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Here he comes, ready to dig deep once again, Barry Hawkins! A | :00:32. | :00:44. | |
magnetic talent, simply irresistible to watch, blink and you will miss | :00:45. | :00:53. | |
him, the Rocket! Ronnie O'Sullivan! Another Ronnie special. | :00:54. | :01:03. | |
Good evening, I hope you will be spending Friday night with us here | :01:04. | :01:10. | |
at the Crucible Theatre for our run which is a smash hit once again, the | :01:11. | :01:15. | |
2014 Dafabet World Championship. This does not win to tee finish | :01:16. | :01:25. | |
until Monday night. This evening, are cheaper tackiness are due out, | :01:26. | :01:29. | |
we have Ronnie O'Sullivan and Barry Hawkins. -- our sheep protagonists | :01:30. | :01:35. | |
are due out. Century number eight for Ronnie | :01:36. | :01:46. | |
O'Sullivan. Back-to-back centuries. The Rocket | :01:47. | :02:27. | |
is on fire at the moment. Well played, Barry Hawkins. He has got a | :02:28. | :02:41. | |
smile on his face, he has 10-3. This green for the 100. A well played by | :02:42. | :02:48. | |
Barry Hawkins. He still trails Ronnie O'Sullivan. We're here with | :02:49. | :02:56. | |
Dennis Taylor and Willie Thorne, always a great era of anticipation | :02:57. | :02:59. | |
with Ronnie O'Sullivan coming into the arena. Yes, even at 10am, and | :03:00. | :03:07. | |
the way that he played, years so focused. Every credit to Barry | :03:08. | :03:14. | |
Hawkins. He came back in that last frame and that has kept him in. It | :03:15. | :03:21. | |
is very easy to throw your toys out of the pram. Yes, all of a sudden, | :03:22. | :03:29. | |
he is now 10-2 behind, so that 15 minute interval must've felt like | :03:30. | :03:32. | |
half an hour so he has now pinched more frames. If he wins this 3-1, he | :03:33. | :03:42. | |
is back in the match? , yes, he has been in the practice room with Terry | :03:43. | :03:57. | |
Griffiths, and he is determined. If he wins this with a session to | :03:58. | :04:02. | |
spare, it would be a dream! Yes, it would be a dream! Now, over to Rob | :04:03. | :04:15. | |
Walker. Hello, good evening, this is act three in this fascinating | :04:16. | :04:19. | |
drama, two world-class players, but there is only room for one in | :04:20. | :04:24. | |
Sunday's 2014 Dafabet World Championship file. -- finals. | :04:25. | :04:35. | |
Please welcome first of all, a player who has come of age in the | :04:36. | :04:42. | |
last two seasons, the winner of the Australian open in 2012, he was at | :04:43. | :04:47. | |
the final here last year, he battled back against Ricky Walden and | :04:48. | :04:53. | |
Dominic Dale and battled through this morning to give himself a final | :04:54. | :04:57. | |
chance, give it up for Barry Hawkins! CHEERING | :04:58. | :05:20. | |
And his opponent, the most exciting player ever to grace the modern | :05:21. | :05:29. | |
game, 21 years after his Crucible debut, here he is bidding for his | :05:30. | :05:34. | |
sixth appearance in a Crucible final which saw just how much it still | :05:35. | :05:39. | |
means to him with that amazing comeback against Joe Perry. He is | :05:40. | :05:43. | |
the winner of the Champion of champions, the Masters this season | :05:44. | :05:47. | |
also, is he about to take one step closer to one more title, here comes | :05:48. | :05:51. | |
the defending world champion, blink and you will miss him, the Rocket, | :05:52. | :05:58. | |
Ronnie O'Sullivan! CHEERING | :05:59. | :06:05. | |
It is quite boisterous in there tonight, it is conceivable that this | :06:06. | :06:12. | |
match could end this evening, this is the third of four sessions | :06:13. | :06:18. | |
scheduled. Can Barry Hawkins slow the express train that is Ronnie | :06:19. | :06:21. | |
O'Sullivan? Over to Dennis Taylor. Thank you, Hazel, what a great | :06:22. | :06:40. | |
reception for both players. Thank you, ladies and gentlemen, frame 17, | :06:41. | :06:43. | |
Barry Hawkins to break. Barry Hawkins gets the first frame | :06:44. | :06:57. | |
under way. Can he continue from where he left off with that | :06:58. | :07:00. | |
magnificent century break in the final frame of the last session. It | :07:01. | :07:05. | |
truly did keep them in this year's World Championship, you have to say. | :07:06. | :07:10. | |
The part success rate has dropped slightly. -- pot success rate. 74% | :07:11. | :07:25. | |
long pot success rate is very good. And Ronnie O'Sullivan is ahead in | :07:26. | :07:30. | |
the safety department also. And just ahead in the highest break. | :07:31. | :08:33. | |
Pretty good, and he is back this evening, Doctor Steve Peters, a | :08:34. | :08:39. | |
sports psychiatrist, not psychologist, and what ever it is, | :08:40. | :08:43. | |
he has worked wonders with Ronnie O'Sullivan in the last few seasons | :08:44. | :08:47. | |
and has not done too badly with the Liverpool football club. | :08:48. | :09:16. | |
It looks like he is taking the pot on here. | :09:17. | :09:28. | |
Straight into the heart of the pocket. | :09:29. | :09:46. | |
You can see that his long game is better than Barry Hawkins, and he is | :09:47. | :09:50. | |
very consistent with his long game. That baffled Ronnie little bit. He | :09:51. | :10:05. | |
was thinking more about the cue ball and took his eye off the pot, but it | :10:06. | :10:08. | |
did get very good position. We were chatting with John Parrott | :10:09. | :10:22. | |
just before the players came out, and we said that Barry would be | :10:23. | :10:26. | |
looking for 3-1 in this little mini-session. He has got the chance | :10:27. | :10:28. | |
in this opening frame. This is the Department of Barry | :10:29. | :10:54. | |
Hawkins is better than most, he scores very heavily when he gets in | :10:55. | :10:55. | |
here normally. What a battle he had against Dominic | :10:56. | :11:14. | |
Dale in the quarterfinal. He knows more than most that it is possible | :11:15. | :11:19. | |
to make a comeback, but Ronnie O'Sullivan is a different | :11:20. | :11:27. | |
proposition. That is horrendous. He would have been perfect on the red. | :11:28. | :11:31. | |
He got the kick and look at where the white finishes up. It comes back | :11:32. | :11:38. | |
off the cushion, hits the red, so unlucky. The white should have | :11:39. | :11:49. | |
finished leaving the red into the right corner, but look at he | :11:50. | :11:54. | |
finished up. I would still be tempted to take one on, but Barry | :11:55. | :12:03. | |
doesn't look like he wants to. Look at where the white finished with the | :12:04. | :12:08. | |
kick, without that kick, it would been perfect. Looks like it can get | :12:09. | :12:20. | |
to the one on the back cushion. He decided to play a safety. Needs to | :12:21. | :12:24. | |
make sure he misses the blue in the safety. Which he has done. It is a | :12:25. | :12:30. | |
shame. That is a very good length with the | :12:31. | :13:18. | |
safety shot. There is a possible pot in the right corner. | :13:19. | :13:33. | |
Not too bad, there is a red to the middle, but the cue ball is tight on | :13:34. | :13:42. | |
