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Hello, good evening. Welcome to a
packed Alexandra Palace for the | 0:00:37 | 0:00:40 | |
second semifinal of the UK Masters,
featuring Scotland's John Higgins, | 0:00:40 | 0:00:47 | |
twice Masters champion taking on
Mark Allen, not the Ronnie | 0:00:47 | 0:00:53 | |
O'Sullivan in the quarterfinals.
-- who knocked out. | 0:00:53 | 0:01:03 | |
-- who knocked out. It is a brutal
sport. But that is why we play. That | 0:01:04 | 0:01:08 | |
is the excitement of it. If these
big tournaments were easy to win, we | 0:01:08 | 0:01:11 | |
would all be doing it.
He is playing with a lot of | 0:01:11 | 0:01:17 | |
confidence right now. He has been
playing great all year. | 0:01:17 | 0:01:20 | |
A tough game. I've been on tour 13
years. Yet to win one of the three | 0:01:20 | 0:01:30 | |
Triple Crown events. I fully believe
I can do it. If I didn't, I wouldn't | 0:01:30 | 0:01:34 | |
play. I have won nine tournaments
around the world. There is no reason | 0:01:34 | 0:01:40 | |
why I can't win one of the Triple
Crown if not all three. | 0:01:40 | 0:01:44 | |
I love watching him play. He is
great to watch. We have always had | 0:01:44 | 0:01:48 | |
good games together. John is one of
the greatest ever in my opinion. | 0:01:48 | 0:01:54 | |
Probably the top three or four of
all time. We have had some great | 0:01:54 | 0:01:58 | |
battles over the years. He has
beaten me in some of the majors. I | 0:01:58 | 0:02:03 | |
am confident in my own game. That is
nothing against John. What I do | 0:02:03 | 0:02:07 | |
believe if I play how I have done
recently I will win. -- but. I am | 0:02:07 | 0:02:13 | |
buzzing. I have never really done a
great year but I have always enjoyed | 0:02:13 | 0:02:17 | |
playing. It is a packed house for
nearly every match. That is | 0:02:17 | 0:02:21 | |
fabulous.
I look forward to it. | 0:02:21 | 0:02:26 | |
We are in the company of two legends
this evening. Good evening to | 0:02:26 | 0:02:30 | |
Stephen Hendry and Steve Davis. Does
Mark Allen have enough to knock out | 0:02:30 | 0:02:34 | |
John Higgins? Without a doubt. He
has beaten them twice, and at this | 0:02:34 | 0:02:39 | |
venue as well. Yeah, I think he is
hungry enough as well. He must have | 0:02:39 | 0:02:46 | |
had an agonising wait to get to the
semifinals and perhaps the final of | 0:02:46 | 0:02:50 | |
this event. He has been knocking on
the door for a long time. You have | 0:02:50 | 0:02:53 | |
to say, what is wrong with his game?
Any of those good things he has | 0:02:53 | 0:02:58 | |
improved on. The demolition of
Ronnie O'Sullivan is a big | 0:02:58 | 0:03:03 | |
confidence builder. It is a eight in
the head-to-heads. But Mark has a | 0:03:03 | 0:03:07 | |
good record against Higgins at the
Masters? Yes, John Higgins is a | 0:03:07 | 0:03:14 | |
winner here. His CV stands up very
well. He can do a job on a player | 0:03:14 | 0:03:19 | |
easily. Mark Allen has to be on his
game. Without a doubt. It would be a | 0:03:19 | 0:03:26 | |
fantastic match. It may not have the
drama of this afternoon. There will | 0:03:26 | 0:03:31 | |
be break-building from both. They
are class acts. You expecting an | 0:03:31 | 0:03:37 | |
aggressive match? I'm expecting a
class match. They are classy | 0:03:37 | 0:03:41 | |
break-builders. They play the game
like everybody would like to play | 0:03:41 | 0:03:44 | |
the game. I would love to play the
game like them. I am sure Stephen | 0:03:44 | 0:03:49 | |
appreciates their skills as well.
You haven't got a clue what is going | 0:03:49 | 0:03:52 | |
to happen, you never know what the
storyline is going to be. You can | 0:03:52 | 0:03:57 | |
say that again. Kyren Wilson, 5-2
against Judd Trump, and he roared | 0:03:57 | 0:04:01 | |
back to knock him out 6-5. Judd
started his own downfall with this | 0:04:01 | 0:04:08 | |
most red. Kyren had a bit of good
luck when this shot found its way | 0:04:08 | 0:04:18 | |
onto the pink to build a
match-winning break. And by the time | 0:04:18 | 0:04:24 | |
this double turned into a trouble,
Kyren was already past the winning | 0:04:24 | 0:04:27 | |
post and through to his first final
of a Triple Crown event. | 0:04:27 | 0:04:39 | |
I hope Judd wasn't watching. Because
this man said that defeat for Judd | 0:04:41 | 0:04:45 | |
Trump is very damaging. Would you
agree? Yeah, he should be | 0:04:45 | 0:04:51 | |
disappointed with what happened
today. From Kyren Wilson's | 0:04:51 | 0:04:55 | |
perspective, he was offered a
lifeline and he must be proud to | 0:04:55 | 0:04:57 | |
have taken it. Strong views from you
earlier. Have you had time to | 0:04:57 | 0:05:03 | |
contemplate what you have said? Will
you change your viewpoint? Not at | 0:05:03 | 0:05:07 | |
all. He had the game done and dusted
at 5-2. He played a crazy shot. | 0:05:07 | 0:05:13 | |
Offered his opponent a lifeline and
boy did he take it. You probably | 0:05:13 | 0:05:20 | |
heard the boys saying Kyren Wilson
could lift the title? Yes, and | 0:05:20 | 0:05:25 | |
something like that could be a
fillip to your career. When you are | 0:05:25 | 0:05:27 | |
given a chance like that, that could
be a pivotal moment in writing the | 0:05:27 | 0:05:33 | |
record books. What was so special
about how Kyren fought back for you? | 0:05:33 | 0:05:37 | |
The body language for us in the
studio, and Kyren said, actually I | 0:05:37 | 0:05:43 | |
felt good, but the body-line which
didn't look good. What stood out? | 0:05:43 | 0:05:50 | |
When it mattered, under pressure,
when he was offered the balls, he | 0:05:50 | 0:05:53 | |
didn't refuse the chance. He has a
good temperament, he has got a | 0:05:53 | 0:05:58 | |
winning mentality. He will take his
chances. Disappointment for Judd | 0:05:58 | 0:06:02 | |
that he blew it and presented too
many chances to his opponent. I | 0:06:02 | 0:06:06 | |
certainly hope we is not watching.
Looted and damaging for the rest of | 0:06:06 | 0:06:11 | |
his career. Let's get back to
tonight's Matt Bosher. | 0:06:11 | 0:06:15 | |
-- match. | 0:06:15 | 0:06:18 | |
tonight's Matt Bosher.
-- match. Good evening, ladies and | 0:06:18 | 0:06:21 | |
gentlemen. This is the last session
of snooker ahead of tomorrow's UK | 0:06:21 | 0:06:25 | |
Masters final. It has been a week of
shocks, upset and comebacks. Which | 0:06:25 | 0:06:29 | |
of these two Celtic giant will join
Kyren Wilson in the showpiece | 0:06:29 | 0:06:34 | |
showdown? It is time to find out.
CHEERING. | 0:06:34 | 0:06:45 | |
Please welcome one of the best
break-builders in the modern game. | 0:06:50 | 0:06:55 | |
Bidding for his first appearance in
a Masters final. This three-time | 0:06:55 | 0:06:58 | |
ranking event winners showed his
class with a superb, nerveless 6-1 | 0:06:58 | 0:07:06 | |
win over defending champion Ronnie
O'Sullivan in the quarterfinals. He | 0:07:06 | 0:07:09 | |
is a big occasion performer who will
relish this tonight. He is the pride | 0:07:09 | 0:07:14 | |
of Northern Ireland, he is Mark The
Pistol Allen. | 0:07:14 | 0:07:20 | |
MUSIC. | 0:07:31 | 0:07:38 | |
And his opponent, one of the finest
sportsmen Scotland has ever | 0:07:46 | 0:07:50 | |
produced. Twice a Masters champion,
bidding for his first final in 12 | 0:07:50 | 0:07:54 | |
years. In a career of incredible
longevity, anyone is 29th ranking | 0:07:54 | 0:08:01 | |
title earlier this season in India.
A player of immense mental strength | 0:08:01 | 0:08:04 | |
on and off the table. Four times
champion of the world, the Wizard of | 0:08:04 | 0:08:10 | |
Wishaw, John Higgins! | 0:08:10 | 0:08:21 | |
Here we go. What a Saturday evening
of entertainment we have got here at | 0:08:36 | 0:08:40 | |
Alexandra Palace. Listen to the
noise. | 0:08:40 | 0:08:47 | |
Good evening everybody. It is cold
outside. But boy, is it hot in the | 0:08:47 | 0:08:56 | |
arena here at Alexandra Palace? By
the wonderful reception. Everybody | 0:08:56 | 0:09:01 | |
looking forward to this. And Ken, as
Stephen and Steve said, all the | 0:09:01 | 0:09:07 | |
makings of a classic semifinal?
Absolutely, John. What a reception | 0:09:07 | 0:09:12 | |
both players got coming down the
stairs. Wonderful. Absolutely | 0:09:12 | 0:09:15 | |
buzzing in here. I think it is going
to be a classic. There is not a lot | 0:09:15 | 0:09:20 | |
between them. Eight wins apiece in
the head-to-heads. I think as the | 0:09:20 | 0:09:31 | |
lads mentioned, that 6-1 demolition
of Ronnie O'Sullivan in the last | 0:09:31 | 0:09:34 | |
round by Mark Allen, it will give
him all the confidence he needs. | 0:09:34 | 0:09:43 | |
Yes, particularly as everybody was
thinking that running was unbeatable | 0:09:43 | 0:09:47 | |
at this venue. That was a real
feather in Mark's cab. -- hat. He | 0:09:47 | 0:09:54 | |
has got another legend to take on
here. | 0:09:54 | 0:10:03 | |
here. Great start! The perfect
start. | 0:10:03 | 0:10:11 | |
Fantastic opening pot. Nicely on the
black as well. He can play a cannon | 0:10:11 | 0:10:20 | |
onto the red just above the black.
He didn't play that well. | 0:10:20 | 0:10:29 | |
He didn't play that well. He has
still got a red to the right centre. | 0:10:29 | 0:10:32 | |
I think the pink is on to the left
corner pocket. | 0:10:32 | 0:10:43 | |
Yes, lucky to have this as an
alternative. But he has not made the | 0:10:45 | 0:10:53 | |
most of it! A little bit of tension
in the arm, probably. | 0:10:53 | 0:10:59 | |
Understandable. But it could be a
costly miss. So close. | 0:10:59 | 0:11:09 | |
Nice and straight on the pink. He
doesn't have too much to do with the | 0:11:26 | 0:11:30 | |
cue ball. Two reds to the right of
the pack. | 0:11:30 | 0:11:39 | |
I don't think the pink will spot on
its own spot. | 0:11:39 | 0:11:47 | |
its own spot. No. Directly in line
with the spot and of course the top | 0:11:52 | 0:11:55 | |
cushion. | 0:11:55 | 0:12:00 | |
It's sort of messes those two reds.
The bottom one was on. He may have | 0:12:05 | 0:12:15 | |
to go for the blue. | 0:12:15 | 0:12:23 | |
It is remarkable how John Higgins
has regained his focus for the game. | 0:12:28 | 0:12:33 | |
They say when you get over 40 you
start to lose a little bit of edge. | 0:12:33 | 0:12:40 | |
The last couple of seasons he has
really come back to something like | 0:12:40 | 0:12:43 | |
his best. | 0:12:43 | 0:12:48 | |
his best. Number five in the world
rankings. It is a compliment to his | 0:12:50 | 0:12:57 | |
desire and is love the game. -- he
is love of the game. | 0:12:57 | 0:13:08 | |
is love of the game. 29 ranking
tournament wins. I think a couple | 0:13:09 | 0:13:16 | |
behind Ronnie O'Sullivan and of
course Stephen Hendry on 32. A | 0:13:16 | 0:13:21 | |
fantastic achievement so far and
still going. He needs a bit of luck | 0:13:21 | 0:13:25 | |
here. Has he got it? It doesn't look
like it. | 0:13:25 | 0:13:33 | |
This red pots into the yellow
pocket. Not easy. Great shot. | 0:13:51 | 0:13:57 | |
Fantastic. | 0:13:57 | 0:14:05 | |
Fantastic. He couldn't have played
that much better. | 0:14:06 | 0:14:13 | |
Playing that pink with a little bit
of extra pace. He knew that red was | 0:14:22 | 0:14:26 | |
never going to be easy. The closer
he gets to the red, the easier it | 0:14:26 | 0:14:31 | |
was going to be. Now there is a
choice. Looking at it, I think you | 0:14:31 | 0:14:35 | |
would probably play for the yellow.
