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good for productivity as well as for all | :00:00. | :00:41. | |
It is the final Thursday here at the all of us. It | :00:42. | :00:44. | |
It is the final Thursday here at the World Snooker Championship at the | :00:45. | :00:49. | |
Crucible. That can mean only twhing - one table. . Overnight everyone | :00:50. | :00:55. | |
has been hard at -- thing - one table. Overnight everyone has been | :00:56. | :01:00. | |
hard at work to make sure this table is in A-1 condition. | :01:01. | :01:08. | |
From being cramp and almost suffocating, this of has morphed | :01:09. | :01:16. | |
into a spacious sporting arena. Only the best make it this far. You | :01:17. | :01:21. | |
are not sitting with your opponent - you have some space to relax. It is | :01:22. | :01:25. | |
like first class. You don't want to be at the back where they keep the | :01:26. | :01:29. | |
ice! This is what you practise for, this is what you fla for and the | :01:30. | :01:34. | |
best -- play for and the best thrive. A dream final is within | :01:35. | :01:38. | |
their grasp. All four lads have been the distance before and they are | :01:39. | :01:40. | |
only one match away. Hello. Good afternoon and welcome to | :01:41. | :02:16. | |
the Crucible theatre and the 2014 World Snooker Championship. We have | :02:17. | :02:19. | |
reached the semi-final stage. Four players, one prize. The biggest | :02:20. | :02:25. | |
title in world snooker. This amazing venue has seen some dramatic moments | :02:26. | :02:32. | |
over the past 24 hours. I would rather him play for a baulk | :02:33. | :02:37. | |
here, I really would. Make the 100 of certainty. | :02:38. | :02:40. | |
A nice angle! He has a nice angle! | :02:41. | :02:45. | |
Snurly now he's going to get it -- surely now he's going to get it. | :02:46. | :02:54. | |
A record that might never, ever get beaten again! Well, at least I'm | :02:55. | :02:59. | |
going to have the hon tore be the first to congratulate him if this | :03:00. | :03:05. | |
green goes in. And at this stage of the match - | :03:06. | :03:13. | |
absolutely unbelievable! A monkey off his back. The crowd stand in | :03:14. | :03:17. | |
ovation. He deserves that. It has been brilliant. At this stage of the | :03:18. | :03:21. | |
game, to produce that fantastic break, it is quite incredible. | :03:22. | :03:25. | |
Congratulations to Neil Robertson, not only on the century but to have | :03:26. | :03:32. | |
levelled at 11-11. An amazing sort of set of emotions to take grasp of | :03:33. | :03:37. | |
in that last half an hour of the match, making the century. A century | :03:38. | :03:48. | |
is an unbelieve yoobl reception -- is an unbelievable reaction from the | :03:49. | :03:53. | |
crowd. The match was going my way. It looked like I was going to be | :03:54. | :03:59. | |
beat. Stuck on 99. That is why it led to such celebrations and relief. | :04:00. | :04:08. | |
Boy, the crowd really enjoyed it. It was that electric! | :04:09. | :04:12. | |
Thank you! The deciding frame. Dale to beat! | :04:13. | :04:23. | |
Here we go! He's taken this red hot. Very brave! | :04:24. | :04:37. | |
Nothing wrong with that. What a great pot. | :04:38. | :04:50. | |
These two loads are playing one of the biggest frame of their live. | :04:51. | :04:57. | |
From 11-5 in front, to go 12-11 behind and then stop his opponent. | :04:58. | :05:01. | |
There's the bang on the table. That is what it means to him. Dominic | :05:02. | :05:08. | |
will give Barry a warm handshake. What a comeback from Dale. Barry is | :05:09. | :05:13. | |
absolutely delighted! He's through to the semi-final to meet the | :05:14. | :05:17. | |
defending champion, Ronnie O'Sullivan. | :05:18. | :05:22. | |
To win a match like that, especially in this place - it is an | :05:23. | :05:26. | |
unbelievable feeling. I would have found the nearest bridge if I had | :05:27. | :05:32. | |
lost that, obviously. Fair play to Dominic. I was squandering chance | :05:33. | :05:37. | |
after chance from 11-5. He played so solid. He's found his A-game. It | :05:38. | :05:43. | |
wasn't really, I didn't really do anything wrong. Found his A-game. He | :05:44. | :05:48. | |
won it. I didn't lose it. You could see how much it meant to me to get | :05:49. | :05:54. | |
over the line and just a massive, massive release. | :05:55. | :05:57. | |
I am now backstage. The atmosphere here is very, very tense. The first | :05:58. | :06:05. | |
semi-final of this year's championships about to get under | :06:06. | :06:08. | |
way. Ronnie O'Sullivan taking on Barry Hawkins - the man he beat in | :06:09. | :06:13. | |
last year's final. You know, it is hard mentally to | :06:14. | :06:18. | |
keep that, keep flowing if you like, you know and it is like survival of | :06:19. | :06:24. | |
the fitness in some sort of ways. It is quite a sadistic type of sport. | :06:25. | :06:29. | |
It is not like football or tennis where you can let some aggression | :06:30. | :06:33. | |
out. A lot of the time you are sitting in your chair and pondering | :06:34. | :06:39. | |
on your thoughts. I tipped Barry before coming in here. Everybody was | :06:40. | :06:44. | |
saying Ding was the man on form. He was the man on form. I still thought | :06:45. | :06:49. | |
Hawkins was the danger-man in that side of the draw, especially of how | :06:50. | :06:52. | |
he played last year and just the type of player he is. Like I said, | :06:53. | :06:59. | |
at this venue, it is a marathon. I think Barry just goes about his | :07:00. | :07:04. | |
business quietly and goes about it. He plays the same, plays the balls. | :07:05. | :07:09. | |
He has a great temperament. He has a great game. If you don't have the | :07:10. | :07:13. | |
game to back it up, then you know, you will not do anything. He has the | :07:14. | :07:19. | |
game. He can score, good positional play, good safety. He's won | :07:20. | :07:24. | |
tournaments. Well, I have to say both players | :07:25. | :07:28. | |
look incredibly relaxed. They've had their moments on the practise room, | :07:29. | :07:32. | |
now they are in their dressing rooms. Barry Hawkins is in this | :07:33. | :07:37. | |
changing room, discussing tactics, last-minute tactics with his coach. | :07:38. | :07:41. | |
Let's give him a knock and tell him that the Crucible is waiting for him | :07:42. | :07:47. | |
to start his semi-final. I can hear him talking to Terry. They've had a | :07:48. | :07:52. | |
couple of frames this morning. Here he goes! Are you ready? Yes. How you | :07:53. | :08:00. | |
feeling? Good. There is a crowd out there ready for you. Off you go! | :08:01. | :08:08. | |
He's just grabbing his extension. Good luck to you. Take care. Barry | :08:09. | :08:14. | |
Hawkins takes his way. Ronnie O'Sullivan beat Barry here in the | :08:15. | :08:19. | |
Crucible last year. Barry Hawkins only has one win against Ronnie | :08:20. | :08:22. | |
O'Sullivan. Ronnie is in here with the art yirs | :08:23. | :08:31. | |
Damien Hirst. The atmosphere is so tense here at the Crucible. Hello. | :08:32. | :08:37. | |
Are you feeling good? Yes. A solid crowd out there. He's on his way. | :08:38. | :08:40. | |
Let's join John Parrott. John Virgo and Ken Doherty. Ken this | :08:41. | :08:47. | |
is a special occasion - down to one table. Something you've done on | :08:48. | :08:52. | |
three occasions? The focus is on the two players now. No noise from the | :08:53. | :08:56. | |
other table. This is where the magic of the Crucible comes alive. It is | :08:57. | :09:01. | |
fantastic. You have plenty of room around the table. You are in the | :09:02. | :09:05. | |
semi-final, down to one table. It is an amazing theter to play in. What | :09:06. | :09:12. | |
have you made of Ronnie's progress? The great advantage is he won with a | :09:13. | :09:17. | |
session to spare in his quarter-final. You know when it is | :09:18. | :09:22. | |
simmering underneath? It will be interesting to see - Barry Hawkins | :09:23. | :09:25. | |
went all the way with Dominic. What will be the reaction here today? He | :09:26. | :09:31. | |
was 11-5 up. A brilliant performance to get over the line. What has that | :09:32. | :09:36. | |
taken out of him, Ken? It remains to be seen. Sometimes players get an | :09:37. | :09:40. | |
extra buzz from that. They find relief and they can go out today, | :09:41. | :09:45. | |
like Barry can, and just express themselves. He had a great run | :09:46. | :09:50. | |
against O'Sullivan here. 15 and 12 it went to last year. He has more | :09:51. | :09:54. | |
experience than last year. It will be interesting how it pans out. Time | :09:55. | :10:00. | |
for this first semi-final. It is all yours. Good afternoon, ladies and | :10:01. | :10:04. | |
gentlemen. Four players, one table. It means only one thing - it is | :10:05. | :10:09. | |
semi-final time here at the Crucible hasmt a way to start - a rerun of | :10:10. | :10:16. | |
last year's event - the World Championship line-ups. | :10:17. | :10:27. | |
APPLAUSE Please welcome a player who has | :10:28. | :10:31. | |
produced the best form of his career in the last two years, winning the | :10:32. | :10:36. | |
Aussie Open in 2012 was the start of a great run. He survived an | :10:37. | :10:41. | |
incredible come back yet and finished with two nerveless | :10:42. | :10:49. | |
clearances. Here he is - the player from Preston, here comes The Hawk - | :10:50. | :10:53. | |
Barry And his opponent, the most exciting | :10:54. | :11:17. | |
player ever to grace the modern game - he's won the champion of chasm pi | :11:18. | :11:22. | |
yons and the Welsh Open this season alop. A great come back against -- | :11:23. | :11:32. | |
alone. A great come back - please welcome your defending world | :11:33. | :11:39. | |
champion. Blink and you'll miss him - the Rocket, Ronnie O'Sullivan. | :11:40. | :11:55. | |
Thank you, ladies and gentlemen. The first frame, Barry Hawkins to break. | :11:56. | :12:33. | |
Barry Hawkins, I would suggest a very relieved man to be in this | :12:34. | :12:42. | |
semi-final. When he looked at the draw, he knew, possibly a rematch of | :12:43. | :12:46. | |
that world final. He went through the mill, as we said earlier with | :12:47. | :12:52. | |
Dominic. These opening frames - it will be interesting to see what that | :12:53. | :12:56. | |
took out of him. Yes, that's true. It will be very interesting. | :12:57. | :13:00. | |
Sometimes, as I said to John Parrott, sometimes they can get that | :13:01. | :13:03. | |
relief, getting over that tight match, John and sometimes, you know, | :13:04. | :13:08. | |
it can be a positive thing. It just remains to be seen how it has | :13:09. | :13:10. | |
affected him. He's a much different player I feel | :13:11. | :13:29. | |
from last year. He's gained an awful lot of | :13:30. | :13:32. | |
experience throughout the year, of course. Being in that one final last | :13:33. | :13:38. | |
year would have given him a lot of confidence. He won the championship | :13:39. | :13:43. | |
final only a few weeks ago, as well. It was awkward cue cueing. Played it | :13:44. | :14:03. | |
nicely. On the green now. Does he play for a red or go straight into | :14:04. | :14:10. | |
the cluster? No. First frame. Playing for a red. There's one above | :14:11. | :14:18. | |
the black. He looks to have played that inch-perfect. No sign of nerves | :14:19. | :14:24. | |
there. I think you spoke too soon, John! | :14:25. | :14:31. | |
That was a surprise and that will be a shock to the system. It certainly | :14:32. | :14:39. | |
went - you can see that! Both reds went there, didn't they? He was on | :14:40. | :14:44. | |
the inside red - he could have potted that and dislodged a few. | :14:45. | :14:51. | |
Let's have a look at this. From that angle, you cannot see how much of | :14:52. | :15:01. | |
the pocket he had. There was plenty of room there. Does this red cut | :15:02. | :15:04. | |
back? These semi-final matches - four | :15:05. | :15:21. | |
sessions. First three sessions will be eight | :15:22. | :15:28. | |
frames and then the remaining, if it went the distance, in the four | :15:29. | :15:34. | |
sessions. So, it is a real test of who the better player is. | :15:35. | :15:41. | |
It is quite an interesting statistic. I know it is the | :15:42. | :15:45. | |
semi-final stage and we've been at the Crucible for 12 days, but | :15:46. | :15:49. | |
session-wise, we are only halfway through the tournament. | :15:50. | :16:09. | |
It there's! Good shot! Nicely controlled. | :16:10. | :16:21. | |
The first look at the table, John, it looks to be running beautiful. | :16:22. | :16:27. | |
Very, very quick! They just caught the red. Tried to | :16:28. | :16:40. | |
slip by it. I think it still goes into the yellow pocket. | :16:41. | :16:55. | |
A couple of lose reds on the right-hand side. Normally Ronnie, | :16:56. | :17:04. | |
the first opportunity, only being one lose red would consider going | :17:05. | :17:10. | |
into the cluster. Now, he's just playing for that one. He played it | :17:11. | :17:16. | |
nicely. There are two reds in a line, into | :17:17. | :17:26. | |
the bottom right-hand pocket. I am wondering, not sure Ronnie's had a | :17:27. | :17:34. | |
look. Two reds, into this bottom pocket - may be a plant as well. | :17:35. | :17:44. | |
A Direct Line. Not sure whether Ronnie has spotted that just yet. | :17:45. | :17:55. | |
There is a bit of a gap between the two reds. I have to be honest with | :17:56. | :18:06. | |
you, that was lucky to go in. Well, he spotted it. If he has a | :18:07. | :18:12. | |
nice angle, he will be bringing other reds into play here. Glance | :18:13. | :18:19. | |
off a few reds from potting this plant. | :18:20. | :18:44. | |
Just got a little too much on the left-hand side. | :18:45. | :18:55. | |
This will be the first test for Ronnie O'Sullivan. | :18:56. | :19:08. | |
Certainly passed the test! Very nicely cued in. | :19:09. | :19:20. | |
And this will please Ronnie, because in his match against Perry and | :19:21. | :19:28. | |
against Murphy, he had a slow start and that is not like Ronnie | :19:29. | :19:32. | |
normally. Usually he knows the importance of a quick start and was, | :19:33. | :19:39. | |
well, to all intents and purposes given this opportunity,. ,. | :19:40. | :20:16. | |
Not the angle he would have liked on the black. He can play it off two | :20:17. | :20:23. | |
cushions. The red into the right centre also. I think the red in the | :20:24. | :20:28. | |
middle of the bunch pots as well into the same pocket of the black. | :20:29. | :20:34. | |
Oh, he's played that very well. Inch-perfect. | :20:35. | :20:46. | |
A great start from Ronnie O'Sullivan. | :20:47. | :21:00. | |
One more red would leave 60 ahead, with just 59 remaining. | :21:01. | :21:22. | |
Barry - we know probably that red he missed, it looked like it clear | :21:23. | :21:26. | |
