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Fellow and a very good morning to you and welcome to the Crucible | :00:33. | :00:38. | |
Theatre. We have reached the second round of the 2016 Betfred World | :00:39. | :00:42. | |
Snooker Championship. Mark Williams knows what it's like to win this | :00:43. | :00:49. | |
trophy, of course. He has won it on two occasions. Read tournament he | :00:50. | :00:52. | |
said he had no chance of winning the crown once again but now he says he | :00:53. | :00:57. | |
is a tough man to beat. -- pretournament. | :00:58. | :01:03. | |
Well, I call him my hero. You could not possibly meet a more | :01:04. | :01:09. | |
down-to-earth guide than Mark Williams. He's probably the most | :01:10. | :01:13. | |
relaxed player I've ever played. It takes his practice game into the | :01:14. | :01:17. | |
tournament and if it's good enough, you wince. Mark Williams, I love | :01:18. | :01:28. | |
him. He's so calm and so laid-back. If he was any more laid-back he | :01:29. | :01:33. | |
would fall over. Always looks as if the game is just so easy to him. It | :01:34. | :01:39. | |
makes you a little bit mad sometimes! If you look back and back | :01:40. | :01:48. | |
to walk around the tournament... He looks like he is just having a | :01:49. | :01:57. | |
scroll. -- a stroll. Funny, some great one-liners. He likes a bit of | :01:58. | :02:01. | |
banter. Other there is one of the best ever. Doesn't take life too | :02:02. | :02:06. | |
serious but probably one of the all-time greats. Great pity. -- | :02:07. | :02:13. | |
great pity his clothes aren't as good as his Snooker! Mark Williams, | :02:14. | :02:19. | |
what can you say? It's a good thing he's a good snooker player! His | :02:20. | :02:23. | |
dress sense is completely nonexistent! Well, Williams, the | :02:24. | :02:31. | |
Welshman, looking pretty sharp this morning and making his 19th | :02:32. | :02:35. | |
appearance at the Crucible, winning 47 matches here. Incredibly in the | :02:36. | :02:40. | |
second round for the first time since 2012 will stop as for his | :02:41. | :02:43. | |
opponent today, Michael Holt, who you just saw in that film saying he | :02:44. | :02:49. | |
loves Mark Williams, knocked out the 2010 world champion Neil Robertson | :02:50. | :02:51. | |
on his way to the second round and played very well indeed. He is in | :02:52. | :02:56. | |
the second round for the first time since 2005. That is our first match | :02:57. | :03:01. | |
on BBC Two for you this morning. On table two, the second session of | :03:02. | :03:05. | |
Marco Fu against Anthony McGill, that is on the red button and the | :03:06. | :03:12. | |
BBC Sport at. Marco Fu leads Anthony McGill 5-3. Look at the | :03:13. | :03:16. | |
concentration on Anthony McGill's face. The players are ready. Let's | :03:17. | :03:21. | |
join our MC, Rob Walker. Good morning, ladies and gentlemen. After | :03:22. | :03:28. | |
six long days and six Long nights of action, we at last have our round-up | :03:29. | :03:33. | |
for the second round here at the World Championship and by the end of | :03:34. | :03:40. | |
tonight we will know the identity of the first player through to the | :03:41. | :03:43. | |
quarterfinals. It's getting serious here in Sheffield! | :03:44. | :03:44. | |
APPLAUSE Please welcome a young player who is | :03:45. | :04:00. | |
clearly at home in the Crucible arena, knocking out Shaun Murphy en | :04:01. | :04:04. | |
route to his second successive appearance in the last 16. The | :04:05. | :04:08. | |
bigger the occasion, the longer the match, the more relaxed he appears! | :04:09. | :04:14. | |
He will relish the challenge to come. He is Scotland's giant killer, | :04:15. | :04:17. | |
Anthony McGill! And his opponent, making his seventh | :04:18. | :04:39. | |
appearance in the second round here, he reached the one tables set up a | :04:40. | :04:44. | |
decade ago. Winner of two ranking tournaments and a finalist at the | :04:45. | :04:48. | |
Masters and the UK championship. On of the sport's most important | :04:49. | :04:52. | |
ambassadors around the world. Ladies and gentlemen, raise the roof for | :04:53. | :05:01. | |
the man from Hong Kong, Marco Fu! APPLAUSE | :05:02. | :05:10. | |
And on table one, a hugely popular player who has just produced one of | :05:11. | :05:19. | |
the most important victories of his 20 year career as a pro, knocking | :05:20. | :05:23. | |
out former world champion Neil Robertson to make it into the second | :05:24. | :05:28. | |
round for the first time in more than a decade. He is absolutely | :05:29. | :05:35. | |
buzzing, he's the Hitman, he's Michael Holt! | :05:36. | :05:40. | |
And his opponent, who also beat a former world champion in the first | :05:41. | :05:55. | |
round, victory over Graeme Dott bringing him a 15th appearance in | :05:56. | :06:02. | |
the last 16. Twice he's lifted the big one. 18 career ranking titles so | :06:03. | :06:06. | |
far. One of the most laid-back characters on the circuit but he | :06:07. | :06:10. | |
will fire it up this morning... Here comes Mark Williams! | :06:11. | :06:15. | |
STUDIO So, it is Williams Holt on table one | :06:16. | :06:35. | |
and that is live on BBC Two this morning. If you want the second | :06:36. | :06:41. | |
session of the second round match between Marco Fu and Anthony McGill, | :06:42. | :06:46. | |
that is an red button and the marvellous BBC Sport at. Let's say | :06:47. | :06:49. | |
good morning to John Parrott and Steve Davis. We should say our best | :06:50. | :06:54. | |
wishes to Dennis Taylor, who is recovering in a local hospital this | :06:55. | :06:58. | |
morning after having his appendix out. Speedy recovery, Dennis. | :06:59. | :07:02. | |
COMMENTATOR: Here here. We wish you all the best, DT, our good pal. This | :07:03. | :07:17. | |
is unusual! It's usually a handshake, but that is a love- in! | :07:18. | :07:25. | |
Yes, great camaraderie amongst the players. And I think this is a | :07:26. | :07:35. | |
fascinating matchup. Both players very adept at around the snooker | :07:36. | :07:39. | |
table but for Michael Holt, Mark Williams is obviously one of the | :07:40. | :07:42. | |
cleverest players you can play against and Michael Holt has got to | :07:43. | :07:45. | |
back up, which was the best result for me in the first round, anyone | :07:46. | :07:49. | |
who beats Neil Robertson by ten frames to six at the Crucible has | :07:50. | :07:53. | |
played exceptionally well. He will be looking to back that result up | :07:54. | :07:56. | |
with a good performance against Mark. | :07:57. | :08:04. | |
Yes, and a player, Michael Holt, currently working with Terry | :08:05. | :08:18. | |
Griffiths in his corner. Mark Williams used to work with Terry | :08:19. | :08:19. | |
Griffiths. He must have played well in the | :08:20. | :08:32. | |
first round, Mark, because for him to say he played quite well, in the | :08:33. | :08:36. | |
interview, that is about as excited as Mark gets about his performances. | :08:37. | :08:40. | |
He did play well to beat Graeme Dott. Graeme Dott has been in three | :08:41. | :08:47. | |
finals here at the Crucible, so to beat him as come principally as Mark | :08:48. | :08:50. | |
did coming you must have played well. Touching ball, so mark will | :08:51. | :08:53. | |
play away here. A long way away with that one. | :08:54. | :10:00. | |
Pretty sure he stuck the red up as well. , first chance to Mark | :10:01. | :10:07. | |
Williams. Got a chance here, he can play on a | :10:08. | :10:29. | |
baulk colour here and leave a half ball shot on the brown or yellow and | :10:30. | :10:34. | |
come down that way, or play of ski the blue. He decided it's going to | :10:35. | :10:37. | |
be the blue, although he's hit that very poorly. It of a nervy one, | :10:38. | :10:45. | |
that. The one place he didn't want to leave the cue ball was there. | :10:46. | :10:50. | |
Trying to stun that a bit more over towards the side cushion. | :10:51. | :11:04. | |
Beautifully struck. No need now, of course, to go into the pack of this. | :11:05. | :11:28. | |
He has got four reds available. -- repack off this. | :11:29. | :11:44. | |
Couldn't have asked for a better contact on the pack, after potting | :11:45. | :11:52. | |
that brown. Whilst that shop is always available, off the baulk and | :11:53. | :11:59. | |
side cushions, it's not easy to judge. Mark Williams very quickly | :12:00. | :12:09. | |
seems to be into a bit of rhythm. Obviously the players practice on | :12:10. | :12:14. | |
the tables at the back of the Crucible in the build-up to the | :12:15. | :12:18. | |
match. It's still a bit different coming out of it -- coming out here | :12:19. | :12:23. | |
