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Good afternoon. We are getting closer to the final of the 20 14th | :00:35. | :00:42. | |
world Snooker Championships. Four players are dreaming of lifting | :00:43. | :00:47. | |
snooker's most coveted prize. This is the story so far. | :00:48. | :00:55. | |
Ronnie O'Sullivan against Barry Hawkins. It was oh Sullivan who got | :00:56. | :01:04. | |
off to a flyer. But Barry Hawkins matched it. | :01:05. | :01:14. | |
Very well played indeed. Hawkins edges ahead 2-1. A horrendous kick | :01:15. | :01:27. | |
could have been turning point in this match. Ronnie O'Sullivan did | :01:28. | :01:34. | |
what he did best to level it. After the interval, it was a continuation | :01:35. | :01:38. | |
of bad luck and a succession of missed easy pots from Barry Hawkins | :01:39. | :01:43. | |
which allowed his opponent to gain lots of momentum. And from then on, | :01:44. | :01:49. | |
it was the Ronnie O'Sullivan show as he took the four remaining frames of | :01:50. | :02:02. | |
the session for a win. What a second semifinal we have in | :02:03. | :02:08. | |
prospect. Mark Selby took the first frame with a break of 65. He really | :02:09. | :02:17. | |
is one of the best match players in the game. As you would expect, the | :02:18. | :02:22. | |
world number one came back to win the next two frames, albeit looking | :02:23. | :02:28. | |
slightly out of sorts. Can you believe it? Then Selby reeled off | :02:29. | :02:35. | |
the next four friends including a magnificent break of 133. He wants | :02:36. | :02:46. | |
to pot the lot. It was essential for Robertson to stay close in this | :02:47. | :02:51. | |
match and boy did he do it, with a century of his own. Exhibition time! | :02:52. | :03:01. | |
Mark Selby goes into the second session of this match leading by | :03:02. | :03:08. | |
five games to free. Barry Hawkins got off to an | :03:09. | :03:11. | |
excellent start but then he got a couple of horrible kicks? Yes, this | :03:12. | :03:18. | |
was in the third frame. The most hurtful one was the second kick to | :03:19. | :03:23. | |
the middle pocket. This was a terrible blow. Later on in the | :03:24. | :03:29. | |
session, most probably the most hurtful shot from a mistake point of | :03:30. | :03:35. | |
view. I think Barry's head was a bit scrambled after the match | :03:36. | :03:42. | |
previously. The Neil Robertson Mark Selby match got off to a great | :03:43. | :03:49. | |
start. Neil went on to make a fantastic clearance to win the | :03:50. | :03:56. | |
frame. Mark Selby really showed he was on form. He looks really | :03:57. | :04:02. | |
determined. A really tough call this match. Mark | :04:03. | :04:10. | |
Selby won in 2013. Robertson is the current UK champion. He beat Mark | :04:11. | :04:15. | |
Selby in York. A very busy programme for you this afternoon. This is what | :04:16. | :04:18. | |
is coming up. He is looking to complete a | :04:19. | :04:22. | |
hat-trick. We will have the best of the action from Ronnie O'Sullivan's | :04:23. | :04:27. | |
semifinal match with Barry Hawkins. But the Hawk has only beaten the | :04:28. | :04:32. | |
Rocket once and that was in 2002 and he is struggling. | :04:33. | :04:38. | |
World number one, Australian, record-breaker Neil Robertson | :04:39. | :04:40. | |
resumes his match against Mark Selby. We will see that at 2:30pm. | :04:41. | :04:47. | |
Selby out for revenge after losing the UK Championship final. | :04:48. | :04:55. | |
We will have some mind-boggling trick shots. And stand-by for | :04:56. | :05:05. | |
Richard Osman and today's populous question. We would like you to get | :05:06. | :05:10. | |
involved. But we start with a match between Barry Hawkins and Ronnie | :05:11. | :05:14. | |
O'Sullivan. This is a repeat of last year's final at the Crucible which | :05:15. | :05:18. | |
Ronnie O'Sullivan won. Some key stats to show you. Look at the pot | :05:19. | :05:32. | |
success. When Barry Hawkins had back kick in frame six, it had an effect | :05:33. | :05:37. | |
on his game. His pot success has gone down whereas Ronnie O'Sullivan | :05:38. | :05:43. | |
maintains his. And everything was happening to Barry Hawkins between | :05:44. | :05:49. | |
frames nine and ten. We will show you what happened in frame 11. | :05:50. | :05:54. | |
Ronnie O'Sullivan to play, nine points ahead. | :05:55. | :06:08. | |
Ronnie has left a pop to the right corner. A superb length of cue ball. | :06:09. | :06:16. | |
That is the problem for Barry coming to the table. | :06:17. | :06:47. | |
He has played the safety. He had to be very, very thin. Ronnie may not | :06:48. | :07:10. | |
have it replaced. He is doing. He sees it as a very difficult safety | :07:11. | :07:12. | |
shot for Barry. He will get a warning now. I would | :07:13. | :07:35. | |
come around and have a look at the possible plant. He did have a glance | :07:36. | :07:42. | |
at it but he has got to hit a red otherwise he loses the frame. Ronnie | :07:43. | :07:49. | |
could take that on. There is a path around the back of the black. You | :07:50. | :07:55. | |
would have to hit the first red on the right-hand side as the player | :07:56. | :07:59. | |
looks at it, to push the second red to the left. | :08:00. | :08:21. | |
I do love that side on the shot. It shows you how long the snooker table | :08:22. | :08:43. | |
is. It is 12 foot six foot. Sometimes it looks smaller on the | :08:44. | :08:49. | |
television. It shows you how big the table is in comparison with the | :08:50. | :08:55. | |
player. I think when people come to the Crucible for the first time, | :08:56. | :08:58. | |
they say, I did not realise the table was so big. | :08:59. | :09:14. | |
Look at this shot. He can get out on the black. I thought he would be | :09:15. | :09:22. | |
unlucky at first. He went to the cushion but bounced | :09:23. | :09:31. | |
out. He has got the perfect angle. He could definitely think about | :09:32. | :09:50. | |
playing this plant. That is where he is so good. He | :09:51. | :10:44. | |
makes it look so easy. You have got to have a good touch to play them. | :10:45. | :11:13. | |
What a shot this is. He made that look easy. That was so difficult | :11:14. | :11:27. | |
from that angle. All my top spin and side on it sent | :11:28. | :11:41. | |
it right around the table. That was a little beauty. | :11:42. | :11:54. | |
Sometimes the little fivers, you can see it when you look down the cue. | :11:55. | :12:00. | |
-- little fibres. He may decide to play the cannon | :12:01. | :12:12. | |
here. He has got a red to the right | :12:13. | :12:56. | |
corner. He will be slightly hampered cueing. He did not want to risk | :12:57. | :12:58. | |
playing the cannon on the pink. He cues it so nicely. No problem. | :12:59. | :13:30. | |
You would not expect him to not take full advantage of this opportunity. | :13:31. | :13:47. | |
This is another frame that Barry Hawkins will not get much of a | :13:48. | :13:54. | |
chance on. It is hard for him at the moment. Ronnie's tactical game can | :13:55. | :14:02. | |
freeze players out. You say that about Steve Davis. You would never | :14:03. | :14:06. | |
have said that about Stephen Hendry at his safety play would freeze a | :14:07. | :14:12. | |
player out. Stephen was a potting machine, a break building machine | :14:13. | :14:16. | |
but Ronnie has got an all-round game that you felt, even if he was not at | :14:17. | :14:18. | |
his best, he could win matches. Stephen Hendry's great line used to | :14:19. | :14:37. | |
be that he thought safety was overrated! That is why he became one | :14:38. | :14:47. | |
of the greatest cueists of all time. I thought he would remain the | :14:48. | :14:51. | |
greatest of all time but I think Ronnie may have overtaken him. | :14:52. | :15:32. | |
He is cueing so well here. He is back at his best. He is doing what | :15:33. | :15:40. | |
comes naturally to him. He has made seven centuries so far | :15:41. | :15:54. | |
this year at the Crucible. This will be his eighth. | :15:55. | :16:07. | |
I think the record is 80 or 81. This has been flawless. | :16:08. | :16:28. | |
He looks very comfortable out there this morning. | :16:29. | :16:55. | |
And that is Ronnie's eighth century in this year's world Championship. | :16:56. | :17:12. | |
The Rocket is on fire at the moment. He extends his lead even further. He | :17:13. | :17:19. | |
now leads nine frames to two. STUDIO: Sheer brilliance. Let's show | :17:20. | :17:23. | |
you what happens next. I have seen him this very few shots | :17:24. | :17:39. | |
with the rest but it is the situation that caused that. He knows | :17:40. | :17:45. | |
the way the reds are. It is not easy to get onto a colour. The pressure | :17:46. | :17:48. | |
on that pot was too much. He didn't play to cannon the red but | :17:49. | :18:23. | |
he will take that. He was playing to miss that and get nicely on the | :18:24. | :18:27. | |
black but the cannon has worked out OK. It will need a delicate little | :18:28. | :18:32. | |
cannon here. It is amazing, you can put the white | :18:33. | :19:25. | |
amongst the reds and you are not on a pot. The only possible pot is the | :19:26. | :19:30. | |
one into the corner. He would love to get on that red | :19:31. | :21:08. | |
left of the Black sooner rather than later. Then that clears path from | :21:09. | :21:14. | |
both sides of the table to get on the black. | :21:15. | :21:26. | |
Very worrying times for Barry Hawkins. There will be a mid-session | :21:27. | :21:45. | |
interval after this frame. I know he does a lot with Terry Griffiths. | :21:46. | :21:47. | |
Terry will have to work some magic. If Ronnie goes on to win this frame | :21:48. | :21:58. | |
it will be nine frames in a row. I think Barry Hawkins has only | :21:59. | :22:13. | |
managed to score nine points this morning because he had very little | :22:14. | :22:14. | |
chance. It is there. That is the difference, | :22:15. | :22:51. | |
Ronnie playing with all the freedom that you can go for anything. Barry | :22:52. | :22:54. | |
Hawkins has not got that luxury. If you can go on to win this match | :22:55. | :23:09. | |
quite comfortably, and it looks like he will do that, the other | :23:10. | :23:13. | |
semifinal, Mark Selby and Neil Robertson, they will have such a | :23:14. | :23:19. | |
battle. He is certainly going to be fresher than his opponent will be. | :23:20. | :23:39. | |
A quick glance at the scoreboard. Balls pot of this session, 101 now, | :23:40. | :23:45. | |
Ronnie. Barry had a couple of chances early | :23:46. | :23:59. | |
on. He was not able to make them count. Before you know it, | :24:00. | :24:04. | |
particularly with a talent might Ronnie O'Sullivan, before you know | :24:05. | :24:08. | |
where you are, the first four frames are over and you have lost them. | :24:09. | :24:36. | |
The next red is not a certainty. He is just reckoning the score up. You | :24:37. | :24:46. | |
have got to work it out yourself. Sometimes, especially early in the | :24:47. | :24:50. | |
morning, sometimes your brain is a little bit scrambled. I don't know | :24:51. | :24:58. | |
about you, this early in the morning, I had a problem seeing the | :24:59. | :25:00. | |
scoreboard! Is brilliant with his right hand and | :25:01. | :25:38. | |
his left hand. I am always amazed how good he is with the rest. He | :25:39. | :25:40. | |
does not use it that often. Possible back-to-back centuries. He | :25:41. | :25:55. | |
is on fire, is the Rocket. He will go ahead of Neil Robertson. | :25:56. | :26:24. | |
This will be his ninth century. It is an absolute pleasure to watch, a | :26:25. | :26:28. | |
really is. You feel for Barry Hawkins. | :26:29. | :26:36. | |
The brown doesn't go in but that won't matter to Ronnie. | :26:37. | :26:57. | |
Disappointment once again for Barry Hawkins. The Rocket has got a skip | :26:58. | :27:06. | |
in his step. He now leads by ten frames to two. | :27:07. | :27:13. | |
The Rocket is definitely in one of those moods. Somebody who was | :27:14. | :27:16. | |
watching in the Crucible earlier this morning is this man, Paul | :27:17. | :27:20. | |
watching in the Crucible earlier Hollywood. Welcome to our studio | :27:21. | :27:26. | |
here. You were in the audience. Yes, I thought | :27:27. | :27:31. | |
here. You were in the audience. Yes, been a bit stubborn starting but he | :27:32. | :27:34. | |
is still hugely in front. I can see Barry coming back. It is one of the | :27:35. | :27:39. | |
great British sites in sport when you see Ronnie in full flow. I had | :27:40. | :27:45. | |
no idea, all the time I had watched on television, but when you are | :27:46. | :27:50. | |
there, how small the reds are in comparison. They look huge on the | :27:51. | :27:54. | |
television. And the speed of this cloth is just incredible. Dennis | :27:55. | :27:59. | |
Taylor was saying in commentary when they put up a shot of you that you | :28:00. | :28:05. | |
were a big snooker fan. Do you play? Are used to. Most of the hotels I | :28:06. | :28:10. | |
worked in had a snooker table so I had a break I would play. I used to | :28:11. | :28:16. | |
play pool a lot. But the angles were so different. It totally freaked me | :28:17. | :28:22. | |
out. After a while of playing, you start to get it. It was something I | :28:23. | :28:27. | |
really enjoyed. I will probably do it again, I must get back into it. | :28:28. | :28:36. | |
We are calling this part of the programme the great British Break | :28:37. | :28:46. | |
Off. Did you see what I did there? What are you doing? Are you in | :28:47. | :28:50. | |
Sheffield just here to see us? I am on tour. I am travelling around the | :28:51. | :28:56. | |
country, thoroughly enjoying myself. Is it a cue and A or are you | :28:57. | :29:03. | |
doing life were? It is a demonstration. I am setting people a | :29:04. | :29:09. | |
challenge on stage. The audience have to judge them. It is bury | :29:10. | :29:16. | |
interactive but we have a giggle. So you pick people from the audience. | :29:17. | :29:21. | |
That must be pretty nerve wracking. I am with Alex Altman, a warm up guy | :29:22. | :29:29. | |
who is the comedian. I say, go out there and find four people. So you | :29:30. | :29:33. | |
are in Wolverhampton tonight. That means you cannot go to the afternoon | :29:34. | :29:39. | |
session. No, unfortunately. I saw as much as I could this morning. I will | :29:40. | :29:43. | |
take division wake of the frames I saw this morning. The highlights are | :29:44. | :29:48. | |
on tonight on BBC Two. I will be there. We have a treat for you, the | :29:49. | :29:55. | |
one and only legend Steve Davis coming in. Ladies and gentlemen, a | :29:56. | :30:04. | |
round of applause. Usual when you say what is your high highest break, | :30:05. | :30:10. | |
they say, oh, I made a 70 once. It is very refreshing. It is only fair | :30:11. | :30:15. | |
and the tradition that any guests who come into the studio, they must | :30:16. | :30:25. | |
do a shot. I have one in the oven they prepared earlier! See what I | :30:26. | :30:29. | |
done. Your opponent snookered you behind the yellow. The reds are all | :30:30. | :30:35. | |
scattered but you can only see the one red, really. What you have to do | :30:36. | :30:40. | |
is to pot a red in one shot. I'm not going to say any more than that, | :30:41. | :30:44. | |
other than perhaps that little tip I gave you earlier, so a full, strong | :30:45. | :30:52. | |
whack at that centre red there and at the middle pocket. | :30:53. | :31:00. | |
Congratulations! Thank you! Maybe I should take it up again! Very good. | :31:01. | :31:07. | |
Who'll win the world World Championship? I think Selby will do | :31:08. | :31:15. | |
quite well. I can see a Selby v Ronnie O'Sullivan final. I think | :31:16. | :31:21. | |
Ronnie will take it again. Good luck in Wolverhampton. Have a | :31:22. | :31:26. | |
great weekend. Barry Hawkins taking on Ronnie O'Sullivan into frame 13. | :31:27. | :31:28. | |
O'Sullivan to play. Oh, a rare miss hit from Ronnie. Has | :31:29. | :31:44. | |
he got away with it? It's amazing. It a east a half chance, but -- it's | :31:45. | :31:50. | |
a half chance, but once he played the poor shot, you would have | :31:51. | :31:54. | |
thought he'd have something easier than this to go at. This red passes | :31:55. | :32:00. | |
the blue up into the corner, but under the circumstances, when you've | :32:01. | :32:11. | |
been kept off the table for 32 minute minutes since his last pot, | :32:12. | :32:18. | |
he'll get a great cheer if this goes in. | :32:19. | :32:20. | |
Well played! And he got a kick. Did you see how | :32:21. | :32:28. | |
the white jumped in the air there? Come on, Barry, let's see if he can | :32:29. | :32:54. | |
