Monday, Final, Afternoon Snooker: World Championship


Monday, Final, Afternoon

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Hello, it's still one day and we are still here. We have been turning

:00:40.:01:13.

night into day in this year's Betfred World Championship. It was

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12:30am when world number one Mark Selby and Ding Junhui of China have

:01:20.:01:23.

staggered out of this arena and what was a Herculean struggle on the 16th

:01:24.:01:28.

day in Sheffield. Ding Junhui looked like he was emotionally overwhelmed

:01:29.:01:33.

but has shown tremendous fortitude to battle his way back into this

:01:34.:01:37.

match in his quest to become the first Asian winner of this beautiful

:01:38.:01:41.

trophy. Mark Selby, this is his third Crucible final but the first

:01:42.:01:46.

time he has ever slept on an overnight lead. Now the hunter has

:01:47.:01:48.

become the hunted. COMMENTATOR:

:01:49.:02:00.

Every player's ambition of when they turn professional... Very aggressive

:02:01.:02:04.

this, if he is going for this plant. Questions about the choices... I

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tell you what, there is not a lot wrong with that new tip when you

:02:17.:02:23.

knock that short end. Fantastic. A long way to go. Another magnificent

:02:24.:02:30.

century break. Mark Selby. Ding Junhui, a mountain to climb.

:02:31.:02:39.

And now, surely... Ding Junhui will get his first frame on the

:02:40.:02:44.

scoreboard. Well, tremendous atmosphere in this

:02:45.:02:53.

pact Crucible Theatre. So low on the cue ball, Mark Selby,

:02:54.:03:03.

when he plays screw shots... Excellent part. Getting his rhythm

:03:04.:03:16.

back. Stand up, everybody. That is brilliant. He is looking

:03:17.:03:40.

very good, Ding Junhui. Yes, it is in. At long last! Ding

:03:41.:04:04.

Junhui manages to take a frame, he has had to wait an awful long time,

:04:05.:04:07.

just one frame behind. What has he done here? What has he

:04:08.:04:23.

done here? A lot of tension out there, the last frame of the

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session. It has been a hard day's night here again... Mark Selby,

:04:30.:04:35.

opening up a three frame advantage. 10-7, to the world number one. What

:04:36.:04:44.

that footage doesn't show is how an attritional session it was last

:04:45.:04:48.

night. The safety play was immense. An attacking game. When you have two

:04:49.:04:53.

players likes of these two, so good at hiding the cue ball, they can

:04:54.:04:57.

still each other from attacking, a cancel each other out to some

:04:58.:05:01.

degree. At the end of the frame, it looks like they got over the line

:05:02.:05:05.

but they never parted the next ball, 40 minutes played. If you need to -

:05:06.:05:10.

three smokers, you cannot afford to give the framing. The only way you

:05:11.:05:15.

could do that, you can get on with the next frame and keep it going,

:05:16.:05:20.

you have to go for it. On a couple of occasions, they were unlucky. You

:05:21.:05:27.

said last night, a great line, what did Mark Selby look like? They

:05:28.:05:31.

played for so long yesterday, by the end of it, I think he looked like

:05:32.:05:36.

the night Porter from help but Ding Junhui looked the fresher of the

:05:37.:05:39.

two. It goes to show, all the hours of training, day in and out, trains

:05:40.:05:46.

the brain. What do we expect today? Not necessarily more of the same.

:05:47.:05:50.

The balls may present themselves in a different way, as it gets closer

:05:51.:05:54.

to the finishing line, the adrenaline may kick in and they

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become more attacking. It could be a case of the last man standing. The

:05:59.:06:04.

15th time these men have been called backstage at the start of the

:06:05.:06:08.

session over the last 17 days. Ding can take great heart after

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recovering from 6-0 down, Mark Selby needs at more frames to claim his

:06:15.:06:17.

second world title and fresh as a daisy, it is time for Rob Walker to

:06:18.:06:22.

get act three of this dramatic final under way. Thank you, Hazel, good

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afternoon everyone. This is a day that the long lead in the memory of

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the players waiting backstage. By the end of tonight, one of them will

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be crowned 2016 Betfred World Snooker champion. In massive

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afternoon, this one could be going all the way, today, this famous

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Crucible Theatre Arena is the Theatre of sporting dreams.

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CHEERING Please welcome our player emerging

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for the most important session of snooker in his career so far.

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Bidding to become the first Asian to win the world title. From 6-0 down

:07:20.:07:25.

yesterday, this 11 time ranking event champion showed all his heart

:07:26.:07:28.

and class to come right back into this match. An entire nation willing

:07:29.:07:33.

him to win from the other side of the world. Please welcome, the

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legend that is, enter the Dragon, Ding Junhui!

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And his opponent... Aiming for his own piece of sporting history today,

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can he add his name to an illustrious list of multiple world

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champion is here at the Crucible? He demonstrated his stamina and mental

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strength under pressure last night, can he deliver a game as he so often

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dolls, exactly when it counts. He is the world number one, the Jester

:08:24.:08:26.

from Leicester... Mark Selby! There are eight frames to play this

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afternoon, these two men know exactly how much effort, skill and

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self leave it takes to win this title. In the commentary box, good

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afternoon, Stephen Hendry and Dennis Taylor!

:08:59.:09:03.

COMMENTATOR: good afternoon, Hazel and good afternoon, everyone. Finals

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day at the Crucible Theatre. The atmosphere, electorate.

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APPLAUSE CHEERING

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The 18th frame, Mark Selby to break. I am not sure how well both players

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slept last night but they both looked mentally exhausted.

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Quite an unbelievable session. Ding Junhui, the way he came back,

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fantastic. Mark Selby, not the best break-off shot, leaving an early

:09:48.:09:54.

chance for Ding. An early confidence booster?

:09:55.:10:15.

A shake of the head from Ding Junhui. Those are shots that a

:10:16.:10:23.

professional would expect to get. He needs a good start this afternoon.

:10:24.:10:25.

To get back into this match. He did fantastically well to get

:10:26.:10:40.

back into the match. Trailing 10-7 after the second session, great

:10:41.:10:44.

effort. Needs to start all over again.

:10:45.:10:59.

Eg start from both players, quite understandable. The blue ball

:11:00.:11:05.

catching the right jaw of the pocket.

:11:06.:11:15.

Frame 15, was a huge frame. He just had runs, two 80 breaks and a

:11:16.:11:28.

century, he was flying, in that frame, 55 break, needed to roll in a

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long red, Mark Selby spent 40 minutes trying to get snickers and

:11:37.:11:41.

almost pulled it off, but took a lot out of Ding Junhui.

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Because it upset his rhythm, the way he was playing. -- snookers.

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Hit that a little bit harder than he intended. Has a red to the left of

:12:12.:12:19.

the bunch, he may be able to hold on. Yes, the good thing about this,

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if he misses the black,... He has not missed it. Good shot.

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He has had to play it with a trace of side, headed a little bit too

:12:36.:13:17.

hard, hoping to leave an angle to pop bus and open the reds at the

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same time. He will have to do it from the black.

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I think I would rather finish high on the black and use the cushion.

:13:27.:13:38.

This is not guaranteed. You are going to play bottom of the cue

:13:39.:13:42.

ball, the cue ball can screw of the black and you will get nothing.

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Played a clever shot, but he has been unlucky. Lots of left-hand

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side, the ball went up the cushion. Watch the cue ball when it hits the

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side cushion. Clever shot. This is a good return safety shot.

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APPLAUSE In fact, the safety play in this

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final has been exceptional. Brick building, very good. Mark just ahead

:15:04.:15:08.

by 9%. -- break holding. Last night, it is not my type of

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game, but some of the tactical play last night was incredible.

:15:35.:15:38.

Some of the shots Mark Selby was playing bordered on genius.

:15:39.:15:53.

He kept the green on the table for something like, I think it was 12-30

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minutes, looking for snookers. He kept putting the green safe and also

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getting snookers but Ding Junhui kept escaping from them.

:16:07.:16:07.

Fascinating. I think the cannon on the yellow has

:16:08.:16:48.

left a path through, the red nearest the pocket. How will he play this?

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It is very tight, whether he can get to the potting angle.

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Interesting to see why positive he plays this. Will he play it with

:17:12.:17:22.

drag? Does he play more percentage? He played the second shot.

:17:23.:17:28.

I bet Ding doesn't play that shot! He has a much fuller potting angle

:17:29.:17:38.

so I expect Ding to play for black or pink.

:17:39.:17:50.

APPLAUSE Just making sure... He can get back

:17:51.:18:07.

up amongst the reds and green. The pink might possibly be available...

:18:08.:18:08.

But maybe not. This is a great chance in this

:18:09.:18:22.

opening frame. A couple of edgy shots from Mark Selby in this

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opening frame. Roy Keane, he was here last year and is here again,

:18:32.:18:35.

lost his snooker and he will be getting ready for the month of June,

:18:36.:18:43.

with the Euros, Martin O'Neill and the Republic of Ireland, Northern

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Ireland, both qualifying. As did England. Lots of sport to look

:18:47.:18:50.

forward to. And of course, I shouldn't forget, I

:18:51.:19:02.

live in Wales, and Wales qualified as well, so...

:19:03.:19:29.

43 in front, just having the cue ball cleaned. Excellent chance.

:19:30.:19:38.

Plate with top spin here. I don't know if he can get through for the

:19:39.:19:41.

black but the pink certainly available.

:19:42.:19:53.

We expect Ding to go ahead and win this very important first frame for

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him. You could see when Ding was

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addressing the ball, he plays it with left-hand side, a lot of

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players would hit it right in the centre. You can see, slightly left

:20:18.:20:24.

of centre, the way... Certain players cue up through the ball.

:20:25.:20:33.

I think most players play with a little bit of side, I think it's

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rear for snooker players to hit the middle of the fight. -- the middle

:20:42.:20:50.

of the white. I favoured a touch of right-hand side.

:20:51.:21:09.

This is the sort of thing that Ding wants in this third session.

:21:10.:21:18.

When some quick frames with big breaks. Pile the pressure on Mark

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Selby. Against Alan McManus he made seven

:21:24.:21:49.

century breaks, a record. Not far away from Stephen Hendry's record,

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13 this year, Stephen back in 2002 making 16.

:21:56.:22:06.

John Higgins, second in line with 14 centuries.

:22:07.:22:15.

APPLAUSE That is the frame one. It will be

:22:16.:22:27.

interesting to see today, if he gets to the point when Mark Selby needs

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snookers, if you can concentrate... Forget what happened last night.

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He looks pretty fresh, considering it was after midnight when they

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finished last night. He has done precious little wrong in

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this opening frame, just missed his first attempt at a long pot but this

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has been superb. APPLAUSE

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Not going to be easy to compile a century but there is a chance...

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We have had 83 centuries so far this year, the record last year, 86.

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Exactly what he needed in this first frame. Winning with a century break.

:24:20.:24:29.

Even if he had won it and it was a scrappy frame, it would not give him

:24:30.:24:33.

the confidence that this is giving him, the belief. He has got to force

:24:34.:24:40.

this one to get up for the pink. And safely in the pocket.

:24:41.:24:46.

Doing what all great champions do. Steve Davis, Stephen Hendry, the

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number of times they started a session with a century break... It

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doesn't matter. Nothing edgy about Ding Junhui, that

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magnificent century break, he is within two frames, 10-8.

:25:07.:25:13.

Interesting times, interesting to note three added the last five

:25:14.:25:16.

champions have been behind at the Crucible and they went on to win,

:25:17.:25:20.

two of them by the same scoreline as we had at the start of the session,

:25:21.:25:25.

Mark Selby himself, a couple of years ago against Ronnie O'Sullivan

:25:26.:25:32.

and John Higgins against John Trump. -- Judd Trump. Infinitely doable...

:25:33.:25:42.

Absolutely. We mentioned that Ding looked fresh last night but what a

:25:43.:25:47.

case, as Stephen Hendry said, to win it in one visit, the game got a bit

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scrappy and I agree with him, 100%. He has to make sure the game ball

:25:54.:25:57.

and the one after that goes in the pocket. That was the story of the

:25:58.:26:03.

opening day. If you are joining us on Bank Holiday Monday, you are most

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welcome and I know a lot of people do on this last day, the story

:26:08.:26:12.

yesterday, Ding was getting close to the line, maybe getting over it,

:26:13.:26:16.

needing a snooker from Mark Selby and he fought and fought. It was

:26:17.:26:24.

20-30 minutes of aggro at times. And then the reverse happened to Mark

:26:25.:26:27.

Selby, close to the finishing line, then a lot of safety play. I have a

:26:28.:26:34.

feeling it will be more fluent amongst the balls, able retain

:26:35.:26:38.

position a bit better. I don't think you could get as an lucky as we were

:26:39.:26:43.

yesterday, all things panned out but you have to concentrate on clearing

:26:44.:26:47.

the balls. Kill off the frames, I think Ding Junhui winning that first

:26:48.:26:53.

frame quickly will help him. He is coming into this match, the

:26:54.:26:57.

scoreline is two frames behind. Back we go.

:26:58.:27:04.

COMMENTATOR: No way back for Mark Selby, he had

:27:05.:27:09.

to send the red up towards the yellow. And Ding immediately wanting

:27:10.:27:16.

to get it back up the table so it doesn't possibly develop into an

:27:17.:27:18.

awkward frame. What a shot he pulled out, almost

:27:19.:27:37.

tight and the cushion. He knocked this in... Getting the perfect

:27:38.:27:43.

angle, a loose red but got a great angle to get up to all of the reds.

:27:44.:27:52.

Needs to pull up a little bit... He has hit it too hard and this table

:27:53.:28:01.

is a quick. It will still cut but it is very thin. Careering into the

:28:02.:28:09.

reds. What an opener. Yes, no for it safer than putting the red in the

:28:10.:28:15.

pocket. Very aggressive... Screwing to stay on the black.

