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On BBC Two Wales, I'm very pleased to say that we can bring you back to | :00:00. | :00:13. | |
the Welsh Open snooker. I did promise you last time there would be | :00:14. | :00:16. | |
no more interruptions. Hopefully that was the last one. Apologies for | :00:17. | :00:21. | |
another loss of transmission here in Cardiff. Let's hope that is the end | :00:22. | :00:26. | |
of it. We can rejoin our commentary team of Dominic and Terry. | :00:27. | :00:38. | |
That was a good red from Joe to the right centre to keep the break | :00:39. | :00:48. | |
going. I am sure for a moment Joe thought he might have missed that | :00:49. | :00:50. | |
black. He's not ideally on this red. This black and one more red the | :00:51. | :01:44. | |
quiet for Joe Perry to get the scoreboard rolling. He can level | :01:45. | :01:50. | |
this matchup at 1-1. Good break, this, by Joe. | :01:51. | :01:59. | |
APPLAUSE Possibility for Joe of making 143, | :02:00. | :02:52. | |
if he takes blacks with the reigning reds. -- remaining reds. | :02:53. | :03:44. | |
if he takes blacks with the reigning Ronnie O'Sullivan made an excellent | :03:45. | :03:44. | |
clearance Well played, Joe Perry. Wonderful | :03:45. | :05:28. | |
total clearance of 139 sending a clear message to Ronnie O'Sullivan. | :05:29. | :05:34. | |
He intends to make a match of this. Levels the frames up at 1-1. So, | :05:35. | :05:41. | |
Terry, what do you think of that response from Joe Perry? He looked | :05:42. | :05:47. | |
very confident in that break. No reason why he shouldn't be. He has | :05:48. | :05:51. | |
been playing very well. He is up to Number Ten in the world at the | :05:52. | :05:57. | |
moment. He has been as high as nine. For many years, he has been making | :05:58. | :06:03. | |
the bottom rungs of the 16, from that sort of Mark from 13-16, but he | :06:04. | :06:08. | |
has pushed forward now, he has won a few events, and now, he practices | :06:09. | :06:15. | |
with Neil Robertson who is in the final tomorrow. I dare say that he | :06:16. | :06:20. | |
has learned a lot from Neil, in many ways. Neil does not arrive in the | :06:21. | :06:28. | |
club till late afternoon, he tends to practice a lot on his own, and | :06:29. | :06:33. | |
then goes home. Maybe he has learnt to take things more seriously. He is | :06:34. | :06:37. | |
a great player, Joe Perry. He will not afraid of Ronnie O'Sullivan. It | :06:38. | :06:48. | |
is set up nicely, now, as Ronnie breaks in frame three, at one frame | :06:49. | :06:49. | |
all. He has got a pot on here. Just a | :06:50. | :07:21. | |
thin cut back down to the baulk area. That has gone wrong. He may | :07:22. | :07:31. | |
have thought that Redwood cannon into one of the other reds. He may | :07:32. | :07:40. | |
not have played that shot otherwise. It is a bit of a distance, 12 foot | :07:41. | :07:46. | |
between these two balls, so not an easy shot for Ronnie O'Sullivan. He | :07:47. | :08:00. | |
is not happy with that. He thought he was hitting the pack on the way | :08:01. | :08:02. | |
back. Foul and a miss. So, a miss given, | :08:03. | :09:04. | |
this gives Joe another opportunity, never easy. He can flick the red on | :09:05. | :09:21. | |
the way back up to the baulk area. Joe Perry has got to hit the cushion | :09:22. | :09:25. | |
at least where he did last time, he seems happy enough. I would not say | :09:26. | :09:33. | |
he is that happy but the referee has put it back in the right place. That | :09:34. | :09:41. | |
is the problem. A bit too thick and you generally leave your opponent a | :09:42. | :09:44. | |
chance and this is quite a good one. Ronnie O'Sullivan sat out most of | :09:45. | :10:07. | |
the previous frame. Maybe that will spur him on a bit. So far, he has | :10:08. | :10:14. | |
not seemed to be that interested, sitting in the chair. I dare say he | :10:15. | :10:18. | |
is. Ronnie landed pretty well on that | :10:19. | :11:41. | |
red and was able to develop a few others in the course of potting that | :11:42. | :11:47. | |
one. It can be missed, this black, but I don't fancy him missing it, I | :11:48. | :11:48. | |
suppose. Dead centre. This, for me, is where Ronnie has | :11:49. | :12:13. | |
impressed me most this week, scoring so heavily, so persistently, in his | :12:14. | :12:19. | |
matches, winning so many frames in one visit from opportunities like | :12:20. | :12:25. | |
this. He has not looked in trouble in any match. Possibly apart from | :12:26. | :12:30. | |
the first when his mind was wondering slightly. He should have | :12:31. | :12:35. | |
gone 2-1 down in the best-of-7. The most impressive performance from | :12:36. | :13:00. | |
Ronnie O'Sullivan was in the second or third round, he made three | :13:01. | :13:09. | |
centuries and 90 break, 4-0, by the time his opponent had put his ice in | :13:10. | :13:17. | |
his drinks. Yes, 38 minutes, that match. | :13:18. | :13:44. | |
He did not quite get that right. Down to the red. But he is safe in | :13:45. | :13:59. | |
this frame, barring smokers. -- snookers. It would be nice to have | :14:00. | :14:08. | |
another century. I don't think he can get one from there, he is | :14:09. | :14:15. | |
shaking his head. He's disappointed. He will be disappointed if he | :14:16. | :14:27. | |
doesn't clinch this century. He has gutted! What a shot that was -- he | :14:28. | :14:35. | |
has got it. I did not see that from here. I could see he was looking at | :14:36. | :14:41. | |
it, but the chances of that, that is something really special, to | :14:42. | :14:45. | |
actually make the plants like that, that is ridiculous. -- plant. The | :14:46. | :14:55. | |
crowd love it. Shots like that. I did, anyway. LAUGHTER | :14:56. | :15:14. | |
I think he can get through to the red after this green. Hopefully it | :15:15. | :15:25. | |
will be straightforward. He will get the century. | :15:26. | :15:39. | |
This will be his eighth century so far in the Welsh Open. | :15:40. | :15:52. | |
What a wonderful exhibition of snooker. It has been a great advert | :15:53. | :16:00. | |
for our sport, the Welsh Open, some tremendous stuff. Yes, Terry, 146 | :16:01. | :16:11. | |
and a 147, I don't think I've ever seen that before in a tournament. | :16:12. | :16:25. | |
Exhibition stuff, very enjoyable. Well done, Ronnie O'Sullivan. | :16:26. | :16:36. | |
Centuries in the second and third frame, but that takes Ronnie in | :16:37. | :16:43. | |
front. He leads to-1. STUDIO: Another big break. We are back in | :16:44. | :16:49. | |
working order, and so is Ronnie, you lost the first frame, but he | :16:50. | :16:57. | |
recovers. -- he lost. Exley lost the second one, rather than losing the | :16:58. | :17:02. | |
first, but I'm happy that Joe Perry stood up to him -- he actually lost. | :17:03. | :17:06. | |
Ronnie replied with a fabulous break. The standard, as they have | :17:07. | :17:11. | |
said in commentary, what a great standard, and I don't think I've | :17:12. | :17:15. | |
seen better in a tournament, the barrage of high breaks has been | :17:16. | :17:21. | |
