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What a fabulous atmosphere. What a thrill to walk into the arena to | :00:34. | :00:36. | |
that reception. A fantastic pot. That is the shot of | :00:37. | :00:59. | |
the tournament. It's there. It's been a fabulous semifinal. It would | :01:00. | :01:04. | |
have graced any final, but in the end, Ronnie O'Sullivan, well, he was | :01:05. | :01:09. | |
just brilliant and he goes on to beat Marco Fu by 6-4. He's in the | :01:10. | :01:17. | |
final. Hello, Ronnie O'Sullivan is the talk of Alexandra Palace | :01:18. | :01:21. | |
tonight, as he has been so often here, having booked his place in a | :01:22. | :01:29. | |
12th masters final. The Masters exploded into life this afternoon, | :01:30. | :01:35. | |
after what he considered the most amazing win of his career. The | :01:36. | :01:39. | |
second semifinal this evening against another packed house will be | :01:40. | :01:45. | |
between Joe Perry and Barry hawkins. Now both of these men are two of | :01:46. | :01:50. | |
snooker's hardy annuals. They have been there or there abouts for many | :01:51. | :01:54. | |
years. It was Barry Hawkins who got to the final here last year. He was | :01:55. | :02:00. | |
beaten 10-1 on that occasion. It was a disappointing night for him. It | :02:01. | :02:04. | |
should not be forgotten the brilliance of his run to get there | :02:05. | :02:06. | |
in the first place. Unbelievable match. That what it | :02:07. | :02:27. | |
means to Barry Hawkins. He's made three century breaks and it's nice | :02:28. | :02:31. | |
to see the two boys having a chat there. He's reversed that result | :02:32. | :02:37. | |
when he lost a couple of years ago, 6-5. He's a very popular winner. | :02:38. | :02:44. | |
Barry Hawkins defeats Judd Trump by 6-4. Great match boys. | :02:45. | :02:51. | |
His son is here again. So is the six times former masters winner himself | :02:52. | :02:59. | |
Stephen Hendry. Barry Hawkins hadn't won a single game until he turned up | :03:00. | :03:05. | |
last year. He's bidding for two finals in the row. He loves a big | :03:06. | :03:10. | |
occasion. He's also done really well at The Crucible, the biggest | :03:11. | :03:14. | |
tournament in our calendar. He obviously loves the big occasion and | :03:15. | :03:19. | |
saves his best for these events. For world number nine Joe Perry, this is | :03:20. | :03:25. | |
a hat-trick for him. He's in the semifinals of the World Championship | :03:26. | :03:28. | |
and the United Kingdom champion and what does he need to do to take the | :03:29. | :03:32. | |
last step into the final? I think all he can do is trust his own | :03:33. | :03:36. | |
ability, believe that he's good enough. He obviously hasn't won any | :03:37. | :03:40. | |
of the three majors, all he can do is go out, there trust his game is | :03:41. | :03:43. | |
going to be good enough and hope that carries on through. He's | :03:44. | :03:47. | |
conceded fewer frames than anybody, two in wins over Stuart Bingham and | :03:48. | :03:55. | |
Ding Jun Wei. What's happened to him? I think two or three things, | :03:56. | :03:59. | |
perhaps the fact there's no ranking points. He doesn't have to worry | :04:00. | :04:03. | |
about that. If he loses in the first round he doesn't get any points. | :04:04. | :04:07. | |
This venue is incredible. He's inspired to play well. Maybe he | :04:08. | :04:12. | |
feels he's got nothing to lose. Talking about being disillusioned | :04:13. | :04:15. | |
with the game and what he's going to do and he's inspired. He's played | :04:16. | :04:18. | |
great stuff. We're really looking forward to this. This is the 11th | :04:19. | :04:22. | |
big match between these great friends over 14 years. Ironically, | :04:23. | :04:25. | |
Joe Perry was the first man that Barry Hawkins ever beat at the | :04:26. | :04:28. | |
Masters, that was only last year in the first round here. It's the first | :04:29. | :04:33. | |
time they've met in the rarefied semifinal atmosphere in any | :04:34. | :04:36. | |
tournament. There'll be no old pals act this evening. My first dream was | :04:37. | :04:46. | |
to play at the Masters. I saw Jimmy White walk out, it was my dream to | :04:47. | :04:50. | |
get down there and play. I achieved that. Now you want to get better and | :04:51. | :04:55. | |
better and achieve more, sort of, boyhood dreams. It will be difficult | :04:56. | :04:59. | |
going out to play a good friend. Sometimes it creates a scrappy game. | :05:00. | :05:03. | |
Hopefully we both play well and it doesn't go scrappy. Our | :05:04. | :05:08. | |
personalities get on. We've just gelled. We talk about things, | :05:09. | :05:14. | |
nothing, not always snooker. It's a semifinal. I'm still here. That's | :05:15. | :05:18. | |
the main thing. As long as I'm still in it, I'll try my best. It would be | :05:19. | :05:24. | |
unbelievable if I could go all the way. Barry's' tough match for | :05:25. | :05:27. | |
everyone. He's been to the world final. He got to the final here last | :05:28. | :05:30. | |
year. Everyone knows how good he is. Got to try and be better than him in | :05:31. | :05:36. | |
all departments. You've had great scraps over the years with some of | :05:37. | :05:39. | |
your friends, like a certain Mark Williams. Shall I mention the '9 8 | :05:40. | :05:46. | |
final, possibly not. I just roll my eyes! How difficult is it to play a | :05:47. | :05:52. | |
friend? Difficult. Tonight's match could go two ways. They could either | :05:53. | :05:56. | |
both fly out of their skin or be really scrappy. They're both in the | :05:57. | :06:00. | |
practise room chatting to each other, I don't understand how people | :06:01. | :06:04. | |
can be friendly. Never did that? No, don't do friends before a match. | :06:05. | :06:08. | |
Especially a night like tonight. Once they're out here, they know | :06:09. | :06:12. | |
what's at stake. The chance to play Ronnie O'Sullivan here tomorrow. | :06:13. | :06:17. | |
There's one very nervous fellow the 1979 world champion Terry Griffiths. | :06:18. | :06:21. | |
He's in Barry Hawkins' coaching corner. He's hoping his man makes to | :06:22. | :06:27. | |
back-to-back finals tonight. Spending loads of time in the | :06:28. | :06:32. | |
practice room and great success with Barry Hawkins. Yes, he's playing | :06:33. | :06:36. | |
very well. He got to the final last year. He's having a good season this | :06:37. | :06:41. | |
year. He's very easy to work with. I've been with him four or five | :06:42. | :06:45. | |
years now. He's got everything in his game. He's a top four player. He | :06:46. | :06:49. | |
can produce a top-four performance. But he isn't getting in the top four | :06:50. | :06:56. | |
at this moment in time. I think his opponents, there's no doubt about | :06:57. | :06:59. | |
it, don't underestimate him at any time. Technically, perhaps not so | :07:00. | :07:05. | |
many changes, is it more of a mental thing you're working with him? | :07:06. | :07:12. | |
Initially, when I started with Barry and we done a little bit then. It | :07:13. | :07:17. | |
wasn't a lot, you know. His action is very, very consistent. He's got a | :07:18. | :07:20. | |
lovely, smooth delivery through the ball. He comes back a long way. He | :07:21. | :07:25. | |
doesn't make the ball go into the pocket too fast, as you know, it | :07:26. | :07:29. | |
helps a lot then just to get through the corners of something. Most of it | :07:30. | :07:36. | |
is mental now. We chat all the time. Arguably, you could have said he's | :07:37. | :07:44. | |
too nice a guy. Have you made him harder, nastier? I wouldn't say | :07:45. | :07:48. | |
that. He's a very competitive person. He's a nice guy, but once | :07:49. | :07:52. | |
he's out there, he's very competitive. I feel that I help the | :07:53. | :07:58. | |
players with most of the time is being with them at tournaments, when | :07:59. | :08:01. | |
they need somebody just to chat to. If they're in a bad frame of mind | :08:02. | :08:06. | |
coming off 3-1 down or something like that, I'm there to chat with | :08:07. | :08:09. | |
them and watch them on the table and tell them, you know, that if they | :08:10. | :08:16. | |
hit it bad, they know, I tell them. Then we do something, if they're | :08:17. | :08:20. | |
hitting it good, I just leave it. He looks like he's got more belief. | :08:21. | :08:24. | |
He's got more belief because he's playing better and having more | :08:25. | :08:28. | |
success. Like you used to work with Terry, why is he such a good man to | :08:29. | :08:31. | |
have in your corner, what does he do? The biggest advantage Terry has | :08:32. | :08:35. | |
over other coaches, he's been there and done it. He's been in the pit, | :08:36. | :08:39. | |
as it were. If you're in the dressing room and you want to moan | :08:40. | :08:42. | |
about things, he knows exactly what you're going through. He must have | :08:43. | :08:45. | |
done a fantastic job. We remember Barry Hawkins in the final last | :08:46. | :08:49. | |
year, yet he came back to beat O'Sullivan a few months later. Part | :08:50. | :08:52. | |
of the repair work done by Terry over the weeks? I think between | :08:53. | :08:57. | |
Terry and Barry, you just think that you've been beaten by the better man | :08:58. | :09:00. | |
on the day. That result doesn't happen too often. You get destroyed | :09:01. | :09:04. | |
like, that just forget. It he did a good job. He came back and beat him | :09:05. | :09:07. | |
at the world champion shns. He's eradicated the memory of the final | :09:08. | :09:12. | |
last year. Ronnie O'Sullivan is waiting for one of them and MC rob | :09:13. | :09:16. | |
Walker is waiting for both of them. Over to you. | :09:17. | :09:20. | |
Good evening, ladies and gentleman, this is the very last session of | :09:21. | :09:24. | |
snooker before tomorrow's final, the only question - which of the two | :09:25. | :09:29. | |
best mates waiting back stage will be joining the Rocket in one of the | :09:30. | :09:34. | |
sport's show piece show downs, it's time to find out! | :09:35. | :09:37. | |
Please welcome a player bidding for his second successive Masters final. | :09:38. | :10:00. | |
So far this week, he's beaten Shaun Murphy 6-#1, the reigning world | :10:01. | :10:04. | |
champion, Mark Selby 6-3, twice a ranking event winner. He's poised | :10:05. | :10:09. | |
and ready for this. Here comes the Hawk, Barry Hawkins! | :10:10. | :10:16. | |
And his opponent, a player who finds himself in uncharted territory | :10:17. | :10:49. | |
tonight, having never made it to the semis before. He's done so conceding | :10:50. | :10:53. | |
only two frames so far this week. This is without doubt one of the | :10:54. | :10:58. | |
biggest matches of his 26-year career. So please raise the roof for | :10:59. | :11:02. | |
the gentleman, Joe Perry! STUDIO: Such an important occasion | :11:03. | :11:32. | |
for both men. Watching this best of 11 frame semifinal, our commentary | :11:33. | :11:46. | |
team. COMMENTATOR: Absolutely, this is a | :11:47. | :11:47. | |
big night for both players. Well mistake straight away. I was | :11:48. | :12:04. | |
just going to say with the reception they got coming in the arena, there | :12:05. | :12:08. | |
will be a bit of nerves out there. Shown up almost immediately. Yeah | :12:09. | :12:14. | |
absolutely. Understandable. Not the start Joe Perry would have liked. He | :12:15. | :12:16. | |
has a wry smile on his face. A half chance for Barry Hawkins. We | :12:17. | :12:33. | |
might see a little bit of this. On the form both players have played to | :12:34. | :12:42. | |
get to this stage, it's been of top quality. He haven't missed many of | :12:43. | :12:45. | |
these in the previous couple of matches. | :12:46. | :12:52. | |
Great atmosphere. Wonderful arena and great reception for both players | :12:53. | :12:53. | |
coming down those stairs. Let's have a rerack and start again, | :12:54. | :13:01. | |
shall we? He's left a possibility of this red | :13:02. | :13:24. | |
to the corner. Barry seeing if he can get to the red by the black into | :13:25. | :13:34. | |
the right middle. He'll be thinking he was entitled to an easier | :13:35. | :13:36. | |
opportunity than this. So Joe Perry, even though he made a | :13:37. | :13:56. | |
bad break of shot, missed a fairly easy mid-distance red has got a good | :13:57. | :13:58. | |
chance here. Won't keep missing them, that's for | :13:59. | :14:04. | |
sure. He's tried to get on the black | :14:05. | :14:27. | |
there. It's a good pot. But just didn't get enough topspin that he | :14:28. | :14:34. | |
needed to go over a few more inches. Good pot. Being a right-hander as | :14:35. | :14:48. | |
well, it's on his side of the table. If he could get the cue ball | :14:49. | :15:14. | |
somewhere in the vicinity of the little white circle there. | :15:15. | :15:22. | |
He can screw the cue ball across the left-hand side of the table now. | :15:23. | :15:33. | |
This will certainly help his cause getting the black back on his spot. | :15:34. | :15:38. | |
Fortunate there. Another day that could have ruined | :15:39. | :15:51. | |
position completely. He played to go past that red. | :15:52. | :15:59. | |
It didn't affect the positional side. This these type of matches, | :16:00. | :16:08. | |
where there's a lot at stake, it's always good to get off to a good | :16:09. | :16:11. | |
start, get your hand on the table, make a sizeable break. | :16:12. | :16:27. | |
It didn't go into the heart of the pocket that black. It's just hit the | :16:28. | :16:34. | |
left jaw. Not too bad on this red. He can use the red and bring more | :16:35. | :16:36. | |
reds into play here. Didn't expect that one. The black | :16:37. | :16:59. | |
had struggled in previously. That's why he was low on this red. He's not | :17:00. | :17:03. | |
settled just yet, hasn't Joe. He's done pretty well there. It's | :17:04. | :17:36. | |
never that easy when the ball's in the jaws of the pocket and | :17:37. | :17:42. | |
particularly - there you go! That could have dropped on the table and | :17:43. | :17:45. | |
knocked all the balls everywhere. Did well to get on the black as good | :17:46. | :17:51. | |
as this. Joe Perry had his chance. Didn't | :17:52. | :17:56. | |
make the most of. It -- of it. What can Barry do with him? | :17:57. | :18:16. | |
Only the one loose red to play for at the moment. I think he may play | :18:17. | :18:22. | |
for that. He could play the yellow and come off the side cushion into | :18:23. | :18:23. | |
them. Early on, if it were in a later | :18:24. | :18:34. | |
frame, he may have played that cannon. Now he needs a good angle on | :18:35. | :18:37. | |
the black. This is the last of the obvious | :18:38. | :18:41. | |
reds. There's one loose from the cluster | :18:42. | :18:46. | |
that might be on to the left middle. Good angle on the black to try to | :18:47. | :18:48. | |
bring them all into play. Need to push the cue threw smooth on | :18:49. | :19:02. | |
that -- through smooth on that type of shot. He's not perfect on this | :19:03. | :19:08. | |
black. A little bit too close to the cushion for comfort. | :19:09. | :19:19. | |
He can just roll it in dead weight, I suppose. | :19:20. | :19:35. | |
I think he's just OK for the outside red. | :19:36. | :19:45. | |
I think it's the extreme left one. Maybe he is on this one. It looks | :19:46. | :19:51. | |
tight. Yeah, good pot. Excellent shot. Again not the best angle. He | :19:52. | :19:58. | |
may be able to force the black in. Imperative he gets a good angle on | :19:59. | :20:07. | |
the black. He's got an horrendous kick there. | :20:08. | :20:40. | |
You can see it bounce. Your worse fears when you're playing a shot | :20:41. | :20:44. | |
like that. If he can come off the top cushion and cannon the right | :20:45. | :20:49. | |
hand red. Then he'll be back in prime position. | :20:50. | :21:00. | |
Not exactly as played. But he's on a red. | :21:01. | :21:09. | |
He's got a lovely angle on this red. Just got to make sure of the pot. | :21:10. | :21:18. | |
The cue ball will be going through the pack of reds. | :21:19. | :21:30. | |
The pink didn't come in, but he'll be happy with that. | :21:31. | :21:54. | |
That black puts Barry now 13 points in the lead. He can win this frame | :21:55. | :22:00. | |
without worrying about that red that's close to the right-hand side | :22:01. | :22:01. | |
cushion. Having said that, I'm not certain | :22:02. | :22:20. | |
whether the red that's close up to the pink is available. | :22:21. | :22:29. | |
He has brought it into play. He's on the red. The three reds, three | :22:30. | :22:37. | |
colours he needs. He's got the three reds in the open. | :22:38. | :22:55. | |
Yeah, excellent pot. Held nicely for the black. | :22:56. | :23:39. | |
Joe's going to need that red near the right cushion. | :23:40. | :23:47. | |
Tried to bring it into play-off that shot, but didn't get the angle. | :23:48. | :23:53. | |
He'll play for the red near the cushion now, off the blue. | :23:54. | :24:09. | |
Good pot. Never easy playing at that pace. He may just have the angle on | :24:10. | :24:31. | |
the brown. Just wondering, he's looking there, | :24:32. | :24:41. | |
indicating with his cue, he may Troy and leave the cue ball just below | :24:42. | :24:46. | |
the blue and leave the double on the red. | :24:47. | :24:54. | |
That's exactly where he would have wanted to put the cue ball. I always | :24:55. | :25:02. | |
worry about double, if you don't go in, which jaw do you leave it on. | :25:03. | :25:11. | |
Two points in it. A very tight opening frame. | :25:12. | :25:44. | |
Could use the black here to try and knock the red onto the black and | :25:45. | :25:51. | |
leave the red somewhere that the black isn't, bring the cue ball back | :25:52. | :25:53. | |
up. He's played this pretty good. Yes, | :25:54. | :26:00. | |
excellent shot. At first glance, I think the brown | :26:01. | :26:18. | |
is stopping him coming down the left-hand side, as he looks. That | :26:19. | :26:21. | |
brown just stopping the natural angle. It's coming down the | :26:22. | :26:30. | |
left-hand side as we look. He wanted to hit it off two cushions not one. | :26:31. | :26:32. | |
He's left it. Just trying to get the cue ball, he | :26:33. | :26:46. | |
won't be holding for black here, somewhere up towards the blue. | :26:47. | :26:53. | |
A little bit of movement in the crowd. This is virtually frame ball | :26:54. | :27:00. | |
you would have to say. Good pot. He's nicely on a ball | :27:01. | :27:11. | |
colour. They wouldn't have enjoyed the | :27:12. | :27:31. | |
opening exchanges of this first frame, but what an important frame | :27:32. | :27:35. | |
it is for either player, just to settle the nerves. Yeah and all the | :27:36. | :27:41. | |
mistakes that you make in the frame are easily forgotten if you win it. | :27:42. | :27:49. | |
Up to and including the blue. To get to the snookers required stage. | :27:50. | :28:06. | |
So just the blue to go 16 points in front. Just 13 remaining. | :28:07. | :28:16. | |
He's overscrewed it slightly. You want to pot the pink. He won't want | :28:17. | :28:20. | |
to give Barry Hawkins the chance of getting that snooker if he can help | :28:21. | :28:21. | |
it. But in goes the pink. Barry Hawkins | :28:22. | :28:51. | |
didn't punish him. 1-0. STUDIO: A little nervy. A few | :28:52. | :28:54. | |
fingers and thumbs from both players, literally. Your assessment | :28:55. | :28:58. | |
of the occasion and how the two of them look like they're feeling on | :28:59. | :29:04. | |
such a big occasion? I think it's a tough one for both of them. They | :29:05. | :29:08. | |
have a carrot dangled in front of them of tomorrow, a massive | :29:09. | :29:13. | |