This is the last of the loose reds. | 0:14:35 | 0:14:44 | |
Playing for the yellow he had
doesn't have to do much with the cue | 0:14:44 | 0:14:47 | |
ball. The next couple of shots could
be key to this frame. | 0:14:47 | 0:14:58 | |
He is playing the brown. Just a
little bit too solid with not enough | 0:15:42 | 0:15:53 | |
pace. Nothing to go out. -- at. He
would like it or Tingwall. It is | 0:15:53 | 0:16:04 | |
touching. A lot easier to play the
safety shot. As long as the red | 0:16:04 | 0:16:14 | |
doesn't move, of course, it is not
foul. -- no foul. | 0:16:14 | 0:16:22 | |
A couple of good pots in the break
but he will be disappointed. | 0:16:27 | 0:16:37 | |
He didn't hit that very well. He
caught it much too thick. No harm | 0:16:53 | 0:16:58 | |
done. He has not really put any
pressure on John's safety shot. A | 0:16:58 | 0:17:07 | |
wealth of experience, John Higgins. | 0:17:07 | 0:17:13 | |
He has caught that a little bit
thick as well. | 0:17:21 | 0:17:28 | |
He has left the red to the left
corner. | 0:17:52 | 0:18:01 | |
corner. John Higgins will definitely
take it on. It is whether you try to | 0:18:01 | 0:18:05 | |
hold for the pink into the opposite
corner, or screw across the face of | 0:18:05 | 0:18:10 | |
the black. He probably feels he can
play better if he screws across the | 0:18:10 | 0:18:14 | |
face. He is looking at an
alternative red. The one to the left | 0:18:14 | 0:18:22 | |
corner looks the shot to play. But
first frame, maybe he is just | 0:18:22 | 0:18:26 | |
feeling a little bit nervy. No. As
you would expect with John Higgins, | 0:18:26 | 0:18:34 | |
playing the right shot. | 0:18:34 | 0:18:42 | |
Great shot. Plays it positively, as
you said. A nice flick of the red. | 0:18:48 | 0:19:03 | |
But for that flick he may not have
been on the black body deserves to | 0:19:03 | 0:19:06 | |
be on the black. Good pot. -- but he
deserves to be on the black. He | 0:19:06 | 0:19:16 | |
played that nicely. Have to force it
off the top cushion. | 0:19:16 | 0:19:27 | |
He would like to get the red is
close to this pot. He would like to | 0:19:29 | 0:19:39 | |
take that after the spring. It would
open up the other two reds. I am | 0:19:39 | 0:19:45 | |
sure he will try to get onto this
from the pink. | 0:19:45 | 0:19:53 | |
from the pink. He just wants to take
the loose ones first. | 0:19:53 | 0:20:04 | |
the loose ones first. I'm sure the
right-hand one of those two will go | 0:20:04 | 0:20:07 | |
into the right corner. He would like
to have been a little straighter on | 0:20:07 | 0:20:11 | |
this red. He is now considering if
he run through and leave himself on | 0:20:11 | 0:20:15 | |
the pink. Striking low. He doesn't
think he can play that shot. Back up | 0:20:15 | 0:20:25 | |
for the blue. He nearly got into
that too much. Now there is distance | 0:20:25 | 0:20:32 | |
between the colour and the next red
required. Hence the right smile. | 0:20:32 | 0:20:37 | |
Avid of adrenaline. He overcooked
that by some margin. That red I | 0:20:37 | 0:20:45 | |
spoke about... He may try to get
honest now. -- on it. Not this time. | 0:20:45 | 0:20:57 | |
The top red of the two beside the
pink will pot. It is not easy. Not | 0:20:57 | 0:21:03 | |
as easy as he would have liked. | 0:21:03 | 0:21:12 | |
And now he will have to play for the
red that Ken suggested. | 0:21:30 | 0:21:39 | |
red that Ken suggested. And you can
never take these for granted, | 0:21:39 | 0:21:42 | |
particularly if you're playing it
with a little bit of pace, which you | 0:21:42 | 0:21:45 | |
have too. The black is not available
in the opposite corner. | 0:21:45 | 0:21:56 | |
in the opposite corner. He has to
play this with a little bit of | 0:21:57 | 0:21:59 | |
left-hand side as well. As you said,
John, a bit of pace. He played it | 0:21:59 | 0:22:05 | |
nicely. | 0:22:05 | 0:22:10 | |
nicely. Of course the good thing
about potting that read now -- | 0:22:10 | 0:22:18 | |
red... It opens the pocket up
nicely. A quick glance at the score. | 0:22:18 | 0:22:26 | |
He is 51 ahead. He needs pink and
one more red. | 0:22:26 | 0:22:38 | |
A helpful little kiss. There is a
red along the top cushion. If he | 0:22:43 | 0:22:50 | |
rolls it in he will go 58 points in
front with just 51 remaining. Only | 0:22:50 | 0:22:55 | |
the red required. | 0:22:55 | 0:23:04 | |
the red required. A good solid start
from the twice Masters champion. | 0:23:04 | 0:23:15 | |
At the moment three snookers to tie.
Playing the double. | 0:23:28 | 0:23:40 | |
Playing the double. This has been an
excellent break. Very controlled. He | 0:23:40 | 0:23:46 | |
has parted some good balls. The
opening red was just fantastic. -- | 0:23:46 | 0:23:50 | |
potted. They look a little flick off
the red but deserved every bit of | 0:23:50 | 0:23:59 | |
it. The red has not gone in but that
will be enough. A good solid start | 0:23:59 | 0:24:08 | |
from John Higgins. A couple of long
reds. A break of 33. | 0:24:08 | 0:24:15 | |
He leads 1-0. | 0:24:15 | 0:24:16 | |
John Higgins, what a record that is.
When you look at his century breaks | 0:25:20 | 0:25:25 | |
the last few years per season, they
are not decreasing any. That is a | 0:25:25 | 0:25:33 | |
great compliment to his desire. He
is still putting the work in the | 0:25:33 | 0:25:36 | |
practice. And of course all these
tournamentss to play. You need to be | 0:25:36 | 0:25:41 | |
focused. Absolutely. | 0:25:41 | 0:25:49 | |
There is the wonderful Waterford
Crystal trophy. Both players will be | 0:25:53 | 0:25:58 | |
hoping to get their hands on that
Sunday night. John, of course, as | 0:25:58 | 0:26:02 | |
won it twice. The Paul Hunter
trophy, as it is aptly named now, | 0:26:02 | 0:26:07 | |
after the late great Paul Hunter.
What a player he was. | 0:26:07 | 0:26:16 | |
What a player he was. He won this
Masters three times. John Higgins as | 0:26:16 | 0:26:20 | |
won it twice. It has not always been
his favourite tournament. The first | 0:26:20 | 0:26:27 | |
time he has been in the semifinals
in six years. That is quite | 0:26:27 | 0:26:31 | |
incredible. | 0:26:31 | 0:26:38 | |
I'm not quite certainly played the
pot on the red there. That double | 0:26:45 | 0:26:52 | |
case has left this red on for Mark.
-- double case. -- kiss. Mark has | 0:26:52 | 0:27:01 | |
got first chance in the opening
frame. A tremendous long pot. This | 0:27:01 | 0:27:09 | |
is the red in the middle and never
had another chance after that. -- he | 0:27:09 | 0:27:15 | |
missed the red in the middle. | 0:27:15 | 0:27:23 | |
missed the red in the middle. He has
just come little higher on the black | 0:27:24 | 0:27:25 | |
than he would have liked. He could
pot the pink. | 0:27:25 | 0:27:32 | |
pot the pink. He is just seeing
where the pink would spot if he does | 0:27:36 | 0:27:39 | |
pot it. Pot the pink and stun the
cue ball forward a couple of inches. | 0:27:39 | 0:27:53 | |
And as in the first frame, the pink
doesn't spot on its own spot. There | 0:27:54 | 0:28:03 | |
you see, he is nicely on the red
into the bottom corner pocket now. | 0:28:03 | 0:28:09 | |
The chances Mark Allen was taking
against Ronnie O'Sullivan, I think | 0:28:17 | 0:28:21 | |
he won five of the six frames in one
visit. Tremendous scoring. | 0:28:21 | 0:28:34 | |
I know we have seen him quite a few
times in recent years when we have | 0:28:38 | 0:28:41 | |
done the tournament in Ireland in
January. He is the type of player, | 0:28:41 | 0:28:50 | |
Mark, that when he's on his game,
you just feel there is not a ball on | 0:28:50 | 0:28:54 | |
the table he couldn't pot if you
went for it. He's that type of | 0:28:54 | 0:28:57 | |
player. And in this type -- in this
position... Somebody with a | 0:28:57 | 0:29:04 | |
flashlight. In line with the shot.
Not the best thing to do. He has got | 0:29:04 | 0:29:12 | |
up and regrouped. | 0:29:12 | 0:29:18 | |
up and regrouped. He is a tremendous
break-builder. His style of cueing, | 0:29:18 | 0:29:24 | |
short action, keeps nice control
when playing little screws and | 0:29:24 | 0:29:31 | |
stuns. He is tailor-made for it.
Particularly on these fast cloths. | 0:29:31 | 0:29:41 | |
He makes a series of nice little
kisses and cannons around the pink | 0:29:41 | 0:29:45 | |
spot. When you watch the cue ball it
has -- he is always got tight | 0:29:45 | 0:29:50 | |
control. That is the essence of a
good break-builder. | 0:29:50 | 0:29:58 | |
good break-builder. It wasn't a
great pack to go into there. | 0:30:01 | 0:30:04 | |
That is why he is on the loose red. | 0:30:04 | 0:30:11 | |
One more loose red, it's the extreme
receipt right at the bunch into the | 0:30:24 | 0:30:30 | |
left centre. | 0:30:30 | 0:30:37 | |
I am certain he would rather be on
the red to the left centre. Would | 0:30:44 | 0:30:49 | |
have been a straightforward
positional shot. Now he is going to | 0:30:49 | 0:30:51 | |
run into other reds.
Not guaranteed position on the | 0:30:51 | 0:30:54 | |
colour. | 0:30:54 | 0:30:59 | |
He is wondering can he pot this red
and brush off the red to the left of | 0:31:09 | 0:31:13 | |
it. Try and send the cue ball back
to the blue or a colour. | 0:31:13 | 0:31:23 | |
If he hits the first red, the red he
is closest to, that first, could end | 0:31:32 | 0:31:39 | |
up on nothing.
That's what's happened. | 0:31:39 | 0:31:42 | |
He still has a shot on the black and
possibly even the blue. | 0:31:42 | 0:31:48 | |
More difficult than he would have
liked. | 0:31:50 | 0:31:58 | |
The choice is the black. If he plays
a drag he could possibly go for that | 0:32:07 | 0:32:14 | |
red nearest the cue ball now.
Played it beautifully. Absolutely | 0:32:14 | 0:32:18 | |
perfectly.
APPLAUSE | 0:32:18 | 0:32:25 | |
Fully committed. Had to be. | 0:32:25 | 0:32:30 | |
Well, how many times do we see that?
You see a player, looks as though he | 0:32:40 | 0:32:44 | |
broke the back of the break, and
played a great shot and then just no | 0:32:44 | 0:32:49 | |
concentration. That's all I can put
it down to on that red. Yeah. Missed | 0:32:49 | 0:32:55 | |
the red into that same middle pocket
in the first frame, it cost him. | 0:32:55 | 0:33:05 | |
John can take this on to the red
corner pocket and hold for the blue. | 0:33:05 | 0:33:16 | |
They're never easy those, playing
into a blind pocket. He knew that he | 0:33:20 | 0:33:27 | |
could only really leave the one he
was playing. You could say it was | 0:33:27 | 0:33:31 | |
half a chance. John will be just
pleased Mark Allen broke down when | 0:33:31 | 0:33:37 | |
he did. Looked as though it could
have been a frame-winning | 0:33:37 | 0:33:41 | |
contribution. | 0:33:41 | 0:33:50 | |
Played that nicely. | 0:33:57 | 0:34:01 | |
Just to straighten up the cue ball.
Leaves John in a bit of trouble | 0:34:04 | 0:34:10 | |
here. | 0:34:10 | 0:34:14 | |
Natural path of the cue ball and
playing one of these reds is going | 0:34:20 | 0:34:25 | |
towards that reds that's on the left
side. So he has to avoid that. | 0:34:25 | 0:34:36 | |
Where is the cue ball going! | 0:34:36 | 0:34:38 | |
It's all about fractions, but this
red, he is onto the right corner. | 0:34:51 | 0:35:03 | |
Needs to stop short of the baulk
line. And it has. So a choice of | 0:35:06 | 0:35:12 | |
yellow or green. If he gets a good
positional shot here, surely he will | 0:35:12 | 0:35:19 | |
win the frame. | 0:35:19 | 0:35:23 | |
The referee asked Mark to give him a
second, it tells us the pink spot is | 0:36:10 | 0:36:17 | |
still not available. 61 points the
lead. Just looking for red, colour, | 0:36:17 | 0:36:23 | |
red now, to get to the snookers
required stage. | 0:36:23 | 0:36:33 | |
May have to play a little cannon,
just to go for the frame-winning red | 0:36:44 | 0:36:51 | |
he needs.
Played it perfectly. | 0:36:51 | 0:36:58 | |
So this red, opening 70 points in
front with 67 remaining. | 0:37:00 | 0:37:07 | |
John Higgins, he only had a very
difficult red to go at when Mark | 0:37:13 | 0:37:19 | |
missed the red to the middle. | 0:37:19 | 0:37:24 | |
That will mean John Higgins will not
be coming back to the table. | 0:37:24 | 0:37:34 | |
Early observations, but both players
look very confident. Good stroke. | 0:37:40 | 0:37:51 | |
Yeah, suppose the only thing is that
Mark Allen has missed a couple of | 0:37:51 | 0:37:58 | |
reds to the middle. One cost him the
first frame, he got away with it in | 0:37:58 | 0:38:06 | |
this. | 0:38:06 | 0:38:09 | |
Both players have had their hand on
the table from a neutral's point of | 0:38:09 | 0:38:15 | |
view.
So it can only improve from here. | 0:38:15 | 0:38:26 | |
Delightful touch. | 0:38:37 | 0:38:42 | |
Might just drop the pink in and
leave the double on the red. | 0:38:54 | 0:39:05 | |
This will certainly settle him down,
Mark Allen. | 0:39:05 | 0:39:18 | |
Mark Allen is up and running.
STUDIO: High quality stuff as | 0:39:50 | 0:39:58 | |
predicted by our two guests here in
the studio. A good start. Yeah, | 0:39:58 | 0:40:01 | |
nothing to suggest other than a
classic match, both players look | 0:40:01 | 0:40:06 | |
very sharp, composed, as you would
expect, two obviously very | 0:40:06 | 0:40:10 | |
experienced campaigners, but both
looking good. Steve, what have you | 0:40:10 | 0:40:14 | |
made of the opening exchanges?
They've both settled in quickly. I | 0:40:14 | 0:40:18 | |
think you expect this to be a
hard-fought game, could be classy. | 0:40:18 | 0:40:23 | |
Both players know the significance.
And experienced enough to make it | 0:40:23 | 0:40:26 | |
tell if they get a chance. The miss
of the red to the middle pocket with | 0:40:26 | 0:40:31 | |
Mark Allen, he felt he got half a
kick which pushed it to the far jaw. | 0:40:31 | 0:40:36 | |
John Higgins missed his chance and
1-1. Fair enough. In terms of John | 0:40:36 | 0:40:40 | |
Higgins a couple of people on social
media tonight, by the way you can | 0:40:40 | 0:40:43 | |
get in touch with us, are saying
what is it about John Higgins, how | 0:40:43 | 0:40:46 | |
is he still doing this at this stage
of his career? He seems to be down | 0:40:46 | 0:40:51 | |
and he comes roaring back. It did
look like he was dropping down the | 0:40:51 | 0:40:56 | |
rankings a bit. He rejuvenated his
career, as has Mark Williams as | 0:40:56 | 0:41:00 | |
well. At one stage in the
quarter-finals there were | 0:41:00 | 0:41:07 | |
340-year-olds, and all three could
have had a chance. -- three | 0:41:07 | 0:41:10 | |
40-year-olds. He is a great match
player, there is no parts of his | 0:41:10 | 0:41:16 | |
game that are substandard. He always
gives himself a chance to win. Given | 0:41:16 | 0:41:19 | |
what we have seen today in poor
decision-making, in the Trump and | 0:41:19 | 0:41:25 | |
Wilson, both guilty of poor
decision-making. You won't see that | 0:41:25 | 0:41:28 | |
from either of these players
tonight. The shots that Trump played | 0:41:28 | 0:41:34 | |
and - you won't get that tonight.
