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Good afternoon, only 16 players remain in this year's Betfred World | :00:34. | :00:39. | |
Championship and at the start of the day after a first round that was | :00:40. | :00:42. | |
dramatic from start to finish on Saturday night I'm sure you will | :00:43. | :00:46. | |
remember, everybody in the Winter Gardens, defending champion Stuart | :00:47. | :00:48. | |
Bingham went out in a final friend decide and the last of the | :00:49. | :00:51. | |
first-round matches was concluded late last night as the clock ticked | :00:52. | :00:55. | |
towards midnight, the world No 10 going home at the expense of Kyren | :00:56. | :00:59. | |
Wilson, the 24-year-old from Kettering who went through to round | :01:00. | :01:06. | |
two. In all, seven seats given the elbow in round one but we are left | :01:07. | :01:10. | |
with quite a few of snooker's heavyweights, as we say seconds out, | :01:11. | :01:12. | |
around two. # I will make a promise | :01:13. | :01:32. | |
# To be true to myself # And always be honest | :01:33. | :01:46. | |
# I will do what's right. # We are touching the sky tonight. | :01:47. | :01:57. | |
# Yeah, yeah | :01:58. | :01:58. | |
# We are touching the sky tonight. # The second round draw is now | :01:59. | :02:14. | |
complete and it looks like this, two men who have done some damage, | :02:15. | :02:18. | |
Carter and McManus squaring up, 5-3 in front, Ricky Walden and John | :02:19. | :02:25. | |
Higgins is world's number nine and eight. The Trump- Ding Junhui tie is | :02:26. | :02:31. | |
the tie of the round, both waiting for a world title, Mark Williams | :02:32. | :02:34. | |
taking on Michael Holt. Anthony McGill up against Marco Fu, the man | :02:35. | :02:39. | |
from Hong Kong slightly ahead. Barry Hawkins playing Ronnie O'Sullivan | :02:40. | :02:42. | |
for the third time in four years. Mark Allen knows he will face Kyren | :02:43. | :02:48. | |
Wilson. And Sam Bennett, the lowest ranked player left in the draw at 59 | :02:49. | :02:51. | |
takes on the man at the top, Mark Selby. Ken Doherty is with us for | :02:52. | :02:56. | |
the afternoon as we take stock of what has been a hugely eventful | :02:57. | :03:00. | |
first six days, losing seven seeds, just one shy of the record and in | :03:01. | :03:05. | |
commentary terms we are a man down. Dennis Taylor is nowhere to be seen | :03:06. | :03:09. | |
today. For old Dennis, he has appendicitis and if you are watching | :03:10. | :03:14. | |
at home, a speedy recovery because if you are not here, who will | :03:15. | :03:18. | |
mention 1985 again! He is in the recovery room, he's fine, no doubt | :03:19. | :03:23. | |
he is watching now. Dennis, a couple of hours, I'm convinced you will be | :03:24. | :03:27. | |
back for the evening session, get well soon. When it comes to looking | :03:28. | :03:32. | |
at the seeds to go out there was almost a record equalling eighth | :03:33. | :03:35. | |
yesterday because Judd Trump against Liang Wenbo found himself in all | :03:36. | :03:38. | |
kinds of difficulties. He was actually 3-7 behind when the Chinese | :03:39. | :03:46. | |
player took on a very risky shot. We have mocked it up on the table, | :03:47. | :03:51. | |
explain what was going on. Liang Wenbo was 7-3 head, we've created | :03:52. | :03:55. | |
the exact position. He's had a look at the green for the double here in | :03:56. | :04:00. | |
that position. I'm going to have a go to demonstrate it, 7-3 up, you | :04:01. | :04:03. | |
could try and keep the pressure on your opponent and player safety shot | :04:04. | :04:09. | |
on the green, but this green for us professionals is relatively | :04:10. | :04:12. | |
straightforward. If I go across the other side. Get into position, we | :04:13. | :04:17. | |
will have a look at what he did, here it is. This was a heck of a | :04:18. | :04:21. | |
risky shot to take on in the circumstances when there wasn't much | :04:22. | :04:24. | |
pressure on him being so far ahead. 7-3 ahead, you would say he wants to | :04:25. | :04:29. | |
keep his opponent under pressure, but is this a double you would | :04:30. | :04:33. | |
expect to get? OK, there is a little pressure on it, but if he gets it he | :04:34. | :04:38. | |
has the opportunity of this red and this red and possibly winning the | :04:39. | :04:45. | |
frame and going into a more or less unassailable 8-3 lead. He may have | :04:46. | :04:48. | |
put a bit of side on it and that is why he missed, but it is basically | :04:49. | :04:52. | |
just across the table just like that. A little bit of side, just | :04:53. | :04:57. | |
like I did. CHUCKLES | :04:58. | :05:00. | |
That is why he missed it. Sometimes when you are in that situation, if | :05:01. | :05:04. | |
you see the opportunity you've got to take it. If he plays the safety | :05:05. | :05:09. | |
shot he doesn't get another opportunity and he would be kicking | :05:10. | :05:12. | |
himself for a couple of frames and it may have cost him anyway. For me | :05:13. | :05:17. | |
it was the right shot to play but he didn't execute it, just like me, as | :05:18. | :05:22. | |
usual, in demonstrations. It was the turning point in the match because | :05:23. | :05:25. | |
from their Judd Trump went on to win seven of the next eight frames and | :05:26. | :05:28. | |
he goes through, and it was a very tenacious performance from the world | :05:29. | :05:33. | |
number five. And true to his word, he did keep his promise to buy the | :05:34. | :05:39. | |
drinks afterwards, he put ?200 behind the bar here in Sheffield on | :05:40. | :05:42. | |
a first-come first-served basis, while I was on the makeshift I'm not | :05:43. | :05:47. | |
sure what Ken chose for his free drink from Judd Trump. It will be a | :05:48. | :05:52. | |
costly habit if he keeps it up. I'm sure everybody who had a drink will | :05:53. | :05:57. | |
be delighted with the sore heads this morning but no woolly heads | :05:58. | :06:00. | |
here today because we have a lot to do on day seven. | :06:01. | :06:05. | |
Two-time champ Mark Williams hasn't got this far at the Crucible 4-for | :06:06. | :06:11. | |
years and his opponent Michael Holt waited even longer, over a decade! | :06:12. | :06:16. | |
Marco Fu knows he could be the first man into the quarters this evening | :06:17. | :06:21. | |
but there is a long way to go. He has stealthily established a 5-3 | :06:22. | :06:26. | |
advantage. Twice a run-up here, the tenacious Ali Carter heading in the | :06:27. | :06:29. | |
right direction again, he has his nose in front against the veteran | :06:30. | :06:32. | |
Alan McManus, second session coming soon. World War I Mark Selby | :06:33. | :06:36. | |
prepares to face the biggest outsider left this year, what can | :06:37. | :06:40. | |
Birmingham's Sam Baird do to stop him cleaning up? Selby leads the pop | :06:41. | :06:46. | |
quiz standings but what can he do about that? Fine control, as you | :06:47. | :06:53. | |
would expect from a player still in the tournament. And maple or ash, | :06:54. | :06:58. | |
one Court 2, we will discuss the finer points of the snooker cue. But | :06:59. | :07:03. | |
first, at 10am this morning we were eager to catch a glint of something | :07:04. | :07:06. | |
we hadn't seen at the Crucible since 2012. Yes, a Welsh potting machine | :07:07. | :07:14. | |
in full working order into round two, to everyone's delight Mark | :07:15. | :07:15. | |
Williams is still with us. I call him my hero. You could not | :07:16. | :07:30. | |
possibly meet a more down-to-earth guy than Mark Williams. He's | :07:31. | :07:33. | |
probably the most relaxed player I've played. He just takes his | :07:34. | :07:37. | |
practice game into tournament and if he's good enough he wins and if not | :07:38. | :07:42. | |
he doesn't, he doesn't moan. Mark Williams, I love him. He is so calm | :07:43. | :07:50. | |
and laid-back. If he was more laid-back he would fall over. He | :07:51. | :07:55. | |
always just looks as if every game is so easy to him. He just floats | :07:56. | :07:59. | |
about the table and it makes you a little bit mad sometimes occurs you | :08:00. | :08:04. | |
might be walking around the table feeling under pressure and he | :08:05. | :08:08. | |
whizzes around as if he's out for a stroll. Funny, the one-liners are | :08:09. | :08:11. | |
always very good, very witty and he likes to get involved in social | :08:12. | :08:14. | |
media with a bit of banter with the fans, which I quite like as a | :08:15. | :08:20. | |
player, up there with the greatest ever. He takes live not too serious, | :08:21. | :08:24. | |
he takes his game not too serious but probably one of the all-time | :08:25. | :08:28. | |
greats of the game. Great player, yeah. His clothing isn't as good as | :08:29. | :08:38. | |
his snooker. The fashionista that is Mark Williams, what can you say? | :08:39. | :08:41. | |
It's a good thing he's a good snooker player because his dress | :08:42. | :08:43. | |
sense is just completely nonexistent! | :08:44. | :08:49. | |
He is always suave, isn't he? This man certainly is, Michael Holt, the | :08:50. | :08:56. | |
man who is taking on Mark today. Mark is one of his greatest admirers | :08:57. | :09:00. | |
in Michael, who achieved arguably his best result in his 20 year | :09:01. | :09:04. | |
career knocking at the world number four Neil Robertson in the opening | :09:05. | :09:07. | |
round and he is well up for facing Williams right now. | :09:08. | :09:13. | |
Amazing player, one of the greatest, nothing else you can say, he has won | :09:14. | :09:19. | |
the lot, for one reason, because he's brilliant. Like I say, again, | :09:20. | :09:25. | |
boring, just got to play the table and if I get my chances and take | :09:26. | :09:29. | |
them he will have to play well to beat me. | :09:30. | :09:32. | |
These two are great friends and fellow practical jokers, they are | :09:33. | :09:35. | |
legendary on the snooker tour and this match has provided them with | :09:36. | :09:38. | |
plenty of social media fodder, and indeed us, because this budding | :09:39. | :09:43. | |
Crucible bromance really blossomed over the last couple of days. See | :09:44. | :09:47. | |
you tomorrow, beautiful, love will. I will see my boy tomorrow, plenty | :09:48. | :09:53. | |
of hugs, and on and on it went. Snooker watchers were discussing | :09:54. | :09:56. | |
also on social media whether we would see a handshake, a cuddle, a | :09:57. | :10:01. | |
European style cheek kiss, or a full on snog when they came into the | :10:02. | :10:05. | |
arena. Shall we show you what happened? It wasn't far off, because | :10:06. | :10:10. | |
this is what happened. I think this is what could be described as an man | :10:11. | :10:13. | |
hug between them ahead of a huge match for both men. There was a lot | :10:14. | :10:18. | |
of love in the room, as he can probably tell, and a lot of it early | :10:19. | :10:22. | |
on for the fans of Michael Holt, because he strode confidently into a | :10:23. | :10:27. | |
3-1 advantage, as we pick them up now in frame five after the | :10:28. | :10:30. | |
interval. Commentary from John Parrott and Steve Davis. | :10:31. | :10:38. | |
REFEREE: Foul and in this. Mark Williams, four. -- and a miss. | :10:39. | :11:14. | |
This is a funny situation because if he puts Mark Williams back in he | :11:15. | :11:17. | |
more or less knows Mark will hit the thin clip this time, he will stick | :11:18. | :11:21. | |
him back down there, so not surprised he said to Mark, I will | :11:22. | :11:28. | |
play from here. He has missed one or two in the last frame. His cueing | :11:29. | :11:34. | |
has not been as good as it was initially, so let's see if it is | :11:35. | :11:35. | |
back on track here. It certainly is. Beautiful cueing. | :11:36. | :11:56. | |
Just a fantastic shot. He's got the cue ball down into a safe area as | :11:57. | :12:02. | |
well. Obviously he couldn't have guaranteed that, had he missed the | :12:03. | :12:06. | |
red, because the cue ball would have been travelling on a different path, | :12:07. | :12:09. | |
depending on how far he missed it by. But he looks to be just the | :12:10. | :12:17. | |
wrong side of the potting line for the yellow to get back up the table, | :12:18. | :12:21. | |
so he's going to have to leave a red from distance. Terrible kick. It | :12:22. | :12:30. | |
didn't make any difference to the pot because it was a straight pot, | :12:31. | :12:35. | |
the kick is more of a problem for the angled pot, but not only did it | :12:36. | :12:40. | |
destroy the path of the cue ball, it would have been afoot further | :12:41. | :12:43. | |
forward, if not more. It just destroys the trust the players have | :12:44. | :12:47. | |
on the table, the playing conditions. | :12:48. | :13:05. | |
Another marvellous pot, John. Yes, it went a little bit ragged, by his | :13:06. | :13:14. | |
incredibly high standards early on but he's got it back here, two | :13:15. | :13:17. | |
excellent shots already in this break. | :13:18. | :13:28. | |
Just checking whether he can play the thin blue and avoid contact with | :13:29. | :13:36. | |
the yellow on the way back up off the baulk cushion. Or whether he can | :13:37. | :13:41. | |
pot the pink, and play baulk cushion, side cushion, and come back | :13:42. | :13:43. | |
up into the area of the reds. He chose another gap but got another | :13:44. | :14:03. | |
flyer of a cushion. He absolutely whizzed off there. | :14:04. | :14:19. | |
These are both tough shots, aren't they? He had won earlier in the | :14:20. | :14:25. | |
frame as well, in the match, I should say, were it wasn't | :14:26. | :14:28. | |
guaranteed position command it makes it a little bit harder. This is not | :14:29. | :14:39. | |
an easy pot at all. Brilliant. Wonderful, wonderful touch to play | :14:40. | :14:45. | |
that and drop the cue ball in there, you deserve everything you get. | :14:46. | :15:18. | |
This didn't look a promising position but the shot before was a | :15:19. | :15:25. | |
beauty, lovely little shot, dropped it in, played the positive shot, | :15:26. | :15:30. | |
dropped the cue ball on a lovely spot on the black and he deserves | :15:31. | :15:35. | |
everything he gets. Yes, superb. And also he had a bit of insurance. He | :15:36. | :15:40. | |
got nicely on the black enough that he had covered the red if he had | :15:41. | :15:46. | |
missed it. He does look to be cueing very well. Excellent control. He is | :15:47. | :15:54. | |
a really busy player around the table. But I think he is controlling | :15:55. | :15:58. | |
his emotions better this season, this year. We used to call him a | :15:59. | :16:04. | |
bottle of pop, he was off fears around the table. We could probably | :16:05. | :16:13. | |
say now he is maturing and a bit flat, and he's probably playing much | :16:14. | :16:15. | |
better. Very well judged again. The amount | :16:16. | :16:39. | |
of experience that goes into knowing how to play that shot correctly is | :16:40. | :16:44. | |
white you practice every day around the black spot area, the little | :16:45. | :16:53. | |
nudges and cannons. This would be a lovely frame to win in this visit, | :16:54. | :16:57. | |
it really would be, re-establish command of the mini-session and get | :16:58. | :17:03. | |
your opponent on the back foot again. Going back to the start of | :17:04. | :17:11. | |
this break with the excellent long red that he took on, lots of players | :17:12. | :17:16. | |
may have put the opponent back into bat but he didn't and took a | :17:17. | :17:19. | |
positive approach and thought I'm going to take that long red and | :17:20. | :17:23. | |
knock it in, and he's had his rewards ever since all stopped a | :17:24. | :17:27. | |
couple of cracking shots at the start of the break. It all came from | :17:28. | :17:34. | |
that positive attitude towards doing something himself. | :17:35. | :18:11. | |
He didn't want to play that soft, the little deft screw across the | :18:12. | :18:20. | |
face of the black. It was open to miss judging so he played it firmly | :18:21. | :18:24. | |
and left himself more of an angle on the black and he would have liked. | :18:25. | :18:32. | |
But the black is missable. I think just play the ball, just concentrate | :18:33. | :18:38. | |
on the pot. He is playing it with back spin which makes it a little | :18:39. | :18:46. | |
bit more difficult. He is striking it so well, though. He really is. | :18:47. | :18:55. | |
The thing I like about it is his shot selection is extreme you | :18:56. | :18:58. | |
positive, it usually tells you that the man is full of confidence. There | :18:59. | :19:02. | |
have been no half measures in this break. If you think about it he has | :19:03. | :19:04. | |
been fully committed. He has given that I whack, big | :19:05. | :19:22. | |
bounce again. He did give it a whack but it came off quick, it came off | :19:23. | :19:29. | |
twice the pace it went in. As it has turned out, he's on the brown in the | :19:30. | :19:34. | |
middle pocket, which is a bit fortunate that he has the right | :19:35. | :19:38. | |
angle on the brown. There again, you could say he was unfortunate to get | :19:39. | :19:41. | |
the big bounce off the cushion. It does seem to be that section looking | :19:42. | :19:45. | |
at the table just to the right of the black spot between the black and | :19:46. | :19:49. | |
the corner pocket, right at the top of the table, that section of the | :19:50. | :19:53. | |
cushion seems to be really reactive. I don't know why it should be but it | :19:54. | :19:57. | |
seems like the worst bounces are coming off there. One thing that has | :19:58. | :20:03. | |
never really been explored is the actual rubber used and whether a | :20:04. | :20:07. | |
piece of rubber is uniform all the way along. I don't know anything | :20:08. | :20:14. | |
about the subject. I don't even know where the rubber is supplied from. | :20:15. | :20:26. | |
GROANS FROM CROWD Yellow mag if the cue ball had gone | :20:27. | :20:33. | |
in-off things might have been different. But there is every chance | :20:34. | :20:42. | |
that Michael Holt will be going 4-1 up. | :20:43. | :20:54. | |
He played it in a way like it was the only one he could leave. That | :20:55. | :21:13. | |
was quite a clever little shot. And as the red came off the middle and | :21:14. | :21:19. | |
came back he was praying it would pull up because it was nearly coming | :21:20. | :21:24. | |
into play. I'm saying he left it, what about this? This red is always | :21:25. | :21:31. | |
on, isn't it? In this situation this looks like an easy little shot, | :21:32. | :21:36. | |
doesn't it? But if you miss this you could be losing the frame. You've | :21:37. | :21:41. | |
just got to be careful. He needs to pot the ball. | :21:42. | :21:56. | |
Wow, that could have made a difference going on there, with the | :21:57. | :22:04. | |
foul Mark Williams would have had the ball-in-hand in the baulk area. | :22:05. | :22:09. | |
Lots of things could have happened there. | :22:10. | :22:24. | |
Barring snookers Michael Holt will win this frame. But he doesn't | :22:25. | :22:35. | |
necessarily need to try and pot the black, his opponent only needs one | :22:36. | :22:43. | |
snooker he could try and put the black safe. I think that's a good | :22:44. | :22:54. | |
choice. Yes. Perfect choice, twofold of course, puts the black on the | :22:55. | :22:59. | |
side cushion safe and stops it from being a scoring colour. Michael Holt | :23:00. | :23:04. | |
should be 4-1 ahead. 4-1 it was but Williams won a | :23:05. | :23:08. | |
scrappy frame six and to underline that this top break was 31 and it's | :23:09. | :23:13. | |
the Welsh double world champion to play in frame seven now, he's 11 | :23:14. | :23:14. | |
points ahead. Mark Williams again, he's played | :23:15. | :23:26. | |
that shot a couple of times in this match and knocked them in. Very | :23:27. | :23:28. | |
impressive. Slowly but surely, Steve, he is | :23:29. | :23:43. | |
clinging on in this match. Yes, he looks like he is settling down. He's | :23:44. | :23:57. | |
got in his corner, Lee Walker, a professional qualified World Snooker | :23:58. | :24:01. | |
coach, good guy to have in your corner, on the practice room at the | :24:02. | :24:06. | |
interval. Just calmly going about their business. Not panicking. Just | :24:07. | :24:13. | |
get a bit of practice. It's nice to have somebody in your corner who has | :24:14. | :24:19. | |
been there. He is obviously a good pal, but also somebody you can talk | :24:20. | :24:25. | |
about the game with and you know the answers you will get your questions | :24:26. | :24:30. | |
are going to be spot on. As you say, he's been there and done it in this | :24:31. | :24:31. | |
venue. He is a good guy as well, good to | :24:32. | :24:43. | |
have in your corner, he has a very sensible head on as a coach. Mark | :24:44. | :24:51. | |
Williams was rubbing the cloth, but rubbing it in the wrong direction. | :24:52. | :24:58. | |
Having said that, there is very little nap on these clocks. That if | :24:59. | :25:04. | |
you were ever going to calm the nap down you want to rub it in the | :25:05. | :25:15. | |
correct direction -- cloths. He could only strike half of the cue | :25:16. | :25:21. | |
ball and it is easy to put too much side on this if you don't hit it | :25:22. | :25:26. | |
properly. Yes, not surprised he missed that. When you can only see | :25:27. | :25:30. | |
so much of the cue ball you know you are going to put side on it. No | :25:31. | :25:40. | |
guarantees, that he will be totally punished from this position, because | :25:41. | :25:48. | |
whilst the red is easy the black to the next red is not. I would think | :25:49. | :25:54. | |
an angle on the black and then screw into the pack would be ideal. Three | :25:55. | :26:00. | |
quarters ball angle on the black, perhaps leave it above the black | :26:01. | :26:05. | |
spot. It's amazing when you see that and people say to you the black is | :26:06. | :26:09. | |
over the hole and it must be easy but it's more difficult to get | :26:10. | :26:13. | |
position, sometimes the jaws are in the way. It is difficult to judge | :26:14. | :26:18. | |
that and the fact it is resting at the top cushion and not in them and | :26:19. | :26:22. | |
love the pocket is making it more awkward. It is risky to pop this red | :26:23. | :26:29. | |
and scatter the reds on this shot, it is an option but I don't think he | :26:30. | :26:35. | |
would play it. What's that? Oh my goodness. I can see what he tried to | :26:36. | :26:40. | |
do, just leave the cue ball to play the clip on the black and play it | :26:41. | :26:47. | |
back. He got the cue ball too close to the black, further away and he | :26:48. | :26:52. | |
would have had to cut it in still. He would like that one again. What | :26:53. | :26:57. | |
is he considering? Going across the table? Across the table and come | :26:58. | :27:04. | |
back and pot the black. With pace to try and get position, or just to try | :27:05. | :27:09. | |
and Nick seven points? I think he's going to do it to get position. I | :27:10. | :27:15. | |
don't think it is a guarantee. If he thinks it is guaranteed if he hits | :27:16. | :27:19. | |
it fair enough, but he still has no guaranteed to get position. | :27:20. | :27:28. | |
Excellent shot. APPLAUSE | :27:29. | :27:37. | |
At that his coach Terry Griffiths had his heart in his mouth there. | :27:38. | :27:41. | |
Fantastic opportunism. Grapeshot, hit the pack, and here is the best | :27:42. | :27:45. | |
part about it, the shot he has been left on the middle pocket, if he | :27:46. | :27:49. | |
stuns it over he is perfect on the pink to leave an angle, pot the pink | :27:50. | :27:54. | |
and leave the reds open. Everything good that could have happened on | :27:55. | :28:03. | |
that shot happened. He was a little bit hampered cueing wise. I think | :28:04. | :28:06. | |
he'd have preferred to play that with a fraction of left hand side | :28:07. | :28:08. | |
which he couldn't play because he was too close to the red. That was a | :28:09. | :28:18. | |
chance, wasn't it? Even the two reds at the bottom of the pink were | :28:19. | :28:22. | |
perfect. As long as he knocked that one in the middle and got any angle | :28:23. | :28:25. | |
on the pink it was a brilliant chance. But now it's Mark Williams's | :28:26. | :28:35. | |
turned. -- turn. Already has a 32 point lead. It is all about the | :28:36. | :28:39. | |
positional shot here from the green around the angles for the two bottom | :28:40. | :28:41. | |
reds. Which he has hit to absolute | :28:42. | :28:52. | |
