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Surely now he is going to get it. Unbelievable. Fantastic. Here we go. | :00:36. | :00:56. | |
Get in! Get in! Mark Selby! The magic 107. | :00:57. | :01:03. | |
There has been a lot of attention on me with 100 centuries. I have gone | :01:04. | :01:14. | |
under the radar. I have had good matches over the years. Mark and I | :01:15. | :01:20. | |
have played the finals. I beat him in the last as final last year and | :01:21. | :01:24. | |
he beat me in the UK final this year. I want to attack, make it | :01:25. | :01:29. | |
breaks, pot long balls and I want the crowd to enjoy. People keep | :01:30. | :01:36. | |
saying to me, you will win in one day but until you do, it is hard to | :01:37. | :01:40. | |
believe. While I am still in the tournament, I still have a chance. | :01:41. | :01:44. | |
Fingers crossed. Good afternoon from us all. It is a beautiful day in | :01:45. | :01:49. | |
Sheffield and we have a spring in our step as we inched ever closer to | :01:50. | :01:55. | |
the Dafabet World Championship final that starts tomorrow. Whoever | :01:56. | :02:01. | |
designed this year's programming, we want to know whether they can supply | :02:02. | :02:04. | |
it with some lottery ticket numbers because, look, they have it | :02:05. | :02:08. | |
absolutely bang on. We have the world number one Neil Robertson | :02:09. | :02:16. | |
facing Mark Selby and Ronnie O'Sullivan looms large over the | :02:17. | :02:21. | |
whole thing. In fact, Ronnie made it through every early to the final | :02:22. | :02:25. | |
last night, tying up a pretty emphatic 17 frames to seven victory | :02:26. | :02:30. | |
over Harry Hawkins with a session to spare last evening. He is the first | :02:31. | :02:36. | |
man to get into the final, having a special -- session to spare since | :02:37. | :02:42. | |
well, Ronnie O'Sullivan. And my goodness, was he in brisk and | :02:43. | :02:43. | |
brilliant form last night. The game is fickle and you will have | :02:44. | :02:57. | |
patches where you are playing really well and your partner is not and by | :02:58. | :03:00. | |
subversive. I didn't have nothing left in me, I didn't have enough | :03:01. | :03:08. | |
drive. Straight into the heart of the pocket. And he extensively. This | :03:09. | :03:16. | |
game is about momentum. If you can gather some of that, it is not as | :03:17. | :03:24. | |
easy when you are doing it coming from behind. The mistakes are | :03:25. | :03:35. | |
magnified them. Amazing. Being in the semifinal, playing against | :03:36. | :03:39. | |
Ronnie, any little mistake magnifies against him. I feel like I have been | :03:40. | :03:48. | |
in a boxing ring, doing 12 rounds with Tyson. I have learned to play | :03:49. | :03:57. | |
hard every game. It is a huge tournament, a lot of pressure. As | :03:58. | :04:04. | |
each match goes on, you get is a bit comfortable, the deeper you go into | :04:05. | :04:09. | |
the tournament. What a great pot. I try my hardest. You are kidding! I | :04:10. | :04:19. | |
feel mentally bashed and to be honest with you, I am glad it is all | :04:20. | :04:25. | |
over! I am trying my hardest out there. I am going through every | :04:26. | :04:29. | |
imagine you can imagine pretty much, just like everybody else does. | :04:30. | :04:35. | |
Ronnie O'Sullivan is into the finals. Three years in a row. It has | :04:36. | :04:44. | |
been a fabulous display from the defending champion! Are very | :04:45. | :04:47. | |
comfortable winner in the end. 17 frames to seven. You never come here | :04:48. | :04:52. | |
with nothing to lose. I am just happy to lose. Apart from the | :04:53. | :04:59. | |
numerous breaks running mate, he was also great from behind. He looked so | :05:00. | :05:06. | |
relaxed. Hawkins was mentally fatigued after his quarterfinal with | :05:07. | :05:09. | |
Dominic Dale and he likened his match with O'Sullivan as if he had | :05:10. | :05:13. | |
been in a boxing ring. Momentum is key. Sublime snooker. Ronnie said in | :05:14. | :05:22. | |
his post-match interview that he was getting more comfortable as the | :05:23. | :05:25. | |
tournament progresses which means the final, well, it could just be | :05:26. | :05:30. | |
another day in the office for him. The quality of seven's matchplay has | :05:31. | :05:34. | |
been superb. His long potting, as good as it been all season. Running | :05:35. | :05:41. | |
wedding and with a session to spare. Robertson and Selby have gone toe to | :05:42. | :05:45. | |
toe. Surely, it is advantage of Sullivan. Our other semifinal is | :05:46. | :05:51. | |
developing into a long distance race, maybe even a marathon. Neil | :05:52. | :05:55. | |
Robertson and Mark Selby started out in their semifinal on Thursday night | :05:56. | :06:00. | |
and a first session the living tree and craft as well. Both men made a | :06:01. | :06:06. | |
century before Selby emerged with a need. -- and lead. Selby forces way | :06:07. | :06:14. | |
in front to 9-7. This morning, they returned for their third session. | :06:15. | :06:20. | |
Selby with his fourth session of the event to re-establish a three frame | :06:21. | :06:23. | |
advantage but Robertson responding strongly to take the next two and | :06:24. | :06:29. | |
move to within one at 9-10. We join them in frame 20, will be left from | :06:30. | :06:35. | |
BBC Two earlier. We do so in the company of John Virgo and Dennis | :06:36. | :06:42. | |
Taylor. This is a beauty. Absolute beauty. At knowledge by Neil | :06:43. | :06:54. | |
Robertson. He hasn't got the snooker but he almost snookered him on all | :06:55. | :06:58. | |
the reds. Yes, but this is a tough shot, to try and get this faith -- | :06:59. | :07:08. | |
safe. Normally, you think the cross double but he would have to play | :07:09. | :07:13. | |
that with a bit of side and being so close to the cushion... The only | :07:14. | :07:17. | |
other way, he is looking now if he could play this red firm into the | :07:18. | :07:21. | |
black, he would keep this red at this end of the table and maybe | :07:22. | :07:26. | |
screw back, and may be knocking to the middle pocket to get the cue | :07:27. | :07:30. | |
ball back to baulk. There is nothing guaranteed about this shot. He has | :07:31. | :07:37. | |
got plenty of cute path. He will need it here. Where is the red going | :07:38. | :07:51. | |
to finish? Well, that is a couple of pieces of good fortune he has had. | :07:52. | :07:56. | |
Yes, I think this morning, on balance, the run of the ball, it has | :07:57. | :08:04. | |
certainly favoured Neil. He was lucky there. He played it well, | :08:05. | :08:09. | |
don't get me wrong. He would say, I would be unlucky for the red to | :08:10. | :08:16. | |
double-click the black -- double kiss the black. What want you have | :08:17. | :08:20. | |
played it like that, there was no guarantee to get it safe. -- but | :08:21. | :08:25. | |
once you have played it. Did the red go far enough question | :08:26. | :08:47. | |
maybe. Yes, that is very difficult. If you are fighting behind it, you | :08:48. | :08:52. | |
and Robert the pocket but from where Neil is efficient, it is far from | :08:53. | :08:59. | |
easy. -- you would have to drop it in the pocket. | :09:00. | :09:25. | |
I tell you what, he has got a terrific snooker. He thought about | :09:26. | :09:33. | |
the pot and then he thought better of it. He played little gem there. | :09:34. | :09:44. | |
