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Good part. And a nice flick on the black. -- pot. A chance to get the | :00:00. | :00:00. | |
first frame for Alan McManus. Overran that. The red to go round | :00:00. | :00:42. | |
the back of the green, it's a bit more difficult than it should have | :00:43. | :00:44. | |
been. All he can do is drop the blue in | :00:45. | :01:07. | |
now. Is it the angle just to cannon into the red, maybe nudge it towards | :01:08. | :01:17. | |
the pocket? Won't be far away. He felt he could hold it. He's overcut | :01:18. | :01:25. | |
it. He overcut it. He motioned as though the blue rolled off slightly. | :01:26. | :01:31. | |
But it always looked on this low lower jaw and that's where it | :01:32. | :01:33. | |
stayed. Alan will be very disappointed if he | :01:34. | :02:18. | |
loses this frame. He's had four chances in the frame. We mentioned | :02:19. | :02:20. | |
earlier, he needs a good start. What's happened now? He's underhate | :02:21. | :02:41. | |
couple of shots. That swung wide off the green. You can only assume his | :02:42. | :02:51. | |
timing's not there. It swung wide. That's usually because of your | :02:52. | :02:54. | |
timing and you are not getting the amount of top spin required. From | :02:55. | :03:01. | |
looking like an excellent chance to pinch the first frame, he'll do well | :03:02. | :03:04. | |
to pot the yellow. He did go for the yellow and he | :03:05. | :03:37. | |
knew, playing at that pace, if it didn't go in, it could be left in | :03:38. | :03:40. | |
the jaws of the pocket. Could have played that better. Seven | :03:41. | :04:07. | |
points to lead. He needs green, brown and blue. But this green is | :04:08. | :04:09. | |
tough. I think we've had everything in this | :04:10. | :04:39. | |
frame. But to knock the blue in, and he | :04:40. | :05:02. | |
played that well. As you said, unlucky. | :05:03. | :05:11. | |
Higgins deciding not to take the green on. So this first frame still | :05:12. | :05:18. | |
in the balance. Only two points in it in favour of McManus. Just came | :05:19. | :05:28. | |
around to look at the angle of the green on to the pink and taking the | :05:29. | :05:33. | |
cue ball back to the Bruyne area. Got to leave the green virtually on | :05:34. | :05:37. | |
the pink spot if you are going to play the pink spot. The green's come | :05:38. | :05:43. | |
away thousand -- the brown area. John Higgins will take this on. | :05:44. | :06:33. | |
This looks good. Not qiesmt it looked for all the world it was | :06:34. | :06:40. | |
going to get in behind it, but I think there may be an edge of the | :06:41. | :06:48. | |
green sticking out. -- not quite. Doesn't make it an easy shot. | :06:49. | :06:55. | |
Decided to come off the side and baulk cushion. Needs to get right in | :06:56. | :07:02. | |
behind it oh, and missed it. That's a surprise. | :07:03. | :07:08. | |
A lot of one cushion escapes been missed. They seem to be a lot square | :07:09. | :07:16. | |
they are week. Yes, I've heard a few people say that. I don't know why | :07:17. | :07:20. | |
that is. Excellent shot. Big advantage for | :07:21. | :08:03. | |
McManus that he can compete with Higgins in the tactical exchanges. | :08:04. | :08:20. | |
Six points the lead. Still need green, brown and blue. | :08:21. | :08:39. | |
Oh, he went for it. He's missed it. Had a few chances in this first | :08:40. | :08:51. | |
frame, has Alan. One good pot here from John Higgins and he goes | :08:52. | :08:53. | |
favourite for it now. Needs a good angle on the blue. | :08:54. | :09:22. | |
Needs the blue and the pink. The closer he can get to the pink, the | :09:23. | :09:26. | |
better. I don't think he'll try and disturb it. He'll try and get it off | :09:27. | :09:29. | |
the cushion and come behind it. Bit of distance between the two. But | :09:30. | :09:39. | |
that's pretty good. That's excellent. He only needs the pink so | :09:40. | :09:51. | |
he can just roll it in dead weight. Well, that was the frame that could | :09:52. | :09:56. | |
have gone either way. Alan McManus will be disappointed he didn't win | :09:57. | :09:58. | |
it with the amount of chances he had. But it goes to four times world | :09:59. | :10:05. | |
champion, John Higgins. He leads 1-. I mentioned these two know each | :10:06. | :10:12. | |
other very well. It was on Higgins' debut that he came up against | :10:13. | :10:15. | |
McManus and lost. The two are tremendous friends and actually, | :10:16. | :10:20. | |
John says he owes Alan an awful lot about the early days? Obviously | :10:21. | :10:23. | |
Alan's got a tremendous all round game as well and tremendous | :10:24. | :10:26. | |
knowledge of the snooker table and, you know, he's got the nickname | :10:27. | :10:31. | |
Angles, so yes, he's probably learned a lot from him. This game | :10:32. | :10:36. | |
brought him to four world titles, but there was a rookie error in | :10:37. | :10:42. | |
there as well, Steve? Yes, so many. Taylor. That's not a mistake! | :10:43. | :10:49. | |
Apologies. McManus failed to put the bottle top back on his bottle which | :10:50. | :10:55. | |
caused the schoolboy error of bumping into it. The two of them | :10:56. | :10:59. | |
will be at loggerheads in the interval as to whose problem it was. | :11:00. | :11:03. | |
So you are blaming McManus for the spillage? In hindsight, if we put | :11:04. | :11:08. | |
that in an analysis, at the point at which Alan left the bottle open | :11:09. | :11:12. | |
without putting the cap on, that's where it all went wrong. We'll tell | :11:13. | :11:16. | |
him that. That is going to be an awfully close match, spillages or | :11:17. | :11:29. | |
not. Although John's not firing on all cylinders the last couple of | :11:30. | :11:35. | |
seasons, I think he'd possibly win, 10-6, 10-7 I think. A lot of people | :11:36. | :11:40. | |
watching the qualifiers will feel that he's back to some form and can | :11:41. | :11:44. | |
cause some problem, but it depends on his scoring ability. On these | :11:45. | :11:48. | |
conditions, it's harder to keep the ball under control, even in the | :11:49. | :11:54. | |
qualifying section. We go on about things all the time. John had a | :11:55. | :12:03. | |
victory in a small event, got to the final which was a first world | :12:04. | :12:08. | |
ranking event. His season went cold thereafter. He started to show a | :12:09. | :12:13. | |
little better form in the world champion champions, enough for you? | :12:14. | :12:16. | |
So he has a good enough record to pull on those memories and get that | :12:17. | :12:21. | |
inspiration. He's not been the dominant force that he normally is. | :12:22. | :12:26. | |
It's well documented that he messes about with cues a bit. He pinches | :12:27. | :12:32. | |
frames, which is John's trademark. When you do that, you get a star and | :12:33. | :12:37. | |
tend the lose the belief. He's well capable. And he would. Scared of | :12:38. | :12:42. | |
playing O'Sullivan as well. Earlier on this season, he felt he could | :12:43. | :12:50. | |
come back, that's always a sign of confidence. He never says that | :12:51. | :12:54. | |
unless he means it? Yes and the clue could be in the fact that he's gone | :12:55. | :12:58. | |
back to a cue that he's had success with in the past, instead of | :12:59. | :13:02. | |
searching for the Holy Grail of cues that may not exist. It's first blood | :13:03. | :13:04. | |
to Higgins. Here we go again. He'll be very pleased, John Higgins, | :13:05. | :13:21. | |
getting that under way. Needed a few extra chances there. | :13:22. | :13:27. | |
There's the water being mopped up. Normal play will be resumed! I'm | :13:28. | :13:37. | |
sure Steve Davis will be delighted! A good long red. A fraction more and | :13:38. | :14:12. | |
it would have been unmissable. I still don't fancy him to miss it | :14:13. | :14:18. | |
now. Doesn't have to do a lot with the cue ball. Good shot. He's got | :14:19. | :14:30. | |
this red to the right corner. He can play for pink or black. | :14:31. | :14:51. | |
The red he'd like to get rid of sooner or later is to the left of | :14:52. | :14:56. | |
the black now. That will enable the black to go into both corner | :14:57. | :14:59. | |
pockets. Oh, can't miss blacks like that. Not | :15:00. | :15:06. | |
at this level. I think he might play the red shot | :15:07. | :15:58. | |
to make sure he can get on to a baulk colour. | :15:59. | :16:04. | |
Hasn't got the cue ball under control at the minute, John Higgins. | :16:05. | :16:09. | |
He'll be pleased to have won that opening frame. Overrunning a lot, | :16:10. | :16:24. | |
underscrewing as well. Another example. That cue ball a foot | :16:25. | :16:29. | |
further down the table. Struggling with his screw shots. His timing's | :16:30. | :16:32. | |
just not there yet. Nice recovery. Good shot. Landed | :16:33. | :16:48. | |
absolutely perfect on the blue. Always a danger. If he played it | :16:49. | :17:39. | |
with a trace of right hand side and it pushes the cue ball and he didn't | :17:40. | :17:44. | |
allow for the push. That's why he hit the black too thin and caught | :17:45. | :17:54. | |
the wide jaw. But the way he's opened the reds, Whitehall a chance | :17:55. | :18:01. | |
now for Alan McManus. -- what a chance now. | :18:02. | :18:20. | |
I would imagine they are using the same cue ball as they use all | :18:21. | :18:43. | |
tournament. It's been so easy to screw it back for the others that | :18:44. | :18:48. | |
have played on this table. Both these players struggling to get a | :18:49. | :18:50. | |
bit of movement in the screw shots. Maybe they are both not quite timing | :18:51. | :18:56. | |
it right yet. Not the best kiss. Very good shot on the blue from | :18:57. | :20:15. | |
McManus to finish absolutely perfect. He'll be very disappointed | :20:16. | :20:21. | |
if he doesn't get the chance to put the first frame behind him. Played | :20:22. | :20:28. | |
to screw that another three or four inches to the right. Neither player | :20:29. | :20:35. | |
getting a reaction from screw shots at the minute. | :20:36. | :22:27. | |
29 pointses in front. These three remaining reds in play would be | :22:28. | :22:33. | |
enough. Thing is with John Higgins, you know | :22:34. | :22:44. | |
he's going to carry on if you leave a red on the table. This black from | :22:45. | :22:52. | |
John Higgin, that trace pushes the cue ball. Got the split nicely. | :22:53. | :23:05. | |
Never used to miss those. He got the split nicely, but not for himself. | :23:06. | :24:02. | |
Very important for Alan McManus to have won this frame having had three | :24:03. | :24:08. | |
or four chances to take the opener. He'll sit down in his chair after | :24:09. | :24:12. | |
this very nice break and will have forgotten about that opening frame. | :24:13. | :24:16. | |
If he'd lost this frame, he would have been kicking himself. Hasn't | :24:17. | :24:20. | |
been here for a few years, so it takes a while to settle. It's the | :24:21. | :24:24. | |
most unbelievable venue in the world, without any shadow of a | :24:25. | :24:26. | |
doubt. Seems to be playing at a quicker | :24:27. | :24:45. | |
pace than I've seen him do for some time. | :24:46. | :24:57. | |
Playing a trick shot there. But Alan McManus with a very nice break. In | :24:58. | :25:04. | |
the goes the black. That will please him greatly. He's been a great play, | :25:05. | :25:08. | |
still proves he can be that and he levels the score at 1-1. The key | :25:09. | :25:14. | |
thing was, they've mentioned twice, the black off the spot and, at any | :25:15. | :25:18. | |
standard, you cannot miss blacks off a spot. No, and John Higgins just | :25:19. | :25:23. | |
had to play it with a trace aside and, as we were saying, his timing's | :25:24. | :25:28. | |
not right, so he's probably just hit it a little too hard and that left | :25:29. | :25:33. | |
hand side just pushed it too far over to the right. He got the | :25:34. | :25:40. | |
perfect split but no benefit to him. We have already seen both these | :25:41. | :25:44. | |
players have been here on several occasions and you get the Crucible | :25:45. | :25:48. | |
jitters when you play here? It's understandable. It's a big, big | :25:49. | :25:51. | |
tournament, the one you look forward to all year, Alan McManus fighting | :25:52. | :25:59. | |
to get back here, John Higgins will have great respect and the crowd are | :26:00. | :26:04. | |
so close to you. They say the Crucible doesn't come alive until | :26:05. | :26:08. | |
you get to the one table. I disagree, the two-table situation is | :26:09. | :26:13. | |
when you get the atmosphere, you have got to really concentrate hard | :26:14. | :26:20. | |
and it's just a place that's got so much history and so much atmosphere, | :26:21. | :26:24. | |
