | |
portrayed by Kenneth Branagh, the words from Shakespeare's Tempest. | 0:09:51 | 0:09:56 | |
DRUM ROLL | 0:10:04 | 0:10:06 | |
His words heralding the chaos | 0:10:17 | 0:10:20 | |
and the noise of the Industrial Revolution. | 0:10:20 | 0:10:23 | |
The brutal uprooting of rural Britain. | 0:10:25 | 0:10:28 | |
-MEN: -Oi! | 0:10:45 | 0:10:46 | |
-MEN: -Oi! | 0:11:21 | 0:11:23 | |
-MEN: -Ah! | 0:11:37 | 0:11:40 | |
A volunteer cast of 2,500 conveying the thrill and the destruction | 0:11:50 | 0:11:55 | |
and the fear of the Industrial Revolution | 0:11:55 | 0:11:57 | |
when Britain became the workshop of the world. | 0:11:57 | 0:12:00 | |
Dame Evelyn Glennie leading 1,000 volunteer drummers. | 0:12:00 | 0:12:04 | |
Dame Evelyn Glennie, the first professional musician | 0:12:33 | 0:12:37 | |
to pioneer a career as a solo percussionist. | 0:12:37 | 0:12:40 | |
Profoundly deaf, of course, since birth. | 0:12:40 | 0:12:43 | |
She feels the music and it vibrates through her feet, she says. | 0:12:43 | 0:12:46 | |
And here in the stadium, 80,000 people can feel the pounding energy | 0:12:46 | 0:12:50 | |
pulsating through this stadium right now from these 1,000 drummers. | 0:12:50 | 0:12:54 | |
Rising dramatically from the ground, the smoking stacks | 0:14:30 | 0:14:33 | |
and the chimneys, which, of course, produced a lot of wealth, | 0:14:33 | 0:14:36 | |
but disfigured many towns and cities and transformed society. | 0:14:36 | 0:14:42 | |
-TREVOR: -It's definitely my kind of history lesson, Huw. | 0:14:42 | 0:14:46 | |
It's such a sound, | 0:14:46 | 0:14:47 | |
it's so powerful to look at the Industrial Revolution this way. | 0:14:47 | 0:14:51 | |
But if you're at home watching on TV | 0:14:51 | 0:14:54 | |
and you've got a remote control, just turn it up a little bit | 0:14:54 | 0:14:56 | |
and you'll get a sense of what we're feeling here, in the stadium. | 0:14:56 | 0:14:59 | |
This section is called Pandemonium. | 0:15:23 | 0:15:24 | |
It's a word invented by the English poet John Milton in the 1600s | 0:15:24 | 0:15:28 | |
as the name for the capital of Hell in his epic poem Paradise Lost | 0:15:28 | 0:15:33 | |
and how it could just as easily be applied to | 0:15:33 | 0:15:36 | |
the time of these dark, satanic mills of the Industrial Revolution | 0:15:36 | 0:15:39 | |
that William Blake wrote about in the 1800s. | 0:15:39 | 0:15:42 | |
The suffragettes... | 0:16:01 | 0:16:03 | |
who fought for women to have the right to vote | 0:16:03 | 0:16:06 | |
and some of their descendants, as we've already seen, | 0:16:06 | 0:16:09 | |
are in the stadium tonight. | 0:16:09 | 0:16:11 | |
And in all of this fury and all of this tumult, | 0:16:27 | 0:16:31 | |
there will be a sudden pause | 0:16:31 | 0:16:33 | |
to remember the fallen of two world wars and all other conflicts. | 0:16:33 | 0:16:38 | |
A moment of remembrance for all people in all countries. | 0:16:38 | 0:16:42 | |
CHEERING | 0:17:04 | 0:17:07 | |
And in stark contrast, | 0:19:39 | 0:19:41 | |
a splash of vivid colour from the age of The Beatles, | 0:19:41 | 0:19:44 | |
representing the social and cultural change in the '60s, | 0:19:44 | 0:19:48 | |
a theme we'll return to later on. | 0:19:48 | 0:19:51 | |
The Windrush, that's the ship that brought | 0:19:55 | 0:19:57 | |
the first West Indian immigrants to Britain | 0:19:57 | 0:20:00 | |
after the Second World War. | 0:20:00 | 0:20:01 | |
The grand sight of the Chelsea Pensioners, | 0:20:23 | 0:20:26 | |
another reminder of the debt owed to members of the Armed Services. | 0:20:26 | 0:20:31 | |
Brunel surveys the scene | 0:21:02 | 0:21:05 | |
and takes in the ever-growing signs of wealth and industry. | 0:21:05 | 0:21:09 | |
The Pearly Kings and Queens of London - | 0:21:19 | 0:21:22 | |
the "other" Royal Family, as they're known. | 0:21:22 | 0:21:24 | |
And out of this seething tableau of people, | 0:23:14 | 0:23:17 | |
the scale of this breathtaking, frenetic industry, organised chaos | 0:23:17 | 0:23:21 | |
and in the midst of the heat and the effort | 0:23:21 | 0:23:24 | |
and the smell - the actual smell of cordite in this stadium - | 0:23:24 | 0:23:28 | |
they are producing something very special. | 0:23:28 | 0:23:31 | |
Forging a moment and an image that will live with us for ever. | 0:23:31 | 0:23:36 | |
And yes, against the backdrop of industrial turmoil, | 0:23:56 | 0:24:01 | |
a cloud of sparks and steam - the Olympic rings are forged. | 0:24:01 | 0:24:06 | |
CHEERING | 0:24:06 | 0:24:08 | |
CHEERING AND APPLAUSE | 0:25:06 | 0:25:08 | |
Dazzling beauty - the five interlocking rings, | 0:25:08 | 0:25:11 | |
representing the union of five continents | 0:25:11 | 0:25:14 | |
and the meeting of the world's athletes at the Olympic Games. | 0:25:14 | 0:25:17 | |
Surely one of the most dynamic opening sequences | 0:25:24 | 0:25:27 | |
we have ever seen at an Olympic Games. | 0:25:27 | 0:25:30 | |
CHEERING | 0:25:30 | 0:25:33 | |
CHEERING | 0:25:47 | 0:25:49 | |
MUSIC: "The Arrival Of The Queen Of Sheba" by George Handel | 0:25:49 | 0:25:52 | |
Welcome to the Throne Room. It was designed by John Nash. | 0:26:02 | 0:26:04 | |
You'll notice again, the favourite colours of gold, white and green, | 0:26:04 | 0:26:09 | |
done in the Rococo style, which Queen Victoria, of course, | 0:26:09 | 0:26:12 | |
-sold to the Corporation... -Come here. | 0:26:12 | 0:26:15 | |
..of Brighton and moved a lot of the fittings...here. | 0:26:15 | 0:26:19 | |
Evening, sir. | 0:26:37 | 0:26:39 | |
Evening. | 0:26:40 | 0:26:41 | |
Mr Bond, Your Majesty. | 0:26:56 | 0:26:57 | |
CLOCK CHIMES | 0:27:04 | 0:27:06 | |
HE CLEARS HIS THROAT | 0:27:10 | 0:27:12 | |
Good evening, Mr Bond. | 0:27:13 | 0:27:15 | |
Good evening, Your Majesty. | 0:27:16 | 0:27:18 | |
CORGIS WHIMPER | 0:28:01 | 0:28:03 | |
The film, Happy And Glorious - | 0:29:54 | 0:29:56 | |
specially made for the ceremony by the BBC. | 0:29:56 | 0:29:58 | |
It does suggest a Royal arrival unlike any we've ever seen. | 0:29:58 | 0:30:02 | |
DRUM ROLL | 0:30:02 | 0:30:04 | |
MUSIC: James Bond Theme | 0:30:20 | 0:30:23 | |
Mesdames et messieurs, veuillez vous lever pour sa Majeste la Reine | 0:30:58 | 0:31:02 | |
et le Duc d'Edimbourg, accompagne par | 0:31:02 | 0:31:05 | |
le President du Comite International Olympique, Jacques Rogge. | 0:31:05 | 0:31:09 | |
Ladies and gentlemen, | 0:31:09 | 0:31:11 | |
please stand for Her Majesty the Queen and His Royal Highness, | 0:31:11 | 0:31:15 | |
the Duke of Edinburgh, | 0:31:15 | 0:31:17 | |
accompanied by the President of the International Olympic Committee, Jacques Rogge. | 0:31:17 | 0:31:23 | |
Her Majesty the Queen in this Diamond Jubilee year, | 0:31:24 | 0:31:27 | |
proving that she certainly has a sense of humour. | 0:31:27 | 0:31:29 | |
And preparing to open these Games, | 0:31:32 | 0:31:33 | |
as her father, King George VI, did back in 1948, | 0:31:33 | 0:31:36 | |
and her great-grandfather, Edward VII, in 1908. | 0:31:36 | 0:31:40 | |
CHEERING | 0:31:40 | 0:31:43 | |
Mesdames et messieurs, le drapeau du Royaume-Uni | 0:31:53 | 0:31:56 | |
est hisse par des representants de la Royal Navy, | 0:31:56 | 0:31:59 | |
de l'Armee de Terre Britannique et de la Royal Air Force. | 0:31:59 | 0:32:03 | |
Ladies and gentlemen, the Union Flag is raised by representatives | 0:32:03 | 0:32:08 | |
from the Royal Navy, Army and Royal Air Force. | 0:32:08 | 0:32:12 | |
CHEERING | 0:32:12 | 0:32:15 | |
There will be 12 servicemen and women representing all members | 0:32:30 | 0:32:33 | |
of the Armed Forces, | 0:32:33 | 0:32:35 | |
who are now making such an important contribution, | 0:32:35 | 0:32:38 | |
of course, to these Olympic Games, with 18,000 troops deployed so far. | 0:32:38 | 0:32:42 | |
Servicemen and women led by Squadron Leader Lambert | 0:32:53 | 0:32:57 | |
of RAF Brize Norton. | 0:32:57 | 0:32:59 | |
The flag carried by Gunner Bateman | 0:33:00 | 0:33:04 | |
of King's Troop Royal Horse Artillery, | 0:33:04 | 0:33:06 | |
Flight Lieutenant Cadman, RAF Cranwell, | 0:33:06 | 0:33:09 | |
Marine Edwards, Commando Logistic Regiment, | 0:33:09 | 0:33:12 | |
Sergeant Hiscock of RM Poole, | 0:33:12 | 0:33:15 | |
Corporal Paddiford, | 0:33:15 | 0:33:17 | |
Sergeant Raval of RAF Halton, | 0:33:17 | 0:33:20 | |
Corporal Robbins of the Royal Logistics Corp, | 0:33:20 | 0:33:23 | |
Lieutenant Weller, Royal Navy Abbeywood. | 0:33:23 | 0:33:26 | |
The flag will be raised by Corporal Adam, RAF Leuchars... | 0:33:26 | 0:33:30 | |
Mesdames et messieurs, veuillez vous lever | 0:33:30 | 0:33:33 | |
pour l'hymne national du Royaume-Uni, | 0:33:33 | 0:33:35 | |
chante par les enfants sourds et entendants de Kaos. | 0:33:35 | 0:33:38 | |
Ladies and gentlemen, | 0:33:38 | 0:33:40 | |
please stand for the National Anthem of the United Kingdom, | 0:33:40 | 0:33:44 | |
performed by the Kaos Signing Choir for Deaf and Hearing Children. | 0:33:44 | 0:33:49 | |
# God save our gracious Queen | 0:33:53 | 0:33:58 | |
# Long live our noble Queen | 0:33:58 | 0:34:02 | |
# God save the Queen | 0:34:02 | 0:34:07 | |
# Send her victorious | 0:34:07 | 0:34:11 | |
# Happy and glorious | 0:34:11 | 0:34:17 | |
# Long to reign over us | 0:34:17 | 0:34:22 | |
# God save the Queen | 0:34:22 | 0:34:26 | |
# Thy choicest gifts in store | 0:34:28 | 0:34:32 | |
# On her be pleased to pour | 0:34:32 | 0:34:36 | |
# Long may she reign | 0:34:36 | 0:34:41 | |
# May she defend our laws | 0:34:41 | 0:34:46 | |
# And ever give us cause | 0:34:46 | 0:34:50 | |
# To sing with heart and voice | 0:34:50 | 0:34:55 | |
# God save the Queen! # | 0:34:55 | 0:35:01 | |
CHEERING | 0:35:01 | 0:35:03 | |
The National Anthem, | 0:35:06 | 0:35:07 | |
sung by the Kaos Signing Choir for Deaf and Hearing Children, | 0:35:07 | 0:35:10 | |
the only integrated deaf and hearing children's choir in the UK. | 0:35:10 | 0:35:16 | |
MUSIC BOX PLAYS: "Rock-A-Bye Baby" | 0:35:16 | 0:35:19 | |
MUSIC: "Tubular Bells" by Mike Oldfield | 0:35:26 | 0:35:29 | |
This part of the ceremony | 0:35:29 | 0:35:30 | |
honours two of Britain's greatest achievements - | 0:35:30 | 0:35:33 | |
a rich body of children's literature | 0:35:33 | 0:35:34 | |
and the National Health Service. | 0:35:34 | 0:35:37 | |
Veuillez accueillir Mike Oldfield, | 0:35:37 | 0:35:38 | |
accompagne de personnel de National Health Service | 0:35:38 | 0:35:41 | |
et de nos invites d'honneur | 0:35:41 | 0:35:42 | |
les patients et le personnel de Great Ormond Street Hospital. | 0:35:42 | 0:35:46 | |
Please welcome Mike Oldfield | 0:35:46 | 0:35:49 | |
and the staff of the United Kingdom National Health Service, | 0:35:49 | 0:35:53 | |
and our very special guests this evening, | 0:35:53 | 0:35:56 | |
the patients and staff of Great Ormond Street Hospital. | 0:35:56 | 0:35:59 | |
CHEERING AND APPLAUSE | 0:35:59 | 0:36:01 | |
Big cheer for, not just Mike Oldfield, of course, | 0:36:04 | 0:36:06 | |
but for the staff and some patients of the Health Service, | 0:36:06 | 0:36:11 | |
founded just after the Second World War, | 0:36:11 | 0:36:13 | |
regarded with great affection by so many British people. | 0:36:13 | 0:36:17 | |
And Mike Oldfield, | 0:36:17 | 0:36:18 | |
whose first album, Tubular Bells, sold more than 17 million copies. | 0:36:18 | 0:36:22 | |
The name of this section, | 0:36:27 | 0:36:28 | |
Second To The Right And Straight On Till The Morning, | 0:36:28 | 0:36:31 | |
they were the directions Peter gave Wendy to Neverland | 0:36:31 | 0:36:34 | |
in JM Barrie's children's novel Peter Pan. | 0:36:34 | 0:36:37 | |
And of course, JM Barrie bequeathed all the royalties from that book | 0:36:37 | 0:36:40 | |
to Great Ormond Street Hospital in London. | 0:36:40 | 0:36:43 | |
That's the fascinating part about joining up | 0:36:43 | 0:36:45 | |