:28:16.:28:21.

He has left Mark Selby this red but depending on the angle, it could be

:28:22.:28:38.

awkward. To stay on the lack he might have to leave the cue ball

:28:39.:28:40.

close to the cushion. -- the black. In fact, he is looking at heading up

:28:41.:28:55.

towards the blue, because of the red, he could snooker himself

:28:56.:29:00.

behind... He has gone even further up the table.

:29:01.:29:05.

Yes, he didn't pot that cleanly at all, lucky it went in.

:29:06.:29:16.

Very fortunate, actually. That is why the cue ball ran so far. Still

:29:17.:29:27.

nicely on the brown. What sort of reply can Mark Selby give?

:29:28.:29:36.

Just as capable as Ding... Rolling off perhaps five frames with a big

:29:37.:29:45.

break... Left himself early straight, as you

:29:46.:30:01.

can see. Slight angle. He will have to play it with a lot of top spin,

:30:02.:30:03.

left-hand side. Just have to be a little bit careful

:30:04.:30:20.

here. If this is dead straight, the other is slightly in the way. Make

:30:21.:30:24.

sure he gets nicely on the black, I'm not sure if he's straight. He

:30:25.:30:33.

can hang on that other red. Once again, he needs to give it care and

:30:34.:30:39.

attention. Something moving in his eye line.

:30:40.:30:51.

He has lost his concentration. He has got down. He throws his

:30:52.:31:04.

extension onto the table. Yes, he's disgusted with that shot. And if you

:31:05.:31:11.

are disturbed by something, you should still be able to get back

:31:12.:31:17.

down the shots. He has experienced enough.

:31:18.:31:30.

When players look for excuses, Dennis, it means they are not

:31:31.:31:36.

focused property and concentrating. He's concentrating 100%, he does not

:31:37.:31:40.

bother what is going on. And of course, it is totally

:31:41.:31:51.

different now with the one table. When you have the two, there's noise

:31:52.:31:56.

all around the arena with the other table in play. And applause from the

:31:57.:32:02.

other half of the Crucible Theatre. And when you get to the one table,

:32:03.:32:14.

everything is so quiet. That is what every player wants to achieve, to be

:32:15.:32:18.

playing here at the Crucible when there's just one table.

:32:19.:32:37.

That is another excellent long pot from Ding Junhui. Nothing wrong with

:32:38.:32:45.

his concentration this afternoon. We talk about long matches, but

:32:46.:32:59.

these players, they practice six, seven hours a day. There are a lot

:33:00.:33:03.

of Chinese players based in Sheffield. Playing long matches

:33:04.:33:08.

against each other. It is just the mental stamina when you are in the

:33:09.:33:11.

World Championship. He has got the red above a black

:33:12.:33:44.

spot, it goes into the right corner. One good shot and he can get nicely

:33:45.:33:50.

into the corner. He has got enough room. He's looking at the one down

:33:51.:33:55.

past the black, and with the rest, that is another option. It depends.

:33:56.:34:01.

Depends how he feels. It is his first race. Well, maybe not. --

:34:02.:34:10.

first Joyce. He feels this is slightly easier.

:34:11.:34:29.

Straightaway, Ding would have known that was not going in the pocket.

:34:30.:34:53.

Look at where it stopped. To prevent the black from being potted. And

:34:54.:35:00.

this one into the right corner, it is far from easy. Let's see if Mark

:35:01.:35:05.

Selby has settled and if he knocks this in, it will help.

:35:06.:35:57.

There's a path down the table, near the pink spot, but he may not want

:35:58.:36:08.

over the right corner pocket. That is why he's debating about playing

:36:09.:36:10.

that shot. He needed that to pull up a little

:36:11.:36:33.

bit shorter. That has given the advantage to Mark Selby, he can see

:36:34.:36:37.

that red the left side of the table. If he can put the cue ball where he

:36:38.:36:42.

wants, it is going to be difficult for Ding Junhui, the next shot.

:36:43.:36:55.

He could have played a lot of the dumb that, he should have blocked

:36:56.:37:03.

off this path. Ding can get back down the table now.

:37:04.:37:25.

I think he's just all right, or is he? Is there a path for the one near

:37:26.:37:36.

the right corner? Possibly just seeing enough of it. He could cannon

:37:37.:37:47.

into the two reds, you would expect. And he has got to get along quite up

:37:48.:37:54.

the table to get on a colour. I don't think he can slip round the

:37:55.:38:01.

back of those two reds. Just a little bit sticky. He will want the

:38:02.:38:08.

cue to be running nice and smooth between his finger and thumb.

:38:09.:38:35.

It looks very edgy this afternoon, the play of Mark Selby, he missed

:38:36.:38:52.

that by a long way. How far away is that from the pocket?

:38:53.:39:00.

He's fortunate not to leave something.

:39:01.:39:50.

Just a chance to play a red onto the black to knocks that close to the

:39:51.:40:03.

left corner. Maybe not on this attempt, but maybe at one point in

:40:04.:40:06.

this frame, the players will get chance to do that.

:40:07.:40:13.

It is possibly what he was trying, just by the way he played it. Very

:40:14.:40:18.

aggressively. That last shot brought the black

:40:19.:40:37.

into play for a couple of seconds but the red went right next to it

:40:38.:40:42.

and tied it back up again. I think he felt he could maybe just pot that

:40:43.:40:49.

direct. But this is tough. He might not even be taking the pot one. Yes.

:40:50.:41:04.

There's a route back down the table of the one to the left of the pink

:41:05.:41:14.

spot. I think you can get it past the black and back up, missing the

:41:15.:41:23.

blue. That sort of line, he will not do that because he hit the blue, but

:41:24.:41:27.

that is the sort of shot available to him. He has decided to go the

:41:28.:41:32.

other side. It is not too bad. In fact, he's pleased to see the

:41:33.:41:49.

white girl in the pocket rather than wobble in the jaws and go in amongst

:41:50.:41:56.

the reds. There's one possible pot, to the left of the pink spot and to

:41:57.:42:02.

the right that Mark could take on and get back to the safety zone.

:42:03.:43:45.

I think there's a gap to the one that is near the pocket. You cannot

:43:46.:43:55.

be sure what is going to happen to the cue ball here but the pot is on.

:43:56.:44:01.

But the blue is near the middle pocket so if he goes anywhere near

:44:02.:44:05.

the right side of the table near the pink spot, there's every chance. He

:44:06.:44:10.

will have to play this with extreme pace, Ding Junhui. I think he's

:44:11.:44:16.

going to take the cue ball to the right of the one he's going for

:44:17.:44:20.

which will put the cue ball closer to the left corner. So I do not see

:44:21.:44:28.

how he's going to get a colour here. He's playing a stun.

:44:29.:44:42.

He played with a lot of top spin. And as long as he got anywhere out

:44:43.:44:50.

into the table, the blue would always be available. But it was a

:44:51.:44:52.

great shot. Well, this will help, it landed

:44:53.:45:33.

lovely on the pink to get it back up on its part because the black is out

:45:34.:45:37.

of commission. That was a nice little bonus. -- spot. Playing into

:45:38.:45:44.

an area because it was not easy to control the cue ball.

:45:45.:46:07.

I think the one to the left of the red and the other black spot is

:46:08.:46:29.

available as we go again. Yes, not sure what he played there! Direct to

:46:30.:46:40.

the black cushion. It looks like he's on the red to me.

:46:41.:46:55.

A very low scoring frame. Simply because of the way the balls were

:46:56.:47:28.

tied up. And it just shows you, you never cease to learn in this game.

:47:29.:47:32.

There was an incident yesterday were after the foul, it was not quite a

:47:33.:47:38.

snooker behind the jaws and I said it could be a free ball, but it

:47:39.:47:42.

cannot be if you are angled. You and Stephen Hendry did not know that

:47:43.:47:47.

either and two of us got that wrong. There you go! It is that sort of

:47:48.:47:53.

situation, if it was only the 15 macro on the table and you played a

:47:54.:47:59.

foul, you would not get a free ball, you could put your opponent back in

:48:00.:48:03.

again and even though you cannot see the object ball on both sides, it is

:48:04.:48:08.

not a free ball. So you learn something every day!

:48:09.:48:53.

It really is an awkward table to play a good safety shot with the 210

:48:54.:49:21.

macro the right side, the red the left side, any return to the safety

:49:22.:49:25.

area and you have got to be finding a gap. -- with the two reds the

:49:26.:49:32.

right side. And that the time, he could not see

:49:33.:49:53.

a gap to get back up the table. He just attempted to pot that. But it

:49:54.:49:57.

was more or less played as a shock to the nothing, he was keeping the

:49:58.:50:03.

white safe. Push shot. It would have to be a safety off the red beside

:50:04.:50:10.

the black here. Search the cue ball up towards the green pocket. I think

:50:11.:50:17.

that is what he's thinking about. And in the back -- bringing the

:50:18.:50:23.

black into play and cover the one over the corner pocket, so well

:50:24.:50:24.

spotted. It makes such a big difference, that

:50:25.:50:39.

one shot now, leaving the black in the open. And pink and blue on the

:50:40.:50:46.

spots. One mistake could be costly now.

:50:47.:50:55.

One thing that has impressed me about Ding Junhui in this final, he

:50:56.:51:01.

has been prepared to go toe to toe with Mark Selby in the safety

:51:02.:51:05.

Department. Quite easy to lose your patience and play an erratic shot in

:51:06.:51:11.

desperation to get the frame open. He has been prepared to go through

:51:12.:51:15.

the ten, 20 minute periods of safety play.

:51:16.:51:41.

Already over a minute thinking about this safety shot.

:51:42.:52:07.

I think he may have covered that one. But he has not covered the one

:52:08.:52:17.

near the right corner. And the pink is available. This is a key shot,

:52:18.:52:25.

facing Ding Junhui here. He just needs good cueing, just straight. A

:52:26.:52:32.

good angle here, and see how still Ding Junhui keeps his head. Watch

:52:33.:52:37.

his head, it just will not move at all.

:52:38.:52:45.

Excellent cueing. Excellent technique. Yes, just watch that

:52:46.:52:56.

head, as he said. It is so difficult to do. It was the bit more pace

:52:57.:53:03.

would have been ideal. -- a little bit more. Not a straightforward pink

:53:04.:53:06.

but he's so good into the middle pocket. Now, it was not easy. It was

:53:07.:53:16.

not easy at all. He could not get his hand on the table, he had the

:53:17.:53:24.

bridge using the pocket. And you can see his hand gripping the pocket. He

:53:25.:53:34.

has got a shot here, Mark Selby. This red, those two reds close to

:53:35.:53:42.

the right middle pocket, he can play a cannon on those. He would be

:53:43.:53:46.

locked dashing would be lucky to leave the cue ball stuck on that

:53:47.:53:51.

side cushion if he plays with pace. He missed a cannon, at he would

:53:52.:53:56.

always be on a colour should he missed the shot on the red.

:53:57.:54:03.

He could also play at off the blue, the baulk cushion, with pace, to

:54:04.:54:22.

move those two reds. It just needs to top spin and a touch of left-hand

:54:23.:54:28.

side to check the cue ball for baulk cushion. Here it comes. He's all

:54:29.:54:36.

right, he has got a red to the middle.

:54:37.:54:53.

Well played! That red went absolutely dead straight.

:54:54.:55:12.

And he has played this well! And all of a sudden, within a couple of

:55:13.:55:20.

shots, he has developed most of the reds. The table looked very safe a

:55:21.:55:32.

couple of shots ago. He played that blue, the shot that Stevens

:55:33.:55:36.

adjusted, developed a red on the left side of the table and now he

:55:37.:55:42.

has brought those two into play -- that Stephen suggested.

:55:43.:56:05.

Unusually low, that side, that showed you the 57 with the number

:56:06.:56:14.

he's looking for. Ding Junhui needing a snooker.

:56:15.:56:30.

He's going to need one of the difficult reds. One more red is

:56:31.:56:42.

readily available. The other two much more difficult.

:56:43.:57:09.

If he plays black from the black, he's looking to see if he can run

:57:10.:57:15.

through and develop it, but screw back from the black and bring one

:57:16.:57:20.

into play. That is what he has elected for. This next shot could be

:57:21.:57:24.

the key to winning the frame. Unlucky. He just needed any sort of

:57:25.:57:35.

contact. Looking at this red he's faced with,

:57:36.:57:54.

he was leading 6-0, I was watching and he had a shot like this and I

:57:55.:57:58.

thought he would put in a good safety, he took it on anti-wobbled

:57:59.:58:01.

debt and Ding got his first frame on the board. -- and he wobbled it. He

:58:02.:58:08.

can double this across the table and send the white up to the green.

:58:09.:58:22.

Mark Selby, 36. APPLAUSE. So Mark needs one more red and brown

:58:23.:58:36.

or above the life Ding requiring a snooker. -- to leave. This looks

:58:37.:58:47.

good. If he keeps on running, it is just a little bit short.

:58:48.:58:59.

That would be very ambitious. But what he's thinking about is knocking

:59:00.:59:07.

the black safe. Mark is thinking, could I put the red in-off the

:59:08.:59:13.

black? From where the cue ball is, he could maybe get that shot in in

:59:14.:59:20.

30, but it is moving the black is what he's thinking about and

:59:21.:59:21.

knocking it safe. In the end, he tried to put it

:59:22.:59:31.

in-off the black and never even made contact with it.

:59:32.:59:51.

If he took this part on... And rolled round tight to the green...

:59:52.:59:58.

We will find out shortly. He has potted it!

:59:59.:00:08.

APPLAUSE He can now roll tight in behind the

:00:09.:00:14.

green and make it very difficult for Mark Selby to escape from.

:00:15.:00:30.

