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Hello, good evening. Welcome back to
Alexandra Palace and highlights of | 0:00:37 | 0:00:42 | |
the 2018 Dafabet Masters. We have
reached the quarterfinals. Coming | 0:00:42 | 0:00:46 | |
up, the best of the match between
Kyren Wilson and Mark Williams. | 0:00:46 | 0:00:49 | |
First, let's show you what happened
when Ronnie O'Sullivan, seven times | 0:00:49 | 0:00:54 | |
winner at the Masters, took on
Northern Ireland's Mark Allen. Well, | 0:00:54 | 0:00:59 | |
the Rocky capitalised on -- Ronnie
O'Sullivan capitalised on a mistake | 0:00:59 | 0:01:06 | |
to take the first, but the Northern
Irishman made it 1-1. We join it in | 0:01:06 | 0:01:11 | |
frame three. | 0:01:11 | 0:01:17 | |
No. It wasn't easy. | 0:01:20 | 0:01:27 | |
Just a couple of reds available at
the moment. | 0:01:39 | 0:01:48 | |
It's just a bit awkward. It's not a
good chance just yet. | 0:01:54 | 0:02:05 | |
Well, he could play a little cannon
on the reds just above the black, or | 0:02:49 | 0:02:54 | |
he could play for the loose red, if
he wishes. | 0:02:54 | 0:03:04 | |
There is one more loose red
available, just to the right of the | 0:03:52 | 0:03:55 | |
pink spot, into the bottom right
corner pocket. | 0:03:55 | 0:04:03 | |
Not straight enough on it. That is
why he was shaking his head. He | 0:04:08 | 0:04:13 | |
wanted to be straight on this red.
Watch the cue ball. It could go in | 0:04:13 | 0:04:19 | |
the left middle. No, he judged it
nicely. And he has a nice angle on | 0:04:19 | 0:04:27 | |
the blue. | 0:04:27 | 0:04:34 | |
Must need a nice angle on the blue
now to go into the pack, because | 0:04:54 | 0:04:59 | |
gnome or lose reds available. And he
has judged it to perfection. One | 0:04:59 | 0:05:03 | |
nice split and the frame will be at
his mercy. Has he got it? Is this | 0:05:03 | 0:05:10 | |
red on into the bottom right-hand
corner pocket? He is having a quick | 0:05:10 | 0:05:15 | |
look, and the body language suggests
that it is. Their use yet. -- there | 0:05:15 | 0:05:23 | |
you see it. | 0:05:23 | 0:05:31 | |
This time, a quick look at the
scoreboard to see how many he needs. | 0:05:40 | 0:05:45 | |
Well, he only needed one more red. I
don't think he played to cannon | 0:06:02 | 0:06:06 | |
that. He played to slip past the
reds and leave the one to the right, | 0:06:06 | 0:06:10 | |
which would have been an easy pot to
secure the frame again. He did not | 0:06:10 | 0:06:15 | |
intend to cannon that. I think he
has been lucky and he has knocked | 0:06:15 | 0:06:20 | |
the plant on. There is a bit of
distance between the reds, but... | 0:06:20 | 0:06:25 | |
Well, he got away with that one.
