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that, slightly. Well, he's looking at the balls and he knows that he's | :00:00. | :00:00. | |
left the lot here. Has he got the angle? He needs to | :00:00. | :01:15. | |
get near the circle to roll the yellow in and get on the green. He | :01:16. | :01:20. | |
can't screw directly there, so he's going to have to be a bit careful. | :01:21. | :01:26. | |
A little bit further up the table, he could have just screwed the blue | :01:27. | :01:31. | |
in and got nicely on that. I mean, he could go between the | :01:32. | :01:35. | |
brown and pink, but how accurate would that have to be? | :01:36. | :01:39. | |
That's what he's done and he has hit the brown. It was the previous shot | :01:40. | :01:48. | |
that was the poor one. He'll have to get the snooker in now between the | :01:49. | :01:49. | |
green and brown. There's a little bit sticking out | :01:50. | :03:06. | |
and, I am just wondering, if he hits this thin enough and misses the | :03:07. | :03:11. | |
black, he would head back up the table. | :03:12. | :03:21. | |
Off the cushion and this a pretty good. | :03:22. | :03:43. | |
Oh, he is close. He is in. But I wonder, could it be a free ball? Now | :03:44. | :03:57. | |
then, Brendan Orr will put the white right at the edge of the D. Just to | :03:58. | :04:03. | |
check that he can hit both sides of it. No free ball. Great to see | :04:04. | :04:14. | |
Brendan doing his first world final. One of the best referees we have in | :04:15. | :04:21. | |
the game. And he is delighted. He has been talking about it for a | :04:22. | :04:23. | |
while. Looks like he is playing the snooker | :04:24. | :04:41. | |
the way he is cueing. I don't blame him for that at all. This wis the | :04:42. | :04:47. | |
green being where it is, I think Ronnie can get through the gap of | :04:48. | :04:50. | |
the green and the brown. Not bound to go right this one. So | :04:51. | :05:04. | |
Selby has a chance now the win the frame. | :05:05. | :05:16. | |
If he has the angle to screw this in anywhere near the white line or just | :05:17. | :05:23. | |
short of it and he would be perfect on the green. | :05:24. | :05:32. | |
He will be mighty relieved. And the parents delighted there. | :05:33. | :06:35. | |
It was so important for Mark Selby to take this frame. He lost the | :06:36. | :06:41. | |
first three and now he has won two in a row, but he still trails by one | :06:42. | :06:50. | |
frame. It is 3-2 to Ronnie. A reminder of the situation in the | :06:51. | :06:54. | |
world rankings now. Snooker is changing to a money list this season | :06:55. | :07:00. | |
coming from a points list. So it is Ding Junhui, Neil Robertson having | :07:01. | :07:06. | |
lost in the semi final last night gives up the number one shot to Ding | :07:07. | :07:12. | |
Junhui. But he could be overhauled were Mark Selby to win this final. | :07:13. | :07:16. | |
He would go back to world number one. Ronnie O'Sullivan can go up to | :07:17. | :07:23. | |
number three and he would be ?132 behind Neil Robertson. They have | :07:24. | :07:32. | |
already added the ?125,000 for Mark and Ronnie for having to got to this | :07:33. | :07:37. | |
final. You can see, Ronnie was world ranked number 33, shooting up this | :07:38. | :07:43. | |
new system. This will make a massive difference to the way players pick | :07:44. | :07:51. | |
and choose your events. Yes, It suits players like Ronnie, they can | :07:52. | :07:55. | |
play in the bigger events without having a lot of pressure to go to | :07:56. | :07:59. | |
the smaller vents. That will help the players down the list, because | :08:00. | :08:04. | |
what happens is those players that are struggling for money won't be | :08:05. | :08:08. | |
running into people like Ronnie O'Sullivan in the first round. It | :08:09. | :08:12. | |
has a knock on effect. So it is good for everyone. Do you think it is a | :08:13. | :08:16. | |
good move? I think it is brilliant. For the top players they can pick | :08:17. | :08:22. | |
and choose what they do. You can see from that money list what a | :08:23. | :08:28. | |
brilliant job they have done, there is plenty of players making a lots | :08:29. | :08:34. | |
of money. Well done, it is a proper circuit now. A few years ago we only | :08:35. | :08:41. | |
had six ranking tournaments. Now there will be almost 30. It is a | :08:42. | :08:47. | |
full-time job now. They have done a remarkable job. The next move will | :08:48. | :08:51. | |
be make it a one year list that comes in line with other sports. | :08:52. | :08:53. | |
That could well happen. Mark Selby breaking off in frame | :08:54. | :09:03. | |
six. A chance to get it back to 3-3. The key thing is he has now got a | :09:04. | :09:18. | |
foot hold in the match. He could have done without the kiss | :09:19. | :10:04. | |
on the green. He has left Ronnie a possible pot to the middle and he | :10:05. | :10:10. | |
can get himself up on to the black. Just looking at the situation. | :10:11. | :10:37. | |
In two shots time, as we show you this terrific pot, but look how he | :10:38. | :10:44. | |
controlled the cue ball. The red at the back of the bunch is available. | :10:45. | :10:48. | |
If he gets on that in such a way he can pot it and go into the bunch. | :10:49. | :11:01. | |
He has to make sure he doesn't finish on the cushion when he splits | :11:02. | :11:06. | |