all of the dots in this amazing left-field ceremony by Danny Boyle. | 0:36:45 | 0:36:48 | |
CHEERING | 0:37:07 | 0:37:09 | |
CHEERING AND APPLAUSE | 0:39:05 | 0:39:07 | |
CHEERING AND APPLAUSE | 0:39:57 | 0:39:59 | |
Quietly into the land of dreams, | 0:39:59 | 0:40:02 | |
and into the glories and magic of children's literature. | 0:40:02 | 0:40:05 | |
"Of all delectable islands, Neverland is the snuggest. | 0:40:08 | 0:40:14 | |
"It's not large and sprawly, you know, | 0:40:14 | 0:40:18 | |
"with boring distances between one adventure and the next, | 0:40:18 | 0:40:22 | |
"it's nicely crammed. | 0:40:22 | 0:40:24 | |
"When you play at it by day, with the table and chairs, | 0:40:25 | 0:40:28 | |
"it's not a bit frightening. | 0:40:28 | 0:40:31 | |
"But in the two minutes before you go to sleep, it is real." | 0:40:31 | 0:40:36 | |
JK Rowling, arguably the most successful writer in British history, | 0:40:46 | 0:40:49 | |
having sold 400 million books worldwide, | 0:40:49 | 0:40:52 | |
but has also spent a lot of time and her own money promoting | 0:40:52 | 0:40:55 | |
children's literature and reading schemes. | 0:40:55 | 0:40:58 | |
Oh, here comes Voldemort... from the Harry Potter stories. | 0:41:48 | 0:41:51 | |
And that's one baddie you don't want to introduce your kids to too early. | 0:41:51 | 0:41:56 | |
This is another - the Child Catcher from Chitty Chitty Bang Bang. | 0:41:56 | 0:42:00 | |
Surely one of the scariest baddies | 0:42:00 | 0:42:02 | |
many of us remember from our childhoods. | 0:42:02 | 0:42:05 | |
I really like the use of children in the show so far. | 0:42:40 | 0:42:44 | |
Obviously going to a hospital can be quite scary for kids, | 0:42:44 | 0:42:47 | |
but it's quite a dark side to the ceremony. | 0:42:47 | 0:42:51 | |
But the lights round the hospital beds... | 0:42:51 | 0:42:55 | |
it's like a big contradiction, you know. | 0:42:55 | 0:42:59 | |
My cousin's in this scene somewhere. | 0:42:59 | 0:43:01 | |
Most of the dancers are actually health workers - | 0:43:01 | 0:43:04 | |
doctors, nurses - within the NHS. | 0:43:04 | 0:43:07 | |
They've done very well to choreograph it with people | 0:43:09 | 0:43:14 | |
who don't have natural rhythm, I'm sure. | 0:43:14 | 0:43:16 | |
Here comes Mary Poppins to save the day. | 0:43:42 | 0:43:44 | |
As Dick Van Dyke once sang, no wonder that it's Mary that we love. | 0:43:44 | 0:43:48 | |
The audience are definitely part of this ceremony. | 0:44:27 | 0:44:31 | |
The audience pixels are brilliant. | 0:44:31 | 0:44:33 | |
If we look at the light movement behind the performers, | 0:44:33 | 0:44:37 | |
the audience are having a whale of a time, | 0:44:37 | 0:44:39 | |
waving their pixels in their hands and taking part - | 0:44:39 | 0:44:42 | |
throughout the whole ceremony so far. | 0:44:42 | 0:44:44 | |
It's been great...vision... | 0:44:44 | 0:44:48 | |
the lighting around the audience. | 0:44:48 | 0:44:50 | |
I wish I had one in my hand, actually. | 0:44:50 | 0:44:53 | |
And you'll see what Trevor was calling the pixels there - | 0:45:18 | 0:45:21 | |
everyone in the stadium has got a handset. | 0:45:21 | 0:45:23 | |
It's controlled by a computer, | 0:45:23 | 0:45:25 | |
they're all connected by four miles of cabling | 0:45:25 | 0:45:29 | |
and it took 40 days to install. | 0:45:29 | 0:45:31 | |
As we go on, they're going to produce more and more magical effects. | 0:45:31 | 0:45:35 | |
CHEERING | 0:45:35 | 0:45:37 | |
CHEERING AND APPLAUSE | 0:46:40 | 0:46:42 | |
The crowd here loved that tribute to the NHS, | 0:46:44 | 0:46:48 | |
and to the stars, both jovial and sinister, of children's literature. | 0:46:48 | 0:46:53 | |
The 600 members of NHS staff and of course 300 children, | 0:46:55 | 0:46:59 | |
quite rightly, soaking up the applause. | 0:46:59 | 0:47:03 | |
And it's worth saying that there are 7,500 volunteers in this cast, | 0:47:03 | 0:47:08 | |
and they've all spent about 150 hours each in rehearsal. | 0:47:08 | 0:47:12 | |
..ce soir en honneur de la cinematographie britannique | 0:47:12 | 0:47:16 | |
il dirigera le London Symphony Orchestra | 0:47:16 | 0:47:18 | |
qui interprete Les Chariots De Feu. | 0:47:18 | 0:47:21 | |
Ladies and gentleman, please welcome Sir Simon Rattle. | 0:47:21 | 0:47:26 | |
Tonight, as a tribute to the British film industry, | 0:47:26 | 0:47:29 | |
he is conducting the London Symphony Orchestra | 0:47:29 | 0:47:32 | |
in a performance of Chariots Of Fire. | 0:47:32 | 0:47:35 | |
CHEERING AND APPLAUSE | 0:47:35 | 0:47:37 | |
MUSIC: "Chariots Of Fire" by Vangelis | 0:47:58 | 0:48:01 | |
WILD CHEERING | 0:48:18 | 0:48:20 | |
TRUMPETING | 0:52:21 | 0:52:23 | |
CHEERING AND APPLAUSE | 0:52:32 | 0:52:35 | |
Sir Simon Rattle with the London Symphony Orchestra, | 0:52:35 | 0:52:38 | |
with a little...help, if I can call it that, from Rowan Atkinson. | 0:52:38 | 0:52:41 | |
Yeah, Mr Bean has been shown in just about every territory in the world. | 0:52:41 | 0:52:45 | |
And to quote the original Latin theme tune, | 0:52:45 | 0:52:47 | |
"Vale homo qui est faba." Farewell to the man who is a bean. | 0:52:47 | 0:52:51 | |
CHEERING | 0:52:51 | 0:52:53 | |
If anyone is having any difficulty translating Danny Boyle's vision | 0:52:53 | 0:52:58 | |
of British history, they'll have no problem understanding | 0:52:58 | 0:53:01 | |
that little segment with Mr Bean. | 0:53:01 | 0:53:03 | |
ENGINE REVS | 0:53:05 | 0:53:07 | |
-RADIO: -This is the British Broadcasting Corporation. | 0:53:16 | 0:53:20 | |
MUSIC: The Archers theme | 0:53:24 | 0:53:27 | |
-MICHAEL FISH ON TV: -Today, apparently a woman rang the BBC | 0:53:51 | 0:53:53 | |
and said she heard there was a hurricane on the way. | 0:53:53 | 0:53:55 | |
Well, if you're watching, don't worry, there isn't. | 0:53:55 | 0:53:58 | |
THUNDER RUMBLES | 0:53:58 | 0:54:00 | |
MUSIC: Pot Black theme | 0:54:00 | 0:54:02 | |
It's a typical Saturday night for millions in Britain. | 0:54:10 | 0:54:12 | |
A soundtrack that spans four decades | 0:54:12 | 0:54:14 | |
and it is, in effect, the story | 0:54:14 | 0:54:16 | |
of the digital age - the digital messaging that connects | 0:54:16 | 0:54:20 | |
people to each other. | 0:54:20 | 0:54:22 | |
A catalyst for change, of course, right across the world. | 0:54:22 | 0:54:26 | |
MUSIC: "Push The Button" by the Sugababes | 0:54:26 | 0:54:29 | |
# Before I get the wrong idea and go | 0:54:29 | 0:54:34 | |
# You're gonna miss the freak that I control... # | 0:54:34 | 0:54:38 | |
MASS OF CAMERA CLICKS | 0:54:38 | 0:54:39 | |
MUSIC: "Enola Gay" by OMD | 0:54:39 | 0:54:41 | |
CHEERING AND APPLAUSE | 0:54:41 | 0:54:44 | |
There you go, Anthony. Fish pie. | 0:55:07 | 0:55:09 | |
-Put hairs on your chest. -What's in that? -Gorgeous tin of sardines. | 0:55:09 | 0:55:13 | |
MUSIC: "Food, Glorious Food" by Lionel Bart | 0:55:13 | 0:55:16 | |
I'm tired and hungry. | 0:55:20 | 0:55:21 | |
-I want some more. -What?! | 0:55:21 | 0:55:23 | |
Absolutely. Hooray! | 0:55:23 | 0:55:27 | |
Everybody, gadgets down, now! | 0:55:27 | 0:55:29 | |
-I told you to put that down, now. -It is so unfair. | 0:55:29 | 0:55:34 | |
For what we are about to receive, let us be truly thankful. | 0:55:34 | 0:55:39 | |
You are going nowhere dressed like that, young lady. | 0:55:42 | 0:55:46 | |
-This is a proper skirt. -It is too short. | 0:55:46 | 0:55:49 | |
Wear it when I'm dead. Go and put on a proper skirt. | 0:55:49 | 0:55:51 | |
LAUGHTER | 0:55:51 | 0:55:53 | |
MUSIC: "When I Was A Youngster" by Rizzle Kicks | 0:55:53 | 0:55:57 | |
# I wanted to fly around the world making a new life | 0:55:57 | 0:56:00 | |
# I never thought today I'd be where I am now | 0:56:00 | 0:56:05 | |
# Yo, wanted to be a fireman Then I lost the desire, man | 0:56:05 | 0:56:08 | |
# The second I got old enough to buy myself a cider can | 0:56:08 | 0:56:11 | |
# Yeah, I was a smart little kid... # | 0:56:11 | 0:56:12 | |
I think we expected music to feature heavily tonight in the show. | 0:56:12 | 0:56:16 | |
Danny Boyle's affiliation to great British music and British music, | 0:56:16 | 0:56:20 | |
one of our greatest exports. | 0:56:20 | 0:56:22 | |
I expect four decades of music in a montage now. | 0:56:23 | 0:56:28 | |
Try and name all of the songs, the artists, the films and programmes | 0:56:31 | 0:56:34 | |
you're about to hear in those next few minutes. It's no mean feat. | 0:56:34 | 0:56:38 | |
MUSIC: "Going Underground" by The Jam | 0:56:38 | 0:56:41 | |
# Some people might say my life is in a rut | 0:56:41 | 0:56:44 | |
# But I'm quite happy with what I got | 0:56:44 | 0:56:47 | |
# People might say that I should strive for more | 0:56:47 | 0:56:49 | |
# But I'm so happy I can't see the point | 0:56:49 | 0:56:51 | |
# Something's happening here today | 0:56:51 | 0:56:54 | |
# A show of strength with your Boys' Brigade | 0:56:54 | 0:56:57 | |
# And I'm so happy and you're so kind | 0:56:57 | 0:56:59 | |
# You want more money Of course, I don't mind | 0:56:59 | 0:57:02 | |
# To buy nuclear textbooks for atomic crimes | 0:57:02 | 0:57:05 | |
# And the public gets what the public wants | 0:57:05 | 0:57:07 | |
# But I want nothing this society's got | 0:57:07 | 0:57:10 | |
-# I'm going underground -Going underground | 0:57:10 | 0:57:13 | |
# Well, the brass bands play and feet start to pound | 0:57:13 | 0:57:16 | |
-# Going underground -Going underground | 0:57:16 | 0:57:18 | |
# Well, the brass bands play and feet start to pound | 0:57:18 | 0:57:21 | |
-# Going underground -Going underground | 0:57:21 | 0:57:24 | |
# Well, let the boys all sing and let the boys all shout | 0:57:24 | 0:57:26 | |
-# Going underground -Going underground | 0:57:26 | 0:57:28 | |
# Well, let the boys all sing and let the boys all shout | 0:57:28 | 0:57:31 | |
# For tomorrow. # | 0:57:31 | 0:57:33 | |
MUSIC: "Wonderful Tonight" by Eric Clapton | 0:57:37 | 0:57:40 | |
She's gorgeous. | 0:57:50 | 0:57:52 | |
She is absolutely gorgeous! | 0:57:52 | 0:57:57 | |
MUSIC: "My Generation" by The Who | 0:58:07 | 0:58:12 | |
# People try to put us down | 0:58:12 | 0:58:14 | |
# Talking 'bout my generation | 0:58:14 | 0:58:17 | |
# Just because we get around | 0:58:17 | 0:58:19 | |
# Talking 'bout my generation | 0:58:19 | 0:58:22 | |
# My generation | 0:58:22 | 0:58:24 | |
# My generation, baby... # | 0:58:24 | 0:58:27 | |
MUSIC: "Satisfaction" by The Rolling Stones | 0:58:27 | 0:58:30 | |
# I can't get no satisfaction | 0:58:31 | 0:58:37 | |
# Cos I tried and I tried | 0:58:37 | 0:58:40 | |
# And I tried and I tried | 0:58:40 | 0:58:43 | |
# I can't get no | 0:58:43 | 0:58:45 | |
# No, no, no. # | 0:58:47 | 0:58:48 | |
MUSIC: "My Boy Lollipop" by Millie | 0:58:50 | 0:58:53 | |
# You make my heart go giddy-up | 0:58:53 | 0:58:56 | |
# Oh, my boy Lollipop. # | 0:58:57 | 0:58:59 | |
MUSIC: "All Day And All Of The Night" by The Kinks | 0:59:06 | 0:59:09 | |
# Girl, I want to be with you | 0:59:09 | 0:59:12 | |
# All of the time All day and all of the night | 0:59:12 | 0:59:17 | |
MUSIC: "She Loves You" by The Beatles | 0:59:17 | 0:59:19 | |
# She loves you, yeah, yeah, yeah | 0:59:19 | 0:59:22 | |
# With a love like that | 0:59:22 | 0:59:24 | |
# You know you should | 0:59:24 | 0:59:26 | |
# Be glad | 0:59:26 | 0:59:30 | |
# Yeah, yeah, yeah | 0:59:31 | 0:59:34 | |
# Yeah, yeah, yeah, yeah. # | 0:59:35 | 0:59:37 | |
Not the first time you will hear from a Beatle on the show tonight. | 0:59:37 | 0:59:41 | |
-Are you pretty? -Not bad. | 0:59:41 | 0:59:44 | |
MUSIC: "Tiger Feet" by Mud | 0:59:44 | 0:59:47 | |
# That's right, that's right That's right, that's right | 0:59:47 | 0:59:49 | |
# I really love your tiger light. # | 0:59:49 | 0:59:51 | |
How are you doing so far, Hazel, with naming every song? | 0:59:51 | 0:59:54 | |