Missed his very first attempt in the first frame but since then... Really

:00:31.:00:42.

sighting the long ones very well. Mark is looking to see if he can get

:00:43.:00:47.

a snooker act! That is showing a little bit of confidence! This was a

:00:48.:00:53.

feature of his game last night, the long frames. Get out of the snooker,

:00:54.:01:01.

leave it said, always managing to hit the right part of the object

:01:02.:01:02.

ball. -- leave it safe. Just looking to see if Ding could

:01:03.:01:32.

get the cue ball in behind the pink. I do not think that is on. Stephen,

:01:33.:01:37.

he wasn't far-away from getting in behind the pink himself, Mark Selby.

:01:38.:01:47.

Be careful he does not push this... Well judged! A fresh air shot... Not

:01:48.:01:59.

a foul. If it was golf... It would be a foul!

:02:00.:02:03.

Turning into quite a tense frame. This second frame of the session.

:02:04.:02:16.

He seemed to just hit the red first, but he has left the red on and he

:02:17.:02:26.

can get on the black. This is a chance for Ding Junhui. He called

:02:27.:02:29.

the red first... What a chance. He did not quite get through that

:02:30.:02:55.

one. That was a nervous one. After me saying his long potting looked

:02:56.:02:59.

very impressive, that was the easiest one he has faced for a

:03:00.:03:03.

while, the most important fun, a chance to pinch the frame. And he

:03:04.:03:07.

did not hit it properly at all. Advantage, Mark Selby. Ding Junhui,

:03:08.:03:39.

decelerated on that last shot, his plan was to pot the black, get the

:03:40.:03:45.

black back onto its spot, because the pink was a little awkward, but

:03:46.:03:50.

with the black back on its spot, there was every chance of a

:03:51.:03:54.

clearance. Now he is faced with a tough snooker. Either one cushion or

:03:55.:04:00.

two cushions... Sometimes you feel it is easier to judge of two

:04:01.:04:08.

cushions... Really, he has got to hit this and get it safe.

:04:09.:04:17.

File... And a myth... Mark Selby. If he misses it this time, he will need

:04:18.:04:28.

a snooker. But before the difference, now it is a must hit

:04:29.:04:29.

situation. -- foul and a miss... Difficult to judge. It really is.

:04:30.:04:42.

Mark? APPLAUSE

:04:43.:05:11.

CHEERING What an escape!

:05:12.:05:11.

When you are in that situation, you have got to hit and hope and I tell

:05:12.:05:21.

you what... 34 with a difference. The black is over at the corner

:05:22.:05:26.

pocket, there is no problem for Ding if he gets a chance.

:05:27.:05:35.

Let's see what Mark Selby can make of this, if he can hit in behind

:05:36.:05:41.

this, he could possibly get a snooker back again, believe it or

:05:42.:05:43.

not. APPLAUSE

:05:44.:05:48.

He has had a result as well... Even if there is a gap, it is still

:05:49.:06:01.

a pretty good result. Playing with lots of left-hand side.

:06:02.:06:15.

The cue ball in behind Green and brown.

:06:16.:06:19.

Did not get enough side on the cue ball.

:06:20.:06:29.

Having directly and this time. -- having the red cleaned. Having to

:06:30.:06:42.

bridge over the green, if he could cue this he could cut this red in,

:06:43.:06:47.

that is what he is faced with, very awkward cueing. If he was to try and

:06:48.:06:54.

cut that in, even if the green was not there, the corner pocket... In

:06:55.:06:59.

line for a possible in-off... It is a containing safety but he

:07:00.:07:25.

could be in trouble. Yes, thought it was worth the risk. As you say,

:07:26.:07:29.

Dennis... Does not quite get the snooker. The

:07:30.:07:41.

cue ball... I suppose Mark does not want to send

:07:42.:07:56.

the red to the other end of the table, if he leaves a pot on, the

:07:57.:08:00.

black is there and Ding needs a black.

:08:01.:08:21.

Coming up to not far off 42 minutes, the second frame.

:08:22.:08:36.

Mentioned about the long frame last evening, lasted 67 minutes,

:08:37.:09:01.

unbelievable. At one stage Mark Selby got 13 snickers. -- snookers.

:09:02.:09:06.

On the green. Not bad from Mark Selby's point of

:09:07.:09:23.

view. Note pot on. As we mentioned, he has got to get

:09:24.:09:40.

black with this last red and all the colours to pinch the frame by a

:09:41.:09:42.

point. Keeps getting Mark in the snooker.

:09:43.:10:17.

One of these times... Mark is going to leave the red on.

:10:18.:10:29.

It's not straightforward to hit this off either side cushion. Fairly

:10:30.:10:34.

difficult. He has got to be careful, if he

:10:35.:10:59.

misses the red there is every chance he could leave a free ball.

:11:00.:11:19.

The black, is it? Foul and a miss... This will go back. Very key frame.

:11:20.:11:34.

Ding Junhui could get to just one point behind. Yes, at that pace, he

:11:35.:11:44.

hits the red full ball, towards the far left corner. That is why he

:11:45.:11:50.

missed it, just aiming to flick this red very thin.

:11:51.:11:58.

APPLAUSE Fantastic shot. To judge that shot,

:11:59.:12:12.

to hit that red thin on that side... It takes incredible skill. Not many

:12:13.:12:19.

in the game can do that. Usually just tried to get out of the snooker

:12:20.:12:24.

and hope you get it safe. Ding got the four penalty points, a red and

:12:25.:12:34.

any colour above the yellow, he can win the frame. This is another

:12:35.:12:43.

little gem he has played... It really is.

:12:44.:12:57.

He certainly can mix it. Made a century break in the opening frame.

:12:58.:13:04.

Here he is, playing some fabulous tactical snooker. I have to admit,

:13:05.:13:10.

are side of his game I have not seen a lot of before. His strongest suit

:13:11.:13:17.

is his high-scoring. But he has mixed it up so well.

:13:18.:13:45.

He is looking at the potting angle, a tough one, automatically finish on

:13:46.:13:53.

the black, you would feel. The sort of a shot, if he misses the pot, he

:13:54.:13:57.

could quite easily get the snooker again.

:13:58.:14:03.

A cracking shot! APPLAUSE

:14:04.:14:08.

CHEERING He is not going to run in behind the

:14:09.:14:11.

green... He is just OK... Brilliant.

:14:12.:14:13.

Brilliant shot from Ding Junhui. Equally good shot. What a shot at

:14:14.:14:38.

the service. Just a minute and a half away from

:14:39.:14:55.

getting to the 50 minute mark and these long frames, if you can win

:14:56.:14:57.

them, makes such a difference. From a psychological point of view.

:14:58.:15:08.

It is not a straightforward run to the winning line. The pink near the

:15:09.:15:10.

cushion. Talking about playing all facets of

:15:11.:15:32.

the game. He won the last frame in one visit. This frame, mixing it

:15:33.:15:36.

tactically. He would love to be able to get the

:15:37.:15:50.

white sum for in the Oval, to roll the pink along the cushion and get

:15:51.:15:55.

the black. What angle has he got on the blue?

:15:56.:16:28.

CHEERING The concentration he put into that

:16:29.:16:52.

pink was immense. To get a little bit longer. It was worth waiting

:16:53.:17:01.

that second longer. And now this... For the frame.

:17:02.:17:13.

Ding Junhui has come out, he won the opening frame with a 100 break, he

:17:14.:17:20.

has won that tactical frame on the black and is now one frame behind.

:17:21.:17:27.

10-9, Mark Selby. 50 minutes of enthralling brilliance. What are we

:17:28.:17:32.

discovering about Ding Junhui that perhaps we didn't know already? We

:17:33.:17:38.

said last night, we saw some of the things happening, some emotion

:17:39.:17:42.

creeping into it, very exciting. From my perspective, the game was a

:17:43.:17:47.

bit ragged, through luck, more than anything. Ball is going all over the

:17:48.:17:53.

place, no one could get a foothold but this is fascinating. John, you

:17:54.:17:58.

are seeing him or demonstrative than we have ever seen, giving it a

:17:59.:18:04.

little bit of this... Fired up. That is exactly what I was going to use,

:18:05.:18:08.

great determination, four-day clearance. That last red, fantastic

:18:09.:18:15.

shot, to make the clearance, what nerve on the pink, they are very

:18:16.:18:22.

smelly down the cushion. The quality of the snookers at the end,

:18:23.:18:28.

absolutely wonderful. Mark Selby, Ford or your observations about the

:18:29.:18:31.

first couple of frames? I am following social media, people are

:18:32.:18:37.

saying he looks like he might be running on fumes. He looks like he

:18:38.:18:44.

might be a little punched out? Every time someone says that he comes back

:18:45.:18:50.

and wins the next few frames. I have given up working out what kind of

:18:51.:18:53.

reserves he has. Back we go, Stephen, Dennis, what are your

:18:54.:19:00.

observations? COMMENTATOR:

:19:01.:19:03.

Incredible stuff from Ding Junhui, we thought he would win the

:19:04.:19:07.

mini-session 3-1, let's look at this black again, the second frame, on

:19:08.:19:12.

course for that. That little bit of determination from the Chinese

:19:13.:19:16.

sensation. A couple of cracking frames. Yes, Mark Selby will

:19:17.:19:25.

definitely be concerned. Fair enough, you would expect Ding to

:19:26.:19:30.

score heavily in this match. To be outplayed... From the tactical

:19:31.:19:37.

Department... It'll give him cause for concern. He has got to find some

:19:38.:19:45.

gears, Mark Selby, in this match and session. Because Ding looks up for

:19:46.:19:49.

it. How aggressively will he play this

:19:50.:20:03.

shot? Just seems prepared to play the same

:20:04.:20:24.

game as market, not bothered if he gets into long frames, tactical

:20:25.:20:26.

snooker. Foul... Ding Junhui, seven. Little

:20:27.:20:40.

bit short on the safety shot, the black going in, costing him seven

:20:41.:20:47.

points. Ding is prepared. He wants his first world title and he is

:20:48.:20:53.

going to win at, whatever way is needed.

:20:54.:21:05.

That was a good pot but he didn't play as positively as I thought he

:21:06.:21:13.

might. I thought he might play for stopping the cue ball short of the

:21:14.:21:18.

baulk colour, make sure he was on something. Where is the next red

:21:19.:21:22.

coming from? The red will cut into the right

:21:23.:21:45.

corner, looks very positive. Certainly looks fresh.

:21:46.:22:01.

Even if he has covered it, and I don't think he has... But it's not a

:22:02.:22:08.

great chance. The pink tied up, black tied up. Unless he goes into

:22:09.:22:11.

the pack from this red. Not surprised he didn't take a

:22:12.:22:21.

chance. A huge target. Particularly when there is not many

:22:22.:22:31.

more loose reds. He is calling to have to try and

:22:32.:23:02.

develop the black, perfect, looks as though it was hampered.

:23:03.:23:07.

He is so good at this type of shop. Not a good bunch to go into but he

:23:08.:23:13.

generates so much spin. He plays that shot as well as anyone

:23:14.:23:29.

I have ever seen. Stunning, screwing the cue ball back. Not a big target,

:23:30.:23:35.

only one red to hit. Played to perfection, as you say.

:23:36.:23:56.

What will Mark Selby's response be to losing the first two frames of

:23:57.:24:03.

the session? How many times have we seen this man when his back is

:24:04.:24:08.

against the wall? Against Ronnie O'Sullivan, a couple of years ago,

:24:09.:24:10.

10-7 down, came storming back. What we mustn't forget, he is still

:24:11.:24:27.

in front. Leading 10-9. Very little to pick between these players.

:24:28.:24:33.

Played each other 20 times, 10-10. Only played once in a World

:24:34.:24:35.

Championship. Back in 2011, the quarterfinal, Ding

:24:36.:24:51.

Junhui won the match 13-10. Not a lot to pick between them. Even

:24:52.:24:54.

though dark Selby as the world number one. -- Mark Selby. Ding had

:24:55.:25:02.

to play three qualifiers. You would say, Ding Junhui is a top

:25:03.:25:10.

4-5 player all day long. Mark Selby could do with winning the

:25:11.:26:22.

frame this visit. Get himself back in the session.

:26:23.:26:28.

He is superb at these long, tactical frames but he would much rather be

:26:29.:26:33.

doing this, winning the frame in one visit. Hasn't had many chances,

:26:34.:26:40.

breaks of 30 in a lot of the frames. Ding doing all the heavy scoring in

:26:41.:26:42.

this fight back. Coming at the right time for the

:26:43.:26:47.

world number one. But it is typical of Mark Selby as

:26:48.:26:59.

John Parrott said in the studio. People will think he looks tired but

:27:00.:27:04.

he is far from tired, I can assure you!

:27:05.:27:12.

There is no chance Mark Selby is feeling any tiredness.

:27:13.:27:20.

I think there is only six players who have won more than two or more

:27:21.:27:38.

world titles. He has taken these beautifully, he

:27:39.:27:53.

really has. The break time, only six minutes, by

:27:54.:28:30.

no means, a slow player. Sometimes the boss dictate the speed of a

:28:31.:28:39.

frame, the speed of a shot. -- sometimes the balls. Excellent

:28:40.:28:46.

response. This is his highest break since he led 6-0.

:28:47.:29:09.

Just the one century break in this match so far from Mark Selby, it

:29:10.:29:27.

would be a great time for his second.

:29:28.:29:32.

Again, making sure it this red... That. Ding Junhui coming back to the

:29:33.:29:44.

table. Concentrate on trying to make the century break.

:29:45.:29:56.

He has made at centuries in the World Championship this year.

:29:57.:30:05.

Dropping onto this red... Little touch of side, watch the side

:30:06.:30:21.

spinning. Played perfectly. Does the yellow go? I think it's just passes

:30:22.:30:23.

the pink. Closing in on that record. 86

:30:24.:30:45.

breaks. 86 century breaks that was made last year. That is a century!

:30:46.:31:02.

