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There has been a lot of attention on me with the centuries. We have had a | :01:01. | :01:18. | |
lot of great matches, we have reached some finals, we got the | :01:19. | :01:25. | |
better of each other sometimes. I want to attack, make big breaks, I | :01:26. | :01:31. | |
want the crowd to really enjoy it. Every year, I come out, I really try | :01:32. | :01:36. | |
to win it, but people say to me, you will do it one day. But while I am | :01:37. | :01:42. | |
in the tournament, I still have a chance. Good evening, our first | :01:43. | :01:48. | |
semifinal in this chair's 2014 Dafabet World Championship was a | :01:49. | :01:51. | |
sprint, with Ronnie O'Sullivan sprinting across the line and | :01:52. | :01:55. | |
getting themselves a day off before the final. This is more of a | :01:56. | :02:00. | |
long-distance race, it is turning into a marathon. Not much separating | :02:01. | :02:04. | |
the two players in the world rankings, number one playing number | :02:05. | :02:08. | |
three, but absolutely nothing at all between them after three sessions so | :02:09. | :02:23. | |
far in what has an epic match. -- what was an epic match. | :02:24. | :02:29. | |
You cannot do any better than win the frame with a century break! He | :02:30. | :02:43. | |
didn't play to pot that! What a shot! Tarisio pot. -- terrific. You | :02:44. | :02:56. | |
know what happens with this kind of shot? Played it well. What a shot | :02:57. | :03:06. | |
that was! He will be disappointed to have missed that. Mark Selby is two | :03:07. | :03:20. | |
frames in front again! He plays that shot so well. | :03:21. | :03:31. | |
Is it there? Is it there? How close was that! | :03:32. | :03:45. | |
Neil Robertson has done what he needed to do, it is 12-12! | :03:46. | :03:53. | |
First of 17 well hugger played in the final tomorrow. These two know | :03:54. | :04:05. | |
exactly what this is like. I hope you do not have any plans before | :04:06. | :04:10. | |
closing time, because we reckon this has late-night written all over it? | :04:11. | :04:15. | |
Yes, I cannot see anyone pulling away and winning convincingly | :04:16. | :04:21. | |
tonight. Head you characterise this matter are those who have not | :04:22. | :04:24. | |
watched some of it before? -- how'd you characterise? It has been | :04:25. | :04:32. | |
intense, nobody has been able to keep a foothold. A couple of chances | :04:33. | :04:39. | |
for Mark Selby have gone begging and Neil Robertson just will not go | :04:40. | :04:44. | |
away! Do you detect any weaknesses in either man's game that the other | :04:45. | :04:53. | |
could exploit? For Neil Robertson to play well tonight, needs to be more | :04:54. | :04:57. | |
aggressive. He just cannot be drawn into what he is being drawn into. | :04:58. | :05:02. | |
Looking forward to the game? Absolutely. We reckon this is going | :05:03. | :05:11. | |
to be an absolute classic. Let's go to Rob Walker. | :05:12. | :05:17. | |
Thank you. What a night we have in store, this could be absolutely | :05:18. | :05:24. | |
sensational! It is the last session of snooker before tomorrow's 2014 | :05:25. | :05:28. | |
Dafabet World Championship final. They both deserve to be there, there | :05:29. | :05:32. | |
is nothing between them and they have everything at stake tonight. | :05:33. | :05:36. | |
CHEERING Please welcome, one of the most | :05:37. | :05:50. | |
colourful characters on the circuit, he has nerves of steel on the big | :05:51. | :05:54. | |
stage, three times the Masters champion, and here he is, seven | :05:55. | :05:59. | |
years after his first Crucible final, he is five frames away from | :06:00. | :06:04. | |
his second appearance in the sport's biggest showdown, he is | :06:05. | :06:07. | |
ready to rise to the occasion once again, as always, with a big smile | :06:08. | :06:14. | |
on his face, here comes the Jester from Leicester, Mark Selby! | :06:15. | :06:19. | |
CHEERING And his opponent, what a fabulous | :06:20. | :06:44. | |
fortnight so far for this proud Australian, he has gone all the way | :06:45. | :06:48. | |
here once before and has the talent to do so again. He completed the | :06:49. | :06:53. | |
triple Crown with a great win in York in the UK in September and here | :06:54. | :06:58. | |
he has become a history maker with 100 centuries in a single season, | :06:59. | :07:03. | |
but this is about these five frames and another World Championship | :07:04. | :07:07. | |
final, this is the world number one, can you hear the Thunder from Down | :07:08. | :07:14. | |
Under, here comes the and, Neil Robertson! -- here comes the century | :07:15. | :07:25. | |
man. CHEERING This has got to be finished this | :07:26. | :07:42. | |
evening, a possible nine frames to be got through, the first to reach | :07:43. | :07:43. | |
17 well meet Ronnie O'Sullivan. Good evening, this could be a long | :07:44. | :07:59. | |
one, this afternoon, obviously, Mark Selby was leading by two frames. It | :08:00. | :08:09. | |
is going to be a battle. Both players shake hands. A fantastic | :08:10. | :08:16. | |
atmosphere in here. I am sure the players will rise to the occasion. | :08:17. | :08:23. | |
Mark Selby breaks off. Here we go. The last session of this second | :08:24. | :08:29. | |
semifinal. Ronnie O'Sullivan is awaiting the winner. That would be | :08:30. | :08:39. | |
tomorrow afternoon. The match time, nine hours, coming up to 60 | :08:40. | :08:47. | |
minutes, Willy. You cannot truly separate these two. | :08:48. | :09:09. | |
The statistics, all the way, it is incredible how close they are. It is | :09:10. | :09:20. | |
amazing with those statistics being so close that the Robertson only had | :09:21. | :09:25. | |
the lead once when you take a 2-1 lead. Since then, Mark Selby has | :09:26. | :09:31. | |
always had his nose in front. 5-3, the first session, which Mark Selby | :09:32. | :09:40. | |
was disappointed. He has had every chance to be three or four frames | :09:41. | :09:44. | |
clear, now that I missed to knuckle down and make no mistake. -- now is | :09:45. | :09:50. | |
the time to knuckle down. The beautiful Crucible Theatre | :09:51. | :11:03. | |
arena, and what a wonderful camera angle that is. Fantastic. Both | :11:04. | :11:10. | |
players got a wonderful reception as they came in to the theatre. A great | :11:11. | :11:13. | |
crowd as always. Looks like you would be tempted with | :11:14. | :11:46. | |
this long straight red. He hit it really well. When ever you do that | :11:47. | :11:53. | |
first attacking shot you're going to play, you always know that you are | :11:54. | :11:58. | |
cueing well. The first long pot, when you hit the jaws, that is like | :11:59. | :12:05. | |
at least you know you're paying OK. There is the bounce. He has left | :12:06. | :12:15. | |
Neil Robertson a possible here into the right centre pocket. | :12:16. | :12:29. | |
He is OK. He hasn't left anything. I thought the red to the right of the | :12:30. | :13:35. | |
pack may have been on. But again, just a safety shot from Neil | :13:36. | :13:38. | |
Robertson. This has been the pattern of the match so far. Both top | :13:39. | :13:47. | |
quality in match play, and of course, safety aspect of the game. | :13:48. | :13:51. | |
The average frame time is 23 minutes. | :13:52. | :14:07. | |
When they are both playing at their best, the average Tatung condemns a | :14:08. | :14:17. | |
battle -- the average shot time comes down a bit. This is the | :14:18. | :14:27. | |
biggest stage ever, centre-stage at the World Championship and Ronnie | :14:28. | :14:31. | |
O'Sullivan awaits, doesn't get bigger than that. | :14:32. | :15:35. | |
He is just a little bit concerned of knocking that red close to the | :15:36. | :15:46. | |
yellow pack up the table. He does not want to leave the Robertson with | :15:47. | :15:53. | |
a shot to nothing. -- Neil Robertson. | :15:54. | :16:18. | |
Both of these players would have liked to have had an opening by now, | :16:19. | :16:23. | |
but it has just been a series of safety shot. Mark Selby has had some | :16:24. | :16:36. | |
long pots also. He could play an aggressive safety shot of that red | :16:37. | :16:39. | |
to the left of the pink and try to bring the cue ball almost in a Zorro | :16:40. | :17:03. | |
type of angle. This red is on but it would have been easier to kiss with | :17:04. | :17:08. | |
the brown. Mark Selby will try to get around the back of the black but | :17:09. | :17:11. | |
he will have to stun lowdown on the ball. Usually if you miss it, you | :17:12. | :17:18. | |
have to hit it thick. But right into the heart of the pocket. Does he | :17:19. | :17:27. | |
have the brown in the middle? Yes, he does, and the red will pot in the | :17:28. | :17:29. | |
other middle. Who will be disappointed with that? | :17:30. | :18:21. | |
He wanted to make sure that he was low on the blue. He has got the | :18:22. | :18:31. | |
wrong angle on the blue. Just pot it and leave the red to the right into | :18:32. | :18:35. | |
this corner pocket. This could have been easier... | :18:36. | :18:58. | |
I thought he might roll that in slowly with a lot of side to drift | :18:59. | :19:09. | |
around the black. He hit it thick. Always when you play with right-hand | :19:10. | :19:14. | |
side it would push into the ball a little bit. Would like to have | :19:15. | :19:16. | |
scored much more from that chance. He would have been delighted to have | :19:17. | :19:55. | |
finished nicely on the black. He very poor shot, that one. -- a very | :19:56. | :20:01. | |
poor shot. He was a very happy man earlier on | :20:02. | :20:14. | |
when he had his son Alexander in the auditorium before play started, and | :20:15. | :20:19. | |
he was taking pictures. He didn't want to leave the seat! He wanted to | :20:20. | :20:25. | |
stay there for a little while. I want to say there! I am not going | :20:26. | :20:29. | |
anywhere! I'm going to play for you, dad! | :20:30. | :20:47. | |
That is about the best he could do with that. Thankfully, the Black has | :20:48. | :20:56. | |
not gone to safe, but he has left Mark Selby a shot into the left-hand | :20:57. | :21:01. | |
corner pocket. There is a pathway back to blue or possibly baulk | :21:02. | :21:06. | |
colours. Now, the safety shot becomes more | :21:07. | :21:37. | |
and more important now that the reds are open. | :21:38. | :21:44. | |
The next two safety shot could be very telling indeed. | :21:45. | :22:34. | |
He has been very fortunate. If that cue ball had travelled a couple of | :22:35. | :22:42. | |
more inches, it would have been a straightforward shot for Mark Selby. | :22:43. | :22:44. | |
