Browse content similar to Final 1: Mark Allen v Kyren Wilson. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, good afternoon, welcome to
the final of the 2018 Dafabet | 0:00:34 | 0:00:39 | |
masters. The top players are set out
on the road to land one of snooker's | 0:00:39 | 0:00:46 | |
most prestigious titles, now there
are just two man left with the | 0:00:46 | 0:00:50 | |
chance of lifting the Masters
trophy. | 0:00:50 | 0:01:00 | |
So we are guaranteed a brand-new
name on the Masters trophy, Mark | 0:01:25 | 0:01:30 | |
Allen and Kyren Wilson are about to
walk out into Alexandra Palace, the | 0:01:30 | 0:01:34 | |
final of the triple crown event for
the first time. Stephen Hendry is | 0:01:34 | 0:01:39 | |
commentating this afternoon. What is
it like for these guys, the first | 0:01:39 | 0:01:44 | |
final of the triple crown event?
They will have grown up watching | 0:01:44 | 0:01:51 | |
these finals, myself, Steven Davis,
Ronnie O'Sullivan, John Higgins, | 0:01:51 | 0:01:57 | |
watching these players play the
event and now they are in it. In | 0:01:57 | 0:02:01 | |
terms of the dressing room, you are
very nervous. I almost felt sick in | 0:02:01 | 0:02:05 | |
the dressing room before you get
out. You just can't wait to get to | 0:02:05 | 0:02:11 | |
the table. How do you handle those
nerves? You cannot teach that sort | 0:02:11 | 0:02:17 | |
of thing, you either cope with it or
you don't. They will just be | 0:02:17 | 0:02:21 | |
desperate to get to the table and
get their arm going. Let's talk | 0:02:21 | 0:02:26 | |
about Kyren Wilson first, amazing
come back from 5-2 down against Judd | 0:02:26 | 0:02:32 | |
Trump, does he come in absolutely
buzzing? Both players are playing | 0:02:32 | 0:02:39 | |
people they possibly didn't expect
to play in the final. Today there | 0:02:39 | 0:02:44 | |
will be more expectation, because
there is no disrespect to Mark Allen | 0:02:44 | 0:02:49 | |
but he will believe he can win today
so there is expectation. The way | 0:02:49 | 0:02:54 | |
he's going about his business, the
way he's going about the table, he | 0:02:54 | 0:02:59 | |
looks so confident. For me, he's a
strong favourite, just through form | 0:02:59 | 0:03:05 | |
through the tournament going into
this. He looks like he will win | 0:03:05 | 0:03:11 | |
every frame at one visit, Kyren
Wilson not so much. It gets under | 0:03:11 | 0:03:17 | |
way at 1:30pm, plenty of time to
look back at what has been an | 0:03:17 | 0:03:21 | |
eventful week at Alexandra Palace.
Intriguing first match of this | 0:03:21 | 0:03:28 | |
Masters. He will be nervous today,
Mark Williams. He's not been in this | 0:03:28 | 0:03:33 | |
event for a while. | 0:03:33 | 0:03:35 | |
Something crawling along the white
ball, it is a little ant! Boy, does | 0:03:43 | 0:03:51 | |
he pot some fantastic long balls. He
has rescued the situation with an | 0:03:51 | 0:03:56 | |
excellent pot. | 0:03:56 | 0:04:02 | |
excellent pot. It is not all that
bad! | 0:04:04 | 0:04:10 | |
bad! Well... What a situation! Mark
Williams had three minutes to think | 0:04:10 | 0:04:15 | |
about that shot, how long will the
referee take? Five reds need | 0:04:15 | 0:04:21 | |
replacing! Mark Williams has nicked
the white and it is in his pocket! | 0:04:21 | 0:04:26 | |
The referee doesn't know that. He is
a wind-up merchant. Thank you! The | 0:04:26 | 0:04:36 | |
crown -- the crowd know what has
happened, the referee doesn't. He is | 0:04:36 | 0:04:42 | |
looking for the white now. There we
go. | 0:04:42 | 0:04:52 | |
Going for the far not -- knuckle,
very good. It is all square, it is | 0:04:56 | 0:05:09 | |
one frame shoot out. No! Can you
believe it? That's a beautiful shot. | 0:05:09 | 0:05:29 | |
And the pink is in. The Welsh
potting machine has made a terrific | 0:05:29 | 0:05:35 | |
come back and he takes the match by
six frames to five. I knew that last | 0:05:35 | 0:05:41 | |
red that if I dropped it in the
match was mine and it was a do or | 0:05:41 | 0:05:46 | |
die short. You have to commit to it,
unfortunately for me it managed to | 0:05:46 | 0:05:51 | |
sit over the hole. | 0:05:51 | 0:05:57 | |
sit over the hole. He's from county
Antrim in Northern Ireland, it is | 0:05:57 | 0:05:59 | |
the Pistol, Mark Williams! What's
your second name again? Mark Allen, | 0:05:59 | 0:06:12 | |
ladies and gentlemen! Eventually,
Ken, we got the names right. | 0:06:12 | 0:06:20 | |
Interesting thing there which
happened when Luca Brecel came down | 0:06:20 | 0:06:25 | |
with two cues. It will be
interesting to see what he does with | 0:06:25 | 0:06:32 | |
the other one. Nice little
positional shot as well, the black | 0:06:32 | 0:06:39 | |
into the left corner pocket. | 0:06:39 | 0:06:47 | |
into the left corner pocket. Hold
on! Hold on! Hold on! Keep going, | 0:06:47 | 0:06:52 | |
keep going, it is in! There you go!
That is what you call John Virgo | 0:06:52 | 0:06:58 | |
trick shot. He seems to have a bit
of fly problem on the table. | 0:06:58 | 0:07:13 | |
And in the end Mark Allen was at his
absolute best for me, it mattered, | 0:07:14 | 0:07:23 | |
he produced and comes out a
comfortable winner 6-3. | 0:07:23 | 0:07:32 | |
comfortable winner 6-3. And there is
a fly. I don't know if it is the | 0:07:33 | 0:07:40 | |
same one as yesterday. | 0:07:40 | 0:07:46 | |
same one as yesterday. The fly is
causing a little problem. On top of | 0:07:46 | 0:07:53 | |
the cue ball. Very hard to play when
that is there, isn't it? | 0:07:53 | 0:08:01 | |
that is there, isn't it? Steve Davis
must have opened his wallet! | 0:08:04 | 0:08:14 | |
Very disappointed, Ding Junhui. In
it goes. This is marvellous stuff | 0:08:25 | 0:08:34 | |
and what a performance from Ryan
Day. Free century breaks he's made | 0:08:34 | 0:08:44 | |
against Ding Junhui's two, and it is
Ryan Day. 3-0 down he was, and he is | 0:08:44 | 0:08:51 | |
through to the quarterfinals. | 0:08:51 | 0:08:56 | |
I always like watching Liang Wenbo,
such a character. Lots of | 0:09:04 | 0:09:08 | |
expressions on his face. It's not
going to move, is it? | 0:09:08 | 0:09:18 | |
going to move, is it? He has put it
in his pocket. A bit of protein for | 0:09:18 | 0:09:22 | |
later. | 0:09:22 | 0:09:27 | |
later. Judd Trump in the end with
that magnificent break gets himself | 0:09:28 | 0:09:32 | |
through to the next round and he
takes the match 6-4. If we have a | 0:09:32 | 0:09:41 | |
match like we had in the semifinal
last year, it will be very special. | 0:09:41 | 0:09:45 | |
Have a look at this, a fly has
landed on his head. He got down and | 0:09:45 | 0:09:51 | |
played the short as if it wasn't
there. Perfect. | 0:09:51 | 0:10:03 | |
Honestly, we might as well wrap up
and go home now because this is | 0:10:03 | 0:10:07 | |
crazy. | 0:10:07 | 0:10:15 | |
crazy. What a performance from the
defending champion and! Absolutely | 0:10:15 | 0:10:24 | |
amazing. Barry Hawkins looks like he
has played his last shot in this | 0:10:24 | 0:10:32 | |
year's Dafabet Masters. And that is
the case. Fair play to Kyren Wilson, | 0:10:32 | 0:10:37 | |
he stuck at it, and he is to his
first Masters quarterfinal. -- | 0:10:37 | 0:10:49 | |
through. There's been a lot of flies
this week. I wonder if it is the | 0:10:49 | 0:10:55 | |
same one? If it is, it won't be
back! The fly is whizzing around in | 0:10:55 | 0:11:00 | |
the room. | 0:11:00 | 0:11:09 | |
Shaun Murphy made a few mistakes but
in the end it was a good tough | 0:11:12 | 0:11:18 | |
work-out, and might stand him in
good stead for the rest of the | 0:11:18 | 0:11:20 | |
tournament. | 0:11:20 | 0:11:28 | |
The Wizard of Wishaw has waived that
magic wand. We have had another | 0:11:28 | 0:11:37 | |
cracking match here at Alexandra
Palace and in the end it is John | 0:11:37 | 0:11:42 | |
Higgins who has won this title on
two occasions that goes through to | 0:11:42 | 0:11:46 | |
the next round 6-4. Ronnie won the
toss and he will get this first | 0:11:46 | 0:11:55 | |
quarterfinal under way. I'm
struggling, I don't know what it is, | 0:11:55 | 0:11:59 | |
whether it is a virus, but I have
had it before and it is difficult | 0:11:59 | 0:12:03 | |
when you are getting dizzy spells.
Superb performance from Mark Allen | 0:12:03 | 0:12:13 | |
here. | 0:12:13 | 0:12:20 | |
here. This looks absolutely perfect,
what a positional shot that is, | 0:12:20 | 0:12:26 | |
fantastic. Ronnie looked out of
sorts, it has to be said, but Mark | 0:12:26 | 0:12:31 | |
Allen has put in a fabulous
performance here and has won the | 0:12:31 | 0:12:35 | |
match very comfortably indeed. It
just wasn't good enough. I will miss | 0:12:35 | 0:12:41 | |
this year's World Championships. I
come back to snooker for different | 0:12:41 | 0:12:45 | |
reasons. It is just a bit passer for
me. Of time there is a fly on the | 0:12:45 | 0:12:55 | |
white. Another one bites the dust. | 0:12:55 | 0:13:03 | |
Well played, that was an excellent
shot. Kyren Wilson I'm sure didn't | 0:13:06 | 0:13:13 | |
expect it to be that easy, but you
take what's put in front you. | 0:13:13 | 0:13:23 | |
take what's put in front you. I
remember the first few days when we | 0:13:23 | 0:13:26 | |
have the fly on the table, they were
gently trying to pick them up by the | 0:13:26 | 0:13:33 | |
wing, not any more! | 0:13:33 | 0:13:42 | |
What happened to the old spray can
be used to have? | 0:13:42 | 0:13:51 | |
# Everybody is kung fu fighting
# Those kids were fast as lightning, | 0:13:51 | 0:13:58 | |
in fact it was a little bit
frightening #. | 0:13:58 | 0:14:04 | |
What a wonderful shot, back-to-back
centuries, absolutely marvellous. | 0:14:04 | 0:14:10 | |
Judd Trump runs out the winner by
six frames to four. Now he's doing | 0:14:10 | 0:14:17 | |
what the great Ray Reardon used to
do, putting the rest on top of the | 0:14:17 | 0:14:22 | |
spider. Whoops! Nearly fouled the
red with the cue there. He's back! | 0:14:22 | 0:14:38 | |
He likes a double, does John. How
did that stay out? John Higgins, a | 0:14:38 | 0:14:49 | |
comfortable winner 6-1. | 0:14:49 | 0:14:53 | |
Just spotted his mum and dad there,
been packed all week. What a great | 0:15:01 | 0:15:11 | |
shot this is. | 0:15:11 | 0:15:20 | |
What is shot he has played there.
Judd Trump only needs one more to | 0:15:22 | 0:15:30 | |
get into the final. Really going for
the jugular here. Great shot, full | 0:15:30 | 0:15:38 | |
marks for trying to make something
happen here. What a turnaround. | 0:15:38 | 0:15:47 | |
Well, it's hard to describe how he's
feeling inside. He is puffing his | 0:15:47 | 0:15:52 | |
cheeks. This has been the best
performance of his career. It | 0:15:52 | 0:15:59 | |
doesn't matter about that. In the
end the man from Kettering has won | 0:15:59 | 0:16:04 | |
four frames in a row, and didn't he
do it in style? And he gets himself | 0:16:04 | 0:16:09 | |
through to the final at the Dafabet
masters. There have been some | 0:16:09 | 0:16:14 | |
amazing comebacks and I'd like to
think I've gone down in history for | 0:16:14 | 0:16:19 | |
one of them myself. There you go,
there is a piece of wood. Do you | 0:16:19 | 0:16:27 | |
want to play with it or do you want
another one? Can we ask for another | 0:16:27 | 0:16:34 | |
one, please. Doesn't look straight.
Amazing! | 0:16:34 | 0:16:42 | |
Amazing! Very good pot. How's your
luck? It looks absolutely perfect. | 0:16:42 | 0:17:02 | |
Good shot. | 0:17:02 | 0:17:05 | |
John Higgins I'm certain wishes him
good luck. There is a delight in | 0:17:17 | 0:17:22 | |
Mark Allen, at his first Dafabet
masters final. If I don't win it | 0:17:22 | 0:17:29 | |
will all be for nothing so I've got
to go out and do what I have been | 0:17:29 | 0:17:33 | |
doing all week and go | 0:17:33 | 0:17:34 | |
to go out and do what I have been
doing all week and go out on the | 0:17:34 | 0:17:35 | |
right note. It has been a wonderful
muster so far and we are expecting a | 0:17:35 | 0:17:39 | |
thrilling final. Let's get the
review of the man himself, Barry | 0:17:39 | 0:17:46 | |
Hearn is here alongside Dennis
Taylor. Barry, your thoughts on what | 0:17:46 | 0:17:51 | |
has been a very, very wonderful
high-quality masters? I think it's | 0:17:51 | 0:17:56 | |
been a great way to start the New
Year. Everything from my site ticks | 0:17:56 | 0:18:05 | |
boxes, ratings are well up on the
BBC which is unusual these days. | 0:18:05 | 0:18:10 | |
Ticket sales 25% up, every session
virtually sold out, Ronnie has been | 0:18:10 | 0:18:15 | |
Ronnie which is always good for some
press. We will come onto that. We | 0:18:15 | 0:18:21 | |
have seen two new players who have
never made a masters final before, | 0:18:21 | 0:18:27 | |
different personalities, different
attacking play. I couldn't be more | 0:18:27 | 0:18:30 | |
pleased with the state of snooker as
it is today and this illustrates the | 0:18:30 | 0:18:36 | |
progress we have made. The fans are
turning out saying yes, this is what | 0:18:36 | 0:18:40 | |
we like to see. I have been talking
to a few of the fans, they have come | 0:18:40 | 0:18:46 | |
to the venue and talk about seeing
Ronnie O'Sullivan but now they are | 0:18:46 | 0:18:50 | |
telling us they are coming to see
the likes of Judd Trump and Mark | 0:18:50 | 0:18:54 | |
Allen which is vitally important
going forward. Every sport, you need | 0:18:54 | 0:19:02 | |
flag-bearers and Ronnie O'Sullivan
is the most attractive player in the | 0:19:02 | 0:19:05 | |
world but the sport is not built
around one person, it is built | 0:19:05 | 0:19:09 | |
around formats and an open door
policy, around ability, absence of | 0:19:09 | 0:19:15 | |
mediocrity. At the highest level,
the Masters is the highest level | 0:19:15 | 0:19:18 | |
because it is the top 16 and they
are there by choice. They have | 0:19:18 | 0:19:23 | |
earned their spot and it's showing
the fans will come to watch people | 0:19:23 | 0:19:28 | |
playing quality snooker, period. So
that has ticked | 0:19:28 | 0:19:40 | |
that has ticked a lot of boxes for
me and I think we are at the stage | 0:19:40 | 0:19:43 | |
now where the last five years have
been a helter-skelter of emotions | 0:19:43 | 0:19:45 | |
and changes, and it is beginning to
pay off as we have seen with the | 0:19:45 | 0:19:48 | |
global side of the game which has
never been stronger. Dennis, is | 0:19:48 | 0:19:51 | |
there a slight concern the big names
like Ronnie O'Sullivan and Mark | 0:19:51 | 0:19:53 | |
Williams are still getting the
rapturous applause when they come | 0:19:53 | 0:19:55 | |
out and there is more of a muted
celebration when the youngest | 0:19:55 | 0:19:59 | |
players come out? I wouldn't agree
with that because we have had packed | 0:19:59 | 0:20:04 | |
houses since the tournament started
and they have been fair to | 0:20:04 | 0:20:07 | |
everybody. They are the sort of
crowd that if the underdog produces | 0:20:07 | 0:20:12 | |
the snooker they will get the
respect of the crowd. Ray Reardon | 0:20:12 | 0:20:16 | |
always used to say if you produce
the stuff on the table you will get | 0:20:16 | 0:20:20 | |
the respect of the crowd. One or two
shouting out but overall, compared | 0:20:20 | 0:20:25 | |
to the old days when if you played
Alex Higgins in the conference | 0:20:25 | 0:20:31 | |
centre, I mean Stephen Hendry and
Steve Davis used to get booed but | 0:20:31 | 0:20:37 | |
they are very fair these days. Every
match is like a final with having | 0:20:37 | 0:20:42 | |
the top 16 here. I think also you
have to say that don't forget, those | 0:20:42 | 0:20:47 | |
older players have earned the right,
they have been there a very long | 0:20:47 | 0:20:51 | |
time. And they are exciting players,
especially in terms of Ronnie. You | 0:20:51 | 0:20:57 | |
have got to earn the right to get
the crowd on your side and whilst | 0:20:57 | 0:21:01 | |
British crowds in particular often
cheer the underdog, at quality | 0:21:01 | 0:21:05 | |
events they are here to watch the
quality and that is focused around | 0:21:05 | 0:21:10 | |
the older players that have done it
over a period of time. That's come | 0:21:10 | 0:21:14 | |
onto Ronnie O'Sullivan who made
those comments in the press | 0:21:14 | 0:21:18 | |
conference, were you driving around,
listening on the television? He said | 0:21:18 | 0:21:24 | |
he may not come to the World
Championships. I always listen to | 0:21:24 | 0:21:30 | |
Ronnie, I think he's great. He comes
out with some stuff. We have a | 0:21:30 | 0:21:36 | |
system here that is very clear to
understand for everybody. No player | 0:21:36 | 0:21:41 | |
is forced to play in anything. We
live in a democracy, their contracts | 0:21:41 | 0:21:47 | |
are fairly democratic. If you don't
want to play, don't play. That is | 0:21:47 | 0:21:52 | |
not really an issue for me. Of
course I want to see Ronnie | 0:21:52 | 0:21:56 | |
O'Sullivan play but no one is
forcing him. We open opportunities | 0:21:56 | 0:22:00 | |
to new players as well as existing
players and it's built on ability. | 0:22:00 | 0:22:05 | |
You can't expect, I mean Ronnie
would like to not play qualifying | 0:22:05 | 0:22:09 | |
rounds. Believe me, Tiger Woods
really didn't want to play the first | 0:22:09 | 0:22:14 | |
three rounds of any golf tournament.
