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Hello, it is Easter Monday and I hope that you can share some of that | :00:33. | :00:37. | |
with us, like all these lovely people here in the Winter Gardens, | :00:38. | :00:41. | |
because just like your chocolate eggs at the weekend, the World | :00:42. | :00:45. | |
Championship is fund rolling. This is the first Monday of three Mondays | :00:46. | :00:49. | |
here in Sheffield, because two weeks today we will be getting ready for | :00:50. | :00:53. | |
the last couple of sessions of the final itself. Ken Doherty will be | :00:54. | :00:58. | |
there for the final, but whether he is actually playing and it is a moot | :00:59. | :01:02. | |
point. However, he still has a chance, you know. | :01:03. | :01:25. | |
I am relishing every moment here. When I came out I kissed the carpet, | :01:26. | :01:31. | |
the last time I was here I did that, because you never know when you are | :01:32. | :01:35. | |
going to be back here. You have to relish and enjoy every moment you | :01:36. | :01:38. | |
are here, and that is what I am doing. | :01:39. | :01:45. | |
Ken looks very focused. This will be four frames in a row if he can take | :01:46. | :01:48. | |
it, and that would really give Stuart Bingham a lot to think about. | :01:49. | :01:53. | |
No, no... Yes! It is in! What a comeback this has been. | :01:54. | :02:02. | |
I was getting quite emotional at the end. | :02:03. | :02:05. | |
I was starting to fill up a little bit and I was trying to keep my | :02:06. | :02:09. | |
composure, to get over the line, because you are never over. Until I | :02:10. | :02:14. | |
hit the Q I wasn't certain, I could not pot that last red at the end. | :02:15. | :02:22. | |
I will just respected and enjoyable than I did seven or eight years ago. | :02:23. | :02:26. | |
I don't know where those years have gone, but it is a special place, the | :02:27. | :02:32. | |
crowd, they give a wonderful alterations and welcome, and that is | :02:33. | :02:35. | |
why the players love playing here. There is no atmosphere like it. I | :02:36. | :02:41. | |
said to Taylor, you should take your cue out of its case and make a | :02:42. | :02:47. | |
comeback! I gave 100% and I am just loving | :02:48. | :02:54. | |
every minute of it. I am nice and relaxed and I will relish every | :02:55. | :02:55. | |
frame and ball that I pot. I have had some great moments here, | :02:56. | :03:11. | |
as well, and this is definitely one of them. You know, to comeback after | :03:12. | :03:18. | |
sort of being in the doldrums, you would say, for the last few years, | :03:19. | :03:23. | |
and not really performing like I should do, it is great to produce | :03:24. | :03:27. | |
some good snooker and it is such a relief. | :03:28. | :03:33. | |
What a performance! And the first time for eight years that Ken has | :03:34. | :03:36. | |
been in the second round, has the nose bleeding stopped? | :03:37. | :03:42. | |
Just about, I have come down off cloud nine, but fantastic, I am over | :03:43. | :03:47. | |
the moon. To be honest, at the end I was | :03:48. | :03:50. | |
getting a little bit emotional, the first time that has ever happened | :03:51. | :03:54. | |
probably since 1987. I started to get emotional even in the second | :03:55. | :03:59. | |
last frame. I said, I better hold myself together year because it | :04:00. | :04:03. | |
could be quite embarrassing! Why were you so excited? | :04:04. | :04:05. | |
A lot of people would say you know what it is like, you have won the | :04:06. | :04:09. | |
thing, to comeback all these years later, I did it mean so much? I | :04:10. | :04:16. | |
don't know, maybe because I have not performed. | :04:17. | :04:18. | |
It is the first time I have been in the last 16 so just to get over that | :04:19. | :04:22. | |
hurdle and play like I can play, really. In our sport you have a lot | :04:23. | :04:28. | |
of ups and downs. I have been lucky that I have come and got my hands on | :04:29. | :04:32. | |
the trophy at least once, but you still want to perform every time you | :04:33. | :04:36. | |
go out, particularly at the Crucible. It is such a special event | :04:37. | :04:40. | |
and, yes, it's just got hold of me a little bit. It was great to play | :04:41. | :04:44. | |
like I can play at times and I was chuffed to bits. You did, you had | :04:45. | :04:53. | |
six 50 plus breaks, did you sense that Stewart had a bit of a | :04:54. | :04:56. | |
lacklustre morning and afternoon yesterday? | :04:57. | :04:58. | |
Yes, the first frame was very important. | :04:59. | :05:03. | |
Then to level at five all was a very close frame. I tried to keep the | :05:04. | :05:06. | |
pressure on him all the time and that is what I did, good match | :05:07. | :05:16. | |
snigger and good safety, and keeping him under pressure. -- good | :05:17. | :05:23. | |
matchplay snooker. More numbers for you - over 100 texts of | :05:24. | :05:27. | |
congratulations you have received. Now he is going to try and of | :05:28. | :05:32. | |
keelboat -- broadcasting duties with playing. I do good at multitasking? | :05:33. | :05:38. | |
You know that men are never good at multitasking! | :05:39. | :05:40. | |
We will find out. Will plead, we will look forward to seeing you and | :05:41. | :05:44. | |
hearing you. Last night, possibly even topped it | :05:45. | :05:50. | |
for excitement, because we had two final frame decider is, the first | :05:51. | :05:54. | |
featuring a Welshman and a Scotsman. What was the story of this one, | :05:55. | :06:02. | |
Steve? Well, Stephen Maguire Drew Ryan Hay, a tough draw for both | :06:03. | :06:08. | |
players. -- Ryan Day. | :06:09. | :06:11. | |
The first six frames were shared, so it was 9-6 Ryan Day. | :06:12. | :06:16. | |
He was on the brink of a fantastic victory, but the gritty Scot, | :06:17. | :06:21. | |
Stephen Maguire, he pulled it back with breaks of 74 and 91 to 9-9. The | :06:22. | :06:27. | |
first of the two final frame decider is of the evening was about to | :06:28. | :06:32. | |
unfold. Let's see what happened. -- final frame deciders. | :06:33. | :06:44. | |
COMMENTATOR: That is the problem, whenever they are close to the top | :06:45. | :06:50. | |
cushion, you just hit them a fraction thick and they go up the | :06:51. | :06:56. | |
table with the cue ball. Does this red pass the two reds to | :06:57. | :06:59. | |
go to the right corner? Just. Not all of the pocket, it is tight. | :07:00. | :07:10. | |
It needs to be accurate. And it was. Second chance to Ryan | :07:11. | :07:19. | |
Day. But not the right side of the blue. | :07:20. | :07:25. | |
No, he put all of his concentration into the pot there, didn't he? He | :07:26. | :07:32. | |
has an angle on the black. He has to hit this really well to get the cue | :07:33. | :07:33. | |
ball back down the table. Well, every credit, Ryan. That was | :07:34. | :07:55. | |
the brave man's route. He is on to the red that just about | :07:56. | :08:00. | |
goes. We say that this game is all about fractions. The fractions at | :08:01. | :08:08. | |
the moment looked to be in the favour of Ryan. This is a great | :08:09. | :08:12. | |
chance for frame and match. He has hit the ball well in this | :08:13. | :08:32. | |
last frame, Ryan. The first chance he got he went into the pack. | :08:33. | :08:41. | |
His cue is going through really positively. | :08:42. | :08:50. | |
Yes, from the first shot he has looked positive. He has decided, | :08:51. | :08:57. | |
this is the deciding frame, if I get a chance I am going to go for it. | :08:58. | :09:02. | |
Every credit, because he was being bombarded by Stephen Maguire in the | :09:03. | :09:08. | |
last few friends. He was sat in his chair for over 200 points without | :09:09. | :09:09. | |
reply. But this is his opportunity now. Can | :09:10. | :09:18. | |
he make the most of it? He will have to follow off the left | :09:19. | :09:48. | |
side pollution here for the red to follow, so he will be a little bit | :09:49. | :09:51. | |
further away than he would have liked. He may have to stump up. -- | :09:52. | :09:57. | |
stun. That is OK. 29 points, the lead. Three reds, | :09:58. | :10:17. | |
three colours and he will be in the second round. | :10:18. | :10:49. | |
Played it well. It looks a formality, but there is | :10:50. | :10:58. | |
no such thing as a formality at this stage of March. -- a match. | :10:59. | :11:12. | |
The black and one more red. This looks like all of the great | :11:13. | :11:24. | |
snooker that Stephen Maguire has played to comeback was in vain now. | :11:25. | :11:26. | |
Tremendous performance. Yes, Stephen Maguire cannot be too | :11:27. | :11:37. | |
hard on himself, he lost in his first round match 10-92 Dechawat | :11:38. | :11:43. | |
Poomjaeng, but he has left behind here. He has given everything. As we | :11:44. | :11:49. | |
say, in the deciding frame it is all about getting the chances. He had | :11:50. | :11:55. | |
one chance, Ryan had one chance, then he got the next one. Fair play | :11:56. | :11:58. | |
to him, he made the most of it and he has taken these really well. | :11:59. | :12:03. | |
After the mid-session interval it has been a tremendous match, this | :12:04. | :12:08. | |
has. And that will mean that Stephen will | :12:09. | :12:15. | |
not bother coming back to the table. His hopes of being a world champion | :12:16. | :12:19. | |
will have to be put on the shelf for another year. | :12:20. | :12:25. | |
As I say, he has given his all, he has left nothing behind, and that is | :12:26. | :12:30. | |
all you can ask from anybody. Fair play to Ryan Day, he came to | :12:31. | :12:35. | |
this deciding frame and came out with an attitude, well, I am going | :12:36. | :12:39. | |
to go for it, and if I get a chance I am going to try and win the frame. | :12:40. | :12:41. | |
That is what he has done. It is sad that there has to be a | :12:42. | :12:48. | |
loser. But that is a sport. Brian Gay, we all know his talent. | :12:49. | :13:02. | |
If he can get a boost of confidence from this, he is a match for anybody | :13:03. | :13:06. | |
on his day. No pun intended. He is puffing out the cheeks, he is | :13:07. | :13:43. | |
so relieved to get there, that was a great match, guys, I'm lucky Stephen | :13:44. | :13:48. | |
Maguire. It is a warm handshake, he did not do anything but give his | :13:49. | :13:52. | |
best, but Ryan Day just had that lead. He came out in the deciding | :13:53. | :13:57. | |
frame with an attitude, give me one chance and I will win the match. He | :13:58. | :14:02. | |
needed a two, but well played, Ryan Day, you are through to the second | :14:03. | :14:09. | |
round. He beats Stevens -- Stephen Maguire 10-9. I really enjoyed it. | :14:10. | :14:12. | |
Obviously I had a lead after playing quite well yesterday. I knew that | :14:13. | :14:17. | |