remarkable. Talking about the exhibition snooker from Ronnie, a | :17:22. | :17:24. | |
great example about this in this frame. He is trying to make a | :17:25. | :17:29. | |
century break to please the crowd. That is the plant, you could try | :17:30. | :17:34. | |
that one in ten and you would have got it once, that is how good that | :17:35. | :17:37. | |
was, and I'm so pasty went on to make a century from that position. | :17:38. | :17:42. | |
-- so pleased. Joe Perry has started well. He should have won the first | :17:43. | :17:48. | |
frame, he should be 2-1 in front, but the fact there was a break, | :17:49. | :17:52. | |
maybe Joe was frustrated, he should have won the first frame, but he | :17:53. | :17:55. | |
came back and made a magnificent century. Joe has settled well, they | :17:56. | :18:00. | |
have both settled well, and I expect an excellent game. We will see how | :18:01. | :18:06. | |
Joe Perry response to going to-1 down. They are back at the table. -- | :18:07. | :18:10. | |
responds to going to-1 down. COMMENTATOR: This is a very | :18:11. | :18:20. | |
important frame before the mid-session interval. | :18:21. | :18:35. | |
Fantastic from Ronnie. He really is playing well again. In this | :18:36. | :18:45. | |
semifinal match. And is waiting for him to have a bad time session, a | :18:46. | :18:49. | |
time when he is struggling, but it is not happening yet. -- and I'm | :18:50. | :18:58. | |
waiting. Very deflating, when you are not doing very much wrong | :18:59. | :19:02. | |
yourself and stop finally, mistake from Ronnie. I'm sure Joe was not | :19:03. | :19:07. | |
expecting to be back at the table so quick. | :19:08. | :19:21. | |
That was unexpected from O'Sullivan. And it wasn't one which wobbled in | :19:22. | :19:32. | |
the pocket. Did not look happy in his way back to the chair and I | :19:33. | :19:34. | |
don't blame him. O'Sullivan is a bit different from | :19:35. | :20:01. | |
us in the commentary, we think how easy it is for him, but it is not | :20:02. | :20:04. | |
like that for him. If he has got the red at the back of | :20:05. | :20:22. | |
the pack, he is OK. He has got to be careful. | :20:23. | :20:41. | |
Very early, yet, but we could have three centuries in succession, this | :20:42. | :20:53. | |
is a good chance for Joe. That is one of the problems with Ronnie | :20:54. | :20:56. | |
O'Sullivan. Stephen Hendry was very similar. When they miss, there are | :20:57. | :21:03. | |
always balls available, because they opened the pack so quickly. Yes, | :21:04. | :21:10. | |
absolutely. Shaun Murphy reminds me of a player like that, as well, when | :21:11. | :21:15. | |
he gets in, he develops the balls very soon and if he misses something | :21:16. | :21:22. | |
easy his opponent comes to the table with an opportunity, most of the | :21:23. | :21:26. | |
time. Just not straight enough here to hold for the black. He is the | :21:27. | :21:34. | |
wrong side of this red. He went up for the blue, but he is a few | :21:35. | :21:37. | |
wrong side of this red. He went up to level things off before the | :21:38. | :23:31. | |
mid-session cup of tea, we have a 50 minute interval after this frame. -- | :23:32. | :23:43. | |
15 minute. Oh! Is he and a red? I think Joe thinks the bottom red will | :23:44. | :23:45. | |
go. -- on a red? APPLAUSE This is good stuff from both of | :23:46. | :24:22. | |
them. The first semifinal was outstanding. Neil Robertson against | :24:23. | :24:35. | |
Mark Allen. We have had good crowds all week and they are getting plenty | :24:36. | :24:41. | |
of entertainment. Snooker is very popular in Wales and always has | :24:42. | :24:42. | |
been. That red was frame ball. Looks | :24:43. | :25:02. | |
likely now that we will go into the mid-session interval at 2-2. This is | :25:03. | :25:11. | |
great stuff from Joe Perry, he is not worried about who he is playing | :25:12. | :25:16. | |
or how he plays, he is there to do his own thing, that is the way to | :25:17. | :25:21. | |
play against not just Batman, Ronnie O'Sullivan. -- against not just that | :25:22. | :25:29. | |
man. He's a great player himself, Joe Perry, as we have seen here. He | :25:30. | :25:39. | |
already made the fantastic 139, levelling the match at 1-1, and he | :25:40. | :25:42. | |
can make another century here to level at 2-2. | :25:43. | :26:30. | |
What a shame. No century break, but he draws level at 2-2. | :26:31. | :26:45. | |
STUDIO: The players are inseparable, Ronnie O'Sullivan not having things | :26:46. | :26:51. | |
all his own way, in the first session. Willie Thorne, Joe spoke | :26:52. | :26:57. | |
about having the belief he could win and he has backed up that belief | :26:58. | :27:02. | |
with the performance. He has silenced the crowd, they are a bit | :27:03. | :27:07. | |
apprehensive. I was listening to them, and they were applauding great | :27:08. | :27:10. | |
shots from Joe, but they are stunned. This is what you have got | :27:11. | :27:14. | |
to do with Ronnie O'Sullivan, to have any chance of beating India | :27:15. | :27:18. | |
have got to stand up to him, and if he makes a big break, you have got | :27:19. | :27:23. | |
to do the same -- to have any chance of beating him you have got to stand | :27:24. | :27:29. | |
up to him. Shaun Murphy said on Twitter, that we are seeing the bar | :27:30. | :27:34. | |
being raised by Ronnie O'Sullivan and it is up to the rest of them to | :27:35. | :27:39. | |
catch up. Yes, the same thing happened in darts with Phil Taylor. | :27:40. | :27:44. | |
If you see a player beating you all the time, you will get better, and | :27:45. | :27:48. | |
that is what they have got to do in snooker. Ronnie at his best is | :27:49. | :27:55. | |
almost unbeatable, almost. There is a long way to go in this match, the | :27:56. | :28:00. | |
best of 11, and whether he can beat Ronnie in this format, I'm not sure, | :28:01. | :28:03. | |
but he is doing a good effort so far. The second session is coming up | :28:04. | :28:08. | |
very shortly, but the winner of the match will play the 2007 champion | :28:09. | :28:17. | |
Neil Robertson, who beat Mark Allen 6-4 in the first semifinal. We will | :28:18. | :28:22. | |
see a key moment in the third frame, in fact. Mark Allen was leading 2-0 | :28:23. | :28:28. | |
and had a good chance to make it 3-0, but a foul with a nudge by his | :28:29. | :28:38. | |
cue resulted in the initiative being handed to Robertson. He consulted | :28:39. | :28:42. | |
the television replay to make sure that his cue had nudged the red. In | :28:43. | :28:50. | |
any case, that gave Robertson the initiative in that match. We can go | :28:51. | :28:55. | |
to the 10th frame, with Robertson at the table with a break of 34. | :28:56. | :29:02. | |
COMMENTATOR: That pocket is so tough, I've seen a few not go in and | :29:03. | :29:10. | |
we have seen a couple from the far jaw not going. Opportunity for Mark | :29:11. | :29:23. | |
Allen. He cleverly moved the red of the black spot, knowing it would | :29:24. | :29:24. | |
have been tied up. That was never going to go in at | :29:25. | :29:50. | |
that piece terrain pace -- never going to go in at that pace. It is | :29:51. | :29:54. | |
