Browse content similar to Day 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, a very good evening to you.
Welcome to highlights of day one of | 0:00:35 | 0:00:43 | |
the 2018 masters. The action got
underway with Mark Selby, world | 0:00:43 | 0:00:46 | |
number one, three times, and Masters
champion, taking on the Welshman | 0:00:46 | 0:00:51 | |
Mark Williams, himself twice a
Masters champion. Sell the setting | 0:00:51 | 0:00:57 | |
for victory when he had a kick,
Williams came to the table and won | 0:00:57 | 0:01:04 | |
frame nine and ten to set up a final
frame decider. Let's revisit that in | 0:01:04 | 0:01:08 | |
the company of Dennis Taylor and
Stephen Hendry. | 0:01:08 | 0:01:11 | |
COMMENTATOR: Does he put some
fantastic long balls. He has rescued | 0:01:14 | 0:01:22 | |
the situation with some excellent
long pot. That was a shocker, | 0:01:22 | 0:01:28 | |
really. | 0:01:28 | 0:01:33 | |
really. The Rekik long pot there.
Playing for the four corner. Yes, | 0:01:33 | 0:01:39 | |
very good. -- terrific long pot. No!
Can you believe it? | 0:01:39 | 0:01:53 | |
That's a beautiful shot. | 0:01:53 | 0:01:59 | |
And the pink is in, the Welsh
potting machine has made a terrific | 0:02:03 | 0:02:08 | |
comeback and he takes the match by
six frames to five. I am happy with | 0:02:08 | 0:02:14 | |
the way I played, I played quite
well. I think Selby played quite | 0:02:14 | 0:02:18 | |
well as well, not too many balls
missed, and a lot of good | 0:02:18 | 0:02:22 | |
well as well, not too many balls
missed, and a lot of good breaks, a | 0:02:22 | 0:02:23 | |
couple of clearances here and there,
and overall I think was a really | 0:02:23 | 0:02:26 | |
good match that could have gone
either way. I knew that last red, if | 0:02:26 | 0:02:30 | |
it dropped in, the match was mine,
and it was a do or die shot, you | 0:02:30 | 0:02:34 | |
have to commit to it. If you roll it
in, great, unfortunately for me it | 0:02:34 | 0:02:38 | |
did not come out well. I am going
the right way, a of quarterfinals, | 0:02:38 | 0:02:43 | |
semifinals. I just to plough on the
key player in the way I am and see | 0:02:43 | 0:02:51 | |
what happens. It is hard to take a
lot of positives when you have | 0:02:51 | 0:02:56 | |
played well and lost. You just have
to go back to the drawing board and | 0:02:56 | 0:02:59 | |
the working hard and if you keep
playing like that you would lose | 0:02:59 | 0:03:02 | |
many matches. Great disappointment
for Mark Selby, but what a fine win | 0:03:02 | 0:03:08 | |
for Mark Williams. He now has to
wait until Thursday for his quarter | 0:03:08 | 0:03:12 | |
final match. This evening was all
about Mark Allen taking on Luca | 0:03:12 | 0:03:19 | |
Brecel, making his debut here,
nicknamed the Belgian bullet. | 0:03:19 | 0:03:29 | |
nicknamed the Belgian bullet. The
last time they met was on the 2015 | 0:03:29 | 0:03:31 | |
Shanghai Masters, which Allen won
5-3. But just take a look at the | 0:03:31 | 0:03:37 | |
seams. | 0:03:37 | 0:03:42 | |
seams. Brecel turned up with two
queues, he said he wanted one for | 0:03:45 | 0:03:48 | |
safety play and he wanted one for
potting. It seemed to be working, | 0:03:48 | 0:04:00 | |
because Brecel raced into a 2-1
lead. We join it in the fourth | 0:04:00 | 0:04:06 | |
frame, early stages, commentary from
Ken Doherty and Joe Berger. -- John | 0:04:06 | 0:04:09 | |
Virgo. | 0:04:09 | 0:04:15 | |
Commentator good shot was. He knew
the earlier incident, the one that | 0:04:15 | 0:04:19 | |
could hold him for the black, and a
little unlucky that the second red | 0:04:19 | 0:04:23 | |
just nudges the black off its spot.