You will get a more, shall we say | 0:41:34 | 0:41:40 | |
measured approach. OK, back we go. | 0:41:40 | 0:41:51 | |
COMMENTATOR: That's left the red to
the left corner. | 0:41:53 | 0:41:59 | |
Will depend whether Mark thinks
there is value in playing the pot | 0:41:59 | 0:42:01 | |
and if he does can he get position
on the black? | 0:42:01 | 0:42:11 | |
APPLAUSE
He can get position on the black. | 0:42:11 | 0:42:19 | |
This break-off shot is really
becoming a poison chalice. | 0:42:19 | 0:42:28 | |
Will be disappointed. Normally so
good at that shot. Just a simple | 0:42:48 | 0:42:58 | |
cannon. This shot, the balls were
very close. It was the previous one | 0:42:58 | 0:43:05 | |
he will be disappointed with. Yeah,
the cannon from the black. Very | 0:43:05 | 0:43:11 | |
tentative and being left-handed this
black is not an option. | 0:43:11 | 0:43:14 | |
This is the one, should have played
it with more pace. And no reason not | 0:43:14 | 0:43:20 | |
to play with more pace because the
red could have sprung others out. | 0:43:20 | 0:43:24 | |
Maybe a little bit tentative.
A big match. | 0:43:24 | 0:43:29 | |
Never been to a Masters final. | 0:43:29 | 0:43:35 | |
There you go. There is a piece of
wood. | 0:43:35 | 0:43:42 | |
LAUGHTER
Can we ask for another one. Doesn't | 0:43:42 | 0:43:47 | |
look straight.
Amazing! | 0:43:47 | 0:43:58 | |
Grab another one, please. Thanks.
They were probably going to make a | 0:43:58 | 0:44:03 | |
cue out of it and because it wasn't
straight decided to make it into a | 0:44:03 | 0:44:06 | |
spider.
Have a look at this. | 0:44:06 | 0:44:13 | |
LAUGHTER | 0:44:13 | 0:44:23 | |
No one has noticed it all week. | 0:44:30 | 0:44:37 | |
APPLAUSE
Really funny if this was even more | 0:44:39 | 0:44:49 | |
crooked than the first one.
With it being a spider it's not as | 0:44:49 | 0:44:57 | |
though you can roll it on the table
to see if it's straight. They're all | 0:44:57 | 0:45:00 | |
like that.
Put this one back. Now we are going | 0:45:00 | 0:45:12 | |
to improvise. Put the rest on top of
the normal spider. | 0:45:12 | 0:45:23 | |
Very precarious. | 0:45:24 | 0:45:26 | |
In the end, yes, well played. | 0:45:33 | 0:45:44 | |
Looks as though it could be a decent
break of shot, certainly stopped the | 0:46:17 | 0:46:22 | |
escape back to baulk. John may be
able to get past the blue to this | 0:46:22 | 0:46:26 | |
red on the left side. I don't see a
path back to baulk off that one. | 0:46:26 | 0:46:31 | |
It's the only one he can hit. | 0:46:31 | 0:46:36 | |
Not too dissimilar to Mark Allen's
opening red. The problem with this | 0:46:37 | 0:46:43 | |
one is there is more pressure
because of the reds. | 0:46:43 | 0:46:51 | |
That's why he decided to play a
safety shot. That's good match play | 0:46:51 | 0:46:57 | |
from John Higgins. | 0:46:57 | 0:46:59 | |
Couldn't afford to take that on F he
missed it he was leaving a red to | 0:47:01 | 0:47:05 | |
the right corner pocket. He may
still have done. Just thinking he | 0:47:05 | 0:47:10 | |
may just have overrun this. I think
this red is potable. | 0:47:10 | 0:47:18 | |
APPLAUSE | 0:47:18 | 0:47:24 | |
The yellow not a problem being
left-handed. But a bit to do with | 0:48:09 | 0:48:14 | |
the cue ball here, has to force it
back up the table. | 0:48:14 | 0:48:19 | |
Looking to play on the red that's
near the black spot. | 0:48:19 | 0:48:24 | |
Could have played that better. He
has underhit that. | 0:48:26 | 0:48:33 | |
By some margin. Wanted to get on the
red, either the black spot or the | 0:48:33 | 0:48:40 | |
one above it. | 0:48:40 | 0:48:43 | |
That's a bad miscalculation. | 0:48:43 | 0:48:47 | |
Cue ball could have travelled
another 18, maybe 20 inches. | 0:48:50 | 0:49:04 | |
Now is the yellow coming to his
rescue? Oh, dear, it is. | 0:49:19 | 0:49:23 | |
Very fortunate there. | 0:49:23 | 0:49:30 | |
How do you get to the red over the
corner? How do you play to cover it? | 0:49:31 | 0:49:40 | |
You just feel when you are playing
that shot you are getting close to | 0:50:04 | 0:50:07 | |
brown. But what else has he got on?
If he wasn't so close to the yellow | 0:50:07 | 0:50:15 | |
he could come off the left side
cushion and nestle into the reds | 0:50:15 | 0:50:20 | |
below the pink. He is thinking of
trying to get there off four | 0:50:20 | 0:50:24 | |
cushions. | 0:50:24 | 0:50:25 | |
He has to get close to the left
middle pocket if that's going to | 0:50:26 | 0:50:31 | |
work. | 0:50:31 | 0:50:36 | |
He will leave the red now. Foul and
a miss. | 0:50:36 | 0:50:43 | |
Mark Allen four. Miss called.
Obviously won't be taken. Wonder | 0:50:44 | 0:50:51 | |
will he play a little cannon here,
plant one red onto the other and | 0:50:51 | 0:50:55 | |
stay on the black?
Didn't want to kiss the black on the | 0:50:55 | 0:51:02 | |
way through with the cue ball and
knocked it into a safer position. | 0:51:02 | 0:51:09 | |
That was a pressure shot. Couldn't
have played it much better. | 0:51:28 | 0:51:41 | |
have played it much better. Must
take his chance here, you feel. | 0:51:41 | 0:51:52 | |
Got a big slice of luck when he
covered that red with the yellow. | 0:51:54 | 0:52:06 | |
That could have worked out better. A
red to the far left corner but he | 0:52:25 | 0:52:30 | |
was opening for something easier
than this. | 0:52:30 | 0:52:36 | |
No. A little bit jabby at that.
I fancied him to knock it in. | 0:52:44 | 0:52:56 | |
It was a good chance.
He has not taken it. | 0:52:56 | 0:53:02 | |
That will give John Higgins a little
bit of hope. What has John got to go | 0:53:02 | 0:53:10 | |
at? | 0:53:10 | 0:53:16 | |
Left middle he is playing to. | 0:53:18 | 0:53:24 | |
No. Always difficult those into a
blind pocket. | 0:53:28 | 0:53:38 | |
blind pocket. You have not got the
pocket in the eye line so makes them | 0:53:38 | 0:53:43 | |
difficult. Once again, not being
punished for his mistakes, Mark. | 0:53:43 | 0:53:53 | |
That struggled in. | 0:53:57 | 0:54:02 | |
Wasn't easy. Trying to hold the cue
ball for those two reds into the | 0:54:18 | 0:54:23 | |
right centre. It made it more
difficult. What can John Higgins do? | 0:54:23 | 0:54:36 | |
Six minutes since John last potted a
ball. Wow. | 0:54:36 | 0:54:47 | |
ball. Wow. Tension out there. Yeah,
both players have got their hand on | 0:54:47 | 0:54:50 | |
the table.
So you expect them to relax. But | 0:54:50 | 0:54:57 | |
Mark Allen's been a little bit
tentative the last couple of visits | 0:54:57 | 0:55:00 | |
to the table.
And didn't expect John Higgins to | 0:55:00 | 0:55:05 | |
miss that. | 0:55:05 | 0:55:10 | |
A big target into the reds.
It's not too bad. | 0:55:37 | 0:55:48 | |
47 points needed now. Looking for
another three reds. | 0:55:48 | 0:55:55 | |
Three reds nicely in the open.
That would have clinched the frame. | 0:55:58 | 0:56:06 | |
This red to go 62 points ahead with
just 59 remaining. | 0:56:42 | 0:56:55 | |
John Higgins is coming up to the
30th minute since he last potted a | 0:56:56 | 0:57:00 | |
ball. Couple of half chances. And
sometimes that's all you get at this | 0:57:00 | 0:57:06 | |
level. | 0:57:06 | 0:57:11 | |
Certainly | 0:57:24 | 0:57:24 | |
It's whether John Higgins wants to
play for snookers, he doesn't. He | 0:57:27 | 0:57:30 | |
nods his concession.
Mark Allen, not flawless, but will | 0:57:30 | 0:57:36 | |
be happy with the scoreline. He
leads 2-1. | 0:57:36 | 0:57:41 | |
STUDIO: He will indeed. Right,
Steve, your assessment of that third | 0:57:41 | 0:57:44 | |
frame? Well, I like the way Mark
Allen plays the game. The economy of | 0:57:44 | 0:57:50 | |
movement, not just of the cue ball
but also of his cue. We always talk | 0:57:50 | 0:57:55 | |
about these cloths being super fast.
The faster the cloth, the less | 0:57:55 | 0:57:59 | |
distanks you have to pull the cue
back in order to hit the ball, you | 0:57:59 | 0:58:02 | |
don't have to hit it so hard.
Players with a long back swing, | 0:58:02 | 0:58:06 | |
they've got to hit the ball slowly
or seem to go through slowly to play | 0:58:06 | 0:58:11 | |
a soft shot. Mark Allen, short pull
back and a sharper more positive | 0:58:11 | 0:58:18 | |
delivery. Yeah the Daning we are the
longer cue action is the | 0:58:18 | 0:58:23 | |
deselleration going through. You
miss everything thin. That's the | 0:58:23 | 0:58:26 | |
biggest problem. Mark Allen is not
going to get that, as Steve said, | 0:58:26 | 0:58:31 | |
it's accelerating through the ball.
There is little can go wrong when | 0:58:31 | 0:58:35 | |
there is that short between the
bridge hand and cue ball. We have | 0:58:35 | 0:58:39 | |
had problems with wasps and flies. A
problem with a spider. Yes, I have | 0:58:39 | 0:58:46 | |
it here. This is the spider that
Mark Allen there, didn't quite like | 0:58:46 | 0:58:50 | |
this spider. Looked like it was bent
there. Perhaps Uri Geller has been | 0:58:50 | 0:58:56 | |
giving it special treatment, don't
know. Doesn't look too bad to me. We | 0:58:56 | 0:59:02 | |
looked at it during that frame.
Anyway, back we go. | 0:59:02 | 0:59:09 | |
COMMENTATOR: Not the best break-off
shot. | 0:59:14 | 0:59:19 | |
A bit careless from Mark.
This will be a frame that John | 0:59:19 | 0:59:25 | |
Higgins will know is very important.
He doesn't want to go to the | 0:59:25 | 0:59:30 | |
mid-session interval after this
frame two behind. | 0:59:30 | 0:59:33 | |
And gets the first chance at this
red. | 0:59:33 | 0:59:40 | |
In it goes!
APPLAUSE | 0:59:40 | 0:59:45 | |
Just over 30 minutes since he last
potted a ball but that's sometimes | 0:59:45 | 0:59:49 | |
the nature of snooker.
What can he make of the chance? | 0:59:49 | 0:59:56 | |
Don't think there is a
straightforward red to play here? | 0:59:56 | 1:00:08 | |
It is the age-old problem when you
play that shot. If you don't hit the | 1:00:12 | 1:00:16 | |
pink full on the face, the cue ball
is bound to be coming towards this | 1:00:16 | 1:00:25 | |
top cushion. Unless a red comes with
it, he will be on nothing. | 1:00:25 | 1:00:33 | |
He will be very disappointed. He
gifted Mark Allen another chance | 1:00:40 | 1:00:47 | |
here. | 1:00:47 | 1:00:55 | |
here. Yeah, he was left that
difficult shot. But the problem is | 1:00:55 | 1:01:00 | |
that John has now opened up the
reds, so this chance is an even | 1:01:00 | 1:01:05 | |
better one will stop he doesn't have
to play too many cannons early on. | 1:01:05 | 1:01:16 | |
He just overran the cue ball
slightly. He has to go in and out of | 1:01:16 | 1:01:21 | |
baulk macro now. -- of baulk now.
This looks pretty good. Looks very | 1:01:21 | 1:01:29 | |
good. | 1:01:29 | 1:01:36 | |
good. He has got a nice angle on
this red. He can pot the red, stun | 1:01:36 | 1:01:42 | |
off the top cushion and get the
black into the same pocket. | 1:01:42 | 1:01:52 | |
This is normally where he is so
good. Tight control of the cue ball. | 1:02:08 | 1:02:18 | |
Plenty of reds in the open. He may
play a little cannon into the red | 1:02:18 | 1:02:22 | |
and pink. | 1:02:22 | 1:02:28 | |
and pink. Not this time. Maybe he
should have. He hasn't played that | 1:02:30 | 1:02:34 | |
very well. | 1:02:34 | 1:02:39 | |
very well. I can only assume the red
he is closest to, he has played for | 1:02:39 | 1:02:43 | |
the left middle. | 1:02:43 | 1:02:51 | |
the left middle. The red he is going
to play now, you would have been on | 1:02:51 | 1:02:54 | |
that if he had played the cannon. | 1:02:54 | 1:03:02 | |
that if he had played the cannon. He
has to judge how the cue ball will | 1:03:03 | 1:03:04 | |
run through the other reds. We were
singing his praises around the black | 1:03:04 | 1:03:10 | |
spot area. But so far he has not
been that person. -- impressive. | 1:03:10 | 1:03:18 | |
That's not too bad. It's not tied on
the cushion. It is a bit straight on | 1:03:26 | 1:03:33 | |
the black. But at least he can dig
down on the cue ball. | 1:03:33 | 1:03:45 | |
Fawcett in off two-cushions. --
Fawcett in. | 1:03:46 | 1:03:56 | |
Just look at how the reds are
aligned up. All four of them pot | 1:04:05 | 1:04:11 | |
into the bottom left hand corner
pocket. -- are aligned up. No more | 1:04:11 | 1:04:19 | |
cannons required. | 1:04:19 | 1:04:23 | |
Almost like a practice routine, the
way the reds are spread now. | 1:04:28 | 1:04:38 | |
That is the only problem with going
up for the blue. He didn't feel | 1:05:06 | 1:05:11 | |
comfortable playing for the black.