the reds. Only really developed one red. One | :11:07. | :11:18. | |
black, two reds. Oh, this red goes at the left of the | :11:19. | :11:37. | |
bunch. And he is going to go into them again here. | :11:38. | :11:47. | |
He has left himself a delicate one here. He hadn't got the angle to | :11:48. | :11:54. | |
push through them, Willie, because he would have stuck on the reds on | :11:55. | :11:56. | |
that occasion. No, stretching, he was stretching a | :11:57. | :12:11. | |
bit there. And Mark's left with a situation here, as we show you the | :12:12. | :12:17. | |
stretch and put it on the near jaw. If he gets on the black here, if | :12:18. | :12:23. | |
Mark Selby gets on the black in such a way he can pot the black and then | :12:24. | :12:26. | |
scatter those reds. He is a bit unlucky for the white. | :12:27. | :12:53. | |
It is checked back as well. It was coming towards the blue and then | :12:54. | :12:58. | |
with all the side it took off the baulk cushion and checked back. That | :12:59. | :13:02. | |
is very unlucky. Just watch this. He gets so much side it has hit this | :13:03. | :13:09. | |
cushion and the natural angle, well, the side I just brought it towards | :13:10. | :13:11. | |
the green. I think he has played a good safety | :13:12. | :13:27. | |
shot there. I don't think he can get through to the potting angle of any | :13:28. | :13:33. | |
red and he has covered the right-hand side. The middle one will | :13:34. | :13:38. | |
pot. But he can't avoid the cannon on the black. | :13:39. | :13:56. | |
That is one of the best alternatives I have ever seen. What a shot he has | :13:57. | :14:05. | |
pulled out there! OK, look where the cue ball's finished, but talk about | :14:06. | :14:09. | |
a shot to nothing. What a pot. But if he had have missed it, look where | :14:10. | :14:11. | |
the white was. He needs to get to grips with this | :14:12. | :14:39. | |
match again. If he is straight he can run through for the black. | :14:40. | :15:03. | |
Nicely played that. This is where the game can be so tough. You have | :15:04. | :15:16. | |
to sit in your seat and you're the one who has opened all the reds up | :15:17. | :15:22. | |
and you watch your opponent pot the balls you brought into play. | :15:23. | :15:32. | |
He opened all those reds up, but he was unfortunate for the white to go | :15:33. | :15:35. | |
up the other end of the table. Like all the top break builders are, | :15:36. | :15:59. | |
it is probably up there with the best of all time, all those kisses | :16:00. | :16:05. | |
they play to slow the cue ball down. The next four or five blacks don't | :16:06. | :16:09. | |
seem a problem. A quick glance at the score board to | :16:10. | :17:17. | |
see how many he needs. Another two or three pots should secure the | :17:18. | :17:18. | |
frame. I think an important frame for | :17:19. | :17:29. | |
Ronnie to stop the mini-come back. Because Mark was getting stronger. | :17:30. | :17:45. | |
The best thing you can do is keep your opponent in his seat when he is | :17:46. | :17:50. | |
hitting top form again. Yellow's the only ball he can pot | :17:51. | :18:04. | |
here. He is 55 in front. So if he pots the yellow, he still needs one | :18:05. | :18:06. | |
more red. He knew the pink or blue would leave | :18:07. | :18:19. | |
Mark needing a snooker. Safely in. And this looks pretty | :18:20. | :18:34. | |
good, unless he lands tight on this red. No, he is fine. Good shot with | :18:35. | :18:42. | |
the rest. Yes it was important. Waiting for the cue ball to be | :18:43. | :18:58. | |
cleaned. It is amazing how good Ronnie is with the rest. He plays | :18:59. | :19:02. | |
most of his shots left-handed. This time he has lost the cue ball. | :19:03. | :20:04. | |
He tried to leave an angle on the red. | :20:05. | :20:08. | |
Well no century this time, but Ronnie O'Sullivan has established a | :20:09. | :20:15. | |
two-frame lead. More than enough to take him into that two-frame lead at | :20:16. | :20:22. | |
4-2. So much composure and calmness. The old unpredictability of the past | :20:23. | :20:27. | |
seems to be a thing of the past! He just looks in control and willing to | :20:28. | :20:32. | |
fight when things don't go his way. He was buzzing around the table and | :20:33. | :20:38. | |
it was an important frame. A couple of lambses -- lapses of | :20:39. | :20:42. | |
concentration. He steadied the ship. The opening red, when he was in | :20:43. | :20:47. | |
trouble, there is no doubt. Look at this shot. He was in trouble, | :20:48. | :20:51. | |
because he can't see the reds on the right. He picks out the shot and the | :20:52. | :20:59. | |
lads in commentary were baffled. Two frames in a row where he took on | :21:00. | :21:02. | |
something we didn't see and wouldn't have expected him to go for. And you | :21:03. | :21:09. | |
have to get enough on it and not too much. He will be delighted to get | :21:10. | :21:16. | |
that. He should have been 4-0 at the interval and it was important to | :21:17. | :21:20. | |
re-establish himself. Ronnie said Mark is the best competitor on the | :21:21. | :21:26. | |
tour. He must be mindful of his fighting capabilities. Yes they say | :21:27. | :21:31. | |
when you're behind you never give up. But when you're ahead you never | :21:32. | :21:36. | |