That was very fortunate. | 0:06:36 | 0:06:46 | |
Well, the next shot will open up the
reds. But it looks like he is | 0:07:19 | 0:07:25 | |
screwing back for the blue. The
white was close. It is OK. In fact, | 0:07:25 | 0:07:32 | |
he really got into that. He has gone
further up the table, but that will | 0:07:32 | 0:07:36 | |
do very nicely. | 0:07:36 | 0:07:41 | |
do very nicely. And he is throwing
the gauntlet down for Ronnie | 0:07:41 | 0:07:45 | |
O'Sullivan, who just missed a red
when he was typed on the cushion. -- | 0:07:45 | 0:07:51 | |
tight on the cushion. | 0:07:51 | 0:07:55 | |
65 break in the previous frame. This
was the one that Ronnie missed. | 0:08:02 | 0:08:14 | |
We have had 20 centuries this year
in the Dafabet Masters. He has made | 0:08:39 | 0:08:47 | |
357 centuries in his career, Mark
Allen, one of the great | 0:08:47 | 0:08:51 | |
break-builders of the game. And that
is another one. Superb performance | 0:08:51 | 0:08:59 | |
from Mark Allen here. | 0:08:59 | 0:09:05 | |
from Mark Allen here. That is
certainly going to make this | 0:09:05 | 0:09:08 | |
quarterfinal very, very interesting
indeed. | 0:09:08 | 0:09:11 | |
He knew the black was in. Oh, it is
not in. It doesn't matter. He lost | 0:09:30 | 0:09:37 | |
the opening frame but then he had
breaks of 65 and that magnificent | 0:09:37 | 0:09:43 | |
break of 115, and Mark Allen leads
Ronnie O'Sullivan to- one. | 0:09:43 | 0:09:49 | |
STUDIO: Wonderful scoring from Mark
Allen, the 21st-century of the | 0:09:49 | 0:09:52 | |
tournament so far. Into the next
frame. | 0:09:52 | 0:10:01 | |
He has hit it far too thin, because
there is a red near the left corner | 0:10:01 | 0:10:06 | |
and Mark can pot that and get onto
the black. If this shot works out, | 0:10:06 | 0:10:11 | |
an early opportunity in this fourth
frame. | 0:10:11 | 0:10:18 | |
He played it well. | 0:10:18 | 0:10:27 | |
Mid-session interval coming up after
this frame. What a result that would | 0:10:29 | 0:10:37 | |
be, if this man could go there 3-1
in front, after losing the opening | 0:10:37 | 0:10:41 | |
frame. | 0:10:41 | 0:10:43 | |
Not only that long pot, Dennis, but
have a look at the little kiss, | 0:11:03 | 0:11:08 | |
knocking the red away from the black
spot as well. And purposely played. | 0:11:08 | 0:11:13 | |
So that it would open up the black
into both corner pockets. A double | 0:11:13 | 0:11:20 | |
whammy. Excellent shot. | 0:11:20 | 0:11:27 | |
He would like to get one of these
reds below the black out of the way. | 0:11:41 | 0:11:48 | |
He has an angle to do that now. | 0:11:48 | 0:11:51 | |
Just a little short with the cue
ball. Still can just about hold it, | 0:12:10 | 0:12:16 | |
I'm sure. Just about. | 0:12:16 | 0:12:23 | |
He is looking good, Denis. | 0:12:28 | 0:12:35 | |
Yes, totally different action to
Ronnie O'Sullivan, as Steve Davis | 0:12:37 | 0:12:40 | |
was saying. A little short, does not
pull the cue back that far. It is | 0:12:40 | 0:12:46 | |
very effective on these fast cloth
is. He finished a little awkward | 0:12:46 | 0:12:50 | |
there. | 0:12:50 | 0:12:53 | |
Good recovery. | 0:13:03 | 0:13:11 | |
I am sure a lot of this packed house
in Alexandra Palace came along | 0:13:25 | 0:13:30 | |
thinking Ronnie O'Sullivan was going
to carry on the way he played | 0:13:30 | 0:13:34 | |
against Marco Fu. That was an
incredible session. But in snooker, | 0:13:34 | 0:13:38 | |
it can change from day to day. And
the reason it is one of the most | 0:13:38 | 0:13:45 | |
difficult sports to play is that
only one player can play at the | 0:13:45 | 0:13:48 | |
table. In golf, if your opponent
it's a good shot, you can hit a good | 0:13:48 | 0:13:53 | |
shot. In this game, if you make a
mistake, you are sitting in your | 0:13:53 | 0:13:57 | |
seat. And this is a terrific
performance from Mark Allen, it has | 0:13:57 | 0:14:03 | |
to be said. Quite cleverly took the
pink out of the way there, because | 0:14:03 | 0:14:08 | |
that opened up those two reds. He
just covered that red there. He did | 0:14:08 | 0:14:14 | |
not mean to kiss into the other red.
