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We are heading into deep freeze territory outside where the weather | :00:34. | :00:39. | |
is concerned but here in north London things are just beginning to | :00:40. | :00:44. | |
heat up from the quarterfinals onwards of the Masters. Let me give | :00:45. | :00:48. | |
you a quick tour because that is the entrance. Some 2000 people for every | :00:49. | :00:53. | |
single session since last Sunday have been making their way in here | :00:54. | :00:59. | |
into the darkness for a good view of one table. That is the special thing | :01:00. | :01:01. | |
about the Masters. With one one table. That is the special thing | :01:02. | :01:06. | |
every match as a look and feel of the final. Last night we completed | :01:07. | :01:19. | |
our third round and what a four days we have in front of us now from | :01:20. | :01:19. | |
our third round and what a four days quarterfinals on word. Take a look | :01:20. | :01:20. | |
our third round and what a four days at this for our line-up. | :01:21. | :01:30. | |
In it goes. Barry Hawkins has won a match at the Masters for the first | :01:31. | :01:41. | |
time. It has been a fantastic match. Judd Trump beat Steve Maguire | :01:42. | :01:49. | |
success four. A nice easy evening for Neil Robertson. He runs out a | :01:50. | :02:02. | |
winner, 6-0. It has been a fabulous match. O'Sullivan is back and he | :02:03. | :02:09. | |
takes the match 6-5. What a fantastic game of snooker. A | :02:10. | :02:16. | |
fantastic result for John Higgins. 6-4. Get in there, get in. Stuart | :02:17. | :02:21. | |
Bingham will be over the moon having won his first match here in the | :02:22. | :02:22. | |
Masters. Down to the quarterfinal won his first match here in the | :02:23. | :02:28. | |
stages and before we talk about the match this afternoon, tonight we | :02:29. | :02:31. | |
have Mark Allen against Barry Hawkins. | :02:32. | :02:35. | |
have Mark Allen against Barry Robertson. The Masters does throw up | :02:36. | :03:03. | |
mouthwatering matches. All the matches are at great quality. We | :03:04. | :03:09. | |
have had plenty of plumage with peacocks strutting round the table. | :03:10. | :03:14. | |
Robertson's matchplay is bullet-proof. If anyone can turn him | :03:15. | :03:21. | |
over it is Judd Trump. Then we have taken is against Bingham. | :03:22. | :05:08. | |
over it is Judd Trump. Then we have experience. I was 9-6 down and I | :05:09. | :05:16. | |
clawed my way back. It is right in the middle of the pocket. Ronnie | :05:17. | :05:21. | |
must be in total shock but he will have to admire what his opponent has | :05:22. | :05:28. | |
done here. I would rather play badly and lose than play... Play well and | :05:29. | :05:39. | |
lose rather than play badly and win. That is just the player I am. | :05:40. | :05:50. | |
In past matches when I have played I have not played fantastically and | :05:51. | :06:00. | |
have doubted a bit. He beat me eight years ago and he played | :06:01. | :06:05. | |
fantastically. Ronnie O'Sullivan playing some of the best snooker of | :06:06. | :06:06. | |
his career. What I noticed about Mark is that | :06:07. | :06:23. | |
you never get a good opportunity amongst the balls, you have to fight | :06:24. | :06:27. | |
your way to get a chance. He leaves you in awkward situations. You'd | :06:28. | :06:31. | |
never have a straightforward opening. He is tough for anyone to | :06:32. | :06:41. | |
play. He has been absolutely awesome. | :06:42. | :06:51. | |
He plays really quick and is such a natural player. I am so -- fire from | :06:52. | :06:59. | |
natural. I enjoy a challenge when I play him and I will do the same this | :07:00. | :07:05. | |
time. He is the hardest match player on the circuit and the only player | :07:06. | :07:11. | |
who doesn't have to play his best to win tournaments. They were | :07:12. | :07:15. | |
practically drawing lots to see who would get the commentary gig today. | :07:16. | :07:24. | |
Dennis, when these to play one another why is it so special? They | :07:25. | :07:30. | |
are so evenly matched and such a complete contrast of styles. Mark as | :07:31. | :07:37. | |
it were Ronnie a little bit. I think Ronnie himself knows how tough it is | :07:38. | :07:42. | |
against Mark Selby. Your players talking about their game and Mark | :07:43. | :07:52. | |
Selby has a great plan B. I didn't see any rust in Ronnie's game. He | :07:53. | :07:59. | |
made two centuries, that doesn't look nasty to me. The last time they | :08:00. | :08:05. | |
played was the Crucible final, become before that was the Masters | :08:06. | :08:10. | |
played was the Crucible final, final, but this is the 50th match of | :08:11. | :08:12. | |
the season for Mark and Ronnie's 11th. He ready? Ronnie has brushed | :08:13. | :08:21. | |
away the cobwebs. He was down on himself even though it was a great | :08:22. | :08:26. | |
performance coming back. As he brushed away the cobwebs? As the | :08:27. | :08:30. | |
rust gone? Were behind the scenes is that he is really up for this match | :08:31. | :08:35. | |
and that is a good sign. That is the question, is running up for it after | :08:36. | :08:39. | |
such a long time out. We can't wait for it. We hope it will be close. | :08:40. | :08:48. | |
Ronnie referred to mark as the torturer. He has got into his head. | :08:49. | :08:52. | |
Did you think he enjoys playing him as a consequence or not? You enjoy | :08:53. | :08:58. | |
playing anybody? He is the greatest player, so you will enjoy your | :08:59. | :09:04. | |
opponent is. He knows Mark is one of the toughest match players in the | :09:05. | :09:10. | |
game and he will have to be playing well or he could go out. He looked | :09:11. | :09:14. | |
good in the last round. For you, what is the deciding factor? I think | :09:15. | :09:20. | |
Ronnie has two score a bit more heavily and get off to a good start | :09:21. | :09:24. | |
and start knocking in the long balls. The safety you would expect | :09:25. | :09:28. | |
Mark Selby to come out on top, but Mark Selby, the way he plays, he is | :09:29. | :09:38. | |
scoring heavily. The two legends of this Masters event. 2000 people here | :09:39. | :09:48. | |
ready for this sure you are as well. Thanks. Good afternoon ladies and | :09:49. | :09:56. | |
gentlemen. What a match in prospect. This is good enough to be the final | :09:57. | :09:57. | |
of the Masters and on three occasions it has been. We are about | :09:58. | :10:01. | |
to introduce two men who have dominated this tournament for a | :10:02. | :10:05. | |
decade. Yet they do again. The crowd cannot wait. This could be | :10:06. | :10:10. | |
sensational. Please welcome arguably the greatest | :10:11. | :10:24. | |
player in the modern game has ever seen. He won the first of his five | :10:25. | :10:29. | |
Masters titles 21 years ago and he is still going strong. Five times a | :10:30. | :10:34. | |
champion of the world. Blink and you will miss him. Ronnie was a loving. | :10:35. | :10:39. | |
-- Ronnie O'Sullivan. His opponent, a player who has | :10:40. | :11:13. | |
thrived in this tournament. He completed the triple crown when he | :11:14. | :11:16. | |
won the world title two years ago. He is the current world number one, | :11:17. | :11:19. | |
Mark Selby. I don't know whether you are | :11:20. | :11:57. | |
watching this fantastically in work or do it at home. It is good to have | :11:58. | :12:02. | |
you with us. -- clandestinely. That is the beautiful trophy that is for | :12:03. | :12:09. | |
the winner on Sunday night. It would be fascinating to see how this | :12:10. | :12:23. | |
starts off. Ronnie has won the toss. He is going to get this opening | :12:24. | :12:33. | |
frame under way. That is a better break-off shot. He hit the blue on a | :12:34. | :12:41. | |
couple of occasions. Of course, it was Mark Williams I | :12:42. | :13:02. | |
meant to refer to when Ronnie, the blue on a couple of occasions. This | :13:03. | :13:09. | |
is a tough half chance, it has to be said. The key, of course, and key | :13:10. | :13:19. | |
question, is has Ronnie shaken off the cobwebs against Mark Williams. | :13:20. | :13:27. | |
He has been out of the game since the World Championship and that is | :13:28. | :13:31. | |
not the greatest safety shot he has played. He has refused the pot on | :13:32. | :13:35. | |
the red which is a surprise in itself. They have a chance now for | :13:36. | :13:38. | |
Mark Selby. The black may look as if it is tied | :13:39. | :14:01. | |
up and there is one shot and Mark may have seen that. If you can get | :14:02. | :14:03. | |
on the red above the black decompile it and move the other one out of the | :14:04. | :14:07. | |
way. I am not sure if he can get up to that letter from the brown. He | :14:08. | :14:10. | |
might just be able to miss the yellow. In fact, he has changed his | :14:11. | :14:19. | |
mind. No, he has got the angle and he has dropped on that perfectly. He | :14:20. | :14:28. | |
can pot this red and freed the black with a little cannon. The yellow | :14:29. | :14:33. | |
wasn't in the way. Should he execute this shot it will open things up. He | :14:34. | :14:38. | |
doesn't want the red to cover the black. The thing will come to his | :14:39. | :14:54. | |
rescue. Will the pink spot. If the big spots it will certainly block | :14:55. | :14:54. | |
the red to the left corner pocket. The first sign of nerves. A little | :14:55. | :15:05. | |
bit concerned with the not. We used to wear a normal type many | :15:06. | :15:34. | |
moons ago and changed it to bow ties because some of the matches were | :15:35. | :15:42. | |
played in the afternoon, but sure in the evening and that was the reason | :15:43. | :15:44. | |
we wore bowties. I don't know when they changed back to this, a couple | :15:45. | :15:47. | |
of seasons ago, normal ties. He started off slow against Mark | :15:48. | :16:02. | |
Williams, but in the middle of the game he found his form. We will see | :16:03. | :16:10. | |
what sort of form he is in here. Important for both players to stamp | :16:11. | :16:13. | |
their authority early on in this match. | :16:14. | :16:26. | |
Just came back a little further than he wanted. When you played that shot | :16:27. | :16:34. | |
with a cannon it is hard to judge the face. It has gone a little | :16:35. | :16:46. | |
further than he wanted. I'd just be OK. Can get to the one at the back | :16:47. | :16:57. | |
of the triangle of reference. He will be brushing off the bottom of | :16:58. | :17:03. | |
the pack hopefully bringing another one into play. Nothing goes into the | :17:04. | :17:16. | |
left centre. He is coming around to have a look. Only the bottom red. | :17:17. | :17:23. | |
That is pretty good. Excellent, in fact. That was the only red he could | :17:24. | :17:29. | |
get on, the one directly above the black. He couldn't have played that | :17:30. | :17:30. | |
much better. That was a lovely shot. The only | :17:31. | :18:21. | |
part in the red blood watch the red he kissed off, it brought it into | :18:22. | :18:24. | |
play and notched another one into play as well. This is the key | :18:25. | :18:35. | |
shortcoming appear. He has got to can be read again. -- cannon the | :18:36. | :18:45. | |
red. If the yellow goes past the green he is OK. I think the blue | :18:46. | :18:52. | |
will still pass that read, but he may elect the yellow. | :18:53. | :19:09. | |
We know that Ronnie is doing very well. Mark missing a pink in the | :19:10. | :19:20. | |
middle pocket. Looks as if it is going to cost in this opening frame. | :19:21. | :19:27. | |
He was unlucky not to be on the black when he freed it. There is a | :19:28. | :19:38. | |
gentleman who knows a little bit about the game of snooker. Jimmy | :19:39. | :19:42. | |
White has been here from the start. Great pals with Ronnie. | :19:43. | :19:55. | |
He has just come short of the blue. He is 52 points ahead. Blue will be | :19:56. | :20:02. | |
57. 59 left on the table so he will need one more table. -- one more | :20:03. | :20:13. | |
red. Red to security first frame. There is a bit of pressure on this. | :20:14. | :20:20. | |
Bit of pressure on that one. Where will the red finish? | :20:21. | :20:30. | |
It was just a little bit more pressure than he wanted. This red | :20:31. | :20:40. | |
does cut in. It is a thin one. Up until that the break was superb. He | :20:41. | :20:50. | |
can put the red in but he will need a pink or higher. That is why he is | :20:51. | :20:54. | |
having a link to see if there is a pink passed the yellow into the | :20:55. | :20:59. | |
corner pocket. He may even have to try, if he does go past the yellow, | :21:00. | :21:07. | |
which it does, he may try to get into that yellow pocket. He is on it | :21:08. | :21:21. | |
nicely. He is going to need this pink and three raids and three | :21:22. | :21:25. | |
blacks. It is a tall order. What an opening frame this could be. Ronnie | :21:26. | :21:28. | |
was just one part away from securing it. -- one pot. | :21:29. | :21:43. | |
This looks pretty good. He would like to be a bit straighter on this | :21:44. | :21:50. | |
red but he can drop it in, miss the two reference. He can get on the | :21:51. | :22:03. | |
black. I think you can part the red and miss the raids, hip of the | :22:04. | :22:05. | |
condition. He will still be on the black. He needs three reds and three | :22:06. | :22:15. | |
blacks. He has got a tricky little shot but he can get to the two reds | :22:16. | :22:23. | |
that are available into the left-hand corner. He needs a little | :22:24. | :22:24. | |
bit of side to pot this black and drop in beside them. Just change | :22:25. | :22:35. | |
your plan. Maybe he would need too much on the shot. He needs to get | :22:36. | :22:39. | |
over to the right side of those two reds, that is for sure. He hasn't | :22:40. | :22:48. | |
got the required side and he didn't seem to hit it hard enough. A little | :22:49. | :22:55. | |
bit tentative. He was making sure the black wedding, that was his | :22:56. | :23:00. | |
primary concern. Just didn't quite hit it enough and get enough side | :23:01. | :23:05. | |
spin to get it by those reds and have the two reds into the left-hand | :23:06. | :23:10. | |
corner pocket. No reprieve for Ronnie O'Sullivan. 42 behind. | :23:11. | :23:25. | |
You can see his tie there. He has had to pull it to decide and it was | :23:26. | :23:32. | |
putting him off. Mark Selby is usually immaculate. | :23:33. | :23:48. | |
That was an excellent shot. A lot of club players would have tried to put | :23:49. | :23:57. | |
that into the Balkan area. He knew anywhere around the yellow pocket, | :23:58. | :24:00. | |
the group was a cover for the two reds. A very good shot. Ronnie | :24:01. | :24:12. | |
O'Sullivan must hit those reds. He has the advantage that Mark Selby 82 | :24:13. | :24:14. | |
reds and to blacks. He doesn't want to give the four points away. It | :24:15. | :24:21. | |