Otherwise he would have been ups and | 0:04:23 | 0:04:28 | |
really perfect on the black. As it
is, I'm not certain what red he can | 0:04:28 | 0:04:35 | |
get on off this black. | 0:04:35 | 0:04:42 | |
He obviously thinks if he can just
get past the pink, but has he gone | 0:04:49 | 0:04:54 | |
far enough? Looking at his body
language, I would say no. | 0:04:54 | 0:05:04 | |
Well, he did. Excellent pot. | 0:05:10 | 0:05:24 | |
And there are not that many loose
roads to play for so he may play a | 0:05:25 | 0:05:32 | |
cannon onto the main bunch. Trust a
little bit to luck. | 0:05:32 | 0:05:40 | |
Well, he has got the red to the
corner but he is badly hampered | 0:05:40 | 0:05:46 | |
here. | 0:05:46 | 0:05:56 | |
Couldn't have played that much
better. Good shot. | 0:05:58 | 0:06:05 | |
better. Good shot. Yes, and the red
just above the black in-line does | 0:06:06 | 0:06:08 | |
pot. He has decided to go down for
the red below the black. Played that | 0:06:08 | 0:06:15 | |
pretty well. | 0:06:15 | 0:06:24 | |
A bit short, but a chance to go into
the pack of Fred Snell. | 0:06:31 | 0:06:41 | |
the pack of Fred Snell. -- the pack
of reds now. Didn't play it with a | 0:06:41 | 0:06:44 | |
lot of confidence. Just managed to
drop in. | 0:06:44 | 0:06:59 | |
APPLAUSE | 0:07:01 | 0:07:04 | |
He has got an angle on the blue.
Drop the blue in, red at the bottom | 0:07:09 | 0:07:15 | |
of the pack, the loose one, pots. | 0:07:15 | 0:07:17 | |
It is OK. He is going to need at
least one more split from a fuel of | 0:07:20 | 0:07:33 | |
those roads -- a few of those reds. | 0:07:33 | 0:07:39 | |
Yes, so after this, there's only one
more red. You can see it just to the | 0:07:54 | 0:07:59 | |
right of the black. And he has left
himself low on the black so he might | 0:07:59 | 0:08:04 | |
as well play the cannon now. He
should still be on the open red. And | 0:08:04 | 0:08:12 | |
that was a better way of playing it,
bit more positive. All right, he is | 0:08:12 | 0:08:16 | |
probably not on the one to the same
pocket as the black, but he has won | 0:08:16 | 0:08:20 | |
to the left middle. And now that
should be end of frame, and they | 0:08:20 | 0:08:27 | |
should go into the mid-session
interval all square. | 0:08:27 | 0:08:34 | |
interval all square. It is hard to
pick a winner. Yes, it is good | 0:08:38 | 0:08:41 | |
stuff. As soon as the frame is out
of the way, he will be concentrating | 0:08:41 | 0:08:47 | |
on trying to make the first century
of the evening. | 0:08:47 | 0:09:01 | |
That secures the first frame. Let's
see if he can make a century. | 0:09:01 | 0:09:13 | |
He has already made 36 entries this
season. The total losses and was 36. | 0:09:24 | 0:09:31 | |
336 career centuries. | 0:09:31 | 0:09:40 | |
APPLAUSE | 0:10:13 | 0:10:18 | |
Mark Williams made a 135 in this
afternoon's session. Could equal | 0:10:26 | 0:10:32 | |
that by taking the black in all the
remaining six colours. | 0:10:32 | 0:10:40 | |
remaining six colours. But of course
the importance for Mark Allen is he | 0:10:40 | 0:10:45 | |
goes into the interval at 2-2. So
the best-of-7 when they come out. | 0:10:45 | 0:11:00 | |
Both players looking in good form.