it's just a thrill sometimes, as we said the other day, when you are | :26:25. | :26:29. | |
driving to Sheffield, you get the butterflies even though we are only | :26:30. | :26:33. | |
commentating. 14 years since I've play and coming down the parkway, | :26:34. | :26:36. | |
the buzz is there. Just caught that a little bit too | :26:37. | :26:53. | |
thin. Just managed to avoid the kiss on the blue. It's not the best | :26:54. | :26:55. | |
break. Not certain he can apot this and | :26:56. | :27:09. | |
kiss off the black which is what he'll want to do. -- can pot this. | :27:10. | :27:17. | |
If he played the potting angle and didn't get it, he would have run | :27:18. | :27:21. | |
into the black and could have been dangerous, so I don't think he went | :27:22. | :27:24. | |
for the pot there. That was a safety. | :27:25. | :28:17. | |
This one I expected him to get. Looking at the way that went, there | :28:18. | :28:24. | |
might have been heavy contact. Seemed to carry on. May have been | :28:25. | :28:26. | |
unlucky. Higgins may play the same here. Even | :28:27. | :28:45. | |
though he's not near the baulk cushion, he's near the side cushion, | :28:46. | :28:47. | |
makes it slightly awkward cueing. It's one of those that he has to | :28:48. | :29:39. | |
finish very low on this black. He's guaranteed to get the desired | :29:40. | :29:43. | |
position. If he runs it in, he may overrun it. He has run it in, but | :29:44. | :29:51. | |
played it nicely. Just got to play a nice little | :29:52. | :30:05. | |
cannon here. The slower you hit that, the more reaction you get on | :30:06. | :30:12. | |
the cue ball. His timing's not there yet. There's more proof. Positive of | :30:13. | :30:17. | |
it. Didn't really get into that cue ball | :30:18. | :30:18. | |
as he would have liked. Finished up with a decent safety, | :30:19. | :30:44. | |
but you wouldn't imagine that Alan McManus, in escaping from this | :30:45. | :30:51. | |
snooker, would leave anything. Was it you who nicknamed him Angles? | :30:52. | :30:57. | |
No, it wasn't, John. I give most of the players | :30:58. | :31:02. | |
nicknames, but I didn't do that for Alan McManus. Maybe one of the | :31:03. | :31:06. | |
Scottish lads did because he used to get out of ridiculous smokers with | :31:07. | :31:13. | |
five or six versions -- get out of ridiculous snooker macros with five | :31:14. | :31:17. | |
or six cushions. There is a lot of bit of safety | :31:18. | :31:25. | |
going on. I would just like to say hello to | :31:26. | :31:42. | |
George Montgomerie who has been coming here for 30 years, this is | :31:43. | :31:45. | |
the first year he has missed because he is not very well. | :31:46. | :31:47. | |
Very good friend of John Higgins and all the players, always a good man | :31:48. | :31:50. | |
to have around and he is missed. Get well soon, George. We are thinking | :31:51. | :31:51. | |
of you, pal, time you came back. Neither player has found the baulk | :31:52. | :32:09. | |
cushion as you would expect from these two great safety players. | :32:10. | :32:14. | |
He may take the pot on. Syed Gershon, top cushion back into | :32:15. | :32:25. | |
baulk, which is an unusual plate -- way of playing it. -- side cushion. | :32:26. | :32:32. | |
Side cushion, top cushion, but nowhere near the red. | :32:33. | :33:21. | |
Not guaranteed to get round the back of the green and yellow to get back | :33:22. | :33:27. | |
to the business end of the table here. | :33:28. | :33:31. | |
He has managed it, though, good shot. Is there going to be a gap to | :33:32. | :33:36. | |
get through to the reds? Can he see enough of those two reds | :33:37. | :33:50. | |
to the left of the black? It looks as though he can see enough of it. I | :33:51. | :33:55. | |
think he can just roll it in beyond the black to the opposite corner. | :33:56. | :34:01. | |
He hit the other red first! But he still has the pot, but not on the | :34:02. | :34:14. | |
collar. -- on the colour. It is amazing, he still had enough of the | :34:15. | :34:18. | |
red to pot it. Of course, position ruined. | :34:19. | :35:50. | |
Green will be his target here to get the cue ball behind. That looks | :35:51. | :35:59. | |
pretty good line, just a little bit heavy. | :36:00. | :36:54. | |
Still trying to get in behind that cream. -- green. | :36:55. | :37:37. | |
Alan is taking a risk playing this shot. I thought he was going to play | :37:38. | :37:46. | |
the deep screw back into baulk, but the way he is playing it the | :37:47. | :37:50. | |
sweeping round the back of the pack. He has done well. | :37:51. | :38:26. | |
Well, it was half an attempt at the pot. The committed to it some | :38:27. | :38:34. | |
thought, that is why he is nowhere near as the baulk cushion, so | :38:35. | :38:38. | |
another chance for Alan McManus, read to the right corner. -- red to | :38:39. | :38:47. | |
the right corner. It is just a case of manoeuvring the cue ball back to | :38:48. | :38:48. | |
that end of the table. He is just about on the green. | :38:49. | :39:10. | |
Well, there is definitely a bit of milage here in trying to bring the | :39:11. | :39:16. | |
pink and red into play. Any sort of kiss on any of those would be good. | :39:17. | :39:21. | |
It is impossible to win the frame just off blues and baulk colours. | :39:22. | :39:31. | |
He has played it pretty well. He has brought the pink into play, just | :39:32. | :39:36. | |
needs to get onto a red now, this is a very good shot, very well played. | :39:37. | :41:01. | |
Just got into the cue ball little bit too much there, he obviously | :41:02. | :41:07. | |
wanted to drift past that red so it would have been a more straight | :41:08. | :41:13. | |
pink. Moving away from the reds now. He will be playing a red at | :41:14. | :41:15. | |
distance, whatever happens. Does this red pot by the other red? | :41:16. | :41:31. | |
I think it does. I think he can just cue past the blue. | :41:32. | :41:37. | |
Always a chance of playing, you either stand it off the side cushion | :41:38. | :41:44. | |
from the opposite corner or do try and hold it. He can just cue past | :41:45. | :41:52. | |
the blue, as I say. I think that is what he is thinking, either to hold | :41:53. | :41:57. | |
it or stun it of the side cushion. Stunning it off the side cushion is | :41:58. | :41:59. | |
usually preference. He will be at full stretch on this | :42:00. | :42:05. | |
pink. He could reach it comfortably. He | :42:06. | :42:25. | |
must be taller than I remember. One thing is for certain, the first | :42:26. | :42:29. | |
green he played when he flicked the pink into play, look how beneficial | :42:30. | :42:33. | |
that has been now, he has every chance of winning the frame at this | :42:34. | :42:38. | |
visit. Yes, a great call that has made the difference. | :42:39. | :42:43. | |
If he did not play that he would have had very little to go at. It is | :42:44. | :42:46. | |
those little things that make all the difference between winning a | :42:47. | :42:49. | |
frame in one visit or not. So, you young aspiring snooker | :42:50. | :43:14. | |
players, watch this, he knew if he potted that green and hit the red or | :43:15. | :43:20. | |
pink it would bring one into play and give them a chance to win the | :43:21. | :43:25. | |
frame in one visit. Always be aware of what can be possible. He will be | :43:26. | :43:29. | |
disappointed with that, he has gone too close to the side cushion. There | :43:30. | :43:34. | |
is pressure on this pink now. He had a look at the scoreboard, that will | :43:35. | :43:39. | |
not make this pot in easier, 34 points is the lead. I think if the | :43:40. | :43:43. | |
black was in open play he would be more likely to pot it. | :43:44. | :43:48. | |
The fact the black is safe takes a bit of pressure off it. Very good | :43:49. | :43:53. | |
pot. This could be a frame winner now. A few more reds needed, the | :43:54. | :44:01. | |
next two are pretty straightforward, the next red after | :44:02. | :44:03. | |
that will be slightly more difficult. | :44:04. | :44:20. | |
That pink now takes 47 points in front, 57 remaining. | :44:21. | :44:31. | |
So, two reds, two colours should do the job. | :44:32. | :44:42. | |
I don't know whether that cue ball flew off the top cushion, but he is | :44:43. | :44:51. | |
certainly not on the pink as he wanted. Let's have a look. | :44:52. | :44:57. | |
It did seem to gather pace, didn't it? | :44:58. | :45:08. | |
And it has caused him to miss the pink, so he will go back to his seat | :45:09. | :45:15. | |
very, very disappointed. He had a bounce off the top cushion ruin his | :45:16. | :45:19. | |
position and ruin his chance of winning the third frame at that | :45:20. | :45:23. | |
visit. You would have to say he is still favoured but he will be | :45:24. | :45:31. | |
disappointed that the run of the ball has cost him. As you can see, | :45:32. | :45:38. | |
that red and black out of commission and this is the only red not near a | :45:39. | :45:46. | |
cushion, really. And he has missed it. This is a good lead to have. | :45:47. | :46:57. | |
Well, good safety shot that from Alan McManus, and look where the | :46:58. | :47:10. | |
reds R. Clearance from there? He may bring the black into play | :47:11. | :47:14. | |
this time. That red he will be playing into the black could bring | :47:15. | :47:18. | |
another red out. He will have to get the gap though. | :47:19. | :47:25. | |
Oh dear, that looks like end of frame. I was going to see that he | :47:26. | :47:29. | |
could be unlucky and knock the black in. | :47:30. | :47:33. | |
But you would have laughed at me. Yes, but after the time, John. | :47:34. | :47:39. | |
Try and see it before the shot, if you don't mind. Where is the black | :47:40. | :47:43. | |
ball going? ! | :47:44. | :47:46. | |
Just the red needed. And in that red goes. It has taken | :47:47. | :48:02. | |
quite a time to resolve this frame, there has been quite a bit of | :48:03. | :48:08. | |
safety. But it is Alan McManus who has just | :48:09. | :48:15. | |
picked up the pieces. A break of 47 early on seems to be the catalyst | :48:16. | :48:20. | |
for the frame. Now that black has gone and I am sure John Higgins will | :48:21. | :48:21. | |
concede. There you go, that is the double | :48:22. | :48:40. | |
kiss safety. John Higgins will give the referee then don't say that is | :48:41. | :48:46. | |
enough, so it is Alan McManus. A bitty frame, neither player looks to | :48:47. | :48:51. | |
have really settled, but Alan McManus leads John Higgins two | :48:52. | :48:56. | |
frames to one. Applause, not particularly for that | :48:57. | :49:01. | |
frame, but in the zone be hanged as there is point going on in the | :49:02. | :49:04. | |
Winter Gardens. To what extent is the familiarity of | :49:05. | :49:07. | |
each other and knowing each other's game going to have an impact on this | :49:08. | :49:14. | |
match, Steve? I think the first thing to discuss is that for every | :49:15. | :49:17. | |
top seed the first round is a potential banana skin. | :49:18. | :49:20. | |
Therefore you do not always said down as quickly. When you are up | :49:21. | :49:24. | |
against a player who you have a great bit of respect for, sometimes | :49:25. | :49:28. | |
you can give them too much respect. I think this game just hasn't got | :49:29. | :49:33. | |
going yet, that does happen. It is only three Micro frames in and it | :49:34. | :49:36. | |
takes players perhaps until the second session to get their arm | :49:37. | :49:41. | |
going. It is pretty cagey so far. Yes, we have talked about John | :49:42. | :49:45. | |
Higgins and his higher scoring prowess than Alan. | :49:46. | :49:48. | |
We're used to see him starting and stamping his authority quickly and | :49:49. | :49:53. | |
matches, but he has not capitalised. He is never going to take liberties | :49:54. | :49:58. | |
with Alan McManus, is the? No, he is not, but he knows he is | :49:59. | :50:03. | |
perhaps not firing and also wonders and he knows that Alan McManus is | :50:04. | :50:08. | |
finding a bit of form, after beating Mark Williams through the | :50:09. | :50:09. | |
qualifiers. He should be wary of what is going | :50:10. | :50:13. | |
on. Mark Williams sitting at home for the first time in, what? | :50:14. | :50:19. | |
22 years? Hello, Mark, if you are watching. He | :50:20. | :50:22. | |
would do the same to me! COMMENTATOR: I just wonder whether | :50:23. | :50:34. | |
Ken Doherty getting through has given a surge to that older | :50:35. | :50:35. | |
generation, as well. I would have to agree with Stephen. | :50:36. | :50:50. | |
At the moment John Higgins is getting chances, yet he only has a | :50:51. | :50:54. | |
break at 35. At this level if you get chances and you are not scoring, | :50:55. | :50:58. | |
then you don't win many frames. The highest break was 87, he made a 47 | :50:59. | :51:06. | |
