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Good evening. It has taken 13 days. They've had to win 36 frames to make | :00:39. | :01:28. | |
it here. This is what it looks like when you make it to the semi-finals | :01:29. | :01:35. | |
- one table. A lot more class-class accommodation, with a lot more | :01:36. | :01:39. | |
leg-room in the seating area. There's more work to do to win this | :01:40. | :01:43. | |
title. Four of the five top seeds have got to this top seat. | :01:44. | :01:48. | |
Tonight, it is the turn of the world number one, Neil Robertson, facing | :01:49. | :01:53. | |
world number three, Mark Selby. An Australian and an English man, who | :01:54. | :01:56. | |
have seen a lot of each other recently. | :01:57. | :02:02. | |
There's been a lot of attention on me this week, with 100 centuries. | :02:03. | :02:09. | |
Ronnie O'Sullivan, defending champion, almost playing unbeaten | :02:10. | :02:13. | |
snooker in some of the sessions. In some ways Mark has been going, | :02:14. | :02:18. | |
flying under the radar, going about his business. | :02:19. | :02:23. | |
This year I have not won a major tournament as yet. I have gone | :02:24. | :02:31. | |
unther the radar a bit. -- under the radar a bit. We've had | :02:32. | :02:36. | |
good matches over the years, Mark and I. Playing big finals where | :02:37. | :02:41. | |
we've got the better of each other at times. The last two or three | :02:42. | :02:45. | |
seasons we went from not playing each other to playing each other two | :02:46. | :02:49. | |
or three times a season. I think I beat him in the Masters last year. | :02:50. | :02:53. | |
He beat me in the UK final this year. It will be a tough game. I | :02:54. | :02:59. | |
cannot see it being a scrapie game. I will not enjoy that. I don't want | :03:00. | :03:03. | |
to play, playing unenjoyable snooker. I want to enjoy it. I want | :03:04. | :03:09. | |
to attack. I want to pot long balls and for the crowd to enjoy it. I am | :03:10. | :03:15. | |
sure Mark will too. . We go back a long way. When he first came to the | :03:16. | :03:20. | |
UK, we lived together for a year-and-a-half and practicing | :03:21. | :03:24. | |
together. It is nice to see him do what he's achieved. | :03:25. | :03:30. | |
At least I'll have the honour to be the first to congratulate him if | :03:31. | :03:39. | |
this green goes in! Absolutely! Unbelievable! The crowd | :03:40. | :03:46. | |
enjoyed it. It was like I made four sevens in a row at the Crucible - it | :03:47. | :03:53. | |
was that electric! If there's any cricketer who's been 199 twice and | :03:54. | :03:58. | |
got out and then finally doing it. Making a century a century... Maybe | :03:59. | :04:05. | |
Brian Lara making a 400 - that is the vision I had in my mind. I | :04:06. | :04:09. | |
remember seeing Lara do it when he got to 400. For me, it was that kind | :04:10. | :04:14. | |
of achievement. People like Ken Doherty and thaw, they have been | :04:15. | :04:20. | |
saying someone one day will do it. To be that person is a great honour | :04:21. | :04:26. | |
that I can be that player for the wonderful game we play. | :04:27. | :04:31. | |
And with me this evening is a man who's been in six World Championship | :04:32. | :04:37. | |
finals. Both are history-makers. Selby made snooker's 100 maximum | :04:38. | :04:42. | |
break. Last night Neil Robertson with his tonne of tonnes. How | :04:43. | :04:46. | |
significant is this for your sport? It is amazing. We have more | :04:47. | :04:50. | |
tournaments in the season. Regardless, Neil Robertson is | :04:51. | :04:54. | |
playing a relentless level, arguably better than the snooker he played to | :04:55. | :05:00. | |
win in 2010. It will take a monumental performance by anyone to | :05:01. | :05:03. | |
better 100 centuries in a season, unless we have more tournaments. | :05:04. | :05:08. | |
He's going to be firing from now on in because he played superbly. They | :05:09. | :05:13. | |
can never take that away from him as well. When we look at the | :05:14. | :05:18. | |
head-to-head between these guys and compare their careers, world number | :05:19. | :05:22. | |
one, playing world number three. Mark Selby has taken the spoils in | :05:23. | :05:27. | |
the Masters. Robertson turning the tables to become UK champion in | :05:28. | :05:32. | |
York. How do their games match up now? Right now, Neil Robertson is a | :05:33. | :05:36. | |
winner this season, in ranking events. Mark Selby isn't, but he's | :05:37. | :05:41. | |
been very close. I think we've got two monsters on a match table here. | :05:42. | :05:45. | |
It will be fascinating. Whoever gets through is in with a shout in the | :05:46. | :05:49. | |
final. I don't know which one to pick. I will not ask you. Neil | :05:50. | :05:53. | |
Robertson knows what it takes to be world champion. He did it in 2010. | :05:54. | :05:58. | |
Mark Selby has waited four years, the same time to try and get back | :05:59. | :06:02. | |
into this final. Let's try not to keep them hanging around any longer. | :06:03. | :06:07. | |
It's over to you. Thank you. Good evening ladies and gentlemen. After | :06:08. | :06:11. | |
one of the most memorable moments we have ever witnessed at the Crucible, | :06:12. | :06:16. | |
late last night, the sense of anticipation has been immense. World | :06:17. | :06:20. | |
number three, world number one - England against Australia for a | :06:21. | :06:27. | |
place in the World Snooker Championship Final. It doesn't get | :06:28. | :06:32. | |
much better than this. APPLAUSE | :06:33. | :06:44. | |
Please welcome, first of all, a player who has nerves of steel on | :06:45. | :06:49. | |
the biggest stages. He's back in player who has nerves of steel on | :06:50. | :06:59. | |
semis, runner up in '07. He has three Masters crowns and the UK | :07:00. | :07:03. | |
Championship. He is a brilliant ambassador for this sport, who | :07:04. | :07:06. | |
always plays with a smile on his face, so here he is The Jester | :07:07. | :07:17. | |
fromLesser - here's Mark Selby -- from Leicester, here's Mark Selby! | :07:18. | :07:24. | |
CHEERING AND APPLAUSE And his opponent - what a comeback | :07:25. | :07:42. | |
against Trump and what a moment for this proud Australian. He was a | :07:43. | :07:47. | |
world champion, a UK champion and a Master's winner. He became a | :07:48. | :07:52. | |
history-maker - a day many thought would never come, 100 centuries in a | :07:53. | :07:55. | |
single season. Congratulated by would never come, 100 centuries in a | :07:56. | :07:59. | |
Chelsea today, he'll be roared in by his dad who has flown in tonight. | :08:00. | :08:05. | |
He's the world number one, can you hear The Thunder from Down Under, | :08:06. | :08:17. | |
he's the Centurian - Neil Robertson. CHEERING AND APPLAUSE | :08:18. | :08:21. | |
It is best of 33 frames now. First of 17 will be in Sunday's final. | :08:22. | :08:28. | |
This is the first of four sessions. Eight frames to play this evening. | :08:29. | :08:33. | |
We'll enjoy them in the company of Willie Thorne and Dennis Taylor. | :08:34. | :08:38. | |
A very good evening to everyone watching. What an atmosphere! What a | :08:39. | :08:46. | |
reception for both these players! This is when the Crucible theatre | :08:47. | :08:55. | |
comes into its own. The one-table situation - every | :08:56. | :09:05. | |
player's dream to get to this stage. Getting themselves ready, getting | :09:06. | :09:09. | |
their drinks of water ready. They are not sitting on top of each other | :09:10. | :09:19. | |
