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Good evening and welcome to
highlights of the fourth day of the | 0:00:34 | 0:00:39 | |
Dafabet Masters at Alexandra Palace.
We will feature the concluding match | 0:00:39 | 0:00:43 | |
of the first round between John
Higgins and fellow Scots, Anthony | 0:00:43 | 0:00:47 | |
McGill. But let's bring you up today
between the encounter between Shaun | 0:00:47 | 0:00:56 | |
Murphy and Ali Carter. | 0:00:56 | 0:01:02 | |
COMMENTATOR: yes, to reflect shot.
He is favourite for the frame now. | 0:01:13 | 0:01:27 | |
What a strike that was, he hits
those so well. His head stays | 0:01:27 | 0:01:32 | |
absolutely still. | 0:01:32 | 0:01:40 | |
absolutely still. Wonderful shot.
They go to the mid-session interval, | 0:01:40 | 0:01:44 | |
Shaun Murphy leads 4-0. | 0:01:44 | 0:01:51 | |
Shaun Murphy leads 4-0. Played it
positively, made sure he got | 0:01:51 | 0:01:54 | |
position. He's definitely going for
it. Needs to get it. And got it. | 0:01:54 | 0:02:04 | |
Here is the blue for that song. Well
played. Very well played indeed. It | 0:02:04 | 0:02:09 | |
is now 4-2. | 0:02:09 | 0:02:14 | |
is now 4-2. Great breaking long pot.
It is there. Yes! Tremendous shot. | 0:02:16 | 0:02:29 | |
He's now only one behind, 5-4. It is
miscible. He made that look a lot | 0:02:29 | 0:02:40 | |
easier than it was. | 0:02:40 | 0:02:49 | |
easier than it was. I don't think
Ali Carter is going to carry on and | 0:02:49 | 0:02:52 | |
he's not. He offers his hand and
Shaun Murphy wins 6-4 and is through | 0:02:52 | 0:03:00 | |
to the quarterfinal.
It was going so well. Top players do | 0:03:00 | 0:03:07 | |
what they do, they don't give up and
this is the second biggest | 0:03:07 | 0:03:12 | |
tournament on the planet. Ali played
nicely after the interval. I missed | 0:03:12 | 0:03:17 | |
a couple and he capitalised. I don't
have a great record against him. The | 0:03:17 | 0:03:24 | |
score shouldn't have been 4-0 and I
thought, I can only lose from there. | 0:03:24 | 0:03:30 | |
Here is your chance to win, what can
you do and fortunately I managed to | 0:03:30 | 0:03:34 | |
pull it out the back, but it's not
always like that. Sean is normally | 0:03:34 | 0:03:41 | |
very one dimensional but he changed
his game plan. He knew he had to to | 0:03:41 | 0:03:44 | |
beat me. Match Luke, I think my game
is probably better than his. I am | 0:03:44 | 0:03:54 | |
struggling this year. But they
turned it round, had a good week | 0:03:54 | 0:03:57 | |
last week at Coventry. I am
competing against the best players | 0:03:57 | 0:04:02 | |
in the world, so lots of positives.
A good win for Sean and he will meet | 0:04:02 | 0:04:08 | |
Judd Trump in the quarterfinals on
Friday. And so a battle of youth | 0:04:08 | 0:04:13 | |
versus experience, John Higgins
making his 20 for the periods at the | 0:04:13 | 0:04:17 | |
Masters against Anthony McGill, a
first timer at Ally Pally. | 0:04:17 | 0:04:24 | |
John Higgins took a 2-0 lead before
Anthony McGill dug deep in frame | 0:05:19 | 0:05:27 | |
three. Your commentators are Dennis
Taylor and Stephen Hendry. | 0:05:27 | 0:05:36 | |
COMMENTATOR: This red coats back to
the left corner. The cue ball has | 0:05:54 | 0:05:59 | |
gone into the the reds. | 0:05:59 | 0:06:07 | |
gone into the the reds. The fact he
could get a thick enough contact, | 0:06:07 | 0:06:11 | |
good shot. Second chance in this
frame. | 0:06:11 | 0:06:19 | |
I know this shot you play Stephen.