will be interesting to see what pacey plays the site. He chose the | :24:22. | :24:32. | |
right shot, but that ain't quite a difference. He doesn't have to take | :24:33. | :24:40. | |
two reds and to blacks now. All of a sudden, it is only one possible crew | :24:41. | :24:48. | |
frame here. Ronnie's I feel was right. -- idea. | :24:49. | :25:14. | |
He has left a free ball. It could put him back, Mark Selby, because | :25:15. | :25:24. | |
the yellow is not straight forward into the right centre. These points | :25:25. | :25:32. | |
are added up and it is going to make Mark Selby's job a lot easier should | :25:33. | :25:36. | |
he get a chance at a part of the red. -- part. You can see what he is | :25:37. | :25:51. | |
trying to do. It is a tough shot. He has got to just glance of the reds | :25:52. | :25:55. | |
and once he missed the first escape it turned the whole frame around | :25:56. | :25:57. | |
really and all of the sudden you it turned the whole frame around | :25:58. | :26:02. | |
would have to say that Mark Selby is it turned the whole frame around | :26:03. | :26:07. | |
favourite for the first frame. Can he get enough side to just click the | :26:08. | :26:12. | |
reds on the way back? No, even further away this time. This could | :26:13. | :26:19. | |
play an important part in this match because Ronnie lived in terrific | :26:20. | :26:27. | |
form. If he knocks that one read in, week could be halfway through the | :26:28. | :26:30. | |
second frame. Mark Selby is happy to keep having this bike. He has got to | :26:31. | :26:46. | |
get closer. This looks a bit better. It is getting closer. He has almost | :26:47. | :26:55. | |
got to swerve around the blue and get close to this bottom right-hand | :26:56. | :26:56. | |
corner pocket. He is just not getting enough side on the ball. If | :26:57. | :27:03. | |
he hits this food ball he is handing the frame to mark. That is why he | :27:04. | :27:33. | |
he hits this food ball he is handing shot. He just got the side required | :27:34. | :27:37. | |
but not too bad. It has left Mark Selby a half chance. I am just | :27:38. | :27:44. | |
looking to see if he has an angle to part this. This could be a free | :27:45. | :27:49. | |
winner. I think he may have to play it that way. I am not sure. | :27:50. | :29:35. | |
winner. I think he may have to play have pinched. It is a frame that | :29:36. | :29:44. | |
would have really hurt Ronnie. Brown has got out of that, but what a part | :29:45. | :29:56. | |
on the red. -- part. It is worth another look. The screw and | :29:57. | :29:58. | |
controlled he had on that was magnificent. We want a lot more of | :29:59. | :30:12. | |
this. He almost lost the frame but he will be delighted he leads a 1-0. | :30:13. | :30:18. | |
This is the earliest these two have ever faced one another at the | :30:19. | :30:22. | |
Masters. A career head to head. Ronnie ahead. | :30:23. | :30:28. | |
There have been seven major finals between these two. And it is Selby | :30:29. | :30:43. | |
who has the edge. Ronnie, however, just in front in terms of the | :30:44. | :30:46. | |
head-to-heads. You cannot guarantee to clear up the balls every time | :30:47. | :30:53. | |
head-to-heads. You cannot guarantee go to the table, so there was some | :30:54. | :31:02. | |
tactical play. Ronnie was prepared to sacrifice a lot of points to make | :31:03. | :31:07. | |
sure that he did not just to sacrifice a lot of points to make | :31:08. | :31:08. | |
the Reds willy-nilly, and it paid off in the end. Although he did not | :31:09. | :31:12. | |
get ideally on the black. And that last red which Ronnie potted was a | :31:13. | :31:17. | |
real test of his cueing. You cannot hit this any better. Pot it on that | :31:18. | :31:25. | |
angle, and to hold the cue ball for the black was a magnificent shot. It | :31:26. | :31:31. | |
has everything, this matchup. Until now they have always happened in the | :31:32. | :31:35. | |
latter end of Championships. What do you think we are in for, in terms of | :31:36. | :31:39. | |
performance levels from both of them today? The only thing we can | :31:40. | :31:50. | |
guarantee from this much today is that it would be a draw. Anything | :31:51. | :31:51. | |
else could happen. You that it would be a draw. Anything | :31:52. | :31:51. | |
if Ronnie is going to fly, Mark will pull him back. Honestly, this is so | :31:52. | :31:56. | |
hard to predict break after Ronnie's match, he was talking quite a bit | :31:57. | :31:59. | |
about the fact that he is a different animal to Mark Selby. It | :32:00. | :32:04. | |
could have been construed that he was laying the foundations for an | :32:05. | :32:06. | |
excuse should it all go wrong, that that is the type of player, who | :32:07. | :32:12. | |
might be able to find him out. Perhaps he was trying to make | :32:13. | :32:15. | |
himself a bit more the underdog for this match. Indeed, that could very | :32:16. | :32:21. | |
himself a bit more the underdog for well be the case. Mark Selby this | :32:22. | :32:29. | |
season has not got a title yet. But his long potting was described by | :32:30. | :32:30. | |
Stephen Hendry against Ricky Walden as incredible. So, he has come here | :32:31. | :32:34. | |
on a hot streak. Let's see how this one goes. | :32:35. | :32:41. | |
DENNIS TAYLOR: You never want to catch the blue from the break-off | :32:42. | :32:48. | |
shot. But he has not left anything. Yes, there was a little gesture, | :32:49. | :33:04. | |
when Ronnie knocked in the last red, and Mark Selby was in his seat. And | :33:05. | :33:11. | |
this was his gesture. As if to say, what a shot that was. That was nice | :33:12. | :33:13. | |
to see. KEN DOHERTY: Yes, because a lot of | :33:14. | :33:18. | |
players would have played that red just with topspin and come back down | :33:19. | :33:26. | |
to the baulk. Trying to stay on the black there... Well, he is very | :33:27. | :33:34. | |
unlucky. He would have expect could to be on Adobe colour at least. But | :33:35. | :33:39. | |
just look where that red has come, blocking the path down to the baulk | :33:40. | :33:41. | |
colours. So, just a safety shot now. You can see it here. He could have | :33:42. | :34:21. | |
made that a lot easier by going back up to one of the baulk colours. It | :34:22. | :34:23. | |
was magnificent. Does not want this to bounce too | :34:24. | :34:44. | |
high of this cushion. Because I think the red just below the | :34:45. | :34:50. | |
black... Certainly the one above it, will go. It is quite tight, but it | :34:51. | :34:51. | |
will go. Bit unlucky. You are never sure | :34:52. | :35:19. | |
where they are going to go when you cannon into the red is like that. | :35:20. | :35:27. | |
So, it has made it a difficult table now. There is no safety zone, with | :35:28. | :35:41. | |
the two reds at the other end of the table. I think a re-rack would be in | :35:42. | :35:45. | |
order, Dennis. The players will not like this. We might see a nod to the | :35:46. | :35:53. | |
referee in a couple of shots' time. I think that has solved it now. He | :35:54. | :36:03. | |
can possibly get in behind the black here and put Ronnie in a spot of | :36:04. | :36:04. | |
bother. Well, has he left the red to the | :36:05. | :36:33. | |
left-centre? Ronnie having a look. He might be able to play it with | :36:34. | :36:34. | |
swerve. Good pot. That is a very | :36:35. | :36:59. | |
uncharacteristic mistake from Mark Selby, it has to be said. One of | :37:00. | :37:00. | |
uncharacteristic mistake from Mark best safety players in the game. But | :37:01. | :37:03. | |
a big mistake. What will it cost him? Yes, I think the fact that Mark | :37:04. | :37:17. | |
had the bot of the cue up in the area, it was difficult to control. | :37:18. | :37:23. | |
This was it. Just hit it a little harder. On these lively costs this | :37:24. | :37:32. | |
and that can happen. -- on these lively cloths, that can happen. | :37:33. | :38:54. | |
There is Patsy Fagan. He is always at the Masters. In fact, he was | :38:55. | :39:01. | |
doing a bit of coaching with Jimmy a couple of seasons ago. Former UK | :39:02. | :39:07. | |
Champion. Kevin Kelly next to him, who looks after Jimmy. | :39:08. | :39:31. | |
He played that cannon very nicely. Back up for a baulk colour now. As | :39:32. | :39:46. | |
you can see, those reds around the pink are now all open. He has taken | :39:47. | :39:52. | |
these very, very nicely. He looks to be on better form and a lot sharper | :39:53. | :39:54. | |
already this afternoon than he was against Mark Williams. Found a bit | :39:55. | :40:00. | |
of form in the middle of that match, when he was 4-2 down. Produced a | :40:01. | :40:07. | |
couple of centuries. He is looking pretty good. He was not happy with | :40:08. | :40:15. | |
his performance, of course. He never is! But he certainly looks a lot at | :40:16. | :40:24. | |
this afternoon, Dennis. Yes, I did not think he did a lot wrong against | :40:25. | :40:30. | |
Mark. In the end I thought Ronnie's performance was fantastic. To make a | :40:31. | :40:37. | |
couple of centuries and a 60-odd, you have got to be cueing well. | :40:38. | :40:58. | |
Wiped its feet! It looked like it was going to hit the near jaw. So, | :40:59. | :41:20. | |
just this red panned another colour. -- justice red and another colour. | :41:21. | :41:27. | |
Isn't it amazing, Kenlooked around at the scoreboard and saw that he | :41:28. | :41:34. | |
only needed a red panned a colour. I think it took his concentration | :41:35. | :41:41. | |
away. What a miss. Now, similar to the opening frame, Mark Selby has a | :41:42. | :41:42. | |
chance. He is giving himself a good telling-off there, Ronnie. Guess | :41:43. | :41:48. | |
that will really annoy him. Especially frame ball. He nearly | :41:49. | :41:51. | |
missed the previous red into the opposite middle pocket. Looked like | :41:52. | :41:57. | |
he just chewed it a bit. Just like in the last frame, missing the frame | :41:58. | :42:02. | |
ball. This could work out just nice. What | :42:03. | :42:03. | |
a shot that is! There is one red which will not be | :42:04. | :42:34. | |
straightforward - the one which is closest to the cue ball. So he has | :42:35. | :42:47. | |
got quite a lot to do here. But just a minute or so ago, he would have | :42:48. | :42:49. | |
been in his seat getting himself ready for the third frame. He did | :42:50. | :42:54. | |
not expect Ronnie to miss a sitter into the middle pocket. But this is | :42:55. | :43:00. | |
not a straightforward clearance, by any means. Yes, go up for the red | :43:01. | :43:07. | |
near the green... The problem ball as you say is the one closest to the | :43:08. | :43:14. | |
left-hand side cushion. But if he gets a nice angle on green or brown | :43:15. | :43:18. | |
here, in putting this red, he will get right up close to that red. So, | :43:19. | :43:29. | |
important that he does not come to straight on the brown or the | :43:30. | :43:35. | |
Greenhill. Looks like he is screwing back up for the pink... I thought it | :43:36. | :43:41. | |
might have been better to go for a baulk colour. And he has now ended | :43:42. | :43:48. | |
up too straight on the pink. Yes, in an ideal world, he would love to get | :43:49. | :43:50. | |
the white somewhere around there. He might be able to do that from the | :43:51. | :43:58. | |
pink. But anywhere over the side of the table. He is not sure if he can | :43:59. | :44:10. | |
do it from the pink but I think he can just about do this. That is | :44:11. | :44:22. | |
still OK. As long as he got over that side. It is a little more | :44:23. | :44:27. | |
difficult now - he will need the extension on the rest and on the | :44:28. | :44:36. | |
cue. This could be a big moment in the match already, Dennis. He does | :44:37. | :44:41. | |
not have to do much with the cue ball, he knows he will be on the | :44:42. | :44:46. | |
black. So, give the red a chance to get into the pocket, just play it | :44:47. | :44:47. | |
dead weight. He now has the angle on the black. | :44:48. | :45:10. | |
It is not the best angle in the world. Yes, that's why he had a | :45:11. | :45:16. | |
quick glance at the pink. Now, he has got tremendous cue power. Watch | :45:17. | :45:21. | |
this, with topspin and side to try and get round for the yellow... ! | :45:22. | :45:28. | |
Fantastic shot, it really is. From that angle, it is | :45:29. | :45:39. | |
fantastic. Did not play that too well. Wanted to get away from the | :45:40. | :45:51. | |
cushion. This is a key shot. The brown, swing | :45:52. | :46:08. | |
it around the angles. Anywhere close to this blue and he will have it | :46:09. | :46:16. | |
into the corner pocket. Big shot, this. | :46:17. | :46:31. | |
Needs to pull up a little bit. That has gone a little bit too far for | :46:32. | :46:46. | |
the middle pocket. He can still put it, but had he been straight on | :46:47. | :46:50. | |
this, it would have been no problem. Now, he has to go in and out of the | :46:51. | :46:52. | |
baulk. Well, that easy red which Ronnie | :46:53. | :47:06. | |
missed, as you said, Ken, this could be quite turning point in this | :47:07. | :47:11. | |
match. Yes, he had a chance in the first frame to steal it. Oh, he has | :47:12. | :47:23. | |
got a... Well, I thought the cue ball was going to be up against the | :47:24. | :47:26. | |
cushion. So, Blackford brilliant steel... | :47:27. | :47:29. | |
-- so, black for a brilliant steal. Two fantastic frames, and both | :47:30. | :47:52. | |
following a similar pattern. , but Ronnie, well, I don't know what that | :47:53. | :48:00. | |
will do for his focus. He took his concentration of this red, and | :48:01. | :48:01. | |
looked at the scoreboard beforehand. How many times would you miss a shot | :48:02. | :48:05. | |
like this? He only needed this and the black and he was 2-0 up. He just | :48:06. | :48:11. | |
lost that little bit of focus, Ken. He did indeed. The previous red he | :48:12. | :48:16. | |
almost missed as well. Should have taken a bit more time. Just seemed | :48:17. | :48:24. | |
to rush it a bit. It was frame ball. As in the previous frame, he missed | :48:25. | :48:31. | |
frame ball. That will really annoy him and what it does to him remains | :48:32. | :48:36. | |
to be seen. Look at Mark Selby. His focus is always there. He is a | :48:37. | :48:44. | |
tremendous competitor, unbelievable determination and dedication. He has | :48:45. | :48:47. | |
worked so hard on his game over the years. And now, probably the | :48:48. | :48:52. | |
toughest player in the game. Yes, what he has, Dennis, he has got | :48:53. | :48:56. | |
tremendous bottle, tremendous character. And that was shown in | :48:57. | :49:00. | |
abundance with that clearance. Absolutely top-quality. Great match | :49:01. | :49:05. | |
so far. REFEREE: Third frame, Ronnie | :49:06. | :49:07. | |
O'Sullivan to break. That is a pretty good break-off | :49:08. | :49:45. | |
shot. He frees up four or five reds. You are looking to try and get the | :49:46. | :49:59. | |