in the opening frame. He hit that one quite poorly I | :12:24. | :12:34. | |
think, John. Yeah, almost a dead white when he played that. Little | :12:35. | :12:42. | |
reaction on it. Good recovery. Just needs another one now as well. | :12:43. | :12:48. | |
Position required here, just to leave an opportunity to get into the | :12:49. | :12:54. | |
pack again. Let's see which way he goes about it. | :12:55. | :12:58. | |
Could drop it in slowly, I think he could perhaps get around the back of | :12:59. | :13:15. | |
the black. Perhaps he's playing down for a baulk colour, the way he lined | :13:16. | :13:16. | |
up there. That's a clever option as well, | :13:17. | :13:30. | |
wasn't it, John? He has ended up in the worst place. He had a look | :13:31. | :13:34. | |
beforehand, trying to get a half ball on the green to be able to go | :13:35. | :13:42. | |
into the pack. He can't do it now. He didn't want to play the very slow | :13:43. | :13:48. | |
roll into the corner pocket. He wanted to hit the ball firmer. It | :13:49. | :13:58. | |
looks like end of break here. So, with a 40 point lead, do you put a | :13:59. | :14:03. | |
ball safe? I don't think he's ever going to get onto a red here, so the | :14:04. | :14:09. | |
insurance policy... Nothing wrong with that, Steve, I would be a big | :14:10. | :14:17. | |
fan of that shot. If he doesn't put Debaltseve, I feel it would be a | :14:18. | :14:23. | |
mistake. -- if he doesn't put a ball safe. I'm with you, I would like to | :14:24. | :14:33. | |
be putting the green safe. Don't worry about the cue ball here | :14:34. | :14:37. | |
because you're not going to leave anything. Just put the green on the | :14:38. | :14:42. | |
side cushion or the top cushion. Interesting, I think it was better | :14:43. | :14:49. | |
to go to the side. A few options here. He could put the brown -- he | :14:50. | :14:55. | |
could have put the brown safe on the side cushion, got the rest out. That | :14:56. | :15:03. | |
green is not safe, not at all. Yeah, and that was the priority with that | :15:04. | :15:07. | |
shot, wasn't it? I said ignore the cue ball because it wasn't | :15:08. | :15:11. | |
important, it was just important to get an object ball safe. Anyway, we | :15:12. | :15:16. | |
will see if it happens later in the frame. | :15:17. | :15:32. | |
Chance for Michael Holt to open the reds up. He needs to be careful he | :15:33. | :15:50. | |
doesn't believe that left red out. OK, he hasn't covered the path back | :15:51. | :15:53. | |
to baulk down the right-hand side of the table but he has stopped Mark | :15:54. | :16:00. | |
Williams from attempting a pot into the left-hand corner pocket. | :16:01. | :16:05. | |
Potential plant here but I don't think it will go anywhere near come | :16:06. | :16:09. | |
he would have to hit it too thin. Didn't really come round to look at | :16:10. | :16:13. | |
it, probably felt he would have to hit it too hard. Other balls are all | :16:14. | :16:20. | |
open, aren't they? It looks like a long, straight red. If he stands | :16:21. | :16:24. | |
this in he will have position on the black and after those few safety | :16:25. | :16:28. | |
shots, these reds are always open. Didn't get that eagerly close with | :16:29. | :16:31. | |
his first attempt at a long red, what will he do here? Oh! Well, he | :16:32. | :16:42. | |
has hit it and potted it but look at the White. That is massive. If he | :16:43. | :16:47. | |
had just got that cue ball there, that would have been a great chance. | :16:48. | :16:52. | |
He can certainly get the green off the cushion, if he feels it is | :16:53. | :17:00. | |
advantageous. If the green were tight on the cushion, I think he | :17:01. | :17:03. | |
would probably have played the green, but I think he feels it is | :17:04. | :17:15. | |
quite pottable from there. Is he going to try and sneak in behind the | :17:16. | :17:20. | |
green? Well, whatever that was, it wasn't that, the double-kiss. He did | :17:21. | :17:26. | |
have a chance that actually. As it has turned out, it has forced Mark | :17:27. | :17:29. | |
Williams into a more containing safety shot. | :17:30. | :17:58. | |
He has got a 41 point lead, Mark, but the way these balls are | :17:59. | :18:06. | |
auditioned on the table, it's not as big a lead as you would think. One | :18:07. | :18:13. | |
good pot from Michael all a mistake from Mark... | :18:14. | :18:21. | |
A bit risky, that shot. He would be glad to see it get the bump on the | :18:22. | :18:34. | |
middle pocket. But a good pot from Mark Williams... | :18:35. | :18:40. | |
Now! Chance, Michael Holt. An expected miss from Mark Williams, | :18:41. | :18:49. | |
this. Can he make the counter clearance? A statement of intent | :18:50. | :18:58. | |
early in the match, if he can. Could have ended up better for Michael | :18:59. | :19:03. | |
Holt. He is between two reds. Well, it's not an easy pot on this | :19:04. | :19:38. | |
green, these can be missed, but it's a natural angle to come back down | :19:39. | :19:42. | |
the table. One good pot here should put him in a strong position. And | :19:43. | :19:47. | |
Mark Williams didn't put that green safe before and already it has had a | :19:48. | :19:49. | |
bearing in this frame. Yes, sticking the green to the | :19:50. | :20:07. | |
right-hand side cushion, as Michael Holt is a right-hander, would have | :20:08. | :20:11. | |
been far more ideal. Yes, it's not really like Mark to | :20:12. | :20:24. | |
miss a trick, is it? But he certainly did, there. Well, Mark | :20:25. | :20:30. | |
Williams will be assessing the table, hoping for one or two things, | :20:31. | :20:36. | |
even early nerves or tension in his opponent... Or the fact that the | :20:37. | :20:45. | |
yellow is not as well-placed as it would be if it were on its spot. | :20:46. | :20:52. | |
Michael Holt showed fantastic form and nerve in his first round match. | :20:53. | :21:05. | |
Yes, his level of ability has never been in question with Michael, but | :21:06. | :21:12. | |
he may have lost position there. If he has, that's a stinker. Perhaps | :21:13. | :21:17. | |
just a bit of adrenaline, overhit the shot. Definitely doesn't go. So, | :21:18. | :21:24. | |
a long red. APPLAUSE | :21:25. | :21:40. | |
Particularly good when you know you have made a mess of the positional | :21:41. | :21:44. | |
shot beforehand, because he shouldn't have had to take that. I | :21:45. | :21:52. | |
was thinking that was the red you should be leaving till last, to deal | :21:53. | :21:56. | |
with the tricky yellow. Ideally that Redwood have been the last one to | :21:57. | :21:57. | |
play. But this is a good shot. On this side of the table, ideally, | :21:58. | :22:06. | |
all three reds go. As it turned out, a good confidence | :22:07. | :22:27. | |
builder, that long red. Can he hold himself together? | :22:28. | :22:34. | |
Similar sort of shot to the one he had before, made sure he stayed low | :22:35. | :22:40. | |
there so he didn't snigger himself on it. No excuses from here. But | :22:41. | :22:48. | |
other than the circumstances of it being the opening frame at the | :22:49. | :22:52. | |
Crucible. If he were in the club, he wouldn't be missing these all day. | :22:53. | :23:19. | |
OK, Steve, where would you like to finish here? Well, obviously he can | :23:20. | :23:28. | |
just screw up to a level perhaps just past the blue line and leave | :23:29. | :23:32. | |
himself the shot with the rest. Or he could try it in the right middle | :23:33. | :23:37. | |
pocket. That's what he's played and his overhit it! -- he has overhit | :23:38. | :23:46. | |
it. But he has got it in the corner, though. I would fancy him knocking | :23:47. | :23:51. | |
this in but I think I would be with you there, just to guarantee | :23:52. | :23:55. | |
position. If you play with the rest, you've got to be on the green. I | :23:56. | :24:03. | |
still expect a him to knock this in but it's not as easy as it could | :24:04. | :24:04. | |
have been. That was a fantastic shot. He played | :24:05. | :24:26. | |
that the right way. If he stands it in, he's further away from the green | :24:27. | :24:32. | |
with angle. He committed totally to rolling that in. That tells me he is | :24:33. | :24:39. | |
feeling pretty good about his game, because that was the shot of a | :24:40. | :24:40. | |
confident man. Terrible contact. And it has left | :24:41. | :24:56. | |
the blue awkward, but... I've got to say, other than that he would have | :24:57. | :25:00. | |
been over the line guaranteed. I'm sure he will still get this. This is | :25:01. | :25:06. | |
as good as I have seen Michael Holt around the table. I know it's early | :25:07. | :25:11. | |