in the last. John Higgins is still to make a break over 40. It is not | :51:07. | :51:10. | |
as though he has not had the opportunities. | :51:11. | :51:39. | |
Well, that is a bonus, there is no way he could have envisaged that | :51:40. | :51:43. | |
ball going in the corner. He is just going to play the role up | :51:44. | :51:49. | |
behind the green. -- roll. He has managed to snooker John on | :51:50. | :52:10. | |
all the reds. He got a good cue ball, but the red going in was a | :52:11. | :52:16. | |
bonus, and once that went in he could lay on the sticker macro and | :52:17. | :52:21. | |
protect John in even more trouble. He is looking at the two cushion | :52:22. | :52:24. | |
escaped with pace. This is risky. | :52:25. | :52:28. | |
-- lay on the snooker. The Miss fit, it the blue full ball, | :52:29. | :52:35. | |
then this is called, but will not be taken. | :52:36. | :52:41. | |
-- he missed it. This is a good chance, there is a | :52:42. | :52:48. | |
mid-session interval after this frame. A 3-1 lead for Alan McManus | :52:49. | :52:57. | |
would put a bit more pressure on John. | :52:58. | :53:26. | |
There is a choice here, he has the pink to the middle and the black. | :53:27. | :53:31. | |
The black is only available to the right corner. Those two reds below | :53:32. | :53:38. | |
the black are affecting his shot choice, you would feel. | :53:39. | :53:46. | |
He played that nicely, though, potted the pink, listened a few more | :53:47. | :53:51. | |
reds. -- loosened. If the blue is just off straight he | :53:52. | :55:03. | |
will take it on. He is taking it on. He is looking pretty good at the | :55:04. | :55:20. | |
moment, Alan McManus. Not nicely on a red, though. There is a gap in | :55:21. | :55:26. | |
between the pink and a red on the outside to get through to a red. | :55:27. | :55:33. | |
There is an interesting statistic, look at the pox pot success, 91% | :55:34. | :55:45. | |
Alan McManus, 81% John Higgins. And another horrific pot. | :55:46. | :55:53. | |
This is a tremendous shot, so close to the ocean, digging down. He could | :55:54. | :56:00. | |
not have played that better. You would have to say he was a little | :56:01. | :56:03. | |
bit unlucky to be so close to the cushion, people -- because both | :56:04. | :56:07. | |
brown and yellow are not easy to get back up to this end of the table. | :56:08. | :56:15. | |
Power is needed. And power was got. As you look, not very good. He can | :56:16. | :56:22. | |
get through to the one on the back cushion and get back up for a baulk | :56:23. | :56:26. | |
colour again. I think he would have liked to have | :56:27. | :56:48. | |
been on the blue, but he went a little bit further than he would | :56:49. | :56:50. | |
have liked. It could be brown. I think the | :56:51. | :56:59. | |
yellow maybe a little bit too straight. The blue is thin. If | :57:00. | :57:03. | |
you're going to play the blue, I would be thinking about playing the | :57:04. | :57:07. | |
cannon here, rather than just rolling it in. | :57:08. | :57:16. | |
Well, he still has a possibility, there are two reds available to the | :57:17. | :57:26. | |
left middle. The top one would take a little bit more pressure off him. | :57:27. | :57:33. | |
And straight in the heart of the pocket. He needs the cue ball to | :57:34. | :57:39. | |
slow up... He has just overrun it a fraction. He can still pot the | :57:40. | :57:44. | |
brown, but awkward cueing with the green. | :57:45. | :57:48. | |
He certainly seems to be gaining in confidence. He is looking very at | :57:49. | :57:53. | |
ease with himself. He has played off one cushion, but | :57:54. | :58:10. | |
he knew he was bound to be on a red should he pot it. I don't go whether | :58:11. | :58:15. | |
Allen called the foul or the referee saw it, but he will be disappointed, | :58:16. | :58:18. | |
it must have been the green that he touched. | :58:19. | :58:30. | |
We did not notice anything on the slow motion, John. That would | :58:31. | :58:36. | |
suggest that Allen called it on himself, because it is only | :58:37. | :58:39. | |
something as a player that you would feel. | :58:40. | :58:46. | |
But that is what we expect in our game. That conduct. But it could be | :58:47. | :58:54. | |
costly. He looked for all the world to be on the way to winning this | :58:55. | :59:01. | |
frame. Well done. But, as I say, it could cost him. | :59:02. | :59:33. | |
This isn't really a reprieve for John Higgins, because he has not | :59:34. | :59:38. | |
really been in this match yet, has he? He has had precious little | :59:39. | :59:42. | |
opportunity, and the opportunities he has had he has not scored. This | :59:43. | :59:48. | |
is a bit of a gift. One thing is for certain, if he gets up to two each, | :59:49. | :59:53. | |
I know who will enjoy their cup of tea the most. | :59:54. | :00:03. | |
He is looking at the reds in the middle of the table as a plant. He | :00:04. | :00:10. | |
has to be careful. There is a gap between the two, so he has to | :00:11. | :00:14. | |
concentrate on hitting that first ball correctly. | :00:15. | :00:21. | |
And he did not. He was thinking about position. And he forgot to hit | :00:22. | :00:34. | |
that first ball in the right place. If you don't hit the first ball in | :00:35. | :00:37. | |
the right place you don't hit the second ball to knock it in the | :00:38. | :00:44. | |
pocket. That foul that Alan McManus made has not cost him, he has | :00:45. | :00:45. | |
another chance for a 3-1 lead. If he gets through the gap, he'll be | :00:46. | :01:38. | |
on a red. Could play for the one in the middle. 21 points in front. | :01:39. | :01:43. | |
Needs four more reds at least. He's looking very confident, playing | :01:44. | :02:11. | |
a decent pace around the table. Looks to be taking on a few more | :02:12. | :02:19. | |
shots than he used to. Maybe he realises he can still compete at the | :02:20. | :02:21. | |
top level. He'll probably take a risk here. He | :02:22. | :03:05. | |
didn't want to be playing that one along the cushion. | :03:06. | :03:28. | |
I agree that he should disturb them. Very unlucky. All of a sudden he | :03:29. | :03:49. | |
looks like twlor reds, one in each corner, and all of a sudden they've | :03:50. | :03:54. | |
lined up. Good expression from Alan McManus there. He was quite amazed | :03:55. | :03:56. | |
at what happened. Didn't generate enough pace into the | :03:57. | :04:35. | |
cue ball. You could say in his last frame, this is his last chance. | :04:36. | :04:40. | |
Comes to the table 35 points behind, 59 remaining so he doesn't need high | :04:41. | :04:44. | |
value colours but he'll need them all. | :04:45. | :04:53. | |
And is this when he comes to life? So far, he's not really been the | :04:54. | :05:02. | |
John Higgins we expect. Could be a chance to steal a frame here. | :05:03. | :05:20. | |
Yes, McManus will be feeling uncomfortable because he knows he's | :05:21. | :05:27. | |
dominated this first session. And I really do mean dominated. 3-1 will | :05:28. | :05:33. | |
be the worst he could have expected considering how he's play and John | :05:34. | :05:37. | |
Higgins has played. Higgins has every chance of levelling at two | :05:38. | :05:43. | |
now. Didn't really want to push that on the cushion -- at 2-2 now. | :05:44. | :06:00. | |
Safety success is better. And this is not nice at all. | :06:01. | :06:15. | |
He's close to the red, just off the cushion. This is definitely | :06:16. | :06:19. | |
missable. That's not in. He tried to get the | :06:20. | :06:33. | |
cover with the black. I don't know, the way things have been going in | :06:34. | :06:37. | |
these first few frames, I may have been tempted to play for the snooker | :06:38. | :06:41. | |
there. Couldn't have agreed more. He was a bit close to his white there. | :06:42. | :06:51. | |
Yes. McManus deciding to go for a baulk colour. Thought that that | :06:52. | :06:55. | |
would make it that much easier to get the position on the yellow and | :06:56. | :06:56. | |
now he's nicely on the green. All the positive thoughts will be | :06:57. | :07:04. | |
back in Alan's mind now, rather than be thinking, if I'd have got a good | :07:05. | :07:07. | |
kiss on that last black and moved the reds into play, I would have | :07:08. | :07:11. | |
been in front. He'd have been thinking all those things things. | :07:12. | :07:21. | |
But now he'll be relaxing in the interval. What we have seen from | :07:22. | :07:27. | |
John Higgins so far is that he's not looking at ease with himself. | :07:28. | :07:40. | |
Pretty impressed with Alan. Only missed I think one easy pot in this | :07:41. | :07:51. | |
first four frames. A couple of poor safeties, but apart from that, he's | :07:52. | :07:55. | |
looked pretty good. It hasn't been the high standard | :07:56. | :08:10. | |
from the first four frames from either player but McManus has | :08:11. | :08:14. | |
certainly been the better of the two. | :08:15. | :08:16. | |
Very good session for McManus, very poor for Higgins. First four frames | :08:17. | :08:27. | |
have been won by McManus. I think we agree that McManus looks | :08:28. | :08:32. | |
the more confident of the players so far, Stephen? Yes, he looks the more | :08:33. | :08:37. | |
composed. John Higgins, he had a chance to pinch that frame, that's | :08:38. | :08:41. | |
normally something Thunderballed put your house on him doing and he | :08:42. | :08:46. | |
didn't achieve it. -- something that you would put your house on him | :08:47. | :08:59. | |
doing. I've seen it time and time again, positions where John's | :09:00. | :09:03. | |
normally the best in the world at coming back and pinching frames. If | :09:04. | :09:08. | |
you take it for granted that you are going to do that almost and and a | :09:09. | :09:12. | |
couple of times you don't, the doubt creeps in there. Again it's | :09:13. | :09:16. | |
confidence issues? Yes, you can't buy the stuff. The only way you can | :09:17. | :09:21. | |
get it is from going on the practise table and acquiring some there. More | :09:22. | :09:26. | |
importantly on the match table. Somehow, John Higgins may have to | :09:27. | :09:29. | |
play his way into some sort of match confidence. After that session, I'm | :09:30. | :09:33. | |
sure he's pretty low. It's difficult against a man like McManus, 43 years | :09:34. | :09:39. | |
of age, competing here for a couple of decades and has twice been in the | :09:40. | :09:43. | |
semi-finals, has the Scot. He came back here after a missing seven | :09:44. | :09:47. | |
years worth of playing at the Crucible and said that coming back | :09:48. | :09:52. | |
12 months ago really inspired him to get his game back in order. He's | :09:53. | :09:55. | |
done that this season, moving from world 50 up to 35. He's in a good | :09:56. | :10:00. | |
place and has had a great season. He's a self-efacing guy away from | :10:01. | :10:10. | |
the table but is a total hard knot. To come back two years in a row now | :10:11. | :10:14. | |
couldn't be better. It's a great feeling, a great way to end the | :10:15. | :10:18. | |
season. When you have history here, the people know you, obviously, if | :10:19. | :10:23. | |
you've been around the place for so many years which I have been. It's | :10:24. | :10:26. | |
nice to chat with some of them and sign a few programmes. I've been | :10:27. | :10:33. | |
happy with my general form. I'm enjoying the game, enjoying being | :10:34. | :10:37. | |
busy and don't have to put in the hours that we used to. The | :10:38. | :10:42. | |
tournaments are really good. Some of the new formats have been good for | :10:43. | :10:45. | |
the game. You always know that a week or two down the line you are | :10:46. | :10:50. | |
going to have another shot at it. That's definitely helped. It's a | :10:51. | :10:56. | |
different experience being behind the microphone. It's easier to | :10:57. | :11:00. | |
criticise and we all criticise things, of course we do, but I still | :11:01. | :11:04. | |
know how difficulties out there and it really is tough. I really try to | :11:05. | :11:10. | |
be the opposite, hypercritical. I find some commentators are way too | :11:11. | :11:14. | |
critical, but then I can understand that if they've not been on the | :11:15. | :11:18. | |
circuit for, you know, ten or 15 year, they maybe just forget how | :11:19. | :11:24. | |
difficult the game actually is. John for me is Without question, one | :11:25. | :11:30. | |
of the three or four best players in the history of the sport, from a | :11:31. | :11:35. | |
personal stand point, it will be a pleasure for me to even play John. I | :11:36. | :11:39. | |
want to give him a good game first and foremost. You can only just play | :11:40. | :11:43. | |
your own game and forget about him. Whatever will be will be and I'm | :11:44. | :11:47. | |
