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time at the Crucible on the last and 17th day of the BetVictor World | :01:16. | :01:21. | |
Snooker Championship. From the first day Ronnie O'Sullivan has been the | :01:21. | :01:25. | |
star attraction. No wonder dashed to come back and almost reclaim his | :01:25. | :01:30. | |
title after a year out? Surely it could not be done. He is eight | :01:31. | :01:34. | |
frames away from making that a reality, but his opponent, Barry | :01:34. | :01:40. | |
Hawkins, is no secondary act in this final. The prospect of a major | :01:40. | :01:44. | |
sporting upset is not so far-fetched, either. | :01:44. | :01:46. | |
far-fetched, either. What a fantastic first day in the | :01:47. | :01:51. | |
Crucible final between Barry Hawkins and Ronnie O'Sullivan. Everyone was | :01:51. | :01:54. | |
wondering how the demeanour of both players would be. Could Ronnie | :01:54. | :01:59. | |
O'Sullivan Corp after being out for a year? Then Barry Hawkins really | :01:59. | :02:02. | |
struggled in the semi-final come everyone thought he would capitulate | :02:02. | :02:06. | |
and are delighted he is playing well. | :02:06. | :02:11. | |
We had some fantastic break building yesterday, Barry Hawkins had that | :02:11. | :02:17. | |
clearance of 133, which was superb. Excellent break, he levels the | :02:17. | :02:21. | |
match! But what does Ronnie do? He makes | :02:21. | :02:27. | |
for centuries. He has now made over 600 in his career and we can expect | :02:27. | :02:31. | |
more of that today. Long potting is always a very | :02:31. | :02:35. | |
important factor in smoking. They are both around 60% at the moment | :02:35. | :02:40. | |
but I think Barry Hawkins needs to start get up to -- getting up to | :02:40. | :02:48. | |
75%, then he could push Ronnie all the way. The safety could be a key | :02:48. | :02:51. | |
factor, O'Sullivan is not renowned for it but on his day one of the | :02:51. | :02:54. | |
best in the world. So clever. You would think Barry | :02:54. | :02:59. | |
Hawkins would win that battle, but watch O'Sullivan last night, how he | :02:59. | :03:09. | |
:03:09. | :03:11. | ||
manoeuvred to set up that last frame This was the worst part of the day | :03:11. | :03:16. | |
for me, before the final. You put the work in on the practice table, | :03:16. | :03:20. | |
come back to the dressing room but cannot relax. You are like a coiled | :03:20. | :03:25. | |
spring, you just want to get out there, it is a nightmare. But for | :03:25. | :03:30. | |
one person it is a dream come true because he gets to put his name on | :03:30. | :03:34. | |
this iconic piece of snooker history. The other guy may win a lot | :03:34. | :03:44. | |
:03:44. | :03:51. | ||
of money, but as far as this trophy is concerned he may as well have | :03:51. | :03:53. | |
lost in the first round. It is a cruel game. 13 world titles | :03:53. | :03:55. | |
between them. There is an air of anticipation, excitement, tension | :03:55. | :03:58. | |
backstage at the Crucible Theatre in Sheffield. The players have been in | :03:58. | :04:00. | |
the dressing room for about five minutes, they have had a practice | :04:00. | :04:04. | |
session, and I am going to knock the door for Ronnie O'Sullivan then | :04:04. | :04:09. | |
Barry Hawkins to tell them the Crucible Theatre and millions of TV | :04:09. | :04:15. | |
viewers worldwide await them. All set? | :04:15. | :04:25. | |
:04:25. | :04:27. | ||
He is just grabbing his cue. Good luck to you, Ronnie. Ronnie goes | :04:27. | :04:31. | |
into the holding area. I am now going to knock the door for | :04:31. | :04:41. | |
:04:41. | :04:46. | ||
Barry Hawkins. What a phenomenal He is getting his cue. He says | :04:46. | :04:47. | |
goodbye to Terry Griffiths. How are you feeling? | :04:48. | :04:57. | |
Very good. Good luck. What a moment, Barry | :04:57. | :05:01. | |
Hawkins and Ronnie O'Sullivan are around the corner, it is good to be | :05:01. | :05:05. | |
incredible. It has been brilliant all the way through, the opening | :05:05. | :05:09. | |
session was superb, heavy scoring, breaks in every frame, but | :05:10. | :05:13. | |
O'Sullivan has captured this lead in the final through two bursts of | :05:13. | :05:18. | |
brilliance. He was 3-2 behind, went to 5-3 and | :05:18. | :05:26. | |
last night threatened at 7-7. To win the last two frames Barry had two | :05:26. | :05:30. | |
centuries. That is why he has the 10-7 lead. | :05:30. | :05:34. | |
We have been so impressed with Barry Hawkins, has he got another big | :05:34. | :05:38. | |
performance in him? Absolutely, and he knows now, he has | :05:38. | :05:44. | |
been out in the final, he covered himself in glory yesterday. He is | :05:44. | :05:47. | |
still in this match. If Ronnie O'Sullivan wins today, it | :05:47. | :05:51. | |
has to be one of the great British sporting stories of all time. It | :05:51. | :05:54. | |
would be an unbelievable achievement, do not play for 12 | :05:54. | :05:59. | |
months to come back and win, in incredible performance. Here is Rob | :06:00. | :06:05. | |
Walker. Good afternoon, ladies and | :06:05. | :06:08. | |
gentlemen. What a sense of anticipation we have here at the | :06:08. | :06:18. | |
:06:18. | :06:19. | ||
Crucible. We are closing in on the coronation of the BetVictor world | :06:19. | :06:23. | |
can -- world snooker Championship. We have a historic session in store | :06:23. | :06:33. | |
:06:33. | :06:51. | ||
been outstanding in this, his first world final. This is the stage he | :06:51. | :06:56. | |
dreams of when he first picked up a cue. Many people said this match | :06:56. | :07:01. | |
would almost be over this afternoon, but he is still in the hunt. This | :07:01. | :07:07. | |
performance today could define a lifetime's work. Can he close in on | :07:07. | :07:10. | |
one of the greatest upsets in Crucible history? LEDs and intimate, | :07:10. | :07:14. | |
raise the roof for the eagle eyed Barry Hawkins. -- ladies and | :07:14. | :07:24. | |
:07:24. | :07:50. | ||
another like him here at the Crucible. What a start, what a | :07:50. | :07:55. | |
talent, what a career. He has already produced four centuries in | :07:55. | :08:00. | |
this match and may need more to secure a fifth world crown. Victory | :08:00. | :08:03. | |
today would surely rank as one of snooker boss Michael all-time great | :08:03. | :08:12. | |
performances. Can he do what many said is impossible? He is your | :08:12. | :08:22. | |
:08:22. | :08:40. | ||
defending champion, blink and you families are both here. You cannot | :08:40. | :08:45. | |
beat this, fantastic. We have another eight frames to play this | :08:45. | :08:48. | |
afternoon and the possibility of in this evening. We know the good | :08:48. | :08:53. | |
weather may have a drawer for you this afternoon, but we reckon this | :08:53. | :08:58. | |
final has greater pulling power. final has greater pulling power. | :08:58. | :09:01. | |
Good afternoon, gentlemen. Good afternoon, Hazel, good | :09:01. | :09:11. | |
:09:11. | :09:15. | ||
afternoon everybody, and this is the Barry Hawkins. What has he got left | :09:15. | :09:25. | |
:09:25. | :09:31. | ||
in the locker? Against the genius Yes, he certainly has and he has | :09:31. | :09:36. | |
done fantastically well, stood up to the challenge. How crucial will that | :09:36. | :09:44. | |
last frame last night be? The black ball finish gave Ronnie a bit of | :09:44. | :09:50. | |
light between him and Barry Hawkins. Long pot success, 93% from | :09:50. | :10:00. | |
:10:00. | :10:08. | ||
fantastic or vision the received coming into this wonderful Crucible | :10:08. | :10:18. | |
:10:18. | :10:40. | ||
spectator, Ronnie junior, Ronnie's Well, he went for it, he thought the | :10:40. | :10:43. | |
only red he could leave was the one he was playing, and that is what he | :10:43. | :10:53. | |
:10:53. | :10:58. | ||
pocket, the red would have stayed at this end, but it didn't, and he has | :10:58. | :11:08. | |
:11:08. | :11:21. | ||
played on the blue. Whether he just assumed the blue was on its spot... | :11:21. | :11:31. | |
:11:31. | :11:31. | ||
Apology for the loss of subtitles for 41 seconds | :11:31. | :12:12. | |
He has overrun it and he is on the had plenty of room to work for fear. | :12:12. | :12:22. | |
:12:22. | :12:30. | ||
too straight on the blue to do anything. He is on this red to the | :12:30. | :12:34. | |
right corner, but I don't think the black is that accessible. A good | :12:34. | :12:44. | |
:12:44. | :13:09. | ||
world championships, an absolute genius on the dartboard, Phil | :13:09. | :13:19. | |
:13:19. | :13:30. | ||
Taylor. And of course, Stephen Fry, Ronnie's. He is always here at the | :13:31. | :13:40. | |
:13:41. | :13:47. | ||
is good to have someone with you, because it is quite a lonely life, | :13:47. | :13:51. | |
isn't it? Yes, he has been great company for | :13:51. | :13:55. | |
him, and it is always nice to have someone in your dressing room you | :13:55. | :14:00. | |
can talk to, helping you relax, and certainly that man has been a great | :14:00. | :14:10. | |
:14:10. | :14:17. | ||
kissed that blue another inch or so. He is still OK, but because the cue | :14:17. | :14:27. | |
:14:27. | :14:32. | ||
ball is so close it makes it more difficult. As we look at the | :14:32. | :14:42. | |
:14:42. | :15:14. | ||
He is a little unlucky there, in all but I tell you what, he has done | :15:14. | :15:20. | |
well to get this far on the table. He is going to have to record | :15:20. | :15:30. | |
:15:30. | :16:10. | ||
another good shot with the rest excellent shot. It always amazes me, | :16:10. | :16:15. | |
he plays so many shots left-handed you would think using the rest would | :16:15. | :16:25. | |
:16:25. | :16:32. | ||
be a weakness because he does not think he was undecided which all to | :16:32. | :16:39. | |
play for. -- which balls to play for. He has finished not good on the | :16:39. | :16:49. | |