He has got the red on the left-hand | 1:05:11 | 1:05:15 | |
side of the table. He can play it
full hit. He is OK. But when you are | 1:05:15 | 1:05:28 | |
in this position, if you can retain
good position in and around the | 1:05:28 | 1:05:33 | |
black spot area, particularly with
the reds being at this end, it makes | 1:05:33 | 1:05:36 | |
it so much more easy to manoeuvre
the cue ball. | 1:05:36 | 1:05:48 | |
the cue ball. You wouldn't expect
any mistakes from here. This black | 1:05:48 | 1:05:51 | |
would put him 50 points in front
with just 75 remaining. So after | 1:05:51 | 1:05:59 | |
this black, a couple of reds and
colours would be sufficient. | 1:05:59 | 1:06:12 | |
colours would be sufficient. After
losing the first frame, to going to | 1:06:12 | 1:06:17 | |
the mid-session interval with a two
frame advantage, he will be well | 1:06:17 | 1:06:21 | |
pleased. Yes, very similar to what
happened against Ronnie O'Sullivan. | 1:06:21 | 1:06:29 | |
He lost the very first frame and
went on to win that match 6-1. | 1:06:29 | 1:06:38 | |
Again, just slightly overran the cue
ball. | 1:06:45 | 1:06:54 | |
Two interesting spectators. Nick
Baines from the Kaiser Chiefs and | 1:07:31 | 1:07:38 | |
his dad, Allen, big snooker
supporters. Nice to have you here, | 1:07:38 | 1:07:43 | |
lads. | 1:07:43 | 1:07:49 | |
This is much better from Mark Allen. | 1:07:52 | 1:07:58 | |
In complete control of the cue ball
during this break. | 1:07:59 | 1:08:07 | |
during this break. Just one slip-up
at the beginning. Other than that it | 1:08:07 | 1:08:09 | |
has been very impressive. It
concerned looking John Higgins. He | 1:08:09 | 1:08:18 | |
started very well. Mr couple of
reds. -- he missed a couple of reds. | 1:08:18 | 1:08:27 | |
One in this frame and two in the
last frame. | 1:08:27 | 1:08:38 | |
last frame. You'd just get the
feeling now that he is getting a | 1:08:38 | 1:08:40 | |
head of steam up here, Mark Allen.
What a shame. No century. The | 1:08:40 | 1:08:52 | |
century breaks seem to have dried up
recently. That won't bother Mark | 1:08:52 | 1:08:57 | |
Allen, who takes a deserved lead
into the mid-session interval. | 1:08:57 | 1:09:03 | |
I'm not too sure if our cameras have
shown you, but there are a couple of | 1:09:03 | 1:09:07 | |
chaps in the crowd tonight wearing
the Northern Ireland football | 1:09:07 | 1:09:11 | |
shirts. The green and white army.
They will be delighted? Very much | 1:09:11 | 1:09:16 | |
so. Mark Allen is starting to look
dangerous. John Higgins is starting | 1:09:16 | 1:09:21 | |
to weaken a little bit, which is
strange. He has missed a couple of | 1:09:21 | 1:09:25 | |
easy shots. Weak efforts at pots. It
is not like him. He will probably | 1:09:25 | 1:09:32 | |
need to get his arm going again at
the practice table. Did you see it | 1:09:32 | 1:09:36 | |
going this way? | 1:09:36 | 1:09:36 | |
the practice table. Did you see it
going this way? | 1:09:36 | 1:09:38 | |
No, I thought John Higgins would be
strong. Mark Allen is doing a good | 1:09:38 | 1:09:44 | |
job here this evening. He has made
it look pretty effective, John | 1:09:44 | 1:09:49 | |
Higgins. If he continues after the
interval, which can sometimes change | 1:09:49 | 1:09:56 | |
things, he could get through to the
final with not too much stress. What | 1:09:56 | 1:10:03 | |
is up with John Higgins tonight?
Obviously Marquez making the most of | 1:10:03 | 1:10:08 | |
his chances. Every day you turned up
it is a different story line. | 1:10:08 | 1:10:14 | |
Regardless of the storyline, your
job is to turn it around if you got | 1:10:14 | 1:10:17 | |
off to a bad start. That is
something John Higgins is great at. | 1:10:17 | 1:10:21 | |
You can't macro always get out of
the blocks quickly. Therefore, as it | 1:10:21 | 1:10:25 | |
-- if it goes wrong, as it did do
with Kyren Wilson, the good players | 1:10:25 | 1:10:31 | |
seem to be able to dig them out more
than the average players. Mark Allen | 1:10:31 | 1:10:39 | |
was one behind against Ronnie
O'Sullivan went on to win the next | 1:10:39 | 1:10:42 | |
six. This is almost a mirror image
of this match. Loses the first frame | 1:10:42 | 1:10:47 | |
and dominates the next three. He has
made a 90 break. When he starts | 1:10:47 | 1:10:52 | |
going, he is hard to stop. John
Higgins will have to do something | 1:10:52 | 1:10:56 | |
special. Mark Allen looks really
cool, really in control. | 1:10:56 | 1:11:03 | |
Very composed. John Higgins 3-1 down
and he has been talking to Rob | 1:11:03 | 1:11:12 | |
Walker.
Your 24th year at the Masters. Can | 1:11:12 | 1:11:15 | |
you remember the debut and the final
against Robert -- runny? I can | 1:11:15 | 1:11:22 | |
remember the debut. I've played Tony
Drago. I think it was in a | 1:11:22 | 1:11:28 | |
preliminary round. I managed to beat
Tony five - four. -- 5-4. It was a | 1:11:28 | 1:11:36 | |
great tournament, great venue, the
conference centre. You've got a | 1:11:36 | 1:11:41 | |
really weird record with the
Masters. You have been in four | 1:11:41 | 1:11:45 | |
finals and have won it twice. But we
have not seen you in a final since | 1:11:45 | 1:11:49 | |
you beat Ronnie O'Sullivan in the
epic match in 2006. In 24 years you | 1:11:49 | 1:11:55 | |
have had a 12 first-round exits.
Sometimes it goes brilliantly and | 1:11:55 | 1:11:59 | |
other times you are
uncharacteristically owed on your | 1:11:59 | 1:12:03 | |
year early? Yes, maybe I enjoy
Christmas too much! Baby that is | 1:12:03 | 1:12:09 | |
what it is. -- maybe. I have played
some very bad matches here. I have | 1:12:09 | 1:12:19 | |
got out of it exactly what I
deserved. I'm delighted to have won | 1:12:19 | 1:12:24 | |
it twice and into a couple of
finals, but I've never really had a | 1:12:24 | 1:12:27 | |
great record at the Masters. All the
titles you have won across all the | 1:12:27 | 1:12:34 | |
years, where did the Indian open
rank from the point of view of, it | 1:12:34 | 1:12:39 | |
puts you on 29, one ahead of Steve
Davis. Yet another season and yet | 1:12:39 | 1:12:45 | |
another ranking title. Do they get
more precious? Yeah, of course. It | 1:12:45 | 1:12:50 | |
was tough in India. We flew the next
day to a tournament in China. After | 1:12:50 | 1:12:59 | |
every tournament I like to enjoy
myself, have a few drinks and | 1:12:59 | 1:13:03 | |
unwind. You don't know when the next
one is going to come. That is the | 1:13:03 | 1:13:10 | |
only tournament I didn't actually
enjoy because afterwards I had one | 1:13:10 | 1:13:14 | |
beer and then packed my case. Then
we got picked up to go to the | 1:13:14 | 1:13:18 | |
airport. I'd like to have enjoyed a
bit better. But you have tournaments | 1:13:18 | 1:13:25 | |
coming thick and fast. It was
brilliant. Are you surprised in some | 1:13:25 | 1:13:33 | |
ways that the class of T2, you and
Ronnie and Mark, are still all | 1:13:33 | 1:13:38 | |
ranking events? -- 92. We do have
expected the next generation to have | 1:13:38 | 1:13:45 | |
knocked all three of you
metaphorically off the perch by now? | 1:13:45 | 1:13:50 | |
No. Because I think the three of us
just really good players. I don't | 1:13:50 | 1:13:58 | |
think we will be going away anywhere
quickly. I have still got the desire | 1:13:58 | 1:14:02 | |
to compete with the best that we
have got in the game. Obviously | 1:14:02 | 1:14:09 | |
Ronnie has shown this year he is
still competing for the top titles. | 1:14:09 | 1:14:16 | |
Me and Mark Raby coming in for a
couple of the smaller ones. But no, | 1:14:16 | 1:14:20 | |
it is just we are good players. It
is simple. We grew up through the | 1:14:20 | 1:14:25 | |
amateur game when we were young. We
know probably a lot of places, and | 1:14:25 | 1:14:35 | |
baby the younger players have not
learned it yet. If we can keep the | 1:14:35 | 1:14:39 | |
appetite to practice, I'm sure we
will still be competing for another | 1:14:39 | 1:14:44 | |
few years with the best players.
There will be loads of young players | 1:14:44 | 1:14:49 | |
in their clubs who like watching
you. And it would seem to me having | 1:14:49 | 1:14:55 | |
been on the circuit at few years,
one of your key strengths is the | 1:14:55 | 1:14:59 | |
fact that you are so tough on the
table mentally. Is that something | 1:14:59 | 1:15:03 | |
that is instinctively in someone
horrid isn't? Are can you teach | 1:15:03 | 1:15:08 | |
someone to have that mental resolve
when they are under immense pressure | 1:15:08 | 1:15:12 | |
and things get tough? I don't think
you can teach it. I think it is in | 1:15:12 | 1:15:17 | |
building you. I have been lucky over
the years. I have always had the | 1:15:17 | 1:15:21 | |
desire. I have always said I have
never had the same drive and desire | 1:15:21 | 1:15:26 | |
that people like Stephen Hendry and
Steve Davis have had. They are | 1:15:26 | 1:15:32 | |
legends of the game. But you also
have do add Ronnie O'Sullivan into | 1:15:32 | 1:15:36 | |
that. I wouldn't say he has had the
drive and determination the same as | 1:15:36 | 1:15:43 | |
those two but he compensates for
that by being the most naturally | 1:15:43 | 1:15:46 | |
gifted player we have ever had in
the game. He elevates himself up to | 1:15:46 | 1:15:51 | |
those guys as well. I would probably
be a couple of rungs below those | 1:15:51 | 1:15:58 | |
three. But to be below those guys,
there is no shame in that. I'm | 1:15:58 | 1:16:04 | |
delighted that I have had a great
career. I still think I'm going | 1:16:04 | 1:16:07 | |
strong enough that I can add to
titles I have won over the years. I | 1:16:07 | 1:16:13 | |
think it is because I play an
all-round game. If I can keep on | 1:16:13 | 1:16:18 | |
having the desire to go and practice
and things, I still think I can | 1:16:18 | 1:16:23 | |
compete for a few more years yet
with the best players. I'm really | 1:16:23 | 1:16:29 | |
interested, I mean, how do you pick
a highlight from everything you have | 1:16:29 | 1:16:34 | |
won? I would like to float one title
across that you -- that I remember | 1:16:34 | 1:16:40 | |
so well. When you won the Welsh Open
after your dad passed away, I | 1:16:40 | 1:16:44 | |
couldn't believe how well you kept
it together that week. It was a | 1:16:44 | 1:16:48 | |
great final with Stephen. I know you
are really good mates. From an | 1:16:48 | 1:16:52 | |
outsider's point of view I think
that is right up there. I couldn't | 1:16:52 | 1:16:59 | |
get over the composer he displayed
throughout that week. Is that one of | 1:16:59 | 1:17:02 | |
your highlights? It would be. I
think I was just on autopilot that | 1:17:02 | 1:17:08 | |
season as well. Obviously I had come
back. That was autopilot. I think | 1:17:08 | 1:17:15 | |
even a couple of years after that I
think I just put everything into | 1:17:15 | 1:17:20 | |
that. That is what I mean. I don't
think I have ever had that intensity | 1:17:20 | 1:17:25 | |
that I had for those ten months. It
really took it out of me. I don't | 1:17:25 | 1:17:32 | |
think I done anything after that. I
was just mentally in a bad place | 1:17:32 | 1:17:37 | |
because of everything that happened.
My dad and things. But this event, I | 1:17:37 | 1:17:41 | |
love this event because it's one of
the only events that I can go to | 1:17:41 | 1:17:47 | |
that I have not... There are a lot
of events that I go to nowadays, | 1:17:47 | 1:17:56 | |
when my dad was always there with
me, this is tough. It is tough when | 1:17:56 | 1:18:02 | |
you lose a big part of your life is
with you all the time. It is one of | 1:18:02 | 1:18:07 | |
those things that when you come
here, | 1:18:07 | 1:18:15 | |
here, it's been a long career, it's
been a good career, it's been a sad | 1:18:15 | 1:18:19 | |
career. It's been a lot of things.
I'm obviously delighted with the | 1:18:19 | 1:18:24 | |
career I have had. I've got my
family now as well. You keep on | 1:18:24 | 1:18:28 | |
trying to have a good career and
provide for them because that's what | 1:18:28 | 1:18:33 | |
you do when you are a dad, I
suppose. It has been a joy to watch | 1:18:33 | 1:18:38 | |
you for the last few years. Long may
it continue. | 1:18:38 | 1:18:40 | |
Thanks. Another fine interview from
Rob Walker. A very emotional John | 1:18:40 | 1:18:47 | |
Higgins? Yeah, the journey you go on
with your family, and your father | 1:18:47 | 1:18:55 | |
follows you around. I know what that
is like. You are a team. When the | 1:18:55 | 1:18:59 | |
team changes, it is tough to
continue. My father was very much | 1:18:59 | 1:19:04 | |
involved. It must be tough going to
those venues and always having your | 1:19:04 | 1:19:09 | |
family there? Yeah, the start of
your career your father takes you | 1:19:09 | 1:19:14 | |
everywhere. Looks after you. You
share Hotel rooms. They start you | 1:19:14 | 1:19:18 | |
off. Obviously everywhere you go,
John played so many events at Sony | 1:19:18 | 1:19:25 | |
venues, that everyone will hold a
different memory. Let's talk about | 1:19:25 | 1:19:29 | |
the young pretenders. Who will be
the next triple Crown winners? John | 1:19:29 | 1:19:35 | |
was right. It was a correct answer.
The fact those three, Ronnie | 1:19:35 | 1:19:40 | |
especially, John, Mark, they are
just still above the rest. You two | 1:19:40 | 1:19:49 | |
Adair, Higgins, Ray Reardon... At
some point these young guns are | 1:19:49 | 1:19:55 | |
going to have to step up?
Eventually. It will add meant of | 1:19:55 | 1:20:01 | |
great players. The world of golf is
not littered with players dominating | 1:20:01 | 1:20:05 | |
all the time. There are a lot of
players able to win. Domination is | 1:20:05 | 1:20:09 | |
tough. Who will come along and knock
everybody off their perch and be | 1:20:09 | 1:20:14 | |
dominant? Very hard to say. Kyren
Wilson is nicely placed. We thought | 1:20:14 | 1:20:18 | |
Judd Trump was nicely placed, King
John high. | 1:20:18 | 1:20:25 | |
John high. -- ding. Until they start
to win regularly, they will just be | 1:20:25 | 1:20:28 | |
another one of the pack. They may be
winners but they are just another | 1:20:28 | 1:20:32 | |
one of the growing pack of players
who win events. What do you think, | 1:20:32 | 1:20:35 | |
Stephen? I find it hard to pick
somebody that is going to come along | 1:20:35 | 1:20:43 | |
and win three, four titles is
season. I think there is a level. | 1:20:43 | 1:20:47 | |
You got Mark Selby, Ronnie
O'Sullivan, John Higgins. They are | 1:20:47 | 1:20:53 | |
all quite similar to me. There is
nobody who stands out. Nobody you | 1:20:53 | 1:21:00 | |
think will win 20 titles before the
end of his career. There is nobody | 1:21:00 | 1:21:03 | |
like that. The flip side of that,
there are so many good players out | 1:21:03 | 1:21:08 | |
there. Maybe that is the problem.