happy to be here but I'm going to play to win. He's certainly giving | :11:48. | :11:52. | |
John a great game so far. If you want to continue to watch that, it's | :11:53. | :11:56. | |
available by the red button or by online. We are going to move away | :11:57. | :12:01. | |
and have a bit of fun now. I will ask you a quiz question: Which cue | :12:02. | :12:06. | |
cyst a three-time world champion and also has over ten million hits on | :12:07. | :12:14. | |
YouTube? Well, his name is Florrianne Cola. He's the world | :12:15. | :12:16. | |
trick shot champion. I'm known as Venom. Three-times | :12:17. | :12:33. | |
trick shot champion. What I do is purely skill shots most of the time | :12:34. | :12:39. | |
so I post videos online and YouTube itself, I have around ten million | :12:40. | :12:50. | |
views I think. I started trick shots seven years ago now. I got a small | :12:51. | :12:56. | |
pool table for his 18th birthday as a gift and I don't know how to play | :12:57. | :13:03. | |
it then, literately not at all. -- literally not at all. I go online | :13:04. | :13:08. | |
and find a lot of trick shots. I saw the videos and started doing copies | :13:09. | :13:14. | |
of the tricks. After three years I know all the shots already and keep | :13:15. | :13:18. | |
doing it. It's been 16 years doing the same shots so I'm doing my own | :13:19. | :13:23. | |
version of it. Posting videos and new shots now. 60 videos later I'm | :13:24. | :13:29. | |
here, talking about more than 1,000 new shots created. | :13:30. | :13:39. | |
Thing two years, I've already been in 30 different countries and some | :13:40. | :13:47. | |
of them are more important for me, probably China is important. There | :13:48. | :13:52. | |
is a lot of people watching. I think the biggest audience I played in | :13:53. | :13:59. | |
front of was for Fran Has got Talent. Big theatre. TV in China, | :14:00. | :14:04. | |
100 million people live there or something like that on Saturday | :14:05. | :14:11. | |
night, a big audience. -- France's Got Talent. | :14:12. | :14:22. | |
My idea is to get the pool table in a different light and record the | :14:23. | :14:28. | |
trickiest shot ever. If you could maximise the use and | :14:29. | :14:36. | |
put a table in a different location, it's more entertaining for young | :14:37. | :14:39. | |
people especially. Wow, he is a run away train on a | :14:40. | :14:45. | |
pool table that. Was a little introduction from him. We'll be | :14:46. | :14:49. | |
seeing a new trick from Florian every day. | :14:50. | :14:55. | |
Best I've ever seen. Quite incredible. What do you make of him? | :14:56. | :15:00. | |
Cue ball control was immense there. You look at him, and in snooker, | :15:01. | :15:05. | |
some of the fancy shots is nothing to that. You could buy some of that! | :15:06. | :15:09. | |
That's a whole other story anyway. We are going to concentrate on | :15:10. | :15:19. | |
events on table 2 at the Crucible, featuring a 24-year-old from | :15:20. | :15:23. | |
Gloucester who started his campaign yesterday. He had an undertaking. | :15:24. | :15:28. | |
He's playing a man whose mantle piece this season is groaning from | :15:29. | :15:31. | |
the weight of five major trophies. For young Michael here, he's full of | :15:32. | :16:27. | |
nerves and just wants to get his hands on the table and hit some | :16:28. | :16:29. | |
balls. Just the start you look for. Must | :16:30. | :16:41. | |
get it safe. It's on the way up. It was not the | :16:42. | :16:45. | |
idea and it looks as though he's going to leave this green. | :16:46. | :16:49. | |
Well, he couldn't have placed that bet federal he'd have put it there | :16:50. | :17:08. | |
with his hand. -- better if he'd have put it there | :17:09. | :17:13. | |
with his hand. He spotted a plant there. | :17:14. | :17:21. | |
Michael leads the world number two. 3-2. | :17:22. | :17:35. | |
Good shot. That's a bit more like it from Ding Junghui. A wonderful | :17:36. | :17:43. | |
break. Ding will be happy leading by three | :17:44. | :18:00. | |
frames at 6-3. He had obviously worked out some of his frustrations | :18:01. | :18:05. | |
earlier in that match with the three frame cushion that. 's what he took | :18:06. | :18:08. | |
into this afternoon's deciding session. Wasley won the first of the | :18:09. | :18:12. | |
afternoon to make it four six and we are going to rejoin them in frame | :18:13. | :18:17. | |
11, Ding to play, no score. Ken Doherty and Denis Taylor in the box. | :18:18. | :18:28. | |
It was close, but it was never in and, if you look at where the cue | :18:29. | :18:35. | |
ball finished, that was the reason he missed the pot. Had he have | :18:36. | :18:39. | |
potted that red, cleanly it would have been round on the blue. | :18:40. | :18:51. | |
An early chance for Michael here. Maybe just play a delicate little | :18:52. | :19:01. | |
cannon. He's got four loose reds there. | :19:02. | :19:16. | |
You mentioned earlier, everyone's individual with their bridge hand | :19:17. | :19:21. | |
and back hand and Michael, you spotted that he keeps his fingers | :19:22. | :19:26. | |
close together? Yes, most players spread their fingers but look how | :19:27. | :19:30. | |
closely he keeps his fingers together. It's not often you'd see | :19:31. | :19:37. | |
that with any player. Very close together. Doesn't seem to be | :19:38. | :19:44. | |
affecting him in any way. It's quite unusual. | :19:45. | :20:07. | |
Still got a couple more loose reds. He could, if he wanted, play this | :20:08. | :20:16. | |
with a spin into the pack. And that's what he's playing. I love | :20:17. | :20:24. | |
that shot! That's a fabulous shot. Took the bull by the horns there and | :20:25. | :20:29. | |
couldn't have played it any better. Brilliant. | :20:30. | :20:46. | |
May have to play a delicate screw shot here. Can he hold himself | :20:47. | :20:58. | |
together? Great chance to get back to just one behind. | :20:59. | :21:09. | |
For a debutant at the Crucible Theatre, he's done remarkably well. | :21:10. | :21:15. | |
I like his style. What's he done here? If that red | :21:16. | :21:34. | |
doesn't pass the pink, he's going to have to take the pink and head to | :21:35. | :21:39. | |
the baulk area. The blue won't go into the left corner or centre | :21:40. | :21:41. | |
pocket that,'s for sure. Certainly doesn't hang about once he | :21:42. | :22:08. | |
gets going. Very quick. That was an excellent | :22:09. | :22:15. | |
spin from the black. Plenty of reds still available after | :22:16. | :22:44. | |
he takes this red and blue. The red next to the pink is pretty | :22:45. | :23:14. | |
straightforward. He's looking at the other in the bottom left hand corner | :23:15. | :23:17. | |
pocket. But he's concerned whether the pink will spot after that. | :23:18. | :23:49. | |
You can always tell from body language the way the players go | :23:50. | :23:58. | |
around the table. It's marvellous here in Sheffield, but the body | :23:59. | :24:03. | |
language yes, of a player, the way he goes about his break, Michael | :24:04. | :24:09. | |
Wasley was giving off indications that he's very, very comfortable out | :24:10. | :24:23. | |
there. He's really enjoying it. He gave himself a few more seconds | :24:24. | :24:26. | |
there. That's a good sign. He started this match so well with | :24:27. | :24:32. | |
breaks of 53 and 63. This one's coming just at the right time. | :24:33. | :24:39. | |
62 ahead. Still a possible 75 on the table. | :24:40. | :24:49. | |
This certainly is giving Ding something to think about. | :24:50. | :25:08. | |
The fact that the pink is on is a little bonus. | :25:09. | :25:16. | |
Got to make sure of the pot first. That's OK. Not too bad. | :25:17. | :25:38. | |
The referee saying give me a couple of seconds while he gets the pink | :25:39. | :25:47. | |
into an awkward spot there. As near to its own spot as possible in the | :25:48. | :25:52. | |
direct line behind it. And the other red slightly in the way so. A steady | :25:53. | :25:55. | |
thumb needed. Just has to drop this in the middle | :25:56. | :26:00. | |
pocket. Looks as if he going to screw back. | :26:01. | :26:09. | |
Only just. Just knocked on the door. Another | :26:10. | :26:26. | |
excellent shot. Well played. Always a mile Steen in a player's | :26:27. | :27:01. | |
career, to make your first century at the Crucible. Ding has the | :27:02. | :27:08. | |
highest break at the moment -- milestone. | :27:09. | :27:29. | |
Could equal the 136 with two blacks. This for the century though. | :27:30. | :27:50. | |
He's not going to bother about trying to equal that highest break | :27:51. | :27:55. | |
because it probably won't stand anywhere, I wouldn't imagine, with | :27:56. | :27:57. | |
the standard of play these days. I think Michael knows that Ding is | :27:58. | :28:21. | |
under a bit of pressure, although he's won five ranking tournaments. | :28:22. | :28:25. | |
He knows Ding wants this World Championship so badly and he knows | :28:26. | :28:28. | |
that Ding is under quite a bit of pressure to achieve that. | :28:29. | :29:05. | |
This break is going to give him more confidence. Fantastic break. It all | :29:06. | :29:15. | |
came about from the wonderful split from the black from Michael Wasley | :29:16. | :29:30. | |
earlier in the frame. Lots of top spin. Very impressive stuff. | :29:31. | :29:48. | |
125 break from the young debutant here at the Crucible, Michael | :29:49. | :29:52. | |
wattly. -- Michael Wasley. That was a fantastic break by | :29:53. | :30:11. | |
Michael Wasley and that puts him into second place behind Ding | :30:12. | :30:15. | |
Junhui. There have only been eight centuries so far, not sure why that | :30:16. | :30:20. | |
is so low for this time. That break was made possible by a fantastic | :30:21. | :30:23. | |
shot from Michael Wasley Wintney split the reds. Michael Wasley | :30:24. | :30:28. | |
lining up to play the shot. All of a sudden, let's go just back a | :30:29. | :30:34. | |
fraction, he has played off the top cushion. | :30:35. | :30:37. | |
As the cue ball comes into the reds he will try and disturb as many as | :30:38. | :30:41. | |
possible. We have other slow motion footage, and all of a sudden, | :30:42. | :30:46. | |
showing what happens when that white ball does hit the black comedy pots | :30:47. | :30:51. | |
the black, this is an ultra-slow motion camera, I am winding it as | :30:52. | :30:56. | |
fast as I can, we go back to the table, you can see the topspin spill | :30:57. | :31:00. | |
on -- still on the shot, and as the white ball hits the reds all of a | :31:01. | :31:07. | |
sudden it starts to... I am getting worn out here! The topspin takes it | :31:08. | :31:13. | |
further forward. In the instance we saw with Michael Wasley, when you | :31:14. | :31:17. | |
play the shot, we will show the whole thing in one go, he does not | :31:18. | :31:21. | |
put as much topspin on it, so he does not get so much forward | :31:22. | :31:28. | |
momentum, but he pushes through the pack quite nicely. It is a tough | :31:29. | :31:33. | |
shot to demonstrate. One of the greatest players at breaking the | :31:34. | :31:37. | |
back is here. You are describing a shot you never | :31:38. | :31:42. | |
played! I did, once! Do you get paid per revolution? | :31:43. | :31:48. | |
I have a sore hand. All of this brings us back to the | :31:49. | :31:51. | |
fact that Michael Wasley is only one thing behind and it brings the | :31:52. | :31:56. | |
question of Ding Junhui's convert levels at the Crucible. He does seem | :31:57. | :32:01. | |
to get more easily frustrated here than at any other venue. | :32:02. | :32:05. | |
-- comfort levels. He may have gone up any other match ten - four. | :32:06. | :32:10. | |
Subsequently he lost the first frame, Michael Wasley is growing in | :32:11. | :32:15. | |
confidence and Ding Junhui just wants over the line now. Is there | :32:16. | :32:20. | |
much more pressure? There seems to be much more | :32:21. | :32:23. | |
importance on the first rounds from the players now. | :32:24. | :32:28. | |
It is a given when I was playing in the 1990s that the first rounds were | :32:29. | :32:33. | |
easier, I am not denying that, but I never put too much importance on | :32:34. | :32:37. | |
getting through the first round. There is pressure building, but the | :32:38. | :32:41. | |
standard is higher. From my perspective I can say I had some | :32:42. | :32:45. | |
horrendous first round matches here as a favourite, do just getting over | :32:46. | :32:49. | |
line 10-8 against players you're supposed to beat. | :32:50. | :32:53. | |
Still great players, but my memories of the first round is nightmares. | :32:54. | :33:02. | |
Some of the draws new hardware like a Freemans catalogue. -- some of the | :33:03. | :33:08. | |
