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good evening, it is a packed house at the Palace, 2000 people making | :01:09. | :01:33. | |
their way into to enjoy this deciding session of the Masters | :01:34. | :01:37. | |
final. Ronnie O'Sullivan is the defending champion and has known | :01:38. | :01:42. | |
plenty of evenings like this. His 12 Masters final. But for his opponent, | :01:43. | :01:47. | |
42-year-old Joe Perry from Cambridgeshire, this is the first | :01:48. | :01:51. | |
time in his 26 year career that he has the chance of landing one of | :01:52. | :01:56. | |
snooker's major titles. There are three of them, this is the second in | :01:57. | :02:01. | |
the season. As an 80-1 shot, few people gave him a fighting chance | :02:02. | :02:05. | |
but after this afternoon's opening session, he's got one now... In the | :02:06. | :02:09. | |
first frame, it looks like the Rocket would take the opener but he | :02:10. | :02:13. | |
missed this straightforward scull into the pocket, and he asked the | :02:14. | :02:16. | |
referee to sort out is background noise in the auditorium. | :02:17. | :02:21. | |
Joe Perry was not bothered, and it was one nil to the gentleman. Midway | :02:22. | :02:26. | |
through frame two, Ronnie found himself 30 points behind. This | :02:27. | :02:30. | |
chance went astray... And Joe cleared to go 2-0 in front. 2-0 | :02:31. | :02:39. | |
down, it was time for The Rocket to begin playing. | :02:40. | :02:42. | |
This was his first brain taken of the final. In frame four, this | :02:43. | :02:51. | |
misjudged attempt that Joe Perry and at the interval. -- the first frame. | :02:52. | :02:58. | |
In frame five, the first after the interval, Joe Perry pressed home his | :02:59. | :03:03. | |
advantage with a magnificent break, 115, the highest of the match. In | :03:04. | :03:11. | |
frame six, Joe needed this red to go 5-1 in front, but he missed. Roddy | :03:12. | :03:17. | |
Grant fully mopped up the balls. In frame seven, with Roddy sensing | :03:18. | :03:24. | |
danger of going behind in this final, he pulled this off. In frame | :03:25. | :03:28. | |
eight, it was not vintage Ronnie O'Sullivan. But this shocking miss | :03:29. | :03:34. | |
from Joe Perry gifted him the frame. 4-4 going into the evening, and it's | :03:35. | :03:44. | |
all to play for... ANNOUNCER: Please welcome the 20 15th grand final | :03:45. | :03:51. | |
champion... Joe Perry! # Clap along if you feel like | :03:52. | :03:58. | |
happiness is the truth # Clap along if you know what | :03:59. | :04:04. | |
happiness is to you # Because I'm happy... | :04:05. | :04:08. | |
# Pop along if you feel that's what you want to do # | :04:09. | :04:18. | |
FUNKY MUSIC ANNOUNCER: And here comes the | :04:19. | :04:21. | |
defending Masters champion... Ronnie O'Sullivan! | :04:22. | :04:31. | |
CHEERING APPLAUSE | :04:32. | :04:49. | |
So, here we go. A possible 11 more frames tonight, the first to 10 will | :04:50. | :04:54. | |
win the ?200,000 first prize. He could step ahead of Stephen Hendry | :04:55. | :05:00. | |
to get that record of seven Masters titles, whilst Joe Perry can take a | :05:01. | :05:04. | |
big leap into the big-time as a major winner at last. | :05:05. | :05:08. | |
Over to our commentators, it is poised more finely than it everyone | :05:09. | :05:14. | |
expected? COMMENTATOR: It's an unbelievable | :05:15. | :05:17. | |
reception. The crowd are still cheering... | :05:18. | :05:18. | |
CHEERING An electric atmosphere for this | :05:19. | :05:23. | |
final session. There is the beautiful trophy. Thank you. The | :05:24. | :05:30. | |
ninth frame. Ronnie O'Sullivan to break. What a buzz for the | :05:31. | :05:41. | |
players... Fantastic! Just sitting here, enjoying the walk on and the | :05:42. | :05:46. | |
music... What it must mean for those players there, coming out to that | :05:47. | :05:53. | |
rapturous applause and welcome. Nothing like the Sunday night | :05:54. | :05:59. | |
Masters final at the Ally Pally... The question is, how much of those | :06:00. | :06:08. | |
few frames that Joe Perry let slip away, how much can he forget about | :06:09. | :06:12. | |
those? And have a fresh start again tonight? | :06:13. | :06:17. | |
It is a pretty good safety shot. Knowledge from Ronnie O'Sullivan. | :06:18. | :06:24. | |
Tapping the table. That was a thin one... What you call | :06:25. | :06:48. | |
a fine shot. Those two people, that is Paul Hunter's mother and father, | :06:49. | :06:53. | |
Christine and Allen, they will be delighted to be here, what an honour | :06:54. | :06:59. | |
to have this Masters named after their son, who won it three times. A | :07:00. | :07:05. | |
sad loss to the game, just 26 years old at the time, but what a player | :07:06. | :07:07. | |
he was. He certainly was. A straightforward escape shot here, | :07:08. | :07:45. | |
that is why Ronnie is coming off the escape cushion. Just a containing | :07:46. | :07:58. | |
safety. He did well. Coming back down behind the yellow, a nice angle | :07:59. | :08:03. | |
to come off those two oceans. -- oceans. He can play that one off the | :08:04. | :08:12. | |
white, to get down behind the yellow. | :08:13. | :08:23. | |
Another excellent safety. You need to be careful that he does not knock | :08:24. | :08:38. | |
the red towards this corner pocket... But he has played it very | :08:39. | :08:50. | |
well. I tell you what, we have had some cracking safety shot 's plate | :08:51. | :08:54. | |
already. Who is going to make the first mistake? Might be able to | :08:55. | :09:01. | |
sneak one in that is just above the black. And get the weight back down | :09:02. | :09:07. | |
the table. You can see just enough of it -- black Mac. As long as it is | :09:08. | :09:17. | |
not too thin. -- knock the white back down the table. That is pretty | :09:18. | :09:21. | |
good... An interested spectator, for the | :09:22. | :09:49. | |
first time that the snooker, Ed Miliband, I met him earlier on. He | :09:50. | :09:54. | |
loves snooker, and it is great to have him here. The leader of the | :09:55. | :09:58. | |
Labour Party for just under five years. | :09:59. | :10:04. | |
Is that a fluke? This is a thin one. Not straightforward. He will have | :10:05. | :10:22. | |
two hit it very thin... I can see with one eye, Ronnie Junior, | :10:23. | :10:26. | |
watching his father. It is never easy to roll up behind | :10:27. | :11:00. | |
the ball colour, Ronnie will be disappointed that he has left this | :11:01. | :11:05. | |
opportunity for Joe Perry. That is a bit unlucky there, Joe... Seeing the | :11:06. | :11:15. | |
red going over the bottom right-hand corner pocket. An easy starter, but | :11:16. | :11:25. | |
the paint is tied up, and the black is awkward. How does he get there? | :11:26. | :11:33. | |
Does he risk doing a cannon to get the blackout? -- the pink. He has | :11:34. | :11:40. | |
the cue power. He can get the cue ball behind the black and take it | :11:41. | :11:46. | |
into the same pocket... No. Trying to sneak past it... Just a safety | :11:47. | :11:54. | |
shot now... Still a little awkward with that | :11:55. | :12:47. | |
black near the bottom cushion tied up. This yellow... Switching hands | :12:48. | :12:56. | |
certainly helps, but not this time. He does not miss many with his | :12:57. | :13:03. | |
opposite hand. It is a cagey opening frame here. | :13:04. | :13:37. | |
It was tricky to get a position there where he can come off the pink | :13:38. | :13:42. | |
to get in behind the yellow again. This is excellent. A tough situation | :13:43. | :14:24. | |
there, for Ronnie. He has a similar situation here, Joe Perry. He will | :14:25. | :14:27. | |
have to Will Boyde the pink. Play a safety shot. | :14:28. | :14:37. | |
He goes around. Not on the colour. If that bounces... I do not think | :14:38. | :14:48. | |
that he can put the yellow in, though. It could be a useful fluke? | :14:49. | :14:55. | |
Has he covered it? CLAPPING | :14:56. | :15:29. | |
Joe Perry put himself into some trouble there. As he rolled up to | :15:30. | :15:32. | |
the brown committee was frightened of not reaching it. He would have | :15:33. | :15:37. | |
left a free ball, and hit it harder than he intended. And did not get | :15:38. | :15:39. | |
the snooker. Gradually, the frame is opening up. | :15:40. | :15:51. | |
There is a good length of shot. A fantastic pot. It would not have | :15:52. | :16:38. | |
mattered if you missed the cue balls. Safe anyway, but an excellent | :16:39. | :16:47. | |
pot. The yellow ball just comes off the side cushion. A yellow on the | :16:48. | :16:56. | |
way... Ronnie O'Sullivan, one. A series of breaks at the moment, | :16:57. | :16:58. | |
Dennis. Joe is a brilliant attacking player | :16:59. | :17:22. | |
as well. But this opening frame could suit him, after losing the | :17:23. | :17:33. | |
last three from 4-1 to 4-4. A bout of safety, that could get him used | :17:34. | :17:47. | |
to the evening's atmosphere. There is the Alexandra Palace crowd. 2000 | :17:48. | :17:53. | |
people... It is just buzzing here this evening. | :17:54. | :18:10. | |
Is there a gap between the brown and the green? This red over towards the | :18:11. | :18:20. | |
pocket. Just about enough, but he needs to cue it well, though... | :18:21. | :18:24. | |
There. Perfect! He made a break of 59 this | :18:25. | :19:16. | |
afternoon, it was all over the table. So awkward. It was brilliant. | :19:17. | :19:22. | |
Going back up the table, back down the table... He screws it into the | :19:23. | :19:33. | |
middle... Foul. A little careless there. Getting into the screw shot | :19:34. | :19:45. | |
with his left hand too much. A nervy opening frame here this evening. | :19:46. | :20:08. | |
A great pot. Nicely held for the black. | :20:09. | :20:23. | |
Nerves a little too far for this red among the top cushion. But he has | :20:24. | :20:30. | |
the top corner pocket is available. Could go for the black or the blue. | :20:31. | :20:45. | |
This red along the top cushion is very difficult... | :20:46. | :21:07. | |
Look at those scores, four frames each, 14 points each. All of the | :21:08. | :21:20. | |
fours. It's just been an awkward opening frame... The way that the | :21:21. | :21:27. | |
balls went early on. Now you have all of the colours in pottable | :21:28. | :21:34. | |
positions. An interesting tactical battle coming up... | :21:35. | :22:25. | |
He had a quick glance at the red, to see if he can put it in off the | :22:26. | :22:37. | |
pink. But the White is tight off the cushion but this opening frame is | :22:38. | :22:42. | |
interesting, as the reds come out, into the table... Possibly sliding | :22:43. | :22:49. | |
off this red down the left-hand side. Put the cue ball up into the | :22:50. | :22:55. | |
jaws of the yellow pocket. Cover that up with the yellow, that is a | :22:56. | :23:07. | |
possibility. Be careful, a simple shot that Joe played there. But a | :23:08. | :23:10. | |
clever one, staying tied to the top cushion. | :23:11. | :23:24. | |
That is about all he could do. The only thing is that he has left an | :23:25. | :23:32. | |
easy shot for Joe Perry to send the red back up the table, and make it | :23:33. | :23:33. | |
quite difficult for Ronnie. That is careless... I think that he | :23:34. | :23:51. | |
has covered it but he did not want the red over the pocket. It is | :23:52. | :23:55. | |
covered, as you can see. Needing to pull up a little bit... | :23:56. | :24:25. | |
Does this red get to the pink? This could be a chance for Joe. Clearly | :24:26. | :24:37. | |
going into the middle pocket, as you can see. Wanting the White tight on | :24:38. | :24:39. | |
the cushion. Probably not as easy as it looked. | :24:40. | :24:56. | |
Still fancying him for that one, though... It is one of those shots | :24:57. | :25:07. | |
where if you do not get it clean into the pocket, it might have gone | :25:08. | :25:11. | |
in, after the pink... Now he has been given a chance, I don't think | :25:12. | :25:16. | |
he can win the frame in this position, but... The awkward couple | :25:17. | :25:23. | |
of reds will be the ones that are right. | :25:24. | :25:35. | |
If we can somehow get a nice angle on the. -- on the blue. | :25:36. | :25:55. | |
That looks about perfect on the blue, a lot of top spin. | :25:56. | :26:22. | |
CLAPPING Hmm, he has the white safe, but to | :26:23. | :26:36. | |
take this pot on the white, we go dangerously close to the middle | :26:37. | :26:39. | |
pocket. If he does not take it on and avoided, he could come back | :26:40. | :26:46. | |
towards the black. There is the cue ball... | :26:47. | :26:54. | |
If you can see enough of this red, you can pot it, with an even angle, | :26:55. | :27:02. | |
and bring that extra pink into play. I think that he has gone too far, he | :27:03. | :27:07. | |
is on the yellow now, he cannot do that. | :27:08. | :27:28. | |
