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Last night, Barry Hawkins said it was a dream and things like that do | 0:00:54 | 0:00:58 | |
not happen to him. He reached the Crucible final after | 0:00:58 | 0:01:05 | |
17 years as a professional. Can he complete a snooker fairytale in this | 0:01:05 | 0:01:09 | |
year's Betfair World Championship? He has first got to spoil the | 0:01:09 | 0:01:13 | |
narrative of one of the most compelling stories in any sport, the | 0:01:13 | 0:01:22 | |
return of the Rocket, Ronnie O'Sullivan. | 0:01:22 | 0:01:29 | |
I cannot believe it. It is a bit strange. It is unbelievable, | 0:01:29 | 0:01:38 | |
unbelievable. I am here to compete. I would like to win. Everybody knows | 0:01:38 | 0:01:43 | |
how good barriers. I remember playing him in the Regal Welsh and | 0:01:43 | 0:01:53 | |
he pushed me. You always have more respect for an opponent when they | 0:01:53 | 0:01:58 | |
take you all the way. He is a very efficient player. He is an | 0:01:58 | 0:02:00 | |
unbelievable talent. I don't think he realises how good he is | 0:02:00 | 0:02:06 | |
sometimes. Obviously, he says silly things in the press and stuff like | 0:02:06 | 0:02:10 | |
that but as a player I have the utmost respect for him. He makes it | 0:02:10 | 0:02:16 | |
look so easy. It is frightening sometimes. I have definitely got it | 0:02:16 | 0:02:25 | |
all to do in the final. The word genius gets thrown about. Anybody | 0:02:25 | 0:02:29 | |
who knows me knows how hard I have worked. I play it in a way that it | 0:02:29 | 0:02:35 | |
looks like it comes easy but it does not. I had a year off. To win it, | 0:02:35 | 0:02:40 | |
that would be a dream for me. what I have been dreaming of since I | 0:02:40 | 0:02:44 | |
was a young boy. To make it to the final is unbelievable. To lift the | 0:02:44 | 0:02:52 | |
trophy would be unbelievable, yeah. This is the story of the ultimate | 0:02:52 | 0:03:02 | |
0:03:02 | 0:03:03 | ||
prize. This famous trophy has been in the hands of the best. Icons, | 0:03:03 | 0:03:04 | |
smoother superstars, the Untouchables. Ray Reardon, Steve | 0:03:04 | 0:03:09 | |
Davis, Stephen Hendry, Ronnie O'Sullivan. Their performances have | 0:03:09 | 0:03:13 | |
lit up the Crucible. Ultimately, we knew how the story would -- in | 0:03:13 | 0:03:23 | |
0:03:23 | 0:03:25 | ||
victory. But forget the fairytale at your peril. 1979, Terry Griffiths, | 0:03:25 | 0:03:31 | |
world champion. 1985, Dennis Taylor, the black ball, millions of TV | 0:03:31 | 0:03:40 | |
viewers. 1986, no ordinary Joe, Johnson beating the three times | 0:03:40 | 0:03:43 | |
world champion, Steve Davis. 2005, Shaun Murphy beating Matthew | 0:03:43 | 0:03:51 | |
Stevens. And so, the Barry Hawkins story continues. I'd is this one" | 0:03:51 | 0:03:56 | |
Mac one of the great sporting comebacks of the time or the year of | 0:03:56 | 0:04:06 | |
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the? -- you would wonder what sort of state of mind he was in to start | 0:04:12 | 0:04:22 | |
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the game. That is a chance gone. He is going into them this time and | 0:04:23 | 0:04:32 | |
this is perfect. Just the red needed. When he gets into the balls | 0:04:32 | 0:04:39 | |
he is never out of position and he wins in one visit. I know it is a to | 0:04:39 | 0:04:44 | |
date final but the first session was so important for Barry. -- I know it | 0:04:44 | 0:04:54 | |
0:04:54 | 0:04:55 | ||
is a two day final. That will make him feel a lot better. Blue is the | 0:04:55 | 0:05:01 | |
pressure ball, but in it goes! Fairplay to Barry Hawkins. At the | 0:05:01 | 0:05:08 | |
end of seven days you want a match. That will do nicely, Ronnie | 0:05:08 | 0:05:12 | |
O'Sullivan behind for the first time. | 0:05:12 | 0:05:17 | |
Everybody was talking about Ronnie walking away with it and I am so | 0:05:17 | 0:05:27 | |
0:05:27 | 0:05:28 | ||
pleased to see Barry playing so well. I like this... Brilliant | 0:05:28 | 0:05:33 | |
century break, the first of this year's final. Back-to-back centuries | 0:05:33 | 0:05:42 | |
for the Rocket! It took 29 minutes for those last three frames. It was | 0:05:42 | 0:05:47 | |
one of the best sessions I have ever seen. Going into the second session | 0:05:47 | 0:05:57 | |
0:05:57 | 0:05:57 | ||
leading 5-3. If they say it will be over with seconds to spare, I will | 0:05:57 | 0:06:02 | |
not have any of that. I think Ronnie will take it. | 0:06:02 | 0:06:07 | |
The scorecard is impressive reading, isn't it? They have got off to an | 0:06:07 | 0:06:17 | |
0:06:17 | 0:06:17 | ||
strongly. I think it is the best session we have seen at the World | 0:06:17 | 0:06:20 | |
Championship so far, which befits that both players have got to the | 0:06:20 | 0:06:30 | |
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table. This is the conversation we had. The table is bad. It is pulling | 0:06:37 | 0:06:47 | |
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up. It is coming off the coition. -- the cushion. Ronnie has contacted | 0:06:50 | 0:06:54 | |
the director. He understands about conditions. What has happened? | 0:06:54 | 0:07:01 | |
believe the cloth is from a different road. The players got used | 0:07:01 | 0:07:04 | |
to it so quickly. They have decided not to change it or do anything with | 0:07:05 | 0:07:09 | |
it and see how it goes. To be honest, the standard was so good, | 0:07:09 | 0:07:14 | |
how could you say it was a bad table? Most people would not | 0:07:14 | 0:07:18 | |
realise, when you are a player, you know the difference. We have seen | 0:07:18 | 0:07:25 | |
that players want faster and faster cloth and it was a shock when it was | 0:07:25 | 0:07:30 | |
slower. All of a sudden they have a problem to get over. Sometimes under | 0:07:30 | 0:07:35 | |
pressure it is better to play on its lower cloth because you can hit | 0:07:35 | 0:07:45 | |
0:07:45 | 0:07:52 | ||
firmer. That better to play on a Good afternoon ladies and gentlemen. | 0:07:52 | 0:08:01 | |
What a scintillating start! Two players at the peak of their powers, | 0:08:01 | 0:08:06 | |
and the Crucible crowd ready to roar them onto the stage. | 0:08:06 | 0:08:16 | |
0:08:16 | 0:08:22 | ||
Please welcome a player who is revelling in his time in the | 0:08:22 | 0:08:28 | |
spotlight. Three vital frames this afternoon show he is not overawed by | 0:08:28 | 0:08:32 | |
this first final. He had never been beyond the second round until this | 0:08:32 | 0:08:37 | |
year. His win over Mark Selby helped kick-start our brilliant campaign. | 0:08:37 | 0:08:43 | |
This is the biggest match of his life. Let's raise the roof for Barry | 0:08:43 | 0:08:53 | |
0:08:53 | 0:09:15 | ||
His opponent, an absolute genius with a cue in his hand. He finished | 0:09:15 | 0:09:20 | |
off this afternoon with two sublime centuries. He is without doubt the | 0:09:20 | 0:09:27 | |
sport's biggest draw. If he wins this title it will surely rank of | 0:09:27 | 0:09:33 | |
one -- right as one of snooker's all-time greatest performances. He | 0:09:33 | 0:09:43 | |
0:09:43 | 0:09:57 | ||
is the defending champion, the Fantastic wee section for both men. | 0:09:57 | 0:10:07 | |
0:10:07 | 0:10:07 | ||
Many people felt that this was Ronnie's to lose but it is so far a | 0:10:07 | 0:10:14 | |
proper contest. The winning target is 18. John Virgo and Dennis Taylor | 0:10:14 | 0:10:24 | |
0:10:24 | 0:10:49 | ||
are in the commentary box tonight. the seat for the introduction. | 0:10:49 | 0:10:54 | |
gives meeting goals. How the players are supposed to react for the first | 0:10:54 | 0:11:04 | |
0:11:04 | 0:11:34 | ||
few shots - that is what you Hawkins played. He lost the first | 0:11:34 | 0:11:44 | |
0:11:44 | 0:11:46 | ||
two frames but came back with a break of 88, 81, and the pot success | 0:11:46 | 0:11:56 | |
0:11:56 | 0:12:19 | ||
rate was in the 90s for both game just yet. Barry is having a | 0:12:19 | 0:12:29 | |
0:12:29 | 0:12:42 | ||
look at the possibility of a three bit peasy on the safety. -- a little | 0:12:42 | 0:12:52 | |
0:12:52 | 0:13:22 | ||
Just about OK. They can get it into their head about the cloth being a | 0:13:22 | 0:13:27 | |
little bit slower, but the breaks they made were amazing. It might be | 0:13:27 | 0:13:30 | |
playing a little bit slower but Ronnie has had back-to-back | 0:13:30 | 0:13:40 | |
0:13:40 | 0:14:19 | ||
centuries, two 70s, 90. The standard what he needed. He needs to get his | 0:14:19 | 0:14:29 | |
0:14:29 | 0:14:29 | ||
Apology for the loss of subtitles for 43 seconds | 0:14:29 | 0:15:13 | |
hand on the table and start potting There is the Hawkins family. They | 0:15:13 | 0:15:23 | |
0:15:23 | 0:15:40 | ||
must be so proud. This is fantastic little bit slower, you have got more | 0:15:40 | 0:15:50 | |
0:15:50 | 0:15:53 | ||
control. Sometimes they can be too quick. I think it is better for the | 0:15:53 | 0:16:03 | |
0:16:03 | 0:16:09 | ||
he would have been able to run through for the black on the | 0:16:09 | 0:16:19 | |
0:16:19 | 0:16:35 | ||
opposite corner, but he has got to looks like this cloth has plenty of | 0:16:35 | 0:16:45 | |
0:16:45 | 0:16:54 | ||
baulk colour. At this level he will be very disappointed with that. It | 0:16:54 | 0:16:57 | |
was probably caused by the blue not going in the middle of the pocket | 0:16:57 | 0:17:07 | |
0:17:07 | 0:17:07 | ||
Apology for the loss of subtitles for 43 seconds | 0:17:07 | 0:17:57 | |
is what creates the backspin. That is what you have got to do. If you | 0:17:57 | 0:18:02 | |
do not have a good tip on your cue, you could rip the cloth on the | 0:18:02 | 0:18:12 | |
0:18:12 | 0:18:31 | ||
table. You need to be careful when gain the advantage. This might just | 0:18:31 | 0:18:41 | |
0:18:41 | 0:18:41 | ||
Apology for the loss of subtitles for 43 seconds | 0:18:41 | 0:20:12 | |
consideration, what a tremendous departments. His break-building and | 0:20:12 | 0:20:22 | |
0:20:22 | 0:20:27 | ||
his safety... This looks like a very good safety to me. That is very | 0:20:27 | 0:20:37 | |
0:20:37 | 0:20:43 | ||
said the first player behind the green would have the tactical | 0:20:43 | 0:20:53 | |
0:20:53 | 0:21:21 | ||
this tactical battle. Every frame is important for Barry. A lot of people | 0:21:21 | 0:21:31 | |
0:21:31 | 0:21:54 | ||
just to the left of the pink is possible to the right corner. | 0:21:54 | 0:21:58 | |
there is a path round to the black if he takes the pot gone. He did not | 0:21:58 | 0:22:08 | |
0:22:08 | 0:22:38 | ||
thing he had to do was avoid the red on the right-hand side. He will be | 0:22:38 | 0:22:48 | |
0:22:48 | 0:23:04 | ||
very disappointed. OK, go for the little but that will annoy him. That | 0:23:04 | 0:23:14 | |
0:23:14 | 0:23:14 | ||
Apology for the loss of subtitles for 43 seconds | 0:23:14 | 0:24:03 | |
especially if Barry can take potting the black because it could | 0:24:03 | 0:24:08 | |
get tied up. Also, it could tie up a few of the reds. There is not much | 0:24:08 | 0:24:18 | |
0:24:18 | 0:24:57 | ||
option here. He may have to play for better but even if he has got a | 0:24:57 | 0:25:01 | |
slight angle he might be able to nudge those two reds away from the | 0:25:01 | 0:25:08 | |
black spot area and stay away from the back. It depends whether he | 0:25:08 | 0:25:18 | |
0:25:18 | 0:25:18 | ||
Apology for the loss of subtitles for 43 seconds | 0:25:18 | 0:26:07 | |
wants to risk that. He may not want It has sent them into a worse | 0:26:07 | 0:26:17 | |
0:26:17 | 0:26:18 | ||
position, really. How many times have we seen that in this | 0:26:18 | 0:26:26 | |
championship? Players sacrificing the pot for position. You have got | 0:26:26 | 0:26:36 | |
0:26:36 | 0:26:53 | ||
to pot the ball. This red is that Ronnie is losing focus. -- a | 0:26:53 | 0:26:57 | |
couple of signs. We have seen very little of that in this year's World | 0:26:57 | 0:27:07 | |
0:27:07 | 0:27:12 | ||
opening frame of this session than we have seen in some of the whole of | 0:27:12 | 0:27:20 | |
his sessions. This is a great opportunity for Barry to clinch this | 0:27:20 | 0:27:30 | |
0:27:30 | 0:27:40 | ||
There is a red available into the same pocket as the black and that is | 0:27:40 | 0:27:50 | |
0:27:50 | 0:27:50 | ||