in this match. His demeanour is fabulous, isn't it? It was the other | :25:12. | :25:17. | |
day, against Neil Robertson. At the risk of repeating myself, he's | :25:18. | :25:21. | |
always had the talent. Just never showed the public at the Crucible | :25:22. | :25:31. | |
what he's capable of. Is it there? Ooh! Top jaw, but it is. | :25:32. | :25:54. | |
REFEREE: Michael Holt, 61. APPLAUSE | :25:55. | :26:41. | |
20 points is a big ask for two snookers, where this is concerned. | :26:42. | :26:50. | |
The black is not in a bad spot, it has to be said. Mark Williams led by | :26:51. | :27:00. | |
41 points in that frame. But Michael Holt with a terrific contribution | :27:01. | :27:04. | |
takes the first frame. More of this please, boys. 1-0 to Michael Holt. | :27:05. | :27:11. | |
Yes, and we see this shot here, John, which was really a pivotal | :27:12. | :27:15. | |
shot in many ways. Mark Williams has decided he's going to put the green | :27:16. | :27:20. | |
safe to the baulk cushion. We suggested that possibly a better | :27:21. | :27:23. | |
place to put the green was somewhere up this side cushion. He could have | :27:24. | :27:29. | |
possibly put the yellow safe on to the left-hand side cushion, as we | :27:30. | :27:33. | |
look, but of course the problem with that is for the right-hander the | :27:34. | :27:37. | |
yellow is more gettable, easy to get to. He could easily have put the | :27:38. | :27:43. | |
brown to the side cushion as well. The cue ball would then go over into | :27:44. | :27:50. | |
the middle of the table, but the balls were all safe. It was a | :27:51. | :27:56. | |
strange one to play that way. It's unusual to see anybody play it that | :27:57. | :28:00. | |
way. I'm with you, put it on the side cushion, you keep it nice and | :28:01. | :28:05. | |
safe and that eventually this happens, Michael Holt gets good | :28:06. | :28:07. | |
position, the green isn't tied on the cushion and it's a natural angle | :28:08. | :28:13. | |
to come down. If he plays the green tide on the cushion, he's not | :28:14. | :28:15. | |
guaranteed to put it. So, Mark Williams breaking off in | :28:16. | :28:25. | |
the second frame, 1-0 behind, after looking in pretty good form himself. | :28:26. | :28:34. | |
Overhit that break-up shot by a fair distance and has given Michael Holt | :28:35. | :28:35. | |
a tempter. Nice pot. There you go, that was the | :28:36. | :29:02. | |
distance. Beautifully struck. Straight in the centre of the pocket | :29:03. | :29:07. | |
and there is a red in the bottom which does pot. -- at the bottom of | :29:08. | :29:12. | |
the pack. Well played. That was made to look a | :29:13. | :29:31. | |
lot easier than it was. He has a great cue action, Michael Holt. We | :29:32. | :29:35. | |
talk about other players with a good cue action but he has a solid cue | :29:36. | :29:39. | |
action. Here's a shot coming up, would you play the top spin on the | :29:40. | :29:49. | |
black disc into the pack? The good thing about the top spin shot is | :29:50. | :29:54. | |
that the cue ball doesn't get stuck in the pack. This is more guaranteed | :29:55. | :29:59. | |
to get the cue ball perhaps back for the blue. He played it so well, he | :30:00. | :30:05. | |
played it with a bit of side spin, fantastic shot. A bit of reverse | :30:06. | :30:10. | |
side here. Normally the cue ball comes back up the table but it | :30:11. | :30:13. | |
checks back towards the black. Beautiful shot. | :30:14. | :30:18. | |
It makes the pot so much harder, and missable, if you play it with side | :30:19. | :30:41. | |
spin. Got a kick there he feels. There is a mark on the black. And it | :30:42. | :30:49. | |
jumped off the spot, didn't it? He looked confident against Neil | :30:50. | :30:53. | |
Robertson. But I would imagine beating Neil Robertson has given him | :30:54. | :30:55. | |
a bit more confidence. He has never really shone at the | :30:56. | :31:13. | |
Crucible, Michael Holt. 2005 you have to go back to for the last time | :31:14. | :31:18. | |
he was in the second round, which is quite amazing for somebody of his | :31:19. | :31:31. | |
talent. Fantastic cue power. It was very difficult to open the pack up. | :31:32. | :31:37. | |
A stunned shop would have not done too much damage, so he tried to make | :31:38. | :31:42. | |
something work with a lot of back spin. Just a safety shot now. | :31:43. | :31:54. | |
Championship 2005, he lost in the second round to some bloke called | :31:55. | :31:58. | |
Davis, have you ever heard of him? Yeah, and he should have beaten me. | :31:59. | :32:10. | |
This is not a nice safety shot for Mark Williams. Not guaranteed to get | :32:11. | :32:18. | |
the cue ball back down the table into a nice place. So he's playing a | :32:19. | :32:27. | |
containing shot. There's a lot of players wouldn't have spotted that. | :32:28. | :32:32. | |
He's a clever player, Mark Williams. Sometimes you are just in trouble | :32:33. | :32:36. | |
and all you can do is play the containing shot. You realise you are | :32:37. | :32:40. | |
going to be down the table for the other one, but you can't always | :32:41. | :32:45. | |
pre-empt what your opponent is going to do and they are not necessarily | :32:46. | :32:48. | |
guaranteed to play a great shock when they do it. So I think | :32:49. | :32:54. | |
containing shots have a purpose -- play a great shot. | :32:55. | :33:09. | |
Little bit fortunate to finish where he did. He was probably just trying | :33:10. | :33:14. | |
to line it up. Good line. Well spotted by Michael Holt. Fairly | :33:15. | :34:09. | |
bog-standard sort of angles around the table that more or less | :34:10. | :34:13. | |
guarantee the tubal goes into the pack of the reds. -- the cue ball | :34:14. | :34:21. | |
goes into. But you've still got to know the shops. -- the shots. Can't | :34:22. | :34:33. | |
really do too much with this. Could just tap into the back of the pack. | :34:34. | :34:38. | |
There is no real advantage here, is there? No. If he tries to get away | :34:39. | :34:44. | |
from the reds, he sacrifices the safety advantage. There's always the | :34:45. | :34:52. | |
chance of a touching ball when you do that, which is sacrificing the | :34:53. | :34:56. | |
safety advantage. You've got to be careful sometimes. But it's not | :34:57. | :35:02. | |
going to be easy for Mark Williams to put Michael Holt in massive | :35:03. | :35:08. | |
trouble from this situation. You more or less knew you would be stuck | :35:09. | :35:14. | |
on the Walker cushion. Tricky safety shot -- the baulk cushion. | :35:15. | :35:35. | |
Well there is an outside chance of a pot, to screw across the face of the | :35:36. | :35:44. | |
pack for the black, but needs a lot of cue power. It was a very risky | :35:45. | :35:51. | |
shot even if it was on, I'm not absolutely sure that the angle was | :35:52. | :35:58. | |
there. At the moment I don't think Mark Williams has got the pace of | :35:59. | :36:00. | |
the table as well as Michael Holt. A lot of players playing the theme | :36:01. | :36:21. | |
shot with a little bit of run inside, because these balls are so | :36:22. | :36:27. | |
reactive. If you catch anything that you can promote one to the corner | :36:28. | :36:32. | |
pocket quite easily. He can see something, Mark. I don't think there | :36:33. | :36:37. | |
is a plant on. He's checking, where he hit this outside red, where it | :36:38. | :36:42. | |
goes off the black, does it tie up the black? | :36:43. | :37:03. | |
Got a kick, there, did he? That's certainly not what he wanted to | :37:04. | :37:11. | |
play. He was trying to play that a bit thinner. Pushing that read to | :37:12. | :37:14. | |
the corner pocket. He would have known it was on. He has got away | :37:15. | :37:21. | |
with it -- push in that red to the corner pocket. For all the skilful | :37:22. | :37:26. | |
play these players have, you can't beat a bit of luck. Miss hit that | :37:27. | :37:34. | |
one. Can't see it. Maybe Mark is just going to try and cover it | :37:35. | :37:39. | |
somehow. Whether he can leave a little cut, he could leave the cue | :37:40. | :37:44. | |
ball in the top pocket on the other side but that then may cut in. | :37:45. | :37:50. | |
Awkward, Steve. Yeah, at first glance it doesn't look to have a | :37:51. | :37:56. | |
safety shot. I suppose he could try to get the cue ball on the left hand | :37:57. | :38:01. | |
side cushion, perhaps that would cover everything. But he's committed | :38:02. | :38:10. | |
to get out of this in a more conventional way. You've got to say | :38:11. | :38:14. | |
it's a great shot from Mark Williams. Couldn't have played that | :38:15. | :38:21. | |