:16:49. | :17:00. | ||
black, not good on the pink, looking even when he was plotting that red, | :17:00. | :17:05. | |
try and get in between the pink and black. It looked like he was trying | :17:05. | :17:12. | |
to get up the table to hit the pink into one of these bottom corners. If | :17:12. | :17:22. | |
:17:22. | :17:31. | ||
he pots that red he has a choice. Unfortunately, Barry comes to the | :17:31. | :17:40. | |
table, the four reds near the top cushion are out of commission, there | :17:40. | :17:44. | |
are three in between the pink and black, he just hasn't got the right | :17:44. | :17:54. | |
:17:54. | :18:02. | ||
OK, he is going to be slightly hampered by the black. I don't think | :18:02. | :18:06. | |
he has to do much with the cue ball, so it makes this a little bit | :18:06. | :18:16. | |
:18:16. | :18:16. | ||
Apology for the loss of subtitles for 41 seconds | :18:16. | :19:12. | |
and get a nice angle of that red to almost exactly where the red is now. | :19:12. | :19:17. | |
If he does, he will have a lovely angle on the black to try and stun | :19:17. | :19:27. | |
:19:27. | :19:51. | ||
one of them is going towards this It certainly didn't turn out as he | :19:51. | :19:58. | |
would have wanted. In fact he only released one of the reds. He was | :19:58. | :20:04. | |
hoping to bring two or three in -- of them into play. He is right back | :20:04. | :20:14. | |
:20:14. | :20:20. | ||
Ronnie red like this. It should have been tight against the side | :20:20. | :20:27. | |
cushion. He has given Ronnie and opportunity. Good cueing needed, but | :20:27. | :20:37. | |
:20:37. | :20:37. | ||
Apology for the loss of subtitles for 41 seconds | :20:37. | :21:40. | |
right, Barry's father, Steve, and for them. They will be so proud of | :21:40. | :21:44. | |
Barry and proud of the wiki is performing. Most people were him | :21:44. | :21:54. | |
:21:54. | :21:54. | ||
Apology for the loss of subtitles for 41 seconds | :21:54. | :22:56. | |
right corner, so he played it with Ronnie, Ronnie missed it, but he | :22:56. | :23:06. | |
:23:06. | :23:16. | ||
he has not got away with it. It ran across and developed the reds. What | :23:16. | :23:26. | |
:23:26. | :23:26. | ||
a chance now for Barry Hawkins. He has looked at the scoreboard. If he | :23:26. | :23:36. | |
:23:36. | :23:44. | ||
can get high-value colours with He was doing his calculations, four | :23:44. | :23:53. | |
reds, four blacks. That will put him 26 ahead with 27 on, so he will need | :23:53. | :24:03. | |
:24:03. | :24:14. | ||
players are thinking four or five will need before Ronnie will | :24:14. | :24:24. | |
:24:24. | :24:31. | ||
Hawkins's point of view, that red on the left-hand side of the table is | :24:31. | :24:41. | |
:24:41. | :24:42. | ||
Imperative on putting this red he gets a good angle on the black to | :24:42. | :24:52. | |
:24:52. | :25:25. | ||
be able to come at it from the side, but he is using the rest. He has the | :25:25. | :25:31. | |
perfect angle on the red. As Ken said, by taking blacks with these | :25:31. | :25:36. | |
remaining reds, he only needs the yellow to leave Ronnie needing a | :25:36. | :25:46. | |
:25:46. | :25:56. | ||
nicely on the black. The black and the yellow. That will put him in the | :25:56. | :26:06. | |
:26:06. | :26:18. | ||
has done really well here. He looks very comfortable. | :26:18. | :26:28. | |
:26:28. | :26:40. | ||
Yes, he has a nice momentum and Of course, he knows the importance, | :26:40. | :26:48. | |
although it is one snooker needed, he wanted that green in. Then it | :26:48. | :26:58. | |
:26:58. | :27:17. | ||
needs to run a bit more, but... It won't matter now. No matter what | :27:17. | :27:23. | |
happens, Ronnie will concede. Ronnie had a great chance at the frame but | :27:23. | :27:28. | |
had a really loose positional shot which will annoy him. Barry Hawkins | :27:28. | :27:34. | |
took the opportunity and looked really solid. He is just two behind | :27:34. | :27:40. | |
now. 10-8, O'Sullivan. HAZEL IRVINE: And from the tension | :27:40. | :27:45. | |
inside the Crucible, here we are in the Winter Gardens and the last day | :27:45. | :27:48. | |
of the Championship, and it is beautiful here. What I am looking | :27:48. | :27:54. | |
at, pretty as a picture, Steve, John and Stephen. What a terrific frame | :27:54. | :27:58. | |
from Barry Hawkins, Terry Griffiths says this man is a real fighter. | :27:58. | :28:02. | |
Yes, and he take his chances well, because Ronnie O'Sullivan is the | :28:02. | :28:07. | |
person who should have won that frame. That is the first frame we | :28:07. | :28:10. | |
have seen in this final where a player has got in front and not | :28:10. | :28:20. | |
:28:20. | :28:21. | ||
converted what was ability we easy chance at this level, and it has | :28:21. | :28:23. | |
come from Ronnie O'Sullivan. It was not necessarily just one clearance, | :28:23. | :28:26. | |
but he did his job very well. Last night's final frame of the | :28:26. | :28:28. | |
session was massive in the overall context of this match. When you have | :28:28. | :28:32. | |
been through something like this and come out on the losing end of that | :28:32. | :28:35. | |
frame, I much doubt that play on your mind overnight? | :28:35. | :28:41. | |
It probably wasn't a bad way to go, thinking about it overnight, because | :28:41. | :28:45. | |
you would not have wanted to carry on after that. That response today, | :28:45. | :28:51. | |
though, that is top class. A couple of people in the Hotel today said, | :28:51. | :28:55. | |
he will not win ten frames, what do they think now? | :28:55. | :29:00. | |
The fact this final is itself a marathon, what is your attitude | :29:00. | :29:04. | |
coming into the second day of the final? | :29:04. | :29:08. | |
On Monday you realise you are in the final, it feels more like a final. | :29:08. | :29:12. | |
You can see all of the VIPs, everyone turning up, the whole | :29:12. | :29:17. | |
buyers of the place is different. It is certainly buzzing in here and it | :29:17. | :29:26. | |
is certainly buzzing in the Crucible Yes, Ronnie has made an excellent | :29:26. | :29:35. | |
break-off there. He has not left at pot on. Just to give you a look at | :29:35. | :29:42. | |
what Barry is seeing from the baulk N. He will not be playing that, it | :29:42. | :29:49. | |
does not look as if there is a return to the baulk N. He will be | :29:49. | :29:59. | |
:29:59. | :30:03. | ||
The only prat - problem about playing the containing safety is | :30:03. | :30:13. | |
:30:13. | :30:37. | ||
He is in a precarious situation He has that - decided to leave that | :30:37. | :30:42. | |
red, and that might be a mistake. He was contemplating a few | :30:42. | :30:52. | |
:30:52. | :31:13. | ||
Nicely played. Not quite certain what Barry Hawkins had in mind in | :31:13. | :31:22. | |
his last safety shot. It went all wrong. He knows he can't offer up | :31:22. | :31:32. | |
:31:32. | :31:50. | ||
easy starkers for Ronnie. - A bit short on the blue again. He | :31:50. | :31:54. | |
is having a few problems at the speed of the table to start this | :31:54. | :32:04. | |
:32:04. | :32:04. | ||
Apology for the loss of subtitles for 41 seconds | :32:04. | :32:57. | |
She would love to get the cue ball somewhere in that circle. Just | :32:57. | :33:05. | |
about perfect. People take the want directly above the black. - he will | :33:05. | :33:15. | |
:33:15. | :33:32. | ||
The pink is possibly on into the right centre. That is what he is | :33:32. | :33:42. | |
:33:42. | :34:03. | ||
As you say, he wasn't happy with the angle. I think the red just | :34:03. | :34:08. | |
below the pink is available. I think that is why he decided not to | :34:08. | :34:18. | |
:34:18. | :34:25. | ||
The pink cannot go back on that spot, so it goes in a direct line | :34:25. | :34:35. | |
:34:35. | :34:40. | ||
as close as it can do it spot in a Certainly, the top red goes into | :34:40. | :34:50. | |
:34:50. | :35:04. | ||
Normally Ronnie is the type of player who goes into the red bunch | :35:04. | :35:08. | |
at the first opportunity. It shows you have focused he is. He will be | :35:09. | :35:12. | |
disappointed to lose that first frame and he will not want to make | :35:12. | :35:22. | |
:35:22. | :35:24. | ||
any mistakes here. Absolutely. He just didn't get the backspin | :35:24. | :35:28. | |
required. Again, he will be disappointed he didn't win the | :35:29. | :35:36. | |
frame from that position. It just needed that bit more power on the | :35:36. | :35:46. | |
:35:46. | :35:46. | ||
Apology for the loss of subtitles for 41 seconds | :35:46. | :36:46. | |
Without taking any undue risks, he When you hit it as well as that, | :36:46. | :36:52. | |
you can stop your opponent from playing any kind of safety shot! He | :36:52. | :36:56. | |
could not have played that any better, perfect line, perfect | :36:56. | :37:06. | |
:37:06. | :37:28. | ||
Well, that was very admirable. She called at foul on himself. Barry | :37:28. | :37:32. | |
announced he fouled the ball even before the referee sold the file | :37:32. | :37:42. | |
:37:42. | :37:57. | ||
He is nicely on the green. The reds that he needs to win the frame are | :37:57. | :38:07. | |
:38:07. | :38:24. | ||
possible. He will be disappointed Just this black to go 70. To end - | :38:25. | :38:34. | |
:38:35. | :38:43. | ||
70 points ahead with just 67 That means that Barry Hawkins will | :38:44. | :38:53. | |
:38:54. | :39:14. | ||
not bother coming back to the table The average frame time is just over | :39:14. | :39:23. | |
15 minutes. The Bill in the snooker club wouldn't be that big, would | :39:24. | :39:33. | |
:39:34. | :40:02. | ||
It used to take Terry Griffiths 15 minutes just to break off, didn't | :40:02. | :40:11. | |
it? In those days we used to work on an average frame time of 26-27 | :40:11. | :40:18. | |
minutes. This is a man who has made a maximum break in this arena in | :40:18. | :40:27. | |
