Browse content similar to 05/10/2013. Check below for episodes and series from the same categories and more!
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Absolutely brilliant, Louis. Finals Day. | :00:49. | :00:59. | |
I know, Matt, and I'm so excited! This is not about dancing, this is | :00:59. | :01:06. | |
the World Gymnastics Finals. . What do you mean? Take it from | :01:06. | :01:11. | |
experience, you have to let things go. | :01:11. | :01:14. | |
There is always one! Well, smile, then! I'm so glad it is Finals Day. | :01:14. | :01:21. | |
There is always one! Well, smile, Come on, boys! I have just had this | :01:21. | :01:26. | |
conversation with Matt. Apparently it is about the gymnastics today. | :01:26. | :01:33. | |
Really? What is it the finals? Yes, the parallels, the bars. | :01:33. | :01:38. | |
I better take the shoes off. Yes, Lewis turned up yesterday with | :01:38. | :01:45. | |
a pair of high heels on instead of football boots. That was between us, | :01:45. | :01:49. | |
what are you telling them that for? ! Well, we did get here. Louis has | :01:49. | :01:57. | |
been dancing ever since. I know. Sorry. | :01:57. | :02:04. | |
Sorry we could not get your skates back. I felt left out. | :02:04. | :02:10. | |
Well, it was impress ifr rive. Welcome to the ant westerly | :02:10. | :02:13. | |
Sportpaleis, where Kohei Uchimura has made history. We are talking | :02:13. | :02:19. | |
about the Men's All Round and the Women's All Round. Now, nobody has | :02:19. | :02:25. | |
ever managed to win four consecutive titles. He did it in style. We did | :02:25. | :02:32. | |
not think he would do any less, but he was so great on all pieces of | :02:32. | :02:37. | |
apparatus? He is just talent. What he can do, no-one else can. The fact | :02:37. | :02:43. | |
he can win medals on the individual apparatus and all-round it is | :02:43. | :02:47. | |
unbelievable stuff. And somebody else who has made a | :02:47. | :02:54. | |
name for herself, Simone Biles. 16 years old, she took the title last | :02:54. | :03:00. | |
tight. At that age to have that confidence? She is a cool cookie. | :03:00. | :03:05. | |
She walked out, smiling, joking, she enjoyed the performance. Even the | :03:05. | :03:08. | |
last piece, where she was ranked second. She was not phased. | :03:08. | :03:12. | |
As far as the British interests is concerned, four gymnasts were going | :03:12. | :03:19. | |
in the all round finals. Max Whitlock, Dan Purvis and in the | :03:19. | :03:24. | |
women's, Ruby Harrold and Rebecca Tunney. Now it is about the | :03:24. | :03:29. | |
individual specialists, this is the order of events: | :03:29. | :03:45. | |
We are going to start with the Men's Floor. This happened half an hour | :03:45. | :03:54. | |
ago, Dan Purvis, he is going. You are in for a treat. | :03:54. | :04:01. | |
But keep your eyes peeled. First up is Kohei Uchimura. | :04:01. | :04:11. | |
We said he was precise, accurate but let's see him take us through this | :04:11. | :04:13. | |
routine. The World Champion. The Olympic | :04:13. | :04:37. | |
Champion. Show ing. Beautiful position. One of the few gymnasts | :04:37. | :04:41. | |
that marries great difficulty with fantastic style. | :04:41. | :04:46. | |
Look at that. The two-and-a-half twist into the one-and-a-half. | :04:46. | :04:53. | |
Every landing is measured. Every twist is finished at the top of the | :04:53. | :05:00. | |
somersault. Such a light guy. He makes everything look easy. | :05:00. | :05:13. | |
Extension out to a straight line before the | :05:13. | :05:26. | |
He nails it! Look at that, a triple twist to finish! The absolute | :05:26. | :05:35. | |
master. Absolutely so, Chris. The master. | :05:35. | :05:41. | |
Having won four world titles. He comes out here today after that and | :05:41. | :05:47. | |
producing something fantastic. Not the most difficult we have seen | :05:47. | :05:54. | |
but so accurate. O -- so on his game. | :05:54. | :06:07. | |
So much power. He whips over. Two-and-a-half twists. A great | :06:08. | :06:12. | |
score: Jake Dalton. | :06:12. | :06:33. | |
He has joined the legendary group with a move named after him. Not on | :06:33. | :06:42. | |
this technique, but off he goes. A lovely start. A double straight | :06:42. | :06:48. | |
somersault with a half turn. A little blind on the landing. | :06:48. | :07:23. | |
Just a tiny falter on the landing. At this level you have to be so | :07:23. | :07:31. | |
sure-footed. A triple twist! That was his best | :07:31. | :07:46. | |
landing of the lot. Of course, it is the last thing that | :07:46. | :07:50. | |
the judges see. There is Mark Williams. He does a | :07:50. | :07:55. | |
great job. Two of his gymnasts in the floor final. | :07:55. | :07:58. | |
Lots of power but he did not get it the floor final. | :07:58. | :08:04. | |
under control, but what a great style. | :08:04. | :08:10. | |
Look at that: Jake is ahead of Kohei Uchimura, he is smiling like a true | :08:10. | :08:20. | |
sportsman. Really making the landings work | :08:20. | :08:29. | |
today. One and three-quarters, standing up | :08:29. | :09:21. | |
with straight legs. That is a bit of a trademark. Now, the concentration. | :09:21. | :09:23. | |
with straight legs. That is a bit of He needs to hit this last tumble. | :09:24. | :09:32. | |
The big strong round off with a double whip. | :09:32. | :09:49. | |
Some tiny little adjustments on the landing. Tumble after tumble, he | :09:49. | :09:54. | |
produced. Two-and-a-half twist, into a full twist. | :09:54. | :10:00. | |
That was just a twiple twisting back. He pops it in there as if it | :10:00. | :10:41. | |
is nothing. It an over yet. | :10:41. | :10:57. | |
Two-and-a-half backwards, two-and-a-half fords! | :10:57. | :11:03. | |
-- forwards! Even a twist into the side. | :11:03. | :11:15. | |
He takes it all the way around, four twists, incredible! Look at | :11:15. | :11:26. | |
Uchimura, he is loving it. What a performance! | :11:26. | :11:31. | |
You count the full twist into the double, into the triple. This is so | :11:32. | :11:36. | |
fast. He twists so efficiently. double, into the triple. This is so | :11:37. | :11:48. | |
It is one of those special routines you won't see very often. And how | :11:48. | :11:54. | |
about this, four twists in this very last tumble. | :11:54. | :11:57. | |
Amazing. He has scored 16! Undisputed, | :11:57. | :12:17. | |
absolutely the best in the world! Shirai with that incredible routine | :12:17. | :12:22. | |
takes the gold. Uchimura takes the bronze and Dan | :12:22. | :12:27. | |
Purvis misses out by a tenth. He was in fourth place. | :12:27. | :12:32. | |
Dan, three years ago you were on the world podium, today it is | :12:32. | :12:36. | |
fourth-placed, frustration or pride? It is pride. I know my routine. I | :12:36. | :12:44. | |
nailed it. I have come up against a world | :12:44. | :12:52. | |
champion. And Kenzo, how unbelievable is that | :12:52. | :12:58. | |
watching him? It is unreal. We watched his videos in training, to | :12:58. | :13:03. | |
to see it live. It is unreal, but I have to be happy for him. | :13:03. | :13:07. | |
What more can you do to challenge that next year, to be on that? I | :13:07. | :13:13. | |
have a couple of tumbles, I have been working on them. I have not don | :13:13. | :13:18. | |
it oun the floor yet. Maybe next year, possibly more to give. | :13:18. | :13:22. | |
Seventh in the all-round earlier in the week, what is the focus after | :13:22. | :13:29. | |
this event, is it the all-round next year? Hopefully. To try to get to | :13:29. | :13:36. | |
the top three. That is my aim and to hopefully specialise on the floor. | :13:36. | :13:41. | |
And Max Whitlock is coming up in the el, can he do? It will be exciting. | :13:41. | :13:47. | |
We have seen in the all-round. Now the pressure is off. He has a | :13:47. | :13:52. | |
fantastic chance of doing really, really well. | :13:52. | :13:56. | |
Well done today, Dan. Dan Purvis, a ten of the a point | :13:57. | :14:01. | |
outside of the medals. It is a remarkable performance? . He | :14:01. | :14:09. | |
should be proud. He went out there, he did the routine, it was clean. | :14:09. | :14:15. | |
And the pedigree. It was an unbelievable final to watch. | :14:15. | :14:22. | |
And Kenzo, Beth, you did a lot of twisting but that takes the biscuit? | :14:22. | :14:26. | |
We were trying to work it out in total. I think we made out it was | :14:26. | :14:32. | |
18. Most gymnasts you get five or six, but the fact he has 18! What | :14:32. | :14:39. | |
technique is he using? He seems to pop in an extra one-and-a-half. | :14:39. | :14:46. | |
He twists over the axis, he does it over the side, it allows him to get | :14:46. | :14:50. | |
in more. It is unbelievable. It gets the respect from everybody. | :14:50. | :14:56. | |
He really does. We were training yesterday, literally, the gym comes | :14:56. | :15:00. | |
to a stand still when he comes in. He gets a clap just in training. It | :15:00. | :15:04. | |
shows that respect for him. It is interesting the persona that | :15:04. | :15:11. | |
many take when they are in the gym, but as you are not competing, we | :15:11. | :15:25. | |
have managed to catch you off guard! The pommel horse is a place I feel | :15:25. | :15:29. | |
very comfortable. When you start training in gymnastics, you tend to | :15:29. | :15:33. | |
pick up on an apparatus where you are better than the others. The | :15:33. | :15:36. | |
pommel horse was always my apparatus, and to be the best in the | :15:36. | :15:42. | |
world at the pommel horse, it is quite a challenge. Very few can deal | :15:42. | :15:46. | |
with the physical and mental pressure of performing and doing the | :15:46. | :15:53. | |
perfect routine. We saw Daniel Keatings and the Olympic champion, | :15:53. | :15:58. | |
they both made mistakes. We train like a machine, but when we compete | :15:58. | :16:02. | |
we are very human. The top three guys I picked in this pommel horse | :16:02. | :16:07. | |
final is going to have to be Max Whitlock, Zhang Hongtao. Max is very | :16:07. | :16:20. | |
relaxed, you can see them circling a lot faster than usual. If I was told | :16:20. | :16:26. | |
to pick a winner, I think I would pick Zhang Hongtao. My heart | :16:26. | :16:31. | |
definitely wants Max to pick up the gold. Performing my routine at the | :16:31. | :16:35. | |
2012 Olympic Games was the best feeling I have ever had. I had | :16:35. | :16:39. | |
worked 20 years for that one moment. I cannot describe to you how | :16:40. | :16:46. | |
fulfilling it was. I have never been the emotional type, I have never | :16:46. | :16:49. | |
cried at my performances, but thinking back I get emotional, | :16:50. | :16:54. | |
watching the replays. You know, I start to choke up. Still, to this | :16:54. | :16:56. | |
day, Wow, Louis, train like machines, but | :16:56. | :17:12. | |
when you compete you are human. It is very true. We were talking | :17:12. | :17:15. | |