occasion. Obviously two great friends. As I said, start of the | :29:14. | :29:17. | |
first frame was scrappy. I think it will improve. There'll be more, | :29:18. | :29:20. | |
because they've both been scoring well this week. There'll be more | :29:21. | :29:24. | |
frames won in one visit. It will be interesting to see if it goes 4-4, | :29:25. | :29:29. | |
how nervy it gets. Yeah and also, whilst they're great champions, | :29:30. | :29:33. | |
perhaps they haven't been in as many finals and final stages at the | :29:34. | :29:36. | |
Masters and big events as some of the players in this tournament. | :29:37. | :29:40. | |
Sometimes there's an expectation on you to produce a good match, | :29:41. | :29:43. | |
especially after the other semifinal was a good one. That's not the best | :29:44. | :29:47. | |
way to come into the match. You should just be really focussed on | :29:48. | :29:50. | |
your own performance. If there's any part of you starts to think, oh, | :29:51. | :29:54. | |
we're not making this a spectacle, that's not the right frame of mind | :29:55. | :29:57. | |
to be in. It's a long time to think about this. I saw Barry Hawkins | :29:58. | :30:01. | |
before the start of the first semifinal chatting away to him in | :30:02. | :30:04. | |
the press lounge, he was here long before that as well. He's been here | :30:05. | :30:08. | |
since about 12pm. It's a long time to wait for your match. Of the two | :30:09. | :30:14. | |
of them, I think Barry would love another chance at O'Sullivan after | :30:15. | :30:16. | |
what happened last year. Absolutely. We talked at the beginning of the | :30:17. | :30:19. | |
programme about how he rebounded after that. Pretty demoralising | :30:20. | :30:25. | |
defeat to O'Sullivan, 10-1 and beat him at The Crucible, first time for | :30:26. | :30:28. | |
many years and says he's learned a lot from that experience. | :30:29. | :30:38. | |
COMMENTATOR: This one in the right corner, they are letting people in, | :30:39. | :30:48. | |
the stewards. OK, it was between frames, but... Once the frame | :30:49. | :30:52. | |
started, they should not be allowed back into the arena. Type of pot | :30:53. | :31:01. | |
that both of these players would expect to get... | :31:02. | :31:09. | |
The black is out of commission, at the moment. A straight red, in the | :31:10. | :31:23. | |
pink to the right middle committee did not want to take it. -- he did | :31:24. | :31:30. | |
not want to take it. He would be disappointed with that safety. It | :31:31. | :31:36. | |
shows you, he does not feel like he wants to take an undue risk here. I | :31:37. | :31:43. | |
thought that in his last match against Mark Selby. I do not know | :31:44. | :31:46. | |
whether it was a game plan, but don't push the boat out too often, | :31:47. | :31:52. | |
and offer up easy chances. Yes, she played very well, made dividends -- | :31:53. | :32:02. | |
he played very well. Part of it is getting a good cue ball, but now... | :32:03. | :32:08. | |
Should be over towards the yellow side of the table. Trying to block | :32:09. | :32:13. | |
any safety shot down the right-hand side of the table, that | :32:14. | :32:17. | |
straightforward. Could try, for Barry here, to have a cue ball, off | :32:18. | :32:21. | |
the cushions, between the yellow and the brown. | :32:22. | :32:30. | |
Again, a little light with the cue ball. Yes, looking for the baulk | :32:31. | :32:41. | |
cushion, did not reach the baulk line. A misjudgement. But, it's the | :32:42. | :32:53. | |
only thing that would tempt him to go for the pot. This one on the near | :32:54. | :32:58. | |
cushion, he would not fancy that. It is a possible cut. It seems that he | :32:59. | :33:05. | |
will play safe, swing it around, be careful not to make contact with the | :33:06. | :33:10. | |
blue office... Missing it quite comfortably but catching the yellow. | :33:11. | :33:17. | |
His hand was on the table. APPLAUSE | :33:18. | :33:49. | |
If you leave your opponent with his hand on the table... You are asking | :33:50. | :33:53. | |
for trouble! A good pot, nevertheless... | :33:54. | :34:17. | |
I do not think it's going to be the best of chances, even if the pink | :34:18. | :34:23. | |
doesn't go off its own spot. It comes separately, but that is out of | :34:24. | :34:28. | |
commission now really, as is the black. He's only got baulk and blue | :34:29. | :34:35. | |
colours to play with... Going to be difficult to win a frame, | :34:36. | :34:44. | |
particularly with how the reds R. In these kinds of situations, you have | :34:45. | :34:49. | |
to concentrate. Don't think about winning the frame but accumulate | :34:50. | :34:51. | |
points, and build up a useful lead. That was an excellent positional | :34:52. | :35:14. | |
shot, when potting this red, he will open the black, knocking it away | :35:15. | :35:17. | |
from the black comedy black will be on there. Perfect! Just but one shot | :35:18. | :35:27. | |
changing. One perfect positional shot... Now, the black is in play, | :35:28. | :35:35. | |
only available into one corner but it helps having a high value colour | :35:36. | :35:42. | |
available. Certainly, making his task a lot easier. A fantastic | :35:43. | :35:53. | |
positional shot. This could pot... There could be enough room. It looks | :35:54. | :35:59. | |
like in this bottom left-hand corner pocket, and the two rates below the | :36:00. | :36:05. | |
pink. Perhaps both of those could pot? -- and those two reds. | :36:06. | :36:28. | |
Just around the cue ball slightly, but it is still OK. | :36:29. | :36:51. | |
He just slipped the red... Still, a nice clean pot on the black. It | :36:52. | :36:56. | |
looks to have settled now. We had a look earlier at the red to | :36:57. | :37:47. | |
the left of the pink, a pot into the left centre. He's looking at the | :37:48. | :37:51. | |
school board, trying to work out how many he needs. He's doing his | :37:52. | :37:58. | |
calculations to work out how many reds and high value colours he will | :37:59. | :38:03. | |
need before his partner, Joe Perry, will have | :38:04. | :38:07. | |
to snooker. You can only think that he was thinking about that. Playing | :38:08. | :38:15. | |
that positional black to bring those couple of reds into play, but he | :38:16. | :38:19. | |
does not have the angle to do that. He's looking to see that red to the | :38:20. | :38:25. | |
left middle... It does not look like it, but we will soon know. He thinks | :38:26. | :38:29. | |
it is. I'm not sure. Playing it nicely. Just addressing | :38:30. | :38:54. | |
the cue ball on the right-hand side. Flicking the side onto it. | :38:55. | :39:02. | |
This is a pretty good break so far. When he came to the table, as you | :39:03. | :39:10. | |
rightly said, John, it did not look like a frame-winning opportunity but | :39:11. | :39:15. | |
that one positional shot from the brown has opened up the entire game | :39:16. | :39:20. | |
for him. Let's have another look. It was pinpoint, wasn't it? Inch | :39:21. | :39:26. | |
perfect. Bringing the black into play, and making this potential | :39:27. | :39:31. | |
frame-winning clearance, or contribution, possible. But he still | :39:32. | :39:35. | |
needs a red colour, and one more red. It's not a formality... | :39:36. | :39:53. | |
Slightly out of position. He does not have great angle on this | :39:54. | :40:06. | |
black... That's a wonderful shot! Excellent. APPLAUSE | :40:07. | :40:09. | |
He could not have played it much better. He is left-handed. 68 points | :40:10. | :40:25. | |
as the lead. This red could help Joe Perry... | :40:26. | :40:43. | |
Having to work hard for this break, it has been fantastic. | :40:44. | :40:59. | |
Brilliant! As soon as he hit sitcom he's walking after it. He has that | :41:00. | :41:09. | |
nice angle on the blue. He can bring a couple of these reds into play, if | :41:10. | :41:13. | |
he gets the cannon, but he took his eye off the blue. It was a terrific | :41:14. | :41:20. | |
break from Barry Hawkins, it really was top drawer. He's levelled the | :41:21. | :41:23. | |
match. Should be settled in... COMMENTATOR: There is the history of | :41:24. | :42:39. | |
Barry Hawkins... Thank you, third frame, Joe Perry to break. He would | :42:40. | :42:43. | |
love to be in that final tomorrow, Joe Perry. But he's got other things | :42:44. | :42:48. | |
on his mind... It's one frame apiece now. All play should have settled. | :42:49. | :42:56. | |
You don't really settle until you get that first frame onto the board. | :42:57. | :43:03. | |
Barry Hawkins will be feeling better after that last break on that last | :43:04. | :43:04. | |
frame. If the red which is closest to the | :43:05. | :43:28. | |
black does not pot into this bottom left-hand corner pocket, then this | :43:29. | :43:34. | |
may be worth taking on, this red here... Argh, a lovely shot. | :43:35. | :43:46. | |
Great cueing, a lovely angle on the black, nudging the red. This looks | :43:47. | :43:58. | |
pretty close... Just having to nudge it slightly. It's becoming a bit of | :43:59. | :44:14. | |
a poisoned chalice. It's funny, a lot the lads, if they win the toss, | :44:15. | :44:20. | |
they will put their opponents into break off, and the old way would | :44:21. | :44:23. | |
have been breaking off if you win the toss, but... It seems to have | :44:24. | :44:31. | |
changed over the years. Here is the break. Not that bad. It's just | :44:32. | :44:41. | |
bounced off the baulk cushion an inch or two. When you saw that the | :44:42. | :44:48. | |
red, just above the black, was available, it was a brave shot for | :44:49. | :44:53. | |
Barry to take on. A little thin on the green, more so | :44:54. | :46:00. | |
than he would like, but he won't miss this opportunity to pot green, | :46:01. | :46:09. | |
going into that cluster of reds... No. The problem is, when you play it | :46:10. | :46:15. | |
with that much pace committee don't have chance for the screw to take | :46:16. | :46:19. | |
effect, which is why he was not close enough to the middle pocket. | :46:20. | :46:23. | |
You need to be closer. The side did not have much chance to take effect | :46:24. | :46:28. | |
but he was playing at that pace, to bring that redinto the open. | :46:29. | :46:37. | |
Nevertheless, it's a big target and he would be disappointed that he | :46:38. | :46:41. | |
missed the cannon. And he will be disappointed with the safety, too. | :46:42. | :47:16. | |
He can play for the pink, or drop it in. Try and hole for the black... | :47:17. | :47:32. | |
This is going to be close to the corner pocket. Ooh... That will be a | :47:33. | :47:44. | |
little shock to the system for Joe Perry there. He is a tremendous | :47:45. | :47:51. | |
potter. It got close to the other corner, the one that he did not play | :47:52. | :48:00. | |
on. This will pot. It is a thin cut, but it goes. Did not attempt it... | :48:01. | :48:14. | |
It's a pretty good safety. Covering that escaped down the left-hand side | :48:15. | :48:20. | |
of the table. If he's trying to get baulk of this, be wary of that | :48:21. | :48:32. | |
double-kiss... All things considered, a good shot. OK, not on | :48:33. | :48:37. | |
the baulk line, but he was in a spot of bother there, Joe... He played it | :48:38. | :48:38. | |
well. I don't think Barry will be playing | :48:39. | :49:33. | |
the pot on this committee is looking close to where the red will go, | :49:34. | :49:39. | |
sending the cue ball back to the baulk end but there's always the | :49:40. | :49:42. | |
chance that you can knock it into the left-hand corner. Running into | :49:43. | :49:44. | |
the black... Decent enough safety. As you can | :49:45. | :50:01. | |
see, Joe can get the red on the left-hand side of the table, as he | :50:02. | :50:07. | |
looks as we do... If he catches it just right, there's a chance of him | :50:08. | :50:11. | |
getting in behind the yellow. A little too full committee catches | :50:12. | :50:18. | |
the bother-macro colours. If you leave with the hand on the table, | :50:19. | :50:19. | |
you have the chance of a pot. -- the baulk colours. Important safety | :50:20. | :50:40. | |
players, a bigger part of the game. Catching the baulk players and | :50:41. | :50:41. | |
leaving those opportunities... This looks to be a better safety. | :50:42. | :50:59. | |
Much better. That's what's going to happen. Your opponent keeps touching | :51:00. | :51:05. | |
those, you don't put pressure on him. And it makes it easier for him | :51:06. | :51:10. | |
to play a more aggressive safety shot. And put you in trouble. You | :51:11. | :51:15. | |
need to get that passed the baulk line is close to the top cushion as | :51:16. | :51:23. | |
possible. Looking at the safety success, both are at 67%, for Barry | :51:24. | :51:30. | |
Hawkins, well, 62% at the moment for Joe Perry. | :51:31. | :52:16. | |
I'm just wondering whether he will have a go at this red into the | :52:17. | :52:22. | |
left-centre. He certainly will now... Not entertaining it. | :52:23. | :52:44. | |
He may have been forced to play a pot here. He could play at, and he | :52:45. | :52:49. | |
knows that he would be catching the black. The reason I mention it, I do | :52:50. | :52:56. | |
not see an easy safety. There's no reason why he should not play the | :52:57. | :53:03. | |
pot on the red. He can catch the black which would keep the cue ball | :53:04. | :53:07. | |
on the left-hand side of the table. Taking it on... Ooh! Nobody could | :53:08. | :53:21. | |
have foreseen that. So unlucky. That's exactly what he thought, the | :53:22. | :53:25. | |
cue ball would go back up the table to hit the black perfectly to fly | :53:26. | :53:31. | |
into the corner... I'm lucky. -- it's unlucky. | :53:32. | :53:52. | |
Barry Hawkins had the option of putting Joe Perry back in, he | :53:53. | :53:59. | |
fancies this possible pot, get on the yellow and brown... It would be | :54:00. | :54:05. | |
a fluke if it went in. Catching it much to thin... Has the blue come to | :54:06. | :54:16. | |
his rescue? Not quite. Touch on the left-hand side. No problem bending | :54:17. | :54:28. | |
it around the blue. The problem was that he courted too full -- caught | :54:29. | :54:36. | |
it too full, which is why the cue ball did not go as far up the table | :54:37. | :54:40. | |
as he would have liked. Knew it immediately, looking at the pink. | :54:41. | :54:52. | |
This is the test... For such a difficult shot committee got down to | :54:53. | :54:58. | |
play it very quickly. -- for such a difficult shot, he got down to play | :54:59. | :55:02. | |
it very quickly. It's difficult to come across, you have two hit it | :55:03. | :55:06. | |
with some pace, taking the cue ball away from the cushion. | :55:07. | :55:29. | |
Not quite sure whether the red to the right of the black will pot, if | :55:30. | :55:34. | |
it does committee if it does, he could get on it here. | :55:35. | :55:49. | |
That shot would tell me that the red does pot, but you wouldn't be able | :55:50. | :55:56. | |
to from that position... Touching ball... It does not matter, as long | :55:57. | :56:04. | |
as the red that he is touching does not move... The alternative is to | :56:05. | :56:15. | |
the right, middle. He's not finished perfect. Stretching slightly. He | :56:16. | :56:20. | |
needs to get some cue power into this. Striking the ball very well, | :56:21. | :56:31. | |
doesn't he? Barry. Especially over the last few seasons, I think that | :56:32. | :56:33. | |
he has improved enormously. Sorry, Barry. It's the commentator's | :56:34. | :56:42. | |
curse! It went into the right-hand side of | :56:43. | :57:31. | |
the pocket, as we look here, he's not on the black. A let off for | :57:32. | :57:41. | |
Barry Hawkins. Trying to put the cue ball behind the yellow and brown | :57:42. | :57:50. | |
here... It is a big target. Very good. Very good. He will be | :57:51. | :57:59. | |
disappointed that it was not on the black. It was a good opportunity | :58:00. | :58:07. | |
there. Possible to cushion and escape here, but as long as you can | :58:08. | :58:09. | |
miss the black... Miss, Joe Perry four. It is a long | :58:10. | :58:32. | |
way down, but the first one is like a guide. He will readjust it now. | :58:33. | :58:48. | |
Quite conscious of hitting the black. He is going pretty close off | :58:49. | :58:55. | |
the top cushion. And he is conscious that he does not want to hit this | :58:56. | :58:59. | |
red half ball. He has had a couple of goes, he's not really been that | :59:00. | :59:07. | |
close. I suppose that he could get closer this time... And he did. | :59:08. | :59:12. | |
But... Now, is he going to leave a free ball? If he does... If it is a | :59:13. | :59:18. | |
snooker, I would be inclined to let him play from that position. The | :59:19. | :59:24. | |
reason that I say that is that he's already had three attempt at the two | :59:25. | :59:29. | |
cushion escape, from where that is now it would be very difficult. What | :59:30. | :59:33. | |
about the free ball, would it leave the cue ball tied to the brown? I | :59:34. | :59:39. | |
think it is tough enough for me... I would make him play it from there. | :59:40. | :59:51. | |
The free ball has been called, of course. Joe has the option committee | :59:52. | :59:57. | |
-- Joe has the option, he can make Barry play from the original | :59:58. | :00:03. | |
position, or the position that it is in. | :00:04. | :00:16. | |
Could be back in the same place here. Foul, a mess. -- mess. No | :00:17. | :00:29. | |
prize for what he's going to do here... He will be playing it from | :00:30. | :00:33. | |
there, yes. APPLAUSE First thing he's got to avoid is the | :00:34. | :00:59. | |
green. Well he's done that. Oh, this looks | :01:00. | :01:02. | |
a good line. I think I'd be inclined to play the | :01:03. | :01:26. | |
one along the top cushion to the right corner. Then just play a | :01:27. | :01:31. | |
little cannon on the cushion, double kiss and it bring you out for the | :01:32. | :01:32. | |
black. Played it well. Yeah, good call, | :01:33. | :01:51. | |
John. Played the double kiss. A clever little shot he played there. | :01:52. | :02:08. | |
Watch the double kiss. Just to bring the cue ball back out for the black. | :02:09. | :02:15. | |
Nicely played. This black will put Joe four points | :02:16. | :02:45. | |
in front. If he were to get three remaining reds with blacks that | :02:46. | :02:48. | |
would take him to the snookers required stage. He's opted to play | :02:49. | :02:54. | |
for this one along the top cushion. We've seen so many times how | :02:55. | :02:58. | |
difficult they are. If they're tight to the cushion you feel as though | :02:59. | :03:01. | |
they cling. When they're like this, you've got to be so accurate. | :03:02. | :03:12. | |
APPLAUSE That's a fantastic shot at that | :03:13. | :03:17. | |
pace. He's going to need another good | :03:18. | :03:29. | |
positional shot from his next colour. Yes and also because he | :03:30. | :03:36. | |
can't get on the black off this red, he's going to have to go for the | :03:37. | :03:43. | |
blue. He's decided he can stay on the black Hmmm. Well, he knows what | :03:44. | :03:48. | |
the score is. Left himself the difficult black. So | :03:49. | :03:55. | |
every credit. Could be still a little bit of time | :03:56. | :04:31. | |
left in this frame, the way the colours are situated. | :04:32. | :04:39. | |
Didn't go into the middle of the pocket. Nearly a case of taking it | :04:40. | :04:47. | |
for grabted. Just -- granted. Just roll the black in and play it safe, | :04:48. | :04:51. | |
nearly missed the black! One snooker required. | :04:52. | :04:55. | |
That's not a bad idea. Your opponent needs a snooker. You get in first. | :04:56. | :05:27. | |