-- a little gem. Yes, it is a snooker. And that was very well out | :09:45. | :09:51. | |
shot. He knew the red he was playing, he would run it into the | :09:52. | :09:56. | |
other reds which would stop it coming back up the table. I remember | :09:57. | :10:01. | |
the first time we ever saw Neil play, it was at the Masters at | :10:02. | :10:06. | |
Wembley conference Centre. He qualified and he played Jimmy White | :10:07. | :10:09. | |
in the first round, as we watched this shot again, and as I say, he | :10:10. | :10:14. | |
knew the red would run into the others and he took the cue ball | :10:15. | :10:17. | |
behind the brown. His great friend Joe Perry said, he is a great player | :10:18. | :10:27. | |
but all he can do is pot. And that was all he could do at the time | :10:28. | :10:34. | |
but, boy, he has improved his game. He is not just a potter any more. | :10:35. | :10:40. | |
And you can't be to win championships. Just being a potter | :10:41. | :10:43. | |
won't do it. You need an all-round game. That was a good line. Good | :10:44. | :10:46. | |
shot. He is looking at this red along the | :10:47. | :11:04. | |
cushion. He might be able to take the pot on and head towards the | :11:05. | :11:08. | |
greenie -- the green. I think he could get the white up | :11:09. | :11:29. | |
towards the green. To have stayed high value colour would have been | :11:30. | :11:33. | |
very risky but heading up the table, well, the red I mentioned, it | :11:34. | :11:41. | |
will pot. But she played the percentages there. He thought, if I | :11:42. | :11:46. | |
can knock this in and get on the green, I could get a good chance. If | :11:47. | :11:51. | |
I miss it, I know that Mark has two pull out a good pot. | :11:52. | :12:06. | |
He cued it nicely. But he is not nicely on a colour. | :12:07. | :12:21. | |
The green will cut but he cued that very smoothly. Yes, if you doesn't | :12:22. | :12:35. | |
answer the cut on the green, you think it is not that difficult to | :12:36. | :12:41. | |
play off the green and try and get the cue ball in behind the yellow. | :12:42. | :12:48. | |
It is cuttable. I think he is looking at the pot, he knows this | :12:49. | :12:53. | |
could give him a great chance, John, in this frame, before the | :12:54. | :12:57. | |
mid-session. If he pulls this off, he could give himself and excellent | :12:58. | :13:01. | |
opportunity. No. The red near the pink will go, | :13:02. | :13:23. | |
but he thought I have got half a chance here. He courted to little | :13:24. | :13:33. | |
thicker than he needed. -- he caught it a little thicker. | :13:34. | :13:50. | |
If you punch it in, it makes the pot even more difficult. | :13:51. | :14:05. | |
Horrific! Terrific pot! -- horrific. That was absolutely top draw. That | :14:06. | :14:18. | |
really was. Dennis described the difficulty of that shot. He may just | :14:19. | :14:26. | |
have the angle on the pink here to run into these three reds and bring | :14:27. | :14:30. | |
them into play and still be on to the one in the corner. Well, he | :14:31. | :14:40. | |
didn't want to risk that. It only just run past the pink spot, that | :14:41. | :14:44. | |
nearly went all wrong in the blink of an eye. | :14:45. | :14:53. | |
I think that red might just be available, the one to the left of | :14:54. | :15:00. | |
the three. Yes, fair comment, and if he can get on that and finish high | :15:01. | :15:06. | |
on it, it will bring the other two into play. A big moment, now, in | :15:07. | :15:11. | |
this frame. It is another long, hard battle. | :15:12. | :15:18. | |
So, the last frame is a long one and this is in the 37th minute. That was | :15:19. | :15:33. | |
the opportunity to bring the reds into play. He controlled the cue | :15:34. | :15:40. | |
ball nicely. This ring, two more reds and colours, and he will go to | :15:41. | :15:47. | |
the mid-session interval. -- this pink. | :15:48. | :15:58. | |
You can't separate these two players. They are so evenly | :15:59. | :16:04. | |
matched. They really are. What a battle they are giving us here. Some | :16:05. | :16:10. | |
brilliant tactical play here, both had century breaks, both had | :16:11. | :16:11. | |
clearances. Well, he could not have played that | :16:12. | :16:30. | |
any better. Though, he could not have done much more. It is a choice | :16:31. | :16:36. | |
of reds now. Does he play for the one along the top cushion on the one | :16:37. | :16:40. | |
along the side cushion? He has such a good angle on the black, he could | :16:41. | :16:46. | |
play for either. So, but one along the top cushion. He is now 34 points | :16:47. | :16:52. | |
in the lead. So, red and a colour required. Not beyond the realms of | :16:53. | :16:57. | |
possibility. He forced it in. I was going to | :16:58. | :17:11. | |
suggest to be didn't fancy playing for the black, he could have always | :17:12. | :17:17. | |
had the green over the corner. This is to go 42 points in front and then | :17:18. | :17:25. | |
it goes. The frame before was nearly 52 minutes. This one, by the time he | :17:26. | :17:31. | |
has finished, maybe get him to 40 minutes. But two big frames for Neil | :17:32. | :17:35. | |
Robertson. These are frames you would have | :17:36. | :17:43. | |
thought may have suited Mark. He missed it. Yes, he missed it. | :17:44. | :18:09. | |
Well, 42 points in the lead. Two Smith needed. It should be ten | :18:10. | :18:18. | |
apiece. -- to snooker needed. That was over two hours to play the | :18:19. | :18:23. | |
first four frames. As they went to be interval, for the second time in | :18:24. | :18:28. | |
the match, Robertson levelled it. Ten - ten. After that much-needed | :18:29. | :18:33. | |
rest, they are back out again. Frame 21. | :18:34. | :19:33. | |
Touching the ball help the situation. | :19:34. | :19:44. | |
That is a great shot, there. One cushion, two questions, here comes | :19:45. | :19:55. | |
the third cushion. And maybe not quite the fourth cushion but close | :19:56. | :19:56. | |
to it. Just a little bit thick on that | :19:57. | :20:19. | |
safety, so I'm a well short. A chance here for Mark. The red to the | :20:20. | :20:26. | |
right corner. The blacks available to both pockets. What a good chance | :20:27. | :20:29. | |
this would be. He is usually very reliable with | :20:30. | :20:50. | |
that type of shot but he cued across that one slightly, and you could | :20:51. | :20:54. | |
just either back hand there. He didn't quite get it through on a | :20:55. | :20:55. | |
straight line. So, just about OK on the yellow. | :20:56. | :21:35. | |
More comfortable hearing on the yellow. A couple of loose reds. | :21:36. | :21:47. | |
This is a decent opportunity. The last time he was in front in this | :21:48. | :21:57. | |
match was the first frame, he led 2-1. Not a bad time if he could get | :21:58. | :22:02. | |
in self ahead. There is a lot of work to be done here. | :22:03. | :22:12. | |
He can get on the black this time. He might be able to which it would | :22:13. | :22:22. | |
be extension. He is quite a tall ad. Maybe about six foot two. | :22:23. | :22:38. | |
A decent chance now. The pink is tied up, the black is clear. At | :22:39. | :22:46. | |
least five or six reds available. This is the type of situation where | :22:47. | :23:13. | |
you wouldn't have to be playing too many cannons here. If you put one | :23:14. | :23:19. | |