let up. He is trying to enforce that every time he gets in he wants to | :21:37. | :21:41. | |
win the frame in one visit and keep Mark Selby under pressure. Mark | :21:42. | :21:45. | |
Selby is one of the toughest match players you will ever see. And not | :21:46. | :21:52. | |
short of self belief. He has been. He said he looked confidence. Right | :21:53. | :21:56. | |
now. Not at the moment now. But the difference when Ronnie is he is | :21:57. | :22:03. | |
scoring and winning in one visit. He is clinical so far. | :22:04. | :22:13. | |
Two more frames to be played in this first session. | :22:14. | :22:27. | |
This looks as if it could be a snooker. Not that he was playing to | :22:28. | :22:35. | |
get up behind the green. He was playing for the cushion. | :22:36. | :22:54. | |
The crowd really do get involved here at the Crucible. They were all | :22:55. | :22:58. | |
urging that white on. It is a fabulous theatre. We keep | :22:59. | :23:16. | |
saying it, but coming here since 1977. It would be a brave map who | :23:17. | :23:24. | |
made the decision to take snooker away from the Crucible. And if | :23:25. | :23:28. | |
you're a fan, once before you consider not watching any snooker, | :23:29. | :23:33. | |
you must come to the Crucible to see that atmosphere. | :23:34. | :23:42. | |
I was except Taiting on an -- commentating on an earlier match and | :23:43. | :23:50. | |
Mark Allen was talk about that he said he won if World Championship -- | :23:51. | :23:57. | |
the World Championship he would want to win it here and not anywhere | :23:58. | :23:59. | |
else. Well tinge crowd know that was | :24:00. | :24:14. | |
nowhere near. -- well, I think the crowd knew that was nowhere near. | :24:15. | :24:18. | |
There is no point in putting this back. | :24:19. | :24:28. | |
He is one of the best in the game at that type of shot, isn't he? If that | :24:29. | :24:55. | |
shot was eight hours again it would have gone in when he was playing | :24:56. | :25:02. | |
Robertson. It is such a high standard of play. I think sometimes | :25:03. | :25:05. | |
you can probably expect to pot them a bit too much. He is on such a high | :25:06. | :25:10. | |
as he went to bed last night and probably didn't sleep very well. You | :25:11. | :25:14. | |
come back and expect to knock everything in. Well, it is a | :25:15. | :25:18. | |
brand-new day. Foul and a miss. Could be a free | :25:19. | :26:28. | |
ball this. Free ball. So if Ronnie wanted, he could pot, well you would | :26:29. | :26:35. | |
think the brown would be the easiest pot as his free ball. He would get | :26:36. | :26:40. | |
one point for that and play himself on to a colour. | :26:41. | :27:13. | |
He stunned it in, if he rolled the brown in he could have left the red | :27:14. | :27:22. | |
to the left of the pink. That was an example of how you can beat a 147 | :27:23. | :27:27. | |
break with a free ball at the start of a frame. Jamie Burnett from | :27:28. | :27:37. | |
Scotland made a break of 148. That is how he achieved it. | :27:38. | :27:51. | |
He would have loved to have played that safety shot thicker. If he | :27:52. | :27:57. | |
plays it harder he would have pushed the red over the corner. That is the | :27:58. | :28:01. | |
why he played it very thin. He hasn't got the best of whites. | :28:02. | :28:30. | |
He might just have got away with this. I don't know whether that red | :28:31. | :28:37. | |
cuts into the middle. It is quite a thin one. Mark is looking at it, but | :28:38. | :28:40. | |
I think it is too thin. This what is happened. He hit it | :28:41. | :29:02. | |
coming back and not intended. But that red just kept on going. | :29:03. | :29:11. | |
It mustn't cut in, because Mark would already have played it. | :29:12. | :29:22. | |
From here it looks like it does. Let's have a look with Hawk-Eye. I | :29:23. | :29:31. | |
know it is very thin. He is not going to play it. He is looking at | :29:32. | :29:37. | |
an alternative safety. He has taken over a minute studying this. | :29:38. | :30:21. | |
You have to give Mark congratulations. Oh, thifs is | :30:22. | :30:28. | |
rolling up -- this is rolling up a bit! Well, how costly is that going | :30:29. | :30:33. | |
to be, he is on the the red at the back of the bunch. Let's look at | :30:34. | :30:40. | |
this again. It looks OK there. Maybe just drifted a fraction. But maybe | :30:41. | :30:44. | |
he got a slight bit of unwanted side. | :30:45. | :30:52. | |
That is nicely controlled. The only thing is does the black go on its | :30:53. | :30:59. | |
spot. He is looking there. If not. I don't think the pink spot's | :31:00. | :31:04. | |
available. That is a bit tight. The referee will have to get his ball | :31:05. | :31:06. | |
marker out and check that. You can't have it checked before you | :31:07. | :31:19. | |
pot the colour. You have to use your discretion. He will be hoping it | :31:20. | :31:25. | |
won't go on the spot. There is loads of room. | :31:26. | :31:37. | |
Similar to Ronnie a few frames ago, he will be looking at getting the | :31:38. | :31:45. | |
angle on the blue and there is a plant on the two reds to the back of | :31:46. | :31:47. | |
the pack. Wouldn't mind this going on the | :31:48. | :32:06. | |
brown spot and he can take an extra seven points where it being up | :32:07. | :32:07. | |
there. Just looking at that pack, he | :32:08. | :32:38. | |