Joe will be wary here, with the pink and brown where they r, and the | :05:28. | :05:32. | |
green, not being too far from the side cushion. | :05:33. | :06:00. | |
He's got to be careful here. He wants to try and put the cue ball | :06:01. | :06:08. | |
behind the black. If he sends the yellow up and down the table, he's | :06:09. | :06:12. | |
got to avoid the double kiss at all costs. | :06:13. | :06:20. | |
If he misses the green, it will be a snooker. Good shot. | :06:21. | :06:58. | |
Just happy to hit that. OK he thought about getting behind the | :06:59. | :07:45. | |
green, but it was always going to be difficult. | :07:46. | :07:51. | |
Two snookers required if he gets the yellow. Good, solid pot. | :07:52. | :08:02. | |
Quick glance at Barry there. I think he will now think this frame is | :08:03. | :08:08. | |
gone, particularly if this goes in. Yes. | :08:09. | :08:13. | |
Good signs that Joe Perry is settling down. | :08:14. | :08:22. | |
It all came from that snooker and that lovely shot earlier that he | :08:23. | :08:29. | |
played, the double kiss to keep the break going. He's certainly potted | :08:30. | :08:33. | |
some fantastic - and there's another one! Started off a bit slow, but | :08:34. | :08:37. | |
it's starting to hot up now. Excellent. Barry Hawkins sits in his | :08:38. | :08:52. | |
chair. Joe Perry takes the lead. STUDIO: He's playing with such | :08:53. | :08:55. | |
freedom from yellow to pink there, clearing up the colours. That was a | :08:56. | :09:01. | |
nice end to a cagey, nervy frame. Yes, we've discussed Marco Fu and | :09:02. | :09:04. | |
how well he's been playing. We've put that down to his work with Wayne | :09:05. | :09:08. | |
Griffiths and the fact he won an event in Scotland. We talked about | :09:09. | :09:12. | |
the fact that Barry Hawkins has been working with Terry Griffiths. We | :09:13. | :09:16. | |
don't know the solution for Joe Perry. He looks to be doing very | :09:17. | :09:21. | |
well. Weirdly enough, he had poor form. He was shtum pd in the | :09:22. | :09:25. | |
championship league. He got to the final of the world open earlier this | :09:26. | :09:34. | |
summer, but really nothing and no expectations coming here at all. | :09:35. | :09:37. | |
Maybe that's the secret, no expectation. Then nothing can go | :09:38. | :09:40. | |
wrong because you won't be disappointed. Yeah, it's like first | :09:41. | :09:48. | |
game of golf of the season. No expectations of playing well, and | :09:49. | :09:53. | |
you normally play well. No expectation here, inspired by the | :09:54. | :09:55. | |
arena, the competition and nothing to lose. At age 42, he's looked | :09:56. | :10:01. | |
around and seen Barry reach the World Championships, another friend | :10:02. | :10:05. | |
Stuart Bingham win the title. He's their contemporary. He's been around | :10:06. | :10:08. | |
a long time. You look at your friends achieving things, they're | :10:09. | :10:11. | |
climbing the top of the mountain, does it spur you on? Does it give | :10:12. | :10:15. | |
you a chup on the shoulder, why aren't I dog that sort of thing? It | :10:16. | :10:20. | |
can do. From Joe Perry's perspective, he's always known he's | :10:21. | :10:24. | |
been a top 16 player for long enough and probably has belief. Perhaps | :10:25. | :10:27. | |
it's nice every now and again to get a couple of matches under your belt | :10:28. | :10:32. | |
and it inspires you. As inspiration goes, getting to the semifinals of | :10:33. | :10:39. | |
the Masters as good as it gets. One more and into uncharted territory. | :10:40. | :10:43. | |
The world number nine leads as we head into the last before the | :10:44. | :10:44. | |
interval. COMMENTATOR: Not a bad break-off | :10:45. | :10:57. | |
shot. This is not left a red that is too easy. But they seem to knock | :10:58. | :10:59. | |
them in for fun these days. Hit that on the wrong side. May have | :11:00. | :11:11. | |
left this red, if it runs on a little bit. And he has. About the | :11:12. | :11:17. | |
only red he could leave was the one he was playing. It's gone all round | :11:18. | :11:22. | |
the table and finished plum for this right corner. | :11:23. | :11:33. | |
Just looking at the red above the black, thinking a few shots ahead | :11:34. | :11:51. | |
here. He'll be very wary here that if the | :11:52. | :12:05. | |
black, if he plays for the black and it doesn't go back on its own spot, | :12:06. | :12:09. | |
it would be on the pink spot possibly and be tied up. He will be | :12:10. | :12:11. | |
careful here. He's gone up for the blue. He's | :12:12. | :12:24. | |
perfect on the blue to play for the red just above the black. | :12:25. | :12:35. | |
Got into that too much. Been a bit fortunate. | :12:36. | :12:46. | |
When I say fortunate, when potting this, he needs to leave a nice angle | :12:47. | :12:54. | |
on the black. That will nudge the red away from the black spot. | :12:55. | :13:05. | |
Only needed the slightest touch on the red. He'll have to go up for | :13:06. | :13:18. | |
possibly the blue here. Not quite sure, he came around to | :13:19. | :13:37. | |
have a look at the red below the pink a couple of times. Not sure | :13:38. | :13:41. | |
whether he'll go into the pack here. If he could play the blue and just | :13:42. | :13:46. | |
miss the pink on the right-hand side, cannon into it, not at great | :13:47. | :13:51. | |
pace, he'd have the red below the pink to the left middle. In the end | :13:52. | :13:57. | |
he's decided to play for the red below the pink into the right | :13:58. | :14:00. | |
corner. To me, it was a chance to open a few. It's not all the pocket | :14:01. | :14:10. | |
available for this red. He's come up a bit short for that. | :14:11. | :14:30. | |
He's still potting them. But it's getting more difficult now. Doesn't | :14:31. | :14:39. | |
have a nice angle on the yellow. He may take the brown. Not quite sure | :14:40. | :14:43. | |
what his next red is going to be. Unless he tries to disturb a few. | :14:44. | :14:46. | |
It's going to be very difficult from this position. | :14:47. | :14:55. | |
I think if he had the choice again, I think your choice would have been | :14:56. | :15:01. | |
the right shot, to pot the blue and maybe just go into the right-hand | :15:02. | :15:04. | |
side of the pack, try and miss the pink. | :15:05. | :15:11. | |
He's out of position now. He needs a good shot from here. | :15:12. | :15:24. | |
Not certain what red he's going to play on here. Oh, he's missed the | :15:25. | :15:32. | |
yellow. What did he play for? Is the red two down from the pink | :15:33. | :15:50. | |
available? Can Joe to get to it? -- can Joe get to it? The answer's no. | :15:51. | :16:00. | |
That's such a poor shot really. It really is. I mean, you're that close | :16:01. | :16:12. | |
to the reds. Not to get near the cushion is unforgiveable. | :16:13. | :16:38. | |
So strong at that particular shot. Any time you leave your opponent, | :16:39. | :16:44. | |
and Joe Perry will be kicking himself in that chair, any time you | :16:45. | :16:48. | |
leave your opponent with his hand on the table and the possibility of a | :16:49. | :16:50. | |
pot you expect him to get it. Maybe on the red into the yellow | :16:51. | :17:18. | |
pocket. There may be a red at the bottom of the pack that pots. How | :17:19. | :17:22. | |
more reds didn't come out of that with that pace. Yeah, seemed to be a | :17:23. | :17:26. | |
heavy contact. He's taking this one on. He's got | :17:27. | :17:39. | |
it. APPLAUSE | :17:40. | :17:40. | |
that could be the frame winner. A lovely little shot. Knew where the | :17:41. | :17:54. | |
cue ball was going. The contact on the pink was perfect. | :17:55. | :18:03. | |
If Joe's going to win this match, he's got to pot like he did in the | :18:04. | :18:09. | |
last frame. But his safety has to improve as well. You can't be giving | :18:10. | :18:13. | |
Barry Hawkins chances like that. Just looked at the safety statistic | :18:14. | :18:29. | |
there. Some of the stats don't tell the true tale. The point is about | :18:30. | :18:33. | |
that safety shot that Joe Perry had, I mean it wasn't as if he was tight | :18:34. | :18:38. | |
against the cushion. He was close to them. Not to find the cushion, at | :18:39. | :18:46. | |
the time, it was unforgiveable. It just shows you. It looks as if it's | :18:47. | :18:53. | |
going to cost him the frame, just by not concentrating hard enough. There | :18:54. | :19:01. | |
he was. Not far from the reds. Hit them so thick he only just made the | :19:02. | :19:04. | |
line. You might say well, how could you | :19:05. | :19:12. | |
accuse someone of lacking concentration at a big moment like | :19:13. | :19:16. | |
this? Because you just drop your guard for a second. | :19:17. | :19:20. | |
Switch your light off there, please. Yeah, this pink, would give him 62 | :19:21. | :19:43. | |
with 67 left on. Would require one more red. | :19:44. | :19:57. | |
This red will put him 63 in front with 59 remaining. | :19:58. | :20:10. | |
Joe's sitting there pondering. Looks for all the world now we're going to | :20:11. | :20:23. | |
be level. The interval is after this frame. | :20:24. | :20:37. | |
Looking back over the four frames, you would probably say that 2-2 is | :20:38. | :20:43. | |
probably fair. Both players would probably be happy. Yeah, I suppose | :20:44. | :20:53. | |
on the chances, looking at the pot success, though, Barry Hawkins at | :20:54. | :20:59. | |
92%, Joe Perry 83%. That's quite low. I suppose of the two, Joe Perry | :21:00. | :21:06. | |
should be the happier to be all square. Knowing snooker players as I | :21:07. | :21:15. | |
do, they're never happy. What about commentators? We're | :21:16. | :21:20. | |
having a delightful time, no pressure of on us. | :21:21. | :21:23. | |
Speak for yourself. Well, the red's not gone in. It | :21:24. | :21:42. | |
won't matter. The two players will go to the mid-session interval two | :21:43. | :21:45. | |
apiece, fair or not. That's the score. | :21:46. | :21:50. | |
STUDIO: Top break of 77 so far. Let's get the thoughts of our | :21:51. | :21:53. | |
champions in the studio. Steve, what do you make of it so far? Hard | :21:54. | :21:57. | |
fought was always going to be the way tonight. It doesn't have to be | :21:58. | :22:00. | |
pretty. It's a place in the final for both these lads. They know each | :22:01. | :22:04. | |
other pretty well. In a way, they could have cancelled each other out. | :22:05. | :22:08. | |
They're both in a prime position really. Can't argue with the score | :22:09. | :22:15. | |
line. For you, 83% pot success for Joe, better from Barry's perspective | :22:16. | :22:21. | |
at 93. Barry is scoring the heavier, making the bigger breaks. He's | :22:22. | :22:24. | |
probably got the bigger pedigree of the two players on this sort of | :22:25. | :22:28. | |
occasion, in this big tournament. Yeah, he looks the more comfortable | :22:29. | :22:32. | |
and more likely to score in one visit. Barry Hawkins abouts an | :22:33. | :22:36. | |
runner up last year, runner up to Ronnie O'Sullivan in the World | :22:37. | :22:39. | |
Championship as well. Increasingly, he's becoming more comfortable, more | :22:40. | :22:43. | |
familiar with these situations. He is, but Joe Perry is a very clever | :22:44. | :22:48. | |
player. His ring craft is fantastic. If at some stage he can get a big | :22:49. | :22:53. | |
win under his belt, who's to say he won't go from strength to strength. | :22:54. | :22:57. | |
Getting that first massive win is tough for every player in the game. | :22:58. | :23:01. | |
I think it was always going to be tough for these two to match what | :23:02. | :23:08. | |
was prodownstairsed is that. -- was produced sthaf. Ronnie O'Sullivan | :23:09. | :23:16. | |
versus Marco Fu was a match with practically everything. | :23:17. | :23:20. | |
Ronnie O'Sullivan has been struggling but winning all week. How | :23:21. | :23:24. | |
would he get on against the in-form Marco Fu. He missed a blue in the | :23:25. | :23:31. | |
first frame. Marco drew first blood with an 89. Into the second, and | :23:32. | :23:36. | |
Robbie was having problems with his cue tip. The man from Hong Kong | :23:37. | :23:41. | |
should have been 2-0 ahead. But he missed the final red and he was | :23:42. | :23:43. | |
punished. What would happen in the third? | :23:44. | :23:58. | |
Ronnie played a poor safety. The reason took some time to emerge, | :23:59. | :24:02. | |
he'd split his cue tip. Marco got in amongst the balls and made a century | :24:03. | :24:06. | |
clearance with no blacks apart from the very last ball. The Rocket flew | :24:07. | :24:14. | |
out of the arena and the interval was called early. | :24:15. | :24:22. | |
You would never have guessed that he had his tip changed. A quick fire 95 | :24:23. | :24:30. | |
and they were level again. A smelly blue for Fu but we made his | :24:31. | :24:42. | |
sixth century at the Masters, a 141, the highest break of the tournament | :24:43. | :24:50. | |
so far to go ahead again. Wonderful snooker this, O'Sullivan hit back | :24:51. | :24:58. | |
with another sublime century. He looked on course for another ton, | :24:59. | :25:03. | |
then he missed a tricky black and Marco dished up for the 4-3 lead. | :25:04. | :25:10. | |
Poised to pinch another frame, mechanical malfunction cost Marco | :25:11. | :25:12. | |
dear, Ronnie got back into the match, level. | :25:13. | :25:19. | |
All getting tense now. Marco tried to tuck up behind the brown, the | :25:20. | :25:25. | |
while rolled off, a long red and this excellent green and Ronnie | :25:26. | :25:28. | |
nailed an 82 clearance to move ahead. | :25:29. | :25:34. | |
Another marvellous pot from the Rocket and 69 points later, he had | :25:35. | :25:41. | |
closed out yet another Masters semi to qualify for his 12th final. What | :25:42. | :25:46. | |
a game that was. It split down the side as well. I | :25:47. | :25:50. | |
just thought, well, I have to put one on. It wasn't like should I, | :25:51. | :25:56. | |
shan't I? It had to be done. In that frame of mind, I thought well, you | :25:57. | :26:00. | |
know, I can't win the match with this tip. Let's see what happens. It | :26:01. | :26:06. | |
was like a, you know, I had to do it. I got lucky that one was OK and | :26:07. | :26:11. | |
I could play with it pretty much straight away. I was happy, not for | :26:12. | :26:18. | |
him to break his tip, but I was happy for the interval early because | :26:19. | :26:22. | |
I was a little bit hungry. I was pleased to go back to the dressing | :26:23. | :26:27. | |
room and have a bit of food. I felt for Ronnie at the time because I've | :26:28. | :26:31. | |
had a tip falling off during the World Championships. Ive know what | :26:32. | :26:34. | |
it's like to go through that in the middle of a very important match. | :26:35. | :26:37. | |
Marco's playing well. I knew he was playing well. He's been playing well | :26:38. | :26:41. | |
for a while now, scoring well. With the new tip and all that, it was | :26:42. | :26:45. | |
like, a lot to take in, you know. To come through in a match like that, I | :26:46. | :26:49. | |
can't believe it to be honest. I'm in shock. It was a good game right | :26:50. | :26:54. | |
from the start. We both played very well today. Yeah, it was just one of | :26:55. | :27:00. | |
those matches that you feel very happy to be involved in. Yeah, it's | :27:01. | :27:04. | |
just at the end, Ronnie was too good. He just took, just half | :27:05. | :27:08. | |
chances. He took the half chances and won the last two frames. Yeah, | :27:09. | :27:14. | |
it was very difficult to play against, but that's the way it is, | :27:15. | :27:16. | |
when he's playing that way, you can't really do anything about it. | :27:17. | :27:21. | |
So, but I'm happy with the way I played. Yeah, let's move on. | :27:22. | :27:26. | |
Apparently it's my 12th final. I've had six victories. Obviously had | :27:27. | :27:31. | |
five losses. I'm just happy to be there again and have another | :27:32. | :27:36. | |
opportunity to try and lift the Paul Hunter trophy, which means so much | :27:37. | :27:41. | |
to me. Yes, the Paul Hunter trophy. To clear up tip-gate. This is what | :27:42. | :27:45. | |
the players contract with world snooker says: | :27:46. | :28:02. | |
Martin Clark, the tournament director used his discretion to move | :28:03. | :28:08. | |
the interval rather than having two 15 minute breaks with only one frame | :28:09. | :28:13. | |
apart and the attendant problems of moving 2,000 people in and out of | :28:14. | :28:17. | |
the arena twice at that point. We were live on television as well. | :28:18. | :28:24. | |
That is why with the tip damaged for Ronnie, he was allowed to take that | :28:25. | :28:29. | |
one off and put another one on. What was extraordinary was the reaction | :28:30. | :28:33. | |
that he got with it there after. Immediately a 95. An incredible run | :28:34. | :28:38. | |
of scoring there after. What was your impression of that performance | :28:39. | :28:44. | |
from him and Marco too? I think he was intimating the match before that | :28:45. | :28:48. | |
the tip was very hard and that he wasn't happy with it. He's better | :28:49. | :28:53. | |
off with something that was a bit softer, even if it was arguably a | :28:54. | :28:59. | |
bit spongier. He could feel the shots and grip the ball better. It | :29:00. | :29:02. | |
was a good move to make that decision. 95, 122, 82 and three | :29:03. | :29:07. | |
other plus 50s, the real Ronnies turned up there after. Very much so. | :29:08. | :29:12. | |
He looked a different player. Prior to the change of the tip, he | :29:13. | :29:17. | |
couldn't, his normal positional play was miles out. Normally, there was a | :29:18. | :29:23. | |
frame where the balls, it was like a practice position. He couldn't get | :29:24. | :29:26. | |
correctly in position. It was not like him at all. As soon as the tip | :29:27. | :29:31. | |
was changed, it was night and day. All of a sudden, he was never out of | :29:32. | :29:36. | |
position. Obviously that gave him a huge boost of confidence. He was | :29:37. | :29:39. | |
more comfortable playing the shots he wanted to play. Marco played a | :29:40. | :29:42. | |
wonderful part in this match as well. His fifth and sexth centuries | :29:43. | :29:51. | |
-- sixth centuries. And that 141. He said, this week proved I am a very | :29:52. | :29:54. | |
good player, but not quite a great one yet. So self efacing, so | :29:55. | :30:02. | |
generous. He says well played Ronnie O'Sullivan. It's the mark of the | :30:03. | :30:06. | |
man. He is a great player. Of course, he is! All players judge | :30:07. | :30:11. | |
each other by the performances. Such a high standard. You're the biggest | :30:12. | :30:16. | |
critic. His coach Wayne Griffiths makes sure that he's not thinking | :30:17. | :30:20. | |
negligentively, that he actually believes in himself, that's good | :30:21. | :30:24. | |
things to say. Ronnie is through to his 12th final and you'll be able to | :30:25. | :30:28. | |
see that final with us, both sessions, live on BBC Two: | :30:29. | :30:38. | |
That really sorts out your Sunday, doesn't it? Joe Perry's dad, Peter, | :30:39. | :30:46. | |
knows a thing or two about driving... He's a London cab driver | :30:47. | :30:50. | |
and has been for many years. I wonder how he would rate the driving | :30:51. | :30:54. | |
skills of Steve Davis, especially with his son in the passenger seat? | :30:55. | :31:03. | |
Hi Joseph, how are you? I'm not bad. Does anyone call you Jozef, your | :31:04. | :31:25. | |
mum? My brother, sometimes. Or, mate, if I'm not performing... -- | :31:26. | :31:34. | |