white tight on the cushion. That kiss on the red has left Ronnie with | :50:00. | :50:01. | |
a chance to this into the middle pocket. OK, he is almost tight on | :50:02. | :50:10. | |
the cushion, but... In fact he is refusing it listen playing the | :50:11. | :50:11. | |
safety shot. So, decided on that occasion not to | :50:12. | :50:38. | |
risk that red. We will find out if it was a good choice, because this | :50:39. | :50:42. | |
is what he is looking at. One of those reds would pot, but he is | :50:43. | :50:47. | |
coming off the side of the pack for his safety. Same thing, just playing | :50:48. | :51:03. | |
off the loose red. Yes, not the best safety shot from Mark Selby. Ronnie | :51:04. | :51:07. | |
has a chance into this left corner pocket. | :51:08. | :51:16. | |
has a chance into this left corner and open the black up. Especially | :51:17. | :52:03. | |
those two reds above the black as well. | :52:04. | :52:05. | |
those two reds above the black as this red to stay on the black. | :52:06. | :53:38. | |
He has got this easy red, but there might be another one available at | :53:39. | :53:44. | |
the back of the bunch. He has looked at it a few times to see if it would | :53:45. | :53:50. | |
go. I don't think the two reds Ira plant. Yes, you can see clearly, | :53:51. | :53:54. | |
there is enough room there. DENNIS TAYLOR: He has looked a few | :53:55. | :54:39. | |
times at this red here. It looks as if it goes. He has had two or three | :54:40. | :54:44. | |
looks at it. He is back looking at it again. He is not quite sure. From | :54:45. | :54:49. | |
this side it looks as if it goes. But from the other side, you can see | :54:50. | :54:52. | |
much better. KEN DOHERTY: It is one of those, you | :54:53. | :54:55. | |
need to be almost dead straight behind it. Now, the problem with | :54:56. | :55:02. | |
this is, you are looking away from the pocket. It is tight enough, this | :55:03. | :55:08. | |
red. He is looking at the plant now as well. I don't think the plant | :55:09. | :55:15. | |
goes. He could squeeze the plant into the pocket if he hits the first | :55:16. | :55:16. | |
red correctly. And he did. Yes, played it lovely. Did not look | :55:17. | :55:38. | |
on from that angle. As you said, Dennis, kind of squeezed it. It was | :55:39. | :55:42. | |
almost like a reverse plant, wasn't it? | :55:43. | :55:47. | |
Again, beautifully cued. As you said, Dennis, no better way to | :55:48. | :56:06. | |
eradicate the bad memories of the last frame. If he could win it with | :56:07. | :56:18. | |
one visit... It has been good stuff, great response so far. | :56:19. | :56:20. | |
Yes, you just sense that this is going to go very close, this match, | :56:21. | :56:39. | |
because they are both cueing well. They have both made a couple of | :56:40. | :56:46. | |
Little mistakes, but not that many. And look at pot success rate of | :56:47. | :56:55. | |
Ronnie. Does not matter about the blue. He has made more than enough. | :56:56. | :56:59. | |
Mark comes to the table, but barring snookers, Ronnie has gone into the | :57:00. | :57:26. | |
lead again. At the moment, he needs three four point snookers. I can | :57:27. | :57:32. | |
tell you one thing - Mark Selby has won a few frames with needing three | :57:33. | :57:35. | |
snookers. But it is a tall order. Yes, I suppose when you come to the | :57:36. | :57:50. | |
table in this sort of situation, one snooker, and possibly if you can | :57:51. | :57:53. | |
leave the red on the table, maybe a free ball, that was as a possible | :57:54. | :58:00. | |
eight points. One snooker and a free ball would be enough. And that red | :58:01. | :58:06. | |
next to the pink, he could get in behind that red and get tight in | :58:07. | :58:14. | |
behind the pink. And he could make the first snooker very, very | :58:15. | :58:17. | |
difficult indeed. Because he could hide that red up the table and get | :58:18. | :58:22. | |
tight in behind the pink in a couple of shots' time. Can't do that now. | :58:23. | :58:33. | |
He is not on the black to be able to leave that shot. | :58:34. | :58:39. | |
He has played that very well. Now, if he can try and knock the red off | :58:40. | :58:54. | |
the side cushion, try and get it close to the blue, and try and get | :58:55. | :58:58. | |
that cue ball in behind the pink. Not only does he have to try to get | :58:59. | :59:05. | |
the snooker, but put red in a difficult position. Oh, just | :59:06. | :59:08. | |
decelerated on the backswing there. And did not get anywhere near where | :59:09. | :59:14. | |
he wanted! That cue ball was supposed to go behind the pink! He | :59:15. | :59:25. | |
is having a little smile to himself. He has finished up getting the | :59:26. | :59:28. | |
snooker behind the brown, which was the last thing he felt would happen. | :59:29. | :59:34. | |
Just took the paint off it. Yes, he played it that way, Ronnie, he did | :59:35. | :59:54. | |
not want to miss the red and leave a free ball. | :59:55. | :00:25. | |
Maybe not a bad ploy from marquee. Ronnie was in terrific form and | :00:26. | :00:59. | |
rather than conceded he thought maybe I will try to get the sneakers | :01:00. | :01:06. | |
but get him out of his rhythm a bit. It is energy that Ronnie did not | :01:07. | :01:11. | |
want to be using. He would have loved to part the blue and win the | :01:12. | :01:15. | |
frame and get on with it. He will not be enjoying this. | :01:16. | :01:35. | |
We have the situation where both players will be trying to get | :01:36. | :01:38. | |
sneakers. Ronnie will be trying to get one here. That has put the pink | :01:39. | :01:50. | |
in a better position, next to the black, for the sneakers that market | :01:51. | :01:55. | |
needs. I don't think he can see enough of the road to screw a cross | :01:56. | :01:59. | |
of the cushion into the pink and black. He would have avoided the | :02:00. | :02:03. | |
pink with the red. He might just be able to do that. Just played the | :02:04. | :02:18. | |
delicate one. He has still got the snooker though. Is there a little | :02:19. | :02:25. | |
gap? There is always a gap, for some reason. | :02:26. | :03:07. | |
That has knocked the green into a better position for the sneakers | :03:08. | :03:17. | |
that market needs. A bit surprised from Ronnie there. I thought he | :03:18. | :03:21. | |
might have played the red into the black and tried to split the red and | :03:22. | :03:25. | |
black away from each other. Now a chance for him to knock this red | :03:26. | :03:29. | |
into the left centre. We all have one more frame before | :03:30. | :03:59. | |
the mid-session interval. It is an intriguing encounter already. Both | :04:00. | :04:10. | |
players cueing very well. Both just making the odd mistake. | :04:11. | :04:27. | |
A little bit of power needed here if you want to get on the pink. Doesn't | :04:28. | :04:35. | |
matter about missing the blue. So, it was the early break that paved | :04:36. | :04:40. | |
the way for Ronnie O'Sullivan to take this third frame and he now | :04:41. | :04:48. | |
leads 2-1. Mark Selby inflicted the wind in the second frame to level | :04:49. | :04:56. | |
things. The opening red told us a lot about how he is feeling. You can | :04:57. | :05:02. | |
hit this any better. His actual action with the cue and how he | :05:03. | :05:05. | |
delivers it threw the ball, but was superb. Will he be concerned that | :05:06. | :05:11. | |
that is two frames where he has had in the palm of his hand and he | :05:12. | :05:15. | |
missed the penultimate ball? Players don't like that to happen but with | :05:16. | :05:21. | |
missed the penultimate ball? Players positional play being so critical, | :05:22. | :05:22. | |
you have got to expect that it will go that way. It was interesting when | :05:23. | :05:27. | |
Ronnie came in after his first match since he didn't play great, whereas | :05:28. | :05:32. | |
we were saying he was hitting the ball beautifully. He is such a hard | :05:33. | :05:36. | |
task master on himself. If anyone can have a lay-off and come back, he | :05:37. | :05:45. | |
is the person. He has proved it before. It is astonishing how he can | :05:46. | :05:50. | |
do it. In our day, in the modern-day game, very few players take that | :05:51. | :05:58. | |
much time off. It was as if you lost ground on everyone. At the World Cup | :05:59. | :06:03. | |
it is the best of 19. Here it is the best of 11 and the best player is | :06:04. | :06:09. | |
right off the bat. He makes it difficult for himself sometimes. To | :06:10. | :06:18. | |
come straight in under the microscope of the Masters, it is a | :06:19. | :06:23. | |
huge ask. Perhaps that gives him the challenge he needs. If you played | :06:24. | :06:26. | |
the whole season he would be bored or he would be flat. Therefore, he | :06:27. | :06:32. | |
is putting himself right on it and that is how he likes to perform. | :06:33. | :06:37. | |
These are the greatest events. These are the ones people want to win. It | :06:38. | :06:45. | |
is living up to its billing. This is the last frame before the interval. | :06:46. | :06:52. | |
That is the wonderful Waterford Crystal trophy they are playing for | :06:53. | :07:04. | |
this week. Beautiful, isn't it? That is the second time markers hit the | :07:05. | :07:12. | |
blue from Dibrugarh. -- from the break off. It could be costly. | :07:13. | :07:27. | |
What ever you do, don't hit the blue, as John Virgo would always | :07:28. | :07:41. | |
say. Maybe in the past, Ronnie O'Sullivan has let himself down with | :07:42. | :07:47. | |
his long game. At first glance, in this match, it has been top-quality. | :07:48. | :07:55. | |
He has knocked in a couple of quarters in this match already. Very | :07:56. | :08:10. | |
short indeed now. -- very sharp indeed now. If you questions are | :08:11. | :08:20. | |
posed about his rustiness. After not playing for almost eight months, | :08:21. | :08:24. | |
coming back into the cauldron here against the best players in the | :08:25. | :08:36. | |
world, but it is a great setting, great crowd, great atmosphere. He | :08:37. | :08:42. | |
has been practising on match tables. If you were just playing exhibitions | :08:43. | :08:46. | |
on club tables it would be much more difficult that he has put the time | :08:47. | :08:52. | |
in on the title pocketed tables. -- tight pocketed. The matter how long | :08:53. | :09:01. | |
you have been out, it is the matchplay, the competition you miss. | :09:02. | :09:05. | |
No matter how much competition you do, it is no substitute for playing | :09:06. | :09:09. | |
matches against top-quality opposition and those with questions | :09:10. | :09:15. | |
everybody wanted answers to and he is answering them so far. | :09:16. | :09:29. | |
I go along with Steve Davis. He does get a little bit bored at times and | :09:30. | :09:53. | |
the fact that he hasn't been playing, he relishes this. It was | :09:54. | :09:59. | |
difficult to spit the reds there. They were not a good bunch to go | :10:00. | :10:05. | |
into. Very difficult to develop them when they are like that. Once again, | :10:06. | :10:13. | |
he has got to 50 in front. It happened in the two opening frames, | :10:14. | :10:16. | |
so they are following a similar pattern. That has put a red safe as | :10:17. | :10:25. | |
a little bit of insurance. They have had some great battles in | :10:26. | :11:03. | |
the Masters, these two players. Ronnie leads to -1 in their | :11:04. | :11:15. | |
encounters at the Masters. When Mark one in 2010 on the deciding frame | :11:16. | :11:21. | |
was very special. Ronnie's two wins were also special. Quite comfortable | :11:22. | :11:29. | |
in 2014. 10-4. The other was 10-8 in 2009. All the matches have come in | :11:30. | :11:40. | |
the final, haven't they? Quite incredible. It Masters titles | :11:41. | :11:48. | |
between the two of them. Another test for a long part from Ronnie. -- | :11:49. | :12:00. | |
pot. Something on the tip just distracted him. Beautiful. He has | :12:01. | :12:18. | |
hit if you like that and he makes it look so easy. His long play has been | :12:19. | :12:36. | |
good so far. He just accuse them in absolutely beautifully. He needs one | :12:37. | :12:45. | |
more red after the black. That road next to the bank looks as if it goes | :12:46. | :12:49. | |
into the corner, or does one at the back? There must be one. Yes, the | :12:50. | :12:56. | |
one next to the point. This will give him a 3-1 lead if it goes in. | :12:57. | :13:24. | |
I thought when Mark Selby won the second frame it might have unnerved | :13:25. | :13:33. | |
Ronnie O'Sullivan, but in fact he has actually gone up a gear. As all | :13:34. | :13:40. | |
great champions do, he has responded superbly well in these couple of | :13:41. | :13:45. | |
frames. Winning the third frame virtually with one visit, eradicated | :13:46. | :13:54. | |
that frame before. He does look very focused now. It is the best of 11, | :13:55. | :14:08. | |
so 3-1 is a nice lady to have but there is an awful long way to go. -- | :14:09. | :14:13. | |
a nice lead. You know what Mark Selby is like, he can come storming | :14:14. | :14:27. | |
back. It is good all round snooker we are watching from both players. | :14:28. | :14:32. | |
There is an all round positional shot. | :14:33. | :15:11. | |
He says it is enough for me. They go off for a mid session interval. The | :15:12. | :15:19. | |
O'Sullivan goes the lead and leads 3-1. He really | :15:20. | :17:05. | |
O'Sullivan goes the lead and leads 17 frames. With this best of 11 you | :17:06. | :17:11. | |
really need a good start because there isn't that breathing room to | :17:12. | :17:15. | |
come back. You have more breathing space is done in a best of them. One | :17:16. | :17:23. | |
you are really under it. From my angle, the white that Mark Selby | :17:24. | :17:27. | |
gets back into the game, he has the ability to forget about the standard | :17:28. | :17:32. | |
of the first half, regardless of what it was to be optimistic, to | :17:33. | :17:36. | |
look forward. They Ronnie O'Sullivan, if he got off to a poor | :17:37. | :17:41. | |
start would be dwelling more on it. Mark Selby is in the vein of John | :17:42. | :17:46. | |
Higgins who can turn a match around. How will he go about this? Would he | :17:47. | :17:51. | |
change tactics? Is there anything he can do? No. He hasn't had a lot of | :17:52. | :18:00. | |
table time. His break off need to get better. He has put himself | :18:01. | :18:03. | |
behind the 8-ball in almost every frame. He needs to tighten up a | :18:04. | :18:08. | |
little bit and hope Ronnie misses one or two because at the minute | :18:09. | :18:13. | |
O'Sullivan looks like the winner. He has started off beautifully. Mark | :18:14. | :18:18. | |
Selby has shown a love for this event since he turned up at the | :18:19. | :18:23. | |
Wembley Arena in 2008, won it on his debut, it is the final the next two | :18:24. | :18:27. | |