draws you had were like. We are now back to the 12th with Ding on the | :33:09. | :33:13. | |
table. I tell you what, he has put himself | :33:14. | :33:23. | |
under some pressure, he has never really recovered from that easy | :33:24. | :33:25. | |
black that he missed. He really has not, Ken. He is certainly rocking at | :33:26. | :33:30. | |
the moment comedy is not looking like a five-time winner of this | :33:31. | :33:37. | |
season and this match so far. He has come here probably as second | :33:38. | :33:41. | |
favourite to Ronnie O'Sullivan, but at the moment he is in a battle. | :33:42. | :33:49. | |
It is amazing how quick, as we look at the pot success, it is amazing | :33:50. | :34:06. | |
how a league can be whittled away. -- a league. Very quickly it can be | :34:07. | :34:09. | |
the loneliest chair in the arena. Here was the black in the first | :34:10. | :34:28. | |
frame. It has all gone a little bit pear shaped since then for Ding. He | :34:29. | :34:34. | |
has to get his composure back very quickly, because this young Michael | :34:35. | :34:38. | |
Wasley is looking very composed and getting stronger as the much has | :34:39. | :34:40. | |
gone on. -- as the match. Yes, I think yesterday when Ding was | :34:41. | :34:53. | |
struggling all of a sudden from 3-2 down, he won four frames in a row | :34:54. | :35:02. | |
with breaks of 136, 65 and 40, but you cannot keep believing it like | :35:03. | :35:08. | |
that. It is the first to ten and this young player is closing in on | :35:09. | :35:11. | |
the Chinese sensation. That was a tremendous pot into the | :35:12. | :35:47. | |
middle. Particularly at that pace. He did have the right thing, he just | :35:48. | :36:21. | |
got away from the table again, he had not quite made his mind up. -- | :36:22. | :36:26. | |
he did the right thing. It is a little bit like a golf shot, you | :36:27. | :36:32. | |
will see the top pros, they are ready to take a shot, they are not | :36:33. | :36:35. | |
happy and they will walk away from it to come back to it again, and | :36:36. | :36:38. | |
that is exactly what Michael did there. | :36:39. | :36:44. | |
Yes, there is a red that will just pot into the right corner. | :36:45. | :37:12. | |
He is enjoying himself out there, I can tell. I had a chat to him | :37:13. | :37:18. | |
earlier and he said he really did enjoy yesterday. Some players | :37:19. | :37:23. | |
embrace this place get a little bit uptight, but he is loving every | :37:24. | :37:28. | |
minute of this. -- and some get a little bit uptight. | :37:29. | :37:46. | |
Well, he has worked this break very well. Over 200 points without reply | :37:47. | :37:53. | |
from Ding and counting. That is a bit unlucky. He is still | :37:54. | :39:03. | |
on a red, but how did he get through that gap? A little nudge would have | :39:04. | :39:09. | |
been better. He is cueing well, the boy. I think he got a little bit of | :39:10. | :39:14. | |
a kick there, though. It gives them a slightly different angle on the | :39:15. | :39:22. | |
pink year. It just means the pink is slightly more difficult than it | :39:23. | :39:25. | |
would have been without the heavy contact, and it means it is slightly | :39:26. | :39:29. | |
more difficult to regain position. A Street think there would have been | :39:30. | :39:40. | |
perfect. -- castrate pink -- a Street think. | :39:41. | :39:45. | |
If he tries to get into the cue ball he can screw the pink and make a | :39:46. | :39:52. | |
cannon on the red that is closest to it. | :39:53. | :40:00. | |
He has shown a lot of years of my duty that shot alone. -- of much -- | :40:01. | :40:14. | |
years of maturity. What a clever shot he played there, | :40:15. | :40:18. | |
Dennis. He has tried to tie the pink up, he has a 44 point league, and | :40:19. | :40:26. | |
maybe a lot of other players his age may have thought playing the pot was | :40:27. | :40:32. | |
the right shot. He is putting the onus back on Ding here. | :40:33. | :40:39. | |
Just maybe Michael has old crafty Ken's video. | :40:40. | :40:46. | |
Do you like that name, crafty Ken? I prefer the darling of Dublin. | :40:47. | :40:51. | |
I have been called clueless Ken at times. | :40:52. | :41:10. | |
Ding needs the pink and black in play, really, he cannot afford to | :41:11. | :41:17. | |
risk bringing them into play and sticking one up for Michael. | :41:18. | :41:30. | |
He might just take this one on, because he has cleverly tied up the | :41:31. | :41:39. | |
high-value colours and there is no reason why he should not have a go | :41:40. | :41:43. | |
at this and get himself onto the blue. | :41:44. | :41:53. | |
He is full of confidence, he is now striding around the table like he | :41:54. | :42:05. | |
has been there for years. And I think that is one of the | :42:06. | :42:17. | |
keys, Ken, isn't it? Coming here and enjoying it. He is embracing every | :42:18. | :42:20. | |
moment of this. He certainly is. | :42:21. | :42:48. | |
57, the difference. 59 remaining. Blue will leave Ding needing snooker | :42:49. | :43:06. | |
four yet again. -- snooker so yet again. | :43:07. | :43:12. | |
All of a sudden, Dennis, we have a match on here. Do we ever have a | :43:13. | :43:21. | |
match on. At 6-3 I think everyone was thinking | :43:22. | :43:26. | |
Ding has settled down, he will run out a comfortable winner, but, well, | :43:27. | :43:33. | |
that is a little bit like the old Ding sitting there, little bit fed | :43:34. | :43:35. | |
up with himself. And, barring a snooker, the young | :43:36. | :43:46. | |
Michael Wasley has got himself all square with Ding. | :43:47. | :43:55. | |
Indeed he did. He is ranked 73 in the world come against the world | :43:56. | :43:57. | |
number two. Ding Junhui after such a stellar | :43:58. | :44:01. | |
season does not look comfortable at all this time. Into frame 13 and it | :44:02. | :44:05. | |
is Michael Wasley up once more. That was a big shot. What has he | :44:06. | :44:12. | |
left? He has knocked a few of those in | :44:13. | :44:25. | |
there and he has left Ding a shot with the rest, and this is a key | :44:26. | :44:31. | |
shot. It must be nearly 15 minutes since Ding's last pot. This is not a | :44:32. | :44:41. | |
straightforward. And, somehow, Ken, if he can get | :44:42. | :44:52. | |
himself to the mid-session interval with a one frame advantage he will | :44:53. | :45:00. | |
be a lot happier, certainly. If he lost this frame... | :45:01. | :45:07. | |
He still has quite a bit of work to do, he was 28 behind, just 21 now. | :45:08. | :45:20. | |
But how many times have we seen it when the pressure is on, the top | :45:21. | :45:30. | |
players in the world come into their own? They seem to have that inner | :45:31. | :45:34. | |
strength. He needs it here, after what has happened to them. | :45:35. | :45:39. | |
Yes, this is such a big frame, isn't it? The last frame before the | :45:40. | :45:45. | |
mid-session interval, and, as you said, if Ding can win this he would | :45:46. | :45:51. | |
be backed up on the horse again, as we say. But he has a lot of work to | :45:52. | :45:53. | |
do. Under normal circumstances, it would | :45:54. | :46:03. | |
be straightforward with the ball is sitting like this, look at the way | :46:04. | :46:09. | |
those reds are lined up. Yes, and I am sure Ding would have already have | :46:10. | :46:14. | |
done his homework. He is not going to need that red | :46:15. | :46:18. | |
that is tied to the right-hand side cushion. | :46:19. | :46:25. | |
I'm sure there are a couple of Ding supporters in the audience. He is | :46:26. | :46:31. | |
looking to need that red that is pretty safe. -- he is not going to | :46:32. | :46:32. | |
need. Yes, they love their snooker, the | :46:33. | :47:00. | |
Chinese people. They have taken it to their hearts. I cannot believe it | :47:01. | :47:09. | |
is way back in 1985 that Steve Davis and myself went to China for the | :47:10. | :47:16. | |
first time. There wasn't any decent players, they were all keen on the | :47:17. | :47:20. | |
game snooker, some of the children played it in the streets, but we | :47:21. | :47:24. | |
played a couple of local players and I don't think they made above 30 | :47:25. | :47:28. | |
break. But look at the standard now that is coming from that country. | :47:29. | :47:48. | |
So, that long red that Michael missed will prove costly. He was | :47:49. | :47:53. | |
very close to knocking it in. Expect a little bit of noise from | :47:54. | :48:15. | |
the other side of the arena, they are wrapped their interval. Just | :48:16. | :48:23. | |
keep fully focused. He is just 25 in front. -- they are at their | :48:24. | :48:25. | |
interval. He got a terrible kick there. That | :48:26. | :48:48. | |
White would have slipped past the black. He is OK, it did not spoil | :48:49. | :48:56. | |
the pot, but it certainly... Just look at this year. | :48:57. | :48:59. | |
As it turned out, cannon the black was OK. | :49:00. | :49:07. | |
-- the can on on the black was OK. -- the cannon. | :49:08. | :49:14. | |
Is he going to come up short? He has to get on that last red. There are | :49:15. | :49:24. | |
two Micro reds, but he has to get up to the one nearest the green and | :49:25. | :49:27. | |
brown to secure the frame. That looked pretty good. Played to | :49:28. | :49:28. | |
perfection. Feeling a little happier now, Aaron | :49:29. | :49:36. | |
play? -- are they not? Snookers required, the brown to make | :49:37. | :50:05. | |
absolutely sure. Keep your ion that cue ball. It is in the pocket... No, | :50:06. | :50:07. | |
it is not. Doesn't matter about that red, that | :50:08. | :50:15. | |
was a very timely 73 break. And you are right up to date, | :50:16. | :50:33. | |
because we are going live back in. They have had their interval and we | :50:34. | :50:41. | |
are no into frame 14. Marco is now 11 points ahead. We had back to Ken | :50:42. | :50:46. | |
and Dennis, another exciting one, this. | :50:47. | :50:52. | |
COMMENTATOR: It certainly is, Hazel, you missed a chance early in this | :50:53. | :51:00. | |
frame but he got back in again. He got a little bit frustrated and | :51:01. | :51:03. | |
took his eye of the pot, concentrating on the cannon. But | :51:04. | :51:07. | |
that is all forgotten. He just needs the green and brown to | :51:08. | :51:20. | |
make absolutely certain. Michael did have a chance but he missed a red, | :51:21. | :51:27. | |
then Ding got back in. This was the one into the corner that was not a | :51:28. | :51:35. | |
gimme. And you are right up to date, that is exactly the story of | :51:36. | :51:37. | |
this frame. It does not matter about that pink, | :51:38. | :52:03. | |
Ding will be feeling much better now, because Michael did have a | :52:04. | :52:07. | |
chance there. We showed you the blue that Ding missed, but he will be | :52:08. | :52:09. | |
delighted to extend his lead to 8-6. And you never know, but it has taken | :52:10. | :52:18. | |
Ding once again in the second session a little bit of pushing to | :52:19. | :52:22. | |
get started in this. That is what a lot of the top players do, they | :52:23. | :52:27. | |
cannot get into top gear against someone they expect to beat, let's | :52:28. | :52:30. | |
be honest. Ding would not be expecting to lose | :52:31. | :52:34. | |
this match and consequently he is perhaps not focused. It takes | :52:35. | :52:37. | |
something like your opponent getting close to you to find that other | :52:38. | :52:42. | |
gear. It is something we discuss a lot, but you, as former champions in | :52:43. | :52:47. | |
this sport, how difficult is it in the first round, when you know it is | :52:48. | :52:50. | |
an important match, every session is important, but it is not a white, is | :52:51. | :52:54. | |
it difficult to find top gear saw early? | :52:55. | :53:01. | |
I think the first match in any venue you are sort of finding your feet | :53:02. | :53:05. | |
even if you have been there before. It is a relatively new experience. | :53:06. | :53:08. | |
All of the surroundings, you have to settle down, and usually in the | :53:09. | :53:11. | |
second session players are better than in the first. But they are all | :53:12. | :53:19. | |
desperate to get to the 25 frames. As if 19 is not long enough! It is | :53:20. | :53:24. | |
the longest of the season, but it is not long enough when there is 25 | :53:25. | :53:29. | |
around the corner. And why do you think Ding would struggle more in | :53:30. | :53:32. | |
this venue than anywhere else? That is what appears to be the case | :53:33. | :53:38. | |
once again. You can only put it down to expectation of other people | :53:39. | :53:42. | |
around. As we talked about, he is the first | :53:43. | :53:46. | |
Asian world champion, so you can only put it down to that. He is | :53:47. | :53:51. | |
number two in the world and has won five tournaments this year. It | :53:52. | :53:54. | |