Joseph. You've only ever been to one concert? I've never been to one... | :31:35. | :31:40. | |
I'm not really into music. How old are you? 42. You've just been to | :31:41. | :31:44. | |
one? Yes, and I did not really enjoy it. It was Robbie Williams at the MK | :31:45. | :31:51. | |
Bowl... The best thing about it was ABC was the support act and I quite | :31:52. | :31:58. | |
enjoy them... Do you get fed up with the hotels? I've just had a crap | :31:59. | :32:09. | |
breakfast... I walk in with trepidation. I hate having a shower | :32:10. | :32:14. | |
in the bath. If I go into a room and there is a shower in the bath... I | :32:15. | :32:19. | |
hate it. I just hated. It does not seem right. And what about when the | :32:20. | :32:25. | |
shower curtain sucks on to you? When they aren't weighted properly. The | :32:26. | :32:31. | |
shower comes on and suddenly the curtain decides to cuddle you! Their | :32:32. | :32:36. | |
Orrey few players, I don't want name them... You can. Mark Williams is | :32:37. | :32:42. | |
terrible, you go into his room and you think... It is a tip? He makes | :32:43. | :32:47. | |
it as messy as he can. I'm not like that. What would you say your pet | :32:48. | :33:00. | |
hate is? I had one this morning... Michael walked into my bathroom and | :33:01. | :33:03. | |
borrowed my role on in front of me. That did not go down well! That was | :33:04. | :33:13. | |
not nice -- roll-on. Your hotel is all of your clothes hanging up | :33:14. | :33:19. | |
perfectly? OCD? No. But you are getting that way? Mark Davis, he is | :33:20. | :33:27. | |
OCD... All of his shoes will be in a perfect order. All of the toes are | :33:28. | :33:33. | |
at the same bit... Every time. So when you go in, kick them! To wind | :33:34. | :33:43. | |
him up... On the circuit, are you considered by your close mates the | :33:44. | :33:48. | |
glass half empty, half full? Do you moan? Surely for comedy value. I do | :33:49. | :33:59. | |
it to entertain them. People like Mark Davis are very boring, but if | :34:00. | :34:04. | |
you can get it out of him he's good company. I play on it, really. | :34:05. | :34:09. | |
That's my little character. I just have a laugh amongst them. There's | :34:10. | :34:16. | |
always plenty to moan about... More and more, we are on our way to the | :34:17. | :34:20. | |
venue and there are no practice slots available. I've moaned about | :34:21. | :34:24. | |
that as soon as I heard! Do you pull rank? That's not me. Sometimes I'll | :34:25. | :34:34. | |
loiter to get a couple, but I do not pull rank. I remember when you use | :34:35. | :34:41. | |
to check out of the airport car parks, back in the day... There was | :34:42. | :34:49. | |
a convoy of six... Yes, I think that five was our record! Getting out of | :34:50. | :34:56. | |
the car park?... One after the other. Gerard was called up to | :34:57. | :35:02. | |
Gatwick police station once. The worst that could happen is that you | :35:03. | :35:05. | |
end up having to pay your car park bill, you can either get away with | :35:06. | :35:07. | |
it, or you don't! STUDIO: I'm down in the Cue Zone | :35:08. | :35:23. | |
with two families. Barry Hawkins's wife and son, and Joe Perry's | :35:24. | :35:28. | |
father, Peter, a real taxi driver. First question for Peter, what did | :35:29. | :35:34. | |
Joe say about Steve Davis's ability as a taxi driver? He said to me, he | :35:35. | :35:38. | |
told Steve, "Do you what me to get my dad to give you a few lessons? | :35:39. | :35:45. | |
You need them, mate. You aren't very good!" What about the match? It is | :35:46. | :35:49. | |
hard playing but much harder watching? Definitely, especially | :35:50. | :35:53. | |
when they are really good friends, it is worse. And what about the | :35:54. | :35:58. | |
nurse? Bad! The little man is holding me together. Have you had | :35:59. | :36:05. | |
any words of wisdom for your daddy, what would you say? He's the best! | :36:06. | :36:09. | |
That is very sweet, would you want to be out there playing one day? | :36:10. | :36:16. | |
Yes! Peter, what about Joe? How do you think he is playing so far? To | :36:17. | :36:22. | |
be honest... He's not watching? He hasn't played nothing like he's | :36:23. | :36:26. | |
played all week yet. Because it's the semifinal and everything, I | :36:27. | :36:32. | |
think it is that. It must be hard, what has Barry been saying before | :36:33. | :36:37. | |
the match? Not a lot. Just going out and doing the same as he's done | :36:38. | :36:40. | |
every match, sticking to the same routine. So... That is what he's | :36:41. | :36:46. | |
done I think! And what about the players, have you been keeping them | :36:47. | :36:50. | |
apart? This is the first time we've seen each other today. We are in the | :36:51. | :36:55. | |
same room and said hello. Best of luck, I hope the nerve sold out. We | :36:56. | :37:00. | |
are looking forward to the second half. | :37:01. | :37:03. | |
It will be a cracker. STUDIO: It is a nervous time and they had to wait | :37:04. | :37:06. | |
as their loved ones go out and do the business! We have had four | :37:07. | :37:11. | |
frames, seven more possibly to play. If you are just joining us, well,! | :37:12. | :37:18. | |
This is a reminder of how things have gone so far -- welcome. | :37:19. | :37:23. | |
Perry had a break of 30 as he got the first of his career semifinals | :37:24. | :37:28. | |
at the most underway in frame one. He hears... Missing that one. | :37:29. | :37:33. | |
Hawkins countered with 50, missing the red. The world number nine could | :37:34. | :37:40. | |
nick the first frame. Hawkins hit back in frame two, with a | :37:41. | :37:44. | |
contribution of 77, levelling it at 1-1. In frame three, Joe was on his | :37:45. | :37:56. | |
way to a break of 48, when he had this red along the cushion. It was | :37:57. | :38:02. | |
26 minutes until he made sure he had the 2-1 advantage. In frame for, | :38:03. | :38:08. | |
Barry knocked in a 58 contribution. 85 points, two frames apiece, and | :38:09. | :38:15. | |
just about right, you would have to say! Both of these fellas are | :38:16. | :38:23. | |
approaching veteran C, certainly Joe Perry is, at 42 years old! He said | :38:24. | :38:31. | |
before that he has hopes of winning a big one. Mark King is in | :38:32. | :38:37. | |
contention, Mark Davis is older than me... It will not be the standard to | :38:38. | :38:40. | |
knock me off my perch, the desire to keep practising and travelling and | :38:41. | :38:44. | |
putting in the effort. Its maximum effort for the two of them as they | :38:45. | :38:47. | |
strive to get into the final tomorrow... | :38:48. | :38:54. | |
COMMENTATOR: Both players are back. Into the usual ritual of selling | :38:55. | :39:01. | |
their glasses with water... And wiping their hands. Thank you, | :39:02. | :39:08. | |
ladies and gentlemen. Frame five. Joe Perry to break. No more | :39:09. | :39:13. | |
intervals, this will be played to a finish. | :39:14. | :39:29. | |
Not bad with the cue ball, but... The red is sticking out. Available | :39:30. | :39:37. | |
to the right corner. It could be a path, when potting it, around to the | :39:38. | :39:42. | |
black... A little shake of his head, he does | :39:43. | :40:04. | |
not think that he can find the path. Be careful in playing the safety. Do | :40:05. | :40:08. | |
not leave Joe with a chance on the red. On the left-hand corner | :40:09. | :40:15. | |
committee needs a cover with the yellow... -- he needs a cover with | :40:16. | :40:19. | |
the yellow. Lucky not to leave one to the | :40:20. | :40:34. | |
left-hand corner. A little more at stake on this spot now... If he | :40:35. | :40:48. | |
misses, it could leave one. Not leaving one over the left corner, | :40:49. | :40:54. | |
but he has left one near the blue. That's below what you require. I | :40:55. | :40:58. | |
always think about 66% is about average. Good for Barry Hawkins, | :40:59. | :41:07. | |
here's an 80%. -- he is on 80%. Not a bad chance, this black will be | :41:08. | :41:11. | |
available into both corners shortly. Did not want that kiss on the blue, | :41:12. | :41:40. | |
as it turns out. No harm done. A lovely angle if he wishes to go in | :41:41. | :42:17. | |
here. The red nearest the corner pocket... Nicely played! Did not | :42:18. | :42:31. | |
bring many reds N. One went up towards the red and baulk... He | :42:32. | :42:38. | |
might go up towards the blue. Just having a chat with Joe's | :42:39. | :43:06. | |
father, Peter Perry, in the audience. As is Barry's wife, Tara, | :43:07. | :43:15. | |
and their son Harrison. Everyone is nervous, you can imagine that it is | :43:16. | :43:21. | |
difficult watching your own family... He was at in the league | :43:22. | :43:24. | |
games, watching your team members play. That was nerve wracking. I saw | :43:25. | :43:34. | |
you on the television doing an interview... | :43:35. | :44:02. | |
Finishing up in such a position on the blue that he thought that this | :44:03. | :44:08. | |
was the only guarantee... He does not want to be too straight on it, | :44:09. | :44:15. | |
if he is, he can get onto the black. If straight enough, he can take a | :44:16. | :44:19. | |
good shot on this two pot it and get into position. Would not try to do | :44:20. | :44:32. | |
too much with the cue ball, which is why he is lower won the black. The | :44:33. | :44:44. | |
red workers difficult enough -- -- low on the black, the red was | :44:45. | :44:46. | |
difficult enough. Perhaps one could pass the brown | :44:47. | :44:59. | |
into the yellow pocket? He was not playing that, trying to get onto | :45:00. | :45:07. | |
those two reds. He can still have a go at the reds, and use the other | :45:08. | :45:22. | |
one to control the cue ball. It's OK. | :45:23. | :45:44. | |
It is imperative that he gets a good angle on the blue or one of the | :45:45. | :45:49. | |
colours here... Looks pretty good. You feel as if he | :45:50. | :46:10. | |
hits the pink full in the face it will bring all of these reds | :46:11. | :46:20. | |
interplay. -- into play. The red is just into the top cushion. It is not | :46:21. | :46:29. | |
an easy pot to carry this one... It is hard to believe. Going into the | :46:30. | :46:35. | |
pink with a lot of pace but not a lot of movement from the reds. It's | :46:36. | :46:42. | |
not easy into this bottom corner pocket, he will play it with some | :46:43. | :46:52. | |
pace towards the blue. Making the pot a little harder. It has gone in | :46:53. | :46:57. | |
nicely! A good pot but the cue ball is not | :46:58. | :47:20. | |
great. Not a good position for the green in the top left-hand corner | :47:21. | :47:23. | |
pockets. Just looking at a safety shot here? Sometimes, in situations | :47:24. | :47:32. | |
like this, you try and force yourself sometimes do have a go | :47:33. | :47:36. | |
because you want to keep that break going. Safety may be more prudent | :47:37. | :47:44. | |
here... Yes, everybody gets this modern-day culture now. When you | :47:45. | :47:48. | |
have a chance. Winning the frame off it but playing the yellow... It is | :47:49. | :47:53. | |
coming off it a bit thin. Get the cue ball off the baulk ocean. -- | :47:54. | :48:06. | |
cushion. Barry Hawkins, 45. Trying to cover the red on the left of the | :48:07. | :48:10. | |
table, he seems to be more concerned about getting the yellow out of | :48:11. | :48:16. | |
commission. With a 45 point lead, I cannot blame him for that. But he | :48:17. | :48:20. | |
has left the possibility of a pot. It is a tough one... So close. | :48:21. | :49:19. | |
Those two reds on the left-hand side of the table, covered by the green. | :49:20. | :49:34. | |
He does not want to leave Barry with his hand on the table and a chance | :49:35. | :49:36. | |
of a long pot. Once again, catching the baulk | :49:37. | :49:52. | |
colour. You have to avoid those colours. | :49:53. | :50:07. | |
It is amazing, the psychology and situation. There's no problem with | :50:08. | :50:14. | |
taking on the red into this bottom corner... The fact that he has the | :50:15. | :50:25. | |
lead, he is thinking twice about taking it on. You might be forced to | :50:26. | :50:29. | |
have a go at it, though... Yes, you've got that absolutely | :50:30. | :50:52. | |
right! I'm amazed, the types of long ball is that he has been knocking | :50:53. | :50:56. | |
in, he has a chance to win the frame, for me. The scoreboard made | :50:57. | :51:06. | |
the choice of shot, no doubt. An attempt at the pot in the left | :51:07. | :51:51. | |
middle, but not really close. This goes in... It could definitely win | :51:52. | :52:05. | |
the frame. Nope. A couple of half chances, one that he refused, | :52:06. | :52:06. | |
another that he missed. It was difficult for Joe, hampered | :52:07. | :52:43. | |
by that brown. The way that he is looking at this, the red probably | :52:44. | :52:54. | |
passes the green... Just? Now, you would be very surprised with Barry | :52:55. | :53:04. | |
Hawkins, if he was not to win the frame on this visit. For the first | :53:05. | :53:05. | |
time in the match... Just the red to get the snookers | :53:06. | :54:00. | |
required... Joe Perry, seeing his frame slip away. I hate the word | :54:01. | :54:08. | |
"Study", but Barry looks the steadier of the two so far this | :54:09. | :54:15. | |
weekend... -- steady. Yes, very solid. Gaining a bit of momentum. | :54:16. | :54:21. | |
Starting off a little slow, but certainly got up to speak now. -- | :54:22. | :54:30. | |
got up to speed. You mentioned in the last frame, how he strikes the | :54:31. | :54:33. | |
ball, there is a lovely and crisp sound when he strikes it. And get | :54:34. | :54:39. | |
through it really nicely. As I said earlier, in the last | :54:40. | :54:56. | |
couple of seasons, he has certainly improved his game, not so much his | :54:57. | :55:00. | |
game, but sometimes you have to believe in your own ability. And | :55:01. | :55:06. | |
believe that you are one of the top players. I think that he now has | :55:07. | :55:15. | |
that belief. And he is a match for anyone when he is playing well. He | :55:16. | :55:23. | |
has won two ranking titles, the Australian open 2012 and the players | :55:24. | :55:29. | |
championship 2014, and the World Championships, he lost all Ronnie | :55:30. | :55:34. | |
O'Sullivan but was a finalist here last year -- he lost to Ronnie | :55:35. | :55:35. | |
O'Sullivan. A nice cannon. But the brown might | :55:36. | :55:55. | |
snooker him. It does not matter. So, the first frame after the | :55:56. | :56:03. | |
interval... Barry Hawkins leading, 3-2. STUDIO: He begins to bash in | :56:04. | :56:10. | |
the bigger contributions now. Do you feel that Barry Hawkins is getting a | :56:11. | :56:14. | |
grip here? It seems he is slowly taking the stranglehold and looks | :56:15. | :56:21. | |
more comfortable scoring wise. Joe Perry's long game is not what it | :56:22. | :56:27. | |
was. I commentated in his match against Ding, his long game was | :56:28. | :56:31. | |
superb. He's looking the class act of the two, Barry Hawkins. Joe's | :56:32. | :56:37. | |
dad, Peter, made the point that Joe hasn't really hit the heights that | :56:38. | :56:41. | |
he reached against Ding, and Stuart Bingham, 6-1. He's had quite a few | :56:42. | :56:48. | |
big considerable breaks in as well? Yes, and if the nerves are going to | :56:49. | :56:52. | |
jangle it will be the semifinal. You are desperate to get into the final. | :56:53. | :56:58. | |
What an event, the Masters against Ronnie O'Sullivan. If any problems | :56:59. | :57:03. | |
are too arise for Joe Perry, it could be now. And possibly that | :57:04. | :57:06. | |
Barry Hawkins has been in the final of major events will put him in good | :57:07. | :57:11. | |
stead. But a long way to go. We talked about the fact that they are | :57:12. | :57:21. | |
good friends and Perry has the better strike rate in the matches | :57:22. | :57:23. | |
between the two. But we were talking earlier run with Steven, they've | :57:24. | :57:25. | |
only ever met in 1/4-final. Everything else has been last 16s or | :57:26. | :57:31. | |
32s, they've never had the chance to face each other? It is new | :57:32. | :57:35. | |
territorial for them both. Maybe it is a bit premature but I feel that | :57:36. | :57:42. | |
perhaps Joe's race has been run? He does not seem to have that error of | :57:43. | :57:45. | |
confidence, that he believes he can get into the final tomorrow. Barry | :57:46. | :57:49. | |
looks like the player who thinks that he should be there -- that air | :57:50. | :57:56. | |
of confidence. He does not have that air of freedom in the last couple of | :57:57. | :58:02. | |
matches? So far, but in those matches, maybe he was an underdog | :58:03. | :58:07. | |
and suddenly there is a chance? I do not think that Joe has ever looked | :58:08. | :58:10. | |
aggressive when he has walked around the table, like he will kill | :58:11. | :58:15. | |
someone. He does not play that way. He can be underestimated but I think | :58:16. | :58:19. | |
that it is a tough match for both of them. It is a great opportunity for | :58:20. | :58:24. | |
the final but I think Barry Hawkins is best placed. What I worry about | :58:25. | :58:31. | |
with Joe, normally he is one of the best safety players in the game. But | :58:32. | :58:35. | |
his safety play has let him down tonight, which is a surprise. Last | :58:36. | :58:41. | |
night against Ding, he had Ding in trouble a lot of the time. 71% for | :58:42. | :58:48. | |
Joe so far, and 69% for Barry Hawkins. But Barry Hawkins is | :58:49. | :58:52. | |
scoring more heavily out of the two. Barry Hawkins has the 3-2 lead as we | :58:53. | :59:02. | |
go back out... COMMENTATOR: Close to the baulk | :59:03. | :59:04. | |
cushion. Possibilities here for Joe. Long pot | :59:05. | :59:16. | |
success for Joe, at 46%, 67% for Barry Hawkins. | :59:17. | :59:26. | |
Just lost it for the moment. Joe Perry... The boys were saying in the | :59:27. | :59:36. | |
studio that he has been knocking those particular long pots in in | :59:37. | :59:46. | |
those two matches, against Stuart Bingham. | :59:47. | :00:07. | |
I suppose from Joe Perry's point of view, the fact that he came with the | :00:08. | :00:15. | |
laissez-faire type of attitude and just wasn't expecting too much. The | :00:16. | :00:19. | |
first couple of matches he played so well. Now there's a chance of being | :00:20. | :00:23. | |
in the final, maybe the nerves are beginning to creep in a little bit. | :00:24. | :00:30. | |
Yeah that could well be. But I still feel, there'll come a time where | :00:31. | :00:35. | |
he'll think if he drops a couple behind that he might just break off | :00:36. | :00:39. | |
the shackles. I just feel tonight that he looks a little bit tight. | :00:40. | :00:46. | |
Some of these long pots he's played, I've sensed a little bit of | :00:47. | :00:49. | |
movement. That's usually a sign of tension. In these matches you never | :00:50. | :00:53. | |
know what can happen. Because sometimes you feel as though right, | :00:54. | :00:58. | |
well, he's playing better than me. I'm not playing too well. That can | :00:59. | :01:02. | |
just take a bit of pressure off you. He's got the game, Joe. It's just | :01:03. | :01:10. | |
producing it consistently. That's been the difference with these two | :01:11. | :01:14. | |
players over the last two or three seasons. Barry's now getting that | :01:15. | :01:18. | |
consistency at the highest level. He didn't get a consistent shot | :01:19. | :01:32. | |
there. A terrible kick on the red. Just look where the cue ball has | :01:33. | :01:39. | |
finished up. Stopped the cue ball in its tracks. It should have been the | :01:40. | :01:42. | |
