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Good evening to you and welcome to Alexandra Palace and the 2016 | :00:34. | :00:41. | |
Dafabet Masters. We have reach the quarterfinals. This evening we shall | :00:42. | :00:45. | |
see England sallied Barry Hawkins take on Mark Allen of Northern | :00:46. | :00:48. | |
Ireland. One familiar name is already through to the semifinals | :00:49. | :00:52. | |
after a fantastic meeting between two former champions this afternoon. | :00:53. | :01:00. | |
DENNIS TAYLOR: It is going to be fascinating to see how this starts | :01:01. | :01:05. | |
off. KEN DOHERTY: What a shot! What a | :01:06. | :01:11. | |
Shokat is! What a clearance from Mark Selby! | :01:12. | :01:33. | |
Beautifully cued. Beautiful. He leads by 3-1. Tell you what, that is | :01:34. | :01:40. | |
something you or myself would not be able to do, Ken! Black for this | :01:41. | :01:46. | |
first century... Fantastic. That is a beauty. Excellent shot. | :01:47. | :01:55. | |
That was a lovely shot. Oh, he did not quite get the cannon | :01:56. | :02:19. | |
and he is not safe just yet. What a shot he has played there. It is | :02:20. | :02:30. | |
there. But he has still got a little bit to do. Can you believe it?! | :02:31. | :02:35. | |
Ronnie O'Sullivan has pulled out one of the finest clearances you could | :02:36. | :02:39. | |
ever wish to see! Ronnie O'Sullivan takes the match six frames to three. | :02:40. | :02:47. | |
It really is something special when Ronnie O'Sullivan performs here | :02:48. | :02:51. | |
It really is something special when Alexandra Palace. John Parrott is | :02:52. | :02:53. | |
alongside me. Mark Selby said he was going to get into Ronnie | :02:54. | :02:56. | |
O'Sullivan's head, but he did not get a chance. He was always playing | :02:57. | :03:00. | |
catch-up. Funnily enough his break-offs were not very good today, | :03:01. | :03:05. | |
so he was getting behind early on in frames. Borneo special -- Ronnie | :03:06. | :03:13. | |
O'Sullivan was special today. Mark Selby just looked like he was | :03:14. | :03:17. | |
getting the bit between his teeth when Ronnie O'Sullivan did that | :03:18. | :03:21. | |
clearance. That first red was superb. To make that clearance in | :03:22. | :03:25. | |
the circumstances, absolutely brilliant. Given the fact that | :03:26. | :03:31. | |
Ronnie sat out the UK Championships in York, do you think he is in the | :03:32. | :03:36. | |
right frame of mind to win this tournament? Absolutely. He was miles | :03:37. | :03:43. | |
better today than he was in his first match. It will be a massive | :03:44. | :03:44. | |
boost to his confidence. There is a lot of rivalry with Mark Selby - | :03:45. | :03:48. | |
that is a big result today. Moving onto this evening now, and Barry | :03:49. | :03:58. | |
Hawkins takes on Mark Allen. Let's find out what our stars think of | :03:59. | :03:59. | |
tonight's competitors. Mark Allen had a few nobles on the | :04:00. | :04:16. | |
door before finally converting in China, and he won the same event | :04:17. | :04:21. | |
again in 2013. Not being disrespectful, not necessarily | :04:22. | :04:27. | |
premiership, but championship material, knocking on the door of | :04:28. | :04:28. | |
the Premiership? Not so sure material, knocking on the door of | :04:29. | :04:34. | |
that. I think when he performs at his best, he can outplay anybody. | :04:35. | :04:38. | |
Just like a tiger, he wears his heart on his sleeve more often than | :04:39. | :04:44. | |
not. What he is great at is his positional play in and around the | :04:45. | :04:48. | |
pink and black. His consistency is not as good as some of the other top | :04:49. | :04:53. | |
players. I can understand that. He can be very inconsistent and | :04:54. | :04:57. | |
sometimes he does not look interested just might throw in the | :04:58. | :05:02. | |
towel too early. But if he is in the mood, he makes some lovely little | :05:03. | :05:03. | |
cannons around the pink and black. mood, he makes some lovely little | :05:04. | :05:08. | |
Evoking the reds beautifully. He plays with a lot of heart. On his | :05:09. | :05:15. | |
day, he is unstoppable, potting balls from all over the place. Very | :05:16. | :05:21. | |
clever, he knows snooker inside out. He is gritty and determined and has | :05:22. | :05:24. | |
a lot of bottle. What all the attributes to make a winner, I | :05:25. | :05:30. | |
think, yet does not feature in the winners' enclosure as often as you | :05:31. | :05:39. | |
would think he would. You are kind of expecting a big run at one of | :05:40. | :05:43. | |