clearly went. Well, Ronnie is saying there was | :21:27. | :21:48. | |
something putting him off there - people talking. He could hear the | :21:49. | :21:53. | |
noise. But that was frame ball. | :21:54. | :22:56. | |
Ronnie having a word with the referee, saying could you have a | :22:57. | :23:00. | |
word with people backstage? Looked to have judged this shot | :23:01. | :23:26. | |
inch-perfect. You have to say, Ken, apart from | :23:27. | :23:32. | |
that red into the middle, he started off cueing like a dream. He | :23:33. | :23:36. | |
certainly has. He has the pace of the table. Absolutely beautiful | :23:37. | :23:48. | |
here. Just the start he would have wished | :23:49. | :23:50. | |
for. He's just so clever to nudge the red | :23:51. | :24:08. | |
from the pink. The snooker brain is just phenomenal! . Early on in the | :24:09. | :24:13. | |
frame, when you mentioned that plant - Ronnie noticed it. He walks around | :24:14. | :24:20. | |
and sees things other snooker players wouldn't see. | :24:21. | :24:27. | |
Works very, very quickly around the balls, of course. | :24:28. | :24:34. | |
Wants to get the balls in the open, doesn't he, straight away? This is | :24:35. | :24:45. | |
good stuff! Excellent stuff! He's on it. | :24:46. | :24:50. | |
The perfect start. Barry Hawkins was first in with the | :24:51. | :24:55. | |
red and then got a second chance. It was a difficult pot he had to take | :24:56. | :25:01. | |
on. Barry Hawkins had his chance early | :25:02. | :25:07. | |
on - didn't take it and Ronnie O'Sullivan looked in supreme touch | :25:08. | :25:08. | |
there. 1-0 to the reigning champion. Good afternoon. It is the perfect | :25:09. | :25:20. | |
start for Ronnie? Yes. Superb. There were a couple of shots when he was | :25:21. | :25:26. | |
straight into the table. One black and reversed for a red in | :25:27. | :25:30. | |
the middle of the pack. He's got the table straight away. Your assessment | :25:31. | :25:35. | |
of the first frame? Ronnie is doing what all top players do. Starting | :25:36. | :25:40. | |
quickly. Don't need any time to relax into the match. Bang on | :25:41. | :25:44. | |
straight away. How much is down to the fact that Barry Hawkins had a | :25:45. | :25:50. | |
marathon match against Dale and went through all emotions? ? Too early to | :25:51. | :25:54. | |
say that. It looked like the red would go. It's too early for that. | :25:55. | :25:59. | |
As Stephen said, the great champions, they impose themselves. | :26:00. | :26:03. | |
Go on about Steve and they set the tone for the day. Ronnie has done | :26:04. | :26:09. | |
that. Do you think it will be in effect this afternoon - whether | :26:10. | :26:12. | |
Barry Hawkins will feel the pressure after yesterday? No, I think he'll | :26:13. | :26:16. | |
be in this match thinking he's got nothing to lose. He's not the | :26:17. | :26:22. | |
favourite, by any stretch. We know with Perry's match, if Ronnie needs | :26:23. | :26:26. | |
to stick with him this session, we know what will happen. He has to | :26:27. | :26:31. | |
establish himself. He's a run-away-train when he's playing | :26:32. | :26:33. | |
well. They were talking about Barry | :26:34. | :26:48. | |
Hawkins and how important it is in this session to get a good start and | :26:49. | :26:53. | |
not let Ronnie O'Sullivan get away too early. | :26:54. | :27:02. | |
We know what Ronnie is like as a front-ruper. He's very hard to -- | :27:03. | :27:08. | |
front-runner. He's very hard to hold on to. Hawkins has to stamp his | :27:09. | :27:13. | |
authority as early as possible on this match. | :27:14. | :27:18. | |
I think with all great champions, they are not frightened of the | :27:19. | :27:26. | |
winning line... APPLAUSE | :27:27. | :27:34. | |
That's the type of safety he'll have to play. He's going to have to stick | :27:35. | :27:42. | |
with Ronnie. Not one session, two sessions and then we'll see how it | :27:43. | :27:47. | |
plays out. He put Ronnie under a little bit of pressure last year in | :27:48. | :27:53. | |
the final. Got back to 15-12 at one stage. | :27:54. | :27:58. | |
I certainly don't think he'll be phased by the occasion, as I said. | :27:59. | :28:05. | |
After last year's experience here - certainly stamped on him - no doubt | :28:06. | :28:09. | |
about that. He's been playing very well during this championship. | :28:10. | :28:18. | |
As long as he covers the red to the left of the brown, it will give some | :28:19. | :28:26. | |
safety. He's done that - a good length with the cue ball. | :28:27. | :28:31. | |
If Ronnie's going to try to get this back into baulk, this cue ball, he's | :28:32. | :28:37. | |
going to have to hit it absolutely perfect. | :28:38. | :28:40. | |
As I say, the one thing you don't want to do is leave that red that's | :28:41. | :28:50. | |
there... A bit thin. A bit pacy. A good chance for Barry to put | :28:51. | :29:07. | |
Ronnie in a bit of trouble here. I am just wondering, will he risk the | :29:08. | :29:12. | |
double - play it as a shot to nothing, if he wishes? | :29:13. | :29:24. | |
The first priority, of course, was blocking the reds with the double. | :29:25. | :29:40. | |
If it goes in, has Ronnie in the snooker. | :29:41. | :29:51. | |
Contributed It needed to be thin. Has he left anything easy? | :29:52. | :30:00. | |
I think it will be going back. I don't think that red left cuts into | :30:01. | :30:06. | |
the centre. He has a be possibility of that red into the right corner | :30:07. | :30:09. | |
but doesn't fancy it. He is looking to see where the cue | :30:10. | :30:43. | |
ball is. That looks pretty good. We'll see where it was. He has to | :30:44. | :30:50. | |
catch this very, very thin. It could go in-off if he doesn't catch it | :30:51. | :30:53. | |
properly. Is He will warn Ronnie. He could | :30:54. | :31:16. | |
clearly get through to this red. You hear the warning. REFERREE: . I have | :31:17. | :31:22. | |
to warn you, if you don't hit the ball on, you'll loose the frame. | :31:23. | :31:31. | |
Tough rule. I think he could play down this side of the black. He will | :31:32. | :31:34. | |
be covering certainly the red to the left of the black. | :31:35. | :31:54. | |
S. A decent length and the reds now nicely spread. So, first mistake and | :31:55. | :32:39. | |
it could be costly for either player. | :32:40. | :32:50. | |
A chance for Barry Hawkins. This red adjacent to the blue will definitely | :32:51. | :32:56. | |
cut to the left, middle. I think there is a clear path to go back up | :32:57. | :32:59. | |
the table for blue or baulk colour. An unexpected miss from Barry | :33:00. | :33:21. | |
Hawkins. The red has gone close to the corner | :33:22. | :33:35. | |
pocket. Has he left it? Well, he can see it, but this is by | :33:36. | :33:48. | |
no means easy. Well, if the cue ball slows up a | :33:49. | :34:26. | |
touch, and he it has done, he is absolutely inch-perfect on the blue. | :34:27. | :34:33. | |
So, he has his chance. This opportunity, even at this early | :34:34. | :34:37. | |
stage could tell us a lot about how Barry is feeling. | :34:38. | :34:54. | |
I mean, there are a couple of loose reds but if he can play a delicate | :34:55. | :35:25. | |
cannon, left of two those reds, right of the pink spot, it'll | :35:26. | :35:29. | |
certainly clear the pink spot. He is just looking to the one to the right | :35:30. | :35:33. | |
of the pink, there is a pot into the corner pocket, but if you can play a | :35:34. | :35:36. | |
delicate cannon into those two reds it would certainly open things up | :35:37. | :35:38. | |
for him. Well, he could have played it a | :35:39. | :35:50. | |
little bit harder than that. Looking for a full ball contact on that red. | :35:51. | :36:07. | |
There is a little bit of work here to do with the cue ball to get up to | :36:08. | :36:12. | |
the top cushion. He didn't want to be having to play | :36:13. | :36:24. | |
it delicately for the blue, so nicely on the yellow. Nothing | :36:25. | :36:31. | |
settles you down more in a match than a sizeable contribution. But | :36:32. | :36:38. | |
once again, he just can't keep control of the white. Is he looking | :36:39. | :36:48. | |
at a plant? Mm, lucky to have found this. | :36:49. | :36:55. | |
Maybe he can get past those two reds to the left corner. It is a | :36:56. | :37:00. | |
difficult one. It wasn't easy. You just get the | :37:01. | :37:05. | |
feeling he is not settled just yet. A little short of pace so he has to | :37:06. | :37:53. | |
take the cue ball in and out of baulk here. It is all about line and | :37:54. | :37:55. | |
length. Well, that's very unlike Ronnie, to | :37:56. | :38:09. | |
make an error like that, to catch a baulk colour. Yes, just got into the | :38:10. | :38:11. | |
cue ball a little bit too much. He was fortunate to catch the yellow | :38:12. | :38:35. | |
there. He could have left either of those two reds into the top pocket, | :38:36. | :38:39. | |
a lot easier. Quite a big target behind green and | :38:40. | :39:32. | |
brown here. Just about covered that red to the left centre. He's got to | :39:33. | :39:38. | |
be careful here, Barry, because he's got to get good distance with his | :39:39. | :39:43. | |
cue ball here to make sure he covers that red when he tries to get back | :39:44. | :39:46. | |
to baulk. Yes, just a fraction short. Ronnie | :39:47. | :40:17. | |
will look to see if this red cuts into the left, middle, but it is a | :40:18. | :40:25. | |
thin one. You'd rather play the cut than play into this left corner. | :40:26. | :40:31. | |
No, didn't fancy it. Where is the cue ball going? REFERREE: Foul. | :40:32. | :40:53. | |
Barry Hawkins, four. Well, just a quick look at the table. Maybe not | :40:54. | :41:00. | |
too much damage done. I don't think there is - well, there is a red | :41:01. | :41:06. | |
there that goes past the black but that's fraught with danger should he | :41:07. | :41:10. | |
miss it. Maybe there is an easy safety shot to try to get the upper | :41:11. | :41:16. | |
Nelson Mandela this tactical battle. -- the upper hand. | :41:17. | :41:26. | |
Oh, much, much too thick. He is desperately looking to see if he | :41:27. | :41:34. | |
left this red on. The problem for Ronnie is, in potting it, can he | :41:35. | :41:36. | |
control the line of the cue ball? I suppose if you could, would you | :41:37. | :42:01. | |
cut it in and try it cannon the red next to it. Where is the black | :42:02. | :42:03. | |
going? Oh. Well, turned the pot down. I tell | :42:04. | :42:14. | |
you what, he is a little bit fortunate. There are two lefts - two | :42:15. | :42:25. | |
reds on the left-hand side of the corner, that he can't get to. This | :42:26. | :42:30. | |
now puts Barry's safety under more pressure. | :42:31. | :42:51. | |
This is tough. If he leaves the cue ball down this end of the table, the | :42:52. | :42:58. | |
black end, he is going to be leaving the pot into the left corner. And if | :42:59. | :43:04. | |
he manages to get back up the baulk - because he has to cover those two | :43:05. | :43:10. | |
reds, that can make a plant. Here is Hawkeye's view. | :43:11. | :43:22. | |
Well, he has covered these two reds. It was a fantastic effort, wasn't | :43:23. | :43:41. | |
it. It had to be said. A tap on the table for Ronnie. He knew how | :43:42. | :43:45. | |
difficult it was for bory to get it safe. He can get through to these | :43:46. | :43:49. | |
two reds but from Ronnie's point of view, he had to hit the first red on | :43:50. | :43:57. | |
the on the right-hand side. The left-hand side as we look, can he | :43:58. | :44:01. | |
get to the left-hand side of the first red? Maybe. There is enough I | :44:02. | :44:05. | |
distance between the two of them to make this plant. | :44:06. | :44:17. | |
It might not look too inviting but he can not leave them there for his | :44:18. | :44:23. | |
owe Pope ented. Or maybe he is going -- for his opponent. Or maybe he is | :44:24. | :44:28. | |
going to try the safety and run the red into them or does this red pot? | :44:29. | :44:33. | |
It is a risky shot. No, just trying to dislodge the plant but it's gone | :44:34. | :44:39. | |
all wrong. A big chance now for Barry Hawkins. He needs to make the | :44:40. | :44:42. | |
most of this. For his own peace of mind. It was a | :44:43. | :44:55. | |
strange shot from Ronnie O'Sullivan. It looked like that plant could | :44:56. | :45:00. | |
easily have made it. Not sure why he didn't take it on. | :45:01. | :45:26. | |
Well, he would like to dislodge the red close to the right-hand corner | :45:27. | :45:34. | |
pocket because that will open the black | :45:35. | :45:55. | |
This will make him feel good and certainly settle him down. | :45:56. | :46:50. | |
Just about OK on the black. Maybe a bit lower than maybe he would have | :46:51. | :46:55. | |
liked but he has enough reds in the open. This black will put him 53 | :46:56. | :47:05. | |
noints front. -- points in front. So another three reds. There you see | :47:06. | :47:11. | |
it, 53 ahead, 83 remaining. Every time he pots a red, that points | :47:12. | :47:17. | |
remaining reduces by 8 points. Because that's the maximum, a red | :47:18. | :47:18. | |
and a black. So, he is looking for a colour and | :47:19. | :47:29. | |
another red colour, and possibly a red just to make certain that Ronnie | :47:30. | :47:32. | |
won't come back to the table. A nice solid pot. Now, if he gets a | :47:33. | :47:46. | |
black off this red he will go 68 points in front with 67 remaining. | :47:47. | :47:57. | |
Nicely-played and on the black, good shot. | :47:58. | :48:08. | |
As you said, Ken, this will settle him down and make him feel as though | :48:09. | :48:16. | |
he is now in the match. He has his first frame on the scoreboard. I | :48:17. | :48:23. | |
just thought Ronnie might have been a little bit cautious. I thought | :48:24. | :48:28. | |
there were a couple of shots he could have played here and decided | :48:29. | :48:33. | |
to polysafe. Going back to that plant. It looked pretty | :48:34. | :48:45. | |
straightforward from our view. Let's look at that plant again. There it | :48:46. | :48:49. | |
is. This is the shot he chose. Obviously he is trying to get back | :48:50. | :48:51. | |
up behind green and brown there. Heavy contact on that red. He | :48:52. | :49:39. | |
thought he missed it. Let's look at this. It is the pace and gravity. | :49:40. | :49:48. | |
The break goes to 71. The chance of a century for Barry Hawkins. Already | :49:49. | :49:52. | |
he has had three sevenlingries in this tournament so far. -- three | :49:53. | :49:54. | |
centuries. A good line. Very well-played | :49:55. | :50:50. | |
indeed. A perfect angle on the yellow. | :50:51. | :50:56. | |
He'd love to make the century here because when you are playing someone | :50:57. | :51:02. | |