already glanced at it a few shots ago. | :32:39. | :32:42. | |
There might be a red that will hit another red and go towards this | :32:43. | :32:49. | |
right corner pocket. That is what he is looking at now. If I hit this | :32:50. | :32:58. | |
hard, would it plant a red off. Those three reds. | :32:59. | :33:12. | |
Well, he didn't quite get that as he intended. | :33:13. | :33:17. | |
A bit unlucky to finish there once he hit the cannon. He hit it full-on | :33:18. | :33:27. | |
but it seemed to just stick on that red. | :33:28. | :34:08. | |
REFEREE: Foul. Mark Selby, four. Mark just getting the better of the | :34:09. | :34:20. | |
tactical exchanges at the moment. He had to play that with a lot of side | :34:21. | :34:25. | |
but just caught it a bit thicker than he intended. | :34:26. | :34:36. | |
I think if we get a few tactical frames, I think Mark may come out on | :34:37. | :34:43. | |
top on those. I know Ronnie is one of the best safety players in the | :34:44. | :34:47. | |
game but he likes to get in amongst the balls and get on with it but at | :34:48. | :34:53. | |
the moment Mark's quite content for the games to be a little awkward. | :34:54. | :35:00. | |
Yes, just before that mistake in the previous frame I was about to say | :35:01. | :35:04. | |
you have to give credit to Mark Selby, struggling out there at the | :35:05. | :35:08. | |
moment and having that high break earlier of 37, a slight chance now, | :35:09. | :35:15. | |
a chance of getting back to 3-4. -- 4-3. He needs to play this a bit | :35:16. | :35:23. | |
powerfully T only pots off the left-hand jaw. -- it only pots off | :35:24. | :35:29. | |
the left-hand jaw. Not a lot of room there. He is probably not guaranteed | :35:30. | :35:31. | |
getting the right side of the blue. I tell you what, Willie, that shot | :35:32. | :35:46. | |
he potted in the pocket, there was very little room for it to go. We | :35:47. | :35:50. | |
see the cue ball head on to the cushion, the last place he wanted | :35:51. | :35:52. | |
it. That would only just go and he | :35:53. | :36:04. | |
hammered it in. Great judgment but this is difficult. | :36:05. | :36:11. | |
Very difficult. It was the shot before, Denis, the blue. Somebody of | :36:12. | :36:17. | |
Mark's class, he would have been distraught to see that cue ball | :36:18. | :36:20. | |
glued to the cushion. This is the blue Willie was talking | :36:21. | :36:51. | |
about. He played it with topspin. A lot of margin for error. The last | :36:52. | :36:58. | |
place he wanted to see it finish. Meanwhile Ronnie is having it take | :36:59. | :36:59. | |
the more difficult pink. -- to take the more difficult pink. | :37:00. | :37:11. | |
Now, then, a little ragged this frame. Only one colour on its spot, | :37:12. | :37:18. | |
the black. Is this a plant? No, no plant. Well, that's even tighter | :37:19. | :37:23. | |
than the previous one, Willie. I was was going to say exactly that. It | :37:24. | :37:27. | |
looks identical. Obviously a different place but he can certainly | :37:28. | :37:31. | |
see as much of the pocket as he did on the previous one. He hammered | :37:32. | :37:35. | |
that in but this is further away from the cue ball. Where is the | :37:36. | :37:39. | |
position? He will have to screw back off the reds and get up towards the | :37:40. | :37:41. | |
pink. It was all about the pot. Another | :37:42. | :38:00. | |
cracking pot. A lot of people in the Crucible here couldn't see how tight | :38:01. | :38:04. | |
that was. They may have looked at the television screens. Almost | :38:05. | :38:09. | |
identical to the previous pot, wasn't it? | :38:10. | :38:19. | |
If he was straight on the red he could drop it in and leave the pink. | :38:20. | :38:50. | |
That's one instance where the kick probably helped it slightly. It took | :38:51. | :38:58. | |
the pace out of the cue ball. You don't mind. Not often you say that. | :38:59. | :39:03. | |
I have never seen a good kick before but that was one. Not too sure | :39:04. | :39:09. | |
whether he has a good angle on the pink. He can screw back off the two | :39:10. | :39:17. | |
cushions to get to the red that's nearest his hand. That's what he has | :39:18. | :39:19. | |
played. Watch the cue ball. He wanted to go around the back of | :39:20. | :39:31. | |
it and he did. This is why I call him sat-nav Selby. Look at that, | :39:32. | :39:35. | |
finding the way around the back of that red. | :39:36. | :39:45. | |
Well, he was intending to kiss the black away there. If that had worked | :39:46. | :39:55. | |
it might have been a way to win the frame. A thin clip on the brown, | :39:56. | :40:00. | |
that's probably a good a choice as anything, isn't it? it? P good to | :40:01. | :40:03. | |
me. This is the shot where he was trying | :40:04. | :40:55. | |
that delicate cannon there. Is old Hawk-Eye again. One of these days he | :40:56. | :40:57. | |
will mess up. Well, look at that for a pot. What a | :40:58. | :41:13. | |
great pot it was. He knew if he knocked this in, he would get Ronnie | :41:14. | :41:15. | |
in all sorts of trouble. He needed to get as close as | :41:16. | :41:35. | |
possible leaving Ronnie no cushions. . He will play the one directly | :41:36. | :41:39. | |
behind the black off the three curbs but if he kisses it half ball he'll | :41:40. | :41:42. | |