these big tournaments any day soon. As Ken says, we keep saying that one | :05:44. | :05:47. | |
day Mark Allen will win one of these big tournaments. He leads the career | :05:48. | :05:53. | |
head-to-heads between the two. He won the last meeting. But Hawkins | :05:54. | :05:57. | |
has never made the semifinal at the Masters. He will fancy his chances | :05:58. | :06:02. | |
this evening. It is too tight to call, isn't it? Yes, I thought it | :06:03. | :06:08. | |
was difficult to pick the winner in this section of the draw. I think | :06:09. | :06:12. | |
this is a really good matchup. Barry Hawkins is up an exceptional | :06:13. | :06:18. | |
matchplay. Mark Allen likewise. I cannot split them. I did an | :06:19. | :06:26. | |
interview with Mark here last way and he said, he is aware of what the | :06:27. | :06:29. | |
pundits are saying about him. Not being able to deliver on the main | :06:30. | :06:34. | |
stage... He got to the final of the Champion Of Champions a few weeks | :06:35. | :06:40. | |
ago, and it took Neil Robertson to knock him out. So he is very close. | :06:41. | :06:49. | |
Listen, he could go close. One fascinating thing tonight is that | :06:50. | :06:53. | |
Terry Griffiths is in the corner of both players this evening. Steve | :06:54. | :06:59. | |
Davis cracked me up on the earlier show when he said it might be the | :07:00. | :07:02. | |
quickest Terry Griffiths has ever moved if he goes from one to the | :07:03. | :07:05. | |
other. He will have to have two hats tonight. So, was an almost there. We | :07:06. | :07:12. | |
can join our MC, Rob Walker. Ladies and gentlemen, welcome to the climax | :07:13. | :07:16. | |
of day five here at the Dafabet Masters. We are gearing up for a | :07:17. | :07:22. | |
brilliant climax to this year's Championship. Ronnie O'Sullivan has | :07:23. | :07:24. | |
already booked his place in the semis. But which of our two | :07:25. | :07:28. | |
world-class players will be joining him in the mix come Saturday? It is | :07:29. | :07:33. | |
time for another thrilling instalment of drama here at the | :07:34. | :07:34. | |
always atmospheric Alexandra Palace! Please welcome one of the most | :07:35. | :07:59. | |
exciting break-builders in the modern game. After knocking out | :08:00. | :08:00. | |
Shaun Murphy on Sunday, winner of two renting event titles, some of | :08:01. | :08:04. | |
his friends and his wife have come over from Northern Ireland to cheer | :08:05. | :08:07. | |
him on tonight. Please welcome Mark Allen! | :08:08. | :08:12. | |
And his opponent, a player who won his first match at the Masters on | :08:13. | :08:49. | |
Monday, beating Joe Perry. He has thrived over the last few seasons, | :08:50. | :08:53. | |
winning his first ranking title in Australia in 2012 and adding the PTC | :08:54. | :09:00. | |
Grand Finals two years later. He is now firmly established among the | :09:01. | :09:07. | |
game's elite. Please welcome The Eagle-eyed Barry Hawkins! | :09:08. | :09:15. | |
Great welcome there for the world number eight, Barry Hawkins, but | :09:16. | :09:38. | |
surely Mark Allen will fancy this, having beaten Shaun Murphy 6-4 in | :09:39. | :09:42. | |
the first round. Let's sit back and enjoy this in the company of John | :09:43. | :09:47. | |
Virgo and Stephen Hendry. JOHN VIRGO: Thank you, Jason, good | :09:48. | :09:56. | |
evening, everybody. There is an interesting stat I have seen on the | :09:57. | :09:59. | |
sheet. Barry turned professional nine years before Mark, and yet Mark | :10:00. | :10:07. | |
has made 206 to seven career centuries, against Barry's 196. Do | :10:08. | :10:12. | |
you think that is where it could be decided, on that scoring ability | :10:13. | :10:16. | |
when they get in amongst the balls? STEPHEN HENDRY: Yes, I did not know | :10:17. | :10:20. | |
that start until you mentioned it. But yes, when it comes to this | :10:21. | :10:26. | |
that start until you mentioned it. event, with the best players in the | :10:27. | :10:26. | |
that start until you mentioned it. world, I think it does come down to | :10:27. | :10:29. | |
scoring. Long potting is important when it comes to getting in and | :10:30. | :10:33. | |
getting chances. Safety is always turn a matter somewhat. Not as much | :10:34. | :10:38. | |
I do not believe as some people. But I think it comes down to scoring. | :10:39. | :10:43. | |
That stat you just came out with, John, it could be the difference. | :10:44. | :10:52. | |
Also this season, Mark has made 22 centuries against Barry's six. So if | :10:53. | :10:56. | |
he does get opportunities, you fancy may be Mark Allen will score a bit | :10:57. | :11:00. | |
