Browse content similar to Day 16, Part 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
In true world champion style... The World Snooker Championship 1982, | :00:42. | :01:00. | |
Alex Higgins. World Snooker Championship to and 89, Steve | :01:01. | :01:05. | |
Davis. It is a magnificent seven times for a Stephen Hendry in the | :01:06. | :01:13. | |
1990s. John Higgins takes the world title. Ronnie O'Sullivan is the 2013 | :01:14. | :01:28. | |
World Snooker Championship. -- champion. | :01:29. | :01:34. | |
Hello, after 16 days and 572 frames of snooker we have arrived at one of | :01:35. | :01:42. | |
the great showpiece occasions. It is the Crucible final in the 2014 | :01:43. | :01:47. | |
Dafabet World Championship. Coming up, a two day, four part drama | :01:48. | :01:51. | |
featuring the greatest art, Ronnie O'Sullivan and Mark Selby, the man | :01:52. | :01:54. | |
who do is not want to play understudy to him any more. -- | :01:55. | :02:00. | |
greatest star. Ronnie O'Sullivan going for three in a row. Accel be | :02:01. | :02:07. | |
aiming to land his first. -- Mark Selby aiming to land his first. The | :02:08. | :02:15. | |
defending champion, Ronnie O'Sullivan, he returns to the | :02:16. | :02:20. | |
Crucible to a standing ovation. His opponent, Robin Hull from Finland, | :02:21. | :02:25. | |
in the end, straightforward for Ronnie O'Sullivan. Not so | :02:26. | :02:37. | |
comfortable for Mark Selby. He was unable to shake off Michael White. | :02:38. | :02:47. | |
It went to a decider. What a great match, Michael White deserves every | :02:48. | :02:48. | |
round of applause he gets. Anything but straightforward for the | :02:49. | :03:00. | |
defending champion in the second-round match against Joe | :03:01. | :03:04. | |
Perry, her very, very tight match but Ronnie O'Sullivan rallied in the | :03:05. | :03:08. | |
end with a wonderful century to finish. Magnificent! The Rocket was | :03:09. | :03:15. | |
superb! You can see what it meant to him. | :03:16. | :03:25. | |
He had a very tough second-round draw, Mark Selby, against Ali | :03:26. | :03:29. | |
Carter. He managed to stay ahead. Ronnie O'Sullivan faced the 2005 | :03:30. | :03:44. | |
world champion Shaun Murphy and looked a little bit in trouble, | :03:45. | :03:49. | |
however, 13 of the next four frames, Ronnie was the convincing winner | :03:50. | :04:00. | |
with a session to spare. There was a similar situation for Mark, after a | :04:01. | :04:04. | |
tight situation with Alan McManus, he was able to pull away a | :04:05. | :04:09. | |
comfortable winner. In the semifinal, the defending | :04:10. | :04:22. | |
champion faced Barry Hawkins, a repeat of last's final. Nothing in | :04:23. | :04:26. | |
the tank for Barry Hawkins, Ronnie wins with a session to spare and has | :04:27. | :04:32. | |
the day off before the big final. Ronnie O'Sullivan is into the final | :04:33. | :04:42. | |
for three years in a row. Mark Wood had been expecting a huge battle | :04:43. | :04:46. | |
against Neil Robertson, and that is what he got. -- Mark Selby were to | :04:47. | :04:55. | |
been expecting. What a fantastic match, Mark Selby, he gets to his | :04:56. | :05:03. | |
second Crucible final. And who have the company of two further world | :05:04. | :05:07. | |
champions with Steve Davis and John Parrott, how'd you like the look of | :05:08. | :05:12. | |
this line-up? This will be a fantastic contest, they have got | :05:13. | :05:17. | |
previous, they have beaten each other in the finals. Ronnie | :05:18. | :05:22. | |
O'Sullivan hell will have the utmost respect for Mark Selby. Mark Selby | :05:23. | :05:30. | |
has been involved in a classic semifinal last night, one that went | :05:31. | :05:36. | |
down to the wire, worthy of a final, what bearing would that have? A lot | :05:37. | :05:45. | |
has been made that Ronnie O'Sullivan had a day off, but you could still | :05:46. | :05:48. | |
have a sleepless night even if you had a day off, but Ronnie | :05:49. | :05:54. | |
O'Sullivan, he is up against Mark Selby, Mark Selby looks like he was | :05:55. | :06:00. | |
comfortable when he won last night. Mark Selby is eight years Ronnie's | :06:01. | :06:05. | |
Junior, a decent record against O'Sullivan. Ronnie has prevailed in | :06:06. | :06:10. | |
several occasions. They have a habit of meeting and finals. Three wins | :06:11. | :06:15. | |
apiece. They squared up against the Masters final in January and | :06:16. | :06:19. | |
surprisingly one-sided it was, Ronnie was 7-1 up after the first | :06:20. | :06:24. | |
session and a ten - four winner. How much better do you feel that Mark | :06:25. | :06:29. | |
Selby is playing four months on from that final? Your form comes and | :06:30. | :06:33. | |
goes. He is better place this season than earlier in the season. He | :06:34. | :06:37. | |
cannot judge when you will hit form, but it is nice when it coincides | :06:38. | :06:44. | |
with the World Championship. A very long match, four long sessions, how | :06:45. | :06:48. | |
important with this first session be in the overall context of the match? | :06:49. | :06:53. | |
It will be crucial. To get a good start against Ronnie O'Sullivan is | :06:54. | :06:57. | |
imperative. He does not want a repeat of the Masters. He will be | :06:58. | :07:07. | |
looking for a foothold and playing on from there. OK, gentlemen, Rob | :07:08. | :07:10. | |
Walker is raring to go, it is all yours. | :07:11. | :07:15. | |
The last June, ladies and gentlemen, welcome to the 2014 Dafabet World | :07:16. | :07:21. | |
Championship, the final, the stage is set for an epic confrontation, | :07:22. | :07:25. | |
so, let's on the baize without further ado! -- let's get the boys | :07:26. | :07:31. | |
on the baize. CHEERING Please welcome, a player who was | :07:32. | :08:02. | |
magnificent last night in one of the all-time great Crucible semifinals, | :08:03. | :08:06. | |
once again, proving he has the talent and the nerve for the biggest | :08:07. | :08:10. | |
stage of all. It is his second appearance in a Crucible final and | :08:11. | :08:14. | |
since 2007, he has won six major titles, proving to be one of the | :08:15. | :08:19. | |
world's very best. A brilliant ambassador for snooker, what a | :08:20. | :08:22. | |
moment it is for him and all of his family, here comes the Jester from | :08:23. | :08:34. | |
last, here comes Mark Selby! -- the Jester from Leicester! | :08:35. | :08:39. | |
CHEERING And his opponent, the most exciting | :08:40. | :08:58. | |
player ever to grace the modern game, 21 years since his Crucible | :08:59. | :09:04. | |
debut, he is here contesting his sixth World Championship final, | :09:05. | :09:07. | |
winner of three major titles this season alone, here he is, ready to | :09:08. | :09:12. | |
entertain once again in his own inimitable style, please welcome the | :09:13. | :09:15. | |
defending world champion, blink and you will miss him, the Rocket, | :09:16. | :09:23. | |
Ronnie O'Sullivan! CHEERING | :09:24. | :09:38. | |
What a sense of anticipation, I am sure you are feeling it at home, if | :09:39. | :09:44. | |