earlier about how you can never quite prepare for that feeling when | :17:15. | :17:19. | |
you are in a place like this. You can go through your routines | :17:19. | :17:23. | |
endlessly, but when you come here, when it matters, that is the | :17:23. | :17:28. | |
difficulty, isn't it? You can do lots of World Championships, | :17:28. | :17:30. | |
European Championships, but when it comes to the Olympic Games, that is | :17:30. | :17:36. | |
something special. Max tonight has something special. You were talking | :17:36. | :17:41. | |
about the difference files, not that it is a nonchalant style, but it is | :17:41. | :17:46. | |
a style of gymnastics that he has, will that help them in this kind of | :17:46. | :17:51. | |
environment? I think it is a nice thing to be laid-back. If you are a | :17:51. | :17:55. | |
bit fast-paced, here, there and everywhere, you can trip yourself | :17:55. | :18:00. | |
up. Whereas Macs, and I have the same tactic, the relaxed, take it in | :18:00. | :18:06. | |
your stride. He has got this hanging over his head. Potentially he could | :18:06. | :18:11. | |
be the first men's world champion. What was it like for you way back | :18:11. | :18:19. | |
when? 2006, you cannot think about it like that, you have to stay | :18:19. | :18:26. | |
focused on your routine. It is a case of, I have got to get from A to | :18:26. | :18:31. | |
be with my routine, and if I get a medal, so be it. Max is so used to | :18:31. | :18:36. | |
competing, even though he is a young kid on the circuit. He has done the | :18:36. | :18:41. | |
Olympic Games, and he went in with such a chilled out atmosphere, he | :18:41. | :18:46. | |
has got that experience. And he is following in your footsteps because | :18:46. | :18:50. | |
you have carved out a path, that is the way that you have shown | :18:50. | :18:53. | |
everybody, and it is amazing hammy gymnasts are following in your | :18:53. | :18:58. | |
footsteps. It is nice for me to take a step back and see that happening, | :18:58. | :19:01. | |
footsteps. It is nice for me to take Daniel Keatings and Max Whitlock | :19:01. | :19:04. | |
doing so well, the youngsters we have got coming up, they could be | :19:04. | :19:08. | |
something special. So it is nice to know that I started and there are | :19:08. | :19:10. | |
people coming up. Is that the key as know that I started and there are | :19:10. | :19:16. | |
far as Britain is concerned? Is that why we are... When you train as a | :19:16. | :19:20. | |
squad, and you have some on competing at a world level, you want | :19:20. | :19:30. | |
to be better than them. Just looking at Zhang Hongtao, he is the highest | :19:30. | :19:36. | |
qualifier, but he has got a score of 15.541. I mean, Max can beat that. | :19:36. | :19:41. | |
Max can beat that, he has the potential to score even higher. | :19:41. | :19:48. | |
Zhang Hongtao really had a chance. Here they come, they are coming out | :19:48. | :19:50. | |
in the order that they will compete. Here they come, they are coming out | :19:50. | :19:55. | |
Max is going in fourth place, is that a good place to be competing? | :19:55. | :20:00. | |
It is all right. If you can go in front of the big names, it is good, | :20:00. | :20:04. | |
put in a good performance, but a bit of fear in their hearts, as I like | :20:04. | :20:11. | |
to think. Fourth is good. The Russian pommel horse champion will | :20:11. | :20:16. | |
be wrapping things up. You have to stay relaxed, there is a while | :20:16. | :20:19. | |
before he is going to be other there, who knows what he is | :20:19. | :20:22. | |
thinking? This is what he was thinking a while back when he met up | :20:22. | :20:27. | |
with Ollie Williams. I am going to hopefully attempt the biggest | :20:27. | :20:33. | |
routine that I have been working on, and it is adding two new moves, | :20:33. | :20:39. | |
two new elements, which makes the on, and it is adding two new moves, | :20:39. | :20:42. | |
routine very risky, but hopefully if I can pull it off, I can get a good | :20:42. | :20:47. | |
score. To be honest, it is still a hard final, you know. There are | :20:47. | :20:51. | |
seven other people in that final, one of them being Zhang Hongtao from | :20:51. | :20:56. | |
China. He has scored over 16 before in quite a few competitions, he is a | :20:56. | :21:02. | |
specialist. There is Sellathurai from Australia. If I can perform at | :21:02. | :21:08. | |
the Olympics, hopefully I can perform at a competition like this. | :21:08. | :21:22. | |
Listen to the role for Britain's wax weblog -- Max Whitlock. Zhang | :21:22. | :21:32. | |
Hongtao will be first up, but this will be his last worlds, going into | :21:33. | :21:42. | |
retirement. This could be his year, he is always outside, Busnari. The | :21:42. | :21:49. | |
eighth gymnast, he has got a long way back. They are allowing the | :21:49. | :21:52. | |
gymnasts to go back into the warm up all, so he does not have to sit | :21:52. | :22:00. | |
there and watch everyone. Will Zhang Hongtao make gold in his final year | :22:00. | :22:06. | |
at the world finals? Sellathurai is twice a world medallist. Max | :22:07. | :22:08. | |
Whitlock got bronze at the Olympics. Let's go over to the commentary | :22:08. | :22:21. | |
box. And here we are, just waiting for | :22:21. | :22:33. | |
the start of this pommel horse final. The gymnasts have had no warm | :22:33. | :22:37. | |
up in the arena before they start. They have been an earlier today, but | :22:37. | :22:43. | |
since the vault and the floor has gone, they have not had another | :22:43. | :22:47. | |
chance. There is a warm up gym at the back, so they come into the | :22:47. | :22:51. | |
bright lights, and it can be quite daunting. It certainly can, but this | :22:51. | :22:54. | |
bright lights, and it can be quite man is used to it. He has been world | :22:54. | :22:57. | |
champion and World Cup champion. Beautifully extended swing, look at | :22:57. | :23:15. | |
that, he keeps the shape. Very fast hands. | :23:16. | :23:21. | |
Good leg separation, look at this, smooth in the handstand. | :23:22. | :23:31. | |
And this really is, it is an opener, and it is very impressive! | :23:31. | :23:38. | |
He lost his legs a little bit there. Now the triple Russian, he is back | :23:38. | :23:45. | |
on song. Good style, good swing. Can he keep | :23:45. | :23:57. | |
the fluidity? He does! Fluid it was, well done indeed. Well, that | :23:57. | :24:01. | |
certainly puts the pressure on the others, doesn't it? What were you | :24:01. | :24:06. | |
saying, Louis, if you go out first and perform well it puts fear in | :24:06. | :24:12. | |
their hearts! That was an unbelievable routine. I am shaking | :24:12. | :24:18. | |
watching! I'm probably not the best to be commentating! This shape, the | :24:18. | :24:29. | |
way he circles, his style, the handstand, toes constantly pointed. | :24:29. | :24:34. | |
A little bit of form break in the top. Is this mound, you know, he | :24:34. | :24:40. | |
nails it. You can see how happy years. Who wouldn't be?! | :24:40. | :24:42. | |
Unbelievable! Ever been first up in a major, | :24:42. | :24:57. | |
Louis? I have been first up a few times. It is a powerful position, | :24:57. | :25:01. | |
because if you put in a good routine, you will intimidate the | :25:01. | :25:07. | |
rest of the field. And there we have it, a score of 15.6. | :25:07. | :25:13. | |
So every gymnast from now on will have to be exceptional. | :25:14. | :25:21. | |
Exceptional, I am not sure, but Alberto Busnari is certainly | :25:21. | :25:26. | |
different! Inoperative -- innovative and he has | :25:26. | :25:37. | |
been around a long time. Well in his 30s now. Take a look at the way he | :25:37. | :25:43. | |
has put this exercise together. Very pedestrian so far, up egos, and | :25:43. | :26:00. | |
that is a big pause in the handstand. That is is own move, he | :26:00. | :26:10. | |
really needs to be more fluid. Let's see how the judges treated. Flares | :26:10. | :26:17. | |
predominating here. Is it over yet? Answer? Road no, he carries on. More | :26:17. | :26:25. | |
flares. He has changed the nature of pommel horse. | :26:25. | :26:35. | |
And that is a big pause before the dismount! Well, Busnari, it was | :26:35. | :26:45. | |
different, but there were problems. Well! He posted a massive starting | :26:45. | :26:51. | |
score of 7.1 in qualification, so if they credit everything, that gives | :26:51. | :26:58. | |
quite an advantage. It is a very unique type of routine. I think he | :26:58. | :27:03. | |
is going to be penalised quite a lot in terms of how much he breaks the | :27:03. | :27:07. | |
swing of the actual pommel horse routine. We saw a little bit of good | :27:07. | :27:12. | |
one hand, then we see him pausing in the swing, and pommel horse is about | :27:12. | :27:16. | |
keeping the movement. It will be interesting to see what the judges | :27:16. | :27:22. | |
do with the score. Down to the little things, you can see his toes | :27:22. | :27:27. | |
crossover. These are the deductions the judges will pick up on. | :27:27. | :27:40. | |
It is debatable whether the judges will give the dismount, because he | :27:40. | :27:46. | |
comes back down in a different direction. I was going to say, I | :27:46. | :27:53. | |
think his face says it all. He was not totally convinced himself as he | :27:54. | :27:56. | |
landed, it was not that instantaneous jeer. -- gear. They | :27:56. | :28:06. | |
gave it, they were kind. And that 7.1 gives him a score of 15.6 and | :28:06. | :28:16. | |
puts him into the lead. The same score to share the lead, I would | :28:16. | :28:21. | |
really put a question mark on that. Prashanth Sellathurai, and nobody | :28:21. | :28:27. | |
swings as fast as this guy. He is amazing. Tiny, he is under five foot | :28:28. | :28:34. | |
tall, but he looks so long when he is swinging. | :28:34. | :28:44. | |
Look at that on one hand! Going so, so quickly. Beautiful... Oh, and he | :28:44. | :28:53. | |
clung to the horse and he is walking away! What a disappointment for him. | :28:53. | :29:00. | |
clung to the horse and he is walking He was flying around the pommel | :29:00. | :29:05. | |
horse. That is a very difficult skill, spend link between the | :29:05. | :29:08. | |
handles, and two clear that surface area you need to circle as fast as | :29:08. | :29:11. | |
him. Be as paced around it and got his | :29:11. | :29:19. | |
composure, he's going to have another go. -- he has. | :29:19. | :29:27. | |
He is going to take off! Look at this, this is his trademark. Fast, | :29:27. | :29:38. | |
clean swinging. A pity he came to grief in the middle, a lovely | :29:38. | :29:42. | |
handstand sequence as well. But it is tough at the top! Packing in so | :29:42. | :29:48. | |
much difficulty, it is hard to stay on the pommel horse, and when it | :29:48. | :29:53. | |
comes down to it, the ones who nail their routine are the ones who win | :29:53. | :29:59. | |