red, it will make a path for another red. -- pot one red. He is picking | :23:20. | :23:33. | |
up the pace little bit now, Neil. The last couple of frames, the balls | :23:34. | :23:47. | |
have gone rather awkward. It developed into a tactical battle. | :23:48. | :23:52. | |
The chance is there for Neil. You can see that red at the back and to | :23:53. | :24:00. | |
the right, that is available. He prefers to play more quickly, does | :24:01. | :24:08. | |
Neil. In fact, his good pal Joe Perry was telling him, I think in | :24:09. | :24:12. | |
his match against Judd Trump, he needs to quicken up a little bit. He | :24:13. | :24:16. | |
took his good friend's advice and has been playing much better. But | :24:17. | :24:21. | |
you can't always play quickly if the frames are awkward. | :24:22. | :24:39. | |
He was looking at the red in the cluster. He would have to finely | :24:40. | :24:50. | |
judged the vision. It shows you the danger of the reds near the top | :24:51. | :24:58. | |
ocean. Normally, you would run the black in and then run the red into | :24:59. | :25:02. | |
the same pocket but he is to term and to try and find that gap. From | :25:03. | :25:07. | |
this position, we will see whether he can find it or not. Well, he is | :25:08. | :25:14. | |
not on the one in the middle of the cluster. And the one that is low, it | :25:15. | :25:24. | |
will be running into another ball so there will be no guarantee of | :25:25. | :25:28. | |
position here. He will be trying to stun through a gap. And hopefully | :25:29. | :25:34. | |
finish on the blue. He made ring the pink into play. | :25:35. | :25:51. | |
That was the problem. He wasn't certain to be on a colour. Does he | :25:52. | :25:58. | |
take the blue on? Normally, he would. A big shot if he is going to | :25:59. | :26:09. | |
take this on. He just have to screw the white passed the pink and this | :26:10. | :26:13. | |
red on the cushion will be awkward for him. | :26:14. | :26:33. | |
The red that would be beneath his body would cause a problem. He is | :26:34. | :26:38. | |
looking at the safety shot now. If the red had not been there, he | :26:39. | :26:49. | |
would have taken the blue on. Well, I don't see a lot of value in | :26:50. | :27:13. | |
that shot, in all honesty. I would have liked to have left the cue ball | :27:14. | :27:17. | |
tight on the baulk cushion, maybe using the green as a blocker but | :27:18. | :27:23. | |
that is nothing short for me. Yes, little bit early to be pushing the | :27:24. | :27:24. | |
brown. He left a straightforward safety | :27:25. | :27:43. | |
shot for Mark Selby. Mark is taking full advantage. Excellent shot. For | :27:44. | :27:47. | |
me, that is where Neil Robertson should have left the cue ball on his | :27:48. | :27:49. | |
last visit. Another thin one. Now, then, I think | :27:50. | :28:30. | |
he can cue past this pink and he can take the red to the left corner and | :28:31. | :28:35. | |
made be able to get onto the black. I think there is a little angle here | :28:36. | :28:39. | |
to get onto the black. He has to find the gap, though. | :28:40. | :28:59. | |
He has done well. He didn't intend to fix that red but he will take it. | :29:00. | :29:11. | |
Maybe that shot that John mentioned when he put the brown safe, he would | :29:12. | :29:15. | |
have been better getting a good cue ball. | :29:16. | :29:31. | |
He doesn't want to be dead straight on this. If he is dead straight, he | :29:32. | :29:37. | |
will have to screw back off the cushion. He had an angle. That was | :29:38. | :29:51. | |
much better. So is reds are all available into just one corner | :29:52. | :29:56. | |
pocket. That is why he has come back across the table. Even though he has | :29:57. | :30:04. | |
lifted a bit short, he may be OK. A little cannon on the other red will | :30:05. | :30:06. | |
leave the pink. Just checking, I think the red just | :30:07. | :30:29. | |
below the pink will go to the right corner. H | :30:30. | :30:38. | |
Just six points behind now. Looks to be nicely on this red just below the | :30:39. | :30:47. | |
pink. This black will put him two points | :30:48. | :30:56. | |
in the lead. These four remaining reds with high | :30:57. | :31:14. | |
value colours would see him over the line. You said putting the brown | :31:15. | :31:16. | |
safe was a bit premature, Dennis. Yes this was the shot he could have | :31:17. | :31:40. | |
got a good cue ball on the cushion. But he decided to put the brown safe | :31:41. | :31:44. | |
and I couldn't understand why. The red must go next to the black. | :31:45. | :32:03. | |
Now you see it. This black and the last red and | :32:04. | :32:29. | |
another colour and it will be snookers required. He has taken | :32:30. | :32:38. | |
these very well has Mark. Well here we go, we know what can happen with | :32:39. | :32:40. | |
this type of shot. Played it well. And there is his | :32:41. | :32:47. | |
wife and Vicky's mum and dad. I know they're more nervous than | :32:48. | :33:12. | |
Mark is. I saw Vicky's mum and dad at the hotel and her mum was an | :33:13. | :33:14. | |
absolute bag of nerves. Dad smiling. But what a great performance this | :33:15. | :33:23. | |
is. It really is. He lost three frames in a row and | :33:24. | :33:37. | |
what a way to respond. This is how this session started - | :33:38. | :33:49. | |
one visit. He had a century and an 85 in the | :33:50. | :34:04. | |
opening frames. Doesn't matter about missing the brown. Neil Robertson | :34:05. | :34:11. | |
maybe missed a trick when he didn't put the brown safe. That is twice in | :34:12. | :34:18. | |
the match that Neil Robertson has got on level terms and Selby has not | :34:19. | :34:24. | |
been behind in the match since the third frame and he is refusing to | :34:25. | :34:28. | |
let this happen. It is all or nothing as we get into the next | :34:29. | :34:30. | |
frame from the start. He is so close to the cushion I | :34:31. | :34:36. | |
don't think he can get there. It deserved more than one point that | :34:37. | :35:06. | |
shot. That is the pink. Foul and a miss. | :35:07. | :35:42. | |
He hasn't pushed the red on. Mark coming to have a look. But can he | :35:43. | :35:47. | |
see enough of this? No, I don't think so. | :35:48. | :35:55. | |
Touching ball. So it is touching the so he could play in behind the green | :35:56. | :36:07. | |
here. He could make it a more difficult | :36:08. | :36:21. | |
snooker. But he has got to get in behind the green. Just like that! | :36:22. | :36:30. | |
That S ly why I call him Sat Nav sell y. That to find his way in | :36:31. | :36:40. | |
behind the green. He has done very well. Well played. | :36:41. | :37:12. | |
Excellent shot. It is difficult to see from that angle if they're | :37:13. | :37:16. | |
touching, when they're right in the middle of the bunch. Well it is | :37:17. | :37:22. | |
touching two balls this time. Well, I mean don't move them, boys, watch | :37:23. | :37:30. | |
your fingers there! Touching both balls here. Those two. | :37:31. | :38:02. | |
He always knew if he could get, maybe it has just not travelled far | :38:03. | :38:10. | |
enough. He was hoping the pink could block the path to the reds. But | :38:11. | :38:15. | |
there is just an edge of the red sticking out. | :38:16. | :38:43. | |
No, he didn't want to risk it and just played off the top cushion and | :38:44. | :38:52. | |
nestling into them. No touching ball this time. | :38:53. | :39:02. | |