Apology for the loss of subtitles for 43 seconds | 0:27:50 | 0:28:38 | |
best possible start for Barry Hawkins. He is just one frame | 0:28:38 | 0:28:46 | |
behind. It is now 5-4. We have quite a team of pundits. | 0:28:46 | 0:28:53 | |
Together, 40 world titles. You said yesterday, when asked, what chance | 0:28:53 | 0:29:01 | |
does Barry Hawkins have? You said, none. What chance does he have now? | 0:29:01 | 0:29:05 | |
As long as you are playing you have a chance. I was asked before I got a | 0:29:06 | 0:29:11 | |
result from the Hawkins and Walden match and I did not think he would | 0:29:11 | 0:29:16 | |
beat Ronnie. I still do not think he will. You have just got to stick at | 0:29:16 | 0:29:21 | |
it. You never know what might happen. Has it been a surprise, the | 0:29:21 | 0:29:31 | |
0:29:31 | 0:29:52 | ||
quality Barry has been able to It is Barry Hawkins who breaks. Let | 0:29:52 | 0:30:01 | |
the obligatory three-quarter all red to the corner. Ronnie | 0:30:01 | 0:30:11 | |
0:30:11 | 0:30:22 | ||
O'Sullivan has to avoid a kiss on Everybody was thinking along the | 0:30:22 | 0:30:30 | |
same lines as Stephen Hendry. But as you can see, Ronnie has missed | 0:30:30 | 0:30:36 | |
some pots that he did not look like missing. Barry is a different | 0:30:36 | 0:30:46 | |
0:30:46 | 0:30:51 | ||
I think he is really enjoying this final. He looked tense against | 0:30:51 | 0:30:56 | |
Ricky Walden, who, to be fair, should have put that semi-final to | 0:30:56 | 0:31:04 | |
bed. But Barry is back and at his best. Stephen makes a very valid | 0:31:04 | 0:31:12 | |
point. He freely admitted that Barry Hawkins came into the final | 0:31:12 | 0:31:18 | |
with nothing to lose and is going to enjoy it. That is what he is | 0:31:18 | 0:31:27 | |
doing. But he knows, as we all do, that one slip and he will be | 0:31:27 | 0:31:37 | |
0:31:37 | 0:31:43 | ||
against an opponent to can take He is playing in the black area, | 0:31:43 | 0:31:53 | |
0:31:53 | 0:32:01 | ||
where players of this quality Skoal He is almost equal with Ronnie, | 0:32:01 | 0:32:11 | |
0:32:11 | 0:32:19 | ||
He has still got the one to the corner. A little more screw on that | 0:32:19 | 0:32:29 | |
0:32:29 | 0:32:43 | ||
would have left in a state red to Foul. Barry Hawkins called it that | 0:32:43 | 0:32:52 | |
foul just as the referee did. We're very proud that in over game at the | 0:32:52 | 0:33:02 | |
0:33:02 | 0:33:03 | ||
players often call foul. And at heart of appreciation from Ronnie | 0:33:03 | 0:33:11 | |
O'Sullivan for the spokesman ship. -- habit of appreciation. -- for | 0:33:11 | 0:33:21 | |
0:33:21 | 0:33:54 | ||
That was worth waiting on. A chance He pointed straight away to the | 0:33:55 | 0:34:04 | |
0:34:05 | 0:34:10 | ||
You can see one to the back of the bunch that is available. He will | 0:34:11 | 0:34:20 | |
0:34:21 | 0:34:29 | ||
try to leave an angle. But it looks That is not a favourable kiss. | 0:34:29 | 0:34:39 | |
0:34:39 | 0:34:51 | ||
He could not go into that with too It is not often that Ronnie | 0:34:51 | 0:34:56 | |
O'Sullivan fails to make most of those opportunities. But no matter | 0:34:56 | 0:35:06 | |
0:35:06 | 0:35:15 | ||
how good you are, when you run into He can take a pot at that and get | 0:35:15 | 0:35:25 | |
0:35:25 | 0:35:28 | ||
He could not risk leaving himself short on that the baulk course. It | 0:35:28 | 0:35:36 | |
was a difficult shot. -- on the baulk curlers. But this is a | 0:35:36 | 0:35:46 | |
0:35:46 | 0:35:49 | ||
confidence booster for Barry I cannot see the advantage of | 0:35:49 | 0:35:57 | |
rolling up to their yellow. He has to cover the red on the right hand | 0:35:57 | 0:36:03 | |
side of the table. Otherwise he will leave as safety shot for | 0:36:03 | 0:36:13 | |
0:36:13 | 0:36:15 | ||
Ronnie. And that is unlucky. You could never have foreseen that! The | 0:36:15 | 0:36:24 | |
green strikes the black, but lacks the rights of the red. -- the black | 0:36:24 | 0:36:34 | |
0:36:34 | 0:36:43 | ||
He played at that like a trick short. Lots of top spin. But the | 0:36:43 | 0:36:49 | |
black is difficult. He has taken a look at it. He is not that keen. | 0:36:49 | 0:36:59 | |
0:36:59 | 0:37:05 | ||
But he played that with top spin He is looking at the bank also. | 0:37:05 | 0:37:15 | |
0:37:15 | 0:37:19 | ||
What a shot that would be. -- deep pink. Brilliant! Doesn't that just | 0:37:19 | 0:37:26 | |
go to show, when people ask us, are the pockets easy? Even the great | 0:37:27 | 0:37:31 | |
Ronnie O'Sullivan did not want to risk the black. He would rather | 0:37:31 | 0:37:36 | |
play a very difficult pink, in all honesty. But he will play for the | 0:37:36 | 0:37:45 | |
black this time. And he will hope to be closer to it. And he does not | 0:37:45 | 0:37:55 | |
0:37:55 | 0:37:56 | ||
have to use power. He can just drop It is OK to play it like that. It | 0:37:56 | 0:38:01 | |
is when you start forcing them it becomes difficult. A good chance | 0:38:01 | 0:38:11 | |
0:38:11 | 0:38:25 | ||
Still one more red available at the Certainly the top red is available | 0:38:25 | 0:38:32 | |
in to the left middle. As teapots one, another one will become | 0:38:32 | 0:38:39 | |
available. -- as he pots. An excellent opportunity. He is so | 0:38:39 | 0:38:45 | |
good at that shot. Judging how the cue ball will come off the second | 0:38:45 | 0:38:51 | |
ball. This game has always been about cue ball control and you will | 0:38:51 | 0:39:01 | |
0:39:01 | 0:39:11 | ||
not see a better exponent than He is back in the zone, so to speak. | 0:39:11 | 0:39:21 | |
0:39:21 | 0:39:28 | ||
He has put those misses for only -- firmly. Barry was just guilty of | 0:39:28 | 0:39:35 | |
trying to over complicate an easy safety shot. It was unlucky for the | 0:39:35 | 0:39:39 | |
green to strike the black and for the black to strike the red, but | 0:39:39 | 0:39:49 | |
that can happen. Ought here, he is having to tuck in his waistcoat. -- | 0:39:49 | 0:39:57 | |
awkward. The referee is keeping a close eye. He is concerned he might | 0:39:57 | 0:40:04 | |
just catch the red. He could always take his waistcoat off if he wanted | 0:40:04 | 0:40:14 | |
0:40:14 | 0:40:15 | ||
to play at. I don't think he is that close, he just feels he is. | 0:40:15 | 0:40:21 | |
When you get down over a shot like that, the worst thing in the world | 0:40:21 | 0:40:31 | |
0:40:31 | 0:40:43 | ||
This is a good response from Ronnie. And needed. Yes, Barry Hawkins | 0:40:43 | 0:40:46 | |
posed the question, Ronnie O'Sullivan has come up with the | 0:40:46 | 0:40:56 | |
0:40:56 | 0:41:02 | ||
Not much he can do with this. Just play this safety. Has he doubled | 0:41:02 | 0:41:12 | |
it? Not quite. But an excellent safety shot. Two snookers needed. | 0:41:12 | 0:41:22 | |
0:41:22 | 0:41:29 | ||
And difficult to get when you are Does this red pass the yellow? It | 0:41:29 | 0:41:39 | |
0:41:39 | 0:41:48 | ||
The red is the fame clincher, no doubt. But Ronnie will be wary. -- | 0:41:48 | 0:41:58 | |
0:41:58 | 0:41:58 | ||
frame clincher. He decided to play it safe. He did not miss the pink | 0:41:58 | 0:42:03 | |
but it is still not easy for Barry, hampered by the black. Otherwise I | 0:42:03 | 0:42:13 | |
0:42:13 | 0:42:29 | ||
Barry Hawkins staying to see if he can get the snooker. Not quite. He | 0:42:29 | 0:42:36 | |
needs two at the moment. But if he could get a snooker and a free ball, | 0:42:36 | 0:42:45 | |
that would be all he would need. But the balls are nicely placed for | 0:42:45 | 0:42:55 | |
0:42:55 | 0:42:56 | ||
slickers. Ronnie will be well aware of that. But if you can pot the red | 0:42:56 | 0:43:04 | |
and the black, then get up in the baulk area, you could play an ace | 0:43:04 | 0:43:14 | |
0:43:14 | 0:43:39 | ||
Snooker in behind the brown. This Good snooker. Lots of people | 0:43:39 | 0:43:49 | |
0:43:49 | 0:43:52 | ||
thought Ronnie O'Sullivan would He has left at. That will be the | 0:43:52 | 0:44:02 | |
0:44:02 | 0:44:03 | ||
end of the frame. Ronnie will just bought this red. Can you believe | 0:44:03 | 0:44:13 | |
0:44:13 | 0:44:15 | ||
that?! When he knows that all he needs is the red! What a careless | 0:44:15 | 0:44:25 | |
0:44:25 | 0:44:28 | ||
mistake. That is a loss of focus from Ronnie. And he is now faced | 0:44:28 | 0:44:36 | |
with quite a difficult snooker. When you consider how he was | 0:44:36 | 0:44:46 | |
0:44:46 | 0:44:49 | ||
playing it, and could save game, -- a good, safe game. Plenty of room, | 0:44:49 | 0:44:59 | |
0:44:59 | 0:44:59 | ||
and he has gone around the back of the red. Foul.What a turning-point | 0:44:59 | 0:45:09 | |
0:45:09 | 0:45:17 | ||
Could that missed red come back to haunt him? The balls never forget | 0:45:17 | 0:45:27 | |
0:45:27 | 0:45:46 | ||
Barry Hawkins is looking at the scoreboard. 36 behind, 45 remaining. | 0:45:46 | 0:45:56 | |
0:45:56 | 0:46:04 | ||
Even at the blue will only leave him one snooker. He cannot play the | 0:46:04 | 0:46:11 | |
brown. It has to be the blue. possibly the yellow, where the | 0:46:11 | 0:46:20 | |
green as, to achieve this there could be hind the pink. -- a | 0:46:20 | 0:46:30 | |
0:46:30 | 0:46:31 | ||
snooker behind. He could have a great chance here. If he can get | 0:46:31 | 0:46:41 | |
0:46:41 | 0:46:50 | ||
the white somewhere to the right, Slightly more difficult now. But he | 0:46:50 | 0:47:00 | |
0:47:00 | 0:47:02 | ||
can still get in behind the pink. He just did not get through it | 0:47:02 | 0:47:12 | |
0:47:12 | 0:47:13 | ||
there. He needed to be further from the cushion. You need to state it a | 0:47:13 | 0:47:23 | |
0:47:23 | 0:47:23 | ||
little crisper. He has left the green on. Where is the cue ball | 0:47:23 | 0:47:33 | |
0:47:33 | 0:47:35 | ||
going? Settle down, John!Even the Ronnie thought it was going to go | 0:47:35 | 0:47:45 | |
0:47:45 | 0:47:55 | ||
That underlines the fact that the frame is now over. Barry Hawkins | 0:47:55 | 0:48:05 | |
0:48:05 | 0:48:18 | ||
Ronnie O'Sullivan is not bothered about the black. Barry Hawkins had | 0:48:18 | 0:48:28 | |
0:48:28 | 0:48:30 | ||
have a chance there but did not take it. Ronnie O'Sullivan ahead. | 0:48:30 | 0:48:38 | |
There is a lot of jealousy in the studio! Tell me about the pressure | 0:48:38 | 0:48:42 | |
that Ronnie O'Sullivan is under. People consider him a certainty. | 0:48:42 | 0:48:49 | |
What kind of weight of expectation does that ring? It can be a | 0:48:49 | 0:48:54 | |
fantastic weight to try to overcome. Ronnie does not usually succumb to | 0:48:54 | 0:48:59 | |
that. But you do not know what goes through his mind. Everybody is | 0:48:59 | 0:49:05 | |
susceptible to that type of thing. I felt it sometimes. It can make | 0:49:05 | 0:49:12 | |
you quite touchy, short temper. You are magnanimous when it is all over | 0:49:12 | 0:49:20 | |
if you win, but not a nice feeling. Modesty for bids Steve from saying | 0:49:20 | 0:49:24 | |
that he would have been asked on favourite for most of the finals he | 0:49:24 | 0:49:34 | |
0:49:34 | 0:49:36 | ||
played in. So he is well qualified to know that. Barry Hawkins missed | 0:49:36 | 0:49:41 | |
an opportunity to stunt the green in behind the pink and put Ronnie | 0:49:41 | 0:49:47 | |
and a lot of trouble. Stephen Hendry, favouritism weigh heavily | 0:49:47 | 0:49:53 | |
upon you? In the final against Nigel Bond I struggled to get my | 0:49:53 | 0:50:03 | |
0:50:03 | 0:50:04 | ||
focus. I managed on the second day. But it is tough. Ronnie O'Sullivan | 0:50:04 | 0:50:14 | |
0:50:14 | 0:50:38 | ||
just making sure that the tip is on That final is a beauty. I thought | 0:50:39 | 0:50:48 | |
0:50:49 | 0:50:51 | ||
he had missed that! How thin? He is smiling away. One of the nicest | 0:50:51 | 0:50:58 | |
lads you could wish to meet. He is in dreamland, having got through to | 0:50:58 | 0:51:02 | |
the final. He has a good sense of humour and had a little smile about | 0:51:02 | 0:51:09 | |
that. To be playing in a world final, the ambition of every | 0:51:09 | 0:51:19 | |
0:51:19 | 0:51:23 | ||
snooker player. Now, where is the cue ball going? That is OK, but is | 0:51:23 | 0:51:28 | |
there a red available? Will he take the risk? I think he has the angle | 0:51:29 | 0:51:35 | |
where he is pointing the cue. excellent pot. But you need to be | 0:51:35 | 0:51:40 | |