perfection. Too much on that. I don't think he | :28:53. | :29:15. | |
can necessarily hold this, perhaps he can just get enough on the black | :29:16. | :29:17. | |
to get into the balls. Nothing about that was good, trying | :29:18. | :29:30. | |
to go in and out through the green and brown. He caught it far too | :29:31. | :29:33. | |
thin. Just for a split-second before then, | :29:34. | :29:43. | |
I was just thinking that was looking like the sort of praying Mantis of | :29:44. | :29:49. | |
old as he gets down to his shots, and the next minute, one little | :29:50. | :29:54. | |
small slip. That's the fourth black off the spot he has missed this | :29:55. | :29:57. | |
morning, which is really unusual at this level, but for him it is | :29:58. | :30:02. | |
unheard-of. It's one of the things that I think whilst there as players | :30:03. | :30:05. | |
around like a Ronnie O'Sullivan Beasley into his 40s now, -- | :30:06. | :30:13. | |
obviously into his 40s now, I noticed unexpected errors started | :30:14. | :30:20. | |
creeping in around the 40-year-old Mark for me and Stephen Hendry. It | :30:21. | :30:25. | |
may just be coincidental but it destroys your confidence. | :30:26. | :30:32. | |
Excellent shot from Mark, that. Excellent. Only really got a push up | :30:33. | :30:42. | |
and down on the red on the left-hand side. All he can do, I think, is | :30:43. | :30:48. | |
push the red up and down and he's a bit close to canning the black with | :30:49. | :30:52. | |
the cue ball but you've just got to get yourself out of trouble. Well, | :30:53. | :30:56. | |
if he's playing the thin one, he needs to make sure there's not a | :30:57. | :31:03. | |
year. Good shot. -- make sure there's a black here. A high tariff | :31:04. | :31:08. | |
of difficulty. Could have easily gone wrong. | :31:09. | :31:25. | |
No problem getting to this red on the top cushion. | :31:26. | :31:54. | |
The choice he's got is that what speed to play it. Dead weight of two | :31:55. | :32:07. | |
cushions is nice. I'm not too sure it on from that direction. He went | :32:08. | :32:13. | |
as close as he could possibly have got. He's left marker chance. -- | :32:14. | :32:18. | |
left Mark a chance. Despite not really having his | :32:19. | :32:33. | |
shooting boots on this morning, Mark Williams, his safety play in the | :32:34. | :32:38. | |
last frame also has pretty good. He's getting chances because of it. | :32:39. | :32:46. | |
If he gets out of this session for frames all, he'll think he's won the | :32:47. | :32:47. | |
pools. Yeah, and I think the great | :32:48. | :32:58. | |
champions of the game are able to forget the standard they play at in | :32:59. | :33:03. | |
a session and he'll be in a far more positive frame of mind coming into | :33:04. | :33:06. | |
the second session if he can get for- four. Mark Williams is the type | :33:07. | :33:13. | |
of player that doesn't worry about his form, not during the tournament. | :33:14. | :33:19. | |
He knows how it can swing and go through ups and downs. He's blessed | :33:20. | :33:23. | |
with a wonderful temperament, isn't he? He's got many qualities, Mark, | :33:24. | :33:30. | |
but that's one of the best ones. Being able to get confidence from, | :33:31. | :33:35. | |
bizarrely, paying badly but coming out of a session with a good result | :33:36. | :33:39. | |
sees a strange thing to do but you can. -- seems. | :33:40. | :33:54. | |
So he made 49, this black should see him safe in the frame. And it's | :33:55. | :34:02. | |
there. So despite not playing anywhere near his best and looking | :34:03. | :34:08. | |
like he was in serious danger in this match, he's clawed his way back | :34:09. | :34:10. | |
to only one behind at 4-3. And it could have been so much | :34:11. | :34:20. | |
better from Michael Holt's perspective. He's let a couple of | :34:21. | :34:31. | |
chances slip. Of course, the second round, best of 25. A race to 13. | :34:32. | :34:35. | |
There's a long way to go. A monster kick butt Mark Williams | :34:36. | :35:24. | |
with a break of 40 and despite not being his best in the scoring | :35:25. | :35:29. | |
capacity, he is clawing on in this match. It's packed any merit for- | :35:30. | :35:32. | |
praetor Michael Holt. HAZEL IRVINE: That's Mark Williams | :35:33. | :35:36. | |
adjusting to the referee that he wiped down the cushions with a damp | :35:37. | :35:39. | |
cloth to try to lessen the build-up of static being generated. There's | :35:40. | :35:43. | |
been a few concerns about that so let's see if it makes any effect as | :35:44. | :35:46. | |
we go into the last of the opening sessions. Williams 33 points adrift | :35:47. | :35:48. | |
in this one. JOHN PARROTT: And he does. And what | :35:49. | :36:05. | |
a chance this is for a steal. STEVE DAVIS: That's perhaps the most | :36:06. | :36:09. | |
authoritative hit Mark Williams has put on a long today. A crucial time. | :36:10. | :36:17. | |
Controlled the cue ball beautifully. And only one safe, semi-safe red. | :36:18. | :36:27. | |
It was the only redeeming feature of that shot for Michael Holt, the fact | :36:28. | :36:31. | |
that when Mark Williams not that red, he can and the other one right | :36:32. | :36:37. | |
into the top cushion and they're hard to negotiate. -- knocked that | :36:38. | :36:42. | |
red. It's going to be the frame ball, isn't it, that one? If he can | :36:43. | :36:45. | |
get on it now, he might play it. Doesn't have to, of course. I think | :36:46. | :36:55. | |
because it's towards a pocket, rather than in the centre of the | :36:56. | :37:00. | |
cushion, he feels it is probably easier love to get. -- easy enough. | :37:01. | :37:05. | |
Worthwhile, perhaps, playing it now? Well, Stephen Hendry would always | :37:06. | :37:19. | |
advocate playing that earlier than later. Good position on that is good | :37:20. | :37:24. | |
position, whatever order its own. He's in a bit of a track now. He's | :37:25. | :37:31. | |
not come nice on the red and he's now got a comeback on the red from a | :37:32. | :37:35. | |
position that's more difficult. I never understood why players always | :37:36. | :37:38. | |
felt they had to leave that to be the last red. If you get good | :37:39. | :37:42. | |
position beforehand, take it. Anyway, we'll soon see. I don't | :37:43. | :37:45. | |
think he can get on it, where he was going to be for. He's now got to | :37:46. | :37:50. | |
screw off the side cushion and back across the face of the red or... Has | :37:51. | :37:58. | |
he got the right angle just to nudge the red out? | :37:59. | :38:07. | |
Well, you've got to say, John, wrong choice of positional shot on two | :38:08. | :38:15. | |
occasions. With three reds left and two reds left. It's not very often | :38:16. | :38:20. | |
we can sit here and criticise Mark Williams but there's a couple of | :38:21. | :38:23. | |
shots today, one right in the very first frame of the match, where he | :38:24. | :38:26. | |
is to get on the wrong cushion and then, why not play on the last red? | :38:27. | :38:33. | |
If you've got better position, play on it. Very strange. | :38:34. | :38:39. | |
Well, a poor shot and yet another chance for Mark. | :38:40. | :39:09. | |
It's amazing but it looks like he's going to get out of this 4- for and | :39:10. | :39:13. | |
I don't know how. Another big bounce of the cushion. | :39:14. | :39:22. | |
It's still OK. Stickability is what Mark Williams | :39:23. | :39:53. | |
has got. He's stuck around all day. Hasn't played remotely to his best | :39:54. | :39:57. | |
in the session and he's going to get away four each. The story of the | :39:58. | :40:00. | |
session is bounce ability as well. 4-4. Who would have believed that? | :40:01. | :40:17. | |
Nowhere near his best. Salvaged a session is the best way of putting | :40:18. | :40:22. | |
that. Outplayed for the most part. Michael has played pretty well, | :40:23. | :40:25. | |
certainly the first part of the session, but it's going to be all | :40:26. | :40:30. | |
square going into session two. The players shake hands. Michael Holt is | :40:31. | :40:39. | |
4-4 with Mark Williams. He will wonder how it is. | :40:40. | :40:44. | |
HAZEL IRVINE: They will be back tonight for that second session but | :40:45. | :40:47. | |
intriguingly Mark Williams also went round the table with that damp cloth | :40:48. | :40:52. | |
that we saw him hand to someone else. He was clearly frustrated | :40:53. | :40:57. | |
about the playing conditions. What exactly is going on here? Because | :40:58. | :40:59. | |
this is taking matters into your own hands. It is, doing a bit of | :41:00. | :41:05. | |
cleaning work! What it does, it takes a bit of the static and take | :41:06. | :41:08. | |
some of the chalk marks off the cushions. Sometimes the ball will | :41:09. | :41:14. | |
hit chalk mark. He is obvious the very frustrated because there's | :41:15. | :41:16. | |
nothing more frustrating than getting bad bounces. Sometimes you | :41:17. | :41:21. | |
accept kicks because kicks have always been there and you just go on | :41:22. | :41:25. | |
and you get the cue ball cleaned up by our very frustrating. But there's | :41:26. | :41:28. | |
nothing more than straight and bad bounces and it saps your confidence | :41:29. | :41:32. | |
because sometimes you might get a bad bounce and the next time you | :41:33. | :41:35. | |
might be expecting a bigger bounce and it doesn't happen and you don't | :41:36. | :41:39. | |
know whether to use the cushions, so it really frustrates the player. | :41:40. | :41:44. | |
He won't feel unsettled about his form. He's got out of that new merit | :41:45. | :41:50. | |
for- four. I think Michael Holt has missed a trick. He had the pink in | :41:51. | :41:54. | |
the middle to go 5-1 and guarantee the lead, keep the pressure on Mark. | :41:55. | :41:59. | |
Now all of a sudden it is knew X for- four. We will know the identity | :42:00. | :42:06. | |
of the first of our quarterfinalists by the end of today. And we will | :42:07. | :42:11. | |
know that it will be either Marco Fu or Anthony McGill of Scotland. | :42:12. | :42:16. | |
They're both cut from the same cloth, these two. They're modest, | :42:17. | :42:20. | |
unassuming, unflappable and both quietly brilliant. Let's see how | :42:21. | :42:23. | |
their first session worked out yesterday. | :42:24. | :42:27. | |
We've finally come up with an this guy. He is Anthony McGill. He is the | :42:28. | :42:35. | |
pride of Hong Kong. He is Marco Fu. That's a very good shot. Well | :42:36. | :42:51. | |
played. Takes the ultimate frame against Anthony McGill. | :42:52. | :42:56. | |
That's a really good shot. A tough spot. Pot. What a cracker! What a | :42:57. | :43:12. | |
beauty. It is Marco Fu who takes the frame and now leads 3-1. | :43:13. | :43:17. | |
That's a wonderful pot from Marco. He takes it. He beat Anthony McGill | :43:18. | :43:50. | |
4-2. -- leads. Can you believe it? A 5-3 bid. Lead. Marco Fu finishes | :43:51. | :44:03. | |
this session 5-3 in the lead. The man from Hong Kong 5-3 up | :44:04. | :44:06. | |
overnight and when they resumed with two more sessions to play today, | :44:07. | :44:11. | |
morning and evening, it started with frame nine being taken by the Scott, | :44:12. | :44:16. | |
Anthony McGill, with a break of 57. We're going to pick them up in frame | :44:17. | :44:21. | |
ten. It is Marco Fu to play an Stephen Hendry and John Virgo will | :44:22. | :44:27. | |
be our guides for this one. STEPHEN HENDRY: Taking this on to | :44:28. | :44:32. | |
drop for the black. There is a red to the left middle, though. | :44:33. | :44:41. | |
JOHN VIRGO: Just wondering, can you see enough of it from this angle? | :44:42. | :44:55. | |
He's going down to play it. Yes, comfortably. Good shot. There | :44:56. | :45:09. | |
is one more loose red to play on and I think that will probably be the | :45:10. | :45:16. | |
choice. And try, if you like, to leave yourself low on the red. | :45:17. | :45:24. | |
That's OK. He had to go into them there, John. He's got one loose red. | :45:25. | :45:29. | |
I think it's perfect and then the cue ball can go in the gap. I think | :45:30. | :45:34. | |
he's missed a chance there but his low on this red. He's played that | :45:35. | :45:41. | |
nicely. You can always leave the cue ball glued to that side cushion. | :45:42. | :45:46. | |
There's always two ways to play that, screw shot or top spin. I | :45:47. | :45:49. | |
always prefer the screw shot. There's a bit more control. Nicely | :45:50. | :45:51. | |
on the black. Shoelace! Do a double bow. That's | :45:52. | :46:03. | |
what I do. LAUGHTER | :46:04. | :46:08. | |
REFEREE: Thank you. Wright, Anthony, concentration, | :46:09. | :46:21. | |
100%. No careless shots. A chance to draw level. | :46:22. | :46:36. | |
This two reds to the right of the bunch. Might just be a little | :46:37. | :46:46. | |
cannon. Yeah, well played. A great opportunity now. | :46:47. | :46:53. | |
GROANING Well, careless. I can only assume... | :46:54. | :48:31. | |
Normally when you hit those shots, you think he's just put a little | :48:32. | :48:34. | |
trace of right-hand side and pushed the cue ball into the red. A bad | :48:35. | :48:37. | |
miss, it has to be said. This is not a good start this | :48:38. | :49:32. | |
morning, from Marco Fu. Considering he was 5-3 ahead, you'd think this | :49:33. | :49:35. | |
morning he'd really push on and get this much won in the second session. | :49:36. | :49:44. | |
You could have got 10-6, maybe an 11-5 lead. But he's not settled at | :49:45. | :49:51. | |
all. -- he could have got. Can he get to this red? It's very tight. | :49:52. | :50:00. | |
The reason, I think, he was looking there, he can maybe flick it over | :50:01. | :50:06. | |
with a trace of left-hand side of the cue ball but he's wondering... | :50:07. | :50:10. | |
He needs to separate the cue ball from three reds to be on the black. | :50:11. | :50:17. | |
No problem! He's on the black. And once again, he's got a chance. | :50:18. | :50:26. | |
Didn't make the most of it but immediately gets another one. Two | :50:27. | :50:34. | |
awkward reds on the right-hand side of the table. They won't bother | :50:35. | :50:39. | |
Anthony Forster he can win it with these reds in the middle of the | :50:40. | :50:40. | |
table. Got into that little bit too much. | :50:41. | :50:50. | |
He's got this red to the left corner but he missed a similar one when he | :50:51. | :50:53. | |
stunned it off the blue. This time, no problem. And he's just | :50:54. | :51:08. | |
about got perfect on the blue. Can't see him spurning this opportunity | :51:09. | :51:13. | |
now. It's looking like he's going to level the match. And a foreign | :51:14. | :51:21. | |
object on the table. So, 59 head, 75 remaining. Red, blue | :51:22. | :51:46. | |
and red needed. Again, he's needed more than one opportunity to get the | :51:47. | :51:50. | |
frame won but it's a great start. It's a start he wouldn't have | :51:51. | :51:54. | |
creamed dog last night. First two frames, back to level. | :51:55. | :52:02. | |
From the start, when you look at these two players, you wouldn't have | :52:03. | :52:29. | |
known who was in front and who was behind, really. You would have | :52:30. | :52:37. | |
thought maybe Anthony Watson one who was 5-3 ahead. That's a lovely | :52:38. | :52:48. | |
release of those two reds. So Marco Fu will not be getting back to the | :52:49. | :52:51. | |
table and yes, I agree, Stephen, he's looked very edgy this morning, | :52:52. | :52:56. | |
Marco. It's always very hard to tell from Marco's or the language -- body | :52:57. | :53:07. | |
language. But the lead he had coming into this session has gone. Yeah, | :53:08. | :53:13. | |
it's impossible to tell from his body language, the way he sits, | :53:14. | :53:16. | |
because he shows no motion whatsoever, it is perfect for a | :53:17. | :53:20. | |
snooker player, but just in the way he plays his shots, I've noticed it. | :53:21. | :53:22. | |
Very tentative. Purposely leaving himself the long | :53:23. | :54:13. | |
blue, just a bit of potting practice, to get the cue through | :54:14. | :54:20. | |
nice and smooth. He might as well have played for the blue. But | :54:21. | :54:26. | |
anyway, he needed two chances, it has to be said, but he got them and | :54:27. | :54:28. | |
my we're all square. HAZEL IRVINE: McGill won frame 11. | :54:29. | :54:42. | |
It was a scrappy one. It was 16 minutes before a ball was potted and | :54:43. | :54:48. | |
he would lead to 6-5. Back we go to frame 12. It's the Scott 19 points | :54:49. | :54:50. | |
behind here. JOHN VIRGO: He's very close to that | :54:51. | :55:06. | |
green. But he's got the plant and he's got a nice kiss on the blue and | :55:07. | :55:12. | |
that's a good kiss on the blue. It held the white to the middle of the | :55:13. | :55:16. | |
table. A good chance here to get right back in this frame. | :55:17. | :57:09. | |
Get himself a nice angle on the pink, should he so wished, to screw | :57:10. | :57:17. | |
back. Plenty of pace. He's got to be accurate with the pink. | :57:18. | :57:21. | |
Well, you'd always trust a little bit to luck. He couldn't have played | :57:22. | :57:31. | |
it much better. A tricky one to the left middle, possibly. Can't play | :57:32. | :57:35. | |
this with much pace. I would have played its lower than | :57:36. | :57:49. | |
that. A bit slow and lift the cue ball -- left the cue ball where the | :57:50. | :57:50. | |
roof was. Her group the red. I suppose he's thinking, if you try | :57:51. | :58:03. | |
to do it like that, the blue is a lot easier part than the pink. He's | :58:04. | :58:08. | |
now thinking, can he roll the blue in and leave himself a shot at this | :58:09. | :58:10. | |
red on the left-hand side? He's played with pace. Needs to Mr | :58:11. | :58:25. | |
brown. Has done. Good shot. -- needs to miss the round. -- brown. | :58:26. | :58:33. | |
Excellent cueing there. Careful one of them pinstripes | :58:34. | :58:44. | |
doesn't touch the green. I don't think he's got the best of | :58:45. | :58:58. | |
angles on the pink this time around. Back in front. Has he just got a | :58:59. | :59:14. | |
slight angle to screw off the side cushion? He did. He did. Well, he's | :59:15. | :59:23. | |
on this red to the left corner. A bit unlucky to be hampered as he is | :59:24. | :59:31. | |
and I think to reach it... Touching ball? Obviously not. If it was, the | :59:32. | :59:39. | |
referee would have told us. This is tricky. Can he reached it? Does he | :59:40. | :59:48. | |
need the spider? He wants to play it. Well, you can reach it like | :59:49. | :59:55. | |
that! APPLAUSE | :59:56. | :00:00. | |
Nice one. Yeah, that's right. Clean up after your mess! He wants to go | :00:01. | :00:08. | |
for it because the reds next to the black and from that angle it looks | :00:09. | :00:11. | |
like it goes to the corner. If he can pop this and go for the pink, | :00:12. | :00:15. | |
it's a chance to win the frame but I can't see him going for this with | :00:16. | :00:20. | |
the spider. This is very, very tricky. | :00:21. | :00:38. | |
Yes, it is, particularly when the cue ball is tight to be hampering | :00:39. | :00:49. | |
ball, be careful you do not foul it. Letting gravity take over, but as | :00:50. | :00:58. | |
Stevens said it was so difficult. -- Stephen said it was so difficult. | :00:59. | :01:07. | |
I'm sure the red next to the black pots to the left corner, we will get | :01:08. | :01:13. | |
a chance to look at it in a minute. When he played the red with the | :01:14. | :01:17. | |
spider I had a quick glance and I didn't think it did. I trust you as | :01:18. | :01:25. | |
the more experienced commentator. I just looks at it and now I've looked | :01:26. | :01:30. | |
again I think it does go. Who is right and who is wrong? We will | :01:31. | :01:36. | |
never know. We will never know. It did just go. Is he on the red when | :01:37. | :01:43. | |
the black is re-spotted, that's the question. He is, he's down quick. He | :01:44. | :01:57. | |
needs this frame badly, does Marco. Clumsy shot. Clumsy shot. Yeah, very | :01:58. | :02:08. | |
unlike him, usually so meticulous around the pink and black spots. | :02:09. | :02:17. | |
Again, you can see they're his lack of confidence, he had the angle | :02:18. | :02:22. | |
toucan and the red on the black cushion, just trying to get the | :02:23. | :02:31. | |
points on the board. What about that green. | :02:32. | :02:38. | |
Perfect on the black, but the red along the top cushion, they are | :02:39. | :02:45. | |
tricky. Again, maybe just an inch too far | :02:46. | :03:02. | |
off the cushion for comfort. Bigshot. -- big shot. | :03:03. | :03:16. | |
He will need a good shot here, I think he has a good angle so he | :03:17. | :03:23. | |
doesn't have to hit it too hard. Well played. Or is it? He cued that | :03:24. | :03:35. | |
nicely, he's 18 points in the lead now, he needs yellow and green. That | :03:36. | :03:42. | |
would leave Anthony needing a snooker, and he will have got | :03:43. | :03:47. | |
something out of the morning so far. He's lost the first three frames. | :03:48. | :03:55. | |
Mid-session interval after this. Twice across, but to get on the | :03:56. | :04:03. | |
green he needed a trace of side, didn't want to risk the yellow, he | :04:04. | :04:14. | |
will have to play safe here. Blue, pink and black there if the brown | :04:15. | :04:22. | |
doesn't get the snooker. But the brown has come to be involved in the | :04:23. | :04:30. | |
snooker. Back to his seat, Marco. 25 points remaining. The old story, it | :04:31. | :04:39. | |
looks easy enough to hit the green, one-cushion escape. Can he put it in | :04:40. | :04:51. | |
a safe position? Paine he's playing the top cushion first. They wouldn't | :04:52. | :04:55. | |
be my choice, I would play side cushion, this way I think you are | :04:56. | :04:58. | |
knocking it towards the corner pocket. You could send the green at | :04:59. | :05:04. | |
the table and white stays up this end from the side cushion. | :05:05. | :05:19. | |
That would be my choice. The only thing about coming this way is if | :05:20. | :05:28. | |
the green were to run into the pink or the black. But if it doesn't | :05:29. | :05:31. | |
connect with the pink or the black and you hit it foolish it should go | :05:32. | :05:35. | |
up the other end of the table and the cue ball stay at this end. | :05:36. | :05:46. | |
Obviously you need a bit of luck. -- hit it fullish. Don't play it that | :05:47. | :05:51. | |
hard, he now needs the snooker, he's now 26 points behind with 25 | :05:52. | :05:52. | |
remaining. Snooker needed. Marco Fu looks as if | :05:53. | :06:02. | |
he's got his first frame on the board this morning. | :06:03. | :06:06. | |
Relief for Marco Fu who had taken it to frame advantage into the morning | :06:07. | :06:11. | |
session and relieved to get to be interval at 6-6 -- two frame | :06:12. | :06:15. | |
advantage. What good would be interval do for the former Crucible | :06:16. | :06:18. | |
semifinalist? Let's find out as we join them made frame 13. | :06:19. | :06:30. | |
COMMENTATOR: He went full-blooded for that and couldn't have played it | :06:31. | :06:34. | |
any better. You say he is limited in his cute power but he showed plenty | :06:35. | :06:43. | |
there. Tremendous pot and position. -- cue power. With that fantastic | :06:44. | :06:54. | |
opening shot we see here, will it inspire Marco to play his normal | :06:55. | :07:02. | |
game? We already said this morning, this is his strong suit, | :07:03. | :07:04. | |
break-building. He is straight on this red. From his | :07:05. | :07:25. | |
body language I assume he is. Again, that is a poor shot. Yes, it is | :07:26. | :07:33. | |
careless, isn't it? And if he is straight, which he looks to be, it | :07:34. | :07:39. | |
begs the question, where does the colour come from? From that angle | :07:40. | :07:48. | |
you think, can he force the red into the right-hand pocket? As he looks | :07:49. | :07:54. | |
at it, a lot of top and right-hand side. That is what he has done. He | :07:55. | :07:59. | |
got a lot of right-hand side on it and at least he has a pot on the | :08:00. | :08:04. | |
black. Yes, he did well to make that angle. | :08:05. | :08:30. | |
The obvious red he wants to get rid of is the one to the left of the | :08:31. | :08:39. | |
black. It looks like it will be a few shots before he can do that. | :08:40. | :08:54. | |
He would love to get the red that is just to the left of the black away | :08:55. | :09:37. | |
from there, so you may play on the red now in the same pocket as the | :09:38. | :09:42. | |
black. That is what he has done and that will clear the black for both | :09:43. | :09:47. | |
