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There is a beauty in the distant
sound of a weeping man, there is a | 0:00:41 | 0:00:47 | |
wonder in your child's eyes or your
feature child's eyes. And many | 0:00:47 | 0:00:52 | |
things you might remember that you
had, that you lost, that she let | 0:00:52 | 0:00:56 | |
slip through your fingers. So
cherish them all. You are the poor, | 0:00:56 | 0:01:02 | |
the refugee, the bloody victim. You
are the power, the winner and the | 0:01:02 | 0:01:08 | |
fighter. Breathe in. You are lucky
to be the BT, the memory, the past | 0:01:08 | 0:01:14 | |
and the future. The infinite, be
something, do something, say | 0:01:14 | 0:01:21 | |
something, believe in something, but
most of all, know you can change | 0:01:21 | 0:01:26 | |
things. Yes, you. What are you
waiting for? Do not be fearful of | 0:01:26 | 0:01:34 | |
revolution. The time is now. | 0:01:34 | 0:01:42 | |
Hello, are very good even into you.
Welcome back to Alexandra Palace. | 0:01:42 | 0:01:51 | |
The final of the guff about Masters
continues this evening, with Kyren | 0:01:51 | 0:01:57 | |
Wilson and Mark Allen locked at 4-4.
-- the final of the death | 0:01:57 | 0:02:06 | |
This is the story so far.
Excellently cued. | 0:02:19 | 0:02:27 | |
This is the story so far.
Excellently cued. | 0:02:27 | 0:02:33 | |
Excellently cued. A very good pot. A
very nice pot. | 0:02:33 | 0:02:46 | |
very nice pot. That's just pure
tension. | 0:02:48 | 0:02:54 | |
tension. What an extraordinary frame
before the mid-session interval. | 0:02:54 | 0:03:04 | |
This looks pretty good. Yes, he
played it very well. | 0:03:04 | 0:03:15 | |
played it very well. That will make
him feel a bit better. | 0:03:15 | 0:03:21 | |
him feel a bit better. Excellent. | 0:03:22 | 0:03:28 | |
Well, now there is a free ball, and
it is a free ball this time. It is | 0:03:35 | 0:03:42 | |
there in black and white. It is for-
four. | 0:03:42 | 0:03:45 | |
All to play for tonight. OK, Steve,
what have you made of the finals so | 0:03:45 | 0:03:50 | |
far? Understandably tense from both
players. Neither player reached the | 0:03:50 | 0:03:56 | |
heights that have got them to the
final and there have been crisis | 0:03:56 | 0:03:59 | |
points for both of them. Kyren
Wilson missed a couple of horrendous | 0:03:59 | 0:04:04 | |
pots which he did well to recover
from and Mark Allen has not been as | 0:04:04 | 0:04:09 | |
clean. What about that snooker from
Mark Allen? From the perspective of | 0:04:09 | 0:04:19 | |
the match, it is all set up very
nicely and both players will | 0:04:19 | 0:04:25 | |
hopefully use it as a springboard
for this evening. Rob Walker, let's | 0:04:25 | 0:04:29 | |
get the players out there. Ladies
and gentlemen, please welcome | 0:04:29 | 0:04:36 | |
Kettering's 2015 Shanghai Masters
champion, Kyren Wilson. | 0:04:36 | 0:04:42 | |
CHEERING AND APPLAUSE | 0:04:59 | 0:05:07 | |
And now, please welcome Northern
Ireland pots three-time ranking | 0:05:12 | 0:05:15 | |
event winner, Mark Allen. | 0:05:15 | 0:05:20 | |
CHEERING AND APPLAUSE | 0:05:31 | 0:05:39 | |
What annoys inside Alexandra Palace. | 0:05:50 | 0:05:53 | |
-- what a noise inside Alexandra
Palace. Good evening, everyone, and | 0:06:01 | 0:06:08 | |
this crowd giving my players are
fabulous reception. It couldn't be | 0:06:08 | 0:06:13 | |
better. Four frames all and one of
them is going to get their name on | 0:06:13 | 0:06:18 | |
that magnificent trophy. Which of
them isn't going to be? The Paul | 0:06:18 | 0:06:21 | |
Hunter Tracy they are ball. It is
some atmosphere, isn't it, Dennis? | 0:06:21 | 0:06:31 | |
It will make the hairs on the back
of your neck stand up and what a | 0:06:31 | 0:06:37 | |
reception for both players. For-
four. First to 10. | 0:06:37 | 0:06:47 | |
four. First to 10. Thank you, frame
nine, Mark Allen to break. Hard to | 0:06:48 | 0:06:56 | |
pick a winner, Dennis. Evenly
matched after this afternoon's | 0:06:56 | 0:07:00 | |
session. I think it was difficult
before it even started. The standard | 0:07:00 | 0:07:07 | |
overall. Kyren Wilson has had breaks
of 64, a 52 in the last frame. But | 0:07:07 | 0:07:15 | |
he lost that last frame. He had that
one long frame but the balls went | 0:07:15 | 0:07:20 | |
very awkwardly. It was the longest
frame of this year 's Masters. It | 0:07:20 | 0:07:25 | |
lasted just under 47 minutes. It was
exciting though, wasn't it? Write to | 0:07:25 | 0:07:30 | |
the black ball. It will be
interesting to see how Kyren Wilson | 0:07:30 | 0:07:36 | |
handles tonight, particularly after
losing that frame. | 0:07:36 | 0:07:46 | |
losing that frame. Also to see how
much of a boost it will give Mark | 0:07:48 | 0:07:52 | |
Allen. It is very nicely poised,
this final. | 0:07:52 | 0:07:59 | |
APPLAUSE | 0:08:21 | 0:08:28 | |
Yes, for two very attacking players,
there was some brilliant safety | 0:08:28 | 0:08:32 | |
played in this afternoon's session,
especially in that long for frame. | 0:08:32 | 0:08:42 | |
-- that long fourth frame. There is
another good safety. | 0:08:43 | 0:08:53 | |
Yes, much more of an attacking
safety shot because there is a | 0:08:54 | 0:08:58 | |
pathway back down the right-hand
side of the table. | 0:08:58 | 0:09:08 | |
Good return. Excellent. Yes, and
played with a lot of sportsmanship, | 0:09:11 | 0:09:23 | |
this final. Both players
acknowledging the other player with | 0:09:23 | 0:09:28 | |
a tap on the table when they play a
good safety shot. | 0:09:28 | 0:09:35 | |
Yes, we could do without the odd one
in the crowd shouting out like that. | 0:09:46 | 0:09:51 | |
They are fabulous here, lots of
atmosphere and noise, but on the | 0:09:51 | 0:09:57 | |
shot there, perfectly quiet. The
reds have opened it up nicely, as | 0:09:57 | 0:10:04 | |
you can see. OK, the black and pink
are awkward, but he hasn't got an | 0:10:04 | 0:10:09 | |
easy return safety shot here. And
about red to the left, the one he | 0:10:09 | 0:10:17 | |
was looking at there, if you took
the pot on, it looks as if he would | 0:10:17 | 0:10:22 | |
can into other reds and that is
risky. | 0:10:22 | 0:10:28 | |
APPLAUSE | 0:10:34 | 0:10:41 | |
That was just a way of putting
yourself out of trouble. There was | 0:10:41 | 0:10:46 | |
no way to get on | 0:10:46 | 0:10:52 | |
no way to get on a colour but he
couldn't see a safety shot. Now he | 0:10:52 | 0:10:55 | |
can play a safety shot. He might
play the brown. He really wants to | 0:10:55 | 0:11:02 | |
get the cue ball somewhere behind
the green on that side of the table. | 0:11:02 | 0:11:08 | |
That is pretty good. | 0:11:08 | 0:11:12 | |
He was just looking to see their if
he left the cue ball on the cushion | 0:11:33 | 0:11:37 | |
to the right of the black, what he
would leave. The red to the right | 0:11:37 | 0:11:48 | |
there, he could play off that and
leave the white on cushion. To the | 0:11:48 | 0:11:53 | |
right of the red there, just two
questions nestled on the red here. | 0:11:53 | 0:12:02 | |
He has played this well. He's played
it very well. | 0:12:02 | 0:12:07 | |
Well, he's looking at a pot here.
Can he get through to hit the one to | 0:12:17 | 0:12:23 | |
cut it into the right corner? That's
the one he is looking at. Maybe he | 0:12:23 | 0:12:29 | |
can see enough of it. | 0:12:29 | 0:12:36 | |
Well, he could cut back in because
it wasn't quite as thin as I | 0:12:36 | 0:12:42 | |
thought. So the first real chance
falls Mark Allen here. -- falls to | 0:12:42 | 0:12:52 | |
Mark Allen here. | 0:12:52 | 0:12:54 | |
APPLAUSE | 0:12:59 | 0:13:07 | |
That just about went in. It didn't
go in cleanly into the pocket so | 0:13:07 | 0:13:12 | |
subsequently, topside of the blue.
It just wobbled. | 0:13:12 | 0:13:20 | |
He could screw the crew ball back --
the cue ball back. He is looking at | 0:13:29 | 0:13:39 | |
dropping the blue ball in and
leaving the cue ball in line with | 0:13:39 | 0:13:45 | |
the blue spot. He could leave
himself a nice angle on potting this | 0:13:45 | 0:13:53 | |
red, coming back up for the blue. | 0:13:53 | 0:14:01 | |
Didn't quite hit it hard enough and
it's left rather awkward. He can | 0:14:09 | 0:14:18 | |
still take the blue on but it's a
funny angle being so close to it. | 0:14:18 | 0:14:22 | |
You see, that might look
straightforward, but it's a funny | 0:14:22 | 0:14:26 | |
angle. | 0:14:26 | 0:14:30 | |
He is looking at the yellow ball.
This is quite an attacking shot to | 0:14:39 | 0:14:43 | |
get round to the reds. | 0:14:43 | 0:14:49 | |
get round to the reds. Very well
played. Now, has the kiss on the | 0:14:49 | 0:14:53 | |
green spoiled it? And the blue might
hamper him, so he is very anarchy | 0:14:53 | 0:14:58 | |
that indeed. He took the risk on the
yellow -- so he is very unlucky | 0:14:58 | 0:15:07 | |
there indeed. He didn't get a
favourable case there on the green. | 0:15:07 | 0:15:11 | |
Look whether yellow, green and brown
are. I have never seen that before. | 0:15:11 | 0:15:15 | |
Amazing. Yes, if he chooses to try
to play the safety shot, it is quite | 0:15:15 | 0:15:25 | |
a big target. Not a big target down
the left side of the table. He needs | 0:15:25 | 0:15:30 | |
to clip these rates down the right
side. A big target up by yellow, | 0:15:30 | 0:15:38 | |
green and brown.
APPLAUSE | 0:15:38 | 0:15:48 | |
That is a nice nudge of the yellow.
It straightened up the cue ball and | 0:15:48 | 0:15:52 | |
left it tight on the baulk cushion.
He tried to pot himself out of | 0:15:52 | 0:16:01 | |
trouble the last time. I don't think
he can do it here. Maybe just an | 0:16:01 | 0:16:04 | |
edge of the red to the right. | 0:16:04 | 0:16:10 | |
edge of the red to the right. Well,
that's a fabulous shot from there. | 0:16:14 | 0:16:16 | |
You'd certainly be happy with that. | 0:16:16 | 0:16:22 | |
It's just developing into a bit of
an awkward frame but the players | 0:16:28 | 0:16:32 | |
can't do anything about that. It's
just the way the balls have mixed | 0:16:32 | 0:16:35 | |
up. | 0:16:35 | 0:16:38 | |
That's a shame. That's put the
yellow out of commission now. | 0:16:50 | 0:16:56 | |
That was a great effort and look
where he has got the cue ball. That | 0:17:12 | 0:17:18 | |
is the cue power that Kyren Wilson
has. | 0:17:18 | 0:17:22 | |
Yes, a tremendous amount of top
spin. | 0:17:26 | 0:17:33 | |
He doesn't want that red coming up
over the right centre. He needs the | 0:17:37 | 0:17:43 | |
brown to come to his rescue. I don't
think it has. | 0:17:43 | 0:17:50 | |
think it has. He can cut this red
into the right centre pocket and | 0:17:51 | 0:17:57 | |
avoid the red on the top cushion to
get back up for blue. Or possibly | 0:17:57 | 0:18:04 | |
pink. I don't think he can hold
pink, but definitely blue. He needs | 0:18:04 | 0:18:09 | |
to avoid the red on the top cushion.
Oh, he has overcut it. | 0:18:09 | 0:18:19 | |
APPLAUSE | 0:18:44 | 0:18:46 | |
He really does pot some fantastic
balls, Mark allen. | 0:18:49 | 0:19:02 | |
That is one of the reasons he has
made 358th century breaks in his | 0:19:02 | 0:19:07 | |
career. He has made 41 this season.
And against John Higgins and Ronnie | 0:19:07 | 0:19:16 | |
O'Sullivan, when he was in amongst
the balls, he never looked like | 0:19:16 | 0:19:20 | |
missing, but this is very awkward,
the ball is situated like this. | 0:19:20 | 0:19:27 | |
Yes, just wanted more of a full ball
cannon on that. He is still on for | 0:19:41 | 0:19:48 | |
the pink but it is trickier than he
would have liked. It is fair. Good | 0:19:48 | 0:19:52 | |
shot. | 0:19:52 | 0:19:57 | |
shot. And he is nicely on the road.
-- on the red. | 0:19:58 | 0:20:08 | |
And all the sudden, it's now good
chance. | 0:20:14 | 0:20:21 | |
chance. Now, how many can he make
from this position? There is plenty | 0:20:22 | 0:20:28 | |
there for the taking. | 0:20:28 | 0:20:36 | |
Yes, this is where he is really at
his best, playing these little | 0:20:37 | 0:20:50 | |
screws and stuns in. It is one of
the reasons, as you said, he has had | 0:20:50 | 0:20:58 | |
so many century breaks in his
career. The two | 0:20:58 | 0:21:08 | |
career. The two reds to the left of
the black will also pot, so he | 0:21:08 | 0:21:16 | |
doesn't have is to make too many
choices here. A choice of reds. | 0:21:16 | 0:21:25 | |
Now he can almost try to play on
three reds here, all around the | 0:21:25 | 0:21:32 | |
black spot. Try to get them into the
corner pocket. | 0:21:32 | 0:21:40 | |
Well, it looks as if, yes, he has
finished dead straight on this, so, | 0:21:49 | 0:21:57 | |
just managed to force a little bit
of an angle where. They play a | 0:21:57 | 0:22:04 | |
similar type game, these two
players, but very different cue | 0:22:04 | 0:22:08 | |
actions. Mark is very effective but
doesn't pull the cue back too far. | 0:22:08 | 0:22:21 | |
And his action is really suited to
these very fast tables. Not a lot | 0:22:21 | 0:22:27 | |
can go wrong with it. | 0:22:27 | 0:22:32 | |
can go wrong with it. But there is
something just gone slightly wrong | 0:22:36 | 0:22:39 | |
with that positional shot. 48 in
front. It was always going to be | 0:22:39 | 0:22:44 | |
very difficult to score enough to
win the frame. | 0:22:44 | 0:22:48 | |
Yes, he is just worried about the
two reds left of the black. If he | 0:23:18 | 0:23:22 | |
tries to play phase and get the cue
ball up towards the brown and the | 0:23:22 | 0:23:26 | |
green, he is worried about knocking
the reds over the pocket. That's | 0:23:26 | 0:23:36 | |
where he is taking his time, over a
minute now. Of course, he is nursing | 0:23:36 | 0:23:43 | |
a 48 point lead as well, so he
doesn't want to bring any | 0:23:43 | 0:23:47 | |
unnecessary reds into play. He wants
to keep it tight. That is not bad. | 0:23:47 | 0:23:52 | |
He will settle for that. | 0:23:52 | 0:23:58 | |
That is another very good safety
from Kyren, although, having said | 0:24:22 | 0:24:28 | |
that, mark might be able to take
this one on if he can avoid cannon | 0:24:28 | 0:24:34 | |
into a bread that is just to the
right of the black press. -- avoid | 0:24:34 | 0:24:48 | |
cannon Inc into a red that is just
to the right of the black. Yes, he | 0:24:48 | 0:24:53 | |
had to | 0:24:53 | 0:24:54 | |
Yes, he | 0:24:54 | 0:25:02 | |
stun that in order to avoid that.
Kyren has got an awful lot to do to | 0:25:05 | 0:25:18 | |
try to get back into this frame. | 0:25:18 | 0:25:21 | |
APPLAUSE | 0:25:26 | 0:25:36 | |
Good pot, quite cleverly played.
He's trying to knock the yellow of | 0:25:38 | 0:25:43 | |
the baulk cushion, try to bring that
into play. He didn't get the full | 0:25:43 | 0:25:47 | |
ball cannon on the yellow. He has
still got the green or brown into | 0:25:47 | 0:25:53 | |
right centre, but a big shot this
is. If it goes in, he has a chance. | 0:25:53 | 0:25:59 | |
If he misses it, could he lose the
frame? | 0:25:59 | 0:26:05 | |
Well, he has still got one red to go
out but this was a terrific pot at | 0:26:12 | 0:26:17 | |
that pace into the middle pocket. He
is trying to develop pink and red. | 0:26:17 | 0:26:25 | |
He certainly developed the pink, not
the red safe. | 0:26:25 | 0:26:30 | |
Well, what the chance now to develop
a few more balls here. He has got | 0:26:46 | 0:26:51 | |
the perfect angle. He can certainly
bring at least one red into play if | 0:26:51 | 0:26:58 | |
not two. Oh, that's unlucky again.