knock a few in! He'll be trying so hard here. | :32:55. | :33:06. | |
He's lost nine frames in a row. Everyone would love Barry to win a | :33:07. | :33:12. | |
frame. He's playing the far right corner. | :33:13. | :34:47. | |
Needs every due care and attention this. Well played. | :34:48. | :34:51. | |
APPLAUSE As you can see the way the reds are | :34:52. | :35:03. | |
situationed, particularly that one tight to the right-hand side cushion | :35:04. | :35:08. | |
- it's not going to be an easy opportunity to clinch the frame at | :35:09. | :35:11. | |
this visit, by any means. He could bring the pink into play. I | :35:12. | :35:31. | |
wouldn't risk that myself. He's not going to. What he wants no u is a | :35:32. | :35:33. | |
good position on the blue. He's trying to force an angle. That | :35:34. | :35:45. | |
is the problem, as we see so many times. Watch the cue ball leave the | :35:46. | :35:50. | |
table. That takes all the pace out of it. | :35:51. | :36:09. | |
OK, this is a tough red to the middle pocket if it goes in. | :36:10. | :36:47. | |
That was very difficult and the cue ball is closer. | :36:48. | :36:55. | |
Barry can cut this into the left middle pocket, but slightly awkward | :36:56. | :37:00. | |
cueing. Well done! | :37:01. | :37:13. | |
APPLAUSE He's hit it too hard. As we keep | :37:14. | :37:46. | |
saying, when you don't get a lot of table time, you don't necessarily | :37:47. | :37:53. | |
get the pace of the table. He's had many opportunities this morning. | :37:54. | :37:57. | |
Can just about cut this red in, but he needs to control the cue ball to | :37:58. | :37:59. | |
be either op yellow or brown here. Maybe not too bad. Can pot the blue. | :38:00. | :38:23. | |
He may have the angle to come up for this remaining red. | :38:24. | :38:35. | |
This looks pretty good to me. He's given himself a chance now. 10 | :38:36. | :38:43. | |
points t lead. He won't need the awkward pink or | :38:44. | :38:46. | |
the black. A quick glance around at the score | :38:47. | :39:04. | |
board. He would have worked out what he needs. | :39:05. | :39:12. | |
Nicely played. Deserves it, you would have to say. | :39:13. | :39:24. | |
He's showing a lot of character here because he's lost nine frames in a | :39:25. | :39:29. | |
row. Well, he could have been better on | :39:30. | :39:40. | |
the brown. He only needs the brown. He would have loved to have just had | :39:41. | :39:43. | |
a nice straightforward pot. Well played, Barry Hawkins! | :39:44. | :39:52. | |
APPLAUSE That was lovely to see that. He's | :39:53. | :40:11. | |
one of the nicest lads. He encouraged the crowd to applaud | :40:12. | :40:19. | |
more. Ronnie is in his seat and Barry Hawkins had stopped the ruck. | :40:20. | :40:22. | |
Great to see Barry Hawkins smiling. Let's show you what happened in | :40:23. | :40:28. | |
frame 14. Frame 14 and this one and two more | :40:29. | :40:49. | |
to complete this second session. Barry Hawkins will be feeling that | :40:50. | :40:53. | |
bit better having won the last frame. He needed a few | :40:54. | :40:57. | |
opportunities. Whether he's going to get that every time or not - I | :40:58. | :41:02. | |
wouldn't think so. Any way, the frame is on the score board. | :41:03. | :41:16. | |
If he hits the green full ball, he's OK, he's on the brown. A good, long | :41:17. | :41:24. | |
pot. Maybe he's feeling a little better and he's got the distance. If | :41:25. | :41:33. | |
he can pot this, he can go right into them. | :41:34. | :41:37. | |
He needs a bit of good fortune and he's not had it. That is so unlucky, | :41:38. | :41:42. | |
to stick on that red and not finish with a pot is so unlucky. | :41:43. | :41:53. | |
He couldn't hit this any better. That is rather unfortunate. | :41:54. | :41:59. | |
For a split second he was on a red and the cue ball just drifted. | :42:00. | :42:14. | |
. If Ronnie cannot get to the red on the left-hand side of the table, | :42:15. | :42:31. | |
coming down the right-hand side of the table, he's got to be a little | :42:32. | :42:37. | |
careful of this red, near the right-hand curbingtion. | :42:38. | :42:44. | |
-- cushion. Oh, much too thin! And that was a | :42:45. | :42:52. | |
kiss on the green. Otherwise that cue ball would have come down to | :42:53. | :42:54. | |
this half of the table. A big mistake. Got the safety all | :42:55. | :43:32. | |
wrong. Sits down with an air of resignation. | :43:33. | :43:43. | |
This was the safety area. Just hit it far too thin. | :43:44. | :45:03. | |
Found a nice gap there to be on the pink. It is quite interesting when | :45:04. | :45:10. | |
he played the red just below the pink, a few shots ago, he went for | :45:11. | :45:15. | |
the blue. You would have thought he could have run off the side cushion. | :45:16. | :45:19. | |
the blue. You would have thought he Ronnie knows, we talk about these | :45:20. | :45:22. | |
bounces, in you can play position without coming off the cushion - | :45:23. | :45:27. | |
just these little stuns and cues, it feels like you have more control of | :45:28. | :45:31. | |
the cue ball. It is a little bit careless to not | :45:32. | :45:37. | |
leave himself - he was playing to the red for the left corner, but he | :45:38. | :45:41. | |
should is a run through another couple of inches, so if he's not any | :45:42. | :45:47. | |
good, he would not have been hampered from this left to the | :45:48. | :45:50. | |
middle. Just got an angle on the blue. | :45:51. | :46:10. | |
The black is out of commission at the moment. A nice angle. Maybe drop | :46:11. | :46:15. | |
off the cushion for that red on the right-hand side of the table. It is | :46:16. | :46:21. | |
the most obvious red to play on. You see what happens when you use the | :46:22. | :46:25. | |
cushion - you can just bounce off that little bit more than you | :46:26. | :46:28. | |
expect. Didn't want to be using the extension on his cue here. | :46:29. | :47:06. | |
He's playing the next shot pretty quick. That is usually a sign that | :47:07. | :47:11. | |
he's happy with the potting angle on the pin took get on to the next red. | :47:12. | :47:19. | |
-- pink, to get on to the next red. He didn't make the best job of that | :47:20. | :48:07. | |
one. He didn't really - a little rye | :48:08. | :48:13. | |
smile there. He didn't get any - squared it up and it went towards | :48:14. | :48:20. | |
the blue, just for safety. Once again he gets down, plays the | :48:21. | :48:24. | |
right shot and doesn't woirp about playing out of position. -- worry. | :48:25. | :48:54. | |
APPLAUSE Ronnie has a 35-point lead, but this | :48:55. | :49:01. | |
is a tough safety. He's looking for the comfortable | :49:02. | :49:25. | |
cueing, but can he get past the blue to hit this thin enough? He could! | :49:26. | :49:30. | |
OK, not the best length, but believe me, when you are hampered like that | :49:31. | :49:35. | |
you are pleased to get back to the ball. | :49:36. | :49:54. | |
Look where the cue ball finish sclad he took the red on and now that he's | :49:55. | :50:08. | |
potted it, he can put Ronnie in all sorts of trouble. If he hadn't | :50:09. | :50:13. | |
potted the red, he still have a good cue ball, so he could run up behind | :50:14. | :50:18. | |
the brown, but he feels Ronnie may come off a couple of cushions and | :50:19. | :50:21. | |
land on the red that is to the left of the black there. | :50:22. | :50:26. | |
And that's what he's going to do. He was thinking of playing the green | :50:27. | :50:33. | |
there, but... Oh, now that he's so tight to the brown, Ronnie's going | :50:34. | :50:37. | |
to have to find an alternate way around the table to that red. He can | :50:38. | :50:43. | |
do it off the baulk cushion. He's normally good at these sort of | :50:44. | :50:47. | |
shots, but he has to be so accurate at this. | :50:48. | :51:09. | |
Not the red he intended to hit. He's left a possible long red for Barry | :51:10. | :51:16. | |
Hawkins. Depending on the angle, it might be | :51:17. | :51:19. | |
worth taking this on. Looks good. Right in the middle of | :51:20. | :51:28. | |
the pocket. So Ronnie's great escape there | :51:29. | :51:43. | |
didn't keep them safe. He just caught the wrong red when he went | :51:44. | :51:50. | |
around the angles. This looks good. | :51:51. | :52:39. | |
He has to do more work with the cue ball. If it had been on the red, it | :52:40. | :52:44. | |
would have been a formality to pot it beyond the pink. I don't think he | :52:45. | :52:51. | |
can risk playing for the black. He's playing for the pink and he's got | :52:52. | :52:58. | |
the right angle on the pink, so he needs to pull out a good pot here. | :52:59. | :53:02. | |
Makes the pink missable. What an excellent pot, and oh, that | :53:03. | :53:12. | |
little rub on the black has not helped. | :53:13. | :53:17. | |
It has not helped his situation. If he just misses the black, he would | :53:18. | :53:22. | |
have been inch-perfect. That was the problem. He just lost control on the | :53:23. | :53:25. | |
red and wasn't perfect on the pink. It's not all that easy to get where | :53:26. | :53:45. | |
he wants to. Considering he was so close to the | :53:46. | :54:14. | |
red, he'll be very disappointed with that. | :54:15. | :54:18. | |
It should have been on the cushion, not the line. | :54:19. | :54:29. | |
But it hasn't cost him. Comes to the table, 14 points | :54:30. | :54:41. | |
behind. You can see the big problem - Ronnie missed running up to the | :54:42. | :54:46. | |
black. That red will be a big hurdle to overcome. | :54:47. | :54:50. | |
If he's any thoughts of winning the frame at this visit. | :54:51. | :54:56. | |
He's gone a fraction too far to cannon the red and black. Can't do | :54:57. | :54:58. | |
that from that angle. That will be his plan, if he could | :54:59. | :55:10. | |
get a decent angle. Really to get to the black and red, | :55:11. | :55:15. | |
you'd have to do it off the pink. Blue would be no use. The pink would | :55:16. | :55:20. | |
be in the use of the cannon on to that difficult red and black. | :55:21. | :55:29. | |
If he strays on the blue, he can't get on the red, so he may have to | :55:30. | :55:34. | |
take the pink again. That's a good shot. A very good | :55:35. | :55:47. | |
shot! Oh, I just wonder if he's got the | :55:48. | :55:52. | |
angle to screw this in and cannon the red and send the black over the | :55:53. | :56:00. | |
mock ket. He -- the pocket. He doesn't have it - if he had been to | :56:01. | :56:06. | |
the right he could have screwed back and moved that black. | :56:07. | :56:15. | |
Now, he knows straight away - no angle on the pink now, so, he's got | :56:16. | :56:21. | |
himself one point in the lead. He could take the six points and | :56:22. | :56:26. | |
play a decent safety shot or just refuse the pot. I have to take the | :56:27. | :56:28. | |
six points and play a good safety. He's just making certain that when | :56:29. | :56:43. | |
he clips the red he doesn't send the black into the right corner. I am | :56:44. | :56:48. | |
sure he's not aware of that possibility. | :56:49. | :56:57. | |
APPLAUSE He's played a very good cue ball | :56:58. | :57:00. | |
here. He's got Ronnie snookered. | :57:01. | :57:07. | |
And he's got a seven-point lead now has Barry. | :57:08. | :57:12. | |
Will he risk it? He's just had a little think about it there. | :57:13. | :57:37. | |
He doesn't fancy the cut. You can tell by the little shake of the | :57:38. | :57:39. | |
head. It needs to bounce. | :57:40. | :57:57. | |
And it hasn't. Now, this is almost dead straight. This one requires | :57:58. | :58:00. | |
perfect cueing. This is not easy. He delivered that in a straight | :58:01. | :58:13. | |
line. What a pot! He's not going to need the black. | :58:14. | :58:42. | |
He's got a nice angle on this yellow. He needs a good angle on the | :58:43. | :58:44. | |
green. Doesn't want to be straight. This green is still a tough shot. | :58:45. | :59:04. | |
Now, you can make it easier, as Barry sits there, watching Ronnie | :59:05. | :59:11. | |
knock in that last red - he can make it easier playing for the brown into | :59:12. | :59:16. | |
the middle pocket. Well, even then the green was | :59:17. | :59:23. | |
missable. He gave it every chance. He played for the brown into the | :59:24. | :59:27. | |
middle pocket. It stayed there. So, Barry - the | :59:28. | :59:34. | |
points are all square. He's up to and including the pink. | :59:35. | :59:45. | |
Could this be another boost for the very likeable Barry Hawkins? Just a | :59:46. | :59:52. | |
funny angle if he screws straight back he could go in the pocket. He | :59:53. | :59:58. | |
doesn't want to screw it too much. I always feel when you are making a | :59:59. | :00:02. | |
clearance, the shot from brown to blue is important. He doesn't need | :00:03. | :00:07. | |
the black, so he should be OK. Should be on the pink. | :00:08. | :00:17. | |
And that's just about perfect. That green, just off the baulk cushion | :00:18. | :00:23. | |
found Ronnie out. And in goes... He puts his second | :00:24. | :00:33. | |
frame of the morning on the board. He was 10-2 behind. Those two frames | :00:34. | :00:40. | |
have made it 10-4 to the reigning champion. | :00:41. | :00:50. | |
Into the next, Ronnie O'Sullivan to play, leading by 11 points. | :00:51. | :01:12. | |
Ronnie missed that long pot by quite a margin. Since the mid-session | :01:13. | :01:31. | |
interval, where Ronnie made back-to-back centuries, he has not | :01:32. | :01:34. | |
had many opportunities. I could see that red straighten up | :01:35. | :01:52. | |
there. Not the best, JV. No, he will be | :01:53. | :02:16. | |
disappointed. You would favour the right middle. | :02:17. | :02:33. | |
Anything but straight. Looks to be straight enough. | :02:34. | :02:58. | |
They are tough enough fees when you are close. He is a bit further away. | :02:59. | :03:07. | |
Needs good cueing to sneak that one in -- snack that one in. Well | :03:08. | :03:08. | |
played. I think the only way he could get | :03:09. | :03:25. | |
into the reds is to power the blue and go round the back of the black. | :03:26. | :03:30. | |
That is the only way he can do that. That is a pretty good effort. | :03:31. | :03:52. | |
APPLAUSE He will be quite happy that he has | :03:53. | :04:01. | |
knocked one red on to continue it. In an ideal world, he would like to | :04:02. | :04:04. | |
play that red in the middle of the table to get a nice angle on the | :04:05. | :04:06. | |
blue. He has got the red over the right | :04:07. | :04:33. | |
side of the table. He could play a couple of shots in one here. | :04:34. | :04:42. | |
Do you not always feel that if you playing with a lot of pace, it can | :04:43. | :04:49. | |
swing the cue ball wide? That is the problem here. | :04:50. | :05:08. | |
He has been very unfortunate at first glance. He really was. He is | :05:09. | :05:17. | |
one of the best I have ever seen using the rest and he played that as | :05:18. | :05:22. | |
well as he possibly could and was unlucky to finish where he has. | :05:23. | :05:47. | |
He has done very well here, Barry Hawkins. From 10-2 down in the | :05:48. | :05:57. | |
mid-session interval, he seems to have changed things slightly. | :05:58. | :06:12. | |
I think the red that is in between will prevent him from making the | :06:13. | :06:18. | |
plant. He has pointed the cue at it but it will be interesting this. He | :06:19. | :06:24. | |
is taking the other red. APPLAUSE | :06:25. | :06:54. | |
He is on the green. In the end, it did go in. He looked like taking the | :06:55. | :06:59. | |
more difficult red. He was not sure if it would be in the way. In the | :07:00. | :07:03. | |
end, he has spread the reds perfectly and is on the green. One | :07:04. | :07:08. | |
good positional shot and they are all there for the taking. | :07:09. | :07:41. | |
The last frame was in its 20th minute. | :07:42. | :07:57. | |
Just struggling with the cue ball here. The frames get a little bit | :07:58. | :08:11. | |
scrappy. You lose that fluency. Ronnie with the tricky red here. | :08:12. | :08:22. | |
He played it such a way that he was either on the blue wore the green. | :08:23. | :08:27. | |
He may favour the green. Once again we go back to Ronnie | :08:28. | :08:53. | |
O'Sullivan and how focused tears. He didn't even bat an eyelid when he | :08:54. | :08:58. | |
was unlucky there. -- how focused he is. He landed on the red, never | :08:59. | :09:10. | |
batted an eyelid. It was a difficult pot but cut it in the middle pocket | :09:11. | :09:15. | |
and continues. That shows you. The focus that he has. | :09:16. | :09:23. | |
He will be even more annoyed this time because he has got no | :09:24. | :09:31. | |
alternative. He shows a little bit of frustration which is quite | :09:32. | :09:32. | |