Century number 84! After losing the first two frames, that is exactly

:31:03.:31:06.

what he has done. Excellent, the world number one. It is what you

:31:07.:31:15.

expect from the world number one. Yes, we had that 50 minute second

:31:16.:31:21.

frame, but both players making centuries. And the standard, top

:31:22.:31:26.

class. And look at this for a positional

:31:27.:31:48.

shot. Every time that Ding Junhui closes in on the world number one,

:31:49.:31:53.

he produces something like that! What a break! A break of 126, he's

:31:54.:31:57.

back two in front again, it is 11-9. One more frame to be played before

:31:58.:33:14.

the mid-session interval. Fascinating snooker and a very high

:33:15.:33:15.

standard. Thank you, frame 21. Ding Junhui the

:33:16.:33:21.

break. This Crucible crowd is buzzing. They

:33:22.:33:42.

are certainly enjoying this final day's play here. They are all so

:33:43.:33:52.

close to the action. People that have come here for the first time

:33:53.:33:55.

cannot believe how close they are to the table.

:33:56.:34:17.

He has been quite good at the shots, how positively will heap played

:34:18.:34:36.

that? Just hit the cue ball short of the colours this time.

:34:37.:34:45.

Straightaway, he was up on the shot, he hit it far too thick and he knew

:34:46.:35:15.

immediately because he almost stood up on the shot.

:35:16.:35:22.

That is red. You don't see Mark Selby misjudging safeties eye that

:35:23.:35:35.

much very often. I think there's a gap to get to the cue ball through,

:35:36.:35:39.

two cautions for the black. Just going into the bunch. It all

:35:40.:35:58.

depends on the angle of this black to the middle. The cue ball is going

:35:59.:36:07.

to be in and out of baulk, can he get a side on the cue ball to

:36:08.:36:08.

control it? This looks very good. This looks

:36:09.:36:20.

very good. Yes, well judged, that was.

:36:21.:37:23.

A decent opportunity, this, for Ding Junhui. It is the sort of

:37:24.:37:33.

opportunity he had against Alan McManus, it was virtually a done

:37:34.:37:35.

deal he would make a century break. APPLAUSE. I think he's just about

:37:36.:38:00.

all right. The white will start to spin again to wriggle free from the

:38:01.:38:06.

red. I did mention Ding had a century in the opening frame but he

:38:07.:38:12.

potted the pink and screwed off to spoil the century. So just the one

:38:13.:38:14.

century in this mini-session. To be honest, I will be very

:38:15.:38:37.

surprised if he does not make one now, the way the reds situated.

:38:38.:39:05.

Just cut have done with another couple of inches. Just follow

:39:06.:39:13.

through to the black in the left corner. No problem.

:39:14.:39:34.

This looks perfect. Five reds, five blacks. He had one opportunity

:39:35.:39:48.

against Alan McManus and he missed the final black to go for the

:39:49.:39:51.

colours. He will not be thinking about that yet, by any stretch. He

:39:52.:39:58.

could not have the reds in a better position. If he plays a little

:39:59.:40:02.

cannon as if he was trying to cannon pink. That line.

:40:03.:40:14.

Just showing you that delicate little cannon he played. He has made

:40:15.:40:26.

a maximum break on six occasions. That shocked that you mentioned,

:40:27.:40:39.

Stephen, he might play that this time. -- that shot. The two reds

:40:40.:40:47.

below the pink, if he gets in the joint, the gap between those two

:40:48.:40:52.

reds, it would be perfect. He's a bit low on the black to make it a

:40:53.:40:57.

miserable if he concentrates too much on the cannon. He did not quite

:40:58.:41:10.

get in the joint of those two reds. The one to the right of that, if he

:41:11.:41:14.

just goes through the middle of those two, it would be perfect. I do

:41:15.:41:20.

not know if he can stay on the black here, it does not look like it. Yes,

:41:21.:41:30.

it is all about winning this frame and winning this mini-session 3-1 to

:41:31.:41:36.

get himself just one frame behind. A great response from Ding Junhui

:41:37.:41:44.

here. After Mark Selby. After he made that magnificent century.

:41:45.:42:07.

He has got a possible break of 145. But he would have to take all reds

:42:08.:42:18.

and blacks, and the highest break of the moment is 143 made by Kyren

:42:19.:42:26.

Wilson, a magnificent effort. He may well be a future world champion.

:42:27.:42:29.

Personally, I think he can do that, a very talented player.

:42:30.:42:48.

Just the tiniest bit of angle on this blue to follow through off the

:42:49.:42:57.

cushion. Yes. It really is a superb standard here.

:42:58.:43:29.

This afternoon. We had that break of 89 in the opening frame and it would

:43:30.:43:34.

have been a century but for screwing off the pink when he potted it. All

:43:35.:43:44.

this of a very poor safety shot. Unusually poor safety shock from

:43:45.:43:45.

Mark Selby. -- safety shot. If he could make a century here, it

:43:46.:44:10.

would equal John Higgins's 14 centuries. In one World

:44:11.:44:18.

Championship. The record still with Stephen Hendry, 16, made back in

:44:19.:44:20.

2002. John Higgins had 14 centuries in

:44:21.:44:32.

1998 here at the Crucible. Potting this red is him a nice angle

:44:33.:44:56.

on the pink to get on the last red. -- gives him.

:44:57.:45:04.

Superb way from Ding Junhui! APPLAUSE. -- play.

:45:05.:45:19.

Torn up, all around the Crucible. It does not matter if that does not

:45:20.:45:23.

reach, it is curling away from the pocket. We go to the mid-session

:45:24.:45:30.

interval, what a standard these two boys are giving us here. Ding Junhui

:45:31.:45:35.

is only one frame behind now, 11-10, Mark Selby.

:45:36.:45:39.

We have seen something special this afternoon in part three of the

:45:40.:45:47.

Crucible session, Ding Junhui levels the effort of John Higgins, two shy

:45:48.:45:51.

of the record held by Stephen Hendry in 2002, 16 he knocked in all those

:45:52.:45:58.

years ago, the 85th century of this year's Championship. We are in

:45:59.:46:02.

record-breaking form here. What a standard both of them are producing.

:46:03.:46:09.

The running on fumes theory has now gone! Mark Selby is still punching.

:46:10.:46:12.

Fabulous standards, a proper final with serious scoring. One frame went

:46:13.:46:18.

on a bit but the other three were about scoring, fantastic. From 6-2

:46:19.:46:25.

-- from 6-0 down, Ding Junhui, who knew this would happen? A swing

:46:26.:46:29.

between big rakes and solid tactical play. It shows you have to play the

:46:30.:46:36.

balls on the table and while you can sometimes dictate the game,

:46:37.:46:39.

sometimes you have to go with the flow. A lot of criticism yesterday

:46:40.:46:43.

about players trying to slow the game down and put gamesmanship onto

:46:44.:46:50.

it. Basic rubbish, to be honest. In snooker, you have to play as hard as

:46:51.:46:54.

you can do, every player wants to pot the balls and win in one visit

:46:55.:46:59.

but sometimes you have to play a different game. When given

:47:00.:47:02.

opportunities and the balls go nicely and they play into the pack

:47:03.:47:07.

and they open up, you make the boat -- you make the breaks. Over two

:47:08.:47:11.

days, the pace will change and that is happening. A lot of your

:47:12.:47:16.

professionals have been joining in on the debate on social media. Mike

:47:17.:47:21.

Dunn said, last night was fascinating, it is a massive prize

:47:22.:47:24.

and if you were Mark Selby, it you would do anything to win this. Peter

:47:25.:47:29.

Ebdon who has worked with us here, good stuff, enjoying it immensely.

:47:30.:47:34.

Others have weighed in. You can say what you want, but that is final is

:47:35.:47:39.

so intriguing, so many twists and turns, I love it. -- this final. If

:47:40.:47:45.

you are a snooker player, this is for you. You are feeling every

:47:46.:47:54.

emotion. Ding at 6-0 and he gets back to 8-7 last night and he has a

:47:55.:47:58.

chance. Mark Selby finishes 10-7 behind. And he had to win the

:47:59.:48:03.

mini-session and he has done that. It is all to play for but those

:48:04.:48:07.

players at home will be loving this and going through every ball with

:48:08.:48:13.

these boys. We have now played 2366 frames of snooker this year! From

:48:14.:48:19.

the beginning of the qualifying period to this mid-session interval.

:48:20.:48:24.

Nearly 240,000 points have been scored. What about the quality of

:48:25.:48:29.

the potting? The choice is yours! Which pot is the green going to go

:48:30.:48:42.

in? That's nearly rolled off a little

:48:43.:48:53.

bit. My goodness, that is one of the best shots I have ever seen!

:48:54.:49:02.

This is the shot and if it goes wide of the green, he will not leave it

:49:03.:49:07.

on. Yes, excellent shot! Super shot. And he has made a pretty good fist

:49:08.:49:39.

of that. This is an absolute cracker Jack! What a shot that was! They do

:49:40.:49:45.

not, much better than that. Wonderful. -- they do not get much

:49:46.:49:49.

better than that. Fabulous pot. That really is a

:49:50.:50:22.

fabulous pot. Now, that is what you call an absolute confidence booster.

:50:23.:50:32.

Fabulous shot! Very good. When you consider all those balls, they are

:50:33.:50:48.

three or four inches apart. Maybe three ball plant this time.

:50:49.:50:58.

Yes, possible 3-ball plant. And this time coming he has got it and he's

:50:59.:51:00.

on the black! He has tried to use the pot. The

:51:01.:51:21.

only possible way to get on a red. What a hit! Where is the cue ball

:51:22.:52:03.

going? Behind the black! Yes! Unbelievable! Well, he smiles, but

:52:04.:52:13.

he will appreciate that escape from Mark Selby.

:52:14.:52:36.

A great effort. What a hit! What a hit! The shot of the Championships,

:52:37.:52:50.

both of those shots. Fabulous. Mark Selby, how on Earth has he hit that,

:52:51.:52:52.

he said?! This time, it is close. This time,

:52:53.:53:14.

it is really close. There it is! He finishes with a trick shot. He takes

:53:15.:53:20.

a bow! APPLAUSE.

:53:21.:53:32.

You can vote now on the BBC website by flicking on the shot of your

:53:33.:53:38.

choice, voting closes tonight at seven o'clock. We will bring you the

:53:39.:53:45.

results tonight and on the website. Terms and conditions available on

:53:46.:53:48.

the website. We saw in the early part of the last frame, Ding Junhui

:53:49.:53:52.

looking like he might go for a maximum and he went for the blue,

:53:53.:53:57.

fair enough. We are going for maximum musical impact this evening,

:53:58.:54:04.

do tell all! What we have done for the last two

:54:05.:54:08.

years and this is the first time we will do it at the Crucible which is

:54:09.:54:14.

amazing, we will build a 147 rate. A record that references red and

:54:15.:54:22.

black, 15 of those each and clear the colours, 36 records in the three

:54:23.:54:26.

hours, timed to perfection and the usual mix of music people expect.

:54:27.:54:30.

And that is what we will attempt to do tonight at the Crucible. This is

:54:31.:54:34.

your first attempt at looking at what is going on this afternoon,

:54:35.:54:38.

what you think? What a fantastic place to watch sport. Incredible

:54:39.:54:42.

place to incredible atmosphere. We watched the first two frames,

:54:43.:54:49.

including the mammoth second, it is so absorbing. I do not know how long

:54:50.:54:54.

that took, probably 60 minutes. About 50 minutes. I hope it has

:54:55.:54:58.

given new inspiration because have you got the tracks nails down? Yes,

:54:59.:55:02.

we have the planet so it fits. We have some leeway. The shortest

:55:03.:55:08.

record we will play is about one minutes long and the longest is

:55:09.:55:11.

about 12 minutes. And those in between. And we have a stand-by

:55:12.:55:19.

snooker referencing section we can do and we can play those. The pot

:55:20.:55:27.

black theme. Around that, it is nailed down. If you need

:55:28.:55:31.

suggestions, we have some from the players, look at this.

:55:32.:55:41.

Always useful. 99 red balloons. Red. Red, red wine. Yellow, Coldplay. All

:55:42.:55:48.

green, I like him. Pretty green eyes, Ultra beet. That is a little

:55:49.:55:53.

bit more modern! James brown. Brown eyed girl. Golden brown. California

:55:54.:56:04.

blue, Roy Orbison. Blue Suede shoes. That Song from the late 1990s.

:56:05.:56:10.

Blue... Strange track. Pretty in pink. Pink. I went to see her in

:56:11.:56:17.

concert. He was nice. Black and Gold. Sam Smith. Black album.

:56:18.:56:25.

Metallica. You tell me! Blue Hotel is my suggestion. That would do.

:56:26.:56:33.

Steve Davis... We had to make sure he chose records. And he has

:56:34.:56:43.

chosen... I do not want to give too much away. One record does reference

:56:44.:56:49.

brown so it will be in. Slightly mysterious, I will make sure I catch

:56:50.:56:54.

you afterwards. All the very best. Thank you for chatting about it.

:56:55.:57:00.

Thank you. Speaking of music, we will stay with the musical theme,

:57:01.:57:04.

did you know it is 40 years since a gentleman called Dogwood wrote the

:57:05.:57:09.

theme tune to the BBC snooker coverage -- Douglas Wood. 40 years

:57:10.:57:15.

on, we have only tracked him down to the studio in America!

:57:16.:57:23.

I was a regular kit, I had a paper round and I rode around on my

:57:24.:57:32.

bicycle a lot but music was always essential in my life. I lived and

:57:33.:57:40.

breathed music as much as I could. Playing music came relatively easy

:57:41.:57:43.

to me. I played the guitar. My parents encouraged me on the piano,

:57:44.:57:48.

I took piano lessons when I was three years old. You had a set drink

:57:49.:57:56.