any better. We mentioned he was clever, there's an example. | :38:22. | :38:39. | |
Half a revolution on that ball, it was big trouble. He can see this | :38:40. | :38:54. | |
outside red, now. There you go, Powell. | :38:55. | :39:00. | |
Great safety shot from Mark Williams, he knew if he played a | :39:01. | :39:06. | |
shame there was a chance that red would go over the corner pocket. | :39:07. | :39:12. | |
Four cushion safety avoiding collisions with all colours. Superb. | :39:13. | :39:17. | |
To crush an escape from Michael Holt, here. Seems to be a bit wide. | :39:18. | :39:23. | |
Got a big bounce off the cushion, there. And he got the gap. Can you | :39:24. | :39:30. | |
believe it? Wasn't his fault. Just sneaked through the get and got | :39:31. | :39:52. | |
a ping off the side cushion. Ideally Mark Wood try to get position. It | :39:53. | :40:02. | |
seems to have pinged off discussion. Massive bounce, yeah -- this | :40:03. | :40:10. | |
cushion. If he can get that away, this is a good chance. Well played. | :40:11. | :40:38. | |
Lovely touch. Seems to drop balls in, float them in. | :40:39. | :40:56. | |
Twice a champion here at the Crucible. But he wasn't a champion | :40:57. | :41:17. | |
by missing those. Seemed to be a bit tight on that shot. Not hurry it, | :41:18. | :41:28. | |
but some head movement, perhaps feeling the pressure. Doesn't you | :41:29. | :41:39. | |
lease -- he doesn't usually show signs of that. We mentioned him | :41:40. | :41:43. | |
being laid-back. But all the players feel it, bit of pressure, feel the | :41:44. | :41:46. | |
tension, because they want to win. The interesting thing is, Mark | :41:47. | :42:02. | |
Roberts Williams probably assumed he would be playing Neil Robertson. | :42:03. | :42:08. | |
Some psychological changes. You feel as though from previous experience | :42:09. | :42:11. | |
he should beat Michael Holt, so puts more pressure on himself. Yes, made | :42:12. | :42:18. | |
favourite for this match to beat Michael. If that means anything. | :42:19. | :42:24. | |
You've still got to go and do it. But yeah, you can sort of get | :42:25. | :42:33. | |
yourself geared up, can't you? Good shot, there. Yeah, he made that look | :42:34. | :42:39. | |
a lot easier than it was. Pretty straight on that blue. I think one | :42:40. | :42:45. | |
of the big advantages Michael Holt has got, is he can hit the ball very | :42:46. | :42:55. | |
hard, with not too much effort. Just having a look, there, whether | :42:56. | :42:58. | |
Michael can drop the red in Nonda left side. He's got one in the | :42:59. | :43:05. | |
middle. -- on the left-hand side. The that could be the shot that | :43:06. | :43:09. | |
could open this up. Hasn't really looked at it as an option, yet. He | :43:10. | :43:16. | |
could have everything to look at if he gets in tight. Another kick but | :43:17. | :43:23. | |
he's got the cue ball the right side of the blue. Of course he can win it | :43:24. | :43:30. | |
improves. The trouble is you are always trying to get the right place | :43:31. | :43:34. | |
on the blue, the right side of it -- of course he can win it in blues. | :43:35. | :43:42. | |
You can always come unstuck coming back up for a red, going back down | :43:43. | :43:56. | |
for a blue. Bit like a practice scenario. You would keep playing | :43:57. | :44:01. | |
read up for blue, just a practice routine. -- red up for blue. Because | :44:02. | :44:08. | |
just like in this instance, it can happen. You only have to go to hit | :44:09. | :44:13. | |
it a fraction, it makes the position harder. Easy for me to say. Nicely | :44:14. | :44:25. | |
judged. Now he's got a two collection stunt. Very difficult to | :44:26. | :44:32. | |
control for perfect position on the blue. It may be able to play it top | :44:33. | :44:41. | |
spin, I'm not sure. No problem touching book he's playing away from | :44:42. | :44:45. | |
the one he's touching, it will not move. If it did it would be a foul | :44:46. | :44:55. | |
shot. That was well struck. Very good. | :44:56. | :45:08. | |
Once again, a bit further down the table for comfortable position. So | :45:09. | :45:16. | |
back spin to try to slow the cue ball down a bit. Didn't want Matt | :45:17. | :45:25. | |
Fleck on the road. But we'll settle for it. Good news, the flick was a | :45:26. | :45:34. | |
thin one -- he didn't want that flick on the red. It has turned out | :45:35. | :45:42. | |
to be pretty good. Hit that well, really did. Yeah, that positional | :45:43. | :45:55. | |
shot could be frame when. -- frame-winner. Two more reds | :45:56. | :46:00. | |
required. Fly off the cushion. Only way he | :46:01. | :46:41. | |
could get on the pink, Steve. Couple of reasons why the cushions can | :46:42. | :46:50. | |
bounce. At certain times it depends on the conditions perhaps in the | :46:51. | :46:54. | |
room. Sometimes chalk on the cue ball between ball and cushion can | :46:55. | :46:59. | |
play a part. Sometimes if the nap of the cloth is up, that can also make | :47:00. | :47:06. | |
a difference. It is actually perfect ball, if he knocks this in, natural | :47:07. | :47:13. | |
angle to come over for the two reds. Worked out all right, didn't it? | :47:14. | :47:25. | |
Shotframe ball. Butchered it, but got it. Wipe wiped | :47:26. | :47:53. | |
its feet, that one. He can play the blue. Just onto the side cushion. | :47:54. | :48:01. | |
Doesn't have to do much with the cue ball. I always think these are | :48:02. | :48:06. | |
important parts of the Merc with a Mouth, you have got past the winning | :48:07. | :48:10. | |
-- I always think these are important parts of the frame. You | :48:11. | :48:21. | |
have got past the winning line, knocked the next one in and put it | :48:22. | :48:28. | |
to bed. Yeah, awkward cueing. He didn't want to do too much with the | :48:29. | :48:36. | |
cue ball. This is very impressive from Michael Holt, it really is. Pot | :48:37. | :48:50. | |
success of 98%, that will work. Another rubbish connection between | :48:51. | :48:51. | |
balls. Obviously got a bit of work to do, | :48:52. | :49:14. | |
51 points behind. Got to pop the black, obviously. At least he knows | :49:15. | :49:20. | |
the first snooker is going to be quite easy. Welcomer he's not out of | :49:21. | :49:31. | |
this yet, because if he can play a good snooker behind the black, get | :49:32. | :49:34. | |
the red somewhere near a baulk colour, he's got free ball options. | :49:35. | :49:41. | |
Didn't want the kiss on the green, though. | :49:42. | :50:52. | |
Mark Williams thought that was enough. Hugely impressive start from | :50:53. | :51:00. | |
Michael Holt, he's taken the second frame as well and he leads 2-0. | :51:01. | :51:05. | |
John, just getting back to that shot. The Mark Williams, sorry, the | :51:06. | :51:13. | |
Mark Williams shocked when he played that black, from my perspective, a | :51:14. | :51:17. | |
little bit tight. -- Mark Williams shot. Seemed a little bit like, he | :51:18. | :51:25. | |
didn't quit on it, but had more body movement, as if he was nervous. | :51:26. | :51:31. | |
There's been a couple of bounces off the top cushion. He's coming for the | :51:32. | :51:38. | |
loose red. He might be thinking, if I get a big bounce, I will be out of | :51:39. | :51:45. | |
position. If he'd had a funny bounce somewhere, sometimes that can change | :51:46. | :51:51. | |
your shot. Yeah. And going back to the moment where Michael Holt got a | :51:52. | :52:01. | |
big bounce off the cushion, we had discussed actually, John, at board | :52:02. | :52:09. | |
level, along the way, that the possibilities for a referee in | :52:10. | :52:12. | |
between frames... You see it comes off this next cushion, it flies off. | :52:13. | :52:20. | |
The referee, in between frames, very quickly, with a piece of cloth, to | :52:21. | :52:26. | |
go around the cushions, not a brush, but just like the cushions with a | :52:27. | :52:30. | |
piece of cloth to calm them down and get rid of any chalk. Certainly | :52:31. | :52:36. | |
would help with that one. Interesting suggestion. Might be | :52:37. | :52:44. | |
worth trialling it. Wouldn't take a lot of time, only walking round the | :52:45. | :52:49. | |
table once. Michael Holt breaks off in frame three, and it's a shocker. | :52:50. | :52:53. | |
He's completely mis-hit it. But it's not the worst. | :52:54. | :53:18. | |
There is the break off. The Kuwait in the air. Player knows immediately | :53:19. | :53:32. | |
he has not hit it right. I do think Mark Williams is hitting the ball | :53:33. | :53:36. | |
very well at the moment. This looks to be wonderful. | :53:37. | :53:48. | |
Going back to that first frame, that one tactical decision and all of a | :53:49. | :53:57. | |