the side cushion. Not guaranteed to get on a colour even if he should | :13:43. | :13:47. | |
pot this. He would have to play to drop on the yellow or the brown. | :13:48. | :13:55. | |
That was never easy. Where will the red finish? Some supporters getting | :13:56. | :14:05. | |
a little excited. The number of times that you think | :14:06. | :14:29. | |
the blue is on its part, you play a positional shot and suddenly you are | :14:30. | :14:33. | |
out of position. But he is OK. He does have the ankle to still get | :14:34. | :15:04. | |
here. He needs to be quite low on the blue. -- he does have the ankle | :15:05. | :15:19. | |
to get here. -- angle. That is what is looking for, a full-ball contact. | :15:20. | :15:27. | |
Oh, no, he has got the red as well. That is quite unlucky. I am sure he | :15:28. | :15:31. | |
had a look around. He got the split is perfect. Was there a possible | :15:32. | :15:44. | |
plant on? That was very unlucky. At least he can smile. | :15:45. | :16:17. | |
That is a real bonus, because now the pink and the black are in play. | :16:18. | :16:30. | |
You do not mind losing a frame if you play a bad shot, but if you play | :16:31. | :16:41. | |
a good chat! He is perfect on the balls, then he breaks the pack. | :16:42. | :16:46. | |
There is no way he could have seen that going in-off that read, so | :16:47. | :16:52. | |
perfect chances and lockers come to the rescue from Ronnie. -- that red. | :16:53. | :18:17. | |
It is almost impossible now for Ronnie O'Sullivan not to get three | :18:18. | :18:24. | |
more reds and some colours which would put him past the winning frame | :18:25. | :18:41. | |
in this frame. You cannot do anything when this happens when | :18:42. | :18:45. | |
you're playing somebody like Ronnie O'Sullivan, because you know that he | :18:46. | :18:54. | |
will dish up. Just taking a little glance at the scoreboard. He has not | :18:55. | :19:02. | |
settled yet this evening, amazingly enough, there had been a couple at | :19:03. | :19:08. | |
he have missed, a couple have gone close to the jaw. | :19:09. | :19:19. | |
He just has to get himself ready for the next frame now. | :19:20. | :19:38. | |
He just rolled that in, did not try to get out on the black. A deep | :19:39. | :19:46. | |
black. But that doesn't matter, because the frame is well and Chuli | :19:47. | :19:49. | |
over. -- truly over. He wants to pot the Latics -- the | :19:50. | :20:16. | |
loft! Doesn't matter about the blue, Barry | :20:17. | :20:40. | |
Hawkins, very unlucky in that frame, but nothing unlucky about | :20:41. | :20:44. | |
that clearance, Ronnie O'Sullivan made that 76 break and he is | :20:45. | :20:46. | |
extending his lead, it is now 12-5. I know many of you would be getting | :20:47. | :20:57. | |
out into the garden this weekend, but these kinds of plants, this is | :20:58. | :21:01. | |
not what Barry Hawkins would have wanted! There was no way he could | :21:02. | :21:09. | |
have known where that was going to go. He has been very unlucky. He had | :21:10. | :21:14. | |
a couple of bad kick today and in the first session, and then he got | :21:15. | :21:21. | |
the double whammy. He is playing through the gap to get on the pink. | :21:22. | :21:27. | |
He clicks it through, it runs, straight on the black, and then he | :21:28. | :21:31. | |
parts the black on the corner which is a good shot. What is your | :21:32. | :21:39. | |
attitude coming into a match like this knowing that there is a danger | :21:40. | :21:42. | |
it could finish early? How do you stay positive and channelled? You | :21:43. | :21:49. | |
have to not panic. You have to wipe the slate clean when the frame is | :21:50. | :21:52. | |
over, there is nothing you can do about the bad luck and everything | :21:53. | :21:57. | |
that has gone, you just have to approach each frame like it is the | :21:58. | :21:59. | |
first. Back to frame 18. Ronnie O'Sullivan, certainly at the | :22:00. | :22:20. | |
top of his game at the moment. Nobody so far has put him under | :22:21. | :22:25. | |
pressure apart from Joe Perry. He produced two the finest friends we | :22:26. | :22:33. | |
have seen at 11-11 to take it 11-13. -- two of the finest frames. | :22:34. | :23:00. | |
Throughout this year's World Championships, there is one thing | :23:01. | :23:06. | |
about Ronnie O'Sullivan, he has not played a wrong shot and when things | :23:07. | :23:09. | |
have gone wrong he has not pushed the boat out. He has played the | :23:10. | :23:19. | |
correct shot each time. He is not taking any risks. He is giving Barry | :23:20. | :23:27. | |
Hawkins the utmost respect. That is what you have got to do. You just do | :23:28. | :23:31. | |
not let your opponent in if you possibly can help it. Still looking | :23:32. | :23:39. | |
at that tip, he has had another tip on, but it is certainly working | :23:40. | :23:49. | |
well, I would say. Barry needs the brown to come to his rescue heroes | :23:50. | :23:59. | |
far as the red in pork is concerned. -- come to his rescue here as far as | :24:00. | :24:05. | |
the red in the baulk area is concerned. | :24:06. | :25:08. | |
Black and pink, once again, slightly out of commission, so a bit of work | :25:09. | :25:15. | |
to be done from Barry. But the reds are nice. | :25:16. | :25:31. | |
He needs to get the pink and play, really. You might play for the red | :25:32. | :25:37. | |
at the bottom of the black spot. He is scratching his head, that | :25:38. | :25:58. | |
white did come off the cushion quite fast, and he is out of position | :25:59. | :26:06. | |
already. Let us have a look in see doesn't hit the cash on? A nice | :26:07. | :26:21. | |
pace. It kept on rolling. -- letters have a look and see if it does hit | :26:22. | :26:29. | |
the cushion? It seems to have quickened right up, the pace. It has | :26:30. | :26:33. | |
bedded in stop the clause is dried out now. -- the cloth is dried out | :26:34. | :26:44. | |
now. He may have a red to go out. The | :26:45. | :27:43. | |
luck of the blue is gone. That needed to slow down, and it | :27:44. | :28:10. | |
has. Has he gone too far? He might have to take the green now, but that | :28:11. | :28:15. | |
is what he would like to do, because there is not much available. But the | :28:16. | :28:21. | |
green is a much easier pot and there are a couple of reds he can get on. | :28:22. | :28:39. | |
A great shot. Look what's happening when he goes into the bunch. All of | :28:40. | :28:53. | |
a sudden, the black is not available. The think is. Would be a | :28:54. | :29:06. | |
lot easier with the black in play. The pink was available into the | :29:07. | :29:09. | |
middle pocket but he did not have the angle on the red, so having to | :29:10. | :29:15. | |
work really hard, but still in position. Another good positional | :29:16. | :29:19. | |
shot and he can keep this break going. | :29:20. | :29:39. | |
He has overrun slightly. You need to have an alternative in case you | :29:40. | :29:45. | |
overhead for you underhit. He is one of the best dressed | :29:46. | :30:02. | |
players I have ever seen. He really is up there with the great rest | :30:03. | :30:11. | |