You'd have thought once he found the | 0:26:58 | 0:27:11 | |
gap there, he's bound to knock one
into a portable position. He might | 0:27:11 | 0:27:19 | |
just play this and free the black
hair. But he needs to be careful. | 0:27:19 | 0:27:34 | |
That was so close to being such a
great shot. A tap on the table | 0:27:45 | 0:27:51 | |
there. | 0:27:51 | 0:27:54 | |
He had to hit the cue ball that hard
to make sure the red didn't stay | 0:28:12 | 0:28:17 | |
over the right corner pocket. He had
to hit it with more pace so the red | 0:28:17 | 0:28:21 | |
would come back towards the top
cushion. | 0:28:21 | 0:28:27 | |
APPLAUSE | 0:29:00 | 0:29:09 | |
A chance of a pot on the red and
under normal circumstances, he would | 0:29:19 | 0:29:30 | |
take this pink on. If he was 39
behind, he would take this pink on, | 0:29:30 | 0:29:39 | |
no question. The fact he is 39
ahead, he is in a good position. | 0:29:39 | 0:29:46 | |
Just planning to play good matchplay
snooker here. Now he has put the | 0:29:46 | 0:29:52 | |
brown safe. That puts his case
stronger. | 0:29:52 | 0:30:05 | |
It looks to be absolutely dead
straight this. | 0:30:30 | 0:30:40 | |
39 the difference. This red and
anything would do. | 0:30:43 | 0:30:50 | |
Pink would be OK. Oh, that was
close. Tricky little one along the | 0:30:53 | 0:31:00 | |
cushion here though. | 0:31:00 | 0:31:03 | |
There is still a glimmer of hope for
Kyren here. But Mark putting the | 0:31:29 | 0:31:37 | |
brown safe could come into play. | 0:31:37 | 0:31:40 | |
Another tricky one along the
cushion. | 0:31:45 | 0:31:50 | |
I'm sure he's trying to play on the
pink, but he still has the black | 0:32:25 | 0:32:30 | |
there. Still not ideal. | 0:32:30 | 0:32:39 | |
24 points behind, so he will need
red and all the colours to win this | 0:32:40 | 0:32:44 | |
frame. | 0:32:44 | 0:32:50 | |
Now imperative he leaves a nice
angle. He has the angle to try and | 0:33:03 | 0:33:10 | |
move the yellow. But he is looking
to try and leave it in such a spot | 0:33:10 | 0:33:15 | |
that he will leave a nice angle to
get behind the yellow and drop the | 0:33:15 | 0:33:19 | |
yellow in. | 0:33:19 | 0:33:26 | |
Well this is tougher than the ones
he played along the cushion behind | 0:33:33 | 0:33:37 | |
the black. | 0:33:37 | 0:33:46 | |
Oh! That wobbled! Four or five times
there. Even then at that pace he | 0:33:53 | 0:34:02 | |
hasn't got it on to the green. | 0:34:02 | 0:34:11 | |
No value in taking the pot on with
the brown as it is. But this is a | 0:34:19 | 0:34:24 | |
pretty good shot he played. | 0:34:24 | 0:34:34 | |
Just enough room to slip around the
back of that green. | 0:34:42 | 0:34:53 | |
Which is what's happened. REFEREE:
Foul, a miss and 6. | 0:34:59 | 0:35:10 | |
Yes just had a quick look. It is not
a free ball, so he will have it | 0:35:10 | 0:35:14 | |
replaced. It is just far off the
cushion, that green, just to... | 0:35:14 | 0:35:21 | |
Around the back of it. | 0:35:21 | 0:35:25 | |
Oh, he will settle for that! You're
never sure where they're going to | 0:35:37 | 0:35:42 | |
go, but that's a good result. | 0:35:42 | 0:35:53 | |
That's the shot. | 0:36:13 | 0:36:18 | |
He can just see the edge of the
green. | 0:36:21 | 0:36:25 | |
Got to be careful he doesn't knock
it towards the left corner pocket. | 0:36:28 | 0:36:33 | |
Played it well. That is as good as
he could have hoped for. Of course | 0:36:33 | 0:36:43 | |
that brown that Mark Allen knocked
safe when he was 48 in front, | 0:36:43 | 0:36:48 | |
knocked it there as a bit of
insurance now with the penalty | 0:36:48 | 0:36:52 | |
points he is going to need that
brown. | 0:36:52 | 0:36:55 | |
APPLAUSE. Whether a shot he's played
there. What a shot! That is one of | 0:37:07 | 0:37:16 | |
the shots of this week. Yeah, worth
another look without a doubt. | 0:37:16 | 0:37:25 | |
Absolutely brilliant. Great shot.
Very well worked out. | 0:37:25 | 0:37:34 | |
This is a tough opening frame for
both players. But it is such a big | 0:37:37 | 0:37:43 | |
frame. | 0:37:43 | 0:37:47 | |
It is so awkward, because the
green's away from the cushion. Not | 0:38:27 | 0:38:35 | |
surprised he's giving this plenty of
thought. The shot time coming up to | 0:38:35 | 0:38:41 | |
a minute and a half. But it's such a
crucial shot. That's what he is | 0:38:41 | 0:38:46 | |
looking at there. | 0:38:46 | 0:38:53 | |
Oh! We will see the result when he
moves his head. | 0:38:54 | 0:39:11 | |
You never ever know where they're
going to finish. It was such a tough | 0:39:14 | 0:39:22 | |
snooker to hit. Well he has already
played a great snooker there. He | 0:39:22 | 0:39:29 | |
would play a slow roll here off the
cushion. | 0:39:29 | 0:39:33 | |
Hit the green past the pink and lay
in a little snooker. Just didn't hit | 0:39:38 | 0:39:42 | |
it hard enough. I think, well, can
Mark the green around the table and | 0:39:42 | 0:39:50 | |
leave the cue ball behind the pink?
I'm not sure he has got enough of | 0:39:50 | 0:39:55 | |
the green there. | 0:39:55 | 0:40:02 | |
Back in the driving seat now, Mark
Allen with that very good safety. | 0:40:10 | 0:40:19 | |
Mark Allen saying, good shot. | 0:40:40 | 0:40:45 | |
A great chance to get the cue ball
behind the brown here. | 0:40:45 | 0:40:54 | |
Just overhit it slightly. | 0:40:54 | 0:41:00 | |
I do enjoy these frames, for all the
century breaks we have had | 0:41:00 | 0:41:06 | |
throughout the week, top class
snooker, I do love a fight on the | 0:41:06 | 0:41:11 | |
colours. It is so interesting. Cat
and mouse. Yeah, good fews ago they | 0:41:11 | 0:41:18 | |
asked people at home why they
preferred and the percentages were | 0:41:18 | 0:41:24 | |
for the tactical exciting frames.
Rather than just seeing hundred | 0:41:24 | 0:41:29 | |
breaks flying in. | 0:41:29 | 0:41:38 | |
Advantage again to Mark Allen. He
was trying to get in behind the | 0:41:56 | 0:42:01 | |
black was Kyren. He has a couple of
ways to go, play it behind the black | 0:42:01 | 0:42:07 | |
or behind the brown. | 0:42:07 | 0:42:13 | |
The black it is but he has overhit
that one. | 0:42:13 | 0:42:19 | |
Very close. | 0:42:51 | 0:43:00 | |
Well he's not got the snooker this
time. The green does pass the brown | 0:43:08 | 0:43:17 | |
into the top left-hand corner
pocket. Tough shot to take on. | 0:43:17 | 0:43:28 | |
He could double the green up past
the blue if he wants. | 0:43:31 | 0:43:41 | |
That's what he's done. Could have
done with it hitting it a little bit | 0:43:45 | 0:43:53 | |
harder. | 0:43:53 | 0:43:57 | |
As I mentioned the fourth frachl
frame was a very tactical frame and | 0:44:09 | 0:44:16 | |
lasted 47 minutes - the longest
frame of the Masters of this year. | 0:44:16 | 0:44:21 | |
The second longest one was 41
minutes with John Higgins and | 0:44:21 | 0:44:29 | |
Anthony McGill. This is the third
longest. But it could finish up the | 0:44:29 | 0:44:33 | |
longest. | 0:44:33 | 0:44:41 | |
Such a good long potter. No which
you could get on the brown there. | 0:45:27 | 0:45:37 | |
Oh, he has hit that too thin. He
needs the pink to come to his recue | 0:45:37 | 0:45:42 | |
and I don't think it is. Has it just
pulled up in time? It must be close. | 0:45:42 | 0:45:52 | |
And the thing, if he can see enough
to pot it. He has got to be careful | 0:45:52 | 0:45:57 | |
the white doesn't go in the right
middle pocket. He will need too keep | 0:45:57 | 0:46:01 | |
an eye on that one as well. | 0:46:01 | 0:46:10 | |
That's heading towards the middle
pocket. Is it going to pull up in | 0:46:14 | 0:46:18 | |
time? Just about. | 0:46:18 | 0:46:25 | |
From is psychological point of view
it is nice if you can win one of the | 0:46:35 | 0:46:39 | |
long frames. And in goes the pink.
The second longest frame of this | 0:46:39 | 0:46:46 | |
year's Masters and Mark Allen as he
leaves the arena will be very | 0:46:46 | 0:46:50 | |
pleasantly pleased with taking the
frame and he now leads by 5-4. | 0:46:50 | 0:46:58 | |
STUDIO: Compelling stuff. Let's
remind you how it is looking in the | 0:46:58 | 0:47:02 | |
head-to-head matches. It is three a
piece. And Kyren Wilson the first | 0:47:02 | 0:47:10 | |
player to appear until final born in
the nineties, how does that | 0:47:10 | 0:47:15 | |
player to appear until final born in
the nineties, how does that make you | 0:47:15 | 0:47:15 | |
feel? Old. Compelling, riveting
stuff. It was a fantastic frame. | 0:47:15 | 0:47:22 | |
Mark Allen played a clever shot
chipping the brown on to the | 0:47:22 | 0:47:28 | |
cushion. That insurance looked like
it would save the framement and | 0:47:28 | 0:47:34 | |
Kyren played a clever shot. But the
shot on the proun brown is class. It | 0:47:34 | 0:47:43 | |
was a poor safety shot, but left a
problem. He committed to playing it | 0:47:43 | 0:47:48 | |
slowly and it could have rolled off
the length of the table. It was a | 0:47:48 | 0:47:52 | |
really good way the play the shot.
But a brave way. You were not sure | 0:47:52 | 0:47:58 | |
whether he could see that brown. We
are generally down the line. But we | 0:47:58 | 0:48:03 | |
couldn't see. The way he went about
it was the right way to do it. But a | 0:48:03 | 0:48:11 | |
very brave decision. You would have
been forgiven for banging it in. He | 0:48:11 | 0:48:18 | |
needed the blue as well. It was a
brave professional slot to play and | 0:48:18 | 0:48:23 | |
took a lot of bottle. Especially
after a long-winded frame. This will | 0:48:23 | 0:48:30 | |
go to the wire. Yes the thing with
frames that length is if you lose. | 0:48:30 | 0:48:36 | |
If you win you don't worry about how
long it's taken. It has a look of | 0:48:36 | 0:48:45 | |
10-8, 10-9. I've sat on the fence
all week. There is so many matches I | 0:48:45 | 0:48:54 | |
have got wrong this week. Anything
can happen. It is a show piece | 0:48:54 | 0:48:59 | |
event. Anything can happen. If
either player wins this and starts | 0:48:59 | 0:49:06 | |
to dominate. It will be in different
ways. Long putting from Kyren | 0:49:06 | 0:49:12 | |
Wilson, his positional play isn't as
good. If Mark Allen wins it will be | 0:49:12 | 0:49:17 | |
precise. Expect which ever player
dominates, Mark Allen the woo white | 0:49:17 | 0:49:23 | |
won't be moving far. The opposite
with Kyren Wilson. Depends who will | 0:49:23 | 0:49:29 | |
win. We spent a lot of time this
afternoon talk Ake about the nerves | 0:49:29 | 0:49:37 | |
and tension. Your assessment on how
they have come out? Yeah, much of | 0:49:37 | 0:49:41 | |
what's happened this afternoon. I'm
sure the opening session would have | 0:49:41 | 0:49:46 | |
done both players the world of good.
It is different. It is a Major. It | 0:49:46 | 0:49:51 | |
is not an ordinary ranking event, it
getting written down in the history | 0:49:51 | 0:49:56 | |
of the sport. I expect they will
settle down more. I think they | 0:49:56 | 0:50:02 | |
looked sharper immediately. They
have had a match this morning, that | 0:50:02 | 0:50:05 | |
was the one session. It is its own
individual event. I expect the | 0:50:05 | 0:50:13 | |
standard to get higher. Mark Allen
has come back and they will settle | 0:50:13 | 0:50:19 | |
down. Mark Allen leads 5-4. | 0:50:19 | 0:50:25 | |
has come back and they will settle
down. Mark Allen leads 5-4. REFEREE: | 0:50:25 | 0:50:28 | |
Take your seats as quickly as
possible, please. | 0:50:28 | 0:50:35 | |
COMMENTATOR: Tenth frame on the way. | 0:50:35 | 0:50:44 | |
I don't think we will see many more
of those almost 40-minute frames. | 0:50:45 | 0:50:51 | |
They're quite intriguing. They're
what we all like to see. Some big | 0:50:51 | 0:50:57 | |
breaks and free-flowing snooker as
well of course. Once one player gets | 0:50:57 | 0:51:04 | |
started it all happens - the other
player gets going as well. | 0:51:04 | 0:51:15 | |
That was close. Worth another look.
Because he was perfectly on the | 0:51:18 | 0:51:24 | |
black. If that had dropped in. He
has left the one into the right | 0:51:24 | 0:51:33 | |
corner here. But the white's going
to career into the reds. So he is | 0:51:33 | 0:51:42 | |
working out what might happen there,
so he's not going to take the risk. | 0:51:42 | 0:51:54 | |
The last thing you want too do after
a long frame like that is get down | 0:51:54 | 0:52:00 | |
and take one on, open the reds up
and then leave your opponent right | 0:52:00 | 0:52:03 | |
in amongst them. So played the
percentages there. There has been | 0:52:03 | 0:52:09 | |
some very quick frames. We have had
a 12 minute, a couple of 15 minute | 0:52:09 | 0:52:14 | |
frames. | 0:52:14 | 0:52:21 | |
You just never know how the balls
are going to finish up. Sometimes | 0:52:23 | 0:52:28 | |
you get a chance and you're in
amongst the pink and black. And the | 0:52:28 | 0:52:33 | |
free-scoring opportunity. Other
times they run on to cushions and | 0:52:33 | 0:52:37 | |
finish up awkward. | 0:52:37 | 0:52:42 | |
APPLAUSE. | 0:52:57 | 0:52:58 | |
Well that's not a bad outcome. It
was the only red he could leave, the | 0:53:54 | 0:54:07 | |
one he had a go at. It is safe next
to the brown. | 0:54:07 | 0:54:17 | |
to the brown. It is the first to 10
that lifts the trophy. Also called | 0:54:17 | 0:54:28 | |
the Paul Hunter trophy after... Oh,
well there we go, we have an early | 0:54:28 | 0:54:33 | |
re-rack. I didn't see that coming
quite so quickly. That shows you the | 0:54:33 | 0:54:38 | |
players don't want to get bogged
down with another long frame. That | 0:54:38 | 0:54:42 | |
was nice to see. So... Well there
you go, Ken, you're not going to get | 0:54:42 | 0:54:51 | |
your tactical frame you enjoyed
there. I only like one of them every | 0:54:51 | 0:54:58 | |
so often. Not too many of them. I
will be able to handle it. Will go | 0:54:58 | 0:55:05 | |
back to Eddie Charlton played Terry
Griffiths and finished at 10 to 4 in | 0:55:05 | 0:55:12 | |
the morning. It was on Tuesday
morning! Started on Sunday. Didn't | 0:55:12 | 0:55:18 | |
have to change the carpet after the
two of them finished. They wore it | 0:55:18 | 0:55:22 | |
out. | 0:55:22 | 0:55:28 | |
You see the name, Paul Hunter
trophy. What a player he was. Three | 0:55:33 | 0:55:37 | |
times a winner of this Masters.
Would have been a certain world | 0:55:37 | 0:55:41 | |
champion. | 0:55:41 | 0:55:49 | |
Just a natural angle for Mark Allen. | 0:56:04 | 0:56:13 | |
Just bread and butter for these top
players. | 0:56:15 | 0:56:24 | |
If you want to past the practice
room, that is the type of shot they | 0:56:24 | 0:56:29 | |
do set up and practice. So it is so
important to get a good break-off | 0:56:29 | 0:56:35 | |
shot and Kyren didn't get one there. | 0:56:35 | 0:56:42 | |
Mark Allen will be hoping the red
left of the black can pot into the | 0:56:50 | 0:56:55 | |
left-hand corner pocket. That was an
attempt to get on it there. He has | 0:56:55 | 0:57:02 | |
played a very good positional shot. | 0:57:02 | 0:57:10 | |
If this red left of the black does
pot, just about the right side of | 0:57:10 | 0:57:16 | |
the blue. If the red left of black
can pot. He is looking at it now. He | 0:57:16 | 0:57:21 | |
will try and get on that red. | 0:57:21 | 0:57:29 | |
That will open the black into both
corner pockets. And that looks just | 0:57:29 | 0:57:35 | |
about perfect. Great shot. | 0:57:35 | 0:57:43 | |
Got a slight angle on the black. | 0:57:52 | 0:58:01 | |
Or maybe pot this red, screw into
the pack and bring more reds into | 0:58:09 | 0:58:16 | |
play. Needs the bounce off this
cushion. Not enough. That is the | 0:58:16 | 0:58:25 | |
only problem with that shot, it is
so difficult to judge the pace and | 0:58:25 | 0:58:30 | |
the number of times you finish near
the cushion. He is limited to what | 0:58:30 | 0:58:37 | |
he can do with the black, now that
the cue ball's near the cushion. | 0:58:37 | 0:58:49 | |
Oh, he's missed it! | 0:58:53 | 0:58:59 | |
He had obviously spotted something
that he could roll the black in and | 0:59:04 | 0:59:07 | |
get on. I think it's... Unless the
one he was trying to get on. He has | 0:59:07 | 0:59:19 | |
knocked some cracking long pots in.