sudden youth got yourself on the back foot. It can set the tone for a | :53:58. | :54:02. | |
match. You know as well as anybody the first frame is important in a | :54:03. | :54:07. | |
match. Massively important. Just not putting that green safe. Yeah, OK, | :54:08. | :54:16. | |
there's a lot of shots that you could say if sand buts about them | :54:17. | :54:30. | |
all. -- ifs and buts. Clever route looks like he's going to be able to | :54:31. | :54:35. | |
play the shot correctly. With a couple more efforts. | :54:36. | :55:04. | |
Missed a chance, there. OK, he's still got a very good cue ball, not | :55:05. | :55:32. | |
easy to cue it from there, but could have had him a little bit further | :55:33. | :55:41. | |
over. He's still not settled down now, Mark Williams. Just not | :55:42. | :55:45. | |
catching the safety shots correctly. Obviously a long way to go, best of | :55:46. | :56:05. | |
25, so plenty of time to recover. But it's always nice to get off to a | :56:06. | :56:07. | |
flying start. Maybe a shot to nothing here for | :56:08. | :56:31. | |
Michael. Quick look in the corner. Cue ball will go down somewhere that | :56:32. | :56:42. | |
he is pointing now. Not quite thin enough. Thought it was worth having | :56:43. | :56:48. | |
a go at. Chance for Mark Williams, now. I'm | :56:49. | :57:06. | |
with you, though, Steve. I don't think he has settled, has he? And he | :57:07. | :57:12. | |
has missed that by a mile. Well, he was looking good in the first Merc | :57:13. | :57:18. | |
with a Mouth, but he has an settled -- he was looking good in the first | :57:19. | :57:22. | |
frame, but he has an settled himself. This is not a gilt-edged | :57:23. | :57:30. | |
chance for Michael Holt. He's got his cue arm going, now, so expect | :57:31. | :57:32. | |
some points on the board. Don't know whether he has just | :57:33. | :57:53. | |
overhit that. Needed to be shorter with the cue ball to leave the | :57:54. | :58:00. | |
natural angle. He has come relatively bowled straight, there. | :58:01. | :58:09. | |
Bit more pressure on this pink. Hit it with top spin. There is some real | :58:10. | :58:30. | |
authority with his cueing. Right in the middle of the white as well. | :58:31. | :58:33. | |
Everything is in the middle of the pocket. Great strike, that was. | :58:34. | :58:45. | |
Looks like he can screw back, get this cue ball back for the blue. How | :58:46. | :59:01. | |
well has he hit that with the rest? Absolutely perfect. Timed it to | :59:02. | :59:08. | |
perfection. He'd like one of these big colours into play as quickly as | :59:09. | :59:14. | |
possible. It's not clear cut how he's going to do that at the moment. | :59:15. | :59:28. | |
Bit shy of pace. Don't know if he can use a red. To open the bunch up | :59:29. | :59:37. | |
after potting this. Otherwise he's got to play a pretty deep power | :59:38. | :59:40. | |
screw back to get the right side of the blue again. It's a bit of a | :59:41. | :59:48. | |
stretch. Not the tallest player, Michael. | :59:49. | :00:01. | |
Well, great effort. Fantastic effort. He did brilliantly well. I | :00:02. | :00:10. | |
don't know if he knew he was going to hit the black, perhaps he felt he | :00:11. | :00:14. | |
would hit the red and open up a few balls. But he made sure with the top | :00:15. | :00:19. | |
spin he got the cue ball out into open play to keep the break going. | :00:20. | :00:24. | |
Still tight at the top. If he could come down the table, there is the | :00:25. | :00:29. | |
red on the top cushion, he could come down the right-hand side and | :00:30. | :00:33. | |
try to land the cue ball on the cushion. That might be a place to go | :00:34. | :00:36. | |
to, if he wants. That is the red that we are thinking | :00:37. | :00:49. | |
about. If he can get past the green, he may choose to play up and down. | :00:50. | :00:56. | |
That might be the one I would be thinking about for keeping the break | :00:57. | :01:00. | |
going. Well, he's played it that way. I don't really see the value in | :01:01. | :01:07. | |
it that way. Well, there's possibly a more advantageous red to open the | :01:08. | :01:16. | |
whole thing up near the black spot, from that side. He is a bit too | :01:17. | :01:20. | |
close to the cushion to make this comfortable. If he had been about | :01:21. | :01:25. | |
six inches off the cushion, he could have parted the red next to the | :01:26. | :01:29. | |
black as we see it on our TV screens and opened it all up. Now there's | :01:30. | :01:37. | |
pressure on this. I would fancy him more for this if it was absolutely | :01:38. | :01:41. | |
guaranteed a natural angle to get position. But there is a bit of | :01:42. | :01:45. | |
trickiness involved with the cue ball to get position. These can be | :01:46. | :01:50. | |
missed. You've almost just got to concentrate on making the pot and | :01:51. | :01:57. | |
hoping it works for you. And that is why he missed it. Because it was | :01:58. | :02:05. | |
fraught with, not danger, but a great degree of difficulty. | :02:06. | :02:16. | |
Players don't really like the uncertainty of a shot like that, | :02:17. | :02:22. | |
they like to know that they are guaranteeing themselves position. | :02:23. | :02:28. | |
Now, Mark... Well, he didn't want the cue ball there. I was just about | :02:29. | :02:35. | |
to say you've got to start putting a feud -- potting a few. Well, this is | :02:36. | :02:48. | |
horrible. He may be better cutting his losses here. Although the yellow | :02:49. | :02:58. | |
is cuttable. Not a great time to sneeze, was it? Probably needs to | :02:59. | :03:06. | |
put a bit of side spin on this to avoid the enough on the right | :03:07. | :03:07. | |
centre. It makes the pot harder. Well, is not going his way this | :03:08. | :03:24. | |
morning. He's not got going. But the first positional shot, he will be | :03:25. | :03:28. | |
kicking himself. Pretty tricky, but those yellows. This just shows you, | :03:29. | :03:33. | |
championship pockets, even though it was going at that pace, in the jaws, | :03:34. | :03:42. | |
it couldn't drop in. Michael Holt can't believe it! Not only did he | :03:43. | :03:47. | |
miss the yellow but he couldn't have left him any better. Brilliant | :03:48. | :03:54. | |
chance for 3-0, this. Got to solve a couple of problems around the black | :03:55. | :03:58. | |
spot area, but you would expect him to negotiate these pretty easily. | :03:59. | :04:07. | |
He's already got a 30 point lead and the way the reds are positioned, no | :04:08. | :04:11. | |
great problem for somebody of Michael's capabilities. I think he | :04:12. | :04:17. | |
got off to a flying start against Neil Robertson, won the first three. | :04:18. | :04:21. | |
Quick out of the blocks is very nice to have in your armoury. | :04:22. | :04:29. | |
He can play a little screw shot here and give himself options is around | :04:30. | :04:36. | |
the red on the left or the red on the right. The cue ball played in | :04:37. | :04:42. | |
exactly that spot, so he has a choice. This really is a fabulous | :04:43. | :04:53. | |
chance. Needs to get to 69 points. And there's a very good chance he | :04:54. | :04:58. | |
will. Put it this way, he will be disappointed if he doesn't. | :04:59. | :05:10. | |
It's pretty hard at the moment to lose position. | :05:11. | :05:22. | |
From Mark Williams's perspective, is only a missed pot -- only a missed | :05:23. | :05:33. | |
pot or a bad contact is how he's going to get back in. | :05:34. | :05:44. | |
Nice shot. 54 ahead, you can see. Nice little shop he played there, | :05:45. | :05:54. | |
just disc done up for the pink. All screws and stuns here, the cue ball | :05:55. | :05:59. | |
doesn't need to move very much. And assuming Michael Holt does get this | :06:00. | :06:06. | |
frame on the board, a very important next frame and one that perhaps has | :06:07. | :06:10. | |
some significance, pressure wise, even for Michael Holt. There is a | :06:11. | :06:16. | |
bit of pressure on the play in front at 3-0 to push on for 4-0. Yes, the | :06:17. | :06:25. | |
stupid psychology of our wonderful game, isn't it! You get in front and | :06:26. | :06:29. | |
start feeling the pressure. -- the snooker psychology. We've seen some | :06:30. | :06:36. | |
players leading and then getting a bit anxious and stop doing what | :06:37. | :06:37. | |
they've done. Well, there's no doubt about it, | :06:38. | :07:18. | |
this is the best I've seen Michael Holt play. His demeanour, his | :07:19. | :07:24. | |
attitude around the table, the way he's striking the ball. He's looking | :07:25. | :07:29. | |
like the surprise package of this year's championship. Been around a | :07:30. | :07:34. | |