interesting to see the contrasting styles. Mark Allen can roll this in | :29:55. | :29:59. | |
for the black into that same pocket, and at the same time develop the | :30:00. | :30:03. | |
pink and the reds. That is what he's thinking. | :30:04. | :30:47. | |
So much margin of error, there. He could have gone another foot higher. | :30:48. | :30:55. | |
He has got to cut out those positional shots. He is right back | :30:56. | :31:02. | |
into the frame. Could we possibly get a decider? | :31:03. | :31:20. | |
What about the last red nearest the middle pocket? He can move it now. | :31:21. | :31:26. | |
Move the red and if he doesn't get it on nicely he has the long pot | :31:27. | :31:36. | |
into the corner pocket. Half ball. Yes, well done. We have a chance of | :31:37. | :31:44. | |
getting all square now. What a great match this has been, breaks in every | :31:45. | :31:50. | |
frame. You get the impression it has been a long struggle out there, I | :31:51. | :31:54. | |
suppose it has full periods, but there have been many breaks in this | :31:55. | :32:01. | |
match, as well, too many to mention. 77, 55, 56, 49, 50s, 70s, 124 from | :32:02. | :32:17. | |
Mark Ellen Delay -- Mark Allen a couple of frames ago. He's | :32:18. | :32:25. | |
left-handed, so cueing is no problem. The frame could hinge on | :32:26. | :32:35. | |
this shot. Absolutely, this is for 4-5. That is how tight these pockets | :32:36. | :32:48. | |
are. -- 5-5. APPLAUSE The only way that you could have | :32:49. | :32:53. | |
played it different, is rolled it rather than play it at pace. Neil | :32:54. | :33:01. | |
Robertson would have thought a few moments ago, when Mark Allen was | :33:02. | :33:06. | |
playing this shot. Could he have rolled it in? The way he played it, | :33:07. | :33:12. | |
it gave every chance to nibble away from the pocket and go safe, but a | :33:13. | :33:18. | |
more positive shot, the star shot, rather than the role through. -- | :33:19. | :33:28. | |
stun shot rather than the roll through. | :33:29. | :33:39. | |
Just travel to far, kneel. -- travelled to far, Neil Robertson. | :33:40. | :33:59. | |
This could go wrong. I'm looking at this from Mark Allen's point of | :34:00. | :34:03. | |
view. He could screw this across the ground. Well, I think that man in | :34:04. | :34:09. | |
your picture feels he has indeed played his last shot in this year 's | :34:10. | :34:14. | |
Welsh Open. It has been a great match. Mark Allen started the | :34:15. | :34:20. | |
stronger of the two, very unlucky to not go 3-0 ahead. But a wonderful | :34:21. | :34:29. | |
performance from Neil Robertson. It was 2-2 going into the mid-session | :34:30. | :34:35. | |
interval. It has been a wonderful match, both players have made big | :34:36. | :34:40. | |
breaks, but Neil Robertson finds himself in tomorrow's final. He | :34:41. | :34:45. | |
defeats is Northern Irish opponent Mark Allen 6-4. I was singing and | :34:46. | :34:54. | |
dancing at the interval, at 2-2, it should never have been 2-2, I was | :34:55. | :34:58. | |
not playing very well and I was missing safety shots, and Mark | :34:59. | :35:03. | |
looked like he was going to go 3-0 in front until he fouled on the red | :35:04. | :35:07. | |
and that gave me time to get back on the table. I made a tremendous | :35:08. | :35:13. | |
clearance to make it 2-1 and then get it back to 2-2. The turning | :35:14. | :35:19. | |
point is when I touched the red in the third frame, and I was not | :35:20. | :35:23. | |
arguing with the referee in any way. But I said I don't feel as though I | :35:24. | :35:29. | |
touched it, can you check? It was a pivotal point. I said that I did not | :35:30. | :35:37. | |
think I definitely didn't touch it, but I did not feel it, so could we | :35:38. | :35:42. | |
have confirmation? As soon as I saw on the replay I had touched it, I | :35:43. | :35:45. | |
accepted the decision and I moved on, but at the time I did not feel | :35:46. | :35:48. | |
as though I had and I had to question it. Three scoring visit and | :35:49. | :35:54. | |
I was 5-2 in front, but he responded very well and I knew he would, he | :35:55. | :35:58. | |
opened up his game and when he got in he was scoring very heavily. I | :35:59. | :36:02. | |
had to be patient, waiting to my chance. Robertson, the first time he | :36:03. | :36:08. | |
has made the final since he won the trophy nine years ago. People had | :36:09. | :36:13. | |
their eyes on the Ronnie O'Sullivan Joe Perry match, and Ronnie is a | :36:14. | :36:20. | |
practising in the break, by the way. But that game earlier, that was an | :36:21. | :36:23. | |
enthralling game. It was a pleasure to commentate on. | :36:24. | :36:34. | |
Robertson was singing and dancing as he used the term, at the interval. | :36:35. | :36:41. | |
OK, the foul shot made all the difference in the world for Mark | :36:42. | :36:45. | |
Allen not to take the 3-0 lead. On reflection, Mark Allen will be | :36:46. | :36:49. | |
kicking himself. But Robertson showed so much grit and a | :36:50. | :36:54. | |
termination. He hardly missed a ball. Some players are intimidated | :36:55. | :37:02. | |
by this player, Ronnie O'Sullivan. Neil Robertson would be? I don't | :37:03. | :37:07. | |
think so. He knows that if Ronnie is at his best he's going be almost | :37:08. | :37:12. | |
impossible to beat. He has got to stand up to him as Joe Perry is | :37:13. | :37:17. | |
doing at the moment. We will be back with a second session shortly. If | :37:18. | :37:22. | |
you're a fan of snooker, you may well have seen the BBC drama, Rack | :37:23. | :37:33. | |
Pack, about the golden era from the 80s, Alex Higgins, Steve Davis, | :37:34. | :37:36. | |
Willie Thorne is in it as well. We went behind-the-scenes for the | :37:37. | :37:44. | |
filming of it. I am an entertainer. Please welcomed Steven Davis. I am | :37:45. | :37:46. | |
going to make you rich. You have got to tell the story of of | :37:47. | :38:01. | |
how snooker when from the back rooms of the small clubs to become this | :38:02. | :38:05. | |
national sporting event. It is the story of the characters and people | :38:06. | :38:10. | |
behind that, the burgeoning management like Barry Hearn, who | :38:11. | :38:13. | |
made it very professional and organised and commercialised, then | :38:14. | :38:19. | |
the kind of raw natural talent of people like Alex Higgins and Jimmy | :38:20. | :38:22. | |
White, who were these great folk heroes of their day. Excuse me? I | :38:23. | :38:40. | |
was wondering if you might provide me some information about the tables | :38:41. | :38:43. | |
and facilities in this establishment. You know, what the | :38:44. | :38:55. | |
buckets are like and the slate. Do you need me to call your mum? No | :38:56. | :39:00. | |
matter how many times you look at it, he transformed the game with | :39:01. | :39:09. | |
Barry Hearn. His shadow hangs over that whole era. I'm sorry, but I | :39:10. | :39:23. | |
cannot keep my eyes open. Let's make this interesting. If you say so, | :39:24. | :39:29. | |
Alex. They became the opposing forces, if you like, of the story. I | :39:30. | :39:35. | |