He could do with one here. | 0:59:19 | 0:59:24 | |
APPLAUSE. | 0:59:32 | 0:59:37 | |
Bit of a chance here. | 0:59:46 | 0:59:52 | |
Well, talk about his cue power, he
just got into that too much and have | 1:00:31 | 1:00:37 | |
another look. He was trying to swing
it over into the bunch of reds and | 1:00:37 | 1:00:42 | |
open it up and got far too much
screw on it. Look where the has | 1:00:42 | 1:00:46 | |
ended up. -- look where white has
ended up. | 1:00:46 | 1:01:03 | |
Well, Mark Allen back at the table.
I don't think he was expecting to be | 1:01:13 | 1:01:17 | |
back quite so quickly. | 1:01:17 | 1:01:23 | |
Foul. Mark allen, four. | 1:02:19 | 1:02:28 | |
He's given four points away but this
red does pot and he could swing it | 1:02:35 | 1:02:43 | |
around the back of the black, I am
sure. | 1:02:43 | 1:02:47 | |
Well, maybe not. Deciding against
it. | 1:02:57 | 1:03:03 | |
Has he left it for Kyren Wilson? It
is a tougher pot from that angle. | 1:03:22 | 1:03:32 | |
Well, he is coming around to have a
look at the potting angle of the | 1:03:32 | 1:03:37 | |
red. So obviously wanting to take
this on. | 1:03:37 | 1:03:41 | |
Well, he has got away with it. | 1:03:55 | 1:04:06 | |
You can expect a few misses. It is
such an occasion for both players, | 1:04:30 | 1:04:37 | |
to try to win their first major. | 1:04:37 | 1:04:44 | |
There has never been more than one
frame in this final and it's the | 1:06:05 | 1:06:09 | |
player who you think could open up a
two frame advantage would go on to | 1:06:09 | 1:06:15 | |
lift the trophy and this is a bit of
a chance here for the Mac. | 1:06:15 | 1:06:26 | |
a chance here for the Mac. -- this
is a bit of a chance here for Mark. | 1:06:26 | 1:06:28 | |
This road is pottable, a bit of a
chance this, for Kyren. | 1:06:28 | 1:06:37 | |
That is a couple of reds into middle
pocket that he has missed now. Once | 1:07:11 | 1:07:17 | |
in the previous frame. | 1:07:17 | 1:07:22 | |
Greater pot. Fantastic opening red.
Is he too close to this green or can | 1:07:29 | 1:07:43 | |
he just | 1:07:43 | 1:07:48 | |
he just -- pot it past the yellow.
It is very tricky when the balls are | 1:07:48 | 1:07:56 | |
so close. Yes, you have to be
careful not to push it. In fact, | 1:07:56 | 1:08:01 | |
Kyren Wilson played a shot at the
other end of the table where he | 1:08:01 | 1:08:06 | |
didn't get the cue out of the way.
It was a push shot, which is a foul. | 1:08:06 | 1:08:21 | |
Yes, a push shot is where the tip is
in contact with the cue ball and | 1:08:24 | 1:08:31 | |
object ball all at the same time. | 1:08:31 | 1:08:38 | |
object ball all at the same time. He
is not on anything into this bottom | 1:08:38 | 1:08:41 | |
right-hand corner pocket but I'm
sure the red pots into the right | 1:08:41 | 1:08:47 | |
centre. | 1:08:47 | 1:08:52 | |
centre. He can get on the pink, of
course, which would mean the pink | 1:08:52 | 1:08:58 | |
ends up back on its spot and ties
the pink up. | 1:08:58 | 1:09:05 | |
the pink up. Put pot this red, get
on the pink and it could work. A | 1:09:06 | 1:09:14 | |
nice angle on this pink and he could
try to go into the black and the two | 1:09:14 | 1:09:19 | |
reds and tried to bring everything
into play. | 1:09:19 | 1:09:24 | |
A bit of pace needed and that is
beautiful. It opens the black, maybe | 1:09:39 | 1:09:49 | |
not into baulk pockets, but
certainly corner pocket. He has | 1:09:49 | 1:10:00 | |
looked a bit edgy so far this
evening, Kyren Wilson. He lost that | 1:10:00 | 1:10:08 | |
long first frame and the opening
exchanges of this frame. This is a | 1:10:08 | 1:10:12 | |
good opportunity to get going again
now. | 1:10:12 | 1:10:18 | |
That last shot he played to get onto
the blue is the shot that cost him | 1:10:36 | 1:10:42 | |
the final frame before the interval.
He was well on his way and Mark made | 1:10:42 | 1:10:48 | |
a comeback to pinch it. | 1:10:48 | 1:10:53 | |
He has had a look at the two reds to
see if they RE plant and they are, | 1:11:26 | 1:11:36 | |
so he doesn't have to disturb those
three reds around the pink now. He | 1:11:36 | 1:11:44 | |
can stun bows back for the black. He
doesn't want the first red coming | 1:11:44 | 1:11:51 | |
back and tying up the pink again.
That is what has happened. | 1:11:51 | 1:11:56 | |
That was not a great shot. He really
needed a better angle on the black. | 1:11:59 | 1:12:07 | |
He has lost the cue ball there. Yes,
that is a bit of adrenaline, to | 1:12:07 | 1:12:14 | |
overdo that and finish up taking the
green over the pocket. | 1:12:14 | 1:12:24 | |
Well, if he has covered this read to
the left corner, he is faced with a | 1:12:31 | 1:12:35 | |
difficult one to the right corner
and the one to the right of the pink | 1:12:35 | 1:12:39 | |
isn't a gimme either. | 1:12:39 | 1:12:44 | |
isn't a gimme either. So that poor
positional shot when playing a | 1:12:44 | 1:12:46 | |
straightforward plant, he just put
too much into it. | 1:12:46 | 1:12:58 | |
What a shot! What are pot with the
destruction of the green and the | 1:13:09 | 1:13:20 | |
brown. To knock that in, ten out of
ten! -- with the | 1:13:20 | 1:13:38 | |
distraction of the green and the
brown. | 1:13:41 | 1:13:44 | |
He has got himself 26 points in
front. So he needs this red, a | 1:13:49 | 1:13:56 | |
colour, one more red and a colour to
leave Mark Allen at the snookers | 1:13:56 | 1:14:02 | |
required stage. | 1:14:02 | 1:14:05 | |
Yes, and the red to the right of the
pink will pot into the right centre. | 1:14:11 | 1:14:17 | |
He looks to be almost straight on
this black, so he could screw back | 1:14:17 | 1:14:24 | |
and play that read into the right
centre or deep screw and try to play | 1:14:24 | 1:14:30 | |
into the bottom right pocket. It is
the deep screw so he needs to miss | 1:14:30 | 1:14:38 | |
the pink and he is perfect. Great
shot. A wonderful positional shot. | 1:14:38 | 1:14:47 | |
This is better stuff. Black will put
him 42 points ahead. Switch it off, | 1:14:54 | 1:15:07 | |
please. He needs to just compose
himself here. | 1:15:07 | 1:15:15 | |
APPLAUSE
. | 1:15:17 | 1:15:20 | |
It has been a good break this,
Dennis, under the circumstances. | 1:15:24 | 1:15:33 | |
Dennis, under the circumstances. It
looked like Mark Allen was slightly | 1:15:33 | 1:15:34 | |
getting on top and first chance in
this frame, but he has come back | 1:15:34 | 1:15:43 | |
well. Yes, considering that that
last frame lasted nearly 40 minutes, | 1:15:43 | 1:15:49 | |
this is top drawer from Kyren here. | 1:15:49 | 1:15:56 | |
That's superb. Great cumin, isn't
it? -- great | 1:16:23 | 1:16:37 | |
it? -- great action, isn't it? He
reminds me of John Parrott when he | 1:16:37 | 1:16:43 | |
used to be on the table next to you.
He used to punch them. | 1:16:43 | 1:16:48 | |
Come on, Kyren. Pick a pocket. Maybe
in the middle. No. But what a | 1:16:55 | 1:17:06 | |
wonderful break from Kyren Wilson of
85. We are level one small. It is | 1:17:06 | 1:17:12 | |
Mark Allen five, Kyren Wilson five.
I'll tell you something, some of the | 1:17:12 | 1:17:22 | |
cueing we have seen from Kyren
Wilson this week has been | 1:17:22 | 1:17:24 | |
sensational. It has and I am not
trying to dig him out here, but he | 1:17:24 | 1:17:31 | |
is one of the best players I have
ever seen on a long pot out of | 1:17:31 | 1:17:36 | |
position that I have ever seen. He
has lost the cue ball, he has got to | 1:17:36 | 1:17:43 | |
bridge over the brown and green and
plays a magnificent long pot, stance | 1:17:43 | 1:17:48 | |
of the cushion and cleaned up. His
temperament has to be so good for | 1:17:48 | 1:17:53 | |
him to play a shot like that and
recover, it is to his credit that he | 1:17:53 | 1:17:59 | |
can do it. In Mark Williams early
years, he didn't keep the cue ball | 1:17:59 | 1:18:08 | |
under control but he could get
himself out of trouble. It seems | 1:18:08 | 1:18:12 | |
that Kyren is in that bracket. But
obviously, we been critical at a top | 1:18:12 | 1:18:16 | |
class level. These players are all
very, very good but we see the | 1:18:16 | 1:18:21 | |
differences on the players when we
see them all on the match table. | 1:18:21 | 1:18:25 | |
That long potting, some of it we saw
yesterday with Judd Trump, it was | 1:18:25 | 1:18:29 | |
the reason he got over the line.
Absolutely. He is fabulous at it but | 1:18:29 | 1:18:35 | |
if you asked him if he would like to
have the cue ball tight making it | 1:18:35 | 1:18:39 | |
easy for him, he would. But it is to
his credit that when he plays a bad | 1:18:39 | 1:18:45 | |
shot and then he digs out one like
that. Well done, him. Also, when you | 1:18:45 | 1:18:54 | |
are continuously potting long-range
pots, you are practising them all | 1:18:54 | 1:18:57 | |
the time. If you play great touch
shots, blacks and pinks then all of | 1:18:57 | 1:19:03 | |
a sudden you are left the big long
pot, there is pressure on it, but | 1:19:03 | 1:19:08 | |
the way Kyren plays, he is used to
it. Nice little mention Ron Dennis. | 1:19:08 | 1:19:20 | |
Yes, very nice. Not so much sound
now. I used to feel the same when I | 1:19:20 | 1:19:30 | |
was a child watching you on telly.
Thanks very much! It's the only | 1:19:30 | 1:19:37 | |
reason people use to stick around at
night when they were watching him | 1:19:37 | 1:19:39 | |
play. There are lots of people
enjoying the coverage and at the | 1:19:39 | 1:19:44 | |
moment Gary is winning on social
media. I think you mean this in the | 1:19:44 | 1:19:48 | |
nicest possible way, him saying, the
way these two are going, someone is | 1:19:48 | 1:19:53 | |
going to win the Masters 2018 and
2019. | 1:19:53 | 1:20:05 | |
We still can't separate these two
great players. Two more frames | 1:20:08 | 1:20:14 | |
before the mid-session interval and
then played to a conclusion. It | 1:20:14 | 1:20:18 | |
could, as we have said a few times,
go all the way. I couldn't pick much | 1:20:18 | 1:20:23 | |
between these two. Mark Allen, the
more experienced of the two, but | 1:20:23 | 1:20:31 | |
Kyren Wilson, a very determined
young man. | 1:20:31 | 1:20:42 | |
Well, that was tough. You could see
from that shot that he had to try to | 1:21:07 | 1:21:12 | |
swerve around the green and he
caught the reds too thick and this | 1:21:12 | 1:21:16 | |
is a good chance for Mark Allen
here. | 1:21:16 | 1:21:19 | |
He doesn't have to do too much with
the cue ball here. Down the | 1:22:02 | 1:22:09 | |
right-hand side will probably be his
choice. He also has the red at the | 1:22:09 | 1:22:15 | |
bottom of the pack as well. If he is
straight on it, he can come through | 1:22:15 | 1:22:19 | |
for the black. Sort of played on to
reds there. It was nicely judged. | 1:22:19 | 1:22:28 | |
Kyren will be absolutely reeling in
the chair therefore | 1:22:39 | 1:22:48 | |
the chair therefore giving Mark such
an easy chance there, particularly | 1:22:48 | 1:22:50 | |
after winning the last frame. So
difficult to give your opponent such | 1:22:50 | 1:22:55 | |
an easy chance. You can see how many
loose reds there are. | 1:22:55 | 1:23:06 | |
Yes, you can see at least 50 points
before he has to open that little | 1:23:12 | 1:23:16 | |
bunch of roads. -- of reds. | 1:23:16 | 1:23:25 | |
He has got a wonderful angle and if
he wishes, he can go into the bottom | 1:23:30 | 1:23:35 | |
of the pack to loosen them, as he
will be left on a red. That is | 1:23:35 | 1:23:44 | |
perfect. He didn't have to hit them
too hard. He was always going to be | 1:23:44 | 1:23:49 | |
on that redback and what he has done
now is brought another to reds into | 1:23:49 | 1:23:53 | |
play. | 1:23:53 | 1:24:01 | |
play. -- he was always going to be
on that read and what he has done | 1:24:01 | 1:24:07 | |
now is brought another two reds into
play. | 1:24:07 | 1:24:16 | |
It just shows you, when they get a
chance in amongst the balls early | 1:24:31 | 1:24:36 | |
on, this is what will happen.
Something, a bit of chalk maybe, got | 1:24:36 | 1:24:43 | |
itself onto the black bear. You see
lots of chalk marks on the table. In | 1:24:43 | 1:24:50 | |
fact, when Kyren is playing, you
will see him brushing the cloth to | 1:24:50 | 1:24:55 | |
brush the chalk marks off. When they
play a little screw shot, it leaves | 1:24:55 | 1:25:02 | |
a trail of chalk. | 1:25:02 | 1:25:06 | |
Yes, pink doesn't go on its own
spot, so the referee is asking for a | 1:25:34 | 1:25:41 | |
second so you can line it up behind
the spot and it has to go in line | 1:25:41 | 1:25:45 | |
with the black and of course this
top cushion as close to its own spot | 1:25:45 | 1:25:49 | |
as possible. He has had a couple of
looks at those two red to see if | 1:25:49 | 1:25:59 | |
they popped back into this bottom
corner. It looks quite close. If he | 1:25:59 | 1:26:10 | |
takes two reds with black Sea, that
would put him 75 ahead with just 67 | 1:26:10 | 1:26:19 | |
on, so all he has to do is
concentrate on this black, roll it | 1:26:19 | 1:26:24 | |
in and take the red behind the
black. And maybe that is a plant. | 1:26:24 | 1:26:31 | |
Maybe it is. It must be. | 1:26:31 | 1:26:35 | |
It is all the way there.