That is why he was shaking his head, | 0:14:14 | 0:14:19 | |
because that red was open and by
nudging it slightly, he can't pot it | 0:14:19 | 0:14:23 | |
now. | 0:14:23 | 0:14:28 | |
So this is Ronnie's, you would have
to say, last hope in this frame. | 0:14:28 | 0:14:42 | |
It is a tricky red for Mark Allen
but if he gets it, you will win the | 0:14:42 | 0:14:46 | |
frame. It is there. | 0:14:46 | 0:14:57 | |
frame. It is there. Good break,
this. | 0:14:57 | 0:15:04 | |
A lot of the spectators might be
surprised, but none of the players | 0:15:13 | 0:15:16 | |
will be. They know what he is
capable of, this player. | 0:15:16 | 0:15:22 | |
He can relax now and see if he
cannot in another century. -- see if | 0:15:39 | 0:15:45 | |
he cannot in another century. | 0:15:45 | 0:15:52 | |
Well, what a shame. No century
break. But one visit was all he | 0:15:58 | 0:16:03 | |
needed. He lost the opening frame
but he has played magnificent stuff | 0:16:03 | 0:16:07 | |
to take the next three and he goes
to the mid-session interval leading | 0:16:07 | 0:16:13 | |
Ronnie O'Sullivan 3-1. And it got
even better. Allen needed less than | 0:16:13 | 0:16:18 | |
an hour and a half to seal a famous
6-1 win over an out of sorts of | 0:16:18 | 0:16:23 | |
O'Sullivan. Allen's third win in a
major tournament over the Rocket, | 0:16:23 | 0:16:27 | |
who will still make the back pages
in the morning newspapers after | 0:16:27 | 0:16:31 | |
giving this interview to BBC Radio 5
Live. | 0:16:31 | 0:16:34 | |
giving this interview to BBC Radio 5
Live. If I was a football player, I | 0:16:34 | 0:16:36 | |
probably would have missed this game
and they would have put someone else | 0:16:36 | 0:16:40 | |
in form E. In an individual sport,
you have to get out there and do it. | 0:16:40 | 0:16:44 | |
If I had pulled out, there would
have been murder, everyone shouting | 0:16:44 | 0:16:49 | |
and screaming. I thought, turn up
and give it a go. But I am | 0:16:49 | 0:16:53 | |
struggling. I don't know if it is a
virus or whatever, but I have had it | 0:16:53 | 0:16:57 | |
before. It is very difficult when | 0:16:57 | 0:17:04 | |
you are getting dizzy spells. I gave
it a go and was not good enough. If | 0:17:20 | 0:17:23 | |
I had been playing someone that
could not pot a ball I might have | 0:17:23 | 0:17:26 | |
been all right but Mark is too good
to not put him under pressure. I | 0:17:26 | 0:17:29 | |
know people don't take me seriously
but I probably will miss the World | 0:17:29 | 0:17:32 | |
Championships. I came back to
snooker for different reasons. It is | 0:17:32 | 0:17:34 | |
a bit of a time passer for me. I
don't enjoy, listen, I have | 0:17:34 | 0:17:37 | |
explained before, I want to try and
get out of snooker as quickly as I | 0:17:37 | 0:17:40 | |
can. I still play because I have
some fans that love to watch me | 0:17:40 | 0:17:43 | |
play. I will still play a few
tournaments but as far as I'm | 0:17:43 | 0:17:45 | |
concerned, it is probably better to
do a month in Australia while the | 0:17:45 | 0:17:48 | |
World Championships is on. I would
find it difficult at home watching | 0:17:48 | 0:17:50 | |
the World Championships and not
being part of it. You are saying you | 0:17:50 | 0:17:53 | |
will not play the World
Championships? Things can change but | 0:17:53 | 0:17:55 | |
it has been on my mind for awhile. I
think the best place to be during | 0:17:55 | 0:17:58 | |
the World Championships would be to
be away. It would be difficult | 0:17:58 | 0:18:00 | |
because it is a good tournament. But
I am not going to do press, media, | 0:18:00 | 0:18:04 | |
17 days, the microscope on you. I
would rather go and play in little | 0:18:04 | 0:18:07 | |
events, under the radar, have a bit
of fun, pot some balls and get my | 0:18:07 | 0:18:12 | |
fix that way. I am not desperate to
win another world title. Unless the | 0:18:12 | 0:18:18 | |
terms and conditions are right for
the World Championships, I will do | 0:18:18 | 0:18:21 | |
something else. I would not want to
be employed by Barry Hearn. He likes | 0:18:21 | 0:18:25 | |
to work you to the bone. I am not
built like that. He ain't going to | 0:18:25 | 0:18:30 | |
put thousands of miles on my clock.
I like a bit of quality-of-life and | 0:18:30 | 0:18:34 | |
I don't do pressure and stress well.