Stephen was going to throw everything at it this evening. I was | :14:18. | :14:23. | |
over the moon to be 3-3 after six frames, even though I had had | :14:24. | :14:27. | |
chances to probably win the match earlier. Then Stephen, from nine - | :14:28. | :14:34. | |
six, was so strong with a couple of tremendous breaks and clearances, I | :14:35. | :14:38. | |
was delighted to get a chance at last and clear the table. Well | :14:39. | :14:43. | |
played to both players, fantastic match, well played to Ryan Day. | :14:44. | :14:47. | |
The key to that particular match winner was the opening red of the | :14:48. | :14:52. | |
break he made. I have set it up on our screen. The first red the potted | :14:53. | :14:58. | |
into the corner pocket, I have drawn a line from the edge of that red to | :14:59. | :15:03. | |
the edge of that red, he only just had a full pocket, arguably not even | :15:04. | :15:08. | |
that to aim at. Under pressure it would be so easy to miss this shot. | :15:09. | :15:12. | |
He has played it superbly well, there is a great purist, always has | :15:13. | :15:17. | |
been, but under pressure anything can go wrong. He was over the line | :15:18. | :15:21. | |
by no one can let his fluency do the work. -- a great cueist. He has | :15:22. | :15:30. | |
pedigree, but will he go further in the event? | :15:31. | :15:32. | |
I think we are going to see more of him in the future rounds. | :15:33. | :15:38. | |
Yes, he will play Judd Trump in the next round, Stephen Maguire said he | :15:39. | :15:47. | |
was in some respects believed to be at what has been a hell of a season | :15:48. | :15:51. | |
for him. He has had a very bad back and we hope he can recover. | :15:52. | :15:54. | |
That is the fourth final frame he has lost at the Crucible and the | :15:55. | :15:57. | |
second year in a row he has gone home after round one. | :15:58. | :16:02. | |
To the other decider last night between Shaun Murphy, world number | :16:03. | :16:06. | |
five, and the youngster Jamie Cope, who has had a torrid time in the | :16:07. | :16:09. | |
last three years because he is suffering from a condition which | :16:10. | :16:13. | |
makes him physically shake over the shot. He has been working with a | :16:14. | :16:17. | |
sports psychologist to remedy that. His journey back to the Crucible was | :16:18. | :16:22. | |
remarkable in itself, and this was another tight one, Steve. Yes, Jamie | :16:23. | :16:27. | |
Cope, Shaun Murphy, in the tough quarter, you could argue, with | :16:28. | :16:30. | |
Ronnie O'Sullivan there. Overnight Jamie Cope had shown he | :16:31. | :16:38. | |
was back to some form, 5-4 quickly turns to 8-8. | :16:39. | :16:40. | |
At 8-8 you never know what is good to happen, it went 9-8 to Shaun | :16:41. | :16:46. | |
Murphy. Very quickly it got back to nine - nine. Let's see what happened | :16:47. | :16:47. | |
in that decider. COMMENTATOR: He has a lovely angle | :16:48. | :17:17. | |
on the green. He can go into one of these reds on | :17:18. | :17:21. | |
the right-hand side cushion, if he wishes. | :17:22. | :17:25. | |
How is his luck? Just not hard enough. He could have fixed that as | :17:26. | :17:34. | |
hard as he wanted, really. He is unlucky, once he had the case you | :17:35. | :17:38. | |
would think he would be on one of them. | :17:39. | :17:38. | |
-- once he had the kiss. He needs to find the top cushion | :17:39. | :17:47. | |
here. Plenty of right-hand side. I am not quite sure whether Shaun | :17:48. | :18:15. | |
Murphy will try and get the cue ball back here, he may nestle into the | :18:16. | :18:18. | |
back of this red on the right-hand cushion. He does not want to hit it | :18:19. | :18:22. | |
with too much pace because he may leave the other one into the yellow | :18:23. | :18:27. | |
pocket. That is exactly what he has done. That was very careless. | :18:28. | :18:46. | |
It is all the way, and he has a lovely angle on the pink now. Nice | :18:47. | :18:55. | |
angle on the pink, just not this red over the left-centre pocket. -- he | :18:56. | :19:01. | |
will just knock. He got into it too much. | :19:02. | :19:18. | |
Playing some very good safety. I know he has needed some chances in | :19:19. | :19:24. | |
this last frame, there is a lot of tension out there, but when he is | :19:25. | :19:28. | |
out of position he has played excellent safety. It is very tough | :19:29. | :19:31. | |
to miss the double kiss on this shot. You would expect him to play | :19:32. | :19:36. | |
cushion first moving this red out, but he played it direct, that is why | :19:37. | :19:43. | |
he got the double kiss. It was always going to be a double kiss, | :19:44. | :19:48. | |
that. He will be pretty pleased he has left a bit of distance between | :19:49. | :19:54. | |
these two balls, although I am sure Jamie will take it on. | :19:55. | :20:16. | |
Pretty close, but he has got second prize. You can see the extreme left | :20:17. | :20:26. | |
hand side of this red, but he will be pushing it towards the right-hand | :20:27. | :20:30. | |
pocket here. REFEREE: Foul. | :20:31. | :20:40. | |
That is actually not too bad, it could have been an awful lot worse. | :20:41. | :20:46. | |
That red has just crept up the side cushion. | :20:47. | :20:59. | |
That was a surprise that he took that on. It was a difficult pot, and | :21:00. | :21:08. | |
he has got away with it. He could pot the one along the cushion, but | :21:09. | :21:12. | |
is it worth taking it on? You there is a plant that is not far | :21:13. | :21:17. | |
away, either. It is tough to get the cue ball back into baulk here. I'm | :21:18. | :21:22. | |
not sure whether the plant is dead set. It is set for the near jaw. | :21:23. | :21:29. | |
I am just wondering, will he play to the extreme left of it and try and | :21:30. | :21:32. | |
bring the cue ball back up to baulk? He did not fancy either one, did he? | :21:33. | :21:46. | |
You could cut the tension with a knife here. Both players are under | :21:47. | :21:53. | |
the utmost pressure in this little exchange. | :21:54. | :22:01. | |
This is risky, he has to avoid the middle pocket and get a distance. If | :22:02. | :22:07. | |
he doesn't get a distance he could be in trouble there. He is going to | :22:08. | :22:11. | |
leave a pot but also he has an easy snooker dear. -- here. The cue ball | :22:12. | :22:18. | |
is behind the blue, but the pot is on and the way that Shaun has been | :22:19. | :22:25. | |
playing, he will not refuse this. He will just play the hold for the | :22:26. | :22:28. | |
blue. He played the holding shot but | :22:29. | :22:38. | |
didn't get into the cue ball. He cannot get onto a red from there. He | :22:39. | :22:45. | |
did not get into that at all, did he? A little more screw on the cue | :22:46. | :22:50. | |
ball. Right into the heart of the pocket, though. | :22:51. | :22:59. | |
Well, he can port of the blue, -- he can pot the blue. | :23:00. | :23:06. | |
REFEREE: Green ball. I would rather have had the five | :23:07. | :23:10. | |
points, to be honest. If he hits it from there he will be | :23:11. | :23:12. | |
disappointed. That is a good fit. The easy snooker | :23:13. | :23:34. | |
rather than the pot. There is one thing for certain, if it wasn't last | :23:35. | :23:40. | |
frame he would be taking the pot on, but as it is last frame he may be | :23:41. | :23:42. | |
playing the snooker. And this is a little bit more | :23:43. | :23:56. | |
difficult to get away with it. He would like to get onto the one | :23:57. | :23:59. | |
nearest the pocket, but if he plays one cushion... | :24:00. | :24:05. | |
Well done. He has left it on, this is a chance for Murphy to win frame | :24:06. | :24:13. | |
and match. REFEREE: Thank you! | :24:14. | :24:35. | |
Good, confident pot, he has a nice angle on the brown. He can get close | :24:36. | :24:47. | |
to the red. Yellow and green are both pottable, also. What he really | :24:48. | :24:56. | |
wants a nice angle on that last red when porting this prone to get onto | :24:57. | :25:02. | |
the green for the last red. -- when porting this green. He wanted to be | :25:03. | :25:11. | |
straight on this red. We know he is good with the rest, but... | :25:12. | :25:18. | |
It is a little bit more difficult than he would have liked, this shot. | :25:19. | :25:29. | |
I don't think this is any good. This is very tricky, this brown. He may | :25:30. | :25:37. | |
be able to pot the green, but whatever pot he decides on year it | :25:38. | :25:43. | |
is fraught with danger, because there is a lot of pressure on it. | :25:44. | :25:49. | |
Well, under that pressure, Shaun Murphy, that was as good as any shot | :25:50. | :26:01. | |
he has played. That deserves to be a matchwinner. That was an excellent | :26:02. | :26:06. | |
green. That was a fantastic green, no doubt | :26:07. | :26:10. | |
about that. Under that extreme pressure, at that pace... | :26:11. | :26:19. | |
Whatever happens, I think Jamie Cope deserves a great deal of credit. He | :26:20. | :26:24. | |
has been out of the limelight now for five years because of illness, | :26:25. | :26:29. | |
he has come here and battled his heart out, and a few moments ago he | :26:30. | :26:33. | |
looked as though he could win the match. He now looks a certainty to | :26:34. | :26:38. | |
lose, but well played, Jamie Cope. Yes, he has performed admirably | :26:39. | :26:42. | |
throughout this match. It is pink for match. And a place in | :26:43. | :26:46. | |
the last 16 for Shaun Murphy. Well, a very relieved Shaun Murphy, | :26:47. | :26:59. | |
it went all the way and Jamie Cope has nothing to be ashamed of. I am | :27:00. | :27:03. | |
sure Murphy will have two be a little bit better in the next | :27:04. | :27:06. | |
round. He goes into the last 1610-9. | :27:07. | :27:14. | |
-- the last 16 a ten - nine. Sometimes you get the | :27:15. | :27:15. | |
-- the last 16 a ten - nine. Sometimes you get feeling it is not | :27:16. | :27:18. | |
meant to be your day and I got that feeling a lot through that match. | :27:19. | :27:20. | |
I think halfway through I switched to playing clearance because I went | :27:21. | :27:27. | |
in-off so many times. My mum will be pulling her here right. It is so | :27:28. | :27:32. | |
difficult and at this top-flight level one mistake is a killer. It | :27:33. | :27:36. | |
could have gone either way at the end. All the way through the match, | :27:37. | :27:42. | |
it felt as if I was behind. I was ahead 4-2 to start with. I did not | :27:43. | :27:45. | |
feel like I played badly in the match, I have certainly played a lot | :27:46. | :27:48. | |
of matches in this tournament a lot worse than that and got through | :27:49. | :27:52. | |
easier. All credit to Jamie, he played really, really well. It is | :27:53. | :28:00. | |