long time, so it's odd to say surprise package, but he has never | :07:35. | :07:39. | |
really fulfil his potential, despite having all this talent, at this is | :07:40. | :07:46. | |
what he can play like. -- but this is. | :07:47. | :08:21. | |
APPLAUSE He can't miss! | :08:22. | :08:30. | |
He's going to play a run through and just nudge the red off the cushion | :08:31. | :08:34. | |
here. Fabulous stuff. APPLAUSE | :08:35. | :09:01. | |
Mark Williams is up against it here. It is Michael Holt who's looking | :09:02. | :09:05. | |
very impressive and aggressive, and he races into a 3-0 lead top yellow | :09:06. | :09:10. | |
fantastic performance by Michael Holt in the first week at the | :09:11. | :09:15. | |
Crucible. And he has got Mark Williams cold at the moment. | :09:16. | :09:19. | |
Take a look at this shot from Mark Williams. While we are having a look | :09:20. | :09:26. | |
at the situation, he's got all types of positions on the table he can get | :09:27. | :09:33. | |
the cue ball to. Where can he leave the cue ball there, Steve? A load of | :09:34. | :09:37. | |
places he could try to leave the cue ball. | :09:38. | :09:45. | |
Let me show you where he could possibly play this, cue ball wise. | :09:46. | :09:53. | |
There, there, there, there, there, there, there... There or there, for | :09:54. | :10:00. | |
position. So he had one or two options? He had a few options, but | :10:01. | :10:07. | |
he decided to play there! And basically once you've decided to | :10:08. | :10:13. | |
play there, you can't pot the brown, he was struggling on a yellow which | :10:14. | :10:18. | |
was thin and he had to take it on. I thought this was OK. A couple of the | :10:19. | :10:22. | |
players have been saying the pockets were a bit generous, but that | :10:23. | :10:28. | |
grabbed in the pocket. Very close, but... And now of course this is a | :10:29. | :10:34. | |
massive frame. Got to get this and at least you are only two behind at | :10:35. | :10:37. | |
the interval if you're Mark Williams. If you are four behind, | :10:38. | :10:41. | |
it's important stuff. REFEREE: Frame four, Mark Williams | :10:42. | :10:45. | |
to break. So, Mark Williams breaks off in this | :10:46. | :11:00. | |
fourth frame. As yet, he hasn't seemed to have settled down, | :11:01. | :11:06. | |
catching a lot of shots length of the table either thick or thin. Even | :11:07. | :11:12. | |
with that break off, he must have thought that a bit thick for the red | :11:13. | :11:20. | |
to come down the table, John. Yes, that's a poor one from Michael. He | :11:21. | :11:28. | |
shouldn't have been leaving Mark this chance. This is very important | :11:29. | :11:32. | |
for Mark Williams, he has to start scoring here. Just when he needs a | :11:33. | :11:40. | |
bit of concentration... There's a bit of noise on the other table. Not | :11:41. | :11:51. | |
an easy chance, but a player in stroke would perhaps make something | :11:52. | :11:58. | |
happen here. Yes, it's just a little bit tricky because the right-hand | :11:59. | :12:02. | |
red of the two near the black isn't that easy to get on. You've only got | :12:03. | :12:08. | |
a small gap between that back of the pack and the gap, that is the window | :12:09. | :12:12. | |
of opportunity for you. Got to hit this properly. Has he done it? No. | :12:13. | :12:21. | |
Hasn't quite reached it. It wasn't easy, that. | :12:22. | :12:36. | |
Mark Williams, six. Quietly, please! That has told them! | :12:37. | :12:57. | |
Of course the vast majority of people in the auditorium can only | :12:58. | :13:06. | |
see one table at anyone time. There is a section in the middle where you | :13:07. | :13:11. | |
are imagine they are prime spots where you can see both tables fully | :13:12. | :13:14. | |
from. We could there was a situation last night | :13:15. | :13:31. | |
where they could look up at the screens just to let them know what | :13:32. | :13:33. | |
was going on. That would have been some pot, to | :13:34. | :13:45. | |
get that red into that pocket at that angle. He had a good chance at | :13:46. | :13:48. | |
it. Yes, and we've got one of those | :13:49. | :13:58. | |
interesting frames coming up where the players are going to have to tap | :13:59. | :14:02. | |
into the reds for a while because there are two reds up near the baulk | :14:03. | :14:10. | |
area. Nowhere you can play safe up there now. We saw one of these | :14:11. | :14:18. | |
yesterday and I think I was in the studio talking about the fact that | :14:19. | :14:22. | |
they used to be a time where you would get frames where all the reds | :14:23. | :14:26. | |
were pushed into the bottom of the table but that doesn't seem to | :14:27. | :14:30. | |
happen now, players seemed to take a chance earlier. Yes, middle pocket | :14:31. | :14:37. | |
play has improved markedly. Sometimes people have jacked the cue | :14:38. | :14:43. | |
up in the air, played a shot and it brought a red backed down, that has | :14:44. | :14:48. | |
happened quite a bit. That shot was the undoing of Shaun Murphy. Yes. | :14:49. | :15:01. | |
You're playing the cue ball away from them, onto the reds and back, | :15:02. | :15:06. | |
you think there is no way... And all of a sudden it comes back into the | :15:07. | :15:10. | |
cluster. You've always got to be careful with that shot. Michael | :15:11. | :15:15. | |
eyeing up a speculative plant into the side pocket but perhaps play the | :15:16. | :15:19. | |
cue ball to the cushion and it is safe in that area. What a great | :15:20. | :15:22. | |
shot! APPLAUSE | :15:23. | :15:30. | |
The trouble with that was, if he didn't get behind the black, he left | :15:31. | :15:35. | |
a red into the middle pocket. Now he has potted it, he can perhaps, | :15:36. | :15:40. | |
deftly, just about, get a telling snooker. But he screwed his face up | :15:41. | :15:44. | |
at that. So difficult to get absolutely tight on these clots, and | :15:45. | :15:48. | |
the one thing you absolutely don't want to do is not reaching the | :15:49. | :15:53. | |
object ball through trying to be too clever. As Mark Williams left an | :15:54. | :16:04. | |
opportunity to knock this red into the middle pocket? It's obviously | :16:05. | :16:09. | |
tight. Surely if he could see it he would be going for it. | :16:10. | :16:49. | |
Just looking about what sort of shot. Taking his time here, coming | :16:50. | :16:58. | |
up to a minute. But Anthony has decided that playing it down there | :16:59. | :17:02. | |
and putting a red safe on the side cushion... That is quite a clever | :17:03. | :17:09. | |
shot. Yes, well picked out. Can Mark Williams play this red into the | :17:10. | :17:16. | |
corner? And somehow get the cue ball into a safe position? Or is it just | :17:17. | :17:23. | |
the safety shot? What a great shot! APPLAUSE | :17:24. | :17:35. | |
What a pot that was, cueing down. Now, he's got to get this green in. | :17:36. | :17:46. | |
And in it is. And now, Mark, you've got to score. The last chance wasn't | :17:47. | :17:50. | |
brilliant, because you had a small gap to play through and didn't quite | :17:51. | :17:56. | |
manage it. You've got to show your opponent that you are here to score | :17:57. | :17:59. | |
and so far you haven't done that. A full ball kiss on the green | :18:00. | :18:13. | |
wouldn't have been ideal, so a little flick has got him nicely on | :18:14. | :18:20. | |
the red. I still don't think he's absolutely cueing at his best yet, | :18:21. | :18:25. | |
but every shot that he plays will calm him down. | :18:26. | :18:43. | |
A little bit of running side there, played that beautifully. Now for | :18:44. | :18:50. | |
this red, drop it in and play for the blue. Shouldn't be any problem | :18:51. | :18:57. | |
for the next few reds, but he will need to move something in that | :18:58. | :19:00. | |
cluster just behind the pink at some point. None of them appear to pot. | :19:01. | :19:26. | |
Well, I would suggest he has got the tension out of his arm now. But | :19:27. | :19:33. | |
still a bit of work to do position wise. | :19:34. | :20:01. | |
Once Mark plays on the bottom red here, screws back for it... Well, he | :20:02. | :20:13. | |
should have done! He seemed to miss hit that. He doesn't seem to be | :20:14. | :20:19. | |
striking the ball with authority. Woefully short of back spin. Played | :20:20. | :20:25. | |
the red in the other pocket. I thought he might have got it in but | :20:26. | :20:30. | |
all of a sudden now Michael Holt has got a great chance, hasn't he, John? | :20:31. | :20:36. | |
It is a good chance. The red next the pink he could play to with pace, | :20:37. | :20:43. | |