five minutes and 20 seconds. Yesterday he became the man who has | :40:27. | :40:34. | |
had more century breaks here than anyone else. He has had 129 | :40:34. | :40:39. | |
centuries just at the Crucible, breaking Stephen Hendry's record, | :40:39. | :40:49. | |
:40:49. | :40:54. | ||
He will be very pleased getting this frame, especially what | :40:54. | :41:01. | |
happened and the last frame. Everything is going into the middle | :41:01. | :41:08. | |
of the pocket. He is in free- flowing mood. What has been | :41:08. | :41:18. | |
:41:18. | :41:19. | ||
impressive to me, just that steely determination. He made breaks of 54 | :41:19. | :41:25. | |
and finished top of the 76. Young Ronnie will be pleased. Well done, | :41:25. | :41:31. | |
Dad! Not just big applause in the | :41:31. | :41:36. | |
Crucible, but also outside. This is Tudor Square in the heart of | :41:36. | :41:42. | |
Sheffield. You can see lots of people enjoying the beautiful bank | :41:42. | :41:46. | |
Holiday sunshine, having a few drinks and watching the output on | :41:46. | :41:51. | |
the big screen. We have Shannon and Peter from Northern Ireland. What | :41:51. | :41:57. | |
have you made of it so far? It has been a great final, really close. | :41:57. | :42:02. | |
Peter? I have been really enjoying it. The first session yesterday | :42:02. | :42:07. | |
were quite tight, tighter than I thought. Just looking for to the | :42:07. | :42:13. | |
rest of the day, really? How come you're right side? Tickets are in | :42:13. | :42:21. | |
scarce supply. Luckily enough we have some tickets for tonight. | :42:21. | :42:27. | |
Ronnie by three off-fore, at least. I think it is looking close. Let's | :42:27. | :42:34. | |
have a chat to a Barry Hawkins fund. My name is Sammy. While her you | :42:34. | :42:37. | |
supporting Barry Hawkins? I just think he has come a long way in the | :42:37. | :42:42. | |
competition and has done really well. He has had a few comebacks | :42:42. | :42:48. | |
from far behind. I think somebody should win for a change, not just | :42:48. | :42:57. | |
Ronnie O'Sullivan! JOHN: Another bad safety shot from | :42:57. | :43:07. | |
:43:07. | :43:22. | ||
Barry. He can keep leaving these This is certainly not an easy | :43:23. | :43:27. | |
chance. The fact that there is no easy path round the back of the | :43:27. | :43:37. | |
:43:37. | :43:46. | ||
black, that is why Ronnie has At first glance, it looks as if he | :43:46. | :43:56. | |
:43:56. | :43:58. | ||
might have covered this red. The body language tells us that the red | :43:58. | :44:01. | |
is covered. He is having a look at the one into the bottom right | :44:01. | :44:11. | |
:44:11. | :44:12. | ||
corner pocket. He will have to pull off some shot here but, the only | :44:12. | :44:17. | |
colour he could possibly get on is the blue. It would be some shock to | :44:18. | :44:27. | |
:44:28. | :44:37. | ||
get the cue ball back-up for the That is absolutely superb. You can | :44:38. | :44:41. | |
forgive him for being on the wrong side of the blue. The most | :44:41. | :44:51. | |
:44:51. | :44:51. | ||
Apology for the loss of subtitles for 41 seconds | :44:51. | :45:47. | |
important thing was pop the red and Great opening red, but only six | :45:47. | :45:57. | |
:45:57. | :46:34. | ||
He just try to force the angle, didn't he? Good straight cueing was | :46:34. | :46:44. | |
needed, but if you hit the red in the middle, the white was always | :46:44. | :46:54. | |
:46:54. | :46:54. | ||
Apology for the loss of subtitles for 41 seconds | :46:54. | :48:27. | |
He tried to run past the black, but Are he is just thinking, a fairly | :48:27. | :48:36. | |
cue ball tight on the top cushion, this red would be tempting. But | :48:36. | :48:46. | |
:48:46. | :49:13. | ||
that black has come down and Back the cue ball needs to slow up | :49:13. | :49:23. | |
:49:23. | :49:46. | ||
there. He could get through to the He is on it. The problem is, the | :49:46. | :49:53. | |
red that is closer to its, that will be in the way if he does not | :49:53. | :50:03. | |
:50:03. | :50:43. | ||
Tight on the top cushion would have This frame has gone a bit scrappy | :50:43. | :50:53. | |
:50:53. | :50:54. | ||
with the black not on that spot, the pink tied up. At that speed, it | :50:54. | :51:04. | |
:51:04. | :51:19. | ||
is never easy for the pocket to He has let it cue ball tight on the | :51:19. | :51:29. | |
top cushion. Barry with the problem. That was a very clever little shot, | :51:29. | :51:39. | |
:51:39. | :52:00. | ||
wasn't it? Bringing the black into This is where snooker is a funny | :52:00. | :52:04. | |
game sometimes. You can put some money in real trouble. He is | :52:04. | :52:09. | |
looking at all the options of getting a decent safety. Then all | :52:09. | :52:14. | |
this sudden, you get to a situation where it can get it safe, but there | :52:14. | :52:20. | |
is a pot to the right metals. Is it better to play the risky pot or the | :52:20. | :52:28. | |
risky safety? So many times you see people go for the pot, not kicked | :52:28. | :52:31. | |
in and have a frame winning chance. He hasn't really looked at that, | :52:31. | :52:41. | |
:52:41. | :52:53. | ||
has a, to the right hand corner The best he could do that situation | :52:53. | :53:03. | |
:53:03. | :53:16. | ||
was just not leave Ronnie with It needs to be tight on the cushion. | :53:16. | :53:24. | |
He is not tight. He is contemplating this red into the | :53:24. | :53:33. | |
right centre. Again, it is a very tough pot if you mishits it. - if | :53:33. | :53:43. | |
:53:43. | :54:13. | ||
He has not got it tight to the top cushion, but he has not let | :54:13. | :54:17. | |
anything easy for Ronnie. All the colours that are available are in | :54:17. | :54:27. | |
:54:27. | :54:29. | ||
the top half of the table. As I say, it has gone a little bit scrappy. | :54:29. | :54:39. | |
That is what he didn't want. He has got to played his safety shot that | :54:39. | :54:44. | |
he wanted Barry to play! For once, a fluke didn't help. Quite | :54:44. | :54:53. | |
incredible, isn't it? You get a fluke, and keep yourself in | :54:53. | :55:01. | |
trouble! Again, he has the problem that Barry Hawkins did a minute ago. | :55:01. | :55:06. | |
He is trying to see if he can leave the cue ball on the top cushion. | :55:07. | :55:14. | |
There are a couple of reds available for Barry. That is what | :55:14. | :55:22. | |
he is afraid of. The pink doors pot into the Left Centre. This may be | :55:22. | :55:27. | |
one of the shots you spoke about, John. He may be as well just have a | :55:27. | :55:37. | |
:55:37. | :55:53. | ||
Is the safety guaranteed? Her he is just looking to see if he can get | :55:53. | :56:00. | |
through to the blue. Maybe not leave one of the reds into the | :56:01. | :56:07. | |
centre pocket. Now having a look once again at the potting angle on | :56:07. | :56:17. | |
:56:17. | :56:31. | ||
Well, we talk about costly flukes, but not the other way around. What | :56:31. | :56:41. | |
:56:41. | :56:49. | ||
That chance to get a black right on that spot. The pink is now in the | :56:49. | :56:59. | |
:56:59. | :57:39. | ||
She has gone a bit straight on the black, but this should not hamper | :57:39. | :57:49. | |
:57:49. | :58:17. | ||
This is a great chance, and one you Through reds she needs all in good | :58:17. | :58:26. | |
positions. - he needs. He kinky - he can get a blue back on it spot | :58:26. | :58:36. | |
:58:36. | :59:08. | ||
Just about perfect on the blue. He can hold for either of these reds | :59:08. | :59:18. | |
:59:18. | :59:19. | ||
Apology for the loss of subtitles for 41 seconds | :59:19. | :00:07. | |
She would have preferred an ankle. That was a nice pot, right in the | :00:07. | :00:17. | |
:00:17. | :00:31. | ||
bit too close to the cushion than he would have liked. -- he has let that | :00:31. | :00:41. | |
:00:41. | :00:52. | ||
close to the cushion there. 54 points behind, 59 remaining on the | :00:52. | :01:02. | |
:01:02. | :01:11. | ||
with, Ronnie, this is the big problem he has. The reds are in a | :01:11. | :01:21. | |
:01:21. | :01:37. | ||
reasonable position, but they are at to the left corner pocket, but he | :01:37. | :01:47. | |
:01:47. | :01:59. | ||
shot-macro. Not perfect on the black. | :01:59. | :02:09. | |
That was a nice pot, just a little bit low on this black. Anywhere in | :02:09. | :02:12. | |
behind this, close to the cushion, try and get it into the right | :02:12. | :02:22. | |
:02:22. | :02:57. | ||
Just calculating the scores, he can he cannot get close. It was always | :02:57. | :03:02. | |
going to be difficult because he did not have that many points to play | :03:02. | :03:04. | |
with. If he puts the blue, he will go 32 | :03:04. | :03:12. | |
points behind. From this last red, it has to be blue or above if he is | :03:12. | :03:22. | |
:03:22. | :03:50. | ||
to win the frame at this visit. What -- around the angles here. I thought | :03:50. | :03:54. | |
he might go round a few two shins to get close to this year low, but he | :03:54. | :04:01. | |
is now going to require another good pot. | :04:01. | :04:07. | |
Barry will be sitting in his seat suffering, because he only needed | :04:07. | :04:17. | |
:04:17. | :04:35. | ||
that one red. He missed his chance - what a shot. He is pulling them out | :04:35. | :04:41. | |
of the fire here. This will hurt Barry Hawkins. This could be the | :04:41. | :04:51. | |
:04:51. | :05:15. | ||
amount of right-hand side. Now the black to win the frame by one point | :05:15. | :05:21. | |
and make Barry Hawkins really regret missing that frame ball red. In it | :05:21. | :05:25. | |
goes! It doesn't get much better than that. That was a sensational | :05:25. | :05:33. | |
clearance. No points to Speyer, absolutely brilliant. Barry Hawkins | :05:33. | :05:37. | |
had his chance, missed one red and that was enough for Ronnie | :05:37. | :05:43. | |
O'Sullivan to go four clear. 12-8, what a frame. | :05:43. | :05:46. | |