Ronnie O'Sullivan, three. Joe may try and knock this red that he is | :27:29. | :27:43. | |
closest to on to the pink and the red. | :27:44. | :27:59. | |
It looks as if this will be the longest frame of the match so far. | :28:00. | :28:07. | |
We had a 22 minute 46 second frame, that was frame seven. This one has | :28:08. | :28:18. | |
been going not too far off 23 minutes. But it was awkward how | :28:19. | :28:23. | |
those high value collars went at the start of the frame. -- colours. | :28:24. | :28:46. | |
CLAPPING It was interesting to see Ronnie | :28:47. | :28:54. | |
after the session today, I saw him in the practice room with his | :28:55. | :28:59. | |
friend, Damien Hirst, they were practising for at least one hour, I | :29:00. | :29:06. | |
would say. Which is unusual, between sessions you want to try and | :29:07. | :29:09. | |
conserve energy and get ready for tonight. But obviously still | :29:10. | :29:15. | |
concerned about his tip and wants to break it in a bit more. And probably | :29:16. | :29:21. | |
concerned that his highest break in the first session was a break of 58. | :29:22. | :29:27. | |
In frame three. After his performance against Marco Fu, | :29:28. | :29:32. | |
another day, a different game. But I think there's opening frame is | :29:33. | :29:45. | |
much more important for Joe Perry, having lost the last three, just to | :29:46. | :29:50. | |
establish things get himself back the lead. | :29:51. | :30:01. | |
This looks pretty good. He has got the snooker behind the yellow. That | :30:02. | :30:10. | |
black is helping because he can't swerve around the yellow, so he | :30:11. | :30:15. | |
might try the two cushion escape here. He does not want to leave a | :30:16. | :30:27. | |
free ball. Will Ronnie have a go at this pink now? In fact, the pink | :30:28. | :30:37. | |
being safe, with Ronnie having the advantage, he needs that pink tied | :30:38. | :30:38. | |
up. Just checking the monitor. For Paul | :30:39. | :30:55. | |
Callier to get the pink back right. In the same spot. That's near | :30:56. | :31:04. | |
enough. I don't know if that is left a bit, writer bit, I'm not sure. -- | :31:05. | :31:13. | |
right a bit. That is where it was. That is near enough. He needs a thin | :31:14. | :31:25. | |
slick on this. It could cost him the frame. | :31:26. | :31:32. | |
Ronnie did not see this coming. That first frame lasted so long. The | :31:33. | :32:14. | |
balls dictated that. 30 in front if he was to pot black, | :32:15. | :32:33. | |
37 in front. Black would need Joe Perry needing a snooker. | :32:34. | :32:40. | |
I'm not sure about that. He didn't have to get on the red. The only | :32:41. | :32:50. | |
needed the black but he played the normal shopper there, which added a | :32:51. | :32:54. | |
bit more pressure to it. Yes, I'm very surprised. -- shot. He is lucky | :32:55. | :33:05. | |
he has covered the red here, because he could be in trouble. | :33:06. | :33:13. | |
It could have been so much more difficult to hit this red. Hit and | :33:14. | :33:23. | |
hope for a bit of luck. He has got it. | :33:24. | :34:22. | |
30 ahead, so Ronnie needs the red and anything above the yellow. Job | :34:23. | :34:34. | |
needing a snooker. -- Joe needing a snooker. | :34:35. | :34:43. | |
He just needs the red, doesn't he? And any colour above in order to | :34:44. | :35:19. | |
win. Bit short of pace with the cue ball. A half chance. We know how | :35:20. | :35:31. | |
good of a long potter he is, Joe Perry. He is going to need one now. | :35:32. | :35:54. | |
Not quite sure what is going to take on. What it's shaping up to. It was | :35:55. | :36:14. | |
very difficult. Very difficult. He played it in a very clever way. The | :36:15. | :36:20. | |
possibility of always covering it with the yellow but still lucky. | :36:21. | :36:24. | |
Relying on a bit of luck. It will be interesting to see... Is | :36:25. | :36:44. | |
he going to try to get a bit of distance or just land on it? He is | :36:45. | :36:51. | |
going for the distance. He has left the red upper. He could have easily | :36:52. | :36:58. | |
nestled on the red. This red to secure the opening frame. | :36:59. | :37:09. | |
He had a glimmer of hope. Joe missed the black which could have put him | :37:10. | :37:14. | |
say. -- safe. Joe is thinking about it. He | :37:15. | :37:37. | |
is staying in his seat and he concedes and Ronnie O'Sullivan | :37:38. | :37:42. | |
carries on where he left off. It was a very long frame, just over 32 | :37:43. | :37:45. | |
minutes but Ronnie has taken it and that is four in a row and he now | :37:46. | :37:50. | |
leads by 5-4. STUDIO: Significantly, for the first | :37:51. | :37:54. | |
time he's ahead in this final having trailed 4-1 this afternoon. A | :37:55. | :37:59. | |
palpable tension in the arena at there. Well over 30 minutes. Two | :38:00. | :38:03. | |
shots to the middle pocket that both seem to illustrate the pressure on | :38:04. | :38:09. | |
both of them, I would say. Yes, the first one was Joe Perry trying to | :38:10. | :38:13. | |
pot of this. Under normal circumstances, he would have got | :38:14. | :38:17. | |
that but there was a red over that corner pocket. This one, it's one of | :38:18. | :38:23. | |
those ones, tricky on the black. The pressure, you want to play the shot | :38:24. | :38:28. | |
but sometimes you don't need to, you need to put it in, but the first one | :38:29. | :38:32. | |
Joe Hart, I looked at it and I went, I don't fancy this. If you know | :38:33. | :38:38. | |
you're going to miss it, it gets magnified. When Ronnie O'Sullivan | :38:39. | :38:42. | |
decides to pop the black and goes for the red commie puts pressure on | :38:43. | :38:47. | |
himself by going for the red. If he parts black on his own, the public | :38:48. | :38:51. | |
gets it. We questioned whether that was the right decision or not. Even | :38:52. | :38:55. | |
the great Ronnie O'Sullivan looking back perhaps could have recovered | :38:56. | :39:03. | |
with snookers but would have been over the line. He was trying to kill | :39:04. | :39:07. | |
off the frame and did not think you would miss the back but it's a tough | :39:08. | :39:11. | |
game. It's taken Ronnie all this time to get ahead because if you | :39:12. | :39:15. | |
were not with us this afternoon, we were discussing the prospect for Joe | :39:16. | :39:21. | |
Perry and very few people, had a hope of beating Ronnie. Ronnie was | :39:22. | :39:27. | |
7-1 to win this match so they thought it was all over. It was a | :39:28. | :39:33. | |
surprise when he left for- a wonderful soppy Mr very important | :39:34. | :39:40. | |
red to leave 5-1, and since then, it has cost him. Joe is a higher ranked | :39:41. | :39:45. | |
player. Number nine. Ronnie is number 13. But it's Ronnie's | :39:46. | :39:52. | |
experience and his craft which stood him in such great stead over the | :39:53. | :39:56. | |
last three years. Back we go. Versus frame ten. -- this is frame ten. | :39:57. | :40:41. | |
Always handy, a few of those to get you amongst the balls. | :40:42. | :40:51. | |
What can he make of it? Back open into the bottom left-hand corner | :40:52. | :40:58. | |
pocket. This is a very poor shot from Joe | :40:59. | :41:11. | |
Perry. Anywhere in the middle of the table, the pink, a couple of reds, | :41:12. | :41:14. | |
into this pocket. Might just have gotten away with | :41:15. | :42:05. | |
that. The red to the left of the pink. It goes over to the corner. | :42:06. | :42:17. | |
But that is far from a gimme. Wasn't easy. | :42:18. | :42:39. | |
You are not helping the players when you call out. Would you settle down, | :42:40. | :42:44. | |
please. APPLAUSE | :42:45. | :42:48. | |
Well said. You don't want one or two | :42:49. | :42:53. | |
individuals shouting out on their own. It's nice to have a great | :42:54. | :42:57. | |
atmosphere but you don't want people shouting out at the wrong time. It's | :42:58. | :43:02. | |
not doing the player they are shouting for any good. | :43:03. | :43:33. | |
That was some shot, that pace, wasn't it? | :43:34. | :43:42. | |
You just sense that he's taking control now of this match. I think | :43:43. | :43:48. | |
he needed that opening frame just to settle down again. He started so | :43:49. | :43:55. | |
well. Could quite easily have won the first session 6-2. He probably | :43:56. | :44:03. | |
was thinking that. He can't let this man get on a roll, the way he did | :44:04. | :44:05. | |
against Marco Fu. Devastating. Didn't get the cue ball away from | :44:06. | :44:21. | |
it. Had the red on the left-hand pocket as insurance. | :44:22. | :44:40. | |
He has cued that are very, very well. He made it look ridiculously | :44:41. | :44:51. | |
easy. The action on the cue ball, fantastic. Does he go for the blue | :44:52. | :44:55. | |
or comeback for the black? Has he overrun it for the red to the | :44:56. | :45:22. | |
left of the pink? There was a planned there and that has helped | :45:23. | :45:23. | |
the situation. One thing for sure. This frame is | :45:24. | :45:34. | |
not going to last as long as the opening frame. | :45:35. | :45:53. | |
It's quite noticeable Ronnie has upped his tempo around the table, as | :45:54. | :45:55. | |
well. One little cannon into these reds | :45:56. | :46:17. | |
now. Decided to go for the loose red. Security, can we go to the top, | :46:18. | :46:29. | |
please? There seems to be a medical situation. | :46:30. | :46:37. | |
Just a bit of a disturbance at the top. A medic is required. Hopefully | :46:38. | :46:42. | |
the person is OK. Ronnie says he wants to carry on. | :46:43. | :46:52. | |
APPLAUSE 64 in front. | :46:53. | :47:16. | |
Still a possible 59 on the table. At the snooker required stage. | :47:17. | :47:46. | |
The referee has asked him to give it a few seconds. I think someone is | :47:47. | :47:58. | |
unwell, probably with the heat in the arena. Exhausting. He looks OK. | :47:59. | :48:06. | |
He looks fine to me. Yeah, no problems. | :48:07. | :48:07. | |
APPLAUSE He has done a pretty good job, you | :48:08. | :48:54. | |
would say. Ronnie, for the last four or five | :48:55. | :48:59. | |
years, a different player. He is in a pretty good place mentally, | :49:00. | :49:00. | |
Ronnie. I think he thought he had missed | :49:01. | :49:07. | |
that red. A break of 68. He finished the frame | :49:08. | :50:58. | |
off with a magnificent 56. Joe never really had a lock in in that frame | :50:59. | :51:04. | |
and he continues on the march, Ronnie O'Sullivan. He now leads Joe | :51:05. | :51:11. | |
Perry by 6-4. He's just starting to take control here. Joe is starting | :51:12. | :51:15. | |
to feel the pressure quite a bit. It is a big, big Dave. His first time | :51:16. | :51:19. | |
in a major. -- Dave. Those last couple of frames he let | :51:20. | :51:28. | |
slip, he could easily have had a 60 lead tonight. Maybe he's feeling it | :51:29. | :51:33. | |
now because of those few frames that went, going into any lead, he | :51:34. | :51:39. | |
would've felt very confident but Ronnie, the way he started, OK, it's | :51:40. | :51:44. | |
not a vintage and Sullivan, but he is certainly buzzing around the | :51:45. | :51:51. | |
table -- O Sullivan. Played some amazing shots. There is one shot. | :51:52. | :51:56. | |
You can see how well he's getting through the ball. Yeah, Joe Perry | :51:57. | :52:03. | |
needs to get off the mark. And very, very soon. Yes, two more frames | :52:04. | :52:10. | |
before the mid-session interval. Joe needs at least one of them to go to | :52:11. | :52:15. | |
the interval and maybe get some practice on the practice table and | :52:16. | :52:19. | |
tried to keep himself in this match now. So, a key frame coming up. | :52:20. | :52:27. | |
Thank you. Frame 11. Ronnie O'Sullivan to break. | :52:28. | :52:40. | |
Decent break off from Ronnie O'Sullivan. It has left the red into | :52:41. | :52:49. | |
the bottom left-hand pocket. Coming down towards the black with the cue | :52:50. | :52:58. | |
ball. Wow. That was a long, long way away. | :52:59. | :53:36. | |
Joe has played so well this week. 6-1 against Stuart Bingham. Then 6-1 | :53:37. | :53:50. | |
against Ding Junhui. At the moment, that semifinal has taken its toll a | :53:51. | :53:56. | |
little bit. To come back from 5-2 behind and needing a snooker to beat | :53:57. | :54:03. | |
his good friend, Barry Hawkins, certainly takes a bit out of you | :54:04. | :54:05. | |
mentally. And that is a poor shot. He has | :54:06. | :54:21. | |
played some very good safety. There are just signs that he's losing a | :54:22. | :54:29. | |
little bit of concentration. Maybe just a little bit of confidence. | :54:30. | :54:56. | |
Tried to play a little cannon on those two read above the black but | :54:57. | :55:09. | |
it just slipped past him -- two reds. | :55:10. | :55:26. | |
I think all he has focused on now is beating Stephen Hendry's six Masters | :55:27. | :55:36. | |
title. I think that's what he is concentrating on. He's not worried | :55:37. | :55:42. | |