years, played Ronnie O'Sullivan and lost in 2009 and beat him in a final | :18:28. | :18:32. | |
frame decider in 2010. He came back in 2013 and won it again. He loves | :18:33. | :18:38. | |
this event. The world number one hasn't won a title this season yet. | :18:39. | :18:41. | |
He would love to start here and Ken has been giving him the treatment in | :18:42. | :18:49. | |
the big interview. First of all, welcome. A fantastic venue. Since we | :18:50. | :18:55. | |
moved to the Wembley Arena, what are your thoughts on the Alexander | :18:56. | :19:01. | |
Palace because you like I think it is the better venue. At 12 times at | :19:02. | :19:06. | |
Wembley Arena and it is a great venue but I thought it was too big. | :19:07. | :19:11. | |
The atmosphere got lost, where is it is more compact here. I prefer it | :19:12. | :19:18. | |
here, I think. Great crowds. They have increased capacity as well | :19:19. | :19:25. | |
which brings the whole arena into an amphitheatre. They have increased it | :19:26. | :19:29. | |
by 500 seats. As you say, you watch it every much and video are playing | :19:30. | :19:33. | |
a final with the one-table set-up. It is like watching into a lion's | :19:34. | :19:40. | |
ten. Up to now, a couple of semifinals, not what you would | :19:41. | :19:45. | |
expect from a champion, you have won the triumvirate. It has been | :19:46. | :19:51. | |
disappointed not to win anything this year, but the standard is high. | :19:52. | :19:56. | |
Nobody has a divine right to win anything. It is not like I have | :19:57. | :20:01. | |
played drastically bad. John Higgins played great. I lost to need and | :20:02. | :20:06. | |
they think is the best player on the tour at the moment. I am not too bad | :20:07. | :20:11. | |
but it would be nice to turn a semifinal into a win. Ronnie | :20:12. | :20:16. | |
O'Sullivan, you have played many times, she called you a torture. | :20:17. | :20:22. | |
What did you think of that? I think it's how he sees me. In past matches | :20:23. | :20:27. | |
when I played him I have not played fantastically and doubted myself a | :20:28. | :20:31. | |
little bit and slowed my game now and on playing the way he does he | :20:32. | :20:34. | |
plays really quick and is such a natural player. I am far from | :20:35. | :20:40. | |
natural, I think. I enjoyed the challenge planktonic and I will do | :20:41. | :20:44. | |
the same this time. I remembered the final when you were 9-6 down and | :20:45. | :20:50. | |
came back to beat him. I have had great matches. He has beaten the | :20:51. | :20:55. | |
year before. Even the year I beat him was a great final. | :20:56. | :20:58. | |
year before. Even the year I beat that he beat me 10-8 and I played | :20:59. | :21:02. | |
well in that. As good as I can and compiled on the losing side. I | :21:03. | :21:06. | |
always enjoy playing him. It is different playing him here compared | :21:07. | :21:14. | |
to London. 20% of the crowd were against you before. -- 90%. It is a | :21:15. | :21:27. | |
great feeling to beat him in front of that crowd but I remember I was | :21:28. | :21:33. | |
9-6 down and a couple of people in the crowd, 95% were for him, some | :21:34. | :21:44. | |
were calling a taxi for me. It was good banter. How about your life | :21:45. | :21:52. | |
away from the table? You have a little girl. Has that changed you, | :21:53. | :21:57. | |
can you don't work giving you more perspective and drive as regards | :21:58. | :22:03. | |
snigger? It has in a way. Over the years I had a tough upbringing with | :22:04. | :22:06. | |
my father passed away when I was really young and a lot of things of | :22:07. | :22:10. | |
the table which I have not been happy with but getting with Vicky | :22:11. | :22:14. | |
was a good thing and she is a great person and having my daughter which | :22:15. | :22:21. | |
gives me a different look at snigger. I was playing as if it was | :22:22. | :22:27. | |
life and death and now I go home and she runs up to me and it makes it | :22:28. | :22:32. | |
all worthwhile. It is nice to go back to the atmosphere away from the | :22:33. | :22:37. | |
travelling that you can relax and be yourself and forget about the | :22:38. | :22:42. | |
snooker circuit. That is right. Family comes first. It should come | :22:43. | :22:46. | |
first in anything. Snigger, I have done well in my career. If anything, | :22:47. | :22:53. | |
it gives me more of a motivation, to give Sofia a better life as well. | :22:54. | :23:05. | |
Are we likely to see them down at the final? I think so. With the | :23:06. | :23:15. | |
tournament as big as what it is they don't think it is the right decision | :23:16. | :23:18. | |
to bring her that early and put too much pressure on myself. We may see | :23:19. | :23:22. | |
her at the end of the week. Your record here is very impressive. You | :23:23. | :23:27. | |
won three times. It is almost like a second home to you now. I can't | :23:28. | :23:34. | |
complain. A lot of it is because it is one-table set-up you get more | :23:35. | :23:39. | |
assumed in. Every time I got out my focus is on the match, nothing else | :23:40. | :23:42. | |
matters because there are no other cables around you to distract you. | :23:43. | :23:49. | |
It is tunnel vision on one game. You want to talk about your team as | :23:50. | :23:55. | |
well. They are above my team in the late. Leicester City are doing so | :23:56. | :24:00. | |
well. They have started this season they were the finished. 11 games to | :24:01. | :24:05. | |
go, nine points behind, looked dead and buried, turned it around, stayed | :24:06. | :24:10. | |
in the league and Ranieri has done a fantastic job. A lot of credit has | :24:11. | :24:14. | |
to go to Nigel Pearson because the team we have now is similar to what | :24:15. | :24:21. | |
Nigel left. We are playing great, playing good attacking football and | :24:22. | :24:24. | |
it is the first time we have ever been above your team. Hopefully just | :24:25. | :24:32. | |
for this season. Wouldn't it be nice, taking the Masters and | :24:33. | :24:38. | |
Leicester City in front? It would. I want to parade the trophy the first | :24:39. | :24:44. | |
game of the lake. If I could do that with a masters as well, as well as | :24:45. | :24:48. | |
finishing top four, it would be a great feeling. | :24:49. | :25:01. | |
He is a triple Crown member, he has done all the big events, what is | :25:02. | :25:10. | |
next for Selby? I suppose it is longevity. In a way, that becomes | :25:11. | :25:18. | |
the game, the long-time game. It requires a different mindset from | :25:19. | :25:20. | |
getting there in the first place. You have to be prepared to graft | :25:21. | :25:29. | |
very hard and keep you focus and motivation firmly placed on the | :25:30. | :25:31. | |
practice table to not be involved in such activities, I am not talking | :25:32. | :25:35. | |
about family, but business interests that might excite you more. You have | :25:36. | :25:41. | |
to be focused and be excited by the game. You have to have the raw | :25:42. | :25:45. | |
talent, which Mark Selby does have. Is it a harder phase of your career | :25:46. | :25:49. | |
to do that than getting there in the first place? Arguably, yes. When you | :25:50. | :25:57. | |
look at the players you have won the championship only once, it is more | :25:58. | :26:01. | |
likely that that happens. Multiple winners of the World Championship, | :26:02. | :26:06. | |
you could argue, are a different breed, but I would put Mark Selby in | :26:07. | :26:09. | |
that breed. The only trouble is breed, but I would put Mark Selby in | :26:10. | :26:15. | |
timing is everything. If you look at certain people within a game who | :26:16. | :26:19. | |
have won multiple World Championships like me, Stephen | :26:20. | :26:22. | |
Hendry, perhaps we had the best that. I am not saying the players at | :26:23. | :26:28. | |
that time were mass of but we perhaps worked head and shoulders, | :26:29. | :26:34. | |
37. Now a days, it is hard to be head and shoulders above anything, | :26:35. | :26:40. | |
because the standard is bunched up. Look at the people who have won it | :26:41. | :26:45. | |
once, they are desperate to do it again, not for validation because | :26:46. | :26:49. | |
they are already validated, but it is the next stepping stone in their | :26:50. | :26:53. | |
career. Snooker players are unfairly judged because we have won the | :26:54. | :27:00. | |
championship as opposed to the majors in golf or tennis. You get | :27:01. | :27:04. | |
one crack per year. Think about some players who are desperate to get | :27:05. | :27:07. | |
their name on a trophy once and think they are running out of time. | :27:08. | :27:11. | |
At least people like Mark Selby and Shaun Murphy have won it. It is a | :27:12. | :27:17. | |
great generation. We are enjoying it. Anything could happen. We picked | :27:18. | :27:27. | |
out a couple of shots from this opening session. People ask | :27:28. | :27:34. | |
out a couple of shots from this a reverse planned? If we watch the | :27:35. | :27:35. | |
situation with Ronnie O'Sullivan plan, you can see he has a plant in | :27:36. | :27:40. | |
the pack. It is just slightly off straight. You know what a plan is. | :27:41. | :27:45. | |
If we won the cue through the centre of both reds. You will get down no | :27:46. | :27:50. | |
problem, in who is your plan. What happens when you run the cue through | :27:51. | :27:55. | |
the centre of the two beds and in a line taught before John, you have to | :27:56. | :28:05. | |
do the opposite. He actually hit the right-hand side of this and it | :28:06. | :28:09. | |
depends how much angle you have, how thin you had the first poll. This is | :28:10. | :28:14. | |
just off slightly. Play to the right-hand side, straighten it up | :28:15. | :28:16. | |
and bingo goes in. I don't know right-hand side, straighten it up | :28:17. | :28:22. | |
quite that works. Physics was my first subject. You can be a long way | :28:23. | :28:26. | |
off from the pocket sometimes. The more the angle is off the pocket, | :28:27. | :28:31. | |
the thinner you hit the first red. The second one, Mark Selby played a | :28:32. | :28:35. | |
fantastic black with top spin to get onto the yellow. Watch this. OK, | :28:36. | :28:48. | |
what do you have to do to play a shot like that. We will play it the | :28:49. | :28:53. | |
other way round. Make sure you have plenty of cue. Raise the pot and | :28:54. | :28:58. | |
slightly and your bridge and which would be there, pictured and raise | :28:59. | :29:03. | |
it to the top of the table. He want to make sure you have a nice bridge | :29:04. | :29:11. | |
length. Let the cue to the work. Slack off. Top of the ball, back, | :29:12. | :29:19. | |
miss the black and come round the angles and go down there. I have to | :29:20. | :29:25. | |
have another go, it was that bad. I am doing it. She has put me off. | :29:26. | :29:32. | |
Here we go. Top spin again. Top of the white. Both concentrate. Through | :29:33. | :29:42. | |
the ball. I told you anything could happen. It is all very educational | :29:43. | :29:53. | |
on this programme. We will talk about the quarterfinal this evening | :29:54. | :29:54. | |
and it features two men, the only two, who have not won yet. As you | :29:55. | :30:03. | |
know, Mark Allen and Hawkins have both come close. | :30:04. | :30:10. | |
They also happen to be the lowest ranked players left in the draw this | :30:11. | :30:16. | |
year. Now, both of them have the same coach, Terry Griffiths. It is | :30:17. | :30:21. | |
going to be a very busy night for the 1979 World Champion, I suspect. | :30:22. | :30:27. | |
I have started again now, and I have got six players who are with me this | :30:28. | :30:34. | |
year, which I am really enjoying. Of course, Mark was always going to be | :30:35. | :30:36. | |
one of them. He said to me, is there any chance of me joining up? I said, | :30:37. | :30:41. | |
you are number one. You will be the first on the list. And I meant it. | :30:42. | :30:47. | |
We have a good bond. We get on very well together. We have a similar | :30:48. | :30:50. | |
sense of humour and we know when to be funny and when to be serious. It | :30:51. | :30:55. | |
has always worked very well. We did a bit over the summer. I had not | :30:56. | :31:00. | |
seen him in a year and I got a few bad habits which I always seem to | :31:01. | :31:06. | |
fall back into and I had to iron them out. Even though I have had a | :31:07. | :31:11. | |
decent start to the season, however, I feel my technique is as bad as | :31:12. | :31:17. | |
ever. You can only do so much over the phone. Getting on the table is | :31:18. | :31:19. | |
good. Hopefully we can learn a few things out come Thursday. The two | :31:20. | :31:24. | |
players playing each other, I suppose people will say, at least | :31:25. | :31:27. | |
one of them will be in the semifinal. But I hate it when any of | :31:28. | :31:32. | |
my players lose. We have been working the last week or so and we | :31:33. | :31:36. | |
will try and get a lot of hours in. Try to get the right attitude in, | :31:37. | :31:40. | |
like I had a couple of years ago. It will be really tough, but I know I | :31:41. | :31:44. | |
have got a chance if I can play well. I just want them both to play | :31:45. | :31:49. | |
well. But what I know all the way through is, one of them is going to | :31:50. | :31:56. | |
be hurting at the end. So, it is not the same as when one of my players | :31:57. | :31:57. | |
beats a player who is not in the stable. I am pleased for the one | :31:58. | :32:04. | |
that wins, but I get the devastation when one of them loses. I always get | :32:05. | :32:09. | |
it. That must be really tough. Well, it is interesting. There are coaches | :32:10. | :32:17. | |
within the game, and in general sport, who have a professional | :32:18. | :32:21. | |
attitude but do not get emotionally involved with their players. But | :32:22. | :32:25. | |
Terry has always been such a lovely guy. If I think about myself being a | :32:26. | :32:30. | |
coach, or Stephen Hendry, we are a lot of nasty, I believe. We could | :32:31. | :32:35. | |
not have done that. But Terry is such a nice guy, he really feels for | :32:36. | :32:39. | |
them. He is out there playing every ball with them. From that to he is | :32:40. | :32:44. | |
the ideal person to have in your corner. He has studied the game, the | :32:45. | :32:47. | |
technique as well as the mental side. You could not wish for a | :32:48. | :32:51. | |
better person. That is for tonight, but back to the present. It is | :32:52. | :32:57. | |
O'Sullivan 3-1 in front. First to six goes into the semis. | :32:58. | :33:03. | |
DENNIS TAYLOR: Yes, first to six. It is going to be so interesting to see | :33:04. | :33:11. | |
how this first frame pans out. Mark was in the practice room brushing up | :33:12. | :33:14. | |