other side of the pink. He would have been on the pink nicely. Now, | :01:43. | :01:49. | |
well, unless he takes this green on, which is a very difficult, the fact | :01:50. | :01:53. | |
that you're bridging over balls. It may be end of break. So frustrating | :01:54. | :02:01. | |
for snooker players get kicks and stop you, when you look like you're | :02:02. | :02:04. | |
going to make a sizeable break. Premature end to that visit. Now | :02:05. | :02:27. | |
Joe, you've got to play a good safety. You've got to start getting | :02:28. | :02:32. | |
that cue ball near the baulk cushion. | :02:33. | :02:53. | |
Good length. He has left a pot on for Barry. | :02:54. | :03:24. | |
Always when you play that type of shot, you err on the side of hitting | :03:25. | :03:34. | |
it too thin. But catching the brown. Now let's see if Joe can stay down | :03:35. | :03:39. | |
and push the cue through straight on this one. | :03:40. | :03:47. | |
Right in the heart of the pocket. That's 32 minutes he's waited to get | :03:48. | :03:51. | |
that pot in. This time no movement. Pushed the | :03:52. | :03:53. | |
cue through straight. A little bit straighter on the blue | :03:54. | :04:35. | |
would have been better. I think he's got the angle to avoid the kiss on | :04:36. | :04:39. | |
the red on the left-hand side of the table and play for the one just | :04:40. | :04:41. | |
above to the right of the black. Got to make the most of these | :04:42. | :05:01. | |
opportunities. For his own self-confidence, if nothing else. | :05:02. | :05:17. | |
The red on the pink spot will pot as well. | :05:18. | :05:24. | |
It's funny how certain players have different ways of playing. It he's | :05:25. | :05:28. | |
played a little stun there. I'd have run off the side cushion. You feel | :05:29. | :05:31. | |
as if you have more control. Not certain where the pink will go | :05:32. | :05:42. | |
when it's potted. A couple of reds around that pink | :05:43. | :05:54. | |
area that would be available, well, they're blocked. So the pink is on | :05:55. | :05:58. | |
the highest available, which is the brown. | :05:59. | :06:04. | |
For this opportunity, he's looking better and better. He doesn't have | :06:05. | :06:09. | |
to go into the pack here. Decided to go in. Didn't think you | :06:10. | :06:33. | |
could hold. It's gone slightly awry. He didn't catch the first red | :06:34. | :06:36. | |
properly and that's why he's lost the cue ball. This red pots but | :06:37. | :06:37. | |
very, very difficult. Played it well. It's a good pot, | :06:38. | :06:59. | |
though. A little bit to do now. Although there is a red that will go | :07:00. | :07:05. | |
to the right middle. So not a lot of work to do with the cue ball. I'm | :07:06. | :07:14. | |
surprised he played it as pacy as that. Yeah. You would have felt that | :07:15. | :07:21. | |
the last red he played would have, he would have been a bit more | :07:22. | :07:26. | |
confident. He could have dropped that in dead weight and still been | :07:27. | :07:30. | |
on the red. Would have loved to have taken the | :07:31. | :08:06. | |
pink there. But it's a bit more tricky to pot the why yellow, back | :08:07. | :08:11. | |
up for the red. He'd love to get the pink back on its spot. Again, it's | :08:12. | :08:14. | |
not ideal. If he can get the pink off one of | :08:15. | :08:27. | |
these reds, it will come back up this end of the table and go on the | :08:28. | :08:29. | |
black spot. Not the best positional shot he's | :08:30. | :08:43. | |
ever played. Makes the pot difficult. And the | :08:44. | :08:51. | |
positional side of the shot. You would think he would play the | :08:52. | :09:00. | |
pink. But being close to the cushion made | :09:01. | :09:22. | |
it missable. So a let off for Joe Perry that time. | :09:23. | :10:07. | |
It's going to be tough to finish the frame at this visit. He's going to | :10:08. | :10:20. | |
need the three remaining reds, you would have thought. | :10:21. | :10:29. | |
Stop shouting out now, please, thank you. | :10:30. | :10:36. | |
Such a good potter normally. But once again, just seems to be a bit | :10:37. | :10:39. | |
of movement, a bit of anxiety when he's pushing the cue through. | :10:40. | :11:23. | |
He wants to come off that baulk cushion. He wants plenty of | :11:24. | :11:32. | |
left-hand side, trying to avoid the yellow, try and miss the brown on | :11:33. | :11:36. | |
that baulk cushion. Back up to the red, left on the blue. Just playing | :11:37. | :11:43. | |
the deep screw, I know he'd have to avoid the yellow and maybe the | :11:44. | :11:46. | |
possibility of moving off into the left middle. If he plays it with | :11:47. | :11:52. | |
topspin he could do it and not get on the red. | :11:53. | :11:59. | |
He's just about on it, in a fashion. 14 points behind. | :12:00. | :12:14. | |
That red closest to the right-hand side cushion will be awkward for a | :12:15. | :12:19. | |
left-hander, which Barry is. Can he pot this and distort the red? | :12:20. | :12:25. | |
Oh, great effort. Excellent effort. He couldn't have played that any | :12:26. | :13:03. | |
better. Of course, we all know, Ken, with the miss rule as it is... Well, | :13:04. | :13:10. | |
this is, if you can't see the left-hand side of the table, this is | :13:11. | :13:13. | |
almost so difficult, well it's almost impossible to hit. He may try | :13:14. | :13:17. | |
and play this hard into the jaws of the green pocket. Try to use the | :13:18. | :13:21. | |
knuckle and bring the cue ball down towards this red. But this is a one | :13:22. | :13:31. | |
in 20 shot to hit the red from here. We could be here all night playing | :13:32. | :13:38. | |
this type of shot. It will be called a miss until we get to the snookers | :13:39. | :13:42. | |
required stage. If you're going to play this one | :13:43. | :13:47. | |
into the jaws, as played there, I don't think you can hit it that | :13:48. | :13:53. | |
hard. Obviously you've got to hit it with enough pace to come down here | :13:54. | :13:56. | |
and make contact with the red. I wouldn't be hitting it that hard. I | :13:57. | :14:02. | |
think if he gets even close to it, it's going to be a very, very | :14:03. | :14:06. | |
difficult decision for the referee. If it's a decent enough attempt and | :14:07. | :14:11. | |
the referee feels it's an almost impossible nooker to hit, he may not | :14:12. | :14:16. | |
keep calling the miss here. This is one of those anomalies with the miss | :14:17. | :14:18. | |
rule. Looks like he thinks he might be | :14:19. | :14:27. | |
able to swerve. Even if he got to the right-hand side cushion, he's | :14:28. | :14:31. | |
got the blue to miss. The yellow to miss, the green. Good luck. | :14:32. | :14:42. | |
Good luck with this one. Yes! What a shot! | :14:43. | :14:48. | |
Excellent shot. That's a ten out of ten right there. | :14:49. | :15:01. | |
Absolutely. I tell you what... CHEERING | :15:02. | :15:07. | |
You wouldn't get this much applause for 147. | :15:08. | :15:11. | |
OK, that will do, thank you. Such a spoil sport! | :15:12. | :15:30. | |
Caught the green, well I don't think Joe will be tempted. This was a | :15:31. | :15:37. | |
superb hit. Just had to miss the blue and just flick the red, | :15:38. | :15:40. | |
sensational. I'm so pleased he hit it. Because I hate that miss rule | :15:41. | :15:45. | |
when it gets to the end of a frame like that. You could lose it with | :15:46. | :15:49. | |
just one snooker. It doesn't seem right. | :15:50. | :15:54. | |
I think the referee was just as happy that Joe Perry hit the red as | :15:55. | :16:00. | |
Joe Perry was. He didn't have to make that decision. He's a strong | :16:01. | :16:05. | |
referee. Any way, he'd have no problem if he had to call a decision | :16:06. | :16:07. | |
like that. Hawkins haub seven points behind, | :16:08. | :16:19. | |
you feel whoever gets this red should win the frame. | :16:20. | :17:00. | |
Dangerous sending towards the pocket. I think it's run far enough | :17:01. | :17:07. | |
for the blue to get the cover. It has. Easy to hit. But can he get it | :17:08. | :17:13. | |
safe? It's just run far enough so it's not | :17:14. | :17:34. | |
cuttable into the middle. You still have to think that Joe has | :17:35. | :17:49. | |
just got the edge in this tactical battle, very important tactical | :17:50. | :17:54. | |
battle. Oh, this is a good line. This is a good line! | :17:55. | :18:00. | |
I don't think he'll be taking the pot on here. Straightforward, must | :18:01. | :18:44. | |
get the cue ball as tight as possible to this blue, just knock | :18:45. | :18:50. | |
the red down towards the baulk line. It's not the best. OK it's a | :18:51. | :18:55. | |
snooker, but could have been a bit better. | :18:56. | :19:05. | |
It's a simple escape off one cushion. You never know where the | :19:06. | :19:08. | |
red's going to go here. It looked for all the money that he | :19:09. | :19:31. | |
was going to leave that red on with the double kiss that the red got off | :19:32. | :19:37. | |
the groan has knock today safe. -- green. | :19:38. | :19:50. | |
He can just roll off the red and put the cue ball behind the green. | :19:51. | :20:08. | |
It was a delicate little shot, the one you suggested. It certainly | :20:09. | :20:12. | |
would have been my choice. Joe had the upper hand in this | :20:13. | :20:24. | |
safety exchange. He might have lost it now. | :20:25. | :20:37. | |
Yes, I think Barry may just have the snooker there. He has. | :20:38. | :20:45. | |
You've got to get right in behind this red and hit it full in the | :20:46. | :20:56. | |
face. Caught it half ball. It's Barry Hawkins now who has the slight | :20:57. | :21:05. | |
edge. Whoever pots this red you'd think would be certain to take the | :21:06. | :21:11. | |
frame. Nice opportunity maybe the red up behind the brown, cue ball | :21:12. | :21:15. | |
behind the black. Obviously it's not straightforward | :21:16. | :21:31. | |
otherwise Barry wouldn't be thinking about it. | :21:32. | :21:38. | |
Must get the red safe. He's looking to not only get the red safe, get | :21:39. | :21:47. | |
that snooker. That could tilt the frame in his favour. | :21:48. | :21:59. | |
Not quite. So this frame still very much in the balance. | :22:00. | :22:20. | |
Good safety. No snooker. But safe enough. | :22:21. | :23:06. | |
I think he can just get to the edge of it. But even then he may decide | :23:07. | :23:16. | |
to play baulk cushion first here. As long as you get in behind them, | :23:17. | :23:18. | |
they're all right. He's going to leave it, unless it | :23:19. | :24:28. | |
goes up close to it. Again, he was trusting a little bit of luck there. | :24:29. | :24:34. | |
So Barry's good snooker has forced the opportunity here. | :24:35. | :24:48. | |
Nicely on the black. Yellow will pass the green into that top right | :24:49. | :24:52. | |
hand corner pocket. One point lead. Yellow, green, brown | :24:53. | :25:13. | |
and blue required. Brown and blue to go 15 points in | :25:14. | :25:25. | |
front with only 13 remaining. So no way back now for Joe Perry. He | :25:26. | :26:37. | |
had a chance. Didn't make the most of it. | :26:38. | :26:45. | |
He's opened a two-frame advantage now. | :26:46. | :26:51. | |
STUDIO: First time that he's had the two-frame advantage. There was a | :26:52. | :26:54. | |
funny moment in that frame. I don't think I've seen an ovation quite | :26:55. | :26:59. | |
like the one Joe Perry received for escaping that snooker. It was | :27:00. | :27:03. | |
fantastic. After a speculative try into the jaws, which can sometimes | :27:04. | :27:06. | |
work. He picked out a route and I think it would have been hard for | :27:07. | :27:10. | |
the referee not to have called a miss there, even if he had miss | :27:11. | :27:14. | |
today by a fraction. He had a shot later on that, we haven't got it on | :27:15. | :27:18. | |
film, if you remember one red left and Joe chose to roll up behind the | :27:19. | :27:22. | |
blue. We were in the studio thinking that possibly he could have played a | :27:23. | :27:25. | |
bit more positively and gone for the pot because it went into the green | :27:26. | :27:30. | |
pocket. Perhaps if he's going to get back into this game, somewhere | :27:31. | :27:33. | |
down-the-line, he's got to put his foot to the floor a bit more. You | :27:34. | :27:37. | |
said earlier on, you felt that Joe's race might be run, even the frame | :27:38. | :27:43. | |
before that. Yeah, John said in commentary, he doesn't look | :27:44. | :27:47. | |
comfortable tonight. He doesn't look like he believes. He's not playing | :27:48. | :27:52. | |
the way like he believes. He's been potting so well all week, why not | :27:53. | :27:56. | |
take on the red? It's a negative shot. I know there's every chance | :27:57. | :28:00. | |
that your opponent could hit the red and leave you on with a gimme red. | :28:01. | :28:06. | |
Sometimes you have to create your own opportunities and moment in | :28:07. | :28:09. | |
matches. If he had got that red, cleared up, that would have give him | :28:10. | :28:13. | |
such a boost of confidence. Now he's under it. Two frames behind. But I | :28:14. | :28:17. | |
tell you one thing that strikes me from that exchange we saw, the | :28:18. | :28:20. | |
warmth between the two players. There was great cam radery that you | :28:21. | :28:27. | |
could see. You -- camaraderie. Fantastic turnout as well. I don't | :28:28. | :28:30. | |
know what matches could have been involved for this semifinal, the | :28:31. | :28:33. | |
crowd buy the tickets, they don't know which match they'll watch, they | :28:34. | :28:36. | |
celebrate snooker here at the Masters. These guys have beaten | :28:37. | :28:43. | |
Murphy, Selby, Bingham and Ding. Probably not the semifinal line-up | :28:44. | :28:48. | |
that many people would have picked. That's the standard of snooker, it's | :28:49. | :28:52. | |
a very level playing field now. A lot of players are playing a good, | :28:53. | :28:56. | |
high standard of snooker. A lot of people are playing the same | :28:57. | :29:00. | |
standard. Come the start of the tournament, you couldn't pick who it | :29:01. | :29:04. | |
would be. You could pick your favourites, O'Sullivan, Selby. | :29:05. | :29:08. | |
Sometimes it's second favourites, you know, you'd bet them to whip the | :29:09. | :29:10. | |
matches. Joe Perry was 80-1 when this | :29:11. | :29:24. | |
started. They have defied the odds to get this far. | :29:25. | :29:31. | |
COMMENTATOR: That is a fair point from Stephen. I know when that red | :29:32. | :29:38. | |
was by the blue and it was a certain snooker, but yeah, sometimes you've | :29:39. | :29:43. | |
got to just go for your shots. Push the boat out a little bit more. | :29:44. | :29:49. | |
That's the way Stephen used to play. Yeah, I suppose it depends on how | :29:50. | :29:55. | |
you feel as well. Irdon't think he played that snooker | :29:56. | :29:58. | |
very well, though. It was one of those where you had to be touching | :29:59. | :30:01. | |
the blue. And stop the one cushion escape. | :30:02. | :30:19. | |
Ooh! Well. What has he left? Has he left an easy starter for Joe? Can he | :30:20. | :30:33. | |
get this rage to the right middle? -- can he get this red? I think that | :30:34. | :30:37. | |
he can... Cutting it a fraction too flick. -- too flick. It | :30:38. | :30:55. | |
is not looking good at the moment for Joe Perry. A trace of right-hand | :30:56. | :31:01. | |
side because he could not get to the middle of the cue ball but a player | :31:02. | :31:06. | |
of his experience should have been able to allow for that. | :31:07. | :31:20. | |
If ever Joe needed a time to make it... A really good break? That is | :31:21. | :31:47. | |
now. It's got to the stage in the match where he needs to get going. A | :31:48. | :31:53. | |
nice frame and a break would do that for him. But... | :31:54. | :32:04. | |
It is OK, he has the red to the left middle. He has two raise his game if | :32:05. | :32:16. | |
years to have any chance of reaching the final tomorrow... -- if he is. | :32:17. | :32:20. | |
Overscrewing it a little, he might to play a cannon. He missed the | :32:21. | :32:33. | |
cannon but here's on the red, into the green pocket. | :32:34. | :33:52. | |
The area is a red on the right-hand side which is a available. It is not | :33:53. | :34:06. | |
easy to play the cannon, the pink is locking. Play for the loose red. | :34:07. | :34:26. | |
Playing it nicely... Nudging another red into the open through that pot. | :34:27. | :34:32. | |
The end red on the right-hand side catches the join between the two. He | :34:33. | :34:42. | |
has nudged one on. I would have been inclined to play with more pace but | :34:43. | :34:46. | |
I do not blame him for the position that he is in at the moment and | :34:47. | :34:50. | |
those shots that he has missed. That shake of his head shows that he is a | :34:51. | :34:56. | |
little too straight on it. I'm not quite sure, he might be able | :34:57. | :35:14. | |
to screw it and get back for the black. He is looking at the | :35:15. | :35:21. | |
possibility. If he cannot get on the black, run through and leave | :35:22. | :35:27. | |
yourself a half ball, albeit on the wrong side... Do not miss the pot. | :35:28. | :35:33. | |
You cannot afford to miss it. Joe Perry, 42. CLAPPING | :35:34. | :36:03. | |
The last time that Joe Perry missed it, Barry Hawkins did not take the | :36:04. | :36:12. | |
full advantage of it. Joe will be hoping that that is the case here. | :36:13. | :36:17. | |
He is not perfect but he has a slight angle, as you can see. | :36:18. | :36:27. | |
Just about got the right angle on the blue, for this red which is just | :36:28. | :36:55. | |
separating from that cluster of four. Now is the time to be potting | :36:56. | :37:13. | |
itch to open up those four reds -- potting it. He will try to hit the | :37:14. | :37:33. | |
right-hand one of the four... That was not the intended contact, he | :37:34. | :37:39. | |
wanted to hit it and push the cue ball to the right-hand side of the | :37:40. | :37:45. | |
four reds. Into the right centre, it was a cute angle. | :37:46. | :37:56. | |
He has played it very well. Very confident. | :37:57. | :38:09. | |
He can play those two reds together in the middle of the table, one goes | :38:10. | :38:15. | |
to the left-hand middle. If he plays a run through he is more likely to | :38:16. | :38:19. | |
kiss from the top cushion, he plays the pink... I was going to suggest | :38:20. | :38:27. | |
that angle on the black committee could possibly play along the top | :38:28. | :38:31. | |
cushion but I think at the moment he is more concerned with getting back | :38:32. | :38:37. | |
into the frame. -- that angle on the black, he could possibly play along | :38:38. | :38:51. | |
the top cushion. Points wise... Joe Perry will be feeling that maybe the | :38:52. | :38:56. | |
red on the right-hand side cushion is his only hope of getting back | :38:57. | :39:03. | |
into this frame. He has some work to do before he gets into that | :39:04. | :39:08. | |
position. Barry Hawkins. But how he has been playing this couple, he is | :39:09. | :39:16. | |
having a luck. If he pots it, he could bring that red off the | :39:17. | :39:30. | |
right-hand side cushion. It looks perfect to me... It looks good, can | :39:31. | :39:40. | |
drop in the pink. Get it off the cushion. If he is not on the red | :39:41. | :39:45. | |
close to the cushion, he can always be on the red below the pink. Does | :39:46. | :39:56. | |
he have the angle? It might not be the natural angle. It looks like it | :39:57. | :40:00. | |
but the fact he is taking so long to play it makes me think, perhaps not. | :40:01. | :40:12. | |