Sensational clearance from Ronnie O'Sullivan and that really does tell | :05:46. | :05:51. | |
you everything you need to know. Let's discuss that miss from Barry. | :05:51. | :05:56. | |
He played a slight positional shot where he left the cue ball too close | :05:56. | :06:02. | |
to the cushion. He just tweaked it a little bit, but what a clearance, | :06:02. | :06:06. | |
you never had a lot of points to play with and a fabulous clearance. | :06:06. | :06:10. | |
It will take a lot of character for Barry to come back from that. | :06:10. | :06:14. | |
The way he was able to go through the colours. | :06:14. | :06:20. | |
I could pick about seven or eight shots through it. You have to get | :06:20. | :06:23. | |
right through this near the bottom with enough cue to hold the White to | :06:23. | :06:31. | |
get on there. To hit this as pure and to come back with side on it to | :06:31. | :06:38. | |
get on the brown is superb. What it kicked off the cushion, absolutely | :06:38. | :06:43. | |
he could not have played that any better. Phenomenal. Graeme Dott got | :06:43. | :06:52. | |
eight frames against Ronnie in 2004, Ali Carter got eight frames in 2008, | :06:52. | :06:56. | |
and Ken Doherty said he thought that could be a turning point in the | :06:56. | :06:59. | |
match. It is looking like the best defence | :06:59. | :07:02. | |
of a title ever from perhaps the best player we have ever seen in the | :07:02. | :07:07. | |
game and the best player under pressure. It is easier to look over | :07:07. | :07:11. | |
your shoulder when you are a favourite and panic getting close to | :07:11. | :07:14. | |
the finishing line, he desperately wants to win this to show how good | :07:14. | :07:22. | |
he is, and every time he has been asked a question he has come back, | :07:22. | :07:26. | |
he has been producing all tournament. He is at what speed now | :07:26. | :07:35. | |
as we go back to the Crucible. The buzz in the crowd after that | :07:35. | :07:45. | |
:07:45. | :07:47. | ||
frame was electric. It was a bit of Some of the shots he played, yellow | :07:47. | :07:53. | |
to green, blue to brown, fantastic clearance. It could be the biggest | :07:53. | :07:59. | |
frame of this final, it could be a turning point. It will take every | :07:59. | :08:03. | |
little inch of steel in Barry Hawkins's character to come back | :08:03. | :08:08. | |
from that now. But he has done it before, he was well down against | :08:08. | :08:13. | |
Ricky Walden, he has nerves of steel himself but he is going to have to | :08:13. | :08:18. | |
draw on them in this final to come back from frames like that, they | :08:18. | :08:28. | |
:08:28. | :08:43. | ||
for a safety shot. They are so hard to judge. To find the baulk as good | :08:43. | :08:53. | |
:08:53. | :08:59. | ||
want to be looking at a success rate of around 90%, the tournament safety | :08:59. | :09:09. | |
:09:09. | :09:17. | ||
success is a bit low for both Barry cushion. Nor easy path back to baulk | :09:17. | :09:27. | |
:09:27. | :09:38. | ||
Ronnie, but Barry will not be happy with that result. | :09:38. | :09:43. | |
He certainly will not, he has left an almost dead straight red into the | :09:43. | :09:53. | |
:09:53. | :10:00. | ||
pocket, and there is no pressure on anything, but that was the only | :10:00. | :10:05. | |
possibility, that he would leave this red. He did not hit it as hard | :10:05. | :10:15. | |
:10:15. | :10:41. | ||
Yes, particularly after losing the really. Just to prove to himself | :10:41. | :10:48. | |
that he can get over reversals like he had in the last frame. He is a | :10:48. | :10:58. | |
:10:58. | :11:26. | ||
very tough competitor. He just has going on the blackspot, that will | :11:26. | :11:32. | |
not bother him too much, I don't think, apart from the fact at the | :11:32. | :11:35. | |
moment the pink is only available into the left corner, but he can | :11:35. | :11:45. | |
:11:45. | :11:45. | ||
Apology for the loss of subtitles for 41 seconds | :11:45. | :12:42. | |
top cushion and clear the pink for release another into the opposite | :12:42. | :12:52. | |
:12:52. | :12:57. | ||
screw back for the loose red directly above the cue ball at the | :12:57. | :13:07. | |
:13:07. | :13:15. | ||
moment, but he has a nice angle if pink spot? If it does, there is | :13:15. | :13:20. | |
nothing. That is unfortunate. was the danger of going into the | :13:20. | :13:25. | |
cluster. He had a few loose reds to play for and it was always the | :13:25. | :13:30. | |
danger he could clear the pink spot and put the pink bed of play. But to | :13:30. | :13:40. | |
:13:40. | :13:42. | ||
not finish on a red, as you say, Can he pot this one into the bottom | :13:42. | :13:52. | |
:13:52. | :14:22. | ||
looks like he has an angle on the decided to stand it in, rather than | :14:22. | :14:29. | |
just run it in with topspin. He is going to require another good pot | :14:29. | :14:39. | |
:14:39. | :14:39. | ||
Apology for the loss of subtitles for 41 seconds | :14:39. | :15:21. | |
here. This is good stuff from Barry pace. It can make all the | :15:21. | :15:24. | |
difference. If that had run on another couple of inches he would | :15:24. | :15:34. | |
:15:34. | :15:48. | ||
absolutely loves snooker. A big fan of Steve Davis. Of course, Phil | :15:48. | :15:54. | |
Taylor, who has been in so many world finals he will be appreciating | :15:54. | :16:00. | |
the nerves out there. And that is absolutely inch perfect, very well | :16:00. | :16:06. | |
played indeed. We knew he needed to be on the pink, but to get that | :16:06. | :16:16. | |
:16:16. | :16:22. | ||
win the frame at this visit. But remember the last one, he was just | :16:22. | :16:32. | |
:16:32. | :16:35. | ||
one red short. That will be in his in the last frame, you said he | :16:35. | :16:40. | |
needed a response, and what our response we have got. Absolutely, | :16:40. | :16:45. | |
and he has posed a question. It looks like Barry has come up with | :16:45. | :16:55. | |
:16:55. | :17:17. | ||
confidence, after the last frame, and as we keep saying, he has been | :17:17. | :17:22. | |
behind, he was long way behind in the match with Ricky Walden in the | :17:22. | :17:27. | |
semi-final but hung on in there, and he is hanging on again. A tough | :17:27. | :17:37. | |
:17:37. | :17:54. | ||
losing the last frame, but he just this, so it could be a positive | :17:54. | :18:04. | |
:18:04. | :18:04. | ||
Apology for the loss of subtitles for 41 seconds | :18:04. | :18:55. | |
midsession talk with Terry that is from Barry Hawkins. Ronnie | :18:55. | :19:02. | |
left him one chance and that is all he needed. That was superb stuff, | :19:02. | :19:06. | |
still three behind but he will go to the dressing room feeling an awful | :19:06. | :19:10. | |
lot better. 12-9 to Ronnie O'Sullivan. | :19:10. | :19:15. | |
Harry Hawkins was an ET-1 shot before he turned up in Sheffield, | :19:15. | :19:25. | |
never been past the second round. -- ET-1 shot. For five years he lost in | :19:25. | :19:30. | |
the first round, two years in the second round, and here he is in the | :19:30. | :19:33. | |
second -- final. It is encouraging that he is doing justice to his | :19:33. | :19:39. | |
talents in this final. It is a fantastic performance, but the only | :19:39. | :19:43. | |
problem is it is being overshadowed by Ronnie O'Sullivan, but what a | :19:43. | :19:47. | |
rearguard action. To turn it around, what a storyline it would be. | :19:47. | :19:51. | |
assess the way he has gone about his business today. What a daunting | :19:51. | :19:57. | |
process it must have been to even turn up to the? Absolutely, he was | :19:57. | :20:04. | |
60-1 in this final, Ronnie O'Sullivan was 1-7. I have seen | :20:04. | :20:07. | |
Ronnie play as nearly as good as I have ever seen anyone play and he | :20:07. | :20:12. | |
has to win 18 frames against him. He has done a magnificent job so far. | :20:12. | :20:20. | |
His record is not great, he has lost five matches against Ronnie. He beat | :20:20. | :20:25. | |
Ronnie in the 2002 Scottish open, but he has never won since. What do | :20:25. | :20:29. | |
you make of his performance two I don't want to sound patronising but | :20:29. | :20:32. | |
he has gone right up in my estimations. I never thought he | :20:32. | :20:36. | |
would compete in this final. I must admit I was one of those who never | :20:36. | :20:40. | |
thought it would get to a fourth session. But incredible character, | :20:40. | :20:46. | |
what Ronnie did in that last frame, to come back and win it, incredible. | :20:46. | :20:50. | |
I always thought he was a high-quality match player, I did not | :20:50. | :20:55. | |
know he had this ability to compete in the cauldron of the Crucible, but | :20:55. | :21:01. | |
he is doing a fantastic job. Well, another 17 days in Sheffield | :21:01. | :21:06. | |
are whizzing by in a slow motion flash, as usual. We have had so many | :21:06. | :21:08. | |
twists and turns this year and we have been even talking about | :21:08. | :21:18. | |
:21:18. | :21:28. | ||
Bernard, just amongst pundits, never on the returning champion back from | :21:28. | :21:32. | |
his snooker 's sabbatical - Ronnie O'Sullivan, the Beethoven of big | :21:32. | :21:36. | |
building, the Shakespeare of shotmaking, the da Vinci of | :21:36. | :21:41. | |
developing the Reds, the man known as the Mozart of... Snooker? Was | :21:41. | :21:51. | |
:21:51. | :21:54. | ||
mindbending best. But even Mozart would have taken a couple of | :21:54. | :22:00. | |
concertos to crank back up to speed after a year out of composing. Peter | :22:00. | :22:04. | |
Ebdon against Graeme Dott, a match that crawled along so slowly at one | :22:04. | :22:08. | |
point it seemed Peter Ebdon had hibernated on the table. At one | :22:08. | :22:13. | |
stage, Peter Ebdon disappeared for four minutes between frames, giving | :22:13. | :22:17. | |
Graeme Dott some quality time alone to ponder on ways to speed snooker | :22:17. | :22:27. | |