There are other opportunities, and I | 0:18:34 | 0:18:38 | |
really enjoy it and my life has
never been better because of it. | 0:18:38 | 0:18:41 | |
That is just the way it is. If they
want me to play in a tournament, | 0:18:41 | 0:18:46 | |
they will have to come knocking on
my door. If they want me that bad, | 0:18:46 | 0:18:50 | |
come and talk to me. If you don't,
there are other people that will do | 0:18:50 | 0:18:54 | |
stuff with me. It was a riveting
interview, but let's not forget how | 0:18:54 | 0:18:59 | |
well Mark Allen played.
Congratulations to him, through to | 0:18:59 | 0:19:02 | |
his third semifinal at the Masters.
And so to the second quarterfinal, | 0:19:02 | 0:19:07 | |
Kyren Wilson against Mark Williams,
who has won the Masters on two | 0:19:07 | 0:19:10 | |
Kyren Wilson against Mark Williams,
who has won the Masters on two | 0:19:10 | 0:19:10 | |
occasions. When we left you earlier
on BBC Two, Kyren Wilson was 1-0 up, | 0:19:10 | 0:19:17 | |
close to making it to- zero. He
rapped that up and we join it in the | 0:19:17 | 0:19:22 | |
third with Wilson to play. | 0:19:22 | 0:19:31 | |
Kyren try to get on the black
straightaway. He does not have a | 0:19:42 | 0:19:46 | |
great angle, he will have to force
this. It begs the question why, when | 0:19:46 | 0:19:51 | |
it will not go on its spot. It will
not be available. It won't go | 0:19:51 | 0:19:56 | |
anywhere, so now pink and black are
tied up. | 0:19:56 | 0:20:05 | |
tied up. So he is going to have to
concentrate on blue and baulk | 0:20:05 | 0:20:08 | |
colours. For the next two or three
reds. | 0:20:08 | 0:20:17 | |
That is not perfect. He played it
with a trace of right-hand side and | 0:21:02 | 0:21:06 | |
it just came off the cushion a
little bit quicker than he thought. | 0:21:06 | 0:21:09 | |
He will have to go back up for the
blue, but those reds near the | 0:21:09 | 0:21:14 | |
right-hand cushion, he has to avoid.
And he didn't. That was a poor shot, | 0:21:14 | 0:21:23 | |
it has to be said. | 0:21:23 | 0:21:30 | |
Well, that's a double whammy. Not
only has he missed the blue, but he | 0:21:59 | 0:22:03 | |
has knocked the pink interplay. | 0:22:03 | 0:22:09 | |
has knocked the pink interplay. --
into play. | 0:22:10 | 0:22:16 | |
He let the cue ball girl a little
bit there. Overscrewed that. -- he | 0:22:47 | 0:22:54 | |
let it go a little bit. Not an easy
chance with three reds at least tied | 0:22:54 | 0:23:00 | |
up. He would do well to win the
frame from here. But you have to pot | 0:23:00 | 0:23:05 | |
the blue first, Mark. As I say, he
has looked so sensitive this | 0:23:05 | 0:23:10 | |
evening. Not the same player who
beat Mark Selby, that's for sure. We | 0:23:10 | 0:23:15 | |
picked up on that when he played one
or two containing safeties, | 0:23:15 | 0:23:19 | |
frightened to come thick of the
pack. I think he is showing the | 0:23:19 | 0:23:22 | |
young man a little bit too much
respect. He is worried about him. I | 0:23:22 | 0:23:27 | |
don't know. It is not like Mark
Williams not to be positive playing | 0:23:27 | 0:23:32 | |
this game. He will have to wake
himself up in a minute. | 0:23:32 | 0:23:36 | |
That will help. I told you he loves
a double earlier on. No surprise to | 0:23:48 | 0:23:56 | |
me that he played that. Obviously he
was concerned about getting the cue | 0:23:56 | 0:24:03 | |
ball back to the baulk end. He has
an angle on the brown. He could run | 0:24:03 | 0:24:08 | |
down for one of the two reds on the
right-hand side of the table. | 0:24:08 | 0:24:19 | |
A good part, that, nice and clean. | 0:24:24 | 0:24:27 | |
He thinks he can get position on the
pink, and he has played it very | 0:24:40 | 0:24:44 | |
nicely. Now, does he popped the pink
off the top cushion and flick the | 0:24:44 | 0:24:51 | |
black out? That should be the shot. | 0:24:51 | 0:24:55 | |
Yes, he played it nicely. And what
looked like an awkward position when | 0:25:08 | 0:25:13 | |
he came to the table, now all of a
sudden it looks like a frame-winning | 0:25:13 | 0:25:17 | |
chance. | 0:25:17 | 0:25:24 | |
This pink will put him 18 points in
front. So the last two reds... He | 0:25:25 | 0:25:34 | |
thinks the blue will be easier to
get position on the next red. But it | 0:25:34 | 0:25:39 | |
still means that these last two
reds, with high value colours, and | 0:25:39 | 0:25:44 | |
he would be at the snooker is
required stage. | 0:25:44 | 0:25:55 | |
Now, what sort of an angle has he
got on the black? Not too bad, if he | 0:26:20 | 0:26:26 | |
plays with a trace of right-hand
side. The closer you are to the red | 0:26:26 | 0:26:31 | |
along the top cushion, the better.