how he does it. He just wants the title so badly. At one stage, he was | :55:43. | :55:47. | |
trying a little bit too hard this afternoon. If Joe can just get | :55:48. | :55:57. | |
himself in with a decent pot, it will restore his confidence and it | :55:58. | :56:01. | |
wouldn't be a bad time to knock this longer red in the. He can get on the | :56:02. | :56:08. | |
black. The only red he believed is this one and it would be a terrific | :56:09. | :56:11. | |
confidence booster if he could get it. | :56:12. | :56:30. | |
Various one to the left. The pink and reds. Possibly into the right | :56:31. | :56:43. | |
corner. That is the one he is looking at. Ride in the centre of | :56:44. | :57:03. | |
the pocket. -- right. And that one shot, the new he was going to give | :57:04. | :57:10. | |
himself a terrific chance. Yes, and he's got a nice angle on the black. | :57:11. | :57:25. | |
Just play a little cannon. Tried to push one into the right-hand corner | :57:26. | :57:29. | |
pocket. It is still OK. This is where he is so good, in and around | :57:30. | :57:42. | |
the black. Small cannons into reds. His break-building is second to | :57:43. | :57:43. | |
none. At the moment, those two reds are | :57:44. | :58:11. | |
causing him problems. He would love to get the nearest one to the black | :58:12. | :58:15. | |
out of the way. He can't do that on this occasion. | :58:16. | :59:12. | |
There's plenty of reds in the open here, Dennis. Just keep the cue ball | :59:13. | :59:21. | |
down. He looks to have got into a nice rhythm. | :59:22. | :59:39. | |
Just overscrewed that slightly back to the blue again. | :59:40. | :00:03. | |
Ooh! That is a lapse in concentration... Nobody had seen | :00:04. | :00:12. | |
that coming. He was flying along, and suddenly, he lost concentration. | :00:13. | :00:17. | |
If you do that in this game, you can miss anything. 55 in front, he | :00:18. | :00:29. | |
should have secured third frame. -- that frame. It's time for Joe Perry | :00:30. | :00:37. | |
to go to work at the Alexandra Palace. A chance that you were not | :00:38. | :00:39. | |
expecting. Just running slightly out of | :00:40. | :01:21. | |
position, previously. It always seems to throw away few problems up. | :01:22. | :01:25. | |
This is a problem committee can pot the yellow but he will need an | :01:26. | :01:32. | |
extension on the cue, -- you can pop the yellow. There is two from the | :01:33. | :01:38. | |
pink that he needs to get into. He wants to get it past the blue. He | :01:39. | :01:47. | |
needed a lot of screw on the left-hand side to get on this red. | :01:48. | :01:58. | |
There is the screw at the bottom of the cue ball... | :01:59. | :02:04. | |
Probably overdone it, but I think that the red will go into the right | :02:05. | :02:18. | |
corner, as we show that action that he got from that, it was brilliant. | :02:19. | :02:22. | |
Two overscrew it from there. He still has the red into that pocket. | :02:23. | :02:36. | |
It is there. Excellent shot. He will play a cannon into that pink and | :02:37. | :02:47. | |
red. It may have been bad contact. Looking at Joe Perry's body | :02:48. | :02:53. | |
language. It looks like he got a kick on that. Let's see... Could not | :02:54. | :02:57. | |
have missed that by that much. 44 behind 51, still left on the | :02:58. | :03:38. | |
table. Just nestling into the red here. Not going to hit it, is it? | :03:39. | :03:41. | |
No. He has to get it this time. He will be 52 behind with 51 left if | :03:42. | :04:00. | |
he does not make contact with the red. Ronnie pushes the Green safe as | :04:01. | :04:11. | |
some insurance. On his previous shot. This is to make absolutely | :04:12. | :04:17. | |
sure of the frame. Just dropping it in... | :04:18. | :04:34. | |
That pink might stop Joe Perry coming back to the table. Nifty five | :04:35. | :04:45. | |
behind, 43 remaining. A snooker and a free ball -- 55. Joe Perry stays | :04:46. | :04:52. | |
in his chair... Ronnie O'Sullivan marches on, leading Joe Perry by | :04:53. | :05:00. | |
7-4. You have to feel that his challenge | :05:01. | :05:04. | |
will be wilting as Ronnie O'Sullivan goes through the gears? If he does | :05:05. | :05:09. | |
not win the next frame and he goes an 8-4 behind, it is curtains. As | :05:10. | :05:15. | |
simple as that? Yes, and Joe's reaction from the black, it was | :05:16. | :05:19. | |
immediate annoyance. I think that it was a kick. He did well to get as | :05:20. | :05:25. | |
far as he did in the frame but it has been tough for Joe, as he was | :05:26. | :05:29. | |
somewhere in front in the first session but it has gone haywire for | :05:30. | :05:34. | |
him. Six frames on the spin that he has lost. Ronnie the entertainer, he | :05:35. | :05:38. | |
says that he wants to win in style but he shows more maturity about | :05:39. | :05:43. | |
being Ronnie the fierce competitor. That is what is taking over for him? | :05:44. | :05:47. | |
It has been noticeable all week, shot selection bang on. A couple in | :05:48. | :05:52. | |
other matches, against Neil Robertson he could have taken | :05:53. | :05:55. | |
chances but he put the cue ball on the bottom cushion and said that he | :05:56. | :05:58. | |
would take his chance later. Still in the event and you can entertain, | :05:59. | :06:03. | |
if you have lost the match it is difficult! Now he is in front by a | :06:04. | :06:07. | |
few frames, maybe he has more breathing space? You might see him | :06:08. | :06:12. | |
move through the gears. I was one of the best entertainers on the M6 | :06:13. | :06:16. | |
after I was beat! He shows acceptance when things don't go | :06:17. | :06:20. | |
wrong, he has patience and has been working... We mentioned Doctor Steve | :06:21. | :06:23. | |
Peters, the sports psychiatrist with whom he has been working over the | :06:24. | :06:29. | |
last few years. The aspect of his game there is so much better? It is | :06:30. | :06:33. | |
chalk and cheese. You can tell through his demeanour, Dennis made | :06:34. | :06:36. | |
that point in commentary, he is spot on and seems happy to be out there | :06:37. | :06:41. | |
competing. He is enjoying this scoreline because one more we go, | :06:42. | :06:46. | |
into the mid-session interval. Ronnie O'Sullivan is now three | :06:47. | :06:51. | |
ahead... COMMENTATOR: John Parrott was saying | :06:52. | :06:55. | |
that it is a must win frame for Joe Perry. 8-4, and his back would be | :06:56. | :07:10. | |
right against the wall. Is that red going to pull up? Might be able to | :07:11. | :07:17. | |
sneak it in. Going past the middle pocket slightly. Be careful it does | :07:18. | :07:22. | |
not go off but it was another to the right middle pocket. That is a | :07:23. | :07:26. | |
better choice. He can get on the black if you can pot it... It is | :07:27. | :07:32. | |
there, a great shot! Decided not to go into the pack. He | :07:33. | :07:50. | |
is going to leave the blue, going to the pink and the reds from the blue. | :07:51. | :07:54. | |
There is still one from the black that will go. | :07:55. | :08:03. | |
As you go straight in from the blue, you leave the red, pot the red, go | :08:04. | :08:08. | |
into the bunch. It depends on how he feels. He is playing for the red, | :08:09. | :08:13. | |
then into the pack, and if he can get himself away from the cushion, | :08:14. | :08:18. | |
and be on pink or black committee is going to disturb reds and the pink | :08:19. | :08:21. | |
year... -- he is going to disturb. He did | :08:22. | :08:27. | |
not hit it hard enough, what does that show? Play the deep screw and | :08:28. | :08:31. | |
open them up, make sure that you go back. He would love to have another | :08:32. | :08:35. | |
go at that. This match reminds me a bit of the | :08:36. | :09:49. | |
Scottish Open, John Higgins lead Marco Fu 4-1, Marco Fu 18 frames in | :09:50. | :09:55. | |
a row. Ronnie has already won six in a row here. | :09:56. | :10:38. | |
APPLAUSE Hmm... Possible pot for Ronnie here | :10:39. | :10:51. | |
into the bottom corner pocket. Beyond the black, if it went in. | :10:52. | :11:00. | |
That is brilliant! Fantastic. Beautifully cued. A great shot. If | :11:01. | :11:16. | |
he tries to put it back he could miss that blew. See where he wants | :11:17. | :11:22. | |
to Place the cue ball -- blue. If he tries to force in the blue from | :11:23. | :11:27. | |
where the cue ball is sat, he could miss the pot. If it is right down on | :11:28. | :11:29. | |
it... This is just a safety shots... That | :11:30. | :11:49. | |
is much better than trying to screw back and missed the blue, and leave | :11:50. | :11:59. | |
the red on. Look how dominant that kiss on the | :12:00. | :12:40. | |
brown is. This red is OK. That is very good. APPLAUSE | :12:41. | :12:48. | |
Joe Perry would be disappointed to hit the brown and leave this red | :12:49. | :12:50. | |
into the corner pocket. Have to get that black on the spot. | :12:51. | :13:12. | |
Just thinking, he has potted 17 out of 22 long pots which is a high | :13:13. | :13:20. | |
success rate. But committee was trying to do what you said, but it | :13:21. | :13:25. | |
has gone too far. He may have to take the blue. -- but, he was trying | :13:26. | :13:32. | |
to do what you said. He really miss hit it. He was | :13:33. | :13:49. | |
playing for the red to the right of the bunch there. Gray Ronnie | :13:50. | :13:59. | |
O'Sullivan, 12. The safety is improved as well. Finding the | :14:00. | :14:05. | |
cushion with more consistency, keeping the pressure on Joe Perry. | :14:06. | :15:06. | |
That is a nice target, the brown, and the green. He almost missed | :15:07. | :15:18. | |
that, just a containing pot, as you say... I do not think that he can | :15:19. | :15:23. | |
get over behind the green and brown from this position. Tip on the baulk | :15:24. | :15:27. | |
cushion, that is what he is after here. -- | :15:28. | :15:47. | |
tight. He was able to get over there, and he has played it well. | :15:48. | :16:16. | |
That is a foul, and a miss. Can repot this and get on to the left at | :16:17. | :16:25. | |
the back of the blue? He was on the blue, perhaps the | :16:26. | :16:39. | |
black. Not the right side, take on the blue and get another read. A | :16:40. | :16:43. | |
better angle on the black. Next shops... | :16:44. | :16:47. | |
I think with Joe and this fast cloth, when you lose confidence, it | :16:48. | :17:09. | |
is easy to overcompensate. When you play well, with the speed of the | :17:10. | :17:13. | |
table, it is no problem, beautiful to play on but when you lose your | :17:14. | :17:19. | |
stroke, that is what has happened to Joe at the moment. A few chances in | :17:20. | :17:29. | |
that first session for Dennis, when he was leading 4-1. Doing so well, | :17:30. | :17:40. | |
missing a couple of Lindes. -- missing a couple of balls. | :17:41. | :17:51. | |
But, you always feel as long as your opponent leads two frames that you | :17:52. | :17:57. | |
are in with a chance but he has two up his game after the mid-session | :17:58. | :18:01. | |
interval. You have some time to think about it. The odds are, he is | :18:02. | :18:10. | |
going to lose this one as well. He is not completely out of this year's | :18:11. | :18:15. | |
final at the Masters but he has an awful lot to do and think about at | :18:16. | :18:16. | |
the mid-session interval. Of course, Ronnie O'Sullivan is on a | :18:17. | :18:33. | |
roll. He is such a hard player to stop. A great, tremendous | :18:34. | :18:39. | |
frontrunner. Running of frames in minutes. | :18:40. | :18:52. | |
It was 4-1 down committee is going to go 8-4, two frames away. And a | :18:53. | :19:02. | |
seventh Masters title. It is his 12th final in 20 odd years. An | :19:03. | :19:07. | |
incredible record here. He loves playing at this venue. He gets | :19:08. | :19:13. | |
support wherever he goes in the world, but in the London area... He | :19:14. | :19:22. | |
gets it especially. He is a delight to watch when he is buzzing like | :19:23. | :19:24. | |
this. That is his highest break in the | :19:25. | :19:46. | |
final, believe it or not. It is about winning the title which is | :19:47. | :19:48. | |
what he is after here... APPLAUSE That is seven frames in a row for | :19:49. | :20:06. | |
The Rocket, Ronnie O'Sullivan. 4-1 behind. He goes into the next | :20:07. | :20:14. | |
session needing two frames. He leads 8-4. | :20:15. | :20:17. | |
STUDIO: Since that 32 minute opening frame of the evening session, we've | :20:18. | :20:22. | |
gone 11 minutes, 12 minutes, 12 minutes, and suddenly, there are | :20:23. | :20:27. | |
seven in a row in this match... I wonder how much Joe's mind will go | :20:28. | :20:30. | |
back to that session where he may have gone 5-1 up? Joe was in command | :20:31. | :20:38. | |
this afternoon at one stage, 4-1 in front. He had a chance to have put | :20:39. | :20:43. | |