No, he has hit the blue. He might be OK. But when you're that close and | :39:03. | :39:09. | |
you're swerving it, it is not easy to get the required side that is | :39:10. | :39:14. | |
needed to get up behind the green there. There is one near the black | :39:15. | :39:18. | |
spot, he could take that on as a shot to nothing. He could slot this | :39:19. | :39:20. | |
in. Both players are about the same | :39:21. | :39:41. | |
size. They're both well over six foot tall. | :39:42. | :40:31. | |
A chance for Mark Selby to play a telling safety shot, if he can get | :40:32. | :40:39. | |
past the pink to the he edge of this red. | :40:40. | :40:49. | |
Good effort, but the red he has played has come into a pottable | :40:50. | :40:55. | |
position, the one above the black. I feel as though, well, he has got to | :40:56. | :41:01. | |
play the pot. It is not an easy safety. He has got to go for this. | :41:02. | :41:15. | |
He didn't avoid the middle pocket. It was a natural angle and he put | :41:16. | :41:24. | |
everything into the pot. Still a bit unlucky from that angle to go in at | :41:25. | :41:29. | |
that pace. Right in the pocket. Yes, you always sort of have the feeling | :41:30. | :41:34. | |
that the pocket's there, but you sometimes think, well I will be | :41:35. | :41:38. | |
unlucky to go in off. Mark can't knock it in and he has | :41:39. | :41:51. | |
left the red. If he doesn't cannon the black | :41:52. | :42:06. | |
there, this pot wouldn't have been available. | :42:07. | :42:14. | |
He has over-cut it has he? No. He is on that blue. | :42:15. | :42:30. | |
He can drop nicely to that red on the blue spot. Might have to play | :42:31. | :42:36. | |
for the pink here. Could have played that a little | :42:37. | :42:55. | |
better. He wanted to be straighter on the pink and then help has an | :42:56. | :42:58. | |
easy positional shot on to the red. Be interesting to see where this | :42:59. | :43:19. | |
pink goes after it's potted. Because the ideal ball to try and break up | :43:20. | :43:24. | |
the reds, oh is goes on its own spot, but I think it is out of | :43:25. | :43:28. | |
commission. That is no good. He will be | :43:29. | :43:51. | |
struggling to carry on. Unless there is a plant, he is coming around | :43:52. | :43:56. | |
hoping there may be a plant. But it looks straight enough to me on the | :43:57. | :43:58. | |
blue. This a all he could do. It is now a | :43:59. | :44:34. | |
case of getting a good cue ball to that baulk cushion. | :44:35. | :44:45. | |
It's a good line, but it's short of pace. He is well short of pace. | :44:46. | :44:55. | |
Another foot harder and Mark Selby would have been in all kinds of | :44:56. | :45:02. | |
problems here. But Niamh's not really played the best safety. -- | :45:03. | :45:07. | |
Neil's not really played the best safety. | :45:08. | :45:15. | |
But a weak safety shot from Mark. Very weak that. He kissed the blue | :45:16. | :45:29. | |
full in the face and he wouldn't have got anywhere near the baulk | :45:30. | :45:35. | |
cushion. There is a pot on to the right corner. But Neil doesn't fancy | :45:36. | :45:40. | |
risking it. He needs to find the baulk cushion | :45:41. | :45:53. | |
here. Well, he just run past the blue. So neither player taking | :45:54. | :45:58. | |
advantage of what you would think were straight forward safety shots | :45:59. | :46:00. | |
to put your opponent into trouble. Mark's opportunity now to play a | :46:01. | :46:15. | |
sellest telling safe -- to play a telling safety. | :46:16. | :46:23. | |
He failed to do so. He has left a red to the left corner. In fact he | :46:24. | :46:31. | |
has left one to the right corner as well, which might suit Neil better. | :46:32. | :46:48. | |
Ooh, he will be disappointed to have missed that. That type of long pot, | :46:49. | :46:59. | |
he is usually so good at. Yes, he won't have been dispiept -- | :47:00. | :47:05. | |
disappointed at getting the little flick off the red. | :47:06. | :47:21. | |
He is on the blue. It has just ran a bit further than he intended. But a | :47:22. | :47:31. | |
great pot and I suppose he deserved a bit of good fortune. | :47:32. | :47:48. | |
He has the reds nicely placed and the blue and the pink are in play. | :47:49. | :48:00. | |
Of course these frames will be played out. | :48:01. | :48:34. | |
That blue now takes Mark one point in front in this frame. And there is | :48:35. | :48:41. | |
enough reds in the middle of the table. | :48:42. | :48:47. | |
So it is a chance to win the frame at this visit. Not an easy one. But | :48:48. | :48:55. | |
a chance. Sticking with the blue. The pink is | :48:56. | :49:33. | |
not too badly placed. But he is guaranteed position from the blue. | :49:34. | :50:00. | |
Doesn't need that difficult red that is near | :50:01. | :50:14. | |
Everybody loves a plant. It doesn't matter how easy it is. | :50:15. | :50:41. | |
You've got to admire Mark Selby, every time the world number one wins | :50:42. | :50:50. | |
three frames in a row and comes back at him, he responds like this. | :50:51. | :51:07. | |
This is not straight forward. He is looking to see if he zrus to the -- | :51:08. | :51:35. | |
screws to the left whether he can get on the pink to the right middle. | :51:36. | :51:42. | |
He couldn't have played it better. Excellent positional shot. I expect | :51:43. | :51:49. | |
him to win the frame now. This pink will put him 29 points in front. | :51:50. | :51:53. | |
Still 51 remaining. That was so interesting to see, he | :51:54. | :52:11. | |
stayed on to the blue until he got the correct angle to get the pink. | :52:12. | :52:15. | |
He judged it to perfection in the end. | :52:16. | :52:22. | |
You still that little head movement. This a something Mark has always | :52:23. | :52:29. | |
done. Probably done it more earlier in his career. | :52:30. | :52:41. | |
But he has turned into one of the finest cueists in the game that is | :52:42. | :52:46. | |
for sure. Make certain of the colour. He makes | :52:47. | :53:01. | |
certain of the red. The yellow gets him close to the | :53:02. | :53:16. | |
red. The brown gives him insurance. He doesn't want to snooker himself | :53:17. | :53:33. | |
by the pink! Nearly! Neil Robertson a couple of loose | :53:34. | :54:00. | |
safety shots have kept him in his seat. So but for do snookers, Mark | :54:01. | :54:05. | |
Selby is two frames in front again. And there is a real familiar pattern | :54:06. | :54:11. | |
emerging in the match, Robertson levelling only to see Selby go off | :54:12. | :54:16. | |
into the distance. The best he can do in this session is to come out | :54:17. | :54:21. | |
all square. Where is this red going to finish? | :54:22. | :54:32. | |
It is the only one he could leave and he has two more frames to be | :54:33. | :54:41. | |
played. Neil would like to win them both. Mark Selby would settle for | :54:42. | :54:44. | |
one of them. That is just about perfect. He has | :54:45. | :54:59. | |
got the red at the back of the punch -- bunch, but Neil likes to be | :55:00. | :55:04. | |
straight into the pink with lots of screw. The way he is marching around | :55:05. | :55:11. | |
the table tells me that is what he is going to play here. He plays that | :55:12. | :55:21. | |
shot so well. Did you see the white? It is amazing what happened to the | :55:22. | :55:26. | |
white there. What a lovely shot that was. He is heading right down on the | :55:27. | :55:31. | |