like Ronnie because the crowd have come and he is your main man, if you | :51:03. | :51:07. | |
like, you are just proving to them you can play here and win frames in | :51:08. | :51:11. | |
one visit, given the opportunity. This will be a real boost for | :51:12. | :51:17. | |
Barry's confidence. Yes, and also, sends a psychological message to | :51:18. | :51:23. | |
Ronnie O'Sullivan as well, saying - if you miss I'm going to score. | :51:24. | :51:33. | |
Someone needs a glass of water. (coughing in the crowd) | :51:34. | :51:41. | |
Such a shame, he didn't make the century but a wonderful 96 break | :51:42. | :51:46. | |
from Barry Hawkins. He is off the mark. It is one frame apiece. ? | :51:47. | :51:54. | |
STUDIO: An excellent frame from Barry Hawkins but Ronnie O'Sullivan | :51:55. | :51:58. | |
lost control of that frame early on. He was on the blue, having to go in | :51:59. | :52:04. | |
and out of baulk. We will look at T he got too much screw-back on that | :52:05. | :52:07. | |
and lost his position. Now look at this particular positional shot. You | :52:08. | :52:09. | |
have come the wrong side of the blue, somehow you have to get back | :52:10. | :52:13. | |
up the table for the reds. Sometimes the reds dictate what shot you are | :52:14. | :52:17. | |
going to play but the modern-day way is to play the pot and screw through | :52:18. | :52:21. | |
the gap as opposed to playing through the far side, the yellow and | :52:22. | :52:24. | |
the brown. On the other side for Ronnie, if you don't get enough | :52:25. | :52:28. | |
screw-back, you play the shot, you will hit the brown. If you don't get | :52:29. | :52:31. | |
enough screw-back on, you are going to hit the brown. But if you get too | :52:32. | :52:36. | |
much screw-back on, thank you very much, Chris, our world snooker | :52:37. | :52:40. | |
coach, if you get too much screw-back on, trying to get through | :52:41. | :52:45. | |
the gap, you could hit the green or as Ronnie did, the yellow, like | :52:46. | :52:49. | |
that. You are looking for a screw-back, quite a defendant this | :52:50. | :52:55. | |
shot that gets -- a deft little shot, and also with enough power. It | :52:56. | :53:00. | |
is not easy to do and under pressure t can always go wrong. That's | :53:01. | :53:05. | |
roughly what you want to do. Back to Ken, I think in the studio. What | :53:06. | :53:09. | |
about that red, Ken along the top cushion. I couldn't believe that | :53:10. | :53:18. | |
went in. It got a bit of a kick. It hit the cushion quite a long way | :53:19. | :53:23. | |
from the pocket but just a bit of graft as we say and the pace. Barry | :53:24. | :53:32. | |
Hawkins breaks off. -- gravity and pace. That 96 break will make him | :53:33. | :53:38. | |
feel good. Let's look at this red again. It was | :53:39. | :53:50. | |
quite amazing, John. Look how far it hit the cushion. He thought he | :53:51. | :53:55. | |
missed it, a heavy contact but it managed to just drop in. Yes, I | :53:56. | :53:57. | |
don't know how it did. He is certainly getting a good | :53:58. | :54:09. | |
length of the cue ball and in between frames, the interesting | :54:10. | :54:13. | |
thing, I think is that this is right at the table where the reefer rewas | :54:14. | :54:19. | |
setting the balls up, just checking to see if it is rolling straight, | :54:20. | :54:27. | |
Ronnie. As the referee was check setting the balls up. No law against | :54:28. | :54:32. | |
that, Ken? I don't think so. I'm sure the referee would have told him | :54:33. | :54:39. | |
so. That's another good safety shot from Barry Hawkins. I think he was | :54:40. | :54:43. | |
checking because, if you go back to earlier in that frame, where Ronnie | :54:44. | :54:48. | |
missed the red on two occasions and was warned from the referee - maybe | :54:49. | :54:53. | |
he felt the table was just rolling off slightly. Yes, and the last shot | :54:54. | :55:00. | |
he played in that frame, when he caught the red too thin, you know, | :55:01. | :55:05. | |
when we said we thought he might play the plant, he caught that red | :55:06. | :55:09. | |
too thin. Maybe he just I thises the table is just rolling off slightly | :55:10. | :55:14. | |
but at the moment, Barry Hawkins finding an excellent length for the | :55:15. | :55:18. | |
cue ball. And no matter how good you are, Ronnie O'Sullivan or whoever, | :55:19. | :55:22. | |
when you are tight up against the baulk cushion, you will not be | :55:23. | :55:25. | |
potting many balls The safety success hasn't been that good. Only | :55:26. | :55:31. | |
50% from Ronnie and 100% from Barry so far. Oh, excellent shot. Needs a | :55:32. | :55:35. | |
nice kiss on the pink. Hasn't got T nicely-negotiated. A | :55:36. | :55:52. | |
roll-up to the pink, I presume. -- hasn't got it. | :55:53. | :55:56. | |
Is you just roll off the pink on to the cushion and possibly back behind | :55:57. | :56:00. | |
the pink again. Off the cushion and back up. A bit | :56:01. | :56:11. | |
light but not too bad. Would have liked to have got that cue ball | :56:12. | :56:15. | |
tight to the pink because it would have made this shot so much more | :56:16. | :56:16. | |
difficult. A good little safety shot that from | :56:17. | :57:26. | |
Ronnie. He hasn't found the baulk cushion but is there a gap between | :57:27. | :57:30. | |
yellow and brown? He can get past the blue but it would be a thin one | :57:31. | :57:35. | |
to try to get the cue ball back to the baulk end. Just looks like he is | :57:36. | :57:40. | |
playing a safety to the top cushion. Well, he can hit that safety shot | :57:41. | :58:17. | |
well, Ronnie, there. And lucky that cue ball didn't go in the pocket. | :58:18. | :58:43. | |
Well, Ronnie coming around now to have a look. That cluster of six in | :58:44. | :58:50. | |
the middle of the table, top red does go to the left, corner pocket. | :58:51. | :58:59. | |
Could do with a nice angle on a colour, looking at the yellow. Good | :59:00. | :59:08. | |
pot. That just took that little bit of | :59:09. | :00:07. | |
pace out of the cue ball. A nice angle on this blue. As you can see, | :00:08. | :00:13. | |
just off straight - the wrong side. If you can get the cue ball | :00:14. | :00:17. | |
somewhere about there - just dropping this blue in. | :00:18. | :00:22. | |
It is an easy reach from this side. Again though, a good pot, but just a | :00:23. | :00:40. | |
little bit short of the blue. A similar shot he played in the last | :00:41. | :00:45. | |
frame. He hit the yellow here. It is much better. | :00:46. | :00:50. | |
And the red, at the top of this bunch of five does pot and in | :00:51. | :00:54. | |
potting this red, he'll be bringing the other reds into play. Can he | :00:55. | :00:59. | |
hole the red, or will he go up for the blue? | :01:00. | :01:21. | |
And of course, how he can play this shot with his left-hand - it is just | :01:22. | :01:30. | |
in ced incredible! A talent! It is funny, John, you take that for | :01:31. | :01:35. | |
granted when you watch Ronnie O'Sullivan. We are so used to seeing | :01:36. | :01:41. | |
him play those sort of shots left-handed. They are so difficult | :01:42. | :01:45. | |
at the best of times. . As you say to play it with the amount of pace | :01:46. | :01:55. | |
he put into the cue ball. Of course, we all remember when we | :01:56. | :02:01. | |
first saw him use it here, he was playing a Canadian, and he thought | :02:02. | :02:06. | |
it was an insult that somebody should play with the left-hand. He | :02:07. | :02:10. | |
thought he was taking the mickey. If you have it in your armry, why not | :02:11. | :02:32. | |
use it? -- -- armory. | :02:33. | :02:44. | |
The problem with those two reds being close to the cushion. He has | :02:45. | :03:02. | |
to try and get the cue ball up the table for black, or possibly blue. | :03:03. | :03:07. | |
He's now got a change of heart. He's looking at the thinner cut, which | :03:08. | :03:15. | |
could take him on to the pink.le Pr -- on to the pink. | :03:16. | :03:19. | |
I don't think that was the best contact there, but it was a chance | :03:20. | :03:27. | |
and he's not made the most of it. He just seemed to go a bit straight - | :03:28. | :03:33. | |
that red. He didn't make the most of it. A | :03:34. | :03:37. | |
shake of the head. So, Barry, these are the type of frames you can | :03:38. | :03:41. | |
really punish your opponent - take advantage of the mistake. | :03:42. | :03:47. | |
Could have played that better! He wanted to pot that red more into | :03:48. | :04:06. | |
the right-hand side of the pocket as we look, just to get out for the | :04:07. | :04:08. | |
black into the opposite centre. It is pretty good. | :04:09. | :04:27. | |
He has to be careful here, Ronnie O'Sullivan. If he tries to clip one | :04:28. | :04:33. | |
of his reds, he has to careful of hitting the red on the way back up. | :04:34. | :04:38. | |
It has to be pretty close. Just watch the cue ball on the way | :04:39. | :04:41. | |
back. Now, you see it - that was | :04:42. | :04:46. | |
dangerous. And could be very costly. | :04:47. | :05:31. | |
This red will free up the black spot, which will help his cause | :05:32. | :05:39. | |
because those two reds are close to the cushion behind the black spot. | :05:40. | :05:48. | |
This is an excellent opportunity for Barry Hawkins. These are the type of | :05:49. | :05:53. | |
frames that haunt your opponent. A nice angle on the black. He can | :05:54. | :06:07. | |
play for the reds around the middle pocket. He could play a nice little | :06:08. | :06:18. | |
cannon on the left to the... He doesn't have to, but the angle is | :06:19. | :06:20. | |
there if he wishes. Looking at the score board, nine | :06:21. | :06:42. | |
points behind. Need both those reds that are close to the top cushion. | :06:43. | :06:51. | |
It is not a straight run to the winning line, by no means. | :06:52. | :07:06. | |
He's come around to look at this red. In the last frame he played a | :07:07. | :07:11. | |
red, not unlike this one. When he pots the red, to really kick on and | :07:12. | :07:15. | |
he was making that break in the last frame. We saw how easily it dropped | :07:16. | :07:20. | |
into that corner pocket. That will be in his mind here. It hit the | :07:21. | :07:24. | |
cushion quite a way from the pocket and went in. He'll be playing it | :07:25. | :07:29. | |
just a little bit, a little bit more pace this time, but certainly that | :07:30. | :07:34. | |
last shot would have given him confidence. | :07:35. | :07:41. | |
Straight in - no problems a nice angle on the black, just to screw | :07:42. | :07:52. | |
back to the cushion, the opposite red, into the middle. | :07:53. | :08:05. | |
Now there is a seven-point advantage. Two reds, two blacks. So, | :08:06. | :08:18. | |
if he were to get that, he would still need yellow and green. Still a | :08:19. | :08:20. | |
bit of work to do. APPLAUSE | :08:21. | :08:31. | |
Controlled that beautifully - a perfect angle on the black. | :08:32. | :08:35. | |
Maybe an angle where you could run through and notice the red away from | :08:36. | :08:42. | |
the top cushion. Didn't want to risk that. | :08:43. | :08:48. | |
He's left plenty of angle here though. Again, just got to drop this | :08:49. | :08:56. | |
in and just be confident with it. If he just drops it in, give it a | :08:57. | :08:58. | |
chance to get into the pocket. It's there! Well played. An | :08:59. | :09:08. | |
excellent shot from Barry Hawkins. Needs to go by the blue or kiss it. | :09:09. | :09:24. | |
Oh, that is just perfect! That puts Barry 25 points in front. | :09:25. | :09:45. | |
25 remaining, but not for long. Perfect on the green. | :09:46. | :09:54. | |
Started off the first frame safely. It is his safety play which has been | :09:55. | :10:11. | |
impressive so far in this mafrp. I know it is very -- match. I know it | :10:12. | :10:17. | |
is very early days. He's not leaving anything easy. Good safety shots are | :10:18. | :10:24. | |
causing Ronnie problems and leaving these type of opportunities. Made a | :10:25. | :10:27. | |
96-break in the last frame. Ronnie, well, he's just been frozen | :10:28. | :10:55. | |
out with the good safety play from Barry. Hawkins, having lost the | :10:56. | :10:58. | |
first frame wins the next two. You get the feeling he's finding his | :10:59. | :11:11. | |
rhythm. Very impressive. Both us said he's got to score here. You | :11:12. | :11:15. | |
have to get that first frame, but also to show Ronnie he's there to | :11:16. | :11:21. | |
play. Another wonderful break. He's hitting well. We wondered if there | :11:22. | :11:26. | |
was going to be a hangover. There hasn't been so far. If there's been | :11:27. | :11:31. | |
one weakness, as opposed to last year in the championship, Ronnie is | :11:32. | :11:35. | |
not winning one frames as regular as last year. He's giving his opponents | :11:36. | :11:41. | |
more chances. So far he's not been punished. He's played good session, | :11:42. | :11:45. | |
bad session, good session, bad session - sort of thing. | :11:46. | :11:51. | |
You tweeted in the week, after Ronnie O'Sullivan made it through to | :11:52. | :11:58. | |
the semi-finals - "Stun step up." Is he the man to do it? It is Ronnie's | :11:59. | :12:03. | |
title to lose. Perry showed if he can stay with him, that is the only | :12:04. | :12:08. | |
way to put pressure on him. When you look at the head-to-head records and | :12:09. | :12:12. | |
see that Barry Hawkins has only won once, does that play on his mind? | :12:13. | :12:17. | |
Listen, today is another day and the match is another day. You get on | :12:18. | :12:19. | |
with it and play it as it is. So, there'll be a mid-session | :12:20. | :12:33. | |
interval after this frame. Barry Hawkins would love to have a | :12:34. | :12:40. | |
two-frame advantage. I think Barry Hawkins is a different | :12:41. | :12:47. | |
player this season. Getting into the world cham World | :12:48. | :12:52. | |
Championship final - proving for once and for all. You can believe in | :12:53. | :12:56. | |
yourself as much as you like. If you don't get the results it is very | :12:57. | :13:03. | |
hard to keep believing. His performance last year would made him | :13:04. | :13:07. | |
belief, what we all thought - a very, very good player and a great | :13:08. | :13:12. | |
match player. I think the way he performed in the final. He didn't | :13:13. | :13:15. | |
just roll over. He got within three frames, 15-12. | :13:16. | :13:31. | |
It turned out to be a close match until Ronnie ran out the winner. I | :13:32. | :13:36. | |
think that type of match would have given him great confidence - there's | :13:37. | :13:39. | |
no doubt about that! Of course winning the PCT grand | :13:40. | :14:02. | |
finals only a couple of weeks ago... APPLAUSE | :14:03. | :14:05. | |