He played a good safety shot but he has also been keen to keep the cue | :22:45. | :22:49. | |
ball at the opposite side of the table. Down the left-hand side. He | :22:50. | :23:00. | |
has got to play his shot something along those lines, because he does | :23:01. | :23:04. | |
not want to leave this red which is close to the bottom pocket. He needs | :23:05. | :23:10. | |
to be very careful here. That is exactly where he wants the cue | :23:11. | :23:13. | |
ball. This is not good. He will not be | :23:14. | :23:42. | |
happy. He needed to come down a bit straighter on that line. Now, a | :23:43. | :23:48. | |
chance for Neil Robertson. If he could take a chance with a cannon | :23:49. | :23:52. | |
into the red to hold for the black and play the stun straight into the | :23:53. | :23:56. | |
red, as long as he doesn't get full ball, he will on the black. Got the | :23:57. | :24:04. | |
kiss, how will you finish this time? Not an easy pot. | :24:05. | :24:11. | |
We will let you make a reminder. I do not think it will pot. Straight | :24:12. | :24:19. | |
behind, you would probably play it, but not from that angle. | :24:20. | :26:21. | |
I think this has been the pattern of the match, both players with a high | :26:22. | :26:28. | |
quality of safety play, but I feel that whoever will be the aggressor | :26:29. | :26:32. | |
of the two, they will come out on top tonight. Have to play a bit more | :26:33. | :26:38. | |
aggressively even with safety shot, take some more pots one. -- more | :26:39. | :26:49. | |
pots one. The standard of safety is very high, | :26:50. | :27:04. | |
which is what you would expect from two of the best safety players in | :27:05. | :27:10. | |
the world. However, they need to make something happen, you cannot | :27:11. | :27:14. | |
wait for a mistake for ever. I am sure the first one that does that | :27:15. | :27:19. | |
will take control, and that is an example of just that. A wonderful | :27:20. | :27:26. | |
pot, held for the black. This is a good chance for Neil | :27:27. | :27:42. | |
Robertson. A couple of loose reds available. | :27:43. | :28:35. | |
Here's a little bit slow on this red. | :28:36. | :28:47. | |
Sometimes there is a good kick. That was a good kick. It takes the speed | :28:48. | :28:55. | |
out of the cue ball. Normally you are horrified, but that may have | :28:56. | :28:58. | |
gone to a fraction too far without the kick. | :28:59. | :29:26. | |
The middle read of the three, just in line with pink spot. -- middle | :29:27. | :29:37. | |
red. If you can get the cue ball into that position, he has the angle | :29:38. | :29:41. | |
to get into the reds if he wishes. He has decided to go into them. How | :29:42. | :29:48. | |
does this look? Not too bad. Landed on the bottom red, perfect. | :29:49. | :30:01. | |
A horrendous kick there as a phone goes off. It is a nice tune! It must | :30:02. | :30:11. | |
be horrible when you cannot see which pocket it is in all which | :30:12. | :30:15. | |
handbag. There is the kick as you see there. | :30:16. | :30:28. | |
39 points in front. If he goes on to win this frame, it is the second | :30:29. | :30:36. | |
time in the whole match that he has ever led. The first was at 2-1. | :30:37. | :30:47. | |
You have always got to make sure you get top side of the blue here. You | :30:48. | :30:55. | |
do not want to finish short. That is exactly what he has done. | :30:56. | :31:13. | |
He hits those shots so good all the time. You could see the white | :31:14. | :31:24. | |
suddenly starts speeding up as it gets towards the condition. | :31:25. | :32:07. | |
Just this black now to put the frame beyond doubt. Excellent. Good play | :32:08. | :32:22. | |
from Neil Robertson. It all came from that wonderful long pot. The | :32:23. | :32:31. | |
more aggressive of the two players will create chances. | :32:32. | :32:41. | |
Robertson takes the lead for only the second time in the match. | :32:42. | :33:05. | |
What a graft this has been. How cautiously have both men started | :33:06. | :33:14. | |
this session? Very. There was a chance when Neil could have played a | :33:15. | :33:21. | |
safety shot, and attacking shot. He chose to play the shot that was a | :33:22. | :33:28. | |
containing shot. The containing safety shot was made for this match. | :33:29. | :33:34. | |
Is there a dangerous case that they are cancelling each other out? They | :33:35. | :33:41. | |
are playing very cagily in that department. Both players are saying | :33:42. | :33:47. | |
they do not want to force the issue. But the shot that Neil Robertson did | :33:48. | :33:52. | |
take on was an excellent long pot. There was an element of safety but | :33:53. | :33:58. | |
it has been cagily. It has but it has also been a very long day. They | :33:59. | :34:02. | |
were out there at ten o'clock. When you get to the last session of the | :34:03. | :34:09. | |
semifinal but nerves have got to be playing a part. Notts match at the | :34:10. | :34:12. | |
beginning of the match but as the night goes on nerves will play big | :34:13. | :34:14. | |
part. Ronnie O'Sullivan has had a day off | :34:15. | :34:41. | |
today. It will be interesting to see how much it will take out of them | :34:42. | :34:47. | |
going into the final tomorrow. Ronnie is already in there waiting | :34:48. | :34:52. | |
the winner. He will be nice and fresh. These guys could be here | :34:53. | :34:55. | |
quite late. At least there is no morning session | :34:56. | :35:07. | |
tomorrow so they can have a bit of a lie in and hopefully get a good | :35:08. | :35:11. | |
night's sleep. One of them will have to push the | :35:12. | :35:32. | |
boat out. It looks like Robertson has decided to do that. Ronnie has | :35:33. | :35:39. | |
not had a bad session yet. It will happen at some stage, you would | :35:40. | :35:40. | |
think. Can he just stunned that red in? He | :35:41. | :35:50. | |
is using the rest. Watch the cue ball spin. Wonderful | :35:51. | :37:50. | |
slow motion camera. All through the Championship, Neil | :37:51. | :38:15. | |
Robertson has had the opportunity to turn the switch. He played flawless | :38:16. | :38:22. | |
snooker. He never missed a ball in the last four frames against Judd | :38:23. | :38:25. | |
Trump. He must have been dumbfounded. It looks like he in | :38:26. | :38:32. | |
that frame of mind at the moment. Mark Selby will have to push boat | :38:33. | :38:33. | |
out. The red has gone close to the middle | :38:34. | :39:21. | |
pocket. He did not get enough top spin on | :39:22. | :39:29. | |
the cue ball. APPLAUSE | :39:30. | :40:12. | |
Length with the cue ball. That little nudge on the brown. I | :40:13. | :40:29. | |
half chance now for Mark. APPLAUSE | :40:30. | :40:59. | |
40 LO that will give him a little bit of confidence. | :41:00. | :41:07. | |
That was a great pot but look at the way he kisses into the black. That | :41:08. | :41:12. | |
has slowed the cue ball down. He is unlucky. The pace he played | :41:13. | :41:49. | |
that yellow, I mean, you would have to say you would have something a | :41:50. | :41:51. | |
little bit easier than this. Good pot and a nice kiss on the | :41:52. | :42:04. | |
blue. He must have been a little bit | :42:05. | :42:26. | |
downhearted but he potted a great red in the middle. | :42:27. | :43:04. | |
Just playing for choice of Red Sea. He can play on the pink and blue at | :43:05. | :43:16. | |
the moment. -- a choice of reds here. | :43:17. | :43:29. | |
He would rather risk hitting it too hard. He can just roll this black | :43:30. | :43:38. | |
in. This undoubtedly is the best Mark | :43:39. | :44:46. | |
Selby has played all season. That has taken the pace out of the | :44:47. | :45:20. | |
cue ball. Not so straightforward now. He is blessed with a lot of cue | :45:21. | :45:30. | |
power when he uses the rest. APPLAUSE | :45:31. | :45:47. | |
What a beautiful shot. It doesn't get better than this. | :45:48. | :46:37. | |
This break from Selby has been right out of the top drawer. | :46:38. | :46:50. | |
Decided to go for a blue. The brown is off the spot as well. | :46:51. | :47:19. | |
What an excellent break this has been. | :47:20. | :47:31. | |
He has made 48 centuries this season. | :47:32. | :47:44. | |
The black goes in for a wonderful break of 86. And the cue ball goes | :47:45. | :48:40. | |
in as well. More importantly, Mark Selby wins the frame. | :48:41. | :49:47. | |
We saw Mark Selby's break in the previous frame which was right in | :49:48. | :49:56. | |
the top drawer. It all started that fabulous long red. Once again, you | :49:57. | :50:03. | |
see this magnificent arena. I have not played for 15 years and I still | :50:04. | :50:08. | |
get a buzz when I see a picture. Nothing better. | :50:09. | :50:53. | |
I think we have got a match on, ladies and gentlemen. It will be the | :50:54. | :50:58. | |
last man standing. Anything but a full-ball contact, he | :50:59. | :51:26. | |
will be OK. That is the problem when you have | :51:27. | :51:44. | |
got the flat-back pack. He just caught that one rightful ball. If he | :51:45. | :51:50. | |
ever you catch one of those front reds full ball, you have got no | :51:51. | :51:51. | |
chance. Mark was saying just before this | :51:52. | :52:31. | |
session when I had a word with him, he said Neil keeps knocking long | :52:32. | :52:39. | |
ones. He has done that already. I said, leave them on the cushioning, | :52:40. | :52:41. | |
he will have a bit of trouble them. He did not take the red on, he | :52:42. | :52:51. | |
played a safety. I'm surprised he did not try to get | :52:52. | :54:56. | |
back to the baulk here. There is a bit of movement in the | :54:57. | :55:36. | |
crowd. He is just steadying himself. Half a chance here for Mark Selby. | :55:37. | :55:48. | |
The top door just opened as he was on the shot. He has spotted it. A | :55:49. | :55:54. | |
super pot. He didn't hit the centre of the | :55:55. | :56:36. | |
white. Nothing better than a late night | :56:37. | :57:36. | |
when the snooker is excellent which it is at the moment. We saw the pink | :57:37. | :57:42. | |
coming away from the pack. Only 14 from that excellent opening | :57:43. | :58:07. | |
red. He will be disappointed. He has got to be careful. It could | :58:08. | :59:06. | |
go over the left-hand corner pocket. There is another red he could clip | :59:07. | :59:17. | |
REFEREE: Foul and a miss. A missed call. I'm sure Neil can have a go at | :59:18. | :59:26. | |
this red. Michaela Tabb on the monitor, needs | :59:27. | :00:00. | |
to be a bit more to the right. It is all about getting the white in | :00:01. | :00:22. | |
the right place. Just checking where the red was. Just about an inch and | :00:23. | :00:33. | |