the medals. We can see he has a slight error there travelling into | :29:59. | :30:02. | |
the triple, but when he picks up, he slight error there travelling into | :30:02. | :30:07. | |
has got elevation like I have never seen. The pause in the Shia | :30:07. | :30:15. | |
handstand will be deducted there. That is unfortunate for him. The | :30:15. | :30:21. | |
only Australian gymnast we have senior, men or women, actually, and | :30:21. | :30:26. | |
a great shame he did not manage to harness his best routine here. | :30:26. | :30:32. | |
You can see how tiny he is, can't you?! | :30:32. | :30:40. | |
He has to be massively disappointed. I think he will be. | :30:40. | :30:56. | |
We Ceefax Max and his coach there, preparing the apparatus. Like you | :30:56. | :31:01. | |
say, Louis, this is the nervous moment. | :31:01. | :31:04. | |
We should see him play with the handles a little bit. | :31:04. | :31:17. | |
He has to make the big decisions, the judge, there. | :31:17. | :31:28. | |
When the gymnasts fall during a move, one of the questions is do you | :31:29. | :31:34. | |
credit the move? Had they completed it? Did they not? When the routine | :31:34. | :31:40. | |
goes through easily, it is much more straightforward for the judges. | :31:40. | :31:55. | |
Here we go, the score is 14.033. The price of those mistakes. | :31:55. | :32:03. | |
Max Whitlock! Ready to perform. Nice and safely, a sheer half with a | :32:03. | :32:19. | |
travel. Russians on the handle, safely | :32:19. | :32:24. | |
negotiated! Still a long way to go. This is a good start. | :32:24. | :32:30. | |
He keeps the swing. Back into the flare. That spindle is so difficult | :32:30. | :32:32. | |
to set up, but he survives it. He keeps the swing. A little | :32:32. | :32:57. | |
flourish at the end. Max Whitlock! Sit down, Louis! Wow! Wow! This is | :32:58. | :33:06. | |
intense. I can't do this! Now you know what it's like! Oh, Max. He | :33:06. | :33:11. | |
went through from start to finish. One I havy moment there. He has done | :33:11. | :33:13. | |
went through from start to finish. a big, big routine, in a big final. | :33:13. | :33:17. | |
He will be happy. He certainly looks happy. So do the | :33:17. | :33:23. | |
team. Oh, I'm still catching my breath! . | :33:23. | :33:30. | |
This is the triple Russian, the G value. | :33:30. | :33:36. | |
It is very clean. Back into the middle. | :33:36. | :33:40. | |
This was the Busnari. He cuts back in. He clips the pommel. That could | :33:40. | :33:49. | |
be a deduction of up to three to five tenths. He finishes off nicely. | :33:49. | :33:55. | |
Here is the dismount, no, no, back on the Busnari. They look so | :33:55. | :34:00. | |
similar. There is a little loss of form. He picked it up nicely. There | :34:00. | :34:05. | |
is the relief. That face is a picture. Every gymnast has that. | :34:05. | :34:14. | |
Well done, Max! There were two performances there, one from Louis | :34:14. | :34:18. | |
and one from Max. He went for the big routine. He said | :34:18. | :34:22. | |
and one from Max. at the begin, here we go, 15 of 633. | :34:22. | :34:31. | |
Into the lead. What a moment. Brilliant stuff. | :34:31. | :34:39. | |
That is well deserved. So, Max Whitlock in the lead, 15. | :34:39. | :34:45. | |
633 to beat him. This is Robert Seligman from | :34:45. | :34:55. | |
Croatia. That is lovely. | :34:55. | :35:12. | |
Again through the spindle. A lovely shape he is working it. | :35:12. | :35:17. | |
Look at the hips. Well forward. Lovely line. This is superb. | :35:17. | :35:27. | |
Nifty through the triple Russian. Precise. | :35:27. | :35:40. | |
A triple Russian, into the disopportunity. -- into the do | :35:40. | :35:46. | |
dismount. That was a clean routine. I have competed against Robert. I | :35:46. | :35:49. | |
think that is the best routine I have ever seen him perform. That | :35:49. | :35:54. | |
will get him up there with the scores. I'm not sure if will -- he | :35:54. | :36:02. | |
will beat Max, but a polished performance. Very impressive. From | :36:02. | :36:10. | |
start to finish. All of the work was so stretched, so | :36:10. | :36:14. | |
beautiful. So the execution score should be up | :36:14. | :36:16. | |
beautiful. there. That is where the judges take | :36:16. | :36:21. | |
the marks from the ten. If he can get into the nines for the | :36:21. | :36:24. | |
execution, you are doing well. He should for that. | :36:25. | :36:28. | |
The only thing he lacks on is difficulty. He will make up for that | :36:28. | :36:33. | |
with the execution score. He was down in difficulty in | :36:33. | :36:37. | |
qualifying, what here, do you think? I think it was not that much more | :36:37. | :36:41. | |
difficult. Louis was not that impressed with the difficulty. | :36:41. | :36:51. | |
There with go, a 6 .4, giving him a 15.33 for a fourth place. | :36:51. | :36:58. | |
Lovely clean work. Kameyama. Traditionally, the | :36:58. | :37:08. | |
Japanese are not brilliant on this apparatus. They tend to swing a | :37:08. | :37:14. | |
little bit tight, but then every now and then there is an exception to | :37:14. | :37:17. | |
that rule. A clean rhythm milk hand stand to | :37:17. | :37:24. | |
start with. Very secure on one handle. | :37:24. | :37:42. | |
A nice Russian to complete the combination there. | :37:42. | :37:46. | |
A triple Russian in the middle that is not easy. | :37:46. | :37:55. | |
Travelling over the far pommel, that was difficult as well. This is good | :37:55. | :37:59. | |
work. He keeps the style. Did he clip the | :37:59. | :38:06. | |
horse then? There's the hand stand. It was fluid, it was difficult, and | :38:06. | :38:11. | |
it will challenge. I mean that is a different | :38:11. | :38:17. | |
contention there. It was neat, tidy, start to finish, | :38:17. | :38:23. | |
it was a brilliant routine. Lots of difficulty. Two sheer hand | :38:23. | :38:27. | |
stands. It really was. We have the very | :38:28. | :38:32. | |
muched circle here on the one handle, performing the stocky | :38:32. | :38:37. | |
elements. Showing great control on the handle. Leaving himself enough | :38:37. | :38:42. | |
space. It really was a great, polished routine. | :38:42. | :38:46. | |
That's the big question. The difference in the polish to | :38:46. | :38:51. | |
difficulty, isn't it? If you can marry them together. You are then on | :38:51. | :38:55. | |
to a winner. Good to see the Japanese swinging in | :38:55. | :39:00. | |
the horse so well. It is. Normally they have been | :39:00. | :39:05. | |
tight, as you said, but this is different. Maybe he is some of the | :39:05. | :39:12. | |
new breed coming up. Well they think it is worth a medal. | :39:12. | :39:16. | |
Oh, it's a big score. Yes, a big difficulty score. He | :39:16. | :39:22. | |
takes the lead just inching ahead. Wow! 15. 833. | :39:22. | :39:33. | |
Kameyama, then, taking over from Max in pole position. | :39:33. | :39:37. | |
Max Whitlock is in second, in the silver position at the moment. | :39:37. | :39:47. | |
This is a very promising young gymnast. He faded a little for a | :39:47. | :39:57. | |
while but he is back here. He picks up the swing nicely. The | :39:57. | :40:05. | |
extended hips to the front. Very comfortable. | :40:05. | :40:21. | |
Fast hands, shoulder and feet moving together. | :40:21. | :40:29. | |
Oh, and that's the delay he didn't want. | :40:29. | :40:36. | |
Still impressive. Apart from the dismount, I would | :40:36. | :40:38. | |
Still impressive. have been happy with that routine. | :40:38. | :40:41. | |
He shot himself in the foot a little bit, but it will be up there with | :40:41. | :40:46. | |
the medals. A great routine. A great difficulty. | :40:46. | :40:54. | |
Chris, you and I go back a long way, have you ever seen a Mexican in | :40:54. | :41:00. | |
contention for the pommel horse medal? I was about to say that. | :41:00. | :41:09. | |
I mean he swanking great from start to finish. He has a great extension. | :41:09. | :41:18. | |
Much like Robert Seligman, there he is using the handles. He is only | :41:18. | :41:22. | |
young. He has a bright future this guy. | :41:22. | :41:29. | |
He is about 23, isn't he? There is the dismount. As he stutters a | :41:29. | :41:36. | |
little, the judges could take five tenths, three, or in some cases not | :41:36. | :41:41. | |
even give the dismount. We'll see. | :41:41. | :41:47. | |
Well, second place, 15. 633. They are really pushing the scores here, | :41:47. | :41:56. | |
these guys. So, in fact a joint second with Max | :41:56. | :42:02. | |
Whitlock. We will have to see if there is a | :42:02. | :42:05. | |
tiebreaker. The final gymnast. I have to apologise, there is no | :42:05. | :42:25. | |
tiebreaker in the final. If you get the same score, you share the medal. | :42:25. | :42:34. | |
Oh, he exploded in the Russian. He did well to keep that under | :42:34. | :42:36. | |
control. That is while. How is he staying on. | :42:36. | :42:52. | |
Surely he is going to run out of steam? He doesn't. | :42:52. | :42:58. | |
This is a marathon. He keeps the swing going. That was | :42:58. | :43:09. | |
an exercise in grit. Grit and determination. He was not going to | :43:09. | :43:19. | |
let his moment go! He really had to fight, didn't he? He did have to | :43:19. | :43:23. | |
fight, but he was a gritty, determined guy. He did fight through | :43:23. | :43:27. | |
to the end. He started off well. The flare, the | :43:27. | :43:38. | |
spindle. It was a routine with lots of promise. | :43:38. | :43:44. | |
Great circles on the one handle. Circles on the one handle are a | :43:44. | :43:48. | |
special requirement. A lot of gymnasts will be doing that. The | :43:48. | :43:52. | |
hand stand dismount travels far away were the pommel horse, that could be | :43:52. | :43:58. | |
a deduction. He won't be too happy with the form | :43:58. | :44:01. | |
break in the middle. The trick is to pack the difficulty | :44:01. | :44:06. | |
into as short a routine as possible. The longer you stay on there. He has | :44:06. | :44:17. | |
got a rank seven. 15.146. He he is disappointed with that. | :44:17. | :44:21. | |
What a final this has been. Kameyama, he has emerged on top of | :44:21. | :44:29. | |
the pile. An amazing routine. Stylish and difficult. He wins | :44:29. | :44:33. | |
Japan's third Gold Medal of the championships. Max Whitlock, the | :44:33. | :44:38. | |
silver medal. Louis will be delighted. What do you think, Louis? | :44:38. | :44:44. | |
Max is nowhere near a finished product. He has so much talent. He | :44:44. | :44:49. | |
is 20 years old. He has come second in his first Worlds after the | :44:49. | :44:54. | |
Olympic Games. What a super star. Brilliant. | :44:54. | :45:53. | |
fantastic routine from Max, he will be over the moon with the silver | :45:53. | :46:12. | |
medal. He is still so young, he has got so much time ahead of them. I | :46:12. | :46:22. | |
just think, you summed it up perfectly, he is a young lad, Max, | :46:22. | :46:29. | |