careful with these. If you play with any kind of pace, you miss the | 0:51:40 | 0:51:50 | |
0:51:50 | 0:51:58 | ||
That is the problem. Playing with pace into the middle pocket. There | 0:51:58 | 0:52:05 | |
are two red just above the black available into the left corner. The | 0:52:05 | 0:52:14 | |
you see him just trying to force the angle. A dangerous thing to do. | 0:52:14 | 0:52:19 | |
I detect his back aren't just coming out a little bit. You see | 0:52:19 | 0:52:29 | |
0:52:29 | 0:52:34 | ||
that a very real life. -- arm. -- very rarely. Nicely cute. Just look | 0:52:34 | 0:52:42 | |
at this when he delivers the cue. Yes, drops his elbow. And that was | 0:52:42 | 0:52:52 | |
0:52:52 | 0:53:01 | ||
Barry Hawkins has lost the pink. The highest available spot is for | 0:53:01 | 0:53:10 | |
the yellow. But needless to say, these opportunities, he will have | 0:53:10 | 0:53:16 | |
to punish the mistakes of Ronnie. There will not be many. As we give | 0:53:16 | 0:53:25 | |
you the full view of this wonderful arena. The original promoter, Mike | 0:53:25 | 0:53:32 | |
Watt, it was his lovely wife, Carol, sadly no longer with us, who came | 0:53:32 | 0:53:37 | |
here in 1966 to watch a play. She returned and said to him, I have | 0:53:37 | 0:53:43 | |
just seen the Crucible Theatre, it is made for snooker. And that | 0:53:43 | 0:53:48 | |
trophy, which you have held, Dennis, the it could not be a better venue | 0:53:48 | 0:53:57 | |
for it. They originally thought it was not quite tidy enough. They | 0:53:57 | 0:54:02 | |
managed a little extra to fit in the two tables. And that is what | 0:54:02 | 0:54:12 | |
0:54:12 | 0:54:23 | ||
every snooker player dreams of Nicely played. Not perfect but he | 0:54:23 | 0:54:28 | |
did not have to do anything with the cue ball. If he had the right | 0:54:28 | 0:54:33 | |
angle he would have a lot to be on the red just above the black, to | 0:54:33 | 0:54:43 | |
0:54:43 | 0:54:45 | ||
bring the black into play. -- loved. He just about got the angle. Maybe | 0:54:45 | 0:54:51 | |
he can force it down just above the black. He would have to be so | 0:54:51 | 0:54:56 | |
precise to play that shot that John said. He would have to get the cue | 0:54:56 | 0:55:06 | |
0:55:06 | 0:55:10 | ||
ball up somewhere near the circle. No, he cannot do it from there. He | 0:55:10 | 0:55:20 | |
0:55:20 | 0:55:34 | ||
Now, the key shot. He must go into that little triangle of reds. He | 0:55:34 | 0:55:44 | |
0:55:44 | 0:55:46 | ||
may use a couple of cushions. Here it comes. It is not bad! He can | 0:55:46 | 0:55:56 | |
open the bunch with the next shot. He might be able to screw back. But | 0:55:56 | 0:56:03 | |
can use the bunch and open them up? He can! And he has played that very | 0:56:03 | 0:56:09 | |
nicely. A little bit unlucky. The four reds are still covering each | 0:56:09 | 0:56:19 | |
0:56:19 | 0:56:36 | ||
He tried to get past the red. But just a safety shot now. He was | 0:56:36 | 0:56:46 | |
0:56:46 | 0:56:51 | ||
unlucky with that slight. The four This was this lack, off two | 0:56:51 | 0:57:01 | |
0:57:01 | 0:57:18 | ||
cushions. -- the spot. The four As he was playing that, I thought, | 0:57:18 | 0:57:23 | |
I don't like the look of this short. You need to make it so thin to | 0:57:24 | 0:57:32 | |
avoid the middle pocket. That was a fraction too full. He only just | 0:57:33 | 0:57:42 | |
0:57:43 | 0:57:45 | ||
missed the cluster of reds. The Ronnie O'Sullivan will not have a | 0:57:45 | 0:57:51 | |
good angle on the black here. He wanted one to go into the little | 0:57:51 | 0:58:01 | |
0:58:01 | 0:58:09 | ||
He is trying to run around off two cushions. That was difficult. Will | 0:58:09 | 0:58:18 | |
he take on this tricky red, down the cushion? It would be brave. | 0:58:18 | 0:58:28 | |
0:58:28 | 0:58:36 | ||
Immediately he is looking across at A very interesting interview that | 0:58:36 | 0:58:41 | |
Ronnie gave after his interview -- victory over Judd Trump. He said he | 0:58:41 | 0:58:45 | |
would try and enjoy the final but there is so much pressure that it | 0:58:45 | 0:58:51 | |
is hard to do so. Everybody presumes, because he is the odds-on | 0:58:51 | 0:59:01 | |
0:59:01 | 0:59:11 | ||
favourite, that he is no pressure. The one person that can apply | 0:59:11 | 0:59:16 | |
pressure is Barry Hawkins. And he is doing very well against the | 0:59:17 | 0:59:26 | |
0:59:27 | 0:59:28 | ||
defending champion, he is enjoying He has moved in front of the pot | 0:59:29 | 0:59:38 | |
0:59:39 | 0:59:39 | ||
success rate. Amazingly, the hind in frames. -- behind. There is a | 0:59:39 | 0:59:49 | |
0:59:49 | 0:59:49 | ||
path through a. Long pot success rate, Barry Hawkins Way ahead. This | 0:59:49 | 0:59:59 | |
0:59:59 | 1:00:17 | ||
is difficult to control but he is That seemed to just turn a little | 1:00:17 | 1:00:27 | |
1:00:27 | 1:00:36 | ||
bit. Let's have a look. Just at the end it just nestled onto the green. | 1:00:36 | 1:00:45 | |
Can he see enough of the blue? I do not think he can. He is snookered | 1:00:46 | 1:00:55 | |
1:00:56 | 1:01:31 | ||
A bit thin on that. He has left a possible pot on to the right corner. | 1:01:31 | 1:01:39 | |
If Barry could knock this in it could be a brain winner. -- frame | 1:01:39 | 1:01:49 | |
1:01:49 | 1:02:01 | ||
That is a good long pot from Barry. A little closer to the cushion than | 1:02:01 | 1:02:07 | |
he would have liked. But he does not have much to do with the cue | 1:02:07 | 1:02:17 | |
1:02:17 | 1:02:38 | ||
ball. Perfectly played. A great This black will put him 43 points | 1:02:38 | 1:02:48 | |
1:02:48 | 1:02:58 | ||
in front. Another red and a black He needs one more red. This would | 1:02:58 | 1:03:08 | |
put him 51 points in front. So he will need one more red. He just has | 1:03:08 | 1:03:18 | |
1:03:18 | 1:03:22 | ||
to get some kind of position on a That is OK. Being left-handed he | 1:03:22 | 1:03:32 | |
1:03:32 | 1:04:06 | ||
It needs to pull up! It is half in Ronnie stays in his seat. Barry | 1:04:06 | 1:04:16 | |
1:04:16 | 1:04:16 | ||
Apology for the loss of subtitles for 43 seconds | 1:04:16 | 1:05:08 | |
Hawkins put in a great performance. One of the best seasons of his life. | 1:05:08 | 1:05:18 | |
He is from Kent and he wants us to be aware of that. This is the last | 1:05:18 | 1:05:28 | |
1:05:28 | 1:05:43 | ||
frame before at the midsession You set your target at three of the | 1:05:44 | 1:05:53 | |
1:05:54 | 1:06:09 | ||
four frames. It would be a mini It Fewcott took frames ahead, you | 1:06:09 | 1:06:14 | |
used to tell yourself you would get over the winning line. But it is | 1:06:14 | 1:06:24 | |
1:06:24 | 1:06:37 | ||
not that easy. A lot can happen in A good safety. His safety play at | 1:06:37 | 1:06:46 | |
the start of this match has been a lot better than the semi-final. | 1:06:46 | 1:06:56 | |
1:06:56 | 1:07:01 | ||
Could reply from Ronnie. -- good. Played it well, to avoid the double | 1:07:01 | 1:07:11 | |
1:07:11 | 1:07:34 | ||
Barry just playing plain ball. That last shot from Ronnie, he had to | 1:07:34 | 1:07:44 | |
1:07:44 | 1:08:13 | ||
The flick on the yellow helped. At first glance I cannot see a | 1:08:13 | 1:08:19 | |
straightforward run back to the baulk line. No way to go down the | 1:08:19 | 1:08:29 | |
1:08:29 | 1:08:29 | ||
left-hand side. He can hit the main bunch of reds. But no path back to | 1:08:29 | 1:08:39 | |
1:08:39 | 1:08:45 | ||
baulk. Look how close he would have to go to the reds. He might have | 1:08:45 | 1:08:55 | |
1:08:55 | 1:08:59 | ||
left a chance here. Ronnie will have a look to see what he would | 1:08:59 | 1:09:08 | |
leave if he risks this. Half a chance, Ronnie will take it on. Is | 1:09:08 | 1:09:18 | |
1:09:18 | 1:09:31 | ||
it there? It is! It was all down to the good safety. Just misjudged it | 1:09:31 | 1:09:41 | |
1:09:41 | 1:09:47 | ||
a fraction. But fractions can make all the difference. Will be now get | 1:09:47 | 1:09:57 | |
1:09:57 | 1:10:08 | ||
the chance? -- will he. He is reluctant, the cannon could go | 1:10:08 | 1:10:18 | |
1:10:18 | 1:10:33 | ||
wrong. He still plays it and he is perfect. Never misses a chance. And | 1:10:33 | 1:10:43 | |
that little cannon just put him in the perfect position. I think he is | 1:10:43 | 1:10:53 | |
1:10:53 | 1:10:59 | ||
just OK here. The frames are very important. But at the moment it is | 1:10:59 | 1:11:08 | |
four reds and this is the fourth black. Nothing would surprise you | 1:11:08 | 1:11:18 | |
1:11:18 | 1:11:38 | ||
Did not finish well, just a slight angle. Had to power it in. It is | 1:11:38 | 1:11:48 | |
1:11:48 | 1:11:54 | ||
not bad. One of those funny angles back into the corner pocket. He is | 1:11:54 | 1:12:04 | |
1:12:04 | 1:12:15 | ||
on the black again! He has done it 11 times, made a maximum break. The | 1:12:15 | 1:12:25 | |
1:12:25 | 1:12:25 | ||
same as Stephen Hendry. He was looking for all blacks, make no | 1:12:25 | 1:12:35 | |
1:12:35 | 1:12:40 | ||
mistake. He should have taken more time on that. He was after the | 1:12:40 | 1:12:50 | |
1:12:50 | 1:12:54 | ||
maximum. They always say first of all try to secured the brain. -- | 1:12:54 | 1:13:04 | |
1:13:04 | 1:13:30 | ||
Ronnie did not need anything plain Left nothing, that was the main | 1:13:30 | 1:13:40 | |
1:13:40 | 1:13:43 | ||
objective. Just while Barry is doing this, a big thank you to | 1:13:43 | 1:13:53 | |
1:13:53 | 1:14:03 | ||
Sheila. She sends us scones every year. How was your half dozen?! | 1:14:03 | 1:14:12 | |
They vanished very quickly! I was looking at Willie Thorne at one | 1:14:12 | 1:14:22 | |
1:14:22 | 1:15:01 | ||
The red is a bit of insurance or The three reds behind the black | 1:15:01 | 1:15:11 | |
1:15:11 | 1:15:15 | ||
could be brought into a play with a safety shot. The kiss on the blue | 1:15:15 | 1:15:23 | |
has left him on the green. And possibly the pink. It went in off | 1:15:23 | 1:15:33 | |
1:15:33 | 1:15:36 | ||
the other red. Was that good fortune? Deciding to play this | 1:15:36 | 1:15:46 | |
1:15:46 | 1:15:48 | ||
left-handed. No problem with that one. That is inch perfect. Already | 1:15:48 | 1:15:58 | |
1:15:58 | 1:15:59 | ||
with a 55 point lead. Surely end of frame. To control that with his | 1:15:59 | 1:16:06 | |
left hand, it is so difficult to do. I could not pull that off. Not in a | 1:16:07 | 1:16:16 | |
1:16:17 | 1:16:17 | ||
month of Sundays. When he first came on the scene, I remember him | 1:16:17 | 1:16:22 | |
playing a Canadian and played a couple of shots left-handed. The | 1:16:22 | 1:16:28 | |
Canadian took it as an insult. But defeat is in your armoury to do | 1:16:28 | 1:16:38 | |
1:16:38 | 1:16:56 | ||
Not inch perfect on this pink. Just looking for one more red after the | 1:16:56 | 1:17:06 | |
1:17:06 | 1:17:12 | ||
pink. All the reds are difficult. This to go 70 ahead. With just 67 | 1:17:12 | 1:17:22 | |
1:17:22 | 1:17:25 | ||
remaining. Surprising. It certainly was surprising. The black is in a | 1:17:25 | 1:17:35 | |
1:17:35 | 1:17:39 | ||
more awkward position. That does not help Barry Hawkins. Just | 1:17:39 | 1:17:49 | |
1:17:49 | 1:18:03 | ||
It had to be about contact. He does not want to open up the rents. -- | 1:18:03 | 1:18:13 | |
1:18:13 | 1:18:20 | ||
reds. He will not open them up at that pace! That ran as straight as | 1:18:20 | 1:18:30 | |
1:18:30 | 1:18:33 | ||
a die. Ronnie certainly trusted the table there. And it did not let him | 1:18:33 | 1:18:43 | |
1:18:43 | 1:18:53 | ||
down. That is on, he can get through to it. This for the frame. | 1:18:53 | 1:19:02 | |
That was at careless safety shot from Barry Hawkins. He is going to | 1:19:02 | 1:19:10 | |
go to the midsession interval as he started this evening. Two frames | 1:19:10 | 1:19:20 | |
1:19:20 | 1:19:24 | ||
behind. 67 remaining. And that is enough. Barry Hawkins concedes. | 1:19:24 | 1:19:29 | |
Maybe he should not have conceded but it is too late now. Ronnie | 1:19:30 | 1:19:38 | |
O'Sullivan accepts it gratefully. And back they go to their dressing | 1:19:38 | 1:19:48 | |
1:19:48 | 1:19:50 | ||
rooms. They are very focused. They go back for a chat with their | 1:19:50 | 1:19:57 | |
respective colleagues. This has been a fascinating second session. | 1:19:57 | 1:20:06 | |
Every one of the first eight frames had at least 150 plus rate. Some | 1:20:06 | 1:20:11 | |