a half. Not too bad. The key thing is the white. | :00:34. | :00:50. | |
The Black Cats to be... Yes, it is pretty good. | :00:51. | :01:04. | |
The aggressive safety shot would be to play the one you suggested. He is | :01:05. | :01:12. | |
just making sure... He was just saying that now, you cannot see the | :01:13. | :01:21. | |
black, but he could the first time. He is going to play exactly the same | :01:22. | :01:23. | |
shot, the cut. Is that enough? Yes. That is where it was. That is where | :01:24. | :01:48. | |
it is now. It is a bit too far in our! -- fire now. | :01:49. | :02:00. | |
Found a different shot now, where is the... ? | :02:01. | :02:32. | |
There is a pot. Let's have a look at this. Pretty close. If the red to | :02:33. | :03:01. | |
the right-centre doesn't pot, he does have the long red into the | :03:02. | :03:03. | |
left-hand corner pocket. He will be tempted again, I think. | :03:04. | :03:37. | |
The reds are problems behind the black. | :03:38. | :03:48. | |
What a fabulous pot again. He knew that once he was going into the | :03:49. | :03:56. | |
pack, he needs a little bit of luck. This time he had it. He | :03:57. | :04:07. | |
deserved it. That was a does pot. -- a tremendous pot. | :04:08. | :04:41. | |
This is tricky. He has two play this almost dead weight. To give it a | :04:42. | :04:49. | |
chance to get into the pocket. You could try and screw it in but it | :04:50. | :04:52. | |
makes the pot so much more difficult. | :04:53. | :05:04. | |
If he plays this along the top cushion, we have seen plenty of | :05:05. | :05:07. | |
these missed so far. Budden, Neil Robertson, that | :05:08. | :06:47. | |
deserves a round of applause. -- well done. The red that he had | :06:48. | :06:55. | |
expected to leave on, the one you the green, he hasn't. -- the one | :06:56. | :07:00. | |
near the green. Mark Selby could just about swing | :07:01. | :07:29. | |
this in between yellow and blue. He is probably back in again. Baby | :07:30. | :07:34. | |
pushing into the yellow, Ken, before it swerved. -- maybe pushing into | :07:35. | :07:49. | |
the yellow. It looks very close to the baulk cushion. It wouldn't be as | :07:50. | :07:55. | |
easy as further as it could have been if it had been a few inches | :07:56. | :07:57. | |
away from the baulk cushion. This is a containing safety shot. | :07:58. | :08:37. | |
Can he have a go at this plant? You'll have to hit this red really | :08:38. | :09:09. | |
thin where the white is. The cue ball may go between the reds and | :09:10. | :09:15. | |
even career into the red at the left-hand side of the table, but | :09:16. | :09:20. | |
that would not bother him. He's just playing the containing safety shot. | :09:21. | :09:25. | |
He may force Mark Selby into playing this plant now. He tried to cover | :09:26. | :09:32. | |
the plant, but it doesn't look like he has done that. It is a case of if | :09:33. | :09:39. | |
he wants to risk it. He declared that fell on himself. -- | :09:40. | :11:00. | |
foul. The referee did not see it. Quite admirable. | :11:01. | :11:12. | |
A little surprised he did not play the swerved. Mark Selby has been | :11:13. | :11:19. | |
given an extra chance in this frame. He is nine points ahead. I'm lucky | :11:20. | :11:30. | |
to have knocked in the black, but the red would have been there. -- | :11:31. | :11:32. | |
unlucky. Had to play the power shot, and it | :11:33. | :11:41. | |
worked. Excellent shot. He knew full well | :11:42. | :12:17. | |
that red would slow down the cue ball. He hasn't been very lucky. | :12:18. | :12:28. | |
Could have had something a lot easier here. Couldn't agree with you | :12:29. | :12:36. | |
more, Ken. He played a fantastic black, but faced with a tough | :12:37. | :12:51. | |
Casement -- a pot. This is very tricky. | :12:52. | :13:01. | |
Very, very good. He deserves what he gets from those last shots that he | :13:02. | :13:05. | |
played. He has pulled out some great reds | :13:06. | :13:36. | |
already in this break. This has been a great break of 32, | :13:37. | :14:16. | |
and he is hardly add position. And he is not in a great position now. | :14:17. | :14:21. | |
They have to risk going in and out of baulk with this red because the | :14:22. | :14:23. | |
green is unavailable. He needed to roll, but still not | :14:24. | :14:36. | |
perfect. 46 points in front, very rarely do | :14:37. | :15:41. | |
you suggest a double as a possibility. But where is the reds | :15:42. | :15:49. | |
are, the double might not be bad. -- with the reds are. | :15:50. | :15:59. | |
That was worth the risk. Potting a lot of good balls in that set. He is | :16:00. | :16:14. | |
the favourite. This is a really tough position. It | :16:15. | :17:25. | |
would be an easy snooker from Mark Selby. He has gone for the pot. | :17:26. | :17:32. | |
Goodness me! We have seen some pots this evening. He has put all his | :17:33. | :17:38. | |
eggs in one basket there. I can only presume he paid with a -- played for | :17:39. | :17:49. | |
the pink. Goodness me, that was a pot. | :17:50. | :17:57. | |
A lovely angle for this blue. Nudge the red from the site cushion. | :17:58. | :18:10. | |
You can see the disappointment in his face, just half an inch away | :18:11. | :18:13. | |
from that shot. Well, maybe an inch. That was a good shot, knowing full | :18:14. | :18:40. | |
well that he was going to bring the other red into play that was behind | :18:41. | :18:52. | |
the green. He is 40 points behind. That creates extra pressure on Mark | :18:53. | :19:00. | |
Selby here. I know that this session has been playing for nearly an hour | :19:01. | :19:03. | |
and a half and we have not yet completed three frames, but some of | :19:04. | :19:09. | |
the best pots the Championship have been played in this frame, and it | :19:10. | :19:12. | |
will need to be a good safety shot here, because it will be tough not | :19:13. | :19:18. | |
to leave a pot on. Just trying to work out what he is | :19:19. | :19:40. | |
thinking of. What is he thinking of doing with that? The red possibly | :19:41. | :19:49. | |
passes the green, to cut it into the right-hand corner and send it in and | :19:50. | :19:58. | |
out of baulk. The case is a problem if he does that? -- kiss. He has | :19:59. | :20:10. | |
done the correct thing, he now has two balls on the cushion. | :20:11. | :20:45. | |
That was the only problem from Mark Selby plain that containing safety | :20:46. | :20:51. | |
shot, the straightforward safety shot for Neil Robertson. | :20:52. | :20:59. | |
It is like he has covered all reds here. | :21:00. | :21:39. | |
He does have another this red. -- enough of this red. | :21:40. | :22:05. | |
What a tough shot this will be. Ho, what a shot! That is amazing. | :22:06. | :22:24. | |
Amazing, forced into it. How well did he hit this? ! We have seen some | :22:25. | :22:27. | |
marvellous pots. Everything was risky there, the | :22:28. | :22:44. | |
safety was risky. Sometimes you have to just go for one. | :22:45. | :22:52. | |
That is what we call Tim three self out of trouble. -- potting yourself | :22:53. | :23:09. | |
out of trouble. Do not the head he concedes. -- the | :23:10. | :23:23. | |
nod of the head, you concedes. Both of them landing large punches | :23:24. | :23:42. | |
on each other, and what about some of the long potting in that frame, | :23:43. | :23:49. | |
absolutely impossible! They are forced into playing some pots, and | :23:50. | :23:53. | |
that one from Mark Selby was fantastic. It has been a very high | :23:54. | :23:59. | |
standard of long part tonight. It has been quick and pretty slow also. | :24:00. | :24:09. | |
It has been fascinating. The standard of competitiveness is | :24:10. | :24:16. | |
immense. I do not see either of them really relenting or giving up. I | :24:17. | :24:24. | |
cannot see anybody folding. No. I just do not see it. With Mark Selby, | :24:25. | :24:30. | |
tonight we're getting an interesting balance between the Hoover that is | :24:31. | :24:34. | |
Mark Selby that would leave everything up, and also this | :24:35. | :24:37. | |
torturer figure that Ronnie O'Sullivan describes, but he is | :24:38. | :24:42. | |
marrying the two now. It is interesting when he goes behind. | :24:43. | :24:48. | |
When he is in front, you almost goes into protection mode and he sort of | :24:49. | :24:54. | |
goes into it shall, not completely, but his choice of shot seems to go a | :24:55. | :24:58. | |
bit more conservative when he is in front. An interesting observation, | :24:59. | :25:04. | |
because he has always said that plays better when the pressure gets | :25:05. | :25:08. | |
more intense. Yes, and that is an usual for most players, they love to | :25:09. | :25:12. | |
be in front. But when you play somebody at the level of Neil | :25:13. | :25:16. | |
Robertson, you're always aware that he can come back. If you know that | :25:17. | :25:21. | |
your player can collapse, that is another story, but both these | :25:22. | :25:25. | |
players can be amazing front runners. Nia Roberts and is showing | :25:26. | :25:29. | |
fantastic composure to come back into the match at various times and | :25:30. | :25:34. | |
he will keep on doing it. This is the last one before the mid-session | :25:35. | :25:40. | |
interval and once again, Mark Selby has eked out a lead. | :25:41. | :25:56. | |
The latter session before the mid-session interval, can Neil | :25:57. | :26:02. | |
Robertson level again. -- the last frame before. | :26:03. | :26:27. | |
The state from Mark Selby, but as you can see, the two reds above the | :26:28. | :26:37. | |
pocket... As you can imagine, this is very, very dangerous indeed. | :26:38. | :26:57. | |
The fact he is a left-hander, you might be able to get his cue. He is | :26:58. | :27:04. | |
looking at the plant. That brown will hamper him slightly but the | :27:05. | :27:11. | |
open red. If he plays the plant and stuns it in, there is a chance he | :27:12. | :27:13. | |
could be on the black. Fantastic shot. What a match this | :27:14. | :27:21. | |
is! That is a great shot, you can see | :27:22. | :27:30. | |
the distance between the two balls. The first red that he hit in that | :27:31. | :27:59. | |
plant came off the top cushion into the pack and brought some of these | :28:00. | :28:01. | |
reds into play. He can go into the pack your because | :28:02. | :28:24. | |
he has the little insurance policy of the red close to the pocket. -- | :28:25. | :28:29. | |
go into the pack here. Just checking that the red next to | :28:30. | :29:41. | |
the pink doesn't potting into the corner. | :29:42. | :30:05. | |
The path that the cue ball will take, there is no problem in kissing | :30:06. | :30:17. | |