One player will win a title here and | 1:21:08 | 1:21:12 | |
another one there? It is quite
funny. If ever I got big -- beaten | 1:21:12 | 1:21:19 | |
in the 80s are Stephen in the 90s,
it was always said, it's good for | 1:21:19 | 1:21:23 | |
the game that somebody else wins.
But it is also really nice to have | 1:21:23 | 1:21:27 | |
it dominant character in the game
because in a way it is something to | 1:21:27 | 1:21:30 | |
shoot at. It is good for the game to
have a Tiger Woods or a Roger | 1:21:30 | 1:21:36 | |
Federer. Everybody is, can he lose?
Will he ever lose? Willie ever drop | 1:21:36 | 1:21:40 | |
his guard? That is its own talking
point. Perhaps one of the players is | 1:21:40 | 1:21:47 | |
Kyren Wilson, who fought back
terrifically well this afternoon. He | 1:21:47 | 1:21:51 | |
was 5-2 down against | 1:21:51 | 1:21:52 | |
terrifically well this afternoon. He
was 5-2 down against Judd Trump but | 1:21:52 | 1:21:52 | |
won the final frame decider.
Judd started his own downfall with | 1:21:52 | 1:21:59 | |
this mist red. It gave Kyren the
opportunity to win the last frame. | 1:21:59 | 1:22:03 | |
Kyren had a bit of good luck when
this pot found its way onto the pink | 1:22:03 | 1:22:10 | |
to build his match-winning break. By
the time this double turned into a | 1:22:10 | 1:22:16 | |
trouble, Kyren was already past the
winning and through to his first | 1:22:16 | 1:22:21 | |
final of a triple Crown event. | 1:22:21 | 1:22:30 | |
I would like to think my family, my
dad and my grandad, they are very | 1:22:33 | 1:22:38 | |
strong minded people. I would
definitely say I got my fighting | 1:22:38 | 1:22:44 | |
qualities from my dad and grandad.
It is not always easy to produce | 1:22:44 | 1:22:48 | |
that out there, especially when you
find yourself 5-2 down and you are | 1:22:48 | 1:22:53 | |
struggling. Judd gave me a nice
opening and 5-2 and I settled myself | 1:22:53 | 1:22:59 | |
down. Judd's safety game really
impressed me. It is probably | 1:22:59 | 1:23:04 | |
something he has been working on
quite hard. I was finding it really | 1:23:04 | 1:23:08 | |
difficult. I may took a couple of
liberties but it is just because he | 1:23:08 | 1:23:11 | |
forced me into them really. -- I
maybe took a couple of liberties. At | 1:23:11 | 1:23:17 | |
5- to your almost like a dead man,
you have to start going for it, not | 1:23:17 | 1:23:21 | |
go to mad. Maybe the yellow was a
bit crazy but I fancied it, to be | 1:23:21 | 1:23:25 | |
honest. They started going in, I
find my game and grew in confidence. | 1:23:25 | 1:23:31 | |
Firmly, that Masters trophy is the
best looking trophy out of them all. | 1:23:31 | 1:23:35 | |
I promised my mum she would have
that one day. I will be trying my | 1:23:35 | 1:23:39 | |
best to make sure that happens
tomorrow. | 1:23:39 | 1:23:40 | |
He is a top player and a top guy. We
look forward to seeing Kyren Wilson | 1:23:40 | 1:23:45 | |
in the final. You can enjoy it with
us live on the BBC. | 1:23:45 | 1:23:48 | |
John Higgins has a lot to do.
3-1 down | 1:23:56 | 1:23:59 | |
John Higgins has a lot to do.
3-1 down at the interval. This is | 1:23:59 | 1:24:01 | |
the story of the match. John Higgins
going into his first Masters | 1:24:01 | 1:24:06 | |
semifinal since 2012. He won the
first frame. Mark Allen knocked in | 1:24:06 | 1:24:12 | |
breaks of 47 and 63 to take the
second. Into frame three, Mark Allen | 1:24:12 | 1:24:19 | |
leads for the first time. Some
problem with the spider, saying it | 1:24:19 | 1:24:23 | |
is not straight. Mark Allen goes
into the lead for the first time. I | 1:24:23 | 1:24:30 | |
have to say, I completely agree with
Steve Davis, looking remarkably cool | 1:24:30 | 1:24:36 | |
and calm tonight. Potting this blue
and setting a break of 90. | 1:24:36 | 1:24:42 | |
Sealing the frame. And here come the
players. Live pictures at Alexandra | 1:24:42 | 1:24:50 | |
Palace. I have to you, what a
wonderful noise in this remarkable | 1:24:50 | 1:24:54 | |
venue will stop yes Jason, the
atmosphere has been electric. | 1:24:54 | 1:25:00 | |
It has been electric all week.
Sometimes when you lose your start | 1:25:00 | 1:25:05 | |
trancelike Ronnie O'Sullivan, it
goes down a notch. That has not | 1:25:05 | 1:25:08 | |
happened. -- Eurostar terms like
Ronnie O'Sullivan. The match this | 1:25:08 | 1:25:16 | |
afternoon got everybody excited. We
have seen some wonderful snooker. | 1:25:16 | 1:25:19 | |
The century breaks, they have dried
up a little as we get near the end | 1:25:19 | 1:25:28 | |
of the tournament? Yeah, we thought
we would be in for a record number | 1:25:28 | 1:25:32 | |
of centuries. 20 centuries after
four days. They seem to have dried | 1:25:32 | 1:25:40 | |
up since. They do change the cushion
cloth midway through the tournament. | 1:25:40 | 1:25:48 | |
It is a new cloth for the semifinals
and final. We have always said, | 1:25:48 | 1:25:58 | |
sometimes that can change the match.
Stops a player getting into a | 1:25:58 | 1:26:02 | |
rhythm. It be interesting to if the
interval as meant a change for John | 1:26:02 | 1:26:09 | |
Higgins. He is eyeing up a big shot
here. | 1:26:09 | 1:26:22 | |
He misted by the proverbial. He has
not got away with it. He has left a | 1:26:23 | 1:26:29 | |
nice easy starter for Mark Allen.
Not the start that John needed to | 1:26:29 | 1:26:35 | |
the second half of this match. | 1:26:35 | 1:26:42 | |
He just overscrewed that cue ball.
He is too straight on the blue. He | 1:27:00 | 1:27:07 | |
will have to drop the blue in, take
a red from mid-distance. He is | 1:27:07 | 1:27:14 | |
coming down to have a look at this
black. It doesn't pot into the | 1:27:14 | 1:27:19 | |
bottom left-hand corner pocket. I'm
it does. He has to stun this red in | 1:27:19 | 1:27:25 | |
and he will be on the black. You
see... | 1:27:25 | 1:27:35 | |
see... Well, that was a bit twitchy.
John Higgins having a look over Mark | 1:27:35 | 1:27:40 | |
Allen's shoulder. That was a little
bit twitchy. | 1:27:40 | 1:27:48 | |
bit twitchy. Yeah. It always looks
as if a player has hit it too hard | 1:27:49 | 1:27:56 | |
when he misses the pot. That should
have been a nice soft stun | 1:27:56 | 1:28:01 | |
run-through. As you say, he didn't
deliver the cue soft at all there. | 1:28:01 | 1:28:09 | |
That might give John Higgins a
little bit of hope, particularly if | 1:28:09 | 1:28:12 | |
he can make the most of this
opportunity. This could put a seed | 1:28:12 | 1:28:18 | |
of doubt into Mark Allen's mind. | 1:28:18 | 1:28:24 | |
of doubt into Mark Allen's mind. He
is on the black. | 1:28:25 | 1:28:28 | |
He died an unintentional kiss on the
red. It is OK if the black goes into | 1:28:54 | 1:29:02 | |
the right corner but it doesn't. --
he got an unintentional kiss. The | 1:29:02 | 1:29:08 | |
pink obviously goes. He has underhit
that. Still feeling a little bit | 1:29:08 | 1:29:13 | |
edgy, John. | 1:29:13 | 1:29:19 | |
That is not good. You can see the
shake head. He wanted to be | 1:29:34 | 1:29:44 | |
straighter on this. As you said
John, he is a bit edgy. | 1:29:44 | 1:29:54 | |
John, he is a bit edgy. He needs to
find the gap between the reds in | 1:29:54 | 1:29:59 | |
potting this read and get back on
the blue. It is not straightforward. | 1:29:59 | 1:30:02 | |
There is a gap. | 1:30:02 | 1:30:09 | |
He has played it the other way but
played it very nicely. | 1:30:14 | 1:30:21 | |
Excellent shot. | 1:30:22 | 1:30:29 | |
Looks like he has played for a red
to the corner. Two reds in the | 1:30:43 | 1:30:48 | |
middle, look very much mriek like a
plant. | 1:30:48 | 1:30:52 | |
-- like a plant.
A bit of distance between the two | 1:30:52 | 1:30:59 | |
balls, but just played the first one
as though he was trying to pot that. | 1:30:59 | 1:31:06 | |
Yeah, no problem.
Would have preferred to have more of | 1:31:08 | 1:31:14 | |
a bounce off the side cushion than
he has got. | 1:31:14 | 1:31:28 | |
Looks to have played that nicely. He
can get through to the red to the | 1:31:31 | 1:31:34 | |
right of the black. That's the one
he wants to clear. Makes the black | 1:31:34 | 1:31:40 | |
available into both corners.
On it perfectly. | 1:31:40 | 1:31:50 | |
Held the cue ball nicely for this
red just above the black. Also has a | 1:32:11 | 1:32:17 | |
red to the right centre as well but
this is his preference. | 1:32:17 | 1:32:27 | |
Has a lovely angle now. He can go
into the two reds directly in line | 1:32:27 | 1:32:33 | |
with the black near the pink spot. | 1:32:33 | 1:32:39 | |
Played that nicely. A little bit
close for comfort. Could have done | 1:32:39 | 1:32:49 | |
with the cue ball in the open. | 1:32:49 | 1:32:56 | |
Nicely played. It's difficult when
you are hampered and he was. The | 1:32:56 | 1:33:02 | |
advantage was he didn't have to do a
lot with the cue ball. | 1:33:02 | 1:33:10 | |
He is OK. Not inch perfect, not
exactly what he played for, he will | 1:33:18 | 1:33:23 | |
have to go for the blue. Has to be
careful with that red near the left | 1:33:23 | 1:33:29 | |
middle. | 1:33:29 | 1:33:32 | |
Played that nicely. | 1:33:33 | 1:33:42 | |
Of course this is where all his
great experience will come in. He | 1:33:42 | 1:33:46 | |
knows how important this visit is,
particularly after the missed red | 1:33:46 | 1:33:49 | |
from his opponent. | 1:33:49 | 1:33:53 | |
You have to punish those mistakes.
When this blue goes in, he will be | 1:33:53 | 1:34:01 | |
looking for one more red and will be
at the snookers required stage. | 1:34:01 | 1:34:08 | |
This will put him 60 points ahead
with 59 remaining. | 1:34:14 | 1:34:24 | |
Well played John Higgins. | 1:34:26 | 1:34:31 | |
Every chance now for John Higgins to
make a century and it will be a | 1:35:04 | 1:35:11 | |
landmark in his career because at
the moment career centuries, 699. | 1:35:11 | 1:35:21 | |
Looking for his 700th career
century. Now. | 1:35:21 | 1:35:27 | |
And the 26th of the tournament.
Incredible landmark. Only Stephen | 1:35:35 | 1:35:43 | |
Hendry with 775 and Ronnie
O'Sullivan 900 plus mark. | 1:35:43 | 1:35:55 | |
Played this nicely. Beautiful shot. | 1:36:00 | 1:36:06 | |
What will please him most, not only
getting this century, just withining | 1:36:07 | 1:36:14 | |
the frame in one visit. Missed a few
in the first session. That would | 1:36:14 | 1:36:20 | |
have annoyed him. This is much
better. | 1:36:20 | 1:36:27 | |
APPLAUSE
Century 700 in his career for John | 1:36:28 | 1:36:29 | |
Higgins.
Fantastic. Couldn't have come at a | 1:36:29 | 1:36:35 | |
better time for him. | 1:36:35 | 1:36:41 | |
The match is hotting up now.
Fantastic. | 1:36:43 | 1:36:47 | |
Yes, just what he needed to do. OK,
he was given the opportunity by the | 1:36:47 | 1:36:52 | |
bad miss from Mark Allen. But that's
the game. Nobody's that good that | 1:36:52 | 1:36:57 | |
they can pot everything. When they
do make the mistake, particularly | 1:36:57 | 1:37:00 | |
when you are 3-1 behind, you have to
show character and you have to show | 1:37:00 | 1:37:05 | |
your opponent if he makes a mistake
he is going to cost him dear. | 1:37:05 | 1:37:15 | |
He has done that here, it's been a
marvellous break from John Higgins. | 1:37:15 | 1:37:27 | |
Absolutely fantastic!
700th career century. 26th of the | 1:37:30 | 1:37:36 | |
tournament. But, more importantly
for John Higgins, winning a frame in | 1:37:36 | 1:37:40 | |
one visit and showing Mark Allen
that he is there to be reckoned | 1:37:40 | 1:37:44 | |
with. He is one behind, though. It's
3-2. | 1:37:44 | 1:37:50 | |
STUDIO: Brilliant stuff from John
Higgins. Perfect response after the | 1:37:50 | 1:37:52 | |
interval. That's what it means to
our tournament centuries board. Up | 1:37:52 | 1:37:57 | |
to 26. 31 is the Masters record.
Wonderful stuff. | 1:37:57 | 1:38:03 | |
Fantastic. Third player ever to make
over 700 centuries, brilliant. It's | 1:38:03 | 1:38:09 | |
been the strength of his game. He
may not have had that chance because | 1:38:09 | 1:38:15 | |
Mark Allen at the start of the
frame, this shows you fractions in | 1:38:15 | 1:38:18 | |
snooker. He has this red, he is
going to screw back for the blue to | 1:38:18 | 1:38:23 | |
the left middle. Watch where he ends
up. Simplest shot. Don't even think | 1:38:23 | 1:38:28 | |
about it. He left himself straight
on the blue there, very careless. He | 1:38:28 | 1:38:33 | |
couldn't get close to the reds.
Perhaps it's him that makes the | 1:38:33 | 1:38:37 | |
century. How often is that when the
blue is not in the spot and the | 1:38:37 | 1:38:42 | |
line. If the blue is in the spot you
know that position entirely. Blue | 1:38:42 | 1:38:46 | |
wasn't on-the-spot. He overscrewed
it. A word on 700. Marvellous. | 1:38:46 | 1:38:52 | |
Obviously Ronnie O'Sullivan is best
placed to get 1,000 centuries. There | 1:38:52 | 1:38:57 | |
are more tournaments in the season.