If it was a natural channel, he would have got it. They have the | :40:13. | :40:17. | |
problem of these two awkward reds. Only ten points behind now. Now, the | :40:18. | :40:24. | |
hard work begins... Just dropping this red in, leave the | :40:25. | :40:49. | |
cue ball with that angle on the black. You can get the cue ball | :40:50. | :40:59. | |
somewhere there, or just below it. That would be perfect. Ooh Acta | :41:00. | :41:07. | |
-- ooh! I did not expect for him to miss that red. If he had a better | :41:08. | :41:14. | |
angle he would not have had to play it with as much pace. So, with Joe | :41:15. | :41:24. | |
Perry, there is a two point advantage but he has a problem with | :41:25. | :41:27. | |
the red near the right-hand side cushion. Can he leaves a nice angle | :41:28. | :41:35. | |
on the black? Well, he has the angle, can hear just that cannon? He | :41:36. | :41:43. | |
has the perfect angle -- can he adjust the cannon? Ooh, well he will | :41:44. | :41:52. | |
be disappointed in that. Joe Perry, eight. Ten points is the | :41:53. | :42:15. | |
lead. The way that the colours are... It is like the last frame. | :42:16. | :42:19. | |
Whoever popped the red wins the frame for me. | :42:20. | :43:01. | |
That bump... But it runs safe. The fact that Joe is close to this red, | :43:02. | :43:16. | |
he should play a good safety shot from snooker here. Missing an | :43:17. | :43:24. | |
opportunity there. If that is a full ball snooker, then | :43:25. | :43:57. | |
it is certainly an advantage to Barry Hawkins. You may say that this | :43:58. | :44:02. | |
is not difficult to hit, just roll it did wait. -- dead weight. It did | :44:03. | :44:13. | |
not look a difficult one to hit, but the thing is, if you role is to it, | :44:14. | :44:20. | |
dead weight, he will move that cue ball closer to the red. Barry will | :44:21. | :44:26. | |
still have control with this very important tactical battle, | :44:27. | :44:30. | |
especially for Joe Perry. If he loses the frame, going 5-2 behind, | :44:31. | :44:34. | |
it would be too much of a mountain to climb for him. Missing it again. | :44:35. | :44:42. | |
Foul, miss. Barry Hawkins four. Just seems to be sliding off this | :44:43. | :45:05. | |
baulk cushion. He has a couple of attempts, readjusting here. Does not | :45:06. | :45:18. | |
want to go by the red, of course. Anywhere alongside and he will be | :45:19. | :45:28. | |
OK... Split that up. Could be in a bit of trouble again. Keep all of | :45:29. | :45:34. | |
them behind the black, and the red tip on the ball ocean. -- on the | :45:35. | :45:49. | |
baulk cushion. Did not get that snooker this time. You can play this | :45:50. | :46:02. | |
cushion on the left-hand side. Trying to play the same shot that | :46:03. | :46:07. | |
Barry played a couple ago. It looks OK. | :46:08. | :46:33. | |
Barry is looking to come off this top cushion. This must be a lot more | :46:34. | :46:40. | |
difficult to hit than it first appears... He is swerving around the | :46:41. | :46:47. | |
green to try and find the baulk cushion where he can nestle on the | :46:48. | :47:03. | |
red. Not enough now... It is funny. It looked like a simple escape but | :47:04. | :47:06. | |
the green is blocking the path where he would like to hit the baulk | :47:07. | :47:10. | |
cushion. Barry said that he would play a | :47:11. | :47:26. | |
different shot anyway. Playing it with more pace. He will be happy | :47:27. | :47:39. | |
with that outcome. There is a gap. There is always a gap! But, the | :47:40. | :47:47. | |
problem is... I don't think he can avoid the kiss on the pink when he | :47:48. | :47:55. | |
plays it. It could be worth going for the pot. That is why he is | :47:56. | :48:00. | |
playing that swerved but when you strike down the right-hand side, you | :48:01. | :48:05. | |
push the cue ball to the right, as we look. So that the green comes | :48:06. | :48:10. | |
into play. But he does not want to play what he can hit of it. Bouncing | :48:11. | :48:16. | |
into the pink. The cue ball going back up the table. -- bouncing into | :48:17. | :48:24. | |
the pink would stop the cue ball going back up the table. But, it is | :48:25. | :48:35. | |
dangerous. Well, it looks like it was going to be OK. But once the red | :48:36. | :48:44. | |
kissed the pink... It is a gift wrapped chance. If it just missed | :48:45. | :48:51. | |
the pink, it would have just run to the cushion, probably. What a chance | :48:52. | :48:56. | |
for Barry Hawkins, three frames ahead and more importantly one frame | :48:57. | :49:04. | |
away from a place in the semifinal. It has to be said, Barry has been | :49:05. | :49:12. | |
very fortunate. Getting a snooker in this frame and the previous too. | :49:13. | :49:20. | |
That has been the difference. These two have been... Absolutely massive. | :49:21. | :49:28. | |
In the context of the entire match. Yes, two frames were practically the | :49:29. | :49:34. | |
same. Potting the last red, it could have gone either way. It looks like | :49:35. | :49:52. | |
they will go towards Barry. CLAPPING Brown and blue, 14 points in front | :49:53. | :49:54. | |
with 13 remaining. Barry Hawkins only needs one more | :49:55. | :50:29. | |
frame to be in tomorrow's final. A repeat of last year's final. Barry | :50:30. | :50:35. | |
Hawkins leading Joe Perry now 5-2. STUDIO: Once again, Joe was in. A | :50:36. | :50:40. | |
tense safety exchange one in the end by Barry Hawkins. Is there any way | :50:41. | :50:46. | |
back for Joe? Not with how years playing. If there was one chance | :50:47. | :50:51. | |
snooker, and they are boxers exchanging blows? Then I would say | :50:52. | :50:56. | |
yes. But it does not look like... He is not scoring heavily enough. He | :50:57. | :51:03. | |
has not been able to convert. At this level, that would be the most | :51:04. | :51:06. | |
disappointing thing. If he does lose, he will look back on this | :51:07. | :51:11. | |
match and say, he has not performed the way that he would have liked. | :51:12. | :51:15. | |
But with how he has performed in the last couple of matches, he has been | :51:16. | :51:21. | |
so emphatic? Yes, and when you get a chance among the balls and don't | :51:22. | :51:25. | |
take it, then the frame can unfold in a variety of ways. And luck with | :51:26. | :51:29. | |
the colours can come into the equation. Barry Hawkins play and | :51:30. | :51:39. | |
escape, he left Joe with a big problem. You can look at it and go, | :51:40. | :51:43. | |
that is a little unlucky for Joe. But, whoever goes in first has the | :51:44. | :51:49. | |
chance to make a big blow and all is said and done, Barry Hawkins has | :51:50. | :51:52. | |
shown some more killer instinct tonight and looks like he is more | :51:53. | :52:00. | |
prepared to win compared to Joe. As Ken was saying, one away from a | :52:01. | :52:03. | |
rematch with Ronnie O'Sullivan. Think about that match, he was | :52:04. | :52:08. | |
beaten 10-1 last year, to bounce back and beat Ronnie at the Crucible | :52:09. | :52:13. | |
in the last 16? He has shown real... I guess that he has learned so much. | :52:14. | :52:19. | |
He has shown some real grit to recover from that dumping? | :52:20. | :52:30. | |
Definitely, maybe he has one eye on tomorrow, it is dangerous to look | :52:31. | :52:34. | |
ahead. But, it will be at the back of his mind, being 5-2 up. But look | :52:35. | :52:41. | |
forward to this match tomorrow once you've got this subway. Mark Selby, | :52:42. | :52:46. | |
who was the player in form. He won the World Championship and the UK | :52:47. | :52:50. | |
championship committee was going for the slam here. He would have been | :52:51. | :52:56. | |
the fifth man to hold all three of snooker's major titles. He said | :52:57. | :53:00. | |
afterwards, that he felt quietly confident in that match. He was very | :53:01. | :53:04. | |
strong in that performance? Yes, that is a pretty good yardstick. | :53:05. | :53:10. | |
Beating Mark Selby in style. The kinds of things that he can produce, | :53:11. | :53:15. | |
Barry Hawkins, we are not necessarily sure of. It is good to | :53:16. | :53:19. | |
see but I would like to see Joe use this as a springboard. And say, OK, | :53:20. | :53:23. | |
what do I do to get to the next level? I'm ignorant of who coaches | :53:24. | :53:31. | |
him and whether he has a coach. He needs a kick start. Perhaps on | :53:32. | :53:35. | |
double team you have another manager, but see if he can generate | :53:36. | :53:39. | |
some are meant. Great performances over the last couple of seasons. He | :53:40. | :53:45. | |
won his first major ranking title in 2015. The players championship, the | :53:46. | :53:49. | |
PTC finals, and in the July World Open... This is another step for | :53:50. | :53:54. | |
him. The semifinals of the Masters committee has never been here | :53:55. | :53:59. | |
before. What does he have left? We will find out. -- the semifinals of | :54:00. | :54:03. | |
the Masters. He has never been here before. | :54:04. | :54:07. | |
COMMENTATOR: I alluded to the fact that there would be a time when | :54:08. | :54:12. | |
perhaps you can break off those shackles, but again, the safety shot | :54:13. | :54:18. | |
catching the bother-macro in the face? Not good. -- the baulk. It's | :54:19. | :54:33. | |
been a big part of his game but tonight he has not been on it. The | :54:34. | :54:39. | |
chance to play Ronnie O'Sullivan perhaps in the final tomorrow, maybe | :54:40. | :54:45. | |
that is adding some pressure? This man appears to be getting a bit | :54:46. | :54:51. | |
stronger. It is another excellent long pot. A bit unfortunate with his | :54:52. | :55:01. | |
flick on the red. Those shots have been a big part of Barry's game all | :55:02. | :55:07. | |
week. Yes. Justified applause. Closing the | :55:08. | :55:37. | |
cushion, he has two cue Which? Very well, and he did. I do not think | :55:38. | :55:43. | |
this is a straightforward role, he has two avoid that red near the | :55:44. | :55:49. | |
cushion. It's a good position for him to get into, on the black. If | :55:50. | :55:54. | |
that red was not near the left side committee could drop it in but I | :55:55. | :55:59. | |
think that he's going to dig down to avoid that kiss on the second red. | :56:00. | :56:07. | |
That is what could happen. Striking down. Decelerating on the shot. | :56:08. | :56:18. | |
Hitting it too thin. We see it a lot on the superfine class. Joe Perry, | :56:19. | :56:30. | |
let's see what you've got... -- superfine cloth. | :56:31. | :56:45. | |
He is already faced with 8/2 red on the cushion. Especially as there is | :56:46. | :56:56. | |
pressure on this. Easing the pressure slightly. But | :56:57. | :57:20. | |
what a good pot it was at that pace! A fantastic pot. Clicking the red on | :57:21. | :57:25. | |
the way up, meaning that was left open. Needing the cue ball to run | :57:26. | :57:38. | |
through. Not too bad. Just one of those situations where you don't | :57:39. | :57:44. | |
really have too worry about where the cue ball has gone, but make sure | :57:45. | :57:53. | |
if you hit this pot with pace, you would be unlucky to be on one of | :57:54. | :58:07. | |
those reds. APPLAUSE As usual, these kinds of matches get | :58:08. | :58:12. | |
a lot of encouragement from this packed house at the Alexander | :58:13. | :58:21. | |
Palace. But he is not stringing them together... | :58:22. | :58:34. | |
It seems that Joe was saying to the referee about getting the pink | :58:35. | :58:45. | |
first. It did not look that way to me. Let's have another look... No, I | :58:46. | :59:01. | |
do not think it did. I think that he hit the red first. What has he left | :59:02. | :59:04. | |
for Barry here? Just on the right... I am wondering | :59:05. | :59:32. | |
whether he has the angle and enough of the cue ball to swing it and pot | :59:33. | :59:38. | |
it around the back of the black. Does he try and drop it in for the | :59:39. | :59:43. | |
gap, into the right-hand corner pocket? Looking at how the reds are | :59:44. | :59:50. | |
spread, he tries to get it in and he has to get it in, you feel. | :59:51. | :59:56. | |
A long way off. A long, long way off. He would have gone back to his | :59:57. | :00:08. | |
seat there, thinking, could that have been my last shot in this year | :00:09. | :00:11. | |
's Masters? It could well be... Wiped its feet. Always looked a bit | :00:12. | :00:39. | |
high. Just slow enough to let gravity take over. | :00:40. | :02:07. | |
Didn't intend to kiss that red on the way up to the blue. He's been | :02:08. | :02:11. | |
fortunate he's on this blue nicely. There's enough reds in the open to | :02:12. | :02:53. | |
make you think it's certainly a possibility it could be frame and | :02:54. | :02:55. | |
match at this visit. Played that well. Good shot. Nice | :02:56. | :03:17. | |
control. Those two reds near the left middle | :03:18. | :03:31. | |
pocket, I think the one nearest the pocket he can get on to. | :03:32. | :03:38. | |
If you were really desperate you could make them into a plants. Just | :03:39. | :03:45. | |
concentrate on the open reds at the moment. As you said, at the end of | :03:46. | :03:53. | |
the last frame, if he wins, it's the repeat of last year's final, where | :03:54. | :03:58. | |
he lost 10-1 to Ronnie O'Sullivan. But as we know, three months later, | :03:59. | :04:02. | |
he played him in the World Championship and beat Ronnie 13-12. | :04:03. | :04:08. | |
So they're long matches. He has done it against Ronnie. | :04:09. | :04:14. | |
That will certainly give him a lot of confidence going into tomorrow's | :04:15. | :04:19. | |
final. It will always be difficult against Ronnie O'Sullivan. The fact | :04:20. | :04:24. | |
this he did beat him in the World Championship will have helped his | :04:25. | :04:25. | |
confidence no end. Just looking whether that red | :04:26. | :04:39. | |
closest to the pocket, well he couldn't be better on it than this. | :04:40. | :04:44. | |
If he's not going to play it now, then maybe it's not available. | :04:45. | :04:55. | |
Did right there. Undecided. Get up, walk round the table. Then refocus. | :04:56. | :05:20. | |
Having another look at the red closest to the left middle. Does he | :05:21. | :05:26. | |
feel he can get on it. Play this with a bit of a flick of | :05:27. | :05:36. | |
right-hand side. That will be a big hurdle that he's | :05:37. | :05:47. | |
got over there. Two reds, two blues would see him in | :05:48. | :06:15. | |
the snookers required stage. Joe Perry will be fearing the worst. | :06:16. | :06:59. | |
Just looking at the scoreboard now, 40 points the lead, red and green | :07:00. | :07:02. | |
would do it. Barry Hawkins will be delighted. He | :07:03. | :07:20. | |
will look forward to tomorrow with great relish. It will be a great | :07:21. | :07:23. | |
occasion to play Ronnie O'Sullivan at the Masters. As it was last year. | :07:24. | :07:30. | |
He'll be hoping to do and perform a lot better. As far as Joe Perry is | :07:31. | :07:37. | |
concerned, Ken, disappointment. Yeah, he'll be very disappointed. | :07:38. | :07:44. | |
Very disappointed Joe, particularly the way he's played in his previous | :07:45. | :07:50. | |
two matches. Right from the very first ball in this match, it just | :07:51. | :07:58. | |
wasn't the same player. Sometimes you just get days like that. Maybe | :07:59. | :08:04. | |
as Steve said in the studio, it's something that he can look upon and | :08:05. | :08:09. | |
use it as a spring board from here for the rest of the season. Yeah, | :08:10. | :08:12. | |
you wouldn't like to think it was just the occasion got the better of | :08:13. | :08:16. | |
him. He's not produced anything like the form he did against Stuart | :08:17. | :08:26. | |
Bingham. He couldn't get the red to make it two snookers required. But | :08:27. | :08:31. | |
44 points the lead, 43 remaining. Big ask for Joe Perry. | :08:32. | :09:43. | |
Decent safety shot. Could have done with a few like that earlier on in | :09:44. | :09:47. | |
this match. I think he's got to be a bit careful | :09:48. | :10:23. | |
here. He can just get to the edge of the red below the pink, but he'd be | :10:24. | :10:28. | |
frightened of playing that in case he just hit the pink, but he doesn't | :10:29. | :10:32. | |
want to leave another red on, because remember, only one snooker | :10:33. | :10:33. | |
needed at the moment. That's why he's reluctant to take | :10:34. | :10:43. | |
this red on. It's a difficult red. He may have no choice. If he misses | :10:44. | :10:50. | |
it, he's sure to leave the red he's going for or the red below the pink. | :10:51. | :11:23. | |
If he had hit it a bit harder that was in the pocket. | :11:24. | :11:40. | |
Red is in a perfect place. He just pots the black and knocks the red up | :11:41. | :11:50. | |
into the baulk area. Gets a good snooker behind that pink. | :11:51. | :11:59. | |
Looks operaty good. And as tight to the pink as he can get, and put this | :12:00. | :12:06. | |
between cue ball and object ball. He didn't want to do that. He can | :12:07. | :12:25. | |
stop a professional at this level having the one cushion escape, you | :12:26. | :12:29. | |
feel as though it's missable. It may still be missable, but one cushion | :12:30. | :12:34. | |
escape is a lot easier than the two or three cushion escape. | :12:35. | :12:45. | |
He has missed it, would be a free ball that, for certain. Joe, you're | :12:46. | :12:51. | |
still in this match. He's going to need one more good pot | :12:52. | :13:10. | |
here. Cued that very nicely indeed. | :13:11. | :13:30. | |
Couldn't have cued that better. Could this be a turning point in | :13:31. | :14:04. | |
this match? A lit underhit, though. Barry hawkins looked, well, over the | :14:05. | :14:06. | |
line. A chance here for Joe. He needs the | :14:07. | :14:16. | |
six remaining colours. Should have been better on the yellow than this. | :14:17. | :14:55. | |
Not out of the woods just yet. Not perfect on this green. OK you | :14:56. | :15:03. | |
wouldn't expect him to miss it under normal circumstances. But these | :15:04. | :15:06. | |
aren't normal circumstances. What a steal this would be. Zblun | :15:07. | :15:26. | |
believable, wouldn't? -- Unbelievable, wouldn't it? We've | :15:27. | :15:30. | |
seen turning points in matches before, could this be one? You think | :15:31. | :15:35. | |
you're out of the tournament and then you can be right back in it. | :15:36. | :15:41. | |
Has he come too straight on this blue? He's playing with top. No, the | :15:42. | :15:47. | |
perfect anning toll run through, bounce off the cushion, on the pink. | :15:48. | :15:50. | |
Pink and black. There's his father, Peter. He must | :15:51. | :16:07. | |
have thought it was over a few minutes ago. Not if this black goes | :16:08. | :16:15. | |
in it isn't. And in it goes! APPLAUSE | :16:16. | :16:24. | |
Now, to me, he's back in this match. Still two behind, but could that be | :16:25. | :16:29. | |
a big, big turning point? STUDIO: That's the question, but it | :16:30. | :16:33. | |
looked for all the world that Barry Hawkins had this one sewn up. There | :16:34. | :16:37. | |
was a moment on 44 points, where what was your reading this | :16:38. | :16:41. | |
situation? He's perfect on the green here. He's looked at the red next to | :16:42. | :16:45. | |
the right middle pocket. It's not as easy as it looks there. He's perfect | :16:46. | :16:48. | |
on the green. He can get right behind that red and just drop the | :16:49. | :16:53. | |
red in dead weight. I think he's outthought himself and tried to get | :16:54. | :16:56. | |
the easier red, trying to play the exact positional shot. It would have | :16:57. | :17:01. | |