players. Jimmy White won. But I would put Barry Wright up there. He | :30:12. | :30:14. | |
has potted 13 or 15 with the rest. I am glad that those stats were not | :30:15. | :30:37. | |
around when I was playing with a rest. I would have had none out of | :30:38. | :30:43. | |
15. He can't get perfect. He is nicely on the red, but he is | :30:44. | :30:46. | |
hampered because he's cueing on the red. You can see he is having to | :30:47. | :30:53. | |
jack up a little bit to get up onto it. | :30:54. | :31:01. | |
This red in the middle would be in a better position, but this is | :31:02. | :31:04. | |
dangerous. He is showing real character here, | :31:05. | :31:16. | |
is Irish. -- Barry. Purposely holding the spot. It is | :31:17. | :32:10. | |
much easier to get on this red, withholding the pink spot. He has to | :32:11. | :32:16. | |
be careful he does not snooker himself with the red to the left of | :32:17. | :32:18. | |
the pink. He is a little concerned that it is | :32:19. | :32:30. | |
not overscrew this. It is all about this cannon here. | :32:31. | :32:43. | |
This could develop the black as well as the red. It could be the key to | :32:44. | :32:49. | |
the frame, if this works. A little flick off the black, with | :32:50. | :32:57. | |
the red along the cushion. Once again, he is cueing over a | :32:58. | :33:19. | |
ball. That is there, well done. He had to | :33:20. | :33:27. | |
work hard, but he is still going. Amazing. He has done all the hard | :33:28. | :33:51. | |
work, I mean, there was very little on when he came to the table and | :33:52. | :33:58. | |
suddenly he has put... Well, it was almost in the pockets. After all | :33:59. | :34:02. | |
that hard work, he has missed the pink. | :34:03. | :34:10. | |
Look at the reverse side he had on that. Look where the White has | :34:11. | :34:16. | |
finished up. He has finished rather awkward. He wants the pink back on | :34:17. | :34:23. | |
its spot. He can just about cue past the yellow. | :34:24. | :34:28. | |
Look at the action he has got on that as well. He may not be on a | :34:29. | :34:34. | |
red, but to get the white up there from the straight pink, I mean, talk | :34:35. | :34:36. | |
about cueing well. It is his turn to be fortunate with | :34:37. | :34:53. | |
the position. APPLAUSE | :34:54. | :35:37. | |
Ronnie bringing them back into play, he needs the high value colours in | :35:38. | :36:06. | |
the open -- bringing the black interplay. Barry has got a few balls | :36:07. | :36:15. | |
that are in good positions from his point of view. Blue, a couple of | :36:16. | :36:20. | |
Reds either side of the cushion. Great cueing. | :36:21. | :36:28. | |
APPLAUSE Well, under the circumstances this | :36:29. | :36:42. | |
is a fabulous pot. If he has enough angle, he can get onto the red. It | :36:43. | :36:48. | |
is absolutely straight. When you are struggling, everything goes wrong. | :36:49. | :36:54. | |
The pink is half-ball, he does not want to be playing that. | :36:55. | :37:19. | |
Can he reached this? He has got himself into a position. He only | :37:20. | :37:26. | |
needs a red and colour. I think this is the right choice, a | :37:27. | :37:35. | |
good safety shot. I think after what happened to him | :37:36. | :38:10. | |
in the first frame, it would have been justice to win this frame | :38:11. | :38:12. | |
because he has been in the balls. He has got such a quick brain. He | :38:13. | :38:37. | |
thought, I have a go here, I have a chance. What a pot he has knocked in | :38:38. | :38:40. | |
there. At the pace he has played it, as | :38:41. | :38:45. | |
well, to get on the black. Coming up a long way short on this | :38:46. | :38:57. | |
one. He can cut this down the cushion, | :38:58. | :39:07. | |
but it would have been so much easier. | :39:08. | :39:13. | |
There is no weaknesses. We see the left-hand coming into action here. | :39:14. | :39:43. | |
He is checking the scoreboard. He has played for the blue. | :39:44. | :40:23. | |
Well, that is the first pressure ball I have seen Ronnie miss in this | :40:24. | :40:30. | |
match really. He knew it was frame ball if he got it and he was | :40:31. | :40:33. | |
gesticulating his arm went into the shot a little bit. Barry Hawkins now | :40:34. | :40:41. | |
to secure the frame. 26 points in front, perfect on the green and | :40:42. | :40:46. | |
justice may have been done, because he was an fortunate in the first | :40:47. | :40:47. | |
frame. -- unfortunate. Barry Hawkins only made 36. He | :40:48. | :41:15. | |
mist-macro the blue, but Barry Hawkins pulled one back and trails. | :41:16. | :42:25. | |
That players tour championship he won, he picked up ?100,000 for that. | :42:26. | :42:36. | |
That was a nice little price. REFEREE: | :42:37. | :42:39. | |
Thank you, frame 19, Barry Hawkins to break. | :42:40. | :42:49. | |
The first to 17 that goes through to the final. There is still quite a | :42:50. | :42:56. | |
way to go. For Ronnie O'Sullivan, but even a lot further way to go for | :42:57. | :43:00. | |
Barry Hawkins. That is pretty good, because he had | :43:01. | :43:17. | |
to swerve that a little bit to create the angle for the safety. It | :43:18. | :43:20. | |
wasn't straightforward. He found the gap, he tried the pot | :43:21. | :43:47. | |
but he made sure he got the gap there. | :43:48. | :43:56. | |
That was easier than the previous one he played. | :43:57. | :44:08. | |
APPLAUSE It appears there is no easy way back | :44:09. | :44:24. | |
into Borg here. He has the long run on the right-hand side. Just coming | :44:25. | :44:30. | |
to look to see what happens if he leaves the White at the end of this | :44:31. | :44:32. | |
table. It looks like you will have to do | :44:33. | :44:44. | |
that, hope that money does not knock the warning on the top rail there. | :44:45. | :44:49. | |
If he doesn't find the cushion, may have gone in-off, but he has played | :44:50. | :44:55. | |
well to finish that close to the cushion. Ronnie might be taking this | :44:56. | :44:57. | |
on. Oh, that is going to be unlucky if | :44:58. | :45:55. | |
it goes over the middle. He appeared to wobble that in the jaws of the | :45:56. | :45:59. | |
top pocket, he tried to screw back for safety but when he did not get | :46:00. | :46:02. | |
it in the jaws it was running loose and it hit the yellow and finished | :46:03. | :46:04. | |
near the middle pocket. But once again, the black, so many | :46:05. | :46:18. | |
times off the break-off shot there is a red that goes to the left of | :46:19. | :46:21. | |
the black and puts it out of commission. I think the pink is | :46:22. | :46:23. | |
available. He will have to concentrate on the | :46:24. | :46:32. | |
blue for a couple of shots. I wonder if he will risk trying to | :46:33. | :46:52. | |
get onto the red just above the black spot, so he can nudge away | :46:53. | :46:55. | |
from the black. This red was in the way of the | :46:56. | :47:10. | |
previous shot on the blue. He thinks so quick, Ronnie. | :47:11. | :47:23. | |
He could stun to the left-hand side and try and finish high on the red. | :47:24. | :47:36. | |