You would pot the black, cannon into | 0:06:45 | 0:06:52 | |
the bunch of roads. As long as he
hits the left-hand side of the pack, | 0:06:52 | 0:07:01 | |
there is no danger of not being on
one. | 0:07:01 | 0:07:07 | |
He knows he still has another form
more red is available. | 0:07:15 | 0:07:24 | |
He could have played this one little
bit better. Might still be able to | 0:07:28 | 0:07:33 | |
pot this and run through for the
black. Has to be careful with a | 0:07:33 | 0:07:38 | |
little nudge. | 0:07:38 | 0:07:43 | |
little nudge. OK, played it well.
Just two more red is available and | 0:07:45 | 0:07:49 | |
then he has got to get a cannon. | 0:07:49 | 0:08:00 | |
He is looking at the bunch. He needs
to go into the pack from this black. | 0:08:05 | 0:08:12 | |
He may feel he can play for the red
that's in the left middle. Go into | 0:08:12 | 0:08:17 | |
the pack from the blue. Depends on
the angle here. I think this angle | 0:08:17 | 0:08:25 | |
is decent to go into them. He has
got the loose red as a little bit of | 0:08:25 | 0:08:33 | |
insurance. | 0:08:33 | 0:08:42 | |
insurance. He couldn't have hit that
any better. He deserves to be on an | 0:08:42 | 0:08:49 | |
easy red and he is. | 0:08:49 | 0:08:56 | |
Look at where the reds are and keep
your concentration, Anthony. Cruise | 0:09:06 | 0:09:11 | |
to victory in this fourth frame. Has
done well from 2-0 down, great | 0:09:11 | 0:09:17 | |
clearance from the previous frame. | 0:09:17 | 0:09:25 | |
John Higgins was starting to
dominate the match. Won the first | 0:09:58 | 0:10:05 | |
two. As it is, every chance now it
is going to be 2-2, a couple of more | 0:10:05 | 0:10:16 | |
pots would be enough. Pink and one
more red, to make absolutely certain | 0:10:16 | 0:10:24 | |
of this fourth frame. | 0:10:24 | 0:10:34 | |
Somehow, I was expecting this from
Anthony McGill, because he does | 0:10:44 | 0:10:49 | |
enjoy the big stage and there is
none bigger than this. Just the one | 0:10:49 | 0:10:54 | |
table, almost 2000 people in. As you
said, he has grown up watching and | 0:10:54 | 0:11:00 | |
loving the game and he will have
watched the Masters so many times | 0:11:00 | 0:11:03 | |
and here he is out there and he will
be two frames over with the twice | 0:11:03 | 0:11:09 | |
winner of this title, John Higgins. | 0:11:09 | 0:11:13 | |
He has given John a bit to think
about in the interval. | 0:11:28 | 0:11:39 | |
about in the interval. John looked
to be cruising along in this match | 0:11:39 | 0:11:41 | |
at 2-0 and then as Dennis said, he
missed the pink, which probably | 0:11:41 | 0:11:48 | |
would have won him the third frame.
He needs this difficult red to give | 0:11:48 | 0:11:58 | |
himself a chance of making his 122nd
century of his career. Playing | 0:11:58 | 0:12:06 | |
left-handed and he looks good
playing left-handed. | 0:12:06 | 0:12:13 | |
playing left-handed. Some players
switch hands and they look awkward, | 0:12:13 | 0:12:21 | |
but Anthony, it looked natural to
him. Looks like he is a left-handed | 0:12:21 | 0:12:25 | |
player. | 0:12:25 | 0:12:34 | |
The 20th century in this year's
Masters. | 0:12:48 | 0:12:55 | |
Masters. His nine this season, he
made 19 last season. And this one | 0:12:55 | 0:12:59 | |
coming at just the right time for
him. | 0:12:59 | 0:13:06 | |
him. Always nice to show a big crowd
like this how well you can play. | 0:13:06 | 0:13:19 | |
Two very quick frames by Anthony
McGill to the midsection interval. | 0:13:27 | 0:13:31 | |
He will be very pleased with his
performance. STUDIO: That was the | 0:13:31 | 0:13:39 | |
20th century of this year's
tournament. We will pick it up with | 0:13:39 | 0:13:44 | |
John Higgins 14 points behind. | 0:13:44 | 0:13:50 | |
COMMENTATOR: I don't know if he got
bad contact, but that was a poor | 0:13:58 | 0:14:03 | |
shot. Bad misjudgement. He potted
the red thick into the right-hand | 0:14:03 | 0:14:09 | |
side of the pocket. This isn't easy.