understandable. A couple of seasons ago, something | :09:33. | :09:42. | |
like this would really upset Ronnie but he is coping with things when | :09:43. | :09:46. | |
they just don't go right. That was a bit careless. I can only assume he | :09:47. | :09:51. | |
played a little cannon on that red. He took a few moments pause to get | :09:52. | :10:06. | |
over the disappointment of not winning the frame. A wrap of the | :10:07. | :10:12. | |
knuckles on the table. That must hurt, mustn't it? Michael Holt did | :10:13. | :10:23. | |
that once and he broke his finger. At least it got him a nickname. | :10:24. | :10:35. | |
He competed in this year's world Championship. His nickname is the | :10:36. | :10:44. | |
Hit man halt. He went out to Mark Allen. | :10:45. | :11:06. | |
He could have left this easier for Barry. | :11:07. | :11:19. | |
As I say, he is very good with the rest here. | :11:20. | :11:56. | |
That was very well played. I think this man is as good as Jimmy white. | :11:57. | :12:07. | |
Barry is right up there. Jimmy is staying on the main tour | :12:08. | :12:34. | |
because of Dominic Dale and how well he played. That has kept Jimmy on | :12:35. | :12:38. | |
the main to war. It looked like he would drop off. If Michael Wasley | :12:39. | :12:43. | |
had beat Dominik then he would have to go back to cue school. Oh, Barry! | :12:44. | :13:00. | |
There we are, idle gossip because we thought he was in, and unmissable | :13:01. | :13:08. | |
red. I think he got a kick. I am sure I saw the red jumper. It | :13:09. | :13:10. | |
jumped. He may try to cannon one of the reds | :13:11. | :13:49. | |
away from the side cushion. That is what he has done. A good choice of | :13:50. | :13:58. | |
shot. This cue ball tight against the side cushion does not make this | :13:59. | :14:04. | |
pot any easier. Two reds, two colours needed. | :14:05. | :14:12. | |
Every time you strike a ball low and you hit it hard, the ball seems to | :14:13. | :14:55. | |
leave the bed of the table. When they bounce, of course they can be | :14:56. | :14:57. | |
thrown off line. One more frame to be played after | :14:58. | :15:05. | |
this. Barry Hawkins badly needs it. Played with a terrific amount of | :15:06. | :15:37. | |
side. Does not need the black but he wanted to play a little exhibition | :15:38. | :15:42. | |
type shop there. He is not bothered about that. That break of 47 stops | :15:43. | :15:50. | |
the mini fightback by Barry Hawkins. Ronnie O'Sullivan takes the frame | :15:51. | :16:00. | |
and he now leads 11 frames to four. Thank you, the final frame of this | :16:01. | :16:02. | |
session, Ronnie O'Sullivan to break. As you just heard, the referee | :16:03. | :16:20. | |
telling us this is the final frame of the session. Barry Hawkins | :16:21. | :16:25. | |
started this session four frames behind, 6-2. If he can win this | :16:26. | :16:38. | |
frame and take it to 11-5... As I said at the start of the session, he | :16:39. | :16:45. | |
needed to start winning these eight frames, 5-3 claws away back. But he | :16:46. | :16:48. | |
just cannot close the gap enough. If he loses this frame, he has lost | :16:49. | :17:05. | |
his second session 6-2. If he wins it, this last frame, he will have | :17:06. | :17:11. | |
lost it five - three. Not making any inroads this moment on Ronnie's | :17:12. | :17:13. | |
lead. Another Ronnie special there. A | :17:14. | :18:02. | |
terrific long pot. Almost six foot away from it. He cued it | :18:03. | :18:03. | |
beautifully. It is not bad. If he can pop this | :18:04. | :18:24. | |
and flick the red near the black, he might need to play it with quite a | :18:25. | :18:32. | |
bit of side. This could be the shot which sets up a frame winning chance | :18:33. | :18:38. | |
if this one goes right. No. That is the problem. | :18:39. | :20:00. | |
That is a very difficult table at the moment. The reds ROK but pink | :20:01. | :20:09. | |
and black are awkward. -- the reds are OK. | :20:10. | :20:22. | |
He has got a red to the right middle pocket. That has really tied the | :20:23. | :20:33. | |
back-up now. If you are having a good day, that red and black would | :20:34. | :20:38. | |
be a plant to knock the red in. That is not the case. | :20:39. | :20:51. | |
We were talking in the last frame about how good Barry was with the | :20:52. | :21:14. | |
rest. We mentioned he was as good as one of the greatest players ever at | :21:15. | :21:19. | |
using the rest, Jimmy White, and believe it or not, it is his | :21:20. | :21:24. | |
birthday today, he is 52 and he will be on the main tour. Happy birthday, | :21:25. | :21:31. | |
Jimmy. Looking forward to seeing you hopefully qualify for the televised | :21:32. | :21:38. | |
stages next season. He will not stop trying to stop he absolutely loves | :21:39. | :21:42. | |
the game and still loves the practice and the playing. | :21:43. | :21:50. | |
That is the hardest part when you get to a certain age. Not being out | :21:51. | :21:56. | |
here, this is the icing on the cake, it is going to the snooker | :21:57. | :22:02. | |
club and putting in the four or five hours practice a day. | :22:03. | :22:08. | |
I think that is the hardest thing for Ronnie O'Sullivan. He loves to | :22:09. | :22:16. | |
run but he finds the practice quite difficult. But you have to do it, no | :22:17. | :22:18. | |
matter how much talent you have. A 12-4, he will be an awful long way | :22:19. | :22:31. | |
back. APPLAUSE | :22:32. | :23:02. | |
Justified applause. Good positional shot. | :23:03. | :23:10. | |
He would love to get back black into play. Pink will put him 28 points in | :23:11. | :23:20. | |
front. I think he had a thought in his mind | :23:21. | :23:38. | |
here. His plan would be the red, pink, get | :23:39. | :24:16. | |
on the red next to the, cannon the other red, he can do that. He's | :24:17. | :24:19. | |
already thinking three or four shots ahead. | :24:20. | :24:39. | |
He will be very disappointed if he does not win this frame now. | :24:40. | :25:06. | |
He is showing a lot of character, Barry, battling the way out there. | :25:07. | :25:20. | |
Nicely played. He screwed that back in such a way, he would have black | :25:21. | :25:30. | |
or pink and it is the one that gets into the two reds. | :25:31. | :25:37. | |
The only thing is, can he run through here and avoid a kiss on the | :25:38. | :25:45. | |
red just below the black? If he cues it well, he can. | :25:46. | :25:55. | |
He is not perfect on this red. Red, colour, red, still needed. | :25:56. | :26:10. | |
APPLAUSE It wobbled away into the pocket. As | :26:11. | :26:27. | |
you say, it wobbled its way in. The pocket just about accepted it. | :26:28. | :26:50. | |
In a goes! -- in it goes! Just this red needed. | :26:51. | :27:08. | |
And in it goes. Well played, Barry Hawkins. After losing the first four | :27:09. | :27:16. | |
frames this morning, we were getting very concerned for him, but he has | :27:17. | :27:23. | |
shown his battling qualities. He still loses a session 5-3, and he | :27:24. | :27:28. | |
needed to at least level the session, you felt, or win it, but at | :27:29. | :27:33. | |
least he has taken something out of it. | :27:34. | :27:46. | |
It will be nice for him to make a century because it has been Ronnie | :27:47. | :27:51. | |
who has been getting all the headlines so far in this match. | :27:52. | :27:54. | |
Barry has been a bit part player, so headlines so far in this match. | :27:55. | :28:02. | |
to speak, no disrespect meant. If you can make a 100 break here, it | :28:03. | :28:05. | |
would really make you feel good. This would be the 15th century, if | :28:06. | :28:37. | |
he can make it. He has already made three so this is Barry's fourth. | :28:38. | :28:44. | |
He avoided a kiss on the brown. This green for the hundred. | :28:45. | :29:15. | |
APPLAUSE Very well played, Barry Hawkins. | :29:16. | :29:29. | |
I think he was so relieved that the green had gone in, he didn't really | :29:30. | :29:40. | |
get on the blue. After losing the first four frames this morning, to | :29:41. | :29:45. | |
come out and win three of the next four, well played, Barry Hawkins, | :29:46. | :29:51. | |
but he still trails Ronnie O'Sullivan by six frames. Ronnie | :29:52. | :29:54. | |
O'Sullivan now leads by seven frames to five. | :29:55. | :30:00. | |
It is amazing what difference an interval can make. Look at the stats | :30:01. | :30:01. | |
of this match. It is amazing how you relax once you | :30:02. | :30:25. | |
get your first points on the board. And a bit of pride for the rest of | :30:26. | :30:32. | |
the session and half a shout for the match. Still in danger of this match | :30:33. | :30:36. | |
is not going to a final session, but he has given himself a chance to get | :30:37. | :30:42. | |
back into the match. Let's turn our attention to the other semifinal. | :30:43. | :30:47. | |
You are up to date with Barry Hawkins taking on Ronnie O'Sullivan | :30:48. | :30:56. | |
will. Mark Selby is looking to renew his rivalry with Neil Robertson. | :30:57. | :31:14. | |
Mine. If you were to look at Ronnie's frame winning break to | :31:15. | :31:17. | |
ratio, it is better than anyone else's. Mine. Ding Junhui. It is the | :31:18. | :31:38. | |
best in the game. I'd say John Higgins. All-round safety play. | :31:39. | :31:58. | |
Mine. Mine. Shaun Murphy. He is the best rest player I have ever seen. | :31:59. | :32:18. | |
Mine. I'd say Stephen Hendry. Ken Doherty is very good at that, great | :32:19. | :32:23. | |
creativity coming off the cushions. Ronnie O'Sullivan by the long way. | :32:24. | :32:32. | |
He is the best I have ever seen. He is the worst player to be behind | :32:33. | :32:39. | |
against for sure. Tactical awareness I would say John Higgins. | :32:40. | :32:49. | |
John Higgins is the worst player to have a big lead against. This is | :32:50. | :33:02. | |
beautifully set up after yesterday evening's session. We have got some | :33:03. | :33:07. | |
cracking snooker ahead this afternoon. Talking you through it | :33:08. | :33:14. | |
this afternoon is John Virgo and Willie Thorne. This is set up | :33:15. | :33:20. | |
perfectly. Absolutely. It was a great eight frames last night and it | :33:21. | :33:24. | |
could have gone either way. From Neil Robertson's point of view if | :33:25. | :33:29. | |
you lose the first session, you cannot afford to lose the second | :33:30. | :33:38. | |
session. He will be looking at for a piece, but he will want to win this | :33:39. | :33:44. | |
session. Do you fancy Selby to go all the way? Why not? They have both | :33:45. | :33:50. | |
made a century. Robertson cannot afford to lose in this session. But | :33:51. | :33:57. | |
being from Leicester I am going to support the Leicester man. How much | :33:58. | :34:03. | |
will Mark Selby be fired up? He lost the UK Championship to Neil | :34:04. | :34:07. | |
Robertson in Europe. He was suffering from a lack of confidence. | :34:08. | :34:13. | |
But I said to him, you're a big goal is the World Championship and it | :34:14. | :34:17. | |
looks as if that is what he has got himself prepared for and he is | :34:18. | :34:21. | |
playing the best snooker of the season now. We have seen Neil | :34:22. | :34:26. | |
Robertson become a record-breaker. Now he has got it out of his system, | :34:27. | :34:31. | |
has he got the potential to go all the way? Without doubt. Barry | :34:32. | :34:35. | |
Hawkins is not dead yet in that match. Either of these players will | :34:36. | :34:43. | |
give Ronnie again. It will be a classic final. Rob Walker is | :34:44. | :34:47. | |
standing by and the players are ready and the Crucible Theatre is | :34:48. | :34:53. | |
ready. Good afternoon, ladies and gentlemen. | :34:54. | :34:56. | |
A growing sense of anticipation because this has the makings of an | :34:57. | :35:05. | |
absolutely epic afternoon. It is a drive to the final of the World | :35:06. | :35:10. | |
Championship. It is all to play for here today. World number three and | :35:11. | :35:23. | |
world number one. Please welcome a player who has nerves of steel on | :35:24. | :35:29. | |
the biggest stages of all. Bidding for his first Crucible final for | :35:30. | :35:33. | |
seven years. Three times a Masters champion, he has won the Welsh, the | :35:34. | :35:39. | |
Shanghai and the UK Championships. He is a brilliant ambassador for | :35:40. | :35:43. | |
this sport who always plays with a big smile on his face. That is why | :35:44. | :35:48. | |
he is the Jester from Leicester, Mark Selby. | :35:49. | :36:08. | |
And his opponent. What a fabulous fortnight so far for this proud | :36:09. | :36:17. | |
Australian. Already a world champion, UK champion and Masters | :36:18. | :36:21. | |
winner. He arrived in Sheffield on the verge of a magic milestone many | :36:22. | :36:27. | |
thought impossible. But against Judd Trump he did it, 100 centuries in a | :36:28. | :36:34. | |
season, amazing. Last night he added another to stay in touch. He is the | :36:35. | :36:40. | |
thunder from down under. He is the Centurion. He is Neil Robertson. | :36:41. | :37:03. | |
Yet again a terrific welcome for these two players and a wonderful | :37:04. | :37:09. | |
atmosphere inside the Crucible Theatre. This is going to be a | :37:10. | :37:18. | |
cracker. Thank you, Jason, the scene is set | :37:19. | :37:25. | |
for the second session. It is a big one for Neil Robertson. But Mark | :37:26. | :37:32. | |
Selby will be well aware of that. If he could win this session, he will | :37:33. | :37:38. | |
have a for frame advantage. All these frames, the best of 33. It is | :37:39. | :37:45. | |
the first to 17. Every frame is very important, Willie. Yes, it was one | :37:46. | :37:54. | |
of the most enjoyable sessions of the tournament so far with these two | :37:55. | :38:03. | |
yesterday. Mark Selby definitely deserved to win the first session. | :38:04. | :38:09. | |
It has been pretty high standard if you look at the stats. | :38:10. | :38:34. | |
He did not get enough backspin on the cue ball. That was a bit | :38:35. | :38:53. | |
careless. He was looking as if there was something wrong with the cue | :38:54. | :38:58. | |
ball. But he hit the red full ball and it took all the spin out of it. | :38:59. | :39:26. | |
He did not expect it. He is just checking with the referee that it is | :39:27. | :39:33. | |
touching ball. You mentioned after the UK final you had a good chat | :39:34. | :39:40. | |
with him and it is amazing for a player with such an abundance of | :39:41. | :39:47. | |
talent and negative he could be. It was the after drinks party and Neil | :39:48. | :39:53. | |
and Mark were there. That is when Neil was chatting to Stephen Hendry | :39:54. | :40:01. | |
about break-building. Mark was suffering from a lack of confidence. | :40:02. | :40:05. | |
It is surprising with all the ability he has got and a wonderful | :40:06. | :40:13. | |
technique. But as you may know, if you are not getting results, then | :40:14. | :40:20. | |
your confidence does take a drop. Harsh but true. I did not mean you | :40:21. | :40:25. | |
personally! I am talking about any player. | :40:26. | :40:45. | |
A pretty good line, but there may be a path past the green. | :40:46. | :41:03. | |
In their first session the safety play was the best we have seen in | :41:04. | :41:07. | |
the tournament so far. You said it was an easy safety shot, | :41:08. | :41:39. | |
but he has not made the best job of it. He will not be happy with that. | :41:40. | :42:02. | |
Not the best kiss. It pushed the white right to the cushion. | :42:03. | :42:55. | |
It is a massive help when a baulk comes of its spot. All the reds | :42:56. | :43:08. | |
appear to be in the way of one another. | :43:09. | :43:18. | |
Just trying to see what kind of an angle he has got. | :43:19. | :43:33. | |
Absolutely nothing has happened. Even contact with the Blackwood not | :43:34. | :43:42. | |
have been bad to bring it into play. When the cue ball is not tight | :43:43. | :44:18. | |
against the baulk accretion, it allows Neil to play this with a | :44:19. | :44:26. | |
little bit of side. As baulk cushion. | :44:27. | :44:41. | |
Nothing will go to the right corner. They are all blocking one another. | :44:42. | :45:07. | |
That was a clever little shocked to bring the black into play. -- shot. | :45:08. | :45:36. | |
He did not hit that safety shot as he would have liked. This red to the | :45:37. | :45:49. | |
left of the black will cut. But it is dangerous. | :45:50. | :46:12. | |
It is a bit narrow, but the yellow has come to the rescue. He hit that | :46:13. | :46:22. | |
a bit thinner than he intended, but he will take that. | :46:23. | :46:41. | |
He probably tried to get in behind the green, but he will be happy with | :46:42. | :46:45. | |