the pressure on Ronnie O'Sullivan. He did not have to do much on this | :20:44. | :20:47. | |
red, drop it in and it would have been a colour. There was a red on | :20:48. | :20:52. | |
the top cushion to get, but he could use it as a springboard to get back | :20:53. | :20:55. | |
into the match. He was struggling. There are certain points in the | :20:56. | :20:59. | |
match where someone can just press an advantage. And maybe, just a lack | :21:00. | :21:04. | |
of experience... I know he's been around the block playing but not | :21:05. | :21:09. | |
major finals. That one incident, you can stand back and concentrate as | :21:10. | :21:13. | |
hard as you can. It was important to have that parents. 5-1 and I | :21:14. | :21:16. | |
guarantee you are going into the lead in the opening session. Big ifs | :21:17. | :21:22. | |
and buts in this evening session, it could have gone anyway as well. If | :21:23. | :21:27. | |
you have the chance with someone on the ropes, it is good to keep them | :21:28. | :21:30. | |
there. If it goes wrong for Joe, he can go back and reflect on it and | :21:31. | :21:36. | |
think, what if? Is that an experience or a question of | :21:37. | :21:40. | |
experience? Is it the heat of the moment? You can argue that it is | :21:41. | :21:44. | |
like seeing the winning post too early. A number of things. Did he | :21:45. | :21:48. | |
just missed it? And not getting Ronnie O'Sullivan in the final, | :21:49. | :21:52. | |
that's not a big help! He has a fantastic record. This snooker | :21:53. | :21:58. | |
Masters is the second longest running event in snooker, going | :21:59. | :22:03. | |
since 1975. I'm sure many of you have wonderful memories over the | :22:04. | :22:06. | |
years, from Kirk Stevens's white suited maximum, to Mark Williams and | :22:07. | :22:15. | |
the black ball frame against Stephen Hendry. That list goes on and on, | :22:16. | :22:19. | |
but in this event, only the very best get to give their best. He was | :22:20. | :22:32. | |
in his white suit, playing in a classic match. Donald Sutherland was | :22:33. | :22:37. | |
in the player 's room. He came in and I thought, this is the first | :22:38. | :22:40. | |
game you've ever come to watch and he is in a 147 double. It bounces | :22:41. | :22:50. | |
off the cushion... It's not there yet. | :22:51. | :22:56. | |
Get in! Lovely, super! Brilliant, brilliant scenes in a fantastic | :22:57. | :23:13. | |
match. Never to be forgotten. # The crowd call out for more... For | :23:14. | :23:18. | |
Jimmy to follow it up in the decider... It's probably some of the | :23:19. | :23:22. | |
best snooker that you have ever seen. | :23:23. | :23:25. | |
CHEERING 112... Words have escaped me. Van | :23:26. | :23:37. | |
-- fantastic. My favourite would be the streaker, I remember thinking, | :23:38. | :23:46. | |
this could be an embarrassing day with Ronnie firing on all | :23:47. | :23:50. | |
cylinders... Not the Thunderbirds coming to my rescue, but the young | :23:51. | :23:55. | |
lady who takes off her clothes in front of the boards, and bounce | :23:56. | :23:58. | |
about in front of everybody will stop | :23:59. | :24:01. | |
# I should be so lucky # Lucky, lucky, lucky. I could not | :24:02. | :24:08. | |
see her face, let alone anything else! He put his hand on the | :24:09. | :24:19. | |
umpire's forehead to calm him down. I don't know why that is the most | :24:20. | :24:24. | |
memorable moment, but it is. We always used to walk into the | :24:25. | :24:29. | |
conference centre over there. There was always a sports car on show and | :24:30. | :24:33. | |
it was immaculate, gleaming. I thought, I would love to make a | :24:34. | :24:37. | |
maximum here... People always say, I remember you one the championship | :24:38. | :24:43. | |
there, but do you remember that Mr black for the 147? He must still | :24:44. | :24:51. | |
have nightmares... Missing the pink... It bounced off. The | :24:52. | :24:56. | |
disappointment... For him to miss the black. He wasn't in position | :24:57. | :25:01. | |
once. Putting so many fantastic shots. Every time I see it, I go, | :25:02. | :25:03. | |
cannot miss... That is painful! I still cannot | :25:04. | :25:18. | |
believe that he missed it. I was down on the black, thinking about | :25:19. | :25:23. | |
that car. And thought, how can I get it to Dublin? I didn't like the | :25:24. | :25:33. | |
colour anyway! I will never forget when they started to introduce | :25:34. | :25:38. | |
music, walk on music. And Jimmy White was playing Mark Kings. It is | :25:39. | :25:43. | |
the Whirlwind, Jimmy White! I remember sitting up with the crowd, | :25:44. | :25:48. | |
watching it. The place was heaving, and Jimmy got a wild card. I thought | :25:49. | :25:54. | |
that Kings would be up against it. King came out to some sort of rap | :25:55. | :25:59. | |
music. Doing the hands and all of that! It took everyone by surprise | :26:00. | :26:04. | |
and shock. I think he was trying to dance with Rob Walker, the MC! He | :26:05. | :26:11. | |
took it to the next level! Stephen Hendry, right down to the final | :26:12. | :26:16. | |
black in the whole tournament. He never reminds me of it, ever! (!) I | :26:17. | :26:28. | |
should have won that match. Playing that shot across the table. It | :26:29. | :26:32. | |
rolled off, slightly. I remember playing that kind of shot, that is | :26:33. | :26:40. | |
exactly what can happen. Is it in? No! It was far from a gimme. I did | :26:41. | :26:49. | |
not hit it as smoothly as I would have liked. Then Mark Williams | :26:50. | :27:04. | |
knocking the final black in... A tremendous cheer. Really deserved | :27:05. | :27:13. | |
for him. What a wonderful feeling it was. | :27:14. | :27:22. | |
1977... Doug Mountjoy versus Ray Reardon in the final. My very first | :27:23. | :27:32. | |
bet on snooker was ?40 to win on Doug Mountjoy at 33-1, to win the | :27:33. | :27:40. | |
Masters. They both played what we consider now to be average snooker | :27:41. | :27:44. | |
but at the time, it was Power Snooker, they were knocking in 50s | :27:45. | :27:48. | |
from all over the place. It was snooker from the gods! They put in a | :27:49. | :27:54. | |
great pink, from the Boult area. To win. Barry Hearn, as usual, backed | :27:55. | :28:03. | |
Doug Mountjoy and won a fortune! # Money, money, money! | :28:04. | :28:11. | |
# Must be funny... I won 1300 quid, it paid for my curtains, washing | :28:12. | :28:16. | |
machine and my fridge for my house. So, Doug Mountjoy? Thanks mate! Bill | :28:17. | :28:26. | |
the cap lost his cap. He was someone who came to all of the matches, love | :28:27. | :28:32. | |
snooker but liberty ever saw him without his flat cap on. Somewhere | :28:33. | :28:37. | |
down the line in his excitement, his cap must have dropped off, and he | :28:38. | :28:41. | |
went, where is my cap? We all collapsed in laughter, with a fit of | :28:42. | :28:47. | |
the giggles. Nobody ever saw Bill the Cap without his cap. It all | :28:48. | :28:51. | |
kicked off, we were up until past ten o'clock. What tonight we had. | :28:52. | :28:57. | |
Fantastic memories, those two in that final were a combined age of | :28:58. | :29:03. | |
85. This pair are combined at 83. It is younger. An interesting match. | :29:04. | :29:08. | |
But I bet that young Mark Williams is texting Stephen Hendry as we | :29:09. | :29:11. | |
speak... He has never let him forget it! He never will, they are still at | :29:12. | :29:17. | |
it now! The two of them have always been at each other. Ken's miss on | :29:18. | :29:24. | |
the black. He did not like the colour of the | :29:25. | :29:30. | |
car? The look on his face! It is the best producing their best. It has | :29:31. | :29:34. | |
produced magical moments over the years. Because you are seeing | :29:35. | :29:37. | |
well-known players in all of the matches, not only are they great, | :29:38. | :29:41. | |
but there are good memories as well. Great memories this week. You have | :29:42. | :29:45. | |
been voting for your shot of the tournament, and the results are | :29:46. | :29:46. | |
in... In the third-place, the positional | :29:47. | :29:50. | |
shot by Ronnie. What is he going to attempt on the | :29:51. | :30:04. | |
green? Something special? He is. Look at the action on the cue ball. | :30:05. | :30:10. | |
What a positional shot that is, by the way. Oh my goodness! What a shot | :30:11. | :30:16. | |
that is. To get that with the side around the angles, what a shot. In | :30:17. | :30:25. | |
second place, Ronnie again. His phenomenal pot to get out of trouble | :30:26. | :30:32. | |
against Marco Fu. Not often Ronnie thinks about a shot of this length | :30:33. | :30:35. | |
of time but it's very understandable here. | :30:36. | :30:43. | |
It was worth waiting on. I said he would do well to find a path down | :30:44. | :30:54. | |
the table. And he is on the brown to get back up to the reds. But, with | :30:55. | :31:05. | |
56% of the vote, it was shot J. Even ever got the right-hand side | :31:06. | :31:10. | |
question, he could miss. The yellow, the green. Good luck! Good luck with | :31:11. | :31:26. | |
this one! Great shot! What a shot! He practically got a standing | :31:27. | :31:30. | |
ovation for that one. Congratulations to Joe and thanks to | :31:31. | :31:34. | |
everybody who voted in this years shot of the tournament in agreement? | :31:35. | :31:40. | |
All the snooker fans know the right shot and that was a definite one. | :31:41. | :31:44. | |
The brown he got in the final frame decider was also a fantastic shot | :31:45. | :31:49. | |
and the blue, in fact. That drama last night until 11:30pm, we were | :31:50. | :31:55. | |
punch-drunk after that but it was a magnificent end to the match against | :31:56. | :32:01. | |
Barry. It certainly was. He came out all right this morning so we can't | :32:02. | :32:03. | |
complain but it's been a great journey for Joe this week especially | :32:04. | :32:08. | |
coming into the tournament with very little form. It is still a | :32:09. | :32:12. | |
waterfront crystal triangle both are playing for tonight, but whoever | :32:13. | :32:15. | |
hoists it this year will be officially lifting the Paul Hunter | :32:16. | :32:18. | |
Trophy. From this January, the Masters | :32:19. | :32:34. | |
trophy in perpetuity will be renamed the Paul Hunter Trophy. In memory of | :32:35. | :32:38. | |
Paul. I think, snooker fans around the world will appreciate that | :32:39. | :32:44. | |
gesture to a great, great player. I'm so pleased that we corrected an | :32:45. | :32:49. | |
earlier mistake of not naming something in his memory and of | :32:50. | :32:55. | |
course, the Masters is the name. Keeping his name alive, this trophy, | :32:56. | :33:01. | |
every time the Masters on, it will be called the Paul Hunter Trophy for | :33:02. | :33:05. | |
ever and ever. I think it's great, I think it's right. A great character, | :33:06. | :33:11. | |
great guy. Sorely missed. You don't want characters like that being | :33:12. | :33:16. | |
forgotten. Affectionately known as Beckham of the baize commie became a | :33:17. | :33:18. | |
hero to a generation. He was a great kid. Enjoyed | :33:19. | :33:44. | |
practising. A terrific player getting better and better. He just | :33:45. | :33:51. | |
enjoyed life. Had fun, wherever he went. A very laid-back character. | :33:52. | :33:56. | |
Yeah, just a great personality. Well liked by everybody on the circuit | :33:57. | :33:59. | |
and a great player as well. A fantastic player. He won it three | :34:00. | :34:08. | |
times, and each time he won it, he won it from ridiculous scores | :34:09. | :34:15. | |
behind. 7-2 down to Brian. 7-2 down to Ronnie O'Sullivan and I think | :34:16. | :34:19. | |
you're 63 down in the other one. It set a difficult tournament to win. I | :34:20. | :34:26. | |
remember the match, playing with him, 6-2, up, and it was mind to | :34:27. | :34:32. | |
lose. I got a bit defensive. Against most players, you could probably | :34:33. | :34:39. | |
scramble your way over the line but when he came out and started | :34:40. | :34:44. | |
attacking me, a lot of bottle and he had the game to win the world title. | :34:45. | :34:53. | |
He suited the modern day game or. In my mind, no doubt, he would have | :34:54. | :34:57. | |
been world champion. There was no doubt in my mind he would have been | :34:58. | :35:04. | |
world champion. Paul Hunter sadly passed away on October nine, 2006. | :35:05. | :35:07. | |
Five-day short of 28th birthday. His family set up the Paul Hunter | :35:08. | :35:25. | |
Foundation to honour his name with a mission statement to take snooker | :35:26. | :35:29. | |
out of disadvantaged communities throughout the UK and celebrate his | :35:30. | :35:34. | |
love for the game. Ten years on, having achieved so much, his father | :35:35. | :35:39. | |
Alan and coaches and youngsters from the Paul Hunter Foundation are here | :35:40. | :35:44. | |