pot the Echo Crimson over the hole and split the pack up at the same | :20:44. | :20:47. | |
time. He has gone with the other one. Well, he has played wonderfully | :20:48. | :20:58. | |
well but why didn't he potty the red with the other red, cannon into the | :20:59. | :21:03. | |
pink as you say and open the pack up. Because that wasn't a guarantee, | :21:04. | :21:06. | |
he could have ended up dead straight on the black, he could have | :21:07. | :21:11. | |
under-screwed. Yet, he has hit this wonderfully well. You couldn't fail | :21:12. | :21:18. | |
to pot the red over the pocket. That was guaranteed. And open the reds | :21:19. | :21:23. | |
up. He didn't even look at it. Anyway, a chance to open the reds up | :21:24. | :21:26. | |
now if he wants to. The way you suggested, John, was | :21:27. | :21:37. | |
more guaranteed. I think if he had played the shot you said, he would | :21:38. | :21:44. | |
have been on the blue for certain. It was basically a guarantee. I | :21:45. | :21:47. | |
still think he could knock this one in, just a little thin cut, but he | :21:48. | :21:51. | |
was virtually guaranteeing he would be on a colour laying it the other | :21:52. | :21:57. | |
way. Hopefully he will knock this in and what we've said will be history, | :21:58. | :21:58. | |
but it was a chance. In trying to keep control of the cue | :21:59. | :22:07. | |
ball with back spin, it makes the shot harder. | :22:08. | :22:13. | |
Well, the first potential turning point in the game against Michael | :22:14. | :22:19. | |
Holt, that choice of shot. APPLAUSE | :22:20. | :22:38. | |
I wonder if Terry Griffiths is watching this match as his coach, in | :22:39. | :22:49. | |
his corner, and is talking to him about shot selections or just the | :22:50. | :22:54. | |
mental side of things? Surely as a coach, do you go into your room and | :22:55. | :22:59. | |
tell your player he should have played a different shot, or do you | :23:00. | :23:03. | |
forget about it? I think you forget about it, don't you. He is well | :23:04. | :23:07. | |
aware that Michael knows how to play the game but we don't all see the | :23:08. | :23:20. | |
shots. Look at this! That cue ball has bounced off the top cushion and | :23:21. | :23:26. | |
probably bounced two feet more than it should have done. You hear the | :23:27. | :23:31. | |
sound of Mark Williams example paraded. He can't control the | :23:32. | :23:35. | |
cushions at the moment. We've had lots of complaints about big bounces | :23:36. | :23:39. | |
for many years now in the game. The players have always asked about fast | :23:40. | :23:45. | |
conditions and they have got them, too fast, perhaps. | :23:46. | :23:47. | |
It is so upsetting as a player, he has potted the black and hit it | :23:48. | :23:58. | |
perfectly and he's ended up miles away from where the cue ball should | :23:59. | :24:02. | |
have been. Just unnerving for the players. | :24:03. | :24:14. | |
Both players have just realised the significance of this frame, I think. | :24:15. | :24:24. | |
Mark could go into the interval two behind instead of four behind. He | :24:25. | :24:31. | |
could press on. More balls missed in this frame then the opening three. | :24:32. | :24:36. | |
And there's another one. How strange, isn't it? A comedy of | :24:37. | :24:39. | |
errors appears from nowhere and it seems catching. It's a disease! I | :24:40. | :24:47. | |
quite like the shot here, he can pot this, leave himself an angle on the | :24:48. | :24:52. | |
baulk cushion and legions of an angle to flick the red off cushion | :24:53. | :24:55. | |
on the left and at least leave himself position on the Echo Crimson | :24:56. | :25:02. | |
on the right. He's got to move those reds at some time. Well, you've got | :25:03. | :25:09. | |
to pot the ball! Was it a kick? I don't know. | :25:10. | :25:25. | |
And ironic cheer from the crowd and a little aside from Mark Williams. | :25:26. | :25:36. | |
He looks on the brink of getting his first frame on the board here. He | :25:37. | :25:44. | |
will be mightily relieved. Yes, it's not been convincing, has it, by | :25:45. | :25:49. | |
Williams's standards? But he won't mind as long as he's got one. As I | :25:50. | :25:57. | |
mentioned earlier, only two behind at the interval instead of four, a | :25:58. | :26:00. | |
massive difference at the start of this match. Yes it's first to 13 and | :26:01. | :26:05. | |
it's a long old trip, but you do have to have a good start. | :26:06. | :26:21. | |
Not to become a Mark Williams's break of 12. Both players leave the | :26:22. | :26:30. | |
auditorium, and it is Mark Williams who has got his first frame on the | :26:31. | :26:31. | |
board and trails 3-1. STUDIO | :26:32. | :26:37. | |
So, the players are on mid-session interval now. Fantastic start by | :26:38. | :26:43. | |
Michael Holt, leading by three frames to one. Mark Williams has not | :26:44. | :26:46. | |
really got in the group so far this morning, he will need to get in the | :26:47. | :26:50. | |
scoreboard -- in the groove and on the scoreboard after the mid-session | :26:51. | :26:53. | |
interval. We're expecting Steve Davis to join us shortly for a quick | :26:54. | :26:57. | |
chat and assessment on that match. He's just hopping out of the | :26:58. | :27:02. | |
commentary box. We hope he's going to join us very shortly. | :27:03. | :27:06. | |
So, Michael Holt in front, then. Best of 25 as we move onto second | :27:07. | :27:15. | |
round. A drastic performance by Michael Holt against Neil Robertson | :27:16. | :27:18. | |
in the first round, winning that one by ten frames to eight, knocking out | :27:19. | :27:22. | |
the 2010 world champion. He really has picked up where he left off | :27:23. | :27:27. | |
against Robertson in the first round. | :27:28. | :27:33. | |
I have no idea what has happened to Steve Davis, but we shall talk to | :27:34. | :27:40. | |
him very shortly! He has got lost on his way out of the commentary box! | :27:41. | :27:45. | |
Anyway, let's turn our attention do a fantastic match yesterday evening | :27:46. | :27:50. | |
between Joe Perry Kyren Wilson. Wilson won the Shanghai Masters in | :27:51. | :27:55. | |
2015. This one went down to the wire. We're going to join it with | :27:56. | :27:57. | |
Wilson to play. REFEREE: Foul and a miss, Kyren | :27:58. | :28:05. | |
Wilson four. -- foul and a miss, Callum Wilson | :28:06. | :30:21. | |
four. APPLAUSE | :30:22. | :34:47. | |
. APPLAUSE | :34:48. | :36:17. | |
. Good pot. Some pressure on this | :36:18. | :41:58. | |
black. One of the problems here is the peak being on its spot, where | :41:59. | :42:05. | |
that red is positioned. -- pink being on its spot. Not only does he | :42:06. | :42:09. | |
have to pop the black, but also make sure he doesn't snooker himself on | :42:10. | :42:11. | |
this next red. Two reds, two plaques. Finish high | :42:12. | :42:47. | |
on the black. -- two blacks. I can't see him sailing from here. Well, | :42:48. | :42:51. | |
he's got every opportunity to get over the line, here. Attempted shot | :42:52. | :42:57. | |
to nothing from Joe Perry which caught the knuckle, certainly wasn't | :42:58. | :43:02. | |
a shock to nothing, the way he played it, looks like it's going to | :43:03. | :43:06. | |
put him out of this year's championship. | :43:07. | :43:28. | |
Played fantastic tonight, Callum Wilson. Some of the pots he has come | :43:29. | :43:38. | |
out with have been incredible. Got to make sure of this red. He knew | :43:39. | :43:51. | |
how important that was, and he's held himself together exceptionally | :43:52. | :43:59. | |
well, this young man. It's been a brilliant match, and Joe Perry puts | :44:00. | :44:03. | |
his hand out. What a game that was. Best match of the championship, for | :44:04. | :44:08. | |
me. Callum Wilson, how well did you play tonight? Because Perry played | :44:09. | :44:14. | |
fantastically well as well. Well played, young man. Great performance | :44:15. | :44:21. | |
from Callum Wilson. Won the Shanghai Masters in 2015. Yesterday on BBC | :44:22. | :44:26. | |
Two you called it and said, if he goes on to win this, he could be a | :44:27. | :44:35. | |
danger to anybody. Especially as he has proven he can win, and what | :44:36. | :44:39. | |
greater testament than Ronnie O'Sullivan tweeting that he could be | :44:40. | :44:42. | |
one of the greatest players and dominate the game? I think he's got | :44:43. | :44:48. | |
an all-round solid game. He's got the match ability intensive | :44:49. | :44:52. | |
temperament. Obviously he cannot pot balls, but we can all do that. If | :44:53. | :44:57. | |
you play against a player enough, and Ronnie O'Sullivan has seen him | :44:58. | :45:01. | |