now - they have got their own seat. APPLAUSE | :09:20. | :09:27. | |
Thank you ladies and gentlemen, the first frame, Mark Selby to break. | :09:28. | :09:37. | |
It is a match I have been looking forward to since last night. I | :09:38. | :09:46. | |
commented on Robertson's 100th century in a season. I know you were | :09:47. | :09:52. | |
watching it in your hotel room and you cannot play any better than that | :09:53. | :09:58. | |
as he did against Trump. Well, he can relax a little bit. He's | :09:59. | :10:03. | |
achieved that milestone, created a bit of history with a century of | :10:04. | :10:17. | |
centuries. Fantastic that was! We heard Neil say he was going to | :10:18. | :10:22. | |
attack here. Look at that safety. I suppose that's one of the reasons | :10:23. | :10:27. | |
why Mark Selby might just be the better tactician. | :10:28. | :10:31. | |
There's the highest break. Neil Robertson holds that at the moment - | :10:32. | :10:36. | |
a break of 140. Fascinating start to the semi-final. | :10:37. | :10:49. | |
Not the best shot from Mark. I don't think he's covered that red. An | :10:50. | :10:52. | |
early chance for the Australian. Coming to see if the black is | :10:53. | :10:59. | |
available as well. He may have been rather fortunate | :11:00. | :11:51. | |
there. He missed the black and the red that he intended. He's not | :11:52. | :11:57. | |
missed many of those in this year's World Championship. There may be a | :11:58. | :12:01. | |
red available, but the black has gone and the pink is awkward. Maybe | :12:02. | :12:07. | |
he can hold for the pink here. And he could. | :12:08. | :12:12. | |
So, he didn't get away with that. So, an early unexpected chance for | :12:13. | :12:19. | |
Mark Selby. I have to say after Neil missing the black off the spot. | :12:20. | :12:26. | |
A good early chance. We have our youngest ever viewer watching this | :12:27. | :12:38. | |
evening. The lady I dance with is watching this snooker this evening | :12:39. | :12:44. | |
with her baby - three or four days old - amazing! Mark Selby looks to | :12:45. | :12:48. | |
be pretty concentrated at the moment. He's always been blessed | :12:49. | :12:52. | |
with a very good concentration, as has Neil Robertson. With the pink | :12:53. | :12:58. | |
going on the black spot, this is a decent chance. | :12:59. | :13:11. | |
Might just have run a little too far. He'll have to head back for the | :13:12. | :13:19. | |
blue. And this time he's come up a little | :13:20. | :13:26. | |
short. It shows the importance of keeping close control. Going to have | :13:27. | :13:31. | |
to leave a medium pot on the red. That is the angle Hawk-Eye is | :13:32. | :13:36. | |
showing - the wrong side of the blue, to get back to the reds. | :13:37. | :14:09. | |
It may have got in his way, so purposefully played for the blue. | :14:10. | :14:23. | |
That doesn't sound right. That sounded like a heavy contact. You | :14:24. | :14:32. | |
can tell by the sound the balls make when... It may have jumped a little. | :14:33. | :14:43. | |
One of the top referees in this semi-final. A nice chap to boot. | :14:44. | :14:59. | |
That didn't come out right - a nice chap to boot! You know what I mean! | :15:00. | :15:14. | |
Wrong side of the blue again. Round the back of the pack. If this | :15:15. | :15:19. | |
bounces, he's got a good chance of getting on those two. | :15:20. | :15:25. | |
A chance to win the frame now. Look at the way the white suddenly picked | :15:26. | :15:37. | |
up pace with a topspin. From a psychological point of view | :15:38. | :15:42. | |
it is so important for Mark to punish Neil for that black he missed | :15:43. | :15:46. | |
off the spot. He'll be hoping to score enough to win this opening | :15:47. | :15:50. | |
frame. He'll be putting everything into this. | :15:51. | :15:56. | |
I haven't seen him miss many of these through this year's | :15:57. | :15:58. | |
championship. Just that little further than he | :15:59. | :16:49. | |
intended there. It should be OK. shot here, on the right side of the | :16:50. | :17:14. | |
blue and he'll take this opening frame. | :17:15. | :17:27. | |
He can drop the blue in. Maybe he's gone too | :17:28. | :17:31. | |
He can drop the blue in. Maybe he's body language. That is where he | :17:32. | :17:33. | |
would like to be there. Let's have a look now, if he dropped | :17:34. | :17:37. | |
that in he might not be able to hole for the reds. | :17:38. | :17:43. | |
That's why he's looking at an alternative to | :17:44. | :17:51. | |
If they do pot in the middle, he'll certainly play for them. | :17:52. | :17:57. | |
Decided to take probably the red that's on the cushion now. Low for | :17:58. | :18:02. | |
the ones on the middle, but he still fancies it. Nice to see him playing | :18:03. | :18:09. | |
well again. It shows you what a great player he is to still be able | :18:10. | :18:13. | |
to get to finals. APPLAUSE | :18:14. | :18:28. | |
The applause was a little bit late there from one person! Stopped in | :18:29. | :18:41. | |
his tracks. That's frame ball. APPLAUSE | :18:42. | :18:42. | |
Selby. You don't get to win three Masters' titles without enjoying it. | :18:43. | :18:55. | |
When you are at the latter stage of tournaments. | :18:56. | :19:04. | |
think Neil, he might come for a bit of practise. He's not made his mind | :19:05. | :19:24. | |
up, but he signals to the referee he concedes the frame, so Mark Selby | :19:25. | :19:28. | |
capitalised on that mistake and he's taken the opening frame. | :19:29. | :19:34. | |
It is lovely to welcome you to our bubble studio - it is a great view. | :19:35. | :19:39. | |
You can really sense the atmosphere and how sense it is out there. You | :19:40. | :19:45. | |
can. Mark Selby a uf to a fantastic start from Neil Robertson's | :19:46. | :19:51. | |
perspective - out of the frying pan into another. Mark Selby is like a | :19:52. | :19:58. | |
cast-iron, compared to Trump - a bit Teflon coated! I don't know! | :19:59. | :20:04. | |
It is a great start - it asks another question of Neil Robertson. | :20:05. | :20:08. | |
It does. Most have assumed, his style of play, Mark Selby, can be | :20:09. | :20:13. | |
ponderous and can be granite - rock-hard safety. He's capable of | :20:14. | :20:18. | |
some very heavy scoring, even if he's not renown for the flare | :20:19. | :20:24. | |
Robertson has. In similar styles both relentless players, mopping the | :20:25. | :20:29. | |
balls up, making few careless shots. It will be a tough first session. It | :20:30. | :20:33. | |
sure will. Frame two. A new innovation - that little booth | :20:34. | :20:44. | |
there, just to the right of the commentary box. | :20:45. | :20:47. | |
The lights go down before they get to the table, to make sure it's not | :20:48. | :20:54. | |
in the players' way. Robertson breaks off. Hasn't done a lot wrong | :20:55. | :20:58. | |
in the first round - just missed the one pot. | :20:59. | :21:06. | |
It is hard to see a weakness in Robertson's game at the moment, | :21:07. | :21:13. | |
isn't it? Yes, I think he'll be tested here the way Mark Selby has | :21:14. | :21:15. | |
set off. That's not the best. He's pushed the | :21:16. | :21:28. | |
red over the pocket. It might be dead-straight. If he can screw the | :21:29. | :21:36. | |
white back here... It is bringing it back a little bit. If he's dead | :21:37. | :21:40. | |
straight and he can screw back to somewhere near there, he'll be on | :21:41. | :21:45. | |
the black. It all depends as to whether he's straight. | :21:46. | :21:51. | |