cannot be to do with snooker or bottle or anything like that. A | :53:55. | :53:58. | |
couple of years ago he was criticised - not criticised, but he | :53:59. | :54:02. | |
said he did not like the venue. There are players on the bus to have | :54:03. | :54:08. | |
not liked venues. We touched on this, you know what it is like to | :54:09. | :54:13. | |
have won five events, you are the last to do it in a single season, | :54:14. | :54:17. | |
and by the time you get to the World Championships are you simply running | :54:18. | :54:20. | |
out of gas? I don't subscribe to that, I must | :54:21. | :54:24. | |
admit. When I lost having won all those | :54:25. | :54:28. | |
titles, did not feel jaded. When I got to the Crucible, you have | :54:29. | :54:32. | |
that inspiration of it being the World Championships. | :54:33. | :54:35. | |
I cannot speak for other players, they may get affected, I don't | :54:36. | :54:38. | |
know. He obviously won the China Open, | :54:39. | :54:41. | |
which was literally just a week ago, so perhaps he has finding it hard to | :54:42. | :54:47. | |
get himself up again so quickly. He has a two Micro frame cushion | :54:48. | :54:51. | |
here, just as we go back to tell you that Alan McManus has taken a 4-1 | :54:52. | :54:57. | |
lead on John Higgins, so it is serious time now for John Higgins. | :54:58. | :55:02. | |
Back to this one with Ken Doherty and Denis Lawson. | :55:03. | :55:09. | |
Yes, welcome back to the early stages of this 15th frame. No balls | :55:10. | :55:22. | |
ordered. -- potted. Ding was back in the ascendancy. He | :55:23. | :55:26. | |
was a little bit wobbly when the match was at 6-6, but he has | :55:27. | :55:31. | |
certainly produced some better snooker since then. It is an | :55:32. | :55:36. | |
interesting one, he has won five tournaments this year, he has been | :55:37. | :55:44. | |
an outstanding player. But this is occurring that he has struggled in | :55:45. | :55:48. | |
in the past. Mind you, the gentleman sitting in the studio, has not | :55:49. | :55:50. | |
helped. Stephen Hendry beat Ding in the | :55:51. | :55:56. | |
second round in 2008 and again in 2009 in the second round. | :55:57. | :56:04. | |
Use looking dull happier now with his performance but there is what | :56:05. | :56:09. | |
Moore left from Michael Wasley. -- he is looking a little happier now. | :56:10. | :56:15. | |
But there is a lot more left from Michael Wasley. | :56:16. | :56:20. | |
I have been very impressed with this young player. His technique and his | :56:21. | :56:26. | |
cue power, and his thinking. He seems to play all the right shots, | :56:27. | :56:32. | |
Ken. Absolutely, he looks very composed. He looks like he's really | :56:33. | :56:36. | |
enjoying himself out there and he has played some really good shots at | :56:37. | :56:41. | |
the right time, the right shots at the right time. | :56:42. | :56:47. | |
He is looking very assured for his young years. The first time playing | :56:48. | :56:51. | |
at the Crucible can sometimes be very daunting, but he is relishing | :56:52. | :56:57. | |
it. Just as I say that, the commentator's curse comedy goes and | :56:58. | :56:59. | |
misses the point he was not missing it earlier. -- the commentators | :57:00. | :57:05. | |
curse, he goes and misses the pink. Well, the one good thing from | :57:06. | :57:21. | |
Michael's point of view there was that he did not get on the red when | :57:22. | :57:25. | |
he missed that pink, so he did not leave anything. | :57:26. | :57:49. | |
There is a good target behind the yellow and brown. He has to be | :57:50. | :57:56. | |
careful when he hits the pack, he does not want to not any balls over | :57:57. | :57:58. | |
either corner pocket. -- he does not want to hit. | :57:59. | :58:08. | |
Has he been lucky? E is lucky with the one over the right, but over the | :58:09. | :58:12. | |
left... That is always the problem when you hit those. | :58:13. | :58:17. | |
The hit that pack a bit more fully than he would have liked. | :58:18. | :58:24. | |
You are always possibly going to knock red over a corner pocket. He | :58:25. | :58:31. | |
has done well. He has done very well. That is a | :58:32. | :58:38. | |
favourable kiss on the yellow. He had to play that with so much a | :58:39. | :58:41. | |
right-hand side to avoid can Ning into the Reds. -- to avoid the | :58:42. | :58:49. | |
cannon into the reds. He played that well. | :58:50. | :59:01. | |
This was the opening red. Lots of right-hand side. The natural angle | :59:02. | :59:10. | |
would have taken him into the reds. Can you hold himself together here? | :59:11. | :59:15. | |
-- can he hold himself together? Not rush things too much. | :59:16. | :59:26. | |
You play at your natural pace, but sometimes, on your first time here, | :59:27. | :59:31. | |
you give yourself that little split-second to compose yourself. | :59:32. | :59:36. | |
He felt he got kicked there. -- he felt he got a kick. | :59:37. | :00:10. | |
The black's not available into the right corner pocket. Still a little | :00:11. | :00:21. | |
bit to do with the cue ball here. Does he have to come up for the blue | :00:22. | :00:24. | |
or pink? He has swung it over behind the | :00:25. | :00:36. | |
black, played to perfection. Very well controlled, wasn't it? Getting | :00:37. | :00:42. | |
rid of this red will certainly help his cause. That is what I mean about | :00:43. | :00:48. | |
giving yourself a split second. He has got an easy shot here, he got | :00:49. | :00:53. | |
down a little bit too quick and played not the best positional shot | :00:54. | :00:59. | |
to leave himself hampered. He needs a slight angle here to leave himself | :01:00. | :01:02. | |
an easy black. It is OK. Lots of noise coming from | :01:03. | :01:15. | |
the other table. There is that picture of the Crucible with the | :01:16. | :01:17. | |
dividing wall. You get some great pictures here | :01:18. | :01:31. | |
from the BBC but I tell you what, it is tough when there are two tables | :01:32. | :01:35. | |
for the cameramen, it really is typed in the Crucible Theatre. -- | :01:36. | :01:43. | |
tight. It is tight for everyone. There is that wall, you can see the | :01:44. | :01:45. | |
cameraman right up against it. The first time I looked at the | :01:46. | :02:03. | |
Crucible, way back in 1976, they thought there wasn't enough room for | :02:04. | :02:10. | |
two tables and they managed to get a bit of extra space will stop we have | :02:11. | :02:12. | |
been here ever since, since 1977. When you talk about players saying | :02:13. | :02:29. | |
it is only a matter of time before the World Championships go to | :02:30. | :02:33. | |
China, if they take it away from the Crucible Theatre, I would be very, | :02:34. | :02:38. | |
very surprised. As Michael is with that positional shot there. | :02:39. | :02:47. | |
A generous round of applause but a shake up the head tells you that | :02:48. | :03:22. | |
Michael wanted to score enough to win this frame. -- a shake of the | :03:23. | :03:26. | |
head. He felt he was forced into having a | :03:27. | :04:01. | |
go at that red and if it had gone in, it would have created a good | :04:02. | :04:08. | |
opportunity for Ding, but the fact that he missed it, it has left a | :04:09. | :04:10. | |
half chance. He hasn't left the red over the | :04:11. | :04:27. | |
middle but does this read go by the blue up into the middle pocket? -- | :04:28. | :04:30. | |
does this red go? It must be very tight, that shot you | :04:31. | :04:48. | |
mentioned. Yes, that is not available to him. | :04:49. | :04:53. | |
He can't really leave that one over the middle pocket. So it is not an | :04:54. | :05:04. | |
easy situation for Ding. He could play the one that is near the middle | :05:05. | :05:09. | |
pocket but not play the pot and if he hits the knuckle of the middle | :05:10. | :05:12. | |
pocket, the red will come back this way and he could leave the white | :05:13. | :05:14. | |
then the table. -- down the table. It was a very clever shot, wasn't | :05:15. | :05:36. | |
it? That was such an acute angle to get the red in off the other red and | :05:37. | :05:42. | |
he was unlucky in the end. But what judgement that was. He tried to get | :05:43. | :05:51. | |
a cannon onto the black. But unfortunately, he knocked it into a | :05:52. | :05:53. | |
side position. That is not a bad shot, pushing that | :05:54. | :06:33. | |
red safe. That is an old head on young shoulders there. He has got a | :06:34. | :06:37. | |
41 point advantage and pushing that red safe could be a little bit of | :06:38. | :06:42. | |
insurance for him later on in this frame. | :06:43. | :06:56. | |
Tricky little shots, those, because it is so easy to push that type of | :06:57. | :06:59. | |
shot. Just enough room to be able to screw | :07:00. | :07:13. | |
the white back. He got more of a stun than a screw, | :07:14. | :07:24. | |
but it is not bad. Just needed a little bit more screw | :07:25. | :07:44. | |
on that to get back close to the cushion. | :07:45. | :07:52. | |
Knocking the reds up to the other end of the table is to Michael's | :07:53. | :07:58. | |
advantage, with him having a 41 point advantage. | :07:59. | :08:09. | |
First time at the Crucible and he is loving every unit of it. | :08:10. | :08:20. | |
-- every minute. Ding normally could play this red onto the blue and get | :08:21. | :08:28. | |
back on the cushion but he doesn't want to knock any of the colour is | :08:29. | :08:34. | |
safe. He needs them all in play in order to claw his way back into this | :08:35. | :08:40. | |
frame. I'm just thinking if you screw is the red, the nearest red | :08:41. | :08:47. | |
into the cue ball of the pink and get behind the black. | :08:48. | :08:59. | |
Good effort, but I think the red is possible over the left middle. That | :09:00. | :09:10. | |
would be a thin one, I think. There is no way back... Well, maybe | :09:11. | :09:25. | |
he can just see enough of the red. Needs to get plenty of action. | :09:26. | :09:32. | |
If he hits it then, there is no way he is going to get anywhere near the | :09:33. | :09:37. | |
Black and he will leave the red that is near the left middle pocket. He | :09:38. | :09:41. | |
has really got to get into this one. He didn't mind going into the blue. | :09:42. | :09:53. | |
He has not the blue save, which is to his advantage again. That is what | :09:54. | :10:00. | |
Ding didn't want to play -- he has knocked the blue save. Although he | :10:01. | :10:05. | |
has left a possible pot into the right corner pocket at least three | :10:06. | :10:07. | |
balls are safe. That is a pretty good opener from | :10:08. | :10:28. | |
Ding. It is not going to be easy to score. He has got the four reds in | :10:29. | :10:40. | |
pottable positions but the colours are not that easy. He has to keep | :10:41. | :10:43. | |
coming back up for the high value colours. Brown and blue are safe. | :10:44. | :10:57. | |
I feel his priority is just to take these open reds with colours and get | :10:58. | :11:05. | |
himself back into the frame, get some points back on the board. Has | :11:06. | :11:11. | |
he got the angle to play this with reverse side? | :11:12. | :11:20. | |
Did he kick? I think he kicked, because he got no reaction on the | :11:21. | :11:30. | |
cue ball. Let's have a look. Was that a kick or did he just missed | :11:31. | :11:37. | |
time it? It didn't look like it jumped that much -- miss timed. | :11:38. | :11:43. | |
He is going to get another opportunity... The green has come to | :11:44. | :11:54. | |
his rescue but the red beside the yellow does pot. A bit of an anxious | :11:55. | :12:02. | |
one from Michael. He has been very composed but he seemed to get down a | :12:03. | :12:06. | |
bit quick and hit that one harder than he intended. | :12:07. | :12:22. | |
That one certainly jumped that time. Maybe there is a little spot on the | :12:23. | :12:57. | |
black. It certainly did jump there and took the pace out of the cue | :12:58. | :13:06. | |
ball. It is still OK, but but for the kick, this would have been a lot | :13:07. | :13:07. | |
easier. He doesn't like that stretching too | :13:08. | :13:24. | |
much. The one he queued up at, the one near the green spot, is an | :13:25. | :13:27. | |
easier pot -- cued up. He may have to take the green now | :13:28. | :13:57. | |
and when the green is re-spotted, I think that red... He is checking if | :13:58. | :14:03. | |
it will pass the green when it goes back on its spot. | :14:04. | :14:23. | |
Really, the ball that will get him onto the difficult red, he had to | :14:24. | :14:31. | |
get back onto the green so he could pot the green and move the red on | :14:32. | :14:42. | |
the cushion. Has he got the angle on the green to do that? It might be a | :14:43. | :14:47. | |