bottom of the cue ball. Watch the action. Watch the white and then | :55:32. | :55:37. | |
spins back again. Beautifully controlled. | :55:38. | :55:50. | |
He played that well and with a lot of conviction. He would have liked | :55:51. | :55:59. | |
to be straighter on this blue. He still has the chance to win this | :56:00. | :56:13. | |
session 5-3. That would level the match. | :56:14. | :56:29. | |
He must have the perfect angle to drop on the blue. You can always | :56:30. | :56:36. | |
tell with a player when he get down quickly, there is no thinking time. | :56:37. | :56:37. | |
Because he has landed perfect. Two big frames coming up now. That | :56:38. | :57:04. | |
is not quite as Neil played. He has played for the red to the left | :57:05. | :57:08. | |
corner. But he didn't want to be so close to the cushion. | :57:09. | :57:19. | |
This red has nicely come to his rescue. Amazing sometimes, you can | :57:20. | :57:28. | |
play for a ball and then you are just not quite right and then up | :57:29. | :57:30. | |
pops another one. It has been a fascinating semi | :57:31. | :57:41. | |
final. We have had everything. Both players have had two century breaks. | :57:42. | :57:43. | |
Both have had clearances. Some brilliant tactical play. A | :57:44. | :57:56. | |
couple of very long frames. But they were interesting frames with so much | :57:57. | :57:58. | |
good safety play. You feel Neil just let an | :57:59. | :58:41. | |
opportunity slip when he trailed 10-7 and he won free on the -- three | :58:42. | :58:44. | |
on the trot. But a loose safety cost him. And | :58:45. | :58:59. | |
then before you know where you are, you're two frames behind again. | :59:00. | :59:11. | |
But he is blessed with a good temperament and that Aussie grit. He | :59:12. | :59:20. | |
landed perfect on the blue now. He is marching around the table now. He | :59:21. | :59:22. | |
has picked the pace up. The last two frames Mark Selby had | :59:23. | :00:03. | |
breaks of 73 and 49. He is having to sit and watch Neil Robertson. | :00:04. | :00:25. | |
Just a little bit short. OK, he has got the red to the far corner, but | :00:26. | :00:34. | |
I'm sure he was playing for the right middle. | :00:35. | :00:43. | |
This is probably the last easy red to get on. | :00:44. | :00:55. | |
He has got a good angle on the black. If he can split the reds | :00:56. | :01:06. | |
nicely, it should be framed over. -- frame. | :01:07. | :01:23. | |
He had a slight distraction. He has not played that well. That's needed | :01:24. | :01:34. | |
some more thought. He almost caught that full ball. He has put himself | :01:35. | :01:38. | |
out of position, just when you only needed another red and a colour. And | :01:39. | :01:44. | |
if you know you're heading towards the middle pocket, which he should | :01:45. | :01:48. | |
have been aware of, then he should have screwed from the cluster and | :01:49. | :01:52. | |
got the cue ball to the left of the table. There is nothing he will be | :01:53. | :02:01. | |
taking on here. But he has missed a chance. With he get a better chance? | :02:02. | :02:07. | |
He is 64 points in front, but there are still 75 remaining. Will he get | :02:08. | :02:20. | |
a better chance? There is no straightforward safety shot. He | :02:21. | :02:27. | |
cannot go to the right corner at the safety entry needs to be, because | :02:28. | :02:35. | |
the red would cut into the middle. -- the safety end where he needs to | :02:36. | :02:40. | |
be. He has been thinking about this for over a minute. He could do which | :02:41. | :02:45. | |
the red safe, but he cannot even really do that. The end, you might | :02:46. | :02:50. | |
have to roll into them. If he can get back on the cushion, | :02:51. | :03:06. | |
he would be OK. I think he can screw back on this red that is closest. He | :03:07. | :03:19. | |
is taking the pot one. -- pot on. Just into the bunch. Staying safe. | :03:20. | :03:32. | |
If Mark Selby was to get an opportunity, there is only one | :03:33. | :03:44. | |
awkward ball, and that is the pink. Neil Robertson does not want to open | :03:45. | :04:20. | |
this cluster of four, but this is probably the best way to get it | :04:21. | :04:24. | |
safe. There is a chance you could make a plant, but you do not want to | :04:25. | :04:29. | |
risk it. If it doesn't go in the middle | :04:30. | :04:46. | |
pocket, it could hit the jaw and come back down, but it could not | :04:47. | :04:53. | |
guarantee safety, but it would be a frame when if it goes in. -- winner | :04:54. | :05:06. | |
if it goes on. He has missed it. He tried to get the white safe, but you | :05:07. | :05:11. | |
never know where the red will go, and trying a plant like that, and as | :05:12. | :05:17. | |
you say, he has overcompensated and it headed back towards the black. | :05:18. | :05:32. | |
The last frame of the previous session, it looks like Mark Selby | :05:33. | :05:39. | |
was going to take a four frame advantage. He made a 50 odd break, | :05:40. | :05:46. | |
but he cured up with 60 odd to pinch the frame. -- cleared up. Mark Selby | :05:47. | :05:55. | |
is returning the condiment. It is difficult. The chance is there. -- | :05:56. | :06:02. | |
returning the compliment. What a frame this would be if he could | :06:03. | :06:06. | |
pinch it and open up a three frame advantage. As you mentioned, the | :06:07. | :06:14. | |
only safe ball on the table is the pink. | :06:15. | :06:21. | |
Just having a quick glance at the scoreboard. This blue with put him | :06:22. | :06:32. | |
52 points behind with 59 remaining. -- would put him. He realises that | :06:33. | :06:37. | |
he needs to get a few high value colours. If he takes blues, he is | :06:38. | :06:45. | |
running out of points to play with. At the moment, he can afford blues. | :06:46. | :06:49. | |
But not too many more. Of course, when the cue ball starts | :06:50. | :07:02. | |
travelling, as it has two there, just about on the blue. That was not | :07:03. | :07:10. | |
the idea. This is where it can get difficult. If he parts the yellow he | :07:11. | :07:26. | |
will be 49 points behind. -- pots the yellow. Then the three remaining | :07:27. | :07:33. | |
reds will have blacks to go with them. With these reds he needs | :07:34. | :07:37. | |
blacks. He is able to get the black back | :07:38. | :07:54. | |
onto its spot, and the way the reds are situated, it should be OK. | :07:55. | :08:02. | |
He might be dead straight, but with his cue power, it will not be | :08:03. | :08:21. | |
difficult to cue back off the cushion. A slight angle, but will | :08:22. | :08:30. | |
cue back with reverse side behind the red. No problem for Mark Selby. | :08:31. | :08:43. | |
He will need the extension and the white is a bit further across the | :08:44. | :08:46. | |
table would have been better for an ideal position on the black, which | :08:47. | :08:49. | |
would then get into the yellow. He might have to screw this back a | :08:50. | :09:05. | |
little bit and pot the black and come from the cushion behind the | :09:06. | :09:10. | |
black to get to the yellow. If he leaves the red where it is now, you | :09:11. | :09:14. | |
see, that is better, so it is not straightforward. | :09:15. | :09:36. | |
He got himself back to ten apiece. He will be very concerned now that | :09:37. | :09:42. | |
he may be dropping three frames behind again. He had his chance. He | :09:43. | :09:48. | |