corner pockets and give him a frame-winning chance. He looks to | :09:48. | :09:53. | |
have come out with a little bit more purpose now, Stephen. Yes. | :09:54. | :10:11. | |
He will have had a good long hard look at himself in the mirror in the | :10:12. | :10:18. | |
dressing room because he was 5-3 up and to come out this morning way he | :10:19. | :10:22. | |
has played, very tentatively in the first session, was very surprising | :10:23. | :10:27. | |
for a player as experienced as Marco Fu. | :10:28. | :10:33. | |
He has looked strangely flat in the first four frames, he wand the | :10:34. | :10:41. | |
fourth, but it wasn't convincing. This looks a lot better. -- he wand | :10:42. | :10:45. | |
the fourth. In a lot of these matches, | :10:46. | :10:58. | |
particularly the long ones, he's probably come out this morning | :10:59. | :11:02. | |
thinking I have a two frame advantage, if I keep sharing the | :11:03. | :11:06. | |
sessions I will still have the lead but you've got to push on when you | :11:07. | :11:10. | |
get the opportunities and this is a lot more like it. These 3- session | :11:11. | :11:20. | |
matches, you can win them into macro sessions, maybe not necessarily get | :11:21. | :11:26. | |
to 13, although that is possible, but you have to have it in your mind | :11:27. | :11:31. | |
to get such a lead. We have seen him play another careless positional | :11:32. | :11:36. | |
shot. 68 points is the lead, 75 remaining and he only needs the red | :11:37. | :11:41. | |
and he has got one to the middle. He has a choice of reds to the corner | :11:42. | :11:46. | |
but he would be badly hampered for those. One more red would put him 69 | :11:47. | :11:51. | |
points in front with just 67 remaining. It shouldn't be a | :11:52. | :11:53. | |
problem. Now, if he was to come he has a | :11:54. | :12:15. | |
black here, if he took blacks with the remaining reds, there is a | :12:16. | :12:25. | |
possible 143 on. That would become the leader in the high break. Of | :12:26. | :12:35. | |
which there is a ?10,000 prize for the highest break of the tournament. | :12:36. | :12:41. | |
Now he has gone up for the blue, he can only get a 141, and that would | :12:42. | :12:48. | |
equal the front runner at the moment held by Barry Hawkins. | :12:49. | :12:57. | |
So, back on track to make a century. He can't get the high break now. | :12:58. | :13:47. | |
There has been 36 centuries already in the championship this year. Marco | :13:48. | :14:03. | |
has already made two. The red and the blue, the red and the brown, the | :14:04. | :14:07. | |
red and the green, would all be 100. APPLAUSE | :14:08. | :14:29. | |
37th century of this year's bet fair World Snooker Championship. | :14:30. | :14:36. | |
We have not been here for a week yet, so plenty of opportunities for | :14:37. | :14:46. | |
the record this year. That is more like it from Marco Fu, he came out | :14:47. | :14:50. | |
with a lot more purpose and regain the lead, 7-6. | :14:51. | :14:56. | |
That is Marco's third century of the championship so far this week and he | :14:57. | :14:59. | |
regains the initiative as John said, in this match, in what is a race for | :15:00. | :15:04. | |
a 13 frames winning post rather than the ten we had in round one. Back we | :15:05. | :15:09. | |
go into the next and it is McGill 30 points behind. He's just got to stun | :15:10. | :15:20. | |
the cue ball over. Could he get snooker behind the pink or the blue? | :15:21. | :15:23. | |
The pink would be preferable. Get out of that. | :15:24. | :15:28. | |
APPLAUSE The pink is in the open. If he | :15:29. | :15:34. | |
wasn't snookered by the Pinckney would say possibly a new favourite | :15:35. | :15:39. | |
for the frame. The blue and the pink make it not an easy clearance. I | :15:40. | :15:43. | |
suppose the only thing from Anthony's point of view is if Marco | :15:44. | :15:50. | |
was to miss getting out of the snooker he would have control of the | :15:51. | :15:55. | |
table, Anthony, he could pot yellow, green and brown and play a snooker | :15:56. | :15:59. | |
on the blue, or maybe play it safe and bring the blue and pink | :16:00. | :16:03. | |
interplay. Does he hit the yellow? He has hit the yellow, he will be | :16:04. | :16:09. | |
mighty relieved. Good hit, fair play. That was an excellent escape | :16:10. | :16:12. | |
from Marco Fu. I thought he had forgotten about the | :16:13. | :16:29. | |
yellow for a minute. They are a big target, the blue and pink, to play | :16:30. | :16:32. | |
snooker is behind. That's what he's thinking of, pot the yellow and come | :16:33. | :16:37. | |
thin off the green of the top cushion in behind the blue and pink | :16:38. | :16:39. | |
again. No, he needed to get back further to play a | :16:40. | :16:54. | |
thinner contact on the green. That shot is not on now. The reason being | :16:55. | :16:58. | |
he will have to play the green bit thicker and more than likely it is | :16:59. | :17:02. | |
going to bounce off the side cushion. The only way to play this | :17:03. | :17:05. | |
is to go all out for the snooker, play it with pace and make sure you | :17:06. | :17:12. | |
get tight behind. He has gone for that but he caught the jaws of the | :17:13. | :17:16. | |
pocket. He needed to catch the green a lot thinner. He couldn't because | :17:17. | :17:20. | |
he didn't screw back far enough off the yellow. Opportunity missed. | :17:21. | :17:45. | |
Well, here is a snooker. Leave distance between cue ball and object | :17:46. | :17:58. | |
ball. He's made that too easy, for me. You've got to try and avoid | :17:59. | :18:03. | |
leaving your opponent the one-cushion escape. Yes, I think he | :18:04. | :18:12. | |
was trying so hard to keep the green in the middle of the table he forgot | :18:13. | :18:24. | |
about the cue ball. Wow. It's the easy ones that he's missing, the | :18:25. | :18:28. | |
seemingly easy once. Absolutely amazing. So, now, Anthony McGill can | :18:29. | :18:41. | |
win this frame. At the moment it is the second longest frame of the | :18:42. | :18:47. | |
championship so far. It will be memorable for Anthony McGill if he | :18:48. | :19:00. | |
can win it, needing two snookers. He finished up playing the Part. And | :19:01. | :19:07. | |
now he's got it would could have a new favourite for the game. I'm | :19:08. | :19:11. | |
surprised he took this on but it rattled and rattled and on it went. | :19:12. | :19:20. | |
Just caught the bumper, tried to disturb the pink and the blue. He is | :19:21. | :19:25. | |
right back in it, he has an easy safety shot now. If he had just | :19:26. | :19:31. | |
missed the bump he would have had the cannon. It is easy to knock the | :19:32. | :19:36. | |
blue to the top cushion behind the black and the cue ball up to the | :19:37. | :19:41. | |
baulk end. I wouldn't try to get too clever with this. I know he'd like | :19:42. | :19:47. | |
the pink away from the cushion. But not to sacrifice a good safety. I | :19:48. | :19:49. | |
wouldn't. But he has played it well, he took | :19:50. | :20:14. | |
the risk of losing the initiative, but he played it well. Coming from | :20:15. | :20:22. | |
the left-hand side, which he didn't want to do. Where is the cue ball | :20:23. | :20:29. | |
going? Where is the blue going, more importantly? This blue is on and | :20:30. | :20:34. | |
it's a nice angle if he pops it to be back on the pink. -- pots it. | :20:35. | :20:47. | |
Only 44% long pot success so far in the match, not been the strongest | :20:48. | :20:51. | |
part of his game. GROANS FROM CROWD | :20:52. | :20:58. | |
That was a long way off. Yes, it was a nice angle. Well, he could have | :20:59. | :21:06. | |
left the pot easier for Marco, this is one of those frames that could | :21:07. | :21:10. | |
turn a match on its head, I thought for all money Marco was going to | :21:11. | :21:15. | |
regain that to frame advantage. Now it's all about this blue. Very | :21:16. | :21:22. | |
fortunate, Anthony McGill. This cue ball is getting very close | :21:23. | :21:44. | |
to the corner. It's in. And now Anthony McGill is favourite for the | :21:45. | :21:47. | |
frame. Marco has just thrown away this | :21:48. | :22:00. | |
frame. Even with that shot, he could have potted blue in the right | :22:01. | :22:15. | |
corner. Pink and black for a frame. He could never have expected to win | :22:16. | :22:21. | |
it. He looks certain to go two frames behind again. This is to | :22:22. | :22:27. | |
level at 7-7. A big frame and a big blow to Marco Fu. It's there. Two | :22:28. | :22:34. | |
snookers needed, the second longest frame of the tournament so far and | :22:35. | :22:41. | |
it went to Anthony McGill by surprise. Marco Fu leaving the | :22:42. | :22:45. | |
arena, he must be disgusted, it is 7-7. | :22:46. | :22:49. | |
Two snookers required, there is no shaking this young Scotsman, Anthony | :22:50. | :22:53. | |
McGill, who had a stunning victory over Shaun Murphy in round one. In | :22:54. | :22:57. | |
we go to frame 15 and Anthony has already had a break of 62 at Marco | :22:58. | :23:00. | |
has it all to do, 37 behind. COMMENTATOR: He covered the two reds | :23:01. | :23:19. | |
to the left corner. He can get through to the red on the top | :23:20. | :23:22. | |
cushion but he doesn't really want to move this red from the top | :23:23. | :23:25. | |
cushion. So what do you think? That's one choice he will be | :23:26. | :23:47. | |
thinking about. Mainly because he doesn't want to move the red off the | :23:48. | :23:54. | |
top cushion. Even if he came off the two cushions as I indicated, he | :23:55. | :24:00. | |
might still leave a red. But that's what he's going to do. He wants to | :24:01. | :24:07. | |
go off the top cushion first. It is a good line. Is it hard enough? | :24:08. | :24:09. | |
Just! Judged it to perfection. COMMENTATOR: Foul and a miss? I | :24:10. | :25:08. | |
don't know who said "re-rack". It was funny. He missed the red. Miss | :25:09. | :25:28. | |
called. Have it replaced. Here is the miss. " re-rack" | :25:29. | :25:48. | |
if he was in such a situation he could not get near the ball wide as | :25:49. | :25:53. | |
he play it again? I think he is asking him to play it | :25:54. | :26:12. | |
again from there. I called it a miss. I wouldn't have let him play | :26:13. | :26:20. | |
that, he could get back to the baulk end. I know he will take a risk but | :26:21. | :26:25. | |
Marco is in a position where he has to take risks, he could possibly get | :26:26. | :26:29. | |
a snooker. Even if he doesn't and forces and Anita take on a long pot | :26:30. | :26:41. | |
from the baulk cushion. -- Anthony to take on. He took a long time to | :26:42. | :26:48. | |
think about that. Trying to get in behind the pink and green, he has | :26:49. | :26:53. | |
not got in behind, but he has left it awkward cueing. But that shot | :26:54. | :26:58. | |
wouldn't have been on if he had had the ball replaced. | :26:59. | :27:20. | |
And now Marco with a chance, OK it's not a frame-winning opportunity | :27:21. | :27:27. | |
because of where the green and pink are, but certainly a chance to get | :27:28. | :27:35. | |
right back in the frame. There has been some strange happenings this | :27:36. | :27:40. | |
morning, hasn't there, Stephen? Yes, both players taking a very long time | :27:41. | :27:46. | |
to think about shots and at the end of it playing strange ones. They are | :27:47. | :27:55. | |
trying to think of good ideas, and as you say, in the end, come up with | :27:56. | :28:01. | |
nothing new. It is like they are seeing problems that aren't there a | :28:02. | :28:03. | |
lot of the time. Yeah. Not the best angle on this. He wants | :28:04. | :28:43. | |
to make certain he doesn't miss this red. He used all of the pocket. But | :28:44. | :28:53. | |
in it went. If you were playing in practice he would play a cannon of | :28:54. | :28:58. | |
the pink of the cushion with a touch of right-hand side. I don't think | :28:59. | :29:02. | |
for a minute Marco will play it here. Pot the yellow and he can play | :29:03. | :29:15. | |
a good snooker behind the pink. And then he would have control of the | :29:16. | :29:31. | |
table. Does this green pot? It may do, you know. It did do. All of a | :29:32. | :29:48. | |
sudden Marco Fu is favourite to win the frame. And after what has gone | :29:49. | :29:55. | |
on before in this match that was an excellent pot on the green. Making | :29:56. | :30:03. | |
sure he was low on the blue he has come too far. If he has a slight | :30:04. | :30:10. | |
angle he might be OK on the blue. Stun for the pink. He still needs | :30:11. | :30:13. | |
blue, pink and black. Not the cleanest of pots and that's | :30:14. | :30:24. | |
why the cue ball has run two or three inches too far but. | :30:25. | :30:34. | |
APPLAUSE This is not a gimme, the way this | :30:35. | :30:42. | |
match has gone this morning. But it's there and the last frame | :30:43. | :30:58. | |
Anthony McGill won he needed to Snickers and Marco Fu would have | :30:59. | :31:01. | |
been disappointed but he'll be happy to have won that. Never looked like | :31:02. | :31:05. | |
the winner until he potted that good green at the end and he's now back | :31:06. | :31:10. | |
in front. One friend to play in this session and Fu leapt eight sevenths. | :31:11. | :31:15. | |
HAZEL IRVINE: After that frame in the 15th, the 16th, the clock was | :31:16. | :31:20. | |
ticking here, as we join it. Marco Fu 40 - 30. The best effort from | :31:21. | :31:29. | |
McGill, 13. And, in fact, the clock is ticking so much that they've | :31:30. | :31:31. | |
actually had to delay the afternoon session by this point by 15 minutes | :31:32. | :31:37. | |
to allow a change of audience a bit later on. Meanwhile, this one is | :31:38. | :31:43. | |
very tense. An important frame. JOHN PARROTT: Anthony had but a good | :31:44. | :31:49. | |
chance of that yellow but he hit it far too is slow. This is a very good | :31:50. | :31:56. | |
performance from him. They both won frames they shouldn't have won. | :31:57. | :32:00. | |
Anthony McGill won one with two stickers and Marco Fu nicked the | :32:01. | :32:03. | |
other one so it's honours even in that respect or stop and you got to | :32:04. | :32:07. | |
admire the way Marco Fu has come back in this session because McGill | :32:08. | :32:12. | |
was very much in the ascendancy early on. Even in the first session | :32:13. | :32:18. | |
I commentated on, Marco started off well and he seemed to lose his way | :32:19. | :32:22. | |
for a couple of frames and couldn't pot a ball. But somehow he managed | :32:23. | :32:25. | |
to recover. He's done that again during this session, from having a | :32:26. | :32:29. | |
lead, losing it and then going back into a lead, and he'll be very happy | :32:30. | :32:34. | |
coming out winning this frame and particularly having the lead going | :32:35. | :32:38. | |
into the final session. That interval certainly seemed to come to | :32:39. | :32:42. | |
his aid and he's thrown in the third century of his week on the way and | :32:43. | :32:46. | |
Marco will take a 9-7 lead into the final session this evening. First to | :32:47. | :32:51. | |
13 will go through. We always thought this one was going to be | :32:52. | :32:55. | |
pretty hard to call. Are you now thinking it could go Marco's way? | :32:56. | :33:01. | |
The experiences got me just stand him in good stead for this evening | :33:02. | :33:07. | |
but as Ken said, he's a very funny player sometimes. I think is one of | :33:08. | :33:11. | |
the best writers of the ball but occasionally he can blow a bit hot | :33:12. | :33:15. | |
and cold so you never know but his experience might just come out on | :33:16. | :33:20. | |
top. However, we could say a lot of great things about Anthony McGill, | :33:21. | :33:22. | |
not least his composure, and when he's been down in matches before at | :33:23. | :33:27. | |
the Crucible, as we've seen to quite dramatic effect, he's come back and | :33:28. | :33:30. | |
caused some big studies. The scoreboard doesn't really affect | :33:31. | :33:35. | |
him. It's a good attribute to have. He plays with a smile on his face. | :33:36. | :33:39. | |
He walks around the table very composed. He seems to really enjoy | :33:40. | :33:43. | |
the Crucible. A lot of players come here and Oliver Roberts in the | :33:44. | :33:47. | |
headlights but he really enjoys the atmosphere, playing fluently and | :33:48. | :33:51. | |
fast full top -- they are like rabbits in the headlights. I think | :33:52. | :33:56. | |
it could be a cracking closing session tonight. If Marco Fu is | :33:57. | :34:00. | |
going to win that, he will have to play well to do it because McGill is | :34:01. | :34:04. | |
a very good match player, very competent, and he's not worried | :34:05. | :34:08. | |
about being in the auditorium. They've got a few hours to think | :34:09. | :34:11. | |
about what faces them. Before they get into that final session. But the | :34:12. | :34:17. | |
contestants in our challenge have been getting progressively faster | :34:18. | :34:23. | |
and faster. Mr Selby leads at the moment but what can Mr Alan do to | :34:24. | :34:25. | |
change that? Welcome back to Pot Quiz and today's | :34:26. | :34:39. | |
contestant is the newcomer to the Premiership level. Sorry about that! | :34:40. | :34:46. | |
Mark Allen. Your five questions. Everyone you get right, you take a | :34:47. | :34:49. | |
red off and you put all the reds, finishing off with a black. Your | :34:50. | :34:53. | |
first question... Who did you play in your first-ever Crucible much? | :34:54. | :34:58. | |
Ken Doherty. And for an extra point, what year? 2007? Correct but you | :34:59. | :35:05. | |
don't get extra point. Just one red. You scored 146 of the Crucible, the | :35:06. | :35:08. | |
equal highest that year. Which of the player got the 146? Graeme Dott. | :35:09. | :35:16. | |
Correct for two points. At you been studying these? Have you seen these? | :35:17. | :35:20. | |
Who was the World Championship runner-up the year you were born, in | :35:21. | :35:28. | |
1986? World champion runner-up? That's not fair. I know who won it. | :35:29. | :35:37. | |
Who won it? Joe Johnson. I'll have to hurry you. Who did Joe Johnson | :35:38. | :35:45. | |
beat in 1986? You haven't got a clue, have you? I'm going to go with | :35:46. | :35:49. | |
you because you weren't quite a lot of files back then. You're right. | :35:50. | :35:54. | |
Congratulations. Three out of three. Ewan The Players Championship finals | :35:55. | :35:58. | |
last month but who won it last year. -- you won. Joe Perry. Correct. This | :35:59. | :36:06. | |
is astonishing! For a clean sweep of the balls, the multiple-choice final | :36:07. | :36:12. | |
question, which player have you met most times in tournaments in your | :36:13. | :36:17. | |
career er is it Ryan Day, Neil Robertson, Mark Williams or Judd | :36:18. | :36:24. | |
Trump? Who were the options? Ryan Day, Neil Robertson, Mark Williams | :36:25. | :36:31. | |
or Judd Trump. Ryan Day. Judd Trump, 22 times for stock still, a | :36:32. | :36:34. | |
fantastic effort. You can take any for reds of the table, whichever | :36:35. | :36:38. | |
ones you want, and then put the cue ball wherever you want. The most | :36:39. | :36:42. | |
difficult bit is deciding which reds to take off. | :36:43. | :36:47. | |
He's gone for the middle red. Three more to take. I can see the brain | :36:48. | :36:53. | |
worming away. An interesting choice, that one. I don't think there's any | :36:54. | :36:56. | |
rhyme or reason to this. He's taking off the ones on the left-hand side | :36:57. | :37:01. | |
of the table. Basically, he can't be bothered to move them around! One | :37:02. | :37:08. | |
more. This is fascinating. That is so lazy! OK, your time will start | :37:09. | :37:14. | |
when you hit the ball. You've got one minutes, 14 seconds to beat Mark | :37:15. | :37:18. | |
Selby and the embarrassing thing would be if you get more than two | :37:19. | :37:22. | |
minutes and 11 seconds. That's me! That would be embarrassing. That | :37:23. | :37:29. | |
would be embarrassing! And he's off and the clock is running. | :37:30. | :37:35. | |
Fine control. As you would expect from a player still in the | :37:36. | :37:44. | |
tournament! Just missed it, and that's going to cause problems. It | :37:45. | :37:50. | |
is. 20 seconds gone. Still nice timing, though. The speed of the | :37:51. | :37:56. | |
man! The speed! He's got his trainers on for this particular | :37:57. | :38:00. | |
event, as well. Fantastic. 30 seconds. It's going good. This is | :38:01. | :38:04. | |
good. Bose four reds have helped him. Watch that camera! Just two | :38:05. | :38:15. | |
reds left. 45 seconds. It's not bad! If this goes in... Fantastic play. | :38:16. | :38:24. | |
This has got a chance! He's rolled it towards the pocket. And it's in! | :38:25. | :38:30. | |
CHEERING Congratulations. Fantastic! | :38:31. | :38:36. | |
Absolutely marvellous! And the time... And the time... One minute | :38:37. | :38:44. | |
exactly. One minute! You've slaughtered the field, as you | :38:45. | :39:01. | |
would expect from a premiership player. You'd expect that! You've | :39:02. | :39:06. | |
slaughtered it all, Mark. Congratulations. That was | :39:07. | :39:09. | |
impressive. Twice as fast as me, and a bit more. | :39:10. | :39:16. | |
Yes, Mark Allen right at the top of the charts and, guys, that was with | :39:17. | :39:24. | |
one miss, 1-shot hampered by our camera but four out of five on the | :39:25. | :39:27. | |
general knowledge for stock that's the way to go. That's the key. | :39:28. | :39:32. | |
That's why it's called Pot Quiz, because if you get the questions | :39:33. | :39:35. | |
right, you can take the reds of the table. I think that was the first | :39:36. | :39:40. | |
time we had four. Ken, you're under pressure. When are you doing it? I | :39:41. | :39:45. | |
don't know. I might need a bit of practice. I might need to know the | :39:46. | :39:50. | |
questions. Do a bit of research. For a small fee... And other quiz | :39:51. | :39:54. | |
question for you. You is the only man to beat Ronnie O'Sullivan in a | :39:55. | :39:59. | |
final? Mark Selby. Correct, and it was a couple of years ago. He came | :40:00. | :40:03. | |
back here to try to be per Crucible Curse. He got around two. It all got | :40:04. | :40:08. | |
to him but after five weeks' rest, he's back, fresh as a daisy and | :40:09. | :40:10. | |
ready to try and win it. The Jester from Leicester. Behind | :40:11. | :40:23. | |
that funny mask is a player that's very clever and very shrewd. A bit | :40:24. | :40:31. | |
of a streetfighter. You have to scrape off the table and as a | :40:32. | :40:34. | |
person, one of the nicest guys you will meet and very funny. | :40:35. | :40:39. | |
Determination, gripped. You have to drag him off the table. A complete | :40:40. | :40:45. | |
desire to win. He's funny, very hard-working, I think, and always | :40:46. | :40:50. | |
tries his best. He's got so much bottle. He's got about eight | :40:51. | :40:55. | |
players' were. Funny, witty, slow, safety. Very talented, works hard, | :40:56. | :41:02. | |
great ambassador. When Mark is playing well, he's mentally | :41:03. | :41:07. | |
extremely strong, not fearful of any player that he plays, and that makes | :41:08. | :41:11. | |
him a very tough opponent. A class act on and off the table. Will be | :41:12. | :41:17. | |
one of the smartest rest players. A dry sense of humour. He likes having | :41:18. | :41:22. | |
a wind-up, like myself. We get on very well. Top large, top player. He | :41:23. | :41:29. | |
can grind out a victory from playing badly or getting way behind and I've | :41:30. | :41:35. | |
been on a few of them. And all-round... Probably the best | :41:36. | :41:36. | |
player in the game just now. He's currently the world number one | :41:37. | :41:46. | |
and the top-ranked player meets the lowest ranked player to get through | :41:47. | :41:50. | |
to this second round. Its Birmingham's 27-year-old Sam Baird, | :41:51. | :41:53. | |
the Blade, that's what they call him. He's moved up from 69th to 46th | :41:54. | :41:58. | |
in the provisional world rankings after a first win here against the | :41:59. | :42:03. | |
15th seed Michael White and, boy, did you feel him sprint across the | :42:04. | :42:08. | |
line? Two centuries and he won the last four frames in a row. This is | :42:09. | :42:13. | |
going to be a very big moment for Sam because it's the first time in | :42:14. | :42:16. | |
his professional career he's ever played in a best of 25 frames match. | :42:17. | :42:22. | |