I think the MIGHT have helped him there. He would not have been on it | :47:37. | :47:44. | |
like this and it did help. That is amazing. | :47:45. | :47:48. | |
That shot would not have been available to Ronnie without the | :47:49. | :47:54. | |
little flick he had previously. He would not have had the angle to do | :47:55. | :47:55. | |
that. Have a look at this coming through, | :47:56. | :48:16. | |
right? If he misses this red, he will be the wrong side of it and | :48:17. | :48:19. | |
suddenly he glances off it and it finished perfect. | :48:20. | :48:37. | |
Ronnie immediately tries to win the frame. | :48:38. | :48:57. | |
He might have to go on to the yellow spot. No problem with the black | :48:58. | :49:01. | |
being available. He break builds so perfectly well | :49:02. | :49:14. | |
every time he gets to the table. The key to the frame coming up, this | :49:15. | :49:39. | |
shot, if he gets this split right. It is wrong, awkward, amazing how | :49:40. | :49:52. | |
that can happen. He is completely out of position. He played the shot | :49:53. | :50:02. | |
well enough. Unlucky to stick, red. -- unlucky to stick on that red. Can | :50:03. | :50:10. | |
he see enough of that red to get the white behind the pink near the baulk | :50:11. | :50:12. | |
cushion? He has played this well. | :50:13. | :50:27. | |
APPLAUSE He is enjoying his safety play. When | :50:28. | :50:31. | |
he was working with Ray Reardon a few years ago, he was really taking | :50:32. | :50:35. | |
his time with every safety shot and he appears to be in that frame of | :50:36. | :50:39. | |
mind now, when he is enjoyed playing safe. | :50:40. | :50:58. | |
A little smile from Barry. Just going back to the safety game, there | :50:59. | :51:13. | |
is never, ever been a player that has won World Championship just by | :51:14. | :51:16. | |
purely potting balls. You have to have a good tactical game as well, | :51:17. | :51:21. | |
to give yourself the chance to get into pot the balls. When Ronnie | :51:22. | :51:25. | |
wants to be, he is as good a tactical player is anyone we have | :51:26. | :51:26. | |
ever had in the game. Do you know, Willie, I did the match | :51:27. | :52:06. | |
this morning and he knocked a few like this in, a few unbelievable | :52:07. | :52:07. | |
pots. He has to mist-macro the pink, | :52:08. | :52:28. | |
otherwise he might not be on that red. He would love to take the brown | :52:29. | :52:38. | |
on and get himself on that red to the left of the yellow. It looks | :52:39. | :52:43. | |
unnatural to cannon the pink, so let's see how he plays it. | :52:44. | :52:52. | |
That was the best he could do in that situation. A little stun shot. | :52:53. | :53:10. | |
He might have made a mistake here, I think the pink would have gone on | :53:11. | :53:17. | |
the black spot. That is a mistake from the referee. | :53:18. | :53:22. | |
He realises it now, everybody is entitled to make a mistake. I am | :53:23. | :53:43. | |
sure he would not make a mistake like that, he is a top referee. | :53:44. | :53:52. | |
Maybe the spot was covered. Anyway, he is 70 ahead, so the frame is | :53:53. | :53:54. | |
over. I am sure he would not have made | :53:55. | :54:02. | |
that mistake. REFEREE: | :54:03. | :54:23. | |
File. Barry is looking to see how many is in it, now he has gone | :54:24. | :54:26. | |
in-off, he might come back to the table. | :54:27. | :54:44. | |
These colours are well placed for smokers. -- snookers. | :54:45. | :55:54. | |
I think Ronnie thought the frame was over when he hammered the back. He | :55:55. | :56:01. | |
thought Barry would have considered. He will concede now, after that | :56:02. | :56:02. | |
shot. A little wry smile on Barry's face. | :56:03. | :56:09. | |
He thought, he won't knock this in. No exhibition stuff from Ronnie. He | :56:10. | :57:41. | |
just clears the colours up, as he normally would do. | :57:42. | :58:10. | |
Look at the side he had on that ball! | :58:11. | :58:16. | |
Well, he had an early break of 49 and then he cleared the lot with | :58:17. | :58:23. | |
that break of 55 and Ronnie O'Sullivan extends his lead. It is | :58:24. | :58:29. | |
now 13 frames, to six. HAZEL IRVINE: And he needs four of | :58:30. | :58:34. | |
the next five to have the day off tomorrow, if he was to have the day | :58:35. | :58:38. | |
off. How great is the temptation is to it to push things and go for | :58:39. | :58:42. | |
things, a fine line to get right? I think he has woken up in this | :58:43. | :58:45. | |
championship. Some of the stuff in there, there was a brown in the | :58:46. | :58:48. | |
middle pocket that was the wrong angle. He stunned it, honestly, past | :58:49. | :58:54. | |
the pink to get it. Some of the touch shots and the deafness of his | :58:55. | :59:00. | |
play and cue action is fantastic to watch. Do you sense with a session | :59:01. | :59:05. | |
to spare, this target he has in mind? He looks focused. There is no | :59:06. | :59:10. | |
doubt he wants to finish the match tonight. Any player would. He looks | :59:11. | :59:14. | |
focused, walking around the table. We are eulogising here in the box, | :59:15. | :59:20. | |
in our bubble, just watching him float around the table, floating | :59:21. | :59:24. | |
those long red zone, his safety is spot on. He is making all the right | :59:25. | :59:29. | |
decisions, not pushing the boat out. He is so confident and comfortable | :59:30. | :59:32. | |
and comfortable in his own ability. As John said, that brown, so many | :59:33. | :59:36. | |
players in the game and at the top of the game would have rolled up to | :59:37. | :59:39. | |
the green there because that brown is so difficult, to stun it in, to | :59:40. | :59:43. | |
widen the angle and get on the red, a lot of players would have taken | :59:44. | :59:47. | |
the easy way out and try to keep it tight but O'Sullivan in that mode is | :59:48. | :59:55. | |
incredible. Every aspect of his game is finally to and. Let's go back. -- | :59:56. | :00:03. | |
finely tuned. Ronnie O'Sullivan is looking very, | :00:04. | :00:23. | |
very good this evening and totally focused. | :00:24. | :00:57. | |
The normal escape into the side of the pack. He could leave a couple of | :00:58. | :01:20. | |
pots on. He's trying to be precise. One of them few mistakes that Ronnie | :01:21. | :02:24. | |
O'Sullivan has made. Not enough side on that. | :02:25. | :03:01. | |
This is an important shot coming up here, because it has to go right | :03:02. | :03:07. | |
into the reds and hope to get on the black. Is he on the pink? ! That | :03:08. | :03:21. | |
would be a bonus! He never dreamt he could get on the pink, but there is | :03:22. | :03:23. | |
a gap. Well done. He has had a little bit | :03:24. | :03:41. | |
of bad luck in this match, but he was playing to get on the black, and | :03:42. | :03:52. | |
look, that little gap appeared. I was watching Ronnie's face, you | :03:53. | :04:00. | |
never flinched. -- he never flinched. He's totally focused. Just | :04:01. | :04:05. | |
bothered about his own game. A beautiful shot. Could not have | :04:06. | :04:46. | |