better. But Barry is a very tenacious matchplay. Sometimes you | :11:01. | :11:06. | |
do not get clear-cut frames where breaks are always on. | :11:07. | :11:19. | |
Much too thin. And a bit fortunate, really. Catching the jaws of the | :11:20. | :11:45. | |
pocket. That slowed the cue ball down and left it in the baulk end. | :11:46. | :12:01. | |
Did not take advantage there, with his hand on the table, should have | :12:02. | :12:08. | |
played a better safety shot than that. Obviously, a little bit of | :12:09. | :12:17. | |
tension out there. Chance of a pot here. As long as he brings the cue | :12:18. | :12:23. | |
ball over to the left-hand side of the table as we look at it, he | :12:24. | :12:27. | |
should not leave anything. A long way off there. As so often happens, | :12:28. | :12:37. | |
the only ball you think you can leave is the one you do actually end | :12:38. | :12:39. | |
up leaving. Those first two potting attempts | :12:40. | :13:02. | |
will not give either player much confidence. As you say, John, a bit | :13:03. | :13:09. | |
edgy. Yes, and I think Mark can get through to this red just below the | :13:10. | :13:14. | |
pink. So that could be costly. This will clear the pink area. | :13:15. | :13:15. | |
So, he will have the pink, which will be available into both corners, | :13:16. | :13:41. | |
and into the middle pocket. The blue is on its spot. It is a decent | :13:42. | :13:41. | |
chance, this. A few little stones and screws. | :13:42. | :14:58. | |
Looks like he has come back nicely for the pink. Yes, I think this is | :14:59. | :15:06. | |
Watkin was on about beforehand. Around the pink and black, he is | :15:07. | :15:11. | |
very good at this type of game. He has got the cue action for it. | :15:12. | :15:25. | |
He does not have the perfect angle on the red, but no problem. He is | :15:26. | :15:29. | |
nicely once again on the pink. It is just what you need, this type | :15:30. | :15:52. | |
of virginity, if you are feeling a bit nervous -- this type of | :15:53. | :15:56. | |
opportunity if you are feeling a bit nervous at the start of the match. | :15:57. | :16:06. | |
Lots of little stuns and screws around the pink. Whenever he pots | :16:07. | :16:12. | |
one red, it seems to release another one, so it is all going to plan at | :16:13. | :16:19. | |
the moment. Yes, just a little shake of the head there. He needed to | :16:20. | :16:24. | |
screw a bit further up the table. But he has got too straight on this | :16:25. | :16:26. | |
one. Should not cause a problem. And once again, he looks as though | :16:27. | :16:51. | |
he has come a little bit too straight. Well, obviously, when he | :16:52. | :17:03. | |
parted that red, as you say, he pots one and it clears the path for | :17:04. | :17:06. | |
another. This one just above the black now goes to the left corner. | :17:07. | :17:15. | |
56 points lead. So, three more reds would do it. | :17:16. | :17:28. | |
When Mark Allen missed his first long pot by a long way, and then | :17:29. | :17:36. | |
Barry missed his chance, perhaps he would not have been expecting to | :17:37. | :17:39. | |
lose the frame from it. But it looks like it now. Yes, he should not have | :17:40. | :17:46. | |
missed that red, Barry Hawkins, but the one he missed came down and it | :17:47. | :17:51. | |
cleared the path for the one just below the pink. And that obviously | :17:52. | :18:00. | |
made it a very good scoring opportunity. Fair play, he has taken | :18:01. | :18:10. | |
full advantage. So, the black would put him 71 points in front with just | :18:11. | :18:12. | |
67 remaining. That was not the cleanest of pots. | :18:13. | :18:35. | |
Just went in off the right jaw. Has a chance now to go ahead and | :18:36. | :18:43. | |
possibly make a century. As we said before, he can be a heavy scorer | :18:44. | :18:45. | |
when he gets going. This red on the left-hand side of | :18:46. | :19:27. | |
the table should not be a problem free left-hand. He just does not | :19:28. | :19:34. | |
want to come straight. Well, he has been a bit careless. Cannot really | :19:35. | :19:41. | |
get the cue ball away from the crushing. | :19:42. | :19:42. | |
-- from the cushion. Well, he can do it like that. He already holds the | :19:43. | :19:53. | |
highest break of the tournament so far, a break of 137. Well played! | :19:54. | :20:00. | |
It looked in! But it did not matter. Barry Hawkins missed a fairly | :20:01. | :20:50. | |
straightforward red, and sat down for the rest of the frame. Good | :20:51. | :20:53. | |