So this whole best of three sessions thing is all new and it's a whole | :42:23. | :42:26. | |
new learning experience for him. Yet, fantastic. You forget that | :42:27. | :42:29. | |
because you just get used to players playing in this event. Best of 25 is | :42:30. | :42:33. | |
totally different. He did really well to beat Michael White, who has | :42:34. | :42:37. | |
health problems, but nevertheless he sprinted over the line and he's very | :42:38. | :42:41. | |
attacking. He gets on with it. At will interesting to see how his game | :42:42. | :42:44. | |
matches up to Mr Selby, who is tactically very adept. Very, very | :42:45. | :42:49. | |
adept. What did you make of Mark Selby's performance against Rob | :42:50. | :42:54. | |
Milkins considering he had that five game gap? When Milkins came back at | :42:55. | :42:59. | |
him, he looked very shaky, looked a bit rusty, but the great thing about | :43:00. | :43:04. | |
Mark Selby, as the lads said in the piece about him, he's got great | :43:05. | :43:09. | |
matchplay instincts. He's got a great heart, he never gives up and | :43:10. | :43:13. | |
even when the chips are down and he doesn't have his a game, he has his | :43:14. | :43:18. | |
B game and his see game and his deep game can sometimes be good enough. | :43:19. | :43:21. | |
He is such a tough player to play against and he is never knows when | :43:22. | :43:28. | |
he is beaten. The thing that interested me in this match is, the | :43:29. | :43:31. | |
other day he was with a little bit rusty, hadn't played for five weeks | :43:32. | :43:35. | |
competitively at this level so, in racing terms, has the run brought | :43:36. | :43:39. | |
him an? He'll be expecting to improve from the first round. He was | :43:40. | :43:44. | |
in eco-mood as the Hoover the other day, he wasn't quite there, but I'm | :43:45. | :43:49. | |
expecting him to step it up. It'll be interesting to see how Sam Baird | :43:50. | :43:52. | |
copes with this as if this is tougher, playing Mark Selby ester 25 | :43:53. | :43:57. | |
is at others it's going to get. There is Mark Selby, the world | :43:58. | :44:00. | |
number one, and there is Sam Baird, his opponent. We wish Sam well today | :44:01. | :44:04. | |
in a brand-new adventure for him, a best of 25 frames match. | :44:05. | :44:09. | |
Interestingly, the likes of Mark Selby is officially still number one | :44:10. | :44:12. | |
but is moved down to provisionally number seven in the rankings. Selby, | :44:13. | :44:18. | |
Walden, Ronnie O'Sullivan, Higgins, Mark Allen and Trump know that a | :44:19. | :44:21. | |
victory here in the World Championship will mean they will | :44:22. | :44:24. | |
finish the season as world number one, so there's an awful lot of | :44:25. | :44:28. | |
issues over the coming days. Right. We. Talking and let them play. So | :44:29. | :44:36. | |
it's over to MC Rob Walker. Thanks, Hazel. Good afternoon, | :44:37. | :44:40. | |
ladies and gentlemen. It almost nonstop snooker here on day seven at | :44:41. | :44:43. | |
the beck Tredwell championship. We've recovered after those two | :44:44. | :44:46. | |
marathon matches this morning and we are poised and ready to go again. | :44:47. | :44:48. | |
CHEERING AND APPLAUSE Please welcome, first of all, a | :44:49. | :45:12. | |
player bidding for his third appearance in the quarterfinals the | :45:13. | :45:14. | |
Crucible, three times a ranking event winner. He's made two finals | :45:15. | :45:19. | |
here and let's not forget, he knocked out the defending champion, | :45:20. | :45:22. | |
Stuart Bingham, in round one. There is no one on tour with more | :45:23. | :45:26. | |
determination than this guy, so raise the roof for the captain, Ali | :45:27. | :45:27. | |
Carter. And his opponent, a player who first | :45:28. | :45:52. | |
appeared here 25 years ago, bidding for a fifth Crucible quarterfinal, | :45:53. | :45:55. | |
here after knocking out his good mate Stephen Maguire in the first | :45:56. | :45:59. | |
round, twice a ranking event winner, he takes it all in his tartan | :46:00. | :46:00. | |
stride. He's Alan McManus. And on table to, here comes a player | :46:01. | :46:26. | |
emerging for the biggest match of his life so far but appear after | :46:27. | :46:31. | |
knocking out Michael White in the first round, he has improved | :46:32. | :46:35. | |
immeasurably since a slightly nervy Crucible debut three years ago. What | :46:36. | :46:39. | |
a moment for the man from Devon. They call him Sam" The Blade" Baird. | :46:40. | :47:01. | |
And his opponent, making a ninth appearance in the second round here, | :47:02. | :47:06. | |
he came through a tricky match against Rob Milkins in the first | :47:07. | :47:10. | |
round. World champion two years ago, multiple Masters winner. He is the | :47:11. | :47:15. | |
world number one. He's the Jester from Leicester. He is Mark Selby! | :47:16. | :47:31. | |
GABBY LOGAN: And that's what it's like inside the crews will be at. We | :47:32. | :47:36. | |
will keep tabs on Ali Carter against Alan McManus. -- Hazel | :47:37. | :47:45. | |
For the moment, we are heading to table two to watch the world number | :47:46. | :47:50. | |
one in action in the company of Willie Thorne and Terry Griffiths. | :47:51. | :47:57. | |
Good afternoon, gentlemen. WILLIE THORNE: Good afternoon, | :47:58. | :48:02. | |
Hazel. Good afternoon, everybody. Sam Baird has won his first-round | :48:03. | :48:06. | |
match so he's going into this match as a victor. It's the first time | :48:07. | :48:09. | |
he's won a match at the Crucible against the legend that is Mark | :48:10. | :48:13. | |
Selby, world number one, who's struggled a little bit, to be fair, | :48:14. | :48:17. | |
against the Milkman in the first round. | :48:18. | :48:25. | |
Robert Milkins played very well against Mark Selby in the first four | :48:26. | :48:30. | |
frames and struggled a little bit after that. That's the tournament | :48:31. | :48:38. | |
pot success, absolutely level, as you can see, 90% each, after the | :48:39. | :48:45. | |
first match. Sam Baird's potting a few more long balls than Mark Selby | :48:46. | :48:51. | |
but I would imagine the next stat, the safety, should be in favour of | :48:52. | :48:55. | |
Mark Selby. No, amazingly enough Sam Baird is a little better at safety | :48:56. | :49:00. | |
successful stop if he wins this safety battle, he's done very well | :49:01. | :49:04. | |
against this young man. With me in the box, Terry Griffiths. Terry, I | :49:05. | :49:08. | |
know you worked a bit with Sam Baird a few years ago. He's a very good | :49:09. | :49:11. | |
break-builder, isn't it? TERRY GRIFFITHS: He is. He's come | :49:12. | :49:18. | |
here and won around. That will settle him a bit. He's played Mark | :49:19. | :49:22. | |
Selby a few times. He had a chance to beat him in the Welsh Open one | :49:23. | :49:28. | |
year, Mr blue in the final frame. He lost the two matches. | :49:29. | :49:39. | |
He was and that best, really, in their match against Rob Milkins. | :49:40. | :49:54. | |
As we see the black again, I thought that was shot you can't afford to | :49:55. | :50:00. | |
miss at any stage in any tournament but when Mark Selby had missed the | :50:01. | :50:03. | |
green in the middle pocket, I thought that was a for Sam and he | :50:04. | :50:07. | |
might kick on in the first frame to stay calm the nerves but that won't | :50:08. | :50:11. | |
do anything for his nerves. That can only make it worse. | :50:12. | :50:21. | |
Not great, this. Can only just get to the side of the cue ball. | :50:22. | :51:28. | |
The fact that the blue and pink are both out of play at the moment... He | :51:29. | :51:33. | |
might play a little slow cannon into the pink. Not bound to go right, | :51:34. | :51:36. | |
though, cause there's no reds available into the middle pocket. | :51:37. | :51:40. | |
He'd love to get the pink in open play. The black pot similar hand | :51:41. | :51:45. | |
corner but it'll be to get on. Not necessarily going to play the cannon | :51:46. | :51:48. | |
but Mark Selby usually plays the aggressive shot. Decided the blue | :51:49. | :51:53. | |
looks a bit too thin. Playing the green in and out Balcombe, over the | :51:54. | :51:57. | |
green spot, the cue ball will be travelling. -- in and out of baulk | :51:58. | :52:11. | |
A little surprised he didn't play for the cannon, to be honest. | :52:12. | :52:51. | |
A strange shot, wasn't it, that, for Mark? Refused it when he had a | :52:52. | :52:57. | |
perfect angle before. But it's finished very nicely. Good to have | :52:58. | :53:04. | |
split better, as long as this ruse goes in. -- couldn't have split | :53:05. | :53:09. | |
better. We would expect to score quite heavily now. | :53:10. | :53:45. | |
Mark Selby fully aware that if you can get a good break, it will | :53:46. | :53:55. | |
unsettle him in his chair for a while. | :53:56. | :54:30. | |
Play through the gap of the pink and the red and try to get down the back | :54:31. | :54:35. | |
of the black. Could play the cannon on the two reds but that's a little | :54:36. | :54:41. | |
dangerous. The red one up from the back pots in the corner. He will be | :54:42. | :54:44. | |
playing off two cushions. That might not be hard enough. Just | :54:45. | :54:48. | |
about OK. Just having a look now and he can | :54:49. | :55:25. | |
play the cue ball out for the blue. If he can't reach this, of course, | :55:26. | :55:37. | |
it's a bit more difficult. Just about travelled enough to give | :55:38. | :56:03. | |
it a little nudge on the two reds. He'd probably like to hit them both | :56:04. | :56:06. | |
together because that will push one towards the middle and one towards | :56:07. | :56:10. | |
the corner. If he hits either one of them, he might not be on the red, | :56:11. | :56:14. | |
amazingly enough. Just trying to make sure you can get the joint of | :56:15. | :56:18. | |
the two reds that maybe he can just run through and just click them. | :56:19. | :56:21. | |
That will leave them both in the middle pocket. The pocket where his | :56:22. | :56:23. | |
handers. Played the flick and it's not | :56:24. | :56:34. | |
worked. That's not like Mark Selby. The poor positional shot. | :56:35. | :56:41. | |
It's still early days, although he's played one round. He's resettled | :56:42. | :56:53. | |
himself down. The table doesn't play the same all the time, that's for | :56:54. | :56:57. | |
sure. APPLAUSE | :56:58. | :57:03. | |
It all depends. Perhaps the table next door might run a lot faster. | :57:04. | :57:06. | |
You never know. Well, he played the pot with safety | :57:07. | :57:24. | |
in his mind. He's 49 points behind now. Good angle on this brown. He | :57:25. | :57:35. | |
may be able to get close to one of those three reds. If it's dead | :57:36. | :57:40. | |
straight, it's hopeless. Just had a bit of an angle. This | :57:41. | :57:51. | |
could be good. Straight on this red to stun through a few inches or even | :57:52. | :57:58. | |
drop it in. It'll be on the black. Leaves the black on the spot for | :57:59. | :58:02. | |
that red there. He's cueing quite deep. That's given him a chance to | :58:03. | :58:09. | |
win the frame that this visit. Excellent positional shot from brown | :58:10. | :58:12. | |
to red. Another good one from red to black. If this black goes in, he's | :58:13. | :58:21. | |
right back into this frame. You need the black on its spots to make that | :58:22. | :58:22. | |
an easier red. Another excellent positional shot. | :58:23. | :58:57. | |
Good break-builder, Sam. He busy hasn't had the experience in the big | :58:58. | :59:00. | |
time. Essential to be high on the pink or | :59:01. | :59:26. | |
high on the black, whichever he decides to play for. High on the | :59:27. | :59:31. | |
black is good because then he's got half a chance of bringing the red | :59:32. | :59:35. | |
into play. He's going to have to play this speaker now. Can't get on | :59:36. | :59:41. | |
this last red. He'll be disappointed he has left himself a better angle | :59:42. | :59:42. | |
than this. One of the only places he didn't | :59:43. | :59:57. | |
want to go. Should have been more careful. | :59:58. | :00:05. | |
OK, he has cleared up but he's certainly back in the frame. | :00:06. | :00:08. | |
APPLAUSE As usual, Mark Selby, one of the | :00:09. | :00:35. | |
greatest players in the world tactically. What a great shot that | :00:36. | :00:40. | |
was. Keeping the red safe was a problem. But as you can see, he has | :00:41. | :00:42. | |
done it perfectly. Just Elizabeth of safety going on | :00:43. | :00:59. | |
for a second. I would like to wish Dennis Taylor a speedy recovery. He | :01:00. | :01:03. | |
was taken to hospital with an appendicitis last night and hopes to | :01:04. | :01:13. | |
be back with us early next week. I am missing the lines already! | :01:14. | :01:28. | |
Big shot here. Think he's got to take it on. A big boost for Sam if | :01:29. | :01:59. | |
he wins this first frame after that black he missed earlier on. If he's | :02:00. | :02:07. | |
got a weakness, he hits the ball and little too hard when he's under | :02:08. | :02:12. | |
pressure, but who doesn't? Yes, that's one he could have stroked in | :02:13. | :02:21. | |
would have helped the for the green. Being hampered over the green, I | :02:22. | :02:27. | |
would be surprised if Selby tries to get this in. He'll be playing the | :02:28. | :02:35. | |
safety shot. Make sure the reds doesn't make contact with the rent | :02:36. | :02:40. | |
to make it around the ankles. Made sure of the good white. | :02:41. | :02:57. | |
A good chance here for Sam if he fancies this red into the top left | :02:58. | :03:11. | |
pocket. A tough pot, but he could also placement behind those three | :03:12. | :03:15. | |
top covers. He's very tempted to play snooker. He may have still got | :03:16. | :03:27. | |
one behind the pink. You can just see the edge I think of the red. I | :03:28. | :03:35. | |
would need a set of binoculars to see that one. These top players have | :03:36. | :03:41. | |
excellent eyesight. He'll need it here. I think Sam was unfortunate to | :03:42. | :03:50. | |
get the snigger behind the pink. He has forced the opening. If it goes | :03:51. | :03:55. | |
in, he can finish the frame. He needs to play for the brown or | :03:56. | :04:01. | |
green. He shouldn't really play this because he's very close to it. Don't | :04:02. | :04:07. | |
play for the top cushion. He has the pot, but where's the? He may have | :04:08. | :04:14. | |
missed trick there. He made pot the brown and clear up that he should | :04:15. | :04:16. | |
have played for a colour. A lot more difficult out there, of | :04:17. | :04:43. | |
course. Mark Selby has been here many times and been through most of | :04:44. | :04:49. | |
the things that you've got to put up with when you're playing in the | :04:50. | :04:53. | |
Crucible. Starting off badly, starting off well, your opponent | :04:54. | :04:59. | |
starting well. It all goes on out there. Foul. That's the worst I've | :05:00. | :05:15. | |
ever seen from Mark Selby. Shouldn't have been anywhere near the brown or | :05:16. | :05:20. | |
blue. Unless the cushion played a few tricks, I don't know. Not easy | :05:21. | :05:28. | |
to fit these back I don't think either. It was in a straight line | :05:29. | :05:32. | |
with the brown and blue spot. That's where they were. Just in my | :05:33. | :06:18. | |
mail with the blue. He's moved it about 21 times already! Now then... | :06:19. | :06:33. | |
It's the worst place for the referees when the balls in the | :06:34. | :06:38. | |
middle of the table. I think he would have expected Mark Selby to | :06:39. | :06:43. | |
miss either. He would have hit it, it would have been OK. Just looking | :06:44. | :06:49. | |
at it from the side, Terry, how on earth did he kissed the blue from | :06:50. | :06:54. | |
here? These cushions did come off quite quickly and that might have | :06:55. | :06:58. | |
come off strangely so that could have happened. The thing is, is he | :06:59. | :07:08. | |
going to alter the place on the cushion he is going to hits now | :07:09. | :07:12. | |
after that? It has put him in two minds now after the normal escape. | :07:13. | :07:22. | |
That's if it ever happens, that is! I can forgive the referee for not | :07:23. | :07:25. | |
getting the yellow and blue in the right place but the white, he's just | :07:26. | :07:37. | |
seen the play. I don't think it will make a huge difference whether white | :07:38. | :07:44. | |
is. Unless you can't get to it, otherwise it will make a difference. | :07:45. | :07:47. | |
There is no games here for either player. -- gain for either player. | :07:48. | :07:57. | |
It's not about hitting the yellow, it's about getting it safe. Bush | :07:58. | :08:04. | |
took to the side cushion. A brilliant shot. Very good. | :08:05. | :08:54. | |
Well played. Didn't push the boat out there, just a good distance | :08:55. | :09:11. | |
between the two balls. Seems like Mark Selby has dominated this frame, | :09:12. | :09:18. | |
but not a lot in Israeli. -- not a lot in it really. He would like to | :09:19. | :09:25. | |
play up and down, but the blue and green are in the way. He can't play | :09:26. | :09:30. | |
a half bowl because the yellow will go into that right corner pocket. | :09:31. | :09:36. | |
He'll have to try and find a shot and he has found one, an excellent | :09:37. | :09:41. | |
shot. He has not got a snooker, but to get the yellow safe, that was the | :09:42. | :09:43. | |
main thing. The first mistake really. That's got | :09:44. | :10:16. | |
to be careful here with that balloon. -- blue. Not the line he | :10:17. | :10:26. | |
would be normally. And that's the reason he overdid it, because that | :10:27. | :10:30. | |
balloon made it a bit awkward. OK, he's got a bit of a chance with the | :10:31. | :10:34. | |
green in the centre. Yes, 22 points in front. And that's | :10:35. | :11:05. | |
a settler. Mark has had a couple of chances in this frame. | :11:06. | :11:24. | |
That put him 26 in front with eating left, so barring snickers, Mark | :11:25. | :11:34. | |
Selby will take the opening frame. -- 18. | :11:35. | :12:11. | |
This is closer. Not quite hard enough. It slid off that cushion. | :12:12. | :12:33. | |
Well, it's paid to put that blue right in the jaws of that pocket. | :12:34. | :12:40. | |
One machines it has slid off slightly. | :12:41. | :13:16. | |
50 break early on from Mark Selby was more than enough to take this | :13:17. | :13:24. | |
first frame. Sam Baird stays in his seat. Mark Selby is delighted to | :13:25. | :13:29. | |
have taken the opening frame and beads 1-0. Some interesting points | :13:30. | :13:33. | |
there, Terry. Mark plays an unbelievable safety shot and left | :13:34. | :13:36. | |
Sam Baird in a tricky position. How would you have played this? Would | :13:37. | :13:41. | |
you have over the side cushion? Yes, I would have. That's what he did | :13:42. | :13:45. | |
play but it caught it slightly wrong. The fact that he cottage | :13:46. | :13:55. | |
thick and left it on, Terry, you were commentating and saying that | :13:56. | :14:01. | |
the blue was in the way. Yes, it's in the line where Mark Selby wanted | :14:02. | :14:05. | |
the cue ball to go after potting the yellow. And as it turns out, I can | :14:06. | :14:14. | |
see it now, he puts too much power into the shot to avoid being | :14:15. | :14:19. | |
slithered by the blue and is a bit fortunate to beacons of the green in | :14:20. | :14:24. | |
the centre. He rolled the green into the middle pocket and went on to do | :14:25. | :14:29. | |
enough damage to the Sam Baird in his snookers. Sam had three chances | :14:30. | :14:34. | |
in that frame. We know it is best of 25, but when you are playing against | :14:35. | :14:39. | |
a top player, this is how it's all starts. He did very well to get into | :14:40. | :14:43. | |
the frame after missing the black. He's trying to hit the one behind | :14:44. | :14:47. | |
that cluster. The choice of two reds. But he has flicked the other | :14:48. | :14:53. | |
red and did not get into the cue ball as he hoped. But he can't be | :14:54. | :14:56. | |
disappointed about how he got into the frame again that he will be | :14:57. | :14:59. | |
disappointed about missing that black early on. Mark Selby leading | :15:00. | :15:08. | |
1-0. Lining up for frame to. -- frame two. It's half a break off | :15:09. | :15:17. | |
anyway! Pass that baulk line. He'll still have to come right away | :15:18. | :15:41. | |
from the black. Excellent shot from Sam. Absolutely brilliant, wasn't | :15:42. | :15:51. | |
it, Terry? He took the bull by the horns there. Bit of news that cue | :15:52. | :15:57. | |
coming off the cushion. The tables have been recovered since his | :15:58. | :16:01. | |
first-round match and having played some 19 or eating frames on this | :16:02. | :16:05. | |
table, you would expect that wait to move higher and it's surprising how | :16:06. | :16:09. | |
it finished though there. He has to play that read. With the screw back, | :16:10. | :16:16. | |
it would be unlucky not to be near black. Getting the screw into the | :16:17. | :16:19. | |
cue ball here, it's quite a thin red back when he was leaving the run | :16:20. | :16:23. | |
them through. It might end up in your the pocket here. But no, he's | :16:24. | :16:29. | |
played it lovely. He hasn't got a lot of weaknesses. You can score | :16:30. | :16:39. | |
heavily. So far, he hasn't really got what I thought. He's a very | :16:40. | :16:46. | |
talented player, Sam. He hasn't really had that out in the big | :16:47. | :16:49. | |
tournaments he has played in. He has played a lot of qualifying rounds of | :16:50. | :16:54. | |
course and in the end it starts to affect you, thinking you are more in | :16:55. | :17:00. | |
the qualifiers then you are in the late stages of the determinants. -- | :17:01. | :17:10. | |
big turnouts. There is no doubt that Mark isn't at his best. He wasn't in | :17:11. | :17:15. | |
the first round as you mentioned but he hasn't started great here either. | :17:16. | :17:20. | |
He missed to tournaments as well. He missed the last two to try and get | :17:21. | :17:23. | |
himself mentally and physically right for what is a wrong 17 days. | :17:24. | :17:28. | |
He was very rusty I thought in the first round. I thought it was 17 | :17:29. | :17:33. | |
years! Just got an angle. He didn't have to | :17:34. | :17:49. | |
play the cannon into the three reds, he could get in the gap. That's how | :17:50. | :17:55. | |
you play cushion first. Lots of reds and so he does not have to worry | :17:56. | :18:02. | |
about those three either. A bit more time playing, he has a strange | :18:03. | :18:07. | |
rhythm. He takes quite a while to decide even the easiest of shots | :18:08. | :18:12. | |
sometimes and then he hit the ball very quickly. Those don't seem to | :18:13. | :18:15. | |
match for me, but it works well for him. He will be disappointed not to | :18:16. | :18:23. | |
get the top side of the blue. The yellow will be a problem here. He's | :18:24. | :18:28. | |
going to have to hit the yellow of the two cushions. That's the yellow. | :18:29. | :18:36. | |
The missed it nicely so he should be OK. | :18:37. | :19:26. | |
Another good recovery. Twice on the wrong side of the blue and twice got | :19:27. | :19:32. | |
out of trouble. That one was a lot better. He goes to 45. Three more | :19:33. | :19:47. | |
reds and three colours. His target is 69 so he needs another 24 points | :19:48. | :19:53. | |
from here. Three reds, three colours to make sure that he leaves Mark | :19:54. | :19:58. | |
Selby in a snooker. That's not his best. Very awkward. He needed to be | :19:59. | :20:01. | |
another six inches further on. He's left himself to choices and | :20:02. | :20:24. | |
both in the centre pockets. He would certainly have preferred something a | :20:25. | :20:31. | |
bit better than this, a bit easier. It takes quite a while for him to | :20:32. | :20:41. | |
take the shots and then it's gone. GROANING | :20:42. | :20:49. | |
Well well. That was an absolute case of what you were talking about, | :20:50. | :20:54. | |
Terry. He got down and pull back on the cue and then hit it. He hit it | :20:55. | :21:02. | |
very poorly. I think it happens when he needs a bit of power. He goes a | :21:03. | :21:08. | |
bit faster there and it was a blink of the eye, wasn't it, the blink of | :21:09. | :21:14. | |
an eye for the delivery? He missed the black like that in the first | :21:15. | :21:18. | |
round, with a similar type of shots. He's going to play the shot, gets | :21:19. | :21:26. | |