leave the red along the cushion. Didn't go anywhere near where he | :41:43. | :41:55. | |
wanted it to then. REFEREE: Foul and a miss. Mark Selby, four. | :41:56. | :42:13. | |
I think he is just looking to see if he could hit. He definitely could | :42:14. | :42:19. | |
hit the line. Maybe my first line is a little bit out. | :42:20. | :42:30. | |
He is looking at the spot where he hit. My first part of the line is | :42:31. | :42:35. | |
slightly out but that's what he is after and as Willie said, if he | :42:36. | :42:40. | |
doesn't catch the red correctly, he'll leave the other red. So he | :42:41. | :42:42. | |
will have to be absolutely spot-on. REFEREE: Foul and miss. If he misses | :42:43. | :42:59. | |
it next time, he'll need snookers. Can he make the adjustment. Let's | :43:00. | :43:26. | |
have a look. Somewhere there with a little bit more side would get him | :43:27. | :43:30. | |
there? He has done the same again, I think. If it runs on - oh, it is | :43:31. | :43:34. | |
going to be the black, if it reaches. As you said, Willy, and it | :43:35. | :43:39. | |
is a free ball, by the looks of it. REFEREE: Foul. Mark Selby four. Not | :43:40. | :43:48. | |
even a free ball. Maybe not. Maybe he can hit the red closest to the | :43:49. | :43:50. | |
corner pocket but... He couldn't have the balls replaced, | :43:51. | :44:08. | |
because he now needs snookers. He has taken the option of putting | :44:09. | :44:13. | |
Ronnie back into play from there. I am I'm surprised Mark put it back | :44:14. | :44:16. | |
into bat there. Should Mark go on to win this frame, | :44:17. | :44:50. | |
it would be 4-3 and he still hasn't made a break-up of 37. Amazing. He | :44:51. | :44:56. | |
hasn't won this frame yet because he could be snookered here. | :44:57. | :45:04. | |
It's OK, but he wanted to get tight in behind the green and yellow. | :45:05. | :45:18. | |
There is an easy escape route for Mark Selby. Although looking at | :45:19. | :45:22. | |
things, he has to be careful he doesn't leave Ronnie in amongst the | :45:23. | :45:25. | |
reds because if he can take three reds, three blacks, he is right back | :45:26. | :45:29. | |
in this frame, he only needs one snooker. I mean there is no way he | :45:30. | :45:32. | |
is going to not escape from this. 'S concerned he doesn't leave Ronnie | :45:33. | :45:47. | |
the chance to pot the three reds and blacks . | :45:48. | :46:01. | |
He doesn't necessarily have to get all blacks. He could take a pink | :46:02. | :46:07. | |
with one of these reds which is what he has played for. | :46:08. | :46:42. | |
I have a funny feeling he tried to bring the black into play there. | :46:43. | :46:59. | |
48 behind. 43 on the table. That means he now needs two snookers. | :47:00. | :47:05. | |
That was why it was so important that he got the black into play when | :47:06. | :47:07. | |
he tried to just flick it out. Just reckoning the score up but he | :47:08. | :47:27. | |
definitely needs two snookers, if he pots the pink. The frame is over if | :47:28. | :47:29. | |
he misses this. And as has been said - "There's | :47:30. | :48:11. | |
always a gap." And because of that gap, Denis, he can possibly get the | :48:12. | :48:15. | |
white in behind green and yellow, here. | :48:16. | :48:28. | |
No, he couldn't see all of t the right-handside of it. Ronnie | :48:29. | :48:37. | |
reluctant to pot the red because it is not easy to get safe from there. | :48:38. | :48:42. | |
Two snookers needed and he with a like to keep the red on. | :48:43. | :48:50. | |
He needs to get right up close to the yellow if he takes the red on. | :48:51. | :49:16. | |
He is' decided to do that, it doesn't matter if he takes the pink, | :49:17. | :49:21. | |
he still only needs two snookers. So important he gets the cue ball where | :49:22. | :49:23. | |
he wants to here. Well a little wry smile as he walked | :49:24. | :49:45. | |
away, he knew he mis-hit it. But they weren't in a perfect position, | :49:46. | :49:47. | |
the yellow and green, as they were. APPLAUSE | :49:48. | :50:08. | |
It's been a rather awkward frame this. A lot of tactical play because | :50:09. | :50:13. | |
of the play the balls were. Ronnie is just having a think but you would | :50:14. | :50:20. | |
expect him to concede. REFEREE: And the frame. Mark Selby's highest | :50:21. | :50:25. | |
break is still only 37 but he is playing good match snooker out | :50:26. | :50:31. | |
there. He is just one behind, 4-3 to Ronnie O'Sullivan. | :50:32. | :50:32. | |
? STUDIO: A very important last frame | :50:33. | :50:36. | |
coming up of this session. I can assure you, it won't be a slow | :50:37. | :50:40. | |
frame. One of the reasons why it won't, Ronnie O'Sullivan is a | :50:41. | :50:43. | |
catalyst in making frames quick. If we look at this bit of analysis of | :50:44. | :50:48. | |
Ronnie O'Sullivan playing a safety shot from earlier on in that frame | :50:49. | :50:53. | |
and that was a scrappy frame. If you remember going back in the frame, | :50:54. | :50:56. | |
Mark Selby tried to come off the side Cousin and left the cue ball | :50:57. | :51:01. | |
short a foul and a miss. What can Ronnie O'Sullivan do? Well, he can | :51:02. | :51:04. | |
put him back again, that slows things down, or, what he could do is | :51:05. | :51:09. | |
play the thin safety shot off the side of the pack. Cue ball down the | :51:10. | :51:12. | |