That would have enhanced his confidence even more. As I said at | :14:06. | :14:09. | |
the beginning of this match, I don't think he'll be phased as much as he | :14:10. | :14:15. | |
would have been in the past. That is because of all those wonderful | :14:16. | :14:18. | |
experiences he had here last year. There is some evidence that Ronnie | :14:19. | :14:31. | |
played that shot before - that the ball seems to be drifting. | :14:32. | :14:35. | |
It seems to be drifting over to the right as the players are playing | :14:36. | :14:38. | |
down the right-hand side of the table. Barry Hawkins miss placed his | :14:39. | :14:43. | |
previous shot and he's... Just like Ronnie did in -- a couple of frames | :14:44. | :14:50. | |
ago. Let's look here. | :14:51. | :15:01. | |
There'll be a warning here. Get the spirit level out at the | :15:02. | :15:08. | |
mid-session interval. It will not help Barry at this moment in time. | :15:09. | :15:19. | |
Telling him that, to hit the ball long doesn't make this any easier to | :15:20. | :15:30. | |
get safe. He took a chance there. | :15:31. | :15:36. | |
You wouldn't want to miscue in that position, would you, in all | :15:37. | :15:41. | |
fairness? He was quite brave. It is nice that Ronnie saw the funny side | :15:42. | :15:46. | |
of it. There's obviously something just | :15:47. | :15:50. | |
maybe the table needs looking at. Ronnie talking about fractions - | :15:51. | :15:52. | |
that is what this game is all about. Of He's been a little bit fortunate. | :15:53. | :16:22. | |
Could have had something easier into the right-hand corner pocket. He has | :16:23. | :16:28. | |
this red up into top left corner pocket. No pressure on this. | :16:29. | :16:53. | |
Ful Played the pot. As you can see where he left the cue ball, he | :16:54. | :17:04. | |
wasn't going to leave much. The red he was playing. Ronnie was not | :17:05. | :17:09. | |
interested in that. Safe enough! It has been a cagey | :17:10. | :17:17. | |
affair. Apart from the first frame. | :17:18. | :17:32. | |
I expect it to come down from that. Ronnie is usually 15 or 16. He's up | :17:33. | :17:38. | |
to 21. That shows you a good safety from Barry Hawkins is making him | :17:39. | :17:40. | |
think a little. A little bit thick on that safety. | :17:41. | :18:20. | |
When you are playing those shots, you play it with a lot of side and | :18:21. | :18:25. | |
if you don't strike it correctly, that right-hand side will push the | :18:26. | :18:29. | |
cue ball to the left. Just at the moment, I think Barry is fathering | :18:30. | :18:37. | |
better than -- faring better than Ronnie. Got a good target with the | :18:38. | :18:48. | |
brown. This is a pretty good line. And OK, he didn't get behind the | :18:49. | :18:53. | |
brown, but slightly awkward cueing for Ronnie. Needs to hit this | :18:54. | :18:57. | |
correctly. APPLAUSE | :18:58. | :19:14. | |
Well, a little bit short of what was intended. .ment I give him credit | :19:15. | :19:21. | |
for that. That was -- intended. I give him credit for that. | :19:22. | :19:27. | |
Barry is not entertaining this red on the left-hand side of the cushion | :19:28. | :19:31. | |
because it is so close to the cushion. There is always the chance | :19:32. | :19:38. | |
that will double kiss. He's looking at trying to leave the cue ball | :19:39. | :19:41. | |
somewhere on the bottom cushion. A May have left the cut into the | :19:42. | :20:09. | |
pocket there. I saw Ronnie miss one of these in the opposite corner | :20:10. | :20:12. | |
pocket and just straighten up. APPLAUSE | :20:13. | :20:26. | |
That is better. Needs to miss the brown. That's unlucky! | :20:27. | :20:34. | |
No prizes for guessing what's coming next though! | :20:35. | :20:41. | |
It was an excellent escape - couldn't have done much better than | :20:42. | :21:38. | |
that. He didn't fancy it. Needs to miss | :21:39. | :21:54. | |
that red. He's just about missed it. Has he covered it? Applause because | :21:55. | :21:58. | |
of the good length of the cue ball. Is there a gap? There is a gap | :21:59. | :22:07. | |
between green and blue. It is made difficult because of the | :22:08. | :22:12. | |
proximity of the ball to the cushion. If he knocks it in, the | :22:13. | :22:18. | |
chance of being on the black for the opposite corner. | :22:19. | :22:23. | |
APPLAUSE Nicely on the blue. | :22:24. | :22:28. | |
This is a decent chance. Really had to cue that really well. | :22:29. | :22:46. | |
If you notice the way the cue went through - straight - no intentional | :22:47. | :22:48. | |
side on the cue ball there. He wasn't on this red. So, if he's | :22:49. | :23:21. | |
on this red, just a straightforward shot and the black into the opposite | :23:22. | :23:29. | |
corner pocket. As you say, Ken, certainly that's | :23:30. | :23:36. | |
not the red he played for - that was a bonus being on that. | :23:37. | :23:50. | |
I wasn't sure if that bounced a little bit more than he would have | :23:51. | :23:59. | |
liked. This is a little bit more awkward. | :24:00. | :24:07. | |
A left-handed player that prefers to playwright handed. Oh, that was a | :24:08. | :24:13. | |
horrendous kick! You don't like to see that! You | :24:14. | :24:19. | |
really don't! Players can miss balls and you get a bad run of the ball! | :24:20. | :24:29. | |
Look at that! A collision and a horrible way to finish! And it could | :24:30. | :24:39. | |
cost him. It could cost him dear! Curiously enough Ronnie doesn't have | :24:40. | :24:46. | |
the cue ball cleaned. If he drops it in for the red or past the blue - | :24:47. | :24:53. | |
he's OK! I think Ronnie can realise the | :24:54. | :25:06. | |
importance of this frame. There is a mid-session interval coming up after | :25:07. | :25:12. | |
it and Barry, and well, due to a bad contact there has given him a chance | :25:13. | :25:16. | |
to get out of this first minisession if you like two-a-piece. If he had | :25:17. | :25:22. | |
given this 1 00%... There was a lot of respect there for | :25:23. | :25:48. | |
Barry and what he was saying. He wouldn't want to give Barry too much | :25:49. | :25:54. | |
of a lead. Barry ponders on how did he get that bad contact. | :25:55. | :25:58. | |
He'll settle for that. The referee asking Ronnie for a | :25:59. | :26:32. | |
moment. The pink directly in line with the | :26:33. | :26:37. | |
black in the top cushion here. In line with its own spot. | :26:38. | :27:08. | |
Very surprising! Barry Hawkins gets a second chance, which I am sure he | :27:09. | :27:53. | |
wasn't expecting. This is a big opportunity. | :27:54. | :28:48. | |
If you've not got the right angle, so long as you have plenty, it is | :28:49. | :28:52. | |
easy to get in and out of balk. Just one point behind it now. These | :28:53. | :29:52. | |
reds could see him safely home. He would love to have been straight on | :29:53. | :30:00. | |
this red. He will have to go for blue now. | :30:01. | :30:38. | |
Too much right-hand side on the cue ball. | :30:39. | :31:16. | |
I'm not sure about the availability of these red. Obviously, the one | :31:17. | :31:26. | |
closest to the pink. He did feel as though he had to play | :31:27. | :31:39. | |
the cannon, and it could have turned out better. Most of those reds were | :31:40. | :31:49. | |
not available. He had a chance to move them, but didn't. He will | :31:50. | :31:58. | |
favour the cut, but can he control the line of the cue ball? | :31:59. | :32:09. | |
Used the blue to slow the cue ball down. | :32:10. | :32:19. | |
He has overscrew this yellow. A bit of tension in the arm. Look at the | :32:20. | :32:29. | |
scoreboard. 16 points. It's a lot tougher from a baulk | :32:30. | :32:57. | |
colour than it is from the black. He has played well. But it's not as | :32:58. | :33:03. | |
straightforward as it could have been had he been straighter on that | :33:04. | :33:10. | |
red. He has to play a really good positional shot. His position looks | :33:11. | :33:22. | |
good, does he have the right angle? Just a little bit off. An think he | :33:23. | :33:45. | |
will be playing this snooker. And a good one it is. Yes, played it | :33:46. | :33:58. | |
very well. This is a must fit for Bonnie. That is a great shot, a | :33:59. | :34:02. | |
fantastic shot. If the red had not flicked off the | :34:03. | :34:14. | |
brown, it would have been safe, but it is not. Red and black. | :34:15. | :34:55. | |
He needs up to and including the pink. | :34:56. | :35:48. | |
He just wants to get the cue ball somewhere along the line, so he can | :35:49. | :36:00. | |
screw back for the pink. It has gone a little bit astray. He will need | :36:01. | :36:02. | |
the extension here. That was a little bit careless. If | :36:03. | :36:14. | |
it was dead straight, this would be a lot easier. He has got to deep | :36:15. | :36:18. | |
screw this. This is a very difficult pink. He | :36:19. | :36:33. | |
looks up the scoreboard. The pink for the frame. Good cueing needed. | :36:34. | :36:36. | |
Not easy. Good pot. Good, good pot. Very | :36:37. | :36:58. | |
interesting frames to start this much. You can feel the tension in | :36:59. | :37:02. | |
the air. Ronnie O'Sullivan will be delighted at the end of this first | :37:03. | :37:04. | |
mini-session. There is an air of tension. This is | :37:05. | :37:17. | |
what happens when it gets down to the semifinals. He makes it special | :37:18. | :37:25. | |
as well. That was a fabulous frame of snooker. I felt for Barry Hawkins | :37:26. | :37:39. | |
there. It looks like Ronnie O'Sullivan has gone into the | :37:40. | :37:42. | |
tournament office, had he gone in there to talk about something? | :37:43. | :37:52. | |
Perhaps he can see us. Snooker players don't like change. It can | :37:53. | :37:56. | |
affect your head a little bit. I know that I would feel the same way. | :37:57. | :38:04. | |
We'll Barry be happy? I think so. He has established himself, which is | :38:05. | :38:10. | |
the first thing you what to do. I think 2-2 is good, but he will be | :38:11. | :38:21. | |
disappointed because he had a good frame there. He is world number | :38:22. | :38:26. | |
four, so he is doing what he is supposed to do out there. Barry has | :38:27. | :38:32. | |
been here before. The semifinals last year. You don't get to world | :38:33. | :38:38. | |
number four without knowing what you are doing. He is probably the most | :38:39. | :38:50. | |
improved player on the tour. I am hearing that Ronnie O'Sullivan has | :38:51. | :38:53. | |
gone into the tournament office for a tipping kit, not to complain about | :38:54. | :39:03. | |
the noise from us. They will have a little look about it. It is an | :39:04. | :39:10. | |
incredible turnaround when you consider that 24 hours ago, Dominic | :39:11. | :39:16. | |
Deal launched that amazing fightback against Barry Hawkins. It looked | :39:17. | :39:19. | |
like Barry Hawkins would be going out. But he is -- here he is. That | :39:20. | :39:29. | |
is why it is a marathon of the mind. You have to go and do your stuff | :39:30. | :39:41. | |
again. You have both been part of the article on website where you | :39:42. | :39:45. | |
have been talking about journalists about what you need to do at this | :39:46. | :39:51. | |
stage of the tournament. Do you break the sessions down in your | :39:52. | :39:59. | |
mind? 6-2 is the target in my head. Probably more Ford Barry van | :40:00. | :40:07. | |
Bonnie. -- probably more for Barry van Ronnie. | :40:08. | :40:17. | |
Very tight in this studio, no room for Steve Davis. | :40:18. | :40:25. | |
Well, file Ronnie O'Sullivan goes to the dressing room, Barry Hawkins | :40:26. | :40:29. | |
goes back to his dressing room. He had a chance of 3-1. Barry Hawkins | :40:30. | :40:39. | |
had a chance to possibly keep all bubbles under control and win the | :40:40. | :40:47. | |
frame. -- all the balls. He thought about putting the red, sending the | :40:48. | :40:57. | |
cue ball to break the three balls up. It may have been an easier | :40:58. | :41:05. | |
clearance. He decided to not risk it all going wrong. He played the red | :41:06. | :41:12. | |
down for the blue. He had to play a safety shot and let Ronnie | :41:13. | :41:20. | |
O'Sullivan in. You are trying to keep control of the table at all | :41:21. | :41:28. | |
times. It is so tough at this level. Thank you. The players are on their | :41:29. | :41:36. | |
mid-session interval. It appears that you love our version of the hit | :41:37. | :41:43. | |
TV quiz show Pointless. This is Richard Osman report this -- with | :41:44. | :41:55. | |
Potless. Today's question. | :41:56. | :42:08. | |
That is a good one. India. South Africa. Thailand, Canada. The nines? | :42:09. | :42:33. | |
-- Finland? Robin Hull is from Finland. A long time ago... Did | :42:34. | :42:48. | |
anybody represent Pakistan? Surinder Gill? There was an Indian player. | :42:49. | :42:58. | |
That guy who lived in Leicester but said he was from Latvia. Dino Cain | :42:59. | :43:09. | |
New Zealand. Nobody will get that. Nobody. Surinder Gill. He's not | :43:10. | :43:20. | |
Indian, he's British. He is from Bournemouth. I think that is a good | :43:21. | :43:37. | |
one. Finland. New Zealand. Latvia. Finland. India. | :43:38. | :43:49. | |
What do you think at home? Tweet us and give us your answer. | :43:50. | :44:02. | |
My favourite contribution from Ken Doherty, he's from Bournemouth? | :44:03. | :44:15. | |
Ten now to turn our attention to one of the matches of the tournament so | :44:16. | :44:24. | |
far, Judd Trump taking on world number one Neil Robertson. | :44:25. | :44:47. | |
This was a real cracker. Judd Trump led for most of the match, but you | :44:48. | :44:53. | |
just felt that something special was about to happen. | :44:54. | :45:02. | |
If he holds for the brown, it may be worth taking on. I visit looking? -- | :45:03. | :45:11. | |
how is it worth taking on. I visit looking? -- | :45:12. | :45:27. | |
has it not gone in? I thought it was there. And so did Judd. | :45:28. | :45:46. | |
I don't think there is anybody out here, he will have to play an | :45:47. | :45:50. | |
aggressive shot. You could remove the red of the | :45:51. | :46:08. | |
corner with another red. But the problem is that red on the centre | :46:09. | :46:11. | |
pocket. He is in trouble here. Looking at | :46:12. | :46:30. | |
the shot now. I think he will have to play this | :46:31. | :47:00. | |
long pot, the right-hand corner. Stephen Hendry used to say, if I | :47:01. | :47:07. | |
lost the frame by playing a safety shot rather than pot, I never | :47:08. | :47:14. | |
forgive myself. You have got to take your hat off to him. It was always | :47:15. | :47:18. | |
going to be difficult to miss the blue and green. But luckily for him, | :47:19. | :47:28. | |
it went in. Yes, he had to cut the red quite thin. It doesn't matter if | :47:29. | :47:34. | |