you want to share your views on the action, you can comment on the BBC | :09:45. | :09:49. | |
Facebook page or also you can get in touch on Twitter. Ronnie O'Sullivan, | :09:50. | :09:56. | |
looking to equal the feet of Ray Reardon and Steve Davis, and in the | :09:57. | :10:00. | |
commentary box, a world champion, Stephen Hendry and John Virgo, | :10:01. | :10:02. | |
already to go, gentlemen. Absolutely, Hazel, what a match we | :10:03. | :10:16. | |
have got ahead. The picture being taken with a fee. That of course the | :10:17. | :10:21. | |
next two days would be all about. -- the picture being taken with the | :10:22. | :10:27. | |
World Championship Trophy. Ronnie O'Sullivan to break. Ronnie | :10:28. | :10:36. | |
O'Sullivan will get this final underway. Since I retired, many | :10:37. | :10:46. | |
people ask, did I miss the game, I certainly miss this? This is the | :10:47. | :10:57. | |
ultimate, John. A good handshake between the two. | :10:58. | :12:00. | |
A big day for the referee, Brendan Moore, Sheffield born and bred, | :12:01. | :12:11. | |
first World Championship final. His father, Derek, his wife Sharon, and | :12:12. | :12:19. | |
Cajun and Sophie here to witness, either they are very proud. -- and | :12:20. | :12:27. | |
they are very proud. He needs to keep his wits about him. You need | :12:28. | :12:31. | |
just as much concentration as the players. That is about all that Mark | :12:32. | :12:36. | |
Selby could do with that shot. Early days, it is usually a bit | :12:37. | :12:48. | |
cagey at the start. A little bit thin, little bit pacey. | :12:49. | :13:25. | |
Maybe nothing to tempt Ronnie O'Sullivan. As we say, 38 used this | :13:26. | :13:31. | |
World Championship has been, this is when he was introduced, he got a | :13:32. | :13:36. | |
standing ovation, look what it meant to him. Emotional. | :13:37. | :14:16. | |
John Parrott mentioned how he lost the first session in the semifinals, | :14:17. | :14:24. | |
Mark Selby, the first session is crucial. | :14:25. | :14:51. | |
Once again, a thick safety, he got away with the last one. It doesn't | :14:52. | :14:57. | |
appear that he has left one on here either. The table had a new cover | :14:58. | :15:10. | |
after the quarterfinals, new covers, new clause, new cautions. -- new | :15:11. | :15:17. | |
cloth, new cushions. The table fitters hard at work, | :15:18. | :15:42. | |
getting the table already. -- all ready. A little bit too thin, years | :15:43. | :15:57. | |
just not settled yet. -- he has just not settled. I do not think he will | :15:58. | :16:01. | |
be really comfortable in this match until he gets that first frame under | :16:02. | :16:06. | |
his belt, and he would love it to be the first frame. That is way | :16:07. | :16:17. | |
Ronnie's two previous matches, 6-2 up against Barry Hawkins when I | :16:18. | :16:20. | |
commentated, the match was virtually over. He just does not lose many | :16:21. | :16:26. | |
sessions. The only time he was really put under any pressure was | :16:27. | :16:29. | |
Joe Perry, and Joe Perry, funny enough, he won the first session. It | :16:30. | :16:37. | |
took a bit of time for Ronnie O'Sullivan to get the deficit back. | :16:38. | :16:52. | |
He has not left anything here, but Ronnie O'Sullivan is having a close | :16:53. | :16:56. | |
look. Obviously, no pot, coming up to six | :16:57. | :17:10. | |
and a half minutes. As I say, it is usual, this, just a cagey start, it | :17:11. | :17:21. | |
gets your cue arm going. At the moment, Ronnie's safety play is | :17:22. | :17:29. | |
absolutely inch perfect. Playing safe office red, close to the | :17:30. | :17:34. | |
right-hand cushion, it is very, very dangerous if he tries to get back | :17:35. | :17:40. | |
into baulk. He did get a slight double-kiss which is why he is | :17:41. | :17:44. | |
catching the blue. First chance to Ronnie O'Sullivan. | :17:45. | :18:31. | |
An excellent shot. Still has a bit of work to do here. Needs to avoid | :18:32. | :18:45. | |
or judge the case of the second red. -- the kiss off the second red. | :18:46. | :19:09. | |
He made it look so easy, well played. | :19:10. | :19:23. | |
The pink is a little bit tougher this time. Yes, I do not think the | :19:24. | :19:36. | |
position is automatic. He might have to play this with some pace which | :19:37. | :19:37. | |
makes it even more difficult. The few pots he has played so far, | :19:38. | :20:18. | |
he looks sharp already. Still quite a few awkward balls | :20:19. | :20:55. | |
before we could consider this a frame-winning opportunity, but he | :20:56. | :20:59. | |
has got such a quick brain that he can seize opportunities to bring | :21:00. | :21:02. | |
balls into play. He earned himself this chance by | :21:03. | :21:15. | |
playing an excellent safety shot. A bit disappointed there. Did not want | :21:16. | :21:18. | |
the cue ball tight against the cushion. | :21:19. | :22:50. | |
Another excellent shot, and this next one could be the key to the | :22:51. | :22:57. | |
frame, because in this red, you will have to screw into the three reds, | :22:58. | :23:03. | |
and these reds will be in play. Only one of them, but he will settle for | :23:04. | :23:08. | |
that, nicely on the black. A quick glance at the scoreboard and this | :23:09. | :23:12. | |
black will put him 65 points in front with just 75 remaining. This | :23:13. | :23:20. | |
black, one more red and a colour, what a start! | :23:21. | :23:35. | |
As long as he has got a slight angle on the one in the baulk pocket, then | :23:36. | :23:43. | |
any colour will put him in the snooker required stage. You cannot | :23:44. | :23:50. | |
search much better than this, Stephen, can you? No, when he first | :23:51. | :23:58. | |
came to the table at the start of this break, Mark Selby did not look | :23:59. | :24:01. | |
like it was a frame-winning opportunity on, but a couple of nice | :24:02. | :24:08. | |
flicks, but apart from that, it has been amazing cueing. Just a little | :24:09. | :24:16. | |
grimace, because if he does not catch the pink you were to being on | :24:17. | :24:20. | |
one of these reds on the top cushion. Just playing the safety. | :24:21. | :24:29. | |
Does not want to give his opponent any table time, what a break that | :24:30. | :24:36. | |
was! 69 points the lead, 67 remaining. | :24:37. | :25:18. | |
He's determined not to play any silly shots and give Mark Selby any | :25:19. | :25:25. | |
thing easy to get his arm going and start potting some balls. Keeping | :25:26. | :25:30. | |
the arm cold. A chance for Ronnie O'Sullivan to | :25:31. | :25:47. | |
give Mark Selby in seat. -- to keep. I do not think Mark Selby will | :25:48. | :26:17. | |
bother coming back to the table unless it is for some practice. | :26:18. | :26:25. | |
bother coming back to the table does concede, so Ronnie did not | :26:26. | :26:30. | |
allow Mark Selby to pot a ball, at what a marvellous break that was, | :26:31. | :26:34. | |
created by his good safety. Mark Selby will have to do better in that | :26:35. | :26:37. | |
department. Box office! How about that for an | :26:38. | :26:49. | |