the result. He is giving this plenty of thought | :46:46. | :47:36. | |
and why not? It is not safe. He hit the wrong | :47:37. | :48:11. | |
red. This is a chance for Selby to get four or five red and the black. | :48:12. | :48:34. | |
The three red to the left of the black are all covering one another. | :48:35. | :48:43. | |
Would you want to risk bringing those reds into play? | :48:44. | :49:03. | |
If he does play it, and does not get on one, he will be kicking himself | :49:04. | :49:11. | |
for not playing one of the two loose reds. | :49:12. | :49:37. | |
It is amazing, if you hit them full volume, they don't move. | :49:38. | :49:55. | |
He was trusting to luck for position. He did not have a lot of | :49:56. | :50:14. | |
idea where the cue ball would end up. But a clever little short. This | :50:15. | :50:26. | |
is a little bit more difficult to get safe. That red just above the | :50:27. | :50:35. | |
black is pottable into either pocket. | :50:36. | :50:53. | |
Believe me that is not the red he played to hit. Has he got it safe? | :50:54. | :51:07. | |
Looking at Neil's body language, he did not look too happy. That is | :51:08. | :51:21. | |
tight. It is not on. Neil was a bit fortunate. | :51:22. | :51:36. | |
That is a good shot. Mark is keeping the pressure on. | :51:37. | :51:54. | |
That was a tough shot. It was so thin that the red would hardly move. | :51:55. | :52:27. | |
I think he has asked the score to bring it up. | :52:28. | :52:54. | |
Michaela Tabb is giving the instructions. | :52:55. | :53:10. | |
Brilliant! Absolutely brilliant! We used to have eyesight like that, | :53:11. | :53:29. | |
didn't we, Willie?! A very good safety. There is a gap between the | :53:30. | :53:42. | |
yellow and the green, but not enough for him to be able to play the pot | :53:43. | :53:50. | |
on this red. Playing a two cushion escape with pace. | :53:51. | :54:03. | |
Expecting to get closer this time, but the one thing he is wary of is | :54:04. | :54:43. | |
catching this red toothache. As adjusted? Not quite. With this | :54:44. | :55:00. | |
misrule you don't have to be able to hit the ball on either side like you | :55:01. | :55:09. | |
can with a free ball. Oh, free ball. He will be taking the green on. | :55:10. | :55:29. | |
Two shots in one you can play there. But it was important to pot the | :55:30. | :55:38. | |
green and that is what he has done and it has given him a chance. The | :55:39. | :55:43. | |
black is in the open at the moment. Just the wrong side of that red so | :55:44. | :56:12. | |
that is why he had to go back up for the blue, but no problem. | :56:13. | :56:24. | |
He would love to pot the red below the pink and free dipping up. -- | :56:25. | :56:31. | |
free the pink up. He needed a bounce. Then he would | :56:32. | :57:12. | |
have had a choice of reds. This red is pottable, but it is difficult. | :57:13. | :57:25. | |
Yes, they are difficult shots. He has not got away with it. | :57:26. | :57:46. | |
Not a great angle on this red. I could see him missing that. It was | :57:47. | :58:06. | |
so awkward to get a good cue ball. I am wondering whether he played the | :58:07. | :58:10. | |
cannon on the black and that is why he caught the red a bit thick. You | :58:11. | :58:16. | |
are definitely right, he did play the cannon. Maybe he was in two | :58:17. | :58:24. | |
minds when he was playing the shot. He has given Neil Robertson a shot | :58:25. | :58:29. | |
now. He will not take this black for granted. | :58:30. | :59:07. | |
A perfect angle on the blue to drop it on the cushion between those | :59:08. | :59:10. | |
reds. Very good. There is an example of | :59:11. | :59:54. | |
wine a player is perfect. He was playing that before the referee had | :59:55. | :59:59. | |
a chance to put the blue on its spot. | :00:00. | :00:14. | |
Still plenty left to play for. Good cue ball control, but would not say | :00:15. | :00:23. | |
that is inch perfect by any means. He has two go in and out of baulk. | :00:24. | :01:01. | |
Needs to find the gap between yellow and brown. | :01:02. | :01:16. | |
Red, colour, red, that is what is still needed. | :01:17. | :01:31. | |
Once again, we saw the problem, when a ball is tied, almost tied to a | :01:32. | :01:39. | |
cushion, you hit them anything but half-ball contact portable, you get | :01:40. | :01:44. | |
the double-kiss and they do not move, hardly. That one red he needed | :01:45. | :01:48. | |
to clinch the frame, you will need to wait for his next visit, because | :01:49. | :01:50. | |
he will not be potting it now. Hawk-Eye, he would have played as a | :01:51. | :02:33. | |
little bit less than half ball. That was half the chant their four | :02:34. | :02:52. | |
mark. That was a week safety shot. -- that was half a chance for Mark | :02:53. | :03:00. | |
Selby. There you see it, 48 ahead, Neil Robertson, but still 51 | :03:01. | :03:01. | |
remaining. He needs to try and cover the red in | :03:02. | :03:27. | |
baulk with the yellow. There was always a danger he may | :03:28. | :03:48. | |
leave the plant, but it is not quite on. | :03:49. | :04:02. | |
There may be a possibility here, it depends if you want to take the | :04:03. | :04:07. | |
risk. The further you leave the cue ball from the object ball, it just | :04:08. | :04:11. | |
makes it more difficult. You can go up the middle of the table and use | :04:12. | :04:15. | |
the pink and brown or possibly the blue to cover the red in baulk. It | :04:16. | :04:21. | |
is just about the distance between the two macro reds in the cue ball. | :04:22. | :04:30. | |
-- the two reds in the cue ball. There is a little disturbance in the | :04:31. | :04:57. | |
crowd, somebody is not feeling very well, they are waiting for them to | :04:58. | :04:59. | |
be taken out. Play will commence once they have | :05:00. | :05:11. | |
left the auditorium. , this time, Neil has got the path | :05:12. | :05:43. | |
to the yellow in the baulk and. -- now, this time, he has the past to | :05:44. | :05:49. | |
the yellow in the baulk and. The right shot is to play safe office | :05:50. | :05:52. | |
red. -- from this red. Is a Greenwich safety shot, these | :05:53. | :06:35. | |
two macro players. Four. Now, he needs a snooker. | :06:36. | :06:48. | |
So, that is the end of the first frame. | :06:49. | :06:58. | |
This was the start that Neil Robertson was looking for. He did | :06:59. | :07:04. | |
not want to drop any more friends behind. This is a very important | :07:05. | :07:06. | |
second session for him. Just a little bit too much side on | :07:07. | :07:54. | |
the cue ball. That is why he ran into the brown. The frame as well | :07:55. | :07:59. | |
and truly over, he is just getting a little bit of practice. If there is | :08:00. | :08:06. | |
one thing this man can do, it is pot a ball. But not when he is snooker | :08:07. | :08:14. | |
decks mag anyway, it doesn't matter. It was a typical frame, very | :08:15. | :08:21. | |
competitive. The Australian will be very pleased that he took it and | :08:22. | :08:24. | |
reduces his arrears to just one frame. | :08:25. | :08:30. | |
Five times they have met recently, there is something about Neil | :08:31. | :08:37. | |
Robertson, since he has broken his record, use walking around the table | :08:38. | :08:42. | |
very confidently. The first little bit, I thought he looked out of | :08:43. | :08:50. | |
sorts. We were watching Mark Selby looking like he had a good | :08:51. | :08:54. | |
break-building opportunity. He tried to break those temp -- break those | :08:55. | :09:05. | |
reds, he played a shot with the rest, much more guaranteed | :09:06. | :09:09. | |
positionally. If anything, Mark Selby is tending to go for the | :09:10. | :09:20. | |
difficult shots. Given his recent record against Neil Robertson, does | :09:21. | :09:24. | |
that affect a player, Steve? , you would have expected him to go for | :09:25. | :09:33. | |
the keeping the cue ball at the top of the table. -- you would have | :09:34. | :09:36. | |
expected. Back to the table we go. We are expecting a very tough battle | :09:37. | :09:49. | |
out here. Mark Selby had two macro chances in | :09:50. | :10:02. | |
that frame, you will be disappointed not to have scored more than he did. | :10:03. | :11:01. | |
That was a good pot. An excellent pot. A little bit -2 roll-up to the | :11:02. | :11:10. | |
brown, but after one cushion it should be easy to work. -- a little | :11:11. | :11:24. | |
bit negative two roll-up to the brown. | :11:25. | :11:37. | |
An easy escape here from the side cushion, there is more danger from | :11:38. | :11:41. | |
Mark playing this. He caught the red well, he deserved | :11:42. | :11:52. | |
the little rub off the green. all the pressure is on mark to play | :11:53. | :13:51. | |
a better safety shot. But he has not. | :13:52. | :14:39. | |
Always have to be wary of that red near the left-hand cushion. He has | :14:40. | :14:59. | |
not hindered his safety shot too much, but Mark Selby can get past | :15:00. | :15:04. | |
the yellow. He can do a little bit with the cue ball, but you need to | :15:05. | :15:10. | |
trust in looking for a position. In these situations, the pot is the | :15:11. | :15:19. | |
priority. Good position, at least he gets to play the next shot, and it | :15:20. | :15:23. | |
is OK, it worked out nicely! Yellow or blue! | :15:24. | :15:31. | |
You know that you are running into another ball, but do not take your | :15:32. | :15:41. | |
eye off the pot. He would love to get rid of one of the reds at either | :15:42. | :15:43. | |
side of the black. Play that ten times, you will go | :15:44. | :16:14. | |
well to get to their 1's! -- to get through their once. When you get the | :16:15. | :16:29. | |
chance, you need to get in and open it up. That red he just played, he | :16:30. | :16:39. | |
is thinking if I go into the cluster, at worst, I will be on that | :16:40. | :16:43. | |
red at the middle, so you cannot blame him for playing the cannon. | :16:44. | :16:48. | |
This is a shot, that red near the right middle, you think, at worst, | :16:49. | :16:53. | |
he would be on that. Of course, Hawk-eye would have spotted the gap. | :16:54. | :16:56. | |
Oh, what a pot! That was his time to be a little | :16:57. | :17:16. | |
unlucky! You would not expect Mark Selby to | :17:17. | :18:00. | |
leave a pot on here. But after he found that gap before, anything is | :18:01. | :18:03. | |
possible on these snooker tables. He is playing on such a way that | :18:04. | :18:20. | |
there is no pattern back to baulk. . He will be a bit wary not to leave a | :18:21. | :18:23. | |
touching ball. As he left an opportunity for Mark | :18:24. | :18:58. | |
Selby to get back to baulk? -- has he left. He is very close to that. A | :18:59. | :19:08. | |
possible plant. He would have to be sure that it was, because he would | :19:09. | :19:12. | |
be risking all. He cannot take that on. Neither of | :19:13. | :19:34. | |
these players likes this type of game to develop like this, because | :19:35. | :19:39. | |
it just stops the flow of everything. | :19:40. | :19:49. | |
He needed to be careful not to get the double-kiss! E is OK! -- he is | :19:50. | :19:57. | |
OK! These safety exchanges, it is so | :19:58. | :20:32. | |
important, who is going to get the next chance? | :20:33. | :20:40. | |
Not the best safety shot once again, but the fact that there is awkward | :20:41. | :20:48. | |
bridging for Neil Robertson, with the green and brown, I do not think | :20:49. | :20:55. | |
you will be thinking about the pot, just a safety. But what a target | :20:56. | :21:01. | |
that is, the green, the brown and the yellow, to try and get the cue | :21:02. | :21:08. | |
ball behind. But yet again, another very average safety shot. If Mark | :21:09. | :21:14. | |
Selby cannot get to the middle of the cue ball, he would be very | :21:15. | :21:21. | |
fortunate there. Can he get past the yellow? | :21:22. | :21:41. | |
the angle, it threw out into the middle of the table and nestled | :21:42. | :22:22. | |
behind yellow. He immediately tried to get onto the | :22:23. | :22:44. | |
one to the right. He is still behind the back of the pack. Trying to make | :22:45. | :22:49. | |
sure there is another one on it, just looking at the plant. If the | :22:50. | :22:54. | |
plant is a certainty, he can stunt to get to the pink. He might have to | :22:55. | :22:59. | |
get up to the blue this time, because the red is in the way of the | :23:00. | :23:01. | |
pink. Once again, he has come up a little | :23:02. | :24:05. | |
short on this blue. I'm surprised he did not play its low with check | :24:06. | :24:06. | |
side. -- play it slow. He played at plain ball, that is why | :24:07. | :24:30. | |
he finished closest to the cushion. He will be playing for the pink this | :24:31. | :25:16. | |
time. He would like to be straight on the pink so he can play the red | :25:17. | :25:18. | |
to the right of the black. That is the red that he played for. | :25:19. | :25:55. | |
We know that he has got to play for the pink or the blue. But the black | :25:56. | :25:59. | |
at the moment, that is not available. | :26:00. | :26:06. | |
He has got an angle. You would think the red that he would like to play, | :26:07. | :26:19. | |
he has just pointed out there, and getting the pot on this Reg... -- | :26:20. | :26:26. | |
red... That looks absolutely into perfect | :26:27. | :26:39. | |
on the pink. -- inch perfect. Not a straightforward run to the | :26:40. | :26:56. | |
line. This pink will put him 46 points in | :26:57. | :27:19. | |
front with still 75 remaining. One or two precise positional shots are | :27:20. | :27:20. | |
still needed. This may be a little bit pacey. Not | :27:21. | :28:02. | |
sure if he can get to the one that is nearest to the pocket between the | :28:03. | :28:04. | |
black and the red. Not a nice angle. When the cue ball travels | :28:05. | :28:41. | |
distances, you never get a guaranteed position on the next | :28:42. | :28:42. | |
ball. Played that very well, that was | :28:43. | :28:54. | |
perfectly played. This red, the black, and one more red. That is all | :28:55. | :29:04. | |
that is required. This Blackwell put in 57 pointed front with a possible | :29:05. | :29:11. | |
59 remaining. -- this black well put him. | :29:12. | :29:19. | |
Mark Selby will have to be pretty concerned about possibly losing the | :29:20. | :29:23. | |
first two frames, but has not Just this red to go 58 ahead with | :29:24. | :29:46. | |
only 51 meaning. He looks a bit bemused by the bounce | :29:47. | :30:49. | |
off the top cushion. But this table is playing better than the tables at | :30:50. | :30:52. | |
the quarterfinal stage of the competition. He just keeps so still | :30:53. | :31:04. | |
on every shot. He gets through the ball. If the red goes in, you would | :31:05. | :31:12. | |
expect a century. He is a century machine, this boy, | :31:13. | :31:26. | |
at the moment. If he gets this it will be his ninth | :31:27. | :31:46. | |
century at a World Championship. That is the number that Ronnie | :31:47. | :31:48. | |
O'Sullivan is on. Of course everything now is going to | :31:49. | :32:09. | |
set the standard. Another flawless break-building display. He was given | :32:10. | :32:16. | |
a second chance by Mark Selby, but the rest was perfect. It levels the | :32:17. | :32:19. | |
match at 5-5. That was Neil Robertson by numbers, | :32:20. | :33:30. | |
and some very impressive numbers. He just seems to be setting the bar | :33:31. | :33:37. | |
higher and higher. Certainly on the centuries. It is hard to see why he | :33:38. | :33:41. | |
is not winning absolutely everything. He is the best long | :33:42. | :33:45. | |
potter and the best break-builder in the game at the moment, but he must | :33:46. | :33:52. | |
have a floor somewhere. It could be a guy called Ronnie O'Sullivan! | :33:53. | :34:06. | |
REFEREE: Mark Selby to break. Mark Selby gets the third frame of this | :34:07. | :34:09. | |
session underway. He has lost his lead. He came with a two frame | :34:10. | :34:17. | |
advantage. I must say he was a bit unlucky in the last frame. Things | :34:18. | :34:24. | |
happened that can only happen in a game of snooker. But you have to put | :34:25. | :34:29. | |
that behind you and just look at the scoreboard. He is not behind. This | :34:30. | :34:38. | |
frame and one more before the mid-session interval. That is more | :34:39. | :34:47. | |
like the safety play we have come to expect from Neil Robertson. | :34:48. | :34:59. | |
It looks dead straight. That will put him off. | :35:00. | :35:14. | |
He did not want to catch a ball colour. And he has. But fortunately | :35:15. | :35:28. | |
for Mark, no real value. The black is now tied up. | :35:29. | :35:47. | |