Yes, I didn't think it would be a | 0:11:00 | 0:11:06 | |
slow match, OK, we have had a cup of
frames going over 20 minutes but you | 0:11:06 | 0:11:10 | |
just know the nature of the way they
will play they will attack. And it | 0:11:10 | 0:11:16 | |
is just bubbling up nicely, best of
11, first six remember. So still a | 0:11:16 | 0:11:23 | |
possible seven frames to come after
the interval. And this to equal the | 0:11:23 | 0:11:29 | |
highest break of the tournament so
far. Mark Williams made a 135, Mark | 0:11:29 | 0:11:35 | |
Allen has made a 135! Absolutely
superb, so lots to look forward to | 0:11:35 | 0:11:40 | |
taking it into the mid-session
interval, two frames apiece. | 0:11:40 | 0:11:50 | |
Into the next frame, Selby to play
and there is no -- Brecel to play | 0:11:50 | 0:11:56 | |
and there is | 0:11:56 | 0:11:57 | |
and there is no -- Brecel to play
and there is no score. | 0:11:57 | 0:12:02 | |
Now a good chance for Mark Allen.
Would not expect him to miss that. | 0:12:06 | 0:12:12 | |
They say sometimes how an interval
can affect a game. That was an | 0:12:12 | 0:12:17 | |
unexpectedness. | 0:12:17 | 0:12:22 | |
What a shot he has played there.
That has messed up the black. He | 0:12:35 | 0:12:41 | |
didn't intend for that to happen but
when putting this red he could get | 0:12:41 | 0:12:44 | |
on that. So it is not too bad. | 0:12:44 | 0:12:54 | |
Got to be careful of that red. It is
close to the left-hand side cushion. | 0:13:11 | 0:13:27 | |
Now, under normal circumstances you
say play a little stunner to the | 0:13:44 | 0:13:47 | |
red, but he is slightly hampered
here. He will just cue past the red. | 0:13:47 | 0:13:53 | |
So there is value in playing the
cannon. And he is just about OK. Red | 0:13:53 | 0:14:00 | |
to the right middle. It could have
gone wrong. | 0:14:00 | 0:14:14 | |
He may have to take the red after
potting this blue, the one close to | 0:14:27 | 0:14:33 | |
the yellow pocket. | 0:14:33 | 0:14:43 | |
It has gone wrong again. Cut the
Bijlow on the blue. You can only | 0:14:52 | 0:15:03 | |
assume he had already made contact,
he was trying to bring into play and | 0:15:03 | 0:15:08 | |
maybe holding for a ball colour.
Whatever, he has not played the best | 0:15:08 | 0:15:14 | |
positional shot. | 0:15:14 | 0:15:23 | |
He has still not recovered the
situation. You would think yellow | 0:16:02 | 0:16:08 | |
would be his choice of colour but a
bit of work to do with the cue ball | 0:16:08 | 0:16:11 | |
to get nicely on the next red.
Making hard work of this. | 0:16:11 | 0:16:24 | |
I think he has just about on the red
above the pink, and if he is that is | 0:16:26 | 0:16:30 | |
an excellent shot. The flies back. | 0:16:30 | 0:16:44 | |
Perfect angle now on the thing. The
red just above the pink, just cannon | 0:16:55 | 0:17:01 | |
that of former left-hand side,
doesn't have to play it with too | 0:17:01 | 0:17:07 | |
much pace. Just make certain you get
the cannon nicely. Played it | 0:17:07 | 0:17:12 | |
perfectly. | 0:17:12 | 0:17:17 | |
perfectly. And of course bringing
that red into play, now he has | 0:17:20 | 0:17:23 | |
brought three reds into play. This
is a great chance to take the lead | 0:17:23 | 0:17:29 | |
for the first time in the match. He
has always been playing catch-up. | 0:17:29 | 0:17:37 | |
Played that well. He would have been
a little bit disappointed not to | 0:17:44 | 0:17:51 | |
leave himself with a better angle on
the pink, but he played well enough. | 0:17:51 | 0:18:02 | |
And judged the cannon off the black
and finish nicely on the blue. Yes, | 0:18:13 | 0:18:24 | |
judged that wonderfully well. 57
ahead, 55 remaining. | 0:18:24 | 0:18:37 | |
ahead, 55 remaining. Red colour red
would be enough. This is good stuff. | 0:18:37 | 0:18:44 | |
He played a series of wonderful
little nudges and cannons around the | 0:18:53 | 0:18:57 | |