Well, I had the advantage of having seen this a couple of times, | 0:59:55 | 0:59:59 | |
so I'm cheating a bit. I didn't get them the first time. | 0:59:59 | 1:00:02 | |
I think it's easier to work out what's missing. | 1:00:02 | 1:00:06 | |
Can't please all of the people, I suppose. | 1:00:06 | 1:00:09 | |
Damned if you do, damned if you don't. | 1:00:09 | 1:00:12 | |
MUSIC: "Trampled Underfoot" by Led Zeppelin | 1:00:12 | 1:00:15 | |
MUSIC: "A Message To You, Rudy" by The Specials | 1:00:21 | 1:00:24 | |
# Better think of your future. # | 1:00:26 | 1:00:28 | |
# MUSIC: "Starman" by David Bowie | 1:00:30 | 1:00:33 | |
# Waiting in the sky | 1:00:33 | 1:00:35 | |
# He's told us not to blow it cos he knows it's all worthwhile | 1:00:35 | 1:00:40 | |
# He told me Let the children lose it | 1:00:40 | 1:00:43 | |
# Let the children use it Let all the children boogie. # | 1:00:43 | 1:00:49 | |
MUSIC: "Bohemian Rhapsody" by Queen | 1:00:49 | 1:00:52 | |
# Is this just fantasy? | 1:00:52 | 1:00:55 | |
# Caught in a landslide | 1:00:55 | 1:00:58 | |
# No escape from reality | 1:00:58 | 1:01:02 | |
# So you think you can stone me and spit in my eye? | 1:01:02 | 1:01:08 | |
# So you think you can love me and leave me to die? | 1:01:10 | 1:01:14 | |
# Oh, baby | 1:01:14 | 1:01:17 | |
# Can't do this to me, baby | 1:01:18 | 1:01:21 | |
# Just got to get out | 1:01:21 | 1:01:23 | |
# Just got to get right out of here. # | 1:01:23 | 1:01:26 | |
MUSIC: "Pretty Vacant" by Sex Pistols | 1:01:43 | 1:01:46 | |
# Oh, we're so pretty | 1:01:59 | 1:02:00 | |
# Oh, so pretty | 1:02:00 | 1:02:02 | |
# We're vacant! | 1:02:04 | 1:02:06 | |
# Oh, we're so pretty | 1:02:06 | 1:02:07 | |
# Oh, so pretty | 1:02:07 | 1:02:09 | |
# Vacant! | 1:02:10 | 1:02:13 | |
# Don't ask us to attend Cos we're not all there | 1:02:13 | 1:02:16 | |
# I don't pretend Cos I don't care | 1:02:16 | 1:02:19 | |
# I don't believe illusions Cos too much is real | 1:02:19 | 1:02:22 | |
# So stop your cheap comment | 1:02:22 | 1:02:24 | |
# Cos we know what we feel | 1:02:26 | 1:02:29 | |
# Oh, we're so pretty | 1:02:30 | 1:02:32 | |
# Oh, so pretty | 1:02:32 | 1:02:34 | |
# We're vacant! | 1:02:36 | 1:02:37 | |
# Oh, we're so pretty | 1:02:37 | 1:02:39 | |
# Oh, so pretty | 1:02:39 | 1:02:41 | |
# And now | 1:02:45 | 1:02:46 | |
# And we don't care! # | 1:02:46 | 1:02:49 | |
The mid-1970s punk era represented by the Sex Pistols there. | 1:02:49 | 1:02:53 | |
There is a mosh pit. I don't see too much moshing going on there! | 1:02:53 | 1:02:58 | |
But there is one here. | 1:02:58 | 1:02:59 | |
Danny Boyle worked very closely with the boys from the Underworld | 1:02:59 | 1:03:03 | |
on the musical soundtrack on the show tonight. | 1:03:03 | 1:03:06 | |
MUSIC: "Blue Monday" by New Order | 1:03:06 | 1:03:08 | |
Now we have some New Order. | 1:03:08 | 1:03:10 | |
# And told me who you are. # | 1:03:10 | 1:03:14 | |
MUSIC: "Relax" by Frankie Goes To Hollywood | 1:03:15 | 1:03:17 | |
# When you want to go to it | 1:03:17 | 1:03:19 | |
# Relax, don't do it | 1:03:19 | 1:03:21 | |
# When you want to come. # | 1:03:22 | 1:03:24 | |
MUSIC: "Back To Life" by Soul II Soul | 1:03:24 | 1:03:28 | |
# However do you want me? However do you need me? | 1:03:28 | 1:03:32 | |
# However do you want me? However do you need me? | 1:03:32 | 1:03:36 | |
# However do you want me? However do you need me? | 1:03:36 | 1:03:40 | |
# However do you want me? # | 1:03:40 | 1:03:43 | |
MUSIC: "Step On" by Happy Mondays | 1:03:43 | 1:03:46 | |
The whole stadium looks like a graphic equaliser now. | 1:03:46 | 1:03:48 | |
MUSIC: "Sweet Dreams" by The Eurythmics | 1:03:48 | 1:03:51 | |
# Who am I to disagree? | 1:03:51 | 1:03:54 | |
# I travel the world and the seven seas | 1:03:54 | 1:03:58 | |
# Everybody's looking for something | 1:03:58 | 1:04:02 | |
# Something, something, something something, something, something... # | 1:04:02 | 1:04:08 | |
So, they're taking us on a trip from the '60s and, apparently, | 1:04:08 | 1:04:11 | |
right up to the present day. | 1:04:11 | 1:04:13 | |
So, they're going from ska and we'll end up at rave, I believe. | 1:04:15 | 1:04:18 | |
MUSIC: "Firestarter" by The Prodigy | 1:04:18 | 1:04:21 | |
# I'm a firestarter Twisted firestarter | 1:04:25 | 1:04:28 | |
# You're the firestarter Twisted firestarter | 1:04:31 | 1:04:34 | |
# I'm a firestarter Twisted firestarter. # | 1:04:38 | 1:04:41 | |
MUSIC: "Born Slippy" by Underworld | 1:04:44 | 1:04:48 | |
# Shouting lager, lager, lager, lager | 1:04:48 | 1:04:51 | |
# Shouting lager, lager, lager, lager | 1:04:51 | 1:04:54 | |
# Shouting lager, lager lager, lager... # | 1:04:54 | 1:04:59 | |
And the soundtrack to the film that Danny Boyle is famously known for - | 1:04:59 | 1:05:03 | |
Trainspotting. | 1:05:03 | 1:05:06 | |
# I'm for ever blowing bubbles | 1:05:06 | 1:05:09 | |
# Pretty bubbles in the air | 1:05:09 | 1:05:14 | |
# They fly so high Nearly reach the sky | 1:05:14 | 1:05:20 | |
# And like my dreams they fade and die | 1:05:20 | 1:05:24 | |
# Fortune's always hiding | 1:05:24 | 1:05:28 | |
# I've looked everywhere | 1:05:28 | 1:05:32 | |
# I'm for ever blowing bubbles | 1:05:32 | 1:05:36 | |
# Pretty bubbles in the air... # | 1:05:36 | 1:05:39 | |
Famous West Ham song. And, surprisingly, | 1:05:39 | 1:05:43 | |
most of the people in the stadium were singing it. | 1:05:43 | 1:05:46 | |
'..he was still with the Partridge Family, I Think I Love You.' | 1:05:46 | 1:05:48 | |
MUSIC: "Song 2" by Blur | 1:05:48 | 1:05:52 | |
# Wo-hoo! | 1:05:52 | 1:05:53 | |
# Wo-hoo! | 1:05:56 | 1:05:58 | |
# Cos I need you. # | 1:05:58 | 1:06:00 | |
We mentioned Trainspotting earlier. | 1:06:04 | 1:06:06 | |
This is Danny Boyle's eight-time Oscar-winning feel-good movie, | 1:06:06 | 1:06:10 | |
Slumdog Millionaire, UK-style. It's got the romance, it's got the music | 1:06:10 | 1:06:14 | |
and it's got a whole lot to say about life | 1:06:14 | 1:06:16 | |
in a particular part of the world. Ours. | 1:06:16 | 1:06:19 | |
# I wake up just to go back to sleep | 1:06:19 | 1:06:20 | |
# I act real shallow but I'm in too deep | 1:06:20 | 1:06:22 | |
# And all I care about is sex and violence | 1:06:22 | 1:06:24 | |
# A heavy bass line is my kind of silence | 1:06:24 | 1:06:26 | |
# Everybody says that I've got to get a grip | 1:06:26 | 1:06:28 | |
# But I let sanity give me the slip | 1:06:28 | 1:06:30 | |
# Some people think I'm bonkers but I just think I'm free | 1:06:30 | 1:06:34 | |
# Man, I'm just living my life There's nothing crazy 'bout me | 1:06:34 | 1:06:38 | |
# Some people pay for thrills but I get mine for free | 1:06:38 | 1:06:42 | |
# Man, I'm just living my life There's nothing crazy 'bout me | 1:06:42 | 1:06:46 | |
# Bonkers | 1:06:53 | 1:06:55 | |
# I wake up, every day is a daydream | 1:07:08 | 1:07:10 | |
# Everything in my life ain't what it seems | 1:07:10 | 1:07:12 | |
# I wake up just to go back to sleep | 1:07:12 | 1:07:14 | |
# I act real shallow but I'm in too deep | 1:07:14 | 1:07:16 | |
# And all I care about is sex and violence | 1:07:16 | 1:07:18 | |
# A heavy bass line is my kind of silence | 1:07:18 | 1:07:19 | |
# Everybody says that I've got to get a grip... # | 1:07:19 | 1:07:22 | |
Local boy, Dizzee Rascal, from Bow, | 1:07:22 | 1:07:25 | |
a stone's throw from here. | 1:07:25 | 1:07:27 | |
Arguably, the biggest moment of his performing life. | 1:07:27 | 1:07:31 | |
# Why don't you come on over, Valerie? | 1:07:34 | 1:07:38 | |
# Valerie. # | 1:07:40 | 1:07:42 | |
MUSIC: "Uprising" by Muse | 1:07:45 | 1:07:49 | |
# They will not force us | 1:07:49 | 1:07:54 | |
# And they will stop degrading us | 1:07:54 | 1:08:02 | |
# They will not control us | 1:08:02 | 1:08:09 | |
# We will be victorious. # | 1:08:09 | 1:08:17 | |
MUSIC: "Pass Out" by Tinie Tempah | 1:08:17 | 1:08:20 | |
# Yeah, we bring the stars out | 1:08:20 | 1:08:22 | |
# We bring the women and the cars and the cards out | 1:08:22 | 1:08:24 | |
# Let's have a toast, a celebration Get a glass out | 1:08:24 | 1:08:27 | |
# And we can do this until we pass out. # | 1:08:27 | 1:08:30 | |
# Some people think I'm bonkers but I just think I'm free | 1:08:30 | 1:08:33 | |
# Man, I'm just living my life There's nothing crazy 'bout me | 1:08:33 | 1:08:38 | |
# Some people pay for thrills but I get mine for free | 1:08:38 | 1:08:41 | |
# Man, I'm just living my life There's nothing crazy 'bout me. # | 1:08:41 | 1:08:46 | |
Musically, it's important to note that grime music, | 1:08:46 | 1:08:49 | |
that Dizzee Rascal represents, was born in East London, | 1:08:49 | 1:08:52 | |
and I suppose that's why he's had such a big part | 1:08:52 | 1:08:55 | |
in the musical montage tonight. | 1:08:55 | 1:08:57 | |
And here's the culmination of this sequence. | 1:09:05 | 1:09:08 | |
1,400 volunteer cast paying tribute to this man, really, | 1:09:08 | 1:09:11 | |
because he's the one who changed the way we all communicate today. | 1:09:11 | 1:09:15 | |
Sir Tim Berners-Lee, the British scientist | 1:09:15 | 1:09:18 | |
who invented the World Wide Web | 1:09:18 | 1:09:20 | |
and created the first website in the world, in 1990. | 1:09:20 | 1:09:24 | |
This Is For Everyone - | 1:09:24 | 1:09:26 | |
his famous gift to the world and Danny Boyle was determined | 1:09:26 | 1:09:31 | |
to give Tim Berners-Lee a very prominent place tonight. | 1:09:31 | 1:09:35 | |
MUSIC FADES | 1:09:46 | 1:09:50 | |
APPLAUSE AND CHEERING | 1:09:50 | 1:09:53 | |
It really is like the soundtrack to many of our lives. | 1:09:53 | 1:09:58 | |
Mesdames et messieurs, Sir Tim Berners-Lee | 1:09:58 | 1:10:01 | |
inventeur du World Wide Web. | 1:10:01 | 1:10:03 | |
Ladies and gentlemen, | 1:10:03 | 1:10:05 | |
the inventor of the World Wide Web, Sir Tim Berners-Lee. | 1:10:05 | 1:10:10 | |
APPLAUSE AND CHEERING | 1:10:10 | 1:10:13 | |
MUSIC: "I Heard Wonders" by David Holmes | 1:10:25 | 1:10:27 | |
THEY CHEER | 1:10:59 | 1:11:03 | |
# Here she comes again | 1:11:22 | 1:11:26 | |
# Not satisfied with the state I'm in | 1:11:27 | 1:11:32 | |
# She's a breath of life tearing me inside | 1:11:33 | 1:11:39 | |
# My arms are open but my soul is tired | 1:11:39 | 1:11:45 | |
# Morning comes but still at night | 1:11:45 | 1:11:47 | |
# I see your face when I close my eyes | 1:11:47 | 1:11:50 | |
# In my dreams coming back to me | 1:11:50 | 1:11:53 | |
# I see you walking in my sleep | 1:11:53 | 1:11:56 | |
# I see your teardrops in the streets | 1:11:56 | 1:11:58 | |
# I hear you saying you'll wait | 1:11:58 | 1:12:02 | |
# I feel you lying next to me | 1:12:02 | 1:12:06 | |
# I hear you whisper, come and see | 1:12:06 | 1:12:08 | |
# Here she comes again | 1:12:19 | 1:12:25 | |
# Standing by my side Breathing on my skin | 1:12:25 | 1:12:31 | |
# She's a breath of life I've nothing left to hide | 1:12:31 | 1:12:37 | |
# My arms are open but my soul is tired | 1:12:37 | 1:12:42 | |
# Morning comes but still at night | 1:12:42 | 1:12:45 | |
# I see your face when I close my eyes | 1:12:45 | 1:12:49 | |
# In my dreams, coming back to me | 1:12:49 | 1:12:52 | |
# I see you walking in my sleep | 1:12:52 | 1:12:54 | |
# I see your teardrops in the streets | 1:12:54 | 1:12:58 | |
# I hear you saying you'll wait I feel you lying next to me | 1:12:58 | 1:13:03 | |
# I hear you whispering come and see... # | 1:13:03 | 1:13:05 | |
The torch relay. | 1:13:42 | 1:13:43 | |
70 days, 8,000 miles. | 1:13:43 | 1:13:46 | |
And here's a clue as to what's happening tonight. | 1:13:46 | 1:13:49 | |
The very familiar figure of David Beckham on the Thames. | 1:13:49 | 1:13:54 | |
Joined by Jade Bailey, a young footballer | 1:13:54 | 1:13:57 | |
tipped to become one of the sporting stars of the future. | 1:13:57 | 1:14:00 | |