opening break? Marvellous. An incredible start from Ronnie | :26:50. | :26:53. | |
O'Sullivan. We spoke about a good start for Mark Selby, but what a | :26:54. | :26:57. | |
start from Ronnie O'Sullivan. That is top drawer. He made a lot of | :26:58. | :27:02. | |
centuries, but that is one of the best breaks you have ever seen. He | :27:03. | :27:07. | |
has got a pink in the middle pocket, you think, he might skim out and | :27:08. | :27:13. | |
play safe, but look at this, this is so difficult, he has got to pot | :27:14. | :27:17. | |
this, come across and move the reds, he deserved everything he got | :27:18. | :27:24. | |
from this. Mark Selby, he did not score a point did not have much | :27:25. | :27:28. | |
table time at all! And also at the end, a really good safety shot to | :27:29. | :27:33. | |
keep him cold. He knows how important these first few exchanges | :27:34. | :27:35. | |
would be. Back we go. Ronnie is having a look at this red | :27:36. | :28:12. | |
the right-hand side of the table, just thinking, if you played the pot | :28:13. | :28:18. | |
and left it alone, he could be on the black. | :28:19. | :28:57. | |
I think he just swerved that slightly which is why it was a | :28:58. | :29:26. | |
fraction too thin. I do not think he has left anything. Mark Selby is | :29:27. | :29:31. | |
having a look at this red near the black. It is a thin one. Maybe he | :29:32. | :29:37. | |
fears he could get on a baulk colours should it go in. He is off | :29:38. | :29:50. | |
the mark. Unfortunately, he has got two good cue ball. | :29:51. | :30:21. | |
That's the line. He could leave something and that is a careless | :30:22. | :30:25. | |
mistake. I bet Ronnie can't believe he found | :30:26. | :30:33. | |
that gap! . That was a poor shot. A huge target there. | :30:34. | :30:42. | |
Maybe the new cloth and cushion caught him out slightly, slid more | :30:43. | :30:44. | |
than he was expecting. He can get into the reds. | :30:45. | :31:35. | |
Oh, but don't miss the black. Has that come to his rescue? I don't | :31:36. | :31:39. | |
think so. It still goes to the middle. I was going to say Stephen, | :31:40. | :31:45. | |
one thing you have to avoid doing, and particularly early on, is miss | :31:46. | :31:57. | |
easy balls when you are in. He cannot be giving Ronnie more | :31:58. | :32:01. | |
confidence obviously than he already has. Nothing gives you op popts when | :32:02. | :32:06. | |
your opponent misses easy balls. Absolutely inch-perfect. | :32:07. | :33:13. | |
Coming round the two cushions. As I say, to the inch. | :33:14. | :33:42. | |
Immediately he has spotted this plant. A that's what they say about | :33:43. | :33:51. | |
Ronnie - he has everything. He keeps looking, seeing what is available, | :33:52. | :33:56. | |
trying to make things easier for himself. | :33:57. | :34:04. | |
But even for the maestro, when you go into a cluster, you always need a | :34:05. | :34:11. | |
bit of luck and that one has not worked out. | :34:12. | :34:36. | |
Might be disapointed with this split he played. He would have kicked a | :34:37. | :34:44. | |
few open and released the cue ball. Unlike Ronnie, in this tournament so | :34:45. | :34:50. | |
far, when he's run out and not had an easy safety shot to play, he's | :34:51. | :34:55. | |
made it count. He's not let this one count. He's left a pot to the | :34:56. | :34:57. | |
corner. Le There is a bit of pressure on | :34:58. | :35:01. | |
this. Just worrying signs at the minute. I | :35:02. | :35:25. | |
know it is very early, but he cannot allow Ronnie to dictate these first | :35:26. | :35:28. | |
four frames. It is hard for him not to let his | :35:29. | :35:55. | |
mind drift back to that Mast er Masters' final. That is right. | :35:56. | :36:03. | |
Sometimes you feel you have to play your absolute best - pressure not to | :36:04. | :36:07. | |
miss a ball and even that can have an effect on you. As I say, I don't | :36:08. | :36:12. | |
think he'll really relax, Mark Selby, until he gets that score mark | :36:13. | :36:19. | |
on the score board. I get the feeling this second fwram has gone. | :36:20. | :36:23. | |
I would be -- frame has gone. I would be surprised if Ronnie didn't | :36:24. | :36:26. | |
get enough here. The referee is convinced it does go | :36:27. | :37:23. | |
on. There's two reds in potable position positions. | :37:24. | :37:27. | |
LAUGHTER 23. | :37:28. | :37:34. | |
So, Ronnie a little bit surprised. I am not certain what was going on | :37:35. | :37:41. | |
there. He's still got two reds in the open | :37:42. | :37:47. | |
and these two reds, high value colours, will put him in the require | :37:48. | :37:50. | |
required stage. So this blue and it will put him 54 | :37:51. | :38:19. | |
points in front, with just 51 remaining. | :38:20. | :38:29. | |
A plant to the left corner, so it didn't matter about the pink going | :38:30. | :38:37. | |
on its spot. Oh, well! He'll kick himself there! He will be kicking | :38:38. | :38:42. | |
himself! It looked a dead-set plan. I don't know why he needed to play | :38:43. | :38:47. | |
it so hard, but Mark Selby now - just a bit of a bounce, trying to | :38:48. | :38:51. | |
force the cue ball over. One snooker needed. It's not impossible. | :38:52. | :39:17. | |
You play on the left-hand side, follow a black and play a snooker | :39:18. | :39:26. | |
behind the pink, the red just below the pink. Is that still a | :39:27. | :39:28. | |
possibility? He's going to pot the black in the | :39:29. | :40:05. | |
middle pocket. Ronnie made a mistake there. | :40:06. | :40:15. | |
Good shot! APPLAUSE | :40:16. | :40:22. | |
Unfortunately the easy snooker behind the pink is not on. That cue | :40:23. | :40:27. | |
ball needed to be on the right-hand side of the table. | :40:28. | :40:46. | |
Mark puts his hand up and says that is enough for me. He gave him half a | :40:47. | :40:52. | |
chance there, but couldn't control the cue ball. 2-1, Ronnie | :40:53. | :40:55. | |
O'Sullivan. Well, it whats been a fascinating -- | :40:56. | :41:04. | |
it's been a fascinating two frames there. Just a thing for club | :41:05. | :41:10. | |
players, if you are interested in the game - look at this shot from | :41:11. | :41:14. | |
Mark Selby. How high he is with the arm there. High newspaper the air. | :41:15. | :41:21. | |
You are told as an amateur, keep the cue as parallel as possible to avoid | :41:22. | :41:21. | |
any spin on the shot. Here is Ronnie - he is higher at the back than you | :41:22. | :41:29. | |
would think. He's not got the cue as low as possible. He drops the cue | :41:30. | :41:33. | |
through the shot. Take you over to the table - when I have watched | :41:34. | :41:38. | |
Ronnie O'Sullivan in the practise room playing, just a little tip, | :41:39. | :41:42. | |
when you play a screw back, you try and get as low as possible with the | :41:43. | :41:46. | |
cue. See the butt of the cue there. You get as low as possible. That is | :41:47. | :41:50. | |
not how the top players are playing, they are high up with the back. They | :41:51. | :41:56. | |