At first glance, he looks to be a | 0:26:31 | 0:26:35 | |
little straight on the pink. He
wants to get as close to the red as | 0:26:35 | 0:26:39 | |
he can. | 0:26:39 | 0:26:40 | |
He did play it with the right-hand
side. And the cannon has worked out | 0:26:45 | 0:26:50 | |
nicely. It has worked out a
beautifully. Just this little | 0:26:50 | 0:26:57 | |
awkward shot, maybe because it is
into a blind pocket. You can see the | 0:26:57 | 0:27:02 | |
object ball but you can't see the
pocket. Red and a colour needed. You | 0:27:02 | 0:27:09 | |
want to drop those in the jaws nice
and slowly if you can. Well, he | 0:27:09 | 0:27:13 | |
potted it so confidently. This has
been an excellent break, it really | 0:27:13 | 0:27:21 | |
has, ever since he had the double
that you mentioned, the cross | 0:27:21 | 0:27:24 | |
double. He has made these into a
very interesting contribution, | 0:27:24 | 0:27:28 | |
that's for sure. It didn't look like
he could clear up. But this has been | 0:27:28 | 0:27:34 | |
superb. OK, he might not clear up,
but it is enough to take a 3-0 lead. | 0:27:34 | 0:27:46 | |
He is sat there with a lot to think
about. | 0:27:46 | 0:27:54 | |
And but for snooker, Kyren Wilson
will have a 3-0 lead over the | 0:28:00 | 0:28:04 | |
champion. -- but for a snooker. | 0:28:04 | 0:28:14 | |
And Mark has said OK, if you like.
And of course, Kyren is not going to | 0:28:23 | 0:28:29 | |
refuse the concession. So Mark
Williams, with one frame to play | 0:28:29 | 0:28:33 | |
before the mid-session interval, is
in deep trouble, trailing 3-0. Yes, | 0:28:33 | 0:28:38 | |
he is in big trouble and the
Englishman is playing very well. | 0:28:38 | 0:28:42 | |
That's go back to John Parrott and
John Virgo. -- let's go back to John | 0:28:42 | 0:28:49 | |
Parrott and John Virgo. Cue. Oh! The
quality of his cueing on those | 0:28:49 | 0:29:02 | |
individual long parts is fantastic.
Each use those as straight as | 0:29:02 | 0:29:05 | |
anybody. That is so tough on the
bottom cushion but it never looked | 0:29:05 | 0:29:10 | |
anywhere else but in. This is a big
shot though. | 0:29:10 | 0:29:17 | |
shot though. Once again, sweetly
struck. If you were to be critical | 0:29:20 | 0:29:23 | |
of one aspect of his game tonight,
he has not been winning frames with | 0:29:23 | 0:29:26 | |
one visit. But he has certainly
knocked in some wonderful long | 0:29:26 | 0:29:31 | |
parts. | 0:29:31 | 0:29:37 | |
What has been as impressive as
anything... He will not be pleased | 0:29:46 | 0:29:50 | |
with that positional shot. He played
for the pink, believe it or not. He | 0:29:50 | 0:29:54 | |
might be thinking about the blue
now, but he played for the pink. | 0:29:54 | 0:30:03 | |
now, but he played for the pink. He
has competed in the safety game, and | 0:30:03 | 0:30:07 | |
his potting has been better. That is
why he has the 3-0 lead, but this is | 0:30:07 | 0:30:12 | |
a big shot. | 0:30:12 | 0:30:19 | |
Right in the heart of the pocket. | 0:30:19 | 0:30:25 | |
And Mark Williams is staring a 4-0
deficit at the mid-session interval. | 0:30:26 | 0:30:40 | |
That was a poor shot, a total
miscalculation. He did not think he | 0:30:57 | 0:31:02 | |
would be getting the flick cannon
off both balls. And this is granite | 0:31:02 | 0:31:09 | |
tough. | 0:31:09 | 0:31:16 | |
A poor positional shot caught him
out. A let off for Mark Williams. | 0:31:24 | 0:31:30 | |
Can he take it? | 0:31:30 | 0:31:37 | |
Used all the pocket! I think he
thought he had missed it. Now just | 0:31:38 | 0:31:45 | |
having a quick glance at the
scoreboard. With this black, he | 0:31:45 | 0:31:49 | |
would go four points behind. So he
is going to need... Well, the green | 0:31:49 | 0:31:59 | |