played that any better. Just having the white cleaned after | :04:47. | :05:12. | |
a slightly heavy contacts. -- contact. It was a very slight one. | :05:13. | :05:50. | |
Lined up perfectly. The black is available into both pockets. If | :05:51. | :06:02. | |
Ronnie O'Sullivan wins all four after the interval, it could take is | :06:03. | :06:13. | |
to a situation where there is no session tomorrow. He is playing his | :06:14. | :06:19. | |
heart out. I think Barry Hawkins would like to come back tomorrow, | :06:20. | :06:27. | |
spend more time at the Crucible. Needs to flick on the pink. That is | :06:28. | :06:29. | |
awkward. At a red is slightly in the way of | :06:30. | :06:43. | |
his left-handed, so he's back at the pink. -- that red. | :06:44. | :06:59. | |
A good recovery. The pink on the blue spot is much better for Barry. | :07:00. | :07:34. | |
He had a break of 106 in the last frame of the session which gave him | :07:35. | :07:45. | |
a bit of a chance in the semifinal. And this one coming just before the | :07:46. | :07:47. | |
mid-session interval. An awkward kick. He throws the chalk | :07:48. | :08:10. | |
in the area. Virtually one more red and the black and the frame is over | :08:11. | :08:17. | |
and he has just ran slightly out of position. I think he played to | :08:18. | :08:24. | |
cannon the other red. Why risk it? You play it or you don't, you played | :08:25. | :08:30. | |
so nothing can go wrong, and nothing can go wrong. Not over the winning | :08:31. | :08:36. | |
line in this frame yet. It is on like him to not think that something | :08:37. | :08:38. | |
could go wrong there. -- unlike him. What about this for an awkward shot? | :08:39. | :09:00. | |
! It is the extended spider, an extension on the cue, and even if he | :09:01. | :09:06. | |
was to pot this red, he might cannon the black, because he needs to get | :09:07. | :09:15. | |
onto the black. It is awkward to see the cue ball when you have to look | :09:16. | :09:19. | |
down the cue like that. I do not think you like that at all. | :09:20. | :09:30. | |
The only problem here is, look at the way that the reds are. | :09:31. | :09:44. | |
There is a shot on for Ronnie O'Sullivan here if he takes that red | :09:45. | :10:07. | |
and screws from the side cushion onto the black. It would give him a | :10:08. | :10:13. | |
great chance. I think that angle might be there. He forgot to pot the | :10:14. | :10:22. | |
red. Not an easy pot, but the position was perfect. He was | :10:23. | :10:28. | |
disgusted that he missed that shot. It was not easy. | :10:29. | :11:25. | |
There is no easy red available. That was worth taking the risk. | :11:26. | :11:35. | |
Now, he needs a red, a colour and one more red to secure this. This is | :11:36. | :11:45. | |
the final frame before the mid-session interval. | :11:46. | :12:01. | |
If he was behind by the same score, he would probably try to cut the red | :12:02. | :12:09. | |
between the yellow and brown. But he could not risk that with the reds as | :12:10. | :12:16. | |
they are, because he knows what Ronnie O'Sullivan is capable of. | :12:17. | :12:24. | |
He has screwed an offer! He has screwed in offer! -- in-off! When he | :12:25. | :12:59. | |
conceded? He says, you can if you want! Nice to see them both smiling! | :13:00. | :13:16. | |
It is Jimmy White's 52nd birthday today. He is on the main tour next | :13:17. | :13:23. | |
year because Dominic Dale beat Michael Wasley and that meant that | :13:24. | :13:30. | |
Jimmy stays on the main tour. Who knows, we might see him at the | :13:31. | :13:35. | |
televised stages next season. All the best to you, anyway, Jimmy. | :13:36. | :14:07. | |
One-year O'Sullivan walks out, very well done, Barry Hawkins. -- Ronnie | :14:08. | :14:11. | |
O'Sullivan walks out. Both of them head back to their | :14:12. | :14:21. | |
dressing rooms, it is always fascinating to see backstage at the | :14:22. | :14:27. | |
Crucible will stop they are heading off to the tournament office, at the | :14:28. | :14:31. | |
bottom of the corridor, that is the temporary home of Barry Hawkins. He | :14:32. | :14:35. | |
has performed so well in the last year or so and has shot up the | :14:36. | :14:42. | |
rankings. This match has been characterised by some bad luck from | :14:43. | :14:46. | |
Barry Hawkins and also some absolutely brilliant moments from | :14:47. | :14:49. | |
Ronnie O'Sullivan. Which of these are your favourite? So much to pick | :14:50. | :14:54. | |
from, a fantastic screw shot. He heads this too well, he doesn't | :14:55. | :15:06. | |
get on the red. It shows you how he gets through and how his timing is. | :15:07. | :15:11. | |
The way that he plays those shots so effortlessly. The research many | :15:12. | :15:20. | |
great shots. This is my favourite, a wonderful piece of cueing. Such a | :15:21. | :15:25. | |
difficult shot. I nearly jumped out of my chair! Another great charge to | :15:26. | :15:33. | |
keep the break going, tough with the rest. Perfect on the black. So many | :15:34. | :15:39. | |
examples, some delicate play, the power that he has come he makes it | :15:40. | :15:43. | |
look almost casual, the way that he goes about things. When someone is | :15:44. | :15:47. | |
at the top, they make it look simple. His long pot, this is | :15:48. | :15:57. | |
another one, into a blind pocket. Fantastic. And this is the man that | :15:58. | :16:01. | |
a few years ago, we said perhaps his game is on the decline, particularly | :16:02. | :16:06. | |
when we looked at the long potting, but it has completely changed now. | :16:07. | :16:14. | |
Perfect Barry Hawkins, he has kept his composure, he is not giving up. | :16:15. | :16:19. | |
Was a wonderful break. Every time he gets in, he looks to be cueing | :16:20. | :16:24. | |
really, really well, but he is not killing off the frame is as much as | :16:25. | :16:27. | |
Ronnie O'Sullivan is when he gets his chances. He has had kicks, he | :16:28. | :16:33. | |
has had plants, he has committed that session 2-2, so every credits | :16:34. | :16:39. | |
to him. And he has kept his sense of humour. He looks nice and relaxed. | :16:40. | :16:45. | |
You have to have that philosophy, you have to enjoy it and face the | :16:46. | :16:48. | |
challenge and enjoy those challenges will stop we will cap up on the | :16:49. | :16:56. | |
other semifinal. It is between Neil Robertson who has had a brilliant | :16:57. | :17:01. | |
season, he has joined the triple Crown with his last century, he has | :17:02. | :17:09. | |
become one of only eight players to win the Masters, the UK and the | :17:10. | :17:15. | |
world titles. He is playing Mark Selby who was very close to joining | :17:16. | :17:21. | |
that exclusive team, all that is in his way is winning this exclusive | :17:22. | :17:28. | |
World Championship trophy. Mark Selby has worked so hard on his | :17:29. | :17:32. | |
technique. In the early part of his career, he had a lot to be but with | :17:33. | :17:37. | |
his head and was very far away with his bridge and from the cue ball and | :17:38. | :17:40. | |
he has worked very, very hard on those two departments of his game. | :17:41. | :17:44. | |