play and rates him as a player, high testament. Joe will be disappointed | :45:02. | :45:07. | |
by his overall performance? Yes. But first round, World Championship, you | :45:08. | :45:12. | |
are never settled in it. In a way you could say it was a tough draw. | :45:13. | :45:17. | |
There will probably be easier draws for him against players who were not | :45:18. | :45:21. | |
on the up. Let's go back to Mark Williams, Michael Holt, which you | :45:22. | :45:25. | |
are commentating on very shortly. Fair to say Mark Williams has not | :45:26. | :45:29. | |
got into his rhythm this morning? Very fair to say that. He was | :45:30. | :45:34. | |
getting into his rhythm in the first frame and he failed to put the green | :45:35. | :45:39. | |
safe, the end result was that he allowed Michael Holt to get off the | :45:40. | :45:42. | |
mark and forcing the issue. Strange last frame, which I think Mark | :45:43. | :45:49. | |
Williams will have been delighted to get over the line. He has been in | :45:50. | :45:52. | |
here practising on the practice table to, not absolutely happy with | :45:53. | :45:56. | |
his game, and not happy with the table. The bounces off the cushions | :45:57. | :46:02. | |
have been playing their part. Michael Holt seems to have picked up | :46:03. | :46:05. | |
where he left off against Neil Robertson. Yes, and he seems to have | :46:06. | :46:11. | |
a different mental attitude. Sometimes he has been vulnerable in | :46:12. | :46:14. | |
that department. Perhaps his work with Terry Griffiths is paying off, | :46:15. | :46:21. | |
or Obi-Wan Kenobi, as we nicknamed him. You were late to the studio | :46:22. | :46:26. | |
today, have you been DJ in? No, it was a natural break. Talking to John | :46:27. | :46:32. | |
Parrott is enough to send anybody down that road. Thanks for coming | :46:33. | :46:39. | |
eventually. COMMENTATOR: That was a nice line from my co-commentator. | :46:40. | :46:42. | |
Wait until he gets back to the commentary box. We are in two frame | :46:43. | :46:49. | |
five. Very interesting opening session. Match time just over an | :46:50. | :47:00. | |
hour and a quarter. And it was interesting stuff. Michael Holt got | :47:01. | :47:05. | |
out of the blocks pretty quick. Mark Williams struggling a bit. Let's see | :47:06. | :47:12. | |
if the interval makes any difference. | :47:13. | :47:29. | |
This shot Mark Williams has been left with is very tricky. | :47:30. | :48:01. | |
Good to be back, John, have I missed anything? You've come back, have | :48:02. | :48:07. | |
you? You didn't have your earphones on, did you? Didn't hear what I | :48:08. | :48:14. | |
said? I didn't mean it, I was just trying to be entertaining. Yeah, | :48:15. | :48:23. | |
they've got a wall in the auditorium, Steve. I've just asked | :48:24. | :48:28. | |
them to put one up in the commentary box. Steptoe and son style! | :48:29. | :48:45. | |
Had to be extra thin. I was chatting to Pete Godwin in the interval, | :48:46. | :48:57. | |
bumped into him and asked him, if you were listening to the friends we | :48:58. | :49:03. | |
watch under Renfrew, about a bit of cloth on the cushions to try to calm | :49:04. | :49:09. | |
down the map. During the interval, this is what Steve was doing. He was | :49:10. | :49:14. | |
out with a prong that you put into the cushions to check the temper | :49:15. | :49:17. | |
Joe, I have not seen that before. He has done everything to make sure | :49:18. | :49:23. | |
they are not too hot. The reason why there was a possibility of calming | :49:24. | :49:33. | |
the knap down, they did try let at a PTC event, it was inclusive. Whether | :49:34. | :49:39. | |
it actually made any difference. Perhaps it is just down to, if there | :49:40. | :49:44. | |
is any bit of chalk on the cue ball. If it traps between ball and | :49:45. | :49:52. | |
cushioning. Good though, once again, Steve, isn't it? I spoke to Mark in | :49:53. | :49:57. | |
the interval, and he said it was pinning all over the place, so good | :49:58. | :50:01. | |
that they were straight out. The players are obviously very critical | :50:02. | :50:05. | |
of anything other than perfect conditions. But I've got to say the | :50:06. | :50:10. | |
standard of table we now play on, and how much attention, certainly, | :50:11. | :50:16. | |
is put into it, is far and above anything that's ever been in the | :50:17. | :50:21. | |
game before. Quite rightly so. But they are forever trying to work out | :50:22. | :50:25. | |
how to get the ultimate playing conditions. It's not as easy as you | :50:26. | :50:33. | |
would think. Ramrod straight cue action from Michael Holt, write down | :50:34. | :50:37. | |
the throat. You saw that cue never deviated. Very good shot, that was. | :50:38. | :50:50. | |
Very attacking safety shot. Very good cue ball. | :50:51. | :51:06. | |
Tempter in the middle pocket. Bigshot to take on. Think the cue | :51:07. | :51:14. | |
ball will be going in and out of baulk into an unsafe area. | :51:15. | :51:29. | |
One of those shots, you are trying to pot it, if you miss, don't hit | :51:30. | :51:41. | |
the near jaw. A lot of players miss that on the thick side. Nearly went | :51:42. | :51:55. | |
in-off as well. Have to say, where it finished, there is quite a bit of | :51:56. | :52:03. | |
trouble. Mark's got a similar shot to the last one he played. It | :52:04. | :52:06. | |
easier. He's played that very nicely. -- a bit easier. A bit shy | :52:07. | :52:24. | |
of pace. Looks like Michael Holt is setting up to attempt a pot, here. | :52:25. | :52:49. | |
Got the white into the right position. Hmm. Thinking might have | :52:50. | :52:59. | |
just left the pot on. Kick. There seem to be some funny bounces | :53:00. | :53:29. | |
on this table today. I did commentary on the other table last | :53:30. | :53:32. | |
night and there was hardly a kick all night. Good shot, that. | :53:33. | :53:54. | |
Funny situation, this. If he puts Mark Williams back in, he more or | :53:55. | :54:20. | |
less knows he will hit it this time. Not surprised he said I'll play from | :54:21. | :54:31. | |
here. He's missed one or two in the last frame. Cueing not quite as good | :54:32. | :54:35. | |
as it was initially. He's back on track, here. He certainly is. | :54:36. | :54:44. | |
Beautiful cueing. Just a fantastic shot. Got the cue | :54:45. | :55:02. | |
ball down into a safe area as well. Obviously he couldn't have | :55:03. | :55:04. | |
guaranteed that, had he missed the red. The cue ball would have been | :55:05. | :55:14. | |
travelling on a different path. Looks to be just the wrong side of | :55:15. | :55:18. | |
the potting line for the yellow to get back up the table, so he's going | :55:19. | :55:23. | |
to have to leave a red from distance. Terrible kick. Didn't make | :55:24. | :55:32. | |
any difference to the pot because it was straight. The kick is more of a | :55:33. | :55:39. | |
problem for an angled pot. Not only did it destroy the path of the cue | :55:40. | :55:45. | |
ball, you would have been further forward, but it just destroys the | :55:46. | :55:49. | |
trust the players have in the table, or the playing conditions. | :55:50. | :56:04. | |
Another marvellous pot there. Yeah, Randall Little bit ragged by his | :56:05. | :56:16. | |
incredibly high standards early on -- ran a little bit ragged. He's got | :56:17. | :56:19. | |
it back now. Just checking whether he can play | :56:20. | :56:36. | |
the thin blue and avoid contact on the way back up off the baulk | :56:37. | :56:41. | |
cushion, or whether he can pop the pink, played baulk cushion, side | :56:42. | :56:45. | |
cushion, come back up into the areas of the reds. | :56:46. | :56:56. | |
He got another flyer off the cushion. It absolutely | :56:57. | :57:12. | |
whizzed off there. These are both tough shots, aren't they? He had won | :57:13. | :57:26. | |
earlier in the match as well, didn't he? Not guaranteed position. Just | :57:27. | :57:32. | |
makes it that little bit harder. This is not an easy pot. Brilliant. | :57:33. | :57:42. | |
Wonderful, wonderful touch, to play that, to drop the cue ball in there, | :57:43. | :57:47. | |
you deserve everything you get. STUDIO: Michael Holt playing very | :57:48. | :58:13. | |
well indeed. This is where we leave you on BBC Two, but full coverage | :58:14. | :58:17. | |
continues on the red button and BBC sport. You can keep right up to date | :58:18. | :58:22. | |
with Marco Fu against Anthony McGill in the second session of their | :58:23. | :58:27. | |
match. We are back live at 2:30pm. Programme starts at 1pm. Mark Selby | :58:28. | :58:34. | |
taking on the English qualifier sunbed. We'll see you then. Goodbye | :58:35. | :58:37. | |
for now. | :58:38. | :58:38. |