more errors creeping in. Fascinating none the less. Despite | 1:20:11 | 1:20:16 | |
the fact that he has a two-frame advantage, you detect that it is | 1:20:16 | 1:20:21 | |
perhaps a bit more of a struggle for non-league this evening. | 1:20:21 | 1:20:31 | |
1:20:31 | 1:20:33 | ||
does not look 100% focused. -- for Ronnie. He does not look completely | 1:20:33 | 1:20:40 | |
on it for me. And a couple of loose shots from Barry Hawkins gifted a | 1:20:40 | 1:20:47 | |
some opportunities. The length of the matches, you are going to make | 1:20:47 | 1:20:56 | |
mistakes sooner or later. The match with Judd Trump was emotional for | 1:20:56 | 1:21:02 | |
him. The young upstart. Sometimes you cannot be firing on all | 1:21:02 | 1:21:10 | |
cylinders. The marathon of the mind really starts to kick in. Do you | 1:21:10 | 1:21:16 | |
begin to feel jaded by this stage and how do you get over it? | 1:21:16 | 1:21:20 | |
really need to recharge your batteries overnight and hopefully | 1:21:20 | 1:21:25 | |
come out guns blazing. I played Jimmy White in the world | 1:21:25 | 1:21:30 | |
championship. He came out a different player the second day and | 1:21:30 | 1:21:36 | |
that does happen often. Even the interval can't change things. But | 1:21:36 | 1:21:42 | |
overnight is a different prospect. It is remarkable that Barry Hawkins | 1:21:42 | 1:21:48 | |
had that emotional finish last night against Ricky Walden. He | 1:21:48 | 1:21:53 | |
hauled himself back into the match. They do not seem to be any ill- | 1:21:53 | 1:22:01 | |
effects from that. I think the ill- effects were the first two sessions. | 1:22:01 | 1:22:06 | |
He had his dip in the first two frames against Ricky Walden. I | 1:22:06 | 1:22:13 | |
think he has played well. How is it as a contest overall? I think Barry | 1:22:13 | 1:22:18 | |
came in with nothing to lose. And when he got the frames on the board, | 1:22:18 | 1:22:23 | |
now he is just enjoying being in the final. And if Ronnie keeps on | 1:22:23 | 1:22:30 | |
giving him chances he will get confidence from that. Well Barry | 1:22:30 | 1:22:35 | |
Hawkins won the very first event of this snooker season in July, the | 1:22:35 | 1:22:41 | |
Australian Open. His first ever title. Here he is in the last final | 1:22:41 | 1:22:46 | |
in the last event here at the World Championships. A testament to his | 1:22:46 | 1:22:52 | |
stamina. His 101st match of the season. And it really is a | 1:22:52 | 1:23:02 | |
1:23:02 | 1:23:10 | ||
Great sportsmanship. Look at the delight on Barry Hawkins. A great | 1:23:10 | 1:23:17 | |
competitor and has proved it in this match. Now he is in the final. | 1:23:17 | 1:23:26 | |
World Snooker finalist. How does it feel? I cannot believe it. I feel | 1:23:26 | 1:23:32 | |
surprisingly calm. It is weird. When I go back to the hotel is when | 1:23:32 | 1:23:41 | |
it will sink in. It is a bit strange. It is unbelievable. I am | 1:23:41 | 1:23:49 | |
in shock, honestly. It does not feel real. The thing that impresses | 1:23:49 | 1:23:55 | |
me is your persistence. I think that is the big difference. I just | 1:23:55 | 1:24:05 | |
keep trying, giving 100%. It has paid off. How much of the help has | 1:24:05 | 1:24:12 | |
Terry been? I think he has been the answer I have been looking for. I | 1:24:12 | 1:24:16 | |
had a few bad results. And I thought it is time to go and see | 1:24:16 | 1:24:24 | |
somebody. I went to see Terry and sat down with him. We just spoke | 1:24:24 | 1:24:31 | |
about things. Then he tweaked a couple of technical things. He has | 1:24:32 | 1:24:36 | |
been a massive help to me and it has paid off. Do you think it was a | 1:24:36 | 1:24:46 | |
1:24:46 | 1:24:49 | ||
lack of self-belief? 100%. I could play well in practice. But it is a | 1:24:49 | 1:24:53 | |
matter of doing it out there, that is the hard bit. Terry has helped | 1:24:53 | 1:25:01 | |
me so much. To win in Asda and it is the big thing. Nothing like | 1:25:01 | 1:25:05 | |
holding the trophy for Europe conference. It is unbelievable. It | 1:25:05 | 1:25:12 | |
did not even feel real. To come through and be the last one | 1:25:12 | 1:25:18 | |
standing, I was chuffed to bits. And the way I played, it was really | 1:25:18 | 1:25:26 | |
pleasing. That was the confidence I needed. You also have family | 1:25:26 | 1:25:32 | |
support bridges important. Absolutely. My wife is unbelievable. | 1:25:32 | 1:25:36 | |
We have been married for just over a year. All the travelling and | 1:25:36 | 1:25:44 | |
things, she just gets on with it. My mum and dad had support meet all | 1:25:44 | 1:25:50 | |
through the years. They let me do what I wanted to do. And everyone | 1:25:50 | 1:25:59 | |
at the snooker club. Everyone is so nice up there. So many people to | 1:25:59 | 1:26:06 | |
thank. Your wife will be looking for a new kitchen after this! | 1:26:06 | 1:26:16 | |
1:26:16 | 1:26:16 | ||
know! A lot of people are going to think you are starting as the | 1:26:16 | 1:26:23 | |
underdog. Can you win it? Of course I can. It is only me and him left | 1:26:23 | 1:26:30 | |
now. I need to play at the top of my game but I am still in it. | 1:26:30 | 1:26:36 | |
will you approach the? No different. Just concentrate on my own game. I | 1:26:36 | 1:26:42 | |
know it is easier said than done. In my eyes, he is unbelievable. But | 1:26:42 | 1:26:47 | |
I just have to concentrate on what I'm doing. What would it mean for | 1:26:47 | 1:26:52 | |
Barry Hawkins to win the World Championship? It is what every | 1:26:52 | 1:26:57 | |
player dreams of. What I have been dreaming of since I was a young boy. | 1:26:57 | 1:27:01 | |
Just to make it to the final is unbelievable. But to live the | 1:27:01 | 1:27:07 | |
trophy, just unbelievable. You have played great so far. | 1:27:08 | 1:27:15 | |
Barry was born in 1979 in April, the date that his coach Terry | 1:27:15 | 1:27:19 | |
Griffiths played Eddie Charlton in the semi-final here at the Crucible. | 1:27:19 | 1:27:26 | |
The Welshman went on to win the title that year. 34 years later | 1:27:26 | 1:27:32 | |
Terry is the man Lucan speak from the heart. | 1:27:32 | 1:27:36 | |
Dad - who can. People ask what it is like being a professional player | 1:27:36 | 1:27:42 | |
and how did I handle the pressure. I have tried to describe that but | 1:27:42 | 1:27:48 | |
the words come up short. I turned professional in 1978. I just wanted | 1:27:48 | 1:27:52 | |
to find out if I could compete against the best in the world. I | 1:27:52 | 1:27:56 | |
set myself a target of three years and it five failed I would go back | 1:27:56 | 1:28:02 | |
to work. Little did I know that I was going to experience in my first | 1:28:03 | 1:28:12 | |
1:28:13 | 1:28:14 | ||
season, I got there first of nine in the qualifying round of the UK | 1:28:14 | 1:28:22 | |
Championships. I somehow managed to lose 9 - 8. When I shook his hand I | 1:28:22 | 1:28:27 | |
could not feel anything. I wanted to say well done but nothing came | 1:28:27 | 1:28:33 | |
out. There was an emptiness inside me. It was a horrible defeat, | 1:28:33 | 1:28:40 | |
overwhelming for me because of its potential. The career I had looked | 1:28:40 | 1:28:48 | |
forward to it was in jeopardy. And also the way in which I lost. | 1:28:48 | 1:28:53 | |
Professional snooker I believe is the modern equivalent of a war. The | 1:28:53 | 1:29:03 | |
stress, beware and tear. -- the wear and tear. It takes an | 1:29:03 | 1:29:07 | |
individual to the outer limits of their capabilities and may provide | 1:29:07 | 1:29:13 | |
one of the ultimate studies of people. Because it is such a cruel, | 1:29:13 | 1:29:17 | |
volatile and emotionally draining experience. Unless you have | 1:29:17 | 1:29:23 | |
experienced this kind of emotional shock, it is hard to comprehend the | 1:29:23 | 1:29:30 | |
impact. The memory never leaves you. That is both as a positive and and | 1:29:30 | 1:29:36 | |
negative force. Sparing you to work harder and also creating a fear | 1:29:36 | 1:29:46 | |
1:29:46 | 1:29:52 | ||
inside that it might happen again. I was crowned the champion of the | 1:29:52 | 1:29:58 | |
world. It happened only because at the moment of deepest despair, I had | 1:29:58 | 1:30:02 | |
the strength to stand and confront the future instead of wallowing in | 1:30:02 | 1:30:12 | |
1:30:12 | 1:30:26 | ||
the past. Victory goes to another, a stronger competitor. Achieving those | 1:30:26 | 1:30:30 | |
goals is a slice most gratifying experiences. The ability to survive | 1:30:30 | 1:30:36 | |
and overcome is a fundamental difference between winners and | 1:30:36 | 1:30:46 | |
1:30:46 | 1:30:47 | ||
losers. Fascinating insight. Barry is | 1:30:47 | 1:30:50 | |
playing Ronnie as Sullivan who is playing Ronnie as Sullivan who is | 1:30:50 | 1:30:50 | |
trying to become the third man to trying to become the third man | 1:30:50 | 1:30:56 | |
defend his title in the Crucible. The others, Mr Hendry and Mr Davis | 1:30:56 | 1:31:00 | |
sitting with me this evening. It has been a very torturous procedure for | 1:31:00 | 1:31:07 | |
Ronnie. Where he to achieve this, it would be truly staggering. He is a | 1:31:07 | 1:31:11 | |
volatile character, as you know. He says that he has been close to | 1:31:11 | 1:31:15 | |
cracking point a couple of times over the last two weeks. He | 1:31:15 | 1:31:20 | |
announced his retirement once again and he had not even finish this | 1:31:20 | 1:31:25 | |
comeback. Whatever he says and does, as Sullivan is box office gold. | 1:31:25 | 1:31:35 | |
1:31:35 | 1:31:43 | ||
superb! Key is in the final to defend his title. | 1:31:43 | 1:31:49 | |
It must be exciting to be back in the final? Yeah, obviously it is the | 1:31:49 | 1:31:54 | |
biggest tournament we play in along with that comes the pressure to do | 1:31:54 | 1:32:00 | |
well. Sometimes you try to over try and sometimes enjoying the moment is | 1:32:00 | 1:32:03 | |
difficult. It is such a long tournament it is difficult to be on | 1:32:03 | 1:32:07 | |
for all the time. Have to go through a lot of emotions wondering whether | 1:32:07 | 1:32:14 | |
you played well or not. It is like an enjoyment event. | 1:32:14 | 1:32:18 | |
At the start, you said you did not expect much of yourself, but you | 1:32:18 | 1:32:26 | |
must have fancied you had a chance. No, I didn't. Not playing any | 1:32:26 | 1:32:33 | |
matches, sometimes until you get in a few tough battles, I didn't feel I | 1:32:33 | 1:32:37 | |
was battling hard enough and I thought that would let me down. | 1:32:37 | 1:32:43 | |
Obviously I managed to play my way through. It did not look like you | 1:32:43 | 1:32:49 | |
were worried. You handled yourself so well. It is an act. Sometimes you | 1:32:49 | 1:32:53 | |
have to do that even when you are not feeling good. Sometimes you have | 1:32:53 | 1:32:58 | |
to pull yourself together and force yourself into holding your own. Then | 1:32:58 | 1:33:05 | |
you can relax a bit more. You learn, in an environment like this, | 1:33:05 | 1:33:12 | |
you cannot show your opponent any weaknesses. It is similar to poker. | 1:33:12 | 1:33:17 | |
Was your preparation any different coming into this event? | 1:33:17 | 1:33:20 | |
I probably practice more than usual because tournaments are usually the | 1:33:20 | 1:33:27 | |
best form of practice. I had to maybe make up a bit more on the | 1:33:27 | 1:33:30 | |
practice table to balance the books a bit more. Instead of doing an hour | 1:33:30 | 1:33:36 | |
and a half a day, I did four. That was tiring because trying to hold | 1:33:36 | 1:33:38 | |
your concentration to two hours in the beginning, I was getting | 1:33:38 | 1:33:47 | |
knackered. In a way I had to do some of that just for practice. Barry | 1:33:47 | 1:33:54 | |
Hawkins is an unknown quantity at this level. In many ways, but on the | 1:33:54 | 1:34:00 | |
circuit everybody knows how good Barry is. I remember playing him | 1:34:00 | 1:34:07 | |
before and I know how good a player he is. I remember coming away | 1:34:07 | 1:34:13 | |
thinking I played well so you up your respect for an opponent when | 1:34:13 | 1:34:19 | |
you feel that you have played your best. He is a very efficient player. | 1:34:19 | 1:34:24 | |
Should you win the final, five world championship victories. I know | 1:34:24 | 1:34:29 | |