fourth in the all-around, second in the pommel horse, remarkable. And | :46:29. | :46:33. | |
that was a new routine, want to do for the future. There is a lot of | :46:33. | :46:38. | |
expectation on the young lad, he has done well. Well, it is incredibly | :46:38. | :46:44. | |
noisy here, but I think he is with Ollie Williams right now. | :46:44. | :46:50. | |
On the podium, a silver medal. Thank you, I am really happy with that. I | :46:50. | :46:58. | |
had a 7.2 starting score, quite a big risk factor, so I am really | :46:58. | :47:02. | |
happy, to come out with a medal is amazing. There were moments watching | :47:02. | :47:06. | |
you when it felt like time stopped. There were bits in that routine when | :47:06. | :47:11. | |
I thought, I could fall off, but I was just glad to get through the | :47:11. | :47:15. | |
routine. Some bits was happy, to get a medal out, I am happy. Olympic | :47:15. | :47:21. | |
bronze, world silver, making progress customer it really does, I | :47:21. | :47:24. | |
am looking forward to the competition is a head, looking | :47:24. | :47:29. | |
forward to them experiences. We are moving on to the bars final, so | :47:29. | :47:35. | |
let's find out about that from our double bars champion Beth Tweddle. | :47:35. | :47:41. | |
The bars is a very technical apparatus. People do not realise it | :47:41. | :47:49. | |
is quite physically demanding as well. You need upper body strength, | :47:49. | :47:52. | |
lower body strength, because you need to be able to make the shakes. | :47:53. | :47:57. | |
When you are at a World Championships, as soon as you walk | :47:57. | :47:59. | |
out into the arena and hear the crowd, you get the atmosphere in the | :47:59. | :48:04. | |
arena, it gives you that adrenaline. That adrenaline does help you | :48:04. | :48:08. | |
through your routine, but you also have to learn to control it, and | :48:08. | :48:12. | |
that comes with the amount of competitions you do. As you step up, | :48:12. | :48:15. | |
waiting for your turn, it is really nerve wracking, and you will know | :48:15. | :48:19. | |
you have done all the hours training, and you have got maybe 30 | :48:19. | :48:26. | |
or 40 seconds to prove your point. Most of the time you try to tell | :48:26. | :48:29. | |
yourself to stay calm, do what you do in the gym. We have got two | :48:29. | :48:36. | |
British girls in the final, and we have got Rebecca Downie, who has | :48:36. | :48:41. | |
made a European final. They are both used to being at there with the | :48:41. | :48:45. | |
pressure, they both have a great shout of a medal. The one that | :48:45. | :48:50. | |
everyone is going to be checking out is the current Olympic bar champion. | :48:50. | :48:53. | |
She played it safe and qualification, she placed down the | :48:53. | :48:58. | |
ranks, but she will definitely be upping her game for the final, and | :48:58. | :49:01. | |
she will be at there to win the world title. When you actually go | :49:01. | :49:08. | |
out there and do the job that you came to do, you cannot put into | :49:08. | :49:13. | |
words how it feels - you are floating. | :49:13. | :49:20. | |
This is the order of play for the bars final, the World Championships | :49:21. | :49:24. | |
here. Rebecca Downie goes third, she is | :49:24. | :49:34. | |
the British bars champion. And then we have got Ruby Harrold wrapping | :49:34. | :49:35. | |
things up, but keep an eye out for we have got Ruby Harrold wrapping | :49:35. | :49:40. | |
Aliya Mustafina, first in the in pics, first in the European, never a | :49:40. | :49:43. | |
world champion, and this could be her year. Let's find out what | :49:43. | :49:48. | |
happened with Mitch Fenner and Christine Still. | :49:48. | :49:55. | |
Yao Jinnan, who thrilled us in qualifying with an unbelievable | :49:55. | :50:02. | |
routine. Very special little gymnast on the uneven bars, super flight | :50:02. | :50:07. | |
from the low bar to the height and then back down, back up again. These | :50:07. | :50:12. | |
gymnasts are really moving fluently between the bars, and now here we | :50:12. | :50:20. | |
go, this is the big move. Oh! And she performed it so well in | :50:20. | :50:24. | |
qualification, but it is such a risky element. She has got to | :50:24. | :50:29. | |
somersault above the bars and take it in her grasp. She goes over the | :50:29. | :50:33. | |
bar but does not quite get the hand right over and peels off the bar. | :50:33. | :50:38. | |
The judges have to decide, did she get enough of a hold for it to | :50:38. | :50:43. | |
count? Here we have the beautiful pirouettes, turns on one arm. One | :50:43. | :50:51. | |
and a half turns. Into the dismount, super double straits dismount, but | :50:51. | :50:57. | |
that will be very expensive. One hole marked deduction. Cech a pity | :50:57. | :51:02. | |
for her, she thrilled us in qualifying, and it was a difficult | :51:02. | :51:07. | |
enough skill when we first saw it from the men. -- such a pity. What | :51:07. | :51:15. | |
went wrong here? She just came into close, her hands are so small and | :51:15. | :51:18. | |
went wrong here? She just came into you just lose that grip. As soon as | :51:18. | :51:22. | |
you lose the grip... She do it well to carry on her routine and | :51:22. | :51:28. | |
composers sell. 14.633, so the door has come slightly ajar. | :51:28. | :51:34. | |
Full pirouettes to start, back down to the low bar. This is such a | :51:34. | :51:45. | |
popular combination from low to high and back-up. She is using the pike, | :51:45. | :51:53. | |
the stoop in and out. She floats the Yager somersault, the front | :51:53. | :51:58. | |
somersault height. She winds up here, into the full twisting double | :51:58. | :52:03. | |
back, hold the landing well. That was a good performance after seeing | :52:03. | :52:11. | |
her team-mates have a problem. That was a fabulous routine from | :52:11. | :52:14. | |
beginning to end, and like Christine was saying, she has put in this | :52:14. | :52:18. | |
popular combination. This is the beginning of the routine, very | :52:18. | :52:21. | |
confident start, the handstand, into the stoop. | :52:21. | :52:29. | |
And there we see she has straight arms, legs together on the | :52:30. | :52:40. | |
backswing, that is what the judges are looking for the whole way | :52:40. | :52:44. | |
through. The Chinese are renowned for their style and bars, great | :52:44. | :52:48. | |
dismount, perfect landing. Just the way that every gymnast wants to | :52:49. | :52:52. | |
finish their routine. The coach is very happy with that. | :52:52. | :53:05. | |
And she, like many of the gymnasts, are using this stoop movement quite | :53:05. | :53:11. | |
a lot. It is very well rewarded from the judges, the code of points which | :53:11. | :53:16. | |
the judges used gives it a very good value, and when you add it to a | :53:16. | :53:19. | |
pirouette as well, it jumps your start value right up. The judging | :53:19. | :53:29. | |
system, the judging bonus marks are changed after every Olympics, so all | :53:29. | :53:35. | |
the judges have just read qualified. They are eager lives, they have just | :53:35. | :53:39. | |
done their course, and little moves, certain moves have been given | :53:39. | :53:43. | |
greater emphasis, and that is one of the moves we will see a lot of this | :53:43. | :53:53. | |
cycle. An impressive score, 15.4 for Huidan Huang. Is it going to be | :53:53. | :53:57. | |
beaten? That is a very tough score to be beaten, so we will just have | :53:57. | :54:01. | |
to see how the rest of the gymnasts do. We have got our home girl here, | :54:01. | :54:09. | |
so we are all rooting for her. She is not that far off the pace, let's | :54:09. | :54:16. | |
see. This is important, the forward element, a gymnast has to include | :54:16. | :54:18. | |
the forward element, straight into element, a gymnast has to include | :54:18. | :54:23. | |
the swing, up to the high bar and then the big release, beautifully | :54:23. | :54:28. | |
done. A clear circle. That was super! | :54:28. | :54:33. | |
Lovely combination there, she just needs to keep concentrating, the | :54:33. | :54:41. | |
struggle catch over. Down to the low bar, the Pak salto now, she needs to | :54:41. | :54:46. | |
concentrate on this, up to the high bar, swings up with a half turn. | :54:46. | :54:53. | |
Hole, and she just let her back go at that final moment! She went for | :54:53. | :55:02. | |
the slightly easier combination than she sometimes trained, and she just | :55:02. | :55:07. | |
overcooked it. Yeah, she will be slightly disappointed with that. You | :55:07. | :55:13. | |
could just see across the platform it takes your body over that side of | :55:13. | :55:16. | |
the bar, and there is no coming back. It looked like she was on | :55:16. | :55:24. | |
song, what a pity. It is one of those elements, most of the time, | :55:24. | :55:28. | |
you want loads of swing, but not half turn, you need to kill the | :55:28. | :55:30. | |
swing and just control it. Just the half turn, you need to kill the | :55:30. | :55:34. | |
dismount now, there it goes. What a half turn, you need to kill the | :55:34. | :55:38. | |
disappointment, she performed so well, 95% of that routine. That | :55:38. | :55:47. | |
is... Unfortunate, Beth. It is, but towards the end of the redeemed, was | :55:47. | :55:53. | |
she thinking, I am nearly there? Do you know what? These things happen | :55:53. | :55:58. | |
and that is the beauty of our sport, you can never tell and in the | :55:58. | :56:02. | |
end of routine. Normally she is so good at those terms but it did not | :56:02. | :56:06. | |
work out. Her coach is pleased with her, her big aim was to make the | :56:06. | :56:08. | |
final. Rebecca has got such great | :56:08. | :56:16. | |
technique, such heights in all of the release and catchers. Once she | :56:16. | :56:20. | |
does these elements, there is not a lot to deduct. And there is the | :56:20. | :56:25. | |
dismount, with the nice landing. By that time, you just think, I have | :56:25. | :56:32. | |
got nothing to lose. She really did perform the elements in the | :56:32. | :56:35. | |
beginning of the routine as well as I have seen her do. It is such a | :56:35. | :56:39. | |
shame, the rest of the routine was going well. I was doing the routine | :56:39. | :56:45. | |
with, a bit like Louis was doing with Max! They are talking about | :56:45. | :56:48. | |
now, but there is nothing you can do, you just want to get up and have | :56:49. | :56:53. | |
another go. Disappointment for Rebecca Downie, but she takes it | :56:53. | :56:58. | |
very well. With her coach, Claire Starkey, from Nottingham Gymnastics | :56:58. | :57:06. | |
Club. And that was very promising to me. Indeed. She has had a great run | :57:06. | :57:12. | |
up to these championships, she has been training really hard, and I | :57:12. | :57:15. | |
have known from all the girls that they have been pleased with their | :57:15. | :57:18. | |