have waited a long time to meet a man like you, Davis. I bet that | :39:36. | :39:39. | |
something you don't hear very often. I think snooker is going to be big, | :39:40. | :39:44. | |
properly big, bigger even than wrestling. I am being serious. I | :39:45. | :39:50. | |
want us to go into partnership together. It was interesting to get | :39:51. | :39:56. | |
into the world of snooker in its golden age, how sexy it was and how | :39:57. | :40:02. | |
cool it was. It is definitely very unique on its own and probably could | :40:03. | :40:07. | |
only have happened at that time. It shows you how snooker-mad the world | :40:08. | :40:08. | |
was. camera above the table in any match, | :40:09. | :42:06. | |
and this film totally takes you down to the level of the players. It is | :42:07. | :42:08. | |
all a bit rock and roll. The script is funny, and the way it | :42:09. | :42:22. | |
is brought together by the actors brings a lot of humour to it. Alex, | :42:23. | :42:34. | |
you are four hours late. They are baying for blood in there. It is | :42:35. | :42:46. | |
also dark as well. And that is necessary. Me and you James, we are | :42:47. | :43:04. | |
the only two that they all loved. It is tragedy and comedy, and there is | :43:05. | :43:09. | |
a lot of tragedy, it is emotional and there are heart-warming scenes | :43:10. | :43:18. | |
as well. I love you, baby. From the first moment I held you in my arms. | :43:19. | :43:29. | |
Your daddy is playing in the final tomorrow. It is going to change | :43:30. | :43:37. | |
everything. I hope that it is a timeless story. The drama is there. | :43:38. | :43:43. | |
Everybody can appreciate that. And I hope that viewers of the modern game | :43:44. | :43:47. | |
might go, there was a time when perhaps the game had a few more | :43:48. | :43:59. | |
characters. THEY SING "SNOOKER LOOPY". We know that the way that | :44:00. | :44:04. | |
people consume drama is changing. And hopefully this will be a project | :44:05. | :44:11. | |
that reaches out to a lot more people and creates opportunities in | :44:12. | :44:16. | |
the future. We want to roll it out on iPlayer, it has got such a | :44:17. | :44:20. | |
following from that era, there's a lot of love for snooker. Tonally, it | :44:21. | :44:25. | |
is quite strong. There's a lot of emotional moments and wild | :44:26. | :44:29. | |
behaviour. It is right that people would come to find it on iPlayer, | :44:30. | :44:35. | |
and then hopefully, further down the line, it would go on the telly. I | :44:36. | :44:45. | |
don't think snooker has ever looked so rock 'n' roll. What do you think | :44:46. | :44:52. | |
of it? Is it accurate? Poetic licence? There was lots of players | :44:53. | :44:57. | |
in the players room afterwards. The characters were brilliant. The guy | :44:58. | :45:01. | |
that played me looked more like a Mexican bandit. And I thought he was | :45:02. | :45:09. | |
Steven Davis' twin! You have not changed a bit. You mean with the | :45:10. | :45:17. | |
moustache? It is time to go back, most, for the second session of our | :45:18. | :45:21. | |
semifinal at the Motorpoint Arena on the Saturday evening. We have just | :45:22. | :45:28. | |
seen Ronnie and their practice room. Normally, it is opponent comes out | :45:29. | :45:33. | |
here, but this time it was Ronnie. He will have felt that he was not | :45:34. | :45:42. | |
cueing quite so well. But he has had a break of 124, so you would think | :45:43. | :45:46. | |
he was playing well, but he has spent ten minutes in the practice | :45:47. | :45:53. | |
room. It is the best of 11. Joe Perry has to win two of the next | :45:54. | :45:59. | |
three to put Ronnie under pressure. Let's get back to the commentary | :46:00. | :46:02. | |
team of Dominic and Terry, it is 2-2. | :46:03. | :46:07. | |
It has been a very interesting match. With the high-scoring and the | :46:08. | :46:13. | |
disruptions. Different, slightly different. I am sure that the Crown | :46:14. | :46:23. | |
has enjoyed it all. -- the crowd. It is a big crowd. They were all | :46:24. | :46:36. | |
standing and looking at the table. I don't know what is there that they | :46:37. | :46:42. | |
do not see from their seats. Now, it was not that bad until the red was | :46:43. | :46:45. | |
knocked over to that left-hand corner. Let's see if his practice | :46:46. | :46:56. | |
upstairs has helped him here. It is not always the case that players go | :46:57. | :47:00. | |
up and practice in the practice room in the interval, because they are | :47:01. | :47:05. | |
not playing well. It is just because they want to fill some Simon, | :47:06. | :47:11. | |
really. REFEREE: Foul, Ronnie O'Sullivan, | :47:12. | :47:12. | |
four. -- want to fill some time in. Isn't there a rule that you cannot | :47:13. | :47:28. | |
pick up the ball and wipe it 's that the referee has got to do it? You're | :47:29. | :47:34. | |
not allowed to clean it with your own cloth or anything like that. | :47:35. | :47:41. | |
Some players were going out into the arena and would have the cloth with | :47:42. | :47:46. | |
a certain brand of spray polish. I will not name names. It was thought | :47:47. | :47:54. | |
that they were polishing the balls with that particular polish because | :47:55. | :47:57. | |
that is what they did on the practice table and it suited them. | :47:58. | :48:02. | |
Well, there is nothing wrong in that! Who was that, Dominic? You | :48:03. | :48:10. | |
have given us a clue and you have just left us hanging. I will tell | :48:11. | :48:12. | |
you later! A chance for Ronnie to nudge one of | :48:13. | :48:38. | |
the reds into a pottable position. It has worked out quite well. | :48:39. | :49:03. | |
Nicely into the gap for the black. With that job back spin and science. | :49:04. | :49:16. | |
-- with a touch of back spin and side. | :49:17. | :49:36. | |
He's having a look at this shot into the right-hand corner. | :49:37. | :49:52. | |
That was not a good contact. The white balance a bit, but he's OK on | :49:53. | :49:59. | |
this red, I think. He had a quicker response of the top | :50:00. | :50:29. | |
cushion, Ronnie. Just a tiny bit short on this red. Into the pack | :50:30. | :50:35. | |
again, maintains position on the black. Quite a few more reds out | :50:36. | :50:43. | |
now. He wanted to be a little bit lower, it is more of a cutback than | :50:44. | :50:47. | |
he intended it to be. Dominic and myself do not want to | :50:48. | :52:07. | |
say anything. We just feel like spectators when Ronnie gets in. It | :52:08. | :52:12. | |
is special. But you have got to say something. | :52:13. | :52:23. | |
The frame clenched in one visit. -- clinched. Look at that. Five reds | :52:24. | :52:44. | |
are available. And without that much pace, as well. | :52:45. | :52:55. | |
In the last four frames we have seen breaks of 139 from Joe, 124 from | :52:56. | :53:03. | |
Ronnie, 92 from Joe Perry, and now this 86 and counting from Ronnie. It | :53:04. | :53:05. | |
does not get any better. APPLAUSE | :53:06. | :53:34. | |
The ninth century for Ronnie O'Sullivan in the Welsh Open this | :53:35. | :53:40. | |