is awkward, but the brown awkward as
well. It is not going to be an easy | 0:31:59 | 0:32:04 | |
run to the winning line in this
all-important frame. But he will be | 0:32:04 | 0:32:08 | |
glad of the opportunity. | 0:32:08 | 0:32:15 | |
Well, the shot before the black was
very strange, he just sort of | 0:32:51 | 0:32:55 | |
dropped it in, as if he was making
sure of the red. He should have been | 0:32:55 | 0:33:00 | |
stunning it in and getting a better
angle on the black, for me. It was | 0:33:00 | 0:33:05 | |
like he was making certain he did
not miss the red, and he left the | 0:33:05 | 0:33:10 | |
missable black. Kyren Wilson still
has the problem with the green and | 0:33:10 | 0:33:13 | |
the brown. That is the only saving
grace for Mark Williams. | 0:33:13 | 0:33:23 | |
This green will make the points all
square. | 0:33:23 | 0:33:31 | |
He was looking to see if he could
play the cannon, popped the green in | 0:33:33 | 0:33:37 | |
the middle and chip the brown out. | 0:33:37 | 0:33:44 | |
He played a dead weight in behind,
probably the better shot. Boy is | 0:33:52 | 0:33:58 | |
this one tricky. | 0:33:58 | 0:34:04 | |
this one tricky. Yeah, just off the
cushion. Very missable. | 0:34:05 | 0:34:08 | |
But in it goes. He doesn't want to
be too straight on the blue because | 0:34:18 | 0:34:24 | |
the pink is not available into the
right corner. He is looking for blue | 0:34:24 | 0:34:28 | |
and pink to go to the mid-session
interval with a 4-0 lead. | 0:34:28 | 0:34:38 | |
Well, Mark Williams had his chances.
Will he get another? Just the pink | 0:34:43 | 0:34:48 | |
needed. | 0:34:48 | 0:34:50 | |
In it goes. He goes in in a deserved
4-0 lead. Brilliant stuff from Kyren | 0:35:01 | 0:35:14 | |
Wilson, and he made it 5-0 in the
fifth, thanks to a break of 63. | 0:35:14 | 0:35:19 | |
Let's show you what happened in
frame six. It is Wilson to play, | 0:35:19 | 0:35:24 | |
trailing by 58. Back to John Virgo
and John Parrott. | 0:35:24 | 0:35:30 | |
Good pot. Not perfect. The brown is
going to make slightly awkward | 0:35:35 | 0:35:46 | |
cueing. He is a little thin on the
blue than he would like. The brown | 0:35:46 | 0:35:51 | |
this just where he would like to put
his bridge hand. | 0:35:51 | 0:35:59 | |
Now, he doesn't want to be too
straight on the red to the corner. | 0:36:09 | 0:36:13 | |
He has a choice of reds. | 0:36:13 | 0:36:20 | |
He has a choice of reds. That one is
a danger. He may just flick the | 0:36:20 | 0:36:23 | |
black. The one closest to the corner
looks as though he can run round off | 0:36:23 | 0:36:27 | |
two cushions for the pink into the
right middle. He doesn't have to do | 0:36:27 | 0:36:34 | |
much with the cue ball playing it
this way. | 0:36:34 | 0:36:41 | |
this way. Yes, no problem. It looked
an absolute natural, didn't it? | 0:36:41 | 0:36:47 | |
Looks like he has come fairly
straight on this pink, so it is all | 0:36:47 | 0:36:52 | |
about the little screw back. He has
to make sure he has position. Hang | 0:36:52 | 0:36:58 | |
on a second, there is somebody
coming down the stairs. | 0:36:58 | 0:37:07 | |
coming down the stairs. Thankfully
it did not put him off. A gentleman | 0:37:07 | 0:37:10 | |
decided he had to go home at that
time. I don't know what time the | 0:37:10 | 0:37:17 | |
last bus is. Not yet, is it? Anyway,
he will be disappointed with that | 0:37:17 | 0:37:23 | |
positional shot. He has left this
more awkward than it should have | 0:37:23 | 0:37:26 | |
been. It is a delicate little pot on
the red and a little drop cannon on | 0:37:26 | 0:37:31 | |
the black. He will be thinking he
will still be on the pink. But a | 0:37:31 | 0:37:35 | |
delicate shot. Always tricky, those.