the red goes in. This is the first time for the last | :47:35. | :47:59. | |
four or five frames that everything has been in open play. If this was | :48:00. | :48:50. | |
early in the match, he would be... But when the pressure is on, | :48:51. | :48:57. | |
anything is missable. A little bit of noise in the crowd. | :48:58. | :49:18. | |
At the moment, he is just investing in these small colours, waiting for | :49:19. | :49:30. | |
the big stuff. He will be feeling very confident now. | :49:31. | :49:36. | |
It looked difficult to make a mess of that shot, but he has. | :49:37. | :50:02. | |
One good positional shot, he leads to get up on these reds and blacks. | :50:03. | :50:17. | |
Judd Trump hasn't potted a ball for over 26 minutes, that is a long time | :50:18. | :50:23. | |
when you get to the business end of the match. | :50:24. | :50:38. | |
If that pink doesn't pot, he is in trouble. The pink is very close to | :50:39. | :50:55. | |
being pottable. He needs to put this and cannon onto the left red. And | :50:56. | :51:04. | |
now he has a chance, a big chance. There was an opportunity to play a | :51:05. | :52:06. | |
ringer on the black, but he prefers the pink, obviously. He would like | :52:07. | :52:13. | |
to to have been an inch or two further down the table. It's OK, | :52:14. | :52:20. | |
it's not too thin to hold the cue ball, but it makes it more | :52:21. | :52:21. | |
difficult. Just one good pot away from being in | :52:22. | :52:32. | |
perfect position. It's good to see him walking round | :52:33. | :53:00. | |
the table quickly when he is making breaks, it suits his style more. | :53:01. | :53:04. | |
Keeping a nice rhythm. It's been hard work for 38. I don't | :53:05. | :53:38. | |
know what the colour sequence has been. | :53:39. | :54:00. | |
This could be good. Wonderful shot. He deserves what he gets. If he does | :54:01. | :54:15. | |
go on to win the frame, hopefully, it will be his century. | :54:16. | :54:25. | |
What kind of angle does he have on this red? He could bring another | :54:26. | :54:57. | |
three reds into play here. Now the hundred century is a definite | :54:58. | :55:01. | |
possibility. A little bit careless, didn't quite | :55:02. | :55:12. | |
get the desired angle. The difficult red on the side | :55:13. | :55:36. | |
cushion is the one that will be a problem. And to make the 100, he | :55:37. | :55:45. | |
will need four reds and four blacks. For that red to get onto any | :55:46. | :55:47. | |
other colour could be a problem. Would it be a monkey off his back, I | :55:48. | :56:05. | |
would it affect him for the next few frames? | :56:06. | :56:12. | |
Judd Trump is looking a bit forlorn, he has lost the last three frames. | :56:13. | :56:22. | |
He hasn't done anything wrong, he has just lost the safety battles. I | :56:23. | :56:28. | |
wonder if he will risk getting on the difficult red now. There is you | :56:29. | :56:33. | |
answer. He has risked it. Not guaranteed to get perfect on | :56:34. | :57:15. | |
this red. Surely now he is going to get it. | :57:16. | :57:54. | |
Two pots from an unbelievable record that might never get beaten again. | :57:55. | :58:18. | |
At this stage of the match, absolutely under -- unbelievable. A | :58:19. | :58:29. | |
standing ovation and he deserves it. Absolutely brilliant. | :58:30. | :58:41. | |
Congratulations to Neil Robertson. 100 centuries and he has levelled | :58:42. | :58:42. | |
the match. Making a century, what an | :58:43. | :58:52. | |
unbelievable reception from the crowd. I was so glad to have done | :58:53. | :58:57. | |
it. Through most of the match, it wasn't going my way. That is | :58:58. | :59:09. | |
probably why it led to such celebrations and relief. The crowd | :59:10. | :59:16. | |
really enjoyed it. It was electric. It was a brilliant achievement for | :59:17. | :59:22. | |
him. I just wanted to get out of the venue when he had done it because I | :59:23. | :59:26. | |
needed to concentrate on the game. I congratulated him at the end of the | :59:27. | :59:33. | |
match. Finally getting there, it was incredible. I am sure there will be | :59:34. | :59:40. | |
players who make 100 centuries in a season, but I am the first person to | :59:41. | :59:44. | |
do that, it is an incredible in achievement and a great honour that | :59:45. | :59:49. | |
I am that player. A terrific achievement, many | :59:50. | :59:53. | |
congratulations to Neil Robertson. All eyes on that. | :59:54. | :00:11. | |
This is effectively a new record. We have more tournaments. Still a | :00:12. | :00:15. | |
fantastic record. Social media was going mad at the time. So many | :00:16. | :00:18. | |
people watching either live or on the red button. | :00:19. | :00:39. | |
They were commenting on it, he hadn't even won the game and he was | :00:40. | :00:44. | |
elevated like he had one. Why was he sending a message during | :00:45. | :01:11. | |
the match? You would expect him to enjoy | :01:12. | :01:23. | |
himself. Isn't it interesting how the players | :01:24. | :01:43. | |
who have been knocked out still cannot stop watching? | :01:44. | :01:50. | |
Thank you very much, a lot of you have been getting in touch. | :01:51. | :02:01. | |
Welcome back. Earlier I asked to the name of any nation who has had | :02:02. | :02:06. | |
somebody representing them at the Crucible. Our legends gave us a few | :02:07. | :02:13. | |
ounces. Finland. New Zealand. India. Latvia. It will not surprise you to | :02:14. | :02:21. | |
note Finland got 36 points. Eight points for New Zealand. | :02:22. | :02:30. | |
There are a few scores that would have beaten New Zealand. Four points | :02:31. | :02:53. | |
for South Africa. Three points is the best answer on the board, any | :02:54. | :02:58. | |
fans out there will tell you Iceland is the best answer. | :02:59. | :03:08. | |
A big shout out to those who came up with Iceland. This is the | :03:09. | :03:24. | |
leaderboard. I didn't know this was happening. | :03:25. | :03:33. | |
There is a very smug Stephen Hendry sitting in the studio looking at the | :03:34. | :03:36. | |
leaderboard. Hazel and I are taking the Neil | :03:37. | :03:46. | |
Robertson approach, lulling you into a false sense of security. Barry | :03:47. | :03:52. | |
Hawkins two, Ronnie O'Sullivan two. The mid-session interval over. Quite | :03:53. | :04:12. | |
a hive of activity backstage. People looking at the table. It seems | :04:13. | :04:20. | |
everybody happy with the conditions. A very tense opening for friends. | :04:21. | :04:26. | |
I am not sure if Ronnie O'Sullivan will be more relieved to win that | :04:27. | :04:37. | |
last frame. Long Way to go in this match, another for friends to play | :04:38. | :04:41. | |
-- another four frames to play. There is the safety success, pretty | :04:42. | :05:03. | |
low. There is where he has just won an -- fallen down slightly. | :05:04. | :05:17. | |
I spoke to Martin Clark's assistant and he said neither player | :05:18. | :05:26. | |
complained about the table. The table fitters didn't really have | :05:27. | :05:33. | |
much to do. I am sure they would have used a spirit level. No | :05:34. | :05:36. | |
complaints from the players. A bit of tactical play now with that | :05:37. | :06:00. | |
red. The type of scenario neither player | :06:01. | :06:21. | |
would like. The first chance when he gets, he will try and played the | :06:22. | :06:25. | |
more aggressive safety shot. Has he left a possible double here | :06:26. | :06:32. | |
for Barry Hawkins? Didn't even look at it. Possibly | :06:33. | :06:51. | |
wasn't on. Ronnie would love to force Barry | :06:52. | :07:10. | |
into knocking that read back up the table. He just wants to get on with | :07:11. | :07:16. | |
it. If you could find the book line, as you say, he has left it | :07:17. | :07:20. | |
down there. He will not want to get bogged down | :07:21. | :07:39. | |
in this match. The referee has declared touching | :07:40. | :08:30. | |
ball. He is firing away from the red he is touching. The possibility of a | :08:31. | :08:33. | |
pot here. He would like to put the red into | :08:34. | :08:59. | |
the right centre. Still be on the black. Excellent shot. A lovely | :09:00. | :09:13. | |
angle on the black, if he wishes to go into the pack. Doesn't have to. | :09:14. | :09:52. | |
He has got a lovely angle but he must hit this pink on the right-hand | :09:53. | :10:01. | |
side as we look. That is pretty good. This could have been better. A | :10:02. | :10:12. | |
straight red into the left-hand corner pocket. Hit it perfectly, | :10:13. | :10:17. | |
didn't he? He has missed it. We were directly | :10:18. | :10:37. | |
in line with that. He has put his hand out when he | :10:38. | :10:40. | |
missed it, having a word with Ronnie. I didn't see a roll off, it | :10:41. | :10:48. | |
was always there. Let's have a look again. | :10:49. | :11:00. | |
Trying to put his fingers in between those rates. If he was to touch one | :11:01. | :11:11. | |
he would declare it himself. It was always on the left-hand jaw, never | :11:12. | :11:19. | |
anywhere else. Barry intimated that it walled off, but it didn't to me. | :11:20. | :11:24. | |
-- rolled off. It didn't sound like the best of | :11:25. | :12:22. | |
contacts love. -- there. Strangely enough, I haven't seen | :12:23. | :12:38. | |
money getting the cue cleaned since we started. | :12:39. | :13:07. | |
A little bit straighter than he would like, but plenty of key power | :13:08. | :13:13. | |
to spare. Coming off the side cushion. There is the straight line. | :13:14. | :13:28. | |
He may have just hit across the ball. Certainly the red didn't roll | :13:29. | :13:37. | |
off. 42 points, the lead, 75 remaining. | :13:38. | :14:18. | |
Three reds, three colours, that would do the trick. | :14:19. | :14:47. | |
This black and one more red ball. The black puts him 58 points in | :14:48. | :15:02. | |
front, with 59 remaining. He still wants red and a colour. | :15:03. | :15:11. | |
Doesn't have to do much with a red. Just make certain you pot it. | :15:12. | :15:25. | |
The only reason I always think nowadays, I'd use to sate you just | :15:26. | :15:33. | |
need a red, but you want to get that other colour following the red, | :15:34. | :15:45. | |
keeps your opponent in their seat. He was making out that the red | :15:46. | :15:49. | |
rolled off, we didn't see it. Ronnie O'Sullivan made the best of the | :15:50. | :15:54. | |
opportunity, nice break of 80. He now leads 3-2. | :15:55. | :16:00. | |
I would be fascinated to find out what John Parrott and Stephen Hendry | :16:01. | :16:01. | |
thought happened. It looked like he was on the top | :16:02. | :16:14. | |
jaw. Yes, certainly looked at from the camera shot. Sometimes it can | :16:15. | :16:20. | |
make the ball go thick, but sometimes it can make it go thin, | :16:21. | :16:25. | |
unless there was a funny contact. We have seen a lot of this in the last | :16:26. | :16:31. | |
24 hours. I was watching the coverage yesterday afternoon, Neil | :16:32. | :16:35. | |
Robertson missed a simple red and he said the table wasn't playing ball | :16:36. | :16:39. | |
and there was no hint of any responsibility. In fairness, it | :16:40. | :16:44. | |
yesterday it was kicking like a mule. They changed a whole set of | :16:45. | :16:46. | |
balls. That was most unusual. Ronnie O'Sullivan breaks off in the | :16:47. | :17:02. | |
sixth frame. Watch the shot back, it wasn't dead | :17:03. | :17:23. | |
set in the middle of the pocket. He is having a word with Ronnie saying | :17:24. | :17:35. | |
he felt it walled off. Unless the path of the cue ball hit the red. | :17:36. | :17:41. | |
You cannot really tell behind the object ball, unless it feared off | :17:42. | :17:47. | |
and hit the road. Barry obviously for something went wrong. Another | :17:48. | :17:50. | |
excellent safety shot from Barry Hawkins. Oney needs to miss this | :17:51. | :17:59. | |
green for it to be anything like decent. If you can find a path round | :18:00. | :18:07. | |
the back of the black. This would be some sort of angle. If | :18:08. | :18:32. | |
he plays the pot, misses the black, you may be running into that read to | :18:33. | :18:35. | |
the left of the black and that will hold the cue ball. If he misses red | :18:36. | :18:54. | |
and black that will be OK. He doesn't like it. | :18:55. | :19:06. | |
Now the Green came to Barry 's rescue. Can he get to this red | :19:07. | :19:38. | |
second up? Even if he can there is no path back to the baulk end. | :19:39. | :19:59. | |
Not quite sure if you can see enough of this red to have a go. He has had | :20:00. | :20:27. | |
a look at it, but it is very close. You can see from his expression, he | :20:28. | :20:33. | |
hit that completely wrong, wanted to hit the other side of the red. The | :20:34. | :20:40. | |
right-hand side as we looked. Amazing. That just tells you, watch | :20:41. | :20:52. | |
Ronnie here, he has messed up, that was a chance. | :20:53. | :21:26. | |
Those rates are all a bit difficult. You have got to play them with a lot | :21:27. | :21:36. | |
of pace. -- those reds. You have got to be so accurate. Easy enough red | :21:37. | :21:41. | |
to the right corner but can one get on the black? He is already looking | :21:42. | :21:53. | |
to see if he can make that cannon. Not too bad, he got second prize. | :21:54. | :21:59. | |
Would have loved to have hit that read to the left of the black. Bring | :22:00. | :22:02. | |
the black into play. He just looked to see. If you're not | :22:03. | :22:36. | |
happy and convinced watch what you are playing, get up, get down and | :22:37. | :22:37. | |
prepare again. Let's have a look at that shot | :22:38. | :23:02. | |
again. Just watch him, just missed that one. It would have been | :23:03. | :23:03. | |
perfect. He didn't want to be using the rest | :23:04. | :23:14. | |
for this shot. A bit of work to do with the cue ball. | :23:15. | :23:33. | |
Played it pretty well. Overstretched slightly. It is amazing how good he | :23:34. | :23:43. | |
is with a rest, considering most of the time he can play with his left | :23:44. | :23:50. | |
hand. Doesn't get as much practice with the rest as most players. | :23:51. | :24:02. | |
A little bit pacey, he would have liked to have been on the blue. It | :24:03. | :24:16. | |
is going to be a baulk colour. Just having a look which is the best red | :24:17. | :24:18. | |
to play for. That is inch perfect. Still | :24:19. | :24:46. | |
congested around this black spot area. Not the easiest of | :24:47. | :24:50. | |
opportunities. Easily trying to free up the pink | :24:51. | :25:12. | |
because of the black. Leave a little angle on the pink into left centre, | :25:13. | :25:17. | |
moving the red that is tying up the pink spot. This is where Ronnie is | :25:18. | :25:34. | |
so good, positional play is just spot on. Just holding the cue ball | :25:35. | :25:42. | |