down, one to three and off it goes. I've noticed when he plays screw | :21:27. | :21:30. | |
shots, his bridge hand seems to be closer to the wire then a lot of | :21:31. | :21:33. | |
peoples of he doesn't have time to get out of the way. A surprise that | :21:34. | :21:43. | |
Mark didn't attempt apart there. Decided to wait for a better chance. | :21:44. | :22:05. | |
Sam Baird holding his hand up there. He played a pot, is red. Miles to | :22:06. | :22:13. | |
thin. As you can see, looks to have got away from. He will get back to | :22:14. | :22:28. | |
baulk if he attempts this red. You won't get back to baulk like that. | :22:29. | :22:42. | |
A long way off there from Mark Selby. | :22:43. | :22:54. | |
Not the best case for Sam Baird there. | :22:55. | :23:07. | |
He's playing the pink. This is a lot more difficult. Well played. | :23:08. | :24:10. | |
APPLAUSE A bit of a round of applause. He is | :24:11. | :24:18. | |
playing a bit games to Mark Selby, one of the circuit, so if you want | :24:19. | :24:24. | |
to truly finish it off. Bowl, Mark Selby stays in his chair. | :24:25. | :25:43. | |
A break of 53. One frame each. We've got to shut up so that you can win | :25:44. | :25:48. | |
it to us. When Sam was in his position, he could either play back | :25:49. | :25:51. | |
spin and screw back for the black but he played top spin. Tell us how | :25:52. | :25:54. | |
they generate so much spin to push through the pack. You see the top | :25:55. | :26:03. | |
spin working. As it goes through the reds, it opens a three reds out. You | :26:04. | :26:06. | |
can hit the shot easier with the top spin. You see the striped bold here | :26:07. | :26:14. | |
going round. You see the spin now is taking the secondary spin after it | :26:15. | :26:18. | |
has hit the ball. It stops or more or less stops and then rolled | :26:19. | :26:22. | |
through the reds but if you play your back spin shot and it will hit | :26:23. | :26:27. | |
with a lot more pace and of course, the pocket will take it until it is | :26:28. | :26:31. | |
accurate. But it is easier to generate more spin with top spin? | :26:32. | :26:40. | |
With back spin, the ball is propelling itself backwards on its | :26:41. | :26:43. | |
way to the object ball, but when it hits it, it's still going forward | :26:44. | :26:46. | |
and then it has to start to come back. So, Sam Baird breaking. Relax | :26:47. | :26:57. | |
now with his eight frames in this session. As we will see, you can | :26:58. | :27:02. | |
never win a match in the first session but you can do a lot to lose | :27:03. | :27:08. | |
it. So if you are going to lose in the first session, don't do it more | :27:09. | :27:09. | |
than 5-3. GROANING | :27:10. | :27:35. | |
Another folk from Leicester player! Goal, you can count on one hand, | :27:36. | :27:41. | |
Terry. 26 years a professional. Never had one. Swinging round from | :27:42. | :27:53. | |
the red which is on the black spots. He would love to finish low on it. | :27:54. | :27:55. | |
He has a choice of reds. Two shots away from making this a | :27:56. | :28:32. | |
chance to break into the pink and black but he needs to be straight on | :28:33. | :28:37. | |
this next red and screw top side of the blue, half bowl and straight | :28:38. | :28:40. | |
onto the pink. That is what he is thinking of here, three shots in | :28:41. | :28:46. | |
advance. If he gets about a foot past the middle pocket, he will be | :28:47. | :28:47. | |
happy if he pops this red. He's not doing great at the moment. | :28:48. | :29:15. | |
A long time to go. You'd expect him to make this. By a long way, a | :29:16. | :29:21. | |
player of his class. As it turned out, if this doesn't go | :29:22. | :29:35. | |
past the yellow, he hasn't left one to hit either. | :29:36. | :29:53. | |
Hawk-Eye shown that half the pocket. -- showing us. If there is | :29:54. | :30:05. | |
competition for the safety shot of the tournament, that would be high | :30:06. | :30:06. | |
up. He has put himself in trouble with | :30:07. | :30:37. | |
that last safety shot. Knew that he'd be bringing black and pink to | :30:38. | :30:41. | |
play so he decided to play the containing safety. He will be in | :30:42. | :30:45. | |
trouble in a minute. It is touchy. Just letting the leathery look so he | :30:46. | :31:16. | |
can see the centre of the plaque on the map pack, so if he wants to play | :31:17. | :31:24. | |
the same shot as before, he can do. -- on the pack. APPLAUSE. This is | :31:25. | :31:28. | |
excellent. JV would have been shouting his | :31:29. | :31:38. | |
heart out there. Oh! Would have lost his voice there, even before 10-0. | :31:39. | :31:45. | |
He has gone from playing the worst safety shot so far to the best one | :31:46. | :31:52. | |
there. Fair play. Will need a few more of those against Mark Selby, of | :31:53. | :32:02. | |
course. Wow! That's certainly didn't come off at the natural angle Mark | :32:03. | :32:07. | |
Selby was expecting, came off very narrow. His face tells you that. | :32:08. | :32:12. | |
Ray, it is impossible to come off at that angle. Where the cue ball is, | :32:13. | :32:25. | |
it is not on. Mark Williams took a towel on and wiped all the cushions. | :32:26. | :32:32. | |
I have never seen that before. Davis was waxing lyrical that he was | :32:33. | :32:35. | |
pushing it the wrong way in the commentary. He decided because that | :32:36. | :32:42. | |
was a completely different throw than he thought, they are going a | :32:43. | :32:50. | |
different way. -- he is going a different way. I think he has left | :32:51. | :33:02. | |
this red. That is very unlike Selby. There are not many better in the | :33:03. | :33:06. | |
game at judging the angles than Mark Selby. Big crowd in here, that at | :33:07. | :33:15. | |
times can change the atmosphere out there. Cushions playing a little | :33:16. | :33:23. | |
different because of that. Could play off the black here, going | :33:24. | :33:29. | |
behind the blue. Would loosen atop a little bit, probably bring a couple | :33:30. | :33:33. | |
of reds. He will be very close behind the blue if he plays the | :33:34. | :33:37. | |
black, that is what he is playing. Good choice, this. | :33:38. | :34:18. | |
Worth trying to get behind yellow and brown here. He has hit that one. | :34:19. | :34:31. | |
I was going to say he would have only left one read on and the pink | :34:32. | :34:35. | |
and black were tied up, but he has made a bit of a mess of that. Still | :34:36. | :34:40. | |
need a good shot here. Has long game has not been good. Let's see if he | :34:41. | :34:45. | |
can cue this one nicely. Cue dipped well. And it has a very, | :34:46. | :35:02. | |
very good case. -- cued it well. -- good kiss. | :35:03. | :35:21. | |
When you get a bit of good fortune you have to make it pay. | :35:22. | :36:32. | |
Overdid that slightly, trying to arc down there with back spin. Did well, | :36:33. | :36:40. | |
let's have a look at that. You can see it arcing round, but it got too | :36:41. | :36:42. | |
much spin on. APPLAUSE. | :36:43. | :36:57. | |
The one leading the reds just below the pink there. You can see the | :36:58. | :37:02. | |
three down from the pink. I think you can see the red I was | :37:03. | :37:30. | |
talking about, down from the pink, that corner ball. In his position, | :37:31. | :37:35. | |
he can't see enough of it. You can see that one, can't you, | :37:36. | :37:47. | |
from that angle. That is what he's playing. The pace he's going to play | :37:48. | :37:54. | |
at... He has played the other way round, but... I was about to say you | :37:55. | :37:58. | |
cannot afford to push reds, always get a good cue ball, that is the key | :37:59. | :38:04. | |
thing, then even if you play a bad safety you can get away with it. His | :38:05. | :38:09. | |
turn to have a little bit of good luck there. Selby had a good shot. | :38:10. | :38:16. | |
Totally missed it, I think he hit the wrong red, he was trying to pop | :38:17. | :38:34. | |
that read, knowing the track of the cue ball would have been in line | :38:35. | :38:38. | |
with these two reds on the right-hand side, but he hit the | :38:39. | :38:40. | |
wrong red. . A good part from Sam, but no reward | :38:41. | :39:15. | |
-- a good pot. Done without touching the brown. | :39:16. | :39:54. | |
He played to catch that on the left-hand side and left the red on, | :39:55. | :40:13. | |
but he has done the job. Again, given Sam Baird a chance to play a | :40:14. | :40:15. | |
good safety. I thought four minutes it hit the | :40:16. | :40:42. | |
ball. Played it very well, that one. Make sure you don't kiss the ball | :40:43. | :40:43. | |
colours on the way down. He is having a look at the red, is | :40:44. | :41:13. | |
he? To the right of the pink there. Might change his mind, the red by | :41:14. | :41:15. | |
the black now, just a safety shot. The one Mark Selby was looking up | :41:16. | :41:42. | |
before, onto the right of the pink, he will swing it around two cushions | :41:43. | :41:44. | |
and playback in the fork. The cue ball was going to watch the | :41:45. | :41:58. | |
cushion. It was a great pot. How much trouble can he put Mark in? If | :41:59. | :42:07. | |
he wanted to brisket, the slow roll up to the blue would be harder to | :42:08. | :42:10. | |
hit snooker. -- wanted risk it. Terry put the line-up that Mark | :42:11. | :43:08. | |
Selby was going to play. Just misjudged it. | :43:09. | :43:37. | |
Good pot, good case. Their -- good kiss. | :43:38. | :43:55. | |
He can play it quite safely just past the middle pocket and get onto | :43:56. | :44:07. | |
that loose red. Needs that white to slow down. Just hasn't got the pace | :44:08. | :44:11. | |
this afternoon so far yet. It is early days, he will get the pace | :44:12. | :44:14. | |
soon. He would have liked to have been on | :44:15. | :44:55. | |
something here that was easy to part occurs with the red it is two sets | :44:56. | :45:00. | |
of two balls together so quite easy for Mark Selby to possibly escape | :45:01. | :45:07. | |
from a snooker. Cushion first, onto the blue. Oh, dear. | :45:08. | :45:17. | |
That was difficult to miss, that one. He couldn't fail to get the | :45:18. | :45:24. | |
snooker. Probably try and bring the black | :45:25. | :45:38. | |
into play with his safety shot. That is what he has done. Where is the | :45:39. | :45:47. | |
cue ball going? That is unlucky. He thought he had played the shot | :45:48. | :45:48. | |
perfectly. That white looked to be kissing the | :45:49. | :46:05. | |
brown for second, didn't it. -- for a second. Needs to play a telling | :46:06. | :46:08. | |
safety shot. Whether it is a plant on here marked | :46:09. | :46:41. | |
looks like he is going to take on, I think the black will still be out of | :46:42. | :46:52. | |
play. He may even risk screwing back-up to the brown. | :46:53. | :46:57. | |
Has he got it? No, he hasn't. The Greene or brown is on, but plenty of | :46:58. | :47:14. | |
work to do. The pink is on as well if he wants to cut it in. Maybe hit | :47:15. | :47:24. | |
it back round the red. He is playing to screw it in. The pink going to | :47:25. | :47:36. | |
the black spot will help because those two... He couldn't have done | :47:37. | :47:45. | |
it with the pink in its own spot. That is the angles left. Trying to | :47:46. | :47:51. | |
push those reds along the cushion. He doesn't want to knock another | :47:52. | :47:52. | |
read in. -- another Red Bull. Played everything, played both | :47:53. | :48:13. | |
shots, played it lovely. Had to move the two reds and get onto that red. | :48:14. | :49:15. | |
He has done well to make this a possible frame. There was nothing on | :49:16. | :49:22. | |
when he came to the table. Had to do three or four kisses to get balls | :49:23. | :49:29. | |
into play. 29 points in front. Just one more red needed after this | :49:30. | :49:30. | |
black. This will put him 37 points in front | :49:31. | :49:36. | |
with 35 remaining. Without playing anywhere near his | :49:37. | :50:01. | |
best he's managed to scramble Watts looks like it will be a 2-1 lead. -- | :50:02. | :50:05. | |
what looks like. Some certainly looked better so far | :50:06. | :50:09. | |
-- Sam. 40 point lead. Snicko's Sam Baird | :50:10. | :50:29. | |
will be trailing 2-1. -- snooker's. Good shot. Slight double case that | :50:30. | :51:02. | |
we will give it the benefit of the doubt. -- slight double | :51:03. | :51:42. | |
needs to pot the pink for any possible chance in this frame. | :51:43. | :52:14. | |
It looks quite straightforward to keep the white in behind the blue | :52:15. | :52:19. | |
but if you push the yellow back into the middle of the table you are not | :52:20. | :52:26. | |
bound to get this shot right. There would be a gap and all sorts of | :52:27. | :52:30. | |
things here. He has played it OK, though, well done. | :52:31. | :52:30. | |
APPLAUSE That puts the frame beyond any | :52:31. | :54:33. | |
doubt. Quite a scrappy frame, Bis, marked | :54:34. | :54:52. | |
it well to get the 29 break. A little exhibition shop there. Where | :54:53. | :55:00. | |
is the black going? Breaks of 33 and 29 were enough. Just testing the | :55:01. | :55:10. | |
cushions, trying to pot the pink down the rail. Sampaio had will not | :55:11. | :55:16. | |
be happy at the moment -- Sam Baird will not be happy. He is trailing | :55:17. | :55:21. | |
with Mark Selby not playing his best. | :55:22. | :55:25. | |
We have been chatting in the studio about fluency and how much more | :55:26. | :55:31. | |
difficult it seems to be able to be for Mark Selby to come by fluency. A | :55:32. | :55:35. | |
couple of seasons ago he was winning the Masters every year, we make down | :55:36. | :55:41. | |
-- nicknamed him the Hoover because they were all gone if you gave him a | :55:42. | :55:46. | |
chance. He is not as fluid while he is scoring. I don't know why that | :55:47. | :55:50. | |
should be because he is world number one and has the confidence but he | :55:51. | :55:54. | |
has lost fluency when he scores. Why'd you think that is? I don't | :55:55. | :56:01. | |
know, maybe confidence. Not quite sure. A run of victories, matches he | :56:02. | :56:08. | |
has won lately, I don't know when his last tournament win was but it | :56:09. | :56:12. | |
seemed a long time ago when he was winning tournament at tournament but | :56:13. | :56:15. | |
only a couple of seasons ago he was doing that regularly so maybe it is | :56:16. | :56:22. | |
upstairs in the head. He is not the most confident, as he should be. He | :56:23. | :56:26. | |
is still world number one but doesn't betray that confidence as | :56:27. | :56:31. | |
much as maybe some of the other players might do around the table. | :56:32. | :56:35. | |
Maybe that is something to do with it, maybe it is just in the mind but | :56:36. | :56:40. | |
maybe he's a run of good form. We have seen him play himself into good | :56:41. | :56:45. | |
form before, haven't we? He will have two. Bassey currently stands, | :56:46. | :56:50. | |
it is scrappy, it is only the start of the match, but there is a good | :56:51. | :56:54. | |
chance he could play himself in. The level he is playing at the moment he | :56:55. | :56:58. | |
probably will not win the championship so he will have to find | :56:59. | :57:01. | |
something. The last before the interval. | :57:02. | :57:07. | |
Very good from both lads there. Mark Selby doesn't look himself. | :57:08. | :57:19. | |
A long way to go yet. I am sure he can find better form than he has | :57:20. | :57:26. | |
shown so far. If he cannot the skill he has in the | :57:27. | :57:55. | |
break game to that, if he will be a tough one to beat -- can add the | :57:56. | :58:00. | |
skill. Safety has never been his strong suit, really. Like most of | :58:01. | :58:07. | |
the younger players on the circuit, he is more aggressive these days. | :58:08. | :58:15. | |
We'll go for long shots and leave the safety is to the other players. | :58:16. | :58:23. | |
-- the safety shots. You don't see that shot played very often but boy, | :58:24. | :58:32. | |
has he played it well. Unless this hits the cushion. His body language | :58:33. | :58:36. | |
was like he might not see this thread. -- this red. That picture, | :58:37. | :58:50. | |
what you think, Terry? Looks like it didn't catch the other read first. | :58:51. | :58:55. | |
Just thinking, because he could play it slow or risk playing it off the | :58:56. | :59:04. | |
left-hand jaw. It is a possibility. Sam, when he is playing, he doesn't | :59:05. | :59:09. | |
care, he sort of swaggers onto the table very slowly. We know he cannot | :59:10. | :59:17. | |
hit it full ball to play it in the centre of the pocket but he may be | :59:18. | :59:21. | |
able to squeeze it into the left-hand jaw. The cue ball will get | :59:22. | :59:28. | |
a bit closer to the black. I think it is worth the risk. You can see | :59:29. | :59:31. | |
where he is aiming. He couldn't see it. He convinced | :59:32. | :59:39. | |
himself he could see it! You see, it moved the other read. It | :59:40. | :59:56. | |
was with his cue. I think he hit the red with his cue. | :59:57. | :00:05. | |
So it looked for a split-second that sounded really good shot into the | :00:06. | :00:13. | |
back of the reds. Now he is sitting down, thinking, what 's happening? | :00:14. | :00:18. | |
He's pointing to the red on the rate of the pack there. He struck it | :00:19. | :00:33. | |
well, but he's got a pot to go out. I would've liked to be a bit closer | :00:34. | :00:39. | |
to the reds. He plays that shot so well, Terry, along with the top four | :00:40. | :00:43. | |
players in the world. A lot of them don't go in with enough pace. He | :00:44. | :00:46. | |
didn't want the unwanted side to go further up the but that's a good | :00:47. | :00:52. | |
recovery. He will be disappointed if he doesn't score a well now. | :00:53. | :01:06. | |
A lot of the players who practice with Mark Selby tell me that you've | :01:07. | :01:15. | |
got to take a book with you because he doesn't miss. He's an excellent | :01:16. | :01:20. | |
player. Not bad on the match table either. Yes, just recently had a | :01:21. | :01:29. | |
table put in his house which is a couple of villagers away from myself | :01:30. | :01:34. | |
in Leicestershire. Snedeker was finished and he has been playing on | :01:35. | :01:38. | |
a table which apparently is very tight. A lot tighter than these. -- | :01:39. | :01:44. | |
snooker was finished. He didn't get into the cue ball enough there is | :01:45. | :01:47. | |
hence he is very close to the occasion. -- percussion Mac. The | :01:48. | :01:59. | |
cushion. I don't think that kicks. I think he mis-hit it. If you look at | :02:00. | :02:05. | |
the back swing, look at the length of it when he pulls the cue back to | :02:06. | :02:09. | |
drop red Kim. He has to do celebrates their and that can push | :02:10. | :02:14. | |
it off line a bit. I don't see why he pulled the cue so far back then. | :02:15. | :02:19. | |
He is a bit disappointed with his shot previously. Sam is back in. | :02:20. | :02:26. | |
Looking a bit disappointed in the chair, but here we are. Mark will go | :02:27. | :02:32. | |
back to his chair thinking, well, that was a frame-winning | :02:33. | :02:38. | |
opportunity. I think if your opponent has more confidence than he | :02:39. | :02:43. | |
has in his position. At least he has not lost the first session. He might | :02:44. | :02:50. | |
still win it 3-1. Sam Baird in Ascension now though. Yes, I think | :02:51. | :03:02. | |
Mark Selby is very similar to how Mark Williams used to be years ago. | :03:03. | :03:08. | |
He would win a session 3-1. It's a great skill to have. They can win | :03:09. | :03:14. | |
sessions when they are playing well, but we are being a little bit | :03:15. | :03:18. | |
critical here of Mark Selby, but on the other side, we are so used to | :03:19. | :03:20. | |
him playing at such a high standard. Now, this is a line-up situation | :03:21. | :03:37. | |
here. He has to win the frame from here. If he doesn't, then he goes | :03:38. | :03:44. | |
3-1 behind and he'll be devastated. OK, if you're opponent is giving | :03:45. | :03:49. | |
breaks and not giving your chances, you can more or less turn around and | :03:50. | :03:55. | |
give yourself, if you are behind 3-1, but that is not the case in | :03:56. | :03:58. | |
this match. Sam Baird has had quite a few chances. | :03:59. | :04:14. | |
Just on the road to the rate of the pink spot. Obviously opens the rest | :04:15. | :04:20. | |
that is next to it. Hardly anything to do now just to keep hitting | :04:21. | :04:27. | |
around the pink spot area. It should take around the winning line. He | :04:28. | :04:30. | |
could've done with another two of pace and that therefore. Just going | :04:31. | :04:37. | |
away from the reds. Shouldn't be a problem at all from here. | :04:38. | :04:57. | |
Sam, what you doing? I don't know how straight years on the pink, but | :04:58. | :05:12. | |
he can just roll this in a nudge the red because he needs to slow the | :05:13. | :05:16. | |
white down or beyond nothing. He needs that cannon in the bottom row | :05:17. | :05:23. | |
of the two. It looks like he's thinking about the blue, but surely | :05:24. | :05:24. | |
the pink is a shot. He's hampered. Just get the angle he's got on the | :05:25. | :05:41. | |
pink there. He's bound to make contact with either of the two | :05:42. | :05:46. | |
rights which will leave him a shot on the metal pockets. I don't know | :05:47. | :05:49. | |
if you will need the spider to reach it. If you can reach it, he has to | :05:50. | :05:57. | |
play the pink. He does neither spider. I would rather take the blue | :05:58. | :05:59. | |
then take the spider. Well, he played it as well as he | :06:00. | :06:23. | |
possibly could there. He did not look in Kabul. That's what happens | :06:24. | :06:26. | |
out there. You're in a straightforward position and then | :06:27. | :06:30. | |
you have an awkward shot instead of an easy one. It's important to make | :06:31. | :06:32. | |
that next. Glance at the scoreboard will tell | :06:33. | :06:51. | |
him that he is 25 points in front. This will be 30. Two more breads and | :06:52. | :06:54. | |
two colours. -- reds. He hasn't had the white under | :06:55. | :07:15. | |
control for the last four shots. He needs one more good positional shots | :07:16. | :07:27. | |
now. It's not straightforward. Of course, he is a young man who has | :07:28. | :07:35. | |
not seen much in the Crucible. He is playing the number one in the world | :07:36. | :07:38. | |
so there is a lot of pressure on him at the moment. Certainly unsettling | :07:39. | :07:41. | |
his position of play so far. Checking again. The scoreboard, he | :07:42. | :08:19. | |
is looked up a few times. He's got the black, so he is 44 in front. 53 | :08:20. | :08:27. | |
left, but he would've liked to have been better on this. Here's touching | :08:28. | :08:32. | |
ball. But as we mentioned earlier, Mark Selby is very strong and | :08:33. | :08:39. | |
getting snookers. Even though it is touching ball, I would much rather | :08:40. | :08:42. | |
be pitting the black safe with a safety shot. That's what he is | :08:43. | :08:47. | |
trying to do. Playing the cue ball back into baulk. I don't blame him | :08:48. | :08:53. | |
for that. Because it was touching, it is deemed as playing the red. | :08:54. | :09:59. | |
He was of legs and angle and that blue to bring the cue ball down on | :10:00. | :10:05. | |
that side of the table. Get on the other side of the pink, but he can | :10:06. | :10:13. | |
still do it. Just about made it all the way down. That was not easy. | :10:14. | :10:34. | |
This is too close for an escape, but if you play at and missed the red | :10:35. | :10:41. | |
then you'll leave a free ball so he'll need to be extra careful with | :10:42. | :10:54. | |
his escape. You're right. The problem with that is when you play | :10:55. | :10:58. | |
the Snedeker that you would normally play at pace, when you play it more | :10:59. | :11:04. | |
gently, conditions just throw a little different so unique to | :11:05. | :11:07. | |
readjust the angle that you would normally play four of the side | :11:08. | :11:14. | |
cushion. It's hard to get into your mind. Playing it at pace when you | :11:15. | :11:18. | |
just want to hit it. He is frightened of leading a free ball. | :11:19. | :11:35. | |
Well, it's not so bad. He could have come forward a little bit fuller and | :11:36. | :11:41. | |
he would have had a very easy snooker. | :11:42. | :11:52. | |
He looks as if he's found a gap. Not quite sure Sam can cut this in. He | :11:53. | :12:05. | |