Got a good angle. No. He is under at | 0:14:09 | 0:14:20 | |
the moment, John Higgins. He has
lost his concentration completely. | 0:14:20 | 0:14:34 | |
Slight heavy contact, but he is OK
and he's straight on the black. He | 0:14:46 | 0:14:53 | |
has plenty of loose reds to play
for. Although having said that, they | 0:14:53 | 0:14:59 | |
are all covering each other, but
there are a few that are available. | 0:14:59 | 0:15:08 | |
He could have played this one a
little better. | 0:15:09 | 0:15:17 | |
little better. Wanted to be further
out into the table than this. | 0:15:17 | 0:15:25 | |
Good recovery. That was played to
perfection. | 0:15:34 | 0:15:40 | |
perfection. Those six reds are all
blocking each other. | 0:15:42 | 0:15:48 | |
blocking each other. Just the one at
the back. He will be disturbing if | 0:15:48 | 0:15:54 | |
you opt the reds, so it is important
he gets the cannon and doesn't leave | 0:15:54 | 0:16:02 | |
himself hampered on the black. | 0:16:02 | 0:16:14 | |
What a chance now. It is hard to see
where he can go wrong from here. | 0:16:14 | 0:16:22 | |
Just got to really keep his
concentration, Anthony McGill. He's | 0:17:22 | 0:17:28 | |
got John Higgins on the back foot,
he doesn't want to let him back in | 0:17:28 | 0:17:32 | |
with an easy chance. That is the
thing about the top players in the | 0:17:32 | 0:17:39 | |
game. You think they are down and
out, but even one sniff of a chance, | 0:17:39 | 0:17:45 | |
and they take it. | 0:17:45 | 0:17:54 | |
And that is what I mean. Straight on
the black. Got to keep control of | 0:17:58 | 0:18:05 | |
the cue ball. It is just care less.
Making it difficult when it doesn't | 0:18:05 | 0:18:13 | |
need to be. Only needs a couple more
reds. | 0:18:13 | 0:18:21 | |
reds. He hit that very well. He
struck that well. Good shot. | 0:18:25 | 0:18:33 | |
That is going to be four in a row. | 0:18:53 | 0:18:59 | |
Definitely worrying times now that
the two time champion, John Higgins. | 0:19:07 | 0:19:19 | |
Anthony has 12 ranking titles, the
Indian open in 2016. The shoot out | 0:19:23 | 0:19:31 | |
in 2017, but that is only one frame
and a lot of people are surprised it | 0:19:31 | 0:19:36 | |
is a ranking event, with playing
just the one frame, but he has two | 0:19:36 | 0:19:43 | |
ranking titles to his credit. And he
is enjoying himself out there, | 0:19:43 | 0:19:51 | |
Stephen? Yes, why not. He has won
four frames in a row against John | 0:19:51 | 0:19:56 | |
Higgins. In this magnificent arena. | 0:19:56 | 0:20:04 | |
He will know there is still a long
way to go in this match. | 0:20:18 | 0:20:26 | |
way to go in this match. It is a
pity. But it is another frame one in | 0:20:27 | 0:20:35 | |
one visit.