APPLAUSE He had a bit of angle. As you can | :21:52. | :21:58. | |
clearly see from that picture, so he decided to just go further up the | :21:59. | :22:02. | |
table. This is a much more difficult black than the one he missed. | :22:03. | :22:24. | |
Look at that! I mean, that is the biggest kick you could ever wish to | :22:25. | :22:32. | |
see. Look where the cue ball's finish finished! That, just awful | :22:33. | :22:37. | |
when that happens. You could see the red leave the bed of the table and, | :22:38. | :22:41. | |
at least the people now understand what happens. When it used to happen | :22:42. | :22:46. | |
in the early das, people thought you just played a bad shot, you know -- | :22:47. | :22:57. | |
day days, people thought you just played a bad shot, you know! | :22:58. | :23:08. | |
His plan would be to leave himself on the black. He's in a good | :23:09. | :23:17. | |
position there. Just stopped in the middle of the | :23:18. | :23:28. | |
red. Without the kick the white would have followed on through. | :23:29. | :23:56. | |
I think he's decided to have a bit of a go this evening. Been fortunate | :23:57. | :24:00. | |
there this time. That was the only ball that could | :24:01. | :24:12. | |
leave the one he was taking. When he kissed the white he could easily | :24:13. | :24:14. | |
have put it on. It was interesting to hear Neil | :24:15. | :24:33. | |
talking after his match, before this match, that his good friend Joe | :24:34. | :24:39. | |
Perry, who gave Ronnie O'Sullivan quite a scare, told him that he | :24:40. | :24:43. | |
should quicken his game up and Joe said he was playing too slow and he | :24:44. | :24:49. | |
obviously took his good friend's advice and prepared dividends | :24:50. | :24:56. | |
against Judd Trump in the end. In the last four frames, he's played | :24:57. | :25:01. | |
flawless snooker. This is one of the things that was so strong - his | :25:02. | :25:07. | |
safety. I've got to be honest, his safety against Judd Trump was | :25:08. | :25:12. | |
superb. I can't remember Trump being anywhere other than two inches from | :25:13. | :25:16. | |
that cushion at least. You can see the shot time the same time. | :25:17. | :25:20. | |
Robertson was at 33-seconds a shot last night at one stage. | :25:21. | :25:25. | |
Actually it is slow for him. Better to miss it with the first | :25:26. | :25:40. | |
attempt than the two, but this is a tough shot. If he doesn't catch it | :25:41. | :25:45. | |
right, the white could wobble in the jaws of the packet and stay up this | :25:46. | :25:49. | |
end of the table. Could be better off if the white went in the pocket | :25:50. | :25:51. | |
if he didn't hit it correctly. Let's have a look. Just asking the | :25:52. | :26:06. | |
scorer, one of the other referees - I think it must be Brendan Moore - | :26:07. | :26:13. | |
yes, directing the old traffic again. | :26:14. | :26:20. | |
That's pretty good! Very sporty of Mark there, because | :26:21. | :26:24. | |
he said to the referee, I don't think I could see the two reds below | :26:25. | :26:30. | |
the pink. So he made it even harder for himself. | :26:31. | :26:35. | |
At first glance he holds his hand up and apologised. The white was better | :26:36. | :26:43. | |
in the pocket than wobbling and staying up among the reds. | :26:44. | :26:53. | |
The red next to the black pots, but where would the cue ball go? He's | :26:54. | :26:58. | |
not even entertaining that. He's just playing a shot where he would | :26:59. | :27:01. | |
want to get the white, somewhere near the yellow. | :27:02. | :27:08. | |
He's under-hit that by a long way. Well, that is probably one of the | :27:09. | :27:15. | |
worst safety shots he's played for quite some time. Just hit it too | :27:16. | :27:20. | |
thick. He was trying to swing that around the angles and get over | :27:21. | :27:24. | |
behind the yellow. Just caught it too thick. | :27:25. | :27:31. | |
Mark has just looked at the gap there and there's not too much of a | :27:32. | :27:37. | |
gap. Maybe it went into the red and forced through the red to get into | :27:38. | :27:42. | |
the same pocket, but this could go wrong - position-wise, that is. | :27:43. | :27:47. | |
It is always going to be tough. The pink is in the middle but looks | :27:48. | :27:50. | |
far too dangerous. Of He had a quick glance at the | :27:51. | :28:07. | |
pink. He's looking at the brown now. If he can get through to hit a brown | :28:08. | :28:12. | |
and leave the white, well, he's got to get the white near where the tip | :28:13. | :28:19. | |
of the cue was, otherwise he'll left a red for the corner. | :28:20. | :28:25. | |
-- leave. He has looked at the possibility of | :28:26. | :28:50. | |
the pink again, but he is back looking at the safety shot. Think he | :28:51. | :29:02. | |
is going to come very close to kissing the blue. He didn't really | :29:03. | :29:11. | |
fancy that. He didn't fancy that one, but he did | :29:12. | :29:25. | |
not have an easy safety because of the red bridges over the left corner | :29:26. | :29:30. | |
-- the red which is over. The pink spot, I don't know if it is | :29:31. | :29:43. | |
covered. It must be awkward and that is why | :29:44. | :30:02. | |
he did not play for the black. He has only got the green to go at. | :30:03. | :30:13. | |
It must be very tight as to whether he can get through to that pink. | :30:14. | :30:22. | |
Can't quite see from that angle. You need to be right behind it as meal | :30:23. | :30:30. | |
is -- as Neil Robertson is. It is a bit tight. Now he has got the rest | :30:31. | :30:43. | |
out, it looks like the green. The green bowl get him back up to the | :30:44. | :30:48. | |
reds. There are plenty of reds available. | :30:49. | :30:56. | |
That was a very, very confident shot. He is tall so he does not use | :30:57. | :31:03. | |
the rest as much as other players do. He wanted to be left of the blue | :31:04. | :31:11. | |
spot. He has just gone right of the blue spot, which means he needs the | :31:12. | :31:16. | |
rest again. The black is not available in the left-hand corner. | :31:17. | :31:33. | |
He is going to need breast again. He is getting plenty rest! -- need the | :31:34. | :31:42. | |
rest. With the rest, it takes a very good | :31:43. | :31:48. | |
shot to screw back of that. He is looking at the green again | :31:49. | :32:09. | |
because it is easier to get to the reds from the green. | :32:10. | :32:29. | |
This time, he tried to screw it a little less. Just looking to see if | :32:30. | :32:44. | |
the one that is on the pink spot will pot. Will he get the right | :32:45. | :32:52. | |
angle this time without needing the rest? | :32:53. | :33:02. | |
He doesn't need the rest to pop the pink, but the yellow is in the way. | :33:03. | :33:13. | |
He did not intend to cannon that red. But it could work to his | :33:14. | :33:21. | |
advantage. Just got into it too much there. | :33:22. | :33:42. | |
He has had a result here. He may be straight on this red to the right | :33:43. | :34:01. | |
corner, but he is so close to it. When he let all those balls, look | :34:02. | :34:03. | |
with a white finished. He might be able to cut this in. | :34:04. | :34:18. | |
Yes, good shot. Clever shot. Once it has hit the | :34:19. | :34:44. | |
second cushion, it comes running. It takes off. Another two inches would | :34:45. | :34:54. | |
have been perfect on the green. As it happens, blue is going to be his | :34:55. | :34:56. | |
choice. Hazell mentioned how closely these | :34:57. | :36:51. | |