the red over the middle. The red was not in the way of that shot. | :30:18. | :30:55. | |
Neil may decide to play an aggressive safety. | :30:56. | :31:21. | |
Once again, coming round to see what has happened to the bunch. | :31:22. | :31:43. | |
Just making sure he will not push one right over the pocket. | :31:44. | :32:01. | |
He took the chance. Now he expects to find the cushioning because he | :32:02. | :32:07. | |
had his hand on the table. He has not done. | :32:08. | :32:41. | |
He played that very well. It was an excellent shot. | :32:42. | :33:28. | |
What would you do here, Ken? This is a possible shot. When the object | :33:29. | :33:40. | |
ball, the red, so close to the top cushion, it is very hard. You can | :33:41. | :33:45. | |
sometimes get a double-kiss and completely mess it up. That is why | :33:46. | :33:54. | |
he is reluctant to play this one. He is entitled to take his time here | :33:55. | :33:56. | |
because he is in trouble. It'll be interesting to see where | :33:57. | :34:54. | |
pink ghosts. The pink spot is covered but is there room on the | :34:55. | :34:58. | |
black spot? He is just having a look. | :34:59. | :36:06. | |
Pink and black are going to be out of play. | :36:07. | :36:21. | |
He could have gone on the black that time. At the moment, he is not fully | :36:22. | :36:51. | |
concentrating. He did not have a look at all the options. | :36:52. | :37:10. | |
The cue ball bounced. It is amazing how much you can move them by | :37:11. | :37:30. | |
playing that way. Considering the frames have been a | :37:31. | :38:37. | |
bit messy, the standard of potting has been remarkable. | :38:38. | :39:02. | |
He can concentrate on just reds and blues here. | :39:03. | :39:45. | |
That was not the best shot he has ever played. Still OK. | :39:46. | :40:33. | |
Once again, not perfect. He did not play the kiss them, he played to go | :40:34. | :40:39. | |
around the back of those. When it set off it was high. The | :40:40. | :41:04. | |
superfine cloth is, very rare do they pull, it seemed to pull in | :41:05. | :41:07. | |
there, Ken. It is in. This has been good stuff | :41:08. | :42:02. | |
from both players. It has taken the best part of two hours these four | :42:03. | :42:06. | |
frames but this has not been slow snooker, it has been awesome stuff. | :42:07. | :42:11. | |
Some of the best safety play we have seen and some of the best long pots | :42:12. | :42:16. | |
we have seen. Very high standard. Neither player giving an inch. And | :42:17. | :42:23. | |
that was another super long pot. Mark has come to the table but a | :42:24. | :42:46. | |
tall order. Maybe he feels... Can he missed the | :42:47. | :44:14. | |
pink here? That was different. If he can miss the kiss on the red, | :44:15. | :45:21. | |
he could get very close to getting behind the green this time. | :45:22. | :46:35. | |
Excellent cueing again from Neil Robertson. That will certainly | :46:36. | :46:39. | |
secure the frame. We said many times, this match has | :46:40. | :47:01. | |
all the hallmarks of going right down to the wire. At the moment, it | :47:02. | :47:06. | |
is proving to do so. Great match snooker from both | :47:07. | :47:13. | |
players this evening. He has missed the red but Mark Selby | :47:14. | :47:44. | |
gives the nod. Neil Robertson takes the frame. Once again, both players | :47:45. | :47:49. | |
are level. They go off for the mid-session interval. It is 14 | :47:50. | :47:56. | |
frames apiece. HAZEL IRVINE: We said it would be a | :47:57. | :48:02. | |
marathon. They go off to their dressing rooms. We will chew the fat | :48:03. | :48:07. | |
little bit. How would you sum up the evening for us? Some unbelievable | :48:08. | :48:16. | |
pots. I think the standard has risen from this morning. It is building up | :48:17. | :48:18. | |
nicely. It takes a bit of time, but once it | :48:19. | :48:30. | |
gets going, this final mini session will be marvellous. Is it about who | :48:31. | :48:35. | |
cracks first or who can produce the best snooker? This is the situation | :48:36. | :48:42. | |
you expect which separates the great from the good. These two are both so | :48:43. | :48:47. | |
evenly matched in terms of talent and matchplay, I do think any is | :48:48. | :48:51. | |
playing well enough to move away from the other. It is the best of | :48:52. | :48:55. | |
five to get into the World Championship. In matches before, | :48:56. | :49:00. | |
they have played to Macri huge finals. They have always really gone | :49:01. | :49:05. | |
the distance. Are you able to see one man or the other getting an | :49:06. | :49:10. | |
advantage because of what you have seen so far in those first four | :49:11. | :49:19. | |
frames, Steve? Do you want the short answer which would be No. At one | :49:20. | :49:25. | |
stage, I thought Mark Selby had the edge. He looks like the one who | :49:26. | :49:31. | |
could play and get the rhythm going. We know full well, Neil Robertson | :49:32. | :49:36. | |
has come on strong at the end of matches in the World Championship. I | :49:37. | :49:41. | |
just haven't got a clue. He showed it against Mark Allen and Judd | :49:42. | :49:44. | |
Trump. When the pressure has really come on, he has been able to | :49:45. | :49:50. | |
respond. Definitely, two of the best sessions have come from Neil | :49:51. | :49:57. | |
Robertson. Can he draw on that again tonight? I wonder. And I wonder if | :49:58. | :50:02. | |
Ronnie O'Sullivan is watching this tonight. He is in his sixth final | :50:03. | :50:06. | |
and his third in a row. In fact, not for ten years has a player made it | :50:07. | :50:11. | |
through to the final having won his quarterfinal and his semifinal with | :50:12. | :50:16. | |
a session to spare. The last man to do so, incidentally, Ronnie | :50:17. | :50:23. | |
O'Sullivan in 2004. Business was brisk and brilliant in here last | :50:24. | :50:28. | |
night against Barry Hawkins. The game is fickle and you can have | :50:29. | :50:31. | |
patches where you are playing really well and vice versa. I didn't have | :50:32. | :50:38. | |
enough in me to be mentally strong and try and come back from it. I did | :50:39. | :50:40. | |
not have enough drive. This game is about momentum. If you | :50:41. | :50:58. | |
can gather some of that, you can win seven, eight, nine and frames on the | :50:59. | :51:06. | |
spin. It is not easy, the mistakes are magnified. In the semifinal | :51:07. | :51:14. | |
playing against Ronnie, any little mistake it magnifies against him. I | :51:15. | :51:22. | |
feel like I have been in a boxing ring and had 12 rounds with Tyson! | :51:23. | :51:27. | |
Goodness me, there are not many of those in the pound. It is huge, the | :51:28. | :51:34. | |
biggest tournament, a lot of pressure out there. I think as each | :51:35. | :51:40. | |
match gets on, you get a little bit more comfortable, the deeper you go | :51:41. | :51:47. | |
into the tournament. I tried my hardest but everything was hard | :51:48. | :51:54. | |
work. Oh, you are kidding? I feel mentally bashed. To be honest with | :51:55. | :52:02. | |
you, I'm glad it is all over! I'm trying my hardest out there and I'm | :52:03. | :52:06. | |
going through every emotion in the match, just like everybody else | :52:07. | :52:13. | |
does. Ronnie O'Sullivan is into the final for three years in a row. It | :52:14. | :52:20. | |
has been a fabulous display from the defending champion. A very | :52:21. | :52:25. | |
comfortable winner in the end, 17 frames to seven. I have never come | :52:26. | :52:28. | |
here with nothing to lose. He's interviewed six Crucible final | :52:29. | :52:40. | |
and he is yet to lose one. What is more important, you have been to 17 | :52:41. | :52:45. | |
finals between you, what is more important, is it mental freshness or | :52:46. | :52:51. | |
physical freshness? I think mentally you can be burnt out by the end of | :52:52. | :52:54. | |
it but usually your adrenaline can get you through it. I think being | :52:55. | :52:59. | |
able to sleep in between the matches is important. That can recharge you | :53:00. | :53:05. | |
quite quickly I feel. He talked about structure in his post-match | :53:06. | :53:09. | |
conference saying he did not have to come to play today and he did not | :53:10. | :53:13. | |
know what to do with himself. I understand he has gone for a 15 mile | :53:14. | :53:18. | |
run, just to relax. Is there any way he could be knocked out of his | :53:19. | :53:23. | |
rhythm by a day off? Not at all. He would put a bit of practice in. I | :53:24. | :53:27. | |
think he finds the first week a bit of a drag. You play a first-round | :53:28. | :53:32. | |
match and then he has virtually a week. Come the second week you play | :53:33. | :53:36. | |
almost every day and the intensity gets bigger and bigger. He looks | :53:37. | :53:41. | |
like he is enjoying it. He is chasing the total of six world | :53:42. | :53:46. | |
titles and then hopefully he will -- then he might be hoping to go for a | :53:47. | :53:53. | |
seventh. I think he wants that. But let's also let's talk about Steve's | :53:54. | :54:03. | |
first. But I think he wants to beat my record. He is not playing as many | :54:04. | :54:09. | |
tournaments. He is only playing when he wants. Consequently, when he | :54:10. | :54:13. | |
comes to events like this, he is fresh. A few years ago he almost had | :54:14. | :54:18. | |
a casual record towards equalling them and his place in the game. That | :54:19. | :54:22. | |
has completely changed since he has been working with Doctor Steve | :54:23. | :54:26. | |
Peters. You met him today. How would you describe his mood? He is in | :54:27. | :54:32. | |
great mental shape. Very buoyant, very relaxed. He is in a great place | :54:33. | :54:37. | |
to win the event. He is much more balanced in terms of his views of | :54:38. | :54:42. | |
the challenge of trying to win and beat Stephen's record. It is also a | :54:43. | :54:47. | |
great feeling when you know other players cannot beat you. If you feel | :54:48. | :54:52. | |
you are intimidating players, it is worth three or four friends for a | :54:53. | :54:56. | |
start. And he has certainly done that, intimidation out there. He has | :54:57. | :55:03. | |
put people on the back foot. If he can put them on the back foot truly | :55:04. | :55:08. | |
he deserves to win it in style. He puts himself in the frame to be | :55:09. | :55:11. | |
breaking records and it is on his mind. I won't give away what he was | :55:12. | :55:18. | |
saying but it is on his mind, he is aware of it, he has thought about | :55:19. | :55:22. | |
it. It depends how much he will commit. I do not want to go into | :55:23. | :55:28. | |