pink and black to keep this break
going. | 0:18:57 | 0:19:08 | |
Trust quickly caught the pot
success, 95%, that is very high. | 0:19:17 | 0:19:32 | |
Made a break of 135 in the frame
before the mid-session interval. | 0:19:32 | 0:19:42 | |
before the mid-session interval. If
this next shot goes right, he could | 0:19:42 | 0:19:44 | |
make another century here. Not
quite. But that will be enough. | 0:19:44 | 0:19:59 | |
Strikes the front. He leads by three
frames to two. So for the first time | 0:19:59 | 0:20:04 | |
in the match Mark Allen goes in
front. Let's show you what happened | 0:20:04 | 0:20:07 | |
in the next frame. | 0:20:07 | 0:20:15 | |
Brecel the break and trailing by 39
points. Goes without saying he needs | 0:20:15 | 0:20:19 | |
to make the most of this
opportunity. Should have had an | 0:20:19 | 0:20:23 | |
angle on the blue at least. | 0:20:23 | 0:20:30 | |
angle on the blue at least. With
that black being tight against the | 0:20:30 | 0:20:32 | |
top cushion he needed the blue and
pink in the middle of the table. A | 0:20:32 | 0:20:37 | |
bit of work to do with the cue ball
now. | 0:20:37 | 0:20:48 | |
The cue ball needs to run, and it
has done. Slightly hampered by the | 0:20:51 | 0:20:54 | |
yellow. May have to take the green.
He would love to play the pink. But | 0:20:54 | 0:21:04 | |
the green gives him the easier
positional shot. | 0:21:04 | 0:21:12 | |
positional shot. He played that very
well, indeed. He may go back up for | 0:21:12 | 0:21:20 | |
the pink or blue. You will need that
red that is closest to the | 0:21:20 | 0:21:24 | |
right-hand side cushion if he is
going to win the frame from this | 0:21:24 | 0:21:28 | |
visit. | 0:21:28 | 0:21:36 | |
A quick glance at the scoreboard, 51
remaining, no value whatsoever in | 0:21:56 | 0:22:00 | |
trying to pot one of these reds and
bring it in. OK, if you get position | 0:22:00 | 0:22:05 | |
on the think you can bring into
play, fair enough, but don't try and | 0:22:05 | 0:22:09 | |
bring into play of the red. Because
you are not certain of being on the | 0:22:09 | 0:22:16 | |
colour. Yes, just put a circle on
the line, if you can get the cue | 0:22:16 | 0:22:21 | |
ball somewhere in the circle you
will have a nice angle on the pink. | 0:22:21 | 0:22:28 | |
And now he can take the red out from
the side cushion, pot the pink. If | 0:22:28 | 0:22:34 | |
the red doesn't go over the centre
pocket he will always be on the red | 0:22:34 | 0:22:37 | |
below the pink spot but as long as
the cue ball gets away from | 0:22:37 | 0:22:42 | |
depression... Oh. Where is the cue
ball going? Where is the cue ball | 0:22:42 | 0:22:47 | |
going?! | 0:22:47 | 0:22:52 | |
going?! Well, that is amazing, just
a trace of right-hand side, a | 0:22:52 | 0:22:58 | |
fraction too much side and use all
the way it checked. Unlucky to go in | 0:22:58 | 0:23:03 | |
off. | 0:23:03 | 0:23:13 | |
So Mark Allen now just looking for a
red and a colour. | 0:23:16 | 0:23:25 | |
red and a colour. Could have played
that better. | 0:23:25 | 0:23:36 | |
Now, what sort of an angle is he
going to get on the colour here? He | 0:23:41 | 0:23:45 | |
is on the green. That looks to be
the best for to pot and screw behind | 0:23:45 | 0:23:54 | |
the red. It would be a bit risky to
try and move it. Well, he tried to | 0:23:54 | 0:24:01 | |
move it. | 0:24:01 | 0:24:09 | |
move it. 30 points the difference,
35 remaining. | 0:24:09 | 0:24:15 | |
Just wanted to Mr yellow the cue
ball. | 0:24:33 | 0:24:41 | |
ball. -- to miss that yellow. Left a
chance for mark. No. Surprising. | 0:24:41 | 0:24:53 | |
Quite a long way away from that pot. | 0:24:53 | 0:24:58 | |
This is looking good. Lining up the
cue ball right behind the. | 0:25:04 | 0:25:16 | |
If the red had been a bit closer to
the collected would have been more | 0:25:16 | 0:25:20 | |