It was a Robertson ripper! That was excellent. We knew he could not | :35:48. | :35:57. | |
leave anything on. Look at the distance of that pot. An excellent | :35:58. | :36:04. | |
shot. He will not be too happy with that. | :36:05. | :36:21. | |
Believe it or not, he played for the black. He is having a look at the | :36:22. | :36:30. | |
tip. Nothing wrong with that, is there? He just overdid it. It still | :36:31. | :36:41. | |
cuts, but not what he wanted. Everything is going Neil's way at | :36:42. | :36:59. | |
the moment. It all depends. You cannot do a lot | :37:00. | :37:45. | |
with the cue ball. He is having a look to see if the other red is | :37:46. | :37:51. | |
pottable to the middle. With that he might have more control of the cue | :37:52. | :38:03. | |
ball. He has got to avoid the case on that red at the top cushion. | :38:04. | :38:19. | |
You get two points for that! Well, there is a surprise. It was as good | :38:20. | :38:43. | |
as he could have expected to be on the pink. It went in and it nipped | :38:44. | :38:51. | |
out. It is not the best chance with the pink in the other half and the | :38:52. | :38:53. | |
black tied up. That is not the perfect angle on | :38:54. | :39:45. | |
this red. He will be thinking even now, can I get that black into play? | :39:46. | :39:58. | |
Nicely on the blue and maybe a chance here. With the line of three | :39:59. | :40:07. | |
reds, with the bottom one, he could bring the black into play. | :40:08. | :40:27. | |
It gives him a thought he can win the frame at this visit and wouldn't | :40:28. | :40:35. | |
he loved to do that? But once again it is a poor positional shot. The | :40:36. | :40:42. | |
pink is a bonus if he is on that. He is blessed like Robertson with a | :40:43. | :41:01. | |
lot of cue power. Beware the middle pocket. He will not be interested in | :41:02. | :41:09. | |
playing anything until that black can go on its spot. He will be | :41:10. | :41:14. | |
concentrating on the pink and the blue. This is a chance. | :41:15. | :41:58. | |
That is OK. The three reds below the pink are all available into the | :41:59. | :42:14. | |
opposite corner. There are no cannon is required, just good positional | :42:15. | :42:15. | |
play. He does not want to play for the | :42:16. | :42:42. | |
black year. He may have to, though. At least three or four of these five | :42:43. | :43:13. | |
remaining reds are required. He does not want to play for the black, but | :43:14. | :43:27. | |
he may have no other option. Well, he decided he did not want to risk | :43:28. | :43:34. | |
the black. But he is not the right side of the blue. He is not out of | :43:35. | :43:42. | |
the woods yet. You would like to have some sort of angle on this blue | :43:43. | :43:44. | |
and he does not appear to have one. The red to the left of the pink goes | :43:45. | :44:08. | |
to the corner pocket. This could be the frame winner. | :44:09. | :44:22. | |
He played that well. Red, colour, red required. What a kick that was. | :44:23. | :44:57. | |
All he was looking for was a decent angle on the blue. He may have to | :44:58. | :45:08. | |
play the more difficult pink here. He still needs a colour and one more | :45:09. | :45:10. | |
red. He only needs the red, but it would | :45:11. | :45:31. | |
be a lot easier if he was closer to it. Well played, Mark. He would have | :45:32. | :45:46. | |
been disappointed not to have a good angle on the blue. 40 points in the | :45:47. | :46:03. | |
lead and 35 remaining. It is not quite over this frame, yet. | :46:04. | :46:16. | |
You would like to get the cue ball up in the baulk end. But he does not | :46:17. | :46:28. | |
want to be tight on the cushion. I know you think there are a good | :46:29. | :46:59. | |
line up balls, but tight on the cushion means no guaranteed snooker. | :47:00. | :47:16. | |
A good effort, but not quite there. I think Mark can just about support | :47:17. | :47:22. | |
this. -- pot this. If that had gone in, Neil Robertson | :47:23. | :47:52. | |
would not have bothered carrying on. We are in the situation here where | :47:53. | :47:58. | |
Neil at the moment needs two snookers. | :47:59. | :48:58. | |
He has caught that very nicely. That is a bonus. | :48:59. | :49:28. | |
He has got to play this with a little bit of side. | :49:29. | :49:49. | |
I have seen so many one cushion snookers missed. At this level you | :49:50. | :49:55. | |
do not expect it. Neil Robertson will think he is back | :49:56. | :50:21. | |
in this frame. He needs one snooker. He is trying behind the black, but | :50:22. | :50:58. | |
he has caught it much too thick. This yellow would put this frame to | :50:59. | :51:00. | |
bed. Mark Selby is a little bit relieved. | :51:01. | :51:21. | |
He looked as though he had the frame well one. But he had to go through | :51:22. | :51:31. | |
an agonising few minutes where he missed one snooker. | :51:32. | :52:11. | |
That was good cueing. Plenty of top spin on the cue ball. That will | :52:12. | :52:25. | |
please him. He has got his nose back in front. Where is the cue ball | :52:26. | :52:33. | |
going? It doesn't matter. Mark Selby will be relieved. That is the first | :52:34. | :52:38. | |
frame he has won in this second session and it puts him back in the | :52:39. | :52:40. | |
lead. Just a hint of a smile. Neil Robertson lived in or some form | :52:41. | :52:55. | |
and then he missed the easy pink in the middle. It is great from Mark | :52:56. | :53:02. | |
Selby's perspective. There was a minor moment when there was just one | :53:03. | :53:07. | |
red left on the table and if you pot the red and the black, you need two | :53:08. | :53:12. | |
snookers and you keep the rhythm on the table. You would rather leave a | :53:13. | :53:20. | |
red on the table and the chance of a free ball. He potted it and from | :53:21. | :53:26. | |
then on he needed to. It is a small point. He would have conceded. What | :53:27. | :53:34. | |
would you have done? You would keep the red on the table but the | :53:35. | :53:39. | |
possibility of getting a free ball and only needing one snooker. He | :53:40. | :53:43. | |
could have got a snooker on the pink, but as it turned out he will | :53:44. | :53:49. | |
look at the missed pink in the middle pocket as the problem. From | :53:50. | :53:56. | |
Mark Selby's point of view that is the perfect response. He is | :53:57. | :54:00. | |
displaying his fighting qualities. It shows | :54:01. | :54:02. | |
displaying his fighting qualities. temperament he has got. He is a | :54:03. | :54:09. | |
tremendous match player and he can put disappointment behind him very | :54:10. | :54:15. | |
easily. It was the perfect response. It was hard fought. You would expect | :54:16. | :54:20. | |
nothing less from these two. They have got great respect for each | :54:21. | :54:24. | |
other. In the technical department they can both outplay each other. It | :54:25. | :54:31. | |
is a case of who can create the most opportunities and convert every | :54:32. | :54:39. | |
opportunity they get. Back to Willie and John. | :54:40. | :55:17. | |
Mark Selby will be a little bit disappointed with his safety play. | :55:18. | :55:26. | |
He is not finding that baulk cushion often enough for me. OK, he has not | :55:27. | :55:33. | |
left a pot on, but you have got to find the baulk cushion at this level | :55:34. | :55:37. | |
and with a potting machine like Neil Robertson. He is guilty of the same | :55:38. | :55:40. | |
thing. There you are, once again. I don't | :55:41. | :56:07. | |
know if these baulk colours are bigger than what they normally are, | :56:08. | :56:13. | |
but they keep catching them! You keep leaving Neil Robertson these | :56:14. | :56:20. | |
type of long pots and you know the long pot success of Neil Robertson. | :56:21. | :56:37. | |
There you go. You cannot keep hitting the baulk colours and | :56:38. | :56:40. | |
leaving the cue ball on the baulk line. You are asking for trouble | :56:41. | :56:48. | |
with this man. We have had a rasp, a ripper and that was a snorter! | :56:49. | :57:52. | |
I think he is OK. On a bad day he could have caught that red a little | :57:53. | :58:00. | |
bit full and been on nothing. Now he just has to play it playing | :58:01. | :58:28. | |
ball. This is a good chance to take this frame. It is just coming up to | :58:29. | :58:36. | |
four hours of play and this bottom cushion is causing a problem for | :58:37. | :58:41. | |
these players. Both of them have not been happy with the bounce. Usually | :58:42. | :58:46. | |
it is too high, but that appears to be to low. Maybe they are playing | :58:47. | :58:53. | |
for bounces sometimes and they are not there. | :58:54. | :59:07. | |
He might not be able to reach this left-handed. It has given him a | :59:08. | :59:22. | |
chance of the blue, but as you say, Willie, being left-handed he will be | :59:23. | :59:23. | |
at full stretch. And hampered. That looked fake to me. It was not | :59:24. | :59:51. | |
easy, believe me. If you do not hit that cue ball right in the middle, | :59:52. | :00:00. | |
and that appears to be what happened there... | :00:01. | :00:17. | |
Any red here, that would give him position to the black. | :00:18. | :01:44. | |
I do not think I have seen anybody concentrate as much as Mark Selby. | :01:45. | :01:57. | |
It shows you what a fantastic match player he is. He is certainly | :01:58. | :02:04. | |
showing his best form of the season so far in this tournament. | :02:05. | :02:20. | |
Slightly underhit, but the pink is OK. The pink doesn't go to the | :02:21. | :02:31. | |
middle. That was a little bit careless. Just needed to stun past | :02:32. | :02:40. | |
that red to the right, and it is so awkward now for the black. You have | :02:41. | :02:50. | |
to be careful. It has checked. Where has the cue ball gone? ! Could not | :02:51. | :02:57. | |
be in a much worse position than that, I promise you! He could have | :02:58. | :03:10. | |
played the blue cushion first. There was always going to check up with | :03:11. | :03:21. | |
top spin. -- the white was always going to check up. He was suckered | :03:22. | :03:33. | |
by that one. Wants to get through to the ones at the right of the pink. | :03:34. | :03:51. | |
He will settle for that. When he snooker to himself, I thought he was | :03:52. | :04:03. | |
in real trouble. But there is a chance for a pot here. That is a | :04:04. | :04:17. | |
result! E has not missed many of those today! -- he has not missed. | :04:18. | :04:40. | |
It is going to be some performance to win the frame at this visit, the | :04:41. | :05:02. | |
way that the balls are situated. This blue will put him 13 points in | :05:03. | :05:08. | |
front, but there is one easy red, that is the one adjacent to the | :05:09. | :05:16. | |
pink. But everything else is a little bit difficult. He needs to | :05:17. | :05:21. | |
run the cue ball little bit. Just a little bit short of his intended | :05:22. | :05:23. | |
target, but not too bad. Schoolboy error! Those pockets are | :05:24. | :05:48. | |
always there! I think you felt like you got a bad contact. | :05:49. | :05:59. | |
Nobody saw that coming. But he leads by nine. | :06:00. | :06:08. | |
REFEREE: Foul and a miss. Very, very surprised when you're Robertson was | :06:09. | :06:21. | |
playing from anywhere in the baulk area, he would have brought the lack | :06:22. | :06:29. | |
into play. -- Neil Robertson. This is a little bit easier to go for. | :06:30. | :06:43. | |
Another hard-fought and tense frame. Your guess is as good as mine as to | :06:44. | :06:56. | |
what the outcome will be. A similar shot to what Neil Robertson played | :06:57. | :07:02. | |
here. Miss it on the way down, hit it on the way back. You would prefer | :07:03. | :07:08. | |
to hit the question first. -- hit the cushion. Yes, played the cushion | :07:09. | :07:16. | |
first knowing that the black would not come into play. An excellent | :07:17. | :07:21. | |
safety shot. Neil Robertson will do well to get | :07:22. | :08:33. | |
this say. I will be very surprised if he doesn't leave a pot on of some | :08:34. | :08:36. | |
kind after this shot. He did just about as well as he | :08:37. | :08:51. | |
could. An excellent shot. Well worked out. Is there any value? | :08:52. | :08:57. | |
Let's take a look at the scoreboard. 13 points the lead. I do not think | :08:58. | :09:05. | |
if he plays a safety of this red closest to the black, he can | :09:06. | :09:11. | |
guarantee getting the cue ball at the baulk cushion, very would like | :09:12. | :09:19. | |
to. -- where he would like to. He is looking for an alternative. | :09:20. | :09:28. | |
That looks pretty good to me. He is granite with his safety shot. | :09:29. | :09:54. | |
I'd do not think he can see enough of the red to pot it. | :09:55. | :10:14. | |
Just missed the double-kiss, but a chance for Mark Selby here. This red | :10:15. | :10:27. | |
to the far left corner. He has got the insurance, if you like, of that | :10:28. | :10:32. | |
red next to the black. So if you made a mistake, it would not be | :10:33. | :10:38. | |
automatic for Neil Robertson to win the frame, whereas if you knocked | :10:39. | :10:41. | |
this red in, you would fancy winning it. | :10:42. | :10:56. | |
He has left a chance of two long putts. -- pots. | :10:57. | :11:15. | |
That is two he has missed in this frame. It is not like Neil Robertson | :11:16. | :11:27. | |
to miss these types of shots. It is the second one he has missed in this | :11:28. | :11:31. | |
frame. Could have put him right back into it. By a long way also will -- | :11:32. | :11:42. | |
also. Perfect on the yellow. Not a | :11:43. | :12:03. | |
frame-winning opportunity by any stretch, but he can certainly put | :12:04. | :12:05. | |
himself in a really strong position. The pink, exactly half ball, just | :12:06. | :12:46. | |
before the baulk line in between the Gap of the brown and the green and | :12:47. | :12:47. | |
he would get nicely on the red. Two reds, two colours to win the | :12:48. | :13:14. | |
frame. If he has not covered the left-hand | :13:15. | :13:43. | |
side cushion, then that is a bad shot. Very difficult when you're | :13:44. | :13:52. | |
hitting the first cushion very quickly. Just a bit narrow. This is | :13:53. | :13:58. | |
a free ball. Now, that does make a difference. 28 | :13:59. | :14:13. | |
point the lead, if the managed to pot the brown and the pink, that | :14:14. | :14:17. | |
would put in 35 in front but still 35 left. | :14:18. | :15:11. | |
I think this red is available. He played the snooker. | :15:12. | :15:44. | |
It is not safe in the respect that if Mark was to pot this, Neil | :15:45. | :15:55. | |
Robertson would concede. It is a thin cut, so he might shy away from | :15:56. | :16:00. | |
it. It is uncertain whether cue ball would run to. -- where the cue ball | :16:01. | :16:07. | |
would run to. A cover shot, pushing the brown into | :16:08. | :16:13. | |
a slightly more difficult position. Mark Selby will not be bringing the | :16:14. | :16:41. | |
green into play, he will be keeping everything away from the green. | :16:42. | :16:47. | |
Because Neil Robertson needs the black, you would think he might | :16:48. | :16:50. | |
leave the red at that end of the table. | :16:51. | :17:11. | |
A big favourite for this frame, but as we all know, it is a funny old | :17:12. | :17:16. | |
game, things can happen. When he be tempted with this cut? | :17:17. | :17:42. | |
Getting key may be. -- I think he may be. | :17:43. | :17:53. | |
That is certainly end of frame. He was made to sweat therefore a little | :17:54. | :18:02. | |
bit. After two players, Mark Selby will definitely be the more pleased | :18:03. | :18:09. | |
of the two to have shared this mini-session of four frames. You | :18:10. | :18:16. | |
would have thought it 2-0 in the session that Neil Robertson would | :18:17. | :18:19. | |
have had the chance to win one of them. Mark Selby has dominated the | :18:20. | :18:27. | |
last couple of friends, really. I'm sure that Neil Robertson will stay | :18:28. | :18:30. | |
in his chair or a walk to his dressing room, and he has done that. | :18:31. | :18:43. | |
What an interesting four frames, who will be the happier? Mark Selby will | :18:44. | :18:50. | |
be delighted to get his lead back, it's looked at one stage that Neil | :18:51. | :18:57. | |
Robertson would get stronger. In the UK final, the first session, Mark | :18:58. | :19:01. | |
Selby, he dragged Neil Robertson into this kind of game, and Neil | :19:02. | :19:06. | |
Robertson didn't like it and in the evening session, he stepped up the | :19:07. | :19:10. | |
pace, so those kind of long, scrappy frames they seem to suit Mark Selby | :19:11. | :19:16. | |
more. If you look at when Mark Selby is in front in semifinals, Neil | :19:17. | :19:20. | |