APPLAUSE | 1:26:45 | 1:26:52 | |
Is he a unlucky? He is touching the
other red, so that was very | 1:27:15 | 1:27:22 | |
unfortunate. OK, the frame is pretty
much safe, but we would have had the | 1:27:22 | 1:27:30 | |
first century in the final. He is
touching the reds are. He has to | 1:27:30 | 1:27:36 | |
play away from it. Well, he tried to
knock the Green safe there. Very | 1:27:36 | 1:27:47 | |
unfortunate when he landed tight on
that red. | 1:27:47 | 1:27:50 | |
At the moment, Kyren needs, well, he
could do with four reds and four | 1:28:51 | 1:29:02 | |
blacks and then he may need
snookers. | 1:29:02 | 1:29:10 | |
So you wouldn't really give him much
hope the way these reds are | 1:29:12 | 1:29:16 | |
situated. | 1:29:16 | 1:29:20 | |
That was a great shot of Kyren using
the rest there. A very unusual shot. | 1:29:28 | 1:29:36 | |
Not often you see that. | 1:29:36 | 1:29:41 | |
APPLAUSE. | 1:30:20 | 1:30:28 | |
That doesn't matter. He had lost
concentration. The frame was well | 1:30:37 | 1:30:42 | |
and truly over. It was that earlier
break of 73 that paved the way for | 1:30:42 | 1:30:48 | |
Mark Allen and he is back in the
lead again 6-5. | 1:30:48 | 1:30:55 | |
Mark Allen is back in front. Yes, we
were saying the difference in the | 1:31:52 | 1:31:59 | |
positional play, but Mark Allen cue
ball was great. There is an economy | 1:31:59 | 1:32:04 | |
of effort when the cue ball goes
around with him. It is similar to | 1:32:04 | 1:32:08 | |
Ding Junhui. He kept it neat and
tidy. Every shot was simple. Equally | 1:32:08 | 1:32:16 | |
as impressed? Yes perhaps he is even
shorter around the table than Ding | 1:32:16 | 1:32:22 | |
Junhui. Keeps that cue ball on tight
rein. If anybody is going to look | 1:32:22 | 1:32:28 | |
like the winner of this, it does
seem like it will be Mark Allen. | 1:32:28 | 1:32:33 | |
That is not to dig out... Why do you
say that? Because it seems he is | 1:32:33 | 1:32:40 | |
more efficient with the balls. If
you wobble a ball, you have a six | 1:32:40 | 1:32:47 | |
foot distance to keep putting, it
gets tougher. Given equal time at | 1:32:47 | 1:32:55 | |
the table, and they both play to
decent standard, it is favouring | 1:32:55 | 1:33:01 | |
Mark Allen. If you were in Kyren
corner what would you say? He is | 1:33:01 | 1:33:09 | |
playing great match play, when the
chances come, keep that cue ball | 1:33:09 | 1:33:14 | |
tighter and make the job easier for
yourself. Sometimes we analyse and | 1:33:14 | 1:33:19 | |
say, where is your strengths, play
to your strengths. It will be | 1:33:19 | 1:33:24 | |
interesting to try and analyse Kyren
Wilson's strengths, where would you | 1:33:24 | 1:33:29 | |
play to? His biggest asset is his
straight cues. His long game is very | 1:33:29 | 1:33:36 | |
good. He has played some lovely
shots when he is playing run | 1:33:36 | 1:33:41 | |
throughs. But he has got to get
tight we are the white. What do you | 1:33:41 | 1:33:45 | |
make of the boys, Dennis? DENNIS
TAYLOR: I think they're doing | 1:33:45 | 1:33:52 | |
make of the boys, Dennis? DENNIS
TAYLOR: I think they're doing | 1:33:52 | 1:33:52 | |
remarkably well. Considering they're
in their first final. You can't | 1:33:52 | 1:33:57 | |
separate them at the moment. As I
mentioned, if one player can just | 1:33:57 | 1:34:02 | |
open up a two-frame advantage and
Mark Allen has got the chance to do | 1:34:02 | 1:34:05 | |
that before the mid session
interval, you would have to make him | 1:34:05 | 1:34:09 | |
a strong favourite. But having said
that look what Kyren Wilson did in | 1:34:09 | 1:34:18 | |
the semi-final against Judd Trump
from 5-2. It is still fascinating, | 1:34:18 | 1:34:23 | |
Ken? KEN DOHERTY: And it could go
all the way. But you never know who | 1:34:23 | 1:34:28 | |
is going to break first. If any of
them do. Been fascinating stuff. | 1:34:28 | 1:34:36 | |
Quite a clever little shot. He has
tried to tempt Kyren Wilson at this | 1:34:58 | 1:35:04 | |
red behind the black. Its almost
straight. It has a slight angle on | 1:35:04 | 1:35:10 | |
it. But these are so difficult. | 1:35:10 | 1:35:19 | |
Yeah. You're OK when you're ahead,
but when you're chasing it becomes a | 1:35:20 | 1:35:29 | |
bit more difficult. The red has
finished up. | 1:35:29 | 1:35:38 | |
I think under the circumstances and
the importance of this frame before | 1:35:46 | 1:35:51 | |
the mid session interval, that was a
very risky one from Kyren. | 1:35:51 | 1:36:01 | |
Just as in the last frame, he has
given quite an easy opportunity for | 1:36:04 | 1:36:11 | |
Mark Allen to get quite a few points
on the board. | 1:36:11 | 1:36:16 | |
He would like to get on the red
directly before the black here. | 1:36:35 | 1:36:47 | |
Gone too far for that, but always
had the red to left centre. | 1:36:49 | 1:37:02 | |
Yeah, there is time, you're never
playing for one single ball, you're | 1:37:06 | 1:37:12 | |
leaving yourself options. That is
what Mark did there. Sometimes you | 1:37:12 | 1:37:15 | |
might think two or three shots
ahead, but other times you're just | 1:37:15 | 1:37:20 | |
putting the cue ball in the position
where you're leaving yourself with | 1:37:20 | 1:37:23 | |
different choices. | 1:37:23 | 1:37:31 | |
Has he got an angle on this red?
Doesn't look like it, he is a bit | 1:37:48 | 1:37:55 | |
strait on it. | 1:37:55 | 1:38:02 | |
If he could hit the extreme red of
the bunch. Just a slight little | 1:38:06 | 1:38:10 | |
touch on the red. | 1:38:10 | 1:38:17 | |
Extreme red on the bunch of reds, he
could just push it out of the way. | 1:38:17 | 1:38:23 | |
Not that time. Maybe he just didn't
have the right angle. | 1:38:23 | 1:38:34 | |
Well, that is a brilliant shot! | 1:38:56 | 1:39:00 | |
That wasn't an actual angle, he had
to force the pink in with lots of | 1:39:03 | 1:39:10 | |
side to create the angle. It's
finished just a little awkward for | 1:39:10 | 1:39:15 | |
him. But he split the reds
beautifully there. Should be able to | 1:39:15 | 1:39:21 | |
get on the blue. | 1:39:21 | 1:39:27 | |
Even though he is awkward with the
bridge hand. | 1:39:27 | 1:39:33 | |
And the correct side of the blue as
well. | 1:39:33 | 1:39:38 | |
He is normally so good at this type
of shot. But under the circumstances | 1:39:58 | 1:40:03 | |
there was a lot of pressure on that.
And he is paying the penalty. | 1:40:03 | 1:40:11 | |
What a way to go to the mid session
interval if he can win this frame | 1:40:11 | 1:40:17 | |
with one visit here. | 1:40:17 | 1:40:24 | |
He is certainly starting to motor
now. It has been a fantastic break. | 1:40:40 | 1:40:43 | |
That shot on the pink to split the
reds was magnificent. | 1:40:43 | 1:40:54 | |
That one wasn't. He still has a red
to left centre. | 1:40:54 | 1:41:00 | |
But not the cannon that he wanted
there. | 1:41:02 | 1:41:11 | |
He was only looking for one more red
and a black. He is 61 ahead. Now he | 1:41:12 | 1:41:17 | |
is going to have to play that little
cannon. | 1:41:17 | 1:41:28 | |
He is screwing it in, so he is
heading back. Yeah, not a bad choice | 1:41:28 | 1:41:33 | |
if the white pulls up there. Yes, it
was an awkward one and decided that | 1:41:33 | 1:41:39 | |
the cannon the black into a pottable
position was just a little too | 1:41:39 | 1:41:44 | |
tricky. He is starting to look very
strong indeed here. | 1:41:44 | 1:41:54 | |
He thought he had missed that. Did
he get a bit of a kick? The | 1:42:02 | 1:42:11 | |
referee's cleaning the blue. Maybe
he did get a heavy contact. He | 1:42:11 | 1:42:14 | |
played a blue like that today and it
is almost like the cue ball drifted | 1:42:14 | 1:42:19 | |
slightly. He thought he missed the
blue earlier. Very similar to that. | 1:42:19 | 1:42:23 | |
Just near to this red. It is there.
Great shot. The cue ball might be | 1:42:23 | 1:42:32 | |
slightly drifting as it goes to the
blue spot. This has been top drawer | 1:42:32 | 1:42:36 | |
stuff. | 1:42:36 | 1:42:39 | |
Calling on all his experience. | 1:42:39 | 1:42:43 | |
A player who has won the World Open
in China twice. | 1:42:43 | 1:42:55 | |
He has made 41 centuries this
season. 36 last season. | 1:42:57 | 1:43:01 | |
We have had 27 so far this year in
the Masters. The record is 31. | 1:43:06 | 1:43:17 | |
Great time to have a big break like
this as well. | 1:43:19 | 1:43:28 | |
Probably love to keep going and not
have a mid session interval. | 1:43:28 | 1:43:35 | |
Absolutely brilliant! From the man
from County Antrim. | 1:43:35 | 1:43:42 | |
139 is still the highest break in
this year's Masters. Liang Wenbo is | 1:44:05 | 1:44:13 | |
in line for £10,000 for that. | 1:44:13 | 1:44:19 | |
It has been an excellent session. | 1:44:19 | 1:44:25 | |
The pink into the middle. | 1:44:32 | 1:44:43 | |
A magnificent break from Mark Allen.
He goes into the interval leading | 1:44:43 | 1:44:50 | |
7-5. | 1:44:50 | 1:44:52 | |
He goes into the interval leading
7-5. Mark's fans loved that. That is | 1:44:52 | 1:44:55 | |
how we are looking with our
tournament centuries. First century | 1:44:55 | 1:45:00 | |
of this match, but the 28th of the
tournament so far. You have got to | 1:45:00 | 1:45:07 | |
agree with Ken, I bet he wishes he
could keep going. Yes, this is why | 1:45:07 | 1:45:12 | |
we are going on about the cue ball
and keeping it tight. The cue ball's | 1:45:12 | 1:45:17 | |
hardly moved. He had one shot he had
to screw off the red on to the | 1:45:17 | 1:45:22 | |
black. But the rest of it was great.
Perfect timing. Yes, Kyren playing | 1:45:22 | 1:45:29 | |
the red along the top cushion and
you don't know where the red's going | 1:45:29 | 1:45:32 | |
to go. It went over the green
pocket. But a great break from Mark | 1:45:32 | 1:45:37 | |
Allen. He seems to have timed things
nicely. Going back to that last | 1:45:37 | 1:45:42 | |
frame in the afternoon where he dug
deep to win it. Perhaps that was a | 1:45:42 | 1:45:48 | |
pivotal frame. What about that blue
that Mark almost missed. It is a | 1:45:48 | 1:45:52 | |
funny one. A mark on the table? Ken
had a similar shot today, I don't | 1:45:52 | 1:45:57 | |
know whether it is drifting or
dropping over, or whether the first | 1:45:57 | 1:46:02 | |
one was a kick. It an interval he
didn't need. Because he is flowing | 1:46:02 | 1:46:07 | |
now. Beautifully set up for the
final session. Yes, Kyren doesn't, | 1:46:07 | 1:46:14 | |
he hasn't done anything wrong. But
it is tough out there. Mark Allen | 1:46:14 | 1:46:18 | |
does look like more of a class
animal among the balls. But Kyren | 1:46:18 | 1:46:23 | |
Wilson was up against it in his last
match and pulled it around. He has a | 1:46:23 | 1:46:29 | |
great temperament and when he gets
closer, you never know. If he stays | 1:46:29 | 1:46:33 | |
in context he will have a chance.
Shot of tournament coming up | 1:46:33 | 1:46:37 | |
shortly. But if you have been to
Alexandra Palace, you will know what | 1:46:37 | 1:46:44 | |
a wonderful venue it is and John
Parrott has been looking at the | 1:46:44 | 1:46:50 | |
Victorian theatre and its
restoration. | 1:46:50 | 1:46:57 | |
JOHN PARROT: This has been home to
the Masters since 2012 and it has | 1:46:57 | 1:47:08 | |
witnessed drama and magic that has
been etched in the game. The history | 1:47:08 | 1:47:15 | |
makers are just a small part of the
legacy of this great palace. | 1:47:15 | 1:47:22 | |
Alexandra Palace is being restored.
With a budget of almost £30 million, | 1:47:22 | 1:47:28 | |
the task is huge. The total cost
gives you an idea of scale of work | 1:47:28 | 1:47:34 | |
to restore some of the Palace's most
historics parts. I caught up with | 1:47:34 | 1:47:41 | |
the deputy Chief Executive to look
around at the restoration. We are | 1:47:41 | 1:47:49 | |
very excited, because what this will
allow us to do is welcome people in | 1:47:49 | 1:47:53 | |
to a space where you can be at
Alexandra Palace, hopefully working | 1:47:53 | 1:47:59 | |
from your lap top, grabbing a coffee
or coming into our learning zone. | 1:47:59 | 1:48:04 | |
Show us the rest of it. Yes, please,
follow me. | 1:48:04 | 1:48:16 | |
follow me. This is our beautiful
Victorian theatre which opened in | 1:48:16 | 1:48:20 | |
1875. It fell into dereliction quite
quickly and it has been lost to | 1:48:20 | 1:48:27 | |
three generations and nearly 90
years it has been hidden from the | 1:48:27 | 1:48:30 | |
public. We have this amazing
opportunities to give it back. The | 1:48:30 | 1:48:33 | |
plan is that we are keeping it as a
rested decay. Because it was never a | 1:48:33 | 1:48:40 | |
shiny theatre. It wouldn't be true
to the space if we started to break | 1:48:40 | 1:48:45 | |
open the gold leaf. Incredible. Are
we going to the top? We are. Oh, no! | 1:48:45 | 1:48:58 | |
So this is it. We are almost as high
as we can go. We will take you a | 1:48:59 | 1:49:04 | |
little higher. But this reveals our
beautiful decorative ceiling, which | 1:49:04 | 1:49:09 | |
we are now putting a lot of effort
into restoring. You are kidding me, | 1:49:09 | 1:49:15 | |
we can't go any higher? We can
always go higher at Alexandra | 1:49:15 | 1:49:20 | |
Palace. | 1:49:20 | 1:49:25 | |
Palace. We are now in the void above
the decorative ceiling. What is | 1:49:25 | 1:49:31 | |
happening under us is the consl
daysing of the ceiling -- | 1:49:31 | 1:49:36 | |
consolidation of ceiling. That is
plaster of Paris with a mesh and we | 1:49:36 | 1:49:43 | |
have these truss ends that have been
fabricated to each individual | 1:49:43 | 1:49:47 | |
timber. It is not going anywhere?
No. | 1:49:47 | 1:49:54 | |
No. For the likes of this wall, what
do you do to preserve this? It is | 1:49:54 | 1:49:59 | |
quite a complicated process to
ensure that it stays looking as it | 1:49:59 | 1:50:02 | |
does at the moment. But ultimately,
we have professionals that come in | 1:50:02 | 1:50:07 | |
and they will put a resin, a fine
resin, over the wall, which | 1:50:07 | 1:50:13 | |
encapsulates what you see today, but
stops it decaying. We have been to | 1:50:13 | 1:50:19 | |
the heights, no us the basement? --
Now the basement? That's right. | 1:50:19 | 1:50:29 | |
Where are we now? We are underneath
the theatre stage and what you can | 1:50:29 | 1:50:34 | |
see in front of you is the most
extraordinary example of Victorian | 1:50:34 | 1:50:40 | |
wooden working stage machinery and
the way it would have worked is you | 1:50:40 | 1:50:44 | |
have these traps you can see and
your performers would have sat in | 1:50:44 | 1:50:49 | |
the traps and been levered through
the stage to shoot up above as part | 1:50:49 | 1:50:53 | |
of the performance. | 1:50:53 | 1:50:57 | |
Back here in the warm and you have
made me a nice cup of tea. We have | 1:51:01 | 1:51:05 | |
scratched the surface of looking at
it. You must have found other | 1:51:05 | 1:51:09 | |
things? Well that is one of the
extraordinary stories of this | 1:51:09 | 1:51:14 | |
restoration project, as part of it
we have found a collection that we | 1:51:14 | 1:51:18 | |
thought we lost in the fire that was
5,000 items of history of Alexandra | 1:51:18 | 1:51:29 | |
Palace. Including one of first BBC
television producers, will a his | 1:51:29 | 1:51:38 | |
note books and things from Owen
Jones' original drawings that we are | 1:51:38 | 1:51:43 | |
having verified. We very fortunate
that Google arts and culture shipped | 1:51:43 | 1:51:52 | |
one of the few scanners in the world
that meant we can scan all the | 1:51:52 | 1:51:56 | |
items. That has taught us about the
hidden history we didn't know. We | 1:51:56 | 1:52:02 | |
were able, because of resolution to
see posters in the back of the | 1:52:02 | 1:52:08 | |
photographs that told us when it was
an internee camp, they were being | 1:52:08 | 1:52:15 | |
shown footage during the First World
War about what was happening in | 1:52:15 | 1:52:19 | |
their countries. It has been
fascinating. Thank you for spending | 1:52:19 | 1:52:22 | |
time with me. But I've got to go. | 1:52:22 | 1:52:33 | |
Our intrepid reporter. We showed you
ten of the best shots from the | 1:52:37 | 1:52:43 | |
Masters. Our team have Whittled them
down to the best three. | 1:52:43 | 1:52:48 | |
He has got great cue power here.
Excellent shot. That is not too bad. | 1:53:00 | 1:53:05 | |
Played that very well. | 1:53:05 | 1:53:12 | |
The snooker's behind the black. That
is in a nice place. | 1:53:13 | 1:53:17 | |
Now, so is the cue ball. | 1:53:24 | 1:53:32 | |
He is going for the jugular here.
Great shot. Absolutely full marks | 1:53:32 | 1:53:37 | |
for trying to make something happen
here. | 1:53:37 | 1:53:45 | |
Time to look back Ott at what has
been a terrific Masters. | 1:53:51 | 1:54:01 | |
Intriguing first match of this
Masters. | 1:54:01 | 1:54:09 | |
LAUGHTER. Mark Williams has nicked
the white and it's in his pocket! | 1:54:11 | 1:54:20 | |
Now the ref is going to look for the
white. LAUGHTER. There we go! | 1:54:20 | 1:54:32 | |
The pink is in. The Welsh potting
machine has made a terrific come | 1:54:33 | 1:54:37 | |
back and he takes the match by 6-5.