This answers one of the great mysteries about this ceremony. | 1:14:00 | 1:14:02 | |
How would the flame make its way from City Hall | 1:14:02 | 1:14:07 | |
to the Olympic Stadium in East London? | 1:14:07 | 1:14:11 | |
Yes, David played a major part in the bid | 1:14:11 | 1:14:12 | |
to bring these Games to London, | 1:14:12 | 1:14:14 | |
or, as he called it back at the IOC vote seven years ago, | 1:14:14 | 1:14:17 | |
"his manor". It certainly is tonight. | 1:14:17 | 1:14:20 | |
# I feel you breathing on my cheek | 1:14:25 | 1:14:28 | |
# I see you dreaming in deep... # | 1:14:28 | 1:14:31 | |
Very few people as well qualified to perform this task. | 1:14:31 | 1:14:35 | |
As Hazel said, not just one of the world's most famous sportsmen, | 1:14:35 | 1:14:40 | |
but the former England football captain and Eastender, | 1:14:40 | 1:14:43 | |
born in Leytonstone, just a few miles from the stadium in Stratford. | 1:14:43 | 1:14:49 | |
He also played his part at the handover ceremony in Beijing | 1:14:51 | 1:14:55 | |
aboard the big red bus. | 1:14:55 | 1:14:56 | |
And he's on his way now. | 1:14:56 | 1:14:58 | |
..un moment de reflexion en respect de notre mur de la memoire | 1:14:58 | 1:15:01 | |
pour les amis et les familles de ceux present dans le stade | 1:15:01 | 1:15:03 | |
qui n'ont pu pas etre ici ce soir. | 1:15:03 | 1:15:06 | |
Ladies and gentlemen, please pause to respect our memorial wall, | 1:15:06 | 1:15:10 | |
for friends and family of those in the stadium | 1:15:10 | 1:15:13 | |
that cannot be here tonight. Thank you. | 1:15:13 | 1:15:15 | |
BELL CHIMES | 1:16:02 | 1:16:05 | |
APPLAUSE | 1:16:05 | 1:16:06 | |
Yes, the excitement of that moment in Singapore seven years ago when London | 1:16:12 | 1:16:16 | |
won the Games was tempered with great sorrow the very next day, | 1:16:16 | 1:16:19 | |
with events on the 7th of July that year. | 1:16:19 | 1:16:21 | |
A moving wall of memories remembering those who are no longer here | 1:16:21 | 1:16:25 | |
to share in this wonderful event. | 1:16:25 | 1:16:26 | |
And this is a calming and reflective pause | 1:16:26 | 1:16:28 | |
after the exuberance of the last hour and a quarter. | 1:16:28 | 1:16:31 | |
HEARTBEAT PULSES | 1:16:31 | 1:16:34 | |
CHEERING AND APPLAUSE | 1:16:49 | 1:16:52 | |
# Abide with me | 1:17:10 | 1:17:14 | |
# Fast falls the eventide | 1:17:14 | 1:17:20 | |
# The darkness deepens | 1:17:20 | 1:17:26 | |
# Lord, with me abide | 1:17:26 | 1:17:31 | |
# When other helpers fail | 1:17:31 | 1:17:38 | |
# And comforts flee | 1:17:38 | 1:17:42 | |
# Help of the helpless | 1:17:42 | 1:17:46 | |
# Oh, abide with me | 1:17:46 | 1:17:52 | |
# Swift to its close | 1:17:55 | 1:18:00 | |
# Ebbs out life's little day | 1:18:00 | 1:18:05 | |
# Earth's joys grow dim | 1:18:06 | 1:18:10 | |
# Its glories pass away | 1:18:10 | 1:18:16 | |
# Change and decay | 1:18:16 | 1:18:22 | |
# In all around I see | 1:18:22 | 1:18:27 | |
# Oh, Thou who changest not | 1:18:27 | 1:18:32 | |
# Abide with me | 1:18:32 | 1:18:38 | |
# I need Thy presence | 1:18:40 | 1:18:46 | |
# Every passing hour | 1:18:46 | 1:18:51 | |
# What but Thy grace | 1:18:51 | 1:18:55 | |
# Can foil the tempter's power? | 1:18:55 | 1:19:01 | |
# Who like Thyself | 1:19:02 | 1:19:06 | |
# My guide and stay can be? | 1:19:06 | 1:19:13 | |
# Through cloud and sunshine | 1:19:13 | 1:19:17 | |
# Lord, abide with me | 1:19:17 | 1:19:23 | |
# I fear no foe | 1:19:26 | 1:19:30 | |
# With Thee at hand to bless | 1:19:30 | 1:19:36 | |
# Ills have no weight | 1:19:36 | 1:19:40 | |
# And tears no bitterness | 1:19:40 | 1:19:47 | |
# Where is death's sting? | 1:19:47 | 1:19:51 | |
# Where, grave, thy victory? | 1:19:51 | 1:19:58 | |
# I triumph still | 1:19:58 | 1:20:02 | |
# If Thou abide with me | 1:20:02 | 1:20:08 | |
# Hold Thou Thy cross | 1:20:14 | 1:20:18 | |
# Before my closing eyes | 1:20:18 | 1:20:25 | |
# Shine through the gloom | 1:20:25 | 1:20:29 | |
# And point me to the skies | 1:20:29 | 1:20:36 | |
# Heaven's morning breaks | 1:20:36 | 1:20:40 | |
# And Earth's vain shadows flee | 1:20:40 | 1:20:46 | |
# In life, in death | 1:20:48 | 1:20:52 | |
# O, Lord | 1:20:52 | 1:20:54 | |
# Abide with me. # | 1:20:54 | 1:21:01 | |
Wonderful rendition there | 1:21:03 | 1:21:04 | |
of Abide With Me by Scotland's Emeli Sande | 1:21:04 | 1:21:07 | |
and choreographer Akram Khan. | 1:21:07 | 1:21:10 | |
A song, a hymn that's been sung at every FA Cup final | 1:21:10 | 1:21:13 | |
since 1927 and every Rugby League Challenge Cup final since 1929. | 1:21:13 | 1:21:19 | |
CHEERING AND APPLAUSE | 1:21:19 | 1:21:20 | |
CHEERING AND APPLAUSE | 2:00:02 | 2:00:04 | |
Mesdames et messieurs, | 2:00:06 | 2:00:08 | |
nous acceuillons les athletes des Jeux olympiques 2012. | 2:00:08 | 2:00:13 | |
Ladies and gentlemen, | 2:00:13 | 2:00:15 | |
please welcome the athletes of the London 2012 Olympic Games. | 2:00:15 | 2:00:19 | |
CHEERING AND APPLAUSE | 2:00:19 | 2:00:22 | |
A resounding cheer, | 2:00:24 | 2:00:26 | |
because this brings us to the prime purpose | 2:00:26 | 2:00:28 | |
of this grand Opening Ceremony, to welcome the athletes, | 2:00:28 | 2:00:31 | |
of course, representing more than 10,000 competitors in London 2012. | 2:00:31 | 2:00:37 | |
Yep, 204 nations - more than the UN - | 2:00:37 | 2:00:41 | |
will compete in 302 events in 26 sports. | 2:00:41 | 2:00:44 | |
And the place where it all began - Greece. | 2:00:44 | 2:00:48 | |
This sporting extravaganza came to be in 776 BC. | 2:00:48 | 2:00:53 | |
It's only fitting and only right | 2:00:53 | 2:00:54 | |
that they get to march first in that case. | 2:00:54 | 2:00:56 | |
106 members of the Greek team. And there, | 2:00:58 | 2:01:02 | |
we have one of the first sightings of what we call a petal. | 2:01:02 | 2:01:05 | |
A copper petal. | 2:01:05 | 2:01:07 | |
I'm not going to spoil the surprise, | 2:01:07 | 2:01:08 | |
because we'll see lots of these in this parade, | 2:01:08 | 2:01:11 | |
and they will play a very important part later on in this ceremony. | 2:01:11 | 2:01:14 | |
410 members of the Australian team. | 2:01:14 | 2:01:17 | |
They had 632, by the way, back in Sydney in 2000, | 2:01:17 | 2:01:21 | |
and Australia can boast, at least, one of only six countries | 2:01:21 | 2:01:24 | |
to have hosted the Olympics more than once. | 2:01:24 | 2:01:27 | |
Bresil! | 2:01:27 | 2:01:28 | |
Brazil! | 2:01:28 | 2:01:30 | |
The giant presence of Brazil, | 2:01:30 | 2:01:33 | |
the most influential country, probably, in South America, | 2:01:33 | 2:01:37 | |
an economic giant, and the world's biggest democracy. | 2:01:37 | 2:01:40 | |
Rodrigo Pessoa | 2:01:40 | 2:01:41 | |
is the flag bearer. | 2:01:41 | 2:01:43 | |
Brunei Darussalam. | 2:01:43 | 2:01:45 | |
The flag bearer is Maziah Mahusin, runs in the 400 metres. | 2:01:47 | 2:01:51 | |
And this is such a significant moment. | 2:01:51 | 2:01:54 | |
They're including women in their Olympic team for the very first time, | 2:01:54 | 2:01:57 | |
and along with Qatar and Saudi Arabia, it's a major first, | 2:01:57 | 2:02:01 | |
and the IOC has achieved one of its long and central aims | 2:02:01 | 2:02:04 | |
of the Olympic ideal. | 2:02:04 | 2:02:06 | |
Bulgaria! | 2:02:06 | 2:02:07 | |
Carrying their flag, the AMAZING Iordan Iovtchev, | 2:02:11 | 2:02:13 | |
four-time Olympic medallist, he's already held the record | 2:02:13 | 2:02:16 | |
as the first male gymnast to go to five Games, | 2:02:16 | 2:02:18 | |
and now he's back for a sixth at the tender age of 39. | 2:02:18 | 2:02:22 | |
He is lord of the rings. | 2:02:22 | 2:02:24 | |
Still with glowing hearts from their most successful Olympic | 2:02:26 | 2:02:30 | |
performance in history in Vancouver, they staged the Winter Games there, | 2:02:30 | 2:02:34 | |
came out with 14 medals of the golden variety, | 2:02:34 | 2:02:38 | |
setting the record for most golds won at a single Winter Games. | 2:02:38 | 2:02:42 | |
People's Republic of China. | 2:02:42 | 2:02:44 | |
Here we have the Chinese, | 2:02:44 | 2:02:46 | |
getting a huge cheer | 2:02:46 | 2:02:48 | |
in the Olympic Stadium. | 2:02:48 | 2:02:50 | |
Of course, staged a magnificent Games | 2:02:50 | 2:02:53 | |
and a magnificent Opening Ceremony, back in 2008. | 2:02:53 | 2:02:57 | |
Yes, the Bird's Nest, the Water Cube, the Games in Beijing, | 2:02:57 | 2:02:59 | |
and of Hope and Phelps and Hoy and Steph Rice. | 2:02:59 | 2:03:02 | |
What will we remember of London and London's Games | 2:03:02 | 2:03:04 | |
four years hence? The flag bearer, well, they were teasing us about it, | 2:03:04 | 2:03:08 | |
but look, you can't miss him! | 2:03:08 | 2:03:10 | |
At seven feet tall, Yi Jianlian, | 2:03:10 | 2:03:13 | |
he's a professional basketball player in the NBA, | 2:03:13 | 2:03:16 | |
and this continues the Chinese tradition of having | 2:03:16 | 2:03:18 | |
a basketball player bear the flag at every Games since 1984. | 2:03:18 | 2:03:23 | |
I wonder what they made of our ceremony, | 2:03:23 | 2:03:26 | |
our opening ceremony, compared to Beijing? | 2:03:26 | 2:03:28 | |
Well, time will tell, Trevor, but look out for | 2:03:28 | 2:03:31 | |
the Chinese in so many sports. | 2:03:31 | 2:03:33 | |
In diving, they won seven out of eight titles. | 2:03:33 | 2:03:36 | |
Badminton, they've got superstars there. | 2:03:36 | 2:03:39 | |
Super Dan Lin defending his title. | 2:03:39 | 2:03:40 | |
Nine out of 14 golds in gymnastics last time. | 2:03:40 | 2:03:42 | |
And watch out for Liu Xiang. | 2:03:42 | 2:03:44 | |
Do you remember that rather theatrical pulling out | 2:03:44 | 2:03:48 | |
of the 110 metres hurdles? Well, he's back | 2:03:48 | 2:03:52 | |
to try and do himself and his country proud this time. | 2:03:52 | 2:03:54 | |
As we see the Colombians coming in, there's one man waiting, | 2:04:03 | 2:04:07 | |
there he is, the biggest sports star on the planet. | 2:04:07 | 2:04:11 | |
It's Usain, and he's going to have a very special part to play | 2:04:11 | 2:04:15 | |
in a few moments' time. Making his way. | 2:04:15 | 2:04:17 | |
15 volcanic islands, they make up the Cook Islands, | 2:04:18 | 2:04:23 | |
a population of just 18,000, | 2:04:23 | 2:04:25 | |
they first appeared at the Olympics back in 1988. | 2:04:25 | 2:04:30 | |
A self-governing dependency of New Zealand since 1965 - | 2:04:30 | 2:04:33 | |
if they do strike gold, | 2:04:33 | 2:04:35 | |
God Defend New Zealand will therefore be played. | 2:04:35 | 2:04:38 | |
The flags making their way up this replica of Glastonbury Tor, | 2:04:47 | 2:04:51 | |
and once again, we are intrigued and teased | 2:04:51 | 2:04:53 | |
by the sight of those copper petals. | 2:04:53 | 2:04:55 | |
We might have been in Paris tonight. | 2:04:57 | 2:05:00 | |
Came down to a choice between London and Paris to host these Games, | 2:05:00 | 2:05:03 | |
and the rest is history. | 2:05:03 | 2:05:06 | |
But we welcome this BIG French team, | 2:05:06 | 2:05:09 | |
and that's a big man, that's Teddy Riner. | 2:05:09 | 2:05:11 | |
Five-time world champion in judo, | 2:05:11 | 2:05:14 | |
he's a men's heavyweight division - | 2:05:14 | 2:05:16 | |
Teddy by name, cuddly he's not. Although maybe to some, perhaps. | 2:05:16 | 2:05:20 | |
Representing 82 million Germans. | 2:05:20 | 2:05:23 | |
Europe's most industrialised and populous country. | 2:05:26 | 2:05:29 | |
Natascha Keller, hockey player, the flag bearer. | 2:05:29 | 2:05:33 | |
Independent Olympic Athletes. | 2:05:35 | 2:05:38 | |
Well, we have a stateless refugee from South Sudan | 2:05:41 | 2:05:45 | |
and three athletes from the Dutch Antilles | 2:05:45 | 2:05:47 | |
competing as independent athletes under the Olympic flag. | 2:05:47 | 2:05:51 | |
There is a precedent for this - | 2:05:51 | 2:05:53 | |