favourable for Luca Brecel, but
straightforward snooker to get out | 0:25:20 | 0:25:25 | |
both from Mark Allen. Got to be
careful he doesn't want to leave it | 0:25:25 | 0:25:31 | |
on, he could just nestle onto the
red off the side cushion. | 0:25:31 | 0:25:39 | |
Good fit. But he has left it on. | 0:25:46 | 0:26:00 | |
Good pot. Nicely on the brown. The
black will be the important ball | 0:26:08 | 0:26:18 | |
here, John. Absolutely. | 0:26:18 | 0:26:26 | |
here, John. Absolutely. Made much
easier by virtue of the fact the | 0:26:26 | 0:26:28 | |
pink is close to the black but that
black will still want potting. But | 0:26:28 | 0:26:36 | |
it is funny, sometimes you think
you're lucky to get one or two | 0:26:36 | 0:26:41 | |
chances in the frame. Both players,
whoever loses this frame will feel | 0:26:41 | 0:26:44 | |
as though they have missed a trick
here. | 0:26:44 | 0:26:51 | |
here. Usually I say the key shot is
from brown to blue, but with that | 0:26:52 | 0:26:55 | |
pink being close to the black, it
shouldn't be a problem, but whatever | 0:26:55 | 0:26:59 | |
happens it will be a tough black. | 0:26:59 | 0:27:08 | |
That is a live that short of pace.
He does have the angle on the pink | 0:27:19 | 0:27:23 | |
and knock the black of the cushion,
can't drop behind it from this. So | 0:27:23 | 0:27:27 | |
he just needs a half Paul, called
the offer black. Oh, he has played | 0:27:27 | 0:27:32 | |
that wonderfully well. That is a
fantastic shot. Black to steal the | 0:27:32 | 0:27:41 | |
frame. What a frame it would be.
Then it goes! Magnificent. | 0:27:41 | 0:27:52 | |
Then it goes! Magnificent. Needed a
couple of bites at the cherry, got | 0:27:52 | 0:27:54 | |
there in the end. He levels the
match up once more. Marc Bolland 3-3 | 0:27:54 | 0:27:59 | |
Luca Brecel. Wonderful stuff, so
Brecel levels it up. Frame seven | 0:27:59 | 0:28:06 | |
lasted 31 minutes but it was Allen
who edged in front again. Frame | 0:28:06 | 0:28:11 | |
eight we go. | 0:28:11 | 0:28:13 | |
Never a good thing to catch the blue
on the way back to book | 0:28:44 | 0:28:58 | |
that is a terrific pot. He is
actually on the brown. | 0:29:00 | 0:29:11 | |
actually on the brown. Yes, good pot
that. And still, good long pot | 0:29:11 | 0:29:18 | |
success from Mark. 80%. | 0:29:18 | 0:29:27 | |
How he would love to be a
particularly these two reds to the | 0:29:42 | 0:29:45 | |
left of the black. Has to be a
little bit careful with this first | 0:29:45 | 0:29:48 | |
one. | 0:29:48 | 0:29:55 | |
one. Obviously this red that is on
the left side of the table will pass | 0:29:55 | 0:30:00 | |
the black to the right corner. But
not the angle to play for the black | 0:30:00 | 0:30:07 | |
into the opposite corner, so going
back up for a blue or colour. Who | 0:30:07 | 0:30:14 | |
thinks he can get on the other side
of it, oh and he did, good shot. | 0:30:14 | 0:30:18 | |
Looked like he had the wrong angle
there, for a moment. | 0:30:18 | 0:30:29 | |
He did play for the red that's just
to the left of the black, just | 0:30:35 | 0:30:40 | |
overran it slightly, but he's got an
alternative. | 0:30:40 | 0:30:45 | |
Just lost the cue ball slightly
here. | 0:30:50 | 0:31:00 | |
Played that well. Played it very
well. | 0:31:00 | 0:31:10 | |
He's left the lovely angle on the
black. Deep screw into the pack. | 0:31:12 | 0:31:19 | |
He didn't play the screw, but tried
to play a delicate little cannon, | 0:31:22 | 0:31:28 | |
but didn't get on the desired red
into the bottom right-hand corner | 0:31:28 | 0:31:35 | |
pocket, but he's got this red to the
left centre. Touched down nicely. | 0:31:35 | 0:31:44 | |
Nice touch. | 0:31:44 | 0:31:47 | |
Still not ideal. Just looking for
another 32 points from this visit to | 0:31:53 | 0:31:59 | |
get to the snooker is required
stage. | 0:31:59 | 0:32:08 | |
I think he is overrun that slightly.