here round the pink spot. Just as I was singing his praises! | :25:43. | :26:00. | |
Never expect him to miss that. Unexpected mess, unexpected | :26:01. | :26:17. | |
opportunity for his opponent. It really hurts, if Barry takes full | :26:18. | :26:30. | |
advantage of this chance. Once Oney had got that pink in play he thought | :26:31. | :26:36. | |
it was a frame-winning chance -- Ronnie. | :26:37. | :26:51. | |
He will be annoyed. Once you have got the pink in play, he had the | :26:52. | :26:59. | |
frame at his mercy. Straightforward pink, no excuse for missing that. | :27:00. | :28:07. | |
Not the best of angles on the pink, wanted to be a little bit higher. | :28:08. | :28:28. | |
That is a good positional shot. He has got a perfect angle. | :28:29. | :28:40. | |
He can just put this red into the left-hand corner. Need it out of the | :28:41. | :28:51. | |
way of the black. What sort of an angle does he have on the black? | :28:52. | :29:24. | |
Just over done that little bit. He may use it to his advantage and play | :29:25. | :29:33. | |
a cannon. He couldn't avoid the case on the | :29:34. | :29:58. | |
second red. He is going to need these four remaining colours. It is | :29:59. | :30:09. | |
going to be a tough frame-winning challenge now. It is not straight | :30:10. | :30:13. | |
forward any more. In all honesty, it never was. | :30:14. | :30:35. | |
It was a good shot. He can play with a little more confidence. The points | :30:36. | :30:46. | |
are all square. Nice angle on the yellow if he | :30:47. | :31:18. | |
wishes. Try and bring the two reds into play. He leads a bit of luck | :31:19. | :31:20. | |
here. It could have been better. If that red wasn't there, he had a | :31:21. | :31:53. | |
lovely angle to try and bring the other red into play, but he can't do | :31:54. | :31:55. | |
that now. That is as good as he could have | :31:56. | :32:13. | |
played it. Absolutely. He seems to have a nice angle on the blue. | :32:14. | :32:22. | |
Being left-handed, if he has a good angle on the blue, he could come off | :32:23. | :32:33. | |
the top cushion and cannon of the black. | :32:34. | :32:41. | |
He couldn't have played much better than that. | :32:42. | :33:08. | |
Well, you can't believe that. That is so unlucky. A terrible kick. And | :33:09. | :33:18. | |
that has cost him twice already in this session. Look at that. After | :33:19. | :33:28. | |
doing all the hard work. To get a kick like that. Very unfortunate. | :33:29. | :33:35. | |
There is no legislation for that at all. | :33:36. | :33:48. | |
It has stopped badly in his tracks. You can see the job. -- jump. But he | :33:49. | :34:01. | |
has got another chance here. But this is a big shot to take on. He | :34:02. | :34:07. | |
could play safe of the red near the top cushion. If he can pot this red | :34:08. | :34:18. | |
to the left corner, then... It is a tough pot. Didn't put all his eggs | :34:19. | :34:30. | |
into one basket. How will that double-kiss affect you? Not good. | :34:31. | :34:33. | |
Now a chance for Ronnie. It could be all about this shot. He | :34:34. | :35:01. | |
has two play for the red to the right corner. | :35:02. | :35:19. | |
Pot the red and you must be on a colour, you would think. No problem. | :35:20. | :35:28. | |
Just shot of good position on the blue. | :35:29. | :35:43. | |
If he is straight on this yellow, it is not a straightforward clearance. | :35:44. | :35:52. | |
He just has enough angle to come off the cushion. Good shot. Perfect. | :35:53. | :35:59. | |
Excellent shot from Ronnie O'Sullivan. He made the angle by | :36:00. | :36:12. | |
putting that extra pace in. Just brown and blue required. | :36:13. | :36:23. | |
You would have to say that Barry Hawkins has been very unfortunate. | :36:24. | :36:39. | |
That wonderful yellow gave him the frame. Ronnie O'Sullivan takes the | :36:40. | :36:56. | |
frame. Barry Hawkins, slumped in his chair. | :36:57. | :37:09. | |
Desperately unlucky. He played a brilliant frame of snooker. And then | :37:10. | :37:19. | |
this happens. It throws the red off-line so it does not go in the | :37:20. | :37:24. | |
pocket. He can't believe it. Horrible. You don't start the day of | :37:25. | :37:30. | |
thinking, I need to be lucky here. You just don't want bad luck. And it | :37:31. | :37:36. | |
is not the first time. There have been a few. He potted two brilliant | :37:37. | :37:50. | |
yellows. I do think that some kicks are caused by bad cueing, not that | :37:51. | :38:04. | |
one. Steve is in the Winter Gardens. This cue ball, it does it | :38:05. | :38:14. | |
now what has happened to it bad or good cueing. It does know what | :38:15. | :38:25. | |
conditions it is rolling on. Today, it has been pouring in Sheffield, | :38:26. | :38:29. | |
there is a lot of moisture in the air. There is moisture in the class. | :38:30. | :38:39. | |
If it is wet, more chalk sticks to the ball and that is when you get | :38:40. | :38:40. | |
more clicks. -- kicks. Barry Hawkins gets frame six under | :38:41. | :38:59. | |
way. It frames to be played in this first session. Steve May have a | :39:00. | :39:13. | |
point. We had torrential rain last night and this evening. | :39:14. | :39:20. | |
Let's have a look at a couple of clicks. Watch this one. And this | :39:21. | :39:33. | |
one. That was so unfortunate. It cost him the frame. | :39:34. | :39:47. | |
We see it so many times, the cue ball is bouncing before it reaches | :39:48. | :39:54. | |
the object ball. If it just happens to be coming down, you won't get a | :39:55. | :39:56. | |
good contact. Someone said that it adds to the | :39:57. | :40:12. | |
excitement, but you try playing the game! The players would not think | :40:13. | :40:15. | |
so. Just to show an example of what they | :40:16. | :40:57. | |
were talking about. Just watch this. Look at that cue ball bouncing | :40:58. | :41:01. | |
before it gets to the blue. It goes down there and even with topspin, it | :41:02. | :41:10. | |
looks as if the cue ball is stopping dead. There you go. That is what | :41:11. | :41:16. | |
Stephen was referring to. If you do not cure them smooth, the cue ball | :41:17. | :41:21. | |
leaves the table. That was bad cueing. If we look down | :41:22. | :42:08. | |
the line here, just watch Barry move slightly. His backhand just moves | :42:09. | :42:09. | |
slightly. That was one of the bad shots he has | :42:10. | :42:23. | |
hit. That is a bit worrying. Rodney will hope to get the cue ball | :42:24. | :43:01. | |
somewhere in the position it is now. Nice angle on this red. Absolutely | :43:02. | :43:09. | |
perfect. Bringing some more reds into play. | :43:10. | :43:23. | |
That shot, sometimes if you screw it too hard, you can bounce off the | :43:24. | :43:27. | |
cushion. It caught of three reds. That is a difficult shot. A | :43:28. | :43:48. | |
marvellous shot. You have to keep souls still in those shots. -- so | :43:49. | :44:01. | |
still. Back into prime position now. You can just sense how strong Ronnie | :44:02. | :44:07. | |
is getting now after winning those last few frames. Looked a little bit | :44:08. | :44:19. | |
vulnerable at 2-1 down. But you can sense that he has stepped it up a | :44:20. | :44:21. | |
notch. Job fits -- pot success up to 93% | :44:22. | :44:28. | |
for Ronnie O'Sullivan. And Barry just dropping below that | :44:29. | :44:53. | |
90% he has had during the tournament. | :44:54. | :45:03. | |
Ronnie can screw past the pink for a straight red. This is an excellent | :45:04. | :45:08. | |
opportunity. It had -- if it had been low on the | :45:09. | :45:36. | |
black, he could have matched those reds into play. He can't win the | :45:37. | :45:41. | |
frame with just these two red Star. He has played it lovely. Just a | :45:42. | :46:01. | |
delicate little cannon. Beautiful shot. | :46:02. | :46:09. | |
It is all about touch and feel, that type of shot. Surprising that he | :46:10. | :46:18. | |
went up for the pink. He will only have one thought now, | :46:19. | :47:42. | |
trying to make a century break. He has brought those two reds into play | :47:43. | :47:56. | |
nicely. The highest break is held by Neil Robertson, believe it or not. | :47:57. | :48:00. | |
What a magic moment that was last night. Yes, fantastic. And | :48:01. | :48:07. | |
incredible milestone. Absolutely vintage Ronnie | :48:08. | :48:38. | |
O'Sullivan. He played some wonderful shots there. That brown that Barry | :48:39. | :48:47. | |
Hawkins mist into the middle pocket, he only needs one -- you | :48:48. | :48:54. | |
only need one mistake against someone like Ronnie O'Sullivan and | :48:55. | :48:58. | |
then you are sitting down for the rest of the session and that is what | :48:59. | :49:00. | |
has happened. Barry will not be pleased missing | :49:01. | :49:28. | |
that easy brown. The fact he has got to the figure five, he can't be | :49:29. | :49:32. | |
behind after this first session. Ronnie gets this final frame of the | :49:33. | :50:50. | |
session underway. He cannot be behind now. Barry is not having the | :50:51. | :51:04. | |
best of runnings at the moment. Certainly not. This is a massive | :51:05. | :51:16. | |
frame for Barry Hawkins. Four frame gap. Not what he would have hoped | :51:17. | :51:21. | |
for. He hasn't missed many pot two, just | :51:22. | :51:59. | |
that brown. He hasn't played many bad shots. I thought his safety plea | :52:00. | :52:13. | |
was excellent. First but he will be getting a little bit concerned | :52:14. | :52:21. | |
because once Ronnie O'Sullivan starts to get in front, he doesn't | :52:22. | :52:28. | |
slow down. He just gets stronger. As all the great champions have done. | :52:29. | :52:38. | |
Even though it is four session much, the frames begin to get quicker. The | :52:39. | :53:03. | |
frame time, it was just under 20 minutes frame. He may just be able | :53:04. | :53:14. | |
to get past the yellow. Not much going right for Barry Hawkins at the | :53:15. | :53:15. | |
moment. He could screw this blew into the | :53:16. | :53:55. | |
green pocket. -- blue. The one at the bottom of the pack, that was his | :53:56. | :54:01. | |
choice. I did not expect him to miss that blue. | :54:02. | :54:07. | |
I chanced to bring some reds into play. Just at the moment, Barry is | :54:08. | :54:19. | |
struggling. Just gone off the boil. Maybe those | :54:20. | :54:45. | |
kicks have thrown him a little bit. Yes, you can soon get disappointed | :54:46. | :54:52. | |
with this game. That disappointment, it is in your head. Friend you are | :54:53. | :55:06. | |
thinking things could go wrong, you are not concentrating on the shot in | :55:07. | :55:11. | |
front of you. He does not want to leave a touching | :55:12. | :55:41. | |
ball that Ronnie can play away. Somebody in the audience is finding | :55:42. | :55:50. | |
it amusing. Ronnie, purposely, has left that. | :55:51. | :56:17. | |
Got to hit their safety shot just right, no margin for error here. | :56:18. | :56:26. | |
Where is that red going? Is it going to be on to the middle? I think it | :56:27. | :56:32. | |
is, looking at Ronnie's the action. Barry can get past the yellow. -- | :56:33. | :56:40. | |
reaction. I just feel there is a little bit of | :56:41. | :57:43. | |
pressure on Barry now to make the most of this opportunity. Just had | :57:44. | :57:51. | |
that feeling. He is feeling it a bit out there at the moment. I know it | :57:52. | :57:57. | |
is the first session of four, that he knew that he needed a good start | :57:58. | :58:04. | |
in this match. If you go back to that force frame, it looked as if he | :58:05. | :58:09. | |
was going to win it. We all felt a good start from Barry was very | :58:10. | :58:11. | |
important for him. Another excellent pot from Ronnie | :58:12. | :58:31. | |
O'Sullivan. But if the blue doesn't go... That makes it a bit tricky. | :58:32. | :58:36. | |
Can't take it for granted this. Ronnie giving the pink the stare! He | :58:37. | :59:16. | |
was hoping to be on a red in the left corner. Normally when you miss | :59:17. | :59:24. | |
a ball like that, you leave your opponent some kind of pot to go at. | :59:25. | :59:31. | |
You could say that Barry is just getting the thin edge of the wedge | :59:32. | :59:41. | |
at the moment. That knocked it into a safe position. | :59:42. | :59:51. | |
What a shot! That is an absolute cracker. | :59:52. | :00:12. | |
Please stop calling out like that, it is not helpful. | :00:13. | :00:22. | |
This was one of the best shots we have seen in the championship, that | :00:23. | :00:28. | |
was magnificent. It is that lovely sound, when the ball hits the back | :00:29. | :00:30. | |
of the pocket. Just a lazy little push through with | :00:31. | :00:49. | |
the cue, got so much action. Just got an unwanted kiss on the | :00:50. | :01:09. | |
red. Can only drop this black in now. | :01:10. | :01:18. | |
Going to need another good hot, he has got to concentrate on the pot, | :01:19. | :01:43. | |
the pink is waiting for him. Just getting the cue ball cleaned, he | :01:44. | :01:47. | |
knows how important this shot, and this frame, is. | :01:48. | :02:09. | |
Good pot, Barry Hawkins, very good. He looks at the scoreboard. 26 | :02:10. | :02:40. | |
points behind. The ball is not ideally situated, but he needs a | :02:41. | :02:44. | |
good contribution now. Struggling cueing wise, didn't have | :02:45. | :03:03. | |
to take the pink there, bit surprised he did, straightforward | :03:04. | :03:07. | |
brown. That was close to the pink spot. It was always on. | :03:08. | :03:38. | |
Once again not making the most of his opportunity. | :03:39. | :03:57. | |
It is not a very good safety. A possible red. The pink has come to | :03:58. | :04:07. | |
Oney's rescue. -- Ronnie. A nice shot from Barry. Another | :04:08. | :04:48. | |
cracking pot. Not on a colour, just nestled up to the green. | :04:49. | :04:57. | |
Only 21 points in it, I don't think it is a necessity to keep the green | :04:58. | :05:07. | |
safe. If he could cover the safety escape down the right-hand side, | :05:08. | :05:10. | |
just leave the red on the right-hand side cushion, it would be causing | :05:11. | :05:18. | |
problems for his opponent. 73% long pot success, that is good. He would | :05:19. | :05:24. | |
prefer if the Green would stay there, pushed the brand. | :05:25. | :05:37. | |
He wants to block the red closest to the corner pocket. This red closest | :05:38. | :05:48. | |
to the right-hand side cushion, very difficult to play a safety shot of | :05:49. | :05:56. | |
that one. Got to be careful. Maybe pushing a red towards this bottom | :05:57. | :05:59. | |
right-hand corner pocket and playing the safety shot. | :06:00. | :06:14. | |
If Ronnie can find a path for the cue ball to get position on pink or | :06:15. | :06:23. | |
blue, he has got the frame at his mercy. | :06:24. | :06:28. | |