Robertson pulled himself back in, and he managed to win it, so the key | :19:21. | :19:27. | |
to Mark Selby is to stay in front. There is not much to choose between | :19:28. | :19:31. | |
this two players. Every time they play mini sessions, Mark Selby is in | :19:32. | :19:36. | |
front, you cannot argue with that at this level. Ken Doherty is at the | :19:37. | :19:46. | |
Winter gardens with his assessment. A wonderful shot, it proved | :19:47. | :19:52. | |
dividends. He tries to split the pack, he trying to bounce it. | :19:53. | :19:59. | |
He was hampered slightly on the blue. When you bounce the cue ball | :20:00. | :20:11. | |
over the top of the red, the top spin helps the reds to split up and | :20:12. | :20:21. | |
you bring the cue ball away from the reds and hopefully onto a colour. | :20:22. | :20:26. | |
OK, let me see if I can do this with this shot, trying to bounce the cue | :20:27. | :20:30. | |
ball on the top of the reds, a similar shot to what he had. You | :20:31. | :20:43. | |
bounce over these six reds. Something like that. A similar | :20:44. | :20:47. | |
situation where Neil Robertson was, but you can see the way that the | :20:48. | :20:50. | |
colours come out and sometimes it goes right and sometimes it does | :20:51. | :20:54. | |
not, and that is my history of demos! | :20:55. | :21:02. | |
Thank you. Time to catch up with Richard Osman, we have turned his TV | :21:03. | :21:06. | |
hit quiz show into Potless! We asked our 100 people, we gave | :21:07. | :21:29. | |
them 147 seconds to name anybody that has ever beaten Stephen Hendry | :21:30. | :21:33. | |
or Steve Davis at the Crucible, hundreds of answers on the list. | :21:34. | :21:41. | |
Steve or Stephen, if you do not win this one, I do not know what to say! | :21:42. | :21:52. | |
Stuart Bingham. Willie Thorne. Peter Ebdon. Steve James. Tony Knowles. So | :21:53. | :22:06. | |
many people have beaten me here. 10-1 or 20-0? What about Willie | :22:07. | :22:21. | |
Thorne? ! So depressing. It is as bad as a 10-0 in the UK, but not in | :22:22. | :22:27. | |
the world! We're talking about the world. 10-1. Tony Knowles. A big | :22:28. | :22:37. | |
shot a long time ago, one of the seismic shocks. Tony Knowles. I | :22:38. | :22:46. | |
would definitely go with Steve James. That is a great shot. A great | :22:47. | :22:56. | |
shot. Terry has come up with Steve James. I think that is a good shot. | :22:57. | :22:59. | |
9-0. Steve James. What you think at home? Some | :23:00. | :23:12. | |
pointless answers you may not have got. We will give you all of the | :23:13. | :23:15. | |
answers at the end of the interval. To get involved, use the hashed | :23:16. | :23:27. | |
tiger, we will be back with Richard later. -- hashtag. | :23:28. | :23:47. | |
Let's catch up with Mark Selby now, he beat Alan McManus in the | :23:48. | :23:56. | |
quarterfinals. Let's go back to those heady days | :23:57. | :24:01. | |
when you approach the world finals, can you describe that incredible run | :24:02. | :24:05. | |
and what it felt like in the midst of that? It was strange, I was going | :24:06. | :24:11. | |
to the World Championships not in the top 16, I was like an outsider. | :24:12. | :24:16. | |
I had qualified the year before, a year later I am playing Stephen | :24:17. | :24:21. | |
Lee, so I had no real expectations. As a sportsman, you want to win | :24:22. | :24:24. | |
every single tournament, but knowing that I had never achieved anything | :24:25. | :24:29. | |
prior to that, so I was just really going to enjoy it. I was 5-0 dentist | :24:30. | :24:34. | |
evenly thinking I would go out, and I managed to turn around the match. | :24:35. | :24:47. | |
-- 5-0 against Stephen Lee. Then you get to the final against John | :24:48. | :24:50. | |
Higgins and an amazing performance on the Monday. He got within one | :24:51. | :24:54. | |
frame of him. Did you really think you would do it at that point? I | :24:55. | :25:01. | |
did, it was disappointing because I got into the final and the World | :25:02. | :25:04. | |
Championships, it is such a long tournament, mental and physically | :25:05. | :25:08. | |
draining, and I woke up on the morning of the first session and I | :25:09. | :25:11. | |
felt like I had not slept all night and I had nothing left, and when it | :25:12. | :25:17. | |
happened, it really showed, because I felt I had nothing left and John | :25:18. | :25:22. | |
capitalised on my mistakes. I was heartbroken, I thought this is my | :25:23. | :25:27. | |
chance to win, and I thought I am a thing left, there is no way I can | :25:28. | :25:32. | |
beat someone of John's class, but I just thought I would go out there | :25:33. | :25:37. | |
and try my best and obviously, not lay down and enjoy the day, really. | :25:38. | :25:42. | |
It was a fantastic occasion and before I knew it, I was 14, 13, then | :25:43. | :25:47. | |
I had the chance to win. The last five frames, John showed for the | :25:48. | :25:52. | |
champion he was and pulled away and played some great snooker. What is | :25:53. | :25:56. | |
your ultimate goal? People have said with July to go back to number one? | :25:57. | :26:03. | |
Obviously, it is an aim, but because I had got there before, it is not an | :26:04. | :26:08. | |
ultimate goal, but at the back of my mind, the World Championships is | :26:09. | :26:11. | |
what is missing for me, and two win more tournaments. Have you peaked, | :26:12. | :26:16. | |
how much more is there to come, and what are you doing to make sure that | :26:17. | :26:23. | |
you have not beat? I think there is a lot more, I'm still putting in the | :26:24. | :26:27. | |
work, obviously, travelling comes into it a lot, you need to balance | :26:28. | :26:31. | |
it a lot more for the major tournaments. It gives you a better | :26:32. | :26:35. | |
chance. I have to just keep putting in the hard work and if you keep | :26:36. | :26:39. | |
playing well, you're still not guaranteed to win a tournament with | :26:40. | :26:46. | |
the standard the way it is. I had a chat with Mark Selby in the practice | :26:47. | :26:49. | |
room yesterday and he said that he finds coming to the Crucible, he | :26:50. | :26:51. | |
comes with that weight of expectation, and we have referred to | :26:52. | :26:56. | |
this before, last year he felt that expectation on him completing the | :26:57. | :27:02. | |
triple Crown, big expectation on him. Perhaps he's coming in now with | :27:03. | :27:10. | |
less expectation from himself, but he is definitely one of the | :27:11. | :27:13. | |
favourites, and one thing, after what happened in the Masters against | :27:14. | :27:17. | |
Ronnie O'Sullivan, I think he is dying for another crack at Ronnie | :27:18. | :27:22. | |
O'Sullivan, definitely. And if it was Ronnie O'Sullivan in the final | :27:23. | :27:26. | |
against him, it would be a difference in styles, do you think | :27:27. | :27:30. | |
he has enough to win against Ronnie O'Sullivan? I think it is still | :27:31. | :27:36. | |
Ronnie O'Sullivan's title to lose. Mark Selby probably has got the game | :27:37. | :27:41. | |
that might mess up his rhythm if he gets a good start. Mark Selby has | :27:42. | :27:45. | |
got to finals this season, but he has lost them, you know what it | :27:46. | :27:50. | |
takes to win out, do you see these qualities in him to win the title? | :27:51. | :27:57. | |
Oh, yes. You could argue that by having a little bit of | :27:58. | :28:00. | |
disappointment this season, this has toughened him up and he is raring to | :28:01. | :28:05. | |
go, and I think that the way that he walked out to start the semifinal, | :28:06. | :28:08. | |
he looked really as if he was very, very focused, and you obviously | :28:09. | :28:13. | |
should be, but it just looks like he was not afraid of what was | :28:14. | :28:16. | |
happening. If he gets to the final against Ronnie O'Sullivan, he is one | :28:17. | :28:20. | |
of the few players that will not be afraid. He will not be afraid | :28:21. | :28:27. | |
against one of the best players the game has ever seen. You need to be | :28:28. | :28:32. | |
like that going into the match. I thought it was significant this | :28:33. | :28:35. | |
morning, when you do the morning programmes, I am in the practice | :28:36. | :28:39. | |
rooms and you can hear the officials coming in to talk to the players, | :28:40. | :28:43. | |
and I found it really interesting, I'm referring to Barry Hawkins and | :28:44. | :28:46. | |
Ronnie O'Sullivan from one moment, against Shaun Murphy, the officials | :28:47. | :28:50. | |
came out and asked Shaun Murphy was he ready and he said, how long have | :28:51. | :28:54. | |
I got? He wanted more time. The same was with Barry Hawkins today, I am | :28:55. | :28:59. | |
in no sports psychologist, I just wonder if it is a real big issue | :29:00. | :29:03. | |
that these boys are afraid to step out here and play Ronnie O'Sullivan | :29:04. | :29:08. | |
and that Mark Selby will achieve and to go to Ronnie O'Sullivan if that | :29:09. | :29:13. | |
happens? Ronnie O'Sullivan really outplayed him from shot one in the | :29:14. | :29:17. | |
final of the Masters, and Mark Selby looked a little bit afraid of him | :29:18. | :29:24. | |
and a bit intimidated. But if it is Neil Robertson, the same goes, he | :29:25. | :29:27. | |
will not be afraid either, so whoever faces Ronnie O'Sullivan... | :29:28. | :29:31. | |
We're talking as if Ronnie O'Sullivan has won at! Whoever he | :29:32. | :29:34. | |
faces, if that is the case, they will go there and hold their own. | :29:35. | :29:41. | |
Thank you. Now, time for the trick shots. | :29:42. | :29:51. | |
This shot here is pretty crazy as well. This will jump out of the rail | :29:52. | :29:59. | |
and the ball well and here in motion. | :30:00. | :30:24. | |
This shot here is what I call a double draw shot. I'm going to hit | :30:25. | :30:35. | |
it into the five. I will hit the triangle. | :30:36. | :31:16. | |
This shot here, what I'm going to do is hit the white ball, the white | :31:17. | :31:24. | |
ball will go along the rail, hit the a ball and then it will finish in | :31:25. | :31:27. | |
the corner. He is fast becoming the star of this | :31:28. | :32:03. | |
year's Crucible Theatre shenanigans. Wonderful stuff from Florian Kohler. | :32:04. | :32:11. | |
However, he has not completed a century of century breaks. This man | :32:12. | :32:18. | |
has. Ladies and gentlemen, channel mode -- champion of the world, Neil | :32:19. | :32:24. | |
Robertson. We saw you draping the flag over your shoulders. | :32:25. | :32:27. | |
How often do you recall those moments? When I went 17-13 up, I was | :32:28. | :32:39. | |
pretty certain I was going to win. It was getting pretty late. Graeme | :32:40. | :32:44. | |
was tiring. I thought there is no way he can win five frames in a row. | :32:45. | :32:54. | |
I potted the match-winning hole. She was there and was waving the flag. | :32:55. | :32:59. | |
It was brilliant she could come over for the final. I had no idea she was | :33:00. | :33:05. | |
coming. It was only when I checked my voice mail after the match with | :33:06. | :33:09. | |
Ali Carter, she had left me a voice mail saying they had left Singapore | :33:10. | :33:14. | |
and would be riding on the day of the final. She came over fully | :33:15. | :33:17. | |
prepared with the Australian flag just in case. To have the flag | :33:18. | :33:25. | |
draped around me, holding the trophy, there with my mum, was a | :33:26. | :33:31. | |
memory I will have for the end of my days, for sure. Now you have an | :33:32. | :33:37. | |
opportunity to become the most decorated in terms of world ranking | :33:38. | :33:41. | |
titles that you have one but no overseas player has won a world | :33:42. | :33:47. | |
title twice. Is that a focus for you as a man who knows his stats? It is | :33:48. | :33:58. | |
a focus to build up to the world Championship properly. I felt with | :33:59. | :34:03. | |
myself lasted, especially in the world Championship, that I had | :34:04. | :34:07. | |
entered too many tournaments. I did have a feeling. If you are world | :34:08. | :34:24. | |
champion, everyone, you get a lot of recognition for being world | :34:25. | :34:28. | |
champion. I do not believe in anyone fluking a world title. I do not like | :34:29. | :34:32. | |
it when someone says you have to win another one to prove yourself, but | :34:33. | :34:38. | |
to join the likes of someone like Mark Williams who is on two, there | :34:39. | :34:42. | |
are not many multiple world champions in our sport. It is not | :34:43. | :34:47. | |
something I want to win to prove to something else, it is something I | :34:48. | :34:51. | |
want to win to become part of a special group of players. Obviously, | :34:52. | :34:56. | |
I have achieved a lot in my career already and I am doing everything | :34:57. | :34:59. | |
possible to make sure I can win more masters and more World | :35:00. | :35:04. | |
Championships. I am on the right path and hopefully, I can be | :35:05. | :35:09. | |
standing alongside some of the greats. | :35:10. | :35:13. | |
Neil Robertson. We will not forget what happened the other night for a | :35:14. | :35:18. | |
long time. It was great to see that emotion. Amazing. To get a hundred | :35:19. | :35:25. | |
century, the pressure was so intense and you could see the release when | :35:26. | :35:31. | |
he finally did it. To repeat myself from what I said before, obviously, | :35:32. | :35:36. | |
there are more tournaments in the season but it smashed Judd Trump's | :35:37. | :35:40. | |
record from last year which was 60 odd and I suppose the question is, | :35:41. | :35:44. | |
when will someone better that? If there are no more tournaments in the | :35:45. | :35:47. | |
season, when will some be better that. The way the new system is, top | :35:48. | :35:53. | |
players might pick and choose tournaments now are not play in as | :35:54. | :36:01. | |
many so it might never get beaten. Thank you for the moment. Time to | :36:02. | :36:07. | |
catch up with Richard and our Potless answer. | :36:08. | :36:14. | |
Welcome back to top two. Earlier I asked if Enron had beaten Steve | :36:15. | :36:25. | |
Davis or Stephen Hendry --. Tony Knowles would have scored you 16. | :36:26. | :36:32. | |
Steve James, not a bad answer at all, six points. | :36:33. | :36:40. | |
There are quite a few answers which would have beaten six. | :36:41. | :36:52. | |
There are two pointless answers, the players who have beaten Steve Davis | :36:53. | :37:01. | |
are Anthony Hamilton and Andy Hicks. Well done if you said him. Stuart | :37:02. | :37:06. | |
Bingham is the lowest score of a player who has beaten both of those | :37:07. | :37:08. | |
players. Well done if you said that. Thank you for those tweets. Well | :37:09. | :37:26. | |
done to people who said Andy Hicks and Anthony Hamilton. Let's dissect | :37:27. | :37:34. | |
some of those matches. I just want to talk about the league tables. We | :37:35. | :37:41. | |
are not doing that yet. All I want to say is losing 9-02 Marcus | :37:42. | :37:49. | |
Campbell, at least I won the frame. Let's have a look at the league | :37:50. | :37:58. | |
table. At least Hazel and I are not propping up the table. | :37:59. | :38:08. | |
Have you got anything to say? Considering we spent our time | :38:09. | :38:16. | |
winning we did not notice the other players. Well I was only a my purse | :38:17. | :38:23. | |
so I do not remember those matches! And I have got more hair than you! | :38:24. | :38:31. | |
Back to our commentary team, John Virgo and Willie Thorne. | :38:32. | :38:58. | |
Mark Selby, definitely from Leicester, and he has got that two | :38:59. | :39:07. | |
frame advantage back. Not a bad break off but there may be an | :39:08. | :39:12. | |
attempt here for Neil, if he can roll this red to the right corner | :39:13. | :39:16. | |
and without do anything, get a position on the black, and he will | :39:17. | :39:17. | |
take it on. He won the first two frames of this | :39:18. | :39:45. | |
session. He will be a bit disappointed when he went to the | :39:46. | :39:48. | |
mid-session break, still two behind. There have been sometime frames. -- | :39:49. | :40:09. | |
some tough frames. It is really turning into a battle. The average | :40:10. | :40:14. | |
frame time is moving up. Nearly 22 minutes frame. | :40:15. | :40:23. | |
The average shot time is about normal for both these players. Neil | :40:24. | :40:31. | |
Robertson can get a bit bogged down sometimes and get up in the 30s. | :40:32. | :40:40. | |
Yes, the frame time is being this long is not because they are missing | :40:41. | :40:45. | |
balls. The standard of safety has been pretty good, except just then. | :40:46. | :41:00. | |