been match over. Agreed? Yeah, we're here in the studio, assuming that | :17:02. | :17:04. | |
he's going to be through in that frame and considering whether it | :17:05. | :17:09. | |
would be fair to say that Joe Perry has bottled his chance. All of a | :17:10. | :17:12. | |
sudden, out of the blue, he's shown great character to get back in this | :17:13. | :17:16. | |
match. That was a tough clearance. It was his last chance, a dog's | :17:17. | :17:20. | |
chance so to speak. A good snooker on Barry Hawkins. Now, we know how | :17:21. | :17:27. | |
easily matches can turn. You look at Joe's body language in the chair. | :17:28. | :17:29. | |
It's completely different. It's incredible. He's alert, ready for | :17:30. | :17:34. | |
it. Exactly. He was a beaten man before. Yet you look at his scoring | :17:35. | :17:40. | |
tonight, his top break is 48, it's way, way down on the levels he's | :17:41. | :17:43. | |
produced earlier in the week. He's had three centuries. He's had two | :17:44. | :17:48. | |
breaks of 50 plus as well against Ding. He had a 77 Eric 74 against -- | :17:49. | :17:55. | |
77 and a 74 against Bingham. It's a complete contrast. . The other guy's | :17:56. | :18:01. | |
got to get to six. He's still in the match. Here we go. | :18:02. | :18:08. | |
COMMENTATOR: Six is the magic number for a place in tomorrow's final. | :18:09. | :18:16. | |
All the talk for a moment Joe was out and Barry had one foot in the | :18:17. | :18:21. | |
final. This match is back on now. How will that last frame affect | :18:22. | :18:28. | |
Barry Hawkins? That's the question. He's going to need, well he can play | :18:29. | :19:08. | |
this two ways. Try and screw off the side cushion or just drop it in and | :19:09. | :19:10. | |
take the difficult red. He's got for the one left of the | :19:11. | :19:25. | |
black spot. Could have given it a bit more pace. | :19:26. | :19:46. | |
If the last frame was going to be a turning point, he had to make the | :19:47. | :19:56. | |
most of that opportunity. No easy starter for Joe here. Good | :19:57. | :20:43. | |
pot needed. When you take this long, a sharp | :20:44. | :21:32. | |
intake of breath, I think he's considering taking the pot on here. | :21:33. | :21:36. | |
It's fraught with danger, as every shot now. Heal be thinking that my | :21:37. | :21:46. | |
-- he'll be thinking my next mistake could be my last. The black will | :21:47. | :21:56. | |
only go in this pocket. He's got it. He's on the pot into the same pocket | :21:57. | :21:57. | |
as the red. Super shot. What a tremendous pot that was. | :21:58. | :22:07. | |
That's more like it. Needed to travel with the cue ball | :22:08. | :22:19. | |
five or six inches there, just trying to get on that red. | :22:20. | :22:25. | |
May just have a red to the far left corner. It's not ideal by any means. | :22:26. | :23:24. | |
But it's a chance. What a chance this is. This will get | :23:25. | :24:17. | |
him within one of Barry Hawkins and really keep the pressure firmly on | :24:18. | :24:24. | |
Barry. He must have thought he was in the final about 20 minutes ago. | :24:25. | :24:51. | |
Might play a cannon on the red directly up from the black. | :24:52. | :24:59. | |
He's played it very, very well. That's brought another couple of | :25:00. | :25:03. | |
reds into play. Little bit straighter on the blue | :25:04. | :25:24. | |
would have been ideal. He can play a cannon on the pink and red together. | :25:25. | :25:31. | |
Would be lucky if he's not on one. He wanted to hit the join of the red | :25:32. | :25:37. | |
and the pink. Still got this one to the right middle Got to be accurate | :25:38. | :25:40. | |
though. He's looking a bit smoother now. | :25:41. | :25:51. | |
Yeah. He's certainly picked up the pace. A spring in his step at the | :25:52. | :26:00. | |
moment. He's looking an awful lot better than he did the previous few | :26:01. | :26:06. | |
frames. Stephen said he looked like a beaten man, but all a sudden, how | :26:07. | :26:10. | |
quick things can change. This red he's looking at, if the red | :26:11. | :26:23. | |
wasn't near the left-hand side cushion, he could run through for | :26:24. | :26:28. | |
the black. Stunned it over. That's OK. Just got to avoid a kiss on one | :26:29. | :26:37. | |
of those reds near the top cushion. Just got to avoid this kiss. | :26:38. | :26:41. | |
Well that was so careless. When you consider he was only | :26:42. | :26:52. | |
looking for one more red and a colour. That was the only thing that | :26:53. | :26:57. | |
could go wrong if he kissed that red. | :26:58. | :27:04. | |
Well, what does he do here? Does he take this into the bottom right hand | :27:05. | :27:12. | |
corner pocket? 65 ahead. Still 75 left on the table. | :27:13. | :27:24. | |
Sits down, 65 points in front. But there's still 75 remaining. Another | :27:25. | :27:36. | |
twist. Needs reds, colours and the | :27:37. | :28:24. | |
remaining colours to win frame and match. | :28:25. | :28:28. | |
Forced him out of position. He would have got another frame on the board. | :28:29. | :29:41. | |
No. No. Well... He hasn't missed many with the rest. | :29:42. | :30:05. | |
I have a feeling that he can cut this red into the corner... Does not | :30:06. | :30:13. | |
really want to leave it there. It is a thin one, but I think it cuts OK. | :30:14. | :30:20. | |
Not much idea where the cue ball is going, but concentrate on the pot. | :30:21. | :30:30. | |
In the end, playing it half-heartedly. I would not have | :30:31. | :30:39. | |
played that has a shot for nothing. It does not look like he has left | :30:40. | :30:41. | |
anything easy. He is going to get another chance. | :30:42. | :31:27. | |
That's better. He is on the baulk. 54 ahead with just 51 remaining. | :31:28. | :31:32. | |
Ooh. How did he find a gap there? That is a clever shot. You might | :31:33. | :32:33. | |
think, why didn't you play the double? You would have a single red | :32:34. | :32:40. | |
at that end and a choice of a snooker behind the black. The wants | :32:41. | :32:44. | |
to keep those two reds together for this time. And that's nice kiss on | :32:45. | :32:55. | |
the black in a safe position as well. No harm in that, for John... | :32:56. | :33:12. | |
That's not bad. He's left Barry that red to the far left corner. Barry | :33:13. | :33:37. | |
needed at the moment, one more snooker. If he potted that red and | :33:38. | :33:42. | |
then the green, he'd need two snookers. He needs a red with the | :33:43. | :33:44. | |
high value colours. He's played this nicely, though, a | :33:45. | :34:05. | |
good length to the cue ball, excellent length to the cue ball. | :34:06. | :34:14. | |
Joe may be tempted to play the pot this time. | :34:15. | :35:40. | |
When your opponent needs the snooker and three reds remaining on the | :35:41. | :35:44. | |
table, you always feel that it's going to be very difficult for him | :35:45. | :35:49. | |
to get a snooker and snooker on all those three reds. | :35:50. | :35:58. | |
Of course, if Barry could pot two of the reds, with high value colours, | :35:59. | :36:10. | |
all of a sudden, the frame takes on a different complexion. | :36:11. | :36:32. | |
He's got to play the pink. If he plays the blue... | :36:33. | :36:53. | |
Playing the pink in actual fact, needs the black really here. At the | :36:54. | :36:58. | |
moment he wants one nooker to tie. Can't afford another pink. He was | :36:59. | :37:04. | |
trying to get on the black. Well that's one time he didn't need | :37:05. | :38:05. | |
the red to go in. Look at the snooker he'd have had. | :38:06. | :38:20. | |
He's got the snooker, but there's no miss will be called in the snookers | :38:21. | :38:27. | |
required stage. The difference now is 46 with 35 remaining. | :38:28. | :38:33. | |
One snooker and free ball would be enough. What a fantastic effort this | :38:34. | :38:41. | |
was but for that red going in the pocket. That would have been a great | :38:42. | :38:49. | |
snooker. Joe's got to be careful here, he doesn't leave a free ball. | :38:50. | :38:53. | |
He got out of an amazing snooker a couple of frames ago. | :38:54. | :38:58. | |
He's going to need that again. As long as it's over the right-hand | :38:59. | :39:02. | |
side of the table, it's not going to be a free ball. | :39:03. | :39:06. | |
Barry will have a chance of getting this cue ball behind the pink and | :39:07. | :39:11. | |
red will be going back up into baulk. Two snookers required. | :39:12. | :39:32. | |
May have got one, but is there a gap between the blue and pink? | :39:33. | :39:42. | |
I'm not quite sure whether he can see the red direct. | :39:43. | :39:52. | |
Well, he doesn't like it. Maybe it's too close to the blue, so two | :39:53. | :39:56. | |
cushions here. Two four-point snookers. Probably | :39:57. | :40:25. | |
won't pot the red here. There's no point. | :40:26. | :40:33. | |
That's a very good effort. Excellent shot. | :40:34. | :40:42. | |
Good snooker. But if that had run closer to the brown and yellow, this | :40:43. | :40:49. | |
left cushion would have been taken out of the equation. | :40:50. | :40:54. | |
No. Foul. Well, is there another twist in this? Hit the pink, but | :40:55. | :41:10. | |
it's still not enough. He's 36 points behind. Now 35 remaining. | :41:11. | :41:17. | |
If he were to pot the red and the blue, and then play a snooker off | :41:18. | :41:28. | |
the yellow behind the brown, that seems an alternative way to go about | :41:29. | :41:40. | |
this. He can pot the red, he could stun the cue ball in behind the blue | :41:41. | :41:44. | |
here. I think the best probably to pot the red and get on the blue. | :41:45. | :41:50. | |
Or pink, of course. Because of the proximity of the yellow to the | :41:51. | :41:58. | |
brown, if he can get really close to the yellow, he can lay a | :41:59. | :41:59. | |
straightforward snooker. He's just looking now, scratch of | :42:00. | :42:08. | |
the head, maybe he didn't realise that the blue would have been | :42:09. | :42:11. | |
enough. If he had played for the blue, he'd | :42:12. | :42:17. | |
have been easier to get where he wanted to to lay the snooker behind | :42:18. | :42:19. | |
the brown. It's not really close enough, is it? | :42:20. | :42:36. | |
No. The problem is he's going to get a snooker that's going to be | :42:37. | :42:37. | |
difficult to hit. That's end of frame. He's not even | :42:38. | :42:44. | |
got the snooker. So, Barry Hawkins is still going to | :42:45. | :43:09. | |
be one frame away from victory. But Joe Perry is only one frame away | :43:10. | :43:20. | |
from being level. He'll be disappointed to have missed that | :43:21. | :43:23. | |
green. Two snookers required once again. | :43:24. | :44:12. | |
Just be wary here that in playing it thin cut it doesn't send the cue | :44:13. | :44:20. | |
ball near a pocket. That will be end of frame. | :44:21. | :44:23. | |
Can't see any way Barry Hawkins is going to come back to the table. I | :44:24. | :44:27. | |
think he's preparing to leave the arena. | :44:28. | :44:39. | |
Yeah, another session. He goes from the arena. Whether he will have a | :44:40. | :44:45. | |
word to Terry Griffiths or not just to calm him down. Joe Perry is right | :44:46. | :44:52. | |
back in this. 5-4, Hawkins. STUDIO: He sure is. Two on the | :44:53. | :44:58. | |
bounce. The scheduled film Looper will follow the conclusion of the | :44:59. | :45:03. | |
snooker. Steve Davis says it might be the Test card. It's a bit late. | :45:04. | :45:09. | |
Joe rubbing his eyes. You wonder what must be going through Barry | :45:10. | :45:12. | |
Hawkins' head. This should have been done some time ago. Barry's race is | :45:13. | :45:18. | |
run, definitely. It's a horrible situation. I mean it happens every | :45:19. | :45:22. | |
now and again, you're over the line. Your opponent needs one snooker, you | :45:23. | :45:26. | |
mentally ease up or perhaps you think well OK, I'm going to be able | :45:27. | :45:31. | |
to get out of the snookers left me. But all a sudden it's turned round. | :45:32. | :45:35. | |
Then it's a case of not pressing the panic button. A good thing to go out | :45:36. | :45:40. | |
there. He needs to regroup. What's your reading in the turn around in | :45:41. | :45:43. | |
the last couple of frames? Yes, Barry's got previous of losing | :45:44. | :45:48. | |
matches from - you know snatching defeat from the jaws of victory from | :45:49. | :45:52. | |
having big leads. Quite recently actually. When that happens, all | :45:53. | :45:56. | |
these things - it's amazing what you can think about in the chair when | :45:57. | :45:59. | |
you should have won the match. It's all negative. That's why he's | :46:00. | :46:03. | |
probably gone out to try and just do anything to try and clear your mind | :46:04. | :46:07. | |
and come back and try to remember you're still 5-4 in front. That's | :46:08. | :46:13. | |
it. You make a good point. The last couple of tournaments, Mark King was | :46:14. | :46:17. | |
5-1 down in the Northern Ireland Open final and went on to beat Barry | :46:18. | :46:23. | |
in that. The great Fergal O'Brien made five centuries in six frames to | :46:24. | :46:26. | |
beat him at the UK championships. He's been the victim of some | :46:27. | :46:30. | |
interesting heroics from other people. Yeah, I suppose you could | :46:31. | :46:34. | |
say the best champions are players that can play the same snooker from | :46:35. | :46:39. | |
all different departments of the game, from different situations. | :46:40. | :46:42. | |
That's probably something that Terry Griffiths has been working with | :46:43. | :46:45. | |
Barry on, trying to improve his outlook. Need some good resolve to | :46:46. | :46:52. | |
really, and fortitude, to regroup. It's back to basics now, one shot at | :46:53. | :46:56. | |
a time. That's all you concentrate on. Hawkins still just one frame | :46:57. | :47:02. | |
away from consecutive Masters finals in consecutive years. | :47:03. | :47:10. | |
COMMENTATOR: One frame away, as we all know, always the hardest one to | :47:11. | :47:11. | |
win. ( all know, always the hardest one to | :47:12. | :47:16. | |
win. Doesn't get any easier when you've lost the frame when your | :47:17. | :47:18. | |
opponent needs the snooker, pressure. | :47:19. | :47:26. | |
Match time, just over three hours now. Perry is in the ascendency. | :47:27. | :47:41. | |
We've seen it time and again how matches can change, just from one | :47:42. | :47:48. | |
particular incident or one shot. But we didn't see this coming, because | :47:49. | :47:54. | |
Joe hadn't been playing too well and wasn't winning frames on one visit. | :47:55. | :47:58. | |
That's the one worry I'd have for him for the rest of the match. He's | :47:59. | :48:01. | |
got himself back in it through grit and determination. Absolutely. Like | :48:02. | :48:06. | |
you've said, we've been saying during the match and Stephen in the | :48:07. | :48:10. | |
studio, the fact he's not been winning frames in one visit. Now | :48:11. | :48:13. | |
it's the nitty gritty of this match, I don't think that really counts | :48:14. | :48:18. | |
now. It's just getting what you can. It's whoever wins the next frame or | :48:19. | :48:24. | |
the next two frames in Joe's case. Winning frames in one visit now, | :48:25. | :48:29. | |
early on in the match, you think it makes a difference, but not now | :48:30. | :48:34. | |
we've got to the end of the match. He's got here playing like that. So | :48:35. | :48:37. | |
why can't he go and win it in that style? | :48:38. | :48:45. | |
Touching ball. Touching ball, that's handy. Nice, easy path back to the | :48:46. | :48:53. | |
baulk end. Caught the brown. OK, may not have | :48:54. | :49:38. | |
left a pot that will tempt Barry. But hand on the table and that | :49:39. | :49:43. | |
target of yellow and brown to try and hide the cue ball behind. It's | :49:44. | :49:47. | |
very tempting. He's having a look at something | :49:48. | :50:28. | |
there. Sometimes you think are they looking at a plant, may be looking | :50:29. | :50:33. | |
to make certain he doesn't knock a red over the right corner pocket. | :50:34. | :50:40. | |
He needed to hit that just right. Catching the blue. That's dangerous. | :50:41. | :51:16. | |
Black doesn't pot, so maybe screwing off the red and the pink. He's | :51:17. | :51:26. | |
played a delicate cannon into that red. That was an excellent shot. | :51:27. | :51:33. | |
Just nudged a red out of the way. He's got the pink now into the left | :51:34. | :51:35. | |
centre. If he's on this red, he's very | :51:36. | :52:06. | |
straight. He's going to need a good shot to get back up for the pink. | :52:07. | :52:21. | |
Good effort. He's got the pink to the far left corner. It's not | :52:22. | :52:31. | |
obvious where the next red comes from. | :52:32. | :52:36. | |
He'll have to play another very precise positional shot here. | :52:37. | :52:39. | |
Stop moving please, thank you. No. This game is getting harder for | :52:40. | :52:51. | |
Barry Hawkins now. Would love to get that pink back up | :52:52. | :53:16. | |
to this end of the table. May not go on its own spot. | :53:17. | :53:21. | |
Certainly would go on the blue spot. As we saw that red go in there, | :53:22. | :53:28. | |
accidents want to finish tight on the baulk cushion. I think he just | :53:29. | :53:32. | |
about cut the pink in. He want aid half ball pot. Not a thin one like | :53:33. | :53:38. | |
this. There's definitely now two reds on the right-hand side of the | :53:39. | :53:41. | |
main cluster that go to the left corner. | :53:42. | :53:45. | |
Just a bit thin on the pink to play for, that I feel. | :53:46. | :53:49. | |
What's the alternative? Got to be careful playing it with | :53:50. | :54:06. | |
pace for the pink on the blue spot. Got to be accurate. | :54:07. | :54:08. | |
And was. There's our blue line. He's the | :54:09. | :54:13. | |
wrong side of. It The red left of the bunch may be | :54:14. | :54:45. | |
potable into this bottom right hand corner pocket. There you see it. | :54:46. | :54:50. | |
The red is available to the left corner. There's a chance, not saying | :54:51. | :55:16. | |
it's a frame-winning chance, but certainly a chance to get another 30 | :55:17. | :55:18. | |
or so points at this visit. I don't know why he didn't play for | :55:19. | :55:33. | |
the pink. Maybe he did and got into the cue ball too much. Bit of | :55:34. | :55:36. | |
adrenaline there. He's looked at this a couple of | :55:37. | :56:02. | |
times, this red to the left of the black, does pass the black? It does. | :56:03. | :56:15. | |
APPLAUSE It's a terrific shot! | :56:16. | :56:26. | |
Heavy contact. Wanted to be straighter on this red. | :56:27. | :56:35. | |
The black jumping up. But that previous shot, John, to bring the | :56:36. | :56:44. | |
black into play, just more evidence of how he's feeling. Cueing superbly | :56:45. | :56:47. | |
well. Watch this. Wonderful. That used all the pocket. He'd liked | :56:48. | :57:04. | |
to have been straighter on this pink. I don't think he wants to risk | :57:05. | :57:08. | |
the cannon because of the couple of reds that will pot. Can he avoid the | :57:09. | :57:14. | |
cannon? In the end, he decided to play a tentative one. It's OK, I | :57:15. | :57:20. | |
suppose. He's got a pot on. You either go into them full blooded or | :57:21. | :57:23. | |
you don't go into them, for me. He could still win the frame at this | :57:24. | :57:29. | |
visit. He's pulling out some crackers to | :57:30. | :57:52. | |
keep this break going. Excellent pot again. | :57:53. | :58:19. | |
Played it nicely. I don't think the black goes to the right corner, if | :58:20. | :58:25. | |