The 21 point lead to build on here. Just got to find a path for the cue | :06:29. | :06:34. | |
ball. Surprised he played like that. It is | :06:35. | :06:40. | |
not good. The cue ball needs to slow up. Just | :06:41. | :08:19. | |
about. Not about safety. He tried to play a delicate little cannon. | :08:20. | :08:31. | |
Let's see what he was trying to do. Put the red, left of the blue, and | :08:32. | :08:40. | |
beyond the blue into the right centre. This is the way he played | :08:41. | :08:44. | |
it. Too much side spin. No attempt at the pot. The reason he | :08:45. | :09:57. | |
didn't play it was because if he had played it he would have kissed the | :09:58. | :10:00. | |
second red so it wouldn't have been a shot for nothing, purposely just | :10:01. | :10:06. | |
assuring that cue ball back to the baulk cushion. | :10:07. | :10:15. | |
What it does, or should have done, but the black back into play. The | :10:16. | :10:25. | |
way he has been knocking these long balls he needs a better cue ball | :10:26. | :10:27. | |
than this. Quite a long way from that one, came | :10:28. | :11:05. | |
right across it. But surprised. There is a chance for | :11:06. | :11:17. | |
Barry. Got to start seizing on these | :11:18. | :11:33. | |
opportunities. Oh, dear me. Would you believe it? So now, we were | :11:34. | :11:42. | |
asking the question, how much did that match with Dominic Dale take | :11:43. | :11:45. | |
out of him? We said we wouldn't know until the session was finished. I | :11:46. | :11:49. | |
think there is now a bit of a hangover. Just in the last frame. It | :11:50. | :11:59. | |
is maybe not from that match, but he has been affected by those couple of | :12:00. | :12:08. | |
kicks. Not only just about the bad kicks, but they have cost frames. | :12:09. | :12:28. | |
Needs to slide past this red, and he has done. That should set up this | :12:29. | :12:40. | |
frame. Barry, in a bad place at the moment. He didn't want to be for | :12:41. | :12:44. | |
frames behind at the end of it. That looks more than likely now. This | :12:45. | :12:53. | |
will be five friends in a row for Ronnie O'Sullivan -- five frames. | :12:54. | :13:04. | |
Got a lot of snooker left in this match, no doubt about that. | :13:05. | :13:15. | |
It is probably better for Barry, even if it finishes 6-2, that this | :13:16. | :13:23. | |
is the last frame of the session. They will not be back until | :13:24. | :13:24. | |
tomorrow. 48.4 and. -- 48 points in front. He | :13:25. | :13:56. | |
has potted some tremendous balls in this first session. But Barry | :13:57. | :14:03. | |
Hawkins has had a lot of disappointments, kicks, and frames | :14:04. | :14:07. | |
he maybe should have one. He is ready to shake his hand. Eight | :14:08. | :14:17. | |
frames, that is it. A disappointing start for Barry Hawkins when he | :14:18. | :14:21. | |
needed a good one. Oney will not be too bothered, he has got for frame | :14:22. | :14:23. | |
advantage. -- Ronnie. Barry Hawkins will have nightmares | :14:24. | :14:34. | |
over 6-2 because that was the score last time these two men met in the | :14:35. | :14:38. | |
semifinal of the Welsh Open this year. You have to have a lot of | :14:39. | :14:45. | |
sympathy for Barry Hawkins, because there we were in frame six, he has | :14:46. | :14:51. | |
got that red, gets a kick, if it goes in it is a different story. | :14:52. | :14:57. | |
He had two or three chances in the last frame. O'Sullivan was at his | :14:58. | :15:06. | |
best in that break. The way he hit them and how he got the cue ball to | :15:07. | :15:10. | |
manoeuvre was fantastic. He has had chances. It is a good time for that | :15:11. | :15:17. | |
session to finish. That is the reason Ronnie O'Sullivan | :15:18. | :15:21. | |
remains box office, the crowd are on his side, something else Barry has | :15:22. | :15:24. | |
got to content with. The more Ronnie goes in front, the more the crowd | :15:25. | :15:32. | |
supports. After his lead against Murphy said the match was over. This | :15:33. | :15:38. | |
is starting to look like it. How often do you see Oney lose a session | :15:39. | :15:44. | |
heavily? He is a runaway train in front. | :15:45. | :15:50. | |
Hopefully Barry will have a good nights sleep and come back with more | :15:51. | :15:57. | |
resistance. It is not over by a long shot but Ronnie is strong favourite. | :15:58. | :16:04. | |
Lots of people getting in touch, including Shaun Murphy, about these | :16:05. | :16:10. | |
kicks. Do you have sympathy with Barry | :16:11. | :16:18. | |
Hawkins? I mentioned some kicks are caused by bad cueing but the shots | :16:19. | :16:25. | |
he missed the red into the middle, that was nothing to do with Barry. | :16:26. | :16:30. | |
Of course you have got sympathy. That was to go 3-3. Do you want to | :16:31. | :16:37. | |
throw your view into the mix? I will leave it to Steve. | :16:38. | :16:43. | |
A lot of people getting involved in social networking for top Steve | :16:44. | :16:49. | |
Davis will get you up to date. Everybody has got theories, it is a | :16:50. | :16:52. | |
matter how great you play this game, no matter what happens to | :16:53. | :16:56. | |
Barry Hawkins, a massive frame, it destroys your confidence and a | :16:57. | :17:01. | |
rhythm. A few more players have been watching from home. Shaun Murphy. | :17:02. | :17:12. | |
He was involved in trying to look into the reasons why. | :17:13. | :17:51. | |
The idea for the under table heating was to dry the cloth out and made it | :17:52. | :17:57. | |
faster but it causes bounces off the cushion. Amazing how everybody, it | :17:58. | :18:01. | |
goes on forever, everybody has got their own ideas. Bad cueing, the | :18:02. | :18:07. | |
bouncing of the balls, moisture on the cloth, rain, atmospheric | :18:08. | :18:13. | |
conditions, who knows? It goes on for ever. | :18:14. | :18:22. | |
We haven't had any rain here. Stephen is involved, Shaun Murphy, | :18:23. | :18:27. | |
Steve Davis. What is your theory? I think friction is one of them. When | :18:28. | :18:32. | |
the clocks with thicker we never used to get them. It is like a | :18:33. | :18:38. | |
balloon, you can see the hairs moving. This ball is getting | :18:39. | :18:43. | |
electrically charged all the time. It happens after long screw shots. | :18:44. | :18:47. | |
If some midi plays a run through it tends to come of that. Restore the | :18:48. | :18:50. | |
university did something and they fed negative electrodes through the | :18:51. | :18:58. | |
suit could table -- snooker table and didn't get one for months. The | :18:59. | :19:06. | |
heaters on all day. Maybe overnight. When the place is empty. During the | :19:07. | :19:11. | |
day there is no reason why they have to be on. I think it is worthwhile | :19:12. | :19:19. | |
turning them off, just experiment. Say to the players, this is a | :19:20. | :19:22. | |
smaller event, we will try it, let's see if it works well stop at least | :19:23. | :19:28. | |
have a go. There is a belief who is not bothered. -- there is somebody. | :19:29. | :19:41. | |
I'm going to need the help of the media. We are going to hold the | :19:42. | :19:50. | |
triangle. I am going to hit one two, three, four, five, six as fast as | :19:51. | :19:52. | |
possible into the pocket. I am going to hit the white ball | :19:53. | :20:27. | |
from the left to the right, and from the right to the left, and make a | :20:28. | :20:32. | |
comeback. This is a variation of a famous | :20:33. | :21:10. | |
shop. -- famous shuttle stop the wide ball is going to come back and | :21:11. | :21:14. | |
hit every ball, but I'm going to do this one-handed. | :21:15. | :21:42. | |
I'm actually stopped me in the street the other day and said is | :21:43. | :21:49. | |
that man for real? Yes, he is. An absolute genius. There will be more | :21:50. | :21:53. | |
from him tomorrow. Let's turn our attention the match of the | :21:54. | :21:59. | |
tournament. In looking to wreck Judd Trump's World Championship dreams. | :22:00. | :22:10. | |
-- Neil Robertson. I was born the 20th of August, 1989. My nickname is | :22:11. | :22:11. | |
BA said. -- the case. I am the youngest player to make a | :22:12. | :22:18. | |
competitive maximum break. I turned professional in 2005. My | :22:19. | :22:38. | |
first ranking title was the 2011 China title. In 2011 I reached the | :22:39. | :22:48. | |
World Championships final. In 2011 I won the UK championship. In 2012 I | :22:49. | :22:51. | |
won the international championship. We have seen Neil Robertson draw | :22:52. | :23:03. | |
level and become the first man to make a century of centuries. We pick | :23:04. | :23:08. | |
it up in frame 23, with your commentators. | :23:09. | :23:19. | |
The safety from Robertson this evening has been top drawer. He can | :23:20. | :23:33. | |
play perfect sticker for a number of frames. Excellent single parting | :23:34. | :23:42. | |
comes into play. He is strong in all departments. There will come back | :23:43. | :23:46. | |
down the table. The benefit there for him to take a | :23:47. | :24:08. | |
red on. He made his previous highest break in frame 21, he made a break | :24:09. | :24:10. | |
of 70. Then to make his hundred. Doesn't help Judd Trump a lot, he | :24:11. | :25:06. | |
has still got a thin shot to avoid the other red. Didn't manage it. | :25:07. | :25:57. | |
The red to the right of the Blackwood pot. | :25:58. | :26:04. | |
Looking at that gap between the pink and red to get to that one. You need | :26:05. | :26:12. | |
to screw that about two inches. Having another look at it. | :26:13. | :26:26. | |
Getting onto a colour is not straightforward. You feel as if he | :26:27. | :26:39. | |
could walk on water, the way he is playing. | :26:40. | :26:44. | |
It could have an adverse affect on her. -- on him. | :26:45. | :27:30. | |
Judd Trump has been sitting in that chair a long time. So frustrating | :27:31. | :27:36. | |
when you don't get any chances to go for a pot and your opponent is not | :27:37. | :27:42. | |
missing anything, as well. 42 minutes since Judd Trump potted the | :27:43. | :27:45. | |
last ball. Everything is going in clean. He | :27:46. | :27:58. | |
could get onto the black, but there is no advantage with the red and the | :27:59. | :28:03. | |
Black spot. Just coming round to see if it is worth doing that. | :28:04. | :28:20. | |
No value in kissing into the pink here. He might just play to get the | :28:21. | :28:32. | |
gap. A big gap there. If he and hits it -- and a headset. This has got to | :28:33. | :28:49. | |
be very controlled. This is the angle on the blue which is OK. | :28:50. | :28:59. | |
He's going to bed on the left-hand side or the right-hand side of the | :29:00. | :29:07. | |
pink. -- going to play. That is his trice. -- that is his choice. He is | :29:08. | :29:22. | |
looking to get a few cannons into the black. | :29:23. | :29:34. | |
That didn't quite work out. Black was available. | :29:35. | :29:41. | |
He caught the black full-on then. When you see a sportsperson in the | :29:42. | :30:03. | |
zone. It looks now, doesn't it? This is tricky, though. Everything was | :30:04. | :30:09. | |
going in the middle of the pocket but that time he felt he didn't get | :30:10. | :30:15. | |
a good contact on the white. He felt it threw a little bit wide. I | :30:16. | :30:21. | |
suppose he hit the black a little bit thicker. If it had gone in the | :30:22. | :30:25. | |
centre of the pocket t wouldn't have caught the jaws. The fact that it | :30:26. | :30:31. | |
went in thick, that was the reason the white went a little bit wide. | :30:32. | :30:33. | |
Force 206 points now without reply from | :30:34. | :30:42. | |
Neil Robertson. Another excellent safety shot. The | :30:43. | :31:09. | |
standard here that we have not seen from Neil Robertson earlier on in | :31:10. | :31:14. | |
the match. But this is top-drawer stuff. It has been immaculate. He | :31:15. | :31:19. | |
hasn't left a ball and when he has, it has been one where he has had to | :31:20. | :31:24. | |
play at distance. He has not stuck a red on for ages. Well-played jud. | :31:25. | :31:47. | |
The only good thing with this match going on late into the evening is | :31:48. | :31:53. | |
they are not playing until tomorrow night T would be tough on them to go | :31:54. | :31:57. | |
out and play tomorrow afternoon, after this battle. Well, what would | :31:58. | :32:04. | |
they rather do? Go out and play or go home, do you think? Go out and | :32:05. | :32:08. | |
play, of course but look at this safety. He has been within three | :32:09. | :32:13. | |
inches of that baulk cushion for the last half an hour. | :32:14. | :32:56. | |
Jud is looking at a plant here. Those two below the pink. They may | :32:57. | :33:04. | |
be available. He pink. They We knew that was going to happen if | :33:05. | :33:29. | |
it didn't go in. The only good thing at the moment is the fact that the | :33:30. | :33:33. | |
black is on the back cushion. He is not guaranteed to win the frame at | :33:34. | :33:37. | |
this visit. It is going to be very, very tough to get on to a colour. | :33:38. | :33:50. | |
The angle he has on this is not nice. He could roll through and play | :33:51. | :33:54. | |
the pink in the middle. But as you can see, the pink is tricky. | :33:55. | :34:09. | |
Eight hours played. A good pot Well, just amazing. Every ball, Terry s | :34:10. | :34:20. | |
going right in the middle of the pocket. -- Terry, is going right in | :34:21. | :34:28. | |
the middle of the pocket. His pot success rate has gone to | :34:29. | :35:16. | |
90%. Judd 89 and he hasn't had a shot for | :35:17. | :35:39. | |
ages. # It is the amount of shots he has taken on in eight hours. | :35:40. | :35:42. | |
Incredible. This is the first time where it could run loose. He has to | :35:43. | :35:48. | |
play that very slowly. Once again, in the middle of the pocket, perfect | :35:49. | :35:54. | |
position. Pink on. Three reds, three killers and one away from victory. | :35:55. | :36:10. | |
Well, that young man is going to have to dig deeper than he ever has | :36:11. | :36:17. | |
before in his life. Somehow he has to make something happen. It is | :36:18. | :36:23. | |
minute it has just been flawless snooker. Ye, it is hard to explain | :36:24. | :36:30. | |
how you feel in the chair when you are kept out of a match. You don't | :36:31. | :36:32. | |
feel part of the match somehow. Such a big audience here watching | :36:33. | :36:48. | |
this match, enjoying every minute and Judd Trump is thinking he is the | :36:49. | :36:53. | |
only one in the room. Feeling so lonely there. Now, is the middle red | :36:54. | :36:59. | |
of those five potable in the right-hand corner? If it is, he | :37:00. | :37:04. | |
doesn't have to play the cannon. It is really, really tight. It probably | :37:05. | :37:06. | |