STUDIO: After losing four frames in | 0:20:35 | 0:20:41 | |
a row, John Higgins Teddy Bishop in
frame seven. -- steadied the ship. | 0:20:41 | 0:20:49 | |
So it is into frame eight. | 0:20:49 | 0:20:58 | |
COMMENTATOR: Another excellent cue
ball. | 0:20:58 | 0:21:08 | |
ball. Far from easy. Another test
for John Higgins. This is some shots | 0:21:08 | 0:21:19 | |
he is taking on here, I can tell
you. Watch the cue ball... | 0:21:19 | 0:21:30 | |
He had to get that pot. He is on the
black, he deserves to be on the | 0:21:30 | 0:21:39 | |
black. Absolutely brilliant, to take
that on. He wasn't sure what was | 0:21:39 | 0:21:45 | |
going to happen with the cue ball,
but he deserves a bit of good | 0:21:45 | 0:21:48 | |
fortune. | 0:21:48 | 0:21:53 | |
fortune. That is what you call
bottle, right there. The long red in | 0:21:54 | 0:22:01 | |
the last frame and then that one
there. When you know you are leaving | 0:22:01 | 0:22:04 | |
the world on if you missed it. | 0:22:04 | 0:22:08 | |
It doesn't take much with a player
of John Higgins' calibre, when you | 0:22:44 | 0:22:51 | |
let him back in and he gets his
focus back. Those two long pots will | 0:22:51 | 0:22:59 | |
have given him tremendous lift.
Three reds, three blacks. And the | 0:22:59 | 0:23:12 | |
reds are not in a bad position. He
has made eight maximum breaks, but I | 0:23:12 | 0:23:19 | |
remember the first one, he hadn't
even made one in practice. | 0:23:19 | 0:23:27 | |
even made one in practice. If you
remember the nation cup when | 0:23:27 | 0:23:30 | |
Northern Ireland played Scotland and
somehow I managed to beat you on the | 0:23:30 | 0:23:35 | |
pink in a frame and then one frame
is against John Higgins. He broke | 0:23:35 | 0:23:40 | |
off and he made his first ever
maximum break. I don't think anyone | 0:23:40 | 0:23:46 | |
else has done it in one frame match.
This is exactly how you want the | 0:23:46 | 0:23:57 | |
reds. All around the middle of the
table. Believe me, he won't be | 0:23:57 | 0:24:04 | |
thinking about it at the moment. The
most important thing is getting back | 0:24:04 | 0:24:08 | |
on level terms in this match. But
just the weather reds are, he almost | 0:24:08 | 0:24:16 | |
had to play for the black, unless he
plays a bad positional shot. It is | 0:24:16 | 0:24:21 | |
automatic at the moment. £10,000 for
the highest break, but no individual | 0:24:21 | 0:24:28 | |
prize for a maximum break. I know
you are not a big fan of that? No, | 0:24:28 | 0:24:34 | |
don't get me started. | 0:24:34 | 0:24:44 | |
Looking at the scoreboard, I think
actually he forgot he was on it. | 0:24:55 | 0:25:05 | |
actually he forgot he was on it. It
is in the back of his mind. | 0:25:05 | 0:25:12 | |
Playing for a choice of reds. Just
getting the cue ball into the middle | 0:25:20 | 0:25:24 | |
of the table. He knows there will be
a red to either corner, left or | 0:25:24 | 0:25:30 | |
right. | 0:25:30 | 0:25:39 | |
He has got a lovely angle on the
black. Maybe cannon into the middle | 0:25:58 | 0:26:05 | |
bread. But the cue ball might not
travel forward far enough. He may | 0:26:05 | 0:26:11 | |
not have the angle to play for the
black again. | 0:26:11 | 0:26:20 | |
black again. He got the middle red
and he is perfect. | 0:26:20 | 0:26:27 | |
and he is perfect. There is quite a
buzz now around the Alley Pali. | 0:26:32 | 0:26:43 | |
He needs that cue ball to travel. | 0:27:01 | 0:27:12 | |
That is the frame, still in
position. And there is a little bit | 0:27:12 | 0:27:22 | |
of history on here, if he was to go
on and make a maximum. It is a long | 0:27:22 | 0:27:27 | |
way to go, but. There has never been
a UK snooker player made a maximum | 0:27:27 | 0:27:36 | |
in the Masters. Kirk Stevens from
Canada, Ding Junhui and Marco Fu, | 0:27:36 | 0:27:42 | |
three maximum is ever in the
Masters. Got to play a good shot | 0:27:42 | 0:27:49 | |
here. Just drop it in. I think it is
a joke there is no special prize for | 0:27:49 | 0:28:00 | |
a maximum, but to do one in this
arena and this atmosphere would be | 0:28:00 | 0:28:04 | |
incredible. | 0:28:04 | 0:28:08 | |
incredible. The black seem to
straighten up. He will be a little | 0:28:12 | 0:28:16 | |
bit disappointed, but he won't be
disappointed with the way he won. | 0:28:16 | 0:28:20 | |
That gets him back all square. The
Wizard of Oz shard is back again. | 0:28:20 | 0:28:29 | |
This match started this evening at
7pm. The best of 11 frames. It is | 0:28:39 | 0:28:46 | |
now down to just the best of three,
the first to 6 goes through to the | 0:28:46 | 0:28:50 | |
next round. | 0:28:50 | 0:28:56 | |
I do not know if he has got the
angle to pot this and get himself | 0:29:01 | 0:29:08 | |
onto the black. Almost 26 minutes
since his last pot. It would be | 0:29:08 | 0:29:13 | |
special if he manages this. | 0:29:13 | 0:29:22 | |
STEPHEN HENDRY: He has landed pretty
straight on the black. He enjoyed | 0:29:26 | 0:29:32 | |
it. LAUGHTER.