He would have preferred to go | 0:22:14 | 0:22:18 | |
straight to the final round, it just
doesn't work and it's not going to | 0:22:18 | 0:22:22 | |
happen. Apparently I can walk up and
knock on his door and negotiate | 0:22:22 | 0:22:27 | |
terms and conditions, trust me when
I tell you that grass will not get | 0:22:27 | 0:22:35 | |
trodden on. So will I be introducing
Ronnie O'Sullivan in the TV studio? | 0:22:35 | 0:22:40 | |
I hope so. Life is very strange as
you get older, you don't want to | 0:22:40 | 0:22:44 | |
have too many I should haves in your
mind. A player like Ronnie | 0:22:44 | 0:22:51 | |
O'Sullivan loves snooker, no
question in my mind whatsoever. He | 0:22:51 | 0:22:55 | |
has issues and they are for him to
solve. I believe we will see him | 0:22:55 | 0:23:00 | |
there and if not I believe he is
making a bad choice but it is his | 0:23:00 | 0:23:04 | |
choice to make. One quick word from
you, Dennis, this is a wonderful day | 0:23:04 | 0:23:10 | |
for Northern Ireland. | 0:23:10 | 0:23:16 | |
for Northern Ireland. Absolutely
fantastic, it is 40 years since Alex | 0:23:16 | 0:23:17 | |
Higgins lifted the trophy, and
another coming through, Mark Allen's | 0:23:17 | 0:23:22 | |
stepson Robbie, 13 and he made a
break of 133 in a competition so he | 0:23:22 | 0:23:29 | |
will be possibly winning this
masters in years to come. And we | 0:23:29 | 0:23:33 | |
have the white and green army. It is
a great final because they are both | 0:23:33 | 0:23:44 | |
terrifically matched. Have a great
afternoon, thank you very much | 0:23:44 | 0:23:50 | |
indeed. We have got a great final on
our hands. | 0:23:50 | 0:24:00 | |
Cast your mind back, it is a long
way I know, it is your first major | 0:24:33 | 0:24:38 | |
final. In the morning before the
match, what is your brain thinking? | 0:24:38 | 0:24:45 | |
I assume everyone is the same, you
wake up in the morning, you don't | 0:24:45 | 0:24:49 | |
need to put the snooze button on,
you are alert immediately. There are | 0:24:49 | 0:24:55 | |
butterflies in your stomach, that's
natural because your body is | 0:24:55 | 0:24:59 | |
preparing for the onslaught ahead.
You need to eat food but you don't | 0:24:59 | 0:25:03 | |
want it, your body doesn't want
loads of food inside it so you | 0:25:03 | 0:25:08 | |
shovel it in your face as best you
can. Then you have got to wait until | 0:25:08 | 0:25:12 | |
the match, it is like the densest
waiting room. Remember when you did | 0:25:12 | 0:25:18 | |
your driving test, your first job
interview, the school exams, the | 0:25:18 | 0:25:22 | |
build-up to those, you are so
nervous. Perhaps the dentist waiting | 0:25:22 | 0:25:27 | |
room, you know there will be
drilling going on, then you have | 0:25:27 | 0:25:30 | |
time with friends and family. You
will probably be a bit short | 0:25:30 | 0:25:34 | |
tempered with them, you might be
quieter. You come to the venue, you | 0:25:34 | 0:25:41 | |
go on the practice table, that is a
bit of respite, get your arm going | 0:25:41 | 0:25:44 | |
and get the tension out of your body
but then you have the dentist | 0:25:44 | 0:25:48 | |
waiting room again in the dressing
room. Once they call your name out | 0:25:48 | 0:25:52 | |
and you get on the table, it is
business as usual but the waiting is | 0:25:52 | 0:25:57 | |
absolutely awful. That is the view
from down here, here is the view of | 0:25:57 | 0:26:03 | |
the two finalists this year. This is
one of the most unique venues we | 0:26:03 | 0:26:08 | |
play in, to be honest it's not far
behind the World Championships. | 0:26:08 | 0:26:13 | |
Every match is like a final, and
having 2000 people live every day is | 0:26:13 | 0:26:19 | |
awesome. This would be a massive
feather in my cap if I were to win | 0:26:19 | 0:26:23 | |
it. I cannot get too far ahead of
myself, but to win nine tournaments | 0:26:23 | 0:26:29 | |
in 13 years and I have never won
triple crown event, those things are | 0:26:29 | 0:26:34 | |
disappointing for me and I want to
win more. Last year I turned up on | 0:26:34 | 0:26:37 | |
the day I was playing, I have never
seen the venue before and I didn't | 0:26:37 | 0:26:42 | |
take in the atmosphere. It was too
late and I didn't settle against | 0:26:42 | 0:26:47 | |
Ding Junhui last year, so this year
I want to take in the venue and | 0:26:47 | 0:26:51 | |
enjoy every match I have played, it
has been an unbelievable turnaround | 0:26:51 | 0:26:56 | |
for myself. To be in the final on my
second appearance is awesome. There | 0:26:56 | 0:27:02 | |
hasn't been any really bad
performances, I have always kept a | 0:27:02 | 0:27:06 | |
certain level and I think that's why
I have won so many matches. I have | 0:27:06 | 0:27:11 | |
just worked really hard on my game,
it sounds stupid to say that, I | 0:27:11 | 0:27:17 | |
always work really hard but I feel
like I'm working on the right things | 0:27:17 | 0:27:21 | |
now. I just really enjoy playing
Mark to be honest. He brings out the | 0:27:21 | 0:27:26 | |
best in me, I feel like we have
similar qualities, good match | 0:27:26 | 0:27:30 | |
players and gritty and I enjoy
playing people like that because it | 0:27:30 | 0:27:33 | |
makes you get up for it as well.
He's done remarkably well in a short | 0:27:33 | 0:27:38 | |
space of time, in the top 16 he's
established himself now, won | 0:27:38 | 0:27:43 | |
tournament in Shanghai. He's a top,
top player but I feel like I am a | 0:27:43 | 0:27:49 | |
top, top player myself so I'm just
going to control my own emotions and | 0:27:49 | 0:27:53 | |
play my best like I have done all
week. It would mean everything. When | 0:27:53 | 0:27:57 | |
you are growing up you target the
UK, the Masters, | 0:27:57 | 0:28:12 | |
the worlds, the triple crown, they
are the ones that matter when you | 0:28:14 | 0:28:16 | |
come to retire. I have one match to
go, I will be trying my heart out. I | 0:28:16 | 0:28:20 | |
want to give my mum that trophy. It
will be a dream come true, I don't | 0:28:20 | 0:28:23 | |
want to build it up too much but
this is only my second final in the | 0:28:23 | 0:28:26 | |
triple crown event. I feel like if I
can break free and win that first | 0:28:26 | 0:28:30 | |
one, it will be the start of great
things to come. | 0:28:30 | 0:28:37 | |
The atmosphere here inside Alexandra
Palace is building, the fans are in | 0:28:38 | 0:28:43 | |
their seats eagerly anticipating
what will be a great final, John, we | 0:28:43 | 0:28:47 | |
are expecting big things today. I'm
really looking forward to it. We -- | 0:28:47 | 0:28:57 | |
it is fascinating, a big prize and
someone today will be a major | 0:28:57 | 0:29:00 | |
champion at the end of it. Steve, do
you think Kyren Wilson comes in here | 0:29:00 | 0:29:06 | |
today... I was talking to Stephen
Hendry about the fact he looked dead | 0:29:06 | 0:29:10 | |
and buried at 5-2, comes in today
thinking this is mine. I think he | 0:29:10 | 0:29:16 | |
has got that type of mentality that
possibly he may be thinking I'm | 0:29:16 | 0:29:24 | |
lucky to be in the final but he is
there on merit as Barry Hearn was | 0:29:24 | 0:29:29 | |
saying so we have a situation where
both players we hope they produce in | 0:29:29 | 0:29:33 | |
the final. There is every reason to
believe they will do because they | 0:29:33 | 0:29:36 | |
have been playing so well. The worst
scenario would be they cancel each | 0:29:36 | 0:29:41 | |
other out with too much tension and
nerves but I think the standard of | 0:29:41 | 0:29:45 | |
play we have seen this week, they
will continue and at some stage | 0:29:45 | 0:29:49 | |
there will be fireworks. It is so
evenly matched, isn't it? | 0:29:49 | 0:29:59 | |
It is all about today. Playing as if
it means nothing when it means | 0:30:00 | 0:30:03 | |
everything and that has encapsulated
him in this final. This is the | 0:30:03 | 0:30:07 | |
biggest day in their careers, can
they produce what they normally | 0:30:07 | 0:30:11 | |
produce? We are so excited. One
person we haven't heard from yet is | 0:30:11 | 0:30:21 | |
Ken Doherty. Both sets of fans and
players in the final today. Marc | 0:30:21 | 0:30:29 | |
Allen's friends today, and Kyren
Wilson's family, wife Sophie, Mum | 0:30:29 | 0:30:35 | |
and dad, and this fella here is
thinly, only three years old. If I | 0:30:35 | 0:30:39 | |
could ask you, so they, had you
cope? It's hard to say. I am very | 0:30:39 | 0:30:47 | |
nervous, but I'm also excited
because I know he has the potential | 0:30:47 | 0:30:50 | |
to do it, it is just how his nerves
are holding up. How are they? He | 0:30:50 | 0:30:56 | |
looks fantastic, looks to be
enjoying it. That match against Judd | 0:30:56 | 0:31:01 | |
Trump was incredible. I have spoken
to him on the phone and he is | 0:31:01 | 0:31:07 | |
definitely ready and excited. I
didn't sense any nerves. What about | 0:31:07 | 0:31:10 | |
mum and dad? It must be harder
watching. How are you coping? We | 0:31:10 | 0:31:18 | |
have got used to it over the years
to be honest. Crawling around the | 0:31:18 | 0:31:22 | |
country, going to be junior and
amateur stuff. You just get used to | 0:31:22 | 0:31:27 | |
another side of it. Seen you in the
crowd going through the ringer when | 0:31:27 | 0:31:33 | |
Kyren is playing. Imagine that for
20 years! How about you? I have | 0:31:33 | 0:31:40 | |
literally no nails, biting my nails.
To watch, fantastic. How about you | 0:31:40 | 0:31:47 | |
guys? Mark has been doing so well,
how your nerves holding? Good at | 0:31:47 | 0:31:53 | |
all. The first time I have over here
-- not good at all. My heart is in | 0:31:53 | 0:31:58 | |
my mouth. He has done so well this
week. Kevin, the green and white | 0:31:58 | 0:32:04 | |
army is growing. Where are all these
tickets going? LAUGHTER He has been | 0:32:04 | 0:32:12 | |
really relaxed. I have never seen
him this relaxed, even before and | 0:32:12 | 0:32:17 | |
after, he seems in a different side
in this week and comfortable would | 0:32:17 | 0:32:20 | |
be the way to describe him. The two
wins over Ronnie O'Sullivan and John | 0:32:20 | 0:32:26 | |
Higgins must have given great
confidence. I don't think there is | 0:32:26 | 0:32:29 | |
any easy match with the quality of
the guys, but you beat Ronnie 6-1 | 0:32:29 | 0:32:34 | |
then Higgins 6-3 it is incredible,
and it shows the level he is playing | 0:32:34 | 0:32:39 | |
at. Both sets of families will be in
the player 's room. I have to keep | 0:32:39 | 0:32:44 | |
them separated. There will be plenty
of shouting there as well as | 0:32:44 | 0:32:48 | |
outside. Best of luck to Mark Allen
and Kyren Wilson. Let's hope a great | 0:32:48 | 0:32:54 | |
final. That's all from us. Wonderful
staff. Thank you very much, Ken. | 0:32:54 | 0:33:01 | |
Imagine being a member of the family
or a friend of these two wonderful | 0:33:01 | 0:33:05 | |
competitors. What an arena, full
crowd here today at Alexandra | 0:33:05 | 0:33:10 | |
Palace, it is live all day today
here on BBC Two. The players are | 0:33:10 | 0:33:14 | |
standing by. Get ready, let's join
RMC, Bob Walker. CHEERING | 0:33:14 | 0:33:20 | |
standing by. Get ready, let's join
RMC, Bob Walker. CHEERING. | 0:33:20 | 0:33:22 | |
standing by. Get ready, let's join
RMC, Bob Walker. CHEERING. | 0:33:22 | 0:33:22 | |
Good afternoon, ladies and
gentlemen, this is it, it's the big | 0:33:22 | 0:33:26 | |
one, welcome to the 2018 Dafabet
Masters final, the first time these | 0:33:26 | 0:33:30 | |
guys have gone this deed in
illustrious tournament. One is about | 0:33:30 | 0:33:35 | |
to etch their name in the of
sporting history. It is all to play | 0:33:35 | 0:33:41 | |
this afternoon that Ally Pally so
let's get the boys | 0:33:41 | 0:33:49 | |
let's get the boys on the baize.
CHEERING | 0:33:49 | 0:33:50 | |
let's get the boys on the baize.
CHEERING. | 0:33:50 | 0:33:50 | |
APPLAUSE | 0:33:50 | 0:33:51 | |
CHEERING.
APPLAUSE. | 0:33:51 | 0:33:57 | |
Please welcome a player emerging for
what is without doubt the biggest | 0:34:01 | 0:34:06 | |
match of his life. This is his
maiden appearance in any Triple | 0:34:06 | 0:34:11 | |
Crown final, the youngest Masters
finalist for seven years. Hereafter | 0:34:11 | 0:34:16 | |
that epic comeback against Judd
Trump yesterday, the 2015 Shanghai | 0:34:16 | 0:34:21 | |
Masters champion, will be cheered on
by his friends and family, who are | 0:34:21 | 0:34:25 | |
all here with him today, a massive
occasion for the Warrior, Kyren | 0:34:25 | 0:34:30 | |
Wilson. CHEERING | 0:34:30 | 0:34:31 | |
occasion for the Warrior, Kyren
Wilson. CHEERING. | 0:34:31 | 0:34:39 | |
APPLAUSE | 0:34:56 | 0:34:56 | |
APPLAUSE. | 0:34:56 | 0:35:04 | |
And his opponent, who is today the
pride of a nation, the first player | 0:35:04 | 0:35:08 | |
from Northern Ireland in a Masters
final 431 years, and he has been | 0:35:08 | 0:35:14 | |
brilliant this week. Sublime against
Ronnie, sensational against Higgins, | 0:35:14 | 0:35:18 | |
this is the day he has dreamt of for
years, and he is determined to | 0:35:18 | 0:35:23 | |
deliver here comes Mark The Pistol
Allen! | 0:35:23 | 0:35:34 | |
CHEERING | 0:35:34 | 0:35:36 | |
CHEERING.
APPLAUSE | 0:35:36 | 0:35:38 | |
CHEERING.
APPLAUSE. | 0:35:38 | 0:35:46 | |
Wonderful noise inside Alexandra
Palace and a lovely big smile from | 0:35:57 | 0:36:01 | |
Mark Allen. The big guns are out and
in our commentary box. Good | 0:36:01 | 0:36:05 | |
afternoon to Dennis Taylor and
Stephen Hendry. | 0:36:05 | 0:36:08 | |
COMMENTATOR: Good afternoon Jason
and everyone. The players getting | 0:36:08 | 0:36:13 | |
themselves ready and the
photographers are all there to get | 0:36:13 | 0:36:16 | |
the photographs. | 0:36:16 | 0:36:22 | |
the photographs. That's the
wonderful Waterford Crystal trophy | 0:36:25 | 0:36:26 | |
they are playing for. A new name on
the trophy. | 0:36:26 | 0:36:39 | |
You can see the photographers
getting the picture. Smiles all | 0:36:42 | 0:36:48 | |
around. | 0:36:48 | 0:36:53 | |
around. A fabulous reception from
this Alexandra Palace crowd. I think | 0:36:53 | 0:36:57 | |
we are in for a classic with both
playing fantastically well. They | 0:36:57 | 0:37:09 | |
will get to work, all the
interviews, all the photographs, all | 0:37:09 | 0:37:12 | |
the stuff you have to do before you
get into the final. Certain tickets | 0:37:12 | 0:37:19 | |
and passes out -- sorting tickets
and passes out for family and | 0:37:19 | 0:37:24 | |
friends, this is what the players
wanted to do, get to this table. | 0:37:24 | 0:37:28 | |
APPLAUSE | 0:37:28 | 0:37:29 | |
wanted to do, get to this table.
APPLAUSE. | 0:37:29 | 0:37:29 | |
When you wake up in the morning it
seems to go so long, the time before | 0:37:29 | 0:37:34 | |
starting the match itself. There is
Paul Hunter's name on the trophy, | 0:37:34 | 0:37:41 | |
three-time winner, and I think
Paul's father is here this evening. | 0:37:41 | 0:37:50 | |
Good break off there. This is very
difficult. | 0:37:56 | 0:38:03 | |
First chance falls to Mark Allen. | 0:38:08 | 0:38:16 | |
Mark Allen quite a strong favourite
today in my opinion for this but if | 0:38:19 | 0:38:23 | |
Kyren Wilson can get a start, start
the way he finished the match | 0:38:23 | 0:38:28 | |
against Judd Trump, he's got an
opportunity to win it. But he can't | 0:38:28 | 0:38:35 | |
keep giving Mark Allen these
opportunities because all week he's | 0:38:35 | 0:38:40 | |
just been in phenomenal scoring
form. | 0:38:40 | 0:38:51 | |
The last two matches, Mark Allen
against John Higgins and Ronnie | 0:39:03 | 0:39:08 | |
O'Sullivan, he lost the first frame,
then went on to win comfortably. | 0:39:08 | 0:39:16 | |
We'll see if he can start a bit
quicker today. | 0:39:16 | 0:39:28 | |
Two completely different styles,
both very effective. Mark Allen's | 0:39:32 | 0:39:38 | |
cue action is very least -- fairly
short and on these fast tables it is | 0:39:38 | 0:39:45 | |
very effective. Not a longer -- lot
that can go wrong with it. Kyren has | 0:39:45 | 0:39:51 | |
more of a flowing action, a longer
backswing before he delivers the | 0:39:51 | 0:39:54 | |
cue. | 0:39:54 | 0:40:02 | |
And that was a good shot of the cue
action of Mark Allen there. Doesn't | 0:40:10 | 0:40:16 | |
grip the cue very tightly. You can
see the backhand there, a lot of | 0:40:16 | 0:40:21 | |
players when they start playing
gripped the cue to tightly at the | 0:40:21 | 0:40:25 | |
butt end. | 0:40:25 | 0:40:35 | |
. Already a test for the referee's
nerves. | 0:40:36 | 0:40:44 | |
nerves. Yes, the Belgian officiating
in the final here. | 0:40:44 | 0:40:55 | |
You will definitely noticed today
that the cue ball will travel less | 0:41:40 | 0:41:48 | |
distance when Mark Allen is that the
table. But I think if you look at | 0:41:48 | 0:41:55 | |
advantages each player will have,
Kyren Wilson is a stronger long | 0:41:55 | 0:42:02 | |
potter. That will possibly be a way
he will look to get in the frames. | 0:42:02 | 0:42:11 | |
Impressed with John Higgins, didn't
make any mistakes but every time | 0:42:20 | 0:42:24 | |
Mark got a chance, he didn't make a
century break but make four breaks | 0:42:24 | 0:42:28 | |
over 60. I think the other one was
over 70, so more or less winning the | 0:42:28 | 0:42:36 | |
frames. With one visit. Getting
slightly difficult now. He's got a | 0:42:36 | 0:42:44 | |
bit of angle to work with to try and
force it over to the reds. | 0:42:44 | 0:42:55 | |
They are all covering each other
there, as you can see. The back of | 0:43:01 | 0:43:06 | |
the pink there might be available.
Well, he's gone into them, and I | 0:43:06 | 0:43:14 | |
tell you what, he's been a bit
unlucky there. In fact, he's very | 0:43:14 | 0:43:21 | |
unlucky. Played with top spin to
develop a few. | 0:43:21 | 0:43:33 | |
Had that Cameron worked out, every
chance he would have taken this | 0:43:36 | 0:43:40 | |
opening frame with one visit. | 0:43:40 | 0:43:45 | |
APPLAUSE | 0:44:14 | 0:44:18 | |
That was a very difficult one he was
attempting there but he hasn't done | 0:44:18 | 0:44:23 | |
too badly because the one bread
available to carry the black is | 0:44:23 | 0:44:27 | |
hampering him to take that up into
the corner pocket -- the one red | 0:44:27 | 0:44:32 | |
available.