-- he had a string, starting at 12 years old. A string of bands. They

:57:57.:58:03.

were really good bands. I was always putting together bands from guys I

:58:04.:58:07.

knew, and would find a bass player and a drummer and we would go out

:58:08.:58:11.

and play parties and dances and it was fun. They could mesmerise a

:58:12.:58:16.

gymnasium of 1,000 people. We got married when we were 20, we were

:58:17.:58:22.

still young and he was playing in a band and he played every Friday and

:58:23.:58:26.

Saturday night. We had a busy life. In music. Not making much money!

:58:27.:58:36.

Patty's father was a film producer. And he said, work for me. And so I

:58:37.:58:42.

did. My father recognised how talented he was in music. And so he

:58:43.:58:48.

gave Doug an opportunity to write some film scores for the films he

:58:49.:58:52.

was producing. Patty's father encouraged me to begin my own

:58:53.:58:56.

company and Patty and I were the only employees and we did this in

:58:57.:59:01.

our living room. I had one of the first multitrack tape recorders so I

:59:02.:59:07.

could play the parts because I could not hire musicians, I could not

:59:08.:59:10.

afford to go into a recording studio or anything. I knew that this was

:59:11.:59:20.

really something I wanted to do. I think a name popped into my mind and

:59:21.:59:24.

I thought I wanted to write a piece that had that driving energy behind

:59:25.:59:33.

it. I pretty much captured that, there's a lot of energy in that

:59:34.:59:34.

guitar part. I played all the instruments, I had

:59:35.:00:01.

this four track record of. Until that time, if you wanted to play

:00:02.:00:05.

more than one instrument, you had to be in a recording studio. But along

:00:06.:00:11.

came a consumer recorder weight you could record one instrument, listen

:00:12.:00:13.

to that, play another with it. The big breakthrough was from Don

:00:14.:00:31.

Gale who took dug under his wing. He was one of our first foreign

:00:32.:00:36.

distributors. He wrote to me and said the BBC has picked one of your

:00:37.:00:43.

tracks for the team for snooker. I thought, OK, first of all, I do not

:00:44.:00:47.

know what snooker is. I had never heard the word before. It seemed

:00:48.:00:51.

like a funny British word. I had no idea what it was. Doug made me

:00:52.:01:00.

promise that I would not call it schnooker because it is not, it is

:01:01.:01:05.

snooker. I went to London to visit my friend. We landed at Heathrow

:01:06.:01:10.

Airport at 530 in the morning will stop we were tired, bleary eyed. I

:01:11.:01:20.

am going through customs and the guy said, oh, you are a composer. Have

:01:21.:01:25.

you written anything I know? I don't know why, but I remembered snooker,

:01:26.:01:30.

and I told him that. And he looked at me, and he hummed the June. I was

:01:31.:01:40.

so astonished I didn't know what to do. The next thing I know, he got on

:01:41.:01:45.

the microphone and he announced to all of the other customs guys in

:01:46.:01:52.

Heathrow. Hey, everybody, this is the guy who wrote the snooker Song!

:01:53.:01:56.

I was astonished. I had never been so astonished in my life. It finally

:01:57.:02:05.

began to dawn on me that snooker was this really popular programme that

:02:06.:02:08.

people were watching and they really love this piece of music the BBC had

:02:09.:02:19.

picked. When the royalties came through, for me, it wasn't a

:02:20.:02:22.

tremendous amount of money, but firmly at that time, it was a

:02:23.:02:27.

significant amount of money and it really helped us establish ourselves

:02:28.:02:34.

and provide a basis to come and build our business on so it really

:02:35.:02:37.

turned out to be a very important thing in my life. It was a great

:02:38.:02:50.

moment for me. What an absolutely superb story. Dog would. He is the

:02:51.:02:55.

Dogwood band and he launched his career and he has become part of

:02:56.:02:59.

this great history of the sport and we all know the tune and indeed Mr

:03:00.:03:05.

Barry Heron does. What a great story. It is a fantastic story and I

:03:06.:03:10.

get the story is how much longer will we be listening to that song on

:03:11.:03:15.

the BBC? The good news is that in a full night of snooker, across the

:03:16.:03:22.

board, is that you have got to put double that a little bit longer, so

:03:23.:03:26.

we have agreed a new two-year extension with the BBC so next year

:03:27.:03:33.

will be fine and we are now guaranteed until 2019 and I fancy

:03:34.:03:39.

quite a few more years after that, but today, to my dears on top of the

:03:40.:03:44.

other good news makes this a World Championship to remember. It does

:03:45.:03:49.

indeed. We are delighted about what is happening out here. What do you

:03:50.:03:54.

make of it? What I make of it is a significant stepping stone,

:03:55.:03:57.

obviously with the Chinese market. Apparently, the world's economy is

:03:58.:04:00.

in trouble because no one is going to work today and tomorrow in China.

:04:01.:04:05.

They have enough problems which has now been exaggerated by the success

:04:06.:04:11.

of Ding Junhui. To make the final, he has a lot of pressure on him,

:04:12.:04:16.

because he has a whole nation hoping. He is playing one of the

:04:17.:04:22.

greatest players of all time, Mark Selby. But this is a toss of a coin,

:04:23.:04:26.

I think. As we said before, I was slightly worried when it was 6-0,

:04:27.:04:33.

because I predicted a classic. But then I can be educated at any time

:04:34.:04:38.

but it looks like it is going to be one of those classics so don't miss

:04:39.:04:42.

a ball, because it is going to be special. In some respects, there is

:04:43.:04:46.

a huge amount of goodwill for Mark Selby as a former champion, and how

:04:47.:04:53.

important would it be where Ding Junhui one, in terms of your efforts

:04:54.:04:58.

to grow the sport? I think Mission accomplished already, to be honest.

:04:59.:05:01.

I think for him to be the first Asian player to make the final and

:05:02.:05:04.

the fact that he has obviously come back already from 6-0, looking as

:05:05.:05:07.

though he was a bit nervous, although Mark Selby had the harder

:05:08.:05:13.

semifinal, late on, the job has already been done in as far as China

:05:14.:05:19.

is concerned. If Ding Junhui goes on to win it, there will be another

:05:20.:05:22.

spur of interest, but we are already established as the massive sporting

:05:23.:05:25.

China, and it is only going to get bigger. Mark Selby gives the British

:05:26.:05:33.

ban something to cheer. But coupled with Leicester, you could retire and

:05:34.:05:39.

buy a small island. You could. It has been a fascinating final. Great

:05:40.:05:43.

news about the extension to the contact and indeed great news were

:05:44.:05:46.

your revenues are concerned for the Crucible because we are hearing that

:05:47.:05:50.

the tickets went on sale at 9am this morning. You have already generated

:05:51.:05:54.

in ticket sales almost ?1 million and tickets for the final sold out

:05:55.:06:02.

in five minutes. All four sessions were gone within half an hour. But

:06:03.:06:07.

there are still sessions available and the box office number is right

:06:08.:06:11.

there on the screen. The message is, you had better get in quick. Never

:06:12.:06:16.

has the sport being greater health. Thank you very much. Enjoy the rest

:06:17.:06:21.

of today. The players are back out. Thank you for joining us here in the

:06:22.:06:31.

studio. Thank you, Hazel. This match is finally tuned. Who would have

:06:32.:06:35.

thought Ding Junhui could have come back from 6-0 behind? The question

:06:36.:06:40.

is, can Mark Selby find his best game today? Yes, absolutely. Looking

:06:41.:06:47.

forward to these next four frames. Much better snooker, it has to be

:06:48.:06:59.

said. Mark Selby breaks off. Certainly, I am sure, when he went

:07:00.:07:05.

into the dressing room... That is a nervy one. That will not help his

:07:06.:07:14.

nerves. It will certainly give Ding a little bit of encouragement.

:07:15.:07:26.

He will have to find a little bit of side if he wants to find the gap.

:07:27.:07:45.

APPLAUSE Plated beautifully, didn't he?

:07:46.:07:50.

Perfect. A full ball cannon on the red. He can hit the black if he

:07:51.:07:59.

wishes to go ahead now. APPLAUSE

:08:00.:08:10.

Got a good split but this is certainly not easy. He may want to

:08:11.:08:16.

split again. Could have done with a little bit more back spin, just to

:08:17.:08:33.

come off the cushion. A tough pot. Always have. He was very unlucky.

:08:34.:08:40.

That cue ball was three or four inches of the cushion. Very, very

:08:41.:08:48.

tough when you have to push it around. Mark Selby needs to assert

:08:49.:08:58.

his authority now. He can't let Ding with reds like that. He's left with

:08:59.:09:07.

a tough pot. The red below the pink in the centre. It is almost

:09:08.:09:13.

straight. Maybe better take the 1- footer at the table. Less pressure

:09:14.:09:16.

on this one. He could also play for the blue. Takes a bit of the fear

:09:17.:09:24.

factor out of the red. APPLAUSE

:09:25.:09:38.

Played nicely. That red that is just below the pink might be as target

:09:39.:09:46.

here. Looks like he has overrun it slightly, but he is still OK. This

:09:47.:09:49.

one just below the red is all right as well. Throughout this magical he

:09:50.:09:59.

has not been judging these little cannons right. He could play the

:10:00.:10:06.

cannon onto the red to hit the pink, but if he pushes it further, you

:10:07.:10:10.

could put sugar and get on the pink or the black, so it is just watching

:10:11.:10:13.

out how the cannon is going to react. I think the better choice is

:10:14.:10:21.

probably playing the cannon for the black, so if you slightly overhits

:10:22.:10:24.

this comedy will be out of position on the pink.

:10:25.:10:36.

APPLAUSE E, he is not judging the cannons

:10:37.:10:40.

right at the moment. This black is going to be tough. He just played it

:10:41.:10:51.

with top spin. Trying to stun the cue ball and keeping the quite new

:10:52.:10:58.

to the pink. It looks pretty straight. It is a good pot.

:10:59.:11:04.

APPLAUSE Just had to drop it in, almost dead

:11:05.:11:12.

weight. Relieve himself that difficult red into the centre.

:11:13.:11:37.

I expected him to pot that. There wasn't any real pressure on the pot.

:11:38.:11:52.

The tension is going to build and build in this match now. It is very

:11:53.:12:02.

close. Yes, absolutely. Mark needs at least a couple of these four

:12:03.:12:06.

frames just to have the lead going into the final session, even if it

:12:07.:12:12.

is just one frame, just to reassert himself and given that little bit of

:12:13.:12:16.

confidence because the moment he looks the more nervous of the two

:12:17.:12:17.

players. APPLAUSE

:12:18.:13:31.

The red to the right of the pack he could obviously pot. He will

:13:32.:13:39.

probably look for an alternative safety shot, maybe find some sort of

:13:40.:13:47.

pot out of that. Just the safety shot. It is a very good safety.

:13:48.:13:55.

There has been some very good safety in this session. Excellent safety

:13:56.:14:03.

from both players. You would expect Mark Selby to be ahead, but Ding is

:14:04.:14:12.

certainly competing with him. That magnificent frame he won when he

:14:13.:14:21.

laid those snookers and cleared that last red. Quality stuff from both

:14:22.:14:30.

players. A safety success and that does not surprise me. 89% in the

:14:31.:14:40.

session alone. That is quite high. Probably the reason he is 3-1 in

:14:41.:14:46.

front. To get those big breaks, you have to win the safety battle. A

:14:47.:14:53.

little bit of movement in the crowd. Can you make sure the door is shut,

:14:54.:14:58.

please? Someone coming through one of the top doors. This is where Mark

:14:59.:15:04.

Selby's cube power comes into operation. -- cue. Missed the pot,

:15:05.:15:19.

but tried to screw it back in and didn't get enough action on the cue

:15:20.:15:24.

ball. Left the possible pot now for Ding. He could get across the pink

:15:25.:15:32.

into the left centre. APPLAUSE

:15:33.:15:54.

Yes, lovely pot. I was expecting him to get one on that particular shot.

:15:55.:15:59.

Of course, the red sort of helped a little bit. The red that was closest

:16:00.:16:07.

to that bottom left-hand corner pocket. An opportunity now for Ding.

:16:08.:16:12.

Black available into the corner pocket. He will want to remove the

:16:13.:16:19.

red that is closest to the left hand corner pocket, possibly after this

:16:20.:16:22.

red and black. He will have the black available for both pockets.

:16:23.:16:56.

A slightly worrying time now for Mark Selby. Ding now cueing like he

:16:57.:17:06.

did in the semifinal, when he was awesome. He has his potting bits on

:17:07.:17:15.

in this session. But we know what a battle that young man is, Mark

:17:16.:17:21.

Selby. He may start to wonder what is going to happen. One thing is for

:17:22.:17:30.

sure, I think it will be a long night. Yes, all of the hallmarks of

:17:31.:17:35.

going right to the final couple of frames. This has been an incredible

:17:36.:17:44.

turnaround for Ding Junhui. Yesterday in the first session.

:17:45.:17:50.

Everybody was worried about him and worried about this final being

:17:51.:17:54.

completely one-sided, but he managed to dig in, found a bit of form and

:17:55.:18:05.

the disbelief -- a bit of belief. Poised to level the match from this

:18:06.:18:15.

visit. Just as I say that, the commentator comes into operation.

:18:16.:18:19.

Hit the wrong red. He expected to hit the second red and had the first

:18:20.:18:24.

one. Look at this again. He had the red the middle of those three. Just

:18:25.:18:31.

pushes through it. Yes, and he's normally so precise with those

:18:32.:18:34.

cannons. He's one of the best in the world that playing those wonderful

:18:35.:18:39.

cannons into reds and making breaks and it is very unusual to see him

:18:40.:18:48.

break down. He leads by 25 points, so a good safety needed now.

:18:49.:19:14.

If you would get on the right-hand side of the cue ball, you could try

:19:15.:19:20.

to put one on the top cushion. At least guarantee a good white and

:19:21.:19:24.

also the red would come away from the pocket if misses. He is still

:19:25.:19:33.

going to try and play it. If it goes in, it is a bonus. A little bit more

:19:34.:19:44.

to the right and it would have been easy to play safe. Normally he plays

:19:45.:19:57.

the shot quite well with a lot of top spin and back. Let's see how

:19:58.:20:02.

confident he is if he goes that way or if he tries to stay on the black.