two players are matched. In the longer matches, it is just 2-1 to | :36:52. | :36:55. | |
Neil Robertson. The way he set off here, Mark Selby, | :36:56. | :37:09. | |
he is looking very good indeed. It is still going to be difficult with | :37:10. | :37:16. | |
the reds as they are. Yes, I think the black spot has probably been | :37:17. | :37:20. | |
covered here. He will play the one that is nearest the pocket. Just | :37:21. | :37:30. | |
checking to see. It is out of commission with a black going on the | :37:31. | :37:35. | |
yellow. He has to be a little careful here, he wants to miss the | :37:36. | :37:42. | |
red above it. That is why he stunned it in. | :37:43. | :37:55. | |
One person shouted out there and if he does it again, he will be leaving | :37:56. | :37:59. | |
the Crucible Theatre. Mark just correcting the referee. | :38:00. | :38:34. | |
The score is correct now. Just needed that cue ball to spring | :38:35. | :39:04. | |
of the cushion another two insurers. -- two inches. | :39:05. | :39:23. | |
He has played the cannon. The shot is brilliant. Brilliant shot. He | :39:24. | :39:37. | |
only just had to touch this. That was perfectly played. I can't tell | :39:38. | :39:46. | |
you how good that shot was. When I first saw it, I thought he would not | :39:47. | :39:52. | |
get past the pocket. He just had to touch it and he played it | :39:53. | :39:59. | |
perfectly. If you just get down and play the cannon, you have to knock | :40:00. | :40:03. | |
it past the middle pocket. Just look at this. He just flicked it. | :40:04. | :40:10. | |
Superb. 22 points in front, so he will need the last red. | :40:11. | :40:30. | |
There will be no federal weeks here with the pot. -- no heroics. | :40:31. | :40:52. | |
Can you believe it! All you have to do was drop it in and he put it on | :40:53. | :41:04. | |
the jaw of the pocket. Now he has two sit and see what happens here. A | :41:05. | :41:16. | |
little turning point. He may have to take the black here. | :41:17. | :41:25. | |
Just roll it in. He could even have hit it easier than that. It is the | :41:26. | :41:35. | |
black. He has got no option. He cannot see | :41:36. | :42:05. | |
a safety shot. He potted a similar green to this against Judd Trump. | :42:06. | :42:15. | |
That is so good. At that pace. If he played it ten times at that pace, he | :42:16. | :42:30. | |
would probably hit it three. Brilliant. Deserves what he gets | :42:31. | :42:32. | |
from here. It could be the frame. Mark Selby had a 65 break in the | :42:33. | :43:08. | |
opening frame. He had a 54 in this frame. He should have clinched it. | :43:09. | :43:18. | |
He hasn't played this very well. He will have to go round the houses. | :43:19. | :43:25. | |
There are three ways of playing it. Just before the middle pocket, or | :43:26. | :43:34. | |
screw off one cushion. This may be too hard. And then again, it may be | :43:35. | :43:45. | |
perfect. I've got it was going to head to the cushion, but what a shot | :43:46. | :43:54. | |
he has played there. Mark Selby looks on, having known he should | :43:55. | :44:01. | |
have won this frame. What a frame of snooker. He is nodding his head in | :44:02. | :44:14. | |
disgust. We are all square at 1-1. Both men looking extremely sharp so | :44:15. | :44:18. | |
far. Mark Selby will be kicking himself. Yes, he played it and it | :44:19. | :44:26. | |
hit the near jaw. We saw a shot this afternoon that Barry Hawkins played | :44:27. | :44:31. | |
where a ball left the top cushion and rolled back in a bit. If that | :44:32. | :44:38. | |
was a case and he played it all key, perhaps it wasn't as much as | :44:39. | :44:47. | |
fault, but we don't know. They are both having to feel this thing out | :44:48. | :44:52. | |
and get used to it. It is surprising the speed at which they have | :44:53. | :44:56. | |
adjusted. There does not seem to be any sense of nerves. They both look | :44:57. | :45:05. | |
so sharp. That has been the hallmark. Robertson is superb when | :45:06. | :45:16. | |
he needs to be. The standard is so high. From my perspective, it is | :45:17. | :45:22. | |
hard to pick a winner. I was ready to brave about Mark Selby's start. | :45:23. | :45:27. | |
It is fascinating to be in here, so close to the action, you catch your | :45:28. | :45:31. | |
breath. Steve Davis, six times champion | :45:32. | :45:58. | |
licking his lips at the prospect of this. It is all going to be terrific | :45:59. | :46:08. | |
stuff. The yellow and green, to fit it at that pace, it doesn't get any | :46:09. | :46:24. | |
better than that. And what it does is it puts a seed of doubt in Mark | :46:25. | :46:36. | |
Selby's mind. He knows he should be two in front. | :46:37. | :46:54. | |
He might finish taking the yellow here. He was unlucky to hit the red. | :46:55. | :47:03. | |
There is a path through to the yellow, just off the right side of | :47:04. | :47:07. | |
the yellow. Neal is looking at the two reds to | :47:08. | :47:38. | |
see if there could be applied. But surely you couldn't get through to | :47:39. | :47:41. | |
them. I'm not sure if they are in line. If | :47:42. | :48:05. | |
they are, he will have to be careful. He might be able to get | :48:06. | :48:11. | |
through to that possible plant. He got a good length with the cue | :48:12. | :48:17. | |
ball. Mark Selby will have a look at that. | :48:18. | :48:42. | |
That is a good shot from Neil. Just swinging the cue ball perfectly. | :48:43. | :49:20. | |
That little flicked on the red helped. He may just play the cannon | :49:21. | :49:23. | |
on the one to the right of the pink. He does not want to cannon the | :49:24. | :49:25. | |
one in front of it. He didn't want the flicked on the | :49:26. | :49:54. | |
red. Without that He didn't want the flicked on the | :49:55. | :50:05. | |
have been perfect on it. Use another cannon now as a stopper. | :50:06. | :50:35. | |
How did he miss these? How did he get through that gap? He flicked the | :50:36. | :50:43. | |
red, but how did he get the white that far? I can't believe it. | :50:44. | :50:53. | |
There is no gap there, but he's found one. He can cut it into the | :50:54. | :51:05. | |
corner. Making sure of getting a good white. A good white means | :51:06. | :51:10. | |
virtually tight on the cushion. Such a dangerous shot to play. If | :51:11. | :51:49. | |
you play it thick, it will catch on the jaws of the pocket. But he | :51:50. | :51:52. | |
played it well. Some of these safety shots, there | :51:53. | :52:39. | |
are not straightforward. They are having to hit them a lot thinner | :52:40. | :52:45. | |
than they normally would like to do. But they are judging them so well. | :52:46. | :52:50. | |
They are so evenly matched in all departments, these two players. | :52:51. | :53:32. | |
I don't think he will have this put back, he can put a pot on here. I do | :53:33. | :53:52. | |
love whether he hit that too thick, or got heavy contact. That seemed to | :53:53. | :54:03. | |
straighten up so that was not a good contact. And another thing one | :54:04. | :54:14. | |
needed here. To avoid the pocket. -- thin one. A couple of thin ball | :54:15. | :54:30. | |
wizards! It would be great to have the eyesight of them. There is a | :54:31. | :54:42. | |
chance of putting this one. -- potting. Brilliant. He needs the cue | :54:43. | :54:52. | |
ball to slow up so he is on the green. | :54:53. | :54:59. | |
He's looking at the green. It's quite close and difficult to judge. | :55:00. | :55:23. | |
I think he put more concentration into the green and just cannoned the | :55:24. | :55:37. | |