have their cue roughly. You see this - the line of the camera is where | :41:57. | :42:00. | |
they are at the back. They play the shot and then they drop through the | :42:01. | :42:05. | |
shot like that. Not so good. I have miscued. Perhaps I should have put | :42:06. | :42:07. | |
some chalk on! You would have thought they would | :42:08. | :42:14. | |
have given him a piece of chalk! It surprises me he breaks off | :42:15. | :42:39. | |
left-handed. Why can't he break off right-handed? He explains whe plays | :42:40. | :42:46. | |
it right-hand side. He says, I just feel when I play it left-handed, I | :42:47. | :42:51. | |
seem to get a better reaction. He believes that you've got to be a | :42:52. | :42:55. | |
foot this side of the balk line to find the balk cushion and use -- | :42:56. | :43:02. | |
baulk cushion and use it as a buffer. | :43:03. | :43:05. | |
A weak safety shot from Mark. This will not do! | :43:06. | :43:13. | |
And you probably noticed there was every chance of it - released the | :43:14. | :44:30. | |
black as well. That's why he played it with such | :44:31. | :44:34. | |
pace. You couldn't have played it any better than that. | :44:35. | :45:36. | |
APPLAUSE Well, beautifully controlled again! | :45:37. | :45:45. | |
That cue ball is on a piece of string at the moment. | :45:46. | :45:55. | |
He could play for a red into the right corner. In doing that he would | :45:56. | :46:01. | |
play for the black and the black at the moment doesn't go on its own | :46:02. | :46:05. | |
spot. He would like to play the red occupying the black spot before he | :46:06. | :46:09. | |
thinks about potting the black. Sometimes it is the way the balls | :46:10. | :46:12. | |
are that dictates how you play. He's had a look at the blue, but | :46:13. | :46:56. | |
this pink is a much easier pot. He could play for the black this | :46:57. | :47:09. | |
time. 83 remaining. | :47:10. | :48:58. | |
Looks like that poor safety shot from Mark Selby is going to cost him | :48:59. | :49:05. | |
this third frame. Not settled yet. Hardly played a | :49:06. | :49:12. | |
decent safety and this was the one. Caught it much too thick. Jip steed | :49:13. | :49:19. | |
of reaching the baulk cushion rereached the line and of course | :49:20. | :49:24. | |
left a red on. -- instead. | :49:25. | :49:54. | |
Just 59 remaining. Another frame has slipped by. | :49:55. | :50:02. | |
He's introduced Ronnie by Rob Walker, blink and you'll miss it. | :50:03. | :50:11. | |
This is a sensational start. Absolutely sensational. It really | :50:12. | :51:20. | |
is. That is Ronnie's 11th century of the tournament. The 55th of the | :51:21. | :51:26. | |
championship. And they wouldn't be played much better than that. Misses | :51:27. | :51:30. | |
the yellow. It doesn't matter. He gave the #c0u6d what they came to | :51:31. | :51:35. | |
see - a Ronnie O'Sullivan century in style. He leads 3-0. | :51:36. | :51:39. | |
He's not hanging about. This is a mesmerise mesmerising start. That is | :51:40. | :51:50. | |
what Mark Selby looks like. It is like holding a tiger by the tail. | :51:51. | :51:55. | |
There was a shot there, he played off the blue. He sussed out the red, | :51:56. | :52:00. | |
if he could play this hard, there was a good chance the black would | :52:01. | :52:04. | |
get moved and put into play. It is what happens and the rest is | :52:05. | :52:10. | |
history. This makes it even more hard for him. He looks nervous. | :52:11. | :52:15. | |
There's no doubt about. That safety shots. A long way from some long | :52:16. | :52:20. | |
pots. He needs to get a frame on the board and very quickly. Otherwise, a | :52:21. | :52:26. | |
sdeven said, he could lose the -- Stephen said, he would lose the | :52:27. | :52:29. | |
final. It is something we talked about before we got under way. I am | :52:30. | :52:36. | |
sure Mark was aware of that as everyone else is and clearly that is | :52:37. | :52:40. | |
making things more difficult for him. | :52:41. | :52:47. | |
A mid-session interval after this frame. He would love to take | :52:48. | :52:52. | |
something positive back to the dressing room, Mark Selby. | :52:53. | :53:00. | |
We show you this wonderful arena. It really is a theatre. | :53:01. | :53:11. | |
That's what they are playing for. The world cham World Championship | :53:12. | :53:27. | |
trophy. Tremendous pot from Ronnie. | :53:28. | :54:27. | |
He may play for a baulk colour here. Needs a good angle on the yellow. | :54:28. | :55:26. | |
He's not got it. I don't see how he can bring reds | :55:27. | :55:36. | |
into play here. When you all are full of confidence | :55:37. | :55:54. | |
it just comes naturally. This is a good effort though. Well, he | :55:55. | :56:02. | |
deserves it. He hit them absolutely perfect. | :56:03. | :56:14. | |
He got a lovely hien here just to catch the edge of the reds. If he | :56:15. | :56:23. | |
caught the middle nothing would have developed. Just enough pace. | :56:24. | :56:47. | |
That was the red he would have hoped to have been on. That other red | :56:48. | :56:54. | |
blocked the path to the pocket and the fact he's looking at the baulk | :56:55. | :56:59. | |
cushion for safety... Hit them very well. | :57:00. | :57:03. | |
That's always the problem, when you play that screw and it releases and | :57:04. | :57:08. | |
comes away from the red. A little unlucky not to have the red to the | :57:09. | :57:10. | |
far right corner. At least he's got a foot hole in the | :57:11. | :57:28. | |
frame. We've not been able to say that before! | :57:29. | :57:55. | |
Is there a gap through the middle of these reds? No. He can't get through | :57:56. | :58:04. | |
that. Wouldn't expect Ronnie to fall for something like that. He knew the | :58:05. | :58:06. | |
red wouldn't pass the yellow. It's not the most telling of safety | :58:07. | :58:12. | |
shots. Well, I was going to say Mark Selby | :58:13. | :59:00. | |
can slow it down a bit, but not after a pot like that! | :59:01. | :59:06. | |
Yes, I suppose he was a little bit unlucky there, Mark. | :59:07. | :59:16. | |
You would say it's not a clear-cut frame and a chance. In a couple of | :59:17. | :59:26. | |
shots' time that could all change. Think, brown, red, a nice angle on | :59:27. | :59:31. | |
green or yellow and come off one cushion and go into a bunch. | :59:32. | :00:33. | |
It must be a great feeling for Ronnie O'Sullivan coming out knowing | :00:34. | :00:38. | |
that you're full of confidence like this. We talked about the | :00:39. | :00:46. | |
intimidation that he has got over other players. It is a great feeling | :00:47. | :00:50. | |
when you think that they cannot beat you. | :00:51. | :01:06. | |
Has he let it slip? Mark Selby has a light at the end of the tunnel. That | :01:07. | :01:19. | |
is very rare. A little careless shot from Ronnie O'Sullivan. That will | :01:20. | :01:23. | |
annoy him. Apparently it wasn't touching when | :01:24. | :01:50. | |
he went to the table, but Ronnie did say to the referee, I know I cannot | :01:51. | :01:58. | |
get through to the red. If it was touching, it would favour Ronnie, it | :01:59. | :02:02. | |