records don't mean anything, but it is getting to the stage where you | 1:34:29 | 1:34:35 | |
are knocking on doors, would you consider seven or eight? Know. I was | 1:34:35 | 1:34:40 | |
happy with four. I thought that was my lot, but here I am in the | 1:34:40 | 1:34:48 | |
finals. To start looking at six, seven, eight and I am 37 now, I am | 1:34:48 | 1:34:54 | |
not getting any younger. A fixed 37, but in snooker terms I am an old | 1:34:54 | 1:35:03 | |
man. So, in that way, the clock is against me. But you can never say | 1:35:03 | 1:35:12 | |
never. From your perspective, how are you viewing the future? | 1:35:12 | 1:35:16 | |
Sometimes in big tournaments I find coping with the pressure of bit too | 1:35:16 | 1:35:21 | |
much. My favourite tournaments are the PTC tournaments. You go for | 1:35:21 | 1:35:25 | |
three days and play three matches a day, that is really fun. I remember | 1:35:25 | 1:35:31 | |
watching a documentary on it saying what's your favourite race was and | 1:35:31 | 1:35:39 | |
it was go-karting. For me, that is the PTC, pure snooker. Here you have | 1:35:39 | 1:35:43 | |
a lot of waiting in between and it is anticipation and build-up. Times | 1:35:43 | 1:35:49 | |
I don't like that or don't manage it too well. The build-up kind of makes | 1:35:50 | 1:35:57 | |
me feel not my best sometimes. Sometimes I want and away from that. | 1:35:57 | 1:36:00 | |
Motivation is tough as you get older, but would you like to turn | 1:36:00 | 1:36:04 | |
the clocks back to when you were more motivated? | 1:36:04 | 1:36:09 | |
I think I am as motivated now as I ever have been. I have always been | 1:36:09 | 1:36:13 | |
competitive with whatever I do, whether it is running, cooking, I | 1:36:13 | 1:36:23 | |
1:36:23 | 1:36:24 | ||
want to be the best I can be. I am a few terms behind on school fees and | 1:36:24 | 1:36:30 | |
it has come in handy, the many. It was one of the motivating factors, | 1:36:30 | 1:36:38 | |
it is sad to say that, but it is the reality of life. After a year out, | 1:36:38 | 1:36:42 | |
kind of having, a long story, but the book coming out in October will | 1:36:42 | 1:36:52 | |
1:36:52 | 1:36:55 | ||
explain it better. Good luck in the interview about true confidence | 1:36:55 | 1:37:01 | |
levels. What did you glean about Ronnie? We are all in a similar | 1:37:01 | 1:37:06 | |
boat. You don't like the waiting. It is like the dentist waiting room and | 1:37:06 | 1:37:10 | |
when you get out there, it is like a release. It was nice to hear Ronnie | 1:37:10 | 1:37:16 | |
saying that. Perhaps Ronnie does not deal with it as well as we think he | 1:37:16 | 1:37:20 | |
does. The best person I have sinned deal with it is Stephen. | 1:37:20 | 1:37:26 | |
We saw Ronnie walk out in the quarter-final in York. We are less | 1:37:26 | 1:37:29 | |
prone to see those sorts of implosions from him. He seems much | 1:37:29 | 1:37:35 | |
more focused at the table, that has been a real difference. Yeah, he | 1:37:35 | 1:37:39 | |
looks at peace at the table. Any outside problems he has cannot get | 1:37:39 | 1:37:46 | |
to him there so he can focus. Indeed. You were with Barry, what | 1:37:46 | 1:37:51 | |
did you detect about his level of surprise? Absolutely delighted to be | 1:37:51 | 1:37:59 | |
there. He can go there in some respects with nothing to lose, I | 1:37:59 | 1:38:03 | |
don't like that statement because it is a massive prize at the end, but | 1:38:03 | 1:38:08 | |
he can relax because he is not favourite. We heard from Terry | 1:38:08 | 1:38:12 | |
Griffiths as well as we push through here from the Winter Gardens and | 1:38:12 | 1:38:15 | |
across to the square and into the Crucible where there is Ronnie | 1:38:15 | 1:38:19 | |
getting ready for another five frames this evening to play against | 1:38:19 | 1:38:24 | |
Barry Hawkins. It is the best of 35 frames and there is a change of | 1:38:24 | 1:38:28 | |
shift in the commentary box. Enjoy the wit and wisdom of Ken Dougherty | 1:38:28 | 1:38:38 | |
1:38:38 | 1:38:39 | ||
everybody sitting at home will be looking forward to the next five | 1:38:39 | 1:38:44 | |
frames. There will be nine -- there have been nine frames played so far | 1:38:44 | 1:38:54 | |
1:38:54 | 1:38:57 | ||
played great today. He has dug in deep. He needs to win at least two | 1:38:57 | 1:39:02 | |
of them to keep himself in the match. The pleasure of being with | 1:39:03 | 1:39:12 | |
the darling of Dublin tonight, Ken Dougherty. -- Ken Doherty. I have | 1:39:12 | 1:39:16 | |
really enjoyed the frame so far. It is imperative for Barry to keep with | 1:39:16 | 1:39:26 | |
1:39:26 | 1:39:27 | ||
O'Sullivan. Just keep up his confidence and keep letting Ronnie | 1:39:27 | 1:39:33 | |
know that he is still around. That was a great opening red to the | 1:39:33 | 1:39:43 | |
1:39:43 | 1:40:02 | ||
black. He still has the red above the black, but he still has a red in | 1:40:02 | 1:40:06 | |
the green pocket if he wishes. The problem with the red above the | 1:40:06 | 1:40:13 | |
black, it is running away down the table and could get out of position. | 1:40:13 | 1:40:23 | |
1:40:23 | 1:40:33 | ||
not going to be leaving too much and that may have taken the focus of the | 1:40:33 | 1:40:39 | |
pot a little bit more. Close enough. He left a choice of reds for Ronnie | 1:40:39 | 1:40:43 | |
if he wants to take the pot on. Either the two reds to the right of | 1:40:43 | 1:40:53 | |
1:40:53 | 1:41:06 | ||
He has been putting a lot of long balls, but missed a few today. | 1:41:07 | 1:41:10 | |
Yeah, he looks a little bit perturbed, there is no doubt about | 1:41:10 | 1:41:14 | |
it. I think it stems from the table and the cloth. He is not overly | 1:41:14 | 1:41:24 | |
1:41:24 | 1:41:32 | ||
happy. Even though he has scored see if he can grip the cloth fair. | 1:41:32 | 1:41:35 | |
Maybe thinking it is a bit loose. That was a nice shots from Barry | 1:41:35 | 1:41:45 | |
1:41:45 | 1:41:57 | ||
Griffith. How he got Barry to be motivated in the semi-final when the | 1:41:58 | 1:42:02 | |
school was 9-7 and Barry could not put a ball, Terry must have done a | 1:42:02 | 1:42:07 | |
wonderful job to get him motivated to win and get in the right frame of | 1:42:07 | 1:42:16 | |
mind to play in this one. Absolutely. 12-8 down. He has great | 1:42:16 | 1:42:24 | |
fighting qualities, no doubt about A nice little cannon and the red to | 1:42:24 | 1:42:28 | |
lead into the corner pocket. A little bit closer with the cue ball | 1:42:28 | 1:42:38 | |
1:42:38 | 1:42:48 | ||
than he would have liked, but still messages before this final, you see | 1:42:48 | 1:42:54 | |
the overhead camera of the Crucible, a lot of people have given Barry | 1:42:54 | 1:42:58 | |
Hawkins much hope in this final, but he certainly answered their | 1:42:58 | 1:43:08 | |
1:43:08 | 1:43:10 | ||
questions and doubts by the way he has played. Remarkable. To him. -- | 1:43:10 | 1:43:20 | |
1:43:20 | 1:43:28 | ||
red to get nicely on any colour. Looking at the pink all the red | 1:43:29 | 1:43:34 | |
below the pink, whether he can get onto that. A little angle, but it | 1:43:35 | 1:43:44 | |
1:43:45 | 1:43:52 | ||
will not make much difference unless he has decided to play for | 1:43:52 | 1:44:02 | |
1:44:02 | 1:44:22 | ||
on the black. It is good to go into the bunch, particularly when you | 1:44:22 | 1:44:26 | |
have a couple of loose ones because you have more of a chance to be on | 1:44:26 | 1:44:34 | |
those. That was a wonderfully played shot. Certainly opens up the frame. | 1:44:34 | 1:44:44 | |
1:44:44 | 1:45:08 | ||
The beauty of that shot. He could pot this thread, that will certainly | 1:45:08 | 1:45:18 | |
1:45:18 | 1:45:20 | ||
release one of those two reds that are close together. 57 point lead so | 1:45:20 | 1:45:24 | |
just a black, another couple of reds and colours will close the gap once | 1:45:24 | 1:45:34 | |
1:45:34 | 1:45:49 | ||
This is a chance for him to win three of the five frames played so | 1:45:49 | 1:45:59 | |
1:45:59 | 1:46:15 | ||
century in this final so far, but this is a dream chance, really. The | 1:46:15 | 1:46:20 | |
fact he is left-handed, the only difficult red is down on the baulk | 1:46:20 | 1:46:25 | |
line. That is not difficult for a left-hander. As long as he gets past | 1:46:25 | 1:46:29 | |
the amount of points he needs to win the frame, I fancy him getting a | 1:46:29 | 1:46:39 | |
1:46:39 | 1:46:39 | ||
Apology for the loss of subtitles for 43 seconds | 1:46:39 | 1:47:41 | |
position in the last couple of shots, but he has regained that now. | 1:47:41 | 1:47:46 | |
He made 33 centuries this season, Barry Hawkins. Seeing him play in | 1:47:46 | 1:47:49 | |
the semi-final, people were saying he is not a good player, but that | 1:47:50 | 1:47:56 | |
shows you exactly how good he is. He made for centuries himself in | 1:47:56 | 1:48:06 | |
this tournament. What a shame. What a great break of 83 though. He is | 1:48:06 | 1:48:16 | |
1:48:16 | 1:48:21 | ||
back within one frame now, but Phil thought this morning. The man in | 1:48:21 | 1:48:25 | |
Barry Hawkins Corner is this man, Terry Griffiths. Let me ask you | 1:48:25 | 1:48:29 | |
this, what did you say to Barry yesterday when he was down? He | 1:48:29 | 1:48:33 | |
looked out against Ricky Walden and you were described as the miracle | 1:48:33 | 1:48:39 | |
man. I think Barry Hawkins is the miracle man. He earned the right to | 1:48:39 | 1:48:44 | |
win the match by holding on in the first two sessions when his game | 1:48:44 | 1:48:48 | |
wasn't there. The strength of his mind carried him through those | 1:48:48 | 1:48:52 | |
sessions and he earns the right to win the match. There was not much I | 1:48:52 | 1:48:56 | |
could tell him afterwards because he wasn't with us. He was like in | 1:48:56 | 1:49:02 | |
another planet when he came off. Such a wonderful occasion. | 1:49:02 | 1:49:07 | |
Was there something specifically wrong with his game early on? | 1:49:07 | 1:49:11 | |
Yes, he just wasn't comfortable with the way he was playing. We looked at | 1:49:11 | 1:49:16 | |
them and put them right and he was a bit more comfortable. It is always | 1:49:16 | 1:49:20 | |
about getting comfortable. Sometimes it is just the shots you are left. | 1:49:20 | 1:49:24 | |
Sometimes you have easy ones, sometimes difficult. It just turned | 1:49:24 | 1:49:31 | |
round a bit, you know. What did you say at the midsession interval? | 1:49:31 | 1:49:36 | |
Not a lot. He feels very comfortable out there playing. He is not too | 1:49:36 | 1:49:40 | |
calm and not too excited. He's a good place there is not too much say | 1:49:40 | 1:49:45 | |
apart from carry on and do the same things all the time. At the moment, | 1:49:45 | 1:49:51 | |
when he was out there who seems to me that when it gets a chance he | 1:49:51 | 1:49:56 | |
will make breaks. What do you say to people who say | 1:49:56 | 1:50:03 | |
this is all about Ronnie O'Sullivan? It is his final, but it is also | 1:50:03 | 1:50:07 | |
Barry Hawkins final. I'm sure Ronnie doesn't think that and has respect | 1:50:07 | 1:50:13 | |
for Barry. Barry has not started well, but stay in the long grass and | 1:50:14 | 1:50:17 | |
pounce on him at the end. That is what he did against Selby and Ricky | 1:50:17 | 1:50:23 | |
Walden. He is holding on. Ronnie is playing very well, but there are two | 1:50:23 | 1:50:26 | |
players out there. If Ronnie doesn't underestimate him, he made paid for | 1:50:26 | 1:50:36 | |
1:50:36 | 1:50:47 | ||
that. The miracle man. Thank you new played many times, Willy. Now | 1:50:47 | 1:50:57 | |
1:50:57 | 1:51:20 | ||
this man in his game over the last red. No real danger, of course. He | 1:51:20 | 1:51:24 | |
will just come around to have a look to see if there is a possible shot | 1:51:24 | 1:51:34 | |
1:51:34 | 1:51:40 | ||
or nothing on. No, nothing on so almost take the paint off this red | 1:51:40 | 1:51:48 | |
here. Yes, he will risk it once more. He will risk the thing that | 1:51:48 | 1:51:53 | |
and then be warned not to hit it. He will have one more try and then play | 1:51:53 | 1:51:57 | |
an alternative. That is where it was, that is where it is now. Pretty | 1:51:57 | 1:52:07 | |
1:52:07 | 1:52:28 | ||
There are couple of reds that could go close to the pocket so that is | 1:52:28 | 1:52:38 | |