in Ali Pali for a very special Masters. I think it could be a bit | :35:45. | :35:53. | |
emotional. Is seeing all of Paula's friends and colleagues, it's going | :35:54. | :36:02. | |
to be special. -- Paul. Such a great honour. A great tribute to his | :36:03. | :36:07. | |
memory. And a great legacy for his daughter. He loved the Masters. It | :36:08. | :36:11. | |
was his tournament in his time. Paul Hunter won the Masters three | :36:12. | :36:26. | |
times before he was the age of 25. One of our objectives is to put | :36:27. | :36:30. | |
smiles on kids faces, get them back into the game and ultimately, if we | :36:31. | :36:34. | |
can get one of them to be a champion like Paul, it will be fantastic. And | :36:35. | :36:41. | |
getting emotional now just talking about Paula. About the impact of the | :36:42. | :36:43. | |
foundation has on young people's lives. In today's society, Paul has | :36:44. | :36:51. | |
changed the life of 70 people. The final with Ronnie in particular, | :36:52. | :36:56. | |
that's what I'll always remember, the Masters. We know he would have | :36:57. | :37:00. | |
won the world title but he did the job and got the title and that can't | :37:01. | :37:04. | |
go away now, it's on the Trophy. I might be a bit emotional. Would you | :37:05. | :37:13. | |
please welcome Alan Hunter and the Paul Hunter Foundation players? | :37:14. | :37:14. | |
APPLAUSE Gird on the powers that be for | :37:15. | :37:23. | |
actually taking the bull by the horns and saying, yes, it's time to | :37:24. | :37:28. | |
call it the Paul Hunter Trophy. It is sure to be an emotional day | :37:29. | :37:34. | |
for the family. A day to celebrate a very special Masters champion. Well | :37:35. | :37:39. | |
played. Champion, Paul Hunter! APPLAUSE | :37:40. | :37:47. | |
Very special memories indeed of a very special man, and he won this | :37:48. | :37:54. | |
event three times before the age of 25 and always in his comeback style. | :37:55. | :37:59. | |
Whoever wins this this evening will have achieved that whether it's Joe | :38:00. | :38:04. | |
Perry or Ronnie. It will be a fitting end to this particular | :38:05. | :38:09. | |
final, but his legacy, you worked for the Paul Hunter Foundation, what | :38:10. | :38:14. | |
would you say in edges? His idea was, to get kids to play snooker and | :38:15. | :38:21. | |
I think he would be amazed at how long that has continued and to see | :38:22. | :38:25. | |
the enjoyment that kids get. We give as many free snooker cues as | :38:26. | :38:30. | |
possible. People from disadvantaged backgrounds, and the World Snooker | :38:31. | :38:33. | |
coaches put their heart and soul into making sure what they do for | :38:34. | :38:38. | |
them is good. It's a great community being built up and all the players | :38:39. | :38:42. | |
when they are asked to do something for the Paul Hunter Foundation do | :38:43. | :38:46. | |
it. Barry Hearn said they are writing a wrong this year. This is | :38:47. | :38:52. | |
long overdue, the Paul Hunter Trophy, isn't it? Absolutely. He was | :38:53. | :38:57. | |
a lovely lad. I a meeting at a young boy, a cocky lad with blonde hair, | :38:58. | :39:03. | |
but in a nice way. He had a good personality, someone you really | :39:04. | :39:05. | |
liked and all the players respected him. I can't look at his father | :39:06. | :39:09. | |
without feeling so sad every time I see him because nobody should see | :39:10. | :39:13. | |
their son go like that. We spoke to was mum earlier and she said his | :39:14. | :39:18. | |
daughter is doing fantastically well, so hello. She knows it's a | :39:19. | :39:25. | |
proud evening for her as well as the Trophy is handed over. Who is going | :39:26. | :39:29. | |
to lift it? It's looking as though it is business as usual now for | :39:30. | :39:36. | |
Ronnie O'Sullivan. The only hope is without the interval, it would've | :39:37. | :39:40. | |
been 10-4, the way it goes. Maybe he could come out and some confidence, | :39:41. | :39:45. | |
desperation, knock in a few balls but the way it's going, it looks | :39:46. | :39:49. | |
like it's all over but you never know. From Joe's perspective, it's | :39:50. | :39:52. | |
not time to throw caution to the wind but he's got to become pretty | :39:53. | :39:56. | |
aggressive from now on in because it's very difficult to go otherwise. | :39:57. | :40:01. | |
There's the vagaries of like in the game. When you consider all that Joe | :40:02. | :40:06. | |
has achieved in this week, and this is no disgrace, way to lose it at | :40:07. | :40:10. | |
this point, but he is still fighting and is in this. Also, this is | :40:11. | :40:17. | |
fabulous experience. The first time, in a major championship final, he is | :40:18. | :40:21. | |
playing in front of 2000 people who want the other fellow to win so this | :40:22. | :40:27. | |
is an unbelievable experience. As we say, let's get back to this. There | :40:28. | :40:32. | |
is a change of personnel in the commentary box. Stephen Hendry, John | :40:33. | :40:38. | |
Virgo. How much life is left in this final, guys? That's the big | :40:39. | :40:43. | |
question, Hazel. From what we've seen so far this evening, Joe will | :40:44. | :40:49. | |
really have to pick up his game. He had the dream start, led by 4-1. | :40:50. | :40:55. | |
Nothing to show for his efforts since then. | :40:56. | :41:08. | |
There was quite a few murmurings backstage. He wasn't happy with his | :41:09. | :41:14. | |
tip and was thinking of changing it at the interval, but I think the | :41:15. | :41:19. | |
scoreline has put him off doing that. | :41:20. | :41:41. | |
Much too thick. He's just not got his long pot curbing this evening. | :41:42. | :41:50. | |
Sometimes that's all the chance you get. | :41:51. | :41:59. | |
The is Alan and Christina Hunter. They will be very proud to have the | :42:00. | :42:08. | |
trophy named after their son Paul. . Pot from Ronnie and just about on | :42:09. | :42:18. | |
the black. He wasn't perfect on the black, but | :42:19. | :42:47. | |
tried to get it. It goes without saying, Stephen, he | :42:48. | :43:06. | |
needs to take every opportunity. Not that he has got one here. He has got | :43:07. | :43:10. | |
to forget the school board, basically, hasn't he? -- scoreboard. | :43:11. | :43:18. | |
Yes, it's just a hard situation he's got himself into. 4-1 ahead. If | :43:19. | :43:29. | |
there's going to be in? Yes. He did miss an opportunity this afternoon. | :43:30. | :43:32. | |
He could easily have won that session 6-2. Maybe a lack of | :43:33. | :43:37. | |
experience in these big matches, I don't know. He went 4-1 up, and then | :43:38. | :43:44. | |
started to show weakness. He should've started to show exactly | :43:45. | :43:52. | |
the opposite. As John Parrott said, he will learn from this experience. | :43:53. | :43:57. | |
Absolute perfect angle on the blue. Could not get the cue ball any | :43:58. | :44:03. | |
better. Couldn't have been in a better place. | :44:04. | :44:11. | |
Great shot. It will do his confidence the world of good if you | :44:12. | :44:22. | |
could win at this visit. Absolutely. And particularly if he could make a | :44:23. | :44:26. | |
century here. Nothing like a century. It proves to the audience | :44:27. | :44:28. | |
you have your right to be there. chance. Looks to be screwing across | :44:29. | :44:56. | |
to play the black in the same pocket as this red. | :44:57. | :45:04. | |
In the end, he decided not to risk that and played the blue but he has | :45:05. | :45:10. | |
played nicely. The only thing is, he is slightly on the wrong side of the | :45:11. | :45:14. | |
blue. He would have liked to have stayed at this end of the table. | :45:15. | :45:51. | |
When I suggested a play for the black in the same pocket as the red, | :45:52. | :45:58. | |
the black is now not available in either corner. He will have to | :45:59. | :46:04. | |
concentrate on the blue. No, it doesn't go. | :46:05. | :46:12. | |
It's not straightforward. It doesn't go on the left hole either. So just | :46:13. | :46:17. | |
a little bit of work to do. Perfect on that bed. You can always | :46:18. | :47:06. | |
tell when a player becomes perfect. He deals with this blue now, nice | :47:07. | :47:14. | |
angle. And now purposely playing for one of these threads, which will | :47:15. | :47:22. | |
make the black available. -- these reds. But this time he's just short | :47:23. | :47:31. | |
of a perfect position on the blue. You have to do is say that's a | :47:32. | :47:36. | |
little bit careless. Just the wrong side of the blue line. It's amazing | :47:37. | :47:43. | |
how often that happens. If you are too hard, you've got pink, yellow, | :47:44. | :47:49. | |
green, brown. It happened so many times, you just take the shot for | :47:50. | :47:57. | |
granted. He has put himself under pressure now if he's going to take | :47:58. | :48:02. | |
brown. No, he's going to play the easy blue. He will have a tough shot | :48:03. | :48:10. | |
now with the red. I would have been tempted to take the tougher Iran to | :48:11. | :48:23. | |
get nicely on the red. -- tougher brown. Struck Bardwell. 44. -- | :48:24. | :48:31. | |
struck that well, 44. Good shot right in the heart of the pocket. So | :48:32. | :48:38. | |
now just one good positional shot, it all depends on the line and | :48:39. | :48:43. | |
length of this. If he can get perfect on the red, you think you | :48:44. | :48:47. | |
could win the frame now the black is available. | :48:48. | :49:03. | |
Remember, the black is only available into the left corner | :49:04. | :49:08. | |
pocket. He won't be able to play for it here. No, back-up for the blue. | :49:09. | :49:18. | |
He needs the angles this time. Not got it again. You can hear him tap | :49:19. | :49:26. | |
his chalk on the side of the table. Frustration. | :49:27. | :49:36. | |
If he takes the cue ball between green and brown, on the right-hand | :49:37. | :49:43. | |
side, the side caution, bring the cue ball down between those four | :49:44. | :49:52. | |
reds, that's what he has played. He was always going to be unlucky | :49:53. | :50:01. | |
there. Yes, he's on the red Line now because I don't think he will risk | :50:02. | :50:07. | |
playing for the black. At the moment, just 67 remaining. If he | :50:08. | :50:12. | |
goes for the blue, he will still need one more red. I don't think you | :50:13. | :50:17. | |
will risk playing for the black. It could go wrong. | :50:18. | :50:24. | |
And, this time, 54. He's got what he needs on the blue. Just the right | :50:25. | :50:36. | |
side of the blue line. This blue and one more red and he will have his | :50:37. | :50:42. | |
first frame on the scoreboard. For quite a while. The red to go 59 | :50:43. | :50:55. | |
ahead with just 51 remaining. Well played. | :50:56. | :51:51. | |
He really will be concentrating here on making this century. It's very | :51:52. | :51:58. | |
important. He does not want to miss on a careless shot. 84. It build his | :51:59. | :52:05. | |
confidence. Appreciation from the audience that he can clear the table | :52:06. | :52:13. | |
here. And also he's got to think, Ronnie has not done anything special | :52:14. | :52:14. | |
tonight. During the interval, there were | :52:15. | :52:29. | |
rumours Ronnie was not happy with his tip and was going to change it. | :52:30. | :52:56. | |
And there he goes. Hez slams are not black and that will make him feel | :52:57. | :53:17. | |
real good. He is still a long way behind. On the scoreboard. But he | :53:18. | :53:21. | |
has shown everybody here this evening he is up for the fight. He | :53:22. | :53:26. | |
trails by three, 8-5. Ronnie O'Sullivan. | :53:27. | :53:33. | |
STUDIO: Joe's dad Peter is thrilled with that one of. The record, this | :53:34. | :53:38. | |
format, without the wild card event, it is 28, so we might get close to | :53:39. | :53:42. | |
that, you never know, but regardless of whether we do or not, it's the | :53:43. | :53:46. | |
fifth century of the week for Joe Perry and what a response. Seven | :53:47. | :53:48. | |
frames in a row. A fabulous character. He has come | :53:49. | :53:57. | |
back from the interval with a better attitude. He wasn't within himself | :53:58. | :54:03. | |
there. He got his chance and the boys said on commentary, if you | :54:04. | :54:07. | |
could make a century, that's great. In one visit, that's what is done, | :54:08. | :54:12. | |
well done. The second century of the night. I like the ending as well, | :54:13. | :54:16. | |
you knocked in the black with a bit of than. In a way, thinking of my | :54:17. | :54:25. | |
own game, you've got to start having a bit of attitude in your game -- a | :54:26. | :54:34. | |
bit of venom. Just get a bit stroppy Fulford it's all about me, me, me. | :54:35. | :54:39. | |
If he can change... Don't worry, you did it! You said venom with a bit of | :54:40. | :54:47. | |
venom, actually. He needs to go into himself and start looking nasty | :54:48. | :54:54. | |