And he is looking down at the corner | 0:44:32 | 0:44:42 | |
pocket there. He has to be careful
he doesn't need the red at the | 0:44:42 | 0:44:46 | |
middle pocket. He has to cover that
if he plays up into that area. | 0:44:46 | 0:44:56 | |
if he plays up into that area. He's
played the back double. That was a | 0:44:56 | 0:44:58 | |
bit ambitious. | 0:44:58 | 0:45:08 | |
Obviously couldn't see an easy
safety shot and thought he would | 0:45:11 | 0:45:14 | |
have a go at the double. | 0:45:14 | 0:45:22 | |
have a go at the double. This is a
much trickier pot than it perhaps | 0:45:22 | 0:45:24 | |
looks on your screen. | 0:45:24 | 0:45:29 | |
looks on your screen. There you see
the angle. | 0:45:29 | 0:45:38 | |
the angle. Now he has left a
possible part for -- pot for Kyren | 0:45:38 | 0:45:43 | |
Wilson. You see the angle where he
can follow through two cushions or | 0:45:43 | 0:45:52 | |
stand for the blues. It would be an
early confidence booster if he could | 0:45:52 | 0:45:55 | |
knock this in. | 0:45:55 | 0:46:05 | |
Excellently cued. | 0:46:09 | 0:46:14 | |
Must feel good to hit a ball as well
as that. | 0:46:14 | 0:46:21 | |
as that. So Mark Allen was in first
with 39 that this is an excellent | 0:46:24 | 0:46:27 | |
chance. | 0:46:27 | 0:46:32 | |
chance. -- but this is an excellent
chance. | 0:46:36 | 0:46:42 | |
He may have to play for the red that
is on the black cushion here. Six | 0:46:55 | 0:47:01 | |
reds in the middle of the table are
all covering each other. | 0:47:01 | 0:47:08 | |
That is well played. Perfect on this
thread. Doesn't really have to play | 0:47:12 | 0:47:18 | |
a lot of pace, and natural angle
just to come out for the black. -- a | 0:47:18 | 0:47:22 | |
natural angle. As long as he doesn't
catch the near cushion there, you | 0:47:22 | 0:47:29 | |
have the perfect picture to watch
it. | 0:47:29 | 0:47:36 | |
He's just hit that a bit hard. He
did that a lot yesterday, overhit a | 0:47:47 | 0:47:54 | |
lot of positional shots. If he just
dropped it in, you have to make sure | 0:47:54 | 0:47:58 | |
you're leaving yourself low on the
black Blair. It's awkward now. -- | 0:47:58 | 0:48:07 | |
the black ball there. | 0:48:07 | 0:48:11 | |
I don't think there is anything
available, I don't think they've | 0:48:24 | 0:48:28 | |
read passes the pink, but he did
leave himself or awkward on the | 0:48:28 | 0:48:32 | |
black, and that is very tight -- the
red passes the pink. If it touched | 0:48:32 | 0:48:40 | |
the right-hand jaw of the pocket...
It wouldn't go in, but he's having a | 0:48:40 | 0:48:45 | |
look at it from both ends. It looks
as if he's going to attempt it, but | 0:48:45 | 0:48:53 | |
he'll have to be very, very precise.
I think it will go. Definitely goes | 0:48:53 | 0:48:59 | |
in the right half of the pocket, you
would say. | 0:48:59 | 0:49:10 | |
would say. He did well with that
black to be fair. | 0:49:10 | 0:49:17 | |
Definitely got an advantage in the
cue power department as well, I | 0:49:31 | 0:49:35 | |
think. Because of that very long
backswing, more orthodox cue action. | 0:49:35 | 0:49:48 | |
It's quite mechanical, his style.
After play the cannon into the three | 0:49:48 | 0:50:04 | |
reds here. | 0:50:04 | 0:50:09 | |
reds here. -- off to play. | 0:50:11 | 0:50:20 | |
Did very well. Good chance. Even
though he can't see the table. That | 0:50:20 | 0:50:26 | |
is Kyren's son with his grandma
Sonia and Grandad Rob. He is getting | 0:50:26 | 0:50:32 | |
a bit tired, he won't be here that
long, I don't think. But this is a | 0:50:32 | 0:50:40 | |
terrific effort from Kyren here.
There wasn't that many on when he | 0:50:40 | 0:50:44 | |
came to the table but look at how he
-- look how he has got all now, and | 0:50:44 | 0:50:50 | |
we are all square at 39 points each.
I just hope both players play at top | 0:50:50 | 0:50:59 | |
of their form because I think this
could be a terrific final. | 0:50:59 | 0:51:07 | |
I agree, although I said I would
make Mark Allen favourite, I don't | 0:51:10 | 0:51:15 | |
think he will win comfortably. I
think this will go pretty much all | 0:51:15 | 0:51:18 | |
the way. | 0:51:18 | 0:51:23 | |
These are the sorts of chances you
have to take. | 0:51:23 | 0:51:32 | |
They have played each other six
times, it is three each. Kyren had | 0:51:41 | 0:51:46 | |
the big win in the World
Championship 2016, 13-9. Of course, | 0:51:46 | 0:51:53 | |
when Kyren won his first ranking
title, he defeated Mark in the | 0:51:53 | 0:52:00 | |
semifinal. That was in the Shanghai
Masters and he beat him 6-1 in that. | 0:52:00 | 0:52:05 | |
So there is not a lot to pick
between them, although Mark Allen is | 0:52:05 | 0:52:10 | |
the more experienced. | 0:52:10 | 0:52:21 | |
I think both players coming in today
will have very high expectations of | 0:52:22 | 0:52:27 | |
winning. If either of them played
maybe Selby or Sullivan in the final | 0:52:27 | 0:52:30 | |
they would slightly have the
attitude they have nothing to lose | 0:52:30 | 0:52:33 | |
being the underdog, but I think both
players fancy the job. So that | 0:52:33 | 0:52:43 | |
always puts pressure on as well,
when you put pressure on yourself to | 0:52:43 | 0:52:48 | |
win. 26 in front, so this last red
with any colour will leave mark | 0:52:48 | 0:52:55 | |
needing the snooker. Another couple
more inches, this would have been | 0:52:55 | 0:53:01 | |
unmissable. This red now is a little
bit of a cutback. No. I'm surprised | 0:53:01 | 0:53:13 | |
he played it at that pace. All he
had to do was drop it in. The harder | 0:53:13 | 0:53:18 | |
you hit that the more difficult that
pot is. It's difficult to play | 0:53:18 | 0:53:26 | |
especially on pressure shots,
playing them with a bit of pace. He | 0:53:26 | 0:53:33 | |
can use the green as a stopper here
to keep the red on that cushion. He | 0:53:33 | 0:53:39 | |
needs to cover. It looks a good
line. Has he got the gap? Well, I | 0:53:39 | 0:53:47 | |
think he's got the gap, looking at
Mark 's body language as he walked | 0:53:47 | 0:53:53 | |
away. Good effort to get in behind
the black bear. | 0:53:53 | 0:54:01 | |
the black bear. -- the black ball
there. Can he not this long-running | 0:54:01 | 0:54:04 | |
pass the green? Mac this long one
in. | 0:54:04 | 0:54:19 | |
Believe it or not, that was more
difficult than the one he missed | 0:54:20 | 0:54:23 | |
into the middle pocket, but that is
the frame secure now. | 0:54:23 | 0:54:30 | |
Mark Allen started off with a break
of 39. He was very unlucky when he | 0:54:34 | 0:54:38 | |
went into the reds, very
unfortunate, but Kyren Wilson, well, | 0:54:38 | 0:54:44 | |
he looks in fine form. | 0:54:44 | 0:54:54 | |
Just a quick check of the
scoreboard, but he is well safe. | 0:54:54 | 0:55:05 | |
He did miss a few against Judd
Trump. Doesn't matter about the | 0:55:08 | 0:55:13 | |
blue. | 0:55:13 | 0:55:18 | |
blue. In the end, it's Kyren Wilson
who takes the opening frame. 1-0 to | 0:55:18 | 0:55:27 | |
the man from Kettering STUDIO: It is
indeed. Nerves, what nerves? | 0:55:27 | 0:55:34 | |
Unlucky, Mark, got 39, went into the
pack, didn't land on anything. Kyren | 0:55:34 | 0:55:39 | |
potted a solid long red, just the
one you want to start a final with. | 0:55:39 | 0:55:44 | |
I was surprised the way he played
they want a Mac in the middle, I | 0:55:44 | 0:55:47 | |
thought he would drop it in but he
didn't and ultimately got away with | 0:55:47 | 0:55:51 | |
it. -- played red. | 0:55:51 | 0:56:01 | |
it. -- played red. We haven't got a
clue how the friends would unfold | 0:56:01 | 0:56:03 | |
and there is luck attached, splits
can go for or against you. Generally | 0:56:03 | 0:56:05 | |
be operative -- observation may be,
it is an advantage to Kyren Wilson | 0:56:05 | 0:56:08 | |
not to have to wait to get into his
first major mine as opposed to Mark | 0:56:08 | 0:56:14 | |
Allen. -- major final. He might grow
in stature of the match unfolds and | 0:56:14 | 0:56:21 | |
while they starts off as a player
you think you might not necessarily | 0:56:21 | 0:56:26 | |
be on the winners rostrum all the
time at a young age, the next you | 0:56:26 | 0:56:29 | |
will say, it was written in the
stars. As the match unfolds, you | 0:56:29 | 0:56:33 | |
never know, but Allen has been
playing great stuff. When you look | 0:56:33 | 0:56:37 | |
at Wilson, especially the red he
potted, he is a class act. He can | 0:56:37 | 0:56:43 | |
cue as well, but what was impressive
there was it was his first real | 0:56:43 | 0:56:46 | |
chance looking at a ball in the
final and it went straight into the | 0:56:46 | 0:56:49 | |
middle pocket so he is obviously
unfazed. The boys were talking about | 0:56:49 | 0:56:54 | |
their head-to-head record. The World
Championships is big, if you can | 0:56:54 | 0:56:59 | |
beat somebody over a distance of
ground like that and Kyren beat Mark | 0:56:59 | 0:57:04 | |
13-9, that has too stand you in good
stead. Takers in there, when you win | 0:57:04 | 0:57:08 | |
the opening frame of the big event
like this, how do you feel? It | 0:57:08 | 0:57:13 | |
settles your nerves a bit better
than if you need a couple of bites | 0:57:13 | 0:57:16 | |
to get over the line in the frame. I
was impressed with Wilson when I saw | 0:57:16 | 0:57:21 | |
him in the World Championships.
Anybody who can cope with the | 0:57:21 | 0:57:24 | |
Crucible I always feel is a great
player. This is another stage, and | 0:57:24 | 0:57:30 | |
other event. I don't think Kyren
Wilson played in front of as many | 0:57:30 | 0:57:33 | |
people as this, maybe in China, I
don't know. But you know when you | 0:57:33 | 0:57:39 | |
come out of this it is exciting, and
also, it tells you questions about | 0:57:39 | 0:57:44 | |
yourself. If you can handle this you
can handle everything. It's the | 0:57:44 | 0:57:50 | |
prestige as well, this is the
Masters, and his second appearance. | 0:57:50 | 0:57:55 | |
This is huge, and major
Championship. We love winning | 0:57:55 | 0:57:58 | |
ranking events, but ultimately, when
you look at your record, if you come | 0:57:58 | 0:58:02 | |
to majors, this is what it's all
about. Here we go, frame two, back | 0:58:02 | 0:58:07 | |
to Dennis and Stephen.
COMMENTATOR: | 0:58:07 | 0:58:14 | |
COMMENTATOR: So, Mark Allen comes to
the table, continues his pattern in | 0:58:14 | 0:58:17 | |
matches of losing the first frame.
We will see if he bounces back. | 0:58:17 | 0:58:29 | |
Who's got an early chance into the
right corner but the black is tied | 0:58:29 | 0:58:32 | |
up. I wonder if he will go
full-blooded to cannon that red away | 0:58:32 | 0:58:37 | |
from the black. What a shock this
will be. -- what a shot. Still a | 0:58:37 | 0:58:45 | |
very good pot. | 0:58:45 | 0:58:53 | |
very good pot. The break-off shot so
important. That's the sort of thing | 0:58:53 | 0:58:56 | |
that happens if you don't leave the
white near the cushion. | 0:58:56 | 0:59:02 | |
And with the pink and black tied up,
Mark will go straight into the pink | 0:59:25 | 0:59:29 | |
ball and have a look around, make
sure there are no plants. But this | 0:59:29 | 0:59:34 | |
could develop quite a few of them,
and hopefully the pink and possibly | 0:59:34 | 0:59:41 | |
the black, depending on how had he
gets it. No, he's just playing the | 0:59:41 | 0:59:49 | |
loose one, which... Surprises me.
OK, I didn't see this red going but | 0:59:49 | 1:00:00 | |
I still thought it was worth it, as
you say, to bring the pink | 1:00:00 | 1:00:05 | |
interplay, at least. But he can play
from the pink from this read. -- | 1:00:05 | 1:00:12 | |
play for the pink. He is so good at
making breaks, picking off loose | 1:00:12 | 1:00:18 | |
threads, cannons and cue ball
control is excellent. | 1:00:18 | 1:00:30 | |
Asking for the pink to be respotted,
as it's important as to whether it | 1:00:52 | 1:00:57 | |
is available there. As you can see
into the middle pocket. But that | 1:00:57 | 1:01:00 | |
doesn't look as if it will go. It
might go into this corner pocket. | 1:01:00 | 1:01:12 | |
Settle for that little nudge.
See how close his hand is to the cue | 1:01:12 | 1:01:21 | |
ball there. That's the way he plays
sometimes. | 1:01:21 | 1:01:30 | |
sometimes. Quite close to the cue
ball with his bridge hand. Rolled | 1:01:33 | 1:01:40 | |
the cue ball into position to be
with these three reds. Can't avoid | 1:01:40 | 1:01:46 | |
the cannon and the reds here.
I felt that was another good chance | 1:01:46 | 1:01:55 | |
to go to the blue there. This is
pressure on this pink now. | 1:01:55 | 1:02:00 | |
Especially after what happened in
the previous frame. | 1:02:00 | 1:02:11 | |
Needs to avoid the yellow. Repots
the blue here. | 1:02:14 | 1:02:20 | |
And he has done.
Very well played indeed. | 1:02:20 | 1:02:28 | |
That was handy. That natural angle.
To just concentrate on potting the | 1:02:30 | 1:02:38 | |
blue knowing the cannon wasn't on
the yellow. They are back in a good | 1:02:38 | 1:02:44 | |
position. | 1:02:44 | 1:02:48 | |
It's nice to see his dad here. I
haven't seen him for a while. I know | 1:03:29 | 1:03:40 | |
his mum's not in the best of health,
but I am sure she'll be glued to the | 1:03:40 | 1:03:45 | |
screen here and be very proud
watching her son play in the final | 1:03:45 | 1:03:49 | |
of the masters. | 1:03:49 | 1:03:56 | |
Over ran the cue ball, playing for
the pink, so a bit of work to do | 1:04:23 | 1:04:28 | |
here. | 1:04:28 | 1:04:34 | |
The blue into the yellow pocket.
Makes it easier this position side | 1:04:38 | 1:04:42 | |
of the shot. Right in the middle of
the pocket. | 1:04:42 | 1:04:52 | |
They wanted to finish high in the
pink, so an angle to just disturb | 1:05:01 | 1:05:05 | |
the four reds.
I think it's come too far. | 1:05:05 | 1:05:15 | |
He potted the blue on the left-hand
side of the pocket. He was playing | 1:05:26 | 1:05:30 | |
to the red, just to the left of the
four. | 1:05:30 | 1:05:33 | |
Because he potted the blue on the
left-hand side of the pocket he's | 1:05:33 | 1:05:37 | |
further away from this. He only
needs this red. | 1:05:37 | 1:05:46 | |
Just overcut it. | 1:05:48 | 1:05:53 | |
APPLAUSE | 1:05:53 | 1:06:03 | |
Perfect angle on the pink to disturb
the three reds. | 1:06:10 | 1:06:22 | |
This is absolutely cracking
positional shot he's played there. | 1:06:46 | 1:06:53 | |
If it wasn't for that black and red
so close together | 1:06:53 | 1:07:02 | |
so close together, we'd have a new
favourite to thr game. | 1:07:02 | 1:07:08 | |
He can maybe leave a little angle to
screw off the black. Nudge the other | 1:07:08 | 1:07:13 | |
red away.
That's a couple of shots away, | 1:07:13 | 1:07:16 | |
though.
Just looking at the angle now that | 1:07:16 | 1:07:19 | |
he wants on that red. | 1:07:19 | 1:07:29 | |
You can almost see the body
language. He knows how important | 1:07:34 | 1:07:37 | |
this is, so early in the final.
Adrenaline will be pumping now. | 1:07:37 | 1:07:47 | |
So this, the key shot now. Can he
get an angle on this red to the | 1:07:47 | 1:07:53 | |
right of the black? | 1:07:53 | 1:08:03 | |
He's 41 behind, so he's got a few
points to play with. With all the | 1:08:16 | 1:08:22 | |
colours on their spots, as Stephen
said, this is the key shot coming up | 1:08:22 | 1:08:26 | |
now. I don't know if he can come off
the cushion and just flick the red | 1:08:26 | 1:08:30 | |
away? Might be able to do that. That
would be even better. | 1:08:30 | 1:08:39 | |
Just a little awkward. . He's OK
with this pink. It's a thinner cut, | 1:08:48 | 1:08:55 | |
but it's a natural angle. Just
concentrate on the pot, | 1:08:55 | 1:08:58 | |
automatically would be on the red.
Nothing to do with the cue ball. | 1:08:58 | 1:09:04 | |
Never looked in. Didn't look like it
would miss by that far, Denis. That | 1:09:12 | 1:09:17 | |
is the way the old tables used to
play. Just a simple red for Mark | 1:09:17 | 1:09:29 | |
Allen. There was a chance there. It
wasn't an easy one. But it would | 1:09:29 | 1:09:36 | |
have been a steel. So Mark Allen,
he's lost the first frame in all his | 1:09:36 | 1:09:42 | |
previous matches N this masters he's
done the same again today. | 1:09:42 | 1:09:49 | |
But probably didn't know that ran
off. | 1:09:49 | 1:09:57 | |
With the cloth in the olden days it
automatically went in that way. | 1:10:12 | 1:10:29 | |
Got him the second frame and it is
1-1. | 1:10:37 | 1:10:44 | |
That was very interesting. That pink
to see it, that is the coach there. | 1:10:44 | 1:10:51 | |
That's Barry, I don't know what's
going on there. That's the first | 1:10:51 | 1:10:58 | |
time I have ever, ever seen that in
my years as a professional player - | 1:10:58 | 1:11:04 | |
changing waist coats at the table. | 1:11:04 | 1:11:12 | |
Anyway, that was a very, very
important frame. There was a chance | 1:11:12 | 1:11:18 | |
to pinch it. Looked as if it was
going to the pocket there. Watch it | 1:11:18 | 1:11:25 | |
at the end. To the left-hand jaw. I
am sure at the interval that they | 1:11:25 | 1:11:30 | |
will look at that. That's, that
can't be allowed to stay like that. | 1:11:30 | 1:11:38 | |
A costume change. I have never seen
that in a final before, Denis. We | 1:11:38 | 1:11:44 | |
are back to the secretary 70s and
early # 0s, where the players in the | 1:11:44 | 1:11:50 | |
afternoon wear a normal tie and in
the evening they wear a bow tie. | 1:11:50 | 1:12:02 | |
Maybe it is a more comfortable
waistcoat. It is strange, it is blue | 1:12:11 | 1:12:18 | |
the new one. It doesn't go with the
trousers. | 1:12:18 | 1:12:25 | |
Maybe all the people here in the
Ally Pally thought it would drop. It | 1:13:19 | 1:13:23 | |
has finished in such a way he can
see the cushion along the black. The | 1:13:23 | 1:13:28 | |
angle's stopping him... Look at
that. It is not often you see that. | 1:13:28 | 1:13:39 | |
A treble will do. It doesn't matter. | 1:14:49 | 1:14:53 | |
APPLAUSE | 1:14:54 | 1:14:59 | |
Finished up with a treble. | 1:15:01 | 1:15:12 | |
Look at Mark Allen's body language
as he walked away. He did get the | 1:15:21 | 1:15:25 | |
snooker.