may be able to. Were not going to see enough of it. Two players on the | :12:06. | :12:16. | |
circuit you wouldn't want to be in this position against our Mark Selby | :12:17. | :12:21. | |
and John Higgins. They have won a high percentage of games over the | :12:22. | :12:24. | |
years when they needed snookers. Trying to force Saddam to get the | :12:25. | :12:44. | |
black into play but that's one thing he won't want to do. -- Sam. He | :12:45. | :12:52. | |
doesn't want to be playing it thin and going down to a few cushions. He | :12:53. | :12:57. | |
would want to be going round a pocket. I wouldn't worry too much | :12:58. | :13:00. | |
about the black if I knew I could play a safety shot. That's not bad. | :13:01. | :14:09. | |
He's got behind the blue. He's had a bit of form there. He can just about | :14:10. | :14:23. | |
get the red. It's his turn to have an unlucky one. Selby is down to see | :14:24. | :14:29. | |
if you can see the edge of this red past the green. He can do. He | :14:30. | :14:39. | |
doesn't want to be pushing that red towards the right film. Plays behind | :14:40. | :14:49. | |
the pink. Needs a little bit more pace. Just hit it a little bit too | :14:50. | :14:58. | |
hard. Sam Baird will be going for this one. Praying that it will | :14:59. | :15:04. | |
going. A good attempt. Used all three colours to line them | :15:05. | :15:43. | |
up. He has tight on the cushion. This is Mr Paul. He can't decide | :15:44. | :15:47. | |
which side he watched on. He can go either way here. Maybe the yellow | :15:48. | :15:53. | |
was just on the way of the left job, but he can easily hit the right-hand | :15:54. | :15:56. | |
side cushion. There is lots of room around the back of this red. It is | :15:57. | :16:06. | |
not a guaranteed hit. Penny for your thoughts? | :16:07. | :16:17. | |
Yes, he had some good chances to win this year. He'll be worrying out | :16:18. | :16:31. | |
there now. He hasn't lost yet, but he still looks like he's a long way | :16:32. | :16:39. | |
from winning it. I'd see he'd hit the shot in these circumstances he | :16:40. | :16:45. | |
is now, probably five out of ten, the chances. If it does go out the | :16:46. | :16:49. | |
back, the chance of hitting the black way back. -- and the way back. | :16:50. | :17:04. | |
The yellow appears to be in the way that way. | :17:05. | :17:18. | |
That's the right way to play it. They did a bit harder than I thought | :17:19. | :17:27. | |
he would. Good four or inches out there. The game is alive again. Mark | :17:28. | :17:39. | |
Selby can win by one. With the black of course. | :17:40. | :17:50. | |
A dangerous way to play, but he played it well. Half an inch away | :17:51. | :17:54. | |
from being very good. I think Sam can get through to the | :17:55. | :18:48. | |
edge of this red. The problem is, if he can, maybe you can see that | :18:49. | :18:56. | |
angle. You'd play cushion first without any problem but he doesn't | :18:57. | :18:58. | |
want to kiss into the pink on the way back. Forced played it nicely, | :18:59. | :19:07. | |
played it very nicely. He will be happy with that. | :19:08. | :19:40. | |
Sam's first chance to get the upper hand in the safety exchange. Play it | :19:41. | :19:46. | |
thin on the right-hand side. Get behind the blue and black and push | :19:47. | :19:53. | |
the red Army side cushion. Once again, the pink is the problem ball | :19:54. | :19:54. | |
he's going to play that way. The key thing is if you are going to | :19:55. | :20:11. | |
play the shot as it is, right in behind pink and black and Mitrea get | :20:12. | :20:17. | |
the red safe. If it does kiss the pink on the way down, right in the | :20:18. | :20:20. | |
middle of the table. That's a good way of playing it, it | :20:21. | :21:24. | |
pace on the left-hand side. Trouble is, when you play at that gently, it | :21:25. | :21:31. | |
comes off the cue ball a little bit before it reaches the cushion. Done | :21:32. | :21:36. | |
the job. Hit the red and got it safe. | :21:37. | :22:22. | |
Two cushions here. Hello. Where's the rest going? With a bit more | :22:23. | :22:40. | |
pace, that would have been in. Mark Selby looked as if he was back into | :22:41. | :22:48. | |
this, but now that the red has gone in, everything is a lot more | :22:49. | :22:49. | |
difficult. There you are, Mark Selby has | :22:50. | :23:19. | |
conceded. There are back to they are at the start and there are now at | :23:20. | :23:27. | |
two frames each. HAZEL IRVINE: And it is positive from the perspective | :23:28. | :23:34. | |
of Sam Bain. Yes, it has been a little bit scrappy, a bit pedestrian | :23:35. | :23:43. | |
but he will be happy with it. Some fascinating insights from Terry | :23:44. | :23:46. | |
Griffiths. Sam Baird having a strange rhythm where he seems to | :23:47. | :23:53. | |
look, ponder his shot and then bang! No, he is very fast, very fluent and | :23:54. | :23:58. | |
good to watch. As John said, it will settle him down, getting a couple of | :23:59. | :24:02. | |
frames. It's his first time in a best of 25 and play in the world | :24:03. | :24:06. | |
number one. It will certainly give him a bit of confidence to have a | :24:07. | :24:11. | |
couple of frames. But he was quite pedestrian, to put it mildly. So, | :24:12. | :24:16. | |
you should write up the pace a bit. We were talking about one piece, to | :24:17. | :24:23. | |
piece but we are not talking about bikinis. | :24:24. | :24:36. | |
What goes into making a good cue? Well, I think we have two is Bertie | :24:37. | :24:43. | |
Ahern were little about it. After all, you have been holding bees all | :24:44. | :24:48. | |
of your adult life. They have brought and good fortune. In your | :24:49. | :24:53. | |
view, what does it make to create a good cue and what are the | :24:54. | :24:56. | |
ingredients that though so? It depends on the timber. A good cue | :24:57. | :25:00. | |
maker will have a bees of timber that he will get an book playing it | :25:01. | :25:04. | |
down and will then be bit to rest. The important thing is when you see | :25:05. | :25:07. | |
the resting cues in the background, they are left to settle a natural | :25:08. | :25:12. | |
settlement. Then they will start to turn them. They probably take, I | :25:13. | :25:19. | |
would think, up to 12 months before they are absolutely ready to be made | :25:20. | :25:23. | |
into a proper cue. And how do you know when you have found the | :25:24. | :25:26. | |
Jose-Maria Newell of cues? The special one? Good question. Some | :25:27. | :25:35. | |
players may go through their career using many cues. This cue that I've | :25:36. | :25:39. | |
had since I was 11 so I have had it a number of years. And it's quite a | :25:40. | :25:45. | |
war, it's more like myself so that's why we get on so well! -- walked. | :25:46. | :25:53. | |
Some people change, some people don't. But you do have a choice | :25:54. | :25:58. | |
quite early on. Is it maple or ash? What are the differences? They are | :25:59. | :26:05. | |
different woods. If you look at this, this ash one has a noticeable | :26:06. | :26:10. | |
grain. I like the chevrons here and I use them for alignment. I would | :26:11. | :26:16. | |
think, probably about 90% of players would use ash. It's a lovely solid | :26:17. | :26:20. | |
wood but it has a bit of pliability as well. Maple tends to be... There | :26:21. | :26:25. | |
is no noticeable grain in it and sometimes when you play abroad, if | :26:26. | :26:30. | |
you had maple cue, is used to soak up the moisture and people who play | :26:31. | :26:36. | |
with them you can't even get it to your bridge hand sometimes. It was | :26:37. | :26:42. | |
crazy. So anyone who had an ash was miles ahead in that turnaround. | :26:43. | :26:48. | |
Actually, John likes using the server and is but I like using the | :26:49. | :26:52. | |
lines. I like looking down the grains so I always used to play this | :26:53. | :26:57. | |
way and sometimes, why have around at the bottom, some players might | :26:58. | :27:02. | |
have a bit of shaving in. Flat and your body can hold it, whereas I | :27:03. | :27:06. | |
like to have it around so that you can flip it around and it is the | :27:07. | :27:11. | |
same all around. The tip doesn't wear on one particular side. As the | :27:12. | :27:15. | |
fashion for maple cue is diminished? What is more prevalent if you years | :27:16. | :27:20. | |
ago? I think there was more maple. When I played in my father played | :27:21. | :27:24. | |
is, a few members of the club had maple cues and now it has moved to | :27:25. | :27:28. | |
ash. A lot of the better professionals would prefer to have | :27:29. | :27:32. | |
ash. It interesting that this is a big thing in the last few years, | :27:33. | :27:36. | |
three quarters cues. So the split there is not in the middle, it is | :27:37. | :27:39. | |
there so it leaves three quarters of the shaft and the rest is on the | :27:40. | :27:44. | |
butt. It's a good idea because you are not weakening the shaft. All the | :27:45. | :27:48. | |
meat and everything is in there as you're not weakening it by putting | :27:49. | :27:52. | |
it in there so you get a lot of players using three quarters cues. | :27:53. | :27:55. | |
Snooker is different and strange because as technology has taken over | :27:56. | :28:01. | |
many other sports, most notably golf, you have the carbon shafts in | :28:02. | :28:05. | |
the golf clubs. Do you think we will ever replace wooden snooker cues | :28:06. | :28:10. | |
with something different? Well, we used to have graphite cues. Black | :28:11. | :28:14. | |
graphite cues. It never took off. They were so noisy! I had a friend | :28:15. | :28:21. | |
with an aluminium cue. I used to live two streets away in Penny Lane | :28:22. | :28:28. | |
and I could see him break. In the bathroom I could open a window and I | :28:29. | :28:31. | |
could hear him break off in the club. If you left it in the boot of | :28:32. | :28:35. | |
your car, you couldn't play because it was full of condensation. Used to | :28:36. | :28:40. | |
have to play last. The man I knew with the black graphite cue, we | :28:41. | :28:46. | |
thought he had a part in Zorro! What will you pay for a very good cue? | :28:47. | :28:53. | |
Believe it or not, I was in the club is your only last week when the | :28:54. | :28:56. | |
qualifiers were on, and one of the young boys on the tour had just got | :28:57. | :29:01. | |
a new cue made and I asked him how much he paid for it. He goes, ?1000 | :29:02. | :29:09. | |
sterling. How much is your cue's I said I bought this for ?2. ?2, he | :29:10. | :29:17. | |
goes I paid ?2 for this back in May 20 one. He was not born at the time. | :29:18. | :29:27. | |
?1000! I want it to pop the balls for me at ?1000. But if you win with | :29:28. | :29:32. | |
it, then it is worth its weight in gold. And you have one with that one | :29:33. | :29:38. | |
before. Thank you very much for sharing the secrets of cueing with | :29:39. | :29:40. | |
us. We are now pointed talk about the other match on the other side of | :29:41. | :29:46. | |
the arena. It features Ali Carter and who knocked out the defending | :29:47. | :29:51. | |
champion on the late-night thriller on Saturday. Afterwards, Stewart | :29:52. | :29:54. | |
said to him that he hopes Ali goes on to win this because he deserves | :29:55. | :29:58. | |
it. There is no doubt that of all the players in any sport around the | :29:59. | :30:02. | |
world, Ali is perhaps one of the most tenacious and has achieved | :30:03. | :30:07. | |
perhaps the most under Bewley are fickle circumstances and against the | :30:08. | :30:08. | |
odds. Ali Carter, not a massive winner on | :30:09. | :30:23. | |
the circuit over the years, but notably twice the World Championship | :30:24. | :30:28. | |
finalist. His career, as we all know, blighted by ill-health. It is | :30:29. | :30:33. | |
amazing that he has back and firing on all cylinders. Great to see him | :30:34. | :30:39. | |
back, a great player. A bit unlucky in the World Championship because | :30:40. | :30:43. | |
both finals he has been to view has come against Ronnie O'Sullivan, who | :30:44. | :30:48. | |
was in format the time. You have to say he was a bit unlucky. But still | :30:49. | :31:01. | |
he has been and done it, and who is to say he can't do it again? Top cue | :31:02. | :31:04. | |
action. He is one of the best Cubists we have had in the game. The | :31:05. | :31:07. | |
way he manipulates the cue ball, fantastic, minimal effort, great | :31:08. | :31:10. | |
striker, a purist. He doesn't seem to hit the ball that had. That goes | :31:11. | :31:17. | |
for every shot. Top spin or anything. If you can generate power | :31:18. | :31:24. | |
without much effort, when you are playing the big solid pressure shot | :31:25. | :31:27. | |
and don't have to move your body, it is a big advantage is. Absolutely, | :31:28. | :31:33. | |
keeps nice and still. There is not much to go wrong in his swing. His | :31:34. | :31:38. | |
technique is very solid. Very orthodox. Nice grip, good stance, | :31:39. | :31:42. | |
keeps the head down, addresses the cue ball where he means to, no | :31:43. | :31:47. | |
dipping or rising, really gets through it well, that's why he plays | :31:48. | :31:52. | |
so nicely. If you can criticise him, temperaments. Maybe, he is not short | :31:53. | :31:58. | |
on confidence, confident in his ability to play anybody, not afraid | :31:59. | :32:02. | |
of playing anybody, that is for sure. Beats himself up bit? He might | :32:03. | :32:07. | |
grab a table with his knuckles or Bangui cue on the floor and | :32:08. | :32:10. | |
sometimes that can boil over and because of it he loses | :32:11. | :32:14. | |
concentration. Because of that he loses matches he shouldn't. The | :32:15. | :32:18. | |
problem with that is that it is not always what he does to you, because | :32:19. | :32:22. | |
I do believe it is negative, I don't think it helps anyone, but it is | :32:23. | :32:27. | |
what it says to your opponent. I think sometimes he gives that little | :32:28. | :32:32. | |
bit too much away. He can be hot-headed. He is a great match | :32:33. | :32:37. | |
player. We are nit-picking. He wouldn't be a great poker player! | :32:38. | :32:41. | |
You can read Lott from his facial expressions. He let's too much away. | :32:42. | :32:48. | |
Here's a good tactical player, a good long potter. Strong in all | :32:49. | :32:52. | |
areas. If they could just be a bit tighter with what he gives away, I | :32:53. | :32:57. | |
think he would win one of the big tournaments. | :32:58. | :33:02. | |
As for Ali's opponent, at 45, Alan McManus enjoying another special | :33:03. | :33:12. | |
year. He has done that for 25 years. Settled in so quickly after 1991 | :33:13. | :33:16. | |
that he made the semifinal for the next two years but it would be a | :33:17. | :33:21. | |
long wait for a deep run thereafter. Quarterfinalist in 2005, slid down | :33:22. | :33:25. | |
the world rankings and didn't qualify for another six years. He | :33:26. | :33:29. | |
has been ever present ever since. The highlight of his fortunes was a | :33:30. | :33:34. | |
run to another quarterfinal in 2014, and with wins over John Higgins and | :33:35. | :33:39. | |
Ken Doherty. This series here has beaten 16 seed Stephen Maguire in | :33:40. | :33:41. | |
the opening round. He looked last night in their opening | :33:42. | :33:55. | |
session but also looked unsettled, muttering to himself. When Carter | :33:56. | :33:57. | |
knocked in breaks of 71 and 65 to take the last two frames McManus | :33:58. | :33:59. | |
began this afternoon's second session 3-5 behind and we will join | :34:00. | :34:02. | |
them in the first of the afternoon, frame nine, Carter up by three | :34:03. | :34:06. | |
points and Steve Davis and John Virgo teaming up here. | :34:07. | :34:17. | |
COMMENTATOR: Amazingly, that red stayed in the bottom half of the | :34:18. | :34:26. | |
table, and it is a very thin cut, one that Ali Carter couldn't have | :34:27. | :34:36. | |
expected. Alan McManus would have had... Very thin, cue ball will go | :34:37. | :34:39. | |
off the top cushion down into the green pocket area. | :34:40. | :34:45. | |
Well, that was an excellent pot and a nice kiss on the green because it | :34:46. | :34:58. | |
has left him the perfect angle on the pink. | :34:59. | :35:33. | |
In an ideal world here, you would like to leave the cue ball close to | :35:34. | :35:38. | |
the right-hand cushion to leave yourself an angle on the black or in | :35:39. | :35:43. | |
the corner, then pot the black and stun across. I don't know if he has | :35:44. | :35:50. | |
the angle to do that at this red now. -- off this red. That is what | :35:51. | :36:03. | |
he is going for. Needs to get closer to the cushion. He has maybe just | :36:04. | :36:08. | |
got the angle. So will he play the cannon? You think he would, | :36:09. | :36:12. | |
otherwise the red along the top cushion will be tricky. | :36:13. | :36:17. | |
Yes. Would have been delighted to have seen the path of that cue ball, | :36:18. | :36:32. | |
which more or less guaranteed position on the red. Just got to be | :36:33. | :36:35. | |
careful with this one. Would have liked to have been lower | :36:36. | :36:52. | |
on the pink. So now some more work to do. Screw back off the side | :36:53. | :36:56. | |
cushion just before the middle pocket. | :36:57. | :37:02. | |
Court that very well. Nearly two well. -- he caught that. 19 point | :37:03. | :37:10. | |
the lead, yellow and green required. So Ali Carter missing that | :37:11. | :37:22. | |
straightforward pink to the left middle. Eventually cost him the | :37:23. | :37:23. | |
frame. That is enough to Ali Carter. He had | :37:24. | :38:17. | |
a great chance to extend his lead to three. It is reduced to one. He | :38:18. | :38:23. | |
still leaves 5-4. These two players met in the first round at the | :38:24. | :38:27. | |
gruesome last year and Carter came out an emphatic winner on that | :38:28. | :38:31. | |
occasion but the Scot is on his tail here as we head into the next frame, | :38:32. | :38:39. | |
McManus to play, 19 behind. COMMENTATOR: Got it much too thick. | :38:40. | :38:48. | |
Much too thick. Well, I have a feeling that Alan McManus had other | :38:49. | :38:54. | |
options. Apart from that shot. I would have to see it all again, too | :38:55. | :39:00. | |
late now, regardless, he has left a lovely position for Ali Carter, but | :39:01. | :39:06. | |
there was a bit of risk in that safety shot. Perhaps could have | :39:07. | :39:13. | |
played for the top cushion somehow. Might be doing Alan a disservice | :39:14. | :39:19. | |
there, but the last thing he wanted to do was open all the balls up in | :39:20. | :39:22. | |
the situation he was in. Had to play for the pink in the | :39:23. | :39:54. | |
middle pocket there. He has missed a couple of the medals, whether it is | :39:55. | :39:58. | |
on his mind or not is another matter. Couple of the | :39:59. | :40:08. | |
-- a couple of the middle ones. Frame-winning chance. Doing a great | :40:09. | :40:20. | |
-- without doing a great deal of work. Poor shot. Very poor shot. | :40:21. | :40:30. | |
Just look at this. Surprising the way he didn't play for the pink in | :40:31. | :40:35. | |
the middle. Maybe the fact that he has missed a couple of them just put | :40:36. | :40:40. | |
him off that. Anyway, he has ported the pink. -- ported. Hasn't | :40:41. | :40:49. | |
recovered the positional side of it. Still got a pot on, but it is a | :40:50. | :40:57. | |
tough one. I think you chose not to play the pink in the centre pocket | :40:58. | :41:03. | |
because the position. Pink in the corner -- the position for pink in | :41:04. | :41:07. | |
the corner was easy in his mind. He just got into the cue ball too much. | :41:08. | :41:09. | |
This is a tough shot. Is he playing safe here? Yes, | :41:10. | :41:23. | |
playing safe, trying to get in behind the brown. He didn't get in | :41:24. | :41:31. | |
behind the brown but once again, and excellent cue ball. | :41:32. | :42:01. | |
Oh, I don't believe that! I don't think I've ever seen a cushion | :42:02. | :42:07. | |
bounce as badly as that. It is laughable. It must be some chalk on | :42:08. | :42:16. | |
the cue ball that's just got in the way. Just ridiculous bounce. Like | :42:17. | :42:21. | |
6-foot, it has bounced further than it was going to. Yes, that | :42:22. | :42:29. | |
definitely came off a lot quicker than it went on. A springer. Any | :42:30. | :42:38. | |
reason for it, do you think? I think the cushion has played very fast, | :42:39. | :42:45. | |
and bordering on too fast. We have tried different cloth on the | :42:46. | :42:51. | |
cushions. It is different cloth to the bed now but it doesn't slow them | :42:52. | :42:57. | |
up enough. I think over the years, players have wanted faster and | :42:58. | :43:00. | |
faster conditions and faster cushions rather than sluggish ones. | :43:01. | :43:05. | |
We are now at the situation where the cloth is seemingly so thin that | :43:06. | :43:11. | |
the rubber tends to play more of a part, there is no cushioning effect, | :43:12. | :43:17. | |
and I know full well that Jimmy White is an advocate of thicker | :43:18. | :43:23. | |
cloth on bed and cushion to try and stop kicks and bad bounces, but then | :43:24. | :43:25. | |
of course you have slower tables. And of course if you have a slower | :43:26. | :43:39. | |
table, you have to hit the ball is a bit harder, as we watch this | :43:40. | :43:43. | |
excellent safety shot from Alan McManus. Just finished the point, | :43:44. | :43:47. | |
slower table, you have two hit the ball is a little harder, makes the | :43:48. | :44:04. | |
Pops more difficult. -- the pots. You are retired, you don't mind it | :44:05. | :44:09. | |
being slower now, do you? I don't care now! I mean, the modern day | :44:10. | :44:14. | |
players can play an excellent range of shops, and it wasn't that the | :44:15. | :44:18. | |
older players couldn't do that but I don't think lots were as responsive | :44:19. | :44:23. | |
back in the 70s and 80s. -- I don't think the cloth was as responsive. | :44:24. | :44:31. | |
Didn't necessarily want to make contact with that read, you wouldn't | :44:32. | :44:37. | |
have thought, but might cut back into the corner. If it does, he can | :44:38. | :44:43. | |
do some damage to these six balls on the top cushion. He is playing the | :44:44. | :44:58. | |
pot. Ali Carter a bit concerned here, although he has some insurance | :44:59. | :45:02. | |
policy with green on the side cushion. | :45:03. | :45:12. | |
Is this red going to spoil things? No. And that was the only thing Alan | :45:13. | :45:23. | |
could hope for then. So it was a thin one. I have to be honest, I | :45:24. | :45:28. | |
fancied him to get it. Maybe he had a bit more of an eye on the cannon, | :45:29. | :45:32. | |
try to being the other balls into play, but Ali will afford the one | :45:33. | :45:36. | |
point lid, chance to clinch the frame now. -- Ali will afford the | :45:37. | :45:45. | |
one point lead. Yes, I commentated on the session | :45:46. | :46:11. | |
this morning on this table between... Mark Williams and Michael | :46:12. | :46:22. | |
Holt? Yes. They had so many bad bounces, so many. So much so that | :46:23. | :46:29. | |
Mark Williams was trying to calm down the cushion covers with his | :46:30. | :46:34. | |
towel to try to realign and get all the chalk off the cushions. It is a | :46:35. | :46:43. | |
funny thing, since day one, this table, there have been plenty of | :46:44. | :46:47. | |
complaints. After day two they recovered the cushions. Just this | :46:48. | :46:53. | |
red needed. They recovered the cushions, and yet, the feedback from | :46:54. | :46:57. | |
table two is that it is playing as good as any table they have played | :46:58. | :47:03. | |
on in the Crucible, on the table on the other side of the wall, so I | :47:04. | :47:06. | |
don't know why they can't replicated on this side. -- replicate it. 62 | :47:07. | :47:17. | |
ahead, just 51 remaining. If he gets this double, no way back to the | :47:18. | :47:18. | |
table for Alan. Was this the table Stephen Hendry | :47:19. | :47:32. | |
said should be burned, was it this one? I would think so because the | :47:33. | :47:37. | |
other one is playing really well! That is the thing about Stephen, | :47:38. | :47:43. | |
asking a question and he doesn't hold back his opinion! We are | :47:44. | :47:49. | |
watching that, and Ali has finished the break and Alan McManus stays in | :47:50. | :47:55. | |
his seat. He is now two behind as we started this session. Carter now | :47:56. | :47:58. | |