went into the reds, but it did not work out the way he wanted. He had | :09:49. | :09:57. | |
to punch that around the angles and there was too much storm on it. If | :09:58. | :10:02. | |
he is straight on the yellow, that is a problem. He can still take that | :10:03. | :10:04. | |
on. No, it was the black. Is he going to | :10:05. | :10:24. | |
fluke a snooker? He has been quite fortunate. He can hit the yellow, | :10:25. | :10:26. | |
but he cannot pot it. This was the shot he was trying, | :10:27. | :10:53. | |
punch it in, but there was too much stun on it. | :10:54. | :11:00. | |
That looks very good. It needs to pull up. | :11:01. | :11:13. | |
That was an excellent shot. And if Mark Selby doesn't hit this red, he | :11:14. | :11:22. | |
will need a snooker, but it is not straightforward. I do not think he | :11:23. | :11:26. | |
can get to the left-hand side cushion where he would like to hit | :11:27. | :11:30. | |
the yellow. The bump in the middle pocket could be in the way. Using | :11:31. | :11:43. | |
any other angle of approach makes this missable. Very hard to do. I'm | :11:44. | :11:56. | |
amazed that he picked that, that was the only option. He missed that by | :11:57. | :12:02. | |
only a millimetre. He needed to have so much swerve. That is all you need | :12:03. | :12:12. | |
to do to give four points away. He now needs a snooker. It will be a | :12:13. | :12:19. | |
very relieved new Robertson coming to the table. -- Neil Robertson. | :12:20. | :12:28. | |
This is a fascinating semifinal, I hope that you are enjoying it, it | :12:29. | :12:33. | |
has taken three hours and 50 minutes to get to this last frame of the | :12:34. | :12:37. | |
third session with Neil Robertson to play. | :12:38. | :12:44. | |
We start this first frame with a Neil Robertson special! | :12:45. | :12:58. | |
Could not find the baulk cushion, you cannot keep leaving these | :12:59. | :13:01. | |
opportunities for Neil Robertson. That was an excellent shot. So close | :13:02. | :13:16. | |
to the cushion to force it around to the two cushions. | :13:17. | :13:27. | |
He goes through phases where he knocks all of the long want in and | :13:28. | :13:32. | |
then goes through a spell he doesn't, but you cannot keep leaving | :13:33. | :13:36. | |
him up at Unity is, and that is what Mark Selby, from E, has done so many | :13:37. | :13:45. | |
times in this match. -- you cannot keep leaving him opportunities. | :13:46. | :14:05. | |
That was a superb shot. It really was. Not a good pack to go into. A | :14:06. | :14:13. | |
couple of loose reds. He is one of the best players I have | :14:14. | :14:39. | |
seen for this particular type of shot, if he plays for it. This is | :14:40. | :14:51. | |
becoming a Neil Robertson special. The same rules still apply. When you | :14:52. | :14:55. | |
play this, you have to catch the pink full ball, that holds the cue | :14:56. | :15:01. | |
ball in the middle of the table. He is playing for the one loose red. He | :15:02. | :15:09. | |
will go for the blue. As we have said, not a good pack to go in-off | :15:10. | :15:14. | |
the black, so I do not know why he played the cannon. | :15:15. | :15:26. | |
Never guaranteed to be on a colour when you play like that. I thought | :15:27. | :15:35. | |
we would see more of a positive approach to this break than we have | :15:36. | :15:43. | |
done so far. He normally goes straight into the pink, but this | :15:44. | :15:47. | |
time, he decided to play for the loose one, so this time, he needs a | :15:48. | :15:53. | |
couple of good shots to get back into an ideal position. But when you | :15:54. | :16:03. | |
pot the way this Australian dollars, again, sometimes, it can be | :16:04. | :16:10. | |
easy, even when you're not in the ideal position. -- at the way this | :16:11. | :16:12. | |
Australian dollars. This would take him level and give | :16:13. | :16:30. | |
him the session 5-3, which is what he would have had in mind. | :16:31. | :16:51. | |
He has the pink and the black, which would be easier to open the reds? | :16:52. | :17:05. | |
Some top spin? Right-hand side? He has been lucky. He has been very | :17:06. | :17:13. | |
lucky. He missed the pot, but unfortunately for him, he did not | :17:14. | :17:16. | |
split the reds. -- fortunately. He missed an opportunity there, it | :17:17. | :17:58. | |
will be interesting to see if he gets another one which is just as | :17:59. | :17:59. | |
good. I don't think this is all caught | :18:00. | :18:09. | |
doing, I think you can get in the cue through that little gap and | :18:10. | :18:11. | |
control this cue ball. Without the gap, he could not have | :18:12. | :18:31. | |
kept the cue ball tight on the cushion. | :18:32. | :18:47. | |
A bit of a stalemate with the two reds at the end of the table, but | :18:48. | :18:53. | |
there is no chance of a re-rack with Neil Robertson leading by 37 points. | :18:54. | :19:13. | |
I wouldn't be surprised if Mark Selby doesn't take this on, but it | :19:14. | :19:21. | |
is a big shot. He is looking at the possibility of a plant. This plant | :19:22. | :19:24. | |
must be close. Just going to possibility of a plant. This plant | :19:25. | :19:29. | |
right side of the pocket. If anybody can make a plant, it would be Mark | :19:30. | :19:40. | |
Selby. We're not right behind it, but it is not far away. The reds, | :19:41. | :19:50. | |
there is a little bit of a gap, so I do not think he can reverse it. | :19:51. | :20:03. | |
He made it, and he played it confidently, and he has got the gap | :20:04. | :20:12. | |
to the black. He is so good at that shot. He was the 8-ball world pool | :20:13. | :20:21. | |
champion. He does spot those. It has gone slightly wrong. | :20:22. | :20:40. | |
Well, that is amazing. He had done all of the hard work, he had got | :20:41. | :20:46. | |
himself in the perfect position and it just went on the far jaw of the | :20:47. | :20:53. | |
pocket. We know it wasn't the red that he played for, and it was a | :20:54. | :20:58. | |
bonus that it went. I'm surprised he played it so quickly. He should have | :20:59. | :21:05. | |
given it a second or two of thought more. | :21:06. | :21:14. | |
That is the second ball that Mark Selby has missed into that | :21:15. | :21:17. | |
particular pocket in this match. He wasn't directly behind it, you | :21:18. | :21:45. | |
knew that was enough room and you just caught both jaws. | :21:46. | :21:53. | |
He would love to put the cue ball back in the same spot it is in at | :21:54. | :22:02. | |
the moment. He would have to do it off the red at the right side of the | :22:03. | :22:06. | |
table and make sure that you didn't bring that red back up the table. | :22:07. | :22:11. | |
Just trying to find another spot where you could leave it safe, but | :22:12. | :22:16. | |
not many spots available the way that the reds are situated. | :22:17. | :23:02. | |
He is giving this a lot of time, a lot of thought. He is now looking at | :23:03. | :23:11. | |
the red to the middle pocket. He feels that he can get past the | :23:12. | :23:13. | |
black. This is a big shot. Oh, how close was that? ! How close | :23:14. | :23:34. | |
was that? ! That was much more difficult than what he missed in the | :23:35. | :23:42. | |
other one. He weighed up all of the options, he thought for over a | :23:43. | :23:46. | |
minute and a half, and then, look at what Neil Robertson is left with. | :23:47. | :24:12. | |