He had a couple of long pot chances which he missed. | :41:01. | :41:30. | |
He has got a nice target with the green and brown. A bit too much side | :41:31. | :41:39. | |
on that. He has missed yellow. There was a little tap on the table | :41:40. | :42:04. | |
and I am sure Mark said shot. It is not easy to play safe. It is a bit | :42:05. | :42:11. | |
congested. This is his these. -- this is his view. | :42:12. | :42:38. | |
APPLAUSE A flick of the yellow. That has made | :42:39. | :42:44. | |
it pretty good. A containing safety. | :42:45. | :43:17. | |
APPLAUSE Pretty good. | :43:18. | :43:34. | |
I don't think he can get in behind the brown and green. | :43:35. | :44:00. | |
He was obviously trying to get the other side of the middle pocket. A | :44:01. | :44:22. | |
couple of long pots but the black now not available. | :44:23. | :45:00. | |
Deciding to leave the straight red. The pink is available. He may have | :45:01. | :45:13. | |
ideas of screwing back for blue or bought colour. This next pot more | :45:14. | :45:14. | |
difficult. A good pot it was. That is the | :45:15. | :45:32. | |
advantage, when you're opponent goes off, you can adjust that cue ball | :45:33. | :45:38. | |
anywhere you like in the D. He found the angle to make it easier. | :45:39. | :46:10. | |
I think the black may be available in to the opposite corner. Not a bad | :46:11. | :46:14. | |
chance now. APPLAUSE | :46:15. | :46:33. | |
I was sure for a moment Neil thought he had let that cue ball won just a | :46:34. | :46:38. | |
bit too far but it stopped just in time. Straight on this black, it | :46:39. | :46:47. | |
would have been a formality, just roll it in and play for the red that | :46:48. | :46:49. | |
is just below the cue ball. I think he thought he was going to | :46:50. | :47:22. | |
kiss that second red there. Just getting up off the shot. Something | :47:23. | :47:31. | |
was whistling, I do not know if it is a phone. It is a distraction he | :47:32. | :47:35. | |
could do without. He wants to be high on this black | :47:36. | :48:29. | |
rather than low. With him being hampered, he just had to play the | :48:30. | :48:33. | |
run-through. You would expect him to be on a red but it is not a | :48:34. | :48:37. | |
straightforward positional shot, this. | :48:38. | :48:48. | |
He is trying to push the red out of the way that I still do not see how | :48:49. | :48:55. | |
he can get the white into play. The white was not going to do anything. | :48:56. | :49:05. | |
He was lucky to get through to this. The white could not do anything | :49:06. | :49:06. | |
there. This is a big second prize. | :49:07. | :49:33. | |
APPLAUSE That was a bonus to be on that red. | :49:34. | :49:39. | |
And now pot the blue, play a little cannon on the two reds together, | :49:40. | :49:43. | |
just a soft little cannon, catch the join of them. | :49:44. | :49:51. | |
You would not want to hit it hard. If he hits it hard, or too hard, one | :49:52. | :50:01. | |
of those reds could block the black from going in the left corner. | :50:02. | :50:14. | |
Was he too thin on the blue to play the delicate shot? I think he was. | :50:15. | :51:00. | |
A great recovery. Once again, you can say he was a little bit | :51:01. | :51:09. | |
fortunate to have that as an option, but take nothing away from | :51:10. | :51:15. | |
the pot. He is looking at the pink. I thought the black went into the | :51:16. | :51:16. | |
left corner. He played it nicely. A great chance | :51:17. | :51:28. | |
now. I can only presume the black must | :51:29. | :51:53. | |
have been tight in that left-hand corner. The pink was more difficult | :51:54. | :51:58. | |
than the black. But he has done it nicely this time. | :51:59. | :52:27. | |
Goodness me, it has been hard work this break. Give him credit for | :52:28. | :52:36. | |
playing the more difficult pink because the black was unmissable but | :52:37. | :52:42. | |
he played the pink for position. Such belief in his potting prowess | :52:43. | :52:45. | |
has Neil. He will be making certain of this | :52:46. | :52:56. | |
black. It may encourage Mark Selby to play | :52:57. | :54:15. | |
on, it looks as if he is. I think Neil Robertson has done enough but | :54:16. | :54:19. | |
he would love to have potted that red and have this frame put to bed | :54:20. | :54:21. | |
now. Mark will concentrate now and try | :54:22. | :54:40. | |
and get the black through these remaining three reds. | :54:41. | :55:43. | |
He did not play the pot. He played safe of that red. | :55:44. | :56:42. | |
You would think, just drop this in and that is the point of no return | :56:43. | :56:46. | |
for Mark. He reduces arrears once again to | :56:47. | :57:58. | |
just one frame. It was an interesting frame. When Neil was | :57:59. | :58:05. | |
hampered by the green and played that containing safety, you did not | :58:06. | :58:11. | |
see a lot of danger therefore Mark. The fact that the blue was in his | :58:12. | :58:17. | |
line. He was trying to hit it thin and swerve it. But the side did not | :58:18. | :58:23. | |
take, its kids. You could see it at the last minute start to swerve. He | :58:24. | :58:28. | |
was expecting the cue ball to arc but it did not happen. You camp at | :58:29. | :58:36. | |
the cue ball anywhere in the D. He managed to find the red. -- you can | :58:37. | :58:50. | |
put the cue ball anywhere in the D. Good straight cueing and from that | :58:51. | :58:54. | |
he made a 72 which in effect, was the frame winner. | :58:55. | :59:05. | |
Thank you, frame 14. Neil Robertson to break. | :59:06. | :59:19. | |
He will be trying to level the match now at seven all. It always looked | :59:20. | :59:27. | |
like a close encounter. Who would take the match by the scruff of the | :59:28. | :59:29. | |
neck? Mark Selby sometimes plays the | :59:30. | :59:53. | |
attacking safety. Could have played the green to the bunch and screw | :59:54. | :59:58. | |
back. Let's see what he does this time. These players are too good to | :59:59. | :00:04. | |
play an escape. I thought Neale would do this earlier on in the | :00:05. | :00:11. | |
match -- Neil. Didn't quite get the bunch. He's clipped the corner. | :00:12. | :00:22. | |
Strange, isn't it... And a little careless because he | :00:23. | :00:25. | |
should have known the angle there, where to hit the green to go to the | :00:26. | :00:29. | |
main bunch of reds. Didn't have to hit them that hard but that was his | :00:30. | :00:35. | |
intention. Good, attacking safety, but flicking the reds. | :00:36. | :00:39. | |
He can't believe it. He's knocked the red in but won't be | :00:40. | :00:57. | |
happy where the cue ball's finished. Unless he can just drop this green | :00:58. | :00:58. | |
in and find a red to go for. Slight angle on this green, but near | :00:59. | :01:28. | |
the cushion. Tough shot. That was a very good effort. | :01:29. | :01:37. | |
To be that close to the cushion and get that, it made the pot more | :01:38. | :01:42. | |
difficult and the movement on the cue ball an excellent shot. | :01:43. | :01:48. | |
As I said earlier, he can pot a ball, this boy. | :01:49. | :02:09. | |
Not guaranteed to get a good angle. There is only one loose red left. | :02:10. | :02:22. | |
If the red pots in the middle, that is OK, but he may then have to | :02:23. | :02:34. | |
cannon one. He's made the pot easier by playing for the pink, but being | :02:35. | :02:39. | |
on the pink at this angle, I'm not certain where the next red comes | :02:40. | :02:44. | |
from. He's going to have to push that red in. | :02:45. | :02:54. | |
It bounces. Has it gone far enough? His body language tells me no. That | :02:55. | :03:03. | |
picture tells you no. I can see the reason now he played for the pink | :03:04. | :03:07. | |
because the pink spot wasn't available, he was going on the black | :03:08. | :03:13. | |
spot, so another inch of roll and he would have been on the red to the | :03:14. | :03:14. | |
corner. Trying to bend the cue ball. Oh, | :03:15. | :03:26. | |
that was risky. Basically he played a lot of left hand side and thought | :03:27. | :03:31. | |
he could just push the red to the right, but that was a risky shot to | :03:32. | :03:33. | |
take on. A secondary spin, so to speak. That | :03:34. | :04:07. | |
nestled the cue ball further into the red balls. That back spin just | :04:08. | :04:15. | |
took them into the reds. I'm saying, he's not had anything. Obviously had | :04:16. | :04:22. | |
a couple of second prizes in the second frame. | :04:23. | :04:27. | |
That was a terrific pot and very good control of the cue ball. Quell | :04:28. | :04:33. | |
played. Looks as though the top red of the | :04:34. | :05:06. | |
cluster will certainly go to the right middle. | :05:07. | :05:19. | |
This is the last of the loose reds apart from the one up the top. | :05:20. | :05:40. | |
Doesn't want to hit one of the Reds to the right of the black ball. If | :05:41. | :05:44. | |
it hits either half ball or either the joint of the two reds, he'll | :05:45. | :05:46. | |
push one towards the middle. That was always the problem. Yes, | :05:47. | :05:58. | |
playing at that pace, it's very difficult to know exactly which way | :05:59. | :06:07. | |
you are going to git into dumb Get into. He could haven't played it | :06:08. | :06:12. | |
much better. When you come off the top cushion, with a bit of top spin, | :06:13. | :06:17. | |
it reverses to almost like a stun shot. When it hits the pack, yes. | :06:18. | :06:22. | |
Cut the black and the red at the same time. Little unlucky to have | :06:23. | :06:26. | |
stuck on them. A similar pattern to quite a few of | :06:27. | :06:31. | |
the frames this afternoon. We have got this tactical battle. If | :06:32. | :06:51. | |
Mark Selby gets the next chance, you fancy him winning the next frame. | :06:52. | :07:02. | |
He was thinking he wouldn't leave anything should he miss it, but he | :07:03. | :07:08. | |
was wrong. No good to him. It would send the | :07:09. | :07:37. | |
white towards that and then the flip on the black. | :07:38. | :07:41. | |
Going to take him to the cushion until then. | :07:42. | :07:49. | |
If Mark can win this frame, he can relax a little bit. When you get to | :07:50. | :07:57. | |
eight, you know you can't go behind into the next session. | :07:58. | :08:08. | |
Certainly he'll feel a lot better when he gets to eight. | :08:09. | :08:31. | |
It's always the Daning we are that shot isn't it, you are frightened of | :08:32. | :08:38. | |
over-screwing and then you can bet your life you'll under-screw. -- | :08:39. | :08:46. | |
always the danger. He knew he couldn't get the right andth angle, | :08:47. | :08:51. | |
wanted to screw back a couple of inches. | :08:52. | :09:01. | |
Didn't manage that. He was trying to hold it and that's the problem, he's | :09:02. | :09:07. | |
trying to hold them and you just take your eye off the pot. Big | :09:08. | :09:11. | |
chance gone. Just tried to pinch a little bit of | :09:12. | :09:29. | |
the pocket to hold for the red. Big shot this now. | :09:30. | :09:39. | |
Where's that red going? ! Well, I thought for a moment it | :09:40. | :09:51. | |
might be going into the left middle. There's twhawn will go to the right | :09:52. | :09:54. | |
middle and Mark Selby will be very, very relieved having missed that | :09:55. | :09:58. | |
last pink on his last visit, he's come straight back to the table with | :09:59. | :10:06. | |
a chance of winning the frame. The worrying thing for Neil | :10:07. | :10:15. | |
Robertson supporters is that every shot's difficult. He'st he's -- | :10:16. | :10:22. | |
every shot's thick that is difficult. When you look at that, | :10:23. | :10:28. | |
you think maybe a trace of the right hand side and he's pushing the cue | :10:29. | :10:30. | |
ball into the red. Very straight on that pink. | :10:31. | :10:45. | |
With it being so close to the pocket, it could use all of the | :10:46. | :10:51. | |
pocket for position. Taking the opportunity to follow the | :10:52. | :10:57. | |
red but it's not worked out ideally this. OK that red's potable, but | :10:58. | :11:02. | |
he's not got the right angle on the blue. He may have to force this cue | :11:03. | :11:05. | |
ball in and out. Is it going to run? It's OK. But | :11:06. | :11:23. | |
this red, it's very close to the middle. It's a very thin cut. So | :11:24. | :11:34. | |
much so, does he fancy it? It's very thin. | :11:35. | :11:39. | |
No. Now, what's he left? We know that the red to the left middle | :11:40. | :11:59. | |
isn't on from where the cue ball is, the yellow's covering the red baulk. | :12:00. | :12:13. | |
Mark's got to sit down and wonder. This is the type of shot he's missed | :12:14. | :12:18. | |
a few of the last couple of frames and there's another one to add to | :12:19. | :12:19. | |
the list. That's twice he's made mistakes, | :12:20. | :12:49. | |
come back to the table with a chance of clinching the frame. How often at | :12:50. | :12:53. | |
this level do you make two mistakes and get another chance to win? Very | :12:54. | :13:15. | |
rare. Pots this red, goes 44 ahead with 43 remaining. | :13:16. | :13:28. | |
It's a bit of a relief. No worse than all square, but this has really | :13:29. | :13:36. | |
been a bonus. Made a lot of mistakes in this frame and it hasn't cost | :13:37. | :13:40. | |
him. If that doesn't give you confidence, nothing will. | :13:41. | :13:44. | |
When you win a frame, those mistakes, you can erase out of your | :13:45. | :13:47. | |
mind. They don't stay with you. Obviously Mark Selby will be going | :13:48. | :14:04. | |
8-6 in front. Needs to make sure of this last red now. | :14:05. | :14:11. | |
This is of course what no player wants, to have a frame drag on | :14:12. | :14:18. | |
needlessly. If he'd have potted that red, there's no way Neil would have | :14:19. | :14:20. | |
come back to the table. Looking to be on the black. Nothing | :14:21. | :14:26. | |
else will do. The possibility of one snooker. | :14:27. | :14:49. | |
One sneerk would be enough. Didn't play the pot. He tried to | :14:50. | :15:48. | |
stun cue ball behind the yellow and was just an inch, that's all, short | :15:49. | :15:51. | |
of pace. The worrying thing for me, OK John's | :15:52. | :16:32. | |
won a couple of things this afternoon, but he's been doing it | :16:33. | :16:41. | |
with not big breaks -- Mark's won, John. He's going to have to win more | :16:42. | :16:47. | |
frames in more than one visit. He may show more form in the next | :16:48. | :16:52. | |
frames where he's not being punished for his mistakes. Yes, you can't | :16:53. | :16:55. | |
rely on your opponent to keep leaving you chances. You've got to | :16:56. | :16:57. | |
do it yourself at this level. They are both blessed with amazing | :16:58. | :17:09. | |
cue power. He's got that cue ball round the table. Two clear again at | :17:10. | :17:31. | |
8-6. Definitely a pattern emerging here. | :17:32. | :17:44. | |
A two frame advantage once again to Mark Selby. You get the feeling this | :17:45. | :17:47. | |
is going to go to the wire? Yes, but that was the most tense frame I | :17:48. | :17:51. | |
think from the players' perspective. They felt the heat. Both players | :17:52. | :17:56. | |
uncharacteristically missing the balls from some distance, so it's | :17:57. | :18:00. | |
getting tough out there. Steve describes it as tense, some may | :18:01. | :18:06. | |
describe it as a bit scrappy? Yes. If you were polite, you would say | :18:07. | :18:10. | |
it's tough match snooker and it is. You can't get much more to play for | :18:11. | :18:15. | |
than being in the final. Mark Selby will at least be level going into | :18:16. | :18:19. | |
the next session, so he can relax a little. Steve, wren you look at Mark | :18:20. | :18:24. | |
Selby's record this season, the UK champion final, he lost. Is the hurt | :18:25. | :18:36. | |
of his past driving him on? The built is between his teeth as regard | :18:37. | :18:40. | |
to having some resolve. One thing he's not short of is match practice. | :18:41. | :18:47. | |
We talk about ding and O'Sullivan being the big winners and they have | :18:48. | :18:51. | |
had plenty of practice and Mark is there or thereabouts. Marks out of | :18:52. | :18:56. | |
ten, schoolteacher Hendry what would you give? Robertson's one step | :18:57. | :19:01. | |
forward, two steps back, he's scoring heavier but Selby is just | :19:02. | :19:05. | |
brilliant at putting bad shots behind him and soldiering on and | :19:06. | :19:08. | |
winning frame after frame. That, ladies and gentlemen, is a refusal | :19:09. | :19:11. | |
to give marks out of ten. That's how to do it, politician's answer, very | :19:12. | :19:15. | |
diplomatic. Thank you very much. Back to John and Willie. | :19:16. | :19:21. | |