on his cue action. He did not get a lot of table time. The players just | :33:15. | :33:20. | |
getting their drinks together. Ronnie just making sure the hands | :33:21. | :33:24. | |
are nice and dry, otherwise the cue would be sticking in them. | :33:25. | :33:29. | |
So, it is Ronnie who is going to get this first frame after the interval | :33:30. | :33:40. | |
under way. And it has to be said, his break-off shot has been much | :33:41. | :33:42. | |
better than Mark Selby's. Mark has caught the blue on two | :33:43. | :34:03. | |
occasions, which is unlike him. KEN DOHERTY: This is a massive frame | :34:04. | :34:09. | |
for Mark Selby. To be 4-1 down, should he lose this frame, would be | :34:10. | :34:12. | |
a big deficit to claw-back. It has not been his potting which has let | :34:13. | :34:20. | |
him down so far. If anything, it has been the safety, something normally | :34:21. | :34:26. | |
he is very good at. It has been a bit loose. A couple of break-offs, a | :34:27. | :34:32. | |
couple of safety shots, allowing O'Sullivan to get his hand on the | :34:33. | :34:47. | |
table. Is pot success is 94%. Ronnie O'Sullivan's is 95%. So it is not | :34:48. | :34:56. | |
like he has missed a lot of balls. Ronnie's long ball game has been... | :34:57. | :34:58. | |
There you see it. And straightaway here with the red | :34:59. | :35:16. | |
up to the right of the green, it has made it a little bit of couple | :35:17. | :35:22. | |
awkward frame. Mark is just looking to see, he has got to be a wee bit | :35:23. | :35:27. | |
careful here. If he just goes up into the corner with a safety shot, | :35:28. | :35:34. | |
Ronnie cannot red back up the table. So, let's see where he puts this cue | :35:35. | :35:36. | |
ball. So, a chance to get the frame back | :35:37. | :35:47. | |
to normal here. Well, not sure if he attempted the | :35:48. | :36:20. | |
double there or just the safety. Because there was very little chance | :36:21. | :36:25. | |
of finishing on a colour. That tells me that maybe he was just playing | :36:26. | :36:29. | |
the safety shot. Anyway, we are back to normal with the frame - all the | :36:30. | :36:35. | |
Reds up at this end of the table. Now, these have to be hit correctly. | :36:36. | :36:41. | |
So easy to hit it too thin or too thick when you are tight on the | :36:42. | :36:44. | |
cushion. But that one was just right. He could not have hit that | :36:45. | :36:55. | |
much better. That is a bit more like it from Mark Selby. | :36:56. | :37:04. | |
He has booked everything down the left-hand side. He can have a go at | :37:05. | :37:11. | |
this red into the right-hand corner pocket, but very difficult and very | :37:12. | :37:13. | |
dangerous. Trying to lay on the red which is | :37:14. | :37:30. | |
closest to this black cushion. Well... That is not very good. He | :37:31. | :37:34. | |
has left Mark Selby a chance now. He has got a nice angle to run into | :37:35. | :37:58. | |
those reds around the black spot. Hopefully try and clear the black | :37:59. | :38:07. | |
spot this time. Is there enough room? Yes. Oh, is there a? Just | :38:08. | :38:17. | |
about. Otherwise the black would have had to go up on the green spot. | :38:18. | :38:21. | |
He is just OK here. It has been awhile since Mark has | :38:22. | :38:49. | |
had a chance in amongst the balls. You are always after a chance in and | :38:50. | :38:51. | |
around the black spot area. He is You are always after a chance in and | :38:52. | :38:56. | |
quite tall lad, Mark, about 6ft to, 6ft 3. But the extension will make | :38:57. | :39:00. | |
it more comfortable. The balls are very nicely situated | :39:01. | :39:46. | |
for him. He has got about four or five reds | :39:47. | :41:56. | |
Well, what a camera angle that was, watching the cue action of Mark | :41:57. | :41:58. | |
Selby. I like that shot. Well, you could hear up in drop at | :41:59. | :42:17. | |
the moment in Alexandra Palace. Big house here, and it looks as if they | :42:18. | :42:24. | |
are going to have a classic here. The way Mark has set off after the | :42:25. | :42:32. | |
mid-session interval... Oh, what has he done here? Needs to keep going. | :42:33. | :42:43. | |
And if the green doesn't go... Can he just get past the red? Just. | :42:44. | :42:49. | |
Now, was that a kick? I am not quite sure. , but you would think Mark | :42:50. | :43:18. | |
would not miss a shot like that when he was flying along. Yes, the red | :43:19. | :43:29. | |
straightened up. He was only a few more pots away from taking this | :43:30. | :43:37. | |
fifth frame. Yes, he only needed red and black. Shaking his head - very | :43:38. | :43:44. | |
disappointed. It just sort of went straight, didn't it? | :43:45. | :43:57. | |
He is reluctant to play a safety shot of the pack. The only other | :43:58. | :44:09. | |
alternative is to try and clip the red which is close to the bottom | :44:10. | :44:12. | |
corner pocket. But it is dangerous and could go wrong. He has caught | :44:13. | :44:23. | |
that quarter ball, and he has left Ronnie. OK, this is a difficult red | :44:24. | :44:33. | |
into the corner pocket. But the way he has been playing, you would have | :44:34. | :44:34. | |
to fancy he is going to get this. And the red at the bottom of those | :44:35. | :44:49. | |
four reds goes into the corner pocket. And he is perfect on the | :44:50. | :44:54. | |
blue. Well, this could be a huge turning point in this match, because | :44:55. | :44:58. | |
Mark Selby, without that heavy contact, would certainly have taken | :44:59. | :45:03. | |
the frame. Now, he has got to sit and wait and see what this man can | :45:04. | :45:08. | |
do. One good cannon here can open everything up. | :45:09. | :45:16. | |
Hasn't worked out unless there is a plant there. You could play that | :45:17. | :45:27. | |
nine times out of ten and they would split better than that. It was only | :45:28. | :45:30. | |
the green which seemed to move. He is trying to force the plant... And | :45:31. | :45:31. | |
he has got it! Path of the cheeks after pulling | :45:32. | :45:48. | |
that one off. But the red and green are awkward. Now, that was not a | :45:49. | :45:53. | |
kick. That was a lapse in concentration. I think he was way | :45:54. | :45:56. | |
ahead of himself. Up until that shot, Ronnie's focus | :45:57. | :46:19. | |
has been superb. Just took his eye off the pot. | :46:20. | :46:35. | |
Yes, you did not see that one coming. | :46:36. | :46:45. | |
Yes, I think Ronnie was way ahead of himself, thinking about red and the | :46:46. | :46:52. | |
green and bringing them into play, and then gets down and misses a | :46:53. | :46:58. | |
sitter. That's one way of ringing the | :46:59. | :46:58. | |
difficult red and green into play! Yellow only available into one | :46:59. | :47:14. | |
corner because of the pink. Doesn't really matter about the | :47:15. | :47:30. | |
yellow. Ronnie stays in his seat. He had a bit of a chance there are, but | :47:31. | :47:37. | |
what a sitter he missed. Mark Selby might be relieved that Ronnie did | :47:38. | :47:41. | |
not pinch that frame and he is only one behind now. | :47:42. | :47:49. | |
And some of the shots Mark is striking, it is breathtaking at | :47:50. | :47:58. | |
times. Yes, it is a slugfest, in a class way. And Ronnie O'Sullivan, | :47:59. | :48:01. | |
the first sign of bad cueing. You could see afterwards, his reaction, | :48:02. | :48:06. | |
as if his elbow had gone one way compared to where he wanted it to | :48:07. | :48:12. | |
go. And that is never nice, to missable when you feel the technique | :48:13. | :48:15. | |
has let you down. You know you can missable with pressure and things | :48:16. | :48:22. | |
like that. Being a hard task master on himself, it might play on his | :48:23. | :48:25. | |
mind, whereas another player would just get on with it. Who looked all | :48:26. | :48:34. | |
set to do a Selby in that particular frame, didn't he? There is a lot of | :48:35. | :48:35. | |
pressure, we forget that. It is massive. And it has become really | :48:36. | :48:43. | |
difficult. The higher you go up, the more important those clearances are. | :48:44. | :48:49. | |
I am not surprised he broke down. How did you read that missed pink? | :48:50. | :48:53. | |
He is in two minds for he plays the shot. He has got in between two | :48:54. | :48:59. | |
shots without actually stepping back, which my friend here used to | :49:00. | :49:04. | |
do quite a lot of, stand up, step back and prepare again, which is | :49:05. | :49:09. | |
what you have to do sometimes. When you are in doubt, stand back and | :49:10. | :49:12. | |
start again. The gap is now one as we head into frame six. | :49:13. | :49:19. | |
DENNIS TAYLOR: That is a better break-off this time from Mark. But | :49:20. | :49:26. | |
that was a good point. Remember Ronnie jumped over the black against | :49:27. | :49:29. | |
Mark Williams. He was in two minds there as well. And he did not do | :49:30. | :49:36. | |
what you guys were just saying, get up and step away and come back. | :49:37. | :49:43. | |
KEN DOHERTY: Absolutely. Another test here. He has not missed one of | :49:44. | :49:45. | |
these yet. And he has not missed that one. He | :49:46. | :50:03. | |
has been superb. 100%. 100% from both players, which is unusual after | :50:04. | :50:09. | |
five frames. I just said it was a better break-off shot from Mark | :50:10. | :50:12. | |
Selby because he did not hit the blue! The way Ronnie is going...! | :50:13. | :50:35. | |
Nicely positioned to get down on this red immediately and get around | :50:36. | :50:40. | |
by the black. It might be an idea to try and get | :50:41. | :51:28. | |
on the pink office red, to clear the path to the red to the left of the | :51:29. | :51:40. | |
black. -- off this red. He has played a lovely cannon there. He had | :51:41. | :51:47. | |
a beautiful angle to play that delicate little cannon. | :51:48. | :51:58. | |
Again, a wonderful little shot, very nicely controlled. | :51:59. | :52:11. | |
He is going to need one more good split on the reds if he is to win | :52:12. | :52:15. | |
the frame from this position. Yes, he lost the second frame after | :52:16. | :52:39. | |
making a 50-odd break, but he bounced straight back with a six T9 | :52:40. | :52:44. | |
in the frame after. You can see him just practising his back on. Yes, he | :52:45. | :52:55. | |
is obviously contemplating putting the red. He is going to have to go | :52:56. | :53:04. | |
into them at some stage, and he is absolutely perfect on the blue in | :53:05. | :53:10. | |
order to do that. Got to be careful he does not hit them too hard and | :53:11. | :53:17. | |
send a red in. Well, it could finished a little better than that. | :53:18. | :53:25. | |
I'm not sure if one of the two reds goes. He is OK, just about. | :53:26. | :53:27. | |
Gravity took over there, Dennis! Yes, we will show you that one | :53:28. | :53:56. | |
again. Just over four minutes to get to this stage. We always give it a | :53:57. | :54:02. | |
mention, when he made that maximum break way back in 1997 - five | :54:03. | :54:08. | |
minutes and 20 seconds. He is just the wrong side of the blue line, as | :54:09. | :54:13. | |
you can see. But he has already got a substantial lead. So it did not | :54:14. | :54:18. | |
really matter all that much. He is 69 ahead, with 67 remaining. It | :54:19. | :54:25. | |
looks like, from the break-off shot, as I said, and he is sat in his | :54:26. | :54:27. | |
chair. He has made a 70 break in over five | :54:28. | :54:50. | |
minutes. He must be slowing down, Dennis! He has been superb. When you | :54:51. | :54:58. | |
think about that maximum, how did he do it in five minutes and 20 | :54:59. | :55:01. | |
seconds?! It was just out of this world. It may never be beaten, that | :55:02. | :55:10. | |
record. It used to take Terry Griffiths that amount of time just | :55:11. | :55:12. | |
to break off, didn't it? Well, a nice little kiss on the red. | :55:13. | :55:45. | |
The only thing that has been missing here is a century break. Black for | :55:46. | :55:45. | |
it... A wonderful, magnificent century | :55:46. | :56:04. | |
from O'Sullivan secures the sixth frame. | :56:05. | :56:12. | |
And that century is yet another milestone, it is his 60th he has | :56:13. | :56:19. | |
ever made in the Masters. Once again, he continues to push those | :56:20. | :56:24. | |
records. As Dennis was saying, the 805th of his career. He went past | :56:25. | :56:28. | |
800 last week in the Championship league. And he just keeps producing. | :56:29. | :56:35. | |
Your impressions of Masters century number 60? Just completely fluent, | :56:36. | :56:40. | |
and what you would expect. Unfortunately for Mark Selby, he | :56:41. | :56:43. | |
looks like he is flooring his way back into the match, and there it is | :56:44. | :56:49. | |
again, a two frame gap. To be honest, it just looks so simple. | :56:50. | :56:52. | |
That is the class of the man. Everybody watching that break would | :56:53. | :56:57. | |
think, I could pop that one, I could pop that one, because the | :56:58. | :57:01. | |
positioning is so good. And importantly, it is a response once | :57:02. | :57:04. | |
again to Selby winning a frame, Steve? Yes, and Ronnie O'Sullivan | :57:05. | :57:11. | |
has never been short of bottle, from in front or from behind. One of the | :57:12. | :57:16. | |
greatest pressure players we have ever seen. He let's his talents do | :57:17. | :57:20. | |
the talking. Does not get his brain in the way of shots. He plays with | :57:21. | :57:27. | |
fluency. If there was any tip to the club player, don't doublethink | :57:28. | :57:30. | |
yourself, in a way, let your natural ability shine through. But don't | :57:31. | :57:34. | |
play too quickly that you are rushing the shots. Fine balance. | :57:35. | :57:39. | |
Ronnie O'Sullivan is not fast as much as he is clear thinking and | :57:40. | :57:43. | |
plays with rhythm. You think he needs the challenge of a Selby, | :57:44. | :57:47. | |
something we have been talking about, to bring out the best in him? | :57:48. | :57:52. | |
Yes, I do. The trouble is, we say that and he will come in here and | :57:53. | :57:58. | |
say, no, not really. You know what he will be like, sometimes he comes | :57:59. | :58:01. | |
in and says he has not played well. But I do, especially when he has won | :58:02. | :58:08. | |
as much as he has. He relished it coming back. He absolutely did. As | :58:09. | :58:19. | |
soon as some body says, he cannot do it, that is another hurdle to get | :58:20. | :58:19. | |
over, for him. And I think he has done the same this week. But he | :58:20. | :58:24. | |
really puts himself through it, in order to get himself up for a match. | :58:25. | :58:28. | |
It is operating at a pretty high-level, isn't it? It is, but he | :58:29. | :58:34. | |
is such a talented player that he is going to push the boundaries back in | :58:35. | :58:39. | |
many ways. I do feel he is the first player who could possibly, should he | :58:40. | :58:43. | |