Yugoslavia competed under the Olympic flag in 1992 in Barcelona, | 2:05:53 | 2:05:57 | |
as indeed did athletes from East Timor. | 2:05:57 | 2:06:01 | |
The Queen looking on with great interest, | 2:06:07 | 2:06:10 | |
as we have the Indian team arriving in the stadium. | 2:06:10 | 2:06:14 | |
The Archbishop of Canterbury too, Dr Rowan Williams, | 2:06:14 | 2:06:16 | |
just a few months away from retirement. | 2:06:16 | 2:06:18 | |
The Indians arriving - of course, the world's biggest democracy, | 2:06:18 | 2:06:21 | |
1.2 billion people, | 2:06:21 | 2:06:23 | |
and the flag bearer is the wrestler Sushil Kumar. | 2:06:23 | 2:06:27 | |
One of the most populous nations on Earth, | 2:06:29 | 2:06:33 | |
and badminton is one of the national sports there. | 2:06:33 | 2:06:37 | |
Two of their athletes won men's and women's singles titles in '92 | 2:06:38 | 2:06:42 | |
in Barcelona when the sport was first introduced into the Olympics. | 2:06:42 | 2:06:47 | |
A huge cheer for the Irish, led by flag bearer Katie Taylor, | 2:06:47 | 2:06:52 | |
four-time world boxing champion. | 2:06:52 | 2:06:54 | |
Yes, good evening to all of our friends in Ireland, | 2:06:54 | 2:06:57 | |
and we're wishing you and your 66 men and women well here in London. | 2:06:57 | 2:07:01 | |
Katie Taylor a strong favourite in the lightweight division in boxing, | 2:07:01 | 2:07:05 | |
as boxing makes its debut for women here. | 2:07:05 | 2:07:09 | |
As ever, Irish sports fans will be as welcome here as they are anywhere | 2:07:09 | 2:07:13 | |
and everywhere else in the world. | 2:07:13 | 2:07:14 | |
The Israeli team. | 2:07:14 | 2:07:16 | |
2012 marking | 2:07:16 | 2:07:19 | |
the 40th anniversary | 2:07:19 | 2:07:20 | |
of the death of 11 members of the Israeli team, | 2:07:20 | 2:07:23 | |
following the terrorist attack at the Munich Olympics. | 2:07:23 | 2:07:26 | |
The Italians. | 2:07:28 | 2:07:29 | |
Very popular entrants, as usual, | 2:07:31 | 2:07:34 | |
and a very long and rich Olympic tradition going back to 1896. | 2:07:34 | 2:07:39 | |
Jamaica. | 2:07:41 | 2:07:43 | |
Here we go... | 2:07:43 | 2:07:45 | |
Here he is. The biggest and most | 2:07:45 | 2:07:48 | |
charismatic sports star in the world! | 2:07:48 | 2:07:51 | |
Usain St Leo Bolt, | 2:07:52 | 2:07:55 | |
of Sherwood Content, Trelawny. | 2:07:55 | 2:07:58 | |
Listen to the applause for the three-time gold medallist, | 2:08:00 | 2:08:04 | |
the man who set three world records with his team-mates | 2:08:04 | 2:08:07 | |
last time around in Beijing. | 2:08:07 | 2:08:08 | |
196 members of the New Zealand team. | 2:08:08 | 2:08:12 | |
Nick Willis, who won silver | 2:08:12 | 2:08:14 | |
in the men's 1500 metres in Beijing is the flag bearer. | 2:08:14 | 2:08:18 | |
Well, Palestine has been | 2:08:20 | 2:08:22 | |
a recognised member of the International Olympic Committee | 2:08:22 | 2:08:25 | |
since 1995, | 2:08:25 | 2:08:26 | |
although there is no independent state of Palestine. | 2:08:26 | 2:08:29 | |
Fresh from their exploits hosting a major sporting event - | 2:08:30 | 2:08:33 | |
the European Football Championships - | 2:08:33 | 2:08:34 | |
alongside Ukraine. | 2:08:34 | 2:08:37 | |
Well, this is a significant moment for Qatar. | 2:08:38 | 2:08:41 | |
The shooter Bahya al-Hamad | 2:08:41 | 2:08:43 | |
carries the flag in what she says is a truly historic moment | 2:08:43 | 2:08:45 | |
as the Qatar team includes women for the very first time. | 2:08:45 | 2:08:48 | |
Romania. | 2:08:48 | 2:08:50 | |
Bumper presence from Russia - | 2:08:52 | 2:08:53 | |
436 competitors. | 2:08:53 | 2:08:55 | |
And, of course, they are looking ahead | 2:08:55 | 2:08:58 | |
to the 2014 Winter Olympic Games, as well. | 2:08:58 | 2:09:00 | |
They are. And right at the front of the delegation Maria Sharapova, | 2:09:00 | 2:09:05 | |
as the President looks on. | 2:09:05 | 2:09:07 | |
The tennis star completed a career grand slam by winning the French Open | 2:09:07 | 2:09:11 | |
a few weeks ago. | 2:09:11 | 2:09:12 | |
19 members of the Saudi team. | 2:09:18 | 2:09:20 | |
The experts say that Saudi Arabia | 2:09:20 | 2:09:23 | |
is in fact a bit of an enigma. | 2:09:23 | 2:09:26 | |
The world's biggest oil producer and exporter and, so far, | 2:09:26 | 2:09:31 | |
well, resisting the kind of winds of change of the Arab Spring. | 2:09:31 | 2:09:35 | |
And Sarah Attar will become the first Saudi Arabian woman | 2:09:35 | 2:09:38 | |
to compete in the Olympic Games. | 2:09:38 | 2:09:40 | |
The teenager born and raised in California | 2:09:40 | 2:09:43 | |
and has dual nationality due to her father. | 2:09:43 | 2:09:45 | |
The Saudis have selected women for the first time. | 2:09:45 | 2:09:48 | |
There is also a female judoka | 2:09:48 | 2:09:49 | |
who will compete in these Games. An historic moment. | 2:09:49 | 2:09:52 | |
35 team members from Senegal. | 2:09:52 | 2:09:55 | |
Serbia. | 2:09:55 | 2:09:57 | |
There is Novak Djokovic. Last year's Wimbledon champion, of course. | 2:10:00 | 2:10:05 | |
He won three out of four grand slam titles last year. | 2:10:05 | 2:10:09 | |
Knocked out by Roger Federer in an epic semi-final at Wimbledon. | 2:10:09 | 2:10:12 | |
Now seeded number two in the singles event. | 2:10:12 | 2:10:15 | |
Fourth Olympics for the Republic of Serbia - yet to win a medal. | 2:10:15 | 2:10:19 | |
Could he be the man? | 2:10:19 | 2:10:21 | |
He looks like a lot of fun, Novak Djokovic, doesn't he? | 2:10:21 | 2:10:24 | |
He's a charming man. | 2:10:24 | 2:10:25 | |
He must be very popular with the team, for sure. | 2:10:25 | 2:10:29 | |
Already a superb summer of sport for South Africa, with Ernie Els | 2:10:35 | 2:10:38 | |
winning the Open last weekend. | 2:10:38 | 2:10:41 | |
And a significant statement made as Caster Semenya carries the flag - | 2:10:41 | 2:10:44 | |
former 800 metres world champion, | 2:10:44 | 2:10:46 | |
at the centre of a pretty disgraceful | 2:10:46 | 2:10:48 | |
11-month investigation into her gender, | 2:10:48 | 2:10:51 | |
played out in soap-opera fashion to the public. | 2:10:51 | 2:10:53 | |
Now she has real chances of adding an Olympic gold to that world title. | 2:10:53 | 2:10:57 | |
And, of course, Oscar Pistorius, | 2:10:57 | 2:10:59 | |
the first double amputee to take part in the Olympic Games. | 2:10:59 | 2:11:04 | |
290 members | 2:11:04 | 2:11:06 | |
of the Spanish Olympic team here in London. | 2:11:06 | 2:11:09 | |
Pau Gasol is the basketball silver medallist, 2008. | 2:11:09 | 2:11:13 | |
And replacing, I think, Rafael Nadal | 2:11:13 | 2:11:16 | |
who was originally chosen to be the flag bearer. | 2:11:16 | 2:11:19 | |
He was, yes. Knee injury, | 2:11:19 | 2:11:21 | |
unfortunately, so everybody hoping that | 2:11:21 | 2:11:23 | |
the men's football team can go on to win, | 2:11:23 | 2:11:26 | |
but - shock, horror - their under-23 team lost to Japan | 2:11:26 | 2:11:29 | |
1-0 at Hampden last night. | 2:11:29 | 2:11:32 | |
They had a man sent of, so perhaps their luck will change | 2:11:32 | 2:11:35 | |
when the Olympic flame is lit. | 2:11:35 | 2:11:37 | |
By the way, the Olympic motto - "faster, higher, stronger" - | 2:11:39 | 2:11:42 | |
mas rapido, mas alto, mas fuerte. Sounds great in Spanish, doesn't it? | 2:11:42 | 2:11:47 | |
The United Arab Emirates. | 2:11:55 | 2:11:57 | |
Sheikh Saeed bin Maktoum - | 2:11:57 | 2:11:59 | |
a member of the Dubai royal family - is the flag bearer. | 2:11:59 | 2:12:03 | |
He's a trap shooter. | 2:12:04 | 2:12:05 | |
And he is indeed a member of the Dubai royal family, | 2:12:07 | 2:12:10 | |
so Great Britain and Zara Phillips | 2:12:10 | 2:12:11 | |
not the only team with royal connections, as we welcome | 2:12:11 | 2:12:14 | |
the United States of America. | 2:12:14 | 2:12:17 | |
The most successful nation ever | 2:12:17 | 2:12:19 | |
in swimming, athletics, basketball, tennis, boxing and diving. | 2:12:19 | 2:12:22 | |
530 of them in London. | 2:12:23 | 2:12:25 | |
The First Lady, Michelle Obama, welcoming them. | 2:12:29 | 2:12:31 | |
She's been leading the delegation here, | 2:12:31 | 2:12:35 | |
speaking yesterday about how humbled she felt. | 2:12:35 | 2:12:38 | |
And also reminiscing about the way that she'd been inspired | 2:12:38 | 2:12:41 | |
by the Olympics back in the 1970s, when she was growing up. | 2:12:41 | 2:12:45 | |
Ralph Lauren uniforms they're wearing tonight. | 2:12:47 | 2:12:50 | |
And in this big, big team, | 2:12:50 | 2:12:52 | |
some Olympic giants like Michael Phelps, | 2:12:52 | 2:12:55 | |
returning for his fourth Games, with his 14 gold medals already. | 2:12:55 | 2:12:59 | |
And he's only going to try for seven this time. | 2:12:59 | 2:13:02 | |
Ryan Lochte, his team-mate, could be nailed on for a few of those. | 2:13:02 | 2:13:06 | |
He has a possibility of winning six this time. | 2:13:06 | 2:13:09 | |
And look out for Missy "The Missile" Franklin. | 2:13:09 | 2:13:12 | |
She's only 17. She's qualified for seven swimming events as well, | 2:13:12 | 2:13:16 | |
and she could be the new star of this US swim team - | 2:13:16 | 2:13:19 | |
indeed the US team generally. | 2:13:19 | 2:13:21 | |
How are you doing? | 2:13:23 | 2:13:24 | |
Well, the exuberant entry of the Americans, more than 500 of them, | 2:13:30 | 2:13:35 | |
tells us that we really are in the final stages, | 2:13:35 | 2:13:37 | |
now, of this athletes' parade. | 2:13:37 | 2:13:39 | |
And there's Kirsty Coventry, an Olympic legend, | 2:13:41 | 2:13:44 | |
a seven-strong team, she's won seven of Zimbabwe's eight medals | 2:13:44 | 2:13:48 | |
in their history - two of them gold. | 2:13:48 | 2:13:51 | |
She's a swimmer. She dislocated her knee, | 2:13:51 | 2:13:54 | |
so being here is a very real achievement for her. | 2:13:54 | 2:13:57 | |
And the noise builds. | 2:13:57 | 2:13:58 | |
You can guess why. | 2:14:01 | 2:14:02 | |
Grand Bretagne. | 2:14:02 | 2:14:04 | |
Great Britain. | 2:14:04 | 2:14:06 | |
MUSIC: "Heroes" by David Bowie | 2:14:06 | 2:14:09 | |
Sir Chris Hoy. | 2:14:09 | 2:14:10 | |
They've been waiting patiently, | 2:14:10 | 2:14:13 | |
but that's the reward, isn't it? Thunderous applause. | 2:14:13 | 2:14:16 | |
And how appropriate. David Bowie's Heroes | 2:14:18 | 2:14:21 | |
blasts out around this Olympic Stadium. | 2:14:21 | 2:14:25 | |
It's a 541-strong team. Only about half of them marching tonight. | 2:14:30 | 2:14:37 | |
The others saving their energies for events early in the Games. | 2:14:37 | 2:14:41 | |
There's Tim Brabants. He's back to defend his Olympic title. | 2:14:41 | 2:14:44 | |
What a moment for David and Carol Hoy. | 2:14:51 | 2:14:53 | |
Chris - Britain's most successful cycling athlete in history. | 2:14:57 | 2:15:02 | |
The Flying Scotsman. | 2:15:02 | 2:15:03 | |
The first ever cyclist to carry the flag at the opening ceremony. | 2:15:03 | 2:15:07 | |
And who can forget his triple gold from Beijing? | 2:15:07 | 2:15:10 | |
The Queen looks on proudly, I'm sure. | 2:15:12 | 2:15:15 | |
Seven billion little bits of paper - biodegradable paper - | 2:15:15 | 2:15:19 | |
to represent every single human being on the planet. | 2:15:19 | 2:15:23 | |
I'm up with the crowd taking a picture... | 2:15:25 | 2:15:27 | |
-TREVOR LAUGHS -..filming this. It's so historic. | 2:15:27 | 2:15:30 | |
The moment we've been waiting for for seven years. | 2:15:30 | 2:15:34 | |
Tom Daley here at the age of 18 for his second Olympic Games. | 2:15:34 | 2:15:38 | |
He was only 14 when he took part | 2:15:38 | 2:15:40 | |
and made the final in the 10-metre platform in Beijing. | 2:15:40 | 2:15:43 | |
And what a picture, what a scene and what a moment for these athletes. | 2:15:43 | 2:15:48 | |
# ..We can be heroes just for one day... # | 2:15:48 | 2:15:52 | |
And Sir Keith Mills, what a moment for him and the rest of the team | 2:15:52 | 2:15:55 | |