Don't know if John Higgins can get | 1:38:57 | 1:39:03 | |
to 1,000. Maybe until he is about 60
or 70! He has stayed in it. He | 1:39:03 | 1:39:13 | |
needed that lifeline. Missed it by a
mile, body language not good. You | 1:39:13 | 1:39:19 | |
can't afford to give a player of his
class chances like that. Now he has | 1:39:19 | 1:39:23 | |
made that century. Who knows what
happens from here. What happens when | 1:39:23 | 1:39:27 | |
you make 131 like that, given the
state of the game and what's at | 1:39:27 | 1:39:30 | |
stake, what does that do to the
mindset? You have dominated that | 1:39:30 | 1:39:34 | |
particular time on the table. You
have got into a rhythm. If you get | 1:39:34 | 1:39:38 | |
good chances in the next frame you
can just capitalise upon your rhythm | 1:39:38 | 1:39:42 | |
and keep in the mode. It is about
dominating the table. If you can | 1:39:42 | 1:39:48 | |
actually then start to get a head of
steam going then you can start | 1:39:48 | 1:39:53 | |
pumping in frame-winning breaks
left, right and centre. But it's | 1:39:53 | 1:39:57 | |
tough against another player to
guarantee dominating. Therefore put | 1:39:57 | 1:40:00 | |
pressure on your opponent. | 1:40:00 | 1:40:06 | |
A little bit pacy on and off the
baulk cushion. But safe enough. | 1:40:23 | 1:40:36 | |
A bigger bounce than he would have
liked off that cushion. A couple of | 1:41:00 | 1:41:06 | |
reds to go at. | 1:41:06 | 1:41:10 | |
Try and take the red that's closest
to the left centre pocket and maybe | 1:41:10 | 1:41:16 | |
screw back for blue. Could only
possibly leave this red if he misses | 1:41:16 | 1:41:22 | |
it. That's the reason he is going to
take this on. | 1:41:22 | 1:41:34 | |
That's the only red... That's
exactly what he has done. | 1:41:37 | 1:41:44 | |
It's not cost him anything. Offered
him up a real good chance. | 1:41:53 | 1:42:06 | |
Just banged his cue on the floor as
he was walking around. This isn't | 1:43:06 | 1:43:14 | |
perfect.
He managed to be able to hold for | 1:43:14 | 1:43:20 | |
the blue. | 1:43:20 | 1:43:23 | |
Certainly can pot the blue and hold
for the loose red. | 1:43:26 | 1:43:37 | |
He has tried to play for the red in
the left middle, once again. | 1:43:37 | 1:43:45 | |
Not a good position.
He had a lot of room for error | 1:43:45 | 1:43:54 | |
there. When we deal in fractions,
you often say, John, that's a really | 1:43:54 | 1:43:59 | |
bad miscalculation.
Yet again. | 1:43:59 | 1:44:04 | |
We did say how the intervals can
change the rhythm of a match. All of | 1:44:05 | 1:44:12 | |
a sudden he's gone a bit cold. | 1:44:12 | 1:44:20 | |
Needs to miss the brown. He has
done. Therefore, excellent safety. | 1:44:43 | 1:44:57 | |
The way the reds are spread he will
need a good length here. That's much | 1:45:38 | 1:45:44 | |
too thick.
Much too thick. Is the blue going to | 1:45:44 | 1:45:48 | |
come to his rescue?
Or maybe hampered by the yellow. | 1:45:48 | 1:45:57 | |
A bit fortunate there was John
Higgins. He could have left the red | 1:45:58 | 1:46:03 | |
to the corner as well. But got one
covering the other. | 1:46:03 | 1:46:06 | |
There will be no hesitation to play
this red to the right corner. But | 1:46:06 | 1:46:13 | |
hampered by the yellow. | 1:46:13 | 1:46:19 | |
Doesn't make it very appetising. | 1:46:19 | 1:46:25 | |
APPLAUSE | 1:46:29 | 1:46:34 | |
But he found one. Has that flick on
the blue helped? It has. I can get | 1:46:35 | 1:46:41 | |
through to the brown. -- he can get
through to the brown. | 1:46:41 | 1:46:53 | |
Tried to get on the red next to the
pink but he is still OK. Needs to | 1:47:04 | 1:47:13 | |
get top side of the blue. He hasn't
done that. Wrong side. | 1:47:13 | 1:47:18 | |
Will have to go in and out of baulk
again. | 1:47:18 | 1:47:28 | |
Needed that just to miss the yellow. | 1:47:33 | 1:47:40 | |
Going to need another good shot here
on the red. | 1:47:41 | 1:47:52 | |
Very good pot. | 1:47:55 | 1:48:01 | |
Played that well. Straight on the
green. Also has the blue to the | 1:48:01 | 1:48:09 | |
bottom corner pocket as well. | 1:48:09 | 1:48:19 | |
Just hasn't got in position, has he?
No, certainly making hard work of | 1:48:36 | 1:48:43 | |
this. | 1:48:43 | 1:48:45 | |
The one thing we can do, we
mentioned this, if he puts his mind | 1:48:46 | 1:48:51 | |
to it, he can pot anything. There is
nothing beyond him. | 1:48:51 | 1:48:59 | |
This time absolutely inch perfect on
the blue. | 1:49:07 | 1:49:12 | |
It's now a frame-winning chance. | 1:49:12 | 1:49:17 | |
Still looking for three more reds. | 1:49:50 | 1:50:01 | |
But you have to say it looks a
formality. | 1:50:07 | 1:50:14 | |
Red and black would put him 65 in
front with 67 remaining. | 1:50:14 | 1:50:29 | |
This is the last of the easy reds to
get on. | 1:50:29 | 1:50:36 | |
Just one good positional shot,
should be OK. | 1:50:36 | 1:50:42 | |
He is playing for the pink to the
middle. | 1:50:44 | 1:50:56 | |
That gave him a nice easy position
on this red that he needs to clinch | 1:50:56 | 1:51:00 | |
this frame. This is to go 65 ahead
with 59 remaining. | 1:51:00 | 1:51:11 | |
So John Higgins, who came back in
the last frame with a marvellous | 1:51:12 | 1:51:15 | |
break of 131. He's not had a chance,
well a couple of half-chances in | 1:51:15 | 1:51:19 | |
this frame. Not been able to take
them. | 1:51:19 | 1:51:26 | |
He won't be getting another one. | 1:51:26 | 1:51:30 | |
Good response from Mark Allen. | 1:51:39 | 1:51:43 | |
Some marvellous pots. | 1:51:53 | 1:51:58 | |
It's been good snooker. 58 and
counting here. He has to go in and | 1:52:08 | 1:52:22 | |
out of baulk to tray to get onthe
two reds. The yellow could come into | 1:52:22 | 1:52:26 | |
play. He has to avoid the kiss on
the yellow. | 1:52:26 | 1:52:30 | |
Can he avoid the yellow?
No. | 1:52:30 | 1:52:37 | |
But he won't matter. John Higgins
will not come back to the table. | 1:52:37 | 1:52:49 | |
It was going to be interesting to
see how Mark Allen resumed after | 1:52:54 | 1:53:00 | |
lofdzings the last frame. But
business as bush -- - after losing | 1:53:00 | 1:53:05 | |
the last frame but business as
usual. | 1:53:05 | 1:53:07 | |
STUDIO: Good response. Yeah, I think
he is the most efishent player at | 1:53:07 | 1:53:11 | |
the moment amongst the balls in the
whole opportunity. Going back to | 1:53:11 | 1:53:14 | |
that point about economy of moving
the cue ballwards and forwards, he | 1:53:14 | 1:53:18 | |
seemed to be controlling the breaks
very well around the top end of the | 1:53:18 | 1:53:22 | |
table. If you are playing well and
you are enjoying yourself out there | 1:53:22 | 1:53:26 | |
you are going to suffer less from
the tension and he seems to be | 1:53:26 | 1:53:30 | |
playing pretty tension-free in what
is a very big moment in his career. | 1:53:30 | 1:53:35 | |
Steve has xhengsed -- mentioned, we
have seen a different Mark Allen | 1:53:35 | 1:53:39 | |
especially tonight, he looks calm.
And looks like he is enjoying the | 1:53:39 | 1:53:42 | |
moment. Very much so. I sat with him
before the match with Ronnie | 1:53:42 | 1:53:46 | |
O'Sullivan and I thought this was a
massive match but I thought he sat | 1:53:46 | 1:53:51 | |
there and was very relaxed and
didn't look tense at all. He is the | 1:53:51 | 1:53:55 | |
same tonight. It's important that he
keeps this cushion of two frames | 1:53:55 | 1:54:00 | |
because it's not easy in John
Higgins position, you keep chasing. | 1:54:00 | 1:54:06 | |
So keep piling on these frames and
he is going to be hard to beat. The | 1:54:06 | 1:54:10 | |
key word you used this afternoon is
concentration at this level, | 1:54:10 | 1:54:14 | |
something that Judd took his eye off
the ball today. Very much so and | 1:54:14 | 1:54:18 | |
that red in the last frame, even
little shots like that might have | 1:54:18 | 1:54:24 | |
cost him the frame ultimately, John
Higgins made a century. It's got to | 1:54:24 | 1:54:29 | |
be 100% concentration at this level.
If we are being completely honest, | 1:54:29 | 1:54:32 | |
did you expect Mark Allen to be in a
semifinal on Saturday night? Well, I | 1:54:32 | 1:54:38 | |
think everybody expected Ronnie
O'Sullivan to beat him. We all know | 1:54:38 | 1:54:41 | |
how good he is. Zip I expect him to
be here? No, but we know he has a | 1:54:41 | 1:54:46 | |
chance. From his perspective he has
been bashing his head against a | 1:54:46 | 1:54:51 | |
brick wall for a while trying to
break into the elite majors win | 1:54:51 | 1:54:57 | |
bunch and so he is getting closer, I
feel. He's taken lots of knockbacks | 1:54:57 | 1:55:02 | |
and still coming back for more
punishment so good on him. If he | 1:55:02 | 1:55:06 | |
wins two more frames he will be
through to the final. | 1:55:06 | 1:55:14 | |
COMMENTATOR: You get the feeling the
way these frames are going that the | 1:55:14 | 1:55:18 | |
first one in seems to, not
necessarily win the frame in one | 1:55:18 | 1:55:22 | |
visit, but build up a lead and then,
I have not been too impressed with | 1:55:22 | 1:55:27 | |
the safety consistently from both
players, so if you can get in first | 1:55:27 | 1:55:34 | |
and make 35, 40, you can sit on that
lead. I remember one frame really | 1:55:34 | 1:55:41 | |
against the head and that was when
John Higgins made his 131 when Mark | 1:55:41 | 1:55:45 | |
Allen got in and missed a
straightforward red to the corner. | 1:55:45 | 1:55:50 | |
But other than that, first in has
been winning the frame. | 1:55:50 | 1:56:00 | |
These safety exchanges at the
beginning, very, very important. | 1:56:00 | 1:56:07 | |
Yeah, couldn't agree more. Can't do
much with this safety shot because | 1:56:18 | 1:56:23 | |
of that red, it's gone up into
baulk. Mark Allen has a shot here to | 1:56:23 | 1:56:29 | |
go off the right side of the pack
with a bit of left side. He is | 1:56:29 | 1:56:36 | |
looking at a possible plant he could
make. Not sure whether it's worth | 1:56:36 | 1:56:40 | |
the risk. He has a 4-2 lead. It's a
bit risky. Funnily enough when John | 1:56:40 | 1:56:50 | |
Higgins played he did have a look at
the possibility of this plant. Was | 1:56:50 | 1:56:54 | |
he leaving it? I thought he thought
it's too risky for Mark to go for. | 1:56:54 | 1:57:01 | |
And it turns out he was probably
right. | 1:57:01 | 1:57:04 | |
Just going to roll off this red, put
the cue ball down towards the bottom | 1:57:35 | 1:57:42 | |
right pocket. Tried to get it as
close to the jaws of the pocket as | 1:57:42 | 1:57:49 | |
he could. Just come up a bit short. | 1:57:49 | 1:58:01 | |
OK, it's close to the baulk cushion
but he has left him on this red, | 1:58:05 | 1:58:09 | |
really needed to be covering that
red with the brown. | 1:58:09 | 1:58:14 | |
He has left a tempter. John's eyeing
up the pot into the right middle and | 1:58:14 | 1:58:20 | |
a little bit concerned where the cue
ball is going to go. | 1:58:20 | 1:58:24 | |
He has the pot. Where is the cue
ball going! | 1:58:24 | 1:58:30 | |
I was concerned about that. Mark
Allen four. | 1:58:30 | 1:58:37 | |
Always had a look that cue ball was
going to go close to the corner | 1:58:39 | 1:58:42 | |
pocket. | 1:58:42 | 1:58:47 | |
When you are playing off the side of
the pack you are always aware that | 1:59:14 | 1:59:18 | |
you are not knocking a red towards
either corner pocket. That's why he | 1:59:18 | 1:59:24 | |
played it with a bit more pace, that
red that came out into the open of | 1:59:24 | 1:59:31 | |
the table, just below the blue, he
hit it hard enough to make sure it | 1:59:31 | 1:59:34 | |
was away from the corner pocket. | 1:59:34 | 1:59:40 | |
One of the better safety shots we
have seen. | 1:59:54 | 2:00:01 | |
He can get through to hit this red
but can't see enough to play the | 2:00:01 | 2:00:05 | |
pot.
He is looking at it, don't blame him | 2:00:05 | 2:00:10 | |
shaking his head. Don't see how he
can get back to the baulk end. If he | 2:00:10 | 2:00:15 | |
tries to come thin off this red,
every possibility of a double kiss. | 2:00:15 | 2:00:20 | |
He has to catch this just right. | 2:00:20 | 2:00:29 | |
He just avoided the double-kiss. And
that, believe me, is as good a | 2:00:29 | 2:00:35 | |
safety shot as he has played all
evening. Well played. | 2:00:35 | 2:00:42 | |
evening. Well played. He had to
catch this just right to avoid a | 2:00:42 | 2:00:46 | |
double-kiss. That is a great reply
from Mark Allen. Beginning to find | 2:00:46 | 2:00:55 | |
the baulk cushion area now. | 2:00:55 | 2:01:02 | |
That red has gone close to the left
hand cushion makes this safety shot | 2:01:18 | 2:01:25 | |
so much more difficult. | 2:01:25 | 2:01:30 | |
so much more difficult. He may have
to play a containing safety shot. | 2:01:32 | 2:01:44 | |
But the problem of leaving the cue
ball there is that the red left with | 2:01:45 | 2:01:50 | |
the pink parts into the right
centre. -- pots. | 2:01:50 | 2:01:58 | |
Yeah. A poor choice from John
Higgins. It is not often you would | 2:02:07 | 2:02:17 | |
say that in a safety shot. No, two
excellent safety shots from Mark | 2:02:17 | 2:02:25 | |
Allen. | 2:02:25 | 2:02:31 | |
Allen. You feel this was a frame
John Higgins needed to win. Now Mark | 2:02:31 | 2:02:37 | |
Allen with an opportunity to get in
one frame of tomorrow's final. | 2:02:37 | 2:02:44 | |
There is one red to the left of the
black that is available to the right | 2:03:26 | 2:03:29 | |
corner. He could play a cannon into
the main bunch. That is what he is | 2:03:29 | 2:03:36 | |
doing. How is your luck? Raid looks
pretty good to me. It looks | 2:03:36 | 2:03:42 | |
absolutely perfect. | 2:03:42 | 2:03:47 | |
absolutely perfect. This is an
excellent shot. He could not have | 2:03:49 | 2:03:55 | |
played that any better. Fantastic.