leads 6-4. A quick look at what has been | :47:59. | :48:08. | |
happening in the next frame, 7-5 to Ali Carter. Into the next we go. | :48:09. | :48:14. | |
Here is McManus. Looks like he will steal one back here, in fact not so | :48:15. | :48:19. | |
much as steel as a very emphatic performance here, because this is a | :48:20. | :48:26. | |
break of 77. It will put him over the line here, and for a man coming | :48:27. | :48:32. | |
here for 25 years he seems to rise to the occasion every time. It is an | :48:33. | :48:38. | |
incredible record that he has at the Crucible. He is such a great player. | :48:39. | :48:42. | |
I know he went into the wilderness for a couple of years but he has | :48:43. | :48:46. | |
returned with a bang. The last couple of years he has been | :48:47. | :48:50. | |
performing very well. He is so tough to beat and in a tough match with | :48:51. | :48:55. | |
Ali Carter here. Considering he dropped out of the top 16 then the | :48:56. | :49:01. | |
top 32 in 2007, he has come roaring back and it is great to see him | :49:02. | :49:07. | |
doing well here. Just the in it now as we head into the arena live. They | :49:08. | :49:11. | |
have three more frames to play this afternoon. Let's return you to John | :49:12. | :49:13. | |
and Steve. COMMENTATOR: Thank you, Hazel and | :49:14. | :49:22. | |
good afternoon. Steve Davis is with me here. He has got his pipe and | :49:23. | :49:33. | |
slippers now he has retired. I think the story of the first four frames | :49:34. | :49:40. | |
was told by the breaks before the interval, the highest break was 40, | :49:41. | :49:49. | |
pretty disjointed stuff. Ali Carter not taking any risks. All didn't go | :49:50. | :49:57. | |
that well, black tied up, and nothing really happened. That break | :49:58. | :50:03. | |
by Alan McManus the most significant and he will be feeling a lot better. | :50:04. | :50:08. | |
He started to beat himself up of it out there, things not going right. | :50:09. | :50:13. | |
It all set up quite nicely now. Will anyone have a lead going into | :50:14. | :50:33. | |
the final session tomorrow? First in the final 13 for a place in the | :50:34. | :50:42. | |
quarterfinal. For those not watching this match last night, you | :50:43. | :50:46. | |
commentated and said you felt Ali Carter had a game plan. To not take | :50:47. | :50:54. | |
any risks and perhaps get Alan McManus to do less scoring, | :50:55. | :51:00. | |
effectively, so in open play he felt he could outscore McManus and that | :51:01. | :51:05. | |
was his game plan. We don't know that, of course. He didn't want to | :51:06. | :51:10. | |
gift chances to Alan. That is a tremendous pot. Didn't get it. But | :51:11. | :51:16. | |
an excellent opening read. Very difficult to get tight behind | :51:17. | :51:36. | |
the Green of this type of shot. But at least he has covered the past two | :51:37. | :51:45. | |
already is. Yes, the fact that there is less nap on the cloth than they | :51:46. | :51:51. | |
used to be means that when the ball is hit each other they seem to | :51:52. | :51:55. | |
separate more, so it is tough to get a roll-up behind one of those | :51:56. | :51:58. | |
colours, tough to get it tight, anyway. It is one of the reasons why | :51:59. | :52:04. | |
people say the game is slightly easier these days, because the pack | :52:05. | :52:08. | |
of reds, not when you try to split them up, opens up easier. Well | :52:09. | :52:15. | |
played, the two cushion escaped with pays. Much too thick. You have to | :52:16. | :52:20. | |
say he has been fortunate there. He left what looked like a comfortable | :52:21. | :52:24. | |
read to the right-hand corner, but not now that Alan is hampered by the | :52:25. | :52:29. | |
blue. He will just have to play a safety unless you can cue past the | :52:30. | :52:34. | |
blue for one of the two threads together. A massive shot with a | :52:35. | :52:39. | |
spider to take on. He has looked to see if the black is available. Using | :52:40. | :52:45. | |
the spider in an unconventional way, obviously the spider company went be | :52:46. | :52:50. | |
happy with this! Don't know what he was doing there. LAUGHTER | :52:51. | :52:56. | |
Marvellous shots. Well played indeed. APPLAUSE | :52:57. | :53:19. | |
I can only assume the spider he plays in his club has a sort of the | :53:20. | :53:28. | |
UK News side on, that is not as high, and McManus was checking if he | :53:29. | :53:33. | |
could play it as he would do with his club spider, so to speak -- a V | :53:34. | :53:46. | |
that you could use side on. And of course we went through a period | :53:47. | :53:50. | |
where the grooves on the spider were around, and when you push the cue | :53:51. | :53:54. | |
through, as the cue gets thicker it was getting stuck, which is why they | :53:55. | :54:08. | |
went to the V. You don't want a U-shaped loop at the bottom of the | :54:09. | :54:13. | |
spider rest. Maybe he has an old spider in his club that he practices | :54:14. | :54:16. | |
with. Great chance now. Just coming in-off the back of the | :54:17. | :54:33. | |
77 break in the last frame. He is in touch. Yes, and earlier on in this | :54:34. | :54:42. | |
particular session, after about three frames, he had started to lose | :54:43. | :54:45. | |
it a bit, started talking to himself, much ring in the chair, | :54:46. | :54:49. | |
really seeming to be getting himself under pressure, -- muttering in the | :54:50. | :54:53. | |
chair, but he has rectified that. Well, we have seen some | :54:54. | :55:19. | |
particularly... Pinks missed off the spot that Ali Carter has missed in | :55:20. | :55:23. | |
his match, and that is a couple from McManus just when he looked as | :55:24. | :55:26. | |
though he had the frame in his mercy. Quite a way away, as well. | :55:27. | :55:34. | |
Didn't even get close to the fall of the slate, even, to give it a | :55:35. | :55:40. | |
chance. I suppose the only upside for him, the pink that he missed | :55:41. | :55:46. | |
came and tied up the black, so if he's going to win this frame at this | :55:47. | :55:50. | |
visit, at the moment, Ali will have to concentrate on blue and colours. | :55:51. | :55:57. | |
Difficult to accumulate lots of points with only those four balls to | :55:58. | :55:58. | |
go out. -- go at. It's tempting to try and open that | :55:59. | :56:44. | |
pink and black somehow with a positional shot off the blue, but | :56:45. | :56:47. | |
you could always go wrong doing that. It is not easy to see how he | :56:48. | :56:57. | |
can really guarantee getting a frame-winning contribution without | :56:58. | :56:59. | |
resolving that situation. That read just to the right of the | :57:00. | :57:22. | |
back, it looks as though it goes. Yes, that helps. APPLAUSE That makes | :57:23. | :57:29. | |
a big difference. Just wants to finish high on it so it will run | :57:30. | :57:34. | |
into the pink and black. Looking now where he would like to be. | :57:35. | :57:53. | |
Well, if he played for it, it was the wrong way around, but obviously | :57:54. | :58:00. | |
you're as play for this read, I don't know why he didn't play for | :58:01. | :58:06. | |
the red just above the black. It definitely pots. He will do well to | :58:07. | :58:11. | |
get an angle on the blue again. A fantastic shot if he gets past | :58:12. | :58:16. | |
there. Fractional angle. I think he was trying to play a positional shot | :58:17. | :58:21. | |
off the side cushion so it is coming towards that read rather than the | :58:22. | :58:25. | |
crossed the face of it by standing down the line. A few reds on the | :58:26. | :58:29. | |
right-hand side of the table now depending upon the angle of the | :58:30. | :58:35. | |
blue, that he can try for. He is bang on the blue line. He might just | :58:36. | :58:42. | |
be able to create an angle across the table here, bounce it in. | :58:43. | :58:47. | |
Superb, superb. APPLAUSE I am not certain if he has the ideal | :58:48. | :59:01. | |
position on the red to pot it. You see that line we had on the table, | :59:02. | :59:06. | |
more or less dead straight, I think it was more of an angle than it | :59:07. | :59:12. | |
showed on the simulated screen, but even so, you can always pot the blue | :59:13. | :59:18. | |
into the right-hand part of the pocket and create that angle. Yes, | :59:19. | :59:24. | |
and it was an excellent shot because he did have the angle just to pot | :59:25. | :59:28. | |
that read and get a nice angle on the blue. Now, which way will be | :59:29. | :59:36. | |
playful here? No, still refusing to play for the red above the pink and | :59:37. | :59:43. | |
black. The red by the middle pocket would be his target here, to try and | :59:44. | :59:49. | |
flick that into open play. Not so easy with the extension on to judge | :59:50. | :59:54. | |
the screw back, but if you can build a long bridge here, -- if he can... | :59:55. | :00:00. | |
Now can he screw that ready to play? He may have just a slight angle on | :00:01. | :00:33. | |
the blue. It looks like he is playing the run-through, playing the | :00:34. | :00:42. | |
cannon. He's got the blue. Has he got the cannon? You'll settle for | :00:43. | :00:50. | |
that. I said that, just to the top cushion a little bit more than he | :00:51. | :00:54. | |
would like but it was a good shot. That was exactly how he played it as | :00:55. | :01:01. | |
well. Tricky though this red along the top cushion. 19 points, the | :01:02. | :01:14. | |
lead. Made light of it that plays it more or less as a shot for nothing | :01:15. | :01:17. | |
and that's why he is not on the colour. I'm a little bit surprised | :01:18. | :01:22. | |
he didn't fully commit there, particularly those to read some the | :01:23. | :01:31. | |
right-hand side of the table. Yes, I mean, you could play for the brown | :01:32. | :01:35. | |
in the middle pocket. It seemed like that's how he played it. I don't | :01:36. | :01:40. | |
know if he understated. He certainly didn't seem too overrated. -- | :01:41. | :01:51. | |
overhit it. Bad contact. Took a bit of pace out of the cue ball. | :01:52. | :02:11. | |
He's got a few options of safety shots here. With a 24 point lead, he | :02:12. | :02:22. | |
needs to force the pace still rather than contain the situation. He did | :02:23. | :02:32. | |
well there. Good 41, particularly where the balls were situated. | :02:33. | :03:21. | |
Yes, I was going to say, I've heard of ways of getting cue ball into the | :03:22. | :03:28. | |
top division, but you can leave the rest there for it to get the rest! | :03:29. | :03:40. | |
-- can't leave the rest there. Pretty good length there. Of course, | :03:41. | :03:55. | |
if Ali Carter was out at 24 point advantage was to win this frame, he | :03:56. | :03:58. | |
couldn't be behind going into the final session. So Alan McManus has | :03:59. | :04:07. | |
to be very careful here. And he is not a straight forward run back to | :04:08. | :04:12. | |
the baulk there. If he catches this red too thin, he could run into the | :04:13. | :04:16. | |
red letters on the right-hand side of the table. And if he catches it | :04:17. | :04:21. | |
too thick, he could knock one over the left corner pocket so he has to | :04:22. | :04:33. | |
be very accurate here. Well, decided to leave Ali a tester along the top | :04:34. | :04:44. | |
cushion. And if the black goes into the left corner, at least he's got | :04:45. | :04:51. | |
an element of insurance should he try along the top cushion. He can | :04:52. | :04:58. | |
use those three balls to try to block the red if it stays over the | :04:59. | :05:03. | |
pocket, but he is loath to play it. It looks like an natural shot. Yes, | :05:04. | :05:08. | |
that's the shots to play no matter which way you look at it. He will | :05:09. | :05:12. | |
believe anything should he miss it, and if he gets it, beyond the black. | :05:13. | :05:28. | |
But it's not part of the plan! I'm not too sure what I'm missing here. | :05:29. | :05:35. | |
I don't really know about his judgment on this, why he doesn't | :05:36. | :05:39. | |
want to play this on the cup top cushion and beyond that black. I | :05:40. | :05:50. | |
should it went, the black, we had a look at it, didn't we? Yes, the | :05:51. | :05:54. | |
black went. But he didn't fancy the pot. Either bit worried that I count | :05:55. | :06:02. | |
of work that one out. There must be a reason. It don't get me wrong, I'm | :06:03. | :06:08. | |
not making light of it, but if Alan McManus can get the cue ball back to | :06:09. | :06:12. | |
where it is now, then for me he will become favourite for the frame. He | :06:13. | :06:16. | |
has to try and get it in behind those three balls if he is going to | :06:17. | :06:20. | |
play that short because there is a red begging to be potted over the | :06:21. | :06:27. | |
middle pocket and that's why a clever little container shot has | :06:28. | :06:33. | |
been played. Now, Ali Carter could try to screw in behind pink and | :06:34. | :06:44. | |
black but it is fraught with danger. Someone once described snooker as | :06:45. | :06:48. | |
chess with balls and I think this is a classic example, isn't it? A | :06:49. | :06:53. | |
couple of positive shots could have been played but neither player | :06:54. | :07:01. | |
wanted to risk it. I think Alan could play it now though. A | :07:02. | :07:06. | |
mathematician once said to me that if that is true, that is as chess | :07:07. | :07:13. | |
with balls, then that means that chess is snooker without balls which | :07:14. | :07:21. | |
was disrespectful to chess if you understand. OK! This is a chance to | :07:22. | :07:29. | |
get behind pink and black. Pressure on it though. Perhaps a better shot | :07:30. | :07:32. | |
is just a play into this left corner of the table. | :07:33. | :07:47. | |
Surely this red doesn't pass the black, does it? It doesn't come back | :07:48. | :07:56. | |
into the right corner. A big shot to take on. Is there a risk of it | :07:57. | :08:03. | |
ending up in the middle pocket? Surely this is a better option he is | :08:04. | :08:11. | |
playing now. He certainly doesn't want to present an easy opportunity | :08:12. | :08:16. | |
for Alan McManus to get back into the frame. He's done that well. | :08:17. | :08:23. | |
Perfect. The danger with that shot was either the red or the cue ball | :08:24. | :08:27. | |
to run into the brown, but he hit it just as intended. This is not easy. | :08:28. | :08:35. | |
If he plays Finn of the red, there might be a double-kiss. Perhaps not. | :08:36. | :08:48. | |
Perhaps the red escapes. Perhaps it doesn't. This red goals. Well, I | :08:49. | :08:59. | |
don't think so because Allen put his hand up and apologised with the red | :09:00. | :09:04. | |
goes, it flies in. Alan has apologised for nothing. And he has | :09:05. | :09:15. | |
left himself a nice angle on the black. And when it goes on, he will | :09:16. | :09:21. | |
be 32 points in front, 51 remaining. He only needs a red, cover red. Then | :09:22. | :09:28. | |
you'll be back to two frames in front. I don't think Alan thought | :09:29. | :09:40. | |
that red went. Well, that's just about as awkward as it could be. The | :09:41. | :09:44. | |
red closest to the cue ball has gone into the red middle but it isn't the | :09:45. | :09:50. | |
best potting angle. You've got to take it on though. It's a | :09:51. | :09:59. | |
frame-winning opportunity. He needs position as well, which makes it a | :10:00. | :10:07. | |
bit more difficult. A bit wide. Well... For all of the swings in | :10:08. | :10:15. | |
this match, Alan McManus has a pretty decent chance to level the | :10:16. | :10:21. | |
scores. The last time he was level, it was 3-3. | :10:22. | :10:37. | |
He came to the table 32 points behind. 51 remaining. So, basically, | :10:38. | :10:47. | |
he doesn't need particularly high value colours with these three | :10:48. | :10:54. | |
remaining reds. But he will need all the balls. Reds, colours the six | :10:55. | :10:58. | |
remaining colours to win at this visit. Plays that nicely. His heart | :10:59. | :11:10. | |
would have been in his mouth for a moment, looks like he was going to | :11:11. | :11:16. | |
kiss the red but got past it. This red on the side cushion is far | :11:17. | :11:18. | |
enough away from the division that it's quite nice to get in kind it | :11:19. | :11:31. | |
for the red into the left centre. I think that's a really bad decision | :11:32. | :11:35. | |
of Alan McManus' to try and shift that red. Amazing. I mean, as you | :11:36. | :11:43. | |
say, he had a nice angle to go up for the blue and to try and bring it | :11:44. | :11:49. | |
into play... I mean, it wasn't out of play totally. It was a sign | :11:50. | :11:52. | |
perhaps of a player lacking in a little bit of confidence. Arguing | :11:53. | :12:01. | |
Lee, a little bit of confidence. -- arguably. Well, he is not on the red | :12:02. | :12:09. | |
now and he's still 22 points behind. That is a thin cut into the left | :12:10. | :12:15. | |
corner as we look on our screens. The safety playing it that way into | :12:16. | :12:22. | |
the right corner is braver in other respects. It's betwixt and between. | :12:23. | :12:30. | |
Lined up for both and he is playing it into the right corner. No, he's | :12:31. | :12:33. | |
not. He's playing safe. Not going to argue with that. Not | :12:34. | :12:48. | |
going to argue with that at all. But he will be very disappointed he | :12:49. | :12:51. | |
didn't clinch the frame at that visit. I think Ali can get in behind | :12:52. | :13:05. | |
this red. The danger of this, to try and get writing behind it along that | :13:06. | :13:08. | |
right-hand side, if you miss judge it, you don't want to hit the red on | :13:09. | :13:13. | |
the way back. You could hit the black as well with the red. But he's | :13:14. | :13:20. | |
got right behind its nicely. But he has left the chance of a pot. And I | :13:21. | :13:29. | |
think Alan McManus can pot this and get round the back of the green | :13:30. | :13:35. | |
perhaps for the black. If anything, he's going to miss this to the left | :13:36. | :13:39. | |
cushion, play a bit wider to guarantee missing the green. He | :13:40. | :13:46. | |
played it so. That's great. What a great chart! -- played it slow. | :13:47. | :13:59. | |
Well, that's full commitment. Does the greenhouse round? It does. Still | :14:00. | :14:08. | |
need this green and the six remaining colours to steal this | :14:09. | :14:13. | |
frame. And what a big frame it is. In the context of the match. This is | :14:14. | :14:19. | |
to draw level, looks certain to go to Mac behind. Ali Carter looks at | :14:20. | :14:26. | |
the scoreboard. He is fractionally short of pace and that screw back. | :14:27. | :14:30. | |
He has left himself a little more work to do with this yellow then he | :14:31. | :14:34. | |
would have wanted under pressure. He played it twice across if he doesn't | :14:35. | :14:39. | |
fancy rolling it in. No, he decides to roll it in. Stupid banks of the | :14:40. | :14:44. | |
cushioning can have ruined the position. Absolutely destroyed | :14:45. | :14:51. | |
thing. Pot is that perfectly, the pace of the shot was perfect until | :14:52. | :14:54. | |
it bounced off the cushion and was stopped in its tracks by the bigger | :14:55. | :14:59. | |
bounce that he should have had. Now he has to play a tradition stunt. | :15:00. | :15:09. | |
With an extension on his cue that makes this unmissable. -- to | :15:10. | :15:15. | |
cushion. Just trying to Dolly the red and of one cushion, nothing | :15:16. | :15:25. | |
wrong with that. APPLAUSE | :15:26. | :15:30. | |
I always say that the key to make appearance like this is the position | :15:31. | :15:37. | |
from Browne to blue. Particularly as the pink is not on its sports and | :15:38. | :15:40. | |
close to top cushion, he needs a good angle on the blue now. It's not | :15:41. | :15:54. | |
bad. You showing great character here, and Alan McManus. This would | :15:55. | :15:58. | |
be a wonderful frame to win would really boost his chances. It's all | :15:59. | :16:06. | |
about this pink. It looks to have a nice angle. Doesn't have to do too | :16:07. | :16:08. | |
much. GROANING | :16:09. | :16:26. | |
They are never easy those, believe me. Giving the cushion is a gentle | :16:27. | :16:34. | |
rub. But it was nothing to do with the cushions. You have to be so | :16:35. | :16:42. | |
accurate and when you are actually playing it, you know how accurate | :16:43. | :16:45. | |
you have to beat and it puts that this fear in you. But he has had two | :16:46. | :16:57. | |
good chances, Steve, and not taken them. Yes. Unfortunately, you have | :16:58. | :17:08. | |
to say that was just tension. You don't aim for the near shore, you | :17:09. | :17:12. | |
aim for the far draw on these tables and they gulp the ball in. -- jaw. | :17:13. | :17:26. | |
Safety shot. Pink onto the black. Leave the pink where the black is | :17:27. | :17:33. | |
roughly. Obviously, the black does school safely to the site cushion. | :17:34. | :17:42. | |
It's all about ink ball safely. Ali Carter with the advantage. He only | :17:43. | :17:49. | |
needs the pink. Yes, but he has to do this and that was an excellent | :17:50. | :17:53. | |
safety shot from Alan McManus. Playing the up and down. Not to | :17:54. | :17:58. | |
leave it in the corner and halfway down the site cushion. He has made a | :17:59. | :18:07. | |
pretty good fist of that. Alan McManus still putting his fingers on | :18:08. | :18:10. | |
the cushions just disgusted with the bouncy got. Tempting to try and get | :18:11. | :18:16. | |
this in behind the black with a lot of left-hand side, but he doesn't | :18:17. | :18:19. | |
know whether the pink is going to go playing it like that. So he just | :18:20. | :18:25. | |
once again concentrated on pink Ball safely. Now, this is one you've got | :18:26. | :18:36. | |
to be very, very careful with. When the object ball is so close to the | :18:37. | :18:40. | |
cushion like this, if you hit it just slightly thick, that pink will | :18:41. | :18:45. | |
come down the table with the cue ball. You can send it up of two | :18:46. | :18:52. | |
cushions towards the black, the side cushion just on the left-hand side | :18:53. | :18:57. | |
of the table, or he can do what he has done which is the double-kiss. | :18:58. | :19:02. | |
She couldn't have played it any better! You could not have had a | :19:03. | :19:07. | |
better cue ball than that. It seems to be a much favoured shot these | :19:08. | :19:14. | |
days. Yes, it's always a shot that was on but a lot of people were very | :19:15. | :19:21. | |
reluctant to play it. I have to say, of all the chances of a speculative | :19:22. | :19:24. | |
cross doubles their... Most of the time players are playing it these | :19:25. | :19:29. | |
days, it seems to come out at the most advantageous of occasions. Ali | :19:30. | :19:33. | |
Carter has a chance to get in behind the black. He is having a look at | :19:34. | :19:38. | |
the potting angle as well. And he needs the pink. It may be worth the | :19:39. | :19:43. | |
risk. And he's got it. He played it well | :19:44. | :20:01. | |
whereas Ali Carter -- Alan McManus will be ruined those mistakes. He | :20:02. | :20:06. | |
will be not be happy with the table but that will not matter to Ali | :20:07. | :20:10. | |
Carter. He has a two frame advantage and will not be behind at the end of | :20:11. | :20:18. | |
the session. He reads 8-6. HAZEL IRVINE: well, this is very | :20:19. | :20:22. | |
interesting because this is the same table as was used this morning and | :20:23. | :20:27. | |
there was a lot of static electricity. Alan clearly struggling | :20:28. | :20:34. | |
with it as well. This table has been trouble since the start. They change | :20:35. | :20:39. | |
the cushions earlier, claims the cloth on it earlier. They have done | :20:40. | :20:45. | |
as much as they can do and done everything they can, but for what | :20:46. | :20:48. | |
ever reason, it is playing a bit funny. It is. This is what happened | :20:49. | :20:54. | |
earlier on. This was Mark William 's earlier. A bit of dusting and | :20:55. | :20:58. | |
cleaning. The reason he has done this is because he is trying to wipe | :20:59. | :21:02. | |
away the chalk marks here. A dap cloth here. Tell everyone why this | :21:03. | :21:07. | |
helps. He's tried to rob away the chalk marks. Sometimes it can spin | :21:08. | :21:12. | |
but he's practically static off as well. You are supposed to but Mackie | :21:13. | :21:15. | |
is gone the wrong way their buttress posted down the nap on the cushions | :21:16. | :21:20. | |
that you can see the frustration. And it is very frustrating. We get | :21:21. | :21:25. | |