1:52:38 | 1:52:43 | ||
why he is taking an alternative one of the great things about Ronnie | 1:52:43 | 1:52:48 | |
O'Sullivan safety game. Keeping the cue ball down behind the green on | 1:52:48 | 1:52:51 | |
the right-hand side because of the red close to the right-hand crusher, | 1:52:51 | 1:52:57 | |
it is a bit more difficult to get back to safety. If you leave the cue | 1:52:57 | 1:53:00 | |
ball down the left-hand side of the table there is a straight path back, | 1:53:00 | 1:53:10 | |
1:53:10 | 1:53:28 | ||
the way to played a thin cut into the corner. He was only playing a | 1:53:28 | 1:53:34 | |
safety shot here. It is a perfect angle is that red wasn't there to | 1:53:34 | 1:53:38 | |
pot it and go around the back of the black, but he can't may have to play | 1:53:38 | 1:53:45 | |
a thin one is Barry did on his previous shot. Bringing the black | 1:53:46 | 1:53:50 | |
interplay so whoever pot the next red will get a sizeable lead in this | 1:53:50 | 1:54:00 | |
1:54:00 | 1:54:00 | ||
Apology for the loss of subtitles for 43 seconds | 1:54:00 | 1:54:48 | |
battle and won it well because he put Ronnie in trouble on three | 1:54:48 | 1:54:51 | |
occasions. On the third occasion he played a poor safety and now the | 1:54:51 | 1:54:56 | |
pink and black or in lay. Barry will be disappointed if he doesn't get at | 1:54:57 | 1:55:01 | |
least 40. Whether he goes on to get a frame winning break, we will know | 1:55:01 | 1:55:11 | |
1:55:11 | 1:55:18 | ||
could they? Yes, nicely placed. Does not have to worry about going into | 1:55:19 | 1:55:24 | |
any reds for the foreseeable future. Wants to get this black open into | 1:55:24 | 1:55:34 | |
1:55:34 | 1:55:51 | ||
both corner pockets. Yachting this disturb the red. If you note into | 1:55:51 | 1:55:55 | |
that, he has the red just to the left of that there an opening back | 1:55:55 | 1:56:00 | |
in corner pocket. Just play a little stunned shot into that red if he | 1:56:00 | 1:56:10 | |
1:56:10 | 1:56:16 | ||
occasion. That may tell as the red is a little awkward. This one and | 1:56:16 | 1:56:26 | |
1:56:26 | 1:56:32 | ||
same player in the first two sessions of the semi-final. He | 1:56:32 | 1:56:38 | |
looked almost frightened to play. He looked anxious when he got in the | 1:56:38 | 1:56:46 | |
balls. There were probably 30 or 40 balls that all of the snooker | 1:56:46 | 1:56:49 | |
players in the audience would have thought they could have potted, but | 1:56:49 | 1:56:59 | |
1:56:59 | 1:57:02 | ||
certainly a different player now. He played he knows he will have it all | 1:57:02 | 1:57:06 | |
to do. Let's not forget, Ronnie was a player -- pro player two years | 1:57:06 | 1:57:13 | |
ago. Like every player he is fundable, he is beatable. -- | 1:57:13 | 1:57:23 | |
1:57:23 | 1:57:28 | ||
himself and his own game, not worry about losing the other chair. Once | 1:57:28 | 1:57:34 | |
you are sitting in that chair, there is nothing you can do. When you are | 1:57:34 | 1:57:44 | |
1:57:44 | 1:58:00 | ||
at the table that is the most takes what is on, always looking and | 1:58:00 | 1:58:10 | |
1:58:10 | 1:58:16 | ||
racks of the easy ones. Gathers up a though. If he had played the stern | 1:58:16 | 1:58:21 | |
early, he would not be drifting around the blue spot. You can get | 1:58:21 | 1:58:25 | |
into the loose red and place of the gap in between the cluster of three | 1:58:25 | 1:58:29 | |
cluster of four. Getting rid of this one opens another red into the | 1:58:29 | 1:58:39 | |
1:58:39 | 1:58:55 | ||
the black in the little pyramid goes into the bottom left-hand corner | 1:58:55 | 1:59:05 | |
1:59:05 | 1:59:19 | ||
pocket. There is a nice cannon on this in he can miss a kiss on the | 1:59:19 | 1:59:25 | |
red that is on the cushion. He may screw it in and go across the face | 1:59:25 | 1:59:28 | |
of the black which could put the cue ball near the pink and make things | 1:59:28 | 1:59:38 | |
1:59:38 | 1:59:46 | ||
ball enough to slide it past the pink. There is now an excellent | 1:59:46 | 1:59:56 | |
1:59:56 | 2:00:15 | ||
chance to level the match for the He will still need a few more reds | 2:00:15 | 2:00:25 | |
2:00:25 | 2:00:32 | ||
and colours. This is impressive stuff from Barry Hawkins. | 2:00:32 | 2:00:42 | |
2:00:42 | 2:00:52 | ||
Controlling the cue ball very well. I think he is playing better now | 2:00:52 | 2:00:58 | |
than when he was being Ding and Mark Selby. There was a lot of | 2:00:58 | 2:01:07 | |
pressure on both players. And it did get to them. But once he'd | 2:01:07 | 2:01:12 | |
settle down he was playing his best snooker. And he is continuing with | 2:01:13 | 2:01:22 | |
2:01:23 | 2:01:27 | ||
that now. He has got an angle on the black to get on to the Red just | 2:01:27 | 2:01:37 | |
2:01:37 | 2:02:09 | ||
People were talking about the fact that Ronnie O'Sullivan can outscore | 2:02:10 | 2:02:16 | |
Barry. But this next caption we will show you shows how he is | 2:02:16 | 2:02:23 | |
competing with Ronnie O'Sullivan. Just one point behind. Scoring at | 2:02:23 | 2:02:33 | |
2:02:33 | 2:02:40 | ||
The points are identical but Barry Hawkins is levelling the match. | 2:02:40 | 2:02:46 | |
They have got it exactly the same amount of balls. What a fantastic | 2:02:46 | 2:02:53 | |
break. It is mainly a milestone. The 50th century of the tournament | 2:02:53 | 2:03:03 | |
2:03:03 | 2:03:03 | ||
Apology for the loss of subtitles for 43 seconds | 2:03:03 | 2:04:16 | |
Wait for it and always when his black goes in there. He levels the | 2:04:16 | 2:04:26 | |
2:04:26 | 2:04:30 | ||
match. Now seven frames each. The 50th century of the | 2:04:30 | 2:04:35 | |
championship this year and Barry's highest break ever at the Crucible. | 2:04:35 | 2:04:39 | |
What do you detect about his ability to sense a little bit of | 2:04:39 | 2:04:48 | |
weakness perhaps? He looks to be the fresher of them. He looks as if | 2:04:48 | 2:04:54 | |
he is enjoying himself. He has got freedom in his cue action. If there | 2:04:54 | 2:04:59 | |
was tightness in the round before it certainly has been sorted out by | 2:04:59 | 2:05:05 | |
Terry Griffiths. He looks as if he is having the time of his life. | 2:05:05 | 2:05:10 | |
is amazing. When you think about the transformation from yesterday | 2:05:10 | 2:05:15 | |
morning. But he must seize these opportunities. That is very | 2:05:15 | 2:05:24 | |
important. Because he is definitely on top. Barry Hawkins, his game is | 2:05:24 | 2:05:30 | |
definitely in a better state at the moment. In commentary the other day | 2:05:30 | 2:05:34 | |
you'd said you have to focus on your own game but you also have to | 2:05:34 | 2:05:41 | |
keep the lights on the other fellow. Is that hard to do when you're out | 2:05:41 | 2:05:45 | |
there or it can you put the squeeze on someone when you sense they are | 2:05:45 | 2:05:54 | |
weakening. You can sense in some them's body language. Ronnie is | 2:05:54 | 2:06:00 | |
fiddling around with his watch. He does not look focused in the chair, | 2:06:00 | 2:06:06 | |
but he never does. So it is hard to judge. And that is difficult for | 2:06:06 | 2:06:12 | |
Barry. There will be one session in this final when Ronnie O'Sullivan | 2:06:12 | 2:06:17 | |
is absolutely going to fizz. So when he is not, make hay when the | 2:06:17 | 2:06:24 | |
sun shines. The first day is a funny day. It can be because there | 2:06:24 | 2:06:28 | |
is no end result. It just looks as if you're waiting through the | 2:06:28 | 2:06:37 | |
frames. What we have not seen it is a big counter attack in affray and. | 2:06:37 | 2:06:42 | |
It has just been break after a break. Somewhere down the line | 2:06:42 | 2:06:47 | |
there will be a critical point in this match. We have got three more | 2:06:47 | 2:06:56 | |
to play this evening. It does hurt you when you're 16 in | 2:06:56 | 2:07:01 | |
front and all of a sudden you miss a ball and your opponent clears up. | 2:07:01 | 2:07:06 | |
It will be interesting to see if that happens during the match. How | 2:07:06 | 2:07:16 | |
2:07:16 | 2:07:27 | ||
During a lot better. I think he has left our red on this time. -- | 2:07:28 | 2:07:37 | |
2:07:38 | 2:08:00 | ||
cueing a lot better. Wonderful shot from Ronnie O'Sullivan. The perfect | 2:08:00 | 2:08:10 | |
2:08:10 | 2:08:43 | ||
Stephen Hendry just mentioned that sitting in the chair, Ronnie always | 2:08:43 | 2:08:53 | |
2:08:53 | 2:08:57 | ||
looks a bit out of sorts. These balls are perfect. And it is a very | 2:08:57 | 2:09:07 | |
2:09:07 | 2:09:18 | ||
important time in the match. He Getting the awkward red out | 2:09:18 | 2:09:28 | |
2:09:28 | 2:09:51 | ||
straight away. That just frees up Boxing fans certainly would have | 2:09:51 | 2:10:01 | |
2:10:01 | 2:10:01 | ||
watched Lloyd may whether last night with a difficult match. This | 2:10:01 | 2:10:11 | |
2:10:11 | 2:10:17 | ||
is great stuff. Going to need one could split on the reds. -- good | 2:10:17 | 2:10:27 | |
2:10:27 | 2:10:38 | ||
split. That looks OK. Does he have an angle to get up topside of the | 2:10:38 | 2:10:48 | |
2:10:48 | 2:11:10 | ||
blue? Cued it nicely. That is Just looking to see if he can get | 2:11:10 | 2:11:17 | |
through the gap in the reds. It is very tight. There is a little bit | 2:11:17 | 2:11:27 | |
2:11:27 | 2:11:35 | ||
of work. He just played up into that area. Beautiful play. Inch | 2:11:36 | 2:11:45 | |
2:11:46 | 2:11:46 | ||
Apology for the loss of subtitles for 43 seconds | 2:11:46 | 2:13:18 | |
perfect. The average frame time This has been absolutely top | 2:13:18 | 2:13:28 | |
2:13:28 | 2:13:49 | ||
A great cheer from the crowd at the Crucible. Ronnie's 10th century of | 2:13:49 | 2:13:58 | |
this tournament so far. What a shame he did not eclipse that | 2:13:58 | 2:14:05 | |
previous break. Ronnie O'Sullivan now leading. | 2:14:05 | 2:14:12 | |
And that is a highly significant century, the 120 eighth for Ronnie | 2:14:12 | 2:14:20 | |
at the Crucible. Beating the total of Steven Hendry. Shall we ask him | 2:14:20 | 2:14:26 | |
about his response? No! These records are being eaten into. | 2:14:26 | 2:14:36 | |
2:14:36 | 2:14:37 | ||
was only a matter of time. As long as he plays, he is going to beat a | 2:14:37 | 2:14:42 | |
lot of records. In terms of the response in the match, just | 2:14:42 | 2:14:48 | |
stunning. I told Barry to make the most of what he could do. Like a | 2:14:48 | 2:14:56 | |
true champion, just when he senses danger, he went through the gearbox. | 2:14:56 | 2:15:02 | |
Absolutely brilliant break. It is something we will be discussing | 2:15:02 | 2:15:06 | |
from the opening day, very few people have been able to put him | 2:15:06 | 2:15:12 | |
under pressure. That game against Allister Carter, he missed a key | 2:15:12 | 2:15:20 | |
ball and after that Ronnie was able to produce the firepower. If you | 2:15:20 | 2:15:27 | |
made an analogy with the boxer, he would have an iron chin. He really | 2:15:27 | 2:15:37 | |
2:15:37 | 2:15:37 | ||
Apology for the loss of subtitles for 43 seconds | 2:15:37 | 2:16:40 | |
can't soak up some punishment. Barry has been proficient at that | 2:16:40 | 2:16:50 | |
2:16:50 | 2:17:03 | ||
distance but luckily for him, he He is just concentrating on the | 2:17:03 | 2:17:13 | |
2:17:13 | 2:17:50 | ||
At first glance it looks as if he has got away with that. Ronnie has | 2:17:50 | 2:18:00 | |
2:18:00 | 2:18:00 | ||
always been brilliant and that, he is never one to shake his head. | 2:18:00 | 2:18:08 | |
Barry has been lucky, not to have left a pot. Ronnie never showed any | 2:18:08 | 2:18:15 | |
emotion whatsoever. It is part of the game. He gets it out of his | 2:18:15 | 2:18:25 | |
2:18:25 | 2:18:33 | ||
I think he knows the Braniel of not really worrying about it. There is | 2:18:33 | 2:18:43 | |
2:18:43 | 2:19:16 | ||
nothing you can do about it. -- the That is three shots he has got away | 2:19:16 | 2:19:25 | |
with. He has missed the last three safety shots and got away with | 2:19:25 | 2:19:35 | |
2:19:35 | 2:19:37 | ||
everyone. Ronnie disappointed not to have got the cue ball back to | 2:19:37 | 2:19:47 | |
2:19:47 | 2:19:53 | ||
baulk. There are a couple of easy safety shots. But Barry is in an | 2:19:53 | 2:20:03 | |
2:20:03 | 2:20:08 | ||