just the nature of our sport now. We play so often and the standard is so | :28:01. | :28:01. | |
high you could lose on any day. I think the critical part of this | :28:02. | :28:10. | |
last frame was when two reds were left. Under other circumstances, | :28:11. | :28:19. | |
Shaun Murphy may have been tempted to try this red into the green | :28:20. | :28:22. | |
pocket. I think in the last frame he would be a bit more cagey, but also, | :28:23. | :28:28. | |
where the three baulk were may have come into the equation. That Michael | :28:29. | :28:36. | |
three baulk colours. In the past, Shaun Murphy has been criticised for | :28:37. | :28:41. | |
his shot selection, probably being too aggressive when he does not need | :28:42. | :28:43. | |
to be. In this occasion, moreover short | :28:44. | :28:50. | |
like John Higgins would play, clever, weighing up the pros and | :28:51. | :28:52. | |
cons and which one was the best option. He just played a lovely | :28:53. | :28:59. | |
snooker behind the red causing Jamie Cope no end of problems and he got | :29:00. | :29:02. | |
the lead from it and concluded the frame. Excellent performance by | :29:03. | :29:06. | |
Shaun Murphy. You have to feel for Jamie Cope, who has gone through a | :29:07. | :29:10. | |
lot to even get back here. Afterwards he did say that he felt | :29:11. | :29:13. | |
he had gone backward a little bit, that his arm was shaking in the | :29:14. | :29:17. | |
final session and did not come out of it feeling too great. I think all | :29:18. | :29:20. | |
of us would agree it has been a marvellous effort for him to get | :29:21. | :29:28. | |
here and we wish him well in his continuing recovery and climb back | :29:29. | :29:30. | |
up the world rankings. It is Shaun that goes through and | :29:31. | :29:33. | |
let's remind you how that makes the first round draw up here now. | :29:34. | :29:43. | |
Well, we have been on-air since 10am. Jason Mohammad has been doing | :29:44. | :30:49. | |
his stuff here on BBC Two and we have got plenty of excuses for you, | :30:50. | :30:55. | |
if you do need a reason, not to do those garden jobs or the DIY tasks | :30:56. | :30:59. | |
that you or someone else had set for you today. So settle back on Easter | :31:00. | :31:04. | |
Monday afternoon with us. You wouldn't want to miss the all | :31:05. | :31:07. | |
conquering Ding Junhui, would you? The winner of five events this term | :31:08. | :31:12. | |
wants to finish off his match against Michael wisely in style. And | :31:13. | :31:19. | |
you just have two CV -- you have to see the opening game of John | :31:20. | :31:22. | |
Higgins. He faces his great friend and fellow Scot Alan McManus. If you | :31:23. | :31:27. | |
like matchplay snooker, this will be a masterclass in the fine arts of | :31:28. | :31:34. | |
it. Mark Selby is up and running against Welshman Michael White. If | :31:35. | :31:38. | |
you want a trick shots, we have brought them back and given them an | :31:39. | :31:44. | |
all-American twist. We will get our teeth into the hot topic in snooker, | :31:45. | :31:48. | |
should the golden old is be given wild cards to play on the tour? -- | :31:49. | :31:53. | |
golden oldies. And you can join in on the debate why all the usual | :31:54. | :31:55. | |
social media outlets. We will be talking about those and | :31:56. | :32:07. | |
other subjects in the Table Talk section. So stop the garden and the | :32:08. | :32:10. | |
shelves, all of these guys have decided to do that, and we will | :32:11. | :32:15. | |
enjoy watching firstly a young Welshman who surprised us all at his | :32:16. | :32:20. | |
debut at the Crucible last year, knocking out Mark Williams en route | :32:21. | :32:22. | |
to the quarterfinal and he is back again, Michael White, up against | :32:23. | :32:24. | |
Michael Selby. The day before I played, I walked | :32:25. | :32:34. | |
down from the hotel the night before and I looked at the big sign for the | :32:35. | :32:38. | |
Crucible in the darkness and it was incredible to think that I finally | :32:39. | :32:43. | |
had made it here. I was very nervous, I must admit. Then in the | :32:44. | :32:48. | |
dressing room, you hear the knock on the door and it is time to go and as | :32:49. | :32:52. | |
you walk out towards the curtain, you see all of the past champions. | :32:53. | :32:57. | |
It is just a thrill, an absolute thrill. It was a moment I don't | :32:58. | :33:05. | |
think I will ever forget. Obviously, watching him 13 years ago, when he | :33:06. | :33:10. | |
lifted the trophy, I thought it was a dream to even come here and then | :33:11. | :33:15. | |
to come here, draw him and beat him was another dream. My dream ever | :33:16. | :33:21. | |
since I grew up was obviously to come here and play. And to be | :33:22. | :33:26. | |
honest, I can't believe I have got here two years running. I have been | :33:27. | :33:34. | |
working with Terry Griffiths and since I was 15 or 16 and he has | :33:35. | :33:39. | |
helped me a lot. Things I should be thinking of if I am winning, or if I | :33:40. | :33:44. | |
am losing, he has been brilliant with me. Mark is probably one of the | :33:45. | :33:49. | |
toughest draws I could have had. I played him before in the UK, when I | :33:50. | :33:53. | |
qualified for that. That was a good experience for me. But I am not | :33:54. | :33:56. | |
coming here to make the numbers up, I am looking to win. | :33:57. | :34:07. | |
Well, Mark has worked so hard on his technique. In the early part of his | :34:08. | :34:13. | |
career, he had a lot of movement with his head, he was so far away | :34:14. | :34:17. | |
with his breach and from the cue ball and he has worked very hard on | :34:18. | :34:23. | |
those departments -- bridge hand. He still loses his head slightly, he's | :34:24. | :34:26. | |
working on that, but to get to world number one, what a player. When you | :34:27. | :34:31. | |
talk about temperament, Selby is the one to watch. Unlike other players | :34:32. | :34:35. | |
who go into their shells in tactical batons, he is one of the best. You | :34:36. | :34:40. | |
look at Higgins, Steve Davis, he is up there with the best of them. Mark | :34:41. | :34:45. | |
has had a lot of problems with his neck and as someone who had his | :34:46. | :34:49. | |
career curtailed due to a neck problem, it is very hard to put in | :34:50. | :34:52. | |
the practice and hard work nowadays, I am sure, but considering all | :34:53. | :34:58. | |
that, to have had the seasons he has had recently, I think there is | :34:59. | :35:02. | |
certainly a lot more to come. You are looking at one of the best | :35:03. | :35:05. | |
matchplay as the game has ever seen. I have seen him play against one | :35:06. | :35:09. | |
O'Sullivan where he has totally outplayed running and not many can | :35:10. | :35:14. | |
do that in the game. He is such a solid all-round match player, a | :35:15. | :35:18. | |
treat to watch. He has been coming into my club since he was 14, | :35:19. | :35:22. | |
playing from seven in the morning up until midnight. Never the greatest | :35:23. | :35:26. | |
at the start of the career but his professionalism has taken him to | :35:27. | :35:28. | |
being one of the greatest of all time. For someone who has hovered | :35:29. | :35:34. | |
around the number one spot, you would think its record in ranking | :35:35. | :35:38. | |
events is very disappointing. Only one final at the World Championship. | :35:39. | :35:43. | |
He once that on his CV and that will be his goal this season and four | :35:44. | :35:47. | |
seasons to come -- he wants that. He is capable of being a world | :35:48. | :35:51. | |
champion. HAZEL IRVINE: So their opening | :35:52. | :35:55. | |
session got underway at ten o'clock and by the interval, Mark Selby was | :35:56. | :36:01. | |
3-1 up, a break of 95 in the opening frame and the best of the | :36:02. | :36:04. | |
contributions to date. Michael White was clearly nervous early on and we | :36:05. | :36:09. | |
will join it in frame five, Selby is trailing by four points. Commentary | :36:10. | :36:11. | |
from John Parrott and Terry Griffiths. | :36:12. | :36:26. | |
JOHN PARROTT: A good shot on the Angles, got Michael in a bit of | :36:27. | :36:36. | |
bother. Can't drop into the left-hand side of the pack. | :36:37. | :36:43. | |
If he can get next to the red that is near the top cushion, it may be | :36:44. | :36:49. | |
the one to play on. It looks like he can, he is going to drop on that | :36:50. | :36:51. | |
dead weight. He's looking at other options now. | :36:52. | :37:40. | |
That shot is that he played there but he just didn't quite judge the | :37:41. | :37:45. | |
pace, he hit it to hard, could leave the red on. | :37:46. | :37:55. | |
That is OK, he will take that. Can he part anything? No. He raised his | :37:56. | :38:07. | |
eyes to the sky, Michael, he thought he had left one on, but he hasn't. | :38:08. | :38:10. | |
He did well to get out of that. That was poorly played. He knew | :38:11. | :39:20. | |
straightaway it was a bad contact. He meant to hit that completely | :39:21. | :39:22. | |
differently than he did. There are enough rent out in the | :39:23. | :39:33. | |
vote for this -- enough reds out in the open for this to be a good | :39:34. | :39:38. | |
chance. He has let Mark Selby right in. | :39:39. | :39:43. | |
You always get the impression that when it comes to the safety battles, | :39:44. | :39:49. | |
Michael is always going to be the first one just to make that mistake. | :39:50. | :39:54. | |
I know he is up against one of the Masters in Mark Selby, but he has to | :39:55. | :39:56. | |
be more careful than he has been. There have been quite a number of | :39:57. | :40:07. | |
unforced errors on saved is from Michael White, not just the | :40:08. | :40:10. | |
difficult ones when you have thin cuts with side, but bread and butter | :40:11. | :40:16. | |
safeties. The obvious one to think about is the one in the first | :40:17. | :40:20. | |
frame, when he tried to screw back onto the cushion and let Mark Selby | :40:21. | :40:24. | |
on and he cleared up. Nothing worse than those of unforced | :40:25. | :41:09. | |
errors. This is what Michael was trying to do, this is Hawkeye. A bit | :41:10. | :41:15. | |
thicker, get the cue ball down there and that would have been absolutely | :41:16. | :41:20. | |
perfect. As it is, he made a mess of it and he has got to face the | :41:21. | :41:22. | |
consequences. That wasn't the best shot from Mark | :41:23. | :41:32. | |
Selby. Played on the brown and he has come awkward on yellow and blue. | :41:33. | :41:39. | |
Hasn't quite got the cue ball yet in this break. | :41:40. | :41:53. | |
That cue ball was steaming there with that screw back. | :41:54. | :41:58. | |