It is not a full shot, that is the | 0:37:35 | 0:37:47 | |
problem with them. Someone shouted,
come on, Mark, but he can't get | 0:37:47 | 0:37:56 | |
directly through to the red over the
corner. 45 points, the lead. Red in | 0:37:56 | 0:38:07 | |
a -- and a reasonably sized colour
would win him the frame. And he has | 0:38:07 | 0:38:11 | |
a chance of that now. The pink, to
go 52 points in front with 51 | 0:38:11 | 0:38:20 | |
remaining. A good swerve. | 0:38:20 | 0:38:27 | |
A good shot on the pink. Stopped the
whitewash. | 0:38:27 | 0:38:36 | |
There is his son. During the
interval, before the start of the | 0:39:03 | 0:39:09 | |
frame, he came out of his seat and
went down to his dad and gave him a | 0:39:09 | 0:39:13 | |
bit of advice. | 0:39:13 | 0:39:19 | |
Did not matter whether that went in
because Kyren would not come back to | 0:39:27 | 0:39:31 | |
the table. But it did go in. So the
Williams family have a little bit to | 0:39:31 | 0:39:39 | |
smile about. Not bothered about the
black. Mark just wants to get the | 0:39:39 | 0:39:44 | |
next frame under way. Both players
leave the arena. Well, you have to | 0:39:44 | 0:39:50 | |
start somewhere, but it still looks
the impossible dream for Mark | 0:39:50 | 0:39:54 | |
Williams at the moment. You never
know. Yes, at last, something for | 0:39:54 | 0:40:02 | |
Little Williams to cheer in the
audience. Into the next frame, | 0:40:02 | 0:40:05 | |
Williams leading by three points.
Well, is there a pot on here, with a | 0:40:05 | 0:40:14 | |
path back to Bulka? There may well
be. Well, there was not a path back | 0:40:14 | 0:40:20 | |
to the Bulka cushion, and it was a
dangerous shot to take on. | 0:40:20 | 0:40:24 | |
OK, he caught it a bit thick, but
you can't afford to give nice easy | 0:40:29 | 0:40:33 | |
starters to Kyren. He is just
looking for one frame. And this is a | 0:40:33 | 0:40:39 | |
golden opportunity. Now we will see
how he is feeling. | 0:40:39 | 0:40:46 | |
He would love to get rid of the red
that is below the black on the | 0:41:07 | 0:41:11 | |
right-hand side. And he can do it
now. Drop it in, cue ball off the | 0:41:11 | 0:41:21 | |
cushion and back for black in the
same pocket. | 0:41:21 | 0:41:30 | |
Could have done with a little more
there. Noticeable how quickly he | 0:41:33 | 0:41:38 | |
played that shot. | 0:41:38 | 0:41:46 | |
He will have to go for the blue.
Maybe the pink is available, but you | 0:42:23 | 0:42:27 | |
just feel a more positive strike to
play up for the blue. | 0:42:27 | 0:42:32 | |
He judged the cannon nicely to hold
for the pink. And has developed that | 0:42:37 | 0:42:42 | |
read. Good shot. -- developed that
red. | 0:42:42 | 0:42:48 | |
One of the family of flies is back. | 0:42:59 | 0:43:08 | |
Got to be careful with the cueing
here. Little bit shaky. | 0:43:16 | 0:43:18 | |
Got to be careful with the cueing
here. Little bit shaky. | 0:43:18 | 0:43:23 | |
here. Little bit shaky. I am pretty
sure the red kneed the pink spot | 0:43:24 | 0:43:27 | |
goes through the gap. That is what
he will be playing on. | 0:43:27 | 0:43:37 | |
he will be playing on. He couldn't
have landed on it better. He is | 0:43:41 | 0:43:43 | |
straight enough to go through for
the black in the opposite corner. | 0:43:43 | 0:43:56 | |
He will be trying like mad to get
this match over with. | 0:43:56 | 0:44:03 | |
this match over with. Give yourself
the easiest, possible results. | 0:44:04 | 0:44:13 | |
He is helped by the fact imparting
this there is a gap for the blue. | 0:44:29 | 0:44:35 | |
Maybe play it with a bit more pace
and go for the pink. But there is a | 0:44:35 | 0:44:39 | |
nice to go through. | 0:44:39 | 0:44:47 | |
Just feel that one more, good
positional shot and the frame and | 0:44:55 | 0:45:03 | |
the match is at his mercy. | 0:45:03 | 0:45:11 | |
He probably could have done without
that flick. He'd have missed the | 0:45:20 | 0:45:27 | |
blue and would have had two options.