He is from County Antrim in Northern | 1:54:37 | 1:54:49 | |
Ireland, it is the Pistol, Mark
Williams. | 1:54:49 | 1:54:59 | |
What's your second name again? .
Mark Allen ladies and gentlemen! | 1:54:59 | 1:55:07 | |
Eventually, Ken, we got the names
right slam! There is a bit of a fly | 1:55:07 | 1:55:16 | |
problem on the table. | 1:55:16 | 1:55:18 | |
In the end Mark Allen. He wasn't at
his absolute best for me, but when | 1:55:23 | 1:55:31 | |
it mattered he produced a he is a
comfortable winner. There is a fly. | 1:55:31 | 1:55:39 | |
I don't think it is the same one as
yesterday. | 1:55:39 | 1:55:47 | |
The fly's causing a problem. Three
century breaks he has made against | 1:55:47 | 1:55:53 | |
Ding Junhui's two. And it is Ryan
Day, 3-0 he was down and he is | 1:55:53 | 1:55:59 | |
through to the quarter-final. | 1:55:59 | 1:56:07 | |
Always like watching Liang Wenbo. He
is such a character. Lots of | 1:56:07 | 1:56:12 | |
expressions on his face. 85. Judd
Trump in the end with that | 1:56:12 | 1:56:20 | |
magnificent break gets himself
through to the next round and he | 1:56:20 | 1:56:24 | |
takes the match by 6-4. Have a look
at this. A fly has landed on his | 1:56:24 | 1:56:32 | |
head and he played the shot as if it
wasn't there! | 1:56:32 | 1:56:36 | |
You might as well wrap up and go
home now, this just crazy. | 1:56:42 | 1:56:53 | |
A lot of flies this week. What is
it? If it was, it won't be back! | 1:56:53 | 1:57:09 | |
The Wizard of Wishaw has waved that
magic wand. | 1:57:12 | 1:57:22 | |
Ronnie did win the toss and he is
going to get this first | 1:57:24 | 1:57:28 | |
quarter-final under way. I'm
struggling, I don't know whether it | 1:57:28 | 1:57:31 | |
is a virus. I have had it before and
it is difficult when you're getting | 1:57:31 | 1:57:35 | |
dizzy spells. | 1:57:35 | 1:57:39 | |
Superb performance from Mark Allen
here. | 1:57:45 | 1:57:53 | |
This looks absolutely perfect. What
a positional shot that is. Ronnie | 1:57:53 | 1:57:59 | |
looked out of sorts, but Mark Allen
has put in a fabulous performance | 1:57:59 | 1:58:03 | |
here. He has won the match very
comfortably indeed. Just obviously | 1:58:03 | 1:58:08 | |
wasn't good enough. I know people
don't take me serious, but I | 1:58:08 | 1:58:14 | |
probably will miss the World
Championships. I come back to | 1:58:14 | 1:58:19 | |
snooker for different reasons, it is
just a bit of a time-passer for me. | 1:58:19 | 1:58:29 | |
I remember the first few days they
were trying to pick these flies up | 1:58:29 | 1:58:34 | |
by the wing. Not any more! | 1:58:34 | 1:58:41 | |
by the wing. Not any more! What
happened to the old DTT they had. | 1:58:46 | 1:58:49 | |
The old spray can? | 1:58:49 | 1:58:51 | |
MUSIC: Kung Fu fighting. | 1:58:55 | 1:58:57 | |
What a wonderful shot. Back-to-back
centuries. Marvellous. Judd Trump | 1:59:00 | 1:59:09 | |
runs out a winner 6-4. | 1:59:09 | 1:59:17 | |
Really going for the jugular here.
Great shot. Full marks for trying to | 1:59:17 | 1:59:24 | |
make something happen here. This has
been the best performance of his | 1:59:24 | 1:59:29 | |
career. It doesn't matter about
that. In the end the man from | 1:59:29 | 1:59:35 | |
Kettering has won four frames in the
row and didn't he do it in style and | 1:59:35 | 1:59:40 | |
he gets himself through to the final
of the Pla sters. -- Masters. Very | 1:59:40 | 1:59:48 | |
good pot. | 1:59:48 | 1:59:54 | |
good pot. 75. John Higgins offering
him congratulations. There is a | 1:59:54 | 2:00:04 | |
delighted Mark Allen in his first
Masters final. | 2:00:04 | 2:00:07 | |
delighted Mark Allen in his first
Masters final. As each day goes by, | 2:00:07 | 2:00:10 | |
we are lucky to be here and watching
the action. When you watch it all | 2:00:10 | 2:00:15 | |
packaged together with music, I
realise just how lucky we are. Yeah, | 2:00:15 | 2:00:19 | |
it is great fun. That is how old, I
can remember Carl Douglas, the Kung | 2:00:19 | 2:00:30 | |
Fu fighter on Top of the Pops.
Fortunately it finishes before | 2:00:30 | 2:00:35 | |
midnight or we might get bats as
well. There have been some great | 2:00:35 | 2:00:43 | |
matches. And Sean Murphy with his
inner Luke Skywalker. | 2:00:43 | 2:00:56 | |
I know what people will say, here
they go again talking about Ronnie | 2:00:56 | 2:01:00 | |
O'Sullivan, but for people who
missed it, Barry Hearn was talking | 2:01:00 | 2:01:05 | |
this afternoon about how he thinks
Ronnie O'Sullivan will be at the | 2:01:05 | 2:01:08 | |
Crucible. Can I ask your opinion? I
think probably, on reflection, when | 2:01:08 | 2:01:14 | |
it gets closer to entry date, he
will fancy the job. But that was him | 2:01:14 | 2:01:20 | |
talking after getting beaten by Mark
Allen so you are never in the | 2:01:20 | 2:01:24 | |
greatest frame of mind, even if you
are trying to put a brave face on | 2:01:24 | 2:01:28 | |
it. You are never in a good frame of
mind when you have lost. When the | 2:01:28 | 2:01:35 | |
chairman of World Snooker, Barry
Hearn, was at that, he seemed | 2:01:35 | 2:01:38 | |
convinced Ronnie will play. I think
he will play. He will come round to | 2:01:38 | 2:01:43 | |
it when the entry form comes round.
OK, gentlemen, thank you very much. | 2:01:43 | 2:01:49 | |
Mark Allen leads Kyren Wilson by 7-5
and a change in our comedy box. Good | 2:01:49 | 2:01:58 | |
evening, John Virgo and Stephen
Hendry. -- in our commentary box. | 2:01:58 | 2:02:05 | |
It evening. The interval is over.
And Mark Allen, | 2:02:05 | 2:02:20 | |
And Mark Allen, Stephen, 91% pots
from Mark Allen, slightly less for | 2:02:20 | 2:02:25 | |
Kyren Wilson. Perhaps that tells a
story? Yes, Mark Allen seems to be | 2:02:25 | 2:02:31 | |
finding a higher gear at the right
stage in this match, Mark Allen. The | 2:02:31 | 2:02:37 | |
difference between these two players
to day has been the cue ball and | 2:02:37 | 2:02:44 | |
their control of it. | 2:02:44 | 2:02:47 | |
But we know what Kyren Wilson can do
when his back's against the wall in | 2:02:54 | 2:03:01 | |
a match. We only have to look back
at that incredible semifinal against | 2:03:01 | 2:03:05 | |
Judd Trump. So in no way is anyone
writing him off yet. There was a | 2:03:05 | 2:03:11 | |
long, long way to go yet in this
match. This is his strength. But | 2:03:11 | 2:03:18 | |
again. Why is he hitting them so
hard, John? It seems to be his | 2:03:18 | 2:03:25 | |
Achilles' heel. When the pressure is
on, he has a tendency to overhit the | 2:03:25 | 2:03:30 | |
ball. And that could be costly. | 2:03:30 | 2:03:35 | |
First in, eventually, and I should
imagine sooner rather than later he | 2:03:47 | 2:03:50 | |
will try to get the black onto its
spot and it will be available to | 2:03:50 | 2:03:54 | |
both corners. | 2:03:54 | 2:03:59 | |
Yes, no pressure if Mark Allen is
presented with this situation every | 2:04:13 | 2:04:19 | |
time he comes to the table. | 2:04:19 | 2:04:30 | |
You could see a bit of frustration
that, either with himself or he | 2:05:02 | 2:05:07 | |
might have got a heavy contact. But
I think with himself for not getting | 2:05:07 | 2:05:11 | |
that cue ball further up the table.
He didn't get to the cue ball | 2:05:11 | 2:05:18 | |
cleaned. It looks as though he
didn't go through it as he should. | 2:05:18 | 2:05:25 | |
It looks as though the red second
down from the pink is available to | 2:05:25 | 2:05:29 | |
the right corner. There you see it.
Oh, right in the heart of the | 2:05:29 | 2:05:38 | |
pocket. He'll be forgiven for not
having the perfect angle on the | 2:05:38 | 2:05:46 | |
blue. If he's going to go into the
pink, if he goes into the right-hand | 2:05:46 | 2:05:52 | |
side of it as we look down the
table, even if he misses the | 2:05:52 | 2:05:57 | |
cannon... He didn't get into the cue
ball. He needed to be on the other | 2:05:57 | 2:06:03 | |
side of the pink to make certain of
a red, really. Particularly at that | 2:06:03 | 2:06:08 | |
pace. There were other reds to hold
the cue ball. He could have found | 2:06:08 | 2:06:26 | |
something easier. He will be taking
it on, there is no doubt about that. | 2:06:26 | 2:06:32 | |
And we are looking from right behind
the pocket, so we will know before | 2:06:32 | 2:06:36 | |
he does whether it is in or not. | 2:06:36 | 2:06:41 | |
We went to shore but it struggled
in. -- we weren't too sure but it | 2:06:47 | 2:06:56 | |
struggled in. Now, what sort of an
angle has he got on the green? He | 2:06:56 | 2:07:03 | |
has the angle to come down to the
reds at the reds are slightly | 2:07:03 | 2:07:07 | |
awkward. Six reds in the middle of
the table but he needs to be very | 2:07:07 | 2:07:13 | |
precise with his positional shot.
Oh, which you believe it! -- would | 2:07:13 | 2:07:25 | |
you believe it?! How did the green
get through that gap. You never see | 2:07:25 | 2:07:33 | |
this in a major. | 2:07:33 | 2:07:36 | |
Obviously not a touching ball. Had
it been, the referee would have | 2:08:03 | 2:08:07 | |
declared it. | 2:08:07 | 2:08:13 | |
declared it. But doesn't feel as if
he can get back to the baulk end. | 2:08:13 | 2:08:21 | |
he can get back to the baulk end. I
mean, you'd think he could get back | 2:08:21 | 2:08:23 | |
to the baulk end of the one he is
closest to you and the one off the | 2:08:23 | 2:08:27 | |
side cushion. | 2:08:27 | 2:08:32 | |
side cushion. Needs to miss the
yellow. And he didn't, so that was a | 2:08:34 | 2:08:37 | |
loose one. OK, he may not have left
anything but with his hand on the | 2:08:37 | 2:08:47 | |
table, you would expect Kyren to
play a better safety shot Usman | 2:08:47 | 2:08:50 | |
Khawaja. -- you would expect Kyren
to play a better safety shot than | 2:08:50 | 2:09:00 | |
that. | 2:09:00 | 2:09:03 | |
Just a little bit pacey. But the
brown may have come to his rescue | 2:09:10 | 2:09:17 | |
here. | 2:09:17 | 2:09:22 | |
Yes, he may be forced into taking
this on. | 2:09:27 | 2:09:32 | |
Yes, he did not want to play that
long read and look at what he has | 2:09:37 | 2:09:42 | |
left. So, it was a good safety shot
from Kyren Wilson and it has forced | 2:09:42 | 2:09:50 | |
this opportunity and what a good
opportunity it is. | 2:09:50 | 2:09:59 | |
opportunity it is. If he is straight
on this red to the left middle, you | 2:09:59 | 2:10:03 | |
will take that opportunity to play
for the black immediately. | 2:10:03 | 2:10:10 | |
Normally pretty reliable with the
rest, especially when he is playing | 2:10:23 | 2:10:28 | |
a stunning shot, which he will be
playing here. | 2:10:28 | 2:10:31 | |
Again, you see the frustration,
slamming the rest down on the table. | 2:10:42 | 2:10:46 | |
Hit it may be just an ounce harder
than was required. Yes, didn't cue | 2:10:46 | 2:10:52 | |
it smooth and it just needed cueing.
As you say, he just flung the rest | 2:10:52 | 2:10:58 | |
onto the table. Look at the
occasion. I think it's starting to | 2:10:58 | 2:11:04 | |
get to Kyren Wilson. | 2:11:04 | 2:11:10 | |
get to Kyren Wilson. Yes, I think
sometimes you can get away with not | 2:11:10 | 2:11:13 | |
playing your absolute best, but when
you are missing chances like that, | 2:11:13 | 2:11:17 | |
and he would deem that is a great
opportunity after Mark Allen had got | 2:11:17 | 2:11:23 | |
in first, and you don't take them,
well, it is a mind game circuit. | 2:11:23 | 2:11:30 | |
And also, what a boost of confidence
it gives to your opponent. He played | 2:11:36 | 2:11:43 | |
the right shot, played for the black
straightaway. | 2:11:43 | 2:11:48 | |
This is careless. OK, he's got a bit
of an angle. He should be able to | 2:12:05 | 2:12:13 | |
get back up for the blue but that
cue ball should have been a couple | 2:12:13 | 2:12:17 | |
of feet away from the cushion.
APPLAUSE | 2:12:17 | 2:12:27 | |
So, this blue to go and 57 points in
front with 59 remaining, so only | 2:12:31 | 2:12:40 | |
this red required to leave Kyren
Wilson needing snookers. | 2:12:40 | 2:12:48 | |
Kyren Wilson will be very, very
disappointed. You just get the | 2:12:59 | 2:13:06 | |
feeling that this match is just
beginning to slip away from him now. | 2:13:06 | 2:13:11 | |
This was the black. Didn't really
cue it smooth and it was his | 2:13:11 | 2:13:15 | |
reaction afterwards that made you
feel that he was just beginning to | 2:13:15 | 2:13:25 | |
get on top of the fact that he's not
producing his best in the biggest | 2:13:25 | 2:13:29 | |
match of his life. | 2:13:29 | 2:13:31 | |
No way back to the table now, so
even if this red doesn't go in, its | 2:14:00 | 2:14:07 | |
frame over. | 2:14:07 | 2:14:15 | |
frame over. The mark Allen
supporters are getting a bit louder. | 2:14:15 | 2:14:19 | |
They are enjoying this, and if I was
Kyren Wilson, I would try to use | 2:14:19 | 2:14:25 | |
that as a bit of motivation. | 2:14:25 | 2:14:30 | |
He has got to use something. Well,
it didn't matter about the brand. | 2:14:42 | 2:14:51 | |
Kyren Wilson stays in his seat. He
had a chance there and Mark Allen | 2:14:51 | 2:14:58 | |
now goes three ahead.
Mark Allen just taking a moment to | 2:14:58 | 2:15:05 | |
walk out of the arena just to
compose himself. He knows how close | 2:15:05 | 2:15:10 | |
this is, John? Yes, he is in the
ascendancy, go out, compose | 2:15:10 | 2:15:15 | |
yourself, make your opponents it in
the chair and think about being | 2:15:15 | 2:15:18 | |
three frames per pint. I don't blame
him in the slightest. -- being three | 2:15:18 | 2:15:25 | |
frames behind. | 2:15:25 | 2:15:30 | |
frames behind. The black was
mentioned as the correct shot but he | 2:15:30 | 2:15:33 | |
hadn't played for a number of shots.
He put it upon himself to pot that | 2:15:33 | 2:15:46 | |
because you can't guarantee potting
that will punish you are the best | 2:15:46 | 2:15:49 | |
rest player in the world. Get a few
balls before you start playing the | 2:15:49 | 2:15:54 | |
hard shots but John disagrees. I
think he played the correct shot. He | 2:15:54 | 2:16:01 | |
is proficient with the rest and you
would not expect him to miss that. | 2:16:01 | 2:16:05 | |
He drops the black in there and
there are five reds waiting for him. | 2:16:05 | 2:16:12 | |
His rest play today has been 85%,
over the tournament, 84%. A sign of | 2:16:12 | 2:16:18 | |
frustration when he missed it as
well? Yes, because he knew that if | 2:16:18 | 2:16:23 | |
he dropped that, there were four or
five reds waiting for him. He is | 2:16:23 | 2:16:29 | |
just starting to show signs of
weakness. What can Kyren Wilson do | 2:16:29 | 2:16:34 | |
now if Mark Allen is in the
ascendancy? I think he has got to | 2:16:34 | 2:16:39 | |
steady the ship the bit about what
is difficult as he is running out of | 2:16:39 | 2:16:43 | |
frames. You need the chance to get
his cue arm going now. That black | 2:16:43 | 2:16:49 | |
was not one. Therein lies my
decision that not always is the shot | 2:16:49 | 2:16:54 | |
the same. It depends on how you are
feeling yourself. I don't think he | 2:16:54 | 2:16:59 | |
was happy on that black and the way
he threw the rest down, it was an | 2:16:59 | 2:17:03 | |
uncomfortable shot for him. He needs
to get a bit of table time now. | 2:17:03 | 2:17:08 | |
Absolutely. Mark Allen on his way
back out then. Two more frames and | 2:17:08 | 2:17:12 | |
he is the Masters champion of 2018.