would make the safety shot are a lot easier, so he is being very sporting | :02:03. | :02:10. | |
year. He will be disappointed he didn't make the most of this | :02:11. | :02:15. | |
opportunity. And Mark Selby, for once, will be very relieved. | :02:16. | :02:51. | |
A long way out, it has to be said. That is just purely the pressure | :02:52. | :03:02. | |
that is being put on him. Just didn't catch that red as he | :03:03. | :04:40. | |
would have liked. He is not perfect on the red to the right corner. | :04:41. | :04:50. | |
Looks like it might just go. It is very tight. | :04:51. | :05:21. | |
Two cannons that have gone the other way, not worked out as planned. The | :05:22. | :05:32. | |
first one that he missed, maybe just overcompensating a little bit. The | :05:33. | :05:36. | |
cue ball drifted a bit further left than he wanted. Another chance from | :05:37. | :05:39. | |
Mark Selby. This is as good a chance as he has | :05:40. | :06:24. | |
had. He played that well. This visit is | :06:25. | :06:46. | |
so important, just for his own self confidence and belief. | :06:47. | :07:06. | |
His heart must have been in his mouth. | :07:07. | :07:46. | |
Needs the cue ball to just bounced a little. Would have liked it to | :07:47. | :07:52. | |
bounce a little bit more. Pressure on everything at the | :07:53. | :08:32. | |
moment. That was well played. Had to rely a little bit on Ronnie's | :08:33. | :08:47. | |
mistakes, but two snookers needed now offer Ronnie. That means that | :08:48. | :08:55. | |
Ronnie will not now returned to the table. That means that Mark Selby | :08:56. | :08:58. | |
will now go to the mid-session interval with a frame on the | :08:59. | :09:02. | |
scoreboard. It will not matter about the green, I'm sure. Ronnie is | :09:03. | :09:08. | |
having a look at the situation. It is not like him to play on in these | :09:09. | :09:13. | |
situations, three snooker is needed. -- snookers needed. He will | :09:14. | :09:27. | |
be a little bit annoyed. He has had three opportunities in this frame | :09:28. | :09:28. | |
and did not make the most of them. And that will be enough. Ronnie nods | :09:29. | :10:07. | |
to the referee. That is the first frame on the scoreboard for Mark | :10:08. | :10:09. | |
Selby, frame on the scoreboard for Mark | :10:10. | :10:13. | |
his dressing room, but Ronnie O'Sullivan in fine form. He may be a | :10:14. | :10:17. | |
little bit disappointed that it is only 3-1. | :10:18. | :10:22. | |
Yes, a couple of cannons went wrong. Fans of Mark Selby will be relieved. | :10:23. | :10:30. | |
We have got Ken and John had we can breathe a sigh of relief and we can | :10:31. | :10:37. | |
talk with a bit more volume now! Your impression of the first four | :10:38. | :10:40. | |
frames? Ronnie in imperious form. You will be annoyed going into the | :10:41. | :10:44. | |
dressing room. Mark Selby will be relieved to get that frame on the | :10:45. | :10:48. | |
board. It was all Ronnie, but Mark Selby showed a lot of character with | :10:49. | :10:53. | |
a few difficult pots, he was rocking, but he has pulled himself | :10:54. | :10:58. | |
together and the match is on. How difficult is it to settle in A | :10:59. | :11:04. | |
final, particularly when you played so well to get here, many people | :11:05. | :11:09. | |
would suggest that you just roll on, not like that? Not against Ronnie | :11:10. | :11:15. | |
O'Sullivan in that form. Ronnie has had two simple cannons, he missed | :11:16. | :11:23. | |
the two reds, it was frame over. He got out of position. To be only two | :11:24. | :11:27. | |
behind after the way that session went, Mark Selby will be delighted. | :11:28. | :11:33. | |
I am sure you have many questions produce gentlemen and four Steve | :11:34. | :11:37. | |
Davis, and Steve will be doing a masterclass. You can treat him, sent | :11:38. | :11:48. | |
your questions. -- you can get him on Twitter, send your questions. It | :11:49. | :11:55. | |
has been a week of teasing and tormenting us from Richard Osman, as | :11:56. | :11:59. | |
this is the key moment, it is the final killer question in our quiz. | :12:00. | :12:04. | |
The final league table will shortly be unveiled, but not before you have | :12:05. | :12:07. | |
had a go also. It is the day of the final here at | :12:08. | :12:18. | |
the Crucible, so that means it is time for your final question. | :12:19. | :12:22. | |
Everybody has been doing well, who would be crowned the champ in this | :12:23. | :12:25. | |
afternoon? This is your final question. We gave 100 people 147 | :12:26. | :12:35. | |
seconds to name anybody who has ever beaten Ronnie O'Sullivan here at the | :12:36. | :12:40. | |
Crucible. The best of luck to you all. Has anybody ever beaten him at | :12:41. | :12:51. | |
the Crucible? I'm flying solo, do I get double points? I want | :12:52. | :12:59. | |
half-point! David Gray. Alan McManus, I'm sure? Has Marco beaten | :13:00. | :13:12. | |
him? David Gray? John Parrott beat him. I beat him! I don't even | :13:13. | :13:29. | |
believe that! David Brady. Nigel Bond. I am liking Nigel Bond. We | :13:30. | :13:42. | |
will go with John Parrott. One of the first ones that I did, Ronnie | :13:43. | :13:47. | |
made a maximum against Marco Fu and still lost. If it is wrong, I take | :13:48. | :13:55. | |
no responsibility. I'm going to say David Gray. David Grace certainly | :13:56. | :13:58. | |
the final answer, and not the singer! -- David Gray is the final | :13:59. | :14:14. | |
answer. If it is right, I think it is a tournament winner. It is right. | :14:15. | :14:20. | |
It is to amend this. Shall we go? Darren Morgan. You have heard what | :14:21. | :14:29. | |
our religions have said, what do you think? Get in touch. We will reveal | :14:30. | :14:35. | |
the answers at the end of this interval and we will find out to the | :14:36. | :14:39. | |
champions are going to be. Join us shortly to find out to the champions | :14:40. | :14:42. | |
are going to be. Good luck. The reason I'm flying solo is | :14:43. | :14:51. | |
because Jason has gone off to do the football. Hello, Jason, I am sure | :14:52. | :14:57. | |
you are enjoying this final. Let's get to the station at Sheffield | :14:58. | :15:00. | |
because the trick shot expresses waiting for no one! -- express is | :15:01. | :15:14. | |
waiting for no one! I am a three-time world trick shot | :15:15. | :15:15. | |
champion. I put videos online, on YouTube, I | :15:16. | :15:28. | |
have about 10 million viewers. I have about 100 million viewers on | :15:29. | :15:32. | |
Chinese YouTube. I started doing trick shots when I was seven, I got | :15:33. | :15:45. | |
a pool table as a gift. I do not allowed to play. I go online and if | :15:46. | :15:50. | |
you can learn, you find a lot of trick shots. So, I saw some videos | :15:51. | :15:57. | |
and I started copying this. After a year, I was like, I know all of the | :15:58. | :16:01. | |
shots together, and they keep doing it, 60 years, they keep doing the | :16:02. | :16:07. | |
same shots. I started doing my own versions, and I put up my own | :16:08. | :16:12. | |