aggressive mood. He does not appear to like it, though. I do not know | 2:20:08 | 2:20:14 | |
if he'd looked at that plant. If he did, why not played for a colour if | 2:20:14 | 2:20:24 | |
2:20:24 | 2:20:24 | ||
it was a certainty? That has just gone a bit close to the baulk | 2:20:24 | 2:20:33 | |
cushion. A couple more inches closer to the green and he probably | 2:20:34 | 2:20:43 | |
2:20:44 | 2:20:44 | ||
would have taken the Brown on. looked like it was almost a | 2:20:44 | 2:20:54 | |
2:20:54 | 2:20:58 | ||
I did not see him come down the table. It was not dead set. That | 2:20:59 | 2:21:04 | |
was the pleasure of Hawkeye, we could not have shown you the | 2:21:04 | 2:21:14 | |
2:21:14 | 2:21:31 | ||
picture without that. And there is Red does not cut to the right | 2:21:31 | 2:21:41 | |
2:21:41 | 2:21:44 | ||
centre. Not so much pressure on this, he will not be leaving | 2:21:44 | 2:21:54 | |
2:21:54 | 2:21:56 | ||
anything should he miss. Ronnie has a half chance on this red but it is | 2:21:56 | 2:22:06 | |
2:22:06 | 2:22:07 | ||
Apology for the loss of subtitles for 43 seconds | 2:22:07 | 2:23:09 | |
Barry has played more poor safety shots in this frame than he has | 2:23:09 | 2:23:19 | |
2:23:19 | 2:23:28 | ||
since the opening frame of the match. Once again O'Sullivan | 2:23:28 | 2:23:38 | |
2:23:38 | 2:23:42 | ||
sensing danger. Just played a couple of loose ones in the last | 2:23:42 | 2:23:50 | |
couple of frames. Straight away attacking the red just above the | 2:23:50 | 2:24:00 | |
2:24:00 | 2:24:07 | ||
black. He me have to go back up for blue. -- he may. He would have | 2:24:07 | 2:24:12 | |
loved to have been straighter on that red. He will need another good | 2:24:12 | 2:24:22 | |
2:24:22 | 2:24:29 | ||
The red on the right-hand side cushion just making this more | 2:24:29 | 2:24:39 | |
2:24:39 | 2:25:06 | ||
Needed just to miss that middle But he has been very disciplined | 2:25:06 | 2:25:15 | |
trying to keep the pressure on Barry Hawkins. He will not be too | 2:25:15 | 2:25:24 | |
happy with that safety shot. He wanted it behind the green. | 2:25:24 | 2:25:34 | |
2:25:34 | 2:26:03 | ||
Suggesting again that the table is He made sure he hit the safety shot | 2:26:03 | 2:26:13 | |
2:26:13 | 2:26:14 | ||
a bit harder. Barry has not potted one of these long straight ones for | 2:26:14 | 2:26:22 | |
a few shots. This is a tough one. He'd just lost his weight for the | 2:26:22 | 2:26:28 | |
second. You thought he really had got a foothold in the final and a | 2:26:28 | 2:26:34 | |
chance to put money under pressure. But he just has not done it. Just a | 2:26:34 | 2:26:44 | |
2:26:44 | 2:26:57 | ||
little bit of movement in his back Just take a look at his back arm. | 2:26:57 | 2:27:07 | |
2:27:07 | 2:27:14 | ||
Just a bit dull movement. -- bit of. That is why he missed that red. | 2:27:14 | 2:27:24 | |
2:27:24 | 2:27:37 | ||
This is where Ronnie is really good. He puts the heat on his opponent. | 2:27:37 | 2:27:47 | |
2:27:47 | 2:28:14 | ||
Once he gets his nose in front he Another one that has just slightly | 2:28:14 | 2:28:24 | |
2:28:24 | 2:28:31 | ||
got away. This red is very close. Great shot. Again short of pace on | 2:28:31 | 2:28:41 | |
2:28:41 | 2:29:10 | ||
Not absolutely perfect. He is the pit straight on this black. It | 2:29:10 | 2:29:20 | |
2:29:20 | 2:29:34 | ||
needs a lot of power. It needs to Everything is going in to the heart | 2:29:34 | 2:29:44 | |
2:29:44 | 2:29:46 | ||
of the pocket at the moment. Barry Hawkins posed a few questions when | 2:29:46 | 2:29:51 | |
he made that wonderful century break. Monique at the moment is | 2:29:51 | 2:30:01 | |
2:30:01 | 2:30:11 | ||
coming back with the answers. But there are nine frames this | 2:30:11 | 2:30:21 | |
2:30:21 | 2:30:37 | ||
evening. This is not the last frame. to go in and out of baulk. He had to | 2:30:37 | 2:30:47 | |
2:30:47 | 2:31:02 | ||
still not completely happy, but at the moment he is looking at this | 2:31:02 | 2:31:12 | |
2:31:12 | 2:31:36 | ||
so far. This is going to be three centuries in a row. A little | 2:31:36 | 2:31:46 | |
2:31:46 | 2:31:55 | ||
exhibition shot from Ronnie world championship. Number 11 for | 2:31:55 | 2:32:05 | |
2:32:05 | 2:32:13 | ||
won't be bothered. 100 and takes a break from Ronnie O'Sullivan. He | 2:32:13 | 2:32:23 | |
2:32:23 | 2:32:23 | ||
Apology for the loss of subtitles for 43 seconds | 2:32:23 | 2:33:18 | |
puts another frame on the board and you will know he only had one match | 2:33:18 | 2:33:24 | |
before coming to the Crucible this year. Extraordinary stats. And to | 2:33:24 | 2:33:29 | |
think he is the world number 28, if he wins he goes to 19. If he did | 2:33:29 | 2:33:33 | |
take a year off, he has to win this to qualify next year. Is under | 2:33:33 | 2:33:38 | |
pressure. We have talked about pressure and | 2:33:38 | 2:33:44 | |
what an amazing response. Unbelievable. Looking a bit jaded | 2:33:44 | 2:33:49 | |
there, played a few loose shots. All of a sudden this is what you get in | 2:33:49 | 2:33:54 | |
return. From Barry Hawkins perspective, just when you feel you | 2:33:54 | 2:34:02 | |
are getting a foothold in this match, won. It hits you. You play | 2:34:02 | 2:34:11 | |
your best snooker and it seems to be Money has that draw in the session | 2:34:11 | 2:34:20 | |
already. The very next frame he had a long part which is once he has | 2:34:20 | 2:34:25 | |
been knocking in for the last ten or so friends and he missed that one. | 2:34:25 | 2:34:29 | |
Ronnie pounced with 103 and then a couple of core safety shots and | 2:34:29 | 2:34:34 | |
Ronnie wins again. In my opinion, the best break of the match so far. | 2:34:34 | 2:34:42 | |
He was in and out of baulk and had to play cannon and it was a really | 2:34:42 | 2:34:48 | |
good break. The best of the match. Barry Hawkins will go into tomorrow | 2:34:48 | 2:34:58 | |
2:34:58 | 2:34:58 | ||
Apology for the loss of subtitles for 43 seconds | 2:34:58 | 2:36:04 | |
outside edge of this red. It is a misses this time, he will be warned. | 2:36:04 | 2:36:12 | |
He has missed it. Now that puts a bit more pressure on that shot. That | 2:36:12 | 2:36:16 | |
is why he is committed to the end of the table because he is definitely | 2:36:16 | 2:36:22 | |
going to be hitting this ball almost half ball. He will try to leave the | 2:36:22 | 2:36:30 | |
cue ball. She must hit a red because if it doesn't this time he will lose | 2:36:30 | 2:36:40 | |
2:36:40 | 2:36:48 | ||
this shot because he wanted to try and leave the cue ball and the red | 2:36:48 | 2:36:54 | |
almost straight and he hasn't. He has left a slight angle. Very | 2:36:54 | 2:37:02 | |
difficult down the rails and that is why Ronnie refusing this shot. Not | 2:37:02 | 2:37:07 | |
only refusing the shops, but keeping Barry Hawkins under pressure. | 2:37:07 | 2:37:16 | |
Excellent safety. He realises the importance of taking a three frame | 2:37:16 | 2:37:21 | |
lead or one frame lead, he would have taken that red on. But he is | 2:37:21 | 2:37:26 | |
such a good thinker under pressure. He knew that it was miscible and | 2:37:26 | 2:37:33 | |
decided to player safety. This looks very short and he may be | 2:37:33 | 2:37:39 | |
leading a red into the right centre. This is a long way short. Red into | 2:37:39 | 2:37:43 | |
the top corner, green pocket, but also the red on the pink spot goes | 2:37:43 | 2:37:53 | |
2:37:53 | 2:37:57 | ||
into the right centre. This will Looks like he is probably screwing | 2:37:57 | 2:38:07 | |
2:38:07 | 2:38:16 | ||
black. I think only the middle one pots in the corner. Whatever cannon | 2:38:16 | 2:38:22 | |
he has, he has to get it just right. That has not turned out OK unless it | 2:38:22 | 2:38:28 | |
is a plant. There is one available in the middle. The plan is obviously | 2:38:28 | 2:38:33 | |
not a certainty. I am surprised he played for the pink on the previous | 2:38:33 | 2:38:38 | |
red, to be honest, but Ronnie is a genius so I am sure he will dig his | 2:38:38 | 2:38:48 | |
2:38:48 | 2:39:08 | ||
the furthest I have seen Ronnie Mr pot like that. He can't believe it, | 2:39:08 | 2:39:15 | |
can he? Having made for centuries, there can't be too much wrong with | 2:39:15 | 2:39:19 | |
the tips surely. He gave this a real good seeing to before the frame | 2:39:19 | 2:39:24 | |
started and maybe that's often did to the little bit. I have never seen | 2:39:24 | 2:39:31 | |
him miss a pot by that far. This is a chance to win the session 5-4 and | 2:39:31 | 2:39:35 | |
close within one. That would be a tremendous performance on the first | 2:39:35 | 2:39:45 | |
2:39:45 | 2:40:16 | ||
day of the first-ever world both players now. I think both of | 2:40:16 | 2:40:21 | |
them realise the importance of this frame. So hard to understand, isn't | 2:40:21 | 2:40:26 | |
it? They have both been in absolutely super form. For Barry's | 2:40:26 | 2:40:31 | |
confidence, to close within one would be an amazing feat, the way | 2:40:31 | 2:40:36 | |
that Ronnie has played. I am afraid that was a twitch. That wasn't | 2:40:36 | 2:40:41 | |
anything other than bad alignment and probably just snatched a little | 2:40:41 | 2:40:46 | |
bit at it. I didn't expect him to miss that one. But it hasn't done | 2:40:46 | 2:40:56 | |
2:40:56 | 2:41:02 | ||
don't think I have seen Ronnie play a better safety than when he was | 2:41:02 | 2:41:05 | |
playing Ray Reardon. That is the best safety he has played in the | 2:41:05 | 2:41:15 | |
2:41:15 | 2:41:54 | ||
final at the Crucible. This is a straightforward. Playing another | 2:41:54 | 2:42:04 | |
2:42:04 | 2:42:06 | ||
Ronnie looks around the table to see whether White is finishing. Usually | 2:42:06 | 2:42:11 | |
when he is not feeling good with himself, he knows where the ball | 2:42:11 | 2:42:15 | |
will go, but he is actually interested to see where it finishes. | 2:42:15 | 2:42:21 | |
He is really digging deep in this. Barry, at the moment, is telephoning | 2:42:21 | 2:42:28 | |
his shots in. He is struggling at the minute. | 2:42:28 | 2:42:38 | |
2:42:38 | 2:42:54 | ||
Yeah, he has gone completely off the row. It is nice to see that both | 2:42:54 | 2:43:00 | |
guys are still human after all. I think both of them realise the | 2:43:00 | 2:43:10 | |
2:43:10 | 2:43:28 | ||
he has played he has hardly get the little bit. -- that pot a little | 2:43:28 | 2:43:35 | |
bit. What a great picture, the wonder of | 2:43:35 | 2:43:39 | |
why it is going wrong all of a sudden. And Ronnie is not pleased | 2:43:39 | 2:43:49 | |
2:43:49 | 2:43:50 | ||
frame and he does, he will forget about those last few shots. He goes | 2:43:50 | 2:44:00 | |
2:44:00 | 2:44:01 | ||
to bed having missed those shots, he will be wondering about it all. | 2:44:01 | 2:44:06 | |
Needed a flick on the red, didn't get it. You can almost see Ronnie | 2:44:06 | 2:44:11 | |
thinking, do I take this on or not? If he misses it, he knows he will | 2:44:11 | 2:44:16 | |
stick it up. I wonder if he will play the double | 2:44:16 | 2:44:26 | |
2:44:26 | 2:44:35 | ||
here. Try and stay on the green and a long pot on, but the way he is | 2:44:35 | 2:44:40 | |
cueing at the moment, I suggest leaving it alone. Looking to see if | 2:44:40 | 2:44:44 | |
he puts the cue ball somewhere it is now, he will get Ronnie in trouble. | 2:44:44 | 2:44:48 | |
You need to the red somewhere near where the red is on the blue spot, | 2:44:48 | 2:44:55 | |
that will be helpful. Certainly in the middle of the table. I don't | 2:44:55 | 2:44:58 | |
know whether he played the double or not, but he has not played it where | 2:44:58 | 2:45:03 | |
he wanted. What's worse, he has left the couple | 2:45:03 | 2:45:08 | |
of reds on the pink spot, the bottom one of the two parts here. So a free | 2:45:08 | 2:45:18 | |
2:45:18 | 2:45:52 | ||
for Barry Hawkins. Should never have hitting full baulk end. He almost | 2:45:52 | 2:45:58 | |
missed it, didn't he? If the Green had been on its own | 2:45:58 | 2:46:02 | |
spot, he probably would have missed it. Barry is going to have to play a | 2:46:02 | 2:46:12 | |
2:46:12 | 2:46:36 | ||
liked to have screwed it back another foot, but at least it has | 2:46:36 | 2:46:46 | |
2:46:46 | 2:46:56 | ||
see Barry winning the safety. He trails by 25 points. Such is Ronnie | 2:46:56 | 2:46:59 | |