it was, it would be a case of rolling this in. He might have to be | :58:26. | :58:30. | |
for the pink. He has to. It needs to run a little bit. Perfect! | :58:31. | :58:39. | |
Absolutely inch perfect. This pink will put him 43 points in front, | :58:40. | :58:43. | |
another couple of reds needed and we're going to have a decider. | :58:44. | :58:51. | |
From nowhere. Must seem a long time ago now, when Barry potted that | :58:52. | :58:54. | |
green and looked as though he was in the final. | :58:55. | :59:00. | |
We certainly did. I'm sure most of the crowd did as well. One man who | :59:01. | :59:07. | |
didn't, which is most importantly, is that man out there. | :59:08. | :59:12. | |
You can see now, Ken, he's so disappointed, because he needs the | :59:13. | :59:17. | |
pink and he needs one more red. Wrong side of the blue line. But | :59:18. | :59:21. | |
he's looking at the possibility, is there a plant appeared? | :59:22. | :59:28. | |
Can he make the plant? It can be made. If you hit the first red on | :59:29. | :59:37. | |
the left-hand side, it will push the second red to the right. This can be | :59:38. | :59:41. | |
made. The red is all that's required. | :59:42. | :59:47. | |
No way back to the table now for Barry so he will be preparing for | :59:48. | :00:14. | |
that decider. What a turnaround this has been. | :00:15. | :00:29. | |
Shaking his head, I don't think you can believe it, but it's a reality | :00:30. | :00:41. | |
now. His good friend who is a former professional is here as well. We are | :00:42. | :00:50. | |
into a decider! Joe Perry has come from 5-2 down, it's now 5-5, one | :00:51. | :00:55. | |
frame for both players for a place in tomorrow's final. | :00:56. | :01:03. | |
We spoke to both members of these men's family, what will they be | :01:04. | :01:08. | |
going through now? What a comeback and from absolutely nothing. Joe | :01:09. | :01:14. | |
Perry's dad has had the meter running in the taxi for ages now. I | :01:15. | :01:21. | |
think that sum that up, he has watched Joe play his whole life, he | :01:22. | :01:26. | |
must have thought he was down and out and out of no where he got a | :01:27. | :01:30. | |
spark of inspiration from perhaps Barry Hawkins giving him a lifeline, | :01:31. | :01:35. | |
he gets the snooker and how it turns around. After the eighth frame there | :01:36. | :01:40. | |
was a complete change, a complete turnaround in his body language and | :01:41. | :01:44. | |
he's pushed on. Meanwhile the opposite is true of Barry, he has | :01:45. | :01:51. | |
visibly shrunk before our eyes. It's psychological sport this level. At | :01:52. | :02:00. | |
5-2, he had given nothing. I said his race had run, I thought he had | :02:01. | :02:05. | |
nothing together, did not look like he was up for the challenge. But | :02:06. | :02:10. | |
once barked as a snooker player, to get that spark and get that snooker, | :02:11. | :02:15. | |
clear up and all of a sudden you think I can win the match now. It's | :02:16. | :02:22. | |
an amazing turnaround. That is why the sport is compelling. If you look | :02:23. | :02:25. | |
at the body language there is only one winner but in a decider you | :02:26. | :02:29. | |
never know. Sometimes what happens and we have seen it before, how many | :02:30. | :02:34. | |
times our players come back from a deficit but failed to clinch the | :02:35. | :02:38. | |
last one? I think the one who will be looking over their shoulder | :02:39. | :02:42. | |
panicking about the guy coming back at him suddenly has a release and | :02:43. | :02:47. | |
can just concentrate on playing again. I don't know what the stats | :02:48. | :02:54. | |
are, but sometimes that player then goes I now have nothing to lose and | :02:55. | :02:58. | |
plays better. We don't know the stats but both of you have been in | :02:59. | :03:02. | |
the situation in the past so what does it feel like when you have | :03:03. | :03:07. | |
basically been pegged back from a winning position, how do you feel | :03:08. | :03:15. | |
going into a decider? It's horrible. But you have to go OK, it's just one | :03:16. | :03:23. | |
frame. It is! 26 years in the game, Joe Perry never made it to one of | :03:24. | :03:31. | |
the majors, the finals of one of the top three tournaments in snooker. | :03:32. | :03:36. | |
Barry Hawkins has been to two before, the great friends shake | :03:37. | :03:40. | |
hands, it's all on this one frame. COMMENTATOR: Time for everybody to | :03:41. | :04:04. | |
calm down. Can the players? The prize for winning this frame is a | :04:05. | :04:05. | |
place in the Masters final. Settle down please! What an occasion | :04:06. | :04:20. | |
it will be for either player. Who can take the opportunity? | :04:21. | :04:43. | |
Well, Joe is going to get the first chance, this will without doubt be | :04:44. | :04:58. | |
one of the most important frames in Joe Perry's career. A long way away | :04:59. | :05:13. | |
from that, long way away. He's got away with it. | :05:14. | :05:29. | |
I think he may have got away with that. Or does this red cut back to | :05:30. | :05:40. | |
the left middle? It's thin as it does. Eyeing up the potting angle. | :05:41. | :06:00. | |
APPLAUSE CHEERING | :06:01. | :06:06. | |
Just dropped. Thought it was going to stay there for a second and he's | :06:07. | :06:20. | |
just about on the yellow. Who can take their opportunity? Who can hold | :06:21. | :06:21. | |
the mirror? -- the nerve? The fact that it went into the | :06:22. | :07:06. | |
left-hand side of the pocket, the wrong side of the pink now to have a | :07:07. | :07:11. | |
nice angle just to drop it in and come down for the red left of the | :07:12. | :07:13. | |
black. Gentlemen, stop shouting out. He's | :07:14. | :07:44. | |
at the table, let him concentrate. The potting angle on the pink, was | :07:45. | :08:17. | |
never going to be perfect on the red, using the rest. | :08:18. | :08:29. | |
Quite a long way away. Has to be careful with this safety. | :08:30. | :09:03. | |
Having a look at what he has left, he has left a red. But not certain | :09:04. | :09:16. | |
if he can avoid the kiss on the black. Is playing the pot, is | :09:17. | :09:19. | |
playing safe. Not the best safety. You would | :09:20. | :09:34. | |
expect a better one, or should get a better one from Joe Perry here. | :09:35. | :10:06. | |
Another chance for Barry Hawkins. There is a gap around the back of | :10:07. | :10:15. | |
the reds, around the black spot. Has to be very accurate when potting | :10:16. | :10:21. | |
this red, try to get back up for the pink or the blue. | :10:22. | :10:35. | |
APPLAUSE Decided to hold for the black and | :10:36. | :10:43. | |
could not have played it any better, that's a fantastic shot. | :10:44. | :10:57. | |
That was a wonderful short, it's given him a great opportunity. That | :10:58. | :11:04. | |
is what is called grasping the nettle isn't it? You realise if you | :11:05. | :11:09. | |
can get the can get the black on its spot into play and get the possible | :11:10. | :11:15. | |
frame and match-winning chants. -- match-winning chants. Still a lot of | :11:16. | :11:21. | |
balls to be potted before that happens. | :11:22. | :11:52. | |
The red of a slave to the left of the black is available but I think | :11:53. | :11:57. | |
there is also a red at the bottom just sticking out from the main | :11:58. | :12:00. | |
bunch, that is available into this corner as well. But he will have to | :12:01. | :12:10. | |
go into the cluster sooner rather than later. You cannot win the frame | :12:11. | :12:19. | |
with just these 2-macro loose reds. He will have to play for the loose | :12:20. | :12:23. | |
reds because he's not got the angle to try to disturb things. | :12:24. | :12:35. | |
You would have thought maybe he would have wanted to come a little | :12:36. | :12:41. | |
bit low on this red but he will have to get a good angle on the black | :12:42. | :12:43. | |
now. Needs to hit this black with a | :12:44. | :13:11. | |
better place because the pack is very tightly packed, going to need a | :13:12. | :13:19. | |
bit power here. Very tightly packed and did not really get into the cue | :13:20. | :13:27. | |
ball like he normally does. I always feel with that type of shot, you can | :13:28. | :13:31. | |
see the way the cue ball moved back, a little bit of back spin, I always | :13:32. | :13:36. | |
feel you are better stunning through them. He has a 50 point lead but | :13:37. | :13:39. | |
still 91 points remaining. Gone for the double. A tentative | :13:40. | :14:12. | |
double. APPLAUSE Well, the reds are now in the open. | :14:13. | :14:34. | |
Ken Joe Perry play a good safety -- can Joe Perry play a good safety and | :14:35. | :14:36. | |
force a mistake from Barry? I mean, in an ideal world, you would | :14:37. | :14:52. | |
like to flick off one of the reds and maybe use the brown as a target. | :14:53. | :14:57. | |
That would be a good safety. Is it too thick, though, to catch the | :14:58. | :15:05. | |
middle pocket? The loser in this semifinal will get | :15:06. | :15:33. | |
?50,000. The winner, ?90,000. So hanging on this frame is ?40,000. | :15:34. | :15:39. | |
More importantly, that date with Ronnie O'Sullivan, on a tremendous | :15:40. | :15:52. | |
occasion tomorrow, the final of the Dafabet masters. He's giving this | :15:53. | :15:55. | |
plenty of thought. I should think those three reds in the middle of | :15:56. | :15:59. | |
the table, he can get to the left-hand one but he's going to try | :16:00. | :16:03. | |
to play thin of this and get to the brown. He's played that one with a | :16:04. | :16:10. | |
double-kiss! He's left a pot on but he could have left something easier | :16:11. | :16:22. | |
than this. Maybe there is a gap between the blue and pink. Put this | :16:23. | :16:28. | |
red into the bottom left-hand corner pocket. It is very tight but it | :16:29. | :16:34. | |
might be a good guide, actually. It is definitely on. | :16:35. | :16:54. | |
GASPS FROM CROWD Wow. Well, if it wasn't the deciding | :16:55. | :17:05. | |
frame, you get the feeling, Ken, that he would have spotted that. | :17:06. | :17:10. | |
There was a lot on it. There certainly was and what a chance now | :17:11. | :17:19. | |
for Joe Perry at the right centre. Anything is unmissable, though, at | :17:20. | :17:24. | |
this stage. Oh, absolutely. -- anything can be missed. The fact it | :17:25. | :17:31. | |
has got to this stage means that both players have made mistakes. | :17:32. | :17:46. | |
That was a nice cannon to get. It has opened up those two reds. | :17:47. | :18:01. | |
Just a case now of holding yourself together. | :18:02. | :18:12. | |
And looking at Joe's father, there, Ken, he will be playing every shot, | :18:13. | :18:21. | |
won't he? Absolutely. Not easy watching. | :18:22. | :18:45. | |
Just want to measure that, Joe. Getting into adrenaline, now, isn't | :18:46. | :18:55. | |
it, screwed that a little bit. Does not really want it on the pink spot, | :18:56. | :19:01. | |
to be honest, he would prefer it to be on the blue spot. He will have to | :19:02. | :19:09. | |
play for the black now off this red, could have played for the pink or | :19:10. | :19:13. | |
the blue had he been straight on it. But he's OK. Could have done with a | :19:14. | :19:22. | |
number inch or two to be perfect. -- another inch. But right in the heart | :19:23. | :19:27. | |
of the pocket. Reducing the arrears to 19, now. He's going to need the | :19:28. | :19:37. | |
awkward brown. But he won't be looking that far ahead just yet. | :19:38. | :19:52. | |
Nothing he can do now. The loneliest seat in the world. | :19:53. | :20:04. | |
He cued that nicely. Got through it well. He's taking these quite well | :20:05. | :20:16. | |
at the moment, Ken. His positional play has been superb. He looks a | :20:17. | :20:19. | |
completely different player to a few frames ago. It will have given him a | :20:20. | :20:25. | |
lot of confidence but still a lot of work to do, as you have said, John, | :20:26. | :20:32. | |
that brown may be the pivotal ball in the final frame. Again, a bit of | :20:33. | :20:36. | |
adrenaline, overscrewed that by a couple of feet. | :20:37. | :20:48. | |
Just when you needed pinpoint position, he's not got it. Two | :20:49. | :20:55. | |
points ahead, now. Oh, just about OK. A little bit | :20:56. | :21:36. | |
short. You can see by the way he breathed in, there, a path of the | :21:37. | :21:40. | |
cheeks. Should have been straighter on the yellow. Yes, he needs a good | :21:41. | :21:45. | |
angle when he popped this yellow on the green to try to get close to the | :21:46. | :21:51. | |
brown. -- when he pots this yellow. Does not want to be straight on this | :21:52. | :21:55. | |
green. APPLAUSE Looks OK. It is a little bit | :21:56. | :22:03. | |
straight. It must be. I'm looking at his body language, Ken. He must be | :22:04. | :22:08. | |
very straight. Well, you couldn't be straighter, so he can't get close to | :22:09. | :22:12. | |
the brown. You can see the annoyance and frustration. He needs green, | :22:13. | :22:16. | |
brown and blue for a place in the final. | :22:17. | :22:25. | |
And this brown, no need to tell you, is tough. Do you risk it all? I | :22:26. | :22:37. | |
think because of the way he is playing, he's confident, he's going | :22:38. | :22:38. | |
to go for it. This is so tough. APPLAUSE | :22:39. | :22:53. | |
A what's to keep on going, to the blue, that's where. -- he's going to | :22:54. | :23:03. | |
keep on going. CHEERING AND APPLAUSE What a result! A kiss to his father, | :23:04. | :23:11. | |
Peter, who is on his feet, and why wouldn't he be? What a turnaround | :23:12. | :23:12. | |
this is! But he has missed the pink. But two | :23:13. | :23:27. | |
snooker is needed. 20 points, the lead. 13 remaining. | :23:28. | :23:35. | |
Well, I've seen a lot of things in this game, Ken, but I've not seen a | :23:36. | :23:41. | |
match that has turned on its head like this one for a long time. | :23:42. | :23:45. | |
Incredible. What a comeback from Joe Perry. One of the biggest frames of | :23:46. | :23:54. | |
his 26 year career. Incredible. This pink looks close. It looks close. It | :23:55. | :24:00. | |
is there! Well, would you believe it? Barry Hawkins will be absolutely | :24:01. | :24:09. | |
gutted. He was 5-2 in front and Joe Perry needed a snooker. He got it, | :24:10. | :24:14. | |
won the frame. His dad is coming down to give him a big hug, I'm | :24:15. | :24:18. | |
sure. And he's through to the final come to play Ronnie O'Sullivan. What | :24:19. | :24:25. | |
a turnaround. What a victory! 6-5, Joe Perry. I'm getting carried away! | :24:26. | :24:32. | |
STUDIO:, we are all getting carried away. So extraordinary, you had | :24:33. | :24:36. | |
stayed up with us, half past 11 but it was worth it because that was an | :24:37. | :24:39. | |
extraordinary turnaround. Needed a snooker in the eighth frame. He was | :24:40. | :24:45. | |
down on his uppers. But how has he turned it around? It's not that, his | :24:46. | :24:50. | |
body language did not look good on other occasions, perhaps you get a | :24:51. | :24:53. | |
snooker and you are back in it but he did not look capable at one | :24:54. | :24:56. | |
stage. It just proves, you don't stay in the top 16 forest long as | :24:57. | :24:59. | |
Joe Perry without having to fight in you. Great performance. What a | :25:00. | :25:06. | |
brown. Along the cushion. One of the shots of the tournament. | :25:07. | :25:15. | |
Congratulations! Where did you get the brown and the reaction to that | :25:16. | :25:17. | |
in the final frame decider. What went through your mind when you knew | :25:18. | :25:21. | |
you were there? We would have forgiven you for playing a safety on | :25:22. | :25:26. | |
the brown. I wasn't going to do it. It was my chance. I should never | :25:27. | :25:29. | |
have had a chance but I thought, right, if I get one chance, I'm | :25:30. | :25:33. | |
going to go for it. I don't know how I held myself together. I didn't. It | :25:34. | :25:39. | |
just went in. Just one of them. You do know we had with the new off in | :25:40. | :25:44. | |
the match. Your body language in the first half of the match, you never | :25:45. | :25:48. | |
looked like doing it. From the very first break off, I hit the white and | :25:49. | :25:51. | |
it moved about an inch and a half from where I was aiming. They have | :25:52. | :25:55. | |
changed the cloth and I don't hit the centre of the white and it is | :25:56. | :26:02. | |
quite low and I was pushing a ripping off, so reactive, so nice | :26:03. | :26:04. | |
but I couldn't get it at all. My confidence with a bit and I didn't | :26:05. | :26:07. | |
fancy putting anything more than six foot away but I dug in. It was | :26:08. | :26:10. | |
weird, I was in my chair when Barry did not get on the red and I needed | :26:11. | :26:14. | |
a snooker and I played a safety and I thought if I can just get behind | :26:15. | :26:19. | |
the pink, funny things happen and it did. A kiss for your dad who has | :26:20. | :26:22. | |
been your greatest support doubles the as soon as I done it, I thought, | :26:23. | :26:27. | |
why did you do that? I had not won the match and shouldn't have but I | :26:28. | :26:30. | |
couldn't help myself. Two snooker is on the thing, though. Fair enough, | :26:31. | :26:35. | |
it was not going away but suddenly in the eighth frame, you needed a | :26:36. | :26:38. | |
snooker and you got it. At what point did you start to believe it | :26:39. | :26:43. | |
was on? I sat there and thought, if I could get tight behind the pink, | :26:44. | :26:47. | |
get a snooker, I was thinking, win the next one and it is going to be | :26:48. | :26:51. | |
worrying him because he should have won the match. Pretty much what | :26:52. | :26:56. | |
happened. I went out opposition at 60 in front. It got a bit of doubt | :26:57. | :27:02. | |
in Barry's mind. I did not put any doubt in his mind at all tonight. I | :27:03. | :27:05. | |
did not play well and really, he was much better than me for seven or | :27:06. | :27:09. | |
eight frames. Once he gave you a chance when he missed the long red | :27:10. | :27:13. | |
through the gap, the first few balls of that were very positive, you | :27:14. | :27:17. | |
played to get the break going. I didn't want to start messing about, | :27:18. | :27:21. | |
going for easy colours, pinks and blues because that can make the end | :27:22. | :27:30. | |
of the red quite. I got the pink early to tie a couple up, get them | :27:31. | :27:34. | |
open and it was a matter of not missing anything easy and doing my | :27:35. | :27:36. | |
stuff. Where has this come from, for a start? It's extraordinary, your | :27:37. | :27:39. | |
build-up was not great but can you tell us, 26 years of trying to get | :27:40. | :27:43. | |
into a major final and you've done it. I know! It's good to have good | :27:44. | :27:48. | |
people around you. I've got my mum and dad, my brothers and my partner | :27:49. | :27:53. | |
now. You do doubt yourself as a snooker player, every time you hit | :27:54. | :27:56. | |
bad form and you lose matches, you doubt yourself but you need people | :27:57. | :28:03. | |
around you to keep on picking you up and keep you striving. I've been in | :28:04. | :28:06. | |
the top 16 for nine or ten years so I'm obviously good enough to do all | :28:07. | :28:09. | |
right. But this is my year, maybe. Perhaps tomorrow is your day and we | :28:10. | :28:12. | |
will be back to share it with you. Get some sleep because you are back | :28:13. | :28:18. | |
on the table at 1pm, as are we! You have got to see this final, and it | :28:19. | :28:22. | |
all starts at 1pm. Be there. See you soon. Goodbye. | :28:23. | :28:25. |