videos, and 60 videos later, I am still here, and I have created more | :16:13. | :16:17. | |
than a thousand new shots. We are so envious of that cue action | :16:18. | :19:31. | |
and we're envious of this man's brain! It is the size of a planet! | :19:32. | :19:36. | |
You have been testing as always. We will reveal the final answer | :19:37. | :19:40. | |
shortly, but firstly, I saw you watching the final session last | :19:41. | :19:46. | |
night of the semifinal, what did you make of it? Terrific, it went on a | :19:47. | :19:53. | |
while, nobody making any mistakes, Mark Selby was to reflect! What was | :19:54. | :19:58. | |
the fascination for you of snooker at the early days? I have always | :19:59. | :20:04. | |
loved it, it is so intriguing, one guy is having to sit there and take | :20:05. | :20:09. | |
it while one person does his thing, and it must be very difficult, | :20:10. | :20:13. | |
psychologically. The psychology is furry fascinating. 3-1 to Ronnie, | :20:14. | :20:21. | |
what do you think? I love Ronnie O'Sullivan, but after ripping Mark | :20:22. | :20:25. | |
Selby has done, I would love him to win a world title. It is a long | :20:26. | :20:30. | |
game. I saw somebody come back from it - zero down once. We will not go | :20:31. | :20:38. | |
there and! That is to be! We will leave him to cry in the corner. We | :20:39. | :20:41. | |
were talking about you has beaten Ronnie O'Sullivan at the Crucible, | :20:42. | :20:44. | |
people have been getting in touch, you went for Marco Fu. You went for | :20:45. | :20:52. | |
Darren Morgan. John Parrott went for himself. Letters have a look at the | :20:53. | :20:54. | |
scoreboard. Alan McManus would have scored you | :20:55. | :21:11. | |
seven. Mark Allen would have scored you ten. Mark Selby, 24. You never | :21:12. | :21:15. | |
know. Shall be reveal the final winners? Before we look at the | :21:16. | :21:21. | |
winners, let's take a look at the losers, easily in fifth place was | :21:22. | :21:25. | |
Willie and John Virgo, by quite a long way. Then in fourth place, | :21:26. | :21:30. | |
almost on the podium, that was yourself and Jason. In third place, | :21:31. | :21:36. | |
it was JP and Ken. Between yourself and Stephen and Dennis and Terry, | :21:37. | :21:42. | |
let us take a look at the winners. It is Dennis and Terry, I'm afraid! | :21:43. | :21:51. | |
Mark King was the problem. I thought he was in the top 16. Very well but | :21:52. | :21:57. | |
if you got any of those clever answers and very well done if you | :21:58. | :22:01. | |
beat 71 across the week. I am not sure who beat 71 across the week. | :22:02. | :22:09. | |
Lots of people got those seven points. You have been torturing us | :22:10. | :22:13. | |
as always, is there anything you would like to ask this man regarding | :22:14. | :22:22. | |
cue action? The one thing about playing, if you have a dead straight | :22:23. | :22:27. | |
pot this should be easy, but the second you are over it, your arm is | :22:28. | :22:32. | |
everywhere, should there be any easy, simple routine to knocking a | :22:33. | :22:37. | |
dead straight pot? The problem with messing up a shot as if you are not | :22:38. | :22:42. | |
lined up perfectly, you will miss the shot. The only real way to do it | :22:43. | :22:47. | |
is to come down into my office, so to speak. One way that you can | :22:48. | :22:54. | |
improve the straight hitting is to try to hit the ball up and down the | :22:55. | :23:05. | |
spots. Try your best. You need to try and hit it firm, not soft, | :23:06. | :23:14. | |
because it is easy soft. That is as absolutely perfect as you can get. | :23:15. | :23:19. | |
Do it again. You need to do at a more than once to prove it is not | :23:20. | :23:24. | |
luck. Hit it up and down over the spots. Once again, that is very, | :23:25. | :23:29. | |
very good. If you can head and get the ball to come back down over the | :23:30. | :23:33. | |
spots, so accurately, that you are doing it ten out of ten that it | :23:34. | :23:38. | |
comes back and hit the tip, then you can use that every time there is a | :23:39. | :23:42. | |
straight ball. But you have to be lined up on that shot. You look | :23:43. | :23:47. | |
pretty good in that apartment. Thank you. That is the right way to do it. | :23:48. | :23:55. | |
You will see on some club tables, there is a line-up for the spots. | :23:56. | :24:01. | |
Are you forgiving me for mocking? Yes! It has been great to see you. | :24:02. | :24:11. | |
Thank you very much. There has been unprecedented demand for tickets at | :24:12. | :24:14. | |
the Crucible this year, you have got to get in very quickly to get them | :24:15. | :24:17. | |
and you need to show a huge degree of commitments to get these tickets | :24:18. | :24:24. | |
and there is a couple in the audience today who have shown a | :24:25. | :24:27. | |
greater amount of that than anyone we have ever met. We are held and | :24:28. | :24:36. | |
Tony from New Zealand. -- Hilda and Tony. It has been magic. | :24:37. | :24:51. | |
I have lived in New Zealand now for 35 years. For me, it is one of the | :24:52. | :24:58. | |
things I always wanted to see, Ronnie O'Sullivan playing at the | :24:59. | :25:04. | |
Crucible. Bring Edu will miss it! The Rocket! Ronnie O'Sullivan! -- | :25:05. | :25:15. | |
blink and you will miss it. We watch it so often on television, you just | :25:16. | :25:19. | |
get that one little picture, and when you come here, you get the | :25:20. | :25:23. | |
bigger picture and the vibrations and the feel of it. It puts a ten | :25:24. | :25:29. | |
goal into it. It is really exciting. I actually came to the Crucible for | :25:30. | :25:33. | |
a day trip and I found that the tickets were on sale and so, I | :25:34. | :25:37. | |
thought, I would just have to buy some tickets, so I bought tickets | :25:38. | :25:42. | |
for about half of the sessions and then I went home that night and I | :25:43. | :25:45. | |
scribe Tony hand I said, look at what I have got! A wonderful | :25:46. | :25:55. | |
surprise. I said, do you want to go, you said yes, so I went and bought | :25:56. | :25:59. | |
the rest of the tickets, but the only ones I could not get was the | :26:00. | :26:07. | |
once for the final. -- the ones for the finals. It is a marathon of | :26:08. | :26:16. | |
sitting. The first few days, it was difficult to sitting down, but we're | :26:17. | :26:20. | |
getting used to it now. We're not big sitters, boast of us. -- most of | :26:21. | :26:33. | |
us. And you have to keep still! It has been a lifelong thing for me, | :26:34. | :26:37. | |
playing the game. My mother is 85 and she knows that I love playing | :26:38. | :26:41. | |
snooker, but she thought I was coming here to play and... She was | :26:42. | :26:47. | |
asking how he was doing and Tony was saying, we're just here to watch! | :26:48. | :26:54. | |
Because we do play snooker, it is interesting to see what a really | :26:55. | :26:57. | |
good table is like and compare it to the ones that we play on at the | :26:58. | :27:01. | |
club. I cannot remember a professional playing on the table is | :27:02. | :27:09. | |