preparation, so she will be slightly disappointed, but like she was | :57:19. | :57:21. | |
saying in her interviews, her aim was to make the final and get a name | :57:21. | :57:27. | |
at there. 13.8 for Rebecca Downie, what might have been! | :57:27. | :57:37. | |
Now, she is the junior European bars champion. Lovely controlled swing. | :57:37. | :57:58. | |
Super pirouettes there. She would have hoped to have linked those two | :57:58. | :58:03. | |
elements, the stoop up to the high bar. Gymnasts have to hit straight | :58:03. | :58:07. | |
handstand, and she is showing that very well indeed. The downswing into | :58:07. | :58:12. | |
the Jaeger somersault, front somersault to catch the same bar, up | :58:12. | :58:18. | |
to a half turn. Change is the swing, up into the very big high full | :58:18. | :58:22. | |
digging double back dismount, really nice effortless swing. A little step | :58:22. | :58:30. | |
backwards, and I tell you what, she stayed up. It looks like one of the | :58:30. | :58:34. | |
finalists who stays on will be in the medals, but she looks pleased | :58:34. | :58:39. | |
with that routine. She is a slightly smaller gymnast with a different | :58:39. | :58:43. | |
technique, but also, with being a tall gymnast, you can make things | :58:43. | :58:46. | |
look more elegant. There is the stoop full-term. Like we were saying | :58:46. | :58:52. | |
earlier, this skill is being used so much because it is being rewarded so | :58:52. | :58:58. | |
much by the judges. This is the end of the routine. | :58:58. | :59:07. | |
The stoop into the Jaeger somersault, nice straight arm | :59:07. | :59:13. | |
catch, the coaches always come in just in case, as a safety | :59:13. | :59:18. | |
precaution. There again, the stoop into the Jaeger, and you can see the | :59:18. | :59:27. | |
coach as a safety precaution. The wind-up giant into the dismount. | :59:27. | :59:31. | |
Such a common dismount. The back and full turn. It is the one area of | :59:31. | :59:37. | |
gymnastics where the coaches are allowed to stand by for safety, | :59:37. | :59:41. | |
isn't it? Some of these gymnasts are so small. When I was stood there, I | :59:41. | :59:47. | |
chose not to have Amanda there, because I think I would have | :59:47. | :59:48. | |
flattened her! A packed house once again. It looked | :59:48. | :00:05. | |
a fairly quick routine, but difficult. 14.683, and that has got | :00:05. | :00:09. | |
her into second place. Those are the top four places at the | :00:09. | :00:31. | |
moment, but now begins the procession of power, Simone Biles of | :00:31. | :00:33. | |
the United States, the all-around champion. She starts with the | :00:33. | :00:40. | |
forward element, shoot up to the bar, but she did split her legs just | :00:40. | :00:41. | |
a little bit. She is so strong and bar, but she did split her legs just | :00:41. | :00:46. | |
full pirouette. I love this combination. She has a | :00:46. | :01:03. | |
really efficient routine. Not so many elements. Not on the bars for | :01:03. | :01:12. | |
too long, but just up, on to the dismount. | :01:12. | :01:15. | |
That was powerful, precise, and she is determined to add to the medal | :01:15. | :01:18. | |
collection. I think she is going for a medal on | :01:18. | :01:24. | |
each piece. With that, she could have taken on a medal on the bars, | :01:24. | :01:31. | |
but she has not the hardest start. There straight into the hand stand. | :01:31. | :01:36. | |
Nice clean lines from the American. That could have gone either way, | :01:36. | :01:45. | |
straight into the catch. A night height in the katchev element, | :01:45. | :01:52. | |
straight down to the low bar. Here is the disopportunity. Straight | :01:52. | :02:01. | |
into back in full, knows exactly where that land issing and the big | :02:01. | :02:07. | |
smile we have all grown to know and love in this competition. | :02:07. | :02:13. | |
It is not her piece, is it, she is dynamic, very efficient. | :02:13. | :02:17. | |
It is not. She does not necessarily have the hardest start, but she does | :02:17. | :02:22. | |
not give anything away. 14. 716. It is silver medal | :02:22. | :02:28. | |
position. Still a couple of good gymnasts to | :02:28. | :02:33. | |
come for Simone Biles. Kyla Ross. | :02:33. | :02:46. | |
The final preparations. The secondawaysaway gymnast in the | :02:46. | :02:56. | |
finals. Lovely long | :02:56. | :02:57. | |
finals. Lovely , , elegant lines. | :02:57. | :03:03. | |
The more I see her, the more I enjoy her work on the bars. Look the hath. | :03:03. | :03:11. | |
The energy she has. A tiny deductions on the split legs, but | :03:11. | :03:16. | |
she works with the bars nicely. The bars bend and give her height that | :03:16. | :03:21. | |
was a very good high front somersault. Finishing the pir ets | :03:21. | :03:29. | |
well. Hitting the lovely straight line again. Really timing everything | :03:29. | :03:34. | |
so well. She is tall but does not have to bend her legs, keeps a | :03:34. | :03:42. | |
fabulous straight length in the double dismount. | :03:42. | :03:47. | |
That was superb. That was a fabulous routine. The coach is really | :03:47. | :03:52. | |
pleased. After last night you are either tired or on top of the world. | :03:52. | :03:58. | |
She has performed to her best again. Here we are, the Schap. Lovely clean | :03:58. | :04:09. | |
lines. Some slight loss of leg form, but not a lot to take away. There is | :04:09. | :04:13. | |
the stup skill we have been talking about with the full turn, into the | :04:13. | :04:17. | |
shoot-down. There is nothing to take on that low bar. | :04:17. | :04:25. | |
So much time? She seems effortless. Even though she is tall, she has the | :04:25. | :04:31. | |
night double straight. The nice thing with the Americans, | :04:31. | :04:36. | |
they get on so well. They are always there, cheering each other on. | :04:36. | :04:42. | |
I think thereby a few more before the competitions end here today. | :04:42. | :04:47. | |
They are really very different. So different. Different physiques, | :04:47. | :04:53. | |
different gymnasts. Totally different. | :04:53. | :05:01. | |
Talking about the finer points with each other. Some gymnasts when you | :05:01. | :05:05. | |
watch them, they fight the apparatus. I feel she feels that the | :05:05. | :05:10. | |
swing on the bars. She uses the bounce of the bar completely. She | :05:10. | :05:14. | |
knows where her body is. What a score! 15.266. She now has | :05:14. | :05:21. | |
gone ahead of Simone Biles to be in the second position. | :05:21. | :05:36. | |
Now Aliya Mustafina. A qualifier with a 14. 9, but she produced | :05:36. | :05:45. | |
something special in the all-round competition. | :05:45. | :05:49. | |
Be prepared to be impressed. She is the Olympic champion on bars. | :05:49. | :05:58. | |
A lovely pir et. Half turn, full turn. Straight down to the bar but | :05:58. | :06:03. | |
she missed that combination. She put an extra circle in to go back to up | :06:03. | :06:09. | |
the high bar. A nice turn. I love the way she does that. A | :06:09. | :06:16. | |
front somersault. She just floats! A full pir et. That is beautiful on | :06:16. | :06:23. | |
top of the bars, straight into the one-and-a-half dismount, but a | :06:23. | :06:28. | |
short, packed routine. It was. Last night's routine was slightly better. | :06:28. | :06:31. | |
She had the connection from the low bar to the high bar but she will be | :06:31. | :06:36. | |
pleased with that. Whether it can contend with the Chinese, I'm not so | :06:36. | :06:39. | |
sure. I think it could be a little bit | :06:39. | :06:44. | |
down to the difficulty level. She missed one connection, but... Sheer | :06:45. | :06:52. | |
the Schap skill. Straight down and this is where she normally goes | :06:52. | :06:57. | |
straight back up to the high bar. The piked Jaeger is a nice element | :06:57. | :07:02. | |
performed there. The straight arm catch, the coach standing in. in. . | :07:02. | :07:10. | |
Seems to make it look effortless. There is the dismount, the | :07:10. | :07:16. | |
one-and-a-half. She seems to be the only gymnast to do that dismount. It | :07:16. | :07:22. | |
is a difficult landing. A difficult line. | :07:22. | :07:28. | |
She's not too impressed, but we were. | :07:28. | :07:34. | |
She could have reproduced last night's wonderful routine, there | :07:34. | :07:39. | |
would not abdoubt but now there is. She is looking for the world title. | :07:39. | :07:46. | |
She know it is is not enough. 15.033. Third at the moment with one | :07:46. | :07:52. | |
gymnast to come. There is the leader, Huang. Out in front. One | :07:52. | :08:01. | |
performance away from gold. And it is Ruby Harrold. | :08:01. | :08:12. | |
Qualified with 14. 6. The last to go. | :08:12. | :08:19. | |
Roubi from the Academy Gymnastic Club in ports head. Performed so | :08:19. | :08:30. | |
well in the qualification. Really impresses. The original work. Shoot | :08:30. | :08:36. | |
into the hand stand, a full pir et. Very nicely linked. Into the shoot | :08:36. | :08:43. | |
up to the bar. She has original work here. | :08:43. | :08:46. | |
Two-and-a-half turn, tipping into the front somersault. Catches a | :08:46. | :08:51. | |
beautiful stretch. Just the dismount to go, now, double front, landing | :08:51. | :08:59. | |
backwards but that was a great routine. | :08:59. | :09:04. | |
She sure did go. You can always hear the British girls, they get as close | :09:04. | :09:08. | |
as they can get to cheering her on. It was a fabulous routine. Small | :09:08. | :09:12. | |
as they can get to cheering her on. errors and the stepping on nding but | :09:12. | :09:18. | |
it is such a new routine, she want build on it. | :09:18. | :09:29. | |
This is her original element or connection. The wow factor. You can | :09:29. | :09:35. | |
hear the crowd in the background. I don't think that anyone, when they | :09:35. | :09:39. | |
watch that, they don't expect her to go down to the low bar. You can hear | :09:39. | :09:45. | |
the crowd's reaction to it. Here is the dismount. Just that big step on | :09:45. | :09:50. | |
the landing. She will be pleased with that performance. | :09:50. | :09:54. | |
Well done, Ruby Harrold! Yes, she competed late last night. Performing | :09:54. | :09:56. | |
Well done, Ruby Harrold! Yes, she on the bar as her last piece. | :09:56. | :10:01. | |
Performing well. Each day, performing that routine well. She | :10:01. | :10:08. | |
and her coach, Liz Kincaid will be very happy. | :10:08. | :10:11. | |
They will be. She is still so young and still with so many years ahead | :10:11. | :10:13. | |
They will be. She is still so young of her. | :10:13. | :10:19. | |
So, 14.333, seventh place for Roubi. There is the winner, Huang. | :10:19. | :10:36. | |
Such a contrasting emotions. Obviously Kyla Ross has a smile on | :10:36. | :10:42. | |
her face. And Simone Biles, as well. | :10:42. | :10:45. | |