:22:27. | :22:39. | ||
out in the first round, proving there is no substitute for | :22:39. | :22:42. | |
experience. Four veterans were also knocked out in the first round, | :22:42. | :22:47. | |
proving there is a substitute for experience. One of those who did | :22:47. | :22:55. | |
make it through was Thailand's Dechawat Poomjaeng. He applauded his | :22:55. | :23:01. | |
own shots, as if the balls were his children in an unexpectedly flawless | :23:01. | :23:05. | |
nativity play. He waved them into the pocket but like a trainee | :23:05. | :23:11. | |
Shepherd with the disappointing news sheepdog. He knocked out Stephen | :23:11. | :23:16. | |
Maguire 10-9 in a first round thriller. Stephen suggested that | :23:16. | :23:23. | |
Dechawat Poomjaeng was not the Phil Schilling. That he was a John Virgo | :23:23. | :23:27. | |
short of commentary box. He even tried to leave by the wrong exit. | :23:27. | :23:32. | |
Where is the screwball going? In the first round he did everything short | :23:32. | :23:36. | |
of coming out dressed as a pantomime horse. In the second round team-mate | :23:36. | :23:39. | |
as well have done that, because not only did Michael White make | :23:39. | :23:45. | |
mincemeat out of him, but at one point he was reduced to grazing on | :23:45. | :23:51. | |
the beautifully mown Crucible turf. Into the second round, and more | :23:51. | :23:56. | |
shocks and some electrifying snooker. But Graeme Dott did not | :23:56. | :24:02. | |
have quite enough spark. He lost to Shaun Murphy. This set up a | :24:02. | :24:06. | |
quarter-final showdown with 2011 finalist, Judd Trump, who avoided | :24:07. | :24:11. | |
the carnage of the early rounds, despite this mess, which provoked | :24:11. | :24:18. | |
this reaction from his opponent. To be fair to Dominic Dale, he was not | :24:18. | :24:23. | |
concentrating on the snooker this time, he had heard that Hazel Irvine | :24:23. | :24:27. | |
had displaced Angela Merkel as Forbes most powerful women in the | :24:27. | :24:31. | |
world. Anything is possible. | :24:31. | :24:36. | |
Judd Trump was formidable in arguably the biggest showdown of the | :24:36. | :24:41. | |
second round. Referee Adrian Williams against the miss rule. | :24:41. | :24:49. | |
Poor Adrian Williams, it was like a food fight. | :24:50. | :24:54. | |
Elsewhere, Mark Selby was knocked out and complaint about burnout. | :24:54. | :24:59. | |
I don't know if it has been a long season and I had nothing left coming | :24:59. | :25:03. | |
into the championships. Barry Hearn then complained about Mark Selby | :25:03. | :25:07. | |
complaining about Bernard. It is tough flying around the world | :25:07. | :25:09. | |
staying in 5-star hotels and earning loads of money, don't come to me | :25:09. | :25:17. | |
with your excuses. As Barry himself would no doubt say, | :25:17. | :25:22. | |
Bernard? Before I came along there was nothing so much as a fire, no | :25:22. | :25:26. | |
dress up like a marshmallow and toast yourself! | :25:26. | :25:35. | |
What is that other second-round match? Ding Junhui in a match that | :25:36. | :25:45. | |
:25:46. | :25:49. | ||
Mark King played the shot of this tournament is that most resembled | :25:49. | :25:53. | |
1940 -- 1950s America, going all over the place unsuccessfully trying | :25:53. | :26:00. | |
to locate the reds. That is one for all of due Cold War fans out there. | :26:00. | :26:06. | |
In the quarter-final, The Rocket was starting to look more unbeatable | :26:06. | :26:16. | |
:26:16. | :26:22. | ||
than a hungry wheel in a plankton The Rocket can place the curfew can | :26:22. | :26:28. | |
match and he can find shots other playbook -- players would not even | :26:28. | :26:33. | |
see. He can play snooker is so beautiful it makes you want to set | :26:34. | :26:38. | |
your children on your knee, point at the television and say, watch this, | :26:38. | :26:48. | |
:26:48. | :26:49. | ||
this is why I had you. Don't tell out the match of the Championship, a | :26:50. | :26:53. | |
seesaw classic that culminated in another final frame frenzy. Enough | :26:53. | :27:01. | |
and Ali Moore intends than the -- in a finale more intense than the | :27:01. | :27:09. | |
Glastonbury crowd, we -- Judd Trump triumphed. Hands up if you put money | :27:09. | :27:12. | |
on Barry Hawkins against Ricky Walden semi-final. If you have your | :27:12. | :27:17. | |
hand up, put it down again, you are a liar or you are a close member of | :27:17. | :27:24. | |
either player and you are a liar. -- close family member. The dedication | :27:24. | :27:28. | |
to hitting a tiny ball in a pointy stick -- with a pointy stick in a | :27:28. | :27:33. | |
dark room and the lifestyle of spending a lot of money on | :27:33. | :27:39. | |
waistcoats paid off in style. After beginning the tournament with a | :27:39. | :27:44. | |
played nine, lost seven Crucible record was about to have a much | :27:44. | :27:49. | |
busier bank holiday than he used to. Either Judd Trump Ronnie O'Sullivan | :27:49. | :27:55. | |
could find their fluid best. For once, physics was not doing as it | :27:55. | :28:05. | |
:28:05. | :28:06. | ||
was told. He has left this green on! | :28:06. | :28:11. | |
Yes, there were breaks, but not always the kind of breaks you would | :28:11. | :28:16. | |
want in a world semi-final. The last time I heard a noise like | :28:16. | :28:24. | |
that it was playing against... And it was Ronnie who was told off | :28:24. | :28:29. | |
for naughty snooker. In the end, he made it through. He had mixed a | :28:29. | :28:32. | |
trademark cocktail of technical brilliance with the eye of a | :28:32. | :28:37. | |
champion, still in the flush of his youth but with 20 years of added | :28:37. | :28:47. | |
:28:47. | :28:48. | ||
then being on stamps is not for the Queen. Are you going to be the man | :28:48. | :28:54. | |
to tell her that? Really? So, now, as many predicted, it has | :28:54. | :29:02. | |
all come down to the final. Again, as tournaments do, generally. This | :29:02. | :29:05. | |
Championship has had it all and at the end of it we are left with one | :29:05. | :29:10. | |
man seemingly born to play in finals and another man who never thought he | :29:10. | :29:18. | |
would get there. Thanks be to snooker. Amen. Well, from one witty | :29:18. | :29:22. | |
character to another, it is a great pleasure to welcome Stephen Fry to | :29:22. | :29:25. | |
our studio. Crucible debut, Stephen? | :29:25. | :29:29. | |
Yes, I Dreams Come True, I can honestly say I could be struck dead | :29:29. | :29:32. | |
tomorrow by a bulldog licking and would code my life complete. | :29:32. | :29:39. | |
What was it like in there for you? -- struck dead tomorrow by a bolt of | :29:39. | :29:42. | |
lightning. You always hear people talking about | :29:42. | :29:47. | |
net the 1970s saying it is unmatched in any arena, and you think, it has | :29:47. | :29:51. | |
three sides and a table in the middle, but when you get there it is | :29:51. | :29:55. | |
so true, you are so close to the action. This session has been | :29:55. | :29:59. | |
astonishing, I cannot believe that Barry Hawkins managed to pull out a | :29:59. | :30:09. | |
frame winning century, nearly, after that fantastic steel. The yellow to | :30:09. | :30:13. | |
green to brown was as good as you will ever see. I had to close my | :30:13. | :30:18. | |
eyes, I heard the green rattle in. On the brown it was just | :30:18. | :30:21. | |
extraordinary. It is fantastic to hear you talking so passionately, | :30:21. | :30:26. | |
because you know on Twitter you are always extolling the virtues of | :30:26. | :30:28. | |
snooker. Once you said I would rather watch | :30:28. | :30:33. | |
snooker than do anything else. What is the fascination two some people | :30:33. | :30:38. | |
say it is the quiet rhythm, to me that is nonsense - it is the human | :30:39. | :30:44. | |
drama. In golf, you don't really see enough of a person's face and body | :30:44. | :30:52. | |
language. You only see it a bit, but in snooker you can actually watch | :30:52. | :30:56. | |
the transcendent moment of being in the zone following up a player and | :30:56. | :30:59. | |
they have it and they have the rhythm and the timing and the focus | :30:59. | :31:02. | |
and you can watch them when they lose it. It can be because of a | :31:02. | :31:12. | |
:31:12. | :31:14. | ||
fluke. It is just extraordinary. | :31:14. | :31:24. | |
:31:24. | :31:34. | ||
analysis for that frame before the played? I used to have a table.Have | :31:35. | :31:38. | |
you ever worked at the Crucible? Twice, I think. I have done a | :31:38. | :31:48. | |
:31:48. | :31:50. | ||
reading. It is a lovely theatre, no question about it. The Crucible is a | :31:50. | :31:53. | |
medieval receptacle in which elements and metals are fused in | :31:53. | :31:59. | |
heat, and that is a very good analogy for the arena. There is this | :31:59. | :32:05. | |
incredible sense of drama. It is the human drama more than anything else. | :32:05. | :32:08. | |
Clearly you will have had your favourites over the years? You know | :32:08. | :32:13. | |
these guys very well. Of all of the players, who would be your favourite | :32:13. | :32:23. | |
one? I mean, Ronnie O'Sullivan is magic. But for me, I always had a | :32:23. | :32:28. | |
special place in my heart for Jimmy White. Partly, because he never won | :32:28. | :32:38. | |
:32:38. | :32:41. | ||
this event. But also, to watch his movement. I bought his book. There | :32:41. | :32:47. | |
was a think about how to do screw. He said, could be kept lower than | :32:47. | :32:57. | |
:32:57. | :32:59. | ||
that, no, lower, no, lower. He seemed such a lovable character, | :32:59. | :33:07. | |
completely unchanged. Steve Davis transformed the game, I have to say. | :33:07. | :33:12. | |
And the idea that you were a machine is complete drivel, you just | :33:12. | :33:17. | |