Could be on the break. | 0:32:14 | 0:32:20 | |
APPLAUSE
Well, break 45, he'll be | 0:32:31 | 0:32:39 | |
disappointed not to win the frame
from that position. | 0:32:39 | 0:32:47 | |
How costly will that be? A long way
away with the pot and because he | 0:32:53 | 0:33:01 | |
was, that's why he ran into the
second red. | 0:33:01 | 0:33:10 | |
Yeah, obviously this red just to the
right of the green will go. | 0:33:29 | 0:33:40 | |
Just one good positional shot here,
from Green, up to his next red. He | 0:33:46 | 0:33:56 | |
decided the black would be perfect.
Less margin for error, trying to get | 0:33:56 | 0:34:05 | |
on one of those reds. | 0:34:05 | 0:34:13 | |
Just needed to go a few more inches
with the cue ball, just to make this | 0:34:18 | 0:34:25 | |
a formality. He can pot the reds,
but he's got to go back up towards | 0:34:25 | 0:34:33 | |
the blue, just stretching slightly. | 0:34:33 | 0:34:40 | |
He'll be disappointed with that.
Yeah, I know it's easy after timing, | 0:34:42 | 0:34:50 | |
but he should have got the rest.
He's overstretching. | 0:34:50 | 0:35:00 | |
His cue ball needs to run and it is
doing. | 0:35:05 | 0:35:08 | |
APPLAUSE
He still didn't find Bolt cushion, | 0:35:08 | 0:35:17 | |
which was essential with that type
of shot. -- the baulk cushion. And | 0:35:17 | 0:35:22 | |
that's why. Left a chance of a thin
snick, which he wouldn't have been | 0:35:22 | 0:35:30 | |
able to play if the cue ball had
been tight on the baulk cushion. | 0:35:30 | 0:35:40 | |
Taking that opportunity to put the
green out of commission. . Has a 57 | 0:35:42 | 0:35:49 | |
point lead, a possible 75 remaining,
but a couple of reds to Mark Allen | 0:35:49 | 0:35:57 | |
and that would be the end of this
frame. | 0:35:57 | 0:36:00 | |
He just can't find that baulk
cushion can't Luca, and he's left a | 0:36:07 | 0:36:14 | |
pot one here. | 0:36:14 | 0:36:16 | |
APPLAUSE | 0:36:19 | 0:36:24 | |
It will be on the brown. | 0:36:26 | 0:36:34 | |
And now looking for one more red and
this red will put him 63 points | 0:36:39 | 0:36:46 | |
ahead, which is 59 remaining. | 0:36:46 | 0:36:49 | |
APPLAUSE | 0:36:52 | 0:36:54 | |
It just seems to be one of those
matches at the moment that every | 0:37:08 | 0:37:12 | |
time Mark is to the table, he's got
a chance of a pot. Well, when Luca | 0:37:12 | 0:37:24 | |
can get back to the table, well,
barring snookers, Mark Allen is | 0:37:24 | 0:37:30 | |
going into a 5-3 frames lead. | 0:37:30 | 0:37:39 | |
So Luca Brecel concedes the frame.