Mike wanted to block off the escape | 1:15:25 | 1:15:32 | |
route into the right side of the
reds, as we look at it because that | 1:15:32 | 1:15:38 | |
would be straightforward safety
shot. It's more difficult now | 1:15:38 | 1:15:44 | |
because he's blocked that route off. | 1:15:44 | 1:15:51 | |
Having to swerve this. | 1:15:54 | 1:16:00 | |
A bit of an angle and knowing Mark
he might just take this on. He's | 1:16:07 | 1:16:13 | |
quite an attacking player. | 1:16:13 | 1:16:19 | |
The red was always going to come
away from the pocket. | 1:16:34 | 1:16:45 | |
Nice pot. Very nice pot. Just screw
into the left-hand side of the bunch | 1:16:53 | 1:16:59 | |
as we watch this again. This was
well picked out. On the main bunch | 1:16:59 | 1:17:05 | |
of reds, to leave the red in the
open between the black and the bunch | 1:17:05 | 1:17:09 | |
to the right corner.
Doesn't hit this too hard. | 1:17:09 | 1:17:14 | |
Not a bad chance this.
Four reds still available. | 1:17:50 | 1:18:05 | |
That's amazing. That against Judd
Trump... Usually he's very, very | 1:18:28 | 1:18:35 | |
good with the rest. Very surprised
there. | 1:18:35 | 1:18:39 | |
That was a shocker. Missed it by
about a mile. | 1:18:39 | 1:18:43 | |
That's what he thinks about it.
I think he prefers to punch the | 1:18:43 | 1:18:51 | |
balls in, rather than drop them in,
the way he played it. | 1:18:51 | 1:18:59 | |
Those misses don't do your
confidence any good. Watch the cue. | 1:18:59 | 1:19:02 | |
It sort of goes up and down.
A long way off. | 1:19:02 | 1:19:16 | |
He cannot keep leaving Mark Allen
opportunities like this with the | 1:19:22 | 1:19:29 | |
balls. He's just got to mop them up
more often than not. | 1:19:29 | 1:19:37 | |
It is a bit worrying. Mark Allen
when he is in, looks like he is | 1:28:44 | 1:28:48 | |
scoring good. The cue ball is
excellent but he is not getting to | 1:28:48 | 1:28:51 | |
70 where he has won the frame in one
visit. Both players as yet haven't | 1:28:51 | 1:28:59 | |
totally settled down. The standard
has been good. Expect tonight the | 1:28:59 | 1:29:03 | |
pace will rise a bit. These first
eight frames are a strange situation | 1:29:03 | 1:29:07 | |
because there is no end to the match
in the eight frames. It is about | 1:29:07 | 1:29:10 | |
trying to build up a lead or keep in
touch. Interesting to see how it | 1:29:10 | 1:29:19 | |
phases out. | 1:29:19 | 1:29:24 | |
I have never seen a waistcoat
change. One more frame before the | 1:29:31 | 1:29:36 | |
interval. | 1:29:36 | 1:29:41 | |
COMMENTATOR: | 1:30:30 | 1:30:30 | |
A decent break off from Kyren. | 1:30:35 | 1:30:37 | |
If he comes off the right side
cushion and lands there he will be | 1:30:50 | 1:30:53 | |
OK. It is a | 1:30:53 | 1:30:55 | |
REFEREE: FOUL AND A MISS. | 1:31:07 | 1:31:10 | |
He will have it put back. Nothing
available. He'll have to do a slight | 1:31:15 | 1:31:20 | |
readjustment. | 1:31:20 | 1:31:24 | |
He will have to ask Marcel Eghert to
have a look at the monitor. | 1:31:25 | 1:31:33 | |
Keep going? Good? | 1:31:40 | 1:31:44 | |
That's where I had my line, so it is
absolutely spot-on. | 1:32:08 | 1:32:17 | |
It's OK. | 1:32:23 | 1:32:28 | |
We have Nick in from the Kaiser
Chiefs, in with his sad. Not a bad | 1:33:12 | 1:33:21 | |
player either. I think slightly
better than Nick. This is all he | 1:33:21 | 1:33:26 | |
could do. Is it hard enough, is it
going to reach? REFEREE: Foul and a | 1:33:26 | 1:33:33 | |
miss. | 1:33:33 | 1:33:34 | |
We haven't had too much tactical
play but both these players as well | 1:34:47 | 1:34:52 | |
as being great break players are
great safety players. He had a look | 1:34:52 | 1:34:56 | |
at the pack there. | 1:34:56 | 1:34:59 | |
He doesn't want to knock one over
the pocket. . Oh what a shot. | 1:35:05 | 1:35:11 | |
He has been very unlucky. He tried
to make the plant and take the pot | 1:35:17 | 1:35:20 | |
on at the same time. So he tried to
pot two reds there and almost pulled | 1:35:20 | 1:35:24 | |
it off. He is very unlucky with
where the cue ball is finished. But | 1:35:24 | 1:35:32 | |
for someone that was brought up
playing billiards, he spotted one | 1:35:32 | 1:35:36 | |
there. | 1:35:36 | 1:35:43 | |
there. The canon was terrific.
Pot this to the left and make the | 1:35:43 | 1:35:46 | |
plant. Well-spotted. | 1:35:46 | 1:35:49 | |
Very aggressive safety shot. Opened
them up. The cue ball is not tight | 1:36:22 | 1:36:25 | |
on the balk cushion but still a
handy shot. | 1:36:25 | 1:36:37 | |
The first glance is hard to pick
out. To get the cue ball back to | 1:36:45 | 1:36:52 | |
balk. The red, closest to the right
corner, you could possibly could | 1:36:52 | 1:36:57 | |
about www. That pot with lots of
left-hand side and take the cue ball | 1:36:57 | 1:37:03 | |
in a straight line up the table. | 1:37:03 | 1:37:14 | |
I think he's going to get through to
that red. | 1:37:25 | 1:37:33 | |
Playing the containing safety shot. | 1:37:35 | 1:37:40 | |
That is Alan Hunter, Paul Hunt ears
father here. Great to see him here. | 1:38:20 | 1:38:24 | |
The trophy named after his son. He
won it three times. I can't believe | 1:38:24 | 1:38:36 | |
it's 12 years since Paul passed away
but nice to see his dad here. And | 1:38:58 | 1:38:59 | |
there it is. A terrific player he
was. Would have been a World | 1:38:59 | 1:38:59 | |
Champion. | 1:38:59 | 1:39:00 | |
He was a star. He was like the David
Beckham of the snooker world. He | 1:39:00 | 1:39:03 | |
really was. | 1:39:03 | 1:39:06 | |
Tremendous victories at this event.
I think he was 7-2 down twice. At | 1:39:09 | 1:39:13 | |
least twice. | 1:39:13 | 1:39:18 | |
A dangerous shot. If he had missed
the pot that could've left the cue | 1:39:56 | 1:40:01 | |
ball down this end of the table, in
amongst all the reds. Had to get it. | 1:40:01 | 1:40:09 | |
That's such a difficult shot to
play. Just a roll up and land on the | 1:40:16 | 1:40:20 | |
yellow. From the cue ball. Being on
the cushion. Very difficult to | 1:40:20 | 1:40:26 | |
judge. You don't want to leave it
short, otherwise you leave your | 1:40:26 | 1:40:33 | |
opponent in with the free ball. | 1:40:33 | 1:40:39 | |
You can see the red there in front
of the black. Sometimes you play a | 1:40:42 | 1:40:49 | |
screw back off that and hope that
you can keep the reds all up this | 1:40:49 | 1:40:52 | |
end of the table. Is he going to try
a thin off it? | 1:40:52 | 1:40:57 | |
An excellent shop. I remember big
Bill Wovernick, when he was in | 1:41:11 | 1:41:20 | |
trouble he got down and screwed it
back into the balk error but Mark | 1:41:20 | 1:41:24 | |
Allen found a gap there and it had
to be judged to perfection. | 1:41:24 | 1:41:31 | |
REFEREE: Foul and a miss. | 1:42:14 | 1:42:16 | |
A touch closer? All three having a
look at the monitor. | 1:42:43 | 1:42:53 | |
Just a fraction. A ball? A full
ball? We are getting there. That's | 1:43:01 | 1:43:06 | |
where it was. Not too far away. Is
that OK? | 1:43:06 | 1:43:13 | |
It's a very delicate little shot he
is playing. He just has to land on | 1:43:16 | 1:43:26 | |
the red off the two cushions. | 1:43:26 | 1:43:29 | |
This is quite a tactical battle
between these two young players | 1:44:29 | 1:44:33 | |
here. Just 26 years of age, Kyren. | 1:44:33 | 1:44:41 | |
Just the slightest of double kisses
there. He would have been a bit | 1:44:59 | 1:45:02 | |
anxious as he watched the white go
towards that red. I presume Mark | 1:45:02 | 1:45:09 | |
Allen can't get through. The two
reds at the right corner, you would | 1:45:09 | 1:45:13 | |
think he would have a go at the
plant. He hasn't looked at T I | 1:45:13 | 1:45:17 | |
presume he can't get through to the
red furthest away from the pocket. | 1:45:17 | 1:45:23 | |
It's not a straight plant by any
means but from where he was hitting | 1:45:23 | 1:45:27 | |
the cue ball from it would've been
pretty easy. | 1:45:27 | 1:45:33 | |
Risky. He is playing the cushion
first to pot the red or is he just | 1:45:44 | 1:45:49 | |
playing the safety? He may just be
playing the safety, leaving the cue | 1:45:49 | 1:45:54 | |
ball in the jaws of the pocket. | 1:45:54 | 1:45:56 | |
No, it was the pot. Very, very risky
that shot. There was a lot of | 1:45:58 | 1:46:03 | |
distance between the red and the
pocket. At first glance, he hasn't | 1:46:03 | 1:46:10 | |
left anything easy. | 1:46:10 | 1:46:13 | |
In the | 1:46:31 | 1:46:41 | |
end it was Mark Allen who won the
tactical battle and Kyren tried that | 1:46:43 | 1:46:50 | |
pot. So in with a chance here. They
are awkward around that corner | 1:46:50 | 1:46:54 | |
pocket. | 1:46:54 | 1:46:56 | |
Oh, no, the wasp back again. Here we
go again. He is on his back. He | 1:47:25 | 1:47:29 | |
should be able to get him this time. | 1:47:29 | 1:47:34 | |
REFEREE: Thank you, settle down,
please. Sorry about that. | 1:47:38 | 1:47:45 | |
APPLAUSE | 1:47:54 | 1:47:56 | |
Well, Mark keeping focussed here,
quite rightly. Thank you. | 1:48:02 | 1:48:06 | |
He'd love to go to the mid-session
interval all-square. | 1:48:08 | 1:48:16 | |
When that was | 1:48:32 | 1:48:38 | |
going on, the referee dealing with
the ref, Mark didn't flinch. Very | 1:48:44 | 1:48:49 | |
focussed Well he is always up for a
joke with the referees and that but | 1:48:49 | 1:48:53 | |
this is the final of the Masters and
he has to keep that focus. | 1:48:53 | 1:49:02 | |
And if you just watch Mark's face
here, he is not flinching. He is | 1:49:13 | 1:49:19 | |
keeping his focus. | 1:49:19 | 1:49:23 | |
That needs to pull up a bit. It is a
little awkward for him. He might | 1:49:34 | 1:49:38 | |
need the rest again. | 1:49:38 | 1:49:44 | |
It is getting a bit more complicated
now with those five reds all around | 1:49:47 | 1:49:50 | |
the pocket. They are all sort of
covering each other. | 1:49:50 | 1:49:55 | |
He could easily snooker himself on
the red here, if he is playing for | 1:50:10 | 1:50:13 | |
the one next to the pink. He has hit
it at a decent pace to make sure | 1:50:13 | 1:50:18 | |
that didn't happen. A pretty good
shot, to be fair. There would have | 1:50:18 | 1:50:25 | |
been frustration in his mind from
not being on the blue nicely. | 1:50:25 | 1:50:35 | |
Whenever he gets to the point of
playing some sort of cannon to | 1:51:09 | 1:51:13 | |
loosen the four reds by the right
corner pocket, it's going to be... | 1:51:13 | 1:51:18 | |
There is going to be a bit of danger
attached to it because he doesn't | 1:51:18 | 1:51:22 | |
want to pot a red. | 1:51:22 | 1:51:25 | |
Wow, maybe he could've hit that with
a bit more pace. Maybe it drifted to | 1:51:51 | 1:51:55 | |
the jaws. Let's look. I don't think
he was quite in the pocket there. | 1:51:55 | 1:52:04 | |
But the frames are all following the
same pattern. Mark Allen is getting | 1:52:04 | 1:52:07 | |
in first and in the making enough.
-- and not making enough to finish | 1:52:07 | 1:52:12 | |
the frame off. | 1:52:12 | 1:52:16 | |
Off two cushions for the red at the
right corner, off the right-hand | 1:52:32 | 1:52:35 | |
side? | 1:52:35 | 1:52:37 | |
Played it well. | 1:52:39 | 1:52:42 | |
It was all about getting a good
angle on the blue again, to get into | 1:52:48 | 1:52:54 | |
those very awkward five reds, so
imperative he gets a good angle on | 1:52:54 | 1:52:57 | |
the blue here. | 1:52:57 | 1:53:02 | |
He could even do it from the pink
but as Stephen said he has to be | 1:53:15 | 1:53:20 | |
careful not to plant the red into
the corner pocket, depending on how | 1:53:20 | 1:53:24 | |
hard he hits this. | 1:53:24 | 1:53:27 | |
That's amazing the way that has
finished. | 1:53:40 | 1:53:44 | |
It's finished so awkward, he hasn't
even got an easy safety shot. | 1:53:54 | 1:53:59 | |
He could play that shot another ten
times and not get that result. | 1:54:16 | 1:54:22 | |
Already the longest frame in this
Masters' final. | 1:54:49 | 1:54:53 | |
And it could go on for a while, the
way these balls are situated. | 1:54:59 | 1:55:06 | |
Gradually getting | 1:56:10 | 1:56:16 | |
spread around, Mark Allen has left
an attempt here. | 1:56:22 | 1:56:25 | |
A fabulous pot from the red. Well,
you could argue he has not got any | 1:56:34 | 1:56:42 | |
advantage from it, because he has to
play not only positive, a tricky | 1:56:42 | 1:56:47 | |
safety, but what can you leave, it
doesn't matter where you put the cue | 1:56:47 | 1:56:51 | |
ball. | 1:56:51 | 1:56:56 | |
Yes, he went for the pink and six
extra points. Well, a fantastic pot. | 1:57:02 | 1:57:13 | |
He might even have a go at the
double because it's the only red he | 1:57:13 | 1:57:17 | |
could leave. | 1:57:17 | 1:57:25 | |
Always worth the risk there, having
a go at the double. The only | 1:57:32 | 1:57:36 | |
problem, as we'll show you, he was
pretty close to it. | 1:57:36 | 1:57:43 | |
Although it is the best of 19. You
play longer matches, in little mini | 1:57:53 | 1:57:58 | |
sessions. You set your stall out to
maybe win the first session 3-1. | 1:57:58 | 1:58:12 | |
Quite a tense fourth frame here,
before we go to the mid-session | 1:58:15 | 1:58:17 | |
interval. | 1:58:17 | 1:58:22 | |
He didn't want to risk playing back
down the table because if he had | 1:59:05 | 1:59:09 | |
come up short he would've left the
one close to the blue. That's yes | 1:59:09 | 1:59:12 | |
chose a different shot. | 1:59:12 | 1:59:19 | |
He'd rather this red would go off in
off the blue. He could cut it in | 1:59:23 | 1:59:26 | |
directly. It is a big pocket. | 1:59:26 | 1:59:32 | |
He has cut it. Great shot. A good
pot but once again, a little | 1:59:37 | 1:59:51 | |
pot but once again, a little bit
unfortunate with the green. I'll | 1:59:51 | 1:59:54 | |
show you the snick shot. Look at the
reds but the green made it awkward. | 1:59:54 | 2:00:00 | |
He is trying the black to try to
develop the reds. | 2:00:00 | 2:00:05 | |
I think this is a | 2:00:17 | 2:00:24 | |
I think this is a first real scrapie
frame That he's been involved in, | 2:00:24 | 2:00:27 | |
the majority of this tournament. | 2:00:27 | 2:00:34 | |
That's a pretty good shot. | 2:00:52 | 2:00:57 | |
APPLAUSE | 2:00:57 | 2:00:57 | |
It is a tricky safety for Mark Allen
now here. | 2:01:00 | 2:01:13 | |
He felt the white drifted a little
bit there. Is there a gap through to | 2:01:21 | 2:01:28 | |
the red? No, I don't think so. Not
the red closest to the cue ball. | 2:01:28 | 2:01:38 | |
Certainly available, I think, to the
far left corner. | 2:01:38 | 2:01:51 | |
A push shot, but why hit that so
hard? I don't understand that shot | 2:02:08 | 2:02:13 | |
at all.
If you're going to go for the pot, | 2:02:13 | 2:02:15 | |
why not just stand across from the
pin took the middle pocket? | 2:02:15 | 2:02:25 | |
pin took the middle pocket? A
strange choice of shot to me there. | 2:02:26 | 2:02:36 | |
He got away with it. This is very
difficult for Mark Allen here. | 2:02:37 | 2:02:51 | |
I wonder if he's looking at the
angle to cut this in the middle | 2:03:12 | 2:03:16 | |
pocket. It would have to be a thin
one. | 2:03:16 | 2:03:28 | |
He looked at the angle to cut the
red in the middle. Tried to pot the | 2:03:34 | 2:03:39 | |
other one. So, that tells you that
red isn't cuttable. | 2:03:39 | 2:03:49 | |
Eight frames to be played this
afternoon. | 2:04:01 | 2:04:07 | |
And this frame not far off. 35
minutes, but the balls did go a | 2:04:07 | 2:04:11 | |
little awkward. There were some
brilliant tactical play from both | 2:04:11 | 2:04:15 | |
players. | 2:04:15 | 2:04:21 | |
Mark Allen is thinking about taking
this pot up into the left corner and | 2:04:24 | 2:04:29 | |
screwing back with a bit of safety
in mind. When you have played a | 2:04:29 | 2:04:33 | |
longish frame, the last thing you
want to do is let your opponent in. | 2:04:33 | 2:04:41 | |
Making a mistake. | 2:04:41 | 2:04:46 | |
Making a mistake. That is what he's
tried. Where's the red going to | 2:04:49 | 2:04:54 | |
finish up? | 2:04:54 | 2:04:59 | |
Wasn't an easy position there for
Mark Allen. | 2:05:01 | 2:05:13 | |
Getting a little bit flustered Mark
Allen out there. He's looked very | 2:05:19 | 2:05:22 | |
calm and composed this week. | 2:05:22 | 2:05:30 | |
A let off. I say a let off, because
he missed the pot, but has he left | 2:05:32 | 2:05:37 | |
anything? The first sign of tension
in this final. | 2:05:37 | 2:05:54 | |
He wanted to hit red first. Just
watch the cue ball here. Just hits | 2:06:13 | 2:06:18 | |
the cushion before the red.