:20:03.:20:11.

He played it very nicely. APPLAUSE

:20:12.:20:17.

. He played at full of confidence. Just cued this in. Tried to hit it,

:20:18.:20:25.

but not too hard, tried to trust his cue action and it was a great pot.

:20:26.:20:30.

It has been said all through this tournament that he has not been

:20:31.:20:34.

quite on time with his ball. But he could not have played that much

:20:35.:20:39.

better. This is one of those particular situations you were

:20:40.:20:42.

referring to earlier where he has steeply a delicate cannon. -- he has

:20:43.:20:49.

to play. He may try to play a cannon on the red just of the pink.

:20:50.:21:04.

Found the gap through the reds and that is OK. Played that well. Let's

:21:05.:21:12.

have a look at that gap between those couple of reds. These are the

:21:13.:21:23.

kind of frames that hurt your opponent when your opponent is in a

:21:24.:21:27.

bad area and does not score enough to win the frame. He will be sitting

:21:28.:21:33.

down now and thinking one shot now and this is when you have two helped

:21:34.:21:40.

your opponent. When this one, and Ding will be kicking himself that he

:21:41.:21:41.

did not win more. Judged it nicely, just to be topside

:21:42.:22:30.

of the blue so we can just run down to the red at the bottom. The three

:22:31.:22:36.

reds are available into this left-hand corner pocket. That will

:22:37.:22:44.

open the path for the one just above it. To this bottom right-hand corner

:22:45.:22:50.

pocket now. He's going to need the four reds. He will need that for the

:22:51.:22:56.

difficult one below the black. Just has too pulled the cue ball

:22:57.:23:18.

back just a couple of inches. It is all about that last red on the

:23:19.:23:20.

cushion. You could hear the kick there. He

:23:21.:23:45.

has had a few kicks. Very disappointing, it has just taken the

:23:46.:23:50.

pace out of the cue ball. It would have liked to be a little straighter

:23:51.:23:56.

on the black, but he is OK. Cue ball stopping in its tracks.

:23:57.:24:09.

APPLAUSE Didn't effect on too much. There is

:24:10.:24:15.

never a good thing about a kick, bits because he is so thin on the

:24:16.:24:18.

black comedy could play with confidence that would happened he

:24:19.:24:28.

could cover the pocket. Just red now to be assured of taking a 2- frame

:24:29.:24:35.

lead once more. He has an angle on the black dude tried to disturb the

:24:36.:24:38.

red and push towards the corner pocket. Doesn't look like he will

:24:39.:24:46.

take that option. So Ding pot a pink when he made that really good

:24:47.:24:50.

clearance earlier. This is a similar type of shot.

:24:51.:25:02.

APPLAUSE His heart may have skipped a beat

:25:03.:25:07.

when it rattled in the doors of the pocket. -- jaws. Wellcome he tried

:25:08.:25:19.

to make sure. A little smile up to the commentary box. He knew that was

:25:20.:25:27.

probably it, and he cannot afford to miss those. He obviously thought he

:25:28.:25:33.

did all the hard work getting the difficult last red and forgot about

:25:34.:25:47.

the black. This looks a good line. Looks a very good line. Cook

:25:48.:25:54.

APPLAUSE Just a gap between blue and brown.

:25:55.:25:59.

If there is not a gap, it is not straightforward. He will be

:26:00.:26:07.

absolutely kicking himself. Maybe there isn't a gap. Maybe he has two

:26:08.:26:15.

play-off two cushions or one cushion, just a slight swerve. Oh,

:26:16.:26:31.

well. Well, the referee can't colleague miss because the scorers

:26:32.:26:43.

are the same. -- cant call eight. You can't call a mess when your

:26:44.:26:49.

opponent needs a snooker. He was just questioning the referee and

:26:50.:26:55.

then realised. It is amazing, he played a foul shot there and he is

:26:56.:27:02.

actually better off. It is a little unfortunate there, to be honest.

:27:03.:27:23.

This is a bad shot. Hit that poorly. The only problem with this is that

:27:24.:27:30.

putting this yellow, the cue ball will be going towards the ground. If

:27:31.:27:33.

you misses the yellow committee may bring the brownie to play and there

:27:34.:27:36.

is a little bit of pressure on this. He needs to play this softly. Oh,

:27:37.:27:44.

very good putt. He managed to curate in lovely and missed the brown as

:27:45.:27:49.

well. A sigh of relief from Mark Selby. Because of that one shot, he

:27:50.:28:01.

can now get the black. That would really have hurt him, missing the

:28:02.:28:06.

black. He will feel pretty confident again.

:28:07.:28:10.

APPLAUSE Ding just deciding whether to

:28:11.:28:31.

concede. He has. It should have been more. Ms the black to make sure he

:28:32.:28:43.

got the frame. Yet another in a series of very big frames and that

:28:44.:28:46.

could have been all square in the match, but yet again, he has kept

:28:47.:28:50.

his nose in front, Mark Selby. Yes, and it looks for all the world like

:28:51.:28:55.

it was going to be Ding Junhui. He was going into the pack of reds and

:28:56.:28:58.

the trouble with trying to predict how the bowls are going to go and

:28:59.:29:02.

then split when you play the shot is amazing. So Ding pot the black and

:29:03.:29:06.

we see him going towards the reds and it looks like there is no danger

:29:07.:29:09.

and he will get a split open and they just conspire in a way to track

:29:10.:29:14.

each other and hard to say whether it is a mistake or it is just the

:29:15.:29:19.

way they go when you split them up sometimes they all bunched up around

:29:20.:29:24.

each other. John, when you're trying to take on an aggressive shot like

:29:25.:29:28.

that, you must trust a little bit to luck. You cannot control be spinning

:29:29.:29:33.

entirely, surely. No, I mean, he was trying to get slightly thicker

:29:34.:29:36.

contact on it but we are talking about millimetres and fractions here

:29:37.:29:39.

and the tube just carried on that little bit extra, but you can play a

:29:40.:29:45.

bad shot and it can be perfect. Sometimes luck plays a part. Assess

:29:46.:29:52.

where we are in this final now. We both be in finals. Describe what it

:29:53.:29:55.

is like when you have your nose in front and the other guy is coming

:29:56.:30:01.

back at you. It is marvellously poised. What Mark Selby will be

:30:02.:30:07.

delighted with is how he is responding. He has had to look over

:30:08.:30:13.

his shoulder for a long time in the game, six - zero in front. He has

:30:14.:30:16.

had to see the other guy come on strong and struggle a bit and now he

:30:17.:30:21.

has responded. Now they're both in the match, they're both on the right

:30:22.:30:25.

moment and anything can happen from now on as much as scoring. The pace.

:30:26.:30:34.

Over to the third session. Ding breaks off.

:30:35.:30:43.

Some interesting comments from former champions in the studio with

:30:44.:30:53.

Hazel. Steve Davis quite rightly said, he has had to look over his

:30:54.:31:01.

shoulder, Willie, Mark Selby. As this thing has got closer, he has

:31:02.:31:05.

responded like all great champions do.

:31:06.:31:10.

We have hacked -- we have had a lot of of close misses this year. This

:31:11.:31:18.

is his sixth 100 right now. He thought he could find a gap

:31:19.:32:12.

around the black and he will be very disappointed. He thought there was

:32:13.:32:20.

enough room as the black and back up for baulk. What is worse for Mark,

:32:21.:32:24.

that is not the best shot he has ever played. He wanted it to be

:32:25.:32:32.

another 12, 18 inches towards the blue so he could pot the black and

:32:33.:32:39.

get down to the reds. He did not seem to commit to the screw shot. He

:32:40.:32:47.

could have got on that a lot more. But that was just a very special

:32:48.:32:49.

shot. Under the circumstances, that was a

:32:50.:33:04.

fantastic shot. A lot of top spin, raging over the pack of reds and

:33:05.:33:06.

back down for this red. -- bridging. Obviously perfect to go into the

:33:07.:33:22.

pack. He may decide to place low with a little right-hand side. To

:33:23.:33:28.

get the two reds together. But normally, you would go to the pack

:33:29.:33:33.

from this shot. This is an option. He could play that shot or he could

:33:34.:33:43.

play into the bunch. He missed the cannon, he missed the black. If the

:33:44.:33:50.

pots the black, he can get the cannon.

:33:51.:34:04.

Sometimes, that can happen. You concentrate so much on making the

:34:05.:34:09.

cannon that you click a bit of side under the cue ball and that is why

:34:10.:34:14.

he has missed it. A let off, for Mark Selby.

:34:15.:34:46.

Considering he hit the hardball, it shows you how badly he misjudged

:34:47.:34:58.

that shot. If there's a gap between the pack of reds and this red over

:34:59.:35:02.

the corner pocket, that is quite incredible. The cue ball has

:35:03.:35:09.

travelled probably in excess of 25 feet and it has landed possibly in a

:35:10.:35:18.

place where the only place he could pot this red is through the pack. I

:35:19.:35:35.

was reluctant to say it, Mark Selby was very fortunate. He played the

:35:36.:35:40.

half ball to get in behind the yellow. Ding is entitled to be a

:35:41.:35:49.

little aggrieved. Surely not? Surely not? Oh! Mr

:35:50.:36:09.

Selby, you having a good run at the moment. -- you are having.

:36:10.:36:34.

He had to play that anti-platelet with a little bit of frustration.

:36:35.:36:42.

Just playing the slow plant here and remaining on the black and hopefully

:36:43.:36:46.

the red will make the black little bit easier.

:36:47.:36:58.

And after two of the worst shots he has played in this final so far, it

:36:59.:37:06.

has developed into a chance to score heavily.

:37:07.:37:48.

He has got the extender rest and he has to use the full extent of his

:37:49.:37:58.

extension here! It is almost like you are going fishing with this type

:37:59.:38:04.

of stuff, it is as long as a fishing rod! He's over six foot and he might

:38:05.:38:14.

need another extension on less! -- on this. Just as well he's over six

:38:15.:38:20.

foot, and would need is that played to play Bishop! Because he's dead

:38:21.:38:27.

straight, he has to screw it back -- to play this shot. It is so

:38:28.:38:33.

difficult to screw back with the extension on your cue and it is not

:38:34.:38:37.

beyond the realms of possibility you can missed this. He has to be very,

:38:38.:38:39.

very careful. APPLAUSE.

:38:40.:38:58.

Years ago, we used to play on the long rest and they would be wobbling

:38:59.:39:01.

all over the eyes playing that kind of shot! It was terrible! -- all

:39:02.:39:06.

over the place. He has got to concentrate now.

:39:07.:39:22.

Trying to make one of those cannons, just to hold the cue ball here. He

:39:23.:39:29.

did not play it well. Again. And he has lost position.

:39:30.:39:38.

He just seems to have lost his way in bit. He knows it cannot be any

:39:39.:39:44.

worse than novel going into tonight's session, he's thinking,

:39:45.:39:49.

just when one of the next two frames. Very precarious the way he

:39:50.:39:54.

has played one or two shots in this frame.

:39:55.:40:06.

He has to take a lead into the final session.

:40:07.:40:36.

APPLAUSE. Good cue ball. You can just about

:40:37.:40:46.

see enough of this red into the right corner pocket.

:40:47.:41:08.

He has got the blue. Not quite sure whether he's going to take on this

:41:09.:41:28.

red. He could try and screw it in but the odds stacked against potting

:41:29.:41:37.

that red. I don't think you can reach it. He may have to use the

:41:38.:41:44.

rest. That makes it more difficult. Maybe better to play a good safety

:41:45.:41:48.

and getting the cue ball down the right-hand side of the table.

:41:49.:41:54.

Somewhere behind the if possible. -- the green.

:41:55.:42:02.

As long as he covers down the left-hand side of the table, as we

:42:03.:42:10.

look, and I think he has done that. He cannot hit an outside edge of the

:42:11.:42:25.

red, to the left of the pink. He has got to be careful of the red

:42:26.:42:44.

closest to the top cushion and to the one close to the right-hand side

:42:45.:42:48.

of the cushion. That is why he's taking his time on this shot.

:42:49.:43:07.

He got the cannon right but he misjudged the pace of the red coming

:43:08.:43:12.

back to this end of the table and the red is pottable if he takes it

:43:13.:43:20.

on. He has got the perfect cue ball but he just caught the red too thick

:43:21.:43:22.

and it came back down. That is hitting the near jaw. That

:43:23.:43:51.

was not easy at all. When they roll very, very slow like this, you aim

:43:52.:43:57.

for the far jaw in case it hits the jaw and it comes back, so you always

:43:58.:44:02.

favour middle of the pocket or near jaw with that kind of shot.

:44:03.:44:22.

APPLAUSE. By his reaction, I'm not quite sure,

:44:23.:44:36.

I don't think he played that. He did have a look at that red to see

:44:37.:44:40.

whether it would go towards that corner pocket.

:44:41.:44:48.

Do you think you may play that? I will give him the benefit of the

:44:49.:44:54.

doubt because he did go round to look at whether it would pass

:44:55.:44:59.

between black and red. He's almost thinking, please kiss the blue. It

:45:00.:45:06.

is a shot most people play, that kind of shot. Maybe his reaction was

:45:07.:45:11.

that he did not get a kiss on the brown or the blue or the yellow. And

:45:12.:45:19.

rather than... If it has been a fluke, I'm sure he would have put

:45:20.:45:24.

his hand up, so I will give him the benefit of the doubt on that. Does

:45:25.:45:32.

the middle red have that little cluster of seven pot? He's looking

:45:33.:45:40.

at this now, it's certainly pots from the left-hand jaw and he cannot

:45:41.:45:45.

get onto the black. The pink is available now. As you can see, only

:45:46.:45:47.

the left-hand jaw is available. Very, very good. Another chance now.