Look at that going. Acceleration after the first movement backward of | :41:59. | :42:09. | |
the cue ball, tremendous. And the position was only just perfect, | :42:10. | :42:13. | |
wasn't it? Absolutely magnificent, couldn't have hit that any better. | :42:14. | :42:23. | |
This is where you feel Mark Selby, if he is going to win this year's | :42:24. | :42:36. | |
World Championships, he needs to get these. When he won the Masters, | :42:37. | :42:42. | |
these would all be gone, no danger. He has played well so far, but just | :42:43. | :42:47. | |
the opening frame where he scored the 95 that he loved vintage Selby. | :42:48. | :42:51. | |
But if he gets that going over the next couple of weeks, he will take | :42:52. | :42:59. | |
some stopping. -- he looked vintage Selby. | :43:00. | :43:19. | |
He has spotted a foreign body on the yellow there, having it clean. It | :43:20. | :43:25. | |
must be serious, Leo is going for the fairy liquid, I think. -- Fairy | :43:26. | :43:34. | |
Liquid. It is something that is pretty stubborn. | :43:35. | :44:03. | |
That is as good as he could have done from there to avoid the yellow | :44:04. | :44:07. | |
and get up the table. A little awkward here. It would be a | :44:08. | :44:17. | |
lot easier if the pink would go into the corners. Just looking down the | :44:18. | :44:23. | |
line to see where the cue ball is going and if he can roll it through | :44:24. | :44:24. | |
and get onto the black. It looks a bit tight. He has just | :44:25. | :44:40. | |
gone past it. He is doing well on this break, he just keeps managing | :44:41. | :44:47. | |
to salvage position. It wasn't ideal when he parted the brown but a good | :44:48. | :44:51. | |
shot with the rest. The way he has gone about it, you would think he | :44:52. | :44:54. | |
will be winning the frame in this visit. 51 ahead and 67 remaining, | :44:55. | :44:59. | |
not too much work to be done. Came off the cushion quickly. Still | :45:00. | :47:02. | |
got the pot on, he will be looking to make the century here. | :47:03. | :47:06. | |
A good break, though. Mark Selby had to work hard for it. | :47:07. | :47:17. | |
HAZEL IRVINE: Mark Selby has been runner-up in three of the major | :47:18. | :47:21. | |
events this season, including the UK Championship and the Masters, when | :47:22. | :47:24. | |
he was defending both of those titles. He has got close in one of | :47:25. | :47:28. | |
the smaller European tour events but would love to finish off this term | :47:29. | :47:32. | |
with a piece of major silverware here in Sheffield. He has made a | :47:33. | :47:35. | |
good start, we go to frame six and he is 25 points in front. | :47:36. | :47:53. | |
TERRY GRIFFITHS: Making sure the cue ball came down the table. | :47:54. | :48:02. | |
His cue came off his bridge hand when he played that shot. It is | :48:03. | :48:09. | |
awkward, when you are in front and command in the game, you can lose | :48:10. | :48:15. | |
the edge in these sessions in the first-round matches -- commanding. I | :48:16. | :48:20. | |
am not saying he's going to be complacent, but you just lose that | :48:21. | :48:25. | |
concentration that you start the match with. | :48:26. | :48:43. | |
That was a big shot to take on. Unlucky. He must have played for the | :48:44. | :48:50. | |
pink. Couldn't really see any value in it. | :48:51. | :49:01. | |
He has kissed that red. Perhaps he was trying to get past the red for | :49:02. | :49:08. | |
the pink. Still a risky shot. I don't quite know what he was | :49:09. | :49:12. | |
playing. He will be glad to see it go in the pocket, that is visual. -- | :49:13. | :49:20. | |
for sure. Another big shot to take on, it is not quite happening. He | :49:21. | :49:23. | |
will hope the blue stops the red. It hasn't. | :49:24. | :49:31. | |
I'm fearing the worst for him at the moment. 4-1 down, can't get going | :49:32. | :49:39. | |
and he is up against one of the best in the game. | :49:40. | :49:48. | |
He has obviously decided he is going to go for them wherever they are and | :49:49. | :49:53. | |
I suppose in one way, if you look at the wider picture, he is not going | :49:54. | :49:58. | |
to win the safety abouts, so he has got to knock the long ones in. -- | :49:59. | :50:12. | |
safety bouts. The problem is players pot so well these days, they don't | :50:13. | :50:15. | |
think they are going to miss anything. | :50:16. | :50:41. | |
Just minding his work and taking the loose threads. He might not need any | :50:42. | :50:49. | |
of those three on the left-hand cushion. | :50:50. | :51:02. | |
If he does what he usually does, this should be 5-1. | :51:03. | :51:34. | |
He has a nice shot here, play a cannon down off the blue into those | :51:35. | :51:44. | |
two reds. If he is not on one of those, he will be on the one in the | :51:45. | :51:45. | |
centre. Wants to get the pink back on the | :51:46. | :52:20. | |
spot because the black is available in only the one corner. | :52:21. | :52:47. | |
59 points in front, this thread will put him in a safe position but he | :52:48. | :52:52. | |
would like to carry on with the break, of course -- this red. | :52:53. | :53:02. | |
Yes, I think Michael White knew immediately after that blew that | :53:03. | :53:12. | |
there was a certain amount of inevitability about this frame going | :53:13. | :53:20. | |
West. Excellent from Selby. Keeping the pressure on his younger | :53:21. | :53:26. | |
opponent. And believe you me, all of the seeded players, they know the | :53:27. | :53:29. | |
importance of the opening round. They get the jitters like everybody | :53:30. | :53:30. | |
else. A bit unlucky there. Needed two | :53:31. | :54:34. | |
reds and all the colours to make a century. | :54:35. | :54:41. | |
Mark Selby, of course, is guaranteed the lead now going into tonight's | :54:42. | :54:53. | |
session. His first-round match, nine in the first session, it is the | :54:54. | :55:01. | |
first to 10 in the second session. He has got all of the breaks in its | :55:02. | :55:05. | |
first session, five -1. HAZEL IRVINE: This is not what the | :55:06. | :55:12. | |
22-year-old Michael White had been planning. | :55:13. | :55:15. | |
A year ago, he despatched Mark Williams in his opening crews -- | :55:16. | :55:22. | |
Crucible game. Can he get back into this? He has but Mark Selby in a | :55:23. | :55:26. | |
little bit of trouble in the next frame, Selby is 26 points behind. | :55:27. | :55:35. | |
JOHN PARROTT: Slightly tricky black coming up here. The good news is he | :55:36. | :55:45. | |
can played with a little bit of side and nearly dead weight and if he | :55:46. | :55:47. | |
misses it, it will probably cover the pocket. But it was never going | :55:48. | :55:53. | |
to be missed, the way he hits those. That was a superb shot. Much, much | :55:54. | :55:56. | |
better than it looked. Yes, that was a serious mistake from | :55:57. | :56:10. | |
Michael. Shouldn't be missing those yellows. He had done really well, as | :56:11. | :56:18. | |
well, potted a good red before, but you can't miss these. As Terry said, | :56:19. | :56:23. | |
a full pocket to a mat. You will play in the club all day and never | :56:24. | :56:38. | |
miss that. -- to aim at. Yes, and as always, when you miss a part and you | :56:39. | :56:41. | |
get very close but you still retain your position, you give it back to | :56:42. | :56:43. | |
your opponent. He was a little bit short of pace | :56:44. | :56:47. | |
here. Obviously the brown pots. Looked | :56:48. | :57:12. | |
pretty close to the blue from where we were sitting but it must go. | :57:13. | :57:22. | |
And this is developing into a very good chance for Mark Selby to steel | :57:23. | :57:29. | |
frame seven. Just that red behind the black could be a problem. | :57:30. | :57:37. | |
It was a good chance, and he has hit right across it. I can't believe he | :57:38. | :57:46. | |
has missed it and I bet he can't. You can see his cue right across the | :57:47. | :57:51. | |
ball. Phone the police, I wasn't expecting that one. | :57:52. | :58:18. | |
He has hit that a bit too hard. Just hasn't got the touch. One of those | :58:19. | :58:26. | |
little tricky shots. You are trying to guard against not coming low | :58:27. | :58:30. | |
because you know it is going to be the end of the break, so you put | :58:31. | :58:39. | |
extra in it and go too high. Surely he will just play the snooker here. | :58:40. | :58:44. | |
Stun the red, cue ball tied to the cushion and send it around. | :58:45. | :58:51. | |
To the baulk area, I should say. Definitely in the driving seat. | :58:52. | :59:19. | |
Foul and a. Michael White, four. Free ball. Once again, the | :59:20. | :59:29. | |
misjudgement off the cushion from Mark Selby. Michael White looked at | :59:30. | :59:36. | |
the part but it is too difficult to take on. The free ball isn't any | :59:37. | :59:41. | |
good either. Good innovation this, being able to | :59:42. | :59:55. | |
use these monitors. Double-check, get them in absolutely the right | :59:56. | :59:59. | |
position. Especially when a quite a few of them move around the table, | :00:00. | :00:03. | |
three or four or five balls move them, so it is easier to look at the | :00:04. | :00:08. | |
monitor and just set them back. They wouldn't get rid of that if they got | :00:09. | :00:15. | |
rid of the miss rule. I am not a lover of that. I'm a big fan of it, | :00:16. | :00:17. | |
so we will have an argument. Very unfortunate. Hit it a lot | :00:18. | :00:54. | |
thinner than he intended. Ball in hand. | :00:55. | :01:01. | |
27 ahead. 35 remaining. Just pot this red and if he doesn't win the | :01:02. | :01:10. | |
frame here, he'll be mortified. There you are. 31 ahead. 27 | :01:11. | :01:32. | |
remaining. Just concentrate, Michael, make sure you knock these | :01:33. | :01:39. | |
in. That's better. You don't want Mark Selby chasing snookers against | :01:40. | :01:44. | |
you because he's exceptionally good, so do what you should do and clear | :01:45. | :01:46. | |
up. So Michael white makes the | :01:47. | :02:35. | |
clearance. He'll be thankful of winning that frame. Selby had a | :02:36. | :02:41. | |
great chance, miss add simple red but he trails Selby 5-2. Pf | :02:42. | :02:46. | |
These players met in the UK Championship two years ago. Selby | :02:47. | :02:51. | |
won that match 6-3 but I'm sure Michael will be relieved to have | :02:52. | :02:54. | |
stemmed the flow there in that last frame. Into the eighth we go, which | :02:55. | :02:57. | |
is the penultimate of the opening session. | :02:58. | :03:08. | |
Oh! Now, then, I was just going to say, this could be a big break on | :03:09. | :03:15. | |
here. Now it could be for Michael White. Just wondering whether that | :03:16. | :03:20. | |