Still moves his head slightly but he's still working on that, but to | :17:45. | :17:49. | |
get your World Snooker one, what a player. When you talk about | :17:50. | :17:52. | |
temperament, Mark Selby is the one to watch, when some people go into | :17:53. | :17:58. | |
their shell, Mark Selby is one of the best of all time, he is up there | :17:59. | :18:03. | |
with the very best of them. He has a lot of problems with his neck, and | :18:04. | :18:08. | |
as someone that had his career curtailed with a neck problem, it is | :18:09. | :18:12. | |
very hard to put in practice and hard work nowadays but considering | :18:13. | :18:16. | |
all of that, to have had the seasons that he had recently, I think there | :18:17. | :18:24. | |
are certainly a lot more to come. He's one of the best match players | :18:25. | :18:29. | |
you will ever see. I have seen him outplay Ronnie O'Sullivan, and not | :18:30. | :18:33. | |
many people can do that in the game. He is such a solid, all-round match | :18:34. | :18:38. | |
player, and a treat to watch. He has been coming into my club since a | :18:39. | :18:43. | |
four-year-old boy playing from 7am, 8am in the morning up until | :18:44. | :18:52. | |
midnight, he has not been always the best player, but now he is one of | :18:53. | :18:54. | |
the greatest players of all time. You might think his record at | :18:55. | :18:58. | |
ranking event is a bit disappointed, only one file of the World | :18:59. | :19:01. | |
Championship, he wants that on his CV. That would be his goal this | :19:02. | :19:06. | |
season and four seasons to come. -- one final of the World | :19:07. | :19:10. | |
Championships. Believe me, he is capable of becoming a world | :19:11. | :19:15. | |
champion. A superb first session, they were back this afternoon with | :19:16. | :19:19. | |
the second session, it began with Neil Robertson two friends behind. | :19:20. | :19:24. | |
He slipped further adrift going into the last frame of this session, | :19:25. | :19:29. | |
trailing 6-9. -- two friends behind. This was watched by Willie | :19:30. | :19:31. | |
Thorne and John Virgo. He thought wasn't a lot of danger in | :19:32. | :19:52. | |
that red, but you can take nothing for granted in this game and that | :19:53. | :19:56. | |
red has somehow found its way over the middle pocket. | :19:57. | :20:07. | |
He was able to control it so nicely on you would think the green. It | :20:08. | :20:16. | |
gives you a better angle to get the cue ball back to this end. | :20:17. | :20:23. | |
This looks into perfect. -- inch perfect. Not a great pack to go into | :20:24. | :20:37. | |
from the black but he possesses a wonderful amount of cue power. You | :20:38. | :20:43. | |
will see the arc of the cue ball, it leaves a half ball case, not a | :20:44. | :20:56. | |
football is on these group of reds. -- not a full ball case on this | :20:57. | :20:58. | |
group of reds. Once again, nicely on the green. He | :20:59. | :21:31. | |
will know the magnitude of this frame. He has won the first session | :21:32. | :21:39. | |
5-3, if he can win this frame, then he will have won this session five - | :21:40. | :21:46. | |
three, and that 93% pot success is exactly the type of pot success that | :21:47. | :21:49. | |
Ronnie O'Sullivan is producing in the other semifinal. It doesn't | :21:50. | :21:56. | |
appear like that watching it, and whenever he has played safe, he is | :21:57. | :22:05. | |
obviously not taking a pot on. I don't think he has missed many easy | :22:06. | :22:10. | |
balls. It is justly has run out of position a few times and when run | :22:11. | :22:15. | |
out of position, it is not a missed pot if you play safe. | :22:16. | :22:33. | |
It is there. Did not have to do a lot with the cue ball, but the pot | :22:34. | :23:01. | |
was difficult. A frame-winning chance. Has not done it in one frame | :23:02. | :23:11. | |
all afternoon. There is every chance he could do it in one visit here, | :23:12. | :23:13. | |
right at the right time. What a kick that was, luckily for | :23:14. | :23:35. | |
Mark Selby, it is not too bad if he does pot the blue. | :23:36. | :23:47. | |
Sometimes, you get those kicks, and it could be and a break, but he will | :23:48. | :23:54. | |
just drop in this blue and does not have to do anything with the cue | :23:55. | :23:59. | |
ball. -- it could be end of break. Was able to do that, so still on | :24:00. | :24:07. | |
track. Still on track to have a four frame advantage at the end of this | :24:08. | :24:15. | |
second session. And a night off to recuperate, because this has been a | :24:16. | :24:21. | |
tough battle. This has been hard matched Luker. -- match snooker. And | :24:22. | :24:34. | |
spare a thought for the referee, our referee, he has got to concentrate | :24:35. | :24:40. | |
on every shot. He doesn't have time sitting down, and I was talking to | :24:41. | :24:45. | |
him mathematician break and he said that he really has to have his wits | :24:46. | :24:48. | |
about him because there is a lot of safety and a lot of things that he | :24:49. | :24:52. | |
has to keep his eye on. And he has done well this afternoon. | :24:53. | :25:15. | |
Did not see that one coming! Didn't see that! Think he changed his mind. | :25:16. | :25:32. | |
If he pots the black, get on the loose red-macro... What has he got | :25:33. | :25:38. | |
left? He has got a choice of reds. Could | :25:39. | :26:00. | |
get easy position on the pink. Plenty of points to play with. | :26:01. | :26:10. | |
Does not need the black off any of these reds. To win it at this | :26:11. | :26:20. | |
visit, he needs the black to win the frame, if he gets that far. That has | :26:21. | :26:30. | |
been Mark Selby's Achilles heel this season, even when he is playing | :26:31. | :26:36. | |
great snooker, when he gets to frame ball, he just gets a bit of doubt. | :26:37. | :26:46. | |
He knew it was such an important frame. | :26:47. | :27:24. | |
He wants to get through the gap. He doesn't want to miss any kisses | :27:25. | :27:27. | |
here. Somebody must have been moving in | :27:28. | :27:37. | |
the crowd. Can you please sit still? Readers noticed this a lot | :27:38. | :27:43. | |
more than any other players, Neil Robertson. -- he does notice this a | :27:44. | :27:57. | |
lot more. There was a lady putting something in her handbag, that was | :27:58. | :27:59. | |
the problem, but she has stopped now. | :28:00. | :28:09. | |
Yes, that is what creates the atmosphere of theatre, the snooker, | :28:10. | :28:16. | |
you have got to be very careful and frightened to breathe sometimes! But | :28:17. | :28:24. | |
it all adds to the atmosphere and there is no place like the Crucible. | :28:25. | :28:30. | |
The semifinal of the World Championship, one table. | :28:31. | :28:45. | |
Would have liked another two inches of pace to get close to the pink. | :28:46. | :29:07. | |
32 points behind. He can win this frame without the black. If he was | :29:08. | :29:21. | |
to take the pinks with these reds, he would not need the black. | :29:22. | :30:22. | |
Well, this will be a body blow for Mark Selby. He was right in the | :30:23. | :30:25. | |