Is it still cuttable? | 2:06:18 | 2:06:30 | |
One good shot to play for the rest.
It's done off a couple of cushions. | 2:06:45 | 2:07:01 | |
It is amazing. It has added a bit of
tension to this very important | 2:07:01 | 2:07:06 | |
frame, even though it is the best of
19. | 2:07:06 | 2:07:11 | |
Both players missing balls that they
wouldn't normally miss. | 2:07:11 | 2:07:18 | |
. You can just see a little bit of
redness around the face, Mark Allen. | 2:07:18 | 2:07:25 | |
He doesn't look as calm and as
composed. | 2:07:25 | 2:07:35 | |
Mark Allen knows that Kyren should
have got closer to this green. | 2:07:41 | 2:07:45 | |
Further than he would have liked. | 2:07:45 | 2:07:52 | |
Switch that phone off, please. Not a
phone, surely! | 2:07:52 | 2:08:02 | |
Off.
It is a very important shot this | 2:08:16 | 2:08:24 | |
that Kyren is facing. He didn't get
as close to the green as he should | 2:08:24 | 2:08:28 | |
have done. | 2:08:28 | 2:08:34 | |
That's ridiculous. It is. Can you
point that person out? Come on | 2:08:34 | 2:08:45 | |
please and that's it. He can go. | 2:08:45 | 2:08:50 | |
Trying to find the culprit. | 2:08:58 | 2:09:06 | |
Hurry up, please. Don't kick him
out. Just turn it on silent. | 2:09:06 | 2:09:19 | |
Let him in after the interval, yeah? | 2:09:24 | 2:09:29 | |
APPLAUSE
Bless him. He's a fair chap. He | 2:09:29 | 2:09:39 | |
won't probably know how to switch
the phone on to silent. | 2:09:39 | 2:09:48 | |
the phone on to silent. That was
really nice of him there. | 2:09:52 | 2:09:57 | |
To have the concentration after all
that, to regain your focus and the | 2:10:11 | 2:10:15 | |
job in hand, potting that green.
He's still got quite a bit to do | 2:10:15 | 2:10:28 | |
here. | 2:10:28 | 2:10:38 | |
He's | 2:10:48 | 2:10:53 | |
Instead of being straightforward,
he's got a problem. Just wanted to | 2:11:02 | 2:11:06 | |
come between the green and pink.
That's no not the best shot he's | 2:11:06 | 2:11:19 | |
ever played. So both players are
feeling the tension out there. | 2:11:19 | 2:11:27 | |
This key frame, before the
mid-session interval. | 2:11:27 | 2:11:36 | |
That's a good shot from Mark Allen
there. | 2:11:42 | 2:11:50 | |
He hadn't got the angle there. He
made sure he got a good green and | 2:11:50 | 2:11:55 | |
he's got a pretty good cue ball. | 2:11:55 | 2:12:07 | |
That is a bit unlucky of the hit
one, middle pocket, and go across | 2:12:39 | 2:12:45 | |
over the other. The only thing with
this shot, I don't know if he can | 2:12:45 | 2:12:51 | |
hit it thick enough to avoid the
white going up into a corner pocket. | 2:12:51 | 2:12:57 | |
He has to be a wee bit careful with
this. | 2:12:57 | 2:13:09 | |
Believe it or not, this is now the
longest frame of the tournament. The | 2:13:27 | 2:13:34 | |
previous | 2:13:34 | 2:13:40 | |
previous longest was John Higgins
Anthony McGill. | 2:13:40 | 2:13:54 | |
He needs the brown, the blue and the
pink. | 2:14:30 | 2:14:38 | |
Black doesn't really matter. It is
all about who pots blue and pink. | 2:14:56 | 2:15:10 | |
How hard did he hit that? That is
pure tension that caused him to miss | 2:15:34 | 2:15:38 | |
that. Why hit it so hard? That's
what you can do under pressure. Just | 2:15:38 | 2:15:45 | |
needed to push the cue through in a
straight line and well, wouldn't it | 2:15:45 | 2:15:50 | |
be ironic if Mark Allen was to pot
this and bring the black into play. | 2:15:50 | 2:16:02 | |
Quietly, please. | 2:16:08 | 2:16:10 | |
Didn't play the double. He's played
this very well indeed. Excellent | 2:16:22 | 2:16:27 | |
safety shot. | 2:16:27 | 2:16:30 | |
APPLAUSE | 2:16:31 | 2:16:32 | |
All of a sudden, Mark Allen has just
gone favourite for this black ball | 2:16:37 | 2:16:41 | |
fight and the way it's finished.
There are some players who attempt | 2:16:41 | 2:16:48 | |
the double in this sort of
situation. | 2:16:48 | 2:16:50 | |
It's not the done thing these days. | 2:16:50 | 2:16:57 | |
Sent it on to the side cushion. Get
a little bit of drift, so... I tell | 2:17:03 | 2:17:10 | |
you what, this isn't a gimme. Mark
Allen looked away. I think it's dead | 2:17:10 | 2:17:16 | |
straight. OK, he should pot it nine
times out of ten, but... | 2:17:16 | 2:17:27 | |
APPLAUSE | 2:17:27 | 2:17:31 | |
The frame has lasted almost 47
minutes and Mark Allen, well, he | 2:17:34 | 2:17:38 | |
will be delighted to pinch it in the
end. It is 2-2. | 2:17:38 | 2:17:46 | |
What a reaction from Mark Allen. A
fist going on there. A bit of a | 2:17:46 | 2:17:50 | |
football celebration. He got away
with one there. Didn't he? He played | 2:17:50 | 2:17:55 | |
a brilliant shot on the black. What
was Kyren Wilson doing with a | 2:17:55 | 2:17:59 | |
straight pink? Somebody who cues as
well as he does as well. He nearly | 2:17:59 | 2:18:04 | |
missed the jaws. He did miss the
jaws. Is that tension though? It is | 2:18:04 | 2:18:10 | |
purely that T I still expected him
to knock that in. He seems to be | 2:18:10 | 2:18:14 | |
under pressure. Perhaps he hits the
ball too hard. It is OK if they are | 2:18:14 | 2:18:18 | |
going in the pockets. When they
miss, it looks like he panicked a | 2:18:18 | 2:18:23 | |
bit. What that does for his
confidence for the rest of the match | 2:18:23 | 2:18:26 | |
is in question. Those shots are
debilitating. What a confidence | 2:18:26 | 2:18:31 | |
builder for your opponent if you are
playing somebody who might not be | 2:18:31 | 2:18:35 | |
ability to clinch a frame. He had a
few bites of the cherry. We are | 2:18:35 | 2:18:41 | |
looking at the end, but he had two
or three chances. He was in on the | 2:18:41 | 2:18:45 | |
colours first out of the two
players. He's not giving away one, | 2:18:45 | 2:18:50 | |
he's giving away three. Rewind to
the phone situation - had that not | 2:18:50 | 2:18:55 | |
happened he would have potted the
green better. He didn't pot it in | 2:18:55 | 2:18:58 | |
the best part of the pocket. He
wasn't on the yellow. He made the | 2:18:58 | 2:19:02 | |
positional shot with the yellow. Who
knows what would have happened if he | 2:19:02 | 2:19:06 | |
got free flow of that? That pink,
with the black safe is a free shot, | 2:19:06 | 2:19:11 | |
it is like a penalty. He butchered
it. When will people get the message | 2:19:11 | 2:19:18 | |
about taking phones into events like
this, cinemas or theatres. Back with | 2:19:18 | 2:19:24 | |
you very, very shortly. Back to the
live action. 2-2 as it stands. Let's | 2:19:24 | 2:19:29 | |
hear from Mark Allen. He's been
talking to Rob Walk our. | 2:19:29 | 2:19:34 | |
Mark, I always look forward to
speaking to you, because you are | 2:19:34 | 2:19:36 | |
someone who is so honest. There was
no better example than how you had a | 2:19:36 | 2:19:43 | |
laugh with Denis, walking down the
stairs having been introduced as | 2:19:43 | 2:19:47 | |
Williams.
It's the Pistol Mark Williams... | 2:19:47 | 2:20:02 | |
What's your second name again? Mark
Allen, everybody! It was funny being | 2:20:03 | 2:20:11 | |
introduced as Mark Williams. I had a
joke he's getting sacked in the | 2:20:11 | 2:20:15 | |
morning. I didn't ask you to say
that! The interesting thing about | 2:20:15 | 2:20:20 | |
that is you weren't offended and it
didn't interrupt your momentum in | 2:20:20 | 2:20:25 | |
the match and you are someone, I
think, who reacts quite well on the | 2:20:25 | 2:20:30 | |
big occasions in the big matches.
I think that's something just about | 2:20:30 | 2:20:35 | |
my personality really. I try and
have fun out there, whether in the | 2:20:35 | 2:20:39 | |
build up or in the match to try and
enjoy myself. I am very fortunate to | 2:20:39 | 2:20:44 | |
do what I do for a living. You have
to try and enjoy it as well with. | 2:20:44 | 2:20:49 | |
You are on three ranking titles, two
of which came in China and you won | 2:20:49 | 2:20:54 | |
the grand finals. Would you have
expected more silverware by now, | 2:20:54 | 2:20:58 | |
bearing in mind how long you have
been around the top 16? ? Well I | 2:20:58 | 2:21:04 | |
hope it does not sound arrogant, but
I did expect more. I came on the | 2:21:04 | 2:21:09 | |
back of a good hammure record. I was
used to winning. I have won nine | 2:21:09 | 2:21:13 | |
times on tour. For me, it is not
enough. | 2:21:13 | 2:21:17 | |
Do you think people outside the
circuit may underestimate the | 2:21:17 | 2:21:23 | |
difficulties of being away from home
for so much. I am sure you are | 2:21:23 | 2:21:28 | |
grateful for the living snooker's
enabled you and your family to have, | 2:21:28 | 2:21:32 | |
but it is not as glamorous as what
people think? First of all I am very | 2:21:32 | 2:21:38 | |
grateful for what the game's given
me. People will never understand | 2:21:38 | 2:21:41 | |
what we go through as sports people
and being away from home so much. | 2:21:41 | 2:21:48 | |
People say, how would you like a
9-5? If you do have 9-5 you see your | 2:21:48 | 2:21:53 | |
family. That is something we don't
know. Living out of a suitcase, | 2:21:53 | 2:21:58 | |
eating room service on your own
nearly every night. That is not all | 2:21:58 | 2:22:06 | |
what it's cracked up to be.
Well, it is always a delight to see | 2:22:06 | 2:22:12 | |
you in amongst the balls. Thank you
for your honesty again. Thanks. | 2:22:12 | 2:22:18 | |
Ranked number eight in the world.
He's a good talker if you catch him | 2:22:18 | 2:22:23 | |
in the right sort of mood. He's a
great lad. We talk a lot about | 2:22:23 | 2:22:27 | |
football and golf together. He's
been very relaxed around the venue | 2:22:27 | 2:22:31 | |
all week. If you beat Ronnie
O'Sullivan and John Higgins, you are | 2:22:31 | 2:22:35 | |
hitting the ball all right. It makes
a big difference if you are feeling | 2:22:35 | 2:22:38 | |
relaxed? It is hard to feel relaxed
when things are going wrong on the | 2:22:38 | 2:22:43 | |
table though. Today they have done
for Mark Allen. He will be relieved | 2:22:43 | 2:22:47 | |
to have got that full frame under
his belt and wiped the slate clean | 2:22:47 | 2:22:51 | |
and start again. As I said earlier,
this opening session of eight | 2:22:51 | 2:22:56 | |
frames, with 11 tonight, perhaps you
think, OK, the match starts tonight | 2:22:56 | 2:23:01 | |
more. You hope to get parity at the
very least. It is a chance to get a | 2:23:01 | 2:23:06 | |
big lead on your opponent. If not,
it is parity and wait for tonight. | 2:23:06 | 2:23:11 | |
In the context of Mark Allen and
where he's going in his snooker | 2:23:11 | 2:23:15 | |
career, we have discussed, he's got
the talent to win these major | 2:23:15 | 2:23:19 | |
titles. If, for example, he wins
tonight, does that mean he goes to | 2:23:19 | 2:23:24 | |
the World Championship full of
confidence and we talk about him | 2:23:24 | 2:23:27 | |
winning at a cruisable as opposed to
the Selby, the O'Sullivan? | 2:23:27 | 2:23:32 | |
Absolutely. It makes a difshs to
know you can go and -- difference to | 2:23:32 | 2:23:36 | |
know you can go and do it. I have
seen some brilliant performances | 2:23:36 | 2:23:40 | |
when he's been nicked on the line by
performers who have played that bit | 2:23:40 | 2:23:45 | |
better than him. If he wins one of
these, who knows what it will do for | 2:23:45 | 2:23:49 | |
him confidence-wise. It has to be a
boost. The more who win Major | 2:23:49 | 2:23:56 | |
events, the more every player is
saying to themselves, I am good | 2:23:56 | 2:23:59 | |
enough to win. The field of players
getting bigger and bigger. From Mark | 2:23:59 | 2:24:04 | |
Allen's perspective, he would like
to be in that group. This is Kyren | 2:24:04 | 2:24:09 | |
Wilson, really good listen, this.
So, second masters and it must be so | 2:24:09 | 2:24:16 | |
nice to be now in this elite
bracket, where only the best of the | 2:24:16 | 2:24:21 | |
best get invited here. It seems to
be getting harder and harder, | 2:24:21 | 2:24:25 | |
doesn't it? There are so many
seeding cut offs now. There's no | 2:24:25 | 2:24:31 | |
rest in there. On a good win, back a
couple of months ago, you have to | 2:24:31 | 2:24:35 | |
keep on producing. And yeah, I'm
very pleased to be in that 16 once | 2:24:35 | 2:24:39 | |
again for the second time.
Your year leading up to qualifying | 2:24:39 | 2:24:45 | |
for the Masters was massive, wasn't
it? You went from outside the top 50 | 2:24:45 | 2:24:50 | |
to suddenly being in the 16. You
just seemed to click in so many | 2:24:50 | 2:24:55 | |
ways? I have got to put that down to
my coach, Barry. We have worked hard | 2:24:55 | 2:25:02 | |
technically. It set me back for a
good two years. Inevitably it has | 2:25:02 | 2:25:07 | |
put me two steps forward. We have
not looked back since we worked on | 2:25:07 | 2:25:11 | |
that. I managed to win Shanghai. It
is very important to be consistent. | 2:25:11 | 2:25:15 | |
From then on you don't want to be a
one-hit wonder. I am chasing that | 2:25:15 | 2:25:20 | |
second title. I am knocking on the
door. I am getting closer and | 2:25:20 | 2:25:24 | |
closer. That is what you have to do.
It is so tough these days. You | 2:25:24 | 2:25:28 | |
cannot be too tough on yourself and
have to set realistic goals. How do | 2:25:28 | 2:25:33 | |
you balance being a young father.
You have fin lay and Bailey. Those | 2:25:33 | 2:25:43 | |
Bailey is only four months old. You
are spending months and months away | 2:25:43 | 2:25:48 | |
from home and in many cases away
from the country on a different time | 2:25:48 | 2:25:52 | |
zone? It is very tough. Sometimes
this year especially I have gone out | 2:25:52 | 2:25:58 | |
the door and my little boy has
shouted down the stairs, "Dad, | 2:25:58 | 2:26:04 | |
please don't go." He is three. He
wants his dad around him. In a few | 2:26:04 | 2:26:12 | |
years' time hopefully he will enjoy
the life I have given him. My wife, | 2:26:12 | 2:26:20 | |
Sophie, she had never been abroad
before we got together. Now there | 2:26:20 | 2:26:27 | |
are the countries she has seen. You
have to take the rough with the | 2:26:27 | 2:26:30 | |
smooth. It is not easy. I am
enjoying what I am doing. I am | 2:26:30 | 2:26:34 | |
hungry. I have to be selfish and put
my snooker first. In that sense I | 2:26:34 | 2:26:39 | |
will always give my family a better
life for that reason. It's not easy, | 2:26:39 | 2:26:43 | |
but I am coping with it quite well.
It sounds as if your wife and your | 2:26:43 | 2:26:48 | |
children and your parents are really
proud of you. Congratulations on all | 2:26:48 | 2:26:51 | |
the success so far. And may that
second title be coming sooner rather | 2:26:51 | 2:26:56 | |
than later. Thank you very much,
Rob. Cheers. I am down here in the | 2:26:56 | 2:27:00 | |
Cue Zone. Before I speak to his
mother and father and brother, I am | 2:27:00 | 2:27:11 | |
putting my phone away. How is your
phone? Is it switched off? Yes. What | 2:27:11 | 2:27:16 | |
a tense last frame that was. I think
Kyren will be disappointed. They | 2:27:16 | 2:27:23 | |
will be disappointed. They both
missed balls they would normally | 2:27:23 | 2:27:27 | |
get. Going into the break 2 will 2,
I am sure Kyren would have preferred | 2:27:27 | 2:27:34 | |
it to be 3-1. How are the nerves?
Can't stand to watch, sometimesvy to | 2:27:34 | 2:27:40 | |
look away. The atmosphere in there
is great. A great last frame. | 2:27:40 | 2:27:45 | |
Absolutely. Just the phone thing. It
threw him a little bit and unsettled | 2:27:45 | 2:27:50 | |
him. He needed to get back into the
game, resettle and go again. Fair | 2:27:50 | 2:27:56 | |
play to Kyren, he didn't want the
chap thrown out. A nice touch. It | 2:27:56 | 2:28:00 | |
was. He lost his grandfather earlier
in the year and I am sure he was | 2:28:00 | 2:28:05 | |
thinking about him and how he would
have wanted him to be treated. Great | 2:28:05 | 2:28:10 | |
to have you over here, you must be
delighted with that. He gave you a | 2:28:10 | 2:28:14 | |
point... It wasn't just me. It was
everybody in the crowd. A big family | 2:28:14 | 2:28:21 | |
contingent? Just me and his brother
and sister. His wife and kids are | 2:28:21 | 2:28:27 | |
over. They are proud. Unbelievable.
The final ball was potted, everybody | 2:28:27 | 2:28:34 | |
was pressing, buy the tickets, buy
the tickets. | 2:28:34 | 2:28:43 | |
the tickets. More tickets for
tonight. Going 3-1. Don't want too | 2:28:43 | 2:28:47 | |
many frames like that. No more
frames, no more phones. In fairness | 2:28:47 | 2:28:54 | |
to Kyren, remember he didn't want
the guy put out. Credit where | 2:28:54 | 2:28:58 | |
credit's due. That is it from here
in the Cue Zone. Looking forward to | 2:28:58 | 2:29:03 | |
the next few frames. Kyren Wilson is
a very, very lovely guy as well. | 2:29:03 | 2:29:09 | |
Yes, you are right, he didn't want
the gentleman thrown out of the | 2:29:09 | 2:29:13 | |
arena. I hope the family and friends
have a great time there. Right, | 2:29:13 | 2:29:17 | |
we've had sensational snooker over
the last couple of days and some | 2:29:17 | 2:29:22 | |
wonderful shots. | 2:29:22 | 2:29:29 | |
He's got great cue power here. There
you go... Excellent shot. That's not | 2:29:36 | 2:29:40 | |
too bad. Played that very, very
well. | 2:29:40 | 2:29:48 | |
Tucked the red away from the black
spot. | 2:29:48 | 2:29:55 | |
He must feel that red will go.