Back to the boys. | 2:17:12 | 2:17:20 | |
Kyren Wilson, the one thing he has
got to cut out, he is missing easy | 2:17:23 | 2:17:29 | |
shots. I know that sounds a simple
thing. He has got to cut out the | 2:17:29 | 2:17:35 | |
unforced errors. | 2:17:35 | 2:17:41 | |
unforced errors. But I think the one
thing he has got, Stephen, he has | 2:17:41 | 2:17:45 | |
got a good temperament. Yes, without
a doubt, and he is a fighter. Go | 2:17:45 | 2:17:51 | |
back to that match against Judd
Trump. | 2:17:51 | 2:17:56 | |
But what I think you won't get from
Mark Allen that he got from Judd | 2:18:00 | 2:18:06 | |
Trump is his opponent playing crazy
shots to let him back in. | 2:18:06 | 2:18:13 | |
Yes, I think Mark Allen now will not
shut up shop but he won't take | 2:18:17 | 2:18:30 | |
shut up shop but he won't take any
unnecessary risks. He is in the | 2:18:30 | 2:18:31 | |
ascendancy with his man just where
he wants him. As I say, Kyren seems | 2:18:31 | 2:18:38 | |
to have that uncanny ability to put
bad shots behind him and not let | 2:18:38 | 2:18:43 | |
them affect him in the next frame.
Worth the risk. Where's the Red Bull | 2:18:43 | 2:18:50 | |
going? -- where is the red ball
going? Now, could that be a turning | 2:18:50 | 2:19:02 | |
point? Settle down. It has come off
the two back jaws of the middle | 2:19:02 | 2:19:10 | |
pocket to go into the corner. Into
the bunch here. He might have a red | 2:19:10 | 2:19:21 | |
to the left middle. It looked for a
second as if he was going to be on | 2:19:21 | 2:19:27 | |
nothing. But he is on a red. What is
the potting angle like? | 2:19:27 | 2:19:33 | |
Yes, I think going back to the black
and the rest in the last frame, I | 2:19:44 | 2:19:48 | |
think you always have to play what
you think is the correct shot. When | 2:19:48 | 2:19:52 | |
you start shying away from what you
believe is the correct shot, it puts | 2:19:52 | 2:19:56 | |
you in a negative state of mind. He
believed the black was the correct | 2:19:56 | 2:20:01 | |
shot, I did, and he went for it.
Just overhit that positional shot | 2:20:01 | 2:20:07 | |
though. Wanted to be straight on
this thread. The little bit of work | 2:20:07 | 2:20:11 | |
to do on the cue ball here. | 2:20:11 | 2:20:18 | |
to do on the cue ball here. That was
the problem. He couldn't avoid | 2:20:18 | 2:20:20 | |
kissing into other reds. Not perfect
on the colour. | 2:20:20 | 2:20:28 | |
I think if you look for a weakness,
John, in Kyren's play, it's the | 2:20:33 | 2:20:40 | |
finesse shots. He doesn't seem able
to play them as well. He has all the | 2:20:40 | 2:20:44 | |
cueing power in the world. | 2:20:44 | 2:20:48 | |
We always say if you hit the first
knuckle, they usually don't go in. | 2:20:57 | 2:21:07 | |
Yes, and it just flicked the near
knuckle. He could play the pot here, | 2:21:07 | 2:21:15 | |
because I think he is bound to be on
a colour, should it go in. Well, he | 2:21:15 | 2:21:22 | |
is not playing flawless snooker,
Mark Allen. That could give Kyren a | 2:21:22 | 2:21:29 | |
little bit of hope. This pact
Alexandra Palace audience now | 2:21:29 | 2:21:34 | |
beginning to get involved in this
match. | 2:21:34 | 2:21:38 | |
But this is a massive frame for
Kyren Wilson. You feel if he was to | 2:21:43 | 2:21:49 | |
lose this one, his chances of
winning the Dafabet Masters this | 2:21:49 | 2:21:59 | |
year are almost gone. He needs to
hit this fall. Played it well. | 2:21:59 | 2:22:05 | |
That's a bonus. | 2:22:05 | 2:22:12 | |
That's a bonus. Now, as Mark Allen
came to the table, he just gave a | 2:22:12 | 2:22:15 | |
sly look at Kyren Wilson. A fluke on
the red now this fluke snooker, may | 2:22:15 | 2:22:30 | |
be signs that the tide is turning.
Is this hard enough? It doesn't look | 2:22:30 | 2:22:40 | |
like it. No hesitation to have this
put back. It wasn't a bad idea but | 2:22:40 | 2:22:48 | |
it wasn't the perfect light and the
problem with this shot is that if | 2:22:48 | 2:22:52 | |
you put a little bit of extra pace
into the cue ball, it can come off | 2:22:52 | 2:22:57 | |
the cushion slightly different. | 2:22:57 | 2:23:00 | |
So, same again. This time, it looks
as though it's hard enough, but he's | 2:23:04 | 2:23:11 | |
going to slip past the reds and
leave a red on. He has left I read | 2:23:11 | 2:23:20 | |
on here. I think the red closest to
the cue ball will go. Do you see it? | 2:23:20 | 2:23:28 | |
The first time, even though it was
short, he didn't have the right | 2:23:28 | 2:23:34 | |
line. | 2:23:34 | 2:23:37 | |
Yes, at the moment, it is
concentrate on one shot at a time. | 2:23:56 | 2:24:04 | |
He may take the opportunity to go
into the bunch of five reds Batard | 2:24:47 | 2:24:52 | |
together, leave him on a red to the
right corner. | 2:24:52 | 2:25:02 | |
right corner. He played the right
shot but it has not worked out as | 2:25:02 | 2:25:06 | |
well as he would have liked. Yes, a
little bit more stun was needed | 2:25:06 | 2:25:15 | |
there. He is hoping that this red
would go to the left corner. It | 2:25:15 | 2:25:20 | |
doesn't, so he will need the
extended rest, extension on his cue. | 2:25:20 | 2:25:26 | |
It doesn't make this red any easier
because it is not a straightforward | 2:25:26 | 2:25:30 | |
drop the red in. If you did that,
you would cannon the black. So he | 2:25:30 | 2:25:36 | |
has to manoeuvre the cue ball. Yes,
he has got to hit this well to avoid | 2:25:36 | 2:25:45 | |
the black. Well done. Good recovery.
Perfect on the blue. | 2:25:45 | 2:25:56 | |
Perfect on the blue. Now, this is a
chance that he must take. Already a | 2:25:56 | 2:26:01 | |
50 point lead. It is hard to see
where he can go wrong from here. | 2:26:01 | 2:26:09 | |
So, now, 55 points the lead. Three
more reds and he will be at the | 2:26:14 | 2:26:20 | |
snooker is required stage. | 2:26:20 | 2:26:25 | |
Yes, purposely playing it with pace
so he would leave himself guaranteed | 2:27:03 | 2:27:09 | |
position on the pink. Now 68 points
the lead, so just this red needed to | 2:27:09 | 2:27:20 | |
go 69 points ahead with just 67
remaining. | 2:27:20 | 2:27:24 | |
APPLAUSE | 2:27:26 | 2:27:29 | |
Well, he has had two enormous slices
of good fortune in this frame, Kyren | 2:27:34 | 2:27:39 | |
Wilson, but fair play, he has done
what he had to do. He needed this | 2:27:39 | 2:27:45 | |
frame badly. He couldn't afford to
go 9-5 down. | 2:27:45 | 2:27:50 | |
He should really try to clear up
here because that would give him an | 2:27:59 | 2:28:04 | |
enormous boost of momentum going
into the next frame. | 2:28:04 | 2:28:16 | |
And something else I have noticed
here, Stephen, looking at his | 2:28:26 | 2:28:31 | |
average shot time, it is 26 seconds
a shot which is pedestrian, but not | 2:28:31 | 2:28:37 | |
so in this frame, he has been very
fluid around the table. Yes, this is | 2:28:37 | 2:28:43 | |
what he did at the end of the match
with Judd Trump. | 2:28:43 | 2:28:50 | |
Well, a pity there is no century but
it is a frame with a double slice of | 2:29:02 | 2:29:11 | |
good luck but when you get it, take
it. | 2:29:11 | 2:29:16 | |
We really enjoyed Kyren's comeback
yesterday when he was 5-2 down and | 2:29:16 | 2:29:20 | |
it looked like he was going out of
the Masters and he's got a very | 2:29:20 | 2:29:24 | |
visible way of showing a spring in
his step when things are going his | 2:29:24 | 2:29:27 | |
way. He took the well. He had to
write dollops of good luck there. He | 2:29:27 | 2:29:34 | |
is playing of two angles to kick the
read up the table, he plays the | 2:29:34 | 2:29:42 | |
shot, come off the two angles and it
has gone plum right behind the | 2:29:42 | 2:29:47 | |
yellow. You can see here he is just
trying to knock the red down the | 2:29:47 | 2:29:51 | |
table but where this finishes is an
absolute breezy bonus. That is right | 2:29:51 | 2:29:56 | |
up the chaff of the yellow and good
luck getting out of that one. | 2:29:56 | 2:30:00 | |
Sometimes you need a slice of luck.
Yes, it is not your fault you get | 2:30:00 | 2:30:04 | |
the luck. You can't play like that
all the time. Against Judd Trump, | 2:30:04 | 2:30:09 | |
when he's not that things had
changed in the match, that is when I | 2:30:09 | 2:30:12 | |
think he has the sense as a change
that it is time to make something | 2:30:12 | 2:30:16 | |
happen. That DLA when he played
that, it was aggressive and the | 2:30:16 | 2:30:20 | |
right time to play that shot. -- but
yellow. And that frame bed, he | 2:30:20 | 2:30:27 | |
wasted no time amongst the balls and
therefore he's trying to not | 2:30:27 | 2:30:31 | |
necessarily hustle Mark Allen but to
get to it and get a run on. From | 2:30:31 | 2:30:36 | |
that perspective, I like what he's
doing. Oh, he took them well, no | 2:30:36 | 2:30:41 | |
doubt about it. From Mark Allen's
point of view, he will be spitting | 2:30:41 | 2:30:45 | |
feathers because he didn't do a lot
long in that -- a lot wrong in that | 2:30:45 | 2:30:50 | |
frame. | 2:30:50 | 2:30:54 | |
JOHN VIRGO: He has left the red on,
but may not tempt Cai Ron. -- Kyren. | 2:31:02 | 2:31:16 | |
Safety needed here. Caught it much
too thick. Much, much too thick. So | 2:32:00 | 2:32:09 | |
first chance of this frame and
they're all parent now. -- important | 2:32:09 | 2:32:12 | |
now. Goes to Mark Allen. | 2:32:12 | 2:32:22 | |
APPLAUSE. Another solid pot right in
the middle of the pocket. | 2:32:30 | 2:32:43 | |
STEPHEN HENDRY: Could have chosen to
play for the black, but just making | 2:32:43 | 2:32:47 | |
sure of the pot. | 2:32:47 | 2:32:54 | |
This what is Kyren Wilson can't
afford in this match, being 8-6 down | 2:33:01 | 2:33:08 | |
is Mark Allen being in first every
frame. | 2:33:08 | 2:33:18 | |
Not perfect on this black. A bit
low. Yeah, now you want to play this | 2:33:27 | 2:33:35 | |
at pace, the red that's directly
between the bunch and the black. | 2:33:35 | 2:33:40 | |
Stun into that. | 2:33:40 | 2:33:42 | |
You have got to play it with a fair
bit of pace, but concentrate on pot. | 2:33:45 | 2:33:52 | |
He chose to play a more measured
cannon and to be fair he played it | 2:33:52 | 2:33:56 | |
very well. He has great touch. That
was a superb positional shot. | 2:33:56 | 2:34:08 | |
Just got into the cue ball enough to
haul the white at this end. | 2:34:13 | 2:34:24 | |
He will play the cannon on the three
reds. Just got to the cue ball. | 2:34:46 | 2:34:52 | |
Didn't play to hit the main bunch
there. But he is still OK. A choice | 2:34:52 | 2:34:57 | |
of two reds. One to left middle as
well. | 2:34:57 | 2:35:06 | |
Won't be happy with that one. | 2:35:08 | 2:35:16 | |
Needs a big bounce here. Oh, great
shot! Great shot. | 2:35:22 | 2:35:31 | |
shot! Great shot. Watch the spin
pick up there on the cue ball, once | 2:35:31 | 2:35:33 | |
it hits the blue. It was all about
top spin. | 2:35:33 | 2:35:43 | |
Well if he can get through to the
pink, he is OK, and I think he can. | 2:35:43 | 2:35:50 | |
I think he had his own bit of
fortune there for the reds to move | 2:35:50 | 2:35:54 | |
out of the way of the pink. | 2:35:54 | 2:36:04 | |
See if he can get to the right side
of the blue this time. Perfect. | 2:36:11 | 2:36:24 | |
He has a loose red, but he has a
lovely angle on the he blue to go | 2:36:24 | 2:36:33 | |
into the pink. | 2:36:33 | 2:36:36 | |
Right shot but just didn't catch the
pink fully enough. That is why the | 2:36:46 | 2:36:51 | |
cue ball went into the side cushion
and towards the top cushion. This | 2:36:51 | 2:36:57 | |
red goes to the middle. | 2:36:57 | 2:37:04 | |
GROANS FROM CROWD. People were
starting to clap. I think there was | 2:37:06 | 2:37:12 | |
a couple this afternoon that looked
in and it definitely pulls into that | 2:37:12 | 2:37:18 | |
left drawer. It is definitely in
there and just pulls at the last | 2:37:18 | 2:37:23 | |
minute. Fair comment on the
reflection. | 2:37:23 | 2:37:31 | |
It was difficult to manoeuvre the
cue ball in the way he wanted to, | 2:37:37 | 2:37:41 | |
with it being so close to the
cushion. But the kiss on the yellow | 2:37:41 | 2:37:44 | |
doesn't appear to be a bad one. | 2:37:44 | 2:37:52 | |
He came to the table 49 points
behind. It is not a bad table apart | 2:37:52 | 2:38:02 | |
from that red that is close to the
left-hand side cushion. | 2:38:02 | 2:38:11 | |
Not bad. Not bad, but not perfect. | 2:38:19 | 2:38:29 | |
He has to play for the black. | 2:38:37 | 2:38:45 | |
The danger has always been
straightish on the black. I think he | 2:38:47 | 2:38:50 | |
is OK. But when you're 8-6 down and
45 points down, this is anything but | 2:38:50 | 2:38:57 | |
easy. | 2:38:57 | 2:38:59 | |
No. Well we have criticised him
today for hitting balls too hard. | 2:39:05 | 2:39:10 | |
But what a pot that was at that
speed! Yeah. Right in the heart of | 2:39:10 | 2:39:18 | |
the pocket. | 2:39:18 | 2:39:23 | |
There is a few loose reds and maybe
if he pots one of them he may | 2:39:23 | 2:39:29 | |
release the others. He doesn't have
to play any cannons. The problem | 2:39:29 | 2:39:33 | |
will be the red on the left-hand
side of the table. | 2:39:33 | 2:39:43 | |
Those reds around the pink are all
available. As he pots this one, the | 2:39:47 | 2:39:53 | |
one to the right of the pink will be
available to the right corner. | 2:39:53 | 2:40:03 | |
If he clears that, the one below the
pink will be available to the left | 2:40:03 | 2:40:07 | |
corner. But when and how does he go
about getting on the awkward last | 2:40:07 | 2:40:13 | |
red? He can't win the frame without
it. | 2:40:13 | 2:40:23 | |
He has an angle to play on to that
red on the side cushion. I don't | 2:40:25 | 2:40:31 | |
think he will play on to it, but it
wouldn't have surprised me. He may | 2:40:31 | 2:40:38 | |
choose if the pink goes to leave an
angle on the pink to go into the red | 2:40:38 | 2:40:43 | |
on the side cushion. Knowing if he
misses the cannon, he is bound to be | 2:40:43 | 2:40:47 | |
on one of the other reds. Really
picking up the pace now. | 2:40:47 | 2:40:56 | |
Had the angle maybe to move that
red. But he wants to close the gap | 2:41:01 | 2:41:08 | |
score-wise. The average shot time
which was 26 seconds a shot is now | 2:41:08 | 2:41:16 | |
down to 25. | 2:41:16 | 2:41:23 | |
Just left himself the wrong side of
the pink here. | 2:41:23 | 2:41:30 | |
He will still be on the red. But it
is now all about what will be the | 2:41:30 | 2:41:35 | |
last red. Near the side cushion.
Eight points the difference. | 2:41:35 | 2:41:47 | |
He is perfect on the blue to come
off the top cushion and try and | 2:42:08 | 2:42:15 | |
develop the red of. The only thing
is you have got to hit it perfect to | 2:42:15 | 2:42:19 | |
get the best result. | 2:42:19 | 2:42:26 | |
All about the weight of the shot.
Well he's missed it! He has missed | 2:42:27 | 2:42:33 | |
the cannon. He will be disappointed
with that. Two points behind now. | 2:42:33 | 2:42:44 | |
Main priority - get this red safe. | 2:42:44 | 2:42:49 | |
And avoid the double-kiss. And he
has done. | 2:42:49 | 2:42:59 | |
has done. He will be very
disappointed he missed the cannon. | 2:42:59 | 2:43:02 | |
He looked perfect on the blue. If he
felt that he wasn't going to get | 2:43:02 | 2:43:08 | |
into it, just put a trace of side
on. Looking at that replay, it | 2:43:08 | 2:43:13 | |
looked like it came off very square
off the cushion. It came off very | 2:43:13 | 2:43:18 | |
quickly. Watch how straight this...