kicks and they are very frustrating, but bounces... You lose all your | :21:26. | :21:30. | |
confidence then because sometimes you're expecting bouncers, you | :21:31. | :21:34. | |
expect bigger bounces and then it doesn't happen and is very | :21:35. | :21:37. | |
frustrating. He's actually not allowed to do what he has done | :21:38. | :21:41. | |
there. There was a concert afterwards from people think you | :21:42. | :21:45. | |
shouldn't have done it because it is in for all players, you shouldn't do | :21:46. | :21:48. | |
it but I don't think any problem. They gave it to the referee at the | :21:49. | :21:52. | |
time. He did it afterwards and got it sorted out but if all the players | :21:53. | :21:55. | |
start doing it, you will never have a frame of snooker. This is the hole | :21:56. | :22:03. | |
that Ali Carter was playing in against the Reed. There was trouble | :22:04. | :22:08. | |
there as well. As we such as advising against Ali Carter, but now | :22:09. | :22:13. | |
in Alan's might is a battle with this table as well and that never | :22:14. | :22:14. | |
helps desert. Back we go now. Mark Williams town in the cushions | :22:15. | :22:29. | |
down! Sacrilege! Wasn't it. He went the wrong way. When you brush a | :22:30. | :22:34. | |
table you go from the DA to the black spot. That is how the nap is | :22:35. | :22:37. | |
flattened down. He was going the other way. You captive at! -- you | :22:38. | :22:44. | |
can't do that! It's like sharing a sheep from the | :22:45. | :23:05. | |
wrong end, isn't it? Similar (!) that analogy never came to my mind, | :23:06. | :23:15. | |
but why not? I don't know what the right end is, to be quite honest. | :23:16. | :23:21. | |
No, I am not certain myself. Is it from the neck down? It depends if | :23:22. | :23:31. | |
you have been to the opticians or not. Is it the collie dog? | :23:32. | :23:47. | |
It's a long read into the yellow pocket. The cue ball running down to | :23:48. | :23:54. | |
an area that's relatively safe if you want to try it. Not sure I would | :23:55. | :24:00. | |
have liked to because there was a red to the right corner available. | :24:01. | :24:08. | |
Clever shot. Knowing full well he didn't need to get the cue ball all | :24:09. | :24:14. | |
the way down to the baulk cushion. That's actually made it more | :24:15. | :24:20. | |
difficult by not doing so. A tap on the table from Ali Carter. | :24:21. | :24:44. | |
Looks to be just playing a containing safety. Couldn't risk the | :24:45. | :24:56. | |
return to baulk. It wasn't straightforward and of course that | :24:57. | :25:00. | |
red being in the baulk just makes matters a little bit tricky. Well, | :25:01. | :25:10. | |
Alan McManus has an easier chance now into the middle pocket. Arguably | :25:11. | :25:13. | |
easier. Yes, it was half a chance. Those | :25:14. | :25:33. | |
half chances sometimes all you're going to get in a frame at ago. -- a | :25:34. | :25:46. | |
frame of snooker. Ali Carter, not too sure if he's able to get a good | :25:47. | :25:53. | |
safety from this read by the yellow. Not absolutely sure whether it's a | :25:54. | :25:59. | |
sort of tent of double. Not sure if it's the right thing to do, but he | :26:00. | :26:08. | |
was tempted into it. The shot being a safety shot. Yes, the fact that he | :26:09. | :26:17. | |
can get the cue near the ball cushion, it was worth taking on. | :26:18. | :26:24. | |
Alan McManus can choose a couple of safety shot. Cue ball to the black | :26:25. | :26:32. | |
cushion is probably the one with less danger. | :26:33. | :26:53. | |
Ali Carter has got a red to the left middle, similar to Alan McManus'. A | :26:54. | :27:08. | |
bit thin. He couldn't control the cue ball so keeping it tight again, | :27:09. | :27:17. | |
John. Yes, very important frames now. Ali Carter will be thinking if | :27:18. | :27:21. | |
he can win the next two, he will have a four frame advantage going in | :27:22. | :27:30. | |
tomorrow. Break of shot. By Alan McManus. He's got reds over both | :27:31. | :27:39. | |
corners. Got a good cue ball tool which helps slightly. Yes, he had to | :27:40. | :27:44. | |
risk not knowing where the reds were going. He's blocked off the easier | :27:45. | :27:55. | |
of the two from a positional perspective so Ali Carter, even if | :27:56. | :27:58. | |
he does all this, can't guarantee getting on a colour. | :27:59. | :28:11. | |
That's all he could do. Trust to luck. Most of the important part of | :28:12. | :28:21. | |
that shot was to put the red. And tucked under the baulk cushion as he | :28:22. | :28:26. | |
was, he had to give the pot good care and attention. Any colour he | :28:27. | :28:31. | |
could pot would be the yellow. And if he could get his hand on the | :28:32. | :28:37. | |
table then he may consider taking it on, but he can't, so just a safety | :28:38. | :28:43. | |
shot. Covered the part of the red of the right corner. There's a couple | :28:44. | :28:46. | |
of gaps here as well but he is playing into this corner which he | :28:47. | :28:50. | |
knows is lined up with the blue. Has he hit it hard enough? Years short | :28:51. | :28:57. | |
of pace. Looking at his body weight which, I think he has left it. Alan | :28:58. | :29:03. | |
McManus, if you can pot this properly in the right part of the | :29:04. | :29:07. | |
pocket, can get out for the pink at the very least. | :29:08. | :29:18. | |
Yes, when you said the pink at the very last, I agreed with you. He is | :29:19. | :29:26. | |
head that well. Not the right angle, but it shouldn't be a problem to get | :29:27. | :29:32. | |
in between the yellow and brown, you would have thought. Coming in a | :29:33. | :29:41. | |
straight line down. It needs to slow up. It's OK. Read to the right | :29:42. | :29:44. | |
corner. Missed a few good opportunities in | :29:45. | :30:10. | |
the last frame, did Alan. He needs to make the most of this one. | :30:11. | :30:22. | |
This keeps him in close contact with Ali Carter. Good chance here to | :30:23. | :30:29. | |
reduce his arrears to just one frame again. | :30:30. | :30:51. | |
He obviously doesn't like it. And on the face of it, it doesn't look too | :30:52. | :31:01. | |
bad. OK, if you don't want to be so precise to play screw back for the | :31:02. | :31:08. | |
pink, then screw back for the blue. I think he has too played the screw | :31:09. | :31:13. | |
back, get him out -- get it out to open play. A could have gone wrong. | :31:14. | :31:19. | |
He took a lot of time to work out what looked like a relatively | :31:20. | :31:25. | |
certain shot, but these are big moments for Alan McManus, he needs | :31:26. | :31:30. | |
to steady himself. He has got a great chance for 7-8, and if he | :31:31. | :31:36. | |
could get out of jail in this session and go 8-8, that would be | :31:37. | :31:41. | |
amazing, wouldn't it? He hasn't looked the best player, that is for | :31:42. | :31:46. | |
certain. It would be a real boost, and once he gets to the final | :31:47. | :31:49. | |
session and the pressure is really on, anything can happen, as we see | :31:50. | :31:52. | |
so many times. Fair to say that Ali Carter has not | :31:53. | :32:14. | |
been scintillating himself. It has been a tough session for both | :32:15. | :32:23. | |
players. Considering the way they played in their opening matches in | :32:24. | :32:31. | |
this event, Ali Carter, brilliant match against Stuart Bingham, and | :32:32. | :32:38. | |
Alan McManus was in wonderful form to beat Stephen Maguire 10-7. But | :32:39. | :32:45. | |
neither player has really got motoring in this match, certainly | :32:46. | :32:50. | |
not in this session. No, there have been chances going begging to both | :32:51. | :32:58. | |
players. A few steals. This match will be played to the finish, | :32:59. | :33:01. | |
starting at 10am. Just overrun that slightly, I don't | :33:02. | :33:24. | |
know if you can drop this in, he may have to play a cannon. He wouldn't | :33:25. | :33:30. | |
want to, but I don't see how he can guarantee position on a particular | :33:31. | :33:33. | |
read. If he plays the cannon, I think he will be unlucky not to be | :33:34. | :33:38. | |
on one. I think you can go two cushions in and out, just about | :33:39. | :33:46. | |
avoid... Just about avoid! Just about! Back in prime position, | :33:47. | :33:55. | |
though. I say prime position... Probably nicer to have played for | :33:56. | :33:59. | |
the pink, perhaps, but he is going to make sure he gets the screw back | :34:00. | :34:03. | |
on, get the right side of the blue, which is very nicely done. Screw | :34:04. | :34:08. | |
back for the red into the left corner. | :34:09. | :34:17. | |
Opens up the two reds into the right corner, so getting ever closer to | :34:18. | :34:26. | |
the finishing line. These three reds in open play. | :34:27. | :34:30. | |
Got a kick, made the red along the top cushion a little bit more | :34:31. | :34:53. | |
difficult. Ideally, he could have perhaps left that for a bit later, | :34:54. | :34:58. | |
but couldn't have counted for the kick, so a bit of care, in it goes. | :34:59. | :35:09. | |
APPLAUSE Certainly didn't want to be straight on this. This pink will put | :35:10. | :35:17. | |
him 57 points in front. Still 67 remaining. So he needs a red and | :35:18. | :35:22. | |
colour after this. Trying to force it in. Now he has the red to the | :35:23. | :35:32. | |
middle. 57 ahead, as soon as he pots the red he doesn't want nine | :35:33. | :35:35. | |
remaining so just read colour required. -- red and colour. He is | :35:36. | :35:41. | |
hanging on in there. APPLAUSE This contribution made | :35:42. | :35:54. | |
possible by the careless, you would have to say, safety shot from Ali | :35:55. | :36:00. | |
Carter when he needed to get the cue ball into the jaws of the pocket to | :36:01. | :36:04. | |
cover a red ball in the opposite corner. Just underhit it. And at | :36:05. | :36:10. | |
this level, just an insured two short and it could be your last | :36:11. | :36:11. | |
shot. Here is an example. Well, pity, I thought we might... | :36:12. | :36:39. | |
Carter will concede so Alan McManus hanging on them there, one more | :36:40. | :36:42. | |
frame to be played in this second session. Will it be a two frame | :36:43. | :36:47. | |
advantage or will we be all square? The next frame will tell us. | :36:48. | :36:52. | |
McManus has settled himself well after a bit of grief at the play | :36:53. | :36:58. | |
conditions earlier on. A quick note about the other table, the last we | :36:59. | :37:02. | |
left it, world number one Mark Selby was 2-2 against Sam Baird, the world | :37:03. | :37:08. | |
number 59. Selby made and 81 to go 3-2, but here is The Blade, the | :37:09. | :37:15. | |
27-year-old from Devon, on his way to his third century of the week, | :37:16. | :37:20. | |
100. Great performance from this young man who has shown he can pot, | :37:21. | :37:23. | |
all right. He is certainly keeping pace with the world number one. | :37:24. | :37:48. | |
Selby has made 62 in the seventh frame and Leeds 4-3, but this is a | :37:49. | :37:51. | |
very fine effort from Sam Baird, and a third century from the man who has | :37:52. | :37:54. | |
already beaten one seed, Michael White. 4-3 at us for Mark Selby. | :37:55. | :37:56. | |
Let's get back to the other match on the other side. It is Carter to | :37:57. | :38:03. | |
I think of the two players, if it finished eight apiece, Ali Carter | :38:04. | :38:12. | |
would be the most disappointed. He played well last night in the first | :38:13. | :38:16. | |
session. He has not reached those heights today. | :38:17. | :39:14. | |
This red is on for Ali to the left middle. It looks, just looking at | :39:15. | :39:32. | |
the potting angle, it may be colliding with the main bunch of | :39:33. | :39:37. | |
reds, but that might not be a problem, as long as he catches them | :39:38. | :39:40. | |
a glancing blow. Oh! He keeps missing those pinks in | :39:41. | :40:30. | |
the middle! He missed one last night when it looked certain to go 4-1 in | :40:31. | :40:34. | |
front, this one this afternoon when he looks to be going 16 in front. | :40:35. | :40:39. | |
Easier than that, actually. A little bit of noise coming from | :40:40. | :41:11. | |
the other side of the arena, so Allen, being the experienced | :41:12. | :41:14. | |
competitor he is, just getting up and giving time for it to settle | :41:15. | :41:21. | |
down -- so Alan McManus, being the experienced competitor he is. | :41:22. | :42:26. | |
The advantage of playing this red, you bring the other reds into play, | :42:27. | :42:34. | |
a few other reds. Just overstretching slightly, that is why | :42:35. | :42:40. | |
he has refused it. Well, watch the middle pocket here. | :42:41. | :42:45. | |
Well, didn't like it, but perhaps if he had got the extension out and | :42:46. | :42:58. | |
played that shot, he would have opened the reds up, which is, to be | :42:59. | :43:04. | |
quite honest, pretty important. He may not get a better chance to get | :43:05. | :43:11. | |
the roads open. -- get the reds open. Now he has to play an | :43:12. | :43:15. | |
excellent shot to get back on the blue. | :43:16. | :43:30. | |
OK, he's still going, but if he had played that shot on the red, I know | :43:31. | :43:38. | |
it was stretching a bit, but... He could have done some damage to the | :43:39. | :43:44. | |
reds, and that would have been far more assured from a positional | :43:45. | :43:51. | |
perspective. This blew in and out of baulk to get into a tight red on the | :43:52. | :43:56. | |
left corner is not easy which ever one he goes for. I am thinking | :43:57. | :44:00. | |
whether he could play a firm and come off two cushions and tried to | :44:01. | :44:04. | |
open up that cluster of reds. It is a big target. Well, he's tried it | :44:05. | :44:13. | |
but didn't get enough side on the cue ball. | :44:14. | :44:25. | |
Well, that pink going over the pocket is a bit of a nightmare | :44:26. | :44:31. | |
scenario. APPLAUSE All things considered that was a | :44:32. | :45:17. | |
pretty good safety shot. Not the best length, but a spot of bother | :45:18. | :45:26. | |
there. Alan decided to play this red to the right of the black. That will | :45:27. | :45:31. | |
bring the black into play. Oh, but he's it is too thick, now, is the | :45:32. | :45:39. | |
black going to help him? Oh, it has. But there is another red available | :45:40. | :45:46. | |
to the left corner. Big shot. Big moment in the match, this, for me. | :45:47. | :45:50. | |
Big misjudgement by Alan McManus. You can see him in his chair, there, | :45:51. | :45:59. | |
steaming. Doesn't want to look! Doesn't have to do anything with the | :46:00. | :46:16. | |
cue ball if he pots it, he will be on the pink. | :46:17. | :46:21. | |
Well played. Had to fully commit, and that's exactly what he did. Now, | :46:22. | :46:31. | |
Ali Carter has been given a chance to take a two frame advantage into | :46:32. | :46:33. | |
the final session tomorrow morning. Well, I'm a little bit surprised | :46:34. | :47:21. | |
he's left this much potting angle on the red. | :47:22. | :47:31. | |
You would have thought you'd play that red to hold for the blue. Yes, | :47:32. | :47:39. | |
obviously you will race got colours and he has a nice group across the | :47:40. | :47:43. | |
face of the blue for the red into the right corner. Judged very | :47:44. | :47:50. | |
nicely. It's all about opening the pack up, it would appear. Yes, and | :47:51. | :47:56. | |
he'd like to do it off the next black. Yes, and screw back across | :47:57. | :48:03. | |
the face of the reds. So low on the black. Kick. And he's also gone high | :48:04. | :48:10. | |
on the black. For me, now, he'll just have to play for the reds | :48:11. | :48:14. | |
that's next to the black. He could run into the red but he's not | :48:15. | :48:18. | |
certain to be on anything, it certainly won't be on the one loose | :48:19. | :48:23. | |
red. He's decided to play for the pink, this way he will guarantee | :48:24. | :48:28. | |
being in a nice position on the red. But imperative now that he gets a | :48:29. | :48:32. | |
good angle on the colour to disturb that cluster of five. Surely he | :48:33. | :48:38. | |
hasn't got the angle to pot the red and screw across the face of the | :48:39. | :48:43. | |
reds for the black on this one? This would be a very advanced shop, | :48:44. | :48:48. | |
should he play this. A great way of opening the pack up. Oh, and he | :48:49. | :48:56. | |
didn't hit it right! Oh, the anger! Oh! Well, as you said at the time, | :48:57. | :49:02. | |
it was an advanced way to play it. For me, I couldn't dream of playing | :49:03. | :49:06. | |
it like that. Not unless I was absolutely certain. I think he was, | :49:07. | :49:17. | |
he just didn't hit it right. He got a bit too much angle on the pot, | :49:18. | :49:21. | |
perhaps if he could have ported it into the right-hand side of the | :49:22. | :49:25. | |
pocket a bit more he could have afforded a bit of leeway. He would | :49:26. | :49:31. | |
have straighten the cue ball up, got more screw back on, but it is a | :49:32. | :49:36. | |
lifeline for Alan McManus. He must have been fearing the worst. He has | :49:37. | :49:47. | |
just ask it to him, what colour comic he said, I haven't decided | :49:48. | :49:53. | |
yet. Green is nominated. Is it a one-cushion escape? Needs to hit it. | :49:54. | :50:03. | |
Now. Because it will be called I miss -- I miss. Not digging the | :50:04. | :50:16. | |
referee out... I suppose I am... Dig him out! I am not sure he should ask | :50:17. | :50:22. | |
what colour he is playing. If Ali Carter wants to play a shot without | :50:23. | :50:26. | |
nominating a colour, it is a foul, seven points away. But I think they | :50:27. | :50:33. | |
have always said... If they are not certain, please nominate. Perhaps I | :50:34. | :50:36. | |
am talking out of turn but it is down to the player to nominate, | :50:37. | :50:41. | |
surely stop Wine but I think he would have nominated if he was given | :50:42. | :50:47. | |
the chance to. I don't know the rules, I should do, I am on the | :50:48. | :50:51. | |
rules committee! I was going to say, I thought she made the rules! No, | :50:52. | :51:04. | |
no, no. Green again. No. The problem is, because he is striking down, it | :51:05. | :51:08. | |
is difficult to get the amount of side on the needs. It would be | :51:09. | :51:15. | |
easiest to hit the black, but he knows if he hits the black, he has | :51:16. | :51:19. | |
every likelihood he will lose the red to the right middle. In defence | :51:20. | :51:26. | |
of Terry, the referee is the sole arbiter of play and if he wants to | :51:27. | :51:31. | |
find out it is down to him to ask so it is not a problem. I think on | :51:32. | :51:37. | |
reflection. Great shot. Yes, hit it this time. APPLAUSE. | :51:38. | :51:45. | |
Ali, who got himself into a bit of Belize, giving those foul shots | :51:46. | :51:54. | |
away, is now four points behind -- a bit of a lead. A very vital frame | :51:55. | :51:56. | |
for both players. This is the type of safety shot that | :51:57. | :52:06. | |
Allen has not been hitting consistently. -- that Alan has not | :52:07. | :52:14. | |
been hitting. Too thin or too thick. He is playing this one, just playing | :52:15. | :52:22. | |
the containing safety, it appears. Didn't want to risk trying to play | :52:23. | :52:27. | |
the orthodox back to baulk safety. He could have played the long deep | :52:28. | :52:32. | |
screw back but it is not a shot Alan McManus favours. Judd Trump wouldn't | :52:33. | :52:39. | |
have thought twice about that. Ali Carter I think would have considered | :52:40. | :52:43. | |
it as well. No slouch in that department. Didn't want to collide | :52:44. | :52:51. | |
with the brown. Free shot, perhaps, for Alan McManus, free try at a red | :52:52. | :52:54. | |
in the middle pocket with an element of safety? | :52:55. | :53:00. | |
Or does he just play the committed safety shot? To me, he has to play | :53:01. | :53:10. | |
the pot. The only one he can leave is the one he's playing. Striking | :53:11. | :53:15. | |
down like this, he is not playing the pot but the safety. | :53:16. | :53:30. | |
Was it worth a try in the middle? It is hard to see the angle from here. | :53:31. | :53:38. | |
It might have been a bit... We have said once or twice in this match | :53:39. | :53:42. | |
this afternoon that there have been one or two strange shot selections. | :53:43. | :53:51. | |
Yes, but the shot selections could have been strange from the | :53:52. | :53:59. | |
commentary box! Absolutely. That is a nice kiss on the green. The thing | :54:00. | :54:03. | |
is, when you are on the table behind the shop... You can see it. Yes. You | :54:04. | :54:11. | |
are right, there have been a few. A few refused, a few positional shots | :54:12. | :54:15. | |
we had questioned. That is what we are here for, though. LAUGHTER When | :54:16. | :54:22. | |
Alan McManus does play this thread that as the two ball onto the -- | :54:23. | :54:29. | |
smack ball plant onto the back he doesn't know where the red will end | :54:30. | :54:35. | |
up. He has a nice line between yellow, brown and blue. | :54:36. | :54:42. | |
Terrific length with the cue ball. The only thing, and as good a safety | :54:43. | :55:00. | |
shot as that was, high-density safety shot for Ali Carter, so he | :55:01. | :55:05. | |
may decide to take this pot on -- I do not see a safety shot for Ali | :55:06. | :55:10. | |
Carter. If it goes in he could set up a frame-winning chance. I don't | :55:11. | :55:15. | |
see a safety. If you don't see a safety you may as well go for the | :55:16. | :55:16. | |
pot. No, it was tough, but there was no | :55:17. | :55:33. | |
return to baulk, so the opportunity for Alan McManus, this red will pass | :55:34. | :55:38. | |
the black. Don't blame Alan for taking that on. | :55:39. | :55:47. | |
Yes, such a tough shot, as I say, there isn't no other shot that was | :55:48. | :56:01. | |
on. -- there is no other shot. Oh, well... Now, is it covered? I am | :56:02. | :56:06. | |
looking to see if Alan is going to think of apologising to Ali. He | :56:07. | :56:14. | |
shook his head a few times. Well, Allen gave it a good look. Ali | :56:15. | :56:20. | |
Carter not even bothered. Ash max Alan gave it a good look. | :56:21. | :56:34. | |
We are going to have to leave this there because we are coming to the | :56:35. | :56:40. | |
end of our allotted time on BBC Two. It continues online so get your | :56:41. | :56:44. | |
order buys is connected and go for it there. Before we go let me update | :56:45. | :56:49. | |
you with the other match between world number one Mark Selby and Sam | :56:50. | :56:54. | |
Baird from Devon. This young man has performed very well today, here | :56:55. | :56:58. | |
here's making an 85 break in the last of their opening session to | :56:59. | :57:03. | |
level the scores at 4-4. Both players 92% pot success, and | :57:04. | :57:09. | |
there'd, however, outscored Selby today, and they return tomorrow | :57:10. | :57:13. | |
afternoon for their second session. A very good day's work for this | :57:14. | :57:17. | |
youngster, through to the second round for the first time. This | :57:18. | :57:22. | |
evening, the bromance potentially continues between Mark Williams and | :57:23. | :57:26. | |
Michael Holt. There was a lot of banter on social media ahead of this | :57:27. | :57:30. | |
contest which got under way this morning, you might say a loving, and | :57:31. | :57:35. | |
we retreat to see how they would start the match, and sure enough, | :57:36. | :57:43. | |
they shared a hug. That is a first at the Crucible I think! This | :57:44. | :57:46. | |
afternoon Mark's wife has posted this picture. She says today is the | :57:47. | :57:52. | |
day, will the love continue? We shall see this evening when they | :57:53. | :57:56. | |
come back for their second session. It is four friends apiece in that. | :57:57. | :58:00. | |
Speaking of social media, we have had another tweet from our great | :58:01. | :58:05. | |
friend and colleague Dennis Taylor, who says after his emergency | :58:06. | :58:08. | |
appendectomy this morning: Dennis, you may be absent but I will | :58:09. | :58:22. | |
certainly keep up the mentions of 1985 for you! Get well, Champ, from | :58:23. | :58:27. | |
all of us. My thanks to these two, a bit of a loving for them as well! We | :58:28. | :58:32. | |
will see you very shortly. Jason will have the highlights and enjoyed | :58:33. | :58:36. | |
tonight's session online. Goodbye for now. | :58:37. | :58:40. |