it. I do not think either of these guys will be as intimidated as we | :55:29. | :55:33. | |
have seen throughout the Championship. I disagree. I think he | :55:34. | :55:38. | |
has got it. We saw it against Mark Selby in the final of the Masters. | :55:39. | :55:43. | |
He completely blew him away. Mark did not look comfortable from the | :55:44. | :55:49. | |
word go. We shall see. Whoever wins, the intensity levels are | :55:50. | :55:53. | |
certainly going to spike here at the Crucible. We are going to revel in | :55:54. | :55:57. | |
it all but these guys will have to cope with the heat, the pressure and | :55:58. | :56:03. | |
the tension. The 1979 world champion Terry Griffiths well remembers that | :56:04. | :56:11. | |
feeling. People often ask me what it is like being a professional player | :56:12. | :56:14. | |
and how did I handle the pressure. I have tried to describe my anguish | :56:15. | :56:19. | |
but the words come up short. I turned professional in June 1978. | :56:20. | :56:24. | |
Personally, I just wanted to find out if I could compete against the | :56:25. | :56:28. | |
best players in the world. I set myself a target of three years and | :56:29. | :56:33. | |
if I failed, I would go back to work. Little did I know at the time | :56:34. | :56:38. | |
I was -- what I was going to experience in my first season. I led | :56:39. | :56:46. | |
Rex Williams 8-2, in the qualifying round of the UK Championships, with | :56:47. | :56:49. | |
a trip to the Guildhall in Preston looming large in my mind. I somehow | :56:50. | :56:55. | |
managed to lose 9-8. When I shook his hand, I could not feel anything. | :56:56. | :57:02. | |
I wanted to say, well done, but nothing came out. There was an | :57:03. | :57:05. | |
emptiness inside me which had dead into my mind. It was a numbing | :57:06. | :57:11. | |
defeat, overwhelming for me because of its potential impact. The career | :57:12. | :57:15. | |
I had looked forward to was in jeopardy. But also because of the | :57:16. | :57:20. | |
stupid, self-inflicted, almost suicidal way in which I lost. | :57:21. | :57:25. | |
Professional snooker in my opinion is the moral equivalent of war. The | :57:26. | :57:30. | |
stress, where and tear and assault on a person's spirit and basic | :57:31. | :57:35. | |
self-esteem are incredible. It takes an individual to the outer limits of | :57:36. | :57:41. | |
the capabilities and may provide one of the ultimate studies of people | :57:42. | :57:48. | |
because it is such a cruel, volatile and emotionally draining experience. | :57:49. | :57:52. | |
Unless you have experienced this type of emotional shock and the | :57:53. | :58:00. | |
bleak interior landscape it creates, it is hard to contemplate the IMPAC. | :58:01. | :58:05. | |
The meg -- the memory never leaves you, sparing you to work harder and | :58:06. | :58:11. | |
harder but also creating a fear inside that it might happen again. | :58:12. | :58:23. | |
On April the 1979, I beat Dennis Taylor 24-16 at the Crucible Theatre | :58:24. | :58:27. | |
in Sheffield and was crowned the champion of the world. It happened | :58:28. | :58:34. | |
only because of the moment of deepest despair, I had the strength | :58:35. | :58:39. | |
to stand and confront the future instead of wallowing the past. Many | :58:40. | :58:44. | |
cannot summon the strength. They cannot get up, their fight is over. | :58:45. | :58:51. | |
Victory goes to another, a stronger competitor. Pursuing your ambitions, | :58:52. | :58:55. | |
those of any magnitude can be gruelling and hazardous and produce | :58:56. | :59:01. | |
agonising failure along the way. But achieving those goals is amongst | :59:02. | :59:05. | |
life's most gratifying and thrilling experiences. The ability to survive | :59:06. | :59:12. | |
and overcome the form to obtain the latter, is a fundamental difference | :59:13. | :59:18. | |
between winners and losers. The always articulate Terry | :59:19. | :59:22. | |
Griffiths. What did change for you guys when you got to a final? Can | :59:23. | :59:27. | |
you remember the step up from the semis? I remember my first final and | :59:28. | :59:32. | |
when you start on a Sunday afternoon, the goal seems so far | :59:33. | :59:37. | |
away. After the first final, it was basically business as usual, another | :59:38. | :59:42. | |
match, but the first time I remember thinking how long it was. It is two | :59:43. | :59:48. | |
days, of 4-part drama over two days. My memories are of the second week | :59:49. | :59:53. | |
of the World Championship, just playing every day. By the end, | :59:54. | :59:57. | |
whilst I know it was the final, it was just another day of relentless | :59:58. | :00:01. | |
snooker played as best you could. Yes, there was a trophy they brought | :00:02. | :00:05. | |
out and you had a photograph with it and you knew it was the final, but | :00:06. | :00:13. | |
once the snooker started, you just played. If you had not had a bad | :00:14. | :00:16. | |
session, everyone says you have won at least, if that was the case, can | :00:17. | :00:20. | |
you remember a time when you did not have any bad sessions? People always | :00:21. | :00:28. | |
ask me my best World Championship, and I always say the one where I | :00:29. | :00:36. | |
beat Stephen session early, that was my best performance, I think. I had | :00:37. | :00:46. | |
some nightmares at the start and a couple right at the end. But along | :00:47. | :00:50. | |
the way, you get some things were the wheel falls off and you have to | :00:51. | :00:54. | |
regroup when you get into the dressing room. That is the | :00:55. | :00:57. | |
fascinating thing about the multi-session finals and semifinals, | :00:58. | :01:01. | |
you can go through ups and downs, and even in the mini-session, in the | :01:02. | :01:05. | |
dressing room, it is great to have somebody on your side in your | :01:06. | :01:08. | |
dressing room to bring you down to earth and tab you out. That is read | :01:09. | :01:12. | |
the sports psychologists and the good friend can help, because it is | :01:13. | :01:17. | |
difficult to do with vivid is going badly, and even if it is going well, | :01:18. | :01:20. | |
just to calm down, think about something else, to focus your mind. | :01:21. | :01:30. | |
Strength of character, it is fascinating. Mark Selby reached the | :01:31. | :01:36. | |
semifinals seven years ago and lost to John Higgins at that point, but | :01:37. | :01:40. | |
your Robertson has much better memories of bank holiday weekend and | :01:41. | :01:44. | |
bank holiday Monday, because it was four years ago that he came to a | :01:45. | :01:47. | |
very tough match against Graeme Dott to become only the third player from | :01:48. | :01:52. | |
outside the UK to win this great championship. Ladies and gentlemen, | :01:53. | :02:00. | |
champion of the world, Neil Robertson. There you were with the | :02:01. | :02:06. | |
Australian flag at the end of the match, how many times have you sent | :02:07. | :02:10. | |
or how often do you recall those moments? I think when I went to | :02:11. | :02:18. | |
17-13 up, that is when I was pretty sure I was going to win. It was | :02:19. | :02:26. | |
getting quite late, Graeme Dott was getting tired, I thought I was | :02:27. | :02:33. | |
wearing him down. I had that kiss when I parted the match-winning | :02:34. | :02:36. | |
ball, and then, my mother was there waving the flag and it was brilliant | :02:37. | :02:41. | |
that she could come over for the final. It was a surprise. I had no | :02:42. | :02:45. | |
idea that she was coming. It was only when I checked my voice mail | :02:46. | :02:50. | |
after the semifinal with Ali Carter that she had left me a voice mail | :02:51. | :02:53. | |
saying that they had just left Singapore and they would be arriving | :02:54. | :03:00. | |
on the day of the final, so, she came over Willie prepared with the | :03:01. | :03:03. | |
Australian flag just in case. And to win it with my mum there, and to | :03:04. | :03:08. | |
have the Australian flag draped around me and holding the world | :03:09. | :03:12. | |
trophy, there with my mum, it was a memory I will have until the end my | :03:13. | :03:18. | |
days, for sure. Now we have the opportunity to become the most | :03:19. | :03:22. | |
decorated, well, you already are the most decorated in terms of world | :03:23. | :03:26. | |
ranking titles that you have won, but no overseas player has won a | :03:27. | :03:31. | |
world title twice. Is that a focus for you as a man that knows his | :03:32. | :03:36. | |
stats? It is definitely a reason why I have chosen not to play in so many | :03:37. | :03:40. | |
events this season, which was to build-up to the World Championship | :03:41. | :03:45. | |
properly. I found last year, especially in the World | :03:46. | :03:48. | |
Championship, that I had entered too many tournaments. I had a feeling | :03:49. | :03:52. | |
when Robert Milkins potted the match-winning balls against me to | :03:53. | :03:58. | |
beat me 10-8, I was thinking, oh, I can get a good three, four weeks | :03:59. | :04:03. | |
off, I have not had that all season. If you are a world champion, you | :04:04. | :04:07. | |
obviously get a lot of recognition for being world champion. I | :04:08. | :04:11. | |
certainly do not believe in people flicking a world title or anything | :04:12. | :04:18. | |
like that, I do not like when people say that you have to win another one | :04:19. | :04:21. | |
to prove yourself, but to join the likes of somebody like Mark | :04:22. | :04:25. | |
Williams, someone like that on two, there are not many want to pull | :04:26. | :04:33. | |
world champions in our sport. -- many multiple world champions. It is | :04:34. | :04:36. | |
something I would like to do to become a group of special players. | :04:37. | :04:41. | |
It is something I would like to achieve in my career and I'm doing | :04:42. | :04:46. | |
everything that I can to win more masters and more UKs, I am on the | :04:47. | :04:52. | |
right path. So hopefully I can be standing alongside some of the | :04:53. | :04:56. | |
greats. And this time it is his father who has made the trip and his | :04:57. | :05:00. | |
partner and young son Alexander in the crowd also. Mark Selby has his | :05:01. | :05:10. | |
wife and their parents also. Family gathering once again. Supporters | :05:11. | :05:17. | |
everywhere. It is now a best of five. Who will make it to join | :05:18. | :05:21. | |
Ronnie O'Sullivan in the final tomorrow? Let's go back to Willie | :05:22. | :05:24. | |
and Ken. Thank you. The final session of this | :05:25. | :05:36. | |
match. You can see this match going all the way. | :05:37. | :05:44. | |