so wished, when major events at the age of 50. Seriously, you think he | :58:44. | :58:49. | |
can go that long? If he should so wish, because he has got the talent. | :58:50. | :58:54. | |
This is a massive frame, by the way. I cannot see Mark winning this match | :58:55. | :59:00. | |
unless he wins this frame. Back we go... | :59:01. | :59:06. | |
DENNIS TAYLOR: Could not agree more. Great length with the break-off, but | :59:07. | :59:19. | |
the black is out of commission. It is unusual from Ronnie's break-off | :59:20. | :59:24. | |
to send that red next to the black and tie it up. We see it happen | :59:25. | :59:28. | |
quite a bit, but very rarely with the way Ronnie breaks off. | :59:29. | :59:37. | |
It seems pretty straightforward just to run up between the green and | :59:38. | :59:45. | |
brown off this red. Well, he is going to hit the green, which he did | :59:46. | :59:50. | |
not intend to. This red into the right corner, with the black tied | :59:51. | :59:57. | |
up, is very difficult indeed. He is just having a look to see if he | :59:58. | :00:03. | |
could find a if he took that pot on. And if he did find a gap, he would | :00:04. | :00:14. | |
finish on blue or a baulk colour. That is what he is look at. But the | :00:15. | :00:19. | |
more important part of this shot is the pot. | :00:20. | :00:31. | |
He has got away with it. He's been rather fortunate, once he missed the | :00:32. | :00:39. | |
pot, he could have put Ronnie Wright in amongst the balls, look at the | :00:40. | :00:44. | |
outcome here... He's got too much on that, but with all of those series | :00:45. | :00:47. | |
of kisses, he left it safe. You can just see the white glove and | :00:48. | :01:12. | |
the finger waving, telling someone to put their camera away. Let's have | :01:13. | :01:14. | |
a look, suddenly it appears! The Now, that is not his best safety | :01:15. | :01:47. | |
shot. If the router next to the green goes... Well, then maybe it | :01:48. | :01:59. | |
doesn't. He has a couple of other roads in the corner. One good pot | :02:00. | :02:02. | |
here, you can see how the reds are, and the pink and blue is available. | :02:03. | :02:46. | |
I wondered when he got down, I thought it looked tight. Why did he | :02:47. | :02:53. | |
cut one in if he wasn't sure? Take one into the corner. The shot | :02:54. | :02:59. | |
before, when he can a red intentionally, put it across it. You | :03:00. | :03:05. | |
can see from that angle, it looks very tight. Maybe he | :03:06. | :03:07. | |
can see from that angle, it looks enough room. He just did not cue it | :03:08. | :03:57. | |
well. He was well away from it, without | :03:58. | :05:19. | |
that extension. He would have been on top of that red. | :05:20. | :05:30. | |
He's a little short of pace, that was a poor shot. He could easily | :05:31. | :05:36. | |
have come off the side of the cushion. He's a little annoyed with | :05:37. | :05:45. | |
himself there, those three reds, nearly potted into the right-hand | :05:46. | :05:48. | |
corner pocket. Now, he has two negotiate the cue ball off of those | :05:49. | :05:56. | |
rights. Back-up for a pink or blue. Such a poor shot commit | :05:57. | :06:01. | |
-- such a poor shot, disappointing for Mark Selby. He needs a couple of | :06:02. | :06:10. | |
lies on those errors, from O'Sullivan. He will be kicking | :06:11. | :06:15. | |
himself inside. Look at this, there are two options | :06:16. | :06:37. | |
commit you can have it in, or off the cushion. Those three reds, | :06:38. | :06:40. | |
though. It is a no man's land. It's quite a clever shot, he took | :06:41. | :06:58. | |
the double on, he knew he would not leave anything. He could be in a | :06:59. | :07:07. | |
little spot of bother here. The risk he took on the double was worth it, | :07:08. | :07:11. | |
if it had not come off, she could have finished on the brown. | :07:12. | :07:23. | |
I would not go too far away, Ronnie, you will be right back there again! | :07:24. | :07:30. | |
Cannot see the red this time. That is a little risky, to come off | :07:31. | :07:44. | |
the side cushion and nestle into the red, he has two B spot on here. That | :07:45. | :07:49. | |
is spot on! This is a first in snooker, I've | :07:50. | :08:05. | |
never seen a player play this before, safety shots of three close | :08:06. | :08:08. | |
balls together like that. It is before, safety shots of three close | :08:09. | :08:13. | |
quite unusual, to pay a delicate little shops... He's not scared of | :08:14. | :08:18. | |
the per shot here. He would love to be able to push the red in towards | :08:19. | :08:29. | |
the brown. He could easily push it, he does not want to leave a touching | :08:30. | :08:37. | |
ball here. Not to the red. It is not touching. A very unusual pattern of | :08:38. | :08:47. | |
play, like watching them play little cannons in billiards. | :08:48. | :09:08. | |
Never have I seen this before, it is quite amazing! | :09:09. | :09:19. | |
Can he pot this? That is the question. Is the red available? I'm | :09:20. | :09:31. | |
not sure. Maybe just enough of a gap now, if the road is unavailable, he | :09:32. | :09:38. | |
could just put it past the green, move the cue ball closer to the | :09:39. | :09:47. | |
green. -- red. I looked at move the cue ball closer to the | :09:48. | :09:48. | |
of the red, he is In close, making sure there is no | :09:49. | :10:09. | |
push, there is not one there. The per shot is where the tip of the | :10:10. | :10:13. | |
cue, and the cue ball and object ball are all close together | :10:14. | :10:19. | |
cue, and the cue ball and object contact at the same time. Playing | :10:20. | :10:23. | |
that nicely. The only problem is he has left | :10:24. | :10:27. | |
Ronnie a red just above the pink spot. He can have a go at this... | :10:28. | :10:46. | |
That was a nice kiss on the blue with the rate, it was gone towards | :10:47. | :10:53. | |
the green pocket, it certainly would have been on for Mark Selby, he's | :10:54. | :11:00. | |
covered the red, it is in the Diaz Wheeler, into the top pocket, | :11:01. | :11:04. | |
perhaps nipping the red onto the top cushion. It makes it more difficult. | :11:05. | :11:18. | |
Just going a little awkward, this frame. Both players missing attempt | :11:19. | :11:30. | |
at long pots here. Ronnie, I cannot remember him missing a long pot. | :11:31. | :11:34. | |
Because of the safety, you get out of your rhythm slightly. | :11:35. | :11:45. | |
But, these games are just fascinating, when it is like this. | :11:46. | :11:50. | |
It is nice to see a player running a frame with one break. That, I think | :11:51. | :11:56. | |
people also enjoy watching a good tactical battle at times. | :11:57. | :12:06. | |
The great John Pullman, the BBC commentator, he used to say that | :12:07. | :12:15. | |
sometimes this game was like chess with balls. | :12:16. | :12:54. | |
Just talking about multiple world champions, Ronnie, a a few years | :12:55. | :13:00. | |
back, was working with the great Riordan, I'm sure he learned a lot | :13:01. | :13:06. | |
from him in the tactical Department of the game. This man is as good a | :13:07. | :13:12. | |
safety player as any, when he needs it. | :13:13. | :13:23. | |
That's OK, it has just cost him four points. Everything is safe. Catching | :13:24. | :13:40. | |
him a bit on the thick side. Just talking about Ray Reardon, he | :13:41. | :13:47. | |
still plays. He has turned 80. He looks just the same, he never seems | :13:48. | :13:52. | |
to age! He plays snooker still, he likes his golf. | :13:53. | :14:03. | |
I'm sure that he is glued to the television this afternoon as well. | :14:04. | :14:12. | |
Yes, he's down in a nice part of the world, Torquay. | :14:13. | :14:23. | |
He probably does not get enough credit, Ronnie O'Sullivan. I've | :14:24. | :14:34. | |
noticed quite a bit, between his breaks and fluency, the safety game | :14:35. | :14:40. | |
is up there with the best. I'm not sure, someone said something in the | :14:41. | :14:46. | |
crowd as Mark was getting down to the shot. He did not have... He | :14:47. | :14:51. | |
looked around, at whoever it was. The audience are fantastic here, | :14:52. | :14:58. | |
packed houses, it is just... Well, whatever it was, it may be | :14:59. | :15:17. | |
just distracted Mark slightly. Look where the black and the pink | :15:18. | :15:18. | |
ears. -- and the pink is. It could | :15:19. | :15:35. | |
eventually get the pink and those two reds into play, in a few shots | :15:36. | :15:41. | |
time. That is as well as he could have finished. Having to power that | :15:42. | :15:50. | |
tend to get back around the table. He does not want to nestle on this | :15:51. | :16:02. | |
road... He's just about OK -- red. This is where switching hands is so | :16:03. | :16:03. | |
useful. I don't know how he plays those | :16:04. | :16:29. | |
shots, I really don't. Always the red. Where is the red? | :16:30. | :16:39. | |
Just hit that too hard. He did not quite get into that, Mark. He is the | :16:40. | :16:56. | |
wrong side of the blue, make that rednecks to the pink, he is going to | :16:57. | :17:01. | |
have two power it right around the table. Look at the top spin, is he | :17:02. | :17:09. | |
going to miss that green? No. A scrappy frame. An awkward frame, but | :17:10. | :17:13. | |
as the boys in the studio said, you expect so much from these but there | :17:14. | :17:18. | |
is a lot of pressure on the top players in the world. It is a huge | :17:19. | :17:25. | |
frame, as we mentioned, at the start, 5-2. Mark, with very little | :17:26. | :17:34. | |
chance. At 4-3, and it is game back on again. | :17:35. | :17:47. | |
The other thing about this kind of frame is that it will help Mark | :17:48. | :17:53. | |
Selby. It slows down Ronnie's rhythm at the moment. It gives Mark Selby a | :17:54. | :18:03. | |
chance, to get his arm going a little, playing some decent safety | :18:04. | :18:07. | |
shots, that has let him down so far this afternoon. This game is top | :18:08. | :18:22. | |
quality. This man's longbow game has been top-quality this afternoon as | :18:23. | :18:23. | |
quality. This man's longbow game has well. If you leave the ball short | :18:24. | :18:25. | |
from that, you are going to be in trouble. | :18:26. | :18:36. | |
The fact that there was so much safety played, when he got the | :18:37. | :18:46. | |
chance, he has knocked a long one in. That is key in being able to do | :18:47. | :18:52. | |
that, sometimes, having long putts at safety, then when you get the | :18:53. | :18:57. | |
chance, get a long one in. There is one where it might just go here... | :18:58. | :19:06. | |
That is why he is playing the pink left-handed again. I mean... He | :19:07. | :19:15. | |
measured it too well. This will certainly open things up, what a key | :19:16. | :19:21. | |
shot. Not an easy pot, he could free a few more here. | :19:22. | :19:43. | |
Now, what a shot he has played here. That is an absolute gem. Good shot. | :19:44. | :20:00. | |
Look at the position. He has potted most of these balls with his | :20:01. | :20:03. | |
opposite hand in this effort. Another left-hander coming up. That | :20:04. | :20:11. | |
is not what he intended, it was tough to get into the black and reds | :20:12. | :20:17. | |
from the blue, he decided to leave a nice brown, but there is still | :20:18. | :20:21. | |
enough for him to pot the blue, and come up past the pink, if he gets a | :20:22. | :20:26. | |
good angle on the brown, he could get to the red, but he cannot now. | :20:27. | :20:41. | |
A free ball. What a careless mistake that is. He was just taking the four | :20:42. | :20:52. | |
points, and going to play a safety shot. To screw into the middle | :20:53. | :20:56. | |
pocket, and leave a free ball... That was amazing. He was not doing | :20:57. | :21:13. | |
anything with the white, he was going to play a safety shot. He | :21:14. | :21:15. | |
could have put it anywhere. Every chance for Mark Selby and a | :21:16. | :21:41. | |
couple of shots in, he could get those reds interplay. -- in to play. | :21:42. | :21:52. | |
He has got an angle on the brown to come off the side cushion, straight | :21:53. | :22:00. | |
into thereds. That is the kind of line he would be looking at if he | :22:01. | :22:03. | |
could part the brown with a little right-hand side, he could bring the | :22:04. | :22:13. | |
red and the black interplay. -- into play. Did he try to screw directly | :22:14. | :22:21. | |
into them? It looked like that. Trying to go around the blue here. | :22:22. | :22:26. | |
He did not get enough on it. He tried to mark the cue ball around | :22:27. | :22:36. | |
the blue. He has left himself with the blue here, he is going to use | :22:37. | :22:43. | |
the spider. He has to be very careful here. Trying to keep the red | :22:44. | :22:47. | |
beside the black. Always difficult, he does not want | :22:48. | :23:00. | |
to leave the free ball here as well, that is what he has done. | :23:01. | :23:13. | |
Quite an incredible frame, what an important frame, just one point is | :23:14. | :23:23. | |
the difference. As we mentioned a few times, a huge frame. | :23:24. | :23:31. | |
I think both players know that, that is why we are having a few mistakes | :23:32. | :23:36. | |
here. They know the importance of this frame. Vicky certainly knows | :23:37. | :23:43. | |
the importance, she knows the game as well as Mark does. A great pool | :23:44. | :23:56. | |
player, is Vicky. The pink is going to come to mark's rescue here. | :23:57. | :24:06. | |
Ronnie has to bring the red tide into this black | :24:07. | :24:06. | |
Ronnie has to bring the red tide He has to be careful with this | :24:07. | :24:08. | |
safety shot. Not the first red on the way down, | :24:09. | :24:25. | |
but certainly the second one. It is a bit of a guide to get to the | :24:26. | :24:35. | |
potting angle here. I think he can definitely save enough of it, and | :24:36. | :24:38. | |
you would think, if he misses the blue and red, he would go close to | :24:39. | :24:41. | |
cutting their sin. You can just about see the edge of | :24:42. | :25:13. | |
this brown here. That is a beauty. An excellent shot. A nice gesture. | :25:14. | :25:20. | |
From Mark Selby, tapping the table. In appreciation, a great safety | :25:21. | :25:28. | |
shot. A gesture from the Jester. That's easy for you to say! It | :25:29. | :25:40. | |
really is such a tense affair, this frame. | :25:41. | :25:52. | |
Well played, I say that, but... A good escape, but we've seen Ronnie | :25:53. | :26:03. | |
not quite a few long balls in. Can good escape, but we've seen Ronnie | :26:04. | :26:03. | |
he get another one? -- knock. It wobbled a few times, | :26:04. | :26:22. | |
but he had another cracking long part, by far the longest frame of | :26:23. | :26:28. | |
the match. 27 minutes. This is not easy -- pot. But he made it look | :26:29. | :26:36. | |