red in the last frame sunth unsettled him a bit. It was going | :03:21. | :03:24. | |
swimmingly well. Shouldn't have missed that. Wondering whether that | :03:25. | :03:30. | |
simple red has taken a bit of impetus away from Mark Selby. Was | :03:31. | :03:39. | |
this too hard? It's a very poor shot, Michael. You would be kicking | :03:40. | :03:42. | |
yourself after that one. Massive margin of error there. Poor shot. | :03:43. | :03:55. | |
He's being aggressive. He's got to take this long yellow on now. Big | :03:56. | :04:07. | |
shot. Well played. Good pot. He knocked it in beautifully. | :04:08. | :04:22. | |
What a miss that is. He's just potted an absolutely fantastic | :04:23. | :04:34. | |
yellow, simple red, off the cushion back for the black and Terry, he's | :04:35. | :04:39. | |
missed a lot of shots today, hasn't he? | :04:40. | :04:44. | |
I don't know what is going on at the minute. I really don't. Mark Selby's | :04:45. | :04:49. | |
just lost his mojo for the minute. He's missed three pots in the last | :04:50. | :04:58. | |
five minute minutes that I can't believe. If Michael White can just | :04:59. | :05:03. | |
compose himself here, string a couple of breaks together, he could | :05:04. | :05:06. | |
get out of this session 5-4 which would be a right result. | :05:07. | :06:09. | |
Asking the referee to check the black, if he could respot it, to | :06:10. | :06:24. | |
make sure. He's entitled to do that. Rock ing back, so that will help. | :06:25. | :06:29. | |
Well, has it helped? It's very tight. | :06:30. | :06:47. | |
On these super fine cloths, Terry, you get little dishes coming up with | :06:48. | :06:53. | |
the sheer weight of the ball, the black being in that area, sometimes | :06:54. | :06:57. | |
you get a little dish and it can rock in back-and-forth. They don't | :06:58. | :07:01. | |
put spots down like they do on the club tables, you just have a little | :07:02. | :07:09. | |
white mark. With the cloths being so fine, the indentations don't take | :07:10. | :07:15. | |
long to come in. Yes, the suss tension on the black | :07:16. | :07:20. | |
spot as you mentioned. On the practise table, it's perhaps there | :07:21. | :07:24. | |
all the time, the dots. Respot the black and it drops in the hole. | :07:25. | :07:37. | |
Played the positive shot. Yes, he got a really good result there. But | :07:38. | :07:48. | |
he deserved it. A positive shot, well played. Oh, I can't believe | :07:49. | :07:55. | |
this. He just got himself into a perfect position. And hit across it. | :07:56. | :08:03. | |
I mean those balls were absolutely lovely. He missed one of those in an | :08:04. | :08:12. | |
earlier frame in the opposite pocket, a similar type of shot. | :08:13. | :08:51. | |
Might be taking this in the middle. Yes; what a shot that is, by the | :08:52. | :08:58. | |
way. How can you miss the three pots he's missed in the last ten minutes | :08:59. | :09:03. | |
and pot that? T?! I mean honestly, that is a very high tariff shot. I | :09:04. | :09:09. | |
mean, that is seriously good. To pot it, screw it in the side and pin | :09:10. | :09:13. | |
Nish on the pink like that is brilliant. -- finish on the pink | :09:14. | :09:21. | |
like that is brilliant. Makes you wonder where he's been for the last | :09:22. | :09:25. | |
ten minutes. I think he's probably been thinking he should be 6-1 up, | :09:26. | :09:29. | |
that's the problem. Could have had an easy session if he | :09:30. | :09:39. | |
won the next two games. Well, what can you say? After the first red | :09:40. | :09:43. | |
which John Parrot said was such a high tariff, that was a simple one, | :09:44. | :09:48. | |
one you would never expect to be missed. Both players starting to | :09:49. | :09:57. | |
throw a few mistakes in, John. Yes. Amazing that. What a miss that is. | :09:58. | :10:07. | |
It's worth reiterating that if Michael can compose himself here. He | :10:08. | :10:13. | |
looks fizzy to me today, like he's desperate to get on with it. If he | :10:14. | :10:18. | |
can show more composure, he's getting more chances now and this is | :10:19. | :10:21. | |
a very important juncture in the match. | :10:22. | :11:00. | |
Starts to get a little embarrassing for these players because we know | :11:01. | :11:06. | |
how good they are. They are top draw, but when they start missing | :11:07. | :11:09. | |
these chances, it's not great. Body movement from Mark there. | :11:10. | :11:33. | |
Trying to squeeze the cue ball past the brown. Sure Surely, he won't | :11:34. | :11:37. | |
spurn this opportunity. Comes to the table 40-odd points | :11:38. | :11:57. | |
behind. Michael's not made the most of his opportunity. He's been thrown | :11:58. | :11:59. | |
another lifeline. Top bred of the two that were put | :12:00. | :12:24. | |
together behind the pink spot are definitely pots. | :12:25. | :12:28. | |
The two reds that are past the blue, one in bawling and one towards | :12:29. | :12:35. | |
bawling, they'll be the interesting ones I should think -- dumb Oh, what | :12:36. | :12:50. | |
a kick that is! What a kick that is! An absolute monster. Anything else | :12:51. | :12:54. | |
can happen in this frame do you think? | :12:55. | :12:59. | |
At least he didn't miss it through his own fault, but still it's very | :13:00. | :13:06. | |
disappointing for Mark Selby. At a crucial time in the frame. | :13:07. | :13:20. | |
What you can do in this type of situation, when both players are | :13:21. | :13:25. | |
struggling a bit, you go for the next chance and try and make sure of | :13:26. | :13:29. | |
everything. It's the worst thing you can do really, instead of going down | :13:30. | :13:33. | |
there, playing your normal game, put a bit more effort into the pot and | :13:34. | :13:37. | |
then you lose position and then you've got a more difficult pot. | :13:38. | :13:45. | |
Shaking his head now. Not in a bad position. 44 points in front. Only | :13:46. | :13:51. | |
just got to get this, a colour and drop on another red and he should be | :13:52. | :13:53. | |
home in the frame. Pretty sure he'd like to have played | :13:54. | :14:04. | |
on the red that was down this end towards the pink, but he's going to | :14:05. | :14:08. | |
have to go for the one in baulk. May be a case of getting behind it and | :14:09. | :14:17. | |
dropping it in, no heroics. 50-point lead now, yes. Drop in in dead | :14:18. | :14:20. | |
weight, make sure you knock it in. That's exactly what he's done. This | :14:21. | :14:29. | |
frame's had some twists in it. White pulls back another frame. | :14:30. | :14:57. | |
They were meagre contributions there, decisive ones of 28, 29 and | :14:58. | :15:02. | |
20 from Michael White though, that means from 5-1 behind, he's rescued | :15:03. | :15:07. | |
things. He's only one behind going into the concluding session this | :15:08. | :15:10. | |
evening, so it's all on in that match, four five he trails Mark | :15:11. | :15:15. | |
Selby, the world number three. You will probably notice very | :15:16. | :15:17. | |
shortly that we are about to be joined by some guests. That is | :15:18. | :15:23. | |
because, you know that old phrase, we are not talking to you, we are | :15:24. | :15:27. | |
talking about you. We are in the company of George Riley who you may | :15:28. | :15:32. | |
know or recognise his face because he's often on the telly but you are | :15:33. | :15:38. | |
more likely to recognise his Voice because, he's a regular contributor | :15:39. | :15:43. | |
to Radio 5 Live. So George, very much lovely to have you here. Thank | :15:44. | :15:46. | |
you very much for having me. You are a Crucible veteran of ten years? | :15:47. | :15:51. | |
Yes, it's been ages. I'm a snooker bore to all my friends. I was here | :15:52. | :15:56. | |
the first one when Ebdon won it 2002 and I've kept coming back, had a | :15:57. | :16:01. | |
hiatus but I'm back now and absolutely loving it. Ken Doherty | :16:02. | :16:06. | |
rolling back the years like we have been doing. | :16:07. | :16:10. | |
You are likely to be found a lot of the time in the media room from | :16:11. | :16:14. | |
where a lot of the copy is generated. We always get the little | :16:15. | :16:17. | |
newspaper cuttings every day and we can go through what's been going on | :16:18. | :16:24. | |
in the national press. . One Direction's Louis Tomlinson was | :16:25. | :16:28. | |
sneaked into the Crucible the other night, a guest of Ronnie O'Sullivan. | :16:29. | :16:35. | |
I think he's a major fan. Suddenly all the appeal of snooker from | :16:36. | :16:41. | |
teenage girls around the country has shot up! They are concentrating on | :16:42. | :16:49. | |
Higgins, every underdoing has its day, that's the Scottish Record. | :16:50. | :16:59. | |
He's under the radar. And Ken Doherty relishing the Generation | :17:00. | :17:03. | |
Game. He says, maybe I'm giving hope to the 40 somethings and I told | :17:04. | :17:07. | |
Denis Taylor he should be making a comeback. | :17:08. | :17:11. | |
There's much more about One Direction and all of the | :17:12. | :17:14. | |
Directioners! One of the chief talking points we | :17:15. | :17:18. | |
are going to discuss today is the proposition, and it's a rather | :17:19. | :17:22. | |
controversial proposal to offer a wild card to some of the golden | :17:23. | :17:27. | |
oldies on the tour Or those that have just dropped off, and those | :17:28. | :17:34. | |
who've retired. Stephen Hendry, I'm not going to point pout who is who. | :17:35. | :17:39. | |
There is a suggestion that perhaps Jimmy White might be offered a wild | :17:40. | :17:44. | |
card depending on how things go in the opening rounds at the world | :17:45. | :17:47. | |
championship. This is a discussion that really has provoked a lot of | :17:48. | :17:51. | |
debate in the media and all around the country. See for yourselves. | :17:52. | :18:02. | |
Not sure if Stephen Hendry wants to play. Stephen's his own man, he'll | :18:03. | :18:11. | |
know about about that. Steve Davis wants to play. Jimmy is still on the | :18:12. | :18:16. | |
tour so he's not going to need a wild card. If Steve Davis wanted one | :18:17. | :18:21. | |
and it was down to me, I would give him a wild card in a heartbeat and | :18:22. | :18:25. | |
it Tweeted that the other night. I'm trying not to really focus on | :18:26. | :18:36. | |
him, I have to keep my eye on my own game. If they have wild cards, so be | :18:37. | :18:41. | |
it, they bring in the crowd. For selfish reasons, it's good. If I was | :18:42. | :18:46. | |
in that position and I wanted to play, I wouldn't want to have to go | :18:47. | :18:49. | |
through the qualitifying stages, so to be able to come in at round one | :18:50. | :18:54. | |
and compete is good because Steve still loves playing, he's a great am | :18:55. | :18:58. | |