happened to be much better than everybody else. And then there was | :33:17. | :33:25. | |
Joe Johnson... He used to have separate press conferences! What | :33:26. | :33:31. | |
about what about you to go for a little bit of a knockabout? -- what | :33:31. | :33:41. | |
:33:41. | :34:01. | ||
Stephen Hyde to screw back? Are you going to ask me to do it? Play the | :34:01. | :34:11. | |
:34:11. | :34:34. | ||
send you away empty-handed. We are going to pot this black in the | :34:34. | :34:44. | |
:34:44. | :34:47. | ||
middle pocket. That is impressive. Which all are my -- am I aiming for? | :34:47. | :34:57. | |
:34:57. | :35:07. | ||
Hit the red full in the face. yes! Thank you for coming in. | :35:07. | :35:13. | |
It is great to see celebrities watching the game. There are still | :35:13. | :35:23. | |
:35:23. | :35:37. | ||
characters who play the game. Let's MUSIC | :35:37. | :35:42. | |
That is enough of that! They say the golden age of snooker was in the | :35:42. | :35:48. | |
1980s. What a cast of characters we had. I do not go along with the | :35:48. | :35:52. | |
theory that there are no characters in the modern game. There was one | :35:52. | :35:56. | |
show man who showed that in this year? World Championship. Can you | :35:56. | :36:06. | |
:36:06. | :36:35. | ||
guess who it is? We know him as the do not hit a ball you will lose the | :36:35. | :36:45. | |
:36:45. | :36:49. | ||
frame. Yes. He is applauding himself! People come here to be | :36:49. | :36:54. | |
entertained. He reminded me of Dennis Taylor. He is the only | :36:54. | :37:01. | |
character am on these great snooker stars. The game has changed so much | :37:01. | :37:05. | |
since the 1980s. It is difficult for players to become household names. | :37:05. | :37:15. | |
:37:15. | :37:17. | ||
Back then, we did not have hundreds of TV cameras. In the 1980s, snooker | :37:17. | :37:23. | |
was one of the only things on TV. There were a lot of characters. It | :37:23. | :37:28. | |
is more professional now than it has ever been. In the 1980s, players had | :37:28. | :37:34. | |
to try and sell themselves a lot more on TV. You will probably see a | :37:34. | :37:41. | |
lot more characteristics coming night on TV in the 19 new days, | :37:41. | :37:49. | |
because they had to make money from exhibitions. -- in the 1980s. | :37:49. | :37:55. | |
Because of the lack of tournament in the 1980s, we had to display a | :37:55. | :37:59. | |
little fun to hope we would get a booking in a club or something. We | :37:59. | :38:02. | |
could not make a living from tournament snooker honesty won every | :38:02. | :38:06. | |
single one. We used to do the holiday camps and the working men's | :38:06. | :38:09. | |
clubs, the Conservative clubs, things like that, to try and earn an | :38:09. | :38:19. | |
:38:19. | :38:27. | ||
probably compare them with the characters when they first started | :38:27. | :38:31. | |
watching. We had a section of players trying to prove to the | :38:31. | :38:38. | |
public that snooker was worth watching. In the good old days, when | :38:38. | :38:41. | |
touring round the country was your red and butter, the players learned | :38:41. | :38:48. | |
how to laugh and joke and have fun with the crowd. That has gone away a | :38:48. | :38:52. | |
little bit now. Everybody is playing for their livelihood and things are | :38:52. | :38:56. | |
so important. Ask people in the street how much fun they have at the | :38:56. | :39:02. | |
office. Snooker is so tough. It is hard to find a balance of having a | :39:02. | :39:08. | |
laugh and also focusing. I can understand why character does not | :39:08. | :39:15. | |
come out on the table. Everything you do of the table -- off the | :39:15. | :39:23. | |
table, you get a fine of �250. get fined for breaking rules, not | :39:23. | :39:29. | |
for being interesting. A lot of today passed my players are so | :39:29. | :39:33. | |
intent on the semantics and the game itself that they forget that they | :39:33. | :39:40. | |
are in the entertainment business. What do you have to do to be a | :39:40. | :39:49. | |
character? Do you have to head-butt somebody? The Crucible that not sell | :39:49. | :39:53. | |
out in the 70s and 80s like it did this year. People love snooker and | :39:53. | :39:59. | |
they love the people that are playing it, there is no doubt. If | :39:59. | :40:04. | |
people keep printing in the papers that there are no characters, people | :40:04. | :40:09. | |
reading it will believe it. Will we ever get back to the good old days | :40:09. | :40:13. | |
with familiar faces in every household? Probably not. The game | :40:13. | :40:18. | |
can still be a lot of fun and the characters, well, for right or | :40:18. | :40:28. | |
:40:28. | :40:32. | ||
wrong, they are still creating is Ronnie O'Sullivan junior. He has | :40:32. | :40:39. | |
had a big haircut since we last saw him, last year, when Ronnie picked | :40:39. | :40:44. | |
up the trophy. He is just having a little bit of a knockabout before he | :40:44. | :40:50. | |
goes back in. He is showing some form. At least he is big enough for | :40:50. | :41:00. | |
the table! He looks like he enjoys it. He does indeed. We are going to | :41:00. | :41:05. | |
keep an eye on this young man. We are also keeping an eye on his dad. | :41:05. | :41:10. | |
It is back to work for him. We have four more frames to play this | :41:10. | :41:20. | |
:41:20. | :41:21. | ||
afternoon in the third session. Here is daddy, coming back out. He needs | :41:21. | :41:26. | |
six more frames for a world title. Dennis Taylor is about to leap into | :41:26. | :41:30. | |
action in the commentary box alongside Willie Thorne. Good | :41:30. | :41:40. | |
:41:40. | :42:05. | ||
on. That last frame, I thought Barry Hawkins was sensational, to come | :42:05. | :42:15. | |
:42:15. | :42:53. | ||
back and make a 90 break after screw and trying to get to the two | :42:53. | :43:03. | |
:43:03. | :43:03. | ||
Apology for the loss of subtitles for 41 seconds | :43:03. | :43:55. | |
amazing. He just looks so comfortable. I used to switch hands | :43:55. | :44:04. | |
because I did not like the rest. This fellow can make century breaks | :44:04. | :44:14. | |
:44:14. | :44:14. | ||
Apology for the loss of subtitles for 41 seconds | :44:14. | :45:08. | |
for in death -- eight loose red he can play for in the middle. He | :45:08. | :45:18. | |
:45:18. | :45:18. | ||
Apology for the loss of subtitles for 41 seconds | :45:18. | :46:05. | |
possibly believes there is a better from the black. To come in from two | :46:05. | :46:15. | |
:46:15. | :46:28. | ||
cushions, that was special. It does something special, Ronnie seems to | :46:28. | :46:38. | |
:46:38. | :47:14. | ||
think he has to put his foot on the pots needed to open up a four frame | :47:14. | :47:20. | |
advantage. We talk about Ronnie being such a natural player. He just | :47:21. | :47:29. | |
seems to fall into position. He doesn't seem to do any shuffling | :47:29. | :47:39. | |
:47:39. | :47:39. | ||
Apology for the loss of subtitles for 41 seconds | :47:39. | :48:27. | |
equal the highest number of centuries made in a final, five. He | :48:27. | :48:37. | |
:48:37. | :48:37. | ||
Apology for the loss of subtitles for 41 seconds | :48:37. | :49:32. | |
has a difficult red near the he lifted the crime, and what a | :49:32. | :49:42. | |
:49:42. | :50:16. | ||
sensational year this has been. Not that! He got half a chance and he | :50:16. | :50:25. | |
knocked the lot in. He is back to four in front at 13-9. What can you | :50:25. | :50:35. | |
:50:35. | :50:39. | ||
do about that? Barry Hawkins, one shot, it was the end of frame. What | :50:39. | :50:45. | |
happens on the snooker ball is amazing. In the old days, that would | :50:46. | :50:54. | |
have been a foul. They just keep bouncing. It shows you how accurate | :50:54. | :51:04. | |
the players are. What about those shots? Sometimes its spoils the | :51:04. | :51:11. | |
game. I think they should play with a thicker cloth to stop the bouncing | :51:11. | :51:21. | |
:51:21. | :51:21. | ||
Apology for the loss of subtitles for 41 seconds | :51:21. | :52:51. | |
start to take pots like this to get the way, but what are the chances of | :52:51. | :52:59. | |
that? He needs a nice little knowledge, but that is not the one | :52:59. | :53:06. | |
he wanted. Because the brown is off its spot the yellow is more | :53:06. | :53:11. | |
difficult. He wants to stun the cue ball towards the brown and move it | :53:11. | :53:21. | |
:53:21. | :53:22. | ||
around the table, but it is more difficult now. He has got to get | :53:22. | :53:30. | |
onto the right side of the table. He has a long way to travel with the | :53:30. | :53:40. | |
:53:40. | :53:44. | ||
cue ball. He could do with a favourable little kiss... And he has | :53:44. | :53:54. | |
:53:54. | :53:54. | ||
Apology for the loss of subtitles for 41 seconds | :53:54. | :56:27. | |
and Caroline, his mum. They must be shot on the black to get into the | :56:27. | :56:37. | |
:56:37. | :56:38. | ||
reds. He would be better off going for the pink. Could he hold it for | :56:38. | :56:48. | |
:56:48. | :56:49. | ||
the pink? Let's have a look. He just needs one good positional shot. And | :56:49. | :56:57. | |
that is not bad. He can stun into these. He does not have to screw | :56:57. | :57:01. | |
this. If he plays it with stun he should be able to open them up and | :57:01. | :57:11. | |
:57:11. | :57:17. | ||
not lose the clue ball -- the cue it, you come away from the reds | :57:17. | :57:27. | |
:57:27. | :57:59. | ||
whereas if you stun it, you keep it head the left-hand job. Ronnie still | :57:59. | :58:09. | |
:58:09. | :58:09. | ||
Apology for the loss of subtitles for 41 seconds | :58:09. | :59:37. | |
needs a long pot to get himself in APPLAUSE. Well, a good opener from | :59:37. | :59:45. | |
Barry Hawkins. Every chance now to meet Ronnie pay for that miss. -- | :59:45. | :59:53. | |