start for Mark Allen, who leads 1-0. Brilliant form from Mark Allen | :20:54. | :20:58. | |
there. 268 career centuries now for him. Well, we said here's a scorer, | :20:59. | :21:05. | |
that is what he is very good at. He has got quite a short cue action | :21:06. | :21:09. | |
compared with a lot of players. It is very useful in amongst the pink | :21:10. | :21:13. | |
and black. But Barry will be disappointed with that opening red. | :21:14. | :21:20. | |
Because he is left-handed, he should still pot it but it is one of those | :21:21. | :21:25. | |
you might put a bit of side on. For a right-hander, that would have been | :21:26. | :21:27. | |
virtually unmissable. But sometimes cueing across, start of the match, a | :21:28. | :21:33. | |
little bit nervous, he will not need to do too many more of those. John | :21:34. | :21:37. | |
mentioned in commentary, a bit of tension for Barry Hawkins? You | :21:38. | :21:41. | |
expect that. Mark Allen also missed his initial red by quite some way, | :21:42. | :21:48. | |
so he would have been delighted to get back to the table. In | :21:49. | :21:56. | |
competitions like this, do you think your previous experience at the | :21:57. | :21:57. | |
Masters counts for a certain amount, given that Mark Allen has got to | :21:58. | :22:02. | |
semifinals in the past? It can do, but in Barry's case, you would be | :22:03. | :22:06. | |
thinking, he has played here six times, and that was the first time | :22:07. | :22:10. | |
he has won in the first round. He spent a few years at The Crucible | :22:11. | :22:14. | |
without getting past the first round, and then when he did | :22:15. | :22:17. | |
eventually, he actually breached the final. Both players have got enough | :22:18. | :22:22. | |
experience to know what big match play snooker is all about. In the | :22:23. | :22:26. | |
Masters, you need to get a good start. You do not get any easy | :22:27. | :22:31. | |
matches. You have obviously come through your first one to get to the | :22:32. | :22:35. | |
quarters. You have got to be right at it from the start. | :22:36. | :22:46. | |
There is the wonderful trophy that somebody will pick up on Sunday | :22:47. | :22:55. | |
evening. He caught that break-off shot a little bit too thick. He has | :22:56. | :22:58. | |
left Barry this red. Right in the heart of the pocket. It | :22:59. | :23:24. | |
is quite funny, Stephen, I was in the press room and the referee Colin | :23:25. | :23:29. | |
Humphreys, because they do the toss backstage, and he said to Mark | :23:30. | :23:36. | |
Allen, I am going to toss the coin. He said, well, if I win it, I want | :23:37. | :23:42. | |
him to break-off. Years ago, if you won the toss, you always broke off. | :23:43. | :23:51. | |
Maybe I can see WHY Mark did not want to break-off. It could cost | :23:52. | :23:55. | |
him. That was a good opening red from Barry Hawkins. | :23:56. | :24:05. | |
STEPHEN HENDRY: Yes, I used to think the only reason you would not want | :24:06. | :24:11. | |
to break-off in the first frame is, should it go to a decider, you might | :24:12. | :24:16. | |
get first chance in the deciding frame. That is the only reason that | :24:17. | :24:19. | |
I could think of for making someone else break. | :24:20. | :24:34. | |
Pity. Good opening red but just overran off the ground. Shake of the | :24:35. | :24:47. | |
head. Disappointed. -- off the brown. | :24:48. | :25:01. | |
Catching the blue. But I don't think it left a pot on. | :25:02. | :25:23. | |
Good safety, though. He would love to get through to the red on the | :25:24. | :25:33. | |
left-hand side of the table. If he tried playing safe down the | :25:34. | :25:35. | |
right-hand side as we look, tried playing safe down the | :25:36. | :25:40. | |
catch it too thick, you could run into the black. Just looking at that | :25:41. | :25:47. | |
red on the left-hand side of the table, he can't get to the rights | :25:48. | :25:53. | |
and -- to the right-hand side of it to get back into baulk. So he has a | :25:54. | :26:10. | |
slight problem here. He has got to catch this very thin. | :26:11. | :26:16. | |
He played it well. Played it very well. Good shot. | :26:17. | :26:22. | |
Just a little bit thick and that safety. With his hand on the table, | :26:23. | :27:08. | |
you would expect a better safety shot from Mark Allen. But he could | :27:09. | :27:25. | |
not avoid the blue. Good target that now, the yellow, blue and brown, if | :27:26. | :27:29. | |
you can get the cue ball somewhere near the baulk cushion. | :27:30. | :28:00. | |
Barry got up off the shot a couple of times, and that was the reason. | :28:01. | :28:08. | |