who plotted and schemed to bring these Games to London | 2:15:55 | 2:15:58 | |
all these years ago. | 2:15:58 | 2:15:59 | |
I'm sure they cannot believe what they're seeing at the moment. | 2:15:59 | 2:16:03 | |
A moment of great emotion for Chris Hoy, clearly, | 2:16:03 | 2:16:05 | |
and for all of his team members - 540 of them. | 2:16:05 | 2:16:10 | |
Tom Daley looks ecstatic. | 2:16:11 | 2:16:14 | |
-I can't quite believe the moment's arrived, Hazel. -Indeed. | 2:16:14 | 2:16:17 | |
As we watch Pete Waterfield just behind Tom Daley there. | 2:16:17 | 2:16:20 | |
Pete already has a silver medal from the synchro-diving in Athens. | 2:16:20 | 2:16:24 | |
But the sense of joy and celebration... | 2:16:24 | 2:16:28 | |
The Prime Minister applauding enthusiastically. | 2:16:38 | 2:16:41 | |
Members of the Royal Family, | 2:16:41 | 2:16:43 | |
Archbishop of Canterbury too, enjoying. | 2:16:43 | 2:16:45 | |
The Duke of Edinburgh and the Queen | 2:16:45 | 2:16:47 | |
surveying the scene, taking it all in. | 2:16:47 | 2:16:49 | |
Well, everywhere throughout this team... We see Alison Williams | 2:16:51 | 2:16:54 | |
just go past there, six times an Olympian - | 2:16:54 | 2:16:57 | |
has a bronze medal. | 2:16:57 | 2:17:00 | |
Hah! I couldn't agree more. | 2:17:00 | 2:17:01 | |
This team trying to surpass the 19 gold medals, | 2:17:03 | 2:17:06 | |
and 47 in total, that they brought back from the last Games. | 2:17:06 | 2:17:11 | |
Round they go, taking in the energy and the atmosphere, | 2:17:15 | 2:17:20 | |
the enthusiasm, the welcome. | 2:17:20 | 2:17:23 | |
It's as warm and it's as lively as you can imagine. | 2:17:23 | 2:17:26 | |
Don't forget, this is the first time that Great Britain has entered teams | 2:17:26 | 2:17:30 | |
in ALL 26 summer Olympic sports, from beach volleyball to handball, | 2:17:30 | 2:17:34 | |
to basketball and football. | 2:17:34 | 2:17:36 | |
And you're going to be seeing an awful lot of | 2:17:36 | 2:17:39 | |
these young men and women over the next 16 days or so. | 2:17:39 | 2:17:42 | |
And obviously you're going to be able to see them all on the BBC, | 2:17:45 | 2:17:48 | |
on so many different channels. | 2:17:48 | 2:17:50 | |
And I hope to be following a sport | 2:17:52 | 2:17:54 | |
that I never thought I'd enjoy or like. | 2:17:54 | 2:17:56 | |
That's the whole joy of the Olympic Games. | 2:17:56 | 2:17:58 | |
Well, these are the athletes lucky enough to be parading. | 2:18:00 | 2:18:02 | |
Spare a thought for the swimmers - Becky Adlington, Kerri-Anne Payne, | 2:18:02 | 2:18:06 | |
Hannah Miley, Gemma Spofforth, Fran Halsall, Ellen Gandy, Liam Tancock. | 2:18:06 | 2:18:10 | |
They all took the decision collectively, as a team, | 2:18:10 | 2:18:12 | |
to save their energies because they're in the pool, | 2:18:12 | 2:18:15 | |
many of them, at ten o'clock tomorrow morning. | 2:18:15 | 2:18:17 | |
And I'm sure that they're staying up | 2:18:17 | 2:18:18 | |
to see the lighting of the flame before that. | 2:18:18 | 2:18:20 | |
CONTINUOUS CHEERING | 2:18:23 | 2:18:26 | |
That is a magnificent sight, isn't it, really? | 2:18:49 | 2:18:51 | |
The stadium looks wonderful at night. And you can see why | 2:18:51 | 2:18:54 | |
Danny Boyle really wanted to start a little later - | 2:18:54 | 2:18:57 | |
to get the full effect of the lighting and these pixels. | 2:18:57 | 2:19:00 | |
And as we watch these pictures, | 2:19:02 | 2:19:05 | |
spare a thought for our rowers as well - | 2:19:05 | 2:19:06 | |
Kath Grainger, Anna Watkins... | 2:19:06 | 2:19:08 | |
..Greg Searle, Zac Purchase, Mark Hunter, amongst a huge rowing team | 2:19:10 | 2:19:15 | |
that are watching this at Eton Dorney | 2:19:15 | 2:19:17 | |
ahead of their events that start tomorrow. | 2:19:17 | 2:19:19 | |
And down in Weymouth our sailors, including Ben Ainslie, | 2:19:19 | 2:19:23 | |
are also, I'm sure, enjoying this and are having their own party. | 2:19:23 | 2:19:26 | |
You may be wondering, now, what's going to happen next? | 2:19:28 | 2:19:31 | |
Because we have Team GB with us, | 2:19:31 | 2:19:33 | |
we have all 204 nations here. | 2:19:33 | 2:19:37 | |
My word, we're enjoying the atmosphere. | 2:19:38 | 2:19:40 | |
What's going to happen next? | 2:19:40 | 2:19:43 | |
Well, we'll have a representation of the doves of peace and then... | 2:19:43 | 2:19:46 | |
we'll be moving towards the climax of the ceremony itself. | 2:19:46 | 2:19:50 | |
We'll have the Queen declaring the Games open | 2:19:50 | 2:19:53 | |
and we'll have the flame itself, the cauldron being lit. | 2:19:53 | 2:19:57 | |
And as the home team makes its way up onto | 2:19:59 | 2:20:02 | |
what was a medal at the start of this opening ceremony, | 2:20:02 | 2:20:06 | |
we're preparing for the moment that we're here for. | 2:20:06 | 2:20:10 | |
But not before we've heard from these guys. | 2:20:12 | 2:20:15 | |
They look good on the dance floor. | 2:20:15 | 2:20:16 | |
Arctic Monkeys - back to the music. | 2:20:16 | 2:20:20 | |
MUSIC: "I Bet You Look Good On The Dancefloor" by Arctic Monkeys | 2:20:20 | 2:20:24 | |
# Stop making the eyes at me I'll stop making the eyes at you | 2:20:36 | 2:20:41 | |
# And what it is that surprises me Is that I don't really want you to | 2:20:41 | 2:20:45 | |
-# And your shoulders are frozen -Cold as the night | 2:20:45 | 2:20:47 | |
-# Oh, you're an explosion -You're dynamite | 2:20:47 | 2:20:50 | |
# Your name isn't Rio But I don't like the sand | 2:20:50 | 2:20:52 | |
# Lighting a fuse might result in a bang, with a bang-go! | 2:20:52 | 2:20:55 | |
# I bet that you look good On the dance floor | 2:20:55 | 2:20:58 | |
# I don't know if you're looking for romance or | 2:20:58 | 2:21:00 | |
# I don't know what you're looking for | 2:21:00 | 2:21:04 | |
# I said, "I bet that you look good on the dance floor | 2:21:04 | 2:21:07 | |
# "Dancing to electro-pop Like a robot from 1984 | 2:21:07 | 2:21:12 | |
# "From 1984!" | 2:21:12 | 2:21:14 | |
# I wish you'd stop ignoring me Because you're sending me to despair | 2:21:23 | 2:21:27 | |
# Without a sound Yeah, you're calling me | 2:21:27 | 2:21:29 | |
# And I don't think it's very fair | 2:21:29 | 2:21:31 | |
-# That your shoulders are frozen -Cold as the night | 2:21:31 | 2:21:33 | |
-# You're an explosion -You're dynamite | 2:21:33 | 2:21:36 | |
# Your name isn't Rio But I don't like the sand | 2:21:36 | 2:21:38 | |
# Lighting a fuse might result in a bang, | 2:21:38 | 2:21:40 | |
# With a bang-go! | 2:21:40 | 2:21:41 | |
# I knew that you looked good on the dance floor | 2:21:41 | 2:21:44 | |
# I don't know what you're looking for romance or | 2:21:44 | 2:21:46 | |
# I don't know what you're looking for | 2:21:46 | 2:21:49 | |
# "I bet that you look good on the dance floor | 2:21:49 | 2:21:52 | |
# "Dancing to electro-pop like a robot from 1984 | 2:21:54 | 2:21:57 | |
# "From 1984" | 2:21:57 | 2:22:00 | |
# Oh, there ain't no love | 2:22:00 | 2:22:02 | |
# No Montagues or Capulets | 2:22:02 | 2:22:04 | |
# Just banging tunes in DJ sets | 2:22:06 | 2:22:08 | |
# And the dirty dance floor | 2:22:08 | 2:22:11 | |
# And dreams of naughtiness | 2:22:11 | 2:22:14 | |
# All right! | 2:22:14 | 2:22:15 | |
# Well, I bet that you look good on the dance floor | 2:22:31 | 2:22:33 | |
# I don't know if you're looking for romance or | 2:22:33 | 2:22:36 | |
# I don't know what ya looking for | 2:22:36 | 2:22:40 | |
# I said, "I bet that you look good on the dance floor | 2:22:40 | 2:22:43 | |
# "Dancing to electro-pop | 2:22:43 | 2:22:45 | |
# "Like a robot from 1984 | 2:22:45 | 2:22:48 | |
# "From 1984." # | 2:22:48 | 2:22:53 | |
CHEERING | 2:22:53 | 2:22:56 | |
MUSIC: "Come Together" by The Beatles Performed by Arctic Monkeys | 2:23:00 | 2:23:05 | |
# Here come old flat top | 2:23:12 | 2:23:13 | |
# He come groovin' up slowly | 2:23:13 | 2:23:16 | |
# He's got joo joo eyeballs | 2:23:16 | 2:23:18 | |
# He's one holy roller | 2:23:18 | 2:23:21 | |
# He's got hair down to his knee | 2:23:21 | 2:23:27 | |
# Got to be a joker | 2:23:27 | 2:23:29 | |
# He just do what he please | 2:23:29 | 2:23:32 | |
# He wear no shoeshine | 2:23:45 | 2:23:47 | |
# He got toe jam football | 2:23:47 | 2:23:49 | |
# He got monkey finger | 2:23:49 | 2:23:51 | |
# He shoot Coca-Cola | 2:23:51 | 2:23:54 | |
# He say I know you, you know me | 2:23:54 | 2:24:00 | |
# One thing I can tell you is | 2:24:00 | 2:24:03 | |
# You got to be free | 2:24:03 | 2:24:05 | |
# Come together, right now | 2:24:05 | 2:24:10 | |
# Over me | 2:24:10 | 2:24:12 | |
# He roller coaster | 2:24:44 | 2:24:46 | |
# He got early warning | 2:24:46 | 2:24:48 | |
# He got muddy water | 2:24:48 | 2:24:50 | |
# He one Mojo filter | 2:24:50 | 2:24:53 | |
# He say one and one and one is three | 2:24:53 | 2:24:59 | |
# Got to be good-looking | 2:24:59 | 2:25:01 | |
# Cos he's so hard to see | 2:25:01 | 2:25:04 | |
# Come together right now | 2:25:04 | 2:25:09 | |
# Over me | 2:25:09 | 2:25:11 | |
# Come together, yeah | 2:25:21 | 2:25:24 | |
# Come together, yeah | 2:25:26 | 2:25:30 | |
# Come together, yeah | 2:25:32 | 2:25:35 | |
# Come together, yeah | 2:25:37 | 2:25:40 | |
# Come together, yeah | 2:25:42 | 2:25:45 | |
# Come together, yeah | 2:25:46 | 2:25:50 | |
# Come together, yeah. # | 2:25:52 | 2:25:56 | |
APPLAUSE | 2:25:58 | 2:26:00 | |
Mesdames et messieurs, ladies and gentlemen, the Arctic Monkeys. | 2:26:00 | 2:26:05 | |
Mesdames et messieurs, | 2:26:07 | 2:26:09 | |
veuillez accueillir le president | 2:26:09 | 2:26:11 | |
du Comite d'organisation des Jeux olympiques et paralympiques, | 2:26:11 | 2:26:15 | |
Sebastian Coe, | 2:26:15 | 2:26:17 | |
et le president du Comite international olympique, | 2:26:17 | 2:26:20 | |
Jacques Rogge. | 2:26:20 | 2:26:22 | |
Ladies and gentlemen, please welcome | 2:26:22 | 2:26:24 | |
the Chairman of the London 2012 Olympic and Paralympic Games, | 2:26:24 | 2:26:29 | |
Sebastian Coe, | 2:26:29 | 2:26:30 | |
and the President of the International Olympic Committee, | 2:26:30 | 2:26:33 | |
Jacques Rogge. | 2:26:33 | 2:26:35 | |
CHEERING | 2:26:35 | 2:26:38 | |
Your Majesty, Your Majesties, Your Royal Highnesses, | 2:26:45 | 2:26:49 | |
President Rogge, distinguished guests, ladies and gentlemen. | 2:26:49 | 2:26:54 | |
To everyone in this stadium attending our Opening Ceremony, | 2:26:54 | 2:26:59 | |
to every athlete waiting, ready, prepared to take part in these Games, | 2:26:59 | 2:27:04 | |
to everyone in every city and village in the world watching as we begin, | 2:27:04 | 2:27:10 | |
welcome to London. | 2:27:10 | 2:27:12 | |
CHEERING | 2:27:12 | 2:27:15 | |
Welcome. Welcome to the 2012 Olympic Games. | 2:27:21 | 2:27:26 | |
Welcome from every one of us. | 2:27:26 | 2:27:29 | |
I have never been so proud to be British | 2:27:29 | 2:27:33 | |
and to have been a part of the Olympic movement... | 2:27:33 | 2:27:36 | |
CHEERING | 2:27:36 | 2:27:39 | |
..as I am on this day, | 2:27:43 | 2:27:45 | |
at this moment. | 2:27:45 | 2:27:47 | |
The Olympics brings together the people of the world | 2:27:47 | 2:27:50 | |
in harmony and friendship and peace, | 2:27:50 | 2:27:52 | |
to celebrate what is best about mankind. | 2:27:52 | 2:27:57 | |
All my life, I have loved sport. | 2:27:57 | 2:27:59 | |
You have to love sport to compete at it. | 2:27:59 | 2:28:02 | |
There is a truth to sport, | 2:28:02 | 2:28:05 | |
a purity, a drama, | 2:28:05 | 2:28:07 | |
an intensity. | 2:28:07 | 2:28:09 | |
A spirit that makes it irresistible to take part in | 2:28:09 | 2:28:12 | |
and irresistible to watch. | 2:28:12 | 2:28:15 | |
London 2012 seeks to capture all of this. | 2:28:15 | 2:28:19 | |
London 2012 will inspire a generation. | 2:28:19 | 2:28:23 | |