year. The 70th of the tournament. A very special one, Ronnie misses that | :53:41. | :53:46. | |
red, but it doesn't really make any difference. He is back in the lead, | :53:47. | :53:48. | |
3-2 in front. Joe Perry breaks off frame six. | :53:49. | :55:03. | |
Ronnie is looking very dangerous again. They have swapped frames, | :55:04. | :55:15. | |
really, in this match so far. No player able to build a 2- frame | :55:16. | :55:23. | |
lead. Ronnie won the first frame and they have swapped frames ever since. | :55:24. | :55:33. | |
He has not left the easier long red from that break of, Joe. No attempt | :55:34. | :55:38. | |
at the pot from Ronnie there, I don't think. | :55:39. | :57:20. | |
He has left the red on to the middle. Ronnie didn't catch that | :57:21. | :57:35. | |
right. Joe Perry getting on the black. Even if he had missed it, he | :57:36. | :57:40. | |
would not have left anything easy on. | :57:41. | :58:13. | |
Would hope to bring a couple more reds into pottable positions, but | :58:14. | :58:23. | |
nothing really seemed to dislodge itself from the cluster. Just one | :58:24. | :58:27. | |
loose red now, the one to the right of the pack. | :58:28. | :00:41. | |
Joe just asking the referee, Marcel Eckardt, to clean the cue ball. He | :00:42. | :01:30. | |
needs a good contact to go into this pack of reds. Muscle Hecate now | :01:31. | :01:44. | |
lives in Burlington near Potsdamerplatz. That's what I used | :01:45. | :01:48. | |
to live a few years ago. -- lives in Berlin, now. -- Marcel Eckardt. | :01:49. | :02:18. | |
The reds split, but now Joe is looking down. I am not sure if this | :02:19. | :02:30. | |
red passes the black. Looks like end break. -- end of break. He could | :02:31. | :02:39. | |
drop it in-off the far knuckle, but there would be no point in doing | :02:40. | :02:44. | |
that, because he would not be on the black, then. He deserved better. He | :02:45. | :02:54. | |
hit the cue ball cleanly and caught the reds nicely. | :02:55. | :03:08. | |
How unlucky for Joe. He could not have asked for a better split of the | :03:09. | :03:20. | |
reds. And to not be on one, that could make a difference over the | :03:21. | :03:28. | |
course of this frame. This is nothing, really, considering the | :03:29. | :03:36. | |
position of the reds. Ronnie using the jaws of the pocket not | :03:37. | :03:41. | |
necessarily to pot the Red Button make sure that it remains down that | :03:42. | :03:46. | |
ends of the table, and screw the cue ball back to baulk. | :03:47. | :04:15. | |
Maybe a shot and nothing here for Ronnie, the red to the left corner. | :04:16. | :04:26. | |
He just needs to watch the bump. He caught it nice and thick. | :04:27. | :04:33. | |
The pink has not opened up for O'Sullivan. Just the blue and the | :04:34. | :06:07. | |
baulk colours available. He has gone a bit too far for the blue, but he | :06:08. | :06:19. | |
might still play it. He never misses a chance. | :06:20. | :06:25. | |
High value colours are generally in play when he is making a break. It | :06:26. | :06:43. | |
is quite a thin cut. Putting some spin, bringing the pink interplay. | :06:44. | :06:46. | |
-- into play. These reds could easily have been | :06:47. | :07:13. | |
Joe Perry's. He had a good opportunity. Still plenty of work to | :07:14. | :07:27. | |
do, O'Sullivan. He is still behind in the frame with two reds tied up | :07:28. | :07:34. | |
with the black, maybe three of them, in fact. | :07:35. | :08:05. | |
We might see a left-handed shot, to bring something interplay with these | :08:06. | :08:13. | |
three reds and a black. -- into play. APPLAUSE | :08:14. | :08:21. | |
Very nice. It did not come out perfect, though. He is only 11 in | :08:22. | :08:29. | |
front. He needs to make this one. Very nice. Did not play for the | :08:30. | :08:37. | |
black, it needed too much pace, and he could have stopped the red going | :08:38. | :08:39. | |
into the corner. Once again, Ronnie showing his | :08:40. | :09:18. | |
ability to play with either hand. To have that degree of ambidextrous to | :09:19. | :09:29. | |
-- ambidextrous ability is incredible, as if he's not good | :09:30. | :09:30. | |
enough already. He just stunned the cue ball | :09:31. | :09:47. | |
slightly too much, easy to do when you have the extension on. Just red, | :09:48. | :10:00. | |
colour, red, needed for a 4-2 lead which will be the first time either | :10:01. | :10:02. | |
player has had a lead by two frames. The Severus audience we have | :10:03. | :10:28. | |
tonight, giving Ronnie plenty of support -- the the | :10:29. | :10:38. | |
looks like another 90 plus break coming up. Can't quite make the | :10:39. | :10:46. | |
century. 94, if he goes on to make the clearance. What an exhibition of | :10:47. | :10:54. | |
break-building this is, from both players, it has to be said. Joe | :10:55. | :10:59. | |
Perry is certainly playing his part in this match, breaks of 139 and 92, | :11:00. | :11:11. | |
to go with 120 -- 124 and 91 from O'Sullivan, and this effort here. It | :11:12. | :11:17. | |
has been a pleasure to watch and commentate on this match. Ronnie | :11:18. | :11:22. | |
O'Sullivan, with this black comedy clears the table with 94, and for | :11:23. | :11:28. | |
the first time he has a two frame lead over Joe Perry -- with this | :11:29. | :11:37. | |
black, he clears the table. STUDIO: Daylight between the players, as | :11:38. | :11:40. | |
Ronnie heads off for a break, the kind of clearance that we have been | :11:41. | :11:45. | |
seeing from him all week. Joe Perry is unlucky with the safety, it | :11:46. | :11:48. | |
caught the jaws of the middle pocket and brought the white into open | :11:49. | :11:52. | |
play, and in fairness that rate was better than Ronnie -- break. But he | :11:53. | :12:00. | |
ended up clearing the table, he in supreme form, it will be very tough | :12:01. | :12:05. | |
now with the two frame deficit for Joe to get back into the match. Joe | :12:06. | :12:10. | |
Perry is being made to wait, while Ronnie goes off for a break. That | :12:11. | :12:15. | |
belief he said he had at the start of the match, it will ebb away. He | :12:16. | :12:23. | |
has made 100 and 90, so he knows he can compete, but he has got to | :12:24. | :12:26. | |
compete in the safety, and he caught the jaws of the middle pocket when | :12:27. | :12:30. | |
he played safety, otherwise he could have got 90 break. Joe has got to | :12:31. | :12:34. | |
compete in old apartments and at the moment he not competing in the | :12:35. | :12:40. | |
safety Department. When we talk about players raising the bar and | :12:41. | :12:43. | |
trying to match the standards of Ronnie right now, what are they | :12:44. | :12:48. | |
alluding to? It is not as though other players are not winning | :12:49. | :12:51. | |
tournaments, but are they trying to match the style? It is the way that | :12:52. | :12:57. | |
he plays, the way that he goes into tournaments, thinking that he will | :12:58. | :13:02. | |
play open snooker. When players play in tournaments, they become very | :13:03. | :13:05. | |