safety in this last frame, every time Barry comes to the table he has | 2:46:59 | 2:47:04 | |
a difficult safety shops to reply. Trying to take the white over the | 2:47:04 | 2:47:08 | |
pink spot and back into the baulk area. He has to hit it exactly | 2:47:08 | 2:47:18 | |
2:47:18 | 2:47:25 | ||
closest to the right middle, he has to come off that perfectly, Mr red | 2:47:25 | 2:47:31 | |
below the pink spot and then back-up somewhere behind the green. He must | 2:47:31 | 2:47:41 | |
2:47:41 | 2:47:49 | ||
playing, but it looks like he is trying to find an alternative. Maybe | 2:47:49 | 2:47:54 | |
he is worried about kissing the blue on the way back. He is not playing | 2:47:54 | 2:48:04 | |
2:48:04 | 2:48:10 | ||
if the black was available, so that is quite a clever shot. Yeah, but he | 2:48:10 | 2:48:20 | |
2:48:20 | 2:48:28 | ||
may find himself down in that problem is having the initiative. He | 2:48:28 | 2:48:34 | |
is now looking behind the yellow, but he would like to get down behind | 2:48:34 | 2:48:40 | |
the brown, somewhere close to where the cue ball was before. He can slip | 2:48:40 | 2:48:44 | |
off the red closest to the right-hand cushion. He wants to try | 2:48:44 | 2:48:48 | |
and keep that red is tight to the cushion as possible because that | 2:48:48 | 2:48:53 | |
creates problems for Barry Hawkins. That is why he has tried to put | 2:48:53 | 2:49:03 | |
2:49:03 | 2:49:11 | ||
into the corner. He has purposely put it in a perfect way to leave | 2:49:11 | 2:49:21 | |
2:49:21 | 2:49:31 | ||
There are a couple of reds Ronnie can take on and get the cue ball | 2:49:31 | 2:49:39 | |
back into the baulk area. Excellent pink pot behind the green with the | 2:49:39 | 2:49:49 | |
2:49:49 | 2:49:49 | ||
Apology for the loss of subtitles for 43 seconds | 2:49:49 | 2:50:42 | |
completely missed timing things at moment is pretty good, but he has | 2:50:42 | 2:50:49 | |
left along one on this time. He has not cued well in the last 20 minutes | 2:50:49 | 2:50:56 | |
or so. Yeah, this is going to be a real | 2:50:56 | 2:51:06 | |
2:51:06 | 2:51:14 | ||
test, isn't it? He has to stay excellent pot. | 2:51:14 | 2:51:18 | |
That is up there with one of the best shots he has played tonight | 2:51:18 | 2:51:28 | |
2:51:28 | 2:51:54 | ||
blue. To reds above the black, they both part in the left-hand corner, | 2:51:54 | 2:51:58 | |
but he would love to get on the middle red of the three above the | 2:51:58 | 2:52:02 | |
black. Then he can play the little cannon onto that red. How is the | 2:52:02 | 2:52:12 | |
2:52:12 | 2:52:46 | ||
on the pink. To red below the pink, ago clipped one of those red onto | 2:52:47 | 2:52:53 | |
the right-hand side cushion. That may come to his rescue later on in | 2:52:53 | 2:52:57 | |
this break, but he is going to need those to reds if he is going to win | 2:52:57 | 2:53:07 | |
2:53:07 | 2:53:34 | ||
shot hard here. I thought he was playing the top red, he may have | 2:53:34 | 2:53:39 | |
missed a trick. It could have played the screw off the top red. Until he | 2:53:39 | 2:53:46 | |
gets rid of that red, it is not frame window. If he had gone up for | 2:53:46 | 2:53:50 | |
the blue and pink, he would have freed the black. This time he has to | 2:53:50 | 2:53:54 | |
get the angle right. With the angle he has on the pink, there is every | 2:53:54 | 2:54:04 | |
2:54:04 | 2:54:09 | ||
longest frame of the match so far. The first frame over 20 minutes. | 2:54:09 | 2:54:15 | |
There is a bit of tension in this frame. Once again, he played a poor | 2:54:15 | 2:54:19 | |
shot on the red. He was perfect on the pink, so should have got the | 2:54:19 | 2:54:29 | |
2:54:29 | 2:54:29 | ||
Apology for the loss of subtitles for 43 seconds | 2:54:29 | 2:55:29 | |
Made sure of the pots, of course, but he could've used a little bit | 2:55:29 | 2:55:34 | |
more pace and been more aggressive and tried to bring this red the | 2:55:34 | 2:55:44 | |
2:55:44 | 2:55:46 | ||
will try to pot this red, but I wouldn't have thought he would try | 2:55:46 | 2:55:53 | |
to bring the other red into play. He is trying to do that. It was very | 2:55:53 | 2:56:01 | |
dangerous to do that, but the red has now been brought into play. If | 2:56:01 | 2:56:05 | |
Barry Hawkins can come out of this session and 9-8, he will certainly | 2:56:05 | 2:56:11 | |
sleep better than Ronnie. Ronnie has played brilliantly, for centuries, | 2:56:11 | 2:56:16 | |
other sizeable breaks, there is a possibility he could only lead 9-8, | 2:56:16 | 2:56:21 | |
so Barry Hawkins will definitely be the more pleased of the two. If he | 2:56:21 | 2:56:31 | |
2:56:31 | 2:56:50 | ||
pink, Betty hazarded that so he will have to try and play the blue with a | 2:56:50 | 2:56:59 | |
lot of side. This will be a positional shot to play. He doesn't | 2:56:59 | 2:57:09 | |
2:57:09 | 2:57:32 | ||
fancy it, so will only play a safety from the baulk cushion as well, it | 2:57:32 | 2:57:41 | |
just makes this a little bit more difficult. The problem is not | 2:57:41 | 2:57:46 | |
hitting the red, it is getting it safe. He is going to leave a free | 2:57:46 | 2:57:51 | |
ball and this could be crucial. That is an absolute disaster for Barry | 2:57:51 | 2:58:01 | |
2:58:01 | 2:58:15 | ||
Hawkins. Not quite sure why he had doesn't want it to be dead straight. | 2:58:15 | 2:58:20 | |
Maybe just OK. He has a slight angle just screw back, miss the middle | 2:58:20 | 2:58:30 | |
2:58:30 | 2:58:47 | ||
pocket where he be cueing. Avoid the onto the pink, so may decide to come | 2:58:47 | 2:58:54 | |
around the back of the pink and get on to pink or blue. If he plays it | 2:58:54 | 2:58:59 | |
slowly he could get onto the pink. He could be virtually straight on | 2:58:59 | 2:59:09 | |
2:59:09 | 2:59:14 | ||
shots, but he will be virtually straight on the pink. Didn't see the | 2:59:14 | 2:59:24 | |
2:59:24 | 2:59:52 | ||
value of playing for the pink at Trying to get the cue ball just | 2:59:52 | 3:00:02 | |
3:00:02 | 3:00:05 | ||
three or four inches to the right of the black. What a shot. You will | 3:00:05 | 3:00:15 | |
3:00:15 | 3:00:27 | ||
not see many better safety shots It is not hitting them, it is | 3:00:27 | 3:00:37 | |
3:00:37 | 3:00:54 | ||
getting them safe. Has he got it Judd Trump would love this shot. | 3:00:54 | 3:01:01 | |
He'd decided not to screw back but to run through. Almost perfect but | 3:01:01 | 3:01:11 | |
3:01:11 | 3:01:31 | ||
This green is very important. He did not go for that. What a shot he | 3:01:31 | 3:01:41 | |
3:01:41 | 3:01:43 | ||
has played there. That is at fantastic snooker. No wonder Barry | 3:01:43 | 3:01:49 | |
is scratching his head. Two of the best safety shops we have seen in | 3:01:49 | 3:01:59 | |
3:01:59 | 3:02:20 | ||
Would you believe it! It is Barry's turn to try to get the cue ball. | 3:02:20 | 3:02:27 | |
His target would be to kiss the black. He just has to missed the | 3:02:27 | 3:02:37 | |
3:02:37 | 3:02:44 | ||
blue by a fraction to get this shot The blue was in the way. Just seven | 3:02:44 | 3:02:54 | |
3:02:54 | 3:03:27 | ||
I am not sure if he can hold for Is it there again for the third | 3:03:27 | 3:03:37 | |
3:03:37 | 3:03:49 | ||
time in this frame? Is there at This would be unbelievable. What a | 3:03:49 | 3:03:59 | |
3:03:59 | 3:04:06 | ||
shot! Just had enough gap. He is 11 ahead. Just needs the blue. That is | 3:04:06 | 3:04:16 | |
3:04:16 | 3:04:40 | ||
Brilliant shot on the brown. Trying to knock the pink say. -- safe. | 3:04:40 | 3:04:46 | |
could of course to try and played that snooker. But will he take on | 3:04:46 | 3:04:56 | |
3:04:56 | 3:05:04 | ||
He did play it but you know what is going to happen here. The White | 3:05:04 | 3:05:13 | |
will be kissing the black. He has under hit this. That was careless | 3:05:13 | 3:05:23 | |
3:05:23 | 3:05:27 | ||
for Ronnie. He had so much margin for error there. He'd just had too | 3:05:27 | 3:05:37 | |
3:05:37 | 3:05:39 | ||
much side. Definitely worth having a go at this. It is a tough safety | 3:05:39 | 3:05:49 | |
3:05:49 | 3:05:52 | ||
shot to play it any other way. long as he does not undercut it. If | 3:05:52 | 3:06:02 | |
3:06:02 | 3:06:22 | ||
he over cuts it, it may still come The pink, you can pot. The black, | 3:06:22 | 3:06:32 | |
3:06:32 | 3:06:32 | ||
probably not. There is Barry's friends and family. They have got | 3:06:32 | 3:06:42 | |
3:06:42 | 3:06:50 | ||
their fingers crossed because this Do you play the guaranteed safety | 3:06:50 | 3:07:00 | |
3:07:00 | 3:07:09 | ||
shot? It is the safety. He has over hit it. The crowd knew it straight | 3:07:09 | 3:07:19 | |
3:07:19 | 3:07:29 | ||
away. Ronni knew it straight away. -- Ronnie. Black for the frame. | 3:07:29 | 3:07:34 | |
What a tremendous frame. Both players should be pleased with | 3:07:34 | 3:07:41 | |
their night's work. A standing ovation for these great players. It | 3:07:41 | 3:07:50 | |
is Ronnie O'Sullivan who takes a three frame leader. What again. | 3:07:50 | 3:07:55 | |
What an game indeed. Superb stuff from these two finalists. And | 3:07:55 | 3:08:03 | |
Ronnie taking that three frame advantage into tomorrow. Clearly | 3:08:03 | 3:08:12 | |
that meant so much to both of them. Hands shaking all round. But it has | 3:08:12 | 3:08:17 | |
certainly been a contest. Barry Hawkins playing is superb part in | 3:08:17 | 3:08:23 | |
his final. We are leaving the close support for the first -- the last | 3:08:23 | 3:08:31 | |
time tonight, crossing over to the Winter Gardens. And the Three Wise | 3:08:31 | 3:08:40 | |
men are with me. How would you rate that final frame of the session? | 3:08:40 | 3:08:45 | |
was such a fantastic frame. Ronnie O'Sullivan worked his socks off to | 3:08:45 | 3:08:52 | |
get that frame. He just held himself together. Even though he | 3:08:52 | 3:08:58 | |
looked quite Karen Shaw, it was a fantastic pressure pot on the black. | 3:08:58 | 3:09:08 | |
How crucial is that? It is massive. Barry Hawkins was making breaks, | 3:09:08 | 3:09:16 | |
and that last frame, he was granite. Every time he came to the table he | 3:09:16 | 3:09:23 | |
was trouble. That was a great block at the end. And hugely enjoyable | 3:09:23 | 3:09:30 | |
final so far. You could see what it meant to him. He knew the | 3:09:30 | 3:09:35 | |
significance of that. And that deficit for Barry now is hard | 3:09:35 | 3:09:40 | |
coming out tomorrow. How do you assess the contribution made by | 3:09:40 | 3:09:46 | |
Barry to this final? He is one of those players who never goes away. | 3:09:46 | 3:09:51 | |
His play is solid. He has missed a few but he is somebody that you | 3:09:51 | 3:09:57 | |
have to beat. Is this a bigger test for Ronnie O'Sullivan than he might | 3:09:57 | 3:10:03 | |
have imagined? I do not think he will have gone in prepared to blast | 3:10:03 | 3:10:09 | |
him off the table. He was compared to compete. But Barry Hawkins can | 3:10:09 | 3:10:14 | |
be proud of himself today. You would expect that Ronnie O'Sullivan | 3:10:14 | 3:10:20 | |
would produce but for Barry Hawkins, what else can he do? He has done | 3:10:20 | 3:10:27 | |
his job. He lost both sessions, but not by much. He has been great | 3:10:27 | 3:10:37 | |
today. He has played so well. He can be proud of his performance. | 3:10:37 | 3:10:44 | |
what extent has the table speed dictated some of the played today? | 3:10:44 | 3:10:49 | |
I do not think that Ronnie has been happy with that. It is the same for | 3:10:50 | 3:10:55 | |
both players. And they have adapted really well. There have been big | 3:10:55 | 3:11:05 | |
3:11:05 | 3:11:06 | ||
breaks. They have just got on with it. How is it set up for tomorrow? | 3:11:06 | 3:11:12 | |
It would be nicer if it was just the one frame in it. But I think | 3:11:12 | 3:11:16 | |
Ronnie O'Sullivan deserves his lead. It is whether he can push on in the | 3:11:16 | 3:11:20 | |
session tomorrow afternoon for stock thank you for your | 3:11:20 | 3:11:25 | |
contributions. We take our leave of the Crucible tonight. Let me just | 3:11:25 | 3:11:31 | |
tell you what else we have got coming up on BBC Sport. We have | 3:11:31 | 3:11:37 | |
coverage of the last day of the Badminton Horse trials. The all- | 3:11:37 | 3:11:46 | |
important show jumping stage tomorrow. A possible 18 more frames | 3:11:46 | 3:11:52 |