The match time, ten hours and 50 minutes, the best break off from | :05:45. | :05:48. | |
Mark Selby. An excellent shot. He doesn't miss | :05:49. | :06:22. | |
many of those pots. Absolutely perfect. Straight into the pack. | :06:23. | :06:33. | |
Holding for the red on one of the corner pockets. Oh, what has he | :06:34. | :06:40. | |
done? ! What happened there are? ! That was very strange. Let's look at | :06:41. | :06:48. | |
this again. Seemed to stun it. Look at the spin on the cue ball. | :06:49. | :06:58. | |
It is like an archiving hit after the pack. Usually you get the arc | :06:59. | :07:03. | |
before, this time he got it after. A clean pot. Right into the heart. | :07:04. | :07:39. | |
It is always that wonderful noise when it hits the leather right in | :07:40. | :07:42. | |
the centre of the pocket. That's lovely click send. -- that lovely | :07:43. | :07:48. | |
clicks. Not sure what happened there. Had | :07:49. | :08:16. | |
such an arc. Have not seen it go in it like that before. | :08:17. | :08:25. | |
Can Mark Selby take the lead again with this chance? | :08:26. | :08:49. | |
He is so good at that shot. Get a lot of backspin on it. Only Ronnie | :08:50. | :09:03. | |
O'Sullivan can play that shot as well as Mark Selby, I have got to be | :09:04. | :09:05. | |
honest. This is an excellent opportunity for | :09:06. | :09:38. | |
a frame-winning break. What an auditorium this is. No better place | :09:39. | :09:45. | |
to watch, no better place to play. No better place to commentate. | :09:46. | :10:24. | |
Looking at this four reds, lined up nicely into the corner pocket. | :10:25. | :10:37. | |
He could open things up even more. Get it out of the way. Still on a | :10:38. | :10:43. | |
red into the right-hand corner if he wishes. | :10:44. | :11:37. | |
Wants to be almost straight and this red. -- on this red. | :11:38. | :11:57. | |
The good standard of this evening's session continues. | :11:58. | :12:06. | |
Neil Robertson started off with a fantastic red. Very unlucky to go | :12:07. | :12:19. | |
in-off. A heavy contact there. This has been a brilliant break from Mark | :12:20. | :12:20. | |
Selby. This is like a boxing match, not a | :12:21. | :13:00. | |
snooker match, it is blow for blow. Once again, either player when they | :13:01. | :13:33. | |
had the chance to win a frame this evening, they have taken the bull by | :13:34. | :13:37. | |
the horns and comfort, and nine times out of ten, they have done it. | :13:38. | :13:42. | |
-- and gone for it. Once again, he takes the lead at | :13:43. | :13:59. | |
15-14. Mark Selby alleged to get in there | :14:00. | :14:13. | |
after that rather uncharacteristic and unusual in half from Neil | :14:14. | :14:17. | |
Robertson. I do not think any of us have seen this before? He hit it | :14:18. | :14:25. | |
perfectly, but if you hit a certain red in a certain way, it spun off | :14:26. | :14:31. | |
the pack. A lot of shot value for Neil Robertson. We are discussing | :14:32. | :14:37. | |
who we think will crack and how it will pan out, well, the game of | :14:38. | :14:42. | |
snooker can always be won and lost on luck. And unlucky break, | :14:43. | :14:46. | |
brilliantly capitalised on by Mark Selby. That is what you have to do, | :14:47. | :14:51. | |
you have to punish your opponent when it comes down to luck. Mark | :14:52. | :14:58. | |
Selby has two, and when the frame. Ten minutes, the game is really | :14:59. | :15:03. | |
moving now. You expect the temple to rise, the adrenaline kicks in, and | :15:04. | :15:11. | |
sometimes the mistakes can speed up the snooker, but you do not have a | :15:12. | :15:16. | |
clue how it will pan out. That is the fascination, that is why we love | :15:17. | :15:24. | |
it. Thank you. , frame 30, Ian Robertson to break. -- Neil | :15:25. | :15:28. | |
Robertson. A good break off. A fascinating | :15:29. | :15:49. | |
match this is. Let's take a look at this in-off again. So much stun. | :15:50. | :16:02. | |
Caught the next red half-board which threw it off the line. | :16:03. | :16:42. | |
Not quite sure what this is worth? The red to the bottom right-hand | :16:43. | :16:55. | |
corner pocket. He has been knocking balls and quite regularly this | :16:56. | :16:55. | |
evening. -- in quite regularly. I think the pink is a bit further | :16:56. | :17:51. | |
from the pack, some more of a gap. That is why it caught the pink after | :17:52. | :17:53. | |
all. The pink is slightly higher. This | :17:54. | :18:23. | |
way? The pink was slightly higher, Michaela Tabb is just telling the | :18:24. | :18:24. | |
referee. That looks pretty good to me. They | :18:25. | :18:53. | |
are both happy. Same shot again. Two cushion escape. You would expect him | :18:54. | :18:58. | |
to hit the red this time. He has left the red O'Neill aside, | :18:59. | :19:21. | |
but... -- left the red on the other side. Still has a pot New here, Neil | :19:22. | :19:25. | |
Robertson. -- on here. There is a drag on the cue ball, | :19:26. | :19:49. | |
this time he might play at pace and tried to career into the pack and | :19:50. | :19:54. | |
try and get on pink or blue. He will have no idea what will happen to the | :19:55. | :19:59. | |
white here. It could arc because it is close to the cushion. | :20:00. | :20:18. | |
Could not have hit that any better. It always requires a bit of luck, | :20:19. | :20:24. | |
but it is going that way anyway. That is right. | :20:25. | :20:55. | |
Just missed that red, wanted a cannon half ball. That is a mistake. | :20:56. | :21:06. | |
He is now faced with a tricky little red. | :21:07. | :21:20. | |
Nicely on this red to the right of the black. | :21:21. | :22:41. | |
he adrenaline must be going, knowing that he can extend to a two frame | :22:42. | :23:09. | |
lead again. -- the adrenaline. He majored that he stayed down on | :23:10. | :24:01. | |
that shot. -- made sure. Just the right side of the blue, right at the | :24:02. | :24:06. | |
bottom of the pack, that goes. He is looking at this site. -- side. The | :24:07. | :24:14. | |
red on the pink spot, that make also. -- may go also. | :24:15. | :24:35. | |
Needs to be just off straight on this, and I think that he is. There | :24:36. | :24:41. | |
is another at the back of the pack that he can play in the opposite | :24:42. | :24:49. | |
pocket. It will not be too much bother very finishes low on this | :24:50. | :24:53. | |
red, because the conflict of the other red. It is important not to | :24:54. | :25:01. | |
leave a thin one. There is the angle to flick and other red into play | :25:02. | :25:10. | |
here. -- and other red. Needs to be careful here if he decides to go off | :25:11. | :25:13. | |
the side cushion. He will need one more good cannon to | :25:14. | :25:25. | |
win the frame here, and there is nothing available into the | :25:26. | :25:30. | |
right-hand corner pocket. He needs to be careful because if he catches | :25:31. | :25:35. | |
the extreme red to the left of the pack full ball, he could be left | :25:36. | :25:39. | |
with nothing. He needs to judge this perfectly. | :25:40. | :25:47. | |
If he kisses the red full ball, he is on the red on the corner. | :25:48. | :26:12. | |
His fans in the audience there, and his wife is there this evening. | :26:13. | :27:23. | |
He can just get through to the red at the extreme right hand side. That | :27:24. | :27:32. | |
brings the enough into play. At that first glance, I cannot see anything | :27:33. | :27:36. | |
that he can do. He is looking down the left-hand side. If he can hit it | :27:37. | :27:43. | |
full ball, it will just be the white percent. -- at the end. There is a | :27:44. | :27:53. | |
shot to nothing for Mark Selby on the middle. It goes without saying | :27:54. | :28:03. | |
when you lead by 48 points, your reluctance to do anything risky. | :28:04. | :28:15. | |
He is looking at this red into the green pocket. | :28:16. | :28:30. | |
He has a good cue ball, an excellent cue ball, he may have snooker to | :28:31. | :28:45. | |
Neil Robertson. -- snookered Neil Robertson. Certainly covered down | :28:46. | :28:49. | |
the right-hand side of the table. He may have to swerve it again, the red | :28:50. | :28:53. | |
down the left-hand side. The red just below the pink, I | :28:54. | :29:17. | |
think, will pot. Bringing the cue ball back for one | :29:18. | :29:28. | |
of the baulk colours. He knows that this is a big shot, | :29:29. | :29:42. | |
this could be a frame when, this shot. -- winner. | :29:43. | :30:04. | |
It would be like trying to stop the Sea of Galilee, please stop. He gets | :30:05. | :30:11. | |
on a red. What a time to find your best form. | :30:12. | :30:50. | |
He has not played anything like this before. | :30:51. | :31:39. | |
This has been top-quality from both players. | :31:40. | :32:07. | |
That is the widest margin we have seen a shot missed all night. | :32:08. | :33:13. | |
It is not easy to play a containing safety shot here. | :33:14. | :33:51. | |
HAZEL IRVINE: And a reminder that the excellent German drama | :33:52. | :34:00. | |
Generation War will follow the snooker but if it goes beyond | :34:01. | :34:05. | |
10:30pm, the drama will be shown next Saturday. | :34:06. | :34:30. | |
Mark Selby had been left with a difficult red which he took on but | :34:31. | :34:34. | |
no damage done. He will need pink and a couple of | :34:35. | :35:12. | |
high-value colours with the two remaining reds. | :35:13. | :35:31. | |
I'm just thinking whether he will risk playing for the black here. He | :35:32. | :35:42. | |
has got to be perfect on the red to get behind the black. | :35:43. | :35:50. | |
He decided to get the black on the spot. That is a great positional | :35:51. | :36:04. | |
shot. If he gets the cue ball where the | :36:05. | :37:05. | |
circle is, he cannot be red down. -- you the red down. | :37:06. | :37:19. | |
That was a good snooker. It could have been a lot better. You really | :37:20. | :37:49. | |
want the red ball away from a cushion. Mark can play it snow. It | :37:50. | :37:57. | |
will be difficult for Neil to get a snooker. -- he can play it slow. | :37:58. | :38:13. | |
I think when you are playing somebody like Mark Selby, the | :38:14. | :38:26. | |
snookers have to be perfect. That is why you need the object ball out in | :38:27. | :38:30. | |
the open. There was a comment from the crowd | :38:31. | :38:50. | |
which seems to have disturbed Mark Selby but I'm sure it was not | :38:51. | :38:52. | |
detrimental. Ken mentioned he should be in | :38:53. | :39:01. | |
trouble, he is. Would you have played it softly, | :39:02. | :39:54. | |
can? No. I think if he pots and easy red and black, he can get a snooker | :39:55. | :39:56. | |