They are all there. He resigned look | 2:03:55 | 2:04:05 | |
on John Higgins' face. Hoog defaming
the worst. -- he will be filling the | 2:04:05 | 2:04:14 | |
worst. When you are sat in that seat
and you have no right of reply, you | 2:04:14 | 2:04:19 | |
just have to sit there and hope that
your opponent makes a mistake and | 2:04:19 | 2:04:23 | |
you get back to the table. | 2:04:23 | 2:04:29 | |
you get back to the table. It is
hard to see where that mistake is | 2:04:30 | 2:04:32 | |
going to come from though. | 2:04:32 | 2:04:38 | |
He could play a little cannon into
the two reds just above the black. | 2:04:44 | 2:04:52 | |
It has worked out perfectly. It has
brought those two reds into play. | 2:04:52 | 2:05:02 | |
He is playing exactly the way he
played against Ronnie O'Sullivan. | 2:05:09 | 2:05:14 | |
Looking very composed. | 2:05:14 | 2:05:24 | |
That is it. Snookers required. 68
points the lead, | 2:06:43 | 2:06:52 | |
points the lead, just 67 available.
Two very good safety shots from Mark | 2:06:52 | 2:07:00 | |
Allen created this opening. It is a
pity we will not see a century. We | 2:07:00 | 2:07:06 | |
may see John Higgins play on. Just
one snooker required. | 2:07:06 | 2:07:14 | |
There you see it. 68 behind. 67
remaining. One snooker required. No. | 2:07:32 | 2:07:43 | |
It just went away. And he looks at
Mark Allen and says, that is enough | 2:07:43 | 2:07:49 | |
if you like. And Mark Allen does
like. He accepts the concession and | 2:07:49 | 2:07:53 | |
is now one frame away from the UK
Masters final for the first time in | 2:07:53 | 2:07:59 | |
his career.
He | 2:07:59 | 2:08:00 | |
his career.
He leads 5-2. Mark Allen so close, | 2:08:00 | 2:08:04 | |
Stephen? Yes, and you have to say
you wouldn't imagine the same thing | 2:08:04 | 2:08:11 | |
happening that happened this
afternoon, with Mark Allen going for | 2:08:11 | 2:08:14 | |
a stupid shot to let his opponent,
back in. John Higgins could still do | 2:08:14 | 2:08:19 | |
that but it will be for the same
reason as this afternoon. Mark Allen | 2:08:19 | 2:08:23 | |
looks so solid, so confident. It is
so crisp the way he strikes the | 2:08:23 | 2:08:28 | |
ball. Every time he gets in it it
looks like the frame is over. It | 2:08:28 | 2:08:33 | |
looks inevitable like he is going to
get through to the final and a new | 2:08:33 | 2:08:36 | |
name on the trophy. Let's fast
forward to the final, and he does | 2:08:36 | 2:08:42 | |
get through, it could be a nervy
one. Getting a major name on the | 2:08:42 | 2:08:46 | |
trophy. The way he is looking, he is
looking like a champion. When you | 2:08:46 | 2:08:52 | |
are one frame away from reaching the
final of such a prestigious event, | 2:08:52 | 2:08:57 | |
Mark has obviously popped out to
compose himself, what is that | 2:08:57 | 2:09:00 | |
feeling like? He is very excited. He
has look super composed all | 2:09:00 | 2:09:05 | |
tournament. This is the Sword of
State of mind a sports psychologist | 2:09:05 | 2:09:12 | |
would want you in. He is floating
around the table, his face has the | 2:09:12 | 2:09:17 | |
same expression all the time. I
fully expect him to come out the | 2:09:17 | 2:09:20 | |
same way. There was a wee bit of a
twitch in the final balls against | 2:09:20 | 2:09:26 | |
Ronnie O'Sullivan. I don't see that
tonight. It shows that you have to | 2:09:26 | 2:09:30 | |
be very patient in the world of
snooker to get a big trophy in the | 2:09:30 | 2:09:33 | |
Cabinet. Gone are the days when you
are going to get them easily. You | 2:09:33 | 2:09:37 | |
get in the cue along with everybody
else. You have to be ready to take | 2:09:37 | 2:09:44 | |
your chance. You have to suffer
disappointment along the way. You | 2:09:44 | 2:09:49 | |
use that disappointment? Hopefully.
It is great for Mark Allen to be | 2:09:49 | 2:09:56 | |
producing better snooker now than
what he was doing a few years ago. | 2:09:56 | 2:10:01 | |
One thing about John Higgins, when
his back is against the wall he has | 2:10:01 | 2:10:05 | |
produced some fantastic comebacks. | 2:10:05 | 2:10:06 | |
his back is against the wall he has
produced some fantastic comebacks. | 2:10:06 | 2:10:06 | |
I wouldn't write him off yet. Many
of you telling us and which you are | 2:10:06 | 2:10:12 | |
enjoying your Saturday night. I
should remind you that Judd Trump | 2:10:12 | 2:10:19 | |
was 5-2 ahead in his match this
afternoon. Look what happened to | 2:10:19 | 2:10:22 | |
Judd.
Yes. I agree with Stephen. I don't | 2:10:22 | 2:10:28 | |
expect him to play any rash shots.
You have to go for your shots. You | 2:10:28 | 2:10:35 | |
can't just park the bus. Somebody
has to put the point on the board. | 2:10:35 | 2:10:41 | |
But I do think it is imperative, and
he didn't do it in the last frame | 2:10:41 | 2:10:48 | |
because of excellent safety from
Mark Allen, but John Higgins has to | 2:10:48 | 2:10:52 | |
try to get in first in however many
frames we play. His opening tactical | 2:10:52 | 2:10:57 | |
exchanges are so important. | 2:10:57 | 2:11:03 | |
That is a mistake from Mark. There
is a red to the left corner. But | 2:11:09 | 2:11:16 | |
position on the colour not
guaranteed. | 2:11:16 | 2:11:23 | |
guaranteed. There are not many
players that can beat John Higgins | 2:11:23 | 2:11:27 | |
in the safety Department. Until now,
Mark Allen is getting the best of | 2:11:27 | 2:11:33 | |
that part of the game. 84% safety
success. 83 for John. This is a | 2:11:33 | 2:11:40 | |
chance. Good shot. | 2:11:40 | 2:11:46 | |
The problem may be after potting
this black, where will the black | 2:11:54 | 2:12:01 | |
spot? He has tried to move the red
away from the black spot. | 2:12:01 | 2:12:11 | |
It hasn't worked out. | 2:12:15 | 2:12:25 | |
That is better. | 2:12:38 | 2:12:48 | |
It would be risky to try and get the
cue ball back to the Balkan. -- | 2:13:15 | 2:13:21 | |
baulk end. | 2:13:21 | 2:13:29 | |
Mind you, sometimes you can get a
player in so much trouble that he | 2:13:36 | 2:13:41 | |
tries to pot his way out of the
problem. If anyone can, Mark Allen | 2:13:41 | 2:13:47 | |
can. | 2:13:47 | 2:13:51 | |
can. He's looking at this red. He is
looking at the putting angle. I | 2:13:52 | 2:14:00 | |
think he's going to take on. He
can't take it on. -- potting. This | 2:14:00 | 2:14:06 | |
is a tough one. | 2:14:06 | 2:14:12 | |
is a tough one. A long way away. The
cue ball running loose. What is he | 2:14:13 | 2:14:16 | |
going to leave? He has left a couple
of pots. John Higgins would like | 2:14:16 | 2:14:25 | |
them a lot more if that cue ball
wasn't so close to the side cushion. | 2:14:25 | 2:14:32 | |
Trying to pot his way out of
trouble. Just the opening red that | 2:14:32 | 2:14:37 | |
is the key. | 2:14:37 | 2:14:44 | |
Well played. Believe me, when you
are 5-2 down and every shot you this | 2:14:45 | 2:14:55 | |
could be your last one, that was
superb. He has got the chance. Can | 2:14:55 | 2:15:00 | |
he take it? | 2:15:00 | 2:15:08 | |
Not the greatest angle on the red
into the corner pocket. So this red | 2:15:46 | 2:15:50 | |
into the left centre. | 2:15:50 | 2:15:59 | |
The red who would like to get on
sooner rather than later is the one | 2:16:01 | 2:16:05 | |
below and to the left of the black.
That would clear the black for both | 2:16:05 | 2:16:10 | |
corner pockets. | 2:16:10 | 2:16:15 | |
corner pockets. Just couldn't get on
it at the moment. He has got one | 2:16:15 | 2:16:21 | |
red. He will have to play the black
in the same pocket. | 2:16:21 | 2:16:31 | |
Now an opportunity probably to pot
the black and play for the red just | 2:16:31 | 2:16:37 | |
to the left of it. | 2:16:37 | 2:16:44 | |
You have just got to clear your mind
of the score alone. Just concentrate | 2:16:51 | 2:16:55 | |
on every pot at a time. | 2:16:55 | 2:16:59 | |
That certainly opens things up now
for John Higgins. | 2:17:07 | 2:17:12 | |
A little bit of adrenaline on the
back arm. He has overscrewed that. | 2:17:21 | 2:17:33 | |
That is better. Nicely controlled. A
red either side of the pink is maybe | 2:17:45 | 2:17:53 | |
his next choice. Go down for the red
closest to the black as well. He is | 2:17:53 | 2:17:59 | |
having a look at that. He will try
to put the cue ball in an area where | 2:17:59 | 2:18:03 | |
he has got a choice of reds. | 2:18:03 | 2:18:10 | |
You could cut the atmosphere with a
knife. Everybody has come along to | 2:18:46 | 2:18:52 | |
see a match this evening. John
Higgins, with his visit, is not | 2:18:52 | 2:18:58 | |
letting them down. This is real
backs against the wall stuff from | 2:18:58 | 2:19:03 | |
John. | 2:19:03 | 2:19:13 | |
John. You wouldn't expect anything
less from him though. As I say, the | 2:19:13 | 2:19:19 | |
weather friends have gone this
evening, it is so important to get | 2:19:19 | 2:19:22 | |
his first chance. | 2:19:22 | 2:19:29 | |
So the black, one more red and a
colour. | 2:19:42 | 2:19:50 | |
colour. It looks a formality now.
This red would | 2:19:50 | 2:20:01 | |
This red would put him 67 points in
front with 67 remaining. He has just | 2:20:01 | 2:20:08 | |
overdone a little bit. He will get a
few more bite of the jury to book | 2:20:08 | 2:20:15 | |
his place in the final but this
frame looks to have gone now. And | 2:20:15 | 2:20:18 | |
bingo ghostly green. Tremendous
opening red from John Higgins. It | 2:20:18 | 2:20:22 | |
has to be said. All the pressure in
the world on it. And to be fair, | 2:20:22 | 2:20:36 | |
since he potted that opening red he
has never looked like missing. | 2:20:36 | 2:20:44 | |
Nice angle on the black to bring
those two reds into play. Just | 2:21:13 | 2:21:24 | |
missed the little on those reds. He
needs a good pot now to keep the | 2:21:24 | 2:21:30 | |
break going. This is great stuff. A
great response from a great | 2:21:30 | 2:21:41 | |
champion. | 2:21:41 | 2:21:43 | |
Not right. How about this for a
3-ball plant? He can get through to | 2:21:57 | 2:22:01 | |
the red. It didn't look like it from
our position. This could be century | 2:22:01 | 2:22:09 | |
number 701. | 2:22:09 | 2:22:14 | |
When he pots this black, we like the
nice cheer. | 2:22:29 | 2:22:37 | |
CHEERING. | 2:22:37 | 2:22:42 | |
27th of the tournament. Creeping
closer to the record of 31. | 2:22:52 | 2:23:07 | |
All you want to know about John
Higgins as a player, you have seen | 2:23:11 | 2:23:15 | |
it here. | 2:23:15 | 2:23:25 | |
A good safety shot put Mark Allen in
trouble. Mark tried to pot is way | 2:23:30 | 2:23:34 | |
out of it. The opening red was a
stunner. And the rest of it was | 2:23:34 | 2:23:39 | |
absolutely sublime. John Higgins
hanging in there. Mark Allen will be | 2:23:39 | 2:23:44 | |
taking this for granted. But he is
still only one frame away from a | 2:23:44 | 2:23:49 | |
place in the final. | 2:23:49 | 2:23:50 | |
still only one frame away from a
place in the final. | 2:23:50 | 2:23:55 | |
701 centuries for Higgins. Yet
another century on our board. We are | 2:23:55 | 2:23:58 | |
up to 27. We are in the bronze
position. 31 is the record. 2009. We | 2:23:58 | 2:24:07 | |
have to praise John Higgins'
fighting skills. His fighting skills | 2:24:07 | 2:24:12 | |
are fantastic. He is 100% committed
every frame. It doesn't matter about | 2:24:12 | 2:24:16 | |
the scoreline. He gives everything
he has got. As predicted by this | 2:24:16 | 2:24:20 | |
man. It is what he has done. It is
what he has done for the past 20, 30 | 2:24:20 | 2:24:26 | |
years as a professional when his
back is against the wall. He'll | 2:24:26 | 2:24:32 | |
against Stuart Bingham in China
couple of years ago, he had three | 2:24:32 | 2:24:35 | |
centuries in a row coming from
behind to win the match. It wouldn't | 2:24:35 | 2:24:41 | |
be surprised me if he did it again.
The long ball he potted at the | 2:24:41 | 2:24:46 | |
beginning, it was superb. Under
pressure he is one of the best there | 2:24:46 | 2:24:53 | |
has ever been. Stephen is right he
showed the fighting skills against | 2:24:53 | 2:24:58 | |
McGill? In the interview with Rob
Walker he talked about the fighting | 2:24:58 | 2:25:03 | |
skills and how you can't teach them.
From that perspective you are born | 2:25:03 | 2:25:07 | |
with it. I think even though we are
talking about Mark Allen getting | 2:25:07 | 2:25:12 | |
over the line, when he gets a chance
he has to prove himself. He is not | 2:25:12 | 2:25:17 | |
going to fall over the line. Mark
Allen wouldn't have been surprised | 2:25:17 | 2:25:21 | |
by the response. He wouldn't have
liked it. But he won't be panicking | 2:25:21 | 2:25:27 | |
because that is what he would have
expected. Some in the crowd shouted, | 2:25:27 | 2:25:34 | |
get in there. John didn't look like
he was happy. Yes, there has been a | 2:25:34 | 2:25:41 | |
bit | 2:25:41 | 2:25:41 | |
he was happy. Yes, there has been a
bit of that this week. | 2:25:41 | 2:25:42 | |
You can do without it. You do get it
at this venue. | 2:25:42 | 2:25:46 | |
Respect the players. | 2:25:46 | 2:25:51 | |
A decent break. There is a red that
is available to the right corner. On | 2:25:53 | 2:26:05 | |
the cushion. I don't see the potting
angle giving him an opportunity for | 2:26:05 | 2:26:08 | |
the black so I would be surprised if
he took this on. Now just the | 2:26:08 | 2:26:13 | |
containing safety. | 2:26:13 | 2:26:21 | |
John is having a close look. He is
looking to see if the red will pass | 2:26:27 | 2:26:32 | |
the green. If it doesn't, he may...