Make runny date. That will annoy Ronnie. In frame 19 she had an | :59:53. | :59:57. | |
unbelievable clearance to clinch it on the black. You could count on | :59:58. | :00:03. | |
one hand misses like that throughout this championship from | :00:03. | :00:13. | |
:00:13. | :00:13. | ||
Apology for the loss of subtitles for 41 seconds | :00:13. | :01:01. | |
This is a very important stage of There is not much of a pocket there | :01:01. | :01:09. | |
to squeeze it in-off. He has a red '' pass the pink, or will it? Maybe | :01:09. | :01:19. | |
:01:19. | :01:34. | ||
Should Ronnie go on to win this frame, there have been at least | :01:34. | :01:42. | |
three frames now that he has pinched. Barry Hawkins could have | :01:42. | :01:51. | |
been Grainne Close him, if not in front. Barry has been ahead by more | :01:51. | :02:01. | |
:02:01. | :02:24. | ||
than 40 points in three frames and Just! Let's have a look at this. | :02:24. | :02:31. | |
That didn't look back it was going to go in. With the new cloth, they | :02:31. | :02:41. | |
:02:41. | :02:47. | ||
Ronnie has only missed one shot with the rest could have 18 in this | :02:47. | :02:57. | |
:02:57. | :02:57. | ||
final. He has probably played about another 50 shots left-handed! Back | :02:58. | :03:07. | |
:03:08. | :03:25. | ||
This will be another body blow for Barry Hawkins. This could be a | :03:25. | :03:35. | |
:03:35. | :03:42. | ||
third frame he loses after being Ronnie being five frames in front | :03:42. | :03:52. | |
:03:52. | :04:09. | ||
of be a tall order for Barry. -- Getting the Prime back on that spot | :04:09. | :04:19. | |
:04:19. | :04:20. | ||
is ideal. It is blocking the path for the yellow at the moment. You | :04:20. | :04:24. | |
can see the yellow will go past the brown, that is why he played for | :04:24. | :04:31. | |
the brown. This is Barry's last hope of a positional shot going | :04:31. | :04:41. | |
:04:41. | :04:41. | ||
Apology for the loss of subtitles for 41 seconds | :04:41. | :05:32. | |
Barry did have his chance, but there was just one short were he | :05:32. | :05:38. | |
clipped that black on the way across, leaving him a more | :05:38. | :05:48. | |
:05:48. | :06:06. | ||
difficult one. This has been the Barry has been responding with | :06:07. | :06:16. | |
decent breaks of 40 and 50, but Ronnie keeps pinching the frame. | :06:16. | :06:22. | |
That was frame ball. This standard has been excellent. Both players | :06:22. | :06:32. | |
:06:32. | :06:39. | ||
For the first time in this final he is about five frames. He has made a | :06:39. | :06:44. | |
habit recently of pinching the crucial frames. If you think back | :06:44. | :06:49. | |
took the first day at the Crucible Theatre this year, he played Marcus | :06:49. | :06:55. | |
Campbell that very easily could have been 7-7, but it ended being | :06:55. | :07:00. | |
10-4 because if the magnificent clearances. That is what he's doing | :07:00. | :07:06. | |
today, as well. This would be a staggering achievement. Ronnie has | :07:06. | :07:12. | |
not played for almost a year. As great former champions yourselves, | :07:12. | :07:18. | |
if you have contemplated coming back after a year out, what would | :07:18. | :07:28. | |
:07:28. | :07:30. | ||
you have been most scared about so? In our prime, we just wanted to | :07:30. | :07:36. | |
play in more events. You would have come back in been worries that | :07:36. | :07:40. | |
perhaps the standard had moved on. Or that you would not be able to | :07:40. | :07:46. | |
pick up the range. He would have treated it as a challenge. It could | :07:46. | :07:51. | |
take the heat off a bit. All of the players have been playing all year | :07:51. | :07:56. | |
round. Their expectations are very high coming into the World | :07:56. | :08:01. | |
Championship. His expectations were probably a bit lower. That could | :08:01. | :08:04. | |
have helped him. What would you have been as concerned about, | :08:04. | :08:11. | |
Stephen? John brought it up there. His first match against Marcus | :08:11. | :08:15. | |
Campbell, he was always going to score heavily, but when he pinched | :08:15. | :08:22. | |
those frames. When we used to have long summer breaks, that was my | :08:22. | :08:25. | |
sign in the first tournament that you were back and ready to win if | :08:25. | :08:32. | |
you could pinch frames. That was the first thing I noticed. That is | :08:32. | :08:37. | |
when it thought he could be a competitor here. A as a man who has | :08:37. | :08:42. | |
won seven of these, how do you rate swap is going on? It wouldn't be | :08:42. | :08:47. | |
that much of a shock to maybe one it, because he is so good. It just | :08:47. | :08:57. | |
:08:57. | :09:05. | ||
shows how much better he is then DENIS: He has been practising, | :09:05. | :09:08. | |
doing a few exhibitions, and somebody like Ronnie does not | :09:08. | :09:18. | |
:09:18. | :09:21. | ||
forget her to play, even in the match arena. He makes a mistake. | :09:21. | :09:31. | |
:09:31. | :09:41. | ||
When you are 14-9 behind, these are WILLIE: Well played, well played! A | :09:41. | :09:47. | |
lot of pressure there. He played that right into the heart of the | :09:47. | :09:57. | |
:09:57. | :10:10. | ||
Would eat it be nice if he could clinch the frame with this visit, | :10:10. | :10:17. | |
just to show everyone that he is not going anywhere. He wants to be | :10:17. | :10:22. | |
right here in the evening session, trying to win his first ever world | :10:22. | :10:32. | |
:10:32. | :10:49. | ||
professional snooker championship. Both of these reds teapots. -- do | :10:49. | :10:59. | |
:10:59. | :11:18. | ||
Just this frame and one more before the night session, which begins at | :11:18. | :11:27. | |
7 o'clock. Can he win them both and get back to 14 to 11? He has just | :11:27. | :11:37. | |
:11:37. | :12:00. | ||
It is just pulled up a little bit. He could slide of the bunch and | :12:00. | :12:10. | |
:12:10. | :12:43. | ||
He tried to free the pink, and he He might have to stun him round the | :12:43. | :12:53. | |
:12:53. | :13:04. | ||
Very nicely played. If that red at the back of the bunch of four goals, | :13:04. | :13:13. | |
he is perfect. It does, and he will open up the other ones. He could | :13:13. | :13:17. | |
have done with being just a little bit further up the table. This is | :13:17. | :13:27. | |
:13:27. | :13:42. | ||
not guaranteed to be a good If it pinking go, that would be a | :13:42. | :13:52. | |
:13:52. | :14:04. | ||
bonus. This is close, but it does Well, that was absolutely | :14:04. | :14:12. | |
ridiculous! That is probably the worst cake I have seen this year. | :14:12. | :14:17. | |
Look, it went full ball on to the red. There is the last thing that | :14:17. | :14:24. | |
he needed. We were just talking that they need to start having a | :14:24. | :14:28. | |
thicker cloth to stop these. A lot at times it doesn't make any | :14:28. | :14:34. | |
difference, but there is an example where Barry could get back into | :14:34. | :14:38. | |
this match, possibly win the frame, but through no fault of his own he | :14:38. | :14:48. | |
:14:48. | :14:59. | ||
It does make the player look a little bit silly. It is not their | :14:59. | :15:09. | |
:15:09. | :15:10. | ||
fault. Surely, Ronnie O'Sullivan can binge another game were Barry | :15:10. | :15:20. | |
:15:20. | :15:31. | ||
It is not going to be easy, but we know that Ronnie relishes the | :15:31. | :15:41. | |
:15:41. | :16:01. | ||
situation when it is even more 93 % for the tournament. That | :16:01. | :16:04. | |
standard from Ronnie O'Sullivan is exceptional. It would take some | :16:04. | :16:14. | |
:16:14. | :16:24. | ||
If you took away these four frames that he looks like pinching from | :16:24. | :16:28. | |
behind, and put them on to Barry Hawkins's scored, he would be | :16:28. | :16:38. | |
:16:38. | :16:46. | ||
competing very well in this match, He has gone a little bit close to | :16:46. | :16:56. | |
:16:56. | :17:24. | ||
Not this time! He knew it was not in as soon as he hits it. It is | :17:24. | :17:34. | |
:17:34. | :17:52. | ||
always difficult when you're back I think it is safe. Little smile | :17:52. | :18:02. | |
:18:02. | :18:27. | ||
from Barry. He is one of the nicest All these lads are terrific | :18:27. | :18:30. | |
characters. They may not be laughing and joking on the table, | :18:30. | :18:34. | |
but it is a different game these days. There is a lot of money for | :18:34. | :18:44. | |
:18:44. | :18:48. | ||
these guys to play for. They are all one-man businesses. It is a | :18:48. | :18:54. | |
tough old sport. It is like golf in that it is just getting tougher as | :18:54. | :19:04. | |
:19:04. | :19:04. | ||
Apology for the loss of subtitles for 41 seconds | :19:04. | :20:44. | |
She popped it that far too thick. - Barry Hearn have done a terrific | :20:44. | :20:49. | |
job for the players. Lots of tournaments, lots of prize-money. | :20:49. | :20:59. | |
:20:59. | :21:01. | ||
There is 16 times world champion, Barry Hearn looks after him. If you | :21:01. | :21:08. | |
want to book him for a darts exhibition, it will cost you �8,000. | :21:08. | :21:18. | |
:21:18. | :21:26. | ||
He has made a mess with the safety! Barry needs all the reds and the | :21:26. | :21:36. | |
:21:36. | :21:36. | ||
Apology for the loss of subtitles for 41 seconds | :21:36. | :22:27. | |
On reflection, Barry deserves to The black is not one that spot. If | :22:27. | :22:34. | |
he plays for the black, would he have enough room to negotiate to | :22:34. | :22:41. | |
get on it nicely? If it was on that spot, no problem. I don't blame him | :22:41. | :22:46. | |
at all for this. He needs an angle on the green to be able to get onto | :22:46. | :22:56. | |
:22:56. | :23:16. | ||
That took out all the risk of getting from black to yellow. Now | :23:16. | :23:26. | |
:23:26. | :23:31. | ||
just degree needed to. -- the the Well done Barry Hawkins. The family | :23:31. | :23:38. | |