on the yellow. If he needs that red, if he was only | :39:57. | :40:34. | |
33 in front, he would never miss it in a month of Sundays. It is a | :40:35. | :40:38. | |
different mindset when your opponent needs snookers. It is not helping | :40:39. | :40:45. | |
his cause to miss a straightforward red. | :40:46. | :41:57. | |
Salute the snooker this time. It is amazing how he misses these balls | :41:58. | :42:37. | |
when his opponent needs snookers. He has not missed a ball all night. | :42:38. | :42:43. | |
He probably deserved that, Neil Robertson. This is not | :42:44. | :43:00. | |
straightforward. He must hit this. If he does not hit | :43:01. | :43:14. | |
the red, he certainly wants to hit those balls because he could leave a | :43:15. | :43:16. | |
free ball here. This looks very good. An excellent | :43:17. | :43:30. | |
shot. The snooker gods are punishing mark | :43:31. | :44:18. | |
for missing four attempts at the red. | :44:19. | :44:40. | |
He could be in trouble here. He has been going through the mill. This | :44:41. | :44:48. | |
frame should have been over about ten minutes ago. | :44:49. | :45:34. | |
That was pretty good. He was trying to push the red off the side | :45:35. | :45:38. | |
cushion. And the concession. An excellent | :45:39. | :46:13. | |
break of 54 in the middle of that frame. It takes him one away from | :46:14. | :46:16. | |
victory. He leads 16-14. Mark Selby heaves a huge sigh of | :46:17. | :46:28. | |
relief. It looked like he might be able to get back into it. Pro-he | :46:29. | :46:35. | |
succumbed to a snooker the other way around. It has been riveting stuff. | :46:36. | :46:42. | |
If Mark won the next frame and it was not a comfortable victory but a | :46:43. | :46:46. | |
three frame victory, after it looked like it was going to go all the | :46:47. | :46:50. | |
way. If that does happen, I wonder if we would look back to that in-off | :46:51. | :46:55. | |
from Neil Robertson as one of the deciding moments from the whole | :46:56. | :47:00. | |
match? Absolutely. Mark Selby stepped up since the interval. | :47:01. | :47:05. | |
Obviously, there was a bit of frame time left when he missed but he won | :47:06. | :47:12. | |
the last two friends. He stepped up a gear. And very brisk around the | :47:13. | :47:18. | |
table. The pace of the match has stepped up. If it was to be finished | :47:19. | :47:25. | |
in the next frame, it is not bad night's sleep for Mark Selby. But | :47:26. | :47:30. | |
every time Neil Robertson has been right up against it, he pulls | :47:31. | :47:35. | |
something out. He will not go out without a fight. Getting over the | :47:36. | :47:41. | |
line is a lot harder than winning a frame. Do you think there is a lot | :47:42. | :47:48. | |
of life left? I would be surprised if Mark Selby won it in this frame. | :47:49. | :47:53. | |
Neil Robertson is a great competitor. But it is Mark gets one | :47:54. | :48:00. | |
chance it could be over. What would you be telling yourself at this | :48:01. | :48:06. | |
point? It is one ball at a time stuff. You cannot change your | :48:07. | :48:11. | |
tactics. You get presented with a shot and you just give it everything | :48:12. | :48:15. | |
you have got. That is all you can do. But he will be mentally | :48:16. | :48:19. | |
positive. Just to remind you once again, that if you are waiting for | :48:20. | :48:24. | |
the Generation War, an exceptional German drama, it will be coming your | :48:25. | :48:29. | |
way if this match finishes before 10:30pm. If the match goes beyond | :48:30. | :48:33. | |
that, you will be seeing that particular part of an excellent | :48:34. | :48:43. | |
drama series next Saturday night. So, back we go. Plenty of drama | :48:44. | :48:49. | |
going on out there. This studio has given us a remarkable view of things | :48:50. | :48:53. | |
and we can really feel the tension levels and we have to lower our | :48:54. | :48:57. | |
voices. It is a treat to be so close. You just want one good | :48:58. | :49:06. | |
chance. You can sense the crowd as well. It is a truly special | :49:07. | :49:12. | |
atmosphere in the Crucible Theatre. It becomes the perfect and big | :49:13. | :49:16. | |
theatre. Neil Robertson is coming back in. He will get a big cheer. | :49:17. | :49:22. | |
Both players got great respect. I'm sure this Crucible crowd would love | :49:23. | :49:27. | |
to see this go a bit further. Maximum drama. We are certainly | :49:28. | :49:31. | |
getting it here tonight. Neil Robertson looks very cool and | :49:32. | :49:35. | |
composed as he has been all Championship but he has got an awful | :49:36. | :49:36. | |
lot to do. Mark Selby requires one more frame | :49:37. | :49:59. | |
for a place in the final of the World Championship against Ronnie | :50:00. | :50:05. | |
O'Sullivan, the defending champion. Match time, almost 11 and a half | :50:06. | :50:07. | |
hours now. We have seen better brakes in this | :50:08. | :50:31. | |
tournament than this, but the quality of both players, you cannot | :50:32. | :50:35. | |
get better match play. This is real matchplay snooker. Absolutely. Both | :50:36. | :50:48. | |
players are a lot more positive. A lot more pacey around the table. | :50:49. | :51:15. | |
You can feel the tension in the air as well. | :51:16. | :51:46. | |
It is all about missing the kiss on the blue in this safety shot. Got to | :51:47. | :51:55. | |
be very careful. A kiss on the green is not too bad. | :51:56. | :52:40. | |
He will have a shot at these reds but even if he does, it can just | :52:41. | :52:45. | |
nestle into them. The problem for Neil Robertson, | :52:46. | :53:22. | |
every shot that he plays, he has got to be so precise because one slip | :53:23. | :53:24. | |
could cost him the match. That is exactly what I am talking | :53:25. | :53:43. | |
about. One shot like that, half a chance for Mark Selby. | :53:44. | :54:09. | |
Neil managed to get the cue ball close enough to the cushion to make | :54:10. | :54:14. | |
that a difficult pot. There was another mistake. Every | :54:15. | :54:39. | |
shot he is playing, there is a bit more pressure on it. | :54:40. | :54:46. | |
This is the chance Mark Selby was waiting for. Could that be the last | :54:47. | :54:52. | |
shot he has played in this year's Championship, Neil Robertson? | :54:53. | :54:57. | |
APPLAUSE It is a kiss on the blue. | :54:58. | :55:31. | |
You can see the angle. He cannot play that shot. | :55:32. | :56:14. | |
He was expecting a little kiss of the red. He is still OK. | :56:15. | :56:34. | |
It was a difficult black. He let the white run free. | :56:35. | :57:20. | |
APPLAUSE What a shot that was under the | :57:21. | :57:49. | |
pressure and fully committed. There are still another couple of | :57:50. | :58:46. | |
reds available after this red he is going to pot. | :58:47. | :58:53. | |
He decided to go for blue and that is not good. That was a poor shot. | :58:54. | :59:17. | |
You would expect him to arc this red in if he uses the rest. He may | :59:18. | :59:29. | |
decide to play for the blue, but he is playing with top spin. Very good. | :59:30. | :59:52. | |
This will certainly help matters getting rid of this red behind the | :59:53. | :59:58. | |
black spot. Neil Robertson is showing a lot of | :59:59. | :00:20. | |
character here at the moment. Could disturb the bunch and bring | :00:21. | :00:35. | |
some more into play. That is a great shot. Fantastic. A little bit of | :00:36. | :00:45. | |
luck that he came to the top side of the blue. | :00:46. | :01:16. | |
Four read, -- four reds, four colours. A glance at the scoreboard | :01:17. | :02:26. | |
tells him that. A good effort, this, from Neil Robertson, because he was | :02:27. | :02:30. | |
frozen out of the last two frames. They are both over 90% pot success | :02:31. | :02:59. | |
rate at this stage of the match, it is going to go 16-15 here. You can | :03:00. | :03:06. | |
usually guarantee winning the match if you have over 90%, but one of | :03:07. | :03:10. | |
these is going to have over 90% and looms. -- lose. Getting close to the | :03:11. | :03:23. | |
winning line in this frame. This is a wonderful effort for Neil | :03:24. | :04:03. | |
Robertson. Showing real courage, the true champion. He is making Mark | :04:04. | :04:09. | |
Selby think, well, how can I get rid of this man? | :04:10. | :04:57. | |
He is past the centuries mark, he is now on 102. The chance to make | :04:58. | :05:04. | |
another one. He has been the player of the | :05:05. | :05:18. | |
tournament, without any question, but either of these two players, | :05:19. | :05:24. | |
surely, they are getting very very close to playing against Ronnie. | :05:25. | :05:25. | |
This has been such a good standard. The century breaking machine just | :05:26. | :05:53. | |
need the brand. He certainly will have enjoyed this | :05:54. | :06:32. | |
more because he was under such pressure. A magnificent break of | :06:33. | :06:39. | |
108, are we going to go all the way ) is now 16-15. Mark Selby has | :06:40. | :06:49. | |
gotten the ball is there, if we look at he finished, it is an inch | :06:50. | :06:55. | |
difference to be perfect. If the cue ball pulls up, it flicks the red, | :06:56. | :07:00. | |
due think that makes a difference to the pace of the ball? It looked too | :07:01. | :07:05. | |
pacey. It might have straightened up the angle, but he has overrun it. If | :07:06. | :07:12. | |
we look at Hawk-Eye's position, if he is on that red in the middle of | :07:13. | :07:17. | |
the pack, you would expect him to at least make 40 or more and possibly | :07:18. | :07:21. | |
close out the match and as you said, Winnie, just fractions. When | :07:22. | :07:26. | |
he potted that blew into the yellow pocket, he came out with that | :07:27. | :07:31. | |
initial red, and had he been straighter, the same rule would have | :07:32. | :07:35. | |
applied and closed out the match from that position, but a fantastic | :07:36. | :07:41. | |
response from Neil Robertson. The first red, very important, that set | :07:42. | :07:50. | |
him right up. He could have played this with top spin and gone back up | :07:51. | :07:55. | |
and taken it easier, but fully committed to the black and made a | :07:56. | :08:03. | |
wonderful century break from it. Thank you, thank you. Frame 32. Neil | :08:04. | :08:08. | |
Robertson to break. Mark Selby and his supporters have | :08:09. | :08:22. | |
travelled up the motorway to be here. | :08:23. | :08:29. | |
An incredible session this has been, it really has. | :08:30. | :08:42. | |
Just looking down the line of this shot, wondering if he will take on. | :08:43. | :08:53. | |
Probably wasn't straight enough. Not straight enough to have a go at it. | :08:54. | :09:34. | |