Look at this shot, if it does go. | 2:29:56 | 2:30:05 | |
Absolutely perfection. Brilliant! | 2:30:05 | 2:30:12 | |
He does generate incredible cue ball
speed, Judd Trump. | 2:30:16 | 2:30:20 | |
P He played that beautifully.
Perfect execution there. He hit the | 2:30:28 | 2:30:34 | |
cue ball full on the face. | 2:30:34 | 2:30:38 | |
It is just unfair, Denis, isn't it?
The cueing is just wonderful. | 2:30:45 | 2:30:50 | |
Good shot. Good shot. | 2:31:01 | 2:31:03 | |
He could play snookers behind the
black now. That's in a nice place. | 2:31:19 | 2:31:24 | |
Now so is the cue ball. | 2:31:32 | 2:31:34 | |
A monster. Retained perfect control
with the cue ball. | 2:31:41 | 2:31:48 | |
The perfect indication of a shot
played with side there. Right down | 2:32:00 | 2:32:05 | |
the cue of John Higgins. Look at the
shot he played! # | 2:32:05 | 2:32:11 | |
The same pocket as the pink or
middle I think you'd have to play to | 2:32:17 | 2:32:22 | |
the middle. He decided to run
around. Oh, wow, look at the way he | 2:32:22 | 2:32:26 | |
has played this. Boughtfully played.
Bought -- beautifully played. | 2:32:26 | 2:32:33 | |
There's confidence. Great shot On
Angelle where he can move through | 2:32:33 | 2:32:39 | |
and manoeuvre a couple of reds into
position. -- on an angle. You are | 2:32:39 | 2:32:44 | |
now looking at the yellow. Hems be
feeling confident if he is going to | 2:32:44 | 2:32:48 | |
take this on. | 2:32:48 | 2:32:50 | |
Going for the jugular here. Great
shot. Full marks for trying to make | 2:32:52 | 2:32:56 | |
something happen here. | 2:32:56 | 2:32:59 | |
Some excellent shots. If you want to
get involved in social media, | 2:33:12 | 2:33:23 | |
contact us at
#BBCsnooker. | 2:33:23 | 2:33:25 | |
Lots of good shots. You are right.
We'll give you the result later when | 2:33:25 | 2:33:29 | |
we return for the final.
2-2 at the interval. The story of | 2:33:29 | 2:33:33 | |
the match so far. | 2:33:33 | 2:33:35 | |
Mark Allen makes a break of 3 in
frame 1 before Kyren Wilson took his | 2:33:37 | 2:33:44 | |
chance. He had a chance to steal the
frame but missed a pink into the | 2:33:44 | 2:33:51 | |
middle and Allen mopping up to make
it 1-1. | 2:33:51 | 2:33:56 | |
The big talking point in frame 3.
The missed Fred Allen, presenting | 2:34:02 | 2:34:06 | |
Wilson with yet another chance. | 2:34:06 | 2:34:09 | |
Kyren taking full advantage,
knocking in another break of 52. A | 2:34:13 | 2:34:19 | |
little disturbance in the arena with
a phone going off three times, we | 2:34:19 | 2:34:24 | |
wonder if that threw Kyren ever so
slightly. 46 minutes, 46 seconds, | 2:34:24 | 2:34:29 | |
look at that celebration from Mark
Allen. Stealy determination. 2-2. | 2:34:29 | 2:34:33 | |
There is no separating these two.
This is the 2018 Dafabet Masters | 2:34:33 | 2:34:40 | |
final live here on BBC Two. Change
in the commentary box, good | 2:34:40 | 2:34:45 | |
afternoon to Ken Doherty and John
Virgo. | 2:34:45 | 2:34:57 | |
Virgo. JOHN VIRGO: You can feel the
tension in the air. At the moment, | 2:34:57 | 2:35:03 | |
Ken I would suggest the occasion
getting the better of all players. | 2:35:03 | 2:35:09 | |
Well, a scrappy few frames but like
it now and ge. Full of tensions. I | 2:35:09 | 2:35:13 | |
don't think we'll see too many more.
I think the boys will have settled | 2:35:13 | 2:35:17 | |
down and relax after the mid-session
interval and we'll see some of the | 2:35:17 | 2:35:22 | |
great snooker they have produced
already this week. Well, they can't | 2:35:22 | 2:35:27 | |
be separated at the moment. A good
break on for Mark Allen. You can't | 2:35:27 | 2:35:32 | |
blame them for a little bit of
tension, John, a little bit of | 2:35:32 | 2:35:35 | |
nerves creeping in. It is such a big
opportunity for both players, to get | 2:35:35 | 2:35:40 | |
their hands on that wonderful trophy
and go into the history books. There | 2:35:40 | 2:35:46 | |
is a lot at stake. | 2:35:46 | 2:35:48 | |
Looks like a good break-off shot
from Mark Allen. If he catches this | 2:35:57 | 2:36:03 | |
right, though, there are a couple of
reds available. A little thin. | 2:36:03 | 2:36:09 | |
That's why the cue ball is bouncing
in and out of balk. | 2:36:09 | 2:36:14 | |
So an opportunity for Mark. After
winning that last frame. | 2:36:23 | 2:36:30 | |
Right in the heart of the pocket. | 2:36:32 | 2:36:42 | |
Ulk. | 2:36:42 | 2:36:42 | |
So | 2:36:43 | 2:36:43 | |
Right in the heart of the pocket. | 2:36:43 | 2:36:49 | |
Well, he jumped up off that quite
short. I don't think it was a kick. | 2:36:59 | 2:37:03 | |
Maybe he felt that the cue ball
drifted. | 2:37:03 | 2:37:08 | |
Any harder and I'm not quite sure
whether that blue would've dropped | 2:37:10 | 2:37:14 | |
in but he is OK. | 2:37:14 | 2:37:16 | |
Yeah, I agree with you, I think he
thought he missed it. Maybe the cue | 2:37:18 | 2:37:22 | |
ball did roll off slightly but
playing at that pace, it could roll | 2:37:22 | 2:37:32 | |
over a finger mark. Anyway, it
dropped. No, and that's not the | 2:37:32 | 2:37:36 | |
first shot he's missed with the rest
in this match. So still not really | 2:37:36 | 2:37:40 | |
settled. | 2:37:40 | 2:37:42 | |
It might settle on the blue. There
are a couple of reds. He can go | 2:38:02 | 2:38:06 | |
after the one just above the black
at the bottom of the pack. He may | 2:38:06 | 2:38:09 | |
try to get on that one. Overhit it. | 2:38:09 | 2:38:14 | |
He always had this red. | 2:38:16 | 2:38:21 | |
Snr the reason Ken is suggesting
that, if he was on the other red he | 2:38:32 | 2:38:35 | |
could roll it in and play for the
black and cannon into the reds and | 2:38:35 | 2:38:39 | |
bring other reds into play and still
have this one near the corner. | 2:38:39 | 2:38:48 | |
It is little fractions and shots
like that that can catch up with you | 2:38:51 | 2:38:55 | |
and just make it a little bit more
difficult. | 2:38:55 | 2:39:00 | |
Now he will probably go into them
but he just has to be a little bit | 2:39:07 | 2:39:11 | |
careful that he doesn't get too far
into the middle of the cluster. You | 2:39:11 | 2:39:16 | |
would think he would bound to be on
the reds at the right corner but it | 2:39:16 | 2:39:20 | |
could go wrong. | 2:39:20 | 2:39:24 | |
Well, when you are blessed with lots
of cue power, as Kyren is, he is | 2:39:28 | 2:39:33 | |
going to need it here. You see
that's the problem of not being on | 2:39:33 | 2:39:37 | |
that red that we mentioned, John, it
made it that little bit more | 2:39:37 | 2:39:40 | |
difficult. Overshot the blue. | 2:39:40 | 2:39:46 | |
difficult. Overshot the blue. Still
should have potted the black, of | 2:39:46 | 2:39:48 | |
course. | 2:39:48 | 2:39:50 | |
He was trying to make the game as
easy as possible, particularly with | 2:39:52 | 2:39:56 | |
so much tension in the air. Both
players feeling it now. | 2:39:56 | 2:40:01 | |
If the pink doesn't go on its own
spot it'll go on the highest | 2:40:20 | 2:40:23 | |
available, the black. It has done.
That won't bother Mark. | 2:40:23 | 2:40:28 | |
Straighter on the blue he would've
had a lot more control of the cue | 2:40:46 | 2:40:49 | |
ball. Now he's having to play a
baulk colour and the cue ball will | 2:40:49 | 2:40:54 | |
be travelling a lot further than it
should have been. | 2:40:54 | 2:40:58 | |
Not out of the woods yet. | 2:41:08 | 2:41:11 | |
No. He would've liked to have been
straighter on this red so he can | 2:41:15 | 2:41:20 | |
drop it in and get back on the pink.
But now he's going to have to screw | 2:41:20 | 2:41:25 | |
it off the side cushion, get top
side of the blue. | 2:41:25 | 2:41:33 | |
Well how is his position? Still not
good. | 2:41:39 | 2:41:45 | |
This looks good. Needs a bitted of
luck. It's not too bad. Could've | 2:41:59 | 2:42:08 | |
been better. An excellent shot. He
has this red into the right centre. | 2:42:08 | 2:42:13 | |
The balls are very close to each
other. | 2:42:13 | 2:42:18 | |
He has to play baulk shot. And the
ball possibly between brown and | 2:42:37 | 2:42:43 | |
green here. | 2:42:43 | 2:42:45 | |
So a choice of reds. He can just
drop this red in and still hold for | 2:42:55 | 2:43:01 | |
the pink. Brush off the red to the
right and bring that into play. And | 2:43:01 | 2:43:07 | |
now back into prime position. | 2:43:07 | 2:43:10 | |
Now back on its own spot. Certainly
available into the left corner, the | 2:43:37 | 2:43:42 | |
pink. Looking to see if it is
available into the right corner. | 2:43:42 | 2:43:45 | |
Well, it does go to the right
corner, so couldn't ask for a much | 2:43:45 | 2:43:51 | |
better chance than this. All the
reds you require, nicely open. | 2:43:51 | 2:43:59 | |
Slightly hampered by the red. He can
just about cue by it. And if he | 2:44:47 | 2:44:52 | |
could find a gap between the two
reds... | 2:44:52 | 2:45:01 | |
40 points in the lead now. Two reds,
two colours would do the trick. | 2:45:12 | 2:45:18 | |
Gone wrong. Once again he could have
he a used a little right-hand side | 2:45:34 | 2:45:41 | |
to avoid the red off the cushion. Of
course he's hampered by the red | 2:45:41 | 2:45:48 | |
close to the cue ball. But with a
44-point read looking to put a baulk | 2:45:48 | 2:45:56 | |
colour safe but he will be very
disappointed he didn't win the frame | 2:45:56 | 2:46:00 | |
infrastructure that position. | 2:46:00 | 2:46:03 | |
Yes, it all looked plain sailing.
But a poor positional shot. Back in | 2:46:14 | 2:46:20 | |
his seat, 44 points in front but
still 59 remaining. | 2:46:20 | 2:46:24 | |
Knocking the red towards the corner.
He needs the cover badly. He has not | 2:46:42 | 2:46:47 | |
got one. | 2:46:47 | 2:46:52 | |
So there goes the red. This blue to
go 50 points in front with 51 | 2:47:05 | 2:47:17 | |
remaining. So one more red still
required. Needs to slow up. Slap | 2:47:17 | 2:47:20 | |
bang in the middle of nowhere. | 2:47:20 | 2:47:23 | |
That's quite amazing. A couple of
inches further down he is on the red | 2:47:30 | 2:47:34 | |
below the pink. A couple of inches
slower and he boof been on the red | 2:47:34 | 2:47:38 | |
to the right of the pink into the
bottom right-hand corner pocket. | 2:47:38 | 2:47:41 | |
Anywhere but there. | 2:47:41 | 2:47:44 | |
Well, he has had two golden
opportunities now to clinch this | 2:47:54 | 2:47:57 | |
frame and not done it. | 2:47:57 | 2:47:59 | |
Is there another twist in the tail? | 2:48:02 | 2:48:05 | |
Not found the baulk cushion, so this
red effectively frame ball. | 2:48:23 | 2:48:29 | |
But, remember, if Kyren Wilson gets
an opportunity, he needs three reds, | 2:48:33 | 2:48:38 | |
three blacks. | 2:48:38 | 2:48:43 | |
Otherwise he couldn't win it in one
visit. | 2:48:43 | 2:48:48 | |
He played that with a lot of check
side. Oh, is he going to sneak | 2:49:07 | 2:49:12 | |
behind the green? Is it going to
sneak behind the green? | 2:49:12 | 2:49:17 | |
Unbelievable. It was hard to see
that coming! He has Mark Allen in | 2:49:17 | 2:49:22 | |
trouble now. | 2:49:22 | 2:49:24 | |
It is one of these situations where
Mark Allen has a big target for the | 2:49:30 | 2:49:34 | |
two reds but he's just got to try to
make sure he hits T he doesn't want | 2:49:34 | 2:49:39 | |
it give four points away. Good shot. | 2:49:39 | 2:49:43 | |
Well the importance of that was
Kyren needs, as John said, three | 2:49:48 | 2:49:52 | |
reds and three backs. So any
four-point foul and he has a little | 2:49:52 | 2:49:57 | |
bit of room to manoeuvre. | 2:49:57 | 2:50:00 | |
I just wonder is that a plant, the
pink? No, it doesn't look like it I | 2:50:18 | 2:50:24 | |
thought the red below the pink may
have been a possible plant. He | 2:50:24 | 2:50:28 | |
played a three-ball plant in an
earlier frame but this looks fairly | 2:50:28 | 2:50:32 | |
good. He played it W it could be
frame ball, he could drop in behind | 2:50:32 | 2:50:38 | |
the green here. -- played it well.
Excellent pot. Two four-point | 2:50:38 | 2:50:48 | |
snookers required at the moment. | 2:50:48 | 2:50:51 | |
He is just putting the yellow on the
cushion for assurance. He has got | 2:50:53 | 2:51:02 | |
the snooker and that's enough for
Kyren Wilson. He didn't do it in one | 2:51:02 | 2:51:06 | |
visit but eventually crept over the
line, back in front 3-2. | 2:51:06 | 2:51:10 | |
STUDIO: Mark Allen very much in
front. You have to say John and | 2:51:10 | 2:51:13 | |
Steve, that frame just before the
interral is crushing. | 2:51:13 | 2:51:17 | |
Steve, that frame just before the
interral is crushing. | 2:51:17 | 2:51:18 | |
-- is crucial It made a difference.
The problem in the final, the frames | 2:51:18 | 2:51:23 | |
aren't being won in one visit,
people are getting 45s, 30s, 40s and | 2:51:23 | 2:51:27 | |
all of a sudden it is hard-fought
frame near the end. There is no real | 2:51:27 | 2:51:31 | |
flow. Someone is not getting in and
getting 70, 80, 90 and moving and it | 2:51:31 | 2:51:36 | |
is making it bitty at the end of
frames. It's tense but in the great | 2:51:36 | 2:51:41 | |
snooker. Mark Allen has lost his
accurate positional plain even | 2:51:41 | 2:51:46 | |
worse, Kyren Wilson has lost his
potting. The black he missed going | 2:51:46 | 2:51:52 | |
into the pack is not not
unforgivable but a debilitating | 2:51:52 | 2:51:56 | |
shot. He has to get it back on and
Mark Allen, if he can get going and | 2:51:56 | 2:52:02 | |
get his owent on the ropes, he might
get the positional play back. But | 2:52:02 | 2:52:06 | |
were you expecting a hay-scoring
final given the fact we have two | 2:52:06 | 2:52:11 | |
relatively inexperienced campaigners
out there who have never been in | 2:52:11 | 2:52:12 | |
this position? I would expect them
to be scoring higher. Mark Allen has | 2:52:12 | 2:52:16 | |
got to the final by scoring higher
all the way through the tournament | 2:52:16 | 2:52:20 | |
and kie reason Wilson upped it
slightly near the end in his Judd | 2:52:20 | 2:52:24 | |
Trump match I would've expected
Kyren because his cue ball has been | 2:52:24 | 2:52:27 | |
good all week but it is one of those
games at the moment that hasn't | 2:52:27 | 2:52:30 | |
happened. It is understand that two
players who have never been to a | 2:52:30 | 2:52:35 | |
major major final before, a bit of
rabbit in the headlines, having it | 2:52:35 | 2:52:39 | |
thrown at them but somewhere in the
best of 19, you will settle down, | 2:52:39 | 2:52:44 | |
you hope you are not too far behind.
It is a showspees final. Remember | 2:52:44 | 2:52:48 | |
that. Be a -- a show piece final.
Ye, but if your cue ball has been | 2:52:48 | 2:52:57 | |
good all week, it shouldn't desert
you. I know it is a fill but still a | 2:52:57 | 2:53:00 | |
gym of snooker. These he boys know
what they are doing. Shot of the | 2:53:00 | 2:53:05 | |
turn A. -- tournament. Anything
going through your mind? Loads of | 2:53:05 | 2:53:11 | |
things. I don't don't mean in life.