balls. He did it last night from 5-2 | :30:26. | :30:35. | |
behind, won the last frame. Yes, I usually say position from | :30:36. | :30:51. | |
brown to blue is important but he only needs up to and including the | :30:52. | :30:53. | |
pink. Straight on this blue must have been | :30:54. | :31:04. | |
ideal, but he is down straightaway so he must have been happy with it. | :31:05. | :31:17. | |
APPLAUSE A very easy black, 61 to close | :31:18. | :31:29. | |
within two, he is delighted, Selby disappointed. | :31:30. | :31:34. | |
HAZEL IRVINE: You can see what it meant to Robertson. It was in the UK | :31:35. | :31:40. | |
championship title a few months ago, Selby led 5-1 and was | :31:41. | :31:46. | |
overhauled 10-7. But what a match this is turning out to be. It is, it | :31:47. | :31:54. | |
has all the whole markings of going late into tomorrow night. It is | :31:55. | :31:58. | |
fascinating from both players, great matchplay snooker. A fantastic | :31:59. | :32:01. | |
clearance from Neil Robertson. Let off the hook by Mark Selby. He will | :32:02. | :32:05. | |
be kicking himself and won't sleep as comfortably as he should be. It | :32:06. | :32:11. | |
is finally in the balance. What is your view? They have only just begun | :32:12. | :32:14. | |
to lock antlers! It hasn't started yet. This has not gotten into it | :32:15. | :32:21. | |
yet. I can see this going right down to the wire. Two superb match | :32:22. | :32:25. | |
players, both incredibly difficult to beat. Mark Selby, no matter how | :32:26. | :32:29. | |
he is playing, finds a way to win, and so does Neil Robertson. This is | :32:30. | :32:34. | |
going all the way. They have two more sessions to play, one in the | :32:35. | :32:37. | |
morning tomorrow and one in the evening. Whoever wins that and | :32:38. | :32:42. | |
whoever he goes on to phase in that final, how much is it going to take | :32:43. | :32:47. | |
out of the two of them? That remains to be seen. It is a valid point. If | :32:48. | :32:53. | |
it goes to the wire and Ronnie finishes this match off early, it is | :32:54. | :32:55. | |
an advantage straightaway. You never know. It is hard to separate these | :32:56. | :33:01. | |
two great players. They have every part of the game is top quality and | :33:02. | :33:07. | |
that makes them so difficult to beat. I don't think Neil Robertson | :33:08. | :33:11. | |
has played like he can in that match and Mark has not got away from him, | :33:12. | :33:16. | |
but I am not surprised. Ten o'clock in the morning, we will be on air | :33:17. | :33:20. | |
and you can see it withers here on the BBC. We have about 25 minutes to | :33:21. | :33:29. | |
enjoy here on BBC Two. We are off air at 9pm, and you can follow on | :33:30. | :33:34. | |
the red button. Let's sit back for the next 25 minutes and four fourth | :33:35. | :33:40. | |
-- and four more frames possibly to play and Ronnie needs four more for | :33:41. | :33:41. | |
the victory. Barry's turned to break off. That | :33:42. | :33:58. | |
was a terrific break of 67 in the frame before the mid-session | :33:59. | :34:01. | |
interval, to keep himself in this year's Dafydd World Championship. -- | :34:02. | :34:07. | |
Dafabet World Championship. That will come up past the green and | :34:08. | :34:23. | |
the brown, so a chance for Barry for a long red. It would not leave a | :34:24. | :34:29. | |
great deal. Only the red, he will have a go at. Can he continue here, | :34:30. | :34:33. | |
from where he left off? Where is the red going to finish? | :34:34. | :34:47. | |
The brown has come to his rescue. There may be a gap in the pack of | :34:48. | :35:18. | |
reds, and there was. It was a shot to nothing and once he covered the | :35:19. | :35:23. | |
red he played with the brown, he thought he had got away with it. | :35:24. | :35:41. | |
The audience knew the blue was in before Ronnie did. You could hear | :35:42. | :35:53. | |
them saying, "good shot. " another chance for a long pot, for | :35:54. | :36:17. | |
Barry to have a go at. Can he get a little closer to this one? | :36:18. | :36:29. | |
What a great pot. An excellent chance. | :36:30. | :36:52. | |
There is a red that pots at the left-hand side of the pack. | :36:53. | :37:03. | |
What has happened? Anything any good? At first glance, I am not | :37:04. | :37:10. | |
sure. He is very unlucky, looking at it. They'll all covering each other | :37:11. | :37:15. | |
into the left corner. There is one red that is blocking the path, the | :37:16. | :37:18. | |
one into the middle is not very inviting. This is far from easy. If | :37:19. | :37:28. | |
he could kiss the red, probably could have played it a bit firmer to | :37:29. | :37:33. | |
be fair. The red he begged -- the red he's thinking about in the | :37:34. | :37:38. | |
middle, he could play at party can't kiss its full-ball. It can't stay on | :37:39. | :37:47. | |
the pink. He could, if the red was not in his way, that is the only | :37:48. | :37:50. | |
reason he is not taking that shot that Willie was talking about there. | :37:51. | :38:04. | |
The cue ball has closed, not close enough. A good safety shot from | :38:05. | :38:44. | |
Ronnie. There was precious little room to go through the gap. | :38:45. | :39:13. | |
He hit it too thick. He might have got away with this. There might be a | :39:14. | :39:20. | |
plant on, that is the only thing I can possibly see. Two reds that may | :39:21. | :39:23. | |
be in line for the pocket. He can hit the other want to cut it | :39:24. | :39:29. | |
in. He did not get away with it. Just | :39:30. | :39:44. | |
hit the shot too thick, Barry, that is why it can and into the other | :39:45. | :39:47. | |
red. -- cannoned into. One more good positional shot, he | :39:48. | :40:19. | |
can then get himself onto the black, which would help. | :40:20. | :40:30. | |
That has quite a big bounce. It ran too far, he may not be on a red into | :40:31. | :40:36. | |
the far corner. I am not sure if he can get enough | :40:37. | :40:54. | |
action on this to go round the back of the black. | :40:55. | :41:03. | |
It was the preview shot that was the poor one. | :41:04. | :41:10. | |
Where is the red going? How -- can he get through, he may be able to | :41:11. | :42:11. | |
plan to ball onto it. He has covered everything up. There is one at the | :42:12. | :42:17. | |
edge of the pack that he may be able to send over onto the red and player | :42:18. | :42:24. | |
safety shot. The extreme one, if he cuts that onto, he will be playing | :42:25. | :42:27. | |
to move this red and player safety shot. It will be a bonus if he | :42:28. | :42:30. | |
manages to make the plant. And this time, he has an angle on | :42:31. | :42:58. | |
the colour. He played this as if he was trying to pot wit and he knew if | :42:59. | :43:02. | |
he got the angle right every chance of getting that in. A super shot | :43:03. | :43:03. | |
there. He concentrated so hard on getting | :43:04. | :43:17. | |
the gap, he has got the gap, but forgot the yellow. | :43:18. | :43:29. | |
I am just wondering if he can hold this for the black, somewhere near | :43:30. | :43:32. | |
