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# HELLO DARKN'T MY OLD FRIEND # I'VE COME TO TALK WITH YOU AGAIN | :00:39. | :01:01. | |
Because of the vision # Left it seems when I was | :01:02. | :01:13. | |
leaving # And a vision in my brain | :01:14. | :01:21. | |
# Still remains # Within | :01:22. | :01:34. | |
stones # When my eyes were stunned by the | :01:35. | :02:07. | |
flash of a New York light # And the sounds of | :02:08. | :02:19. | |
Never is the sound of silence so compelling as it is here in | :02:20. | :02:27. | |
Sheffield's Crucible Theatre. Snooker's home, filled to the | :02:28. | :02:32. | |
rafters, hushed, fascinated by events here in the 2016 Betfred | :02:33. | :02:37. | |
snooker championship final. Many have come to will on Mark Selby to a | :02:38. | :02:43. | |
second world title. Many in, in China, are hoping their man, Ding | :02:44. | :02:47. | |
Junhui can become the first Asian player to lift this trophy. Never | :02:48. | :02:52. | |
mind the sound of silence, he was in troubled waters earlier on, in | :02:53. | :02:55. | |
contrast to the way he sailed through the championship so far. | :02:56. | :03:09. | |
This is fabulous stuff from Ding Junhui. | :03:10. | :03:26. | |
Oh, tremendous pots. You cannot hit a ball much better | :03:27. | :03:33. | |
than that. You can't strike a ball better than | :03:34. | :03:46. | |
that. Oh, he looks full of confidence now. | :03:47. | :03:55. | |
He's played it perfect. A great shot. | :03:56. | :04:02. | |
Mark Selby came to the fore. We may be have a new favourite for | :04:03. | :04:14. | |
the tournament and he is definitely a major contender. | :04:15. | :04:24. | |
Excellent stuff. Mark Selby is a world number one and he's showing | :04:25. | :04:28. | |
how good he is. A record-breaking seven centuries | :04:29. | :04:45. | |
from the Chinese sensation. He gets himself into his first ever final. | :04:46. | :04:56. | |
And what a player and what a competitor Mark Selby is. He's got | :04:57. | :05:05. | |
himself into his second final in three years. | :05:06. | :05:12. | |
Well the commentators are always saying you never settle down until | :05:13. | :05:18. | |
you win your first frame. Ding Junhui got off to a nightmare start | :05:19. | :05:23. | |
in this match. He did. You would expect he would get off to a good | :05:24. | :05:29. | |
start, in a confident state of mind. It seemed like all of a sudden he | :05:30. | :05:34. | |
panicked. He was over-reaching for shots. This green was a tricky one | :05:35. | :05:39. | |
into the middle pocket. He only needed the green but played | :05:40. | :05:42. | |
position. All of a sudden it looked like he had lost confidence. He made | :05:43. | :05:50. | |
seven accept cannureries in his ---en centuries in his semi-final. | :05:51. | :05:54. | |
He got further and further in the hole and missing obvious balls by | :05:55. | :05:58. | |
then and very worried, I think, and concerned about how he was playing. | :05:59. | :06:04. | |
In the interview Terry Griffiths tried steady the ship. These become | :06:05. | :06:10. | |
more difficult for him. Came down the table and gave a chance to Mark | :06:11. | :06:19. | |
Selby. And he was six-nil behind. The fact he started to disintegrate | :06:20. | :06:26. | |
gave Mark Selby more confidence. He was playing granite safety play | :06:27. | :06:30. | |
which put on the heat on to Ding Junhui. He was strong amongst the | :06:31. | :06:33. | |
balls, but had the better head on all day long. Every time he missed | :06:34. | :06:38. | |
and it was not very often Ding was always in trouble but his potting | :06:39. | :06:41. | |
and break-building was miles better than in the event. If he converted | :06:42. | :06:45. | |
this one chance he could have been 7-0 in front. As it was, Ding just | :06:46. | :06:50. | |
about got it together in the end. It always looked like Ding would need | :06:51. | :06:57. | |
help. When Mark Selby left the blue out of the pocket... There There | :06:58. | :07:01. | |