There is indeed a 5-3 frames lead. | 0:37:45 | 0:37:52 | |
He needs one more for a place into
the quarterfinals. He leads Luca | 0:37:52 | 0:37:57 | |
Brecel, 5-3. | 0:37:57 | 0:38:05 | |
REFEREE: Thank you, frame nine, Luca
Brecel to break. Frame nine under | 0:38:06 | 0:38:14 | |
way and I'd suggest the only way
Luca Brecel is going to get out of | 0:38:14 | 0:38:19 | |
this match is to up his game. He's
had chances, but the last couple of | 0:38:19 | 0:38:29 | |
frames, he's just gone a little bit
loose. | 0:38:29 | 0:38:36 | |
He's giving too many chances to his
opponent. | 0:38:36 | 0:38:45 | |
Of course, what can turn that around
as if you get in and make a | 0:38:45 | 0:38:50 | |
frame-winning clearance, then you
feel a lot better about yourself. | 0:38:50 | 0:38:56 | |
He's looking at this ball plants,
right above the black to the left, | 0:38:56 | 0:39:04 | |
down towards us for the corner
pocket. He had a go from a didn't | 0:39:04 | 0:39:12 | |
turn the red coming up over this
right-hand side, but it looks like | 0:39:12 | 0:39:16 | |
he's covered it. Yeah, I just looked
at Luca's face and there you see, | 0:39:16 | 0:39:24 | |
not happy. | 0:39:24 | 0:39:32 | |
You've just got to hang on in there
in moments like this and hope you | 0:39:48 | 0:39:52 | |
get a chance.
APPLAUSE | 0:39:52 | 0:39:55 | |
That was a terrific pot landed
perfect on the blue. There are | 0:39:55 | 0:40:01 | |
couple of reds to play for and maybe
that's what he'll do. He's got the | 0:40:01 | 0:40:06 | |
perfect angle to go and smash
everything into the open. That's | 0:40:06 | 0:40:10 | |
what he decided to do. You always
need a bit of luck and that's OK, as | 0:40:10 | 0:40:15 | |
long as you've got a red to
continue. He's got a choice of reds, | 0:40:15 | 0:40:19 | |
one to the right corner, one to the
left middle. If the black bumps into | 0:40:19 | 0:40:27 | |
the left-hand pocket, which it does,
what a chance now to win the frame | 0:40:27 | 0:40:30 | |
and indeed the match. There is a
beautiful split on the blue. | 0:40:30 | 0:40:41 | |
This is normally where he's so good
at placing nice little stuns and | 0:40:49 | 0:40:55 | |
nudges into reds, for his next
colour. | 0:40:55 | 0:41:05 | |
There's his target, get the 71
before his opponent needs the | 0:41:15 | 0:41:18 | |
snooker. | 0:41:18 | 0:41:23 | |
snooker. These are nice little shots
that he's good at, just stunned the | 0:41:23 | 0:41:28 | |
black in, get the cue ball into the
reds, nicely played. That's really | 0:41:28 | 0:41:35 | |
open things up now. | 0:41:35 | 0:41:43 | |
It's going to be hard to see him sit
down from here. Yeah, probably by | 0:42:02 | 0:42:10 | |
the time he finishes, be about two
and a half hours. It's gone a bit | 0:42:10 | 0:42:15 | |
scrappy, but well, you look at the
pot success and you see the main | 0:42:15 | 0:42:20 | |
reason. 92%, against 85%. | 0:42:20 | 0:42:28 | |
reason. 92%, against 85%. Luca
Brecel has had his chances. He'll be | 0:42:28 | 0:42:31 | |
disappointed. He's never beaten
Mark. They've played on three | 0:42:31 | 0:42:37 | |
occasions, we commented on that
earlier. It looks for our money now | 0:42:37 | 0:42:42 | |
is if we'll have to wait for another
opportunity, but he is a talent, | 0:42:42 | 0:42:47 | |
this young man from Belgium. | 0:42:47 | 0:42:55 | |
Played that positional shot
perfectly. Red, red, all that's | 0:43:11 | 0:43:19 | |
required. -- | 0:43:19 | 0:43:29 | |
required. -- red colour red, all
that's required. | 0:43:29 | 0:43:41 | |
that's required. Made a break of
135, which equalled the highest | 0:43:41 | 0:43:48 | |
break of the tournament so far. If
he takes all blacks, there's a | 0:43:48 | 0:43:55 | |