He knew there was a red going over the corner. The brown might have | :28:09. | :28:08. | |
come to his rescue, though. He might be forced into taking the | :28:09. | :28:31. | |
swerve on here for that red over the corner. I cannot see many safety | :28:32. | :28:37. | |
opportunities. And you could even think, maybe come off the top | :28:38. | :28:43. | |
cushion to nestle on that red. But there is two which would be | :28:44. | :28:46. | |
available into the middle pocket. So, he is in a spot of bother here. | :28:47. | :28:53. | |
I kind of think it is worth the risk. Obviously, you do not want to | :28:54. | :28:59. | |
follow through and pot the white as well. There is a chance of finishing | :29:00. | :29:06. | |
on the black or pink. There is the virtual image. Well, he is just | :29:07. | :29:19. | |
going to come off the top cushion. He decided to hit it firm. But | :29:20. | :29:26. | |
playing it that way, he was always going to leave the chance of a red | :29:27. | :29:27. | |
to the right middle. Well, this is a bit tricky but it | :29:28. | :29:47. | |
would give him position on the black. Good shot. | :29:48. | :29:52. | |
The red he'd love to get rid of is the one to the left of the black. He | :29:53. | :30:27. | |
might have the angle to stun round the back of it. I think it passes | :30:28. | :30:31. | |
the black, so he could play for the red in the same pocket he's potted | :30:32. | :30:33. | |
the black. He's played it nicely. Needs to play a cannon here, the two | :30:34. | :31:05. | |
reds immediately above the black, cannon full into one of those, he'll | :31:06. | :31:10. | |
have a choice of reds. He's overdone it. He needed to catch it fuller | :31:11. | :31:11. | |
than that. It's gone slightly astray. OK, he's | :31:12. | :31:24. | |
still got pots on, but nothing that is guaranteeing him position on the | :31:25. | :31:30. | |
colour. He's going to be running into another red off this one. | :31:31. | :31:40. | |
The red that he missed in the first frame was into that pocket. That | :31:41. | :32:13. | |
might have been at the back of his mind. That was a good shot. | :32:14. | :32:31. | |
He will take the cue ball off two cushions for the pink or black in | :32:32. | :32:41. | |
the left corner. He's chosen to stay up that end of the table for a baulk | :32:42. | :32:44. | |
colour. One good positional shot here and | :32:45. | :32:58. | |
he'll have the red that is closest to the pink spot, I think, to the | :32:59. | :32:58. | |
left corner. He will be very disappointed if he | :32:59. | :33:35. | |
doesn't win the frame from here. Yes. And there is no excuses. He's | :33:36. | :33:45. | |
got reds, the number of reds he requires are all gathered around | :33:46. | :33:46. | |
this area. He judged it well. This is a good | :33:47. | :34:25. | |
response. He decided to play for the red near | :34:26. | :34:44. | |
the cushion. That's OK, as long as he's got a decent angle, and he | :34:45. | :34:47. | |
doesn't want to be too straight on it. | :34:48. | :34:51. | |
He is straight, but he will be able to screw back for the black in the | :34:52. | :34:54. | |
same pocket. He couldn't have cued it much better | :34:55. | :35:05. | |
than that. So, this black to put him 70 points in front with 67 | :35:06. | :35:07. | |
remaining. Well played. Sat out most of the | :35:08. | :35:17. | |
first frame when Mark Allen made that lovely break of 109. We could | :35:18. | :35:24. | |
see century here. -- we could see another century here. | :35:25. | :35:30. | |
Considering their first two attempts at pots in the first frame, we | :35:31. | :35:35. | |
thought both players looked a bit edgy. Since then, the standard has | :35:36. | :35:38. | |
been excellent. It will be hard to pick a winner out | :35:39. | :35:54. | |
of this match, John. He's a bit unlucky there. Yeah. | :35:55. | :36:11. | |
Well, there is a possibility he can make this into a plant. That is what | :36:12. | :36:15. | |
he is eyeing up. The frame is well and truly over. He would love to | :36:16. | :36:17. | |
make the century, though. Unlucky. A good response from Barry | :36:18. | :36:31. | |
Hawkins. Winning the frame in one visit. That is what you'd like to | :36:32. | :36:35. | |
do. That is what he's done. We are all square. | :36:36. | :36:44. | |
JASON MOHAMMAD: At this point in the programme, we usually say, what do | :36:45. | :36:49. | |
we know, but it is proving tight out there? He made that miss in the | :36:50. | :36:51. | |
first frame, Barry Hawkins. That break was started with an excellent | :36:52. | :36:55. | |