Always very interesting to hear the comments of two of the legends of | :19:22. | :19:40. | |
the Gateshead. -- legends of the game. | :19:41. | :19:45. | |
Robertson, of course, already a world champion. | :19:46. | :19:51. | |
I think this session, Willie and the importance of it, has just overtaken | :19:52. | :19:58. | |
the match really. There's a lot of tension out there and I think both | :19:59. | :20:07. | |
players, as was indicated by Steve Davis, is there. Neither player's | :20:08. | :20:11. | |
taken the session by the scruff of the neck and gone for balls. | :20:12. | :20:16. | |
Robertson probably played the more aggressive of the two. Mark, albeit | :20:17. | :20:20. | |
once again, not at his best, but he's winning frames. That's what | :20:21. | :20:26. | |
makes him difficult to beat. He won't be happy with that. Safety | :20:27. | :20:31. | |
play, to be honest, it's as bad as I've seen it. It really is. He's | :20:32. | :20:37. | |
found the baulk line more than the baulk cushion. | :20:38. | :20:56. | |
Missed quite a few of these. I think the fact he played it a shot for | :20:57. | :21:06. | |
something, a shot for nothing, do you think the fact he was able to | :21:07. | :21:11. | |
power it in made it easier? Yes, certainly does make it easier. The | :21:12. | :21:16. | |
harder you hit them, the more accurate your cueing's got to be. | :21:17. | :21:31. | |
I think it's OK. Match time coming up, five hour, 14 frames. | :21:32. | :21:47. | |
Average. If you think one player starts to get a grip, the average | :21:48. | :22:00. | |
frame time will probably come down to around 17 or 18 minutes. It's | :22:01. | :22:03. | |
just that they are needing two or three chances per frame at the | :22:04. | :22:08. | |
moment to win frames. Four frames in the match only that the player's won | :22:09. | :22:11. | |
the frame at one visit. Might just flick the pink into play | :22:12. | :22:34. | |
here if the red behind the pink doesn't pot. If the red pots behind | :22:35. | :22:40. | |
the pink, he won't. He'd like to hit the two reds together and miss the | :22:41. | :22:44. | |
pink. He's playing it low so might be playing straight into the pink. | :22:45. | :22:47. | |
Whatever he was playing, it hasn't worked. | :22:48. | :22:50. | |
I don't know whether he's playing to miss them or hit them both at the | :22:51. | :22:54. | |
same time. What do you think, John? I think he was trying to miss it. He | :22:55. | :23:00. | |
didn't get on to the cue ball enough. It appears that red did go. | :23:01. | :23:05. | |
Maybe the one he kissed went as well. It's a head-shaker. | :23:06. | :23:58. | |
Having a look at the three reds here. | :23:59. | :24:08. | |
He's going to go close. The only thing that would concern him if he | :24:09. | :24:13. | |
played this to plan, there's no clear path for the cue ball back to | :24:14. | :24:18. | |
baulk end, so if you go for it, you'd better be sure you can get it. | :24:19. | :24:39. | |
He's taking it on. And he's got it! And he's on the black. Considered it | :24:40. | :24:49. | |
worth the risk. And he was right. Just coming round hoping this black | :24:50. | :25:24. | |
will go to the right corner. The black obviously goes. This is a | :25:25. | :25:39. | |
golden opportunity. This is the first time for as long | :25:40. | :26:21. | |
as we can remember that we've had Mark around the black spot and it's | :26:22. | :26:36. | |
come right at the right time. He's made over 300 centuries from | :26:37. | :26:40. | |
this position. You'd expect him to win the frame. | :26:41. | :27:30. | |
You these in practise to get the cue arm going. | :27:31. | :27:38. | |
Always a good practise routine when you're playing on your own at the | :27:39. | :27:45. | |
club, trying to make 50 or 60 points without touching the cushion and you | :27:46. | :27:46. | |
set them up like this to do that. Four shots on the trot without the | :27:47. | :28:18. | |
cushion. I just wonder whether he finished low enough on the black to | :28:19. | :28:21. | |
hold the white again. It's not easy when you don't hit cushions, you | :28:22. | :28:24. | |
never know how they are going to react. This time he's just used the | :28:25. | :28:28. | |
cushion, it's a little lower, but it's still OK. | :28:29. | :28:43. | |
He's played the cannon. Has it gone wrong? 59 points remaining. He could | :28:44. | :28:51. | |
not have expected that. Whether he played the cannon or | :28:52. | :29:01. | |
thought he was going to drift past that red, what's happened there is | :29:02. | :29:08. | |
unbelievable. I April souped he would have played | :29:09. | :29:12. | |
the cannon on the pink. Selby is too good a player to have risked it on | :29:13. | :29:17. | |
the red. You couldn't believe it would be on nothing. It was the red | :29:18. | :29:23. | |
to get on to the black, just finished too low on the black. It's | :29:24. | :29:24. | |
been costly. APPLAUSE | :29:25. | :29:37. | |
Still plenty of points on. Should Robertson get an | :29:38. | :29:43. | |
opportunity... And there you see it again. Maybe he | :29:44. | :29:48. | |
just thought, if I hit that red, I'm bound to be on the one in the | :29:49. | :29:50. | |
middle. As I've said on many occasions at | :29:51. | :29:58. | |
this game, you can't drop your guard for a second, don't assume anything. | :29:59. | :30:06. | |
First test for Neil Robertson. Can he get this safe? | :30:07. | :30:20. | |
He is just having a look. There is a chance he could play the pot and | :30:21. | :30:24. | |
find a chance for the cue ball. He found the path back to the ball | :30:25. | :30:39. | |
Kent. -- baulk end. This is a very dangerous road to | :30:40. | :31:34. | |
play safe off. -- dangerous red. This red he is playing now is | :31:35. | :31:36. | |
pottable. He would like to have seen that red | :31:37. | :31:54. | |
go in, believe me. You talked about it earlier, he is | :31:55. | :32:32. | |
not finding the top cushion. Second prize there. This time there is a | :32:33. | :32:39. | |
possibility of playing off that red that is Ray close to the left-hand | :32:40. | :32:44. | |
cushion. Because he can hit it caught a ball the side, you avoid | :32:45. | :32:47. | |
the double-kiss. I'm surprised that Mark is not | :32:48. | :33:17. | |
having a look to see if there is a possibility of a plant on these two | :33:18. | :33:24. | |
reds in the middle. I think there is a bit of value of taking this red | :33:25. | :33:26. | |
one. -- red on. He would not have been moving reds | :33:27. | :33:50. | |
around if he had taken the outside one of the two. There was a wry | :33:51. | :34:00. | |
smile on Mark's face when he looked at that so I assume he feels he has | :34:01. | :34:03. | |
left this on for Neil. He did not. The blue has come to his | :34:04. | :34:18. | |
rescue. He has not got it behind the brown. | :34:19. | :34:34. | |
He played the snooker and did not get it. | :34:35. | :34:48. | |
Too thick. He has been fortunate. Once you hit the safety that thick, | :34:49. | :35:05. | |
you are entitled to leave something a little bit easier than he has | :35:06. | :35:07. | |
done. He will be disappointed that he has | :35:08. | :35:32. | |
not got anything easier than this. As you say, you feel sometimes that | :35:33. | :35:38. | |
one good pot, one good positional shot and we could have a new | :35:39. | :35:42. | |
favourite for this frame. But this is tough. It must be thinner than it | :35:43. | :35:47. | |
looks from our commentary position. It is there but he did not really | :35:48. | :36:03. | |
get into it as he would have liked. He is not on this black good at all. | :36:04. | :36:33. | |
It is amazing that extra four points. | :36:34. | :37:05. | |
The red on the back cushion is no problem. And a lot of thinking to do | :37:06. | :37:12. | |
for Mark. I hope Mark can reach this. If he needs the long rest with | :37:13. | :37:19. | |
the spider, he will need a box to stand on. | :37:20. | :37:41. | |
Well played. That was not easy. Some nervy moments in this match. That | :37:42. | :37:51. | |
took for a steady hand. The red is all he needs. If it is | :37:52. | :38:31. | |
tight on the cushion, I would fancy Mark to potted. It is just off. | :38:32. | :38:53. | |
The red that is past the middle pocket, he would like to hit that | :38:54. | :39:00. | |
full in the face. But the red is likely to kiss into the brown or | :39:01. | :39:04. | |
yellow. That is what is causing him a problem. | :39:05. | :39:14. | |
I think it is more important to try and get the red safe. He took a | :39:15. | :39:27. | |
chance. He played a good white as well. An excellent safety shot, well | :39:28. | :39:30. | |
played. APPLAUSE | :39:31. | :39:36. | |
He will be very pleased where the red has finished. That has tied | :39:37. | :39:43. | |
those two reds up on the top cushion. A little bit of insurance. | :39:44. | :41:28. | |
Once again the red is on, if he takes it on, there is a gap around | :41:29. | :41:39. | |
the black. If he hit it thick it might can into the two reds which is | :41:40. | :41:44. | |
what you don't want to do. -- might cannon into the reds. | :41:45. | :41:56. | |
Amazing. Knocking the red in means he now needs snookers. 48 points | :41:57. | :42:13. | |
behind. 43 remaining. I was a little bit surprised he played it at that | :42:14. | :42:14. | |
pace. Yesterday, he made a break of 133. | :42:15. | :42:38. | |
What he would not give for one of those. | :42:39. | :42:44. | |
APPLAUSE And that is it. Mark Selby stretches | :42:45. | :42:51. | |
his lead. Neil Robertson wanted to win this | :42:52. | :43:16. | |
session. He can't win it now. The best he can do is go all square. And | :43:17. | :43:22. | |
he concedes. So Mark Selby has done very well in that frame. He played a | :43:23. | :43:28. | |
very good plant early on in it. That was the catalyst for him going three | :43:29. | :43:30. | |
frames ahead. 24 minutes on the nose. I suppose | :43:31. | :43:41. | |
the danger for these two is that these boys will go through a | :43:42. | :43:46. | |
mentally draining couple of frames of snooker and that could have an | :43:47. | :43:50. | |
impact on Sunday's final, whichever player gets through. Each player is | :43:51. | :43:55. | |
putting themselves through undue stress. We are left with 15 minutes | :43:56. | :44:03. | |
or 20 minutes strategy at the end of each frame and that can take its | :44:04. | :44:10. | |
toll. Steve? To some degree, it has gone a little bit flat, the match, | :44:11. | :44:15. | |
because it has become tactical. There is a lot of posing and | :44:16. | :44:20. | |
studying going out there. Not posing, studying. Not posing! There | :44:21. | :44:26. | |
is a lot of walking around the table to work out. The tactics are so | :44:27. | :44:32. | |
strong. Mark Selby is arguably one of the hardest tacticians to play | :44:33. | :44:35. | |
against. It is hard to break free of that. Perhaps the same has applied | :44:36. | :44:43. | |
to Neil Robertson, someone said try and speed it up or push it. It is | :44:44. | :44:48. | |
hard to push the pace against Mark Selby because he is a predator. He | :44:49. | :44:54. | |
will wipe all the ball flop. He is not unable to knock them all in, | :44:55. | :44:59. | |
given the chance. And also, given what is at stake? This is a massive | :45:00. | :45:04. | |
session. There are also two sessions tomorrow. Selby now has the lead. | :45:05. | :45:11. | |
Like last night, can he extend to four frames because that will be | :45:12. | :45:17. | |
huge. Sometimes they win four or five frames in a row. Is Mark Selby | :45:18. | :45:21. | |
in the same position that you would want to beat at this stage of the | :45:22. | :45:25. | |
match, Steve, going into the third session? You cannot argue against | :45:26. | :45:33. | |
having the chance to open up a four frame lead. It is a marvellous | :45:34. | :45:37. | |
position to be in. Let's see what Neil Robertson can do. Can he haul | :45:38. | :45:42. | |
themselves back into this match? Here we go. | :45:43. | :46:04. | |
Mark Selby, even though he is in front, his safety will improve. That | :46:05. | :46:14. | |
is the best safety shot he has played off the afternoon. | :46:15. | :46:37. | |
Well, he thought when he played that raged there was not a lot of danger. | :46:38. | :46:45. | |
Take nothing for granted, this game -- when he played that red. | :46:46. | :47:04. | |
He was able to control it nicely on the green. A better angle to get the | :47:05. | :47:09. | |
cue ball back to this end. He possesses a wonderful amount of | :47:10. | :47:33. | |
cue power. You will see this cue arc and once again, he needs a half bull | :47:34. | :47:44. | |
-- half ball kiss. This time, he has got the half ball kiss. Look at the | :47:45. | :47:54. | |
arc he gets on this as well. It couldn't have turned out better. | :47:55. | :48:13. | |
Tooth in a potting angle to go for the blue but nicely on the green. -- | :48:14. | :48:22. | |
too thin a potting angle. He will know the magnitude of this frame. He | :48:23. | :48:28. | |
won the first session 5-3. If you can win this game, then he will have | :48:29. | :48:35. | |
won this session 5-3. 93% pot success. It is the pot success which | :48:36. | :48:43. | |
Ronnie O'Sullivan is producing in the other semifinal. | :48:44. | :48:59. | |
I do not think he has missed many easy balls but he has run out of | :49:00. | :49:03. | |
position a few times. APPLAUSE | :49:04. | :49:54. | |
He did not have to do a lot with the cue ball. | :49:55. | :50:19. | |
What a kick that was. If that red was not over the middle pocket, you | :50:20. | :50:32. | |
can see the ball bouncing all over the place, it would be almost out of | :50:33. | :50:39. | |
position. Sometimes you get those kicks. As you say, could be end of | :50:40. | :50:42. | |
break. Still on track to have a four frame | :50:43. | :51:01. | |
advantage at the end of the second session. And a night off to | :51:02. | :51:08. | |
recuperate, John, because it has been a tough battle. It has been | :51:09. | :51:13. | |
hard. And spare a thought for the referee. | :51:14. | :51:30. | |
He has got to concentrate on every shot. He does not have time sat | :51:31. | :51:35. | |
down. I was talking to him at the mid-session break. He said he has | :51:36. | :51:40. | |
got to have his wits about him because there is a lot of safety and | :51:41. | :51:45. | |
things to keep his eye on. He has done well this afternoon. | :51:46. | :51:57. | |
This black will put him 60 points in front. | :51:58. | :52:05. | |
Didn't see that one coming! I can only think he changed his mind | :52:06. | :52:16. | |
there. He was thinking about playing for the loose red and then he | :52:17. | :52:21. | |
thought, I cannot miss the black. I will play to get the four reds into | :52:22. | :52:23. | |
play. The key thing is he has got the | :52:24. | :52:35. | |
black safe. Neil has been very fortunate there. | :52:36. | :53:10. | |
To win it at this visit, he will need the black to win the frame, if | :53:11. | :53:22. | |
he gets that far. That has been Mark Selby's Achilles heel this season. | :53:23. | :53:35. | |
He has got that little bit of doubt. When he knew it was an | :53:36. | :53:45. | |
important frame. We were looking at Mark and that black key missed. Neil | :53:46. | :53:50. | |
Robertson must have been having a worrying moment because the referee | :53:51. | :53:54. | |
was trying to get the pink on its spot. It would not go on. | :53:55. | :54:13. | |
He just wants to get through the gap. Does not want to risk any | :54:14. | :54:17. | |
kisses here. Somebody appears to be moving in the | :54:18. | :54:32. | |
crowd. Can you please sit still in the crowd? | :54:33. | :54:44. | |
It was a lady putting something in her handbag which was the problem | :54:45. | :54:48. | |
but she has stopped now. That is what creates the | :54:49. | :55:08. | |
atmosphere, the theatre, you have got to be very careful and | :55:09. | :55:12. | |
frightened to breathe sometimes. It all adds to the atmosphere. No place | :55:13. | :55:21. | |
like the Crucible. The semifinal of the world Championship, one table. | :55:22. | :55:49. | |
32 points behind. Three reds and three pinks will put him 11 points | :55:50. | :56:09. | |
behind. He can win this frame without the black. | :56:10. | :56:15. | |
If he can take pinks with these reds, he will not need the black. | :56:16. | :57:08. | |
STUDIO: I am afraid it is at this point that we have to say goodbye to | :57:09. | :57:15. | |
you here on BBC Two. Coverage continues right now, if you hit the | :57:16. | :57:22. | |
red button, you will be able to watch Neil Robertson play Mark | :57:23. | :57:31. | |
Selby. Hazel Irvine will be back tomorrow -- this evening. Goodbye. | :57:32. | :57:35. |