around the table. OK, I don't know if you can convey that to Joe. Three | :54:55. | :54:57. | |
frames in it again. Although we are laughing, that's a | :54:58. | :55:09. | |
fair point Steve made. That's what he needed this afternoon, when he | :55:10. | :55:15. | |
was four up, that nasty streak, that killer instinct. He did not have it. | :55:16. | :55:17. | |
Is it too late now? Lovely shot. Is it going to pull up? Not quite. | :55:18. | :55:28. | |
Just an inch too far. Looks like a touching ball. That's | :55:29. | :56:48. | |
what the referee, Paul Callier, has called, so back to baulk for Ronnie, | :56:49. | :56:55. | |
because away from a touching ball, you are deemed to have hit it. | :56:56. | :57:09. | |
Good length with the cue ball. And, in these situations, you don't mind | :57:10. | :57:19. | |
being able to hit the reds. You never know, you could always knock | :57:20. | :57:25. | |
one over the corner. Is it too thick? Is it too thin? And he will | :57:26. | :57:31. | |
be bringing reds into play here, so he needs a good return. There is the | :57:32. | :57:37. | |
red going towards the corner. Come and have a look. It looks | :57:38. | :57:45. | |
mighty thin, though. Got it a mile to thick. You can see | :57:46. | :57:59. | |
on Ronnie's face. He played the right-hand side. Just | :58:00. | :58:31. | |
did not hit it well. Joe has just about got the angle on the blue. The | :58:32. | :58:43. | |
red next to the black could part into the right-hand corner. I'm sure | :58:44. | :58:46. | |
that's the one he wants to get to as quick as possible. -- pot. Good | :58:47. | :58:59. | |
chance, this. Especially coming hot on the heels of making a century in | :59:00. | :59:03. | |
that last frame. He should be feeling good. | :59:04. | :59:20. | |
On this black, he has got to be wary he does not make contact with the | :59:21. | :59:25. | |
red near the top cushion. He makes are certainly the pot. He | :59:26. | :59:42. | |
would liked to have played where Stephen mentioned before. But the | :59:43. | :59:46. | |
pot on the black was important. You just feel he needs one good | :59:47. | :59:57. | |
positional shot. Pot this red and go round the back | :59:58. | :00:15. | |
of the black. It's a tough shot. Playing for the black in the same | :00:16. | :00:16. | |
pocket as the red. Excellent touch. Making it a comfortable chance in | :00:17. | :00:54. | |
one visit. Straight screw back shot to the red, for the same pocket. | :00:55. | :01:26. | |
He winds up just below the pink but he desperately needs the right angle | :01:27. | :01:38. | |
for the blue, now. Well, maybe just about got it. He had like a little | :01:39. | :01:49. | |
bit more angle than this. -- he would like a little bit more angle | :01:50. | :01:50. | |
than this. It boils down to a good shot of this | :01:51. | :02:21. | |
green. It's a good line. And it's an excellent length, that's perfect. | :02:22. | :02:21. | |
APPLAUSE I would have been tempted to play | :02:22. | :02:45. | |
the other red. It means you'd leave more room to get properly on the | :02:46. | :02:49. | |
black. He's left himself with a slightly awkward angle. | :02:50. | :02:59. | |
The advantage of course, he only needs the red. 62 points ahead with | :03:00. | :03:11. | |
just 59 remaining. APPLAUSE He's on a roll, now, is Joe Perry. | :03:12. | :03:24. | |
And back centuries not out of the question. -- back-to-back centuries. | :03:25. | :04:00. | |
He has to think to himself how the scoring has gone in this match. The | :04:01. | :04:09. | |
total points, Joe Perry is ahead of O'Sullivan. Out of the two players, | :04:10. | :04:20. | |
he's the one that's winning his frames mostly in one visit. You've | :04:21. | :04:23. | |
got to take confidence from that. That's a pity, but nevertheless... | :04:24. | :04:54. | |
He's now just two behind. 8-6. STUDIO: He obviously heard that | :04:55. | :04:59. | |
lecture on venom from Steve Davis. What a complete turnaround and what | :05:00. | :05:04. | |
a very strange match. Its ebbs and flows. The intervals, if there'd | :05:05. | :05:09. | |
stayed out of it, it would have been 10-4. His attitude has come out, | :05:10. | :05:13. | |
he's hit the ball better than he's hit it in the match. His focus is | :05:14. | :05:18. | |
totally there. The thing to turn this much around, he's got to play | :05:19. | :05:24. | |
gnomish snooker and get some help from his opponent. The momentum | :05:25. | :05:29. | |
shifts are difficult to explain. Joe isn't going to question that right | :05:30. | :05:34. | |
now. And the change in attitude perhaps, the change in form is very | :05:35. | :05:41. | |
marked indeed. Very impressive, the last two frames. Joe has played well | :05:42. | :05:45. | |
when there's not much expectation on him, he's easier to play from | :05:46. | :05:50. | |
behind. Even though those last two frames have been wonderful, I'd be | :05:51. | :05:53. | |
far more impressed if he wins the next frame. This is the situation we | :05:54. | :05:59. | |
found ourselves in. Not quite on the brink last night against Barry | :06:00. | :06:04. | |
Hawkins. 2-5 behind against Barry and needed a snooker in the next | :06:05. | :06:08. | |
frame. Got it and extraordinarily clawed his way across the line. I | :06:09. | :06:14. | |
wonder how much comfort, how much inspiration you take from having | :06:15. | :06:18. | |
come through a match like that? There's nothing better than having | :06:19. | :06:22. | |
table time. He should be able to continue. If he gets the | :06:23. | :06:26. | |
opportunities, he's had the last frames. 8-4 behind, 8-5, 8-6, you | :06:27. | :06:36. | |
stop thinking, I'm back in this match. Can he play with the same | :06:37. | :06:40. | |
attitude he's played within the last two frames? That's the question. | :06:41. | :06:45. | |
Let's find out. Masters on Sunday night, you just can't beat it! | :06:46. | :06:58. | |
COMMENTATOR: You know now that Joe stepped up his game. Still got a two | :06:59. | :07:08. | |
frame cushion, has Ronnie. Since the interval, Joe Perry is just | :07:09. | :07:10. | |
beginning to steal the show. He won't be the first player to play | :07:11. | :08:01. | |
an aggressive shot. Ball spotted, 215 apiece. -- balls potted. Points | :08:02. | :08:23. | |
scored, Joe Perry in front, pickers the frames that he's one, he's been | :08:24. | :08:32. | |
able to win more of one visit. Ronnie purposely left him the chance | :08:33. | :08:38. | |
to hit that one. He's left a pot on, here. Right in the heart of the | :08:39. | :08:57. | |
pocket! Good cueing, that. Read at the bottom of the bunch will go to | :08:58. | :09:05. | |
the top 's corner. This looks absolutely perfect. | :09:06. | :09:20. | |
The reds just to the left of the bunch, excellent shot. The cue ball | :09:21. | :09:37. | |
ends up back in the black cushion. He's got one to the right middle. | :09:38. | :09:43. | |
He's got to do a little bit with the cue ball. Can't just drop it in. | :09:44. | :09:54. | |
Catching the bumper, the corner pocket, has left his cue ball very | :09:55. | :09:58. | |
close to the side cushion. Makes it a little bit awkward, now. | :09:59. | :10:15. | |
One of these type of shots, if you can plot the blue, then it's natural | :10:16. | :10:23. | |
to come off two cushions and play the red second night on the table. | :10:24. | :10:28. | |
It still needs potting. Obstructed him beautifully. | :10:29. | :10:49. | |
Once again, a trace of right-hand side on it and pushed the cue ball | :10:50. | :10:57. | |
in. That's exactly what Steve Davis | :10:58. | :11:20. | |
meant when he was saying he'd be more impressed if Joe Perry can win | :11:21. | :11:24. | |
this frame. It's all right in the last two frames when you've relaxed | :11:25. | :11:28. | |
a bit and you feel you're out of it. But that was a chance. To keep the | :11:29. | :11:44. | |
pressure on. Maybe the red just below the pink is available, into | :11:45. | :11:51. | |
the same pocket as the black. Just about on it. He'd like to have been | :11:52. | :12:03. | |
straight on it. That was a delightful shot. Judged the cannon | :12:04. | :12:07. | |
on the pink to perfection. I think he may just have one, to the | :12:08. | :12:23. | |
left corner. He set up the last two frames and | :12:24. | :13:06. | |
watched Joe Perry make 100 and a 90 odd. Ronnie would love to make a one | :13:07. | :13:18. | |
frame visit himself, here. Karen between the red, black and pink, | :13:19. | :13:26. | |
didn't get into the cue ball. Must have missed this red. Must have | :13:27. | :13:34. | |
really wanted to leave. Does this go to the middle? It does. He knew it | :13:35. | :13:42. | |
was running into the blue. The pot was more important than the | :13:43. | :13:50. | |
position. And now the blue has gone in on track to win the frame of this | :13:51. | :13:52. | |
visit. And the possible century. Damien Hirst, a great friend of | :13:53. | :14:14. | |
Ronnie's. Ronnie always tells me he keeps him happy during the | :14:15. | :14:20. | |
intervals. Always having a joke together. Has he missed it? Oh, he | :14:21. | :14:36. | |
nearly did. It was on the jaw. How has that gone in, John? This week | :14:37. | :14:40. | |
some balls have gone in which have baffled me. That's frame ball. I can | :14:41. | :14:48. | |
only put it down to the speed he played it. Surely a bit harder it | :14:49. | :14:54. | |
wouldn't have gone in. Joe Perry had a chance when Ronnie missed, but he | :14:55. | :15:05. | |
couldn't take it. Ronnie would love to make a century, here. | :15:06. | :15:34. | |
Well, there was a question being asked of Ronnie, and at the second | :15:35. | :15:42. | |
chance has taken these really well. The standard has certainly risen in | :15:43. | :16:05. | |
the last three frames. This'll be the first century of the | :16:06. | :16:34. | |
match from Ronnie. He seemed breaks of 92 in the last frame, from Joe | :16:35. | :16:36. | |
Perry. APPLAUSE | :16:37. | :17:00. | |
What a reply from the Rocket! Just when it looked as though Joe Perry | :17:01. | :17:04. | |
was getting back in this match, he's turned on the afterburner. Superb. | :17:05. | :17:12. | |
Ronnie O'Sullivan now is just one frame away from a seven Masters | :17:13. | :17:23. | |
title. 9-6. STUDIO: One frame away from back-to-back titles. His young | :17:24. | :17:31. | |
son is in their, very proud of his dad. And, guys, we are looking | :17:32. | :17:38. | |
potentially at a 17th major title in this board for Ronnie O'Sullivan. | :17:39. | :17:42. | |
And his competitive instincts are showing through. It's his first | :17:43. | :17:49. | |
century of the match. Vast experience, to break your heart a | :17:50. | :17:55. | |
bit. With Joe's perspective. There were still a few reds open at one | :17:56. | :18:00. | |
stage. He put in a great pink, smashed into the pack of reds and | :18:01. | :18:03. | |
forced an angle and open them up enough to make it a clear-cut | :18:04. | :18:08. | |
chance. He's such a great talent in all departments. Under pressure, | :18:09. | :18:11. | |
other players would have perhaps tried to wheedle balls out there but | :18:12. | :18:15. | |
he really tried to force the issue. You've got to cue those beautifully, | :18:16. | :18:20. | |
to get any work out of the cue ball, it was virtually straight there. | :18:21. | :18:25. | |
Kept the break going. A wonderful way to stem the mini revival from | :18:26. | :18:30. | |
Joe Perry. Renaissance Joe knows he's got to win the last four. It's | :18:31. | :18:34. | |
been done by Ronnie in the World Championship. He knows it can be | :18:35. | :18:41. | |
done but he's not done it yet. The last victory Joe had over Ronnie was | :18:42. | :18:47. | |
nine years ago. So, a long time. A mountain to climb to Joe Perry. | :18:48. | :18:59. | |
COMMENTATOR: Decent break off a shot. Any time you don't leave a pot | :19:00. | :19:04. | |
on... Ronnie is having a look at this end of the table. I don't think | :19:05. | :19:09. | |
he can get to the potting angle of this red. I think he can hit it, can | :19:10. | :19:20. | |
he pot it? Just had to play the containing safety. We've had three | :19:21. | :19:28. | |
marvellous frames of snooker. It was a little bit scrappy before the | :19:29. | :19:33. | |
mid-session interval. Since they've come back out, the standard has gone | :19:34. | :19:35. | |
up many notches. Former leader of the Labour Party, | :19:36. | :19:53. | |
Ed Miliband. He was chatting to Ronnie in the interval, telling him | :19:54. | :19:54. | |
how well he was doing. And there, peeping through is Ronnie | :19:55. | :20:33. | |
Junior. He's got away with it... I say he's got away with it, that red | :20:34. | :20:38. | |
he's played... If Ronnie has got the right angle, he may play this red to | :20:39. | :20:42. | |
the right middle. It all depends on the angle of the pot. Maybe he's not | :20:43. | :20:53. | |