that we play on. It is just a great privilege to be here. It is such a | :27:10. | :27:14. | |
great theatre. It is not too big, it is nice and intimate. But standing | :27:15. | :27:17. | |
on the floor with the table, it would be quite daunting if you are | :27:18. | :27:22. | |
new to this theatre. It is just magic to be here. It really is. To | :27:23. | :27:28. | |
look comfortable? We go back home to the hotel and we put on the | :27:29. | :27:33. | |
television and we watch the snooker again. The one thing we would like | :27:34. | :27:37. | |
to solve is the fact we do not have tickets for the final. What a | :27:38. | :27:44. | |
wonderful story! We could not let their experience pass without | :27:45. | :27:47. | |
letting them onto the side of the hallowed carpet, please welcome | :27:48. | :27:57. | |
them! CHEERING Hilda, just briefly, what is it like | :27:58. | :28:03. | |
to be on this side of the arena, what a great experience? | :28:04. | :28:08. | |
It is beyond belief. It is amazing, just incredible. Lots more good | :28:09. | :28:15. | |
snooker to come, and a little birdie tells me that you have a soft spot | :28:16. | :28:18. | |
for a six time world champion, so he would like to come out and say | :28:19. | :28:22. | |
hello, ladies and gentlemen, please welcome Steve Davis! APPLAUSE | :28:23. | :28:29. | |
Hello! I did not think I would ever feel like Cilla Black, but here we | :28:30. | :28:41. | |
are! As a special memento, we thought we would like to present to | :28:42. | :28:45. | |
you, I have signed the programme, it may not seem like much to you, but I | :28:46. | :28:50. | |
have signed a programme for you and outside a programme for you, so it | :28:51. | :28:58. | |
is on the inside, just open up the first bit. ! The significance of | :28:59. | :29:05. | |
this is, they had tickets for every session at every match apart from | :29:06. | :29:08. | |
the big climax tomorrow evening, that is no longer a problem, you | :29:09. | :29:13. | |
will be seeing them here in the arena late tomorrow night! Enjoy the | :29:14. | :29:18. | |
rest of the match and please come back next year! APPLAUSE | :29:19. | :29:27. | |
A fantastic story, and if anyone can, a Kiwi can, they are just | :29:28. | :29:38. | |
passing us by year! What is the allure of this place that makes Iya | :29:39. | :29:42. | |
Gavrilova wants to come here and sit here for 12 hours a day for 17 | :29:43. | :29:47. | |
days? It is the venue, the electricity at the place, it is | :29:48. | :29:52. | |
electric, I came here as a young lad and sadder but they're watching and | :29:53. | :30:01. | |
I loved it from day one. As a spectator, you will not get a better | :30:02. | :30:03. | |
venue. Their experience started with you at the train station! Yes, we | :30:04. | :30:13. | |
were playing at the train station! Everybody beats me! You managed to | :30:14. | :30:20. | |
get to the second round, let's get back to business, serious business | :30:21. | :30:23. | |
for Mark Selby, after regrouping, one would think, what must his | :30:24. | :30:28. | |
attitude be coming into this session? | :30:29. | :30:37. | |
If he can come back - he's got a foot-hold now. He settled in. That | :30:38. | :30:42. | |
frame will give him great confidence. Anything more than that | :30:43. | :30:50. | |
is a bonus. OK, he's off and running and evidently so is the Rocket. | :30:51. | :31:20. | |
They haven't been play playing even for an hour and there's the average | :31:21. | :31:29. | |
frame time - under 14 minutes. It is so important for Mark Selby to take | :31:30. | :31:35. | |
-- it was so important for Mark Selby to take that last frame. | :31:36. | :31:43. | |
Ronnie at 94%. He's just been under-hitting some of | :31:44. | :31:49. | |
his safety shots in the first four frames. He's not been finding the | :31:50. | :31:55. | |
baulk cushion. He normally does that. | :31:56. | :32:01. | |
The success rate at 84%. Over the four sessions against Robertson, who | :32:02. | :32:05. | |
was over 90% for the whole match. He's missed a few pots, as you say. | :32:06. | :32:11. | |
His safety's not been at a great length. He's left it well short. | :32:12. | :32:43. | |
We all thought that semi-final would take a lot out of Mark. He is a fit | :32:44. | :32:51. | |
lad. He was around the hotel this morning and looked fresh after that | :32:52. | :32:54. | |
terrific win against Neil Robertson. Perhaps just can't see enough... So | :32:55. | :34:13. | |
long as he get gets... That's not what he wanted! | :34:14. | :34:29. | |
He might be OK though. Could possibleably take this on as a | :34:30. | :34:55. | |
shot to nothing. -- possibly. | :34:56. | :35:03. | |
He's caught the jaws of the -- possibly. | :35:04. | :35:07. | |
pocket again. Instead of it being a shot to nothing, he's left Ronnie | :35:08. | :35:10. | |
in. He risked that because the black was | :35:11. | :35:17. | |
over the pocket. He thought, if I can pot this and get a safety shot | :35:18. | :35:22. | |
at the same time, I'll have a chance of the black. He got pretty close to | :35:23. | :35:26. | |
the pot. That is why it stayed in the jaws of the pocket. It is still | :35:27. | :35:29. | |
not straightforward. Probably would like to get the pink | :35:30. | :35:44. | |
first rather than tie the black up. I think the black will be tied up. | :35:45. | :36:07. | |
In a couple of shots' time, he could get himself into the position to | :36:08. | :36:08. | |
bring it back into play. It is not going to be easy for him | :36:09. | :36:14. | |
here. That was not going to be easy! Faced | :36:15. | :36:34. | |
Faced with a tricky pink. You see the red above the black pots | :36:35. | :36:52. | |
into the right corner, but he cannot get himself into position to get | :36:53. | :36:56. | |
that and nudged away from the black. That is what his plan was but he's | :36:57. | :37:00. | |
not in the correct position to get on that red. | :37:01. | :37:11. | |
The pink spot is not available, so the highest available spot on this | :37:12. | :37:30. | |
occasion is the yellow. There is a red to the middle. If he can hit it | :37:31. | :37:38. | |
straight he can take it on. He's running into the other reds. | :37:39. | :37:46. | |
With the red at the other end of the table, it's not an easy situation | :37:47. | :37:48. | |
this. Very little available for Ronnie | :37:49. | :38:03. | |
here. I am not sure as he... If he hits | :38:04. | :38:31. | |
the cushion first and catches it correctly, he'll send the red back | :38:32. | :38:35. | |
up the table. A chance to get in behind the yellow but he would have | :38:36. | :38:39. | |
to be very precise with that. If he doesn't catch it correct he could | :38:40. | :38:43. | |
sevenld the red into the brown or the yellow and pink. Look where he's | :38:44. | :38:46. | |
hitting the cue ball. There's plenty of rom around the | :38:47. | :39:58. | |
black here. -- room around the black here. | :39:59. | :40:19. | |
Has it gone too much? It may have done. | :40:20. | :40:35. | |
He's pretty good with that type of shot. | :40:36. | :40:42. | |