are certainly pleased. His sister, Tanya, getting really excited there. | :23:38. | :23:48. | |
:23:48. | :24:17. | ||
That is a terrific clearance. He had that terrible contacts and the | :24:17. | :24:21. | |
has cleared up with 47. He is still four frames behind. It is not over | :24:21. | :24:29. | |
yet. It is amazing, Dennis, that black cake could have cost him the | :24:29. | :24:36. | |
frame there. Just explain it. Why should it happen? It is still | :24:36. | :24:42. | |
difficult to describe what causes it. There was plenty of room for | :24:42. | :24:51. | |
the pink to going. He has not cued it badly. He pushes the QEIII. Have | :24:51. | :24:56. | |
a look at the pink, it straightened up. I am pleased that that did not | :24:56. | :25:06. | |
:25:06. | :25:08. | ||
cost him the frame. You can see it just bouncing. | :25:08. | :25:16. | |
It was almost poetic justice. Barry Hawkins is hanging on in. Like it | :25:16. | :25:19. | |
terrier arranger leg. He is playing -- probably playing the best match | :25:19. | :25:24. | |
of his life. Again somebody else in the final it could be a completely | :25:24. | :25:28. | |
different story and the could be world champion. Ronnie O'Sullivan | :25:28. | :25:32. | |
is such a strong player in all departments. You have to pay | :25:33. | :25:37. | |
tribute to Barry Hawkins. Only a couple of days ago, on Saturday | :25:37. | :25:41. | |
morning playing in the semi-final, he looked all at sea. He did not | :25:41. | :25:47. | |
seem happy at all. What has changed? He found some form, it is | :25:47. | :25:57. | |
as simple as that. What he showed was persistence and character | :25:57. | :26:02. | |
against Ricky Walden. He came through that by finding form and | :26:02. | :26:09. | |
has found form in this match. Stephen, you may be good point that | :26:09. | :26:14. | |
he had to take something from this session to make a foothold in this | :26:14. | :26:21. | |
match. He has to enjoy the atmosphere. It is such a massive | :26:21. | :26:27. | |
event. All these important people are here. I think he is just | :26:28. | :26:36. | |
enjoying it. WILL LEITCH: In the semi-final, he looked like a fish | :26:36. | :26:42. | |
out of water. I think the occasion got too much for him. Now he is | :26:42. | :26:52. | |
:26:52. | :27:04. | ||
totally relaxed. You hit it on This is what you start playing the | :27:04. | :27:12. | |
game for. You're ambition is to get to the Crucible when you turn | :27:12. | :27:22. | |
:27:22. | :27:22. | ||
Apology for the loss of subtitles for 41 seconds | :27:22. | :28:36. | |
professional. You're ambition is to He to reds are possible, but he | :28:36. | :28:46. | |
:28:46. | :28:46. | ||
Apology for the loss of subtitles for 41 seconds | :28:46. | :29:30. | |
would not be able to get back into Already the reds were getting very | :29:30. | :29:40. | |
:29:40. | :29:40. | ||
Apology for the loss of subtitles for 41 seconds | :29:40. | :30:30. | |
World Championship trophy has been around in the 1927. Will it be runny | :30:30. | :30:38. | |
for the fifth time? This last frame could tell the story. If Barry can | :30:38. | :30:42. | |
take it and get back to 14-11, there will be a lot of snooker to be | :30:42. | :30:52. | |
:30:52. | :30:52. | ||
Apology for the loss of subtitles for 41 seconds | :30:52. | :32:35. | |
all of the famous names on their. -- a colour, so he will be playing back | :32:35. | :32:45. | |
:32:45. | :32:55. | ||
playing slower yesterday, but it seems to be slower today, the way | :32:55. | :33:05. | |
:33:05. | :33:18. | ||
table and the new cloth. This was Ronnie yesterday, checking to see if | :33:18. | :33:23. | |
the cloth was a little loose. When they are in the balls there is no | :33:23. | :33:29. | |
problem. They still get the reaction. It might just be slightly | :33:29. | :33:33. | |
slower. That is not necessarily a bad thing and the breaks that have | :33:33. | :33:43. | |
:33:43. | :34:10. | ||
been fabulous. Both have had a break over, just in case he misses it. | :34:10. | :34:14. | |
think he is looking at the red to cannon into the black and bring it | :34:14. | :34:24. | |
:34:24. | :35:02. | ||
into play, if he pops it. -- if he stage she would have been concerned | :35:02. | :35:08. | |
about the pink because it looked as if it was going to hit the jaw of | :35:08. | :35:18. | |
:35:18. | :35:31. | ||
the pocket. Not a favourable kiss on there is very little else available, | :35:31. | :35:40. | |
only a safety. Not easy to get a good safety shot. That really is | :35:40. | :35:50. | |
:35:50. | :35:50. | ||
Apology for the loss of subtitles for 41 seconds | :35:50. | :36:45. | |
could pot it into the left middle pocket. But close to the cushion... | :36:45. | :36:55. | |
:36:55. | :36:55. | ||
Apology for the loss of subtitles for 41 seconds | :36:55. | :37:52. | |
He still tried it, but that was near minutes and he hasn't angle to get | :37:53. | :38:02. | |
:38:03. | :38:29. | ||
up to the red above the blue. -- he I had never seen Ronnie concentrate | :38:29. | :38:35. | |
so hard. He knew the importance of opening up the three frame | :38:35. | :38:45. | |
:38:45. | :39:11. | ||
advantage. He is doing the same he could not do anything else. He is | :39:11. | :39:15. | |
just looking to see if he could possibly pot the black. What a bonus | :39:15. | :39:25. | |
:39:25. | :40:05. | ||
that would be. We will find out on the other red he will go out of | :40:05. | :40:15. | |
:40:15. | :40:23. | ||
position, but it should be OK. -- if he cannons the other red. He is | :40:23. | :40:33. | |
:40:33. | :40:33. | ||
Apology for the loss of subtitles for 41 seconds | :40:33. | :41:19. | |
minutes for this break, because he to screw up loss -- across and play | :41:19. | :41:29. | |
:41:29. | :42:00. | ||
played Ronnie O'Sullivan in top form. Yes, he would have beaten most | :42:00. | :42:08. | |
normal players with a 91% success rate. The angle he has he may risk | :42:08. | :42:18. | |
:42:18. | :42:28. | ||
playing the cannon onto the red and the pink at the same time. He may | :42:28. | :42:38. | |
:42:38. | :42:39. | ||
have to go for the blue, but that will not be a problem. His | :42:39. | :42:43. | |
positional play is perfect every time. One of the sessions against | :42:43. | :42:49. | |
Stuart Bingham, it was as good a session as I have ever seen Ronnie | :42:49. | :42:59. | |
:42:59. | :42:59. | ||
Apology for the loss of subtitles for 41 seconds | :42:59. | :44:39. | |
play. He has played some fabulous It is all about the tricky red on | :44:39. | :44:49. | |
:44:49. | :45:00. | ||
the cushioned, whether or not you He has got to get nicely on the | :45:00. | :45:10. | |
:45:10. | :45:11. | ||
green. Has she got an angle to get behind it? So, he needs this green | :45:11. | :45:21. | |
:45:21. | :45:52. | ||
at distance to get this century. how he has only won three frames. | :45:53. | :45:57. | |
There is a standing ovation from the Crucible crowd, Ronnie O'Sullivan | :45:57. | :46:07. | |
:46:07. | :46:12. | ||
under the nose as Stephen Hendry. That was his sixth century of the | :46:12. | :46:21. | |
Crucible final, beating the record. Barry Hawkins is putting up a heck | :46:21. | :46:26. | |
of a fight, but Stephen, let's not go into the record's business. Let's | :46:26. | :46:31. | |
get your assessment of the way Ronnie is demolishing Barry. | :46:31. | :46:35. | |
Whenever he is put to the test he is stepping up a gift. If you look at | :46:35. | :46:45. | |
:46:45. | :46:46. | ||
the sessions, he has not completely taken Barry Hawkins Park. -- taken | :46:46. | :46:50. | |
Barry Hawkins apart. When you look at what he has achieved and the | :46:50. | :46:55. | |
standard he is playing to, you could feel in that last frame how | :46:55. | :47:03. | |
important Ronnie sensed it was. was the same as last night. He | :47:03. | :47:07. | |
played a granite final frame. Same thing again. As soon as he saw his | :47:07. | :47:14. | |
chance, fully focused, and he is brilliant at it. To press on in the | :47:14. | :47:19. | |
match, he just knows when to do it. I was looking at some of the stats | :47:19. | :47:28. | |
from the last few matches. Barry Hawkins has come back from being | :47:28. | :47:31. | |
behind. He will have to produce something of that magnitude this | :47:31. | :47:41. | |
:47:41. | :47:45. | ||
evening. He has to but that is not going to go until you can get over | :47:45. | :47:48. | |
the line against Ronnie O'Sullivan. He has not lost a session. The best | :47:48. | :47:51. | |
anybody has been able to do is hold him level and they have had to play | :47:51. | :47:55. | |
their brains out to do that. Tonight, they are going to have to | :47:55. | :48:05. | |
be shared frames at worst for Ronnie O'Sullivan. Every time he has had a | :48:05. | :48:14. | |
slap, he has responded. He has had standards that would have had most | :48:14. | :48:22. | |
players in front. Every time, he has come back and given him another one. | :48:22. | :48:25. | |
What can we expect this even in? What would be your philosophy, your | :48:25. | :48:30. | |
strategy as you go out? Ronnie should just want to finish it as | :48:31. | :48:37. | |
soon as possible and not let Barry in. He will be fired up to win | :48:37. | :48:44. | |
quickly. Ronnie has never lost a final. How much does play into his | :48:44. | :48:48. | |
hands? He has got all of the experience but the first frame is | :48:48. | :48:54. | |
very important. If he wins it he will kick off from here. Do you | :48:54. | :49:00. | |
think Barry has any answer at this stage? Yes, he does. He can probably | :49:00. | :49:08. | |
relax and enjoy it for the occasion. You may see him cueing freely and | :49:08. | :49:12. | |
enjoying the first session. He has got to win the first session, at the | :49:12. | :49:17. | |
very least. Barry Hawkins is certainly justifying his | :49:17. | :49:21. | |
performance. As Willie Thorne said, there is a genius at work. We will | :49:21. | :49:25. |