Somebody just got up to walk out, the timing wasn't very good. Neil | :24:13. | :24:19. | |
Robertson did the right thing, he got back from the table, saddled | :24:20. | :24:26. | |
himself again. -- settled. You do not want any distractions at this | :24:27. | :24:27. | |
stage. Four sessions the semifinals, he | :24:28. | :24:44. | |
lost the first session 5-3, the second session, 4-4. You just felt | :24:45. | :24:51. | |
that Neil Robertson had to win a session sooner rather than later to | :24:52. | :24:56. | |
get right back in it. If he wins this frame, you will have won this | :24:57. | :25:01. | |
session 5-3, and that will set up a grandstand finish this evening. No | :25:02. | :25:11. | |
doubt about that. The prize, place in the final of the 2014 Dafabet | :25:12. | :25:16. | |
World Championship. Centre-stage with Ronnie O'Sullivan. Four | :25:17. | :25:23. | |
sessions, two days, if you cannot look forward to that, then you | :25:24. | :25:28. | |
should be doing something else for a living! And that is what these two | :25:29. | :25:37. | |
are striving for. And if he just minds his work now, Neil Robertson, | :25:38. | :25:42. | |
that final session will be all square at 12-12. You just reminded | :25:43. | :25:51. | |
me there, when you say, if he minds his work, you remind me of John | :25:52. | :25:59. | |
Coleman, a former commentator, that was his saying, if he minds his | :26:00. | :26:00. | |
work. Just one more red needed. And he is | :26:01. | :26:32. | |
on the red. He would like an angle so he can part this red beyond the | :26:33. | :26:37. | |
colour, then his opponent will not be bothering with snooker 's, and | :26:38. | :26:39. | |
that seems to be the case. It has been a fascinating session. | :26:40. | :26:56. | |
We have had some long frames, some high breaks. Every frame has | :26:57. | :27:04. | |
produced some sort of excitement and it could not be set up better for | :27:05. | :27:06. | |
this evening, as John said. He will not want to miss the final | :27:07. | :27:13. | |
session of this semifinal. Not a lot to choose between these | :27:14. | :27:34. | |
two players. Just a mistake here and there. Neil Robertson was desperate | :27:35. | :27:38. | |
to win this session, and now he has done. The red doesn't go in, but | :27:39. | :27:45. | |
that doesn't matter. Neil Robertson has done what he needed to do, I | :27:46. | :27:51. | |
feel, and that is when that session by 5-3. They will go back now and | :27:52. | :27:57. | |
try to have a rest before this evening's session at 7pm where they | :27:58. | :28:02. | |
will commence, the first of 17, and he is 12-12. | :28:03. | :28:09. | |
What a match, with a potential, you would feel, for a late finish, but | :28:10. | :28:16. | |
an intriguing one. How do you describe the way this match has | :28:17. | :28:23. | |
ebbed and flowed? Going to script. We have seen one winner session 5-3, | :28:24. | :28:29. | |
then 4-4, then another... It is just the way that you would expect from | :28:30. | :28:33. | |
these players, at loggerheads, going right to the finish. Looks the | :28:34. | :28:40. | |
stronger after that session, Steve? Neil Robertson might feel the | :28:41. | :28:44. | |
stronger as they go back to the dressing room, because he has dug | :28:45. | :28:49. | |
himself out of a hole, and Mark Selby showed a slight weakness in | :28:50. | :28:52. | |
not clearing up in the frame before that, and failing on his chance to | :28:53. | :28:57. | |
get back on level terms in the last frame. It will be tough to separate | :28:58. | :29:04. | |
them by the end. This is like the equivalent of a big fight, both of | :29:05. | :29:12. | |
them, they are refusing to lose. The will to win is enormous. It is | :29:13. | :29:17. | |
winning at all costs, so that is why the tactical play is so strong. In a | :29:18. | :29:21. | |
slightly different way to Ronnie, Ronnie plays, he's obviously got a | :29:22. | :29:29. | |
world to rent, but these two are sweating blood. -- he's busy got a | :29:30. | :29:36. | |
will to win. They're not always winning the frames in one visit. It | :29:37. | :29:42. | |
is 15 and 20 minutes on the end of every frame, which when you add that | :29:43. | :29:46. | |
up over the series, going to 17 frames, that has got to be energy | :29:47. | :29:50. | |
and mentally sapping before you get to the final. If they can win it in | :29:51. | :29:57. | |
one visit, they will take much more out of themselves, or save | :29:58. | :29:59. | |
themselves than what they are doing at the moment. Part of this as they | :30:00. | :30:05. | |
play in very, very large occasions, up against each other, they have the | :30:06. | :30:11. | |
UK file, the Masters final, they know exactly what one another is | :30:12. | :30:19. | |
capable of here, Steve. Yes, and as they grow in experience, but | :30:20. | :30:23. | |
tactical prowess they show is remarkable. It is the right way to | :30:24. | :30:28. | |
go about playing snooker. First, learn how to pot the balls and then | :30:29. | :30:32. | |
work on your tactics as you get older. It will come. It will be | :30:33. | :30:36. | |
fascinating whichever one of these lads get through to the final, the | :30:37. | :30:41. | |
difference between both of them and Ronnie O'Sullivan bring to the | :30:42. | :30:48. | |
final. Although it is a grind, it is very watchable, it is some | :30:49. | :30:53. | |
fascinating top-class snooker we are watching here. It is not gruelling | :30:54. | :31:00. | |
to watch. It is top-class stuff. It is nearly too good. They are so good | :31:01. | :31:04. | |
at the safety play and the tactical thing, they cancel each other out. | :31:05. | :31:10. | |
It is making it hard work for both players. There is plenty more to | :31:11. | :31:14. | |
discuss. I'm sure we will save some of that chat for this evening. We | :31:15. | :31:20. | |
will do a lot of watching and enjoying what could be a fascinating | :31:21. | :31:23. | |
conclusion of the match. If you have been with us all week, you will know | :31:24. | :31:28. | |
Richard Osman has been with us teasing us with some pointless | :31:29. | :31:32. | |
questions. We wanted to call the quiz Clued us because, let's face | :31:33. | :31:37. | |
it, we are. But we decided on pot lists. It is getting very | :31:38. | :31:39. | |
competitive. We gave 100 people here at the | :31:40. | :31:50. | |
Crucible 147 seconds to name any player which has been ranked in the | :31:51. | :31:57. | |
top 16 this season. There are only 19 answers out there. Which of them | :31:58. | :32:05. | |
is the most obscure? Good luck. That has been in this season? I have not | :32:06. | :32:13. | |
got a clue. That is a hard one. Robert Milkins. It is certainly not | :32:14. | :32:21. | |
you, is it? No. Mark Davis is always there or thereabouts. Dominic Dale | :32:22. | :32:28. | |
has not been? Let's go for the milkman, Robert Milkins. I do not | :32:29. | :32:36. | |
know why Mark King is shouting out at me. Shout it out them. We are | :32:37. | :32:49. | |
going to go for Mark -- Robert Milkins. Mark King. I will beginning | :32:50. | :33:01. | |
the answers at the end of this interval. You can go on Twitter and | :33:02. | :33:06. | |
give us your answer as well. Good luck. | :33:07. | :33:12. | |
Thank you, Richard. We are not in a rush today because we have no light | :33:13. | :33:20. | |
snooker for you this afternoon, but there is one man in Sheffield he was | :33:21. | :33:25. | |