Lots of friends and other snooker | 2:53:11 | 2:53:20 | |
players texting me, saying, oh, no,
you are not allowed that. In terms | 2:53:20 | 2:53:24 | |
of shot of the tournament? We have
our ideas. Our heads together. We | 2:53:24 | 2:53:29 | |
like both of Kyren's shots, but
there are other we like as well. We | 2:53:29 | 2:53:33 | |
are just not giving it away. Why
not? Why should we? Lots of people | 2:53:33 | 2:53:40 | |
coming in and out here at Alexandra
Palace, popping out having a drink | 2:53:40 | 2:53:44 | |
and come back in. That's why there
is a delay. World Snooker officials | 2:53:44 | 2:53:48 | |
trying to get everybody seated. Not
panicking but I can see one official | 2:53:48 | 2:53:53 | |
outside our studio briefing the
referee on what is going on? | 2:53:53 | 2:53:58 | |
Logistically it is not easy. Plenty
go out for obvious comfort breaks | 2:53:58 | 2:54:02 | |
and trying to get in at the back end
of the frame and with this amount of | 2:54:02 | 2:54:06 | |
people and with the crowd it is not
easy to get organised. Deluted to | 2:54:06 | 2:54:10 | |
say they are settled now as we join
Ken and John. | 2:54:10 | 2:54:17 | |
REFEREE: Take your seats quickly,
please. | 2:54:17 | 2:54:23 | |
Thank you. Kyren Wilson to break. | 2:54:26 | 2:54:30 | |
JOHN VIRGO: When breaking off,
whatever you do, don't hit the blue. | 2:54:45 | 2:54:49 | |
He caught the red much too thin,
which is why he caught the blue and | 2:54:49 | 2:54:55 | |
left a half-ball pot on for his
opponent. | 2:54:55 | 2:54:59 | |
Needs to stop short of the baulk
line. Well just past it will be OK. | 2:55:07 | 2:55:12 | |
He will be on the blue and he is. | 2:55:12 | 2:55:14 | |
KEN DOHERTY: And a couple of reds to
play on. The one to the extreme | 2:55:17 | 2:55:24 | |
right of the pink and the one behind
the black. Well, decided to go in | 2:55:24 | 2:55:29 | |
and needs a bit of luck. How's your
luck? Not good. | 2:55:29 | 2:55:37 | |
Yeah, it was obviously in Mark's
mind at the moment to be a bit more | 2:55:43 | 2:55:47 | |
aggressive. It wouldn't have been my
choice actually. I always like, if | 2:55:47 | 2:55:53 | |
the black is available to both
corners, I don't mind bringing them | 2:55:53 | 2:55:57 | |
open but the black wasn't. | 2:55:57 | 2:56:00 | |
Oh, tried to knock one into the
other. Misjudged it and he has left | 2:56:05 | 2:56:09 | |
a chance for Kyren. Now, Kyren needs
to get Nis potting boots back on. -- | 2:56:09 | 2:56:17 | |
get his potting boots back on. A bit
of pressure on this but it is a | 2:56:17 | 2:56:21 | |
chance. | 2:56:21 | 2:56:28 | |
Good pot, right into the middle of
the pocket. And nicely on the black | 2:56:43 | 2:56:48 | |
now. | 2:56:48 | 2:56:53 | |
You feel it is only a matter of time
before the standard steps up and | 2:57:04 | 2:57:10 | |
these guys will start winning frames
in one visit but as we said, there | 2:57:10 | 2:57:14 | |
is a lot of pressure on them. | 2:57:14 | 2:57:23 | |
Certainly a good opportunity here
just to settle his nerves, since he | 2:57:27 | 2:57:32 | |
has missed that pink. Looking a
little bit fragile. | 2:57:32 | 2:57:37 | |
And, of course, John, nothing like a
frame-winning break to just get you | 2:57:43 | 2:57:47 | |
back on track. Yes, certainly it
gives your confidence a boost. | 2:57:47 | 2:57:59 | |
Of course, it also sends out a
signal to your opponent - make a | 2:58:07 | 2:58:12 | |
mistake and just one mistake will do
it. | 2:58:12 | 2:58:16 | |
Just about OK. Not that
straightforward here. He will be | 2:58:30 | 2:58:35 | |
hatchered cueing. Ed -- hampered
cueing. I don't think it is a case | 2:58:35 | 2:58:41 | |
of just dropping in on the colour. A
little bit of work to do with the | 2:58:41 | 2:58:45 | |
cue ball but we have seen, so many
times, Ken, in matches, when it is a | 2:58:45 | 2:58:49 | |
bit scrappy and then you just get
one player to make a sizeable break | 2:58:49 | 2:58:53 | |
and then the other guy sort of kicks
in to gear. Yeah, it's like they | 2:58:53 | 2:59:00 | |
almost get inspired. This could've
been, as you said, could've been a | 2:59:00 | 2:59:02 | |
bit easier. | 2:59:02 | 2:59:05 | |
He played it very well. Well-played.
It was a good shot. | 2:59:18 | 2:59:22 | |
The last black he played didn't go
into the heart of the pocket. | 2:59:28 | 2:59:33 | |
He needs to steady himself a little
bit. Still a couple of loose reds to | 2:59:38 | 2:59:45 | |
go after this one. | 2:59:45 | 2:59:53 | |
So far, so good.
He had to one little scare when | 3:00:18 | 3:00:31 | |
He had to one little scare when he
used that. But he has nice control | 3:00:31 | 3:00:34 | |
of the due ball at the moment. | 3:00:34 | 3:00:39 | |
There he is, and his partner,
Jeanette. 1977 champion. | 3:00:41 | 3:00:51 | |
He can probably play for the pink. | 3:01:13 | 3:01:20 | |
Just a little screw back. The one
he's playing, just to the right of | 3:01:20 | 3:01:26 | |
it. | 3:01:26 | 3:01:36 | |
Pink, to go 57 points in front.
Looking really, another couple of | 3:01:36 | 3:01:42 | |
reds, a couple of colours would see
him way past the winning line. | 3:01:42 | 3:01:49 | |
He's looking at the pink spot. Looks
close. He's hoping that it doesn't - | 3:01:49 | 3:01:55 | |
it looks very, very close. It may go
back on its own spot. If it doesn't, | 3:01:55 | 3:01:59 | |
the red to the left of the pink spot
is open to the corner pocket. | 3:01:59 | 3:02:10 | |
Well, he obviously feels that the
pink. That little marker will tell | 3:02:13 | 3:02:19 | |
us it may do. What does it tell us,
that little marker? When the cross | 3:02:19 | 3:02:26 | |
is in the middle, does that tell us
the pink will go? Correct. It must | 3:02:26 | 3:02:30 | |
go on this spot then. | 3:02:30 | 3:02:33 | |
This black and one more red and he's
won a frame in one visit. This will | 3:02:54 | 3:03:01 | |
really give him a boost in
confidence. | 3:03:01 | 3:03:12 | |
The hardest break of the match so
far. | 3:03:28 | 3:03:39 | |
What's he on? Well, there's nowhere
else for the pin took go. | 3:04:13 | 3:04:25 | |
He's trying to get as close to his
old spot. He does like a double, | 3:04:25 | 3:04:34 | |
does Kyre nerks. You like a double,
don't you John -- Kyren. You like a | 3:04:34 | 3:04:44 | |
double, don't you John? Especially
if someone else is paying for it. | 3:04:44 | 3:04:49 | |
Pot... Kettle.
How's it not gone in? Well, it | 3:04:49 | 3:04:57 | |
doesn't matter. He won the frame in
one visit and that's a bit more like | 3:04:57 | 3:05:02 | |
it. But Mark Allen gave him that
chance and Kyren Wilson grabbed it | 3:05:02 | 3:05:08 | |
with both hands. We are all square
again. Three a piece. | 3:05:08 | 3:05:19 | |
Frame seven. Mark Allen to break.
Quietly please. | 3:06:44 | 3:06:51 | |
Two more frames to be played in this
last session of this master's final. | 3:06:51 | 3:06:59 | |
Couldn't be closer. We've had
mistakes T quality rolls there from | 3:06:59 | 3:07:09 | |
Kyren. Maybe that will spark Mark
Allen into a bit of life. | 3:07:09 | 3:07:20 | |
Skiems can be the case in these two
session -- sometimes can be the case | 3:07:20 | 3:07:27 | |
in these two-session matches. It has
been why these players have been a | 3:07:27 | 3:07:33 | |
little bit tentative. | 3:07:33 | 3:07:40 | |
Just managed to miss the blue there.
He has left the red to the bottom | 3:07:47 | 3:07:54 | |
left-hand corner pocket. There is a
gap between reds and black. Back | 3:07:54 | 3:07:59 | |
down towards the baulk. Very
proficient with this type of shot. | 3:07:59 | 3:08:12 | |
Will take the bull by the horns
here. Take this yellow one into the | 3:08:25 | 3:08:29 | |
right centre. There's plenty of
value. After that nice break in the | 3:08:29 | 3:08:34 | |
last frame he'll be feeling a bit
better. Looks like he's shaping up | 3:08:34 | 3:08:38 | |
to take it on. | 3:08:38 | 3:08:40 | |
Straight on this red to the left
corner. Been a formality to stun it | 3:08:56 | 3:09:01 | |
in and beyond the black. But not
straight. Can he haul for the black? | 3:09:01 | 3:09:06 | |
I think the pink may be available to
the right middle as well. It is a | 3:09:06 | 3:09:11 | |
delicate shot if he'll try and hold
it. | 3:09:11 | 3:09:15 | |
The black, of course only available
into the right corner. | 3:09:15 | 3:09:22 | |
Didn't fancy playing it delicately.
But has played it well enough to be | 3:09:26 | 3:09:29 | |
on the pink. Not quite certain where
the next red comes from. | 3:09:29 | 3:09:35 | |
He'll have to find a gap to be on
the next red. | 3:09:35 | 3:09:43 | |
I don't think there's anything
available into the right-hand corner | 3:09:49 | 3:09:54 | |
pocket. | 3:09:54 | 3:09:59 | |
Trusting him with a bit of luck for
this shot. A good line. | 3:10:07 | 3:10:19 | |
Kiss those reds into open play. The
pink is on, as we saw from that | 3:10:19 | 3:10:23 | |
camera angle. He can stay on the
pink or go up for the blue if he | 3:10:23 | 3:10:27 | |
wishes. | 3:10:27 | 3:10:32 | |
... The cue ball to such an extent I
don't think he's on anything. He's | 3:11:11 | 3:11:17 | |
looking to get to this red corner,
but it looks mighty tight. | 3:11:17 | 3:11:24 | |
Can he see enough of it? I don't
think so. The fact he's put the rest | 3:11:24 | 3:11:31 | |
back in its holder tells me he's
just going to play it safety. | 3:11:31 | 3:11:45 | |
Is there a possibility of a plant -
this second red flicking off the | 3:12:07 | 3:12:11 | |
pink. Doesn't look like it An easy
path back to the baulk. Have to find | 3:12:11 | 3:12:26 | |
the baulk cushion on these safeties.
All things considered, that is a | 3:12:26 | 3:12:34 | |
very poor shot.
I mean to leave a pot on when you | 3:12:34 | 3:12:40 | |
are that close to the reds, it is a
dangerous game. | 3:12:40 | 3:12:49 | |
Try to find the gap between pink and
black. Back up for the blue. | 3:12:57 | 3:13:11 | |
Would be leaving very simple safety
shot for his opponent. Could try and | 3:13:32 | 3:13:37 | |
nestle into the yellow as went is he
going to take this pink on? This is | 3:13:37 | 3:13:43 | |
tough.
Very risky. | 3:13:43 | 3:13:54 | |
It is one of those shots, you think,
as soon as I possibly can, it will | 3:14:00 | 3:14:04 | |
go in. Overcut it. Couldn't have
seen that. But as you say, Ken, it | 3:14:04 | 3:14:11 | |
was a risky shot.
And it may be very costly because | 3:14:11 | 3:14:14 | |
this red's on to the left middle. | 3:14:14 | 3:14:21 | |
If the shot goes in, he wins the
frame. If he misses it, it could | 3:14:42 | 3:14:47 | |
cost him the frame. | 3:14:47 | 3:14:58 | |
To be fair, there was nothing
controlled about that positional | 3:15:23 | 3:15:27 | |
shot. Just trusting a little bit to
look. Anyway, he's had it. | 3:15:27 | 3:15:41 | |
Shouldn't be a problem, but when the
object ball is in the jaws of the | 3:15:43 | 3:15:47 | |
pocket like this, sometimes it is a
little bit more difficult to judge | 3:15:47 | 3:15:50 | |
how a cue ball's going to come away
from the pocket. | 3:15:50 | 3:15:59 | |
He's found a gap there. I don't know
where the gap came from. Now can he | 3:15:59 | 3:16:05 | |
get past the pink? | 3:16:05 | 3:16:10 | |
Finished in inch-perfect position. | 3:16:29 | 3:16:35 | |
He doesn't like the angle. Back up
for the pink. | 3:16:50 | 3:17:02 | |
Looks to be straight on this pink. | 3:17:16 | 3:17:24 | |
Doesn't want to be ham perred by the
pink here. He has an alternative red | 3:17:34 | 3:17:42 | |
to the right corner. If it's the one
he's choosing. Obviously it is a lot | 3:17:42 | 3:17:47 | |
easier to cue this than the ones to
the opposite corner. | 3:17:47 | 3:17:54 | |
This to go 48 points in front. Three
more reds required after this black. | 3:18:00 | 3:18:14 | |
Just that little comment when
somebody sneezed and he said, bless | 3:18:39 | 3:18:42 | |
you. It just makes | 3:18:42 | 3:18:52 | |
you. It just makes you feel that
Kyren is comfortable. | 3:18:52 | 3:18:56 | |
A chance of a century here. | 3:18:56 | 3:19:03 | |
APPLAUSE | 3:19:12 | 3:19:18 | |
The applause tells you, but I don't
think there's going to be anyway | 3:19:18 | 3:19:22 | |
back to the table for Mark Allen
here. The only question is, are we | 3:19:22 | 3:19:26 | |
going to see the 28th century of
this year's masters? | 3:19:26 | 3:19:39 | |
A risky shot, it has to be said,
John, he's stretching. I couldn't | 3:20:06 | 3:20:11 | |
believe he overcut the pink. Left
Kyren in for this opportunity and | 3:20:11 | 3:20:20 | |
he's taken these very well. | 3:20:20 | 3:20:27 | |
Would you go for that pink, John?
Because it wasn't a very good | 3:20:28 | 3:20:35 | |
safety, I don't blame him playing
for it. It was only a fraction from | 3:20:35 | 3:20:39 | |
dropping. As you said at the start
of the frame, Kyren, when he got | 3:20:39 | 3:20:43 | |
that opportunity, having made the 86
in the last frame was in stroke, so | 3:20:43 | 3:20:50 | |
to speak, so he's certainly shown
that that's really given him a boost | 3:20:50 | 3:20:54 | |
of confidence in last frame. | 3:20:54 | 3:20:59 | |
Six remaining covers for a break of
102. | 3:21:02 | 3:21:06 | |
We can all be wise after the event
and say he shouldn't have played it. | 3:21:06 | 3:21:10 | |
As I say, it was just a fraction
away from dropping for Mark Allen. | 3:21:10 | 3:21:20 | |
It's hard to believe that was
overcut, isn't it? | 3:21:20 | 3:21:34 | |
overcut, isn't it? Big last frame.
One going into this evening's | 3:21:34 | 3:21:38 | |
session, leading 5-3. Mark Allen
would love to draw level once again. | 3:21:38 | 3:21:47 | |
He could have left himself easier on
this pink. A good pot needed here. | 3:21:50 | 3:22:02 | |
A decent break of 89 for Kyren
Wilson. He's back in front. 4-3. | 3:22:05 | 3:22:12 | |
That is more like it will, Steve.
Crisis over for Kyren Wilson. I | 3:22:13 | 3:22:20 | |
expected the player, if either could
break free of the shackles to be | 3:22:20 | 3:22:23 | |
Mark Allen first. That has not
happened. An interesting last frame | 3:22:23 | 3:22:27 | |
we have this afternoon. At last
something for the fans to just maybe | 3:22:27 | 3:22:31 | |
enjoy a little bit more. Especially
that long frame of 46 minutes and 46 | 3:22:31 | 3:22:37 | |
seconds was a little bit tedious. It
was as if the boys could sense we | 3:22:37 | 3:22:42 | |
were talking. All of a sudden Kyren
has won the last two. There's | 3:22:42 | 3:22:46 | |
nothing better for your confidence.
He's 86 and 89. From 3-2 behind. 4-3 | 3:22:46 | 3:22:53 | |
in front, with a bite of the cherry
for the last frame to get two frames | 3:22:53 | 3:22:58 | |
ahead tonight. If he were to win
5-3, that is a bonus because he | 3:22:58 | 3:23:04 | |
didn't necessarily deserve to be
that at the start. It was very tense | 3:23:04 | 3:23:07 | |
out there, you could probably
expect. A two-frame deficit going | 3:23:07 | 3:23:12 | |
into this evening, Mark Allen is on
the back foot. When you have knocked | 3:23:12 | 3:23:17 | |
in 86 and 89 and not got in your
rhythm, what does that do? When | 3:23:17 | 3:23:21 | |
Kyren is sitting there now, what is
he thinking? He's playing properly. | 3:23:21 | 3:23:27 | |
Mark Allen is scratching around for
a good chance. I don't blame him for | 3:23:27 | 3:23:32 | |
taking the pink on in the last. It
was one of those shots. The balls | 3:23:32 | 3:23:36 | |
have been dropping in a bit on the
cloth this week. It has been | 3:23:36 | 3:23:39 | |
dropping in. I don't blame him
taking that on. He needs to get his | 3:23:39 | 3:23:42 | |
hand on the table with a good
chance. Mark Allen has got to this | 3:23:42 | 3:23:48 | |
position by playing positional
snooker. He's been so in control of | 3:23:48 | 3:23:52 | |
the cue ball. It's not happened in
the final. If it happens tonight | 3:23:52 | 3:23:56 | |
he'll be back on track. You have to
weather the storm for one more | 3:23:56 | 3:24:01 | |
frame. And Kyren has got this far as
well by playing his shots. You don't | 3:24:01 | 3:24:07 | |
want to go too cavalier, do you? A
wonderful chance for a 5-3 lead | 3:24:07 | 3:24:12 | |
here. We should say hello to the
Alexsia. Especially to John who has | 3:24:12 | 3:24:18 | |
got in touch with us. They have set
up their own fan zone in Antrim | 3:24:18 | 3:24:22 | |
town. Come on the Pistol, they say.
Hope you're having a good afternoon. | 3:24:22 | 3:24:34 | |
A lot of people back in Antrim will
be watching today and cheering Mark | 3:24:37 | 3:24:44 | |
on. Of course, Ronnie and his
brother both came over this morning. | 3:24:44 | 3:24:55 | |
Lots of friends as well here in the
audience. Had the green and white | 3:24:55 | 3:24:59 | |
army. Got all those lads tickets as
well. | 3:24:59 | 3:25:07 | |
His brother eagerly awaiting.
See what will happen in this last | 3:25:24 | 3:25:30 | |
frame - a big frame for Mark Allen.
A great shot. That's a good start. | 3:25:30 | 3:25:44 | |
A good pot, this. Now what sort of a
pot has he got on the yellow? Can he | 3:25:48 | 3:25:53 | |
get the cue ball? He's got a slight
angle to get the cue ball back to | 3:25:53 | 3:25:58 | |
the business end.
Does this red pass the pink? If it | 3:25:58 | 3:26:10 | |
doesn't then he's got this red along
the top cushion and you see the red | 3:26:10 | 3:26:15 | |
doesn't pass the pink. This is a
tough pot. | 3:26:15 | 3:26:26 | |
Played it beautifully. Saying last
night, Ken, he's the type of player, | 3:26:27 | 3:26:34 | |
Mark, you feel there's anything he
could pot if he put his mind to it. | 3:26:34 | 3:26:38 | |
Now, can he get into the reds? I | 3:26:38 | 3:26:47 | |
Now, can he get into the reds? I --
he hit the pink, perfectly. He'll be | 3:26:47 | 3:26:50 | |
unlucky if he's not on one here.
That is unfortunate. Couldn't have | 3:26:50 | 3:26:54 | |
hit the pink any better. I totally
agree. Got it where he wanted to. | 3:26:54 | 3:26:59 | |
Look at this - right down the middle
of it. He's very unfortunate not to | 3:26:59 | 3:27:03 | |
be on a red there. | 3:27:03 | 3:27:10 | |
Doesn't look straightforward to
slide off the red he's closest to. | 3:27:19 | 3:27:23 | |
The red centre pocket is in the way.
So it will have to play a heavier | 3:27:23 | 3:27:31 | |
shot. He's played that very well. A
good shot. | 3:27:31 | 3:27:41 | |
Noticed with both players did rarely
find that baulk cushion. You find | 3:27:41 | 3:27:47 | |
the baulk cushion and it takes any
pot out of the equation and makes | 3:27:47 | 3:27:51 | |
the safety shot difficult as well. | 3:27:51 | 3:28:01 | |
Turned down the pot.
Catching the yellow full in the | 3:28:03 | 3:28:09 | |
face. Doesn't make it a good safety.
There may be a red now down to the | 3:28:09 | 3:28:13 | |
left corner. If you knock it in,
would haven't to do much with the | 3:28:13 | 3:28:17 | |
cue ball. Would automatically be on
the pink or black. But pressure. A | 3:28:17 | 3:28:23 | |
big frame, this. Can play this now.
Knowing he will not leave anything | 3:28:23 | 3:28:28 | |
if he misses.
Except for the red that he plays and | 3:28:28 | 3:28:34 | |
again that's very unlucky.