bit too narrow to screw it onto the red. I don't think it is on. He has | :14:48. | :14:54. | |
got to really dig into the cue ball, get as much a screw as possible. If | :14:55. | :14:59. | |
he can't, not a bad idea to pot the green and just move the blue. | :15:00. | :15:11. | |
That is a great shot. What a magnificent shot. Bringing the blue | :15:12. | :15:18. | |
into play and the movement on the red. Absolute beauty, that was. It | :15:19. | :15:26. | |
was too narrow to screw onto the red and he played that superbly well. | :15:27. | :15:33. | |
Still a lot of work to do, but that certainly was a terrific shot. It is | :15:34. | :15:37. | |
all about the brown now. If he can get a nice angle on the | :15:38. | :15:52. | |
yellow, even, after potting this blue, he can use the cue ball to try | :15:53. | :16:00. | |
and knock the brown out. So blue first, then yellow. | :16:01. | :16:14. | |
He has the angle. Screw into the brown but the only problem is he has | :16:15. | :16:21. | |
to move the cue ball off percussion. But if you can knock the brown over | :16:22. | :16:27. | |
the middle pocket, all he has to worry about is potting the green. | :16:28. | :16:40. | |
He drops to his knees, he knew he hadn't quite got enough stuff on | :16:41. | :16:44. | |
that. Just eight points behind, what a big | :16:45. | :16:59. | |
frame this is. Is he going to be one behind or three behind? | :17:00. | :17:03. | |
It is all about the brown. If you are playing an exhibition, you would | :17:04. | :17:11. | |
get down, cut the green in, come off the bottom cushion and move the | :17:12. | :17:16. | |
brown. But the white is tucked up on the cushion, so he is looking for a | :17:17. | :17:18. | |
good safety. There is a possibility for Michael | :17:19. | :17:50. | |
to get up behind the black here. He has hit it too thick and he has | :17:51. | :18:01. | |
left the green. He should have made sure he kept the green safe, | :18:02. | :18:05. | |
although with the brown out of commission, not a lot of value in | :18:06. | :18:10. | |
taking the green. Just hit that too thick, otherwise he could have got | :18:11. | :18:11. | |
in behind the black. Is he going to felucca snooker? -- | :18:12. | :18:28. | |
fluke a snooker. Always anxious when you send the cue | :18:29. | :18:45. | |
ball towards a middle pocket. I don't think there is another angle | :18:46. | :19:56. | |
to pot this. He can get it over towards the brown. He has lots of | :19:57. | :20:02. | |
cue power but having to use the rest as well makes it doubly difficult to | :20:03. | :20:03. | |
get anywhere near the brown. Can he get in behind the black with | :20:04. | :20:10. | |
a little stunned shot? Well, this might be worth the risk | :20:11. | :20:58. | |
here, to try and cut the brown end, because he will automatically come | :20:59. | :21:04. | |
back towards the blue -- the brown in. It depends how he feels. If he | :21:05. | :21:09. | |
tries the safety shot, it is just as difficult. And if you do take this | :21:10. | :21:14. | |
type of shot on, if you hit it a bit thin, you ROK. -- you ROK. | :21:15. | :21:35. | |
Ding may take the pot on into the left corner. | :21:36. | :21:49. | |
He tried the pot but he knew he was going to have a safety if he missed | :21:50. | :21:53. | |
it. He is 11 points in front, Michael | :21:54. | :22:19. | |
Wasley but he still has to make the blue, even if he parts the brown. -- | :22:20. | :22:23. | |
pops the brown. Ding bows his head, that certainly | :22:24. | :22:36. | |
doesn't help his cause. There is only the pink to play | :22:37. | :23:03. | |
behind now. The blue and the black are tight to this cushion. It could | :23:04. | :23:06. | |
be quite an exciting climax to this frame. | :23:07. | :23:20. | |
At the moment, Ding needs all four colours to take the frame. Michael | :23:21. | :23:58. | |
needs the brown and the blue. Clever. Just a bit too hard. A very | :23:59. | :24:17. | |
good shot, hit the cushion first, lots of right-hand side. Both | :24:18. | :24:20. | |
players will be reluctant to pot the brown at the moment unless they can | :24:21. | :24:22. | |
get down close to this blue. Michael would like the blue weather | :24:23. | :24:39. | |
pinkies and the pink where the blue is, -- where the pink is. | :24:40. | :24:59. | |
This has got a chance of getting in behind the pink. Just a fraction too | :25:00. | :25:05. | |
hard. That has knocked the pink into a | :25:06. | :25:28. | |
safe position. Dear me. Boats. Ding smiles, he just nearly | :25:29. | :25:43. | |
knocked the two bottles over there with his cue. | :25:44. | :25:52. | |
I'm just wondering if it is worth taking this brown on. It would | :25:53. | :25:58. | |
certainly go into the blue with the cue ball and may bring that into | :25:59. | :26:03. | |
play. If he misses it and brings the blue into play, he can lose the | :26:04. | :26:08. | |
frame. Michael only needs the brown and blue. It is not an easy pot by | :26:09. | :26:16. | |
any means. He can't even played in such a way that he can bring those | :26:17. | :26:23. | |
difficult colours interplay -- he cannot even played in such a way | :26:24. | :26:26. | |
that he can bring those difficult colours into play. | :26:27. | :26:37. | |
Delicates. Trying the snooker. -- delicate. Expecting it to run dead | :26:38. | :26:47. | |
straight at that pace was probably asking a little too much. An easy | :26:48. | :26:52. | |
brown and then a good safety shot on the blue... | :26:53. | :26:59. | |
What is the shot here? Does he drop the brown in only the cue ball where | :27:00. | :27:04. | |
the brownies? -- the brown is? It didn't matter where he finished | :27:05. | :27:23. | |
as long as the white is tight and the blues of the other end of the | :27:24. | :27:29. | |
table. He certainly in the driving seat. Is he looking at putting this | :27:30. | :27:33. | |
in the middle pocket? He will leave the white tight but he's looking at | :27:34. | :27:37. | |
the possibility of doubling this into the middle pocket, if you can | :27:38. | :27:40. | |
believe that. That is what he has looked at. | :27:41. | :27:46. | |
Just look whether blue has finished anywhere but there. -- look at where | :27:47. | :28:03. | |
the blue has finished. What a shot that would have been to clinch the | :28:04. | :28:09. | |
frame. It will pot, this, but not a natural angle to cannon into the | :28:10. | :28:10. | |
pink and black. And it is not easy. It was never easy and now there is a | :28:11. | :28:25. | |
chance for Michael. He only needs the blue. Can he hold himself | :28:26. | :28:27. | |
together? This could get him back to just one | :28:28. | :28:33. | |
frame behind. Well played. Don't move the black... and you are | :28:34. | :29:02. | |
in good shape. To snooker is needed. -- two Snedekers needed. | :29:03. | :29:17. | |
A little slow roller or try and punch it in? | :29:18. | :29:30. | |
This could go on for quite some time, because Ding somehow has to | :29:31. | :29:37. | |
get the black interplay. -- into play. | :29:38. | :29:47. | |
What would you in this situation? 8-6 in front, you know you are going | :29:48. | :29:54. | |
to be 8-7, would you just get them set up again? He needs two | :29:55. | :30:00. | |
snookers, the blackest tight against the cushion... -- the black is | :30:01. | :30:06. | |
tight. Very difficult from this position. | :30:07. | :30:11. | |
This will be end of frame now. Get on with the next one. Just the pink | :30:12. | :30:22. | |
for Michael Wasley. Excellent shot and very well played, Michael | :30:23. | :30:27. | |
Wasley. He has stuck with Ding and he is competing at every level. | :30:28. | :30:39. | |
He is certainly sticking to his task as the guys said in the commentary. | :30:40. | :30:45. | |
Let me bring you up-to-date with a result from this morning, because it | :30:46. | :30:49. | |
was in a match between world number 15 Joe Perry and Scotland's Jamie | :30:50. | :30:54. | |
Burnett. Joe Perry had amounting to climb, 3-6 behind going into the | :30:55. | :31:00. | |
morning session. He only went and won seven of the eight frames on | :31:01. | :31:08. | |
offer. Here he is on the way to a 10-7 victory, this is the man who | :31:09. | :31:13. | |
got to the semifinals here in 2008. Jamie Burnett, a shadow of itself | :31:14. | :31:19. | |
from yesterday. That's macro a shadow of himself. It is Joe Perry | :31:20. | :31:24. | |
who will play in the second round. He is delighted about that, the best | :31:25. | :31:27. | |
season of his career. On this table to this afternoon | :31:28. | :31:32. | |
there is a battle royale developing here, although it is Alan McManus | :31:33. | :31:36. | |
who seems to have the up and -- upper hand in Lyon. | :31:37. | :31:39. | |
This is a tactical battle in the sixth frame on his way to a 5-1 | :31:40. | :31:46. | |
advantage over four macro times champion John Higgins. Allen looks | :31:47. | :31:50. | |
very much up for this. -- over four macro times champion. -- over four | :31:51. | :31:56. | |
times champion. That is the situation year, you are right | :31:57. | :32:01. | |
up-to-date, but first of all a quick reaction to Michael Wasley and the | :32:02. | :32:04. | |
way he has stood up to Ding Junhui this afternoon. He has kept at it | :32:05. | :32:09. | |
and kept his belief. He has not let himself be dominated or be overawed | :32:10. | :32:14. | |
by the York -- by the occasion. You would think that Ding would move | :32:15. | :32:21. | |
away after being 6-6, but he has kept his temperament. What do you | :32:22. | :32:24. | |
like about the way he has played this afternoon, Steve? | :32:25. | :32:30. | |
He has improved. I saw him in the China open, the qualifiers. At the | :32:31. | :32:36. | |
time, I was not sure, but anyone much you played against him you are | :32:37. | :32:42. | |
not guaranteed to know how to player is playing. He has bottle, | :32:43. | :32:46. | |
temperament, and he is showing it here today. Against one of the big | :32:47. | :32:52. | |
players it is easy to crumble, and Michael Wasley would cite another | :32:53. | :32:57. | |
player for the future. It is hard to pick one out of the blue, but as a | :32:58. | :33:05. | |
rookie, sometimes rookies come here and absolutely crumble, but he has | :33:06. | :33:08. | |
not done that. We have had eight in the draw first | :33:09. | :33:14. | |
starting playing year, which is remarkable. | :33:15. | :33:20. | |
What are the marks that Kerry Terry Bicester was on his players? | :33:21. | :33:26. | |
The fact that he has been here. When I worked with him it was great to | :33:27. | :33:29. | |
have someone who knew what you were going through out there in the pit, | :33:30. | :33:33. | |
as it were. His experience is invaluable, | :33:34. | :33:36. | |
especially to someone like Michael, who is a rookie year. Here we go | :33:37. | :33:41. | |
into frame 16 of a possible 19, and it is very close. | :33:42. | :33:46. | |
COMMENTATOR: It certainly is, he's all. | :33:47. | :33:51. | |
Yes, Kerry works with a few of the boys who will play out of the | :33:52. | :33:55. | |
Gloucester Academy. -- Terry. | :33:56. | :34:01. | |
He pops along there once a month, I think, something like that, and has | :34:02. | :34:06. | |
a look at them all. It is something Terry has always been interested | :34:07. | :34:12. | |
in, even when we used to go to Hong Kong back in the 1980s, Terry was | :34:13. | :34:21. | |
always working with players. His son is coaching out in Hong | :34:22. | :34:26. | |
Kong, as well, Wayne, who works with Marco Fu. | :34:27. | :34:58. | |
Yes, eight players, Terry Griffiths has been coaching here. | :34:59. | :35:12. | |
Of course, he would lend a lot of his great experiences himself. Of | :35:13. | :35:15. | |
course, world champion here, Terry Griffiths come in 1979. He has been | :35:16. | :35:21. | |
working with Michael Wasley. I am sure he has been relaying some of | :35:22. | :35:29. | |
those great experiences he has had, sharing those with the likes of | :35:30. | :35:32. | |
Michael land of Michael and the other lads he has been coaching and | :35:33. | :35:39. | |
that Academy down in Gloucester. -- with the likes of Michael and the | :35:40. | :35:44. | |
other lads. Yes, he would show them how to drink | :35:45. | :35:48. | |
Horlicks, as he used to do sometimes year with matches against the likes | :35:49. | :35:58. | |
of Cliff Morgan. -- sometimes hear against the likes of Cliff Thorburn. | :35:59. | :36:08. | |
But he is a very accomplished safety player, Michael, I have noticed that | :36:09. | :36:12. | |
about him. He has a good all-around game, lots of cute power, but his | :36:13. | :36:20. | |
tactical game is pretty sound. -- lots of cue power. | :36:21. | :36:32. | |
Steve was saying in the studio that he played Michael out in China. Of | :36:33. | :36:38. | |