I tell you what, the crowd enjoyed | 0:29:32 | 0:29:39 | |
it. | 0:29:39 | 0:29:46 | |
He did have just enough angle. This
is an attacking shot. He will have | 0:29:57 | 0:30:02 | |
to go into the bunch, screw the cue
ball back off the side cushion and | 0:30:02 | 0:30:09 | |
stay on the black in the same
pocket. | 0:30:09 | 0:30:12 | |
The more controlled shot, less
space. He played it well. -- less | 0:30:22 | 0:30:29 | |
pace. This match is boiling up now,
Dennis. | 0:30:29 | 0:30:33 | |
He just cued across it slightly but
hang on, has he covered the pocket? | 0:30:41 | 0:30:46 | |
Maybe not. He was cueing so well but
that did not push the cue through in | 0:30:46 | 0:30:53 | |
a straight line and the red passes
the black, so after that brilliant | 0:30:53 | 0:30:57 | |
opening red... He just didn't push
the cue dead straight. Will John go | 0:30:57 | 0:31:08 | |
into the pack from this red. | 0:31:08 | 0:31:17 | |
He might go into the pack off the
black the way it has finished, | 0:31:17 | 0:31:24 | |
because he has finished awkward on
the pink and blue. | 0:31:24 | 0:31:32 | |
How is your luck? | 0:31:33 | 0:31:40 | |
At first glance, it looks like red
to write middle. | 0:31:40 | 0:31:49 | |
to write middle. -- right middle. | 0:31:49 | 0:31:51 | |
That was strange. | 0:32:02 | 0:32:08 | |
The green is on but there is a red
hampering him, that is why he's | 0:32:20 | 0:32:25 | |
getting the extension so he does not
foul the red. He will have to lean | 0:32:25 | 0:32:30 | |
over that. | 0:32:30 | 0:32:31 | |
He has played it well. It needs to
keep going. | 0:32:43 | 0:32:53 | |
keep going. He wanted to be straight
on the red to the left of the bunch | 0:32:53 | 0:32:57 | |
of reds and he could have rolled
through for the black, but that is | 0:32:57 | 0:33:05 | |
not available now. | 0:33:05 | 0:33:11 | |
not available now. He found the gap
nicely and this looks to be perfect. | 0:33:11 | 0:33:18 | |
He has also found a deer. -- | 0:33:18 | 0:33:26 | |
gear. And I think it is Top Gear. | 0:33:34 | 0:33:43 | |
A couple of years ago I was in
Poland with Ken Doherty and watching | 0:34:21 | 0:34:27 | |
John, he was playing in China in the
final with Stuart Bingham, and | 0:34:27 | 0:34:33 | |
invitational tournament, and he made
three centuries in a row to clinch | 0:34:33 | 0:34:36 | |
the final. It shows you what he can
do when the pressure is on. And he | 0:34:36 | 0:34:43 | |
has done it from 4-2 down, with
breaks of 67 and 81. | 0:34:43 | 0:34:56 | |
It is amazing the change in body
language, John Higgins. From where | 0:35:12 | 0:35:18 | |
he went 4-2 down. | 0:35:18 | 0:35:25 | |
The way he is striking the ball now,
with so much more authority. | 0:35:35 | 0:35:44 | |
There is no need to play any
cannons. | 0:35:59 | 0:36:09 | |
Has he hit that hard enough? Looking
at his expression, he has left it | 0:36:10 | 0:36:20 | |
very tight. I thought he could hold
for the other one at the back. He | 0:36:20 | 0:36:27 | |