He could only leave that red and | 3:28:34 | 3:28:38 | |
sometimes that may, if he misses it,
sometimes hits the jaws of the | 3:28:38 | 3:28:43 | |
pocket and goes safe. This time he
stuck it up. | 3:28:43 | 3:28:48 | |
Not having the best of a run at the
moment. | 3:28:48 | 3:28:59 | |
Certainly signs that Kyren Wilson
has upped his game here. | 3:29:10 | 3:29:15 | |
He's getting the cue through a lot
smoother. I know he likes to play | 3:29:15 | 3:29:21 | |
the shots firm, but pots are going
nicely in the middle. | 3:29:21 | 3:29:29 | |
That's a good positional shot.
He's been very impressive how he's | 3:29:37 | 3:29:42 | |
got himself back on track.
Been a little bit shaky after the | 3:29:42 | 3:29:48 | |
interval. Of course that was all
down to that missed pin income the | 3:29:48 | 3:29:55 | |
fourth frame -- missed pink in the
fourth frame. Managed to find the | 3:29:55 | 3:30:01 | |
form that comes from knocking the
balls in, getting a bit of | 3:30:01 | 3:30:04 | |
confidence, but also being able to
control the emotions and have plenty | 3:30:04 | 3:30:10 | |
of bottle. | 3:30:10 | 3:30:17 | |
That's the key as well. It's not
easy sometimes, when you are not | 3:30:18 | 3:30:22 | |
playing that well, it is easy to let
your head drop, but he's not done | 3:30:22 | 3:30:26 | |
that. He's stuck at it, | 3:30:26 | 3:30:33 | |
that. He's stuck at it, knowing the
form is there it is easy sometimes | 3:30:34 | 3:30:36 | |
when things are not going well and
you miss a few easy shots, it does | 3:30:36 | 3:30:41 | |
affect your confidence and affects
the next frame. | 3:30:41 | 3:30:53 | |
Eds It is the one just above the
black that will go to the corner. It | 3:31:02 | 3:31:09 | |
looks like he hasp landed on it
perfectly, as you can see. | 3:31:09 | 3:31:23 | |
The red directly above the black
pots into the that pocket. As you | 3:31:28 | 3:31:31 | |
can see. | 3:31:31 | 3:31:37 | |
He wants it get top side of that
blue. Just about managed it. | 3:31:49 | 3:31:57 | |
That worked out nicely. The only
down side is the black is only | 3:32:19 | 3:32:23 | |
available into one corner pocket
now. But he may able to screw across | 3:32:23 | 3:32:27 | |
the face of the black. Well he is
playing with top spin so up for pink | 3:32:27 | 3:32:32 | |
or blue here. | 3:32:32 | 3:32:39 | |
or blue here. He judged it well. | 3:32:39 | 3:32:44 | |
This is the perfect examp, he has
made the breaks in the last few | 3:32:58 | 3:33:07 | |
fra.s so he got the pace of the
table and cue arm is working nicely. | 3:33:07 | 3:33:14 | |
Every time he is getting that side
of the blue, it helps. A good | 3:33:14 | 3:33:19 | |
positional shot. At the moment he
has the cue ball on a string. | 3:33:19 | 3:33:29 | |
When he pots the one in the corner
pocket, the one to the right of it | 3:33:47 | 3:33:51 | |
will be available to the left corner
pocket. | 3:33:51 | 3:33:58 | |
Well he is straight on that blue. It
couldn't have come at a worse time. | 3:34:17 | 3:34:21 | |
Can he force an angle? Maybe. | 3:34:21 | 3:34:24 | |
No, he couldn't. He ran through and
caught the jaw of the middle pocket. | 3:34:30 | 3:34:36 | |
Taken him away from the red. 43
points the lead but still 67 | 3:34:36 | 3:34:40 | |
remaining. He needs a good pot here
to keep this going. He has a couple | 3:34:40 | 3:34:47 | |
of options. | 3:34:47 | 3:34:51 | |
No, not this time but where is this
cue ball going? Where is the cue | 3:35:00 | 3:35:04 | |
ball going? Oh, it just crept past
the green. It is fair, really. He | 3:35:04 | 3:35:11 | |
didn't play the snooker. He played
the pot. But you can see as he | 3:35:11 | 3:35:15 | |
slumps back in his seat, what a good
chance he has let go there and this | 3:35:15 | 3:35:19 | |
red pots. | 3:35:19 | 3:35:22 | |
Mark Allen will still be glad to
have the chance Bunce again he has | 3:35:29 | 3:35:33 | |
not found a good length with the cue
ball and left a long pot for Kyren. | 3:35:33 | 3:35:41 | |
-- but once again he has not found a
good length with the cue ball. | 3:35:41 | 3:35:48 | |
Well, has he left the red below the
pink? I don't think he can see | 3:36:08 | 3:36:11 | |
enough to have a go at the pot. No,
just a safety. He will be trying it | 3:36:11 | 3:36:15 | |
get in behind that yellow if he can. | 3:36:15 | 3:36:18 | |
It is a good line. | 3:36:20 | 3:36:25 | |
Well, just caught the yellow and he
has left a pot on. That's the one | 3:36:27 | 3:36:34 | |
thing that Mark couldn't afford to
do. | 3:36:34 | 3:36:39 | |
Every time he comes to the table at
the moment, Kyren, he has something | 3:36:39 | 3:36:43 | |
to go at. He is only looking for a
couple of more reds and colours. | 3:36:43 | 3:36:49 | |
Well, he has not left anything easy.
He was nowhere near the jaws. | 3:37:07 | 3:37:14 | |
Looking not to leave anything easy. | 3:37:14 | 3:37:20 | |
Well, he has left the pot on, but
fraught with too much danger. As you | 3:37:26 | 3:37:30 | |
said before, John, a big target up
behind the yellow. | 3:37:30 | 3:37:38 | |
But once | 3:37:41 | 3:37:47 | |
again he has not put it in behind
it. If Mark Allen gets the next | 3:37:52 | 3:38:00 | |
chance could become the new
favourite for this game. OK, one | 3:38:00 | 3:38:06 | |
difficult red at the cushion, but he
would like opportunity, would Mark. | 3:38:06 | 3:38:10 | |
R Looks a better length of cue ball
this time. | 3:38:51 | 3:38:56 | |
This is a big frame.
Psychologically, for Kyren Wilson, | 3:39:01 | 3:39:05 | |
as we said he made breaks of 86, 79
and he has had three golden | 3:39:05 | 3:39:10 | |
opportunities to win this one. If he
was to lose it and go into the | 3:39:10 | 3:39:16 | |
mid-session interval all square,
psychologically, you'd think Mark | 3:39:16 | 3:39:18 | |
Allen would just have the edge. | 3:39:18 | 3:39:24 | |
Well, he is looking at the red close
to the pink but this is a possible | 3:39:26 | 3:39:31 | |
shot, if he could get enough spin on
T he is going to take the red above | 3:39:31 | 3:39:35 | |
the pink. As a possible plant but he
wants that cue ball up behind the | 3:39:35 | 3:39:39 | |
yellow. | 3:39:39 | 3:39:41 | |
This looks good. Very, very good
indeed. Great shot. What a shot that | 3:39:49 | 3:39:54 | |
is. | 3:39:54 | 3:39:56 | |
Yes, Mark Allen has had a couple of
attempts to get that cue ball in | 3:39:59 | 3:40:03 | |
behind the yellow and didn't do it.
But we were always saying that that | 3:40:03 | 3:40:07 | |
was the target. I don't think it's
an actual snooker. I think there is | 3:40:07 | 3:40:14 | |
an edge of the red sticking out but
what you do with it, I don't know. | 3:40:14 | 3:40:18 | |
I mean, if you could hit enough of
it, he could maybe try and dig down | 3:40:21 | 3:40:27 | |
and get that cue ball to the baulk
end and send the red up and down the | 3:40:27 | 3:40:31 | |
table twice. That's what he is
attempting. | 3:40:31 | 3:40:34 | |
Well, he got it to go into the pink,
which is just as good. Look at the | 3:40:45 | 3:40:50 | |
cue ball. He got the desired result
with the white. Excellent return. | 3:40:50 | 3:40:58 | |
Look at the cue ball, played into
the pink with the red, which killed | 3:40:58 | 3:41:01 | |
the pace of the red and kept it up
this end of the table. | 3:41:01 | 3:41:06 | |
As you said, John when you get the
cue ball so close to that baulk | 3:41:08 | 3:41:12 | |
cushion, it makes every shot so
difficult. Needs good cueing. | 3:41:12 | 3:41:17 | |
You said it needed good cueing. An
excellent shot. Fair play to Mark | 3:41:36 | 3:41:41 | |
Allen. Saying "good shot" as he came
to the table. Good sportsmanship. | 3:41:41 | 3:41:47 | |
A great shot. On the green. That
little nod we saw from Kyren Wilson. | 3:41:55 | 3:42:05 | |
What a pot that was. | 3:42:05 | 3:42:07 | |
Yellow ball. | 3:42:08 | 3:42:11 | |
So he has a chance. It's all about
good cue ball control now. | 3:42:13 | 3:42:21 | |
He has been a little bit suspect
with the rest in this match so far. | 3:42:27 | 3:42:31 | |
He's had eight attempts and only got
five of them. Looks to have just the | 3:42:31 | 3:42:39 | |
right angle, just off the cushion
for the black here. | 3:42:39 | 3:42:43 | |
Keefe just done with getting into
the cue ball a little bit more | 3:42:56 | 3:42:59 | |
there. Straight on this black would
have been absolutely ideal. May just | 3:42:59 | 3:43:04 | |
be able to drop it in and hold. | 3:43:04 | 3:43:08 | |
He could. So now, no need to tell
you what the key shot will be here. | 3:43:11 | 3:43:18 | |
The red that is closest to the top
cushion. The other two with blacks | 3:43:18 | 3:43:24 | |
look a formality. What a frame this
would be to steal. Massive. | 3:43:24 | 3:43:31 | |
It'll be interesting to see which
way he goes, he could try to knock | 3:43:40 | 3:43:44 | |
the red off the top cushion or just
play on the loose one. | 3:43:44 | 3:43:51 | |
Decided to play on the loose one. | 3:43:51 | 3:43:59 | |
Now, after potting this red, we will
have to see what angle he gets on | 3:43:59 | 3:44:03 | |
the black. And what will he try and
do? Tribe get behind the red and try | 3:44:03 | 3:44:09 | |
and drop it down along the top
cushion? | 3:44:09 | 3:44:13 | |
It needs a good angle when potting
this black. Anything but straight on | 3:44:15 | 3:44:19 | |
this red much he is nicely on the
black. | 3:44:19 | 3:44:27 | |
black. The yellow appears, passes
the pink to the normal pocket. The | 3:44:27 | 3:44:31 | |
green is near its spot. The brown is
there. The way he is thinking about | 3:44:31 | 3:44:37 | |
this, which is a little bit worrying
- is he just going to roll it in and | 3:44:37 | 3:44:43 | |
play the snooker off the last red
and maybe risk the pot off the | 3:44:43 | 3:44:47 | |
cushion? | 3:44:47 | 3:44:48 | |
Well, he tried to bring it into
play. He didn't fancy it along the | 3:44:50 | 3:44:54 | |
top cushion. I'm surprised. OK he
can lay the snooker now. | 3:44:54 | 3:45:02 | |
I'm a little bit surprise thread
didn't go all out and pot the last | 3:45:16 | 3:45:20 | |
red and another black. | 3:45:20 | 3:45:30 | |
A possibility into the middle pocket
to hit it full in the face. REFEREE: | 3:45:55 | 3:46:03 | |
Foul and a miss. Mark Allen, six. It
looks like a free ball from here. | 3:46:03 | 3:46:08 | |
This could be crucial. | 3:46:08 | 3:46:10 | |
Well, maybe because the red is just
in front of the green, that's what | 3:46:14 | 3:46:19 | |
the referee Olivier... | 3:46:19 | 3:46:25 | |
the referee Olivier... I did call a
miss. Yeah, a miss was called, so he | 3:46:25 | 3:46:30 | |
can put the cue ball back behind the
black but no free ball called. | 3:46:30 | 3:46:36 | |
Pink is the most important ball here
to be replaced. We saw that the | 3:46:47 | 3:46:53 | |
yellow went between the gap of brown
and pink. | 3:46:53 | 3:46:58 | |
The way he misjudged it coming off
the side cushion, just before the | 3:47:06 | 3:47:11 | |
middle pock eted, made me wonder
whether that was on? | 3:47:11 | 3:47:14 | |
. I just don't think he got enough
left-hand side on the cue ball, | 3:47:17 | 3:47:21 | |
but... | 3:47:21 | 3:47:25 | |
That's where it was. | 3:47:26 | 3:47:31 | |
OK, Mark, thank you? I think he has
a little bit more left-hand side on | 3:47:35 | 3:47:40 | |
this cue ball to widen the angle
slightly. But it is not the problem | 3:47:40 | 3:47:45 | |
of hiteding the red. It is getting
it safe as well. | 3:47:45 | 3:47:48 | |
REFEREE. Foul and a miss and a free
ball. Yes, and he will not be having | 3:47:51 | 3:48:00 | |
this replaced. Foul, miss, free
ball. So just six points behind now. | 3:48:00 | 3:48:07 | |
He has ten points out that of
snooker. | 3:48:07 | 3:48:11 | |
The blue just making it slightly
awkward. | 3:48:22 | 3:48:25 | |
Well, I can only assume that the
green goes. Well it doesn't matter | 3:48:28 | 3:48:31 | |
now because he has come far enough
for the brown. And of course the | 3:48:31 | 3:48:37 | |
brown counted as a red. So brown to
follow. | 3:48:37 | 3:48:41 | |
This is such a massive frame here
for Mark Allen. For all the world, | 3:48:43 | 3:48:49 | |
Kyren looked like he was going to
win it. Yeah, he had so many | 3:48:49 | 3:48:53 | |
chances. | 3:48:53 | 3:48:55 | |
You never know he might put a brave
face on and say - I would have | 3:49:02 | 3:49:07 | |
settled for 4-4 the way I have
played but the opportunity he has | 3:49:07 | 3:49:10 | |
had in this frame, he should have
had a two-frame advantage going into | 3:49:10 | 3:49:14 | |
this evening's session. Yeah, that
would have been massive but what a | 3:49:14 | 3:49:19 | |
boost this would be for Mark Allen.
And particularly for coming back out | 3:49:19 | 3:49:22 | |
tonight. He has to hold himself
together. Needs just green, brown | 3:49:22 | 3:49:29 | |
and blue. | 3:49:29 | 3:49:31 | |
It could be a turning point this in
the whole match. | 3:49:34 | 3:49:39 | |
Yes but it is boiling up nicely. It
should be a terrific session | 3:49:42 | 3:49:47 | |
tonight. Both players trying to get
the name on the Masters' trophy. | 3:49:47 | 3:49:56 | |
Mark alwill be to join the Northern
Ireland greats of Alex Higgins and | 3:49:56 | 3:50:03 | |
Denis Taylor. Kyren Wilson trying to
establish himself as one of the | 3:50:03 | 3:50:08 | |
elite. | 3:50:08 | 3:50:09 | |
So it is all on for this evening.
And Kyren Wilson may be the more | 3:50:15 | 3:50:21 | |
disappointed of the two now. But it
is there in black and white. It's | 3:50:21 | 3:50:25 | |
4-#4, all to play for tonight.
STUDIO: John is bang on. We will be | 3:50:25 | 3:50:32 | |
back at 7.00pm for the evening
session of the 2018 Dafabet Masters | 3:50:32 | 3:50:37 | |
final and there is no splitting
these two, 4-4 today. 3-3 in career | 3:50:37 | 3:50:42 | |
head-to-heads. Nothing between them.
But Mark Allen will be jumping | 3:50:42 | 3:50:45 | |
through hoops to win that last
frame. For all the world he looked | 3:50:45 | 3:50:48 | |
like it was over. Kyren lost the cue
ball and came up short on the blue | 3:50:48 | 3:50:52 | |
where he was in and it looked like
he was going to win and go ahead so | 3:50:52 | 3:50:57 | |
to win that from 50 behind, Mark
Allen will be delighted. A little | 3:50:57 | 3:51:00 | |
puff of the cheeks there, the
relief. | 3:51:00 | 3:51:02 | |
puff of the cheeks there, the
relief. Yes it hasn't been a | 3:51:02 | 3:51:06 | |
fantastic session for Mark Allen or
Kyren Wilson, but nonetheless, | 3:51:06 | 3:51:10 | |
fascinating and set up nicely for
tonight. You would expect at some | 3:51:10 | 3:51:13 | |
stage for one player to get on a
roll this evening and, therefore, | 3:51:13 | 3:51:18 | |
maybe it is the case that whoever
does get off the blocks fastest | 3:51:18 | 3:51:22 | |
tonight will have a big advantage
John, in the context of the | 3:51:22 | 3:51:26 | |
tournament, we keep saying this - we
have had some wonderful snooker and | 3:51:26 | 3:51:30 | |
seen thrilling matches. There maybe
some people watching at home. I have | 3:51:30 | 3:51:34 | |
seen what people are saying on
social media, who are dispointed | 3:51:34 | 3:51:37 | |
with the quality? Well there is
bound to be somewhere through the | 3:51:37 | 3:51:40 | |
tournament where you have a session.
Mark Allen has been fantastic from | 3:51:40 | 3:51:44 | |
start to finish but it hasn't
happened today. He hasn't had the | 3:51:44 | 3:51:47 | |
cue ball anywhere near the same
standard he has had all week I | 3:51:47 | 3:51:51 | |
thought he would play as good as he
could do the way he was scoring, it | 3:51:51 | 3:51:55 | |
has not happened so for him to have
that session where not all there for | 3:51:55 | 3:51:59 | |
him, to come out 4-#4, he will be
delighted when he starts tonight The | 3:51:59 | 3:52:03 | |
fascinating thing about snooker, I'm
in the trying it sell it as a sport | 3:52:03 | 3:52:07 | |
we know how exciting it k but if the
standard is not unbelievable, 100, | 3:52:07 | 3:52:12 | |
100, 100, snooker can be very
exciting, and sometimes the exciting | 3:52:12 | 3:52:15 | |
moments are on the colours. If you
get frames that don't go in one | 3:52:15 | 3:52:20 | |
visit, you get more colours action
action. So it doesn't work badly as | 3:52:20 | 3:52:23 | |
a game when it is not top notch. If
we can just take one moment to | 3:52:23 | 3:52:27 | |
reflect on what we have seen in the
opening session, that missed pink, | 3:52:27 | 3:52:31 | |
it could prove crucial Well, it's a
fair old while ago but I mean really | 3:52:31 | 3:52:36 | |
you would've expected him to have
knocked this in. It didn't affect | 3:52:36 | 3:52:40 | |
him that much, he came out and had
86 and 89. But he could have been | 3:52:40 | 3:52:45 | |
3-1 up. Yes but there ares of and
buts and maybes between that shop | 3:52:45 | 3:52:49 | |
and the rest of the afternoon. He
blanked that put it to the back of | 3:52:49 | 3:52:54 | |
his mind, made 86 and 89. An
experienced match player. Your | 3:52:54 | 3:52:56 | |
assessment? The great players and
the players who have qualified for | 3:52:56 | 3:53:00 | |
the event don't worry about what has
gone, so, therefore, they are always | 3:53:00 | 3:53:04 | |
optimistically looking at the next
session to turn it around. More | 3:53:04 | 3:53:07 | |
practise on the practise table
before they play tonight and then | 3:53:07 | 3:53:10 | |
get going. Good stuff. Thank you
very much. A little reminder then we | 3:53:10 | 3:53:14 | |
are back at 7.00pm on BBC Two with
the evening session, Mark Allen 4, | 3:53:14 | 3:53:19 | |
Kyren Wilson 4, all to play for. Mr
Parrot and Mr Davies, thank you for | 3:53:19 | 3:53:24 | |
your company. We will see you at
7.00pm. Bye for now. | 3:53:24 | 3:53:34 |