blue accidentally. If he misses the blue, he is perfect on a couple of | :55:38. | :55:44. | |
threads. But he will have to be careful not to head towards the left | :55:45. | :55:45. | |
middle pocket. He is entitled to be a little bit | :55:46. | :56:12. | |
frustrated. He has done all the scoring in this match. Very unlucky | :56:13. | :56:18. | |
to finish there. Played the thin safety shot. That is | :56:19. | :57:31. | |
Paul Hunter's father. The late, great Paul Hunter. A couple of days | :57:32. | :57:38. | |
ago, they had a standing of Asian in the arena. It was supposed to be for | :57:39. | :57:43. | |
a minute, but it went on for two minutes, the crowd just went on | :57:44. | :57:53. | |
clapping. Quite a few of the players are very involved with The Paul | :57:54. | :57:59. | |
Hunter Foundation. We go along and meet youngsters at different | :58:00. | :58:02. | |
centres. Alan is very proud of that. That was another example of | :58:03. | :58:31. | |
excellent potting. What a great pot this was. One good positional shot | :58:32. | :58:44. | |
and Neil could give himself a great opportunity here, the way that the | :58:45. | :58:46. | |
reds are spread. That will open this frame up and | :58:47. | :59:07. | |
give him an excellent chance to possibly win the frame. | :59:08. | :59:23. | |
Straight away he played for that red that you suggested. It wept too far. | :59:24. | :59:29. | |
He wanted it to be dead straight, which should have made it easier to | :59:30. | :59:33. | |
get the black into the left corner. That is the easier corner to pot the | :59:34. | :59:38. | |
black into. That is why he's taken an alternate shot. | :59:39. | :59:46. | |
He will see if he can get it right this time. It should be OK. He's got | :59:47. | :59:49. | |
quite Two reds above the black spot. Can | :59:50. | :00:29. | |
probably just go behind those two reds. Doesn't have to make contact | :00:30. | :00:33. | |
with them. He could drift by them. He has drifted by them. Mark Selby | :00:34. | :00:43. | |
knows how important that last frame was. Obviously lots of frame toss | :00:44. | :00:46. | |
go. 17 frames a target. 45 points in front. Just checking | :00:47. | :02:01. | |
where the next red will come from. Potted the red and the pink. 52 in | :02:02. | :02:06. | |
front. That puts him 52 points in front. | :02:07. | :02:42. | |
This red will probably pass along the top cushion. | :02:43. | :02:49. | |
That's the one he's played for. And we'll know before him whether this | :02:50. | :02:52. | |
is in. That's amazing! That shows you how | :02:53. | :03:05. | |
tight these pockets are. Mark Selby missed the last red. He thought it | :03:06. | :03:07. | |
was in. 45 behind. It's only one snooker, if | :03:08. | :03:50. | |
he could drop this red in and get the black - a great chance of the | :03:51. | :03:56. | |
snooker, but can he send it along the cushion? Yes! This time he has. | :03:57. | :04:04. | |
Oh, he's in with a shot now, I can tell you. Oh, he's not gone far | :04:05. | :04:26. | |
enough, has he? Oh, don't tell me he's snookered himself! Just OK, I | :04:27. | :04:34. | |
think. Could get the white and red in | :04:35. | :04:39. | |
behind the yellow and brown as well, but he couldn't do it from that | :04:40. | :04:44. | |
angle. APPLAUSE | :04:45. | :04:56. | |
Not straightforward. You always like to come off a couple of cushions | :04:57. | :05:03. | |
rather than just the one cushion. The right middle pocket seems to be | :05:04. | :05:07. | |
in the way of the two-cushion escape. So it has to be one cushion, | :05:08. | :05:12. | |
because the yellow's in the way of escaping down the other side of the | :05:13. | :05:19. | |
table two cushions. He feels if he gets enough, he can swing it off the | :05:20. | :05:25. | |
red to the two cushions. Has he got enough side on it? He has. | :05:26. | :05:47. | |
You can see mark coming a-- Mark coming around the table. There's a | :05:48. | :05:57. | |
chance he could snooker him back. He's hit it full ball. Is he going | :05:58. | :05:59. | |
to snooker a different way? Almost looks like he's got it | :06:00. | :06:43. | |
snookered again. He can't do much with that. | :06:44. | :06:50. | |
We can see more with this red. Could have played in behind the black. It | :06:51. | :06:54. | |
is a possibility - a moment ago, the angle on this is very, very thin. | :06:55. | :07:02. | |
If this pulls up, he's got a chance of getting behind the yellow. What a | :07:03. | :07:08. | |
great effort! Unlucky! What about this for a shot if it | :07:09. | :07:30. | |
runs! Just going to pull up. Nothing wrong with potting this last | :07:31. | :07:35. | |
red, so long as he can get on a high-valued colour. | :07:36. | :07:40. | |
He's glancing around at the score board. A natural angle would take | :07:41. | :07:42. | |
him up to the pink or black. A good shot. Very well played. | :07:43. | :08:01. | |
The perfect angle to get the white in such a position. He can... I mean | :08:02. | :08:07. | |
the brown is out of commission at the moment. | :08:08. | :08:28. | |
That's pretty good. I think he can get up behind... Maybe not - I | :08:29. | :08:35. | |
thought he could get up behind the black. He might be able to do that. | :08:36. | :08:39. | |
A little trace at the right-hand side. | :08:40. | :08:53. | |
He had three balls to possibly get the snooker behind. | :08:54. | :09:00. | |
And with the yellow so close to the cushion, you have to | :09:01. | :09:03. | |
And with the yellow so close to the with this escape. | :09:04. | :09:08. | |
Yes, you don't have a second cushion to it, do you. The yellow - two | :09:09. | :09:13. | |
chances off one cushion and of course miss it off two. The fact it | :09:14. | :09:17. | |
was so close to the cushion makes it very, very difficult. | :09:18. | :09:25. | |
He has to be careful he doesn't leave a free ball. | :09:26. | :09:38. | |
Is it going to be a free ball? If it keeps on running - he can put Neil | :09:39. | :09:45. | |
in from this position. No miss can be called whenever a snooker's | :09:46. | :09:50. | |
needed. He'll look at this. If he doesn't see an easy | :09:51. | :09:54. | |
needed. He'll look at this. If he nothing wrong with putting it back | :09:55. | :09:58. | |
in there. That's what he's decided. If the brown had been right over the | :09:59. | :10:01. | |
pocket, he would have risked playing the thin cut on the yellow and | :10:02. | :10:06. | |
behind the black again and pushed the yellow towards the brown. As you | :10:07. | :10:09. | |
can see the brown is away from the pocket, which would have meant the | :10:10. | :10:13. | |
yellow would have been potable. Neil has to be careful he doesn't do | :10:14. | :10:15. | |
that. Is there enough room to get behind | :10:16. | :10:46. | |
this? That's what he's looking at. If he could, there's every chance | :10:47. | :10:50. | |
the yellow could finish up behind the black. If he makes the right | :10:51. | :10:54. | |
contact the yellow will go up towards the black. He'd have to be | :10:55. | :11:00. | |
very precise with this and get so much side on it. He's got to be | :11:01. | :11:06. | |
careful he doesn't play it with too much side and hit the yellow direct. | :11:07. | :11:11. | |
He could cut it over that pocket you mention. He's got to get the cushion | :11:12. | :11:23. | |
first. That's what he wanted to play. | :11:24. | :11:35. | |
He will breathe a big sigh of relief. An excellent safety shot | :11:36. | :12:00. | |
Neil played to put Mark under pressure. Without doubt, he's one of | :12:01. | :12:06. | |