got the right angle. Maybe he has. Does it reach? Does it reach... It's | :20:54. | :21:02. | |
always difficult sometimes, when you're very close to a ball and | :21:03. | :21:06. | |
you're frightened of playing a push shot. He's left his read on. -- his | :21:07. | :21:20. | |
red on. OK, maybe straight on the blue but there a red on the | :21:21. | :21:27. | |
left-hand side of the table. He has to screw back an inch and he'll beat | :21:28. | :21:35. | |
on that red. The black available into both corner pockets. A decent | :21:36. | :21:39. | |
chance. I can't see anything available. He | :21:40. | :21:52. | |
looks as though he's going to have to go into them, here. He's not got | :21:53. | :21:57. | |
the angle to play the red to the top vision. He's got to fully commit to | :21:58. | :22:00. | |
this but whatever you do, don't miss the black. Is he on this red? I must | :22:01. | :22:13. | |
admit I'm surprised he didn't go into the pace there. He opens | :22:14. | :22:23. | |
everything up. I don't think now is the time to play tentative shots. I | :22:24. | :22:38. | |
think you've got to attack. Considering to play this pot and | :22:39. | :22:47. | |
using a white -- a right-hand side swerve but this is dangerous. You | :22:48. | :22:51. | |
play it more out of frustration, and it being the shot to play, he's held | :22:52. | :22:57. | |
himself together and had to bite the bullet and play safe. A | :22:58. | :22:58. | |
disappointing finish. Careless. Schoolboy error. And that, | :22:59. | :24:38. | |
well, there's quite a bit to do, but could that be his last shot in this | :24:39. | :24:43. | |
year 's Masters? It's not beyond the realms of possibility. Because | :24:44. | :24:52. | |
there's one thing you know for certain, Ronnie O'Sullivan will not | :24:53. | :24:53. | |
shy away from the winning line. Trying to rough the tip up, he's not | :24:54. | :25:36. | |
happy with the tip. He's trying to press it with the groups in the file | :25:37. | :25:40. | |
to try and get a bit of softness into the tip. He feels it's too | :25:41. | :25:45. | |
hard, he's not getting the action of the cue ball, he's not getting to | :25:46. | :25:51. | |
screw back. That's more like it. Aggressive shot. Great chance, now. | :25:52. | :26:49. | |
Nicely played. All the reds he requires an now in pottable | :26:50. | :27:02. | |
positions. It's a case of holding yourself together, now. He knows he | :27:03. | :27:06. | |
can't afford a mistake. It's where the pressure's going to come from. | :27:07. | :27:11. | |
He's been gifted this opportunity, he's got to take it. | :27:12. | :27:41. | |
Is he on the pink? Did the cue ball just stop in time? It must have | :27:42. | :27:50. | |
done. A little shake off the head. I think he's on it. He's on it. He | :27:51. | :28:03. | |
just wanted to be slightly off straight. The other side of the pink | :28:04. | :28:15. | |
to get nicely on the next red. That wasn't the best of contacts. He's | :28:16. | :28:21. | |
going to have to play a tough pot here, to the far left corner. A 52 | :28:22. | :28:32. | |
point lead, still a possible 83 points remaining. That equates to | :28:33. | :28:46. | |
three more of these reds needed. If he plays for the black, it's like a | :28:47. | :28:50. | |
shot to nothing. Can't leave anything. It was like a shot for | :28:51. | :29:04. | |
nothing but he should have got that. He knows it. He would pot that, nine | :29:05. | :29:13. | |
times out of ten. That is a nice nudge. Covering the | :29:14. | :29:38. | |
red. This time Joe can see the red. | :29:39. | :30:47. | |
Ronnie would not mind Joe playing that. No intention of taking that | :30:48. | :30:54. | |
red away from there. Another red safe here. | :30:55. | :31:03. | |
He will have a chance to take the red away from the safe position and | :31:04. | :31:11. | |
the cue ball behind yellow and brown. He just hit the red a bit | :31:12. | :31:21. | |
wide. Now the way the reds are spread, any mistake, even though Joe | :31:22. | :31:27. | |
has this lead, it could still cost him this match. He has to be very | :31:28. | :31:34. | |
careful he does not offer up a chance to Ronnie. Great shot! What a | :31:35. | :31:47. | |
shot that was! That will win the frame, surely. | :31:48. | :31:58. | |
I looked at Joe's dad, he did not clap, he just shook his head. It's | :31:59. | :32:03. | |
great! The pink will put him 67 points in | :32:04. | :32:21. | |
front with 67 remaining. Just looking for the red and he is nicely | :32:22. | :32:27. | |
on it, I think, to the left middle. He is looking at the one to the left | :32:28. | :32:32. | |
corner, but the left middle would be my choice. This for snookers | :32:33. | :32:38. | |
required. He is hanging on in there, Joe. | :32:39. | :32:48. | |
Every credit. He has shown great character, Joe | :32:49. | :33:40. | |
Perry. If he could just win the next game to get one behind. It would be | :33:41. | :33:44. | |
interesting to see what would happen. Still that two frame | :33:45. | :33:49. | |
cushion. Well he was trying to get the | :33:50. | :34:41. | |
cannon, but it does not matter. Both players are going to leave the | :34:42. | :34:46. | |
reader. Joe Perry brought it back to two. STUDIO: 42-year-old Joe Perry | :34:47. | :34:55. | |
has tried for 26 years to get into the final of one of snooker's three | :34:56. | :35:00. | |
major tournaments and what a performance he is putting up. He is | :35:01. | :35:06. | |
learning a lot about himself. How is the situation changing as he gets | :35:07. | :35:09. | |
closer and Ronnie has moved away? He was in -- impressive from 8-4 to 8-6 | :35:10. | :35:22. | |
but it is different now. If he wins the nets, he has nowhere to go. He | :35:23. | :35:31. | |
can somehow, if he can play the superhero, he could get over the | :35:32. | :35:36. | |
line. It needs help from Ronnie O'Sullivan but Joe has a chance. He | :35:37. | :35:41. | |
is getting help. Ronnie missed a black, pretty straightforward. But | :35:42. | :35:47. | |
then Joe had a cracking shot from the cushion. He could not hit this | :35:48. | :35:52. | |
better. In the circumstances, fabulous. This is the form he has | :35:53. | :35:58. | |
shown all week. Beating two class players. Stuart Bingham 6-1. Ding | :35:59. | :36:04. | |
Junhui, 6-1. Coming back to beat Barry Hawkins. Ronnie is still | :36:05. | :36:11. | |
unhappy with the tip that was put on yesterday in dramatic circumstances | :36:12. | :36:14. | |
in the semifinal against Marco Fu. It would appear that the tip put on | :36:15. | :36:22. | |
was very hard, as well. But a very hard tip quickly becomes a very hard | :36:23. | :36:28. | |
tip. He is back to square one. This is why he was trying to soften it up | :36:29. | :36:33. | |
a bit. He will need help Ronnie. Ronnie will not need many chances to | :36:34. | :36:39. | |
get over the line and so Joe cannot make too many mistakes. He has | :36:40. | :36:42. | |
breathing space as long as he keeps up the pressure and does not miss | :36:43. | :36:51. | |
any easy ones. Joe Perry still has it all to do, but my goodness, what | :36:52. | :36:55. | |
a great fight. He has shown brilliant character in his first | :36:56. | :37:00. | |
major final. If he could just win this one, boy, would it get | :37:01. | :37:06. | |
interesting. We have known some very dramatic nights at the Masters | :37:07. | :37:11. | |
finals before. Paul Hunter, the man after whom the trophy has been | :37:12. | :37:15. | |
renamed was the master of it all, three times he came back. Huge | :37:16. | :37:20. | |
deficits. I wonder if there is a sting in the tail here tonight, as | :37:21. | :37:23. | |
well. Back we go. No pot left for Joe here. In the | :37:24. | :37:51. | |
last frame, Ronnie had a chance to clinch frame and match. Unlike him, | :37:52. | :37:53. | |
he missed a black from the spot. Oh, that makes a difference. Is he | :37:54. | :38:15. | |
on a baulk colour? He is, yellow or green. You cannot beat a bit of | :38:16. | :38:16. | |
luck. Can he take advantage? What a time of the match this would | :38:17. | :38:33. | |
be to start getting a good run of the ball. | :38:34. | :38:43. | |
He put the red into the right-hand side of the pocket which is why the | :38:44. | :38:47. | |
cue ball has travelled too far. I'm not sure he played for this red | :38:48. | :39:08. | |
at the back of the pack. I think he played for an open red but it looks | :39:09. | :39:13. | |
as if he can see enough of it to pot it and from the potting angle, can | :39:14. | :39:22. | |
he reach? He played it nicely. Not the best position shot, in all | :39:23. | :39:57. | |
honesty. It means he has more to do with the cue ball. | :39:58. | :40:05. | |
But not too much. I didn't realise the pink went. | :40:06. | :40:16. | |
So now a good angle needed. It depends where the pink goes. Does it | :40:17. | :40:28. | |
go of it spot? -- on its spot. He would prefer to play for the blue? I | :40:29. | :40:35. | |
think so, looking at the shape of the reds. If you place for the | :40:36. | :40:42. | |
black, there is only one red to hit, really. He is playing for the black. | :40:43. | :40:50. | |
Oh, dear. We will give him the benefit of the doubt and say it was | :40:51. | :40:57. | |
a massive bounce off the cushion. I cannot believe he has overhit it | :40:58. | :41:01. | |
that much. I still think he should have gone up for the blue. | :41:02. | :41:08. | |
This is a strange choice, the spider. He could have run off the | :41:09. | :41:30. | |
black the other side and come off the cushion. | :41:31. | :41:51. | |
He will be opening the reds, so he will need a good cue ball. | :41:52. | :41:58. | |
He has not got one. Hitting the baulk colour in the face. Never | :41:59. | :42:08. | |
good. Right in the middle. I think he has | :42:09. | :42:49. | |
a couple of reds that go to the left corner. | :42:50. | :43:10. | |
They looked tight. It may go to the same pocket as the black. Obviously | :43:11. | :43:23. | |
it does. He has finished low, not deliberately, I am sure, so he will | :43:24. | :43:25. | |
be disturbing some reds here. He could have done without the flick | :43:26. | :43:43. | |
on the blue. If he had, he would be nicely on the brown. You fancy him | :43:44. | :43:47. | |
potting yellow but it is getting the rest between the blue and the white. | :43:48. | :43:56. | |
It makes it awkward. The last thing you need on the vital pot is any | :43:57. | :43:58. | |
distraction. He has to put all his attention into | :43:59. | :44:22. | |
this pot. This could definitely be his last shot if he misses the | :44:23. | :44:23. | |
yellow. He left the rest on the table and he | :44:24. | :44:58. | |
has picked it up. As the yellow come to his rescue? REFEREE: Settle down, | :44:59. | :45:07. | |
please. I do not think he has left anything, nothing that will tempt | :45:08. | :45:12. | |
Ronnie. The safety shot, trying to get the cue ball in behind the | :45:13. | :45:18. | |
green. That yellow for Joe Perry would have been no problem | :45:19. | :45:23. | |
whatsoever, could he have put the rest in the normal position, but, | :45:24. | :45:29. | |
awkward as it was, and how he missed it, he was lucky not to leave | :45:30. | :45:34. | |
anything. He was lucky to have missed the yellow by so far, which | :45:35. | :45:35. | |
is why he did not leave the red. There we go. The red to the left of | :45:36. | :45:58. | |
the yellow is available. But, with Ronnie 39 points behind, pressure, | :45:59. | :46:01. | |
he needs to get it. But not an easy red. Ronnie just | :46:02. | :46:22. | |
smiling, I do not think he is smiling because he is happy. At the | :46:23. | :46:30. | |
minute, Ronnie O'Sullivan looks like he needs to fall over the line. Oh, | :46:31. | :46:35. | |
Joe. You feel this is what Ronnie was | :46:36. | :46:57. | |
looking for, and ICC starter. -- and easy starter. He has landed perfect | :46:58. | :47:07. | |
on the blue. He will have the red on the left-hand side cushion to | :47:08. | :47:10. | |
contend with if he is going to win the frame and match at this visit. | :47:11. | :47:24. | |
He needs to really focus here, Ronnie. | :47:25. | :47:30. | |
He played that well. Almost straight. He forced it into the top | :47:31. | :47:36. | |
cushion. A good positional shot. Joe Perry will be sitting there | :47:37. | :47:59. | |
wondering if he will ever get back to the table. He will be hoping, as | :48:00. | :48:06. | |
well, the red on the left-hand side cushion, the one that Ronnie just | :48:07. | :48:14. | |
glanced at, could be his saviour. He will be pinning his hopes on the | :48:15. | :48:16. | |
red. This is clever. He is purposefully | :48:17. | :48:40. | |
playing for the yellow, to get it on its spot because if he can get on | :48:41. | :48:44. | |
the yellow, it will be a nice cannon to disturb the red on the left-hand | :48:45. | :48:48. | |
side cushion. Talking about looking four shots ahead. | :48:49. | :48:56. | |