always in a rush, our trick shot man, Florian Kohler. | :33:26. | :33:33. | |
What I am going to do, I'm going to have five cues and pot all these | :33:34. | :33:41. | |
five balls right there. Five cues, one shot. | :33:42. | :34:10. | |
This shot here is a variation of what we call the Hustler. The idea | :34:11. | :34:36. | |
is to hit the white ball, make the ball go on the long rail, go back. | :34:37. | :34:52. | |
This is what I call the impossible move. The white ball will kiss on | :34:53. | :35:24. | |
the other ball, curve and then come back like the five ball. | :35:25. | :35:50. | |
This is probably one of the crazy shots in artistic tool. -- Paul. I | :35:51. | :36:00. | |
will do a shot where you hit the cue ball into the rail. The white ball | :36:01. | :36:04. | |
will go into the air and while it is in the air I will shoot again into | :36:05. | :36:06. | |
the triangle. What I'm going to do is hit | :36:07. | :36:33. | |
whiteboard around the line. -- hit the white ball around the | :36:34. | :36:45. | |
line into the one ball. What I'm going to do is hit the | :36:46. | :37:13. | |
white ball into the five. I will stroke, the white will come here, | :37:14. | :37:17. | |
into the rail and hit the nine ball. And one of the most quizzical looks | :37:18. | :37:49. | |
I have ever seen on Steve Davis' face. Are you rather surprised by | :37:50. | :37:56. | |
that cue power and prowess? He is jealous. Nobody likes a show. I | :37:57. | :38:01. | |
think he is acting above his station! How did you get on with | :38:02. | :38:13. | |
Potless today? Let's find out. Welcome back to Potless. Earlier | :38:14. | :38:18. | |
on, I asked our legends for any snooker player which has appeared in | :38:19. | :38:22. | |
the top 16 this year. Three of our team went to Robert Milkins, also | :38:23. | :38:30. | |
Mark King and Mark Davies. Mark King schools 100 points because | :38:31. | :38:47. | |
he has not been a top 16 player this year. Well done at home if you said | :38:48. | :38:55. | |
Graeme Dott or you said Mark Williams. Both of those would have | :38:56. | :39:00. | |
scored you nine. Ricky Walden would have scored 13 points, he would be a | :39:01. | :39:03. | |
terrific answer. If you again tomorrow. Thank you, | :39:04. | :39:15. | |
Richard. There is the league table. Look at the reaction from Steve | :39:16. | :39:38. | |
Davis. It is not good. You blew it with Mark King, didn't you? Yes. | :39:39. | :39:46. | |
Well done to you at home. Ian Norris and Luke Cole well worth first off | :39:47. | :39:55. | |
the mark with the tweets. We have had a lot of celebrities here at the | :39:56. | :40:00. | |
Crucible over the last few days. We have had Louis from one direction. | :40:01. | :40:04. | |
We have had Paul Hollywood, Claire Hamilton from the bronze medal | :40:05. | :40:10. | |
winning curling team. On the subject of curling, John and Steve are | :40:11. | :40:23. | |
grieved that news has reached us that Rhona Martin has had her gold | :40:24. | :40:33. | |
medal stolen along with other items on display at Dumfries Galloway. We | :40:34. | :40:37. | |
would just like to issue a plea from everybody here at the snooker, if | :40:38. | :40:42. | |
you have got it, please give it back. It belongs to everybody, as | :40:43. | :40:47. | |
Rhona selflessly has said, and I'm sure dumb present Galloway police | :40:48. | :40:51. | |
would like to hear if you have any information. -- dumb . Rodney was | :40:52. | :41:06. | |
due to be playing this afternoon but he has tied it up last night -- | :41:07. | :41:10. | |
Ronnie was due to be playing this afternoon. Instead, we will have an | :41:11. | :41:15. | |
exhibition for the Crucible crowd. Can we have some appreciation for | :41:16. | :41:20. | |
Ronnie's play last night as Mac how good was it and how good in | :41:21. | :41:25. | |
comparison to the form he has shown in other finals? Jokingly I said he | :41:26. | :41:31. | |
was warming up. I think he is getting to the peak of his form. | :41:32. | :41:36. | |
Some of the shots he played were sublime. His long game was fabulous. | :41:37. | :41:41. | |
This is an unbelievable pot from the bottom cushion. | :41:42. | :41:47. | |
You could tell he was desperate to finish that match with a second to | :41:48. | :41:54. | |
spare to have the afternoon. He was fluent and very close to his | :41:55. | :41:59. | |
absolute best. He has gone through with a session despair in the | :42:00. | :42:03. | |
semifinal and the quarterfinal. That has not been done since ten years | :42:04. | :42:08. | |
ago when Ronnie himself did it. How great a value would you put on that | :42:09. | :42:13. | |
achievement, having a day off before the final, Steve? It is not so much | :42:14. | :42:18. | |
a day off because you could argue it is a hindrance at this stage. You | :42:19. | :42:23. | |
have got into the routine of playing every day. But what it signifies is | :42:24. | :42:27. | |
really the ease with which he has carved through some very good | :42:28. | :42:31. | |
players. He is feeling like it is more like a day at the office. He is | :42:32. | :42:38. | |
getting more and more comfortable. It is not like the final will be a | :42:39. | :42:44. | |
problem. To outplay him will be hard enough as it is. If he is sitting | :42:45. | :42:48. | |
there and relaxing, even though he is behind in a frame and feels no | :42:49. | :42:51. | |
pressure, it will be difficult to overcome. They said it has all | :42:52. | :42:59. | |
fallen in Ronnie's lap. Listen, he has earned the right to have a day | :43:00. | :43:05. | |
off. He deserves this day off because of the standard of play. A | :43:06. | :43:10. | |
quick statistic for you, the finalist who has played fewest | :43:11. | :43:13. | |
friends in getting to the final, has won eight out of ten finals. The | :43:14. | :43:18. | |
only exception was John Higgins. That tells you it's own story. If | :43:19. | :43:24. | |
anybody is winning easily, they must be playing well. The situation that | :43:25. | :43:29. | |
he comes to this, he must feel super-confident, as if nobody can | :43:30. | :43:33. | |
come near him. He is getting confirmation that no one is coming | :43:34. | :43:36. | |
near him. It will take a massive effort for anyone to do that. Joe | :43:37. | :43:42. | |
Perry, how good was the performance? When you look back now, he was that | :43:43. | :43:46. | |
close. That is the standard you have to achieve. He can sit back and | :43:47. | :43:52. | |
watch these two guys slugged it out tonight, Neil Robertson and Mark | :43:53. | :43:55. | |
Selby. How do you feel it will go and what will make the difference? | :43:56. | :44:00. | |
It might be a fluke, it might be a kick, it might be something like | :44:01. | :44:05. | |
that. I think it is going all the way. Gentlemen, thank you very much. | :44:06. | :44:11. | |
We will wrap it up. We do have some hours to ourselves. Steve has | :44:12. | :44:14. | |
offered to water the plants here and John has promised to put up the | :44:15. | :44:18. | |
shelves in everybody's dressing rooms that he has promised. | :44:19. | :44:21. | |
Actually, I think we will have a rest. We could be in for a long | :44:22. | :44:26. | |
night tonight. I hope you will join us at 7pm for a pulse rating | :44:27. | :44:36. | |
session. You will not miss anything on BBC Two. Goodbye. Goodbye. | :44:37. | :44:38. |