red. Mark Allen decided to play the stun on the red to leave the cue | :36:56. | :36:59. | |
ball up the table and he left Barry Hawkins this. These are really tough | :37:00. | :37:02. | |
on these tournament tables. He could not hit that any better. It was | :37:03. | :37:07. | |
beautifully cued. The funny thing is, no matter what level you are at, | :37:08. | :37:11. | |
certain shots can go wrong. Barry Hawkins, have a look at the | :37:12. | :37:14. | |
situation here, he has a lovely cannon into the two reds, he can't | :37:15. | :37:20. | |
be on anything else but perfect, and it just sneaks behind the other red. | :37:21. | :37:25. | |
After that, he loses - so a position that looked perfect for him, with | :37:26. | :37:30. | |
one shot, the cannon went wrong and he had to grab his positional shots | :37:31. | :37:36. | |
again. He did really well to keep it. One simple shot like that, if | :37:37. | :37:39. | |
you don't get the cannon right... That long green was a terrific pot. | :37:40. | :37:44. | |
It was something we noted when we saw him have that remarkable run at | :37:45. | :37:48. | |
The Crucible, only to lose to Ronnie O'Sullivan in the final. When he | :37:49. | :37:52. | |
finds his rhythm, he is a difficult opponent? He has a wonderful cue | :37:53. | :37:56. | |
ball control. There is an economy of effort with the cue ball when | :37:57. | :38:00. | |
Hawkins makes a break, he keeps the cue ball very tight. She a class | :38:01. | :38:01. | |
act. -- he is a class act. JOHN VIRGO: A couple of years ago, | :38:02. | :38:17. | |
it was like a coming-of-age for Barry. He gave Ronnie O'Sullivan a | :38:18. | :38:21. | |
run for his money, make no mistake about that. | :38:22. | :38:34. | |
STEPHEN HENDRY: A decent break off. The black is tied up. That sometimes | :38:35. | :38:40. | |
can make for an awkward frame. REFEREE: Touching ball. Every player | :38:41. | :38:58. | |
loves to hear the player say that. It enables you to get back to the | :38:59. | :39:04. | |
baulk end with no effort. Touching the red, you fire away, you are then | :39:05. | :39:07. | |
deemed to have hit it. He may have to play a similar type | :39:08. | :39:24. | |
of shot off the side cushion, unless he feels the yellow's in the way. He | :39:25. | :39:29. | |
must do because he's trying to play a thin contact here. He has to be | :39:30. | :39:31. | |
careful with this. Yeah, caught it too thick and that | :39:32. | :39:42. | |
is why he cannoned the red on the right-hand side of the table. | :39:43. | :40:10. | |
But Stephen said at the start off the break-off, the black was tied | :40:11. | :40:25. | |
up. The pink is out of commission. He can play a cannon here on the | :40:26. | :40:29. | |
pink to hold the cue ball, or maybe bring the pink into play. | :40:30. | :40:34. | |
He decided to play for the loose red. I think I might have taken a | :40:35. | :40:45. | |
chance and tried to play the drop cannon on to the pink. I this I the | :40:46. | :40:54. | |
way the balls are situated, it is very tough to make a frame-winning | :40:55. | :41:04. | |
break off the blue. He has a nice angle to go into that pink ball. | :41:05. | :41:15. | |
You can only assume that that is what he was playing for and he | :41:16. | :41:25. | |
underhit it. Considering he was using the spider, he played that | :41:26. | :41:25. | |
well. He's just letting the cue ball run a | :41:26. | :41:49. | |
couple of inches further than he would have liked to make this red | :41:50. | :41:52. | |
completely comfortable. He should still get it, of course. | :41:53. | :41:56. | |
This time he hasn't - he may just have gone past the blue. There you | :41:57. | :42:10. | |
see, just a slight angle. He's running out of loose reds. | :42:11. | :42:19. | |
He would love to have an angle on the blue this time to get on that | :42:20. | :42:29. | |
red above the black. A slight angle to play a cannon. | :42:30. | :42:36. | |
That's not bad. Yeah, looks as though - it is one of those, if you | :42:37. | :42:45. | |
could run the blue in and come off the side cushion, you'd feel as | :42:46. | :42:49. | |
though you could guarantee leaving yourself a nice angle on the red | :42:50. | :42:52. | |
that Stephen has mentioned. If you are playing the stun, then it's a | :42:53. | :42:58. | |
little bit more difficult to judge. I this I the -- I think the | :42:59. | :43:04. | |
follow-through, he is going to be guaranteed a pot on the red. Whether | :43:05. | :43:08. | |
he is going to have an angle to cannon the red to the left of the | :43:09. | :43:09. | |
black is another question. In the end, he chose to play a very | :43:10. | :43:23. | |