easy. That was a much better shot than his previous. That was good, | :26:37. | :26:43. | |
but that was better. A lot more pressure on it. | :26:44. | :26:58. | |
but that was better. A lot more to take on the mid range yellow. | :26:59. | :27:04. | |
Putting the greenback on its part. Making life a bit easier, but this | :27:05. | :27:10. | |
is a virtual, you would say, shot for the frame. | :27:11. | :29:23. | |
has seen by quite a way. He has raised his performance by some level | :29:24. | :29:27. | |
for the match against Mark Williams -- cueist. There was clearly every | :29:28. | :29:31. | |
mission from both of them, as to how important the frame was, an | :29:32. | :29:35. | |
interesting tactical tussle, particularly that three balls | :29:36. | :29:41. | |
situation? He over thought himself, it was awkward, if the pink was off | :29:42. | :29:45. | |
the spot, it would not have been a problem, but because it was, it was | :29:46. | :29:50. | |
awkward. A stray shot to leave himself on the brown. It was more | :29:51. | :29:57. | |
awkward. Obviously, there is the possibility that when your back is | :29:58. | :29:59. | |
against a wall, you aren't thinking clearly. His choice was to play off | :30:00. | :30:05. | |
the brown. But he is not looking as comfortable as he has done at the | :30:06. | :30:09. | |
moment, here, Mark. He's up against it now. Ronnie is in the set. | :30:10. | :30:23. | |
KEN DOHERTY: Another possible long red to get on the black here. | :30:24. | :30:28. | |
Similar to the previous frame. Oh! OK, not on the black, but it is | :30:29. | :30:46. | |
another great pot. When your opponent is knocking these long | :30:47. | :30:50. | |
balls in, it puts so much pressure on you, safety-wise. It is very | :30:51. | :30:52. | |
unnerving. DENNIS TAYLOR: He was just looking | :30:53. | :31:25. | |
to see if he could get to the potting angle, but because it is | :31:26. | :31:31. | |
touching, he can't. Twice across the table and down to the baulk cushion | :31:32. | :31:35. | |
is possible. If there is anyone in the game who | :31:36. | :31:48. | |
could come back against qualy O'Sullivan in this situation, it is | :31:49. | :31:51. | |
this man here, Mark Selby, because he will never, ever give up. He has | :31:52. | :31:59. | |
done it so many times. Yes, and he has done it so many times to his | :32:00. | :32:05. | |
opponent, and Ronnie will be aware of that he is and wide he is trying | :32:06. | :32:07. | |
to keep the pressure on. REFEREE: Touching ball. He will go | :32:08. | :32:34. | |
back to the memories of the great matches he has had with O'Sullivan, | :32:35. | :32:39. | |
where he has been in similar positions. Or other matches he might | :32:40. | :32:43. | |
have played. You try to give yourself a bit of confidence. You | :32:44. | :32:49. | |
say to yourself, you have done it before and you can do it again. | :32:50. | :33:21. | |
That is just OK. He is coming up short with some of his safety, | :33:22. | :33:26. | |
leaving it near the baulk colours rather than the other cushion. And | :33:27. | :33:34. | |
Ronnie was playing to get on the cushion here, but this might be a | :33:35. | :33:36. | |
bonus, coming up behind the brown... When you get in behind a colour like | :33:37. | :33:53. | |
that, it is a bonus. And the fact that there is reds either side of | :33:54. | :33:59. | |
the bunch gives Mark something to think about, to try not to leave | :34:00. | :34:09. | |
anything on. That's why he is having to think of another escape route. If | :34:10. | :34:13. | |
anybody can find it, it is Mark Selby. He is just looking to see, if | :34:14. | :34:27. | |
he was to leave it in the reds, it would be awkward cueing but he would | :34:28. | :34:27. | |
still be leaving the red on for the middle pocket. He will do well to | :34:28. | :34:37. | |
judge this and keep them safe. He will have to have another go at | :34:38. | :34:46. | |
that. REFEREE: Foul, and a miss. . It | :34:47. | :34:57. | |
looked as if he was just trying to land on the red to the right of the | :34:58. | :34:58. | |
black. He does not want to slip past this | :34:59. | :35:11. | |
red. He has played it well. I say that, but there is still a | :35:12. | :35:29. | |
possible pot on. He was in quite a spot of bother there, was Mark | :35:30. | :35:31. | |
Selby. That was a wonderful shot. Purposely | :35:32. | :36:28. | |
screwing back and bringing the pink towards that right centre. | :36:29. | :36:51. | |
He just did not hit that last shot as he intended. But there looks to | :36:52. | :37:00. | |
be a nice plant here. It is right in line for the pocket. | :37:01. | :37:02. | |
It is amazing the number of times you play a plant and seem to forget | :37:03. | :37:15. | |
about the cue ball. He has got a long way to travel here he is and he | :37:16. | :37:20. | |
has got to be very precise in and out of the baulk area. How is your | :37:21. | :37:29. | |
luck, Ronnie? Not very good. The frames have all been very open, | :37:30. | :38:11. | |
but just the last two frames, the high-value colours have got tied up. | :38:12. | :38:16. | |
And that is the case here. Think and black are very awkward. Yes, in | :38:17. | :38:27. | |
fact, I don't think the referee would have seen that. We could see | :38:28. | :38:31. | |
it, and Ronnie knew he had touched the ball and he immediately declared | :38:32. | :38:39. | |
a foul. He just brushed the brown. That is the great thing about our | :38:40. | :38:52. | |
sport. Players will own up to it. Yes, a great bit of sportsmanship. | :38:53. | :39:05. | |
But one has gone astray. Well, will he risk putting this and cannoning | :39:06. | :39:12. | |
into the pink and black? He might just do, because it will certainly | :39:13. | :39:17. | |
open things up. What a shot this would be if he could... Well, he is | :39:18. | :39:21. | |
taking the other red. He is coming round for the blue. | :39:22. | :39:27. | |
And he has got a lovely angle on the blue. He could play that little | :39:28. | :39:39. | |
cannon, as you said. Bring the pink and black into play. Oh, he has not | :39:40. | :39:47. | |
played it well. He just wanted to nudge into that pink. Well, he will | :39:48. | :39:57. | |
get another opportunity. The only problem, if he does it this time off | :39:58. | :40:03. | |
this red which is near the pocket, it is not a certainty as to whether | :40:04. | :40:07. | |
he would not one of those colours into play. -- not. | :40:08. | :40:22. | |
He has come off a long way short this time. But there are still reds | :40:23. | :40:30. | |
available, even though he has got to avoid the baulk colours. Those two | :40:31. | :40:37. | |
reds just above the pink avoid the baulk colours. Those two | :40:38. | :40:41. | |
open to the corner pocket. And he has played that very, very well. He | :40:42. | :40:42. | |
needs a good angle on the blue. That sounded like a little bit of a | :40:43. | :40:56. | |
kick. I'm not sure. Yes. And that's why he is the wrong | :40:57. | :41:05. | |
side of the blue. He is blessed with a lot of cue | :41:06. | :41:29. | |
power, and he is going to have to call on it here to get back up to | :41:30. | :41:31. | |
the other side of the blue. Yes, that is better. Lovely. Perfect | :41:32. | :41:45. | |
on the blue. Now a real chance. And it is a bigger target this time. | :41:46. | :41:54. | |
He might just be OK. He can drop this in and get on the black. It is | :41:55. | :42:12. | |
there. And he is on the back. Never any doubt! The crowd really | :42:13. | :42:41. | |
get involved here and the Ally Pally. And that's the beauty of this | :42:42. | :42:50. | |
venue. We used to go to the Wembley conference on to, which held up to | :42:51. | :42:56. | |
nearly 3000 people, but they are a long way from the table, a lot of | :42:57. | :42:59. | |
the spectators. Here, they are so close. | :43:00. | :43:12. | |
You would not think he was 5-2 behind. No. Nice positional shot. | :43:13. | :43:40. | |
So, the black puts him 30 points ahead. Two reds, two blacks, he is | :43:41. | :43:48. | |
going to need one of those reds on the left-hand side cushion. He will | :43:49. | :43:55. | |
have a quick look at the scores if he has not already done so. | :43:56. | :44:07. | |
He is just having a look at the furthest one out. I think it does | :44:08. | :44:16. | |
pot, so he will not have to disturb any reds. This is typical Mark Selby | :44:17. | :44:26. | |
- back right against the wall and all of a sudden, he produces this. | :44:27. | :44:37. | |
He is going to need the extended rest and the extension on his cue, | :44:38. | :44:42. | |
but he is 46 ahead. So, just make sure of the red and he has got one | :44:43. | :44:52. | |
frame back. Still a long way to go. But he is on the first rung of the | :44:53. | :44:54. | |
ladder. That puts the frame beyond doubt. | :44:55. | :45:35. | |
Nicely developing that red. If he could just drop this one in... It is | :45:36. | :45:43. | |
tight to the side cushion, which makes it a bit easier. | :45:44. | :45:55. | |
Ronnie having a look at the scores. He is 54 behind with 43 remaining. | :45:56. | :46:06. | |
He says that is enough to the referee. That was a wonderful 68 | :46:07. | :46:09. | |
from Mark Selby. It is a long way back, but you can | :46:10. | :46:23. | |
usually rely on Mark Selby at least to take you part of the way there in | :46:24. | :46:24. | |
this situation, can't you, John? He can't do it again! He just cannot, | :46:25. | :46:30. | |
it is just impossible. He can't, can he? If anybody can... But he has | :46:31. | :46:39. | |
pulled the something out there. From probably not feeling great about his | :46:40. | :46:42. | |
game, he has produced an excellent break? That is one of his strengths, | :46:43. | :46:49. | |
as we said at the start. I have detected, and it may just be that I | :46:50. | :46:53. | |
have not noticed it, fractionally he is getting off the shot a bit more | :46:54. | :46:58. | |
than normal. Just a bit of head movement afterwards, hitting up a | :46:59. | :47:03. | |
bit quick. As if he is not finishing the shot completely. Just from what | :47:04. | :47:07. | |
I have seen in this match. I am splitting hairs. He is getting up | :47:08. | :47:14. | |
for the next shot marginally quicker than I remember from watching him | :47:15. | :47:18. | |
previously. But the climb has begun. DENNIS TAYLOR: And it is Ronnie's | :47:19. | :47:30. | |
turn to make a poor break-off shot. But he has not left anything. And | :47:31. | :47:41. | |
now, the blue has finished up down there, giving a big target to get in | :47:42. | :47:44. | |
behind. Well, let's keep an eye on Mark | :47:45. | :47:58. | |
Selby's head. Steve Davis was talking about it, maybe just letting | :47:59. | :48:03. | |
up a little bit sooner than he normally does. | :48:04. | :48:11. | |
He always moves around a little bit on the shot when he is addressing | :48:12. | :48:16. | |
the ball. It is something he has always done. Not as much as he used | :48:17. | :48:31. | |
to. Now, this would be a confidence booster if he could punch this one | :48:32. | :48:31. | |
in. This was a superb shot, at that | :48:32. | :48:38. | |
pace. He is quite remarkable when he is so | :48:39. | :49:01. | |
far behind. You can see his head just moving | :49:02. | :49:21. | |
around slightly - but he has always done that. | :49:22. | :49:33. | |
What an opening red. He has done it so many times from this position | :49:34. | :49:46. | |
that it almost becomes second nature to him. If he could somehow win this | :49:47. | :50:01. | |
framing one visit, well... That would certainly put a few doubts | :50:02. | :50:09. | |
into Ronnie's mind. He has not done much wrong. | :50:10. | :50:17. | |
Yes, he is sitting there and just thinking, all I want is one chance, | :50:18. | :50:23. | |
the way I am playing, and I am in the semifinal. But you cannot pop | :50:24. | :50:27. | |
balls if you are sitting in that seat. | :50:28. | :51:09. | |
That is five reds, five blacks already. But I'm sure Mark Selby | :51:10. | :51:16. | |
will just be thinking about winning the frame | :51:17. | :51:33. | |
will just be thinking about winning playing for the pink there. The pink | :51:34. | :51:37. | |
will go on the blue spot. He will be back up for the pink with a nice | :51:38. | :51:43. | |
angle, hopefully, to split the reds. One good split off this, Dennis, and | :51:44. | :51:52. | |
we may be looking at 5-4. Yes, you would think he was leading 5-3, the | :51:53. | :51:54. | |
way he is playing would think he was leading 5-3, the | :51:55. | :53:53. | |
has been a bit unfortunate for the white to go tight on the side | :53:54. | :54:01. | |
cushion. This one needs good cueing. He is only a couple of pots away | :54:02. | :54:08. | |
from getting another frame back. And he is coming across the nap as | :54:09. | :54:19. | |
well. Oh, he didn't quite get the cannon, | :54:20. | :55:09. | |
and he is not safe just yet. He is a strong, strong favourite in this | :55:10. | :55:12. | |
frame now. But if that cannon had worked, it was in the frame. -- it | :55:13. | :55:24. | |
was end of frame. This was the one. He just caught it a bit thinner than | :55:25. | :55:34. | |
he wanted. But as I mentioned, those colours with a blue up there, it is | :55:35. | :55:37. | |
quite good target to try and get in behind. | :55:38. | :55:49. | |
Well, look how the reds are now. So, Ronnie O'Sullivan is not quite out | :55:50. | :56:19. | |
of this frame just yet. One mistake from Mark and there is a | :56:20. | :56:22. | |
counterattack on. There is not a ball safe on the table at the | :56:23. | :56:29. | |
moment. He may be able to have a go at this red into the corner pocket. | :56:30. | :56:36. | |
There is a gap between the black and red to get back down the other end. | :56:37. | :56:42. | |
He needs a bit of luck here... Well, he has not so many long balls | :56:43. | :56:54. | |
in, because he is so far behind, he will take this on. If it goes in, he | :56:55. | :56:57. | |
What a shot that is. has got a bit of a chance. | :56:58. | :57:17. | |
Just look at the kiss he got on the red as well. Purposely played. | :57:18. | :57:26. | |
Freeing up the pink. That one close to the side cushion will not be a | :57:27. | :57:29. | |
problem for Ronnie O'Sullivan, because he is so good that handed. | :57:30. | :57:36. | |
Surely Mark Selby can't make a 70 break and lose a frame? And of | :57:37. | :57:42. | |
course, not only the frame, it would be the match. But you would not put | :57:43. | :57:48. | |
it past Ronnie O'Sullivan. He relishes this sort of situation. | :57:49. | :57:58. | |
Oh, didn't want the kiss on the black - but he is OK. He can drop | :57:59. | :58:06. | |
the pink in. Oh, that is a great shot. Fantastic | :58:07. | :58:51. | |
shot. Well, what a climax we could have to this match. Because the red | :58:52. | :58:59. | |
is OK. Ronnie can switch hands if he drops in behind it - and he has got | :59:00. | :59:06. | |