the greatest potters seen. Mark wasn't expecting the yellow to | :12:07. | :12:11. | |
disappear there, I can tell you. Just the one snooker needed again, | :12:12. | :12:16. | |
so Neil can't just roll this over the pocket. He's got to be a little | :12:17. | :12:19. | |
careful. He was extra careful. I thought he | :12:20. | :12:29. | |
could put the pot up into the corner, possibly. If Mark gets a | :12:30. | :12:34. | |
chance, he'll pot the green and the brown because the brown's no use to | :12:35. | :12:42. | |
him for snooker where it is. But you never are comfortable when | :12:43. | :12:49. | |
Mark Selby needs one or two snookers. He's so good at it. He'll | :12:50. | :12:54. | |
try a special one here to get in behind the blue. | :12:55. | :12:59. | |
And that's excellent! APPLAUSE | :13:00. | :13:11. | |
It looks easy enough. I tell you what, that is so difficult to play. | :13:12. | :13:23. | |
It dos without saying, he goes around the back of this. | :13:24. | :13:48. | |
He's so close to the blue, he'd had to come off the blue cushion with so | :13:49. | :13:56. | |
much side, because he can only see a certain amount. He's not right on | :13:57. | :14:03. | |
top of the blue, so he can curve it. How difficult does that make the | :14:04. | :14:07. | |
shot? It's the shot that Selby just | :14:08. | :14:14. | |
played. They've got so close to the blue, that he's had to screw that | :14:15. | :14:20. | |
cue ball back to cut that angling off. | :14:21. | :14:27. | |
-- angle off. He can only come to the green from the left side of the | :14:28. | :14:36. | |
table. The pink and black there. Well, there's the shot time. | :14:37. | :14:44. | |
It could well be just over two minutes by the time he plays the | :14:45. | :14:46. | |
shot. It is an important shot. It is not | :14:47. | :14:57. | |
an easy escape. He's looking at one, two, three | :14:58. | :15:01. | |
cushions - middle pocket - left side of the table seems to be in the way. | :15:02. | :15:07. | |
I think his first choice is really the only escape route. | :15:08. | :15:16. | |
He cannot leave the green on. Playing it this way if he misses the | :15:17. | :15:22. | |
snooker, he can leave the green on. He'll hit possibly four cushions. | :15:23. | :15:28. | |
Have a look at this! Just count the cushions. If he gets out hitting | :15:29. | :15:32. | |
four cushions, what an escape that will be. | :15:33. | :15:34. | |
There's one, two, three... Well! That's amazing. Selby has done | :15:35. | :15:49. | |
brilliantly to get him to miss the snooker. Again he's not left the pot | :15:50. | :15:54. | |
on. You cannot cue down on this to get the white behind the black. He's | :15:55. | :15:57. | |
a little bit too near the cushion. There may be a gap between black and | :15:58. | :16:08. | |
pink. It has made it difficult for Mark. | :16:09. | :16:57. | |
He tapped the table because he knew that the pace that he needed to play | :16:58. | :17:03. | |
that at, to leave it so close to the cushion was top class there. | :17:04. | :17:08. | |
I don't know if he'll play that back double. The pink looks to be in the | :17:09. | :17:12. | |
way. He could cannon into the green. If he tries that, then a lot could | :17:13. | :17:18. | |
go wrong with it. The green up and down and he's | :17:19. | :17:23. | |
missed the double kiss. I tell you what, had he hit that a little | :17:24. | :17:28. | |
harder, he would have had the snooker. | :17:29. | :17:36. | |
He may be the best potter in the world, or one of the best we've | :17:37. | :17:43. | |
seen, but would Neil Robertson think about taking this on? Would it be | :17:44. | :17:46. | |
the safety shot? Where is that cue ball? | :17:47. | :18:00. | |
It's what we call a green-ball fight - whatever pots the green should win | :18:01. | :18:02. | |
the frame. It looks a good weight. I think this | :18:03. | :18:27. | |
table is playing a little slower than the tables were yesterday. | :18:28. | :18:30. | |
Whether the fact it's a brand new clothe, I'm not sure. . It could | :18:31. | :18:34. | |
have been that and of course with the atmosphere today - it been a | :18:35. | :18:43. | |
damp day. We have table heaters and there is discussion as to whether | :18:44. | :18:47. | |
they should try without the heaters. When it is damp like that I think | :18:48. | :18:50. | |
they are very important. He'll be lucky if the blue comes to | :18:51. | :19:08. | |
the rescue here. He's underhit that, but he'll settle for it because the | :19:09. | :19:11. | |
brown is hampering the cue action. If he plays a little thin one here - | :19:12. | :19:26. | |
he'll have to be careful he doesn't get the double kiss again. He's | :19:27. | :19:32. | |
looking at the possible angle that's awkward! | :19:33. | :19:39. | |
It was a pretty good effort. At first glance I can't see an easy | :19:40. | :20:02. | |
safety shot. If he plays it up and down he'll have to avoid the double | :20:03. | :20:04. | |
kiss. Neither player yet has been left | :20:05. | :20:11. | |
with an easy opportunity on the green. I wonder when that will come? | :20:12. | :20:25. | |
it up towards the blue, so long as he gets a good white, whether Mark | :20:26. | :20:32. | |
can risk playing the pot. I don't he gets a good white, whether Mark | :20:33. | :20:37. | |
see how you can do both - a good white and good green. Get behind the | :20:38. | :20:42. | |
pink but not the black if he sends the green up the table. | :20:43. | :20:46. | |
Well, he has got in behind the black. He's put the green off the | :20:47. | :20:48. | |
table. APPLAUSE | :20:49. | :20:55. | |
Even if he didn't get behind the black, he got a good green there and | :20:56. | :20:59. | |
he had the pink and blue as covering balls. I don't expect Mark to miss | :21:00. | :21:04. | |
this. He can swerve this. If he hits the | :21:05. | :21:08. | |
cushion first, he can send the green back up the table. That's what he's | :21:09. | :21:14. | |
looking at. It is a great battle this. We have | :21:15. | :21:19. | |
two of the game's best safety players in the modern game. | :21:20. | :21:24. | |
Well, he's going for the same cushions - same result, try and push | :21:25. | :21:27. | |
the green back up the table. Can you believe it? He had the easy | :21:28. | :21:38. | |
swerve. I thought he would have created that. He thought, I can not | :21:39. | :21:42. | |
miss it off the side cushion! How did he get around the back of this, | :21:43. | :21:48. | |
by the way? We are talking about fractions there. Like you, I think | :21:49. | :21:52. | |
the swerve would have been the guaranteed hit. | :21:53. | :21:57. | |
So, once again, he's got two snookers and made Neil Robertson | :21:58. | :21:58. | |
miss them. He's got to do it again. He's put them back in again and | :21:59. | :22:29. | |
well, he knows his way around the table. | :22:30. | :23:03. | |
Going around to see if he can play the long double. | :23:04. | :23:17. | |
He's played the long double. It looks pretty good to me! That's what | :23:18. | :23:25. | |
he's played! APPLAUSE | :23:26. | :23:30. | |
I don't think Mark Selby was expecting that. What a shot the | :23:31. | :23:36. | |
Australia has pulled off there. That was a -- Australian has pulled off | :23:37. | :23:38. | |
there. That was a little beauty. Judged to perfection. He knew he | :23:39. | :24:00. | |
could not knock the brown in. When he walked around the table, he knew | :24:01. | :24:05. | |
he'd hit it absolutely perfectly. Oh! What's the difference? 30, 22 on | :24:06. | :24:09. | |