course, a lot of those matches are just the best of seven so you would | :36:39. | :36:43. | |
not get to see a great deal of the player. But he has certainly caught | :36:44. | :36:47. | |
here with his Crucible debut, that is for certain. -- he has certainly | :36:48. | :36:53. | |
coped. He is out there playing against the | :36:54. | :36:59. | |
world number two, and he has gone just one frame behind. | :37:00. | :37:32. | |
always a bit of an edgy one from Ding, he was up off the shot. | :37:33. | :37:45. | |
Quite a way away. Chance for Michael Wasley here. He has to find the gap. | :37:46. | :37:54. | |
Yes, he just seemed to rush a little bit into that. He was stretching | :37:55. | :38:01. | |
slightly, trying to screw around the back of the black and reds. He was | :38:02. | :38:06. | |
trying to swing it right around and get on the blue, just overstretched | :38:07. | :38:12. | |
slightly there. A little wry smile. He has certainly | :38:13. | :38:14. | |
enjoyed every minute of this match. Ding is looking to see if he can | :38:15. | :38:40. | |
drop this red in and try and get around the back of the black, or | :38:41. | :38:45. | |
even cannon the red, but he doesn't have the angle. He will have to take | :38:46. | :38:46. | |
the one next to the blue. I was surprised he was even looking | :38:47. | :38:56. | |
at that. This is the straightforward shot. He is maybe getting a little | :38:57. | :39:01. | |
bit anxious, he wants to get around the black spot area as as soon as | :39:02. | :39:04. | |
possible, but there is nothing wrong with leaving it for a couple of | :39:05. | :39:09. | |
shots. The one just to the right of the | :39:10. | :39:13. | |
black, that is the one he wants, because that will open up the black | :39:14. | :39:14. | |
to both pockets. This is a good opportunity now for | :39:15. | :39:37. | |
Ding Junhui. This is where he is at his absolute best. He is such a good | :39:38. | :39:40. | |
break builder. So proficient around the pink and | :39:41. | :39:55. | |
black. We can see the evidence of that year. Lovely control of the cue | :39:56. | :40:05. | |
ball, a series of cannons, bringing the reds in to play. The | :40:06. | :40:17. | |
circumstances are different now, the match is very close, a lot of | :40:18. | :40:21. | |
tension out of there. But he is used to tension, Ding. | :40:22. | :40:27. | |
As Stephen Hendry alluded to in the studio, he will and he has done, as | :40:28. | :40:31. | |
Michael Wasley gets close to them, he seems to move up a gear, does | :40:32. | :40:34. | |
Ding. It is just an inner confidence that | :40:35. | :40:40. | |
comes with the success he has had. You mentioned his break building | :40:41. | :41:01. | |
progress - he has made 61 centuries this season, he made 57 last season. | :41:02. | :41:08. | |
He has been the top player in the game over the last season and a | :41:09. | :41:10. | |
half. Did he get a quick bones of the | :41:11. | :41:27. | |
cushion? Let's have another look. -- a quick bounce? | :41:28. | :41:37. | |
Do we put that down to the bones of the cushion or a little bit of | :41:38. | :41:46. | |
adrenaline? -- the bonus. You don't see Ding do that very | :41:47. | :41:51. | |
often, he has given the table a good old banger there. That is not like | :41:52. | :41:53. | |
Ding, it has to be said. With the red that is near the right | :41:54. | :42:24. | |
corner, he has to hide the cue ball. Let's have a look, as he walked away | :42:25. | :42:42. | |
he gave the table a good old thump there. Something you do not often | :42:43. | :42:43. | |
see. He is certainly taking a long time | :42:44. | :43:11. | |
over this. You would think if he just plays... | :43:12. | :43:16. | |
He is on the blue, Dennis, that is what he is contemplating. Is it | :43:17. | :43:20. | |
worth taking the blue into the pocket and leaving the red from | :43:21. | :43:24. | |
distance? Well, the frame of mind he is in at the moment he would be | :43:25. | :43:27. | |
better playing the green and leaving the white tight on the cushion. | :43:28. | :43:31. | |
If you are going to play the blue you would be better off getting down | :43:32. | :43:35. | |
and playing it straightaway, but he has been thinking about this shot | :43:36. | :43:38. | |
for two minutes 18 seconds and counting. | :43:39. | :43:49. | |
As I say come if you are going to take that shot on, you do not wait | :43:50. | :43:55. | |
for nearly two and a half minutes to take it on. He is very annoyed with | :43:56. | :44:03. | |
himself at the moment. He has to start thinking, he is 8-7 | :44:04. | :44:11. | |
in front and 31-0 in front, he has to keep calm. | :44:12. | :44:22. | |
He is letting his young opponent to see that he is a bit frustrated. | :44:23. | :44:37. | |
He has not reached! And he has left a free ball, can he | :44:38. | :44:44. | |
cut the blue in? Well, he is not going to bother. How | :44:45. | :44:54. | |
costly will that error be from Michael Wasley? Just trying to block | :44:55. | :45:03. | |
off the escape routes either side of the table. | :45:04. | :45:06. | |
He wanted to be tight onto the green. We have seen that happen | :45:07. | :45:08. | |
plenty of time. -- time REFEREE: . Is there are red into the right | :45:09. | :45:16. | |
corner? Is just OK. He can take the pot on and there is | :45:17. | :46:05. | |
a gap for the cue ball. Not a bad outcome. He did not get | :46:06. | :46:21. | |
close to the pot there. That red could have finished anywhere. | :46:22. | :46:50. | |
He will be pretty relieved, believe it or not, because that's double | :46:51. | :46:59. | |
kiss has put things safe. He just has to get his composure back, does | :47:00. | :47:00. | |
Ding. It can be a very frustrating game at | :47:01. | :47:07. | |
times. A bit of this judgement there. | :47:08. | :47:32. | |
Yes, such a dangerous shot, wasn't it? He has left another half chance | :47:33. | :47:38. | |
for Ding to try and stun it of the side cushion, the red into the | :47:39. | :47:42. | |
corner pocket. Well, at the moment he is missing | :47:43. | :47:53. | |
everything. And this time he did not get away | :47:54. | :48:04. | |
with it, he stuck that red up. This is not the best shot in the | :48:05. | :48:36. | |
world. He would like to have that one again. I suppose, quite rightly, | :48:37. | :48:43. | |
Michael is starting to feel the heat, as well. He knows the | :48:44. | :48:50. | |
importance of this frame. He just got a bit too much into that. | :48:51. | :49:08. | |
I suppose that the young man has coped so well, it is only natural | :49:09. | :49:16. | |
that the tension is going to creep in the closer they get to the | :49:17. | :49:17. | |
winning line. Well, although Ding has a 29 point | :49:18. | :49:47. | |
advantage, with the reds as they are one good shot and Michael could be | :49:48. | :49:53. | |
in. And that is a pretty good shot! OK, he might not be on colour, but | :49:54. | :49:58. | |
he can put Ding in all sorts of trouble here. Good cueing there. | :49:59. | :50:20. | |
just give yourself a few seconds, let the noise died down and play the | :50:21. | :50:29. | |
correct shot. And there is no easy red near a | :50:30. | :50:40. | |
cushion to lay on. There is only one red safe. | :50:41. | :50:45. | |
He will do well to get out of this situation. | :50:46. | :51:05. | |
Well, he has to go in around the back of the green comedy will try | :51:06. | :51:12. | |
and land, I would feel, on the red close to the left-hand cushion. If | :51:13. | :51:16. | |
he can just land on that... He is coming around to see if he can block | :51:17. | :51:21. | |
the red that will go into the right-hand corner. | :51:22. | :51:36. | |
that is the sort of shot, but even if he does not get that, he could | :51:37. | :51:51. | |
leave one on so it is a tough one. That is the one he looked at. Which | :51:52. | :51:56. | |
ever one he tries to get on, he will do well to get it safe here. | :51:57. | :52:26. | |
Well, he is now hanging his head on the table, he knew he had mishit | :52:27. | :52:34. | |
that completely. He has to be very precise with this. | :52:35. | :52:45. | |
Lots of noise from next door, they are in between frames. | :52:46. | :53:10. | |
A better shot this time, but has he left a red? | :53:11. | :53:47. | |
Well, even if he has left the red, it is still very awkward. There, you | :53:48. | :53:58. | |
see, the red is not pottable, and that was an excellent escape from | :53:59. | :54:02. | |
Ding Junhui. He has a chance here, Michael Wasley, bring this red into | :54:03. | :54:06. | |
play and back-up behind blue and yellow. It is a big target. | :54:07. | :54:17. | |
Well, you had a good chance to put that cue ball where you suggested, | :54:18. | :54:23. | |
Ken, but he misjudged that and cod the jaw of the middle pocket. -- | :54:24. | :54:29. | |
Court of -- caught the jaw. Is he going to | :54:30. | :54:41. | |
get a favourable kiss? But he will have Michael in the | :54:42. | :54:49. | |
position that he was, though. The roles are reversed now, it is | :54:50. | :54:53. | |
Michael that is faced with this. This looks like it and hope to me. | :54:54. | :54:58. | |
How is your luck? He has hit the black and stuck the red up. -- this | :54:59. | :55:07. | |
looks like a hit and hope. He thought, I am not going to try | :55:08. | :55:12. | |
and work out a way to land on a red, I will just scatter them and see | :55:13. | :55:13. | |
what happens. I suppose, with the ball is like | :55:14. | :55:23. | |
that, if you got down and tried to hit the black you could not. | :55:24. | :55:43. | |
STUDIO: We are going to leave this particular frame, you can continue | :55:44. | :55:49. | |
to watch it online and on the BBC Red Button, because there have been | :55:50. | :55:52. | |
lots of events on table two. Let me update you come it has been | :55:53. | :55:56. | |
pretty eventful in the match between John Higgins and Alan McManus. John | :55:57. | :56:01. | |
was in a bit of trouble, 4-1 down, then it went 5-1, then into frame | :56:02. | :56:07. | |
seven, and John looked like he was going to be on a maximum. In fact, | :56:08. | :56:13. | |
he was getting there, it looked very exciting, and inexplicably missed | :56:14. | :56:17. | |
the black off the spot. With the reds all over the shop it meant Alan | :56:18. | :56:22. | |
McManus was able to clean up to go 6-1 up in this match. Really looking | :56:23. | :56:27. | |
in a bit of danger here at this point, Stephen. | :56:28. | :56:33. | |
He actually had and other maximum chance in the next frame, but he | :56:34. | :56:36. | |
really has to finish this session 6-3. He does, and he must have been | :56:37. | :56:43. | |
in shock after missing the black, Steve? | :56:44. | :56:47. | |
Yes, he must have had the 147 break in his mind, but Alan McManus has | :56:48. | :56:52. | |
really punished him by clearing up that frame. | :56:53. | :56:55. | |
You have to weigh up the prize money against winning your matches and | :56:56. | :57:00. | |
frames. It does happen, even if you get eight blacks, you are still not | :57:01. | :57:07. | |
home and dry. 6-1 down, and this is the next | :57:08. | :57:13. | |
frame. And he was on a 147 again. This was the 10th black, it dropped | :57:14. | :57:17. | |
in, everyone thought it was going to work for him this time and he was | :57:18. | :57:21. | |
going for it this time. I think at six - one down I think he | :57:22. | :57:26. | |
resigned himself to being positive and going for everything. | :57:27. | :57:28. | |
John is one of those players if he gets a chance he will go for it. | :57:29. | :57:34. | |
Well, you did go for it, but, unfortunately for him... | :57:35. | :57:37. | |
He plays a double here, which is amazing. | :57:38. | :57:40. | |
He tries the double, but Mrs later on. | :57:41. | :57:44. | |
It is fascinating for the fans. It is the type of excitement that the | :57:45. | :57:51. | |
147 break does produce. A 147 break is a special moment committed | :57:52. | :57:58. | |
?25,000 in total for a break. It has been more, but there are so many | :57:59. | :58:02. | |
made it is about even money that bookmakers are laying for a 147. The | :58:03. | :58:11. | |
snookers himself behind the green there. | :58:12. | :58:17. | |
John Higgins is now 6-2 behind, he has gone out of the arena to compose | :58:18. | :58:21. | |
himself after a very eventful few moments there. That is about all | :58:22. | :58:24. | |
that we have time for you on this third afternoon at the Crucible. | :58:25. | :58:27. | |
The matches this evening will be available online and on the BBC Red | :58:28. | :58:31. | |
Button. Jason Mohammed will be rounding | :58:32. | :58:34. | |
things up for you around ten past midnight. In the meantime, from us | :58:35. | :58:38. | |
in the studio enjoy what is left of your Easter Monday. Catch you soon. | :58:39. | :58:39. | |
Goodbye. | :58:40. | :58:42. |