There is not all the pocket | 2:26:32 | 2:26:38 | |
available. He has got a red to the
left middle. If you can play that, | 2:26:38 | 2:26:44 | |
it will take it on. And he is. -- he
will take it on. It is not there. As | 2:26:44 | 2:26:53 | |
I say, he felt that was the only red
he could leave. The one going past | 2:26:53 | 2:26:58 | |
the green, there you can see, there
is maybe have a pocket available. -- | 2:26:58 | 2:27:05 | |
half. John Higgins doesn't fancy
mark Allen potting it. -- Mark | 2:27:05 | 2:27:14 | |
Allen. If you are dead behind it,
you would be able to pot it. But | 2:27:14 | 2:27:22 | |
such is the distance between the cue
ball and the reds, it is so much | 2:27:22 | 2:27:26 | |
more difficult. You have to be so
precise. | 2:27:26 | 2:27:29 | |
That was a long way away. He tried
to play it in such a way that he | 2:27:34 | 2:27:44 | |
wasn't going to leave the red he was
playing. The cue ball has come far | 2:27:44 | 2:27:49 | |
enough over for this red. It is an
acute angle into the green pocket. | 2:27:49 | 2:27:55 | |
But it is definitely on. | 2:27:55 | 2:28:01 | |
Good shot. | 2:28:03 | 2:28:08 | |
He has got a nice angle on the
green. He will need a lot of cue | 2:28:14 | 2:28:20 | |
power if he is going to go into the
pack. | 2:28:20 | 2:28:24 | |
He didn't go into them full. He will
certainly be happy with the outcome. | 2:28:33 | 2:28:41 | |
If he can't pot the one into the
right corner pocket and hit the back | 2:28:41 | 2:28:46 | |
along the cushion... | 2:28:46 | 2:28:49 | |
He can play this in such a way that
even if he misses it, it will stay | 2:28:56 | 2:29:01 | |
in the jaws of the pocket. It takes
the pressure off this pot. Still a | 2:29:01 | 2:29:06 | |
tough pot. But knowing that you will
not leave anything makes it just | 2:29:06 | 2:29:11 | |
that little bit easier.
Yes, he doesn't have to play it with | 2:29:11 | 2:29:18 | |
any pace. Just let gravity take
over. Let gravity take over! So he | 2:29:18 | 2:29:29 | |
gets the first chance in this frame.
He asked to leave himself low on the | 2:29:29 | 2:29:39 | |
black here. -- he has to. Well, he
didn't like it. Went for the blue | 2:29:39 | 2:29:47 | |
instead. Now this time pot the blue,
try to hit that pink fall in the | 2:29:47 | 2:29:55 | |
face. He doesn't want to lose the
cue ball. | 2:29:55 | 2:30:03 | |
Didn't hit the pink full in the
face. That is what happens. | 2:30:03 | 2:30:16 | |
Imperative to get this cue ball
tight to the baulk cushion now. | 2:31:30 | 2:31:40 | |
That's poor, that is very poor. John
will be kicking himself. | 2:31:40 | 2:31:46 | |
You can't afford to do that.
So unlike him. | 2:31:46 | 2:31:52 | |
This red below the blue will go to
the right corner. I would be | 2:31:52 | 2:31:57 | |
surprised if Mark Allen doesn't take
it on. | 2:31:57 | 2:32:02 | |
APPLAUSE | 2:32:09 | 2:32:14 | |
Just as you called it. Great pot. | 2:32:17 | 2:32:24 | |
John Higgins will be kicking himself
for hitting that yellow with the cue | 2:32:27 | 2:32:30 | |
ball. | 2:32:30 | 2:32:36 | |
What a chance for Mark Allen.
Very loose safety from John. Here it | 2:32:36 | 2:32:43 | |
is again. | 2:32:43 | 2:32:48 | |
A bit of work to do with the cue
ball here. | 2:33:13 | 2:33:27 | |
Good shot. | 2:33:28 | 2:33:33 | |
Probably back up for the blue. It's
going to be a lovely target. If he | 2:33:33 | 2:33:39 | |
can get a good angle on the blue, a
lovely target of reds to go in and | 2:33:39 | 2:33:44 | |
open up and give himself that frame
and match-winning opportunity. | 2:33:44 | 2:33:52 | |
Got to be careful there is no plants
on there. He has played that well. | 2:33:53 | 2:33:59 | |
Very well. Didn't hit it with a lot
of pace. It was more controlled. | 2:33:59 | 2:34:07 | |
Look at the result. | 2:34:07 | 2:34:10 | |
He won't get a better chance than
this for his first appearance in a | 2:34:14 | 2:34:20 | |
Masters final. | 2:34:20 | 2:34:25 | |
Just got to hold himself together.
There will be a lot of tension in | 2:34:25 | 2:34:30 | |
the arm. That I can assure you. But
he has to try and control it. | 2:34:30 | 2:34:44 | |
A quick glance at the scoreboard.
The red next to the pink and two | 2:35:28 | 2:35:35 | |
reds together make a little bit
awkward. He is seeing if the two | 2:35:35 | 2:35:39 | |
reds together are possibility a
plant to the middle. | 2:35:39 | 2:35:44 | |
We can have a look now. | 2:35:44 | 2:35:48 | |
They can be made and also can be
made to this corner. They're close | 2:35:48 | 2:35:53 | |
enough together to be able to
reverse the second red. He may play | 2:35:53 | 2:36:00 | |
for the plant. | 2:36:00 | 2:36:08 | |
This is to go 34 points in front.
Still going to need three of the | 2:36:08 | 2:36:12 | |
remaining reds.
He is playing for the plant. | 2:36:12 | 2:36:18 | |
Just wants reversing slightly.
Hit the first red on the left side, | 2:36:18 | 2:36:23 | |
it will push the second red to the
right. | 2:36:23 | 2:36:30 | |
And he played it... Well spotted.
Makes position on the red that much | 2:36:32 | 2:36:36 | |
easier. | 2:36:36 | 2:36:42 | |
Nice control on that one. Still
needs red, colour, red to leave John | 2:36:52 | 2:36:59 | |
Higgins needing snookers. | 2:36:59 | 2:37:07 | |
Just having a look here to see if
this red is available, the one to | 2:37:16 | 2:37:21 | |
the left of the pink.
Not certain it is. If it isn't, he | 2:37:21 | 2:37:25 | |
will have to play a cannon.
He does have a nice angle on the | 2:37:25 | 2:37:31 | |
black just to play that little
cannon. This | 2:37:31 | 2:37:37 | |
He thinks he can pot the red.
Can he see enough of it? | 2:37:44 | 2:37:58 | |
He could! And that's it. | 2:38:00 | 2:38:06 | |
John Higgins's race is run.
Didn't give up without a great | 2:38:07 | 2:38:15 | |
fight. But Mark Allen has really
done well this evening when he has | 2:38:15 | 2:38:21 | |
got in amongst the balls. Not made
100s but has made enough to win | 2:38:21 | 2:38:26 | |
frames. John Higgins congratulating
him. I am certain he wishes him good | 2:38:26 | 2:38:32 | |
luck for tomorrow. There is a
delighted Mark Allen. In his first | 2:38:32 | 2:38:38 | |
Masters final. One thing is certain
tomorrow we are going to have a new | 2:38:38 | 2:38:43 | |
nap on the trophy. We look forward
to your company then! -- we will | 2:38:43 | 2:38:49 | |
have a new name on the trophy. | 2:38:49 | 2:38:54 | |
Thank you for fantastic commentary.
What a result for Mark Allen. Just | 2:38:54 | 2:38:57 | |
look how delighted he is waving to
the crowd as well. Lots of Northern | 2:38:57 | 2:39:01 | |
Ireland fans in tonight as well. His
amazing run over John Higgins, | 2:39:01 | 2:39:07 | |
brilliant performance. Absolutely.
Got himself aligned very well. Great | 2:39:07 | 2:39:12 | |
way to finish a match. You would
never think a careless safety could | 2:39:12 | 2:39:19 | |
cost you, Mark Allen pots a
fantastic first red and it looked | 2:39:19 | 2:39:22 | |
inevitable. A brilliant performance
from Mark Allen, composed and | 2:39:22 | 2:39:25 | |
effortless. Yeah, this is the most
impressive I have ever seen him. He | 2:39:25 | 2:39:30 | |
has had great wins and great
matches. He has looked cool and calm | 2:39:30 | 2:39:33 | |
and collected out there. When asked
the questions, against good players, | 2:39:33 | 2:39:38 | |
great players, he has produced a
high standard of snooker. Very | 2:39:38 | 2:39:42 | |
controlled. His positional play is
magnificent at the moment. If he can | 2:39:42 | 2:39:45 | |
keep controlling the ball that well
he is going to be tough to beat. If | 2:39:45 | 2:39:49 | |
you have knocked out Ronnie
O'Sullivan and John Higgins on the | 2:39:49 | 2:39:52 | |
way to a final you walk in thinking
let's have it. Absolutely. You | 2:39:52 | 2:39:56 | |
couldn't ask for a tougher draw.
Very impressive. Congratulations, | 2:39:56 | 2:40:02 | |
the boys have been saying how cool
and collected you were tonight. You | 2:40:02 | 2:40:05 | |
want to be inside looking out!
Didn't feel that way, felt edgy. But | 2:40:05 | 2:40:09 | |
I think it's even better that I felt
edgy and still played well. Great | 2:40:09 | 2:40:13 | |
way to close the match, that long
red. Yeah, I could have playeds it a | 2:40:13 | 2:40:18 | |
shot to nothing, I thought this
could be my chance. I knew I was | 2:40:18 | 2:40:24 | |
going to be able to move reds next.
John's 5-2 down but is never out of | 2:40:24 | 2:40:27 | |
the match the way he can play.
That's another reason why I took | 2:40:27 | 2:40:30 | |
that red on the way I did. You never
know if you are going to get another | 2:40:30 | 2:40:33 | |
chance with John. Explain how you
are feeling. Lots of people looking | 2:40:33 | 2:40:36 | |
at social media, lots of people in
Northern Ireland watching our | 2:40:36 | 2:40:40 | |
coverage, how does it feel to have
made the Masters final and a triple | 2:40:40 | 2:40:44 | |
Crown event. It's good but I come
here to win the tournament. If I | 2:40:44 | 2:40:48 | |
don't win tomorrow it's going to be
very disappointing, probably more to | 2:40:48 | 2:40:51 | |
get so close and not win. I am not
getting too far ahead of myself, I | 2:40:51 | 2:40:55 | |
have another big match tomorrow. If
I play the way I have been I think I | 2:40:55 | 2:40:59 | |
have a good chance. If I win I will
be happy for friends, family, | 2:40:59 | 2:41:03 | |
followers and then for Northern
Ireland also. I asked Stephanen the | 2:41:03 | 2:41:07 | |
question, when you have knocked out
Ronnie O'Sullivan and John Higgins | 2:41:07 | 2:41:10 | |
on the way to a final you must be
thinking tomorrow is your day. | 2:41:10 | 2:41:13 | |
Possibly. Every day is different. I
am full of confidence because I have | 2:41:13 | 2:41:17 | |
beat two of the very best of all
time. Probably in the top four with | 2:41:17 | 2:41:21 | |
two sitting to my right so I am
doing something right. There is no | 2:41:21 | 2:41:25 | |
God given right I will play that
well tomorrow. Were you watching | 2:41:25 | 2:41:30 | |
this afternoon's match? I managed to
catch the end of it. Couldn't | 2:41:30 | 2:41:34 | |
believe the plant Judd took on. He
lives by the sword and dies by the | 2:41:34 | 2:41:39 | |
sword at times. And not the finalist
you would have expected, you are | 2:41:39 | 2:41:44 | |
probably favourite? In big finals I
have half decent record, even | 2:41:44 | 2:41:48 | |
playing the best. I concentrate on
my own game like I always do. The | 2:41:48 | 2:41:52 | |
boys here and Ken as well have
detected something different about | 2:41:52 | 2:41:55 | |
the way you approached the Masters
this year. Do you feel different? | 2:41:55 | 2:41:59 | |
Tell me what they've said first! We
were saying you looked composed, | 2:41:59 | 2:42:04 | |
even before Ronnie's match you
looked relaxed, composed, not tense. | 2:42:04 | 2:42:08 | |
And around the table. I feel happy
with my game. I - I have never been | 2:42:08 | 2:42:15 | |
a worrier about who I play, I have
always been a worrier of how I am | 2:42:15 | 2:42:18 | |
going to play, at times I felt over
the years I have struggled but I | 2:42:18 | 2:42:22 | |
feel my game is in good shape, why
worry, go out and perform. Were you | 2:42:22 | 2:42:26 | |
aware of the Northern Ireland shirts
in the crowd tonight? The Green | 2:42:26 | 2:42:29 | |
Party and white army are here. They
come -- the green and white Army are | 2:42:29 | 2:42:35 | |
here. I got chatting to the guy that
leads the group, it's from the | 2:42:35 | 2:42:38 | |
Northern Ireland supporters club in
London. I have said any time you | 2:42:38 | 2:42:42 | |
want to come, let me know and I will
sort the tickets, it's great when | 2:42:42 | 2:42:46 | |
you know the crowd is not normally
on your side, it's good seeing those | 2:42:46 | 2:42:50 | |
shirts and hearing green and white
army, you don't normally hear that | 2:42:50 | 2:42:56 | |
at a snooker match. No football
qualification... We will not talk | 2:42:56 | 2:43:01 | |
about the referee. Long way to go
yet and ten frames away. How is your | 2:43:01 | 2:43:05 | |
form against him? He beat me earlier
in the year in China in the semis. | 2:43:05 | 2:43:10 | |
Real good match, just on the wrong
end of a decider. We have always had | 2:43:10 | 2:43:15 | |
close matches, haven't played that
many times, he has shown what a good | 2:43:15 | 2:43:19 | |
player he is and I expect him to
perform tomorrow. You have provided | 2:43:19 | 2:43:22 | |
a lot of entertainment tonight,
thank you very much. We have enjoyed | 2:43:22 | 2:43:25 | |
it here. Fantastic stuff, thank you
very much. A quick reminder. | 2:43:25 | 2:43:28 | |
Tomorrow it is the master final. You
can watch it live with us here on | 2:43:28 | 2:43:33 | |
the BBC. | 2:43:33 | 2:43:34 | |
Ladies and gentlemen, we are going
to have a brand new name on that | 2:43:35 | 2:43:39 | |
Masters trophy tomorrow. Well done
to Mark Allen. Thank you very much | 2:43:39 | 2:43:44 | |
indeed, Stephen and Steve. Thank you
for watching, we will see you | 2:43:44 | 2:43:47 | |
tomorrow, bye. | 2:43:47 | 2:43:53 |