boss for for the game along with Jimmy White and Stephen Hendry and | :18:59. | :19:02. | |
sheshed Dr V that opportunity to compete if they want to. | :19:03. | :19:08. | |
Ultimately, we are in a new position in sneerk where the tour's changing | :19:09. | :19:16. | |
-- -- he should have that opportunity. The question we should | :19:17. | :19:25. | |
ask ourselves is, have the people that deserve a wild card, there are | :19:26. | :19:31. | |
not many that would be saying no to that. There is a lot of youngsters | :19:32. | :19:41. | |
coming through into the game. They are trying to make a career out of | :19:42. | :19:45. | |
it. Steve Davis would want to earn that. I think legends like White and | :19:46. | :19:50. | |
Davis should be included in the game. It's a big draw for me, part | :19:51. | :19:55. | |
of the reason why I'd come to watch. I wouldn't want to it be an easy | :19:56. | :20:00. | |
card, just to pull a crowd, but if they were playing on the tour, why | :20:01. | :20:03. | |
not, it would be a good thing, so yes. The qualifying system doesn't | :20:04. | :20:12. | |
work, to be honest. If they were good enough, they'd be playing. You | :20:13. | :20:15. | |
have to give the youth a chance, to be honest. I know people love the | :20:16. | :20:19. | |
old professionals, but it's about time we moved away with the times. | :20:20. | :20:25. | |
They should leave it as it is. There is a meeting of the world | :20:26. | :20:28. | |
snooker board tomorrow night to discuss this proposal. I guess the | :20:29. | :20:32. | |
first question has to go to Stephen and that is, do you want a wild card | :20:33. | :20:38. | |
in the first place? Well, barley asked me a hypothetical | :20:39. | :20:43. | |
question, if I was offered one would I accept and I said I wouldn't | :20:44. | :20:47. | |
intend to play in every event of the season but I would still want to | :20:48. | :20:50. | |
play in some events so it would be at my choosing which events I played | :20:51. | :20:54. | |
in. I said if you offered me one and enough people considered it was what | :20:55. | :20:58. | |
they wanted to happen, I would say yes. But there are many other | :20:59. | :21:05. | |
avenues you can take. If you were offered one, you also wouldn't be | :21:06. | :21:10. | |
able to play in the other competition because it would be is | :21:11. | :21:18. | |
like having two bites of the cherry. It's complex. At the expense, not so | :21:19. | :21:22. | |
much of new players coming through, but at the expense of players that | :21:23. | :21:28. | |
have dropped out of the 64 who don't get preferential treatment when they | :21:29. | :21:32. | |
would see that others do. We'll talk about the mechanics in a minute, but | :21:33. | :21:36. | |
Stephen, is it enough to tempt you out of retirement or even | :21:37. | :21:43. | |
semi-retirement? Yes. We had the same conversation, me and Barry. If | :21:44. | :21:47. | |
the option was there that I fancied having a crack, yes, I said | :21:48. | :21:51. | |
absolutely. I talked to Steve before, but I think I would probably | :21:52. | :21:57. | |
play in two or three PTCs next year because you don't have to involve | :21:58. | :22:00. | |
yourself in qualifying, you can just enter and it would be a weekend | :22:01. | :22:03. | |
away, just see what happens and enjoy it. I'm not coming back to | :22:04. | :22:07. | |
play in the tour full-time, no question, but to have the option to | :22:08. | :22:12. | |
perhaps play in the world or win the big ones, it would be nice to have | :22:13. | :22:18. | |
that option. George, let's play devil's advocate, Barry said this | :22:19. | :22:21. | |
represents a U-turn for him. He's wanted snooker to be a meritocracy | :22:22. | :22:27. | |
and the opposite is the case, surely in this situation because this is | :22:28. | :22:31. | |
nature, sportsmen coming towards the end of their competitive lives and | :22:32. | :22:35. | |
perhaps new blood coming through. Why should we make exceptions? All | :22:36. | :22:38. | |
that is true and when you hear Barry speak you know what a headache he's | :22:39. | :22:42. | |
had because this is not something he wants to do but he thinks it's the | :22:43. | :22:46. | |
right calling. He hasn't done it yet. Everything you say is correct | :22:47. | :22:50. | |
but it's a business and it's about bums on seats. If you give people a | :22:51. | :22:54. | |
chance to see these guys play, it's going to BA sell out. Likewise if | :22:55. | :22:59. | |
the qualifiers get an opportunity to play against then drill or Davis, | :23:00. | :23:05. | |
how exciting is that for them? - Hendry or Davis. A couple of places | :23:06. | :23:10. | |
away, you have to get rid of a couple perhaps, for me, that makes | :23:11. | :23:15. | |
it more competitive. You have to be better, your result, your form, your | :23:16. | :23:20. | |
standard has to rise to make sure you don't miss out. For me it's a | :23:21. | :23:26. | |
no-brainer. Fit were to set a precedent, the other players like | :23:27. | :23:33. | |
Ken Doherty beating Stuart Bingham, the oldest man in the draw, this is | :23:34. | :23:38. | |
representative of a lot of players who think maybe this will happen to | :23:39. | :23:41. | |
them in future years if wild cards were brought in? The likes of Steve | :23:42. | :23:48. | |
Davis, he shouldn't have to go back to cue school, he's six times world | :23:49. | :23:52. | |
champion, six times UK champion, you know, a man that's, you know, | :23:53. | :23:59. | |
donated like all his life to snooker and the service that he's give tonne | :24:00. | :24:03. | |
snooker, the interest that he's brought into the game, he's such a | :24:04. | :24:07. | |
personality, he's one of our ambassadors, you know, he shouldn't | :24:08. | :24:13. | |
have to go back to cue school. It's ridiculous to even contemplate that. | :24:14. | :24:16. | |
Give him a workout and be done with it. I don't think anybody in the | :24:17. | :24:24. | |
game would begrudge him a place in the tour or Jimmy. There is so much | :24:25. | :24:30. | |
interest from around the world, these guys shouldn't have to go back | :24:31. | :24:37. | |
to cue school, it's ridiculous to even contemplate it. How would it | :24:38. | :24:42. | |
work? Would you take the place of number 63 or 62 on the tour or would | :24:43. | :24:48. | |
they create another wild card round, suddenly five matches you have got | :24:49. | :24:53. | |
to play? First thing to say is there are people who're vehemently opposed | :24:54. | :24:58. | |
to this, including a lot of players and I fully agree with their | :24:59. | :25:01. | |
sentiments and I wouldn't like anybody to feel like this is a | :25:02. | :25:05. | |
whitewash going on here, especially with the footage we have seen from | :25:06. | :25:10. | |
some of the legends that have talked about other legends so to speak. | :25:11. | :25:14. | |
It's fair in any player that that would like to stand up and give | :25:15. | :25:18. | |
their opinion, wouldn't feel that they would upset anyone. Stephen and | :25:19. | :25:22. | |
myself are open to abuse in that respect, so is Barry or anybody. The | :25:23. | :25:28. | |
biggest problem, getting back to your point, is that no matter how | :25:29. | :25:35. | |
you go about giving spots to players that haven't earned them on the tour | :25:36. | :25:43. | |
system, if you stick to a 128 competition, if you say there's only | :25:44. | :25:51. | |
128 players in, then if you have do or three invited spots, three people | :25:52. | :25:55. | |
somewhere down the line won't be in that tournament because of past old | :25:56. | :26:03. | |
has beens. You've got to decide, or the game's got to decide whether you | :26:04. | :26:07. | |
are prepared to sacrifice three players, quite a long way down the | :26:08. | :26:11. | |
pecking order, this would come from the cue school failures, possibly | :26:12. | :26:16. | |
players that didn't get through in the cue school, as to how they would | :26:17. | :26:22. | |
be judged. Do you decide to give the cue school Order of Merit a knock on | :26:23. | :26:26. | |
the head for a couple of those places, perhaps the | :26:27. | :26:28. | |
quarter-finalists, or do you give them to the likes of Hendry or | :26:29. | :26:34. | |
White? This has all got to be sorted out. What is the motivation for | :26:35. | :26:39. | |
coming in at a 128? Stephen surely wants to play at the latter stages? | :26:40. | :26:44. | |
After listening to all that, I don't know, I don't want to go in! The key | :26:45. | :26:50. | |
thing is, where you draw the line. These guys without a shadow of a | :26:51. | :26:54. | |
doubt, would be top of the list for any eventual wild card. Jimmy White, | :26:55. | :26:59. | |
a legend of the game of course, the people's champion, a wild card to | :27:00. | :27:02. | |
get back to an event that he's never won, that might be controversial to | :27:03. | :27:06. | |
say, but he's not a former world champion. Ken's won it once, still | :27:07. | :27:11. | |
going well here, I think he qualify force the seniors late they are year | :27:12. | :27:16. | |
as well -- qualifies for the seniors later this year as well. You have to | :27:17. | :27:19. | |
be careful what you give out and what you say to other potential | :27:20. | :27:23. | |
players if Ronnie wins another couple of titles, could he pack up | :27:24. | :27:26. | |
and get a wild card himself, you know. The headline is this man is | :27:27. | :27:29. | |
willing to come back, Stephen Hendry. That's the main line. A lot | :27:30. | :27:34. | |
of thes, buts and maybes to be sorted out and that board meeting | :27:35. | :27:39. | |
will take place tomorrow night and the announcement we should have on | :27:40. | :27:47. | |
Wednesday. Let's try and gauge now the | :27:48. | :27:50. | |
sentiment back home in China for Ding. Rob Walker has been talking to | :27:51. | :27:55. | |
one or two Chinese journalists here. One man in the press room who's so | :27:56. | :27:59. | |
excited about Ding's chances has been there and witnessed each of the | :28:00. | :28:02. | |
five ranking event victories that Ding's notched up so far this | :28:03. | :28:08. | |
season. Ty, you have been there, seen the magic. How much excitement | :28:09. | :28:11. | |
is being generated back home in China about his title aspirations | :28:12. | :28:13. | |
here? We are so happy to see him winning | :28:14. | :28:18. | |
so many titles this season. Before this season, he had already maybe | :28:19. | :28:24. | |
six ranking titles, but only one has been won in China and this year's | :28:25. | :28:29. | |
won it in Chengdu, Shanghai and just two weeks ago in China. He lifted | :28:30. | :28:37. | |
the trophy of China up again -- open again. Is he equipped to handled the | :28:38. | :28:43. | |