That is tight. He seems to think it | 0:45:27 | 0:45:33 | |
will go. | 0:45:33 | 0:45:42 | |
And it does. Good shot. | 0:45:46 | 0:45:53 | |
Well played. That was an excellent
shot. That could be the matchwinner. | 0:46:08 | 0:46:20 | |
Doesn't have too play any more
cannons. The reds he needs are | 0:46:22 | 0:46:25 | |
available. | 0:46:25 | 0:46:32 | |
available. Inch perfect on the blue. | 0:46:32 | 0:46:38 | |
Nice positional shot. | 0:46:48 | 0:46:57 | |
Read and the colour for a place in
semifinal. In goes the red. | 0:47:33 | 0:47:39 | |
There is Kyren Wilson's parents.
Just the black required. And then it | 0:47:47 | 0:47:53 | |
goes. Right into the heart of the
pocket. Kyren Wilson will surely now | 0:47:53 | 0:48:00 | |
have booked his place in Saturday's
semifinal. | 0:48:00 | 0:48:07 | |
semifinal. And no way back to the
table now for Mark Williams. It | 0:48:09 | 0:48:13 | |
hasn't been his evening at all, take
nothing away. Kyren Wilson has done | 0:48:13 | 0:48:19 | |
his job. He has taken these
brilliantly well. Great way to | 0:48:19 | 0:48:27 | |
finish the match. Little bit
disappointed he's not on a red, but | 0:48:27 | 0:48:33 | |
Mark Williams won't be coming to the
table. He will be disappointed after | 0:48:33 | 0:48:40 | |
his victory over Mark Selby. He was
hoping for something better than | 0:48:40 | 0:48:44 | |
this. It was just hit and hope. But
it doesn't matter. Mark Williams | 0:48:44 | 0:48:50 | |
congratulates Kyren Wilson. | 0:48:50 | 0:48:55 | |
congratulates Kyren Wilson. I am
sure he didn't expect it to be that | 0:48:56 | 0:48:58 | |
easy. But you take what is in front
of you. Whatever was put in front of | 0:48:58 | 0:49:04 | |
him, he played by far the better
this evening and he plays for the | 0:49:04 | 0:49:09 | |
first time in a Dafabet Masters
semifinal by beating Mark Williams | 0:49:09 | 0:49:14 | |
6-1. The key to it was hanging on
and keeping my discipline. | 0:49:14 | 0:49:25 | |
I could sense he wasn't there. I
wanted to keep him under pressure. I | 0:49:28 | 0:49:33 | |
was lucky I caught him on an off
day. First time into the semifinals | 0:49:33 | 0:49:39 | |
of the Masters, on my second
appearance, it is what dreams are | 0:49:39 | 0:49:42 | |
made of. But I will be trying my
best to make sure it doesn't stop | 0:49:42 | 0:49:45 | |
there.
STUDIO: Weldon Kyren Wilson, he will | 0:49:45 | 0:49:49 | |
play either Ryan Day or John
Higgins. Judd Trump and Shaun Murphy | 0:49:49 | 0:49:56 | |
is our next match here. That is it
for now, but coming up after this | 0:49:56 | 0:50:03 | |
programme, extended highlights in
Snooker Extra of Ronnie O'Sullivan | 0:50:03 | 0:50:06 | |
and Mark Allen. We are back with
more live coverage from the 2018 | 0:50:06 | 0:50:11 | |
Dafabet Masters as Judd Trump takes
on the 2015 Masters winner Shaun | 0:50:11 | 0:50:15 | |
Murphy. A great start to your
weekend. Goodbye for now. | 0:50:15 | 0:50:23 |