goes, just. He doesn't feel it does, which is | :37:07. | :37:15. | |
why he has played for the more difficult red and once again, he is | :37:16. | :37:23. | |
inch-perfect. He played three frames against Mark Allen to win the match | :37:24. | :37:29. | |
when he was leading I think 10-7 and played three frames on the trot | :37:30. | :37:32. | |
where he never missed a ball. This, I think is actually better than | :37:33. | :37:34. | |
that. Well, Judd decided not to continue | :37:35. | :37:58. | |
playing snookers, to 68-0 Robertson takes the lead for the first time in | :37:59. | :38:02. | |
the match at 12-11. ? | :38:03. | :38:06. | |
STUDIO: Neil Robertson playing so well since breaking that record. | :38:07. | :38:13. | |
Being the first player to make a century of centuries. | :38:14. | :38:22. | |
Judd Trump is at the table. He is trailing. Well, that looked really | :38:23. | :38:26. | |
bad because it caught the other red early on and balls are man overing | :38:27. | :38:31. | |
all over the table. You can still understand why Judd has gone for the | :38:32. | :38:34. | |
shot. He is just not getting opportunities. He feels he has to go | :38:35. | :38:36. | |
out there and grasp Well, I have seen a lot of | :38:37. | :38:54. | |
performances from great players over the years, the Stephen honed rains | :38:55. | :39:00. | |
owe soul vans and Steve Davis' but from the position he is in, those | :39:01. | :39:04. | |
five frames from Neil Robertson has been up there with the best I have | :39:05. | :39:08. | |
seen. He has played flawless safety. All the frames have been scrappy. He | :39:09. | :39:13. | |
has never had it where he has pink and black on the spo. He has had to | :39:14. | :39:18. | |
graft all the time. -- on the spot There was no warning in 11-8 behind. | :39:19. | :39:25. | |
He didn't look like he had it in him to do it. It didn't look wonderful, | :39:26. | :39:30. | |
but he has just turned it around. Cue ball is running loose. | :39:31. | :39:38. | |
Just when to you thought it was all over, there is a lifeline. -- just | :39:39. | :39:43. | |
when you thought it was all over. This is a stat you are not going to | :39:44. | :40:10. | |
believe. An hour and four minutes at the business end of a match and it | :40:11. | :40:16. | |
had been stuck on 11 frames all that time. . It is normally difficult to | :40:17. | :40:25. | |
stop Trump at all, even for five minutes. It is starting to get near | :40:26. | :40:33. | |
that point now where one bad shot could cost him it. Very well done. | :40:34. | :40:41. | |
Well done. I think he is going to have to take the risk, Terry. This | :40:42. | :40:46. | |
was an excellent point after an hour's play. I was about to say he | :40:47. | :40:51. | |
was about to take the risk of playing the blue into the pink. If | :40:52. | :40:54. | |
he is going to win this frame and get back to 12-12, he needs to make | :40:55. | :40:59. | |
it happen. Right here, right now. He has missed the pink. Still OK, | :41:00. | :41:09. | |
though. He has looked at the black there. If he play for the black, it | :41:10. | :41:15. | |
will be a thin cut. He also could have gone for the blue. Let's see | :41:16. | :41:17. | |
what he thinks of it . Now, can he pot the black and check | :41:18. | :41:32. | |
the white a bit and play the cannon into the two reds and pink. He is | :41:33. | :41:37. | |
bound to be on the other red but if he misses the cannon, he is nowhere. | :41:38. | :41:47. | |
He played the cannon. He got the position. Well-played. Freed the | :41:48. | :41:55. | |
reds. Well, this would be a monumental task having been off the | :41:56. | :41:59. | |
table for all that length of time, to produce a break to get back into | :42:00. | :42:08. | |
the frame. He commits all the time doesn't he when he gets into the | :42:09. | :42:12. | |
balls. That's what everybody likes about him. He tries to make things | :42:13. | :42:17. | |
happen all the time. He is very refreshing to watch. Not many like | :42:18. | :42:18. | |
him in the game, really. The red on that right-hand side is | :42:19. | :42:34. | |
horrible for a left-handed player as well. He has an angle on the next | :42:35. | :42:41. | |
red. He may try to bring the red off the cushion with this shot. You | :42:42. | :42:46. | |
don't want to be playing this red down the cushion with the rest, do | :42:47. | :42:47. | |
you? It maybe a little too straight to do | :42:48. | :42:56. | |
that, as Neil Robertson looks on. He has played it. Well-played. A | :42:57. | :43:11. | |
fantastic shot. At that stage of the match. Brilliant. | :43:12. | :43:19. | |
That's the stage he has got to at this stage in his career. He should | :43:20. | :43:26. | |
continue playing that way. He has to judge this pace to perfection. | :43:27. | :43:37. | |
So unlucky there to leave such a difficult shot. It was such a great | :43:38. | :43:47. | |
shot to bring the red into play. What a shame the match could end | :43:48. | :43:53. | |
like this. It was concentrated Terry and drifted past the pink. | :43:54. | :44:06. | |
! Well, he needs the brown as well. So there maybe a little bit of life | :44:07. | :44:16. | |
left in this frame yet. This isn't straightforward. He needs a nice | :44:17. | :44:21. | |
angle in the yellow to pot it into the corner pocket and have a nice | :44:22. | :44:26. | |
angle to get on to the green. So this is a key shot here now. | :44:27. | :44:32. | |
Well, for a match looking pedestrian earlier on in the evening, it has | :44:33. | :44:38. | |
turned out to be one of the most exciting matches of the tournament. | :44:39. | :44:50. | |
There is somebody coughing badly in the back and it is disturbing Neil. | :44:51. | :45:03. | |
That's awful. REFEREE: Enough, please, thank you. | :45:04. | :45:12. | |
I'm so glad he potted that. If he had missed that after being | :45:13. | :45:18. | |
disturbed by the crowd, it would have been a disaster. Well Judd | :45:19. | :45:23. | |
Trump can only hope this is too straight to get close to the brown. | :45:24. | :45:27. | |
If he leaves the white anywhere in baulk, the brown will be tricky. It | :45:28. | :45:32. | |
obviously is straight otherwise he would already have been down. | :45:33. | :45:41. | |
He doesn't want to try to hit it too hard and force an angle out of it. | :45:42. | :45:47. | |
He could miss the green then. It is not a certainty. | :45:48. | :45:57. | |
Well, there have been plenty of comebacks at the Crucible over the | :45:58. | :46:23. | |
years but this has been up there with the very, very best. Absolutely | :46:24. | :46:28. | |
brilliant. I feel so sorry for Judd Trump. He hasn't hardly had a shot | :46:29. | :46:30. | |
until that last frame. Well, Neil Robertson, you have to | :46:31. | :46:45. | |
take your hat off to him. A standing ovation from this audience. You have | :46:46. | :46:48. | |
seen something very special this evening. 100 centuries and also a | :46:49. | :46:52. | |
comeback that will be up there with the best comebacks of all time. Neil | :46:53. | :46:56. | |
Robertson goes into the semifinal winning by 13-11. And boy is he | :46:57. | :47:04. | |
pleased. ? STUDIO: A text message off Joe | :47:05. | :47:09. | |
Perry, he said... You have to quicken your game up, you are | :47:10. | :47:13. | |
playing too slow. You have to put him under pressure. I came out with | :47:14. | :47:17. | |
the attitude I should have H I wasn't thinking about making a | :47:18. | :47:22. | |
century. I thought get back and do the match. Play your natural game. | :47:23. | :47:25. | |
Put him under pressure. Score Hovely. That's what I did. -- score | :47:26. | :47:31. | |
heavily. It wasn't an enjoyable match for me nothing was open. Every | :47:32. | :47:38. | |
frame seemed to be really slow. Disappointmented I couldn't get in | :47:39. | :47:42. | |
amongst the balls. I was confident of winning the match in 11-11. | :47:43. | :47:48. | |
Under pressure. You decided to pot ball that is didn't go. I knew I had | :47:49. | :47:52. | |
to keep leaning on him and pressing on him and he was making mistakes. | :47:53. | :47:57. | |
You know, I finished off the match, really, really, well. | :47:58. | :47:58. | |
? STUDIO: An excellent performance for | :47:59. | :48:03. | |
Neil Robertson setting up a semifinal clash with Mark Selby. A | :48:04. | :48:08. | |
repeat of the UK Championship final and Selby is out for revenge. Coming | :48:09. | :48:14. | |
into it last year I had won the UK and Masters. I was going for the | :48:15. | :48:18. | |
Triple Crown. There was a lot of expectation and pressure on me last | :48:19. | :48:23. | |
year. Coming here this year, I have not won a major tournament as yet. I | :48:24. | :48:29. | |
have gone under the radar with the limelight being on players like | :48:30. | :48:36. | |
Ronnie and ding and Neil as such. It would have been nice to win one of | :48:37. | :48:39. | |
the tournaments. I lost in four finals but overall not a drastic | :48:40. | :48:44. | |
season. Like I say, I still have been knocking on the door an getting | :48:45. | :48:48. | |
close to winning tournaments. Hopefully I can win my maiden title | :48:49. | :48:52. | |
this year, obviously finishing off with the World Championships. When I | :48:53. | :48:56. | |
got to the final in 2007 I was qualifier and an underdog, so I came | :48:57. | :49:01. | |
here with no expectations. So every match I won was a bonus. Now, | :49:02. | :49:05. | |
because I have been a winner and won tournaments in the past, obviously | :49:06. | :49:08. | |
when I come to tournaments now, I come to win. If I don't, I see it as | :49:09. | :49:13. | |
a failure. Obviously I put more pressure on myself to when I did in | :49:14. | :49:18. | |
2007, even if I'd lost in the quarter-final, I would have seen it | :49:19. | :49:22. | |
as a good tournament. Snooker is in my blood. Normally I live and | :49:23. | :49:27. | |
breathe it. Even when I'm in the playing, I go back to the TV and | :49:28. | :49:33. | |
watch T I have tried not to worry about anything else happening around | :49:34. | :49:41. | |
me and concentrate on my own game. COMMENTATOR: You have seen something | :49:42. | :49:45. | |
very special this evening, a comeback that will be up there with | :49:46. | :49:49. | |
the best comebacks of all time. Neil Robertson goes into the semifinal | :49:50. | :49:54. | |
winning 13-11. Boy is he pleased. Me and Neil go back a long way. When he | :49:55. | :49:58. | |
first came to the UK we lived together with a year-and-a-half. It | :49:59. | :50:00. | |
was nice. And practising together. It is great to see him do so well | :50:01. | :50:05. | |
and achieve what he has achieved. The last two or three seasons we | :50:06. | :50:10. | |
went to more or less not playing each other at all to two or three | :50:11. | :50:14. | |
times in a seechlingts I beat him in the Masters final last year. -- -- | :50:15. | :50:18. | |
in a season. I beat him in the Masters last year and he beat me in | :50:19. | :50:23. | |
the UK. We are still great friends. I still travel to Cambridge and | :50:24. | :50:27. | |
practise with him. When we are both on the table we will want to beat | :50:28. | :50:30. | |
each other as much as possible but off the table we will still be good | :50:31. | :50:34. | |
friends. Every year I come here, I keep trying to win it. People say to | :50:35. | :50:38. | |
me - you will win it one day. Until you win it, it is hard to believe | :50:39. | :50:42. | |
yourself. While I'm still in the tournament with a chance, fingers | :50:43. | :50:46. | |
crossed. It should be a cracker tonight and in the career | :50:47. | :50:51. | |
head-to-heads, Robertson win was 5-4. Do you get the feeling that | :50:52. | :50:56. | |
Mark Selby has got better as the tournament has gone on? Even when he | :50:57. | :51:01. | |
is not ace his best he is difficult to get past. Robertson has played | :51:02. | :51:05. | |
two sessions, which are superb. One against Mark Allen, last one, last | :51:06. | :51:08. | |
night was better because. Circumstances. Can you understand | :51:09. | :51:13. | |
the emotion that Neil Robertson showed last night? Yes, he has been | :51:14. | :51:18. | |
desperate to get rid of this monkey off his back. I agree, the two best | :51:19. | :51:24. | |
sessions he has played, the best time to do it. The last season thine | :51:25. | :51:28. | |
proves a real danger he will be in the semifinal. You can watch the | :51:29. | :51:31. | |
beginning of that session live on BBC Two. If you are coming in from | :51:32. | :51:35. | |
work or school or college and want to see Ronnie O'Sullivan. Too late. | :51:36. | :51:40. | |
He wrapped up the first session by 6-2. But the big story in frame 6, | :51:41. | :51:47. | |
Barry Hawkins on 31 and a horrible kick. That precipitated a debate on | :51:48. | :51:53. | |
social networking. Steve Davis has the latest. ! To wrap it up a bit. | :51:54. | :51:58. | |
Shaun Murphy was talking about the fact that perhaps the undertable | :51:59. | :52:03. | |
heaters had some bearing. To explain what that meant, Shaun Murphy, to | :52:04. | :52:08. | |
clarify: It is the oil in the cloth that when heated causes increased | :52:09. | :52:12. | |
friction. Remove the heat and it reduces the kicks and bounces. | :52:13. | :52:17. | |
That's probably the final word on it, or is it? Anything else to say? | :52:18. | :52:22. | |
I'm sticking with friction. I'm sticking with that. Other ones, we | :52:23. | :52:26. | |
have proved sometimes with a bit of chalk that makes it bounce a bit. | :52:27. | :52:30. | |
But I think there is definitely something in the cloths being | :52:31. | :52:34. | |
thinner and I agree the heat needs to be lower. One of the big stories | :52:35. | :52:39. | |
in the last 24 hours is Judd Trump's refusal to shake the hand of Neil | :52:40. | :52:43. | |
Robertson after he completed his century of centuries. What do you | :52:44. | :52:47. | |
think? A little bit surprised. But he was involved in a massive match, | :52:48. | :52:52. | |
the quarter-final of the World Championships. He wants to get his | :52:53. | :52:57. | |
focus. He has been criticised. Looking back, it would have been | :52:58. | :53:00. | |
nice but he decided to get out of the arena. If Stephen had done t I | :53:01. | :53:05. | |
would have shook his hand. -- done it. Haze will be back at 7.00pm on | :53:06. | :53:14. | |
BBC Two with the second semifinal. Ronnie O'Sullivan leads Barry | :53:15. | :53:17. | |
Hawkins after the first session. They resume tomorrow and Hazel will | :53:18. | :53:21. | |
be back with further live coverage from the Kruisable as Neil Robertson | :53:22. | :53:26. | |
takes on -- from the Crucible, as Neil Robertson takes on Mark Selby. | :53:27. | :53:29. | |
From all of us here, bye for now. | :53:30. | :53:37. |