Yeah, you're right, it did. As I | 2:43:18 | 2:43:29 | |
say, we sit from these positions so
many times, you know when it's a | 2:43:29 | 2:43:34 | |
perfect angle and he looked perfect
and he thought he was, just to play | 2:43:34 | 2:43:38 | |
it plain ball. | 2:43:38 | 2:43:45 | |
Where does the red go? Over the
pocket! | 2:43:45 | 2:43:56 | |
pocket! Now, he has to be wary of
that left middle pocket. I think | 2:43:56 | 2:43:59 | |
he's OK. | 2:43:59 | 2:44:04 | |
Keep your eyes on the left middle.
Oh, maybe thinking about that. | 2:44:04 | 2:44:15 | |
Was that his first glimpse of the
winning line? Well, he would have | 2:44:23 | 2:44:26 | |
been pleased to have that
opportunities. But to miss it. That | 2:44:26 | 2:44:30 | |
can eat away at your confidence. | 2:44:30 | 2:44:38 | |
Just one point there. | 2:44:44 | 2:44:46 | |
Can he hole for the yellow? Is he on
the yellow? REFEREE: Quiet, please. | 2:44:55 | 2:45:09 | |
If you don't feel you have the
yellow. You have to play in and out | 2:45:12 | 2:45:18 | |
of baulk end. He is looking at the
potting angle. This would be a brave | 2:45:18 | 2:45:25 | |
shot to play. | 2:45:25 | 2:45:27 | |
He is playing top spin, so doesn't
look like it. | 2:45:32 | 2:45:40 | |
look like it. You see players play
that, they play bottom of the cue | 2:45:43 | 2:45:46 | |
ball. Great shot. He had a strong
look into the audience. It was I | 2:45:46 | 2:45:51 | |
think possibly to his opponents's
supporters. I did say maybe he will | 2:45:51 | 2:45:56 | |
use that as motivation. | 2:45:56 | 2:45:59 | |
Brown and blue. To get within one
again. | 2:46:01 | 2:46:06 | |
The blue to go 18 points in front
with just 13 remaining. | 2:46:24 | 2:46:30 | |
Puts him close. Mark Allen. He had
his chance. | 2:46:44 | 2:46:53 | |
Just one snooker needed at the
moment. He would like to knock this | 2:46:53 | 2:46:57 | |
pink in. And it is right in the
heart of the pocket. And that is a | 2:46:57 | 2:47:09 | |
massive play to take it. And in the
end it is Kyren Wilson just one | 2:47:09 | 2:47:14 | |
behind.
STUDIO: Our MC has been calling | 2:47:14 | 2:47:22 | |
Kyren Wilson the warrior. Is he the
come back kid? He has tremendous | 2:47:22 | 2:47:27 | |
character. We saw it with the Judd
Trump game, but that frame was | 2:47:27 | 2:47:34 | |
superb. He played a monster frame.
There was a chance for Mark Allen on | 2:47:34 | 2:47:40 | |
the long red. I think the middle
pocket was looking at him. But Kyren | 2:47:40 | 2:47:45 | |
Wilson, take a bow! On Mark Allen on
that missed red, Stephen said | 2:47:45 | 2:47:51 | |
possibly an indication that Mark had
looked up and looking at the finish | 2:47:51 | 2:47:54 | |
line? Possibly, but it is a tough
length of the table. It is a long | 2:47:54 | 2:47:59 | |
way away. Eleven feet. It can roll
off and you can miss it and pressure | 2:47:59 | 2:48:04 | |
on shot. It could have been the
chance to go 9-6. But so impressed | 2:48:04 | 2:48:09 | |
with Kyren Wilson. A load of guts he
showed. That is something you can't, | 2:48:09 | 2:48:14 | |
you have either got it or not. You
can't teach how to understand when | 2:48:14 | 2:48:20 | |
to up the pace and make yourself get
that adrenaline buzz to get within | 2:48:20 | 2:48:25 | |
that frame of mind. So he is playing
from the heart. The warrior nick | 2:48:25 | 2:48:31 | |
name is apt. He potted a black in
that frame, the second black or | 2:48:31 | 2:48:37 | |
something and he drilled it in.
These pockets are not buckets and he | 2:48:37 | 2:48:44 | |
drilled it in. He deserved the break
he got. Yesterday on that remarkable | 2:48:44 | 2:48:49 | |
fight back in the Judd Trump match,
that is the word you used, sheer | 2:48:49 | 2:48:54 | |
guts. Yes, the difference is
yesterday and I agree with Stephen, | 2:48:54 | 2:49:00 | |
you know, Mark Allen's not going to
give him the same opportunities that | 2:49:00 | 2:49:04 | |
Judd did. There was two shots that
Judd should never play. But that has | 2:49:04 | 2:49:11 | |
not been the case. He has just dug
in. Twists and turns of a final? Yes | 2:49:11 | 2:49:18 | |
Mark Allen played that red into the
middle pocket and itself was a | 2:49:18 | 2:49:22 | |
decent effort. It looked like it was
tracking nicely and it just fell at | 2:49:22 | 2:49:26 | |
the end. There is a couple of other
shopts have gone that way and it is | 2:49:26 | 2:49:30 | |
not a massive turn into that pocket.
But enough you have to allow for it. | 2:49:30 | 2:49:33 | |
He has seen a couple of others go
and you do, you know it is going to | 2:49:33 | 2:49:38 | |
move to the left, so aim a bit to
the right. But even so, Mark Allen | 2:49:38 | 2:49:44 | |
has got to be made to pay by Kyren
Wilson. It is the way Kyren has | 2:49:44 | 2:49:54 | |
maintained that composure. He pot
nad yellow. It is either in you or | 2:49:54 | 2:50:00 | |
it isn't. It is difficult to teach
that. You can teach people | 2:50:00 | 2:50:06 | |
technique, but what's in there is
difficult. The yellow is brave and | 2:50:06 | 2:50:10 | |
there might have been something said
in the crowd. Those Mark Allen fans | 2:50:10 | 2:50:16 | |
where he looked therm pleased the
white ball had overrun. He gave the | 2:50:16 | 2:50:21 | |
crowd a look. Who knows what is
going on. I'm sure this is coming | 2:50:21 | 2:50:27 | |
through to you at home. It is an
incredible noise in here tonight. | 2:50:27 | 2:50:40 | |
JOHN VIRGO: As long as it doesn't
spill over to the players at the | 2:50:40 | 2:50:45 | |
table. I've nothing against it.
Because it creates atmosphere and | 2:50:45 | 2:50:49 | |
theatre. Which is what snooker's all
about. Yeah, you don't want it to | 2:50:49 | 2:50:57 | |
get to the stage where it gets
needle in the wrong way. | 2:50:57 | 2:51:06 | |
needle in the wrong way. These
players are playing for appearance | 2:51:06 | 2:51:07 | |
rather than just to win the match. | 2:51:07 | 2:51:14 | |
rather than just to win the match. A
handy break off for Kyren Wilson. | 2:51:14 | 2:51:22 | |
We don't see it too often. Usually
there is some pot to do at. He has | 2:51:22 | 2:51:28 | |
to be careful. | 2:51:28 | 2:51:31 | |
Less not guaranteed to get this
safe. But he has played it nicely. | 2:51:33 | 2:51:39 | |
He played it that well, I don't
think there is a return to the baulk | 2:51:39 | 2:51:44 | |
end for Kyren here. Looks as if he
is going to have to nestle into the | 2:51:44 | 2:51:49 | |
reds. Can't see a path back to
baulk. | 2:51:49 | 2:51:58 | |
The type of situation you would end
up with a re-rack. The one thing he | 2:52:00 | 2:52:07 | |
would want to avoid is not leave a
touching ball. | 2:52:07 | 2:52:14 | |
I think what shies you away tr
thinking of re-rack, because there | 2:52:17 | 2:52:22 | |
is nothing in the baulk end. If one
player gets an opportunities he can | 2:52:22 | 2:52:29 | |
send the cue ball up the table. | 2:52:29 | 2:52:35 | |
send the cue ball up the table. He
walked very deliberately. They're | 2:52:36 | 2:52:39 | |
looking at one another. You get the
feeling the way this match is going, | 2:52:39 | 2:52:47 | |
neither player wanted to look at one
another. But Kyren looked at Mark, | 2:52:47 | 2:52:53 | |
and they have agreed. These days the
players seem to agree quite quickly | 2:52:53 | 2:52:58 | |
and know where a frame's going. No
point mucking about for five or ten | 2:52:58 | 2:53:03 | |
minutes. What happened to the old
days when you used to try and knock | 2:53:03 | 2:53:12 | |
somebody out of | 2:53:12 | 2:53:17 | |
somebody out of rhythm, Eddie
Charlton and Cliff Thorburn. There | 2:53:19 | 2:53:21 | |
was no future in that. You spoilt it
all. | 2:53:21 | 2:53:27 | |
Once again this cue ball tracking to
go behind the green. I think there | 2:53:50 | 2:53:58 | |
maybe an edge of the red on the
right-hand side of table sticking | 2:53:58 | 2:54:02 | |
out. No to pot it. | 2:54:02 | 2:54:06 | |
He has got to catch it mighty thin
to get back to baulk. He caught it | 2:54:08 | 2:54:13 | |
so thin that the cue ball is coming
out of baulk. Can Kyren get past the | 2:54:13 | 2:54:21 | |
blue? | 2:54:21 | 2:54:22 | |
No. He can get past the blue to hit
the red. But I don't think you can | 2:54:25 | 2:54:32 | |
see enough to pot it. He will have
to play the safety. | 2:54:32 | 2:54:41 | |
That is the one thing I have been
disappointed with from both players, | 2:54:48 | 2:54:53 | |
I don't think the safety play has
been that high quality to force a | 2:54:53 | 2:54:58 | |
mistake. Not found a baulk cushion
that many times. Although this looks | 2:54:58 | 2:55:05 | |
a better line if he can just run
past the yellow. No, he has caught | 2:55:05 | 2:55:10 | |
the yellow. Left the cue ball with
Kyren with his hand on the table. | 2:55:10 | 2:55:19 | |
Now, you see, Kyren 75% success
rate. Mark Allen not bad. But you | 2:55:19 | 2:55:26 | |
have got to look at 90% success rate
on safety. | 2:55:26 | 2:55:35 | |
That cue ball's running and running.
Leaves him with nothing to go at. He | 2:55:38 | 2:55:48 | |
will be looking to nestle up behind
the yellow. The closer he can get to | 2:55:48 | 2:55:54 | |
the yellow, the better. As we watch
the pot again. Nice clean pot. Just | 2:55:54 | 2:55:59 | |
overhit it. Always look easy these,
but they're not necessarily - just | 2:55:59 | 2:56:10 | |
to feather the cue ball close to the
yellow. But he doesn't fancy it. | 2:56:10 | 2:56:18 | |
He would rather play off the green
and play a fuller shot. | 2:56:18 | 2:56:29 | |
Pretty good place to put the cue
ball that. Again Mark Allen is going | 2:56:40 | 2:56:45 | |
to come off the right-hand side of
these reds. | 2:56:45 | 2:56:50 | |
He needs a very thin contact. | 2:56:50 | 2:56:59 | |
Where's the cue ball going? It is
OK. He has played that excellent. | 2:57:14 | 2:57:20 | |
Very good shot. | 2:57:20 | 2:57:25 | |
Very good shot. Could force a
mistake. | 2:57:25 | 2:57:29 | |
This red cuts, but if you catch it
too thin you could run into the | 2:57:33 | 2:57:37 | |
second red. | 2:57:37 | 2:57:41 | |
That would keep the cue ball at this
side of the table. Well, that was a | 2:57:41 | 2:57:48 | |
nice kiss off the yellow. | 2:57:48 | 2:57:56 | |
We see so many times in these
tactical exchanges and the person | 2:57:57 | 2:58:03 | |
who can win it can win the frame. | 2:58:03 | 2:58:11 | |
This is a good shot. This is a good
shot. | 2:58:11 | 2:58:17 | |
APPLAUSE. | 2:58:17 | 2:58:22 | |
Just when you said the safety play
wasn't very good, they have played | 2:58:24 | 2:58:32 | |
the best shots in the match. They
have gone up a few notches. I'm glad | 2:58:32 | 2:58:38 | |
they're proving me wrong! | 2:58:38 | 2:58:46 | |
Well, this is a little bit more
tricky. He doesn't want an escape | 2:59:31 | 2:59:39 | |
route down the left-hand side of the
table with all the congested balls. | 2:59:39 | 2:59:43 | |
And if he comes down the right-hand
side, he has to be careful not to | 2:59:43 | 2:59:48 | |
run into the blue or the black.
Although there is a path just past | 2:59:48 | 2:59:53 | |
the pink. If he could get this right
and get the cue ball back roughly | 2:59:53 | 2:59:58 | |
where it is now, he should have the
advantage in the safety exchange. | 2:59:58 | 3:00:06 | |
Well, he has picked out another one
but he must catch it perfect. | 3:00:06 | 3:00:12 | |
That'll do! | 3:00:12 | 3:00:17 | |
That'll do! And he is on the brown. | 3:00:19 | 3:00:26 | |
He does Part some incredible long
balls, Kyren Wilson. It is one of | 3:00:30 | 3:00:38 | |
the strengths of his game. -- he
does | 3:00:38 | 3:00:46 | |
does pot some incredible long balls,
Kyren Wilson. | 3:00:47 | 3:00:56 | |
Kyren Wilson. Yes, he just got the
feeling kiss off of the next red | 3:00:56 | 3:01:00 | |
and, as I say, he is just on the
brown. | 3:01:00 | 3:01:04 | |
Oh! Well, that tremendous opening
red and in the end, it could cost | 3:01:17 | 3:01:28 | |
him the frame now he has missed the
brown. | 3:01:28 | 3:01:33 | |
Now, does Mark Allen play for the
black straightaway? The easier shot | 3:01:53 | 3:01:58 | |
is for the pink, which is what he
has done. | 3:01:58 | 3:02:04 | |
This is a massive visit to the table
for Mark Allen. | 3:02:13 | 3:02:20 | |
for Mark Allen. Just to stop the
momentum of his opponent, reclaim | 3:02:22 | 3:02:26 | |
the authority in this match. | 3:02:26 | 3:02:37 | |
This is normally a situation that
suits him, the reds or being in the | 3:02:54 | 3:02:58 | |
same area of the table, the cue ball
and not having to travel much | 3:02:58 | 3:03:04 | |
distance. | 3:03:04 | 3:03:14 | |
A straightforward plant. Doesn't
really want to be too straight on | 3:03:14 | 3:03:22 | |
this pink but I think he is OK. The
only thing is, when you are straight | 3:03:22 | 3:03:29 | |
like this, if he plays the run three
into the opposite corner, you just | 3:03:29 | 3:03:33 | |
had to judge the weight of the shot.
He has judged it nicely. | 3:03:33 | 3:03:46 | |
He has judged it nicely. He may have
to play for the pink in the middle. | 3:03:47 | 3:03:50 | |
Wouldn't want to risk playing for
the green. | 3:03:50 | 3:03:53 | |
That's a good shot. He played that
well. And a chance to just bring | 3:04:20 | 3:04:27 | |
these three reds into the open now
in potting this one. | 3:04:27 | 3:04:34 | |
Little soft on stuns and screws,
that is his forte and he took the | 3:04:34 | 3:04:47 | |
opportunity there just to notch
another red into play. So far, so | 3:04:47 | 3:04:50 | |
good. | 3:04:50 | 3:05:00 | |
Yes, this is exactly the type of
chance Mark Allen was looking for | 3:05:17 | 3:05:21 | |
after losing the previous two
frames. | 3:05:21 | 3:05:27 | |
frames. These have virtually looked
like a practice routine, the way he | 3:05:27 | 3:05:31 | |
has taken them. | 3:05:31 | 3:05:33 | |
48 points the lead. The pink will
make it 54. Still looking for | 3:06:02 | 3:06:08 | |
another couple of reds. Or maybe a
red and pink would be enough to get | 3:06:08 | 3:06:15 | |
to the speakers required stage. Red
and pink would -- the snooker is | 3:06:15 | 3:06:23 | |
required stage. Red and | 3:06:23 | 3:06:29 | |
required stage. Red and pink wit put
him 62 ahead. | 3:06:29 | 3:06:32 | |
APPLAUSE | 3:07:02 | 3:07:10 | |
In and nicely on the pink. He may
just have a slight angle on the | 3:07:12 | 3:07:20 | |
pink. He has got a slight angle but
he wouldn't want to take any risks. | 3:07:20 | 3:07:26 | |
Just the pink needed. | 3:07:26 | 3:07:32 | |
Just the pink needed. He knows if he
pots the next red, Kyren Wilson will | 3:07:32 | 3:07:36 | |
not come back to the table. | 3:07:36 | 3:07:42 | |
not come back to the table. Just one
snooker needed at the moment. | 3:07:42 | 3:07:51 | |
snooker needed at the moment. But
that's end of frame. | 3:07:51 | 3:07:59 | |
He really has been so reliable all
week when he has been presented with | 3:08:10 | 3:08:16 | |
opportunities like this, getting the
frame done in one visit. | 3:08:16 | 3:08:27 | |
Well, once again, he takes the frame
and he is now just one frame away | 3:08:27 | 3:08:38 | |
from claiming the Masters title for
the first time. 9-7. | 3:08:38 | 3:08:48 | |
Well, Stephen, he is in a good place
now. It is warm out there but he | 3:08:48 | 3:08:54 | |
still has that one frame to win and
of course, only being two ahead, it | 3:08:54 | 3:09:00 | |
is not over yet. Kyren will be
thinking if he can win this one, he | 3:09:00 | 3:09:04 | |
will keep the pressure on him. I
think if you are Kyren Wilson, you | 3:09:04 | 3:09:09 | |
will think, when players have had
chances, it is Kyren who has been | 3:09:09 | 3:09:17 | |
winning them. When Mark gets in
first and has the reds all in one | 3:09:17 | 3:09:23 | |
area, it's virtually inevitable he
will win it. Kyren had a choice | 3:09:23 | 3:09:30 | |
about -- a chance there, but it a
fantastic long red, missed a brown, | 3:09:30 | 3:09:39 | |
and now he has to play no mistake
snooker, doesn't he, Kyren Wilson? | 3:09:39 | 3:09:44 | |
Yes, and in a funny way, it does
take pressure off you because you | 3:09:44 | 3:09:48 | |
are at the point of no return. Yes,
we saw him at that point yesterday | 3:09:48 | 3:09:53 | |
with Judd Trump. 5-2 behind and all
of a sudden he found his best form. | 3:09:53 | 3:09:59 | |
He never looked like missing. And it
wouldn't be the first time, | 3:09:59 | 3:10:05 | |
particularly at this level, you see
a player, three scoring visit, three | 3:10:05 | 3:10:10 | |
frames in no time at all. But it is
an Mark Allen's hands now. And that | 3:10:10 | 3:10:19 | |
trophy awaiting the winner. | 3:10:19 | 3:10:23 | |
He could do with a break off here,
Mark Allen, without leading a long | 3:10:30 | 3:10:36 | |
pot on. | 3:10:36 | 3:10:42 | |
pot on. Well, he has left a pot to
the left corner. The black is | 3:10:46 | 3:10:52 | |
available, but would you risk it?