positive shot. That couldn't have worked out much better. | :43:24. | :43:25. | |
I think he can still play the cannon to the left of the black. Great | :43:26. | :43:33. | |
shot. Yeah, very well worked out. He's give himself a frame-winning | :43:34. | :43:42. | |
opportunity now. I think when we talk about that run | :43:43. | :43:56. | |
that he had at The Crucible, that's what's improved in his game over the | :43:57. | :43:59. | |
past four or five years, to get him into the top eight in the world is | :44:00. | :44:10. | |
his break-building. He plays the right shot, and the aggressive shot, | :44:11. | :44:11. | |
all of the time. Not many players would have played that off two | :44:12. | :44:14. | |
cushions into the bunch there with a couple of open reds. | :44:15. | :45:11. | |
There's a red in the middle of the bunch here. But he won't get on the | :45:12. | :45:16. | |
black from that. This is the red to take. You can see there is a plant | :45:17. | :45:22. | |
on as well, but he won't be taking that on. | :45:23. | :45:46. | |
In the first frame when he missed the red, you thought there's a bit | :45:47. | :45:51. | |
of tension in the arm - understandable. There is no tension | :45:52. | :45:55. | |
now. He is delivering the cue beautifully. | :45:56. | :46:10. | |
He played for that red that he looked at a couple of shots ago to | :46:11. | :46:18. | |
the same pocket. Again, he's come too short. He's going to go up for | :46:19. | :46:22. | |
the blue. I don't think he can avoid the cannon on the red touching the | :46:23. | :46:30. | |
pink. So, it shouldn't be a problem. You are looking from behind the | :46:31. | :46:35. | |
pocket, that plant looks on. There is a bit of distance between the two | :46:36. | :46:41. | |
balls. He had no need to play it, of course. I think the red two down | :46:42. | :46:48. | |
from the pink is available into the left corner. He is coming round to | :46:49. | :46:53. | |
have a look. When you get to this situation, you are a couple of pots | :46:54. | :46:57. | |
away from winning the frame, you don't, if you can help it, want to | :46:58. | :47:01. | |
risk playing cannons. It could go wrong. | :47:02. | :47:07. | |
He did play the cannon, but no harm done. The only downside is that the | :47:08. | :47:16. | |
black, I don't think is available to the right corner. Just looking for a | :47:17. | :47:27. | |
red and a colour. Playing with topspin so going back up for the | :47:28. | :47:29. | |
blue. Always going to be difficult, | :47:30. | :47:39. | |
particularly using the rest, to generate the pace. He only needs the | :47:40. | :47:43. | |
blue. If he pots the blue, he will be 68 points in front with 67 | :47:44. | :47:45. | |
remaining. So, Mark Allen needs a snooker. One | :47:46. | :48:07. | |
snooker, of course, is not impossible. So Barry will be giving | :48:08. | :48:11. | |
this 100%, this pot. A nice break, but, in the end, | :48:12. | :48:27. | |
playing the cannon - it's a pity, if the black had been available into | :48:28. | :48:30. | |
the right corner, he may well have gone on and made a century break. | :48:31. | :48:32. | |
Mark Allen needs a snooker. So, this 67 points that are | :48:33. | :49:18. | |
available, I think he can cue past the brown. He doesn't necessarily | :49:19. | :49:26. | |
need to be all blacks with the reds. He needs a good kiss on the pink - | :49:27. | :49:29. | |
got one, got one! The thing is, he needs to be playing | :49:30. | :49:50. | |
blacks and that last red, the one he'd ideally like to leave is the | :49:51. | :49:55. | |
one below the pink, that would be a simple matter of stunning that up | :49:56. | :49:58. | |
the table and getting the snooker behind the pink, the one snooker | :49:59. | :50:03. | |
that's required. So, he can afford one more pink. I'm a little bit | :50:04. | :50:09. | |
surprised he didn't play for the red to the right middle to get on to the | :50:10. | :50:13. | |
black. That pink goes in this corner. He's not out of this by any | :50:14. | :50:22. | |
means, this frame. He's going to struggle a bit now. | :50:23. | :50:36. | |
You would love to leave that red closest to the pink last, and play | :50:37. | :50:40. | |
the snooker behind the pink. The way he's come now, it's awkward. | :50:41. | :50:55. | |
That was a lot better shot than it looked. And now he's back in good | :50:56. | :51:14. | |
position. As I say, he'll leave that last red, you would have thought, | :51:15. | :51:18. | |
and play the snooker off the last red. | :51:19. | :51:36. | |