will have to play this with
left-hand side to straighten out red | 0:36:27 | 0:36:33 | |
up. I thought he would play for the
red closest to the black. He has a | 0:36:33 | 0:36:42 | |
lot of side on this. And he has
played it well. | 0:36:42 | 0:36:57 | |
It is amazing that shot, the normal
swerve you raise the cue. But the | 0:37:07 | 0:37:15 | |
little bit of side squares up the
potting angle. | 0:37:15 | 0:37:19 | |
A quick glance at the scoreboard. A
little bit early for that. He will | 0:37:32 | 0:37:37 | |
need a few more pots. | 0:37:37 | 0:37:44 | |
Those two reds near the pink spot,
I'm not sure if one is available | 0:37:45 | 0:37:52 | |
into the right middle pocket. | 0:37:52 | 0:38:00 | |
into the right middle pocket. 15
front. He needs one off them and he | 0:38:00 | 0:38:07 | |
has the perfect angle on the blue to
cannon those two. He would be very | 0:38:07 | 0:38:11 | |
unlucky not to be one. Ideal to hit
right in the middle of the two, | 0:38:11 | 0:38:19 | |
which he has done. | 0:38:19 | 0:38:28 | |
Well... He is coming to the table
but barring snookers, John has got | 0:38:55 | 0:39:06 | |
himself one frame in front.
STUDIO: Just one frame away from a | 0:39:06 | 0:39:14 | |
place now in the quarterfinal.
Leading 5-4. | 0:39:14 | 0:39:26 | |
DENNIS TAYLOR: John Higgins is faced
with a red and we have seen him | 0:39:37 | 0:39:40 | |
knock a couple of these in. 41
points behind, can he knock a third | 0:39:40 | 0:39:50 | |
one in? The previous was similar to
this. | 0:39:50 | 0:39:59 | |
this. Where is the cue ball going?
It will be awkward. He might have a | 0:39:59 | 0:40:07 | |
slight angle on the yellow to get
back up to the reds. He has to get | 0:40:07 | 0:40:13 | |
past the blue spot at the least. I
think he has enough angle to stun | 0:40:13 | 0:40:19 | |
up. | 0:40:19 | 0:40:23 | |
He might have to run through for the
blue. He is OK, he's perfect! I | 0:40:34 | 0:40:41 | |
thought he was covered on that. He
is perfect. This is a chance. To get | 0:40:41 | 0:40:49 | |
right back in this frame, a frame
that will take him into the next | 0:40:49 | 0:40:52 | |
round. | 0:40:52 | 0:41:02 | |
Somebody just sneezed. Very
untimely. If he wins the match from | 0:41:06 | 0:41:16 | |
this visit, from 4-2 down, it has
been the story of three fantastic | 0:41:16 | 0:41:20 | |
long pots from the left-hand side
pocket. | 0:41:20 | 0:41:30 | |
Just a couple of reds are awkward.
The one near the pink I do not think | 0:42:10 | 0:42:16 | |
will pot and the one near the
cushion, so a still long way to go | 0:42:16 | 0:42:22 | |
in this frame. It will be some
clearance if he can clinch it, the | 0:42:22 | 0:42:27 | |
way the balls are situated. | 0:42:27 | 0:42:37 | |
I think if he gets the angle on the
black he will play the cannon on the | 0:42:39 | 0:42:44 | |
red next to the pink. | 0:42:44 | 0:42:50 | |
red next to the pink. He knows if it
does not come off, there is every | 0:42:50 | 0:42:56 | |
chance of there being the loose...