table into that area. Also, just shifting a few reds, not too far t | :51:13. | :51:18. | |
wouldn't disturb the pack that much. But what Ronnie O'Sullivan did, was | :51:19. | :51:23. | |
an aggressive safety shot, trying it make something happen, splitting the | :51:24. | :51:27. | |
reds as quickly as he could. In this instance, he left Mark Selby a pot. | :51:28. | :51:32. | |
But it forces the issue, makes his opponents go for shots, opens the | :51:33. | :51:38. | |
reds up and makes the game more attacking. | :51:39. | :51:43. | |
I couldn't agree with Steve more, that's the way Ronnie O'Sullivan | :51:44. | :51:49. | |
likes to play. But to win three frames with a high break of 37, | :51:50. | :51:53. | |
shows you what a great match player Mark Selby is. We know he has a | :51:54. | :51:58. | |
chance to level at 4-4. Can you imagine that, O'Sullivan has | :51:59. | :52:01. | |
dominated the session and Selby could come out 4-4. It might happen. | :52:02. | :52:25. | |
He had to play that with quite a bit of right-handside. It probably | :52:26. | :52:31. | |
caused him to miss the pot but he had to make sure he got around the | :52:32. | :52:34. | |
back of the black and reds. They are the ones he was potting | :52:35. | :53:10. | |
virtually every time last night. He knows the red above the black pots. | :53:11. | :53:13. | |
That was a good pot. 9'3" the total length and right into | :53:14. | :53:24. | |
that pocket. Too hard. End of break. I think he | :53:25. | :53:39. | |
thought he might just cannon that red there, the way he was looking | :53:40. | :53:43. | |
and he would have been on that red that you mentioned, to the right of | :53:44. | :53:47. | |
the black. But it slipped past the red he was hoping to cannon. | :53:48. | :53:56. | |
That angle he did take, if he play was more pace he can come off the | :53:57. | :54:06. | |
cushion to that. He must have slightly misjudged the cannon there, | :54:07. | :54:11. | |
or the angle it took. Once again a very poor safety from Mark. He | :54:12. | :54:14. | |
hasn't got anywhere near the baulk cushion. He found the baulk cushion | :54:15. | :54:23. | |
nearly every shot as did Robertson yesterday. All of a sudden Ronnie | :54:24. | :54:26. | |
has now gone to sleep a little. Concerned about pushing a red over, | :54:27. | :54:55. | |
as you can see, you can see what happens. Steve was talking about the | :54:56. | :54:59. | |
way Ronnie plays thick safety shots. Ronnie would be playing the red at | :55:00. | :55:03. | |
the top of the pack. Mark is taking the thin one on, which, of course, | :55:04. | :55:08. | |
hardly moves anything into play. Once again, he has caught a baulk | :55:09. | :55:12. | |
colour much this is very unlike Selby. It really is. | :55:13. | :55:17. | |
He has done so well to win three frames, the way he has played. | :55:18. | :55:25. | |
Well, he is looking at a shot, if he takes it on, there is a pot but such | :55:26. | :55:33. | |
a small gap to go through. I think he'll settle for the safety but | :55:34. | :55:38. | |
sometimes when he gets in a mood, he is lacking at it now. No, he is | :55:39. | :55:42. | |
playing a thin safety, I think, surely. | :55:43. | :55:50. | |
But, he did look at a very, very difficult shot. I think that's a | :55:51. | :55:54. | |
better choice. His focus throughout throughout this | :55:55. | :56:10. | |
year's World Championship, I can't remember him playing a bad shot. | :56:11. | :56:16. | |
Sometimes he takes shots he shouldn't really have taken on, he | :56:17. | :56:20. | |
hasn't done that and that's why he is here going for his hat-trick of | :56:21. | :56:23. | |
world titles. That's not the best, much too thick | :56:24. | :56:45. | |
on that one. It might be another awkward frame. Look at the back with | :56:46. | :56:47. | |
those four reds there. If he takes this up into the corner, | :56:48. | :57:00. | |
this will be a test of his cueing. It looks to be just off straight. He | :57:01. | :57:06. | |
needs to push that cue through in a fairly straight line. | :57:07. | :57:15. | |
No! Maybe somebody upstairs in the champions lounge, watching that | :57:16. | :57:26. | |
shot. If that red had of went across the cushion and in, that was how the | :57:27. | :57:34. | |
first maximum shot was made at the Crucible by Cilff Thorburn. He | :57:35. | :57:45. | |
created history after that. Maybe lost a bit of focus at the moment. | :57:46. | :57:48. | |
This is the last frame of this session. As we said earlier, if Mark | :57:49. | :57:55. | |
Selby gets out of this 4-4, he will be absolutely over the moon. Yes, if | :57:56. | :57:59. | |
he can pot this, he will play into the bunch of reds. OK, there is no | :58:00. | :58:03. | |
need to bring reds into play. But play it firm, bring them into play. | :58:04. | :58:08. | |
The play has had a commission, there is every chance it hit on a pink or | :58:09. | :58:12. | |
baulk colour. If he plays it with side to get a gap, he makes the pot | :58:13. | :58:20. | |
harder. Playing side, it is straight into that bunch. That's what he has | :58:21. | :58:24. | |
done and it is unlucky. It was worth the risk. It really was and he knows | :58:25. | :58:31. | |
it. But now, Denis, how does he get safe? Well, I think he is going to | :58:32. | :58:35. | |