Having said that, he has not got the angle on the red to play for the | :48:57. | :49:02. | |
yellow, which I think was in his mind. | :49:03. | :49:08. | |
He has played for the yellow. It needs to slow down. He can get to | :49:09. | :49:20. | |
the yellow. And off the yellow he can disturb the red. What a snooker | :49:21. | :49:30. | |
brain this man has got. Well, just caught the red too thin. But to even | :49:31. | :49:31. | |
think of it. Still three points adrift. Whoever | :49:32. | :49:49. | |
puts this red, you feel, will win the frame. It will not be Ronnie at | :49:50. | :49:51. | |
this visit. Not got the snooker. But it is safe | :49:52. | :50:00. | |
enough. If he is playing the up and down he | :50:01. | :51:05. | |
will have to avoid the double-kiss. I thought when he got down quick, I | :51:06. | :51:10. | |
thought it is not as straightforward as that. Beware the double-kiss. | :51:11. | :51:25. | |
Well, in making certain he did not get the double-kiss, he did not play | :51:26. | :51:31. | |
the best safety. I do not think he has left a pot on but he could get | :51:32. | :51:38. | |
the initiative here, in the tactical battle, Joe Perry. For me, whoever | :51:39. | :51:45. | |
pots this red will win the frame. He might have rolled up the cue ball | :51:46. | :51:52. | |
behind the pink. There is pressure on every shot Joe | :51:53. | :52:24. | |
Perry plays. Every shot could be his last. | :52:25. | :52:30. | |
Yes, the point of no return. And this is a big ask, to get this safe. | :52:31. | :52:43. | |
You always think in these situations if you can leave distance between | :52:44. | :52:47. | |
the cue ball and the object ball, it might make it too difficult for your | :52:48. | :52:52. | |
opponent. But so many things can go wrong here. | :52:53. | :53:11. | |
Well, under the circumstances, that is a pretty good shot. Just | :53:12. | :53:17. | |
concentrating on making sure of getting the red say. -- save. | :53:18. | :53:28. | |
He did not want a kiss on the blue. Can Joe get through to the potting | :53:29. | :53:41. | |
angle? Just looking at his body language, maybe he can just hit | :53:42. | :53:46. | |
enough of the red. No, he is playing safe. | :53:47. | :53:53. | |
He avoided the kiss on pink and blue. But he has not got the | :53:54. | :54:02. | |
snooker. He has got it safe. Ronnie will try to get the cue ball in | :54:03. | :54:09. | |
behind green and brown. You feel if somebody could lay a snooker here, | :54:10. | :54:14. | |
they would be a big favourite for the frame. Not quite the line, but a | :54:15. | :54:16. | |
good length. Again, all he could do was | :54:17. | :54:47. | |
concentrate on getting the object ball safe. | :54:48. | :54:58. | |
Overhit it. This red does cut. It is thin. He may consider the safety the | :54:59. | :55:11. | |
easier option, but it definitely cuts. The only problem, they cut so | :55:12. | :55:19. | |
thin, if you missed it, you tend to leave it over the pocket. Where's | :55:20. | :55:30. | |
the cue ball going? O. If it goes in, match over. Fractions. | :55:31. | :55:52. | |
I think Ronnie caught that too thick, to say the least. I still | :55:53. | :56:08. | |
maintain whoever potss this red wins this frame and Joe Perry is taking | :56:09. | :56:10. | |
it on. Close. Is he going to leave it? I | :56:11. | :56:25. | |
think he has. Has the brown come to his rescue? I don't think it has. | :56:26. | :56:36. | |
He can pot that. Ronnie can get through to this red. So here is the | :56:37. | :56:45. | |
chance. For frame and match. This yellow will make the points all | :56:46. | :57:08. | |
square. He could have played it better. | :57:09. | :57:24. | |
You would have to say for most of the tournament he has been far from | :57:25. | :57:31. | |
his best but what he has shown is the phenomenal will to win. Once | :57:32. | :57:43. | |
again, not the best positional shot. But a tremendous pot. The blue will | :57:44. | :57:57. | |
put him 14 points in front with just 13 remaining. | :57:58. | :58:02. | |
In it goes. He has developed the pink. This is a big moment for | :58:03. | :58:13. | |
Ronnie to break Stephen Hendry's record of six Masters titles. He has | :58:14. | :58:21. | |
taken the tip off. He did not like it. Joe Perry says congratulations. | :58:22. | :58:29. | |
Joe Perry, boy, did he play hard tonight, absolutely brilliant. He | :58:30. | :58:33. | |
knew in the middle of the match he did not perform as he would have | :58:34. | :58:37. | |
liked. Ronnie O'Sullivan, takes the tip off and throws it to the floor. | :58:38. | :58:42. | |
Puts his cue on the table but he will be delighted when he reflects | :58:43. | :58:47. | |
on this because, for the seventh time, he is the Masters champion. | :58:48. | :58:53. | |
Congratulations. There is younger Ronnie getting a hug. He beats Joe | :58:54. | :59:05. | |
Perry 10-7. STUDIO: Ronnie is celebrating. Let me grab a word with | :59:06. | :59:13. | |
our gallant runner-up. Joe, what a week, what a performance, you prove | :59:14. | :59:16. | |
yourself this week with the fantastic run to the final and the | :59:17. | :59:21. | |
way you performed. I proved a lot. I proved there is life left in me and | :59:22. | :59:25. | |
it has given me believed to keep plugging away and try to win a big | :59:26. | :59:30. | |
one. He is a tough man to stay in front of? I got him on a good day. | :59:31. | :59:39. | |
He did not get into full flow. I lost my way at 4-1 and lost it a | :59:40. | :59:43. | |
little bit. 8-4 down I thought sod it, and I will go for it again. I | :59:44. | :59:50. | |
had my chances. Fair play to Ronnie. CHEERING. Joe, it has taken you 26 | :59:51. | :59:58. | |
years of your career to get to one of these finals. It has had me no | :59:59. | :00:06. | |
end of taste. This crowd has been amazing and when I stand on those | :00:07. | :00:10. | |
steps, every time my stomach goes, I feel sick, but it is a great feeling | :00:11. | :00:14. | |
and that is what you take the game up for, nights like these. Joe | :00:15. | :00:16. | |
Perry. CHEERING. Ladies and gentlemen, your winner | :00:17. | :00:28. | |
for the seventh time, Ronnie, how tough did Joe make it for you today? | :00:29. | :00:35. | |
Joe played a brilliant tournament. A really good match. He should have | :00:36. | :00:41. | |
beaten me today. I really got lucky. He's going to come again and he's | :00:42. | :00:46. | |
going to win tournaments. The way he's played, he's a tough, tough | :00:47. | :00:50. | |
competitor. I'm just relieved to have got over the line. I've had a | :00:51. | :00:54. | |
great week, the fans have been unbelievable. CHEERING | :00:55. | :01:04. | |
I've really enjoyed the week. Today was a test. This whole week has been | :01:05. | :01:10. | |
a test. Not just for snooker reasons... There's no one beside | :01:11. | :01:18. | |
you, there's no one in front of you. It's just you out on your own with | :01:19. | :01:23. | |
seven Masters titles now, that must be a wonderful feeling. CHEERING | :01:24. | :01:31. | |
APPLAUSE Listen, it's great to get some | :01:32. | :01:36. | |
records. There's still the World Championships to get. I'll try and | :01:37. | :01:41. | |
make that one as well! Listen, when I was young I was just happy to have | :01:42. | :01:50. | |
won one. To have won seven, someone must be up there looking after me. | :01:51. | :01:54. | |
I'm not greedy, I just appreciate every opportunity I get to come out | :01:55. | :01:59. | |
here and play in front of these fantastic people. Finally, ladies | :02:00. | :02:04. | |
and gentlemen, I know that you will appreciate was about to happen. | :02:05. | :02:08. | |
You're about to lift the Paul Hunter Trophy. You've done this in a | :02:09. | :02:13. | |
comeback style Paul would have approved of. What kind of honour is | :02:14. | :02:18. | |
that for you tonight? I won the Paul Hunter classic in Germany, that | :02:19. | :02:23. | |
meant so much to me. A player of Paul's stature and what he did in | :02:24. | :02:28. | |
the game, he deserves to have his name on a tournament like this. | :02:29. | :02:32. | |
APPLAUSE He'll never be forgotten. All the | :02:33. | :02:38. | |
players love him. If he's up there, you are there in our hearts and our | :02:39. | :02:43. | |
minds and we'll love you. Well said, you are champion for a seventh time. | :02:44. | :02:46. | |
Ronnie O'Sullivan. APPLAUSE Ladies and gentlemen, please welcome | :02:47. | :02:57. | |
your presentation party. APPLAUSE Ladies and gentlemen, your | :02:58. | :03:17. | |
runner-up, what a fantastic week it has been. Collecting a cheque for | :03:18. | :03:23. | |
?90,000 and some fantastic memories, Joe Perry! APPLAUSE | :03:24. | :03:41. | |
And the winner, receiving a cheque for ?200,000, the Trophy and the | :03:42. | :03:51. | |
title 2017, Masters champion Ronnie O'Sullivan! APPLAUSE | :03:52. | :04:04. | |
Once again, ladies and gen -- ladies and gentlemen, your champion Ronnie | :04:05. | :04:21. | |
O'Sullivan! The 17th major title of his career, a seventh Masters. | :04:22. | :04:25. | |
Ronnie confirming he's still got a seventh world title on his mind. He | :04:26. | :04:30. | |
says he doesn't care about these records? A fantastic achievement. He | :04:31. | :04:38. | |
now owns the outright lead in one of snooker's three major titles. He's | :04:39. | :04:41. | |
been chasing you and Stephen Hendrie all of his career. This is a really | :04:42. | :04:47. | |
significant moment for him. It proves how great a player he is. I | :04:48. | :04:52. | |
know he what hasn't won as many were championships as Stephen Hendrie but | :04:53. | :04:55. | |
in a modern-day error his five is a worthy record in itself. To win | :04:56. | :05:01. | |
seven Masters, he's made this event his own. He's produced so much | :05:02. | :05:04. | |
astonishing snooker in such an entertaining way as well. It was | :05:05. | :05:09. | |
1999 the last time one of the snooker majors was owned outright. | :05:10. | :05:14. | |
This is a serious point of history for the snooker watchers amongst us. | :05:15. | :05:19. | |
Very much so, Hazel. It's fitting that is him. He's a local boy, his | :05:20. | :05:24. | |
performances have been nothing short of spectacular. To be in 12 finals | :05:25. | :05:30. | |
is an unbelievable record. He's an absolute class act. Despite the fact | :05:31. | :05:36. | |
he wasn't at his best, and he wasn't today, his application and attitude | :05:37. | :05:39. | |
has been spot-on. He was a deserved winner. The fact that he wasn't at | :05:40. | :05:46. | |
his best, he's still capable of winning an event, augurs well for | :05:47. | :05:49. | |
the future for Ronnie O'Sullivan should he wish to carry on playing. | :05:50. | :05:53. | |
It's not like he's got to be fit to the floor all the time to win the | :05:54. | :05:57. | |
events. He's still got something in the locker. That's a significant | :05:58. | :06:01. | |
point. He started the week saying he wanted to be the Lionel Messi of | :06:02. | :06:05. | |
snooker and he's entered it more or less the Roy Keane, that fearsome | :06:06. | :06:08. | |
spirit coming through the whole time. You could tell by his shot | :06:09. | :06:13. | |
selection this week, for people who play the game, refusing shots and | :06:14. | :06:18. | |
playing the safety and waiting and being patient, trying to trap his | :06:19. | :06:22. | |
opponent. He found the way to win this week and that was impressive. | :06:23. | :06:27. | |
Does that bode well for the World Championships? I think so. The | :06:28. | :06:32. | |
Masters seeking better. It's a shorter format and we'll struggle | :06:33. | :06:35. | |
and have done in the past with the longer format. He can take a lot of | :06:36. | :06:42. | |
confidence from this. As a joke, I asked whether it had given him a | :06:43. | :06:47. | |
taste for more at the age of 42. What a fantastic landmark | :06:48. | :06:50. | |
achievement for him to night. It makes two people to make a great | :06:51. | :06:54. | |
final. Earlier when I said it toughened him up, I meant to say it | :06:55. | :06:59. | |
made him more streetwise. His first major final, he had a fish on a hook | :07:00. | :07:03. | |
and he let it go. When he looks back, he'll learn from that. The | :07:04. | :07:10. | |
next snooker on the BBC is on BBC Two Wales from the 13th of February. | :07:11. | :07:14. | |
It is the Welsh Open. Ronnie with another title to defend in Cardiff. | :07:15. | :07:21. | |
Before you know it, The Crucible will be beckoning again. The 40th | :07:22. | :07:25. | |
anniversary year of the World Championship in Sheffield. 15th of | :07:26. | :07:29. | |
April is the start date for the annual 17 day marathon. That is it | :07:30. | :07:36. | |
from Alexandra Palace and will leave you with Ronnie O'Sullivan in | :07:37. | :07:39. | |
seventh heaven. Goodbye from us all here. | :07:40. | :07:57. | |
The Robshaws are going back in time again. | :07:58. | :08:57. |