He needs to get the cue ball as tight on that pink. | :51:37. | :51:51. | |
That may be a bit careless. That's very careless. I mean, listen, he | :51:52. | :52:01. | |
can pot the red and play for the black and maybe try and get the | :52:02. | :52:05. | |
snooker on the yellow. If he had got this in the right position, this | :52:06. | :52:06. | |
would have been a certain snooker. Just needed to stop an inch or two | :52:07. | :52:17. | |
before then. The problem is, with that shot, | :52:18. | :52:30. | |
that's not difficult to hit. He needed to be tight to the pink and | :52:31. | :52:31. | |
cut off the one-cushion escape. And he's not done that. The red is just | :52:32. | :52:40. | |
a I way from the baulk cushion, wouldn't be the first time we have | :52:41. | :52:43. | |
seen someone go round a ball like that. And maybe the middle pocket is | :52:44. | :52:51. | |
just slightly in the way. Doesn't look as though it is. | :52:52. | :52:55. | |
He can play this off two cushions, you would think. | :52:56. | :53:04. | |
Yeah, it was too easy to hit. Hello! I was thinking he might get another | :53:05. | :53:12. | |
chance here to nestle up behind the green. It's not the case. | :53:13. | :53:43. | |
He needs a snooker, but the prior if you don't fancy getting a snooker, | :53:44. | :53:49. | |
you must get the object ball safe. If you don't, you won't have any | :53:50. | :53:55. | |
chance for anymore snookers. He needs to miss the blue. If he | :53:56. | :55:13. | |
missed the blue, it would have been a certain snooker. There you see it. | :55:14. | :55:24. | |
Barry Hawkins 37 ahead, 35 remaining. | :55:25. | :55:29. | |
That's one way to stop your opponent getting a snooker, snooker him! And | :55:30. | :55:43. | |
this is going to be very difficult to get out of. | :55:44. | :55:53. | |
REFEREE: Foul, thank you. Barry Hawkins five. He fouled the blue | :55:54. | :56:00. | |
when he was striking over - he called it. And I think it's a free | :56:01. | :56:06. | |
ball as well. So, I think that's the end of the frame, as far as Mark | :56:07. | :56:12. | |
Allen is concerned. We saw the blue just move. I'm sure Mark Allen would | :56:13. | :56:19. | |
have liked to have conceded there and then, but it's etiquette, when | :56:20. | :56:23. | |
it is your opponent's turn to come to the table. You don't concede. | :56:24. | :56:44. | |
The first frame took just under 11 minutes. The second frame just under | :56:45. | :57:01. | |
14 minutes. This has only taken a bit longer because of the attempt | :57:02. | :57:09. | |
from Mark Allen to play a snooker, otherwise it's been high-quality | :57:10. | :57:14. | |
stuff. I bet Mark Allen, after making that great century in the | :57:15. | :57:17. | |
first frame, wouldn't have been expecting to be 2-1 down. | :57:18. | :57:27. | |
He tried to get the cannon on the blue. Doesn't matter. Hello! This | :57:28. | :57:43. | |
blue is going close. Where's the blue ball going? Not quite. | :57:44. | :57:46. | |
Impressive. The 68 break early on put him in the snookers required | :57:47. | :57:49. | |
stage. Mark Allen did have a chance but he didn't make the most of it. | :57:50. | :57:54. | |
Barry Hawkins leads 2-1. JASON MOHAMMAD: Very shaky start by | :57:55. | :58:02. | |
Barry Hawkins in that opening frame, but he's settled down. Yes, Mark | :58:03. | :58:06. | |
Allen did miss a trick. Off the black, he will be kicking himself he | :58:07. | :58:09. | |
didn't get there. He had a great chance to lay that snooker there. If | :58:10. | :58:14. | |
he had got an angle to stun in behind the pink, nice and tight to | :58:15. | :58:20. | |
the pink, Barry Hawkins would have been in a bit of trouble. Just that | :58:21. | :58:21. | |
shot off the black has cost him. We know Mark Allen can pot balls. What | :58:22. | :58:22. | |
do you make of his safety game? know Mark Allen can pot balls. What | :58:23. | :58:27. | |
have to get better. He had a chance to get back to the baulk area, hit | :58:28. | :58:30. | |
it too thick and it cost him the frame. His safety will have to | :58:31. | :58:36. | |
tighten up. Thank you very much indeed. This match continues on the | :58:37. | :58:38. | |
Red Button and also on connected devices. We shall be back with | :58:39. | :58:43. | |
highlights at 11.15pm on BBC Two with the best of this match and | :58:44. | :58:46. | |
showing you highlights of Ronnie O'Sullivan's win this afternoon over | :58:47. | :58:50. | |
Mark Selby. My thanks to John Parrott. From all of us here, bye | :58:51. | :58:51. | |
for now. So, no-one pays tax here? | :58:52. | :59:05. | |
No-one pays taxes. | :59:06. | :59:09. |