Can he get through to the potting angle of the yellow? He can. | :40:43. | :40:59. | |
At first glance, I don't think he's done a lot of damage here. | :41:00. | :41:07. | |
I think he took his eye off the pot, was concentrating on to this cannon | :41:08. | :41:08. | |
on to the reds here. I think the brown is OK. It is | :41:09. | :41:26. | |
covering the one he pushed towards the corner pocket as we can see | :41:27. | :41:30. | |
there. That was a bit of a chance that Mark let slip. I was so | :41:31. | :41:34. | |
impressed with him last night, watching him against Neil Robertson | :41:35. | :41:38. | |
and the way he clinched the match was fabulous because it was very | :41:39. | :41:44. | |
difficult to pick a winner at that semi-final. | :41:45. | :42:12. | |
Fe he can get no worse than 5-3. He can still win the session, but 5-3, | :42:13. | :42:24. | |
or 4-4, would be happy after losing the first frames. | :42:25. | :42:58. | |
That is that red covered. He played it in such a way that the if he | :42:59. | :43:06. | |
didn't get the pink, the red would cover the red. There, you can see, | :43:07. | :43:12. | |
he played that very nicely. It's not an easy safety shot for Mark Selby | :43:13. | :43:16. | |
here. Just looking to see if he can prop | :43:17. | :43:22. | |
on the two reds. The brown's in the way. That is what he's faced with | :43:23. | :43:25. | |
there. If he got the red that is close | :43:26. | :43:34. | |
toast the pocket and got the white somewhere near the tip of his cue, | :43:35. | :43:38. | |
that's a little dangerous because there is a red available to the | :43:39. | :43:43. | |
right middle pocket. That's why he's having to give this | :43:44. | :43:45. | |
plenty of thought. The reason he cannot go over the | :43:46. | :44:06. | |
right side of the table - look where the white would hit the brown. The | :44:07. | :44:10. | |
brown is in the way there. That is why he's not considering that | :44:11. | :44:13. | |
escape. He thought, if he knocks it in the | :44:14. | :44:56. | |
middle pocket, all well and good, but I couldn't do much else. | :44:57. | :45:10. | |
His plan worked there. He thought long and hard before he | :45:11. | :45:20. | |
planned the escape, Mark. It has worked to his advantage. | :45:21. | :45:26. | |
Yes, and the key thing here, he knows that Ronnie will be even more | :45:27. | :45:30. | |
disappointed if Mark goes on to win this frame. Ronnie should obviously | :45:31. | :45:34. | |
have won the fourth frame, which Mark pinched. All of a sudden we | :45:35. | :45:38. | |
could be looking at a score line of 3-2 and he's right back into this | :45:39. | :45:40. | |
session. Mark be able to play now, to get on | :45:41. | :45:49. | |
to the red now, to get on the left of the two, just in a way that he | :45:50. | :45:53. | |
could bring the black into play and he's played it well. He can now pot | :45:54. | :45:56. | |
that. And flick the other red out of the | :45:57. | :46:00. | |
way. That's if that red passes the black. I mean, I was never sure that | :46:01. | :46:05. | |
it did. If it does, it's going to open the game right up for him. | :46:06. | :46:10. | |
There's the perfect picture over the shot you suggested. | :46:11. | :46:42. | |
It's OK because he looked at it. He can take the blue and that red will | :46:43. | :46:50. | |
go. That is the reason he choose not to cannon the red. | :46:51. | :47:05. | |
That's the problem ball out of the way and now a chance to score. | :47:06. | :47:12. | |
Will it be enough to close the gap to one? | :47:13. | :47:47. | |
So much room. Two inches shorter, two inches longer. | :47:48. | :47:59. | |
That is a shame! He had a good chance there. He was going to get | :48:00. | :48:23. | |
the extra seven points there. The ideal place would be to try and | :48:24. | :48:35. | |
get in behind the yellow. I don't know if he can do that, he'd have to | :48:36. | :48:40. | |
morph this red. So long as he gets on the baulk cushion, but... | :48:41. | :48:57. | |
. It could be a at thetial battle now with that over the pocket. | :48:58. | :49:04. | |
Gradually these reds may get pushed towards that black and we could have | :49:05. | :49:06. | |
a little bit of a stalemate. People have from New Zealand to | :49:07. | :50:06. | |
watch this championship. Here is a gentleman who is a really | :50:07. | :50:20. | |
good player, on the right of those two, is a Kenny called Kenny Shaay. | :50:21. | :50:27. | |
He's a prolific century break player from Canada. I think he knows we're | :50:28. | :50:33. | |
talking about him. It may be to do with the earpiece. | :50:34. | :50:58. | |
Kenny will be celebrating his 80th birthday shortly. He's a great | :50:59. | :51:06. | |
character. He's got to get the cue ball out | :51:07. | :51:51. | |
around the pink spot area to leave that red and difficult to control | :51:52. | :51:56. | |
the shot when the ball is so close to the pocket. Play it with a little | :51:57. | :51:59. | |
bit of drag. He's played it nicely. Looks perfect to me. He has the | :52:00. | :52:23. | |
choice. He can play either cannon. APPLAUSE | :52:24. | :52:48. | |
He did exactly as you said. It has just brought the one red into | :52:49. | :52:52. | |
play. He has to look for another anning toll get another cannon. | :52:53. | :52:59. | |
The cannon into the three, you're better from the right side of the | :53:00. | :53:00. | |
table. It was like a little trick shot he | :53:01. | :53:21. | |
played there. Superb! Of course he was an eight-ball world | :53:22. | :53:27. | |
pool champion, so he does see shots that some of the other players | :53:28. | :53:33. | |
wouldn't see. Definitely a bonus. He obviously knew they were bringing | :53:34. | :53:37. | |
the first out. This will be 30. Three reds, three colours. Just as | :53:38. | :53:40. | |
we said that... Well amazing! He was probably well | :53:41. | :53:51. | |
ahead of himself there. He was thinking about getting an angle on | :53:52. | :53:55. | |
the blue. The three reds, tied up by the black | :53:56. | :54:00. | |
and took his concentration off that pot. | :54:01. | :54:13. | |
He hasn't got the angle to cannon into the reds. He'll have to play it | :54:14. | :54:18. | |
into the single red. No good leaving the black from this | :54:19. | :54:40. | |
side. Sdrau back for the blue here. | :54:41. | :54:47. | |
-- screw back for the blue here. Now play the cannon on to the three reds | :54:48. | :54:54. | |
and if this works out, the chance to maybe pinch the frame. | :54:55. | :55:33. | |
Just didn't quite get that last shot as he intend. -- intended. | :55:34. | :55:48. | |
Played it well. Ronnie's shot there, he's on the blue. He tried to get | :55:49. | :55:52. | |
the white into the gap there but he probably didn't quite get into it, | :55:53. | :55:54. | |
as he intended. Oh, he hit that so poorly that he's | :55:55. | :56:38. | |
left the red. He would not have left the reds at all. Just of across | :56:39. | :56:44. | |
that, slightly. Well, he's looking at the balls and he knows that he's | :56:45. | :56:47. | |
left the lot here. | :56:48. | :56:51. |