the table. Two snookers to tie. He's got to be very careful because | :24:10. | :24:21. | |
it is a massive target behind the pink and black. I would pect Mark | :24:22. | :24:29. | |
Selby to get -- expect Mark Selby to get very close. | :24:30. | :24:47. | |
He hasn't missed the jaws. That was conceded. Yes, too much. | :24:48. | :24:58. | |
What a fascinating frame! It lasted for almost 40 minutes and the | :24:59. | :25:03. | |
Australian, Neil Robertson, will be delighted he leads 2-1. | :25:04. | :25:07. | |
39-minute frame. If you like tactics, this is the match for you. | :25:08. | :25:11. | |
It is absolutely sensational. That was a masterclass of at thety | :25:12. | :25:25. | |
at thetial -- of at theal play. They are giving it everything. It is | :25:26. | :25:29. | |
fascinating to see. From my perspective, the type of snooker | :25:30. | :25:34. | |
which has a bit of a throwback to it, but the standard of safety was | :25:35. | :25:38. | |
so strong. Even so, when they battled for the green and Selby | :25:39. | :25:47. | |
takes on for a long putt, he's giving you -- pot, he's giving you | :25:48. | :25:50. | |
nothing out there. Neither will put their hand in their pocket to buy a | :25:51. | :25:55. | |
drink - it is brilliant to watch. It can only get better. I don't think | :25:56. | :25:59. | |
the standard will drop much. They are fired up for this. We have four | :26:00. | :26:03. | |
sessions of this. This is the semi-final. If it will be hard... | :26:04. | :26:08. | |
How much will they have left, whoever gets through to this final? | :26:09. | :26:12. | |
This is only halfway. They have only just start. Halfway and the amount | :26:13. | :26:16. | |
of sessions they have to play. Ronnie O'Sullivan, if he was to get | :26:17. | :26:22. | |
off to a flyer in his next session, he would be relaxing watching two of | :26:23. | :26:29. | |
the others punch each other out. The first half an hour of this has gone | :26:30. | :26:32. | |
in a flash! Excellent break-off from Neil | :26:33. | :26:54. | |
Robertson. He's virtually pinched the two frames he's won. | :26:55. | :27:12. | |
I would say that must be touching. You could tell just the way it stuck | :27:13. | :27:22. | |
on the red, which makes it a lot easier for Neil Robertson. | :27:23. | :27:33. | |
I don't know whether you noticed, but the last couple of matches, it's | :27:34. | :27:41. | |
as if Neil is chewing. I don't know if he's chewing gum. It might be for | :27:42. | :27:47. | |
concentration. I remember Steve Davis used to bite on his tongue a | :27:48. | :27:51. | |
little bit. That is the sort of things they tell you just to help | :27:52. | :27:56. | |
with the concentration. Of course in our game now, there are | :27:57. | :28:02. | |
a lot of sports psychology involved. There never used to be. You just had | :28:03. | :28:07. | |
to do it your own way and hope for the best. | :28:08. | :28:25. | |
Of He's trying to find an alternative. | :28:26. | :29:16. | |
That might look a bit reckless. But look at the cue ball. He hit it hard | :29:17. | :30:21. | |
enough to take the cue ball back to safety. | :30:22. | :30:50. | |
Steve mentioned how good this safety was. It really has been talk for -- | :30:51. | :31:05. | |
top drawer. I can remember Abu safety shot being played in this | :31:06. | :31:19. | |
match -- a poor. The natural angle was to hit the pink. He put so much | :31:20. | :31:24. | |
side on it. When you play it at that case, you don't give the site much | :31:25. | :31:27. | |
chance. He judged it to perfection. Who is going to make the first | :31:28. | :32:20. | |
mistake? Well, that is a mistake. And it | :32:21. | :32:49. | |
might be a free ball. It is tight. They are all having a look. He is | :32:50. | :32:59. | |
going to put his ball marker... He is going to put the yellow next to | :33:00. | :33:05. | |
the red and see if he can hit the yellow full bowl. If he can, it is | :33:06. | :33:11. | |
not a free ball. You have to hit the red on both sides. He will go round | :33:12. | :33:18. | |
and have a look at the white and see if you can hit... That is tight. | :33:19. | :33:28. | |
What a decision to have to make. I think it is a three -- free ball. | :33:29. | :33:45. | |
The referee thinks it is a free ball. He may be right. If he hits | :33:46. | :33:54. | |
the yellow, he would have to catch the blue before hitting the yellow | :33:55. | :34:08. | |
full bowl. If neocons and have a look -- if Neil Robertson comes and | :34:09. | :34:18. | |
has a look at this side... You would expect him to score pretty heavily | :34:19. | :34:24. | |
for this. Mark Selby says I will leave it to you two. Adding he would | :34:25. | :34:35. | |
be kissing into the blue if he played the centre of the yellow. How | :34:36. | :34:43. | |
many ball markers has he got in his pocket? He is putting the green next | :34:44. | :34:51. | |
to the blue. But he did declare a free ball and I think Neil should | :34:52. | :34:56. | |
just have accepted it. The referee's decision is final. | :34:57. | :35:10. | |
I don't think this tells as much, having the yellow next to the red. | :35:11. | :35:21. | |
Well, they are creating history. It is the longest I have ever seen this | :35:22. | :35:28. | |
going on. I have never seen one so close. If he moves the blue, we are | :35:29. | :35:43. | |
just talking about a fraction... I think he has got to make a decision. | :35:44. | :35:57. | |
He did make a decision. My mistake. He has changed his mind and said no | :35:58. | :36:04. | |
free ball. Now Mark is going to have a look! | :36:05. | :36:15. | |
Our television camera is right behind it. And I thought it was a | :36:16. | :36:26. | |
free ball. I think it was when the yellow was next to it. From there, | :36:27. | :36:31. | |
it looks... To hit that red on the extreme right as we look at it, you | :36:32. | :36:35. | |
would think he would catch the blue. There we go. The referee changed his | :36:36. | :36:45. | |
mind. And Mark is going to accept that. He is putting him back in from | :36:46. | :36:51. | |
where he finished. That lasted for Mac minutes -- four | :36:52. | :37:14. | |
minutes. Tony Gregg would have finished frame of snooker in that | :37:15. | :37:16. | |
time. Mark said, is it a free ball? That | :37:17. | :37:53. | |
is why they call him the Jester from Leicester. | :37:54. | :38:05. | |
He did it so well. The cue ball has travelled to the baulk cushion. I | :38:06. | :38:23. | |
think a draw would be a fair reflection on these first four | :38:24. | :38:25. | |
frames. That was a great pot. He is going that the extension to | :38:26. | :39:11. | |
try to get a good cue ball and use the green is a snickering ball, | :39:12. | :39:26. | |
possibly. -- as a snookering ball. The safety shot is a lot more | :39:27. | :39:32. | |
difficult now. He may have to leave the cue ball at this end of the | :39:33. | :39:34. | |
table. He made sure it did not go round the | :39:35. | :40:12. | |
back of that first red. The Grinder, the foreign-born is in | :40:13. | :40:37. | |
town. And these two boys are doing a bit of grinding at the moment. | :40:38. | :40:46. | |
town. And these two boys are doing a Cliff Thorburn is in town. | :40:47. | :41:09. | |
Hit the red nearest the cushion, but it has to be judged to perfection. | :41:10. | :41:14. | |
If he goes round the it has to be judged to perfection. | :41:15. | :41:21. | |
not very good. Mark it has to be judged to perfection. | :41:22. | :41:28. | |
into the pack at speed to bring the pink into play. | :41:29. | :41:55. | |