Did the brown countries rescue? It look like it has. Mark Selby can be | :09:35. | :09:43. | |
a very, very aggressive safety players well. Can he screwed the | :09:44. | :09:50. | |
white back, because it is not easy to get back into baulk. He might | :09:51. | :09:56. | |
have an angle to screw it into the blue. That is a thought. That is | :09:57. | :10:02. | |
what he is planning, I think. Into the blue, and boy has he hit | :10:03. | :11:05. | |
that absolutely perfectly. A good shot. Would love to have got | :11:06. | :11:25. | |
the cue ball titre to this baulk cushion. Four. I think this is too | :11:26. | :11:40. | |
risky to have a go at. If he stunted him powerfully, he could get away | :11:41. | :11:42. | |
with a shot to nothing. If you murmurings from the crowd, | :11:43. | :13:02. | |
because they know if Neil Robertson was facing the long pot he would | :13:03. | :13:06. | |
take it on. -- the bit of murmuring from the crowd. | :13:07. | :13:35. | |
Mark Selby will be coming down to have a look to see if any of these | :13:36. | :13:42. | |
reds will go to the left corner pocket? | :13:43. | :14:10. | |
That was a pretty good shot. The flick on the brown helped also. It | :14:11. | :14:21. | |
covered the red on the right-hand side of the table. | :14:22. | :15:02. | |
Oh, dear, at first glance, it is not an easy opener, but it is unusual to | :15:03. | :15:21. | |
see a poor safety shot. Mark Selby looks to his friends and family to | :15:22. | :15:30. | |
say, well, I'm a bit lucky, but it is easier playing from here than | :15:31. | :15:33. | |
tight on the cushion. Always tough from that gap. | :15:34. | :15:50. | |
The yellow was always over the left-centre pocket. Playing with | :15:51. | :15:57. | |
some safety in mind. He has certainly wiped his feet? Is | :15:58. | :16:10. | |
he on the yellow? Did the green block his path? I think he is OK. | :16:11. | :16:14. | |
Looks just about OK. The brown is there as well. He likes | :16:15. | :16:26. | |
the brown. Watch this red. We spoke about fractions in the last | :16:27. | :17:02. | |
frame. Fractionally, just on this red. | :17:03. | :17:13. | |
He needs the cue ball to slow up. He's having to work for this break. | :17:14. | :17:26. | |
Again, red left of the black. That would be his target even the one | :17:27. | :17:28. | |
just above it. These shots are not easy. A bit of | :17:29. | :17:46. | |
tension in the arm, conflict the side onto this. It is there. How is | :17:47. | :17:56. | |
the cue ball? Needs a nice case on the red. It is unbelievable. Talking | :17:57. | :18:05. | |
about fractions. I do not think you can get through the gap with the red | :18:06. | :18:07. | |
to the black on the pocket. Still not perfect. Still needs a | :18:08. | :18:33. | |
good shots to get onto the next red comfortably. There is only about a | :18:34. | :18:39. | |
quarter of a ball of the red, the red to the left of those reds above | :18:40. | :18:45. | |
the black. If he misses the case, he is on the red in the middle. Only | :18:46. | :18:48. | |
has a quarter ball to hit. The pink is no problem, but the blue | :18:49. | :19:19. | |
is perfect to get on three reds. The bottom red just above the | :19:20. | :20:29. | |
Blackwell pot. When he gets rid of those two, then the red at the edge | :20:30. | :20:35. | |
of the bunch. That is the circle very would like to get on that | :20:36. | :20:37. | |
bottom red. Just coming around to have a look to | :20:38. | :21:18. | |
see if the red is on. There is a part into the left corner. -- a pot. | :21:19. | :21:32. | |
You may need a cannon now. There is likely to be a plant in the | :21:33. | :21:36. | |
left-hand corner. He may have another look after he has taken the | :21:37. | :21:40. | |
pot. If this works, this could be frame | :21:41. | :22:08. | |
and match. 12 hours much time, now he has got a nice angle on this | :22:09. | :22:11. | |
black. Neil Robertson knows now that he is | :22:12. | :22:46. | |
possibly for macro shots away from being out of this championship. -- | :22:47. | :22:49. | |
for macro shots away. Both players have shown some courage | :22:50. | :23:00. | |
here. They have both played their part in this and they deserve a | :23:01. | :23:04. | |
strand of applause after this match, and this Crucible crowd had enjoyed | :23:05. | :23:11. | |
it whatever happens. I do not think I have seen a better match for a | :23:12. | :23:18. | |
long time, Kent. Yes, it has been full of everything. | :23:19. | :23:36. | |
Red, colour, red would be enough. This has been top-quality. | :23:37. | :23:58. | |
One more red for a place in the 2014 Dafabet World Championship final | :23:59. | :24:05. | |
against the defending champion, Ronnie O'Sullivan. This is the red | :24:06. | :24:11. | |
to put Mark Selby in his second final and it is in! It is in! | :24:12. | :24:13. | |
Fantastic! APPLAUSE Hats off to Neil Robertson. He has | :24:14. | :24:37. | |
been a great champion here and he took part in a fantastic match of | :24:38. | :24:41. | |
top quality. He has given it everything. | :24:42. | :24:55. | |
He is just doing a little bit of maths. He is entitled to carry on | :24:56. | :25:04. | |
hazard is the last frame. -- as it is. Inches away from being in the | :25:05. | :25:10. | |
final. That is the handshake. We have | :25:11. | :25:51. | |
witnessed one of the best matches played in the Crucible for many | :25:52. | :25:56. | |
years. Both players, great friends on and off the table, the crowd give | :25:57. | :26:01. | |
them a standing ovation, and it is so deserved. What a fantastic match, | :26:02. | :26:07. | |
congratulations to Mark Selby getting to his second Crucible | :26:08. | :26:19. | |
final. We fairly enjoyed that. Mark Selby against Ronnie O'Sullivan | :26:20. | :26:19. | |
tomorrow. The world number three, Mark Selby, | :26:20. | :26:30. | |
on his way to our studio, and Steve Davis is with me, give us your | :26:31. | :26:34. | |
impression on how the closed out that match and how it turned so | :26:35. | :26:40. | |
quickly in that mini-session? So impressive, both players up to the | :26:41. | :26:46. | |
job, that unlucky bit where the Robertson went in-off. Mark Selby | :26:47. | :26:52. | |
was just so impressive. So strong mentally. Never balked at the | :26:53. | :26:58. | |
chance. Somewhere down the line, you get a bit nervy. He really took his | :26:59. | :27:05. | |
chances at Jimmy Robertson played a poor safety shot. A fantastic | :27:06. | :27:12. | |
effort. An excellent effort, 12 hours of training snooker. We're | :27:13. | :27:16. | |
just telling everybody, a seven-year wait, my goodness, what a struggle | :27:17. | :27:22. | |
to get past Neil Robertson! Yes, we all know how good he is at the long | :27:23. | :27:31. | |
game. Every time I played a half lose safety shot, he kept dropping | :27:32. | :27:34. | |
long balls in and winning the frame or would make a good 50, 60 and put | :27:35. | :27:37. | |
me on the back foot. I kept getting two frames in front and I was | :27:38. | :27:40. | |
thinking, with two frames left, to get a good lead, and he dug in and | :27:41. | :27:46. | |
that is why he is world number one. The tactics were in men's all | :27:47. | :27:57. | |
through the match. Sometimes when I am in the balls, sometimes I look | :27:58. | :28:01. | |
for things to go wrong a lot of the time, whereas in this match, when I | :28:02. | :28:05. | |
got a chance, I thought I need to try and attack, so there was still | :28:06. | :28:10. | |
two frames this afternoon, 50 minutes long and 40 minutes long. | :28:11. | :28:14. | |
That is pretty draining. How fresh do you feel going into tomorrow? We | :28:15. | :28:20. | |
all know it is very draining, intense day in day out, but whether | :28:21. | :28:24. | |
I am tired and tomorrow, I would rather be in the final than sitting | :28:25. | :28:30. | |
at and watching it. It is Ronnie O'Sullivan, you have had some | :28:31. | :28:33. | |
fantastic matches with him, six finals, three apiece, I suspect you | :28:34. | :28:38. | |
would like to have another crack at this fellow here. , yes, if you want | :28:39. | :28:43. | |
to win the World Championship, there is no better person to play, Ronnie | :28:44. | :28:50. | |
O'Sullivan, and at the Crucible. I look forward to it. How much better | :28:51. | :28:56. | |
is your game, you said you had not played your best snooker over the | :28:57. | :29:00. | |
Christmas, New Year period, but I detect much more, a much better | :29:01. | :29:02. | |
sight of confidence in your game here? Yes, I am always tinkering | :29:03. | :29:10. | |
during the season trying to look for results, even though the game is | :29:11. | :29:14. | |
hard enough anyway. I got two for results, even though the game is | :29:15. | :29:17. | |
hard enough anyway. I got to four finals this season, but in patches, | :29:18. | :29:20. | |
stupid as it sounds, I did not feel I was playing great, I was just | :29:21. | :29:23. | |
grinding my way there. Coming into the World Championship, more or more | :29:24. | :29:31. | |
I have the chance to score. Great support from the crowd tonight. , | :29:32. | :29:41. | |
yes, I have got lots of people down to support. Back to 2007, before you | :29:42. | :29:50. | |
got into that final, you said you were drained, do you feel a lot | :29:51. | :29:57. | |
better now? Don't get me wrong, I would be surprised if I didn't say | :29:58. | :30:02. | |
that I wasn't tired, but a lot of the time, because the tournament is | :30:03. | :30:06. | |
as big as what it is, I have been known to put all of the hours under | :30:07. | :30:10. | |
the sun to keep playing, and obviously, coming here, this time, I | :30:11. | :30:14. | |
have probably not practice as much because of more mark practice. We | :30:15. | :30:19. | |
wish you all the best. A fantastic achievement. We will be there to | :30:20. | :30:23. | |
live every moment, I hope you will be as well, because the first of a | :30:24. | :30:28. | |
four parched drama over two days begins at two o'clock tomorrow, that | :30:29. | :30:34. | |
is your bank holiday weekend sorted. -- four part drama. Goodbye for now. | :30:35. | :30:56. | |
It's shocking it'd happen in a public place. | :30:57. | :31:01. | |
I don't find it funny, but I don't find it offensive. | :31:02. | :31:03. | |
It really is vile. Shock value sells. | :31:04. | :31:05. | |
Men are even less tolerant of women than they were before. | :31:06. | :31:09. | |
The hatred of women. Some people are offended. | :31:10. | :31:12. | |
Others think women should just man up. | :31:13. | :31:16. | |
and even misogyny socially acceptable? | :31:17. | :31:19. |