serious and they get the ball cleared every kick, but they should | :13:06. | :13:09. | |
take a leaf out of his book, he never gets the ball clean, he just | :13:10. | :13:13. | |
keeps his momentum going. Sometimes when you have it cleaned it can take | :13:14. | :13:18. | |
you out of that momentum. I think Ronnie has set the bar and they are | :13:19. | :13:22. | |
trying to get back to it. It is not play in every single tournament, | :13:23. | :13:30. | |
does it? ! We can get back to the action, with Ronnie O'Sullivan | :13:31. | :13:32. | |
having another opportunity to get to another ranking event final. | :13:33. | :13:37. | |
COMMENTATOR: I don't think Joe Perry will be throwing in the towel, and I | :13:38. | :13:48. | |
think Ronnie has a bit to do yet. 101 and 94 in the last two frames, | :13:49. | :13:52. | |
O'Sullivan, that puts pressure on you when you get the chance. You | :13:53. | :13:57. | |
think you have got to make it, but that is not quite true, but what you | :13:58. | :14:03. | |
must not do is make a mistake. He will feel if he lets O'Sullivan in | :14:04. | :14:10. | |
he will not have a go again. LAUGHTER | :14:11. | :14:20. | |
He is not on a colour. Such a difficult shot, to retain the | :14:21. | :14:25. | |
accuracy and pot it, that was excellent. He could have hoped for | :14:26. | :14:30. | |
something better than what he is facing now. Yellow ball. | :14:31. | :14:38. | |
LAUGHTER He can't stop butting them, that was | :14:39. | :14:56. | |
a safety. He is laughing himself. -- potting. The best safety of the | :14:57. | :15:08. | |
night. Amazing that it went in at that pace. He has got to be careful | :15:09. | :15:14. | |
not to knock a red into the corner. Oh! He needs help with the baulk | :15:15. | :15:21. | |
collars and I don't think he will get any -- colours. Now, that is | :15:22. | :15:29. | |
heartbreaking for Joe Perry. He has played it slow. He has not | :15:30. | :15:46. | |
got it right. He has left himself very thin on the black, at that | :15:47. | :15:52. | |
speed you are never certain of getting on the black. But we were | :15:53. | :16:00. | |
surprised he did not get on it. He is looking at the blue. He not one | :16:01. | :16:07. | |
of these in against Mark Selby earlier in the tournament. -- he | :16:08. | :16:20. | |
knocked. Very nice. Just looking at the prize-money. O'Sullivan has | :16:21. | :16:30. | |
earned ?8.5 million in prize money, and you can see why when you watch | :16:31. | :16:32. | |
him play like this. Surely he can't get past from here. | :16:33. | :22:16. | |
He has played in the middle, dead weight. Oh! What a great attempt. It | :22:17. | :22:28. | |
will not make any difference. 88 from Ronnie O'Sullivan. He is | :22:29. | :22:40. | |
looking very dominant. Yes, 5-2, and Joe Perry has not done much wrong, I | :22:41. | :22:45. | |
have to say. But it is indeed 5-2, he is one more frame away from | :22:46. | :22:53. | |
reaching the final. STUDIO: Dominant, Ronnie O'Sullivan, once | :22:54. | :22:56. | |
again, it will take a great comeback now from Joe Perry to turn this | :22:57. | :23:00. | |
around. In the blink of an eye he wins frames, Joe Perry, I can't | :23:01. | :23:08. | |
think of him playing more than 4-5 bad shots, but every time Ronnie | :23:09. | :23:12. | |
gets in, and I keep saying this, you have got to win the frame in one | :23:13. | :23:16. | |
visit, rather than getting involved in a tactical battle. People can't | :23:17. | :23:21. | |
break built like Ronnie O'Sullivan, well, a few of them can, but not as | :23:22. | :23:27. | |
consistent. Joe Perry must be thinking, he has made a few bad | :23:28. | :23:34. | |
shots, but he is 5-2 down. The sense of destiny grows inside the arena, | :23:35. | :23:39. | |
everyone expects Ronnie to see it through, and Joe might be thinking | :23:40. | :23:43. | |
that himself. How does he think he can still do it? You have got to | :23:44. | :23:48. | |
have believed. Joe Perry has got to the semifinal because of its talent, | :23:49. | :23:52. | |
he is a very good match player. He does not play the likes of Ronnie | :23:53. | :23:58. | |
O'Sullivan and has only beaten him twice in 12 meetings, but not many | :23:59. | :24:01. | |
players have a good record against O'Sullivan. What players have said, | :24:02. | :24:07. | |
Ronnie has raised the bar, and this is the standard you have got to play | :24:08. | :24:12. | |
to compete with him. It is impossible to play like that all the | :24:13. | :24:15. | |
time, but this week he has been sensational, as good as I've seen | :24:16. | :24:20. | |
him play in my career. I've never seen him play as consistently well, | :24:21. | :24:23. | |
every time he gets to the table he is making 80 Rob of and that is how | :24:24. | :24:30. | |
well he is playing. -- 80 or above. You have got to pick your schedules, | :24:31. | :24:34. | |
like Ronnie is doing, you just playing in a few tournaments, Shaun | :24:35. | :24:39. | |
Murphy is doing it, Stuart Bingham and Mark Selby, they are playing | :24:40. | :24:42. | |
into many tournaments to be consistent, but I think they have | :24:43. | :24:45. | |
got to pick and choose and practice properly. It is a dilemma, because | :24:46. | :24:49. | |
of the prize money on offer. But maybe they can pick and choose a bit | :24:50. | :24:55. | |
more. Don't play everyone, maybe one in every two, something like that. | :24:56. | :25:01. | |
He has said he is using the Welsh Open as practice for exhibition | :25:02. | :25:04. | |
matches, but he only needs one more frame to get into the final tomorrow | :25:05. | :25:05. | |
night. Leading 5-2. COMMENTATOR: Joe Perry can't afford | :25:06. | :25:15. | |
any more mistakes. I'm very impressed with Joe, he's gone out | :25:16. | :25:20. | |
there and done his own thing, he has played very well. It must be very | :25:21. | :25:26. | |
deflating when you are doing everything, but it is still nowhere | :25:27. | :25:35. | |
near good enough. I go back to the fifth frame when Joe went into the | :25:36. | :25:39. | |
reds and he was very unlucky not to land on anything. He could have won | :25:40. | :25:45. | |
the frame and levelled at 3-3 but instead Ronnie got back in and he | :25:46. | :25:54. | |
ended up getting the frame. Well, he can't pot everything, Ronnie. | :25:55. | :27:26. | |
That has brought the black into play. Good safety. Has not put | :27:27. | :27:36. | |
Ronnie O'Sullivan in trouble, but he has not left him a pot either. | :27:37. | :27:48. | |
That is very good length on the cue ball. | :27:49. | :30:00. | |
He is on the pink and he deserved to be on something, but it is a very | :30:01. | :30:07. | |
thin cut into the centre and not easy. Not easy to pot and get good | :30:08. | :30:16. | |
position. Things have closed up a bit, the black did come into play | :30:17. | :30:21. | |
and the blue was out into play, but they are both out of it at the | :30:22. | :30:27. | |
moment. Just the pink to play on at the moment. | :30:28. | :30:35. | |
A nice gap here to get onto the pink in the right centre. He has been off | :30:36. | :30:46. | |
the table while, Joe, and he will be glad to get another chance. | :30:47. | :30:55. | |