the perfect angle to do that. Well, what a finish this could be...! Mark | :59:07. | :59:12. | |
knows that this has finished a little awkward, however. | :59:13. | :59:17. | |
The blue, which was knocked up there at the start of the frame, could be | :59:18. | :59:41. | |
a little awkward. This next shot. He has got to make sure he does not | :59:42. | :59:49. | |
snooker himself with the blue. Oh, this has been absolutely sublime so | :59:50. | :59:51. | |
far. This could be one of the best frames | :59:52. | :00:07. | |
ever seen. Having said that, he has not got on the brown as he wanted. | :00:08. | :00:11. | |
He has got to go all the way around the table now. Where is the cue | :00:12. | :00:17. | |
ball...? Keep your eye on the cue ball! | :00:18. | :00:26. | |
Where does he play at, in the middle? Into the corner? -- where | :00:27. | :00:41. | |
does he play it? It is there. He still has a little to do. Another | :00:42. | :00:46. | |
good shots needed. Mark made a 70 break. | :00:47. | :00:52. | |
Can you believe it? Ronnie O'Sullivan has pulled off one of the | :00:53. | :01:11. | |
finest clearest says you could ever wish to see. Mark Selby made a | :01:12. | :01:18. | |
magnificent 70 break, that brilliant clearance, Ronnie O'Sullivan takes | :01:19. | :01:28. | |
the match, a fantastic match, 6-3. STUDIO: Absolutely pulsating finish | :01:29. | :01:31. | |
to a quite brilliant match, I'm sure you enjoyed its just as thoroughly | :01:32. | :01:39. | |
as we have. What a clearance to end a match like that, at 73? | :01:40. | :01:43. | |
Unbelievable, the opening red, that he potted, sublime. He has cued it | :01:44. | :01:48. | |
so well. He landed on the pink, but the rest, superb. 11 points to play | :01:49. | :01:55. | |
with, he had to move it around. I would say that is one of the | :01:56. | :01:59. | |
greatest clearances of all time. I know that we've seen some amazing | :02:00. | :02:06. | |
ones. He lost the position a fraction, but the way he knocked | :02:07. | :02:07. | |
those balls in, that striking, if ever there was a doubt about his | :02:08. | :02:13. | |
pressure plate... Congratulations, we were saying that was one of the | :02:14. | :02:17. | |
best clearances we've ever seen in all time, how did you rate it? It | :02:18. | :02:22. | |
was there, a good first red, but under pressure, it was all right. I | :02:23. | :02:28. | |
would never refuse the shot, I thought, there was a chance. You | :02:29. | :02:32. | |
look and seem a lot happier about that performance than what we saw | :02:33. | :02:37. | |
the other day against Mark? I don't feel great, to be honest, but I'm | :02:38. | :02:42. | |
trying to kid myself that I'm confident, you know? I'm trying to | :02:43. | :02:47. | |
play with confidence, even though I'm not confident... It shows! Just, | :02:48. | :02:53. | |
unbelievable. I could sit here and lie, but I won't. You aren't | :02:54. | :02:57. | |
unbelievable. I could sit here and to win this tournament by playing | :02:58. | :03:00. | |
negative, playing bad... Digging yourself in a whole, I had to try to | :03:01. | :03:04. | |
find something. Unless I start playing as if I'm confident,. Just | :03:05. | :03:12. | |
look down there, we have a scoresheet, those blue numbers are | :03:13. | :03:17. | |
what you scored. Including your 60th Masters century since 1994, the | :03:18. | :03:23. | |
milestones keep coming. 5-2 up, did you expect the Selby onslaught? | :03:24. | :03:27. | |
Where you prepared? Absolutely, it was weird. I did not play in the UK, | :03:28. | :03:33. | |
I was working on it, I watched a lot of snooker. I watched every one of | :03:34. | :03:38. | |
his games, he plays like run it against everybody. I stopped taking | :03:39. | :03:44. | |
it personal after that! He never gives you an easy opening. He is the | :03:45. | :03:50. | |
hardest match player on the circuit. I thought, you know, keep trying to | :03:51. | :03:56. | |
pot balls and see what happens at the end. Was it easier to get up to | :03:57. | :04:00. | |
face mark than it is to face anyone else because you know what he is | :04:01. | :04:06. | |
capable of? Not really, anyone in this tournament is capable of doing | :04:07. | :04:09. | |
unbelievable things on the table. There are no easy matches in | :04:10. | :04:14. | |
unbelievable things on the table. tournament. I might have to play | :04:15. | :04:18. | |
John. He's on fire! John Higgins play Stuart Bingham on Friday night | :04:19. | :04:21. | |
comedy window until late on Friday night who would will be, where you | :04:22. | :04:27. | |
prepared for this one, compared to Mark Williams the other day, did you | :04:28. | :04:33. | |
feel more comfortable today? I felt a bit more relaxed. I felt a bit | :04:34. | :04:38. | |
more comfortable out there. That standard you produced, you are | :04:39. | :04:43. | |
more comfortable out there. That that most of the players in the game | :04:44. | :04:45. | |
come into the studio and said that was one of the best matches they | :04:46. | :04:50. | |
played, you are a hard task master, what we saw was brilliant. Not | :04:51. | :04:54. | |
really, you know when you are playing well and you try to squeeze | :04:55. | :04:58. | |
past the title, when you play well, you're flying, but when you are | :04:59. | :05:03. | |
struggling... What were you most happy with today? My attitude, it | :05:04. | :05:08. | |
was fantastic. For five years ago, I would have been out at 6-1, 6-2. | :05:09. | :05:16. | |
Thinking about how rubbish I felt at the table. But today, keep... Keep | :05:17. | :05:23. | |
your foot to the pedal, see what happens. It can turn around, I know | :05:24. | :05:26. | |
that. I tried to hang in there. How far away from you at playing? Essex | :05:27. | :05:35. | |
is not that far! I feel like I'm struggling with my technique, I'm so | :05:36. | :05:40. | |
off-line in my shots, it is the occasion and competitive instinct | :05:41. | :05:44. | |
that makes me try and find something from somewhere. I'm not cruising, | :05:45. | :05:48. | |
where you are flicking through the gears. I'm at the well every time, | :05:49. | :05:54. | |
giving everything I've got. A nice want to win though, if you can do it | :05:55. | :05:59. | |
in that respect... Of course, but it is nice to cruise through! A match | :06:00. | :06:02. | |
like that, it has really entertained us and bought us thrills, brought | :06:03. | :06:07. | |
out great form in you, your decision to come back, you talked about not | :06:08. | :06:12. | |
being able to defend a couple of titles, does it indicate your | :06:13. | :06:15. | |
decision to come back and keep playing? Do you get a buzz out of a | :06:16. | :06:20. | |
day like today? It's fantastic, a great occasion and tournament, if | :06:21. | :06:24. | |
you cannot enjoy this, you should not be playing the game, really. | :06:25. | :06:29. | |
There are hundreds outside of the window here, all waving! It is | :06:30. | :06:35. | |
unbelievable! They loved it, as did we. A fantastic afternoon. | :06:36. | :06:43. | |
Rest up and we will see you in the semifinals. | :06:44. | :06:49. | |
Barry Hawkins has waited a long time to get to the quarterfinals, but | :06:50. | :06:52. | |
Mark Allen has been around the block in this championship. He turns 30 in | :06:53. | :06:58. | |
a few weeks, he is the lowest ranked player left in the draw. Mark | :06:59. | :07:05. | |
Parrott has had a word with him. If you were doing a school report | :07:06. | :07:09. | |
for the season so far, what would it say? | :07:10. | :07:14. | |
Probably satisfactory! But could do better. I think the results have | :07:15. | :07:26. | |
been decent. I don't feel like I'm anywhere near my best yet, exciting | :07:27. | :07:30. | |
times ahead. You've mentioned that you had a win. That was in Sofia? It | :07:31. | :07:37. | |
was. Just as well that you remembered it! Brilliant to be back | :07:38. | :07:41. | |
in the winner 's circle, good for your confidence? Nothing gives you | :07:42. | :07:44. | |
confidence like winning does. You think you are playing well in later | :07:45. | :07:49. | |
stages of the event, but if you keep losing, you will be doubting | :07:50. | :07:54. | |
yourself. Winning is great, backing it up, into the champion of | :07:55. | :07:56. | |
champions. I played my best in the tournament. I did pretty well. A | :07:57. | :08:04. | |
sign of good things to come, hopefully. You got through to play | :08:05. | :08:08. | |
Neil Robertson. He's been man of the season so far. It is taking the best | :08:09. | :08:12. | |
to beat you? I think it is taking really good performances to beat me | :08:13. | :08:18. | |
at the European Championships, Martin Gould played like a man | :08:19. | :08:23. | |
possessed. He played brilliant against me, I was not overly | :08:24. | :08:27. | |
disappointed, my safety was one downside, but I don't think I | :08:28. | :08:31. | |
disappointed, my safety was one bad. I know my game is in good shape | :08:32. | :08:33. | |
all in all, it takes monumental performances to beat me. Terry | :08:34. | :08:41. | |
Griffiths is back in the camp. Why? I feel I need him. I had a season | :08:42. | :08:48. | |
without him. Obviously, for contract issues, I was not able to work with | :08:49. | :08:54. | |
him. I had a good season, it sounds strange to say I needed him, but I | :08:55. | :08:57. | |
needed him for big events more than anything else. In the tournaments, | :08:58. | :09:02. | |
the later stages. I felt I was not quite right in myself, the mindset | :09:03. | :09:07. | |
was not quite right, Terry is good at saying the right things at the | :09:08. | :09:08. | |
right time, getting you at saying the right things at the | :09:09. | :09:14. | |
prepared. He is a good man to have in the corner, definitely good to be | :09:15. | :09:17. | |
back working with him. Are you happy with what you've achieved in the | :09:18. | :09:21. | |
game? Do you think you have more to offer? More to offer. I say that | :09:22. | :09:25. | |
every time I do an interview. I'm not happy just winning PDC is, I | :09:26. | :09:36. | |
want to win the big events -- PDCs. A particular quote in the bank, but | :09:37. | :09:43. | |
I want to win the majors, I want to be the world champion. | :09:44. | :09:46. | |
They are the ones that I aspire to be. I feel I have the game to do it, | :09:47. | :09:52. | |
it is just producing them at the right times consistently. You have a | :09:53. | :09:55. | |
decent record, some semifinals, you've never quite got to the | :09:56. | :10:01. | |
finals. There is no one in the game I have not beat. Why would I be | :10:02. | :10:07. | |
afraid? If I play well, I expect to win. I probably know the answer but | :10:08. | :10:11. | |
if you don't win, who will? I don't care! Exactly right! I don't care, I | :10:12. | :10:22. | |
if you don't win, who will? I don't don't watch a lot of snooker when | :10:23. | :10:23. | |
I'm beaten, especially if I've just don't watch a lot of snooker when | :10:24. | :10:23. | |
tournament. They are all good players. Thank you. | :10:24. | :10:26. | |
He knocked out the defending champion, Mark Allen, up against | :10:27. | :10:29. | |
Barry Hawkins this evening. These are the head to heads. In the | :10:30. | :10:35. | |
major matches, Mark Allen has a 4-3 advantage, it is more emphatic when | :10:36. | :10:40. | |
you think about the exhibitions, 9-3 he leads. A considerable advantage | :10:41. | :10:44. | |
in all matches played against Barry Hawkins. How do you see this one | :10:45. | :10:49. | |
going to night? These are two fellows who are yet to | :10:50. | :10:54. | |
make it in terms of winning one of snooker's big three. It's the last | :10:55. | :10:57. | |
thing they want to achieve? I think probably, like a lot of these | :10:58. | :11:01. | |
matches, it is best of 11, they have more meat on the bone. It is so | :11:02. | :11:06. | |
close to call, we know full well the top players are so tightly bunched, | :11:07. | :11:11. | |
it seems to be who happens to hit form on the night, on the day. Barry | :11:12. | :11:16. | |
Hawkins is interesting, three years ago at the Crucible, he'd never been | :11:17. | :11:25. | |
past the last 16, but suddenly, passed that hurdle, he's in the | :11:26. | :11:26. | |
final. Three semifinals, bang, bang, one after the next, this is the | :11:27. | :11:32. | |
first time he's passed the last six? He's not played particularly well | :11:33. | :11:35. | |
here, and he wins his first match... Who knows? It was an incredibly | :11:36. | :11:41. | |
tough match to pick the winner, both players have good qualities. Hawkins | :11:42. | :11:46. | |
is a good match player. You say 9-3, the last few matches have been very | :11:47. | :11:53. | |
close, even Stevens. I thought out of all the matches, this was the | :11:54. | :11:56. | |
hardest to pick the winner. There is a recent memory they have at the | :11:57. | :11:59. | |
Crucible last year, in the last 16 they faced one another. Allen had an | :12:00. | :12:06. | |
11-8 frames lead. Hawkins came and won the last five. A stinging | :12:07. | :12:11. | |
memory? Yes, Mark Allen has some attitude around the table. That | :12:12. | :12:15. | |
counts. Bling. Barry Hawkins is quite unassuming, and quiet, | :12:16. | :12:21. | |
assuming he is too nice to be a winner. There are many ways to play | :12:22. | :12:27. | |
this game of snooker. Barry goes about his business, he can be very | :12:28. | :12:34. | |
effective. He can indeed, I should remind you that Jason and John will | :12:35. | :12:35. | |
be in the studio at 7pm for the start of the match. You will see it | :12:36. | :12:41. | |
via the BBC sport app and on the red button after 8pm. | :12:42. | :12:45. | |
We will leave you with a couple more thoughts about what we've seen | :12:46. | :12:49. | |
today. Surely, one of the greatest clearances we've ever seen in the | :12:50. | :12:52. | |
long history of the Masters. The other players left in this draw, | :12:53. | :12:56. | |
what message will it send out to them? They will have been watching, | :12:57. | :13:01. | |
you can guarantee that, his long game is devastating and it will be | :13:02. | :13:05. | |
frightening to play safe against. I agree, if you're long game is in | :13:06. | :13:08. | |
good shape, you went make many mistakes in your short game. You are | :13:09. | :13:13. | |
cueing accurately indeed, that is enough to give you confidence. | :13:14. | :13:18. | |
Thank you for a fantastic afternoon, sharing it with you and at home, I | :13:19. | :13:22. | |
hope you've enjoyed it. We've had some e-mails and tweets in saying | :13:23. | :13:25. | |
you secretly been watching it at work, so well done! | :13:26. | :13:34. | |
We will see you at 7pm this evening... A breathtaking afternoon. | :13:35. | :13:34. | |
Goodbye for now. So, no-one pays tax here? | :13:35. | :13:48. | |
No-one pays taxes. All you need to know | :13:49. | :14:17. | |
about tax avoidance | :14:18. | :14:33. |