:45:48.:46:11.

Another chance to score quite heavily, so that is a very good

:46:12.:46:16.

position. A series of little stun shots. The way he has played that

:46:17.:46:26.

tells us... The pink goes on to the blue spot. What a chance this is for

:46:27.:46:30.

13-10. He would like to get that red just

:46:31.:46:48.

to the right of the black, just try and get that out of the way to make

:46:49.:46:54.

the black available in the baulk corner pockets.

:46:55.:47:10.

He could have played that a little bit better, but he's all right. He

:47:11.:47:19.

has a red, not sure if he can hold for the pink here. If not, a baulk

:47:20.:47:27.

colour after this red. Just about held it for the pink, he played

:47:28.:47:34.

nicely. He has got a nice angle to go into the three reds around the

:47:35.:47:41.

pink spot, if he wishes. He does not have too, a couple of reds into the

:47:42.:47:53.

right corner pocket. Yes, it is a huge frame in the context of the

:47:54.:47:56.

match and if he wins this frame, he takes the lead into the final

:47:57.:48:01.

session. How big a red will it be? Will he get past 68? That is his

:48:02.:48:06.

target. Another 25 points needed to make this frame safe.

:48:07.:48:17.

His shoulder strap with disappointment that he has not got

:48:18.:48:26.

the right side of the pink -- drop. The dreaded blue line.

:48:27.:48:43.

Not bad at position, this, the just screws that a couple of inches past

:48:44.:48:52.

the corner pocket. Not as far as the white. He can play this one quite

:48:53.:48:57.

confidently but he has to get top side of the pink.

:48:58.:49:07.

I thought that was in, to be honest, and so did Mark.

:49:08.:49:51.

Well, he was trying to pot the red and he judged the cannon on the red,

:49:52.:50:01.

on the top cushion. Just the fact that he had to make that cannon made

:50:02.:50:10.

that pot more difficult. And he has been gifted a chance now on Mark

:50:11.:50:17.

Selby to win the frame. That was a lot of, for Mark. -- a let off.

:50:18.:50:33.

I did not expect him to miss that one. No, I did not. I was worried

:50:34.:50:42.

about the cannon. He was trying to misses the cannon and he just caught

:50:43.:50:46.

it to them. Just make sure you finish high on this next red. -- too

:50:47.:50:49.

thin. I think the bottom red of the two

:50:50.:51:04.

touching will pot into the same as this red, so he does not have to

:51:05.:51:12.

play the cannon into the three reds. He just needs one more red. To take

:51:13.:51:17.

a three frame lead. And he played that one nicely. 57

:51:18.:51:30.

ahead, just this red. This is impressive stuff from Mark

:51:31.:51:57.

Selby. Every time the question has been asked, he has answered. He has

:51:58.:52:03.

had to win this frame with a couple of visits, but he has showed a lot

:52:04.:52:08.

of character and a lot of resolve out there. Ding has been pushing him

:52:09.:52:14.

all the way and he keeps responding. When you consider he had two

:52:15.:52:21.

outrageous bets of play. A terrible safety shot, but he left another 480

:52:22.:52:26.

macro and he thought he could get through the gap. De he left another

:52:27.:52:39.

four Junhui. It is swing and roundabouts and Ding had his chance

:52:40.:52:43.

and he missed the red so he should not have any complaints. A very

:52:44.:52:55.

important couple of frames now. Especially for Ding Junhui. Going

:52:56.:53:01.

into the night's session, he wants to be as close to Mark Selby as

:53:02.:53:07.

possible. Last night, he got right back into the match and you thought

:53:08.:53:11.

if he could win one of the last two frames... He lost them both, now he

:53:12.:53:16.

has to win them both to stay close to Mark Selby.

:53:17.:53:40.

Stopped in his tracks as he was walking around the table! A bit of

:53:41.:53:46.

bounce off that outside cushion. Well, he had a couple of attempts,

:53:47.:54:48.

but more importantly for Mark Selby, he gets another frame on the board

:54:49.:54:52.

and he now leads Ding Junhui by 13-10.

:54:53.:54:56.

The gap is back to what it was overnight, Ding Junhui within one

:54:57.:55:03.

frame and now he has a lot to do. What do you sense about this young

:55:04.:55:07.

man from China now? That cannon that went wrong has turned this match on

:55:08.:55:13.

its head. He had them are meant to go 11-11, it looked as

:55:14.:55:17.

straightforward cannon, it just went wrong. From there, it has not gone

:55:18.:55:22.

his way. Mark Selby has had two outrageous pieces of fortune and he

:55:23.:55:25.

could have left him better chances. Ding missed one later but when meant

:55:26.:55:31.

was with him, that cannon has changed the match. Dispiriting? Yes,

:55:32.:55:36.

he will fight all the way. Snooker is a game of the turn of a fact --

:55:37.:55:42.

the turn of a ball all over the place. You could make a case for

:55:43.:55:46.

golf, so many things, they are just fractions and you could look back

:55:47.:55:50.

during a match and go, that was a turning point. What if it was a

:55:51.:55:53.

turning point, that would not have happened. That did not matter, that

:55:54.:55:59.

was a turning point. And keep going. We analyse it to pieces but

:56:00.:56:04.

generally, Mark is just in front all the time and Ding is playing

:56:05.:56:08.

catch-up, doing a job, but how does he overhaul him? Good question. It

:56:09.:56:14.

has been a test of character, 6-0 down in the final is not great, he

:56:15.:56:19.

has got back into it. These next two frames, if he loses both, this final

:56:20.:56:24.

is done and he will not give Mark Selby a five frame lead. He has to

:56:25.:56:28.

win one, two is fantastic, but he definitely has to win one. He has

:56:29.:56:34.

climbed the mountain at least once from 6-0 to get back in, very frames

:56:35.:56:39.

down overnight and he got within one again. And now he has got it all to

:56:40.:56:44.

do again, three frames behind in the penultimate frame of this session.

:56:45.:56:50.

I cannot agree with John Parrott more. Ding has to win at least one

:56:51.:56:55.

of these remaining two frames. APPLAUSE. Wonderful. He perhaps

:56:56.:57:23.

could have won both frames. That was a fabulous pot. Yes, I liked the way

:57:24.:57:32.

he played it. Look at where the finished, in the middle of the

:57:33.:57:37.

table. He was not playing the shot. He fully committed to the shot. And

:57:38.:57:42.

he has left himself nicely on this blue.

:57:43.:57:58.

The red directly above the black pot, in the right-hand corner

:57:59.:58:05.

pocket. Now he has got a wonderful angle and

:58:06.:58:25.

he's blessed with a lot of cue power. He will still be on this red

:58:26.:58:31.

to the right of the black. That is a lovely shot. Beautifully controlled.

:58:32.:58:40.

The red was at the edge of the black, just to slow the cue ball

:58:41.:58:43.

down, he could not have played it better. Yes, I totally agree. I

:58:44.:58:49.

think he needs to win at least one of these just to keep within sight

:58:50.:58:56.

of Mark. If he can win these last two frames, he's beautifully poised

:58:57.:59:02.

for this evening's session. He must win at least one of these. I think

:59:03.:59:08.

John Parrott said in the studio if Ding were to lose these two frames,

:59:09.:59:13.

15-10 behind going into the final session, difficult to see him coming

:59:14.:59:20.

back from that. Such massive frames, these are, for Ding.

:59:21.:59:45.

It will certainly take some bottle to get a frame-winning break from

:59:46.:59:53.

here, but the balls are nice. A break of 103 in frame 21 but since

:59:54.:00:17.

then, his highest contribution has been just over 30. He has to take

:00:18.:00:20.

the pressure off himself. Played on two reds there. These two

:00:21.:01:23.

reds that are closest together, the bottom pots into the right-hand

:01:24.:01:24.

corner pocket. A bit straighter on the black and he

:01:25.:01:50.

would have liked. There is a loose red close to his arm, that will be

:01:51.:01:56.

his next choice. He's on it nicely. He's going to need one good cannon

:01:57.:02:06.

after this red from the black into Alejandro Gonzalez Inarritu,

:02:07.:02:09.

possibly, if he's going to win the frame on this visit -- into the

:02:10.:02:13.

reds. 61 points, that would leave his

:02:14.:02:25.

opponent needing a Snooker. So, pot the red, but he must finish with a

:02:26.:02:28.

nice angle on the black. Oh, dear. The cue ball has gone too

:02:29.:02:46.

far to make it an easy shot. If he plays it as a plain ball, he will

:02:47.:02:50.

kiss the outside red but he wanted to be a lot straighter on the black

:02:51.:02:55.

than this. He can kiss the outside red but he can't push it towards the

:02:56.:03:03.

pocket. He has to kiss the second red yeah. -- here. He deserves

:03:04.:03:16.

something. Not straightforward. The previous red was the poor shot, not

:03:17.:03:17.

the black. He was hoping to push the red to the

:03:18.:03:40.

middle. It just pushed past. Looking for the plant. Surely that's too

:03:41.:03:41.

dangerous. Maybe he's looking at the plant, but

:03:42.:04:09.

it's too risky and this stage, too much of a gap between the reds. He

:04:10.:04:15.

would like to brush off these reds, cannon black the top cushion and put

:04:16.:04:21.

it in a safe position. He also has to be aware that he may leave a red.

:04:22.:04:27.

That's not too bad. Clever little shot, wasn't it? Trying to get the

:04:28.:04:34.

ball tight to the cushion. I thought, if he hit it full in the

:04:35.:04:38.

face, would he leave the pot in the middle? Excellent shot. He made the

:04:39.:04:49.

52 break, I thought it was back in the second frame, and Mark Selby won

:04:50.:04:56.

the frame with a Snooker. This 52 break will hopefully win the frame.

:04:57.:05:06.

This is a possibility, off the red, the reds into the paint and tried to

:05:07.:05:10.

get the cue ball behind the black. Now, where is the cue ball? It needs

:05:11.:05:18.

to run a little bit. Not bad. OK, it didn't go behind the black, but it

:05:19.:05:25.

is tight enough to the top cushion that it makes it really very

:05:26.:05:29.

difficult for Ding Junhui to get back. The fact that the red has gone

:05:30.:05:39.

over to the white centre, a couple of reds to the left-centre, can't

:05:40.:05:48.

leave the cue ball down the baulk area, so it may force him to take on

:05:49.:05:54.

the pot. Extremely difficult position, he's in here.

:05:55.:06:04.

What do you think, Willie, will he take the pot to the left-centre?

:06:05.:06:14.

Very difficult. I can't see any area at the baulk end because there is a

:06:15.:06:21.

red on the left-hand side and one on the right-hand side so he will have

:06:22.:06:26.

to take the pot. He would do well to cover both of the reds to the middle

:06:27.:06:27.

pockets. Just one red, if he campaigned the

:06:28.:06:55.

shot, not it towards the table and leave the cue ball on the left-hand

:06:56.:06:59.

side of the cushion. He would be covering the reds below the pink and

:07:00.:07:06.

Mark Selby won't be able to pot the red from the left, from the right

:07:07.:07:15.

centre. Whatever the equation, he's in big trouble here. He has a 52

:07:16.:07:20.

point lead but that could go very quickly.

:07:21.:07:30.

Don't like this shot, surely he has left this red on. His body language

:07:31.:07:38.

and the wry smile tells me he has all stop -- he has. Mark Selby

:07:39.:07:50.

thinks it's a bit tight. If he hasn't left the straighter red to

:07:51.:07:55.

the left-centre, certainly the outside one, just to the left of

:07:56.:08:00.

that. Straight one that Mark Selby looked at, but this one certainly

:08:01.:08:05.

pots, if he can stay on the pink to the right centre. Not so much

:08:06.:08:10.

pressure on the pot because he certainly won't believe in a red. He

:08:11.:08:19.

can play this quite comfortably, he can have the pink to the right

:08:20.:08:24.

centre. The playing time is just over the ten hour mark. You'd expect

:08:25.:08:33.

him to pot this. Yes, the heart of the pocket and he's on the pink.

:08:34.:08:44.

Excellent shot. I mentioned earlier on in commentary, the break of 50 he

:08:45.:08:50.

had earlier in the second frame. That got his mindset. Oh, that's

:08:51.:08:58.

kicked, by an absolute mile. That absolutely went sideways. Very

:08:59.:09:06.

unlike Mark Selby to show emotion but he's entitled to be annoyed with

:09:07.:09:10.

this one, look at the pink, going straight on. Incredible kick. That

:09:11.:09:13.

is so frustrating. He nearly missed that! He has just

:09:14.:09:35.

come past the baulk line to make this almost a certainty to win the

:09:36.:09:38.

frame, but that was very frustrating for a smoother player, especially

:09:39.:09:42.

how he carved out the opportunity for himself, and the importance of

:09:43.:09:48.

the frame, of course, which was at his mercy.

:09:49.:10:10.

Certainly doesn't get the cue ball cleanly as much as Ding Junhui, Mark

:10:11.:10:18.

Selby. You wonder, playing those kind of shots, something he could

:10:19.:10:27.

consider. He had it cleaned after a kick himself. 62 points in front.

:10:28.:10:34.

Mark Selby needed a Snooker. Acknowledgement from the crowd,

:10:35.:10:49.

frame ball. The lands were talking in the studio about how matches can

:10:50.:10:57.

change to and fro, sometimes an incident like that can change a

:10:58.:10:59.

match as well, Willie. 68 ahead, 59 remaining. Sometimes a

:11:00.:11:19.

player, a shot like that, a kick like that can stay with a player. He

:11:20.:11:25.

knew that was a chance to clear, even though he was 52 behind. I

:11:26.:11:29.

wonder if he's going to carry on now. Plenty of reds on.

:11:30.:11:39.