A really, really good competition. The contrast in style, shape, the | :10:45. | :10:50. | |
type of gymnastics. Aliya Mustafina, she finished up | :10:50. | :10:57. | |
with the bronze medal. The Chinese are often emotional like | :10:57. | :11:01. | |
that. I can remember the gymnast who took | :11:01. | :11:06. | |
the silver medal on beam at the Olympics, crying her eyes out as it | :11:06. | :11:11. | |
was the silver. I have been in many a competition, they have fallen. You | :11:11. | :11:17. | |
can see the reaction. There are the final standings. | :11:17. | :11:28. | |
Well, it was a first-class performance from Huang. And Ross | :11:28. | :11:37. | |
coming in there. We said how beautiful she is on the scene. She | :11:37. | :11:42. | |
is your mum's favourite and mine as well. This is Ruby Harrold's | :11:42. | :11:48. | |
routine. She finished in seventh place. It almost seemed as if what | :11:48. | :11:52. | |
happened with Becky Downie, focussed her mind? I think it probably is | :11:52. | :11:59. | |
because she is the next Brit in the final. It is her piece. Bars is the | :11:59. | :12:04. | |
piece she wants to improve on the most. To show she is a contender in | :12:04. | :12:10. | |
the world stage. I think that is why she was a little shaky, but she is | :12:10. | :12:14. | |
young and can grow. Well, the strong men have come out | :12:14. | :12:19. | |
into the arena. We are moving on to the rings. We wanted to find some | :12:19. | :12:24. | |
people with power and dexterity to explain what this piece is about. | :12:24. | :12:29. | |
Unfortunately, Christine Still and Mitch Fenner were busy, so we sent | :12:29. | :12:34. | |
Louis Smith and Beth Tweddle. The rings are so hard. Only a few | :12:34. | :12:38. | |
sportsmen have the attributes to truly master it. | :12:38. | :12:46. | |
You have to be flexible, have extreme static and explosive | :12:47. | :12:51. | |
strength. It is the only displained sport where all three are combined. | :12:51. | :12:55. | |
The whole entire body must be switched on from the start to the | :12:55. | :12:58. | |
finish. Now we will demonstrate! I have Beth | :12:58. | :13:02. | |
Tweddle! ? COMMENTATOR: He steels that cold! | :13:02. | :13:13. | |
Show them how it is done, Beth! Would you look at that? Look at | :13:13. | :13:19. | |
that! OK, I have to get down! And that is how it's done! Voila! You | :13:19. | :13:26. | |
still have it, Beth. I don't think that I will be a ring | :13:26. | :13:30. | |
specialist. You are not allowed to use the four | :13:30. | :13:37. | |
locks -- blocks in the fine. Here is the final: | :13:37. | :14:10. | |
Let's join Mitch Fenner and Christine Still. | :14:10. | :14:22. | |
Siad has had a brilliant European competition earlier in the year. | :14:22. | :14:42. | |
He shows what strength is all about. Quiet strength. | :14:42. | :15:12. | |
That is the most difficult. A super cross. | :15:12. | :15:35. | |
Very nice dismount. That little dip! And the little hop, the only real | :15:35. | :15:41. | |
errors there. At this level it is so, so close. In | :15:41. | :15:48. | |
the Europeans one tenth separated first from the eighth. Those errors | :15:48. | :15:53. | |
could be costly. He is the European champion. Some really strong guys in | :15:53. | :16:07. | |
the final. Some of the strength positions truly impressive. | :16:07. | :16:18. | |
On a couple of occasions, if we see it, he is hooking the rings, and you | :16:18. | :16:25. | |
cannot do that - you have to be fully extended through the wrists. | :16:25. | :16:33. | |
Good in the Swallow position. This will be at least three tenths. All | :16:33. | :16:41. | |
those questions the judges will be answering. A terrific ring worker, | :16:41. | :16:52. | |
is hugely strong. 15.5! That is the target. 8.7 for execution. And lots | :16:52. | :17:05. | |
of these doing the maths now. Aleksandr Balandin, he is a master. | :17:05. | :17:11. | |
He saves his best for the final every time. | :17:11. | :17:19. | |
Balandin qualified with a 15.6. European champion in 2012, second | :17:19. | :17:33. | |
this year. He has had a silver and a gold in recent times. | :17:33. | :17:39. | |
Precision in the strength parts is what he is renowned for. Question - | :17:39. | :17:52. | |
Willie put a twist in the dismount? -- we'll see. We have seen a 15.5 | :17:52. | :17:54. | |
posted. Again, not absolutely secure, and I | :17:54. | :18:42. | |
am not sure he held that for two microseconds. Will he twist or won't | :18:42. | :18:47. | |
he? He did, he took a chance, a little skip backwards. 15.5 is not | :18:47. | :18:55. | |
easy with tiny errors, he might just have done it. | :18:55. | :18:59. | |
Well, this apparatus is where most of the guys have very similar start | :18:59. | :19:10. | |
values, so really execution, how well you perform these moves is | :19:10. | :19:14. | |
going to be the key. He is a very stylish gymnast. Just as Mitch was | :19:14. | :19:20. | |
saying, a few questions on the length of the holds. But toes | :19:20. | :19:31. | |
beautifully pointed, body tight. Superb full twist in that double | :19:31. | :19:34. | |
straight, it looks easy! Perhaps when he was on the rings it | :19:34. | :19:56. | |
was not quite as exact as normal, he had to go for broke. 15.5 was that | :19:56. | :20:00. | |
man's score. 15.733! Balandin well into the | :20:00. | :20:13. | |
lead, with a 6.9 difficulty. He 15.733! Balandin well into the | :20:13. | :20:24. | |
really up to his difficulty. That is three tenths more, that is a big | :20:24. | :20:28. | |
difference on rings. Arthur Zanetti, Olympic champion. | :20:28. | :20:47. | |
Now, he got 15.733 in qualifying, so he is quite capable of nudging | :20:47. | :20:51. | |
Balandin off the top spot. huge definition in the upper arms, | :20:51. | :21:18. | |
and that was not the perfect start. That is good. He lifts into Maltese. | :21:18. | :21:27. | |
He has got a couple of other original elements in here. Circle | :21:28. | :21:37. | |
handstands, tiny errors. Oh, and that did dip. | :21:38. | :21:45. | |
Recovering well, he made sure of that cross. | :21:45. | :21:57. | |
He sets up all the big swings. Double pike and then into cross. I | :21:57. | :22:08. | |
will tell you what, he has had a very good second half of this | :22:08. | :22:09. | |
competition. So let's see. It is the first of the | :22:09. | :22:19. | |
dismount to be nailed, and he is excited about it, and so he should | :22:19. | :22:28. | |
be! That is crucial at this stage. 15.733, he is out there in front. | :22:28. | :22:35. | |
Well, in qualification, he also posted a 6.9 difficulty score, so | :22:35. | :22:42. | |
this is going to be very interesting posted a 6.9 difficulty score, so | :22:42. | :22:50. | |
such a straight line, isn't it? Super control at the top of that | :22:50. | :22:51. | |
swing. And there, the very good high | :22:51. | :23:16. | |
dismount, he throws the rings away. He can hardly contain himself! You | :23:16. | :23:26. | |
must have to be really pumped to use that maximum strength, and the | :23:26. | :23:29. | |
relief and the release at the finish must be quite extreme. Balandin | :23:29. | :23:38. | |
doing the rounds, shaking hands. 15.8, good enough, look at the | :23:38. | :23:41. | |
doing the rounds, shaking hands. execution score! 9, that gives in | :23:41. | :23:48. | |
first position. He is the man to beat. | :23:48. | :23:58. | |
Danny Pinheiro Rodrigues of France, again a high qualifier, bronze | :23:58. | :24:08. | |
medallist in the Europeans this year, so he is certainly up there | :24:08. | :24:10. | |
with a chance. The French are strong on the rings, | :24:10. | :24:19. | |
different countries tend to excel on different apparatus, and this is | :24:19. | :24:24. | |
certainly the place for the French. Oh, look at that, dead straight, he | :24:24. | :24:31. | |
lifts the hips into a straight line. Moving from one strength element to | :24:31. | :24:32. | |
the next. He needs to mix it up a bit with | :24:32. | :24:40. | |
swing now, and you can see him holding the position to get ready | :24:40. | :24:42. | |
for the swinging elements. That hold again from a different | :24:42. | :24:49. | |
entry. He swings and beautiful straight | :24:49. | :25:15. | |
arms. And again, fighting a little bit, RP goes. Oh! And what a shame! | :25:15. | :25:24. | |
He just was a bit overconfident, fled those arms out. He is | :25:24. | :25:30. | |
disgusted, the coach was not happy as well. That was done so well, what | :25:30. | :25:37. | |
can you say except... ? They will go over and over it. The result will be | :25:37. | :25:44. | |
just the same. Some lovely touches in the routine, that was the | :25:44. | :25:46. | |
inverted swallow. He keeps his shoulders well down to | :25:46. | :25:59. | |
set up that. What a combination that is! Inverted swallow. | :25:59. | :26:05. | |
Par excellence! This is the regular swallow, just turn it upside down. | :26:05. | :26:12. | |
Just like that! And that is curtains for | :26:12. | :26:21. | |
chances, he is so angry with himself And that is curtains for | :26:21. | :26:25. | |
and with the world. 14.5 sixes, we know that Danny | :26:25. | :26:44. | |
Pinheiro Rodrigues... Well, when you talk about deductions of 0.1, 1.0 is | :26:44. | :26:57. | |
big. At the Zanetti in front of Balandin, three routines still to | :26:57. | :26:58. | |
come. Brandon Wynn of the USA. That is | :26:59. | :27:28. | |
really impressive. And again, he swings to it. | :27:28. | :27:36. | |
Those lovely in-line, important to show that straight line, not a dip. | :27:36. | :27:47. | |
This guy is showing us phenomenal strength. | :27:47. | :27:55. | |
You can see the muscle definition on the shoulders, the power that is | :27:55. | :28:01. | |
needed to perform these elements. He has really made sure of every hold. | :28:01. | :28:07. | |
Every hold has to be at least two seconds, and he has made sure of | :28:07. | :28:15. | |
that. A little bit soft in that handstand. Up comes the swing into | :28:15. | :28:19. | |
the dismount, the full twist in the double straight. That was so | :28:20. | :28:24. | |
important to him, the coach goes crazy every time! The Americans have | :28:24. | :28:33. | |
got... Look at this! He qualified in third, and that really was great, to | :28:33. | :28:39. | |
nail the dismount on top of the straight is the ring work of's | :28:40. | :28:44. | |
absolute dream. You very rarely get both going so well, and he did. Look | :28:44. | :28:47. | |
at that, shaking. Superb! Very, very good work indeed. Look at | :28:47. | :29:08. | |
that, the rings turned right out. Here we go, the big wind-up. And his | :29:08. | :29:14. | |
dream, he kicked it out, his dream is still very much alive. Oh dear, | :29:14. | :29:19. | |
oh dear! We have missed him this year, he has | :29:19. | :29:32. | |
added bit of injury, not here for the USA team. | :29:32. | :29:40. | |
He got 15.7 in qualifying. Two very good gymnasts to go. | :29:40. | :29:53. | |