He has run that. They can get to the black. That was a pretty good shot. | :41:56. | :42:20. | |
It goes without saying, this is missable. | :42:21. | :42:41. | |
There is Mark's wife giving him a round of applause because they | :42:42. | :42:46. | |
thought he might possibly miss this one as well. | :42:47. | :43:01. | |
He has got a terrific chance. If you could get that bred out of the way, | :43:02. | :43:15. | |
-- that red out of the way. A fascinating semifinal so far. | :43:16. | :43:45. | |
Mark will be disappointed if he does not score 60 or above from here. 2-2 | :43:46. | :44:00. | |
would be a fair reflection on these opening frames. | :44:01. | :44:39. | |
That has gone a little awkward. An alternate red to the right middle. | :44:40. | :44:51. | |
Just got to be a bit careful. Any harder and I'm not sure this | :44:52. | :45:14. | |
would have gone in. I think one of the reasons these boys and at the | :45:15. | :45:19. | |
top of the world rankings is they can play tactical and safety | :45:20. | :45:24. | |
battles, and then then they get their chance, they have not lost | :45:25. | :45:28. | |
their victim. They can still score heavily. -- their rhythm. Those | :45:29. | :45:40. | |
colours are always tricky to get through. | :45:41. | :46:07. | |
Just have a look where he has put the cue ball. | :46:08. | :46:18. | |
That has kicked. But it has not affected the shop this time. At | :46:19. | :46:26. | |
least he is on the pink and the red went in the pocket. One of those | :46:27. | :46:33. | |
kicks back and do you a favour, it slowed the cue ball down. | :46:34. | :47:09. | |
The last frame, he made a 54 break and should have won it. | :47:10. | :47:23. | |
That's Oki, no problem. -- that's OK, no problem. He has made 46 | :47:24. | :47:43. | |
centuries this season. It just shows what Neil Robertson achieved, making | :47:44. | :47:44. | |
100 in a season. We haven't had the abundance of | :47:45. | :47:55. | |
centuries of the normally have. Amazingly, there were only 55 last | :47:56. | :48:13. | |
year. I think 80 is the record. This all came from Neil Robertson's | :48:14. | :48:38. | |
pure safety shot when he miss judged this snooker. The rest has been | :48:39. | :48:48. | |
pretty straightforward. He has made 335 centuries in his | :48:49. | :49:18. | |
illustrious career. And this one coming just at the right time for | :49:19. | :49:29. | |
Mark Selby. I'm with you, I think 2-2 is a true reflection of the | :49:30. | :49:32. | |
first four frames. Very, very good. He might be disappointed he did not | :49:33. | :49:57. | |
win the second frame. That known shouter is still there. | :49:58. | :50:05. | |
Neil Robertson still holds the highest break in this championship, | :50:06. | :50:16. | |
140. One of the game's best | :50:17. | :50:44. | |
break-builders. This is a prime example of how to make a break from | :50:45. | :50:52. | |
nothing. What a fabulous first four frames we have had. Mark Selby | :50:53. | :50:56. | |
clears 2-level the match. Just about fear. There was an | :50:57. | :51:08. | |
incident in frame for with their free ball, or not free-ball. In many | :51:09. | :51:14. | |
other sports, in tennis, rugby and football, we add encourage -- | :51:15. | :51:21. | |
encouraged not to question the referee. You could argue that you | :51:22. | :51:27. | |
shouldn't argue with the referee, it has always been the case that the | :51:28. | :51:33. | |
referees have not been bombastic in making their decision. They are | :51:34. | :51:37. | |
quite happy to be questioned and to ask opinions of both players, in | :51:38. | :51:42. | |
order to get it right. They want to be as accurate as possible. The | :51:43. | :51:48. | |
situation was quite nice, they both agreed in the end. The referee would | :51:49. | :51:54. | |
not have felt that his authority was being questioned. He wants to get it | :51:55. | :52:02. | |
dead right. It is a very important decision to get right. As it turned | :52:03. | :52:12. | |
out, 133 for Mark Selby. He has not been to the one-table set-up for | :52:13. | :52:20. | |
four years, and he looks born to it. They are both big occasion players. | :52:21. | :52:27. | |
From Neil Robertson's perspective, he has what a rearguard action in | :52:28. | :52:39. | |
the first four frames. We have only got a few more minutes, but we want | :52:40. | :52:42. | |
to bring you up to date on the progress of the first semifinal. | :52:43. | :52:48. | |
Ronnie O'Sullivan and Barry Hawkins. They shared the first four | :52:49. | :52:56. | |
frames, then Ronnie began to find his rhythm. Here note the final | :52:57. | :53:07. | |
frame of the session with John Virgo and Ken Doherty. | :53:08. | :53:14. | |
That was always a danger. But he thought it was worth the risk. He | :53:15. | :53:23. | |
should have brought the black into play. But he needed a better cue | :53:24. | :53:37. | |
ball than this. 73% long pot success. He has got eight from 11 | :53:38. | :53:40. | |
long pots. He just came right across it. Quite | :53:41. | :54:07. | |
a long way away. A little bit surprised he missed it | :54:08. | :54:31. | |
by so far. He is a chance for Barry. Dear me. Would you believe it. We | :54:32. | :54:44. | |
were asking the question, how much did that match the Dominic Dale take | :54:45. | :54:50. | |
out of him and we said we would not know until this session was | :54:51. | :54:53. | |
finished. You think that there is a bit of a hangover? Just in the last | :54:54. | :55:00. | |
frame. But I think it is not from the Dominic Dale match, but those | :55:01. | :55:08. | |
kicks. They have cost him the frames. Sometimes, you get a kick | :55:09. | :55:18. | |
and it does not cost to the frame, but these ones have and that has | :55:19. | :55:23. | |
shaken him. He needs to slide past this red, and | :55:24. | :55:38. | |
he has done. That should set up the screen. Barry is in a bad place at | :55:39. | :55:46. | |
the moment. He did not want to be four frames behind at the end of | :55:47. | :55:56. | |
this session. Ronnie O'Sullivan is on a roll. | :55:57. | :56:09. | |
Still a lot of snooker left in this match. | :56:10. | :56:22. | |
It is probably better for Barry that this is the last frame of the | :56:23. | :56:27. | |
session and he will not be back until tomorrow. | :56:28. | :56:49. | |
Ronnie O'Sullivan is 43 points in front. | :56:50. | :56:55. | |
He has potted some tremendous balls in this first session, and Barry has | :56:56. | :57:18. | |
had some bad luck. 8-3. A very disappointing start for Barry | :57:19. | :57:30. | |
Hawkins. Ronnie O'Sullivan has a four frame advantage. | :57:31. | :57:34. | |
Your summation of that opening session? I think Barry Hawkins will | :57:35. | :57:40. | |
have gone back to his dressing room very aggrieved with what happened. | :57:41. | :57:47. | |
The kicks destroyed his good play early on. Who is to see what would | :57:48. | :57:51. | |
have happened if he had not got the kicks. It halted him in his tracks. | :57:52. | :57:59. | |
He crumbled towards the end. Very difficult to swallow that. He has | :58:00. | :58:03. | |
got to come back tomorrow and try to turn the tables. That can be very | :58:04. | :58:13. | |
difficult against Ronnie O'Sullivan. Two sessions tomorrow. We have four | :58:14. | :58:19. | |
more frames to play here, but we will have to do that somewhere else. | :58:20. | :58:25. | |
You can continue to watch the last four frames online, or on the red | :58:26. | :58:35. | |
button. That is it. Good night. | :58:36. | :58:37. |