pressure that will be on him? He's one of the men to beat here? Well, | :28:44. | :28:48. | |
we'll look again at the papers. This says he's joining the ten title | :28:49. | :28:53. | |
club, this one is saying champion, so he's handling the pressure | :28:54. | :28:57. | |
really, really well. I do believe he's becoming a prolific champion. | :28:58. | :29:02. | |
He's a talented player but now he's going to make some moves. | :29:03. | :29:06. | |
Good luck keeping your nerves under control. I know you are such a | :29:07. | :29:11. | |
passionate supporter of Chinese snooker in particular. Enjoy the | :29:12. | :29:16. | |
match. Thanks for talking to us. Stephen, you do a lot of work in | :29:17. | :29:21. | |
China. Do we fully comprehend the level of expectation on this young | :29:22. | :29:25. | |
man? I've been there a lot. The way they treat champions is incredible, | :29:26. | :29:28. | |
people who've won World Championships and Olympics in other | :29:29. | :29:32. | |
sports, if he was to win, he's be huge in champion -- he'd be huge in | :29:33. | :29:39. | |
China and that's got to be a big pressure. | :29:40. | :29:43. | |
A lady known as Victoria here has taken him under her wing here, she's | :29:44. | :29:46. | |
become his manager and is looking after him. What a difference in this | :29:47. | :29:51. | |
man since she's taken over. What's been the magic ingredient? He seems | :29:52. | :29:56. | |
happier. Lizle things like he's turning up for interviewser Lil -- | :29:57. | :30:02. | |
early, looking smart and things he didn't want to do before he's not | :30:03. | :30:07. | |
massively fussed about now, speaking to us, he's professional and seems | :30:08. | :30:10. | |
to be enjoying life. He's won five ranking titles this year and the | :30:11. | :30:15. | |
draw, albeit a small matter of Ronnie O'Sullivan, looks a | :30:16. | :30:18. | |
reasonable draw as well. It's got to be a case of pretty soon for Ding. | :30:19. | :30:23. | |
Seeing him around, he's loving it. He doesn't seem to have had the | :30:24. | :30:27. | |
stress that perhaps he did in the early part of his career when he had | :30:28. | :30:30. | |
the burden of expectancy from him from all the millions watching back | :30:31. | :30:34. | |
home. He's won enough. Still not the world, but you can sense he's looked | :30:35. | :30:39. | |
after well, gets on with Victoria well, sorts out the stuff he does | :30:40. | :30:42. | |
wantn't to do and he can just play snooker which he's not doing too | :30:43. | :30:46. | |
badly at. There is a level of maturity that's come with this. He | :30:47. | :30:50. | |
was stifled by the pressure of come paoetzing at home and he's won three | :30:51. | :30:55. | |
Championships there in China -- competing. Surely it won't be long | :30:56. | :30:59. | |
before he wins there. We have a lot of new gadgets and the boys are | :31:00. | :31:03. | |
loving their toys but one of the ones that they have been using | :31:04. | :31:07. | |
enhances what we already know about the way the balls move on the | :31:08. | :31:12. | |
snooker table. We do have greater powers of analysis now, Steve. I | :31:13. | :31:16. | |
wonder how much does all this technology con trib contribute to | :31:17. | :31:20. | |
our knowledge of the mechanics and physics of the game and to our | :31:21. | :31:25. | |
levels of understanding. Can we learn from this and tweak the way we | :31:26. | :31:28. | |
play because of this greater knowledge? I think the first thing | :31:29. | :31:36. | |
to say is that the players of today have had so much footage to learn | :31:37. | :31:40. | |
from from great players of the past, including Stephen Hendry, | :31:41. | :31:44. | |
pushing on the levels of break-building. And understanding | :31:45. | :31:48. | |
what the balls do not only gives the viewers more of an understanding of | :31:49. | :31:53. | |
what the balls do but it gives kids an idea of what they need to | :31:54. | :31:57. | |
achieve. That is what is going on when you are trying to get into the | :31:58. | :32:03. | |
pack. It is lovely to watch, does it enhance your understanding? They are | :32:04. | :32:09. | |
amazing pictures, no doubt about it. I don't think snooker players | :32:10. | :32:12. | |
sometimes appreciate what we do, but you see that end you see the skill | :32:13. | :32:17. | |
involved in hitting the shots correctly and timing them, it is | :32:18. | :32:22. | |
therefore all to. It took them a while to realise they weren't just | :32:23. | :32:25. | |
playing with a cue ball that was new. No plans to bring in the | :32:26. | :32:30. | |
stripey ball, but you never know. OK, it is time for a little less | :32:31. | :32:34. | |
conversation and a little more action, as Elvis once said, the | :32:35. | :32:38. | |
king, not Arnold Palmer, the king. Well, it is time for table talk to | :32:39. | :32:55. | |
stop and action to begin, because for players are waiting backstage | :32:56. | :32:59. | |
and they are waiting for the call from the front of house, and it is a | :33:00. | :33:04. | |
packed house. Rob Walker is the man of the moment. Thanks, Hazel. Ladies | :33:05. | :33:11. | |
and gentlemen, what a sense of expectation we have in the arena | :33:12. | :33:15. | |
this afternoon ahead of this scintillating session of snooker. | :33:16. | :33:20. | |
The Dafabet World Championship is warming up with aplomb and we have a | :33:21. | :33:30. | |
wealth of talent waiting backstage. Please welcome first of all a player | :33:31. | :33:34. | |
who showed nerves of steel to qualify for his Crucible debut, | :33:35. | :33:38. | |
beating Robert Milkins in the decider on a re-spotted black. He | :33:39. | :33:43. | |
has made great progress since turning professional two years ago, | :33:44. | :33:48. | |
former European under 19 runner-up, here comes Michael Wasley. | :33:49. | :34:00. | |
And his opponent, after a record equalling fifth ranking event title | :34:01. | :34:17. | |
in one season, there is massive expectation back home in China. It | :34:18. | :34:22. | |
has been a sensational year. Victories in Germany, India and | :34:23. | :34:26. | |
three on home soil, he has hit of the richest vein of form in his | :34:27. | :34:30. | |
career so far. Can he keep it going on the biggest stage of all? Enter | :34:31. | :34:34. | |
the Dragon, Ding Junhui! MUSIC: "Stronger" by Kelly Clarkson. | :34:35. | :34:53. | |
And here on table two, please welcome a player making is 18th | :34:54. | :35:04. | |
appearance at the Crucible 23 years since his debut. A two-time ranking | :35:05. | :35:08. | |
event winner, he has also won the Masters, beating two-time world | :35:09. | :35:12. | |
champion Mark Williams to book his place here. Ladies and gentlemen, he | :35:13. | :35:16. | |
is rolling back the years in style, here comes Alan McManus. New | :35:17. | :35:33. | |
MUSIC: Return of the Mack by Mark Morrison. | :35:34. | :35:40. | |
And his opponent, the player who this year reaches the milestone of | :35:41. | :35:46. | |
two decades of Crucible appearances. His long and | :35:47. | :35:50. | |
illustrious career has bought him -- brought in 25 ranking titles, | :35:51. | :35:54. | |
including four here on the bigger stage of all. Without a doubt one of | :35:55. | :35:58. | |
the greatest hour sport has ever seen, give it up for the Wizard of | :35:59. | :36:02. | |
Wishaw, John Higgins. MUSIC: "Pencil Full Of Lead" by | :36:03. | :36:05. | |
Paolo Nutini. HAZEL IRVINE: Both matches are | :36:06. | :36:17. | |
available, the red button and online options, but we will start with the | :36:18. | :36:21. | |
Scottish matchup. I don't think I have seen tartan trousers at the | :36:22. | :36:25. | |
Crucible before, I am guessing they are McManus tartan. Higgins and | :36:26. | :36:33. | |
McManus practice at the same club in Glasgow and were sitting together to | :36:34. | :36:37. | |
watch the Crucible draw on Thursday and I understand there has been | :36:38. | :36:40. | |
quite a lot of banter between them since then. I know Willie Thorne and | :36:41. | :36:47. | |
John will appreciate the finer elements, these players know every | :36:48. | :36:52. | |
angle each other's games. JOHN VIRGO: they certainly do and if | :36:53. | :36:55. | |
you don't know what tartan it is, there's not much chance Willie | :36:56. | :36:57. | |
Thorne and died. Yes, this is like rolling back the | :36:58. | :37:04. | |
years. Alan McManus getting this first-round match underway. An | :37:05. | :37:17. | |
interesting statistic, Jan Verhaas, the referee, this was the first much | :37:18. | :37:22. | |
he ever refereed at the Crucible. That is a nice touch, he is getting | :37:23. | :37:28. | |
married very soon. One of our best referees. 19 years. It was 1995 and | :37:29. | :37:34. | |
on that occasion, Alan McManus beat John Higgins 10-3. A lot of water | :37:35. | :37:38. | |
has gone under the bridge since then. But this could be a match for | :37:39. | :37:57. | |
the, -- for the commerce connossieur. It has been a bit of a | :37:58. | :38:06. | |
shock that Alan has been off the scene and anyone who can beat Mark | :38:07. | :38:11. | |
Williams is obviously still a man to be wary of. It will be interesting | :38:12. | :38:16. | |
to see how he starts the match. It has been key that he has not been on | :38:17. | :38:20. | |
television much. He has to make a good start. | :38:21. | :38:29. | |
He could have played for the black but he knew if he stunned it in, he | :38:30. | :38:37. | |
would play closer to the Persian. And he had the pink as another | :38:38. | :38:43. | |
colour to play for. -- closer to the cushion. | :38:44. | :38:51. | |
He has always had that little movement of his head, Alan. Yes, you | :38:52. | :38:58. | |
see it a lot when he is cueing on the ball. He is not quite straight | :38:59. | :39:02. | |
enough on this red so he has to push through the one just above it but he | :39:03. | :39:08. | |
can still get on the black. We have just found out it is the MacKenzie | :39:09. | :39:15. | |
clan tartan. You didn't believe it when I told you of Mike. -- off mic. | :39:16. | :39:40. | |
You can just see from that shot there, there is not a lot of room | :39:41. | :39:45. | |
between the end of the table and the dividing wall. He is right up | :39:46. | :39:51. | |
against it. OK, when he gets down... But I am one of those people who | :39:52. | :39:54. | |
likes to stand back from the shot to pick the angle out. Talking about | :39:55. | :40:04. | |
the walls, I sent out a Tweet this morning about dear old Ted Ted | :40:05. | :40:12. | |
Lowe. Just about the greatest commentator of all time. | :40:13. | :40:21. | |
Yes, always affectionately remember Ted, but not great at the limbo. | :40:22. | :40:30. | |