Well, a good start, qualifying with a difficulty of 6.8. Everybody is | :29:53. | :30:01. | |
looking intently. I will tell you what, that was a good routine. Like | :30:01. | :30:08. | |
it or not, the judges loved to see a nailed dismount. 15.666, he is into | :30:08. | :30:18. | |
third. A difficulty of 6.7. And there we are. The leader at this | :30:18. | :30:27. | |
stage out there, Zanetti. There are still two very good rings | :30:27. | :30:31. | |
specialists to come. He might be a little bit disappointed. | :30:31. | :30:39. | |
Liu Yang, top quality. 15.866 he got. The blue handles straight | :30:39. | :30:51. | |
through into the position and again. That is a lovely transition. | :30:51. | :30:58. | |
The second late inverted. This is lovely. Another Maltese. | :30:58. | :31:19. | |
So easy for him. He lifts the chin with confidence. | :31:19. | :31:32. | |
Oh! That little hop forward in the landing that could be the | :31:32. | :31:39. | |
difference. 15. 8 is the target. | :31:39. | :31:47. | |
That was a shame. The actual work on the rings was fantastic. | :31:47. | :31:58. | |
They are all fantastic, tch! It is so precise. Look at that line in the | :31:58. | :32:06. | |
inverted cross. The double tuck. The combining swing with the strength. | :32:06. | :32:17. | |
He is ideal for a ring's worker. Small, light, the legs, the hips. | :32:17. | :32:23. | |
Beautiful through the rings. He just dipped. They could almost | :32:23. | :32:34. | |
take a five tenths. How severe will they be? He is about | :32:34. | :32:42. | |
to find out. 15. 633. Fourth. The judges are on | :32:42. | :32:48. | |
their game. You have to hit every skill. | :32:48. | :32:57. | |
Zanetti is still in front. One little man to come. | :32:57. | :33:07. | |
You have guessed it, it is orange, it is Mr Gelder. | :33:07. | :33:15. | |
He's been the world champion, he's been a silver medal is, and a bronze | :33:15. | :33:22. | |
medal is. There are a lot of people here to | :33:22. | :33:26. | |
see him make a medal. He hits the inverted cross. Watch | :33:26. | :33:28. | |
this... If there is a weak spot it is here, | :33:28. | :33:41. | |
but he keep it is going. No flicker. | :33:41. | :33:57. | |
Now the question is, will he twist in the dismount? He is never | :33:57. | :34:15. | |
comfortable with it, but he will have to risk it. Oh, he's done it! | :34:15. | :34:24. | |
Yes, Gelder took a chance and did he had to do. Now, at last, after a | :34:24. | :34:30. | |
long time, Christine, has he gotten back into the medals? He ran over to | :34:30. | :34:36. | |
his coach, delighted. The little man did his job. | :34:36. | :34:39. | |
Well, we will see, but when you are last up and you have seen the | :34:39. | :34:44. | |
routines as good as they are, you may as well go for broke. He did, he | :34:44. | :34:50. | |
showed what a great competitor he is. Real strength, real power. | :34:50. | :35:01. | |
Like you say, Mitch, as straight as you can be. A tiny shade off there | :35:01. | :35:07. | |
but the good hand stand. Up, he puts the twist in, has to pike down on | :35:07. | :35:13. | |
the landing but he was giving nothing away. | :35:13. | :35:21. | |
Of course, Mitch, I bet you are delighted to see part of the team | :35:21. | :35:27. | |
that you coached here in Holland? He's worked very hard for this | :35:27. | :35:34. | |
moment. This is a moment for Brandon Wynn. | :35:34. | :35:46. | |
But back to Yuri, he is delighted. He has worked so hard for this | :35:46. | :35:53. | |
moment. Really, Holland are very much a | :35:53. | :35:59. | |
country to produce specialists, Mitch. We don't often see them in | :35:59. | :36:08. | |
the all-round competitions but here they are more specialists. | :36:08. | :36:12. | |
They have always had the individual talent. The task now it to divine | :36:12. | :36:17. | |
them into a team. There is a lot of discussion going on here. | :36:17. | :36:21. | |
Lots of pressure from the audience. Like you said, there is lots of | :36:21. | :36:26. | |
orange in the audience. We are not a million miles from Holland, of | :36:27. | :36:30. | |
course. Lots of people have made the journey. | :36:30. | :36:33. | |
Whatever the result, he will be delighted. He is down a little. | :36:33. | :36:39. | |
157533. Fifth place, he will be choked, but he gave it his best | :36:39. | :36:41. | |
shot. N Yammumuro, a power little guy, but | :36:41. | :37:11. | |
there was a dispute if he was holding his body line long enough. | :37:11. | :37:16. | |
Here is the first, one, two, I would give that. | :37:16. | :37:23. | |
You must be static for this one too. Here we are, is he static? One, two, | :37:23. | :37:30. | |
maybe not. He is squeezing it out into a hand stand. That is | :37:30. | :37:32. | |
impressive and strong. If you can see the feet, they are | :37:32. | :37:47. | |
not quite high enough. Hold the hand stand, tighten the | :37:47. | :38:21. | |
back. Up into the oh, double, double dismount. That's impressive! Yes | :38:22. | :38:26. | |
indeed. A double, double. After all of that hard work. He did not hold | :38:26. | :38:31. | |
every strength but he gave it his utmost. | :38:31. | :38:38. | |
Congratulations, all round. Yuri, he is there with his coach. He | :38:38. | :38:43. | |
is not looking very happy. Let's have a look. | :38:43. | :38:51. | |
Now doubt, this is a powerful man. | :38:51. | :39:06. | |
A double pike without a pause. A little shrunk of the arms. | :39:06. | :39:10. | |
The toes are dipping slightly. You can see the nerves. Through the | :39:11. | :39:17. | |
rings on the double, double. A big, big dismount. | :39:17. | :39:26. | |
He got 15. 5 in qualifying. I don't think he will get quite such a mark | :39:26. | :39:39. | |
this time. There is plenty of tension on the floor with an inquiry | :39:39. | :39:52. | |
put in. To make the enquiry, the federation | :39:52. | :40:00. | |
has to go for it. 15.433, seventh place for Yammumuro. | :40:00. | :40:11. | |
There is your world champion. Arthur Zanetti. | :40:12. | :40:17. | |
A terrific rings final. The landing has to be satisfied. Second place, | :40:17. | :40:29. | |
Brandon Wynn. Yuri must be disappointed but he is | :40:29. | :40:32. | |
hiding it. Yuri must be disappointed but he is | :40:32. | :40:42. | |
The celebrations are muted until the inquiry is answered. This is | :40:42. | :40:45. | |
obviously the road to Rio. We are going to see a lot more success from | :40:45. | :40:50. | |
Brazil along the way. Excellent work. They have got | :40:50. | :40:56. | |
strength and depth too. This young man is so powerful. | :40:56. | :41:00. | |
strength and depth too. This young Brandon Wynn, the enquiry is still | :41:00. | :41:05. | |
on the front burner. We will see what comes from that. | :41:05. | :41:10. | |
At the moment, if nothing change, he is going to finish in third | :41:10. | :41:17. | |
position. This At the moment, the silver is | :41:18. | :41:31. | |
the property of Aleksander Balandin. Everybody is looking. | :41:31. | :41:40. | |
The enquiry is rejected. So the situation, state yuts kwoe... -- | :41:40. | :41:53. | |
status quo... Well, whatever, this will be the first Gold Medal won by | :41:53. | :41:58. | |
a nation other than Japan in the men's competition. | :41:58. | :42:01. | |
On the uneven bars it was the first Gold Medal awarded not to the USA | :42:01. | :42:07. | |
women. So it is a break of their dominance on these two apparatus. | :42:07. | :42:13. | |
Oh, the American coach is not happy, but come on, you have to accept the | :42:13. | :42:15. | |
decision. I'm sure that the head of the USA | :42:15. | :42:33. | |
Federation will be down. So Zanetti takes gold and Aleksander | :42:33. | :42:41. | |
Balandin taking the silver. Brandon Wynn is third, taking the | :42:41. | :42:48. | |
bronze, his enquiry rejected. He is not happy at all. This is | :42:48. | :42:51. | |
about the difficulty, won't it? That side of the routine? You can only | :42:51. | :42:58. | |
put innen answer inquiry if the stat score is not right. You cannot | :42:58. | :43:03. | |
dispute the execution score. So he is saying that he did a harder | :43:03. | :43:06. | |
routine. So, let's talk about the bars, the | :43:06. | :43:10. | |
British girls in there. It was going so well for Becky Downie and I think | :43:10. | :43:15. | |
that the confidence was building. I mean, the routine until the last | :43:15. | :43:22. | |
moment before the dismount was perfect. You could not have asked | :43:22. | :43:29. | |
more of her, but she could not hold it. Everything she does, she is | :43:29. | :43:35. | |
technically very good. This has changed slightly from qualification. | :43:35. | :43:43. | |
Once the feet go over there, it is difficult to pull it back. | :43:43. | :43:49. | |
A lot of people may be why not put in an extra half twist? But whether | :43:49. | :43:57. | |
or not she is used to swinging between the bars. Sometimes it is | :43:57. | :43:59. | |
or not she is used to swinging easier to get off, but every gymnast | :43:59. | :44:03. | |
works in a different way. Sure. Let's have a look at Roubi's | :44:03. | :44:08. | |
routine. She was the last up. It can be difficult to go last. | :44:08. | :44:12. | |
Obviously you hear the crowd. She probably will not have watched much | :44:12. | :44:18. | |
of the routine, but she has an original routine. There is the | :44:18. | :44:23. | |
yager, but the thing about this -- there is the Jaeger. She got the | :44:23. | :44:28. | |
connection, in the arena you could hear the crowd going wow! She is | :44:28. | :44:33. | |
still young. She will build on that routine. | :44:33. | :44:37. | |
In the future, as a bar specialist? She has performed well. In three | :44:37. | :44:41. | |
competitions out of three, she has gone through. So as a starter that | :44:41. | :44:46. | |
is what we want. We can build on that, she can as well. | :44:46. | :44:50. | |
Let's hear what she had to say for herself. Here are the girls with | :44:50. | :44:56. | |
Ollie Williams. Becky, how devastating to lose that | :44:56. | :45:02. | |
routine at the end? It is disappointing but there is a | :45:02. | :45:04. | |
possibility I could have been fourth. I qualified in fourth. I am | :45:04. | :45:07. | |
possibility I could have been pleased to have made the finals it | :45:07. | :45:09. | |
is a huge step. I'm excited to see pleased to have made the finals it | :45:09. | :45:14. | |
where we can go. Roubi, yours is a unique routine, | :45:14. | :45:19. | |
how good to perform it in front of this crowd, last to go in a world | :45:19. | :45:24. | |
final? It was amazing, to make the bar final in the first World | :45:24. | :45:28. | |
Championships, it is fantastic. I know if I can do the routine, I can | :45:28. | :45:34. | |
goo from A to B. I can do that. Becky, how much confidence has this | :45:34. | :45:39. | |
given you? Do you feel you have proved yourself here? I definitely | :45:39. | :45:43. | |