have to just play - well, the red has gone up the other end of the | :58:36. | :58:37. | |
table. It's the worst-possible outcome. To | :58:38. | :58:49. | |
land on a colour with the red up the other end of the table makes it | :58:50. | :58:53. | |
difficult and if he played to land on the blue, he would leave a pot to | :58:54. | :58:59. | |
the right, corner pocket. He could maybe run to the black but he would | :59:00. | :59:03. | |
need a lot of help to reach it, to bridge over those four reds. That's | :59:04. | :59:05. | |
what he is thinking about now. If he tries to come off the side | :59:06. | :59:18. | |
cushion and hit the yellow, he has the red up the other end of the | :59:19. | :59:24. | |
table he can leave. What a situation that Mark Selby is faced with, here | :59:25. | :59:27. | |
. If anyone can find his way out of a | :59:28. | :59:36. | |
situation like this, you would have to say it is Mark Selby, but how is | :59:37. | :59:39. | |
he going to do it? If he could land full ball on the | :59:40. | :59:59. | |
green, he could do that. So he is going to have to play this with lots | :00:00. | :00:04. | |
of side. If he slips past it, he leaves the red. | :00:05. | :00:12. | |
It's a great attempt. He has still left a possible pot, though. He was | :00:13. | :00:21. | |
trying to get it right on top of the green there, full ball and this red | :00:22. | :00:26. | |
wouldn't have been available for Ronnie. The same scenario, he had no | :00:27. | :00:32. | |
option but to play into the bunch of reds into the pink, Ronnie, if he | :00:33. | :00:36. | |
takes this on, has no option but to play into the three reds near the | :00:37. | :00:37. | |
black. Testy moments for him, he has not | :00:38. | :00:50. | |
been doing well. Has he got good fortune? Not this time. | :00:51. | :00:55. | |
I think ECU at the yellow. The red won't be in his way. -- he can cue | :00:56. | :01:09. | |
at the yellow. -- this is just as difficult as the red he has knocked | :01:10. | :01:10. | |
in. At first glance, where he has | :01:11. | :01:31. | |
finished is not that bad. A red to the right of the black cuts in. The | :01:32. | :01:35. | |
one near the left corner is difficult with the rest. He had a | :01:36. | :01:41. | |
bit of a result there, had Ronnie. This is the result that Denis was | :01:42. | :01:47. | |
talking about. Once you miss a yellow, you are entitled to miss the | :01:48. | :01:52. | |
red on but Ronnie has just gone into his shot at the moment, struggling. | :01:53. | :02:13. | |
. I can only presume Mark Selby can stun this in and finish on the pink. | :02:14. | :02:22. | |
A tough pot. The cut looks as easy as this one. | :02:23. | :02:35. | |
Where is the red going? Right over the hole. He has left it. | :02:36. | :02:49. | |
Not a straightforward positional shot as we show you that red almost | :02:50. | :02:58. | |
go into the pot he attempted. To get away from that angle with the cue | :02:59. | :03:01. | |
ball, he has to get mrentedive action on this. | :03:02. | :03:08. | |
He has -- plenty of action on this. And he has, I can tell you. To get | :03:09. | :03:18. | |
that white up there after that was excellent. | :03:19. | :03:23. | |
The pause and then delivering the cue, there is not a great deal of | :03:24. | :03:29. | |
players that can create that amount of cue power to play that shot. | :03:30. | :04:04. | |
He will concentrate on pink and blue for a few shots. He is going through | :04:05. | :04:12. | |
a spell where he has not got complete control of the cue ball. | :04:13. | :04:35. | |
Just using the reds to try and slow the cue ball down. But he is faced | :04:36. | :04:42. | |
with a tricky one. It still pots though. | :04:43. | :04:56. | |
That is good from that position. Awkward cueing and to judge that | :04:57. | :05:09. | |
cutback, he has given himself a great chance now. | :05:10. | :05:19. | |
Over two days, four sessions, you set yourself targets, you want to | :05:20. | :05:25. | |
win the little mini-sessions 3-1. The chance is there for Ronnie to | :05:26. | :05:44. | |
get out of this with a 5-3 advantage. | :05:45. | :06:00. | |
It is not a straight forward run to the winning line in this frame. That | :06:01. | :06:09. | |
little triangle of reds, well one at the back will be available | :06:10. | :06:10. | |
eventually. A nice little cannon here when | :06:11. | :06:23. | |
potting the pink will develop both these reds. | :06:24. | :07:01. | |
There is a 10% difference in the pot success rate, because Mark's not | :07:02. | :07:08. | |
been scoring heavily at all when he gets in the balls. If you said after | :07:09. | :07:18. | |
eight breaks you would only make one break over 30. | :07:19. | :07:26. | |
Can you believe that? A chance to get back level at 4-4 going into | :07:27. | :07:42. | |
tonight's session. I don't think anyone seen that coming. | :07:43. | :07:55. | |
Now he has got an angle on the pink here. | :07:56. | :08:04. | |
He can play for red at the back next to the black. Well, he has finished | :08:05. | :08:13. | |
on that one. In fact it has flicked the black out. | :08:14. | :08:20. | |
He could finish on the black here possibly. All of a sudden, the roles | :08:21. | :08:30. | |
are reversed here. Ronnie O'Sullivan can just sit and, | :08:31. | :08:54. | |
well, he is helping that something can go wrong. | :08:55. | :09:00. | |