there. He will probably be able to do it | :43:33. | :43:47. | |
this time. And with the black back on its | :43:48. | :44:06. | |
spot, that is a great chance for Ronnie. | :44:07. | :44:11. | |
If he wins all the frames, he will have the afternoon off. | :44:12. | :44:33. | |
To win two matches with a session to spare must be so much more rest. | :44:34. | :44:59. | |
Didn't you do it, in the quarterfinals or semifinals, in | :45:00. | :45:03. | |
1985? Yes, it is such an advantage. You can get yourself ready for the | :45:04. | :45:15. | |
final. He is a step closer to getting the | :45:16. | :45:40. | |
match over tonight. This was the one, he put it on to | :45:41. | :45:59. | |
the right corner of the pocket and he knew after that he was going to | :46:00. | :46:01. | |
be sitting in his seat for a while. I say sitting in your seat for a | :46:02. | :46:15. | |
while, you don't want to sit in your seat for that long when Ronnie | :46:16. | :46:17. | |
O'Sullivan is at the table. He is so fluent. | :46:18. | :46:25. | |
Just over three minutes for this frame-winning break. | :46:26. | :46:41. | |
The Chancellor century here. -- a chance for a century here. | :46:42. | :47:12. | |
He has had three centuries in this semifinal. | :47:13. | :47:34. | |
It would be money's tense, and he would overtake Neil Robertson, who | :47:35. | :47:43. | |
has had nine. -- it would be Ronnie's tense. | :47:44. | :47:59. | |
Last year, 55 centuries. A brilliant clearance from Ronnie O'Sullivan. | :48:00. | :48:11. | |
One mistake from Barry Hawkins and that is all it took. Ronnie | :48:12. | :48:15. | |
O'Sullivan has cleared up with that magnificent 103 break and he now | :48:16. | :48:18. | |
leads 14-7. HAZEL IRVINE: Three away from a | :48:19. | :48:24. | |
fifth Crucible final, the third on the trot. Is there an air of | :48:25. | :48:31. | |
inevitability? It is looking like a runaway train. Barry has to try and | :48:32. | :48:34. | |
minimise the damage. Try and keep it, get another frame on the board | :48:35. | :48:42. | |
to win another session. It is sublime snooker. Faultless at times. | :48:43. | :48:46. | |
He is in total control. He is buzzing around there, made a century | :48:47. | :48:51. | |
in a little under four minutes. It is hard to stop, no matter who you | :48:52. | :48:55. | |
are. Especially in this kind of form. It is not unheard of for guys | :48:56. | :49:00. | |
like you, you were six behind to Paul Hunter and came back to beat | :49:01. | :49:03. | |
him, Ken. But it becomes harder against a man of his calibre and | :49:04. | :49:09. | |
when he has built up ahead of momentum? Coming back from | :49:10. | :49:13. | |
scorelines like that, you need help from | :49:14. | :49:15. | |
get any from O'Sullivan. That get any from O'Sullivan. That | :49:16. | :49:19. | |
century is as good as you will get. You need those two things happen and | :49:20. | :49:24. | |
it will not. It could be about respectability for Barry Hawkins. | :49:25. | :49:26. | |
Three more frames to play this evening. | :49:27. | :49:32. | |
If Barry Hawkins wins the next three, we still have a match on. | :49:33. | :49:41. | |
Ronnie will do his utmost in these next three frames to have the full | :49:42. | :49:44. | |
day off. He will probably go for a ten or 15 | :49:45. | :49:57. | |
mile run if he gets the day off tomorrow. With a bit of luck, he | :49:58. | :50:02. | |
might pass you, Willy. Barry Hawkins is playing some great | :50:03. | :50:27. | |
safety. As John Parrott said, Ronnie is | :50:28. | :50:48. | |
playing at the top of his game. You can't afford to give him anything. | :50:49. | :51:23. | |
He has to be careful with this safety shot. There is a gap to get | :51:24. | :51:31. | |
through to that red. I don't think so, this time. | :51:32. | :51:38. | |
Look at this red here, he may take this pot on. There is no easy safety | :51:39. | :51:43. | |
shot. He has knocked a high percentage of | :51:44. | :52:09. | |
long pots in, but this would be some shot, to pot this in and screw back. | :52:10. | :52:19. | |
Look at the distance there, to -- the cueing, effortless. Where have | :52:20. | :52:34. | |
his long game come from? He has been struggling with his long pot. In the | :52:35. | :52:39. | |
previous tournaments, even though he has won, his long game has been | :52:40. | :52:43. | |
poor. His long game looks tremendous at the minute. | :52:44. | :52:51. | |
It is confidence, he is full of confidence at the moment. 72% for | :52:52. | :52:58. | |
the whole of the tournament with his long pot success rate. | :52:59. | :53:13. | |
He is hampered, but whatever he sees there, he is getting it. | :53:14. | :53:39. | |
I mean, this is just superb snooker. There is no other word for it. A lot | :53:40. | :53:49. | |
of players could watch what Ronnie is doing here. Every of the -- every | :53:50. | :53:53. | |
opportunity, he is looking to win the frame. Other players would be | :53:54. | :54:01. | |
messing about with the Blues but he has them into the corners. | :54:02. | :54:13. | |
It is a masterclass in break-building, it really is. | :54:14. | :54:34. | |
To do this consistently, under this pressure. Everybody's aim is to | :54:35. | :54:39. | |
bring their practice game to the table and this is almost Ronnie | :54:40. | :54:43. | |
O'Sullivan's practice game and it is the biggest stage in the world. | :54:44. | :55:20. | |
Phone the police, that is a mistake! | :55:21. | :55:26. | |
He did not play the kiss on the red, he was playing the red to the pink. | :55:27. | :55:34. | |
But it doesn't matter, does it? Just the wrong side of the blue. | :55:35. | :55:38. | |
Never mind get position. Superb. I am not sure if he can screw past | :55:39. | :56:02. | |
the pink to get on the black, I would not put it past him. | :56:03. | :56:09. | |
He had to cannon the pink, he could not avoid it. | :56:10. | :56:19. | |
Right in the middle of the pocket and another chance to get himself to | :56:20. | :56:25. | |
15 frames. Every chance he gets, he plays the | :56:26. | :56:39. | |
cannon to slow the cue ball down to bring the reds into play. | :56:40. | :56:53. | |
It is amazing to think he will possibly make his fourth century | :56:54. | :57:25. | |
this much. -- this match. Well, he has had enough, fabulous | :57:26. | :57:57. | |
play from Ronnie O'Sullivan. He leads 15 - seven. | :57:58. | :58:00. | |
HAZEL IRVINE: He is two away. Thank you for spending as part of your | :58:01. | :58:05. | |
evening with us. It is the bank holiday weekend. You have to spend | :58:06. | :58:08. | |
more time with us over the Crucible weekend, but we have come to the end | :58:09. | :58:12. | |
of our transmission for now. My thanks to the team. We will be back. | :58:13. | :58:16. | |
You can continue to watch the last couple of frames on the red button, | :58:17. | :58:23. | |
or online. We will be back at 12:10am with the highlights and the | :58:24. | :58:28. | |
rest of the news from the semifinal day here at the Dafabet World | :58:29. | :58:31. | |
Championship. From us all in Sheffield, good night. | :58:32. | :58:33. |