And the frame. So he concedes, Ding Junhui with that 52 break, he could

:11:40.:11:47.

have been an more but he gets the second bite of the Cherry and he

:11:48.:11:52.

closes to within two. STUDIO: They say that luck evens itself out and

:11:53.:11:56.

this time, Mark Selby is the aggrieved party. He played a

:11:57.:12:00.

fabulous shot to get the cue ball up, look at the shot he played. He

:12:01.:12:06.

hit it so well. OK, not right behind the black but look where the cue

:12:07.:12:10.

ball finishes. The way the table is, I was looking at it and thinking,

:12:11.:12:13.

that's trouble because I couldn't see an avenue to get away from it.

:12:14.:12:19.

He gets his opportunity, he comes in, the balls are at his mercy and

:12:20.:12:23.

he gets the dreaded kick. He might have had good fortune at the start

:12:24.:12:29.

of the frame, and it's not often you see him losing his temper. For all

:12:30.:12:33.

of the skill involved in the game, we are at the vagaries of physics

:12:34.:12:38.

and when you get a bit more grip between the two balls, whether it is

:12:39.:12:41.

chalk, sometimes the balls are very dry in the heat of the atmosphere

:12:42.:12:47.

and the tables, if they get too dry, they seem to grip more than at a

:12:48.:12:52.

Snooker club and you get a bit of extra friction, the cue ball riding

:12:53.:12:59.

up the red, it can pull the red into the air, destroying the angle of the

:13:00.:13:04.

pot. And it destroys your confidence, it is really

:13:05.:13:10.

frustrating. Some this up? One word, massive. COMMENTATOR: I don't know

:13:11.:13:20.

if our viewers saw Mark Selby as he sat in the chair. His head was still

:13:21.:13:27.

shaking, still reeling from the kick on the pink. I hope it doesn't

:13:28.:13:33.

affect him. He has to get it out of his mind very quickly. This is a

:13:34.:13:45.

massive frame for both players. Yes, one or three, that's the scenario

:13:46.:13:54.

here. Odds on to win the World Championship, if he wins it but if

:13:55.:14:02.

he loses it, it rose between them. -- it goes.

:14:03.:15:17.

The two reds touching up the front, by the reds he's looking to play the

:15:18.:15:30.

safety off. He dare not risk leaving Mark Selby a foot away from the

:15:31.:15:35.

cushion because he can pay one of the reds down the right-hand side.

:15:36.:15:41.

-- he can play. He can't afford to leave the cue ball more than three

:15:42.:15:45.

or four inches away from the cushion. This is perfect, very good

:15:46.:15:46.

shot. This is what Mark can see. Couldn't

:15:47.:16:06.

have played it much better. Excellent shot. A bit of trouble

:16:07.:16:09.

here. This could take a bit of time,

:16:10.:16:31.

working this one out. He doesn't have the angle to come off the

:16:32.:16:37.

right-hand side cushion, to land on the reds. It must be a tough one,

:16:38.:16:44.

you haven't got a line up yet! The one that is next to the pink, he

:16:45.:16:57.

can play two cushions and try and hit it half ball, but if he gets it

:16:58.:17:00.

any thicker than that he will stick them all over the place. He has two

:17:01.:17:06.

cushions to try and hit it half ball. If he catches it too Dick, it

:17:07.:17:20.

could be the frame. Two thick -- too thick. That's beautiful picture. The

:17:21.:17:27.

back of the auditorium, right down to the table, wonderful camera

:17:28.:17:33.

angle. A eye view. This is very dangerous.

:17:34.:17:41.

Ooh! Foul, and a Miz. That was quarter of an inch away. -- a miss.

:17:42.:18:20.

Yes, similar shot. He has to be so precise with this. He has to just

:18:21.:18:30.

kept the outside of the red and get the pace on its good -- on it to get

:18:31.:18:39.

the cue more back to the baulk end. -- the cue ball. That's the best it

:18:40.:18:42.

could have hoped for, excellent shot. -- he could have hoped for. He

:18:43.:18:50.

may have forced Ding to take one on here. Doesn't look like he's getting

:18:51.:18:56.

down to play the pot. Just a safety. If Mark Selby plays this down the

:18:57.:19:23.

right-hand side, he has to watch the red just to the side of the one he's

:19:24.:19:29.

going to pot. There is a circle on the red, the one that I'm talking

:19:30.:19:34.

about. On the way back down he may just kissed the red that's about it,

:19:35.:19:38.

so he may need to play it with a bit of side. There may be one that he

:19:39.:19:42.

feels is better. -- kiss the red that's about it --

:19:43.:19:56.

above it. That was a wonderful pot from Mark

:19:57.:20:10.

Selby. Nice kiss on the red. Yes, two good pots. That one had

:20:11.:20:35.

slightly more pressure, he didn't play the kiss, he played the shops

:20:36.:20:44.

to nothing, now he has the chance to build a frame, although the colours

:20:45.:20:48.

are not perfect cars the shot to nothing. -- the shops to nothing.

:20:49.:20:57.

He is entitled to feel the pressure now.

:20:58.:21:37.

He judged that nicely off the right-hand side cushion.

:21:38.:21:44.

Concentrating on the pink because it will go to the left and right corner

:21:45.:21:52.

pockets. You could see the two reds just below the red closest to the

:21:53.:21:56.

pink spot, both of them will go to the bottom right-hand corner. There,

:21:57.:22:03.

you see. Five pinks without having to hit any cannons, won't even be

:22:04.:22:09.

contemplating getting on the black at this stage.

:22:10.:22:26.

He campaigned for the choice of three reds, those two together or

:22:27.:22:36.

the one just above them. Playing for the pink to the left

:22:37.:23:03.

centre. The next red will be the one just below the pink.

:23:04.:23:14.

In his remarkable career, he has potted a lot of pressure shots, but

:23:15.:23:21.

the first red and blue were right out of the top drawer to give

:23:22.:23:25.

himself an opportunity to take the three frame lead. He lost the first

:23:26.:23:33.

session. He was keen to at least share this second session but he has

:23:34.:23:37.

actually won it. If you go back to the start of the frame, Ding played

:23:38.:23:43.

the wonderful safety shot and he had Mark Selby in a lot of trouble and

:23:44.:23:48.

he found a wonderful escape off the second attempt. From being in that

:23:49.:23:56.

position, to getting himself in this position now to try and win the

:23:57.:24:02.

frame. Not quite perfect on the red, he may have to play it with some

:24:03.:24:06.

right-hand side, to drift past these four reds. There is the side, not

:24:07.:24:10.

quite enough. He can play on the choice of two

:24:11.:24:34.

reds here. The red closest to the pink, almost directly below it, and

:24:35.:24:37.

also the one that's on the left-hand side of the table.

:24:38.:24:57.

He is reluctant to play the red just below the pink because he will have

:24:58.:25:05.

to judge the cannon off the three reds just to the left of it. He'll

:25:06.:25:11.

have to use the little extension on the end of his cue.

:25:12.:25:47.

Looks like he's decided to play for the red at the baulk end because he

:25:48.:25:54.

can't get perfectly on the red by the side cushion.

:25:55.:26:04.

He could've done with that a bit harder. Probably playing for the red

:26:05.:26:17.

or the Green now. 51 in front, three more reds and three more colours, to

:26:18.:26:23.

go into the final session with a three frame lead. He is getting the

:26:24.:26:37.

cue ball clean this time. -- cleaned. He doesn't want a kiss on

:26:38.:26:46.

the red. He can only hope that he can get back to the table. It's not

:26:47.:26:53.

looking good. He's going to drop in the red almost dead weight, doesn't

:26:54.:26:58.

have to do anything with the cue ball. Ooh! Well...

:26:59.:27:14.

Didn't see that one coming. He's looking at it on the television

:27:15.:27:29.

screens, wondering whether it rolled off, I couldn't detect that. No, it

:27:30.:27:44.

kept perfectly true. To be ultra-critical, it was the previous

:27:45.:27:54.

red that was the pro shop, as was that shot from Ding. -- that was the

:27:55.:28:01.

poor shot. Looking at the left-hand corner pockets. -- pocket. No, he's

:28:02.:28:11.

on nothing here. Hasn't played that well at all. If the bottom red of

:28:12.:28:21.

the three doesn't pot, I don't know what he will play for. Very unlike

:28:22.:28:25.

him, with position. I suppose he could have tried to

:28:26.:28:41.

check it and go across the face of the red to go to the corner pockets

:28:42.:28:47.

but whichever way he played it, the tension got to him and he didn't get

:28:48.:28:53.

to the cue ball enough. Reluctant to push a red towards the side cushion

:28:54.:28:58.

because he is 44 behind. Looking to play behind the yellow and brown.

:28:59.:29:26.

He has underhit it by a proverbial mile. He has played some excellent

:29:27.:29:36.

safety is this afternoon, but that wasn't one of them. -- safeties.

:29:37.:30:23.

I do not see the value of playing the pot in some ways. If you could

:30:24.:30:32.

guarantee to get the black safe, I think that is what he would do.

:30:33.:30:36.

There's no point taking the black. Just for those seven points. It

:30:37.:30:41.

might be more prudent to put the brown or yellow safe. You could try

:30:42.:30:50.

to get the black safe and get the cue ball up behind yellow and brown.

:30:51.:31:00.

But he has a 45 point lead. My blog the bad idea to play the brown and

:31:01.:31:03.

try to hide the cue ball behind the yellow. Put brown on the left-hand

:31:04.:31:09.

side cushion. But having a look at the black. He has played the pot.

:31:10.:31:26.

Not sure if that was the correct choice, we will know in a minute.

:31:27.:31:49.

He is eyeing up the pot and this is a brave shot to take on. Back then

:31:50.:32:05.

the back of the black. Tremendous shot!

:32:06.:32:16.

Just a bit short. Could have done with another few inches with that

:32:17.:32:20.

cue ball. Just needs the black to put himself 60 points ahead with 59

:32:21.:32:21.

remaining. We're looking at miracles but Mark

:32:22.:32:37.

Selby has noticed the line of the black will kiss both of the reds and

:32:38.:32:42.

there's a slight chance cue ball could go close to the middle pocket.

:32:43.:32:51.

So he has got to be very careful. The black has gone in.

:32:52.:33:00.

Well worked out. He has come up with a couple of

:33:01.:33:12.

great reds. This looks pretty good as well. This

:33:13.:33:34.

is really good. Much better snooker from Mark Selby.

:33:35.:34:08.

He could push the pink to decide cushion. -- the side cushion.

:34:09.:34:26.

Trying to push the pink safe and get the cue ball behind the brown and

:34:27.:34:37.

yellow. Just a little bit thick. Nice flick.

:34:38.:34:57.

Oh, dear. He needs the green to come to his rescue and it has not. A

:34:58.:35:05.

possible concession. It is a concession! That is amazing. He is

:35:06.:35:19.

very happy about that. He leads now 14-11.

:35:20.:35:25.

The difference with three frames coming into the session this

:35:26.:35:28.

afternoon and remains three frames. Mark Selby knows that he needs just

:35:29.:35:31.

four more to become the 13th multiple world champion that this

:35:32.:35:37.

sport has produced. Quite a target for him and he looked so determined.

:35:38.:35:43.

He has been run it for much of the match and this man is just so tough

:35:44.:35:46.

to beat. He knows how to win, as simple as that. He is an animal on

:35:47.:35:52.

the table. He was in a situation, Ken and everyone in the studio, we

:35:53.:35:59.

thought he had to put brown said on the side cushion, he went for the

:36:00.:36:02.

black and white for a risky red, he took that framed by the scruff of

:36:03.:36:09.

the neck. For all the frames where he is granite, he can also attack

:36:10.:36:14.

when needed. That is his skill. A couple of red and long pots on the

:36:15.:36:24.

reds. When he needs it the most. When it is like this in the heat of

:36:25.:36:28.

battle, he can find it from somewhere. It is a phenomenal talent

:36:29.:36:32.

and that is why he is world number one. And Martina Navratilova is

:36:33.:36:39.

watching, speaking of champions, she just said, he plays like Novak

:36:40.:36:43.

Djokovic, precise and methodical. Never letting you off the hook. She

:36:44.:36:48.

is so right. And that about sums it up. And for Ding he has got to try

:36:49.:36:56.

to win the next session 7-3, a tall order considering what we have seen.

:36:57.:37:01.

But it is possible one frame at a time. From what you have seen, do

:37:02.:37:06.

you think he was wilting under the constant pressure towards the end? I

:37:07.:37:10.

think just getting a bit sick, every time he looks like getting close to

:37:11.:37:14.

him something happens. His attitude has been brilliant but he must be

:37:15.:37:19.

getting second because it looks like he's nearly there and then Mark

:37:20.:37:24.

Selby finds a couple of frames from somewhere. What is it like for these

:37:25.:37:31.

guys coming out, the final session, after 17 days of play. Like another

:37:32.:37:35.

day in the office to some degree other than it is the most important

:37:36.:37:39.

session of your career. For Ding he knows how he would love to win for

:37:40.:37:44.

the whole of China but he has just got to stay in the moment all the

:37:45.:37:47.

time. He's up against a rock of player. And do the emotion start to

:37:48.:37:52.

run more freely, do you have to try and keep them in check? I think

:37:53.:37:57.

those have been doing a good job all the way through. It is a big ask for

:37:58.:38:01.

Ding to win tonight, but he can do it. Mark Selby needs four more to

:38:02.:38:07.

become world champion once again. I hope you will join us tonight, it is

:38:08.:38:11.

bank holiday Monday evening, made for snooker at the Crucible. We're

:38:12.:38:16.

coming towards the conclusion of our 17 date snooker marathon and I hope

:38:17.:38:20.

you have enjoyed it so far. Another intriguing chapter to come tonight,

:38:21.:38:24.

we will be on air from seven o'clock this evening, ready for one final

:38:25.:38:29.

push. Hope you will be with us. Goodbye for now.

:38:30.:38:35.

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