But Mark Selby looks fully focussed. He didn't expect this chaps and he | :09:01. | :09:07. | |
is going -- chance and he is going to grab it here. | :09:08. | :09:15. | |
No problem getting on that red. That is to the right of the cue ball. | :09:16. | :09:25. | |
He would like to leave an angle on this red to screw up for the blue or | :09:26. | :09:34. | |
baulk colour off this last red and he has got that. | :09:35. | :09:53. | |
Has he got the correct angle to screw back? He is going to miss the | :09:54. | :09:59. | |
middle pocket. Watch the white hen it hits the | :10:00. | :10:09. | |
cushion. Oh, this is a great shot. Needs to pull up. He has maybe hit | :10:10. | :10:14. | |
it too well. He has hit it too well. That is amazing. Amazing. So another | :10:15. | :10:23. | |
twist to this final frame. I'm surprised he could pot the pink and | :10:24. | :10:28. | |
hit the cushion. Look at the angle on the pink. He could only get two | :10:29. | :10:34. | |
inches past the jaws of middle pocket. | :10:35. | :10:41. | |
He got too much reverse side on to that. What a shot he is faced with | :10:42. | :10:47. | |
here. That is the all he could do with | :10:48. | :11:08. | |
this one. The highest break of the match so far and it is only 38. | :11:09. | :11:16. | |
Could he get out of this session 4-4? | :11:17. | :11:29. | |
He nearly pushed that red on and left a straight pot for the middle. | :11:30. | :11:47. | |
How is the length with this? Looks pretty good. | :11:48. | :12:10. | |
There was always room around the back of that. Mark will have this | :12:11. | :12:23. | |
replaced. I think the green was on its spot. It might have been just | :12:24. | :12:32. | |
off the spot. Yeah, just below the spot there. Looks pretty good. | :12:33. | :12:45. | |
That red is far away enough from the cushion to make this not a straight | :12:46. | :12:51. | |
forward escape. Well, he will settle for the | :12:52. | :13:04. | |
outcome. You never really know where they're going to go, but that will | :13:05. | :13:06. | |
do nicely, thank you very much. It is a very difficult safety shot, | :13:07. | :13:26. | |
because the double-kiss is on. Why would you play this? Would you play | :13:27. | :13:30. | |
it thick and leave the white at this end? If he plays the thin one, he | :13:31. | :13:37. | |
can send it across and back over behind the black. But he would have | :13:38. | :13:42. | |
to be so accurate to that, because he could cannon into the ink. -- | :13:43. | :13:47. | |
pink. I think the red is just slightly off the cushion. So he will | :13:48. | :13:48. | |
have to be spot on with this. Oh, he has got the double-kiss. | :13:49. | :14:08. | |
Where is the red going? Well, absolutely amazing. What a fluke! | :14:09. | :14:13. | |
You could hear the clears from the Selby supporters and the groans from | :14:14. | :14:27. | |
the Ronnie O'Sullivan supporters. It is amazing, the tension of a final | :14:28. | :14:34. | |
frame of a session, amazing. Mark maybe should have given himself a | :14:35. | :14:36. | |
few more seconds there. If he had been playing really great | :14:37. | :14:56. | |
that would have cost him the frame, he would have been more distraught. | :14:57. | :15:02. | |
The fact he has got out of this session, if Ronnie clears, by only | :15:03. | :15:10. | |
losing five frames. It is hard to put it into perspective. | :15:11. | :15:21. | |
He will be pleased with 5-3. Luckily the black is where it is. | :15:22. | :15:34. | |
Rrn started brilliantly, breaks of 69 and 102. | :15:35. | :15:44. | |
He will be pleased now to have won the third session by two frames. | :15:45. | :15:53. | |
Mark Selby got back into the match, but he still trails by 5-3. What a | :15:54. | :16:03. | |
first session of this year's final. And we are just drawing breath, | :16:04. | :16:08. | |
because for all of his brilliance early on, he only manages to come | :16:09. | :16:13. | |
out two frames in front. That was a fighting performance from Selby. Yes | :16:14. | :16:18. | |
and that is way he can beat Ronnie. He is not going to outpot him or | :16:19. | :16:23. | |
outbreak-build him. But he can get to him. He has called him the | :16:24. | :16:29. | |
torture in the past. But how crucial will that ball be? At 4 will have 4, | :16:30. | :16:36. | |
he would -- at 4-4, he would have been so happy to be 4 will have -4. | :16:37. | :16:49. | |
He will still be happy. I don't so. I said if he got out of it 5-3 he | :16:50. | :16:58. | |
would be happy, but he has missed a sitter. You would have offered him | :16:59. | :17:02. | |
5-3 and he would have gone yeah, but I think he will be kicking himself. | :17:03. | :17:08. | |
We naught it was a runaway, Ronnie 3-0 up, but this could be a proper | :17:09. | :17:15. | |
test. Well that frame swings it back into Ronnie's favour. He was out of | :17:16. | :17:19. | |
sorts for a couple of frames, making misses and bad safety shots. Well | :17:20. | :17:26. | |
that is act one. We will all draw breath and get ready for act two. We | :17:27. | :17:32. | |
will be back in time for a quick bite to eat at 7 o'clock. We will | :17:33. | :17:37. | |
have nine more frames to play this evening. I hope you have enjoyed the | :17:38. | :17:42. | |
first installment of this final. So much more to come. For now, it is | :17:43. | :17:46. | |
goodbye. | :17:47. | :17:49. |