possible 145 on here. Now, that
could take some beating. That would | 0:43:55 | 0:44:00 | |
be a good target. This all came from
that wonderful long red and indeed | 0:44:00 | 0:44:07 | |
the split from the blue. Couldn't
have played the blue winter the pack | 0:44:07 | 0:44:14 | |
any better. | 0:44:14 | 0:44:19 | |
any better. -- the blue into the
pack any better. | 0:44:19 | 0:44:23 | |
The game has really come down to the
scoring. Mark Allen's scoring has | 0:44:34 | 0:44:41 | |
been much better quality than Luca
Brecel. | 0:44:41 | 0:44:50 | |
APPLAUSE
Superb century. He's been asked to | 0:44:50 | 0:44:58 | |
make the 145, but it won't be for
the want of trying. | 0:44:58 | 0:45:08 | |
Yeah, we always say at this level,
when you've got chances you have to | 0:45:09 | 0:45:13 | |
try to win frames in one visit and
Mark Allen has done it more in this | 0:45:13 | 0:45:17 | |
match than Luca has. Luca has only
made one break over 50, that was a | 0:45:17 | 0:45:22 | |
65 in the first. In the meantime
Mark Allen had made 86 in the | 0:45:22 | 0:45:31 | |
second, 135 in the fourth, 72 in the
fifth. 120 and counting, 145, it | 0:45:31 | 0:45:40 | |
would be a big target for anyone to
beat. Oh, what a shame! | 0:45:40 | 0:45:47 | |
APPLAUSE
But he will be pleased. Luca Brecel | 0:45:47 | 0:45:53 | |
has yet to beat Mark Allen and in
the end Mark Allen, although he | 0:45:53 | 0:45:58 | |
wasn't at his absolute best today,
when it mattered he produced and he | 0:45:58 | 0:46:02 | |
runs out, well, you could say a
comfortable winner, by 6-3 frames. | 0:46:02 | 0:46:08 | |
Pretty solid. There were one or two
I probably should have got that I | 0:46:08 | 0:46:16 | |
missed. It would have been nice to
get a but I set a target for the | 0:46:16 | 0:46:20 | |
high break, but I'm happy to | 0:46:20 | 0:46:22 | |
get a but I set a target for the
high break, but I'm happy to be in | 0:46:22 | 0:46:22 | |
the | 0:46:22 | 0:46:23 | |
get a but I set a target for the
high break, but I'm happy to be in | 0:46:23 | 0:46:23 | |
the next round. I don't know if I
improved as a whole but I feel my | 0:46:23 | 0:46:27 | |
game is in better shape this time
than it was last year, but on any | 0:46:27 | 0:46:30 | |
given day you can play great and you
can play bad and I still need to | 0:46:30 | 0:46:34 | |
work on it and I'm trying hard to
work on it but while I'm in a good | 0:46:34 | 0:46:39 | |
place mentally and I feel my game is
in good shape, I'll make the most of | 0:46:39 | 0:46:44 | |
it. Mark Allen, the | 0:46:44 | 0:46:45 | |
in good shape, I'll make the most of
it. Mark Allen, the first | 0:46:45 | 0:46:46 | |
in good shape, I'll make the most of
it. Mark Allen, the first man | 0:46:46 | 0:46:46 | |
through to the quarterfinals on the
top half of the draw. Ronnie | 0:46:46 | 0:46:49 | |
O'Sullivan, the defending champion,
starts on Tuesday, and all Scotland | 0:46:49 | 0:46:52 | |
clash as Higgins takes on McGill.
Ding Junhui, the 2011 champion, | 0:46:52 | 0:46:57 | |
starts later today. The bottom half
of the draw, Judd Trump, Shaun | 0:46:57 | 0:47:02 | |
Murphy, Barry Hawkins, always tricky
matches. That's the beauty of the | 0:47:02 | 0:47:06 | |
Masters. Mark Williams proving
anyone can beat anyone, not knocking | 0:47:06 | 0:47:10 | |
out Mark Selby. That's it from us
for but snooker Extra follows this | 0:47:10 | 0:47:16 | |
programme. It's Mark Selby against
Mark Williams in full, a cracking | 0:47:16 | 0:47:19 | |
match. We are back later today, as
Ding Junhui gets his Masters | 0:47:19 | 0:47:23 | |
campaign up and running against Ryan
Day. We'll see you at 1pm. Goodbye | 0:47:23 | 0:47:28 | |
for now. | 0:47:28 | 0:47:35 |