He will have played a lot worse than this many times and been well in | :30:56. | :30:59. | |
front. I think he has played the best | :31:00. | :31:19. | |
snooker of the week from his point of view in this match, and he was | :31:20. | :31:27. | |
2-2 at the interval, so he did hold Ronnie, but since then, great breaks | :31:28. | :31:32. | |
from Ronnie have seen him forge ahead. Typical, when Joe gets a good | :31:33. | :31:38. | |
opportunity, the black is tied up, not much he can do about it really. | :31:39. | :31:45. | |
And the blue is out of commission, on the Balkan cushion. -- on the | :31:46. | :31:53. | |
baulk cushion. He needs to control the cue ball very well, he only has | :31:54. | :31:58. | |
the pink and the baulk colours to go with. | :31:59. | :32:08. | |
That has made things a bit easier. The pink goes in both corners. And | :32:09. | :32:17. | |
two centres. That gives you more choice of his position. Still not | :32:18. | :32:24. | |
easy. Tied. -- tight. Should not be more | :32:25. | :32:44. | |
than 12 inches away at all. He did not get closer to the red. | :32:45. | :32:59. | |
If Joe wanted to, he could have played for the red which is above | :33:00. | :33:07. | |
the black slightly to the left. He was too high on the pink, though, | :33:08. | :33:12. | |
and he has had to come across either side of the red, the one I was | :33:13. | :33:18. | |
talking about. So it is back to the pink in the right centre. He is | :33:19. | :33:26. | |
taking these well, though, Joe. I would say that he is favourite for | :33:27. | :33:31. | |
the frame now. Just needs to keep his concentration. | :33:32. | :33:55. | |
I'm not sure if Ronnie expects to get back to the table in this frame. | :33:56. | :34:06. | |
Joe has a good angle to develop the Fred -- develop the reds. If he | :34:07. | :34:25. | |
could can -- cannon here, you can leave himself a shot. I think he is | :34:26. | :34:32. | |
still on for the top right corner, just about. | :34:33. | :34:45. | |
Joe will be disappointed. To see that red not find its way into the | :34:46. | :34:55. | |
pocket. If Ronnie can make this long read, you might be able to develop | :34:56. | :35:03. | |
the black, but the problem is, if he cannons is the red by the red go | :35:04. | :35:14. | |
into the pocket? He did not play the cannon. He played it perfectly. | :35:15. | :37:45. | |
That was the frame ball for Joe Perry, 36 points ahead with 35 | :37:46. | :37:55. | |
remaining. It looks like we are heading into the eighth frame, at | :37:56. | :38:08. | |
5-3. No attempt at the pot. Snickering his opponent, Ronnie. He | :38:09. | :38:13. | |
comes to the table needing a slicker. And, barring that snooker | :38:14. | :38:16. | |
it will be 5-3 to Ronnie O'Sullivan. What is he going to do here? He | :38:17. | :40:00. | |
needs one snooker. Seems to have made his decision already. He will | :40:01. | :40:05. | |
get to a certain stage and then play for the snooker. | :40:06. | :40:21. | |
In normal circumstances it would not be that difficult to go off one | :40:22. | :40:31. | |
cushion. But the blue is tight on that cushion. He just about got away | :40:32. | :40:42. | |
from that pocket, then. He has gone for behind the brown. | :40:43. | :41:05. | |
Oh, what a shot! APPLAUSE | :41:06. | :41:09. | |
Wonderful entertainment. Joe will just play the softer side | :41:10. | :41:27. | |
cushion but he has got to slide it off and into the green. He has | :41:28. | :41:28. | |
judged it well. Good shot. He tried to stun and get behind the | :41:29. | :42:31. | |
brown, but it was a difficult shot. Well, he missed that by a long way. | :42:32. | :42:45. | |
That was an unusual one. He has brought the blue into play. | :42:46. | :43:28. | |
Not sure if he played the green to go back up there, but I will give | :43:29. | :43:35. | |
him the benefit of the doubt! Quite a difficult one to hit. He can only | :43:36. | :43:41. | |
go with the position he has now with the rest. And hit it hard. | :43:42. | :43:50. | |
A good fit, not too bad. He is still in this frame. The only needs one | :43:51. | :43:56. | |
snooker. -- he only needs. APPLAUSE | :43:57. | :44:10. | |
What a fantastic green from Joe Perry. That should secure this frame | :44:11. | :44:19. | |
for him now. And in goes the brown for good measure. | :44:20. | :44:29. | |
It has been a fantastic match from Joe Perry. He has acquitted himself | :44:30. | :44:37. | |
well. He has played some very, very good snooker. And in goes the pink. | :44:38. | :44:44. | |
Doesn't bother with the black. So Joe Perry with that 56 break that he | :44:45. | :44:49. | |
made earlier reduces the deficit to just two frames at 5-3. We saw the | :44:50. | :44:57. | |
first look of exasperation on the face of Ronnie O'Sullivan for a | :44:58. | :45:02. | |
change. But well played. Absolutely. He has played well to stay in the | :45:03. | :45:08. | |
game, he has been hit with a barrage of sizeable breaks and he has stood | :45:09. | :45:12. | |
up well. He made a lovely break of 56. He feels he is still in the | :45:13. | :45:17. | |
match. If he wins this frame, we have not seen Ronnie put under | :45:18. | :45:23. | |
pressure this week, yet. Every other time, he just steam rollers his | :45:24. | :45:27. | |
opponent. What will he be like when someone takes him to the line, as at | :45:28. | :45:32. | |
were? It would be good to see Joe Perry winning this frame just the | :45:33. | :45:37. | |
sake of the punters, to see what Ronnie is like when he is put on the | :45:38. | :45:40. | |
pressure. He has not been put under pressure this week. He will be | :45:41. | :45:48. | |
happier, and he will know that. I remember Mark Selby playing in the | :45:49. | :45:57. | |
Masters, and the score was 5-3, Mark Selby was unplugged, and he said if | :45:58. | :46:00. | |
he would've won that game, he would fancy that. That is what players | :46:01. | :46:04. | |
think when they are playing Ronnie O'Sullivan. If you get close to him, | :46:05. | :46:08. | |
you have a chance. But nobody has got close to him this week,, yet. | :46:09. | :46:19. | |
REFEREE: Frame nine, Ronnie O'Sullivan to break. | :46:20. | :46:34. | |
APPLAUSE And a good break off to the left | :46:35. | :46:47. | |
hand from Ronnie O'Sullivan. Looking for the one frame he needs to go | :46:48. | :46:56. | |
into the final tomorrow to play Neil Robertson. Joe Perry may have other | :46:57. | :46:57. | |
ideas. Both these players turned | :46:58. | :47:27. | |
professional in 1992 at the same time. | :47:28. | :47:46. | |
If this was a straightforward safety shot, this would have been down by | :47:47. | :47:54. | |
now. Is he committing to this or just dropping the cue ball on the | :47:55. | :48:04. | |
far cushion? He has just missed that red. He could have caught that red | :48:05. | :48:08. | |
on the way back up. Good attempt. APPLAUSE | :48:09. | :49:27. | |
Superb exhibition of ball striking from Ronnie, there, hitting it | :49:28. | :49:32. | |
absolutely cleanly. Struck beautifully. A choice of blue or | :49:33. | :49:41. | |