In every Olympic sport, there is all that matters in life. | 2:28:23 | 2:28:29 | |
Humans stretched to the limit of their abilities, | 2:28:29 | 2:28:32 | |
inspired by what they can achieve, | 2:28:32 | 2:28:34 | |
driven by their talent to work harder than they can believe possible. | 2:28:34 | 2:28:38 | |
Living for the moment, but making an indelible mark upon history. | 2:28:38 | 2:28:44 | |
To the athletes gathered here on the eve of this great endeavour, | 2:28:44 | 2:28:48 | |
I say that to you is given something precious and irreplaceable. | 2:28:48 | 2:28:53 | |
To run faster, to jump higher, to be stronger. | 2:28:53 | 2:28:58 | |
To my fellow countrymen, I say thank you. | 2:28:58 | 2:29:02 | |
Thank you for making all this possible. | 2:29:02 | 2:29:04 | |
CHEERING | 2:29:04 | 2:29:06 | |
In the next two weeks, we will show all that has made London | 2:29:17 | 2:29:20 | |
one of the greatest cities in the world. | 2:29:20 | 2:29:23 | |
CHEERING | 2:29:23 | 2:29:26 | |
The only city to have welcomed the Games three times. | 2:29:30 | 2:29:35 | |
CHEERING | 2:29:35 | 2:29:38 | |
Each time we have done it, the world faced turbulence and trouble, | 2:29:40 | 2:29:44 | |
and each time, the Games have been a triumph. | 2:29:44 | 2:29:48 | |
Our history as a thriving commercial centre, | 2:29:48 | 2:29:51 | |
as a place where the people of all nations have, for centuries, | 2:29:51 | 2:29:55 | |
come to meet as a city which never stands still. | 2:29:55 | 2:29:59 | |
This history has prepared us for today. | 2:29:59 | 2:30:03 | |
For us, too, for every Briton, just as the competitors, | 2:30:03 | 2:30:07 | |
this is our time. | 2:30:07 | 2:30:10 | |
CHEERING | 2:30:10 | 2:30:12 | |
And one day, we will tell our children and our grandchildren | 2:30:19 | 2:30:24 | |
that when our time came, we did it right. | 2:30:24 | 2:30:28 | |
CHEERING | 2:30:28 | 2:30:30 | |
Let us determine, all of us, all over the world, | 2:30:36 | 2:30:39 | |
that London 2012 will see the very best of us. | 2:30:39 | 2:30:44 | |
It now gives me great pleasure | 2:30:50 | 2:30:51 | |
to introduce the President of the International Olympic Committee, | 2:30:51 | 2:30:55 | |
Dr Jacques Rogge. | 2:30:55 | 2:30:58 | |
APPLAUSE AND CHEERING | 2:30:58 | 2:31:02 | |
Your Majesty, Your Majesties, Your Royal Highnesses, | 2:31:08 | 2:31:15 | |
distinguished guests, ladies and gentlemen. | 2:31:15 | 2:31:19 | |
In just a few moments, | 2:31:19 | 2:31:23 | |
the Olympic Games will officially return to London for the third time, | 2:31:23 | 2:31:29 | |
setting an unmatched record for hosting the Games | 2:31:29 | 2:31:32 | |
that spans more than a century. | 2:31:32 | 2:31:35 | |
CHEERING | 2:31:37 | 2:31:39 | |
Thank you. Thank you, London, for welcoming the world | 2:31:42 | 2:31:46 | |
to this diverse, vibrant, cosmopolitan city yet again. | 2:31:46 | 2:31:51 | |
CHEERING | 2:31:51 | 2:31:54 | |
It has taken a lot of hard work by many people | 2:31:56 | 2:32:00 | |
to get us to this point. | 2:32:00 | 2:32:02 | |
I want to thank the entire team at the London Organising Committee, | 2:32:02 | 2:32:08 | |
superbly led by Lord Coe, for their excellent and hard work. | 2:32:08 | 2:32:13 | |
APPLAUSE AND CHEERING | 2:32:13 | 2:32:16 | |
I also want to thank all the public authorities who have helped ensure | 2:32:22 | 2:32:27 | |
that these Games will leave a lasting positive legacy | 2:32:27 | 2:32:32 | |
long after the Closing Ceremony. | 2:32:32 | 2:32:35 | |
And, of course, we are all grateful | 2:32:35 | 2:32:39 | |
to the thousands of dedicated volunteers | 2:32:39 | 2:32:42 | |
who have been so generous... | 2:32:42 | 2:32:46 | |
CHEERING | 2:32:46 | 2:32:48 | |
CHEERING CONTINUES | 2:33:01 | 2:33:04 | |
..who have been so generous with their time, their energy | 2:33:10 | 2:33:15 | |
and their welcoming smiles. | 2:33:15 | 2:33:17 | |
For the first time in Olympic history, | 2:33:19 | 2:33:22 | |
all the participating teams will have had female athletes, | 2:33:22 | 2:33:27 | |
and this is a major boost for gender equality. | 2:33:27 | 2:33:32 | |
CHEERING | 2:33:32 | 2:33:35 | |
In a sense, the Olympic Games are coming home tonight. | 2:33:49 | 2:33:55 | |
CHEERING | 2:33:55 | 2:33:58 | |
This great sports-loving country | 2:34:01 | 2:34:04 | |
is widely recognised as the birthplace of modern sport. | 2:34:04 | 2:34:09 | |
APPLAUSE AND CHEERING | 2:34:11 | 2:34:13 | |
It was here that the concept of sportsmanship and fair play | 2:34:14 | 2:34:20 | |
were first codified into clear rules and regulations. | 2:34:20 | 2:34:24 | |
It was here that sport was included as an educational tool | 2:34:25 | 2:34:30 | |
in the school curriculum. | 2:34:30 | 2:34:33 | |
The British app... CHEERING | 2:34:33 | 2:34:37 | |
The British approach to sport | 2:34:37 | 2:34:39 | |
had a profound influence on Pierre de Coubertin, our founder, | 2:34:39 | 2:34:44 | |
as he developed the framework for the modern Olympic movement | 2:34:44 | 2:34:47 | |
at the close of the 19th century. | 2:34:47 | 2:34:50 | |
The values that inspired de Coubertin | 2:34:51 | 2:34:54 | |
will come to life over the next 17 days | 2:34:54 | 2:34:57 | |
as the world's best athletes compete | 2:34:57 | 2:35:00 | |
in a spirit of friendship, respect and fair play. | 2:35:00 | 2:35:03 | |
APPLAUSE AND CHEERING | 2:35:05 | 2:35:08 | |
I congratulate all of the athletes | 2:35:13 | 2:35:16 | |
who have earned a place at these Games. | 2:35:16 | 2:35:19 | |
CHEERING | 2:35:19 | 2:35:23 | |
And to the athletes, | 2:35:28 | 2:35:31 | |
I offer this thought. | 2:35:31 | 2:35:34 | |
Your talent, your dedication and commitment brought you here, | 2:35:34 | 2:35:39 | |
now you have a chance to become true Olympians. | 2:35:39 | 2:35:45 | |
That honour is determined not by whether you win, | 2:35:45 | 2:35:49 | |
but by how you compete. | 2:35:49 | 2:35:51 | |
CHEERING | 2:35:53 | 2:35:55 | |
Character counts far more than medals. | 2:36:02 | 2:36:06 | |
Reject doping, respect your opponents, | 2:36:06 | 2:36:12 | |
remember that you're all role models. | 2:36:12 | 2:36:15 | |
If you do that, you will inspire a generation. | 2:36:15 | 2:36:19 | |
APPLAUSE AND CHEERING | 2:36:19 | 2:36:23 | |
Ces Jeux sont porteurs de beaucoup d'espoirs. | 2:36:30 | 2:36:36 | |
Espoir d'entente et de paix entre les 204 Comites Nationaux Olympiques. | 2:36:36 | 2:36:43 | |
Espoir de voir les jeunes generations s'inspirer des valeurs du sport. | 2:36:43 | 2:36:49 | |
Espoir que ces Jeux puissent contribuer au developpement durable. | 2:36:49 | 2:36:54 | |
Chers athletes, faites-nous rever. | 2:36:54 | 2:36:59 | |
Dear athletes, make us dream. | 2:36:59 | 2:37:01 | |
I now have the honour to ask Her Majesty the Queen | 2:37:03 | 2:37:08 | |
to open the Games of the 30th Olympiad. Thank you. | 2:37:08 | 2:37:11 | |
APPLAUSE AND CHEERING | 2:37:11 | 2:37:15 | |
I declare open the Games of London, | 2:37:26 | 2:37:29 | |
celebrating the 30th Olympiad of the modern era. | 2:37:29 | 2:37:34 | |
FANFARE | 2:37:35 | 2:37:38 | |
Mesdames et messieurs, le drapeau olympique. | 2:37:54 | 2:37:58 | |
Ladies and gentlemen, the Olympic flag. | 2:37:58 | 2:38:01 | |
The flag is carried by... | 2:38:08 | 2:38:11 | |
Doreen Lawrence. We salute her tireless thirst for justice. | 2:38:11 | 2:38:16 | |
UN Goodwill Ambassador Haile Gebrselassie. | 2:38:21 | 2:38:25 | |
We applaud his fight against poverty. | 2:38:25 | 2:38:28 | |
Sally Becker, Goodwill Ambassador for Children of Peace. | 2:38:34 | 2:38:39 | |
We salute her courage. | 2:38:39 | 2:38:40 | |
Secretary-General of the United Nations Ban Ki-moon. | 2:38:45 | 2:38:50 | |
Winner of the Nobel Prize, Leymah Gbowee, a great peacemaker. | 2:38:56 | 2:39:01 | |
Shami Chakrabati, the founder of Liberty. We salute her integrity. | 2:39:08 | 2:39:14 | |
Daniel Barenboim, who brings harmony in place of discord. | 2:39:25 | 2:39:31 | |
Marina Silva, United Nations Champion of the Earth. | 2:39:43 | 2:39:48 | |
The discipline of a great athlete demands respect, confidence, | 2:40:34 | 2:40:37 | |
conviction, dedication, generosity and spiritual strength. | 2:40:37 | 2:40:42 | |
These virtues are represented here for us tonight by Mr Muhammad Ali. | 2:40:42 | 2:40:49 | |
CHEERING | 2:40:49 | 2:40:54 | |
The greatest, Muhammad Ali, leading the nine flag bearers, | 2:41:17 | 2:41:22 | |
representing our common aspiration to be the best we can be. | 2:41:22 | 2:41:27 | |
Ladies and gentlemen, please stand for the Olympic Anthem. | 2:41:27 | 2:41:31 | |
MUSIC: The Olympic Anthem | 2:41:31 | 2:41:34 | |
APPLAUSE | 2:43:23 | 2:43:26 | |
Earlier, we saw David Beckham, football legend, | 2:43:36 | 2:43:41 | |
bringing the torch past Tower Bridge. | 2:43:41 | 2:43:45 | |
Now they've turned into Limehouse Cut, the oldest canal in London. | 2:43:45 | 2:43:51 | |
And they're approaching rapidly. | 2:43:51 | 2:43:53 | |
The big question is, of course, | 2:43:56 | 2:43:59 | |
who will take possession of this torch | 2:43:59 | 2:44:04 | |
when it gets to the Olympic Park itself? | 2:44:04 | 2:44:06 | |
That's the next great mystery, | 2:44:06 | 2:44:08 | |
and we can see that lone figure there. | 2:44:08 | 2:44:11 | |
That's a remarkable silhouette for us. | 2:44:11 | 2:44:14 | |
But now we know exactly who it is. | 2:44:14 | 2:44:16 | |
We do. Our greatest Olympian of all time, | 2:44:16 | 2:44:20 | |
Sir Steven Geoffrey Redgrave. | 2:44:20 | 2:44:23 | |
The beautiful torches, of course, | 2:44:36 | 2:44:38 | |
are now very familiar features on our television screens, | 2:44:38 | 2:44:41 | |
having seen that 70-day relay. | 2:44:41 | 2:44:43 | |
Steve Redgrave takes possession of this torch and will bring it | 2:44:43 | 2:44:50 | |
into the stadium, ready for the lighting of the cauldron. | 2:44:50 | 2:44:55 | |
But the location of the cauldron is also a mystery. | 2:44:55 | 2:44:58 | |
He needs to cross the canal. | 2:45:03 | 2:45:05 | |
In the name of all the competitors, | 2:45:15 | 2:45:17 | |
I promise that we shall take part in the Olympic Games, | 2:45:17 | 2:45:21 | |
respecting and abiding by the rules which govern them, | 2:45:21 | 2:45:25 | |
committing ourselves to a sport without doping and without drugs, | 2:45:25 | 2:45:30 | |
in the true spirit of sportsmanship, for the glory of the sport | 2:45:30 | 2:45:34 | |
and the honour of our teams. | 2:45:34 | 2:45:37 | |
APPLAUSE | 2:45:37 | 2:45:40 | |
Mesdames et messieurs, Mik Basi, arbitre de jeux de box | 2:45:40 | 2:45:44 | |
va preter le sermon olympique au nom de tous les judges. | 2:45:44 | 2:45:47 | |
Ladies and gentlemen, to take the Olympic oath on behalf | 2:45:47 | 2:45:51 | |
of all judges, Mik Basi, Olympic boxing referee and judge. | 2:45:51 | 2:45:58 | |
In the name of all the judges and officials, | 2:45:58 | 2:46:00 | |
I promise that we shall officiate in these Olympic Games | 2:46:00 | 2:46:03 | |
with complete impartiality, respecting and abiding by the rules | 2:46:03 | 2:46:07 | |
which govern them, in the true spirit of sportsmanship. | 2:46:07 | 2:46:11 | |
Mik was born in the Olympic host borough of Newham. | 2:46:11 | 2:46:15 | |
Eric Farrell, entraineur de canoe-kayak, | 2:46:15 | 2:46:18 | |
course en ligne, va preter le sermon olympique au nom de tous les entraineurs. | 2:46:18 | 2:46:23 | |
Ladies and gentlemen, to take the Olympic oath on behalf | 2:46:23 | 2:46:27 | |
of all coaches, Eric Farrell, MBE, | 2:46:27 | 2:46:30 | |
Olympic canoe sprint coach. | 2:46:30 | 2:46:33 | |
In the name of all the coaches | 2:46:36 | 2:46:38 | |
and other members of the athletes' entourage, | 2:46:38 | 2:46:41 | |
I promise that we shall commit ourselves to ensuring | 2:46:41 | 2:46:46 | |