were a few cheers when he did pot it. You could see the emotion on his | :07:02. | :07:06. | |
frame for just winning a frame. I think he needs to be mentally strong | :07:07. | :07:11. | |
this evening. Far stronger. He took the final frame to reduce his | :07:12. | :07:15. | |
deficit to four frames and this will be fascinating tonight. Rob Walker, | :07:16. | :07:17. | |
it is all yours. Top Welcome to the World | :07:18. | :07:31. | |
Championship final. These are the dreams players think about for | :07:32. | :07:34. | |
decades. It is a massive night for both men, here at the sport's | :07:35. | :07:38. | |
spiritual home, the Crucible. Please welcome yesterday's record | :07:39. | :08:02. | |
century-breaker, who is today's history-maker. The first Asian | :08:03. | :08:08. | |
player ever to contest a World Championship final, two massive | :08:09. | :08:11. | |
frames this afternoon have reduced his deficit. The 11-time ranking | :08:12. | :08:16. | |
winner is ready to continue his revival tonight, as the eyes of the | :08:17. | :08:25. | |
nation watch from afar, enter the Chinese dragon, Ding Junhui. | :08:26. | :08:42. | |
He has incredible mental strength. This is his first World Championship | :08:43. | :09:00. | |
final and he showed all his experience to produce a great start | :09:01. | :09:05. | |
this afternoon, bidding to join an illustrious list of multiple world | :09:06. | :09:09. | |
champions here at the Crucible. Here comes the world number one, here | :09:10. | :09:17. | |
comes the Jester from Leicester, he's Mark Selby. | :09:18. | :09:31. | |
The second session of this World Championship final between the | :09:32. | :09:50. | |
legend which is Ding Junhui and Mark Selby. Mark Selby obviously got off | :09:51. | :09:57. | |
to a flyer. A foot-hold in the match now. | :09:58. | :10:08. | |
The cameras and the phones away now. I agree. There's a massive session | :10:09. | :10:19. | |
in this final for Ding Junhui. Anything less than a win in | :10:20. | :10:26. | |
tonight's session, it is hard to see or hard to make a case for him | :10:27. | :10:31. | |
winning this match tomorrow. I am a little surprised he doesn't | :10:32. | :10:52. | |
do that more often in this afternoon's session. He's got a | :10:53. | :10:57. | |
brand new tip. When you put a new tip on it is obviously difficult | :10:58. | :11:00. | |
when you play with little bits of side. | :11:01. | :11:07. | |
Put it on about 10pm last night, he put the tip on, maybe later. The | :11:08. | :11:11. | |
surprising thing was that Ding, having played remarkable in the | :11:12. | :11:15. | |
semi-final, just couldn't get off to any kind of start this afternoon. | :11:16. | :11:21. | |
Those were the balls he was potting all the time yesterday. | :11:22. | :11:25. | |
He didn't hit that well at all. He didn't time it. When you miss these | :11:26. | :11:30. | |
shots, it looks like you have hit it far too hard. You see where his cue | :11:31. | :11:36. | |
finished up, he didn't strike the cue ball where he wanted to, so, I | :11:37. | :11:42. | |
know it is only the first pot of the night's session, but when you hit it | :11:43. | :11:46. | |
as badly as that, it doesn't fill you with much confidence. Especially | :11:47. | :11:50. | |
if the red you hit goes right over the pocket. | :11:51. | :12:08. | |
That's played. Didn't get into that cue ball at all well there. | :12:09. | :12:18. | |
It will be interesting to see how Mark, because all through the | :12:19. | :12:27. | |
championship, the second sessions of his matches he's played very poorly. | :12:28. | :12:34. | |
He went 6-0 up on Wilson. At one stage was back to leading | :12:35. | :12:36. | |
8-6. There are nine in this second | :12:37. | :12:54. | |
session. Ding will look for at least six frames to out of the nine to get | :12:55. | :12:57. | |
back into this match. That is amazing stat, they have been | :12:58. | :13:21. | |
here 17 days. 17 days match play. 17 points between them, of all the | :