This needs to come in and out of baulk. Not quite hard enough and it | :40:31. | :40:36. | |
doesn't look like he has a good angle on the brown. He may take it | :40:37. | :40:43. | |
on, it depends how he is feeling. The obvious shot is to just trickle | :40:44. | :40:44. | |
behind it. Allen has obviously always been a | :40:45. | :40:58. | |
more negative player in so far as break-building has been concerned. | :40:59. | :41:01. | |
Someone like Judd Trump would have screwed that into the middle pocket. | :41:02. | :41:06. | |
Yes, but first frame, the nerves will still be there. As someone once | :41:07. | :41:18. | |
said to me, Mario Berni, a legend in the Welsh amateur game, he said if | :41:19. | :41:21. | |
you can play the game and be true to yourself, give your ability a | :41:22. | :41:25. | |
chance, don't push the boat out too far. | :41:26. | :41:31. | |
He has heated, but he has left a red certainly to the right middle. | :41:32. | :41:40. | |
Awkward cueing, but half a chance that he has hit it. | :41:41. | :41:59. | |
Good shot. Never easy, it was an acute angle and hampered as he was, | :42:00. | :42:10. | |
couldn't have played it better. Just about the only professional in the | :42:11. | :42:16. | |
game, Alan, who has the chalk page on the back of his trousers, rather | :42:17. | :42:21. | |
than putting it in and out of his pocket -- chalk patch. None of the | :42:22. | :42:26. | |
other professionals here will have it. | :42:27. | :42:28. | |
Practice was, it was always handy to have one, you would rip your pocket | :42:29. | :42:36. | |
to shreds pulling the chalk in and out all the time. Very rarely a | :42:37. | :42:40. | |
professional player will have one in the tournament. He doesn't want to | :42:41. | :42:42. | |
rough up the MacKenzie tartan. Purposely playing for the pink there | :42:43. | :43:56. | |
and playing for the pink he knows, in potting it, he will be running | :43:57. | :43:59. | |
into the other reds and bringing them into play. If it goes right, it | :44:00. | :44:01. | |
is a frame-winning chance. He got a great split but he didn't | :44:02. | :44:22. | |
want the reaction from the cue ball. He screws off the pack. He is | :44:23. | :44:28. | |
still on a couple of reds but not of them are straightforward. This is | :44:29. | :44:31. | |
the first pressure pot in the opening frame so far. Yes, like you, | :44:32. | :44:38. | |
I was a bit surprised he played the screw, because it was always going | :44:39. | :44:43. | |
to come away, whereas if he had run through... He didn't feel he had to | :44:44. | :44:47. | |
hit the ball that hard, it was perfect on the pink but playing it | :44:48. | :44:50. | |
just below centre, it was always going to come back to the site. -- | :44:51. | :44:58. | |
side. And it has cost him. It made that red more difficult than he | :44:59. | :44:59. | |
would have liked. Still plenty of points available for | :45:00. | :45:12. | |
John Higgins, should he get a chance. Great player that he was a | :45:13. | :45:20. | |
few years ago and maybe still is. I haven't seen too much of him in the | :45:21. | :45:26. | |
last few years. Always blessed with a wonderful temperament, wasn't he? | :45:27. | :45:30. | |
You never knew from his face if he was in trouble or not. And we always | :45:31. | :45:35. | |
remember when Stephen Hendry was on what looks like an unbeatable run in | :45:36. | :45:40. | |
the Masters, it is Alan McManus who brought that to an end. | :45:41. | :45:47. | |
And a few times, he has looked as if he could have gone all the way in | :45:48. | :45:53. | |
this championship. But he has had a few years in the wilderness, good to | :45:54. | :45:55. | |
see him back. Nothing easy to get into the baulk | :45:56. | :47:12. | |
area on the right-hand side of the table. He will do well to get back | :47:13. | :47:17. | |
into baulk. He may take a pot on. For the first time, I can't see a | :47:18. | :47:30. | |
way back. And I can't see a pot either. He can't get through to the | :47:31. | :47:37. | |
red obviously closest to this corner. He is in a spot of bother | :47:38. | :47:42. | |
here. Even though he can get his hand on the table. | :47:43. | :48:03. | |
Decided to play it hardball. He misses... Just catches the yellow | :48:04. | :48:13. | |
but he did well to get back to baulk, in all honesty. | :48:14. | :48:30. | |
Just a fraction hard. Another day, he could have been titled behind the | :48:31. | :48:41. | |
yellow. A lot of people always as you... The referee has knocked over | :48:42. | :48:48. | |
a bottle of water! That is the player's prerogative. I bet he | :48:49. | :48:52. | |
didn't that 19 years ago. Can we have a towel, please? That is a new | :48:53. | :48:58. | |
one. The referee throwing the towel in! | :48:59. | :49:07. | |
He was bending down to look at the shot and there it was. | :49:08. | :49:18. | |
Has rain ever stopped play? It did once, wasn't it the City Hall in | :49:19. | :49:28. | |
Manchester, when Alex Higginson -- Alex Higgins played Fred Davis, one | :49:29. | :49:33. | |
of the legend, they were stood there with umbrellas. John Higgins can't | :49:34. | :49:37. | |
take the smile off his face. Alan has to keep focused. | :49:38. | :49:45. | |
That is a good safety shot. It is a good job Judd isn't sitting there, | :49:46. | :49:53. | |
too grand's worth of shoes, he wouldn't want water on them. -- two | :49:54. | :50:04. | |
grand's worth. I think they are going to leave the water there until | :50:05. | :50:09. | |
the end of this frame and then they will get the towel out. | :50:10. | :50:25. | |
That was a good shot to catch it that thin. OK, he didn't find the | :50:26. | :50:34. | |
baulk cushion, neither player has with the last few safety shot, but | :50:35. | :50:40. | |
the ball is in such a position that it is quite easy not to leave a pot | :50:41. | :50:49. | |
on. Yes, he has not had a go at a party at, John Higgins. -- at a pot | :50:50. | :50:56. | |
yet. Alan McManus is controlling the safety at the moment. Just starting | :50:57. | :51:00. | |
to kiss the baulk colours. I expect John to get close this | :51:01. | :51:08. | |
time. I knew it would happen eventually. A | :51:09. | :51:29. | |
Higginson special. -- Higgins special. Waded in John Higgins' game | :51:30. | :51:38. | |
is at the moment? I have been a massive fan of his fears and what | :51:39. | :51:43. | |
happened is he started to doubt his cue, he changed it a few times and | :51:44. | :51:46. | |
if you start doubting your equipment, it shows you have lost a | :51:47. | :51:50. | |
bit of confidence. But I think he is quite happy with what he got -- what | :51:51. | :51:54. | |
he's got at the moment and obviously the standard is getting better. A | :51:55. | :51:59. | |
few players are capable of beating him. In his pomp, it was only two or | :52:00. | :52:03. | |
three and is now it is probably tend that are capable of beating him. -- | :52:04. | :52:08. | |
ten. He has hit the wrong red. This is | :52:09. | :52:23. | |
John Higgins' first chance. If the pink goes into the corner, then I | :52:24. | :52:29. | |
don't see why he is looking at playing another red. What about the | :52:30. | :52:34. | |
red that is near the Black spot? The pink definitely goes, can he not run | :52:35. | :52:41. | |
through to the nearer cushion? That definitely looks the shot to me. | :52:42. | :52:46. | |
Playing this one to the left of the pink, he could be nothing. Now he is | :52:47. | :52:52. | |
looking at the one on the black spot. Surely this is the one, if you | :52:53. | :52:56. | |
can roll it in and find a gap between the cushion. He has | :52:57. | :53:00. | |
realised. He didn't spot it at first. Amazing. He must have an | :53:01. | :53:03. | |
earpiece in. Anywhere near the cushion should be | :53:04. | :53:22. | |
OK. Might be playing for the blue or the | :53:23. | :54:00. | |
pink. He has played the pink and hit it terribly. Didn't get into it at | :54:01. | :54:06. | |
all. This pink is tough now, isn't it? As you say, never got any | :54:07. | :54:11. | |
response out of the cue ball. This is very tricky. | :54:12. | :54:20. | |
But fair play to him, he has potted it. Tremendous pot, it really was. | :54:21. | :54:31. | |
He can just get through to the red that is over the pocket. That is a | :54:32. | :54:34. | |
good recovery. He will make sure he gets high on the pink this time. | :54:35. | :54:37. | |
Well played. You asked me about the question | :54:38. | :55:00. | |
about a John Higgins. Why is your opinion about why he has been | :55:01. | :55:07. | |
off-colour -- what is your opinion? Quite a lot was going on, losing his | :55:08. | :55:11. | |
father will not have helped him in any way. His father was always here | :55:12. | :55:18. | |
at the tournaments and he lost that little bit of support or that thing | :55:19. | :55:25. | |
you rely on, always used to having his father behind him. And then, of | :55:26. | :55:29. | |
course, I think the other thing anything that has affected quite a | :55:30. | :55:32. | |
few of the players is that the standard Ronnie is setting at the | :55:33. | :55:39. | |
moment, it is a bar that has been raised that sometimes you can strive | :55:40. | :55:43. | |
to hard to reach. Then you forget how good you were by just trying to | :55:44. | :55:52. | |
well... Play a higher grade of snooker, but as you say, everybody | :55:53. | :55:57. | |
in the game has always feared John Higgins, his all-round game, his | :55:58. | :55:59. | |
safety play, potting, break-building. | :56:00. | :56:10. | |
But as you say, if he is messing about with queues, that wouldn't | :56:11. | :56:16. | |
help either. As we know, it is all in the mind, this game -- cues. | :56:17. | :56:38. | |
That is twice he has played without a bit of reaction. But he's back in | :56:39. | :56:43. | |
the frame, all square. Didn't want the second case. It was | :56:44. | :57:03. | |
a snooker and then all of a sudden the yellow has bounced off the | :57:04. | :57:06. | |
cushion and flipped the white again and it has left a pattern. -- a | :57:07. | :57:10. | |
path. That is an excellent safety shot. | :57:11. | :57:29. | |
Beautiful line and a lovely length. Points are all square. A little bit | :57:30. | :57:36. | |
of pressure on John Higgins this time. | :57:37. | :58:31. | |
Got to be a bit careful with the red on the back cushion. He decided to | :58:32. | :58:41. | |
take the pot on and that was dangerous. He has been OK, he could | :58:42. | :58:47. | |
have left that red on along the top cushion. I am surprised he took that | :58:48. | :58:50. | |
on. Missed it by a long way. Good part. And a nice flick on the | :58:51. | :59:58. | |
black. -- pot. A chance to get the first frame for Alan McManus. | :59:59. | :00:00. |