His opponent needing only one more | 3:10:52 | 3:10:57 | |
frame. | 3:10:57 | 3:11:06 | |
Oh, he did go for it, hit across it
and what has he left? Well, that was | 3:11:09 | 3:11:19 | |
a brave, brave shot to play at that
speed. | 3:11:19 | 3:11:26 | |
He has covered the black. Doesn't
go. | 3:11:32 | 3:11:39 | |
go. And it's not a straightforward
safety with that red adjacent to the | 3:11:40 | 3:11:43 | |
middle. Looking to play off the
green, you would have thought, leave | 3:11:43 | 3:11:50 | |
the cue ball by the far right corner
pocket. That will leave it pretty | 3:11:50 | 3:11:55 | |
safe. | 3:11:55 | 3:12:01 | |
safe. There is a red to the corner
but again, it is a brave shot. There | 3:12:01 | 3:12:06 | |
is a gap. The two roads that are
closest to the black, there is a gap | 3:12:06 | 3:12:13 | |
to get the cue ball out, but if you
miss a pot attempt badly, you could | 3:12:13 | 3:12:20 | |
can then into those reds. Any
mistake now could be his last shot | 3:12:20 | 3:12:25 | |
in this final. | 3:12:25 | 3:12:35 | |
Building himself up for this very
important shot. As Stephen says, if | 3:12:38 | 3:12:43 | |
he hits it badly, it could be his
last. | 3:12:43 | 3:12:50 | |
Again, it was such a pressure shot.
He hit it pretty hard. And I know a | 3:13:08 | 3:13:16 | |
couple of frames ago he hit it hard
and it went in, but percentages go | 3:13:16 | 3:13:22 | |
down the harder you hit it in
potting the ball. Well, the red's | 3:13:22 | 3:13:31 | |
easy enough to the middle. | 3:13:31 | 3:13:38 | |
easy enough to the middle. He
couldn't quite... Well, he is on the | 3:13:38 | 3:13:42 | |
pink to the middle. I'm not quite
certain he played it, but he will | 3:13:42 | 3:13:46 | |
take it. | 3:13:46 | 3:13:53 | |
The chance has arrived. And again,
it's the sort of chance where he has | 3:13:57 | 3:14:08 | |
excelled all week. All the reds
around the same area. OK, at the | 3:14:08 | 3:14:14 | |
moment, the colours are not in the
best position. Pink and black, I | 3:14:14 | 3:14:20 | |
think, both tied up. He has underhit
that one straightaway. That's a sign | 3:14:20 | 3:14:26 | |
of a little bit of tension in the
arm. Played for the blue in the | 3:14:26 | 3:14:32 | |
middle, not the far corner. | 3:14:32 | 3:14:41 | |
middle, not the far corner. Now, he
is OK, but if he is very straight on | 3:14:41 | 3:14:46 | |
this red, he has once again a bit to
do with the cue ball. Yes, he just | 3:14:46 | 3:14:52 | |
has a view of the gap there that he
will have to screw the cue ball | 3:14:52 | 3:14:56 | |
three. Is he on this thread? -- on
this red? That is a bonus. | 3:14:56 | 3:15:09 | |
this red? That is a bonus. Once
again, he can't get the right side | 3:15:09 | 3:15:10 | |
of the blue. | 3:15:10 | 3:15:16 | |
of the blue. Swinging it round with
lots of right-hand side. Just can't | 3:15:20 | 3:15:25 | |
get perfect position. | 3:15:25 | 3:15:27 | |
Well, he came round to see if the
black went to the left corner. If it | 3:15:47 | 3:15:53 | |
does, you are cannoning the two
reds. He must think it goes. He | 3:15:53 | 3:15:59 | |
played the shot but it's a lot more
difficult now with this angle. Yes, | 3:15:59 | 3:16:05 | |
straight behind it. You wouldn't
fancy him missing it but going into | 3:16:05 | 3:16:09 | |
what we call a blind pocket, you
have got to pick your spot and trust | 3:16:09 | 3:16:16 | |
you have sighted it correctly. And
he has. He has. | 3:16:16 | 3:16:21 | |
That is OK. Just notched the red. It
could have nestled on it but that is | 3:16:50 | 3:16:55 | |
OK. | 3:16:55 | 3:16:58 | |
Now, this really is a fantastic
chance now to close out this | 3:17:04 | 3:17:20 | |
championship. A bit short again on
the cue ball. Krhin will be hoping | 3:17:20 | 3:17:30 | |
he can get back -- Kyren will be
hoping he can get back to the table. | 3:17:30 | 3:17:35 | |
I am not sure. Yes, he is looking
good. The audience getting a bit | 3:17:35 | 3:17:44 | |
edgy. Mark's father and his brother. | 3:17:44 | 3:17:52 | |
I think Mark would love to win this
in this visit, that is what he has | 3:18:03 | 3:18:09 | |
been doing all week. That is what
you want to do in the final. A shake | 3:18:09 | 3:18:15 | |
of his head because he wanted to be
another couple of inches up the | 3:18:15 | 3:18:19 | |
table. He is up for the blue and he
has judged it to perfection. He | 3:18:19 | 3:18:26 | |
couldn't have placed it better with
his hand. He has still got a tricky | 3:18:26 | 3:18:33 | |
shot to land on this red. That is
pretty good. | 3:18:33 | 3:18:50 | |
pretty good. Yes, he still news read
-- he still needs red, colour, red | 3:18:50 | 3:19:04 | |
to get to snookers. Can he get to
the red on the top cushion? That is | 3:19:04 | 3:19:10 | |
the one he has played for and a
little bounce and it will be inch | 3:19:10 | 3:19:15 | |
perfect. This red to go ahead with
just 59 remaining. No heroics here. | 3:19:15 | 3:19:27 | |
APPLAUSE | 3:19:27 | 3:19:30 | |
Now, don't do anything silly here
with the black in trying to open up | 3:19:46 | 3:19:50 | |
the reds. This is a big, big moment
in Mark Allen's career. We have had | 3:19:50 | 3:19:59 | |
some great players from Northern
Ireland. Dennis Taylor won the World | 3:19:59 | 3:20:05 | |
Championship, Alex Higgins was the
most famous and it was 40 years ago | 3:20:05 | 3:20:11 | |
to the day that Alex Higgins won
this title. | 3:20:11 | 3:20:22 | |
this title. And the cheers,
exaltation for Mark Allen as his | 3:20:22 | 3:20:26 | |
dream eventually comes true. He has
won a major following in the history | 3:20:26 | 3:20:36 | |
of Northern Irish players. Spare a
thought Bob Kyren Wilson. Mark Allen | 3:20:36 | 3:20:42 | |
beat Ronnie O'Sullivan, John Higgins
and now he wins the final in ten | 3:20:42 | 3:20:47 | |
frames to seven. He is the Masters
champion. | 3:20:47 | 3:20:57 | |
Ladies and gentlemen, the 20 18th
Dafabet Masters champion is Mr Mark | 3:20:57 | 3:21:10 | |
Allen, ladies and gentlemen. But
before we talk to Mark, let's just | 3:21:10 | 3:21:15 | |
have a quick word with Kyren Wilson.
Give it up, ladies and gentlemen, | 3:21:15 | 3:21:21 | |
for Kyren Wilson, our runner-up,
ladies and gentlemen. Hard luck, | 3:21:21 | 3:21:29 | |
Kyren. You can hear the appreciation
from this crowd here tonight. And | 3:21:29 | 3:21:34 | |
Kyren, this is the hardest interview
of all. I can see what it means to | 3:21:34 | 3:21:38 | |
you, you are close to tears, and we
can understand, my friend, but | 3:21:38 | 3:21:43 | |
listen, you should hold your head up
really high. | 3:21:43 | 3:21:53 | |
really high. Because listen to that,
Kyren, listen to that. | 3:21:53 | 3:22:05 | |
Look, this is really tough, really
tough for you, so we will keep it as | 3:22:06 | 3:22:10 | |
short as possible. But listen to the
crowd, they have enjoyed seeing new | 3:22:10 | 3:22:16 | |
play tonight, Kyren, and through the
night. You have been a really tough | 3:22:16 | 3:22:23 | |
competitor. It is a really draughty
in here, to be honest. I have had an | 3:22:23 | 3:22:30 | |
incredible week, honestly. I said to
my manager and my coach, if anyone | 3:22:30 | 3:22:35 | |
was going to beat me, I'd have loved
it to the mark. Obviously I'm | 3:22:35 | 3:22:40 | |
devastated but he deserves that.
He's been knocking on the door. He | 3:22:40 | 3:22:43 | |
deserves it. Trust me, I think I
speak on behalf of everyone at home | 3:22:43 | 3:22:51 | |
and everyone here tonight when I say
that yesterday's comeback against | 3:22:51 | 3:22:55 | |
Judd Trump was one of the best
imaginable and I will leave it as | 3:22:55 | 3:23:03 | |
that because I know how much this
means to you. Thank you very much | 3:23:03 | 3:23:07 | |
indeed. And here he had, ladies and
common. Hello, your daddy is a | 3:23:07 | 3:23:12 | |
Masters. Congratulations, Mark. Can
you sum up what this means? It is a | 3:23:12 | 3:23:21 | |
real. I can finally say -- it is
surreal, I can finally say I have | 3:23:21 | 3:23:30 | |
won a triple. But what a competitor
Kyren Wilson is, what a competitor. | 3:23:30 | 3:23:42 | |
And not just that, he is the nicest
guy you could meet and he has his | 3:23:42 | 3:23:46 | |
family with him. He will have many
more days like this. I know what it | 3:23:46 | 3:23:51 | |
feels like to sit in that seat. It's
not a nice feeling, but how far has | 3:23:51 | 3:23:56 | |
he come in the last two years and he
will be in these major finals for a | 3:23:56 | 3:24:00 | |
long time to come. I have just got
to ask you, Mark, as well, the boys | 3:24:00 | 3:24:07 | |
I fit with in the studio, John
Parrott, Steve Davis, they have | 3:24:07 | 3:24:15 | |
spoken so highly of your game and
also your composure this week. It is | 3:24:15 | 3:24:22 | |
interesting but Stephen Hendry to
this something like that. I felt | 3:24:22 | 3:24:26 | |
calm all week apart from the first
session today. But I felt as the | 3:24:26 | 3:24:32 | |
match went on, I felt moralities
with myself and played as I had the | 3:24:32 | 3:24:35 | |
rest of the week. I am just very,
very pleased. -- I felt more at ease | 3:24:35 | 3:24:40 | |
with myself. I think someone said it
is 40 years since Alex Higgins first | 3:24:40 | 3:24:47 | |
lifted this trace the, so to bring
back to Ireland. One final question. | 3:24:47 | 3:24:57 | |
I remember we had a long chat four
years ago when we talked about one | 3:24:57 | 3:25:02 | |
day you hoped and you dreamt of
lifting the title here at Ali Pali | 3:25:02 | 3:25:05 | |
and you have done it, my man. I have
done it and it's been a long time | 3:25:05 | 3:25:11 | |
coming but hopefully this is a
stepping stone to bigger and better | 3:25:11 | 3:25:14 | |
things. Hopefully this is just the
first triple Crown. Please can I say | 3:25:14 | 3:25:20 | |
a quick thank you to the whole
crowd. The crowd all week has been | 3:25:20 | 3:25:26 | |
unbelievable. It's been sold out all
week and me and Barry don't see eye | 3:25:26 | 3:25:32 | |
to eye all the time but he's doing a
wonderful job of promoting our | 3:25:32 | 3:25:36 | |
sport. It has grown and grown, so
well done, Barry. Ladies and | 3:25:36 | 3:25:42 | |
gentlemen, it is the 20 18th Dafabet
Masters champion. | 3:25:42 | 3:25:53 | |
Masters champion. -- 2018 Dafabet
Masters champion. Please welcome | 3:25:53 | 3:25:59 | |
your presentation committee, ladies
and gentlemen. | 3:25:59 | 3:26:10 | |
and gentlemen. The runner-up
receiving the silver medal and a | 3:26:10 | 3:26:14 | |
cheque for £90,000, what a week it
has been for Kyren Wilson. | 3:26:14 | 3:26:17 | |
APPLAUSE | 3:26:17 | 3:26:20 | |
And to the winner receiving a cheque
for £200,000, the Paul Hunter Trophy | 3:26:45 | 3:26:51 | |
and the title 2018 Dafabet Masters
champion, Mark Allen. | 3:26:51 | 3:26:58 | |
APPLAUSE | 3:26:58 | 3:27:04 | |
Your champion, Northern Ireland's
Mark Allen. | 3:27:10 | 3:27:17 | |
Well, back here in the studio, let's
get some thoughts on John Parrott | 3:27:31 | 3:27:35 | |
and Steve Davis. What a competitor.
I am thrilled for him to win it. He | 3:27:35 | 3:27:40 | |
has been a class act for a long
time. Some of his Snooker over the | 3:27:40 | 3:27:46 | |
years has warranted him winning
bigger tournaments. He hasn't | 3:27:46 | 3:27:49 | |
managed to get his head in front but
he has now. I couldn't be more | 3:27:49 | 3:27:53 | |
delighted for him. It's a wonderful
feeling to lift a major trophy with | 3:27:53 | 3:27:59 | |
all the hours of practice and travel
around the world, it is now all | 3:27:59 | 3:28:02 | |
worth it. The noise out there is
incredible. The green and white army | 3:28:02 | 3:28:08 | |
have turned up. I think you can say
now he is definitely a premiership | 3:28:08 | 3:28:14 | |
player in the game. He played the
best under pressure, he controlled | 3:28:14 | 3:28:19 | |
the cue ball best, he is such a
popular player, not just with the | 3:28:19 | 3:28:25 | |
players, but with the crowd as well.
Everyone wants to him. What a | 3:28:25 | 3:28:32 | |
beautiful picture that is.
Absolutely beautiful. And we have to | 3:28:32 | 3:28:36 | |
say, Kyren Wilson, what a player. He
has had a fantastic week. His | 3:28:36 | 3:28:43 | |
competitive instinct shone Brive. He
gave everything today. He just | 3:28:43 | 3:28:47 | |
ultimately was beaten by the better
man on the day. But listen, he is a | 3:28:47 | 3:28:52 | |
young lad, second time at the
Masters and he has plenty more to | 3:28:52 | 3:28:55 | |
offer. Kyren had heart on his sleeve
moments there and obviously the | 3:28:55 | 3:29:01 | |
disappointment, the nation and the
atmosphere, it's not about crying | 3:29:01 | 3:29:07 | |
when you have lost, it is the
emotion bursting out of him after a | 3:29:07 | 3:29:11 | |
wonderful week in the game. He will
be back for more. It has been a | 3:29:11 | 3:29:15 | |
great tournament, hasn't it? It has
been great from ball one. A | 3:29:15 | 3:29:21 | |
wonderful competition we have had.
We have had a wasp gate, everything. | 3:29:21 | 3:29:26 | |
It's been a brilliant week to watch.
I couldn't be more delighted for | 3:29:26 | 3:29:31 | |
Mark Allen. I'm going to go out
there and shake his hand. I know | 3:29:31 | 3:29:34 | |
exactly how he feels and I can't
wait to shake his hand. There is | 3:29:34 | 3:29:40 | |
plenty more snooker coming up on the
BBC: | 3:29:40 | 3:29:42 | |
There is plenty more
snooker coming up on | 3:29:42 | 3:29:44 | |
BBC: | 3:29:44 | 3:29:47 | |
we will see you at the Crucible for
the World Championship. Thank you | 3:29:48 | 3:29:53 | |
very much indeed, John and Steve, we
have really enjoyed your company. | 3:29:53 | 3:29:57 | |
And thank you for watching. Mark
Allen is the Masters champion. Good | 3:29:57 | 3:30:01 | |
night. | 3:30:01 | 3:30:08 |