feel that. I made the bar final. I could not have asked for much more. | :45:43. | :45:47. | |
The last bit went a little wrong. I had to improvise. I lost control of | :45:47. | :45:52. | |
the bar. It happens. It has happened a lot of times, I am getting used to | :45:52. | :45:59. | |
it. It will come. And Roubi, the first World Championships, how much | :45:59. | :46:02. | |
have you learned to take through? I have level learned a lot. To walk | :46:02. | :46:07. | |
away making two finals, it is fantastic. It is all experience at | :46:07. | :46:11. | |
the moment. It can lead to somewhere in the future, hopefully. | :46:11. | :46:20. | |
Well done. We are talking a lot about confidence and experience, but | :46:20. | :46:24. | |
that is the key, to be able to come here and perform under extreme | :46:24. | :46:28. | |
pressure. It is difficult, the crowd here, a packed house, noisy, a lot | :46:28. | :46:34. | |
of distractions going on, and Ruby had to wait to be the last person, | :46:34. | :46:39. | |
which can be a big distraction. Sometimes it is hard to get the | :46:39. | :46:41. | |
judges on your side. You sometimes Sometimes it is hard to get the | :46:41. | :46:45. | |
have to turn up with a little bit of swagger, to say, here I am, I am | :46:45. | :46:50. | |
going to post big scores, get ready to give me a 15.8. You need to. When | :46:50. | :46:58. | |
I first hit the scene, I needed to make myself recognised, not only | :46:58. | :47:00. | |
with my performance, but with my style, and having an Avril for | :47:00. | :47:07. | |
awhile, it was like, look at me. These things work, and then when you | :47:07. | :47:11. | |
do your performance, you give yourself a name, and people have an | :47:11. | :47:16. | |
expectation that he will bring a good routine. Ruby is at that time | :47:16. | :47:21. | |
when she is unique, she has that scoop on the bottom bar, and people | :47:21. | :47:26. | |
are going to enjoy that. You are not really ready to retire! How much are | :47:26. | :47:32. | |
you itching to get down there? I am waiting for people to leave, I will | :47:32. | :47:36. | |
imagine I am in the Olympic final and enjoy myself. It is funny, how | :47:36. | :47:41. | |
do you feel, not in the tracksuit, just wandering around? There are a | :47:41. | :47:46. | |
lot of retired gymnasts, even gymnasts that have done their job | :47:46. | :47:50. | |
and just relaxing. Where do you see yourself? I have got itchy feet, I | :47:50. | :47:56. | |
really have. I want to do different things, explore the world, walk down | :47:56. | :48:00. | |
different paths, but this is my home, and it will always be my | :48:00. | :48:02. | |
different paths, but this is my home. Even if I was 40 and I | :48:02. | :48:06. | |
retired, there will still be part of you that wants to be competing | :48:06. | :48:11. | |
again. What are you laughing at?! She has been there before! You can | :48:11. | :48:15. | |
never walk away from the sport that has been such a big part of your | :48:15. | :48:19. | |
life. It is the hours training that he will not miss. You will miss | :48:19. | :48:23. | |
life. It is the hours training that walking out into the stadium, | :48:23. | :48:25. | |
getting the butterflies, but the hours training I do not miss! This | :48:25. | :48:30. | |
is the thing, you mentioned this morning that you still do a little | :48:30. | :48:35. | |
bit of skating, is that right? Yes, I still do skating, I still go to | :48:35. | :48:40. | |
the gym, it is the easiest way to keep it. I am going to do some shows | :48:40. | :48:46. | |
with gymnastics, so I go to the states in December, and for me it is | :48:46. | :48:52. | |
my life. Just staying in that kind of extreme movement is really | :48:52. | :48:57. | |
important. I have to find different ways of getting the adrenaline, so I | :48:57. | :49:01. | |
have been skydiving, wing walking, lots of different things to be all | :49:01. | :49:05. | |
that adrenaline, because I do miss it. You can see the gymnasts are out | :49:05. | :49:10. | |
on the floor area, and behind us is Max Whitlock. We talked about Kyla | :49:10. | :49:21. | |
Ross, are you surprised at the order from the girls? A little bit. I knew | :49:21. | :49:28. | |
Mustafina would have wanted to take the world title, and the Chinese | :49:28. | :49:32. | |
girl falling, she had a wound routine, and you could see the | :49:32. | :49:35. | |
emotion at the end, she was devastated. Huang Huidan, she has a | :49:35. | :49:44. | |
consistent routine, you knew what she would score. We will hand over | :49:44. | :49:52. | |
to the commentators. So just the accolades now to be received, and | :49:52. | :50:01. | |
Max Whitlock shares a silver medal with Daniel Corral Barron from | :50:01. | :50:07. | |
Mexico, and it is such a good gesture. You do not split at that | :50:07. | :50:11. | |
level. They share silver, both thoroughly deserved. Max Whitlock | :50:11. | :50:17. | |
for Great Britain. And Corral Barron from Mexico. Second equal. Sharing a | :50:18. | :50:25. | |
silver at the World Championships. But there is no disputing the | :50:25. | :50:34. | |
champion, Kohei Kameyama. He looked so good in qualifying, stretched out | :50:34. | :50:39. | |
a little bit more, but an extra scored to it. He rocketed to the | :50:39. | :50:46. | |
gold medal position, Kohei Kameyama, the world champion. | :50:46. | :51:03. | |
And Max Whitlock, surely more to come, his first World | :51:03. | :51:10. | |
Championships. He takes a silver medal, shares it indeed. But he | :51:10. | :51:18. | |
controlled his nerves. Gold to Kohei Kameyama. | :51:18. | :51:26. | |
Well, Chris, he has done it, he has gotten so a medal on the world | :51:26. | :51:47. | |
podium. Yes, one step up from the Olympics, it was bronze at the | :51:47. | :51:51. | |
Olympics, and I think he will take a great deal from this World | :51:51. | :51:56. | |
Championships, Max Whitlock. And his coach, he has got a young coach. It | :51:56. | :51:59. | |
is the first big international for them. | :51:59. | :52:19. | |
Well, what a moment, to see the Union flag hoisted high behind us. | :52:19. | :53:09. | |
Well, Max there standing for his photos. Just get on the right side, | :53:09. | :53:18. | |
sun, there you are. We promised earlier on that we would show you | :53:18. | :53:21. | |
the highlights from the women's vault, so we will do that right now. | :53:21. | :53:25. | |
The question was, which the Americans would take gold? | :53:25. | :53:29. | |
Power personified, the world all-round champion, Simone Biles. | :53:29. | :53:38. | |
Watch this fault, look at the height, look at the timing, that was | :53:38. | :53:42. | |
the best multi scene in the whole Championships! She normally has a | :53:42. | :53:45. | |
hop forward, that was fantastic. Harnessing the power, and what power | :53:45. | :54:00. | |
it is. Miles up into the sky, and look at the landing, terrific | :54:00. | :54:06. | |
vaulting. Two and a half twists, and she did it with consummate ease. | :54:06. | :54:16. | |
Huge vault, lots of. 15.933, a colossal score, and look at the | :54:16. | :54:21. | |
execution. What on earth can she produce in the second vault? Simone | :54:21. | :54:26. | |
Biles. Well, and easier tariff, so it has to be perfect, and it is, | :54:26. | :54:33. | |
isn't it?! That half term from the round off, straight front somersault | :54:33. | :54:37. | |
with a half twists, perfect body shape, perfect landing. Superb | :54:37. | :54:43. | |
vaulting. She must know her moment is over. But this is amazing to see, | :54:43. | :54:54. | |
a second vault, not so difficult. Half on, then half off, and a | :54:54. | :55:00. | |
beautifully straight body. And watch the little flourish right at the | :55:00. | :55:04. | |
end. A little celebration. Beautiful! She is great and the | :55:04. | :55:10. | |
pressure, this gymnast. We saw it last night, when she knew she had to | :55:10. | :55:14. | |
produce a really good performance on floor, did its no problem. And here | :55:14. | :55:19. | |
on the vault, she knows if she is going to beat the opposition, she | :55:19. | :55:22. | |
has got to be spot-on, and she has been. | :55:23. | :55:29. | |
15.258 for the second, 15.595, Simone Biles clearly in the lead. | :55:29. | :55:39. | |
And last, but certainly not last in the rankings, McKayla Maroney. And | :55:39. | :55:47. | |
she finds so much I done so much time. This is special, just watch. | :55:47. | :55:52. | |
The power, the precision, the height, the landing. But she was | :55:52. | :55:58. | |
slightly of direction, I think, there. The world champion on vault, | :55:58. | :56:02. | |
she took silver at the Olympics. Plenty of power. You can see that | :56:02. | :56:15. | |
she veers to the side, did her foot go over the zone? We will have a | :56:15. | :56:21. | |
closer look now. Look at the height on it! She just about squeezed it | :56:21. | :56:27. | |
inside. I just think this vault is sensational, the amount of live she | :56:27. | :56:31. | |
gets is quite unbelievable. You can see she was slightly of direction | :56:31. | :56:36. | |
there. They really cannot be any other deductions. Surely not for | :56:36. | :56:40. | |
height and length or anything of that nature. | :56:40. | :56:50. | |
So second vault for McKayla Maroney. Different but still wonderfully | :56:50. | :57:10. | |
flighted. The half on straight front with full twists, that is absolutely | :57:10. | :57:17. | |
superb. , again, a little problem with alignment, but in the air she | :57:17. | :57:22. | |
was absolutely beautifully controlled, stylish. Let's have a | :57:22. | :57:30. | |
look. She veered over to the right. Half an com and you can see slightly | :57:30. | :57:38. | |
off centre. I think that comes out of the round of slightly. You can | :57:38. | :57:42. | |
see it. She was not square on. She just | :57:42. | :57:59. | |
about crept in. She has gone into the lead! She has taken the gold | :57:59. | :58:05. | |
medal! 15.724, the average, the rhythmic vaulting! Goldston McKayla | :58:05. | :58:12. | |
Maroney. Simone Biles has a silver to go with the gold all-around. Un | :58:12. | :58:22. | |
Jong Hong well deserved that bronze medal. | :58:22. | :58:24. | |
Remarkably reserve celebration from Maroney, that is five of the ten | :58:24. | :58:29. | |
individual apparatus finals over with, you can see the rest on BBC | :58:29. | :58:35. | |
Two at 1:30pm. There we are, what an action packed day, I am exhausted | :58:35. | :58:39. | |
and we have just been watching! Standout performance? Max on vault. | :58:39. | :58:51. | |
This is you watching Max's performance, that is absolute | :58:51. | :58:52. | |
attention. Oh dear! There you go! On that note, | :58:52. | :59:04. | |
we will finish! Kristian Thomas is on floor tomorrow, we really hope | :59:04. | :59:08. | |
you can join us for the last five individual apparatus finals. From | :59:08. | :59:10. | |
all of us here, it is goodbye. | :59:10. | :59:13. |