green. The red that is just by the black will pot into the right-hand | :49:42. | :49:45. | |
corner and Ronnie will want to get on that as soon as to free up the | :49:46. | :49:52. | |
black. Didn't get the best contact, there, Ronnie. Short of ideal | :49:53. | :49:57. | |
position. The trouble is, the black only goes | :49:58. | :50:25. | |
in one corner pocket. He has got the black he could go through, but there | :50:26. | :50:30. | |
is no room for error. With the thinner cup, the pink going back | :50:31. | :50:41. | |
into the middle. -- is there. There is only one thought in Ronnie | :50:42. | :50:47. | |
O'Sullivan's mind at the moment, he is going to win this frame and the | :50:48. | :50:50. | |
match at this visit. That was wayward from Ronnie. I just | :50:51. | :51:53. | |
wonder if he was in two minds about what shot to play, positionally, | :51:54. | :51:59. | |
from this black. Are freed for Joe Perry. -- a reprieve for. | :52:00. | :52:36. | |
He has left a nice angle on this red, to play for the black. | :52:37. | :53:04. | |
He will be looking to split a few reds open from the black. They are | :53:05. | :53:17. | |
tightly packed together. He hasn't got the power to get the spin that | :53:18. | :53:22. | |
Ronnie O'Sullivan gets to get into the pack. That was a bit too hard. | :53:23. | :53:23. | |
The spin did not take. He just caught the edge of the pack. | :53:24. | :53:45. | |
And the chance each for each player in this frame. | :53:46. | :54:12. | |
Ronnie having a look at this red below the pink spot that will pot | :54:13. | :54:18. | |
into the right-hand corner. It is a good shot to nothing possibility. | :54:19. | :54:29. | |
There was a more risky long pot that he's looking at now, a three | :54:30. | :54:32. | |
quarters ball red, He will have to play for these reds | :54:33. | :56:19. | |
in the centre. Joe Perry is shuffling about in his | :56:20. | :56:36. | |
chair, hoping for another chance. You never know. | :56:37. | :56:53. | |
With Ronnie O'Sullivan, you think this could be the end. With most | :56:54. | :56:59. | |
other players, you would still think you have a chance. 36 points in | :57:00. | :57:13. | |
front, now. APPLAUSE | :57:14. | :57:22. | |
Playing for the blue but he had a slight angle and is on the black. | :57:23. | :57:30. | |
That has made a big difference, now. 44 points in front with just 43 left | :57:31. | :57:33. | |
on the table. He really is striking the cue ball | :57:34. | :58:28. | |
so well. Joe Perry has played very well in this match, with the highest | :58:29. | :58:44. | |
break, 139, in the second frame. But it's Ronnie O'Sullivan who has been | :58:45. | :58:45. | |
the most consistent of the two. 78 from Ronnie O'Sullivan, clinches | :58:46. | :59:16. | |
the match. It has been a great match with both players playing well. You | :59:17. | :59:21. | |
go through today's Neil Robertson in the final tomorrow, winning 6-3. | :59:22. | :59:28. | |
We will have the box office finale to the Welsh Office that many would | :59:29. | :59:36. | |
have wanted to see. 3- Time Warner Ronnie O'Sullivan into the final | :59:37. | :59:39. | |
again, two years after he last lifted the trophy -- 3- time winner. | :59:40. | :59:46. | |
Ronnie O'Sullivan against Neil Robertson tomorrow on BBC Two Wales. | :59:47. | :59:51. | |
Make a date and join us for that. It was a much closer contest than any | :59:52. | :59:54. | |
other that Ronnie has faced this week. Nothing to be worried about. | :59:55. | :00:00. | |
He adapted himself well to the crowd being against them and played so | :00:01. | :00:03. | |
well. The point we talked about earlier on, that Ronnie raised the | :00:04. | :00:08. | |
bar. We will look at this shot he played early in the opening frame. | :00:09. | :00:12. | |
Most players would play this as a shock to nothing, get the white ball | :00:13. | :00:18. | |
past the baulk line. Ronnie, whenever he takes the pot on, very | :00:19. | :00:25. | |
rarely, is seeping to get the white safe, but to get it in an area where | :00:26. | :00:29. | |
he can score. To get up to Ronnie's standard, that is what players have | :00:30. | :00:35. | |
to try and do. When Ronnie pots a good ball, he wants to make it a | :00:36. | :00:41. | |
frame- winning chance. He missed the black off its spot a few moments | :00:42. | :00:44. | |
later, then he went mad in the last frame. All in all, Ronnie will be | :00:45. | :00:48. | |
pleased with the way he scored. Because Joe Perry stood up to him. | :00:49. | :00:52. | |
That is key, when you stand up to him, he got the chance. Let's find | :00:53. | :00:57. | |
out. Here he is. Congratulations, you are through to the final. I will | :00:58. | :01:02. | |
not ask you if you think that your name is on the trophy. But Joe Perry | :01:03. | :01:08. | |
give you a tough game tonight. Absolutely. He is an unbelievable | :01:09. | :01:11. | |
player. He has had so many good matches. He should have beat me in | :01:12. | :01:16. | |
the World Championships a couple of weeks yet -- a couple of years ago. | :01:17. | :01:21. | |
He is a tough, tough player. He scores, and he fancies winning. He | :01:22. | :01:26. | |
played quite well tonight. I am just trying to compete and Nick a few | :01:27. | :01:32. | |
frames and I think I did that better tonight than in any other match. One | :01:33. | :01:39. | |
of the things you look great at, the moment is your long game. You must | :01:40. | :01:42. | |
be pleased the way that you're knocking the long ones in. Not as | :01:43. | :01:51. | |
bad as it was eight years ago, I could not pot a long ball, but I | :01:52. | :01:57. | |
have made a few. As long as I can make a few, I can start building | :01:58. | :02:02. | |
momentum, I can score. Neil Robertson in the final? Robbocop! I | :02:03. | :02:12. | |
watched him through the whole of the UK Championships. And he never | :02:13. | :02:18. | |
showed one emotion through the whole tournament. Amazing. I have been | :02:19. | :02:24. | |
watching him to make -- to see if he makes any kind of emotion and I kind | :02:25. | :02:28. | |
of got this from him today. That is about all you get from him. It shows | :02:29. | :02:32. | |
what an unbelievable professional he is. I am just these to be in the | :02:33. | :02:39. | |
final. We're going to Bucharest for couple of exhibitions in April. I am | :02:40. | :02:43. | |
excited about that. Then we are on a city tour of China. Are you taking | :02:44. | :02:50. | |
you? You are more than welcomed. You have won this trophy three times | :02:51. | :02:54. | |
before, you must want to go for a fourth. Have you seen that trophy?! | :02:55. | :03:05. | |
Of course! Thank you Ronnie and thank you, Willie, for being with | :03:06. | :03:10. | |
us. Tomorrow, the final will be live from 1pm tomorrow on BBC Two Wales. | :03:11. | :03:18. | |
It is Neil Robertson, the 2007 winner, against a man going for a | :03:19. | :03:22. | |
record-equalling fourth Welsh Open title. It could be a classic. Thank | :03:23. | :03:27. | |
you for your company this evening. It is a very good night from all of | :03:28. | :03:29. | |
us. | :03:30. | :03:36. |