Well, he did the one thing that was | 0:42:56 | 0:43:05 | |
going to pull him out of position,
hitting it full ball. If he hits the | 0:43:05 | 0:43:11 | |
red half ball, it was knock -- not
quite full ball. | 0:43:11 | 0:43:21 | |
APPLAUSE | 0:43:30 | 0:43:38 | |
A fantastic pot.
Control of the cue ball. A lot of | 0:43:38 | 0:43:41 | |
players would have hit that 100 mph
and hope to be on something. | 0:43:41 | 0:43:53 | |
Will he tries to drop in behind the
difficult red? He tried it from | 0:43:57 | 0:44:05 | |
there and the cue ball is close to
the corner. He tried to cannon the | 0:44:05 | 0:44:10 | |
red out from that position. He
thought he had a good enough angle | 0:44:10 | 0:44:15 | |
to screw back and nudge out the red.
Not a bad choice, he would have been | 0:44:15 | 0:44:21 | |
unpicked macro, or black. But he
misjudged it. Now we are -- he would | 0:44:21 | 0:44:28 | |
have been on pink or black. Now we
are in for a tense frame. If you | 0:44:28 | 0:44:37 | |
leave the cue ball near the yellow
pocket, you are there. | 0:44:37 | 0:44:41 | |
Quite clever to push the blue said.
He knows he can win the frame | 0:45:11 | 0:45:19 | |
without the blue but he knows if
Anthony gets a chance will need the | 0:45:19 | 0:45:22 | |
difficult blue. | 0:45:22 | 0:45:32 | |
He did not hit it hard enough and
has left John Higgins with a similar | 0:45:36 | 0:45:41 | |
shot. He has potted about five like
this. But this has got added | 0:45:41 | 0:45:47 | |
pressure. This could give him the
match, if it goes in. | 0:45:47 | 0:45:55 | |
He was planning a headache smack
that is quite amazing. He put the | 0:46:10 | 0:46:16 | |
blue safe and got an unintentional
cannon on it. | 0:46:16 | 0:46:20 | |
It has been a cracking, absolutely
cracking match between these two | 0:46:27 | 0:46:31 | |
very talented Scottish players. You
would have to say tremendous | 0:46:31 | 0:46:40 | |
character John Higgins has shown
from 4-2 down. The red he potted | 0:46:40 | 0:46:47 | |
with no safety was phenomenal. He
potted one in this frame. | 0:46:47 | 0:46:57 | |
potted one in this frame. Just the
brown needed. Anthony McGill, first | 0:46:57 | 0:47:00 | |
time at the Masters, has put up a
fabulous performance. | 0:47:00 | 0:47:08 | |
But in the end of the Wizard of
Wishaw has waived that magic wand. | 0:47:16 | 0:47:21 | |
Well played. The best of friends.
Smiles all around. Another cracking | 0:47:34 | 0:47:44 | |
match at the Alexandra Palace and,
in the end, John Higgins, who has | 0:47:44 | 0:47:49 | |
won the title on two occasions, goes
through to the next round. I am | 0:47:49 | 0:47:56 | |
buzzing to beat Anthony. When I was
4-2 behind it was not looking good | 0:47:56 | 0:48:01 | |
and he was hitting the ball well and
dominating me. To come back to beat | 0:48:01 | 0:48:06 | |
him 6-4, I am buzzing. I knew it
would be a dogfight to get over the | 0:48:06 | 0:48:12 | |
line. Over the moon to come back and
win because at 4-2 it was not good. | 0:48:12 | 0:48:19 | |
STUDIO: We are down to the last
eight and this is the quarterfinal | 0:48:19 | 0:48:22 | |
line-up... | 0:48:22 | 0:48:32 | |
We should not be surprised there are
more great matches to come. And some | 0:48:46 | 0:48:50 | |
of the legend still involved, Ronnie
O'Sullivan, John Higgins, Mark | 0:48:50 | 0:48:56 | |
Williams, Shaun Murphy. We have
highlights of Shaun Murphy and Ali | 0:48:56 | 0:49:02 | |
Williams, Shaun Murphy. We have
highlights of Shaun Murphy and Ali. | 0:49:02 | 0:49:10 |