that the spirit of sportsmanship and fair play is fully adhered to | 2:46:46 | 2:46:51 | |
and upheld in accordance with the fundamental principles of Olympism. | 2:46:51 | 2:46:58 | |
APPLAUSE | 2:46:58 | 2:47:00 | |
Mesdames et messieurs, apres 20,600 kilometres, | 2:47:23 | 2:47:28 | |
la torche olympique est sur le point d'entrer dans le stade | 2:47:28 | 2:47:33 | |
encadree par une garde d'honneur des hommes et des femmes qui ont construit le parc olympique. | 2:47:33 | 2:47:39 | |
Ladies and gentlemen, after travelling 12,800 miles, | 2:47:39 | 2:47:44 | |
the Olympic torch is about to enter the stadium, | 2:47:44 | 2:47:48 | |
witnessed by an honour guard of 500 of the men and women | 2:47:48 | 2:47:53 | |
who built the Olympic Park. | 2:47:53 | 2:47:55 | |
APPLAUSE AND CHEERING | 2:47:55 | 2:47:59 | |
Mesdames et messieurs, la flamme olympique! | 2:48:02 | 2:48:06 | |
Ladies and gentlemen, the Olympic flame! | 2:48:06 | 2:48:10 | |
CHEERING AND APPLAUSE | 2:48:10 | 2:48:12 | |
The moment has arrived, | 2:48:12 | 2:48:14 | |
Sir Steve Redgrave is the man chosen to bring the flame into the park. | 2:48:14 | 2:48:20 | |
Fitting that the construction workers are here | 2:48:20 | 2:48:24 | |
to share in this joyful moment. | 2:48:24 | 2:48:26 | |
Portant la flamme jusqu'au stade, Sir Steve Redgrave! | 2:48:34 | 2:48:38 | |
Carrying the Olympic flame to the stadium, Sir Steve Redgrave! | 2:48:38 | 2:48:42 | |
Waiting for Sir Steve, | 2:48:49 | 2:48:51 | |
a group of young athletes, promising young athletes, | 2:48:51 | 2:48:56 | |
the next generation, been nominated for this very special role tonight. | 2:48:56 | 2:49:00 | |
London is making good on its promise to inspire a generation. | 2:49:02 | 2:49:07 | |
And what better way than this? | 2:49:07 | 2:49:09 | |
MUSIC: "Caliban's Dream" by Rick Smith | 2:49:09 | 2:49:14 | |
# And the rain tossed about us in the garden of the world | 2:49:37 | 2:49:45 | |
# But a flame arrives to guide us | 2:49:45 | 2:49:49 | |
# Cast in gold between the anvils of the stars | 2:49:49 | 2:49:55 | |
# Watching over all your children in the rain | 2:49:55 | 2:50:01 | |
# And the streets where I remember | 2:50:01 | 2:50:05 | |
# Where the fire lights are candle souls again | 2:50:05 | 2:50:11 | |
# Affirming flame | 2:50:13 | 2:50:17 | |
# Hear me call | 2:50:17 | 2:50:20 | |
# Through the darkness Hear it call to us all | 2:50:22 | 2:50:27 | |
# And stir again | 2:50:29 | 2:50:33 | |
# This beating heart | 2:50:33 | 2:50:37 | |
# Come to care | 2:50:37 | 2:50:39 | |
Seven great British Olympic heroes. | 2:51:26 | 2:51:30 | |
The symbolic act, | 2:51:30 | 2:51:32 | |
presenting torches. | 2:51:32 | 2:51:34 | |
Mesdames et messieurs, representant les olympians britaniques, | 2:51:34 | 2:51:38 | |
260 des medallieurs d'or, d'argent et de bronze britaniques | 2:51:38 | 2:51:43 | |
d'ete et d'hiver depuis 1948. | 2:51:43 | 2:51:46 | |
Ladies and gentlemen, representing Britain's Olympians, | 2:51:46 | 2:51:51 | |
260 of Britain's gold, silver and bronze medallists | 2:51:51 | 2:51:56 | |
from Summer and Winter Olympic Games since 1948. | 2:51:56 | 2:52:02 | |
APPLAUSE | 2:52:02 | 2:52:05 | |
Some of our finest Olympians | 2:52:08 | 2:52:11 | |
saluting the new generation on their sporting journey. | 2:52:11 | 2:52:15 | |
# Always lead us from the dark though we may fall | 2:52:15 | 2:52:20 | |
# We will fly | 2:52:25 | 2:52:30 | |
# And with love | 2:52:34 | 2:52:38 | |
# Ever call. # | 2:52:41 | 2:52:47 | |
And this is what they meant by "inspire a generation". | 2:52:47 | 2:52:51 | |
The transfer of the privilege and the honour of lighting the cauldron. | 2:52:51 | 2:52:57 | |
Seven Great British Olympic heroes | 2:52:57 | 2:53:00 | |
offering that honour to these young athletes. | 2:53:00 | 2:53:04 | |
Literally passing the torch. | 2:53:04 | 2:53:07 | |
Our first glimpse of the cauldron. | 2:53:07 | 2:53:10 | |
Designed by Thomas Heatherwick, | 2:53:23 | 2:53:27 | |
it really is a stunning work of art. | 2:53:27 | 2:53:29 | |
One of the most closely guarded secrets of this whole ceremony. | 2:53:34 | 2:53:38 | |
The young athletes touch the cauldron with the torches. | 2:53:40 | 2:53:45 | |
And the flames spread. | 2:53:47 | 2:53:49 | |
Now we see what the copper petals were all about. | 2:53:59 | 2:54:02 | |
More than 200 of them... | 2:54:07 | 2:54:09 | |
..now burning brightly. | 2:54:11 | 2:54:13 | |
The long, elegant stems... | 2:54:25 | 2:54:27 | |
..gently rising, converging... | 2:54:29 | 2:54:33 | |
..to form one great flame of unity. | 2:54:35 | 2:54:38 | |
It really is beautiful. | 2:54:38 | 2:54:39 | |
A symbol of the peaceful coming together of nations | 2:54:41 | 2:54:45 | |
at the Olympic Games. | 2:54:45 | 2:54:47 | |
CHEERING | 2:55:11 | 2:55:14 | |
That really is a triumph. | 2:55:14 | 2:55:15 | |
Breathtaking in its beauty and its ambition. | 2:55:18 | 2:55:22 | |
So the Olympic flame entrusted to a new generation. | 2:55:36 | 2:55:40 | |
MUSIC: "Eclipse" by Pink Floyd | 2:55:46 | 2:55:51 | |
# All that you touch | 2:55:51 | 2:55:53 | |
# And all that you see | 2:55:54 | 2:55:56 | |
# All that you taste | 2:55:56 | 2:55:59 | |
# All you feel | 2:55:59 | 2:56:01 | |
# And all that you love | 2:56:01 | 2:56:04 | |
# And all that you hate | 2:56:04 | 2:56:06 | |
# All you distrust | 2:56:06 | 2:56:09 | |
# All you save | 2:56:10 | 2:56:12 | |
# And all that you give | 2:56:12 | 2:56:14 | |
# And all that you deal | 2:56:14 | 2:56:17 | |
# All that you buy | 2:56:17 | 2:56:19 | |
# Beg, borrow or steal | 2:56:19 | 2:56:22 | |
# And all you create | 2:56:22 | 2:56:25 | |
# And all you destroy | 2:56:25 | 2:56:27 | |
# And all that you do | 2:56:27 | 2:56:30 | |
# And all that you say | 2:56:30 | 2:56:33 | |
# And all that you eat | 2:56:33 | 2:56:36 | |
-# And everyone you meet -Everyone you meet | 2:56:36 | 2:56:38 | |
# And all that you slight | 2:56:38 | 2:56:41 | |
# And everyone you fight | 2:56:41 | 2:56:43 | |
# And all that is now | 2:56:43 | 2:56:46 | |
# And all that is gone | 2:56:46 | 2:56:48 | |
# And all that's to come | 2:56:48 | 2:56:51 | |
# And everything under the sun is in tune | 2:56:51 | 2:56:56 | |
# But the sun is eclipsed by the moon... # | 2:56:56 | 2:57:00 | |
MUSIC: "The End" by The Beatles | 2:57:16 | 2:57:19 | |
# And in the end | 2:57:21 | 2:57:24 | |
# The love you take | 2:57:25 | 2:57:28 | |
# Is equal to | 2:57:28 | 2:57:31 | |
# The love you make | 2:57:31 | 2:57:37 | |
# Ah-ha | 2:57:39 | 2:57:42 | |
# Yeah, yeah, yeah, yeah | 2:57:43 | 2:57:45 | |
# Yeah, yeah, yeah! | 2:57:45 | 2:57:51 | |
# Woo! # | 2:57:53 | 2:57:56 | |
CHEERING AND APPLAUSE | 2:57:56 | 2:57:59 | |
BELL TOLLS | 2:58:01 | 2:58:04 | |
Mesdames et messieurs, ladies and gentlemen, | 2:58:06 | 2:58:09 | |
Paul McCartney! | 2:58:09 | 2:58:11 | |
MUSIC: "Hey Jude" by The Beatles | 2:58:11 | 2:58:14 | |
# Hey Jude, don't make it bad | 2:58:14 | 2:58:20 | |
# Take a sad song and make it better | 2:58:21 | 2:58:27 | |
# Remember to let her into your heart | 2:58:28 | 2:58:33 | |
# Then you can start to make it better | 2:58:33 | 2:58:39 | |
# Hey Jude | 2:58:40 | 2:58:43 | |
# Don't be afraid | 2:58:43 | 2:58:46 | |
# You were made to go out and get her | 2:58:47 | 2:58:52 | |
# The minute you let her under your skin | 2:58:54 | 2:58:58 | |
# Then you begin to make it better | 2:58:58 | 2:59:04 | |
# And any time you feel the pain | 2:59:07 | 2:59:10 | |
# Hey Jude, refrain | 2:59:10 | 2:59:13 | |
# Don't carry the world upon your shoulders | 2:59:13 | 2:59:20 | |
# For, well, you know that it's a fool who plays it cool | 2:59:22 | 2:59:29 | |
# By making his world a little colder | 2:59:29 | 2:59:35 | |
# Na na na na na | 2:59:37 | 2:59:40 | |
# Na na na na na | 2:59:40 | 2:59:42 | |
# Hey Jude | 2:59:45 | 2:59:46 | |
# Don't let me down | 2:59:48 | 2:59:50 | |
# You have found her | 2:59:51 | 2:59:54 | |
# Now go and get her | 2:59:54 | 2:59:57 | |
# Remember to let her into your heart | 2:59:58 | 3:00:03 | |
# Then you can start to make it better | 3:00:03 | 3:00:08 | |
# So let it out and let it in | 3:00:11 | 3:00:14 | |
# Hey Jude, begin | 3:00:14 | 3:00:17 | |
# You're waiting for someone to perform with | 3:00:19 | 3:00:25 | |
# And don't you know that it's just you | 3:00:27 | 3:00:30 | |
# Hey Jude, you'll do | 3:00:30 | 3:00:34 | |
# The movement you need | 3:00:34 | 3:00:37 | |
# Is on your shoulder | 3:00:37 | 3:00:40 | |
# Na na na na | 3:00:42 | 3:00:44 | |
# Na na na na | 3:00:44 | 3:00:46 | |
# Hey Jude | 3:00:50 | 3:00:52 | |
# Don't make it bad | 3:00:52 | 3:00:55 | |
# Take a sad song and make it better | 3:00:56 | 3:01:02 | |
# Remember to let her under your skin | 3:01:03 | 3:01:07 | |
# Then you begin to make it better | 3:01:07 | 3:01:13 | |
# Better, better, better | 3:01:13 | 3:01:16 | |
# Better, better, wow! | 3:01:16 | 3:01:21 | |
# Na na na na-na na-na | 3:01:21 | 3:01:25 | |
# Na-na na-na, hey Jude | 3:01:25 | 3:01:29 | |
# Na na na na-na na-na | 3:01:32 | 3:01:38 | |
# Na-na na-na, hey Jude | 3:01:38 | 3:01:42 | |
# Judy, Judy, don't let me down! | 3:01:42 | 3:01:44 | |
# Na na na na-na na-na | 3:01:44 | 3:01:50 | |
# Na-na na-na, hey Jude | 3:01:50 | 3:01:54 | |
# Sing a sad song, make it better | 3:01:54 | 3:01:57 | |
# Yeah, yeah, yeah | 3:01:57 | 3:01:59 | |
# Na na na na-na na-na | 3:01:59 | 3:02:02 | |
# Na-na na-na, hey Jude | 3:02:02 | 3:02:07 | |
# Oh, yeah, let the people sing. # | 3:02:07 | 3:02:09 | |
-CROWD: -# Na na na na-na na-na | 3:02:11 | 3:02:15 | |
# Na-na na-na, hey Jude. # | 3:02:15 | 3:02:19 | |
Come on, sing it! You sound so good tonight! | 3:02:19 | 3:02:23 | |
# Na na na na-na na-na | 3:02:23 | 3:02:27 | |
# Na-na na-na, hey Jude. # | 3:02:27 | 3:02:32 | |
OK, now just the men, just the fellas, come on, men. | 3:02:32 | 3:02:37 | |
# Na na na na-na na-na | 3:02:37 | 3:02:40 | |
# Na-na na-na, hey Jude. # | 3:02:40 | 3:02:45 | |
One more time, just the men, come on, boys. | 3:02:45 | 3:02:48 | |
# Na na na na-na na-na | 3:02:48 | 3:02:53 | |
# Na-na na-na, hey Jude. # | 3:02:53 | 3:02:58 | |
OK, now just the women, just the girls, come on. | 3:02:58 | 3:03:01 | |
# Na na na na-na na-na | 3:03:01 | 3:03:06 | |
# Na-na na-na, hey Jude. # | 3:03:06 | 3:03:11 | |
One more time, just the girls. | 3:03:11 | 3:03:13 | |
# Na na na na-na na-na | 3:03:13 | 3:03:19 | |
# Na-na na-na, hey Jude. # | 3:03:19 | 3:03:23 | |
Everybody all together, come on! | 3:03:23 | 3:03:25 | |
# Na na na na-na na-na | 3:03:25 | 3:03:31 | |
# Na-na na-na, hey Jude | 3:03:31 | 3:03:35 | |
# Oh, yeah, yeah, yeah, come on! | 3:03:35 | 3:03:39 | |
# Na na na na-na na-na | 3:03:39 | 3:03:44 | |
# Na-na na-na, hey Jude | 3:03:44 | 3:03:48 | |
# Na na na na-na na-na | 3:03:51 | 3:03:56 | |
# Na-na na-na, hey Jude | 3:03:56 | 3:04:00 | |
# Everybody, all around the world! | 3:04:00 | 3:04:04 | |
# Oh, yeah! | 3:04:04 | 3:04:06 | |
# Na na na na-na na-na | 3:04:06 | 3:04:09 | |
# Na-na na-na, hey Jude | 3:04:09 | 3:04:13 | |
# I can't stop it! | 3:04:13 | 3:04:15 | |
# Keep on rolling! | 3:04:15 | 3:04:17 | |
# Keep on rolling, oh yeah! | 3:04:17 | 3:04:22 | |
# Na-na na-na, hey Jude, yeah! | 3:04:22 | 3:04:27 | |
# Everybody, all around the world | 3:04:27 | 3:04:31 | |
# Na na na na-na na-na | 3:04:31 | 3:04:34 | |
# Na-na na-na | 3:04:34 | 3:04:36 | |
# Hey Jude. # | 3:04:36 | 3:04:42 | |
You were great, you were great, you were all great. | 3:04:42 | 3:04:47 | |
Welcome to London! | 3:04:47 | 3:04:50 | |
Nous esperons que vous avez passe une soiree formidable | 3:05:00 | 3:05:04 | |
et vous souhaitons un bon retour. | 3:05:04 | 3:05:06 | |
Ladies and gentlemen, we hope you enjoy the London 2012 Olympic Games. | 3:05:06 | 3:05:14 | |
Subtitles by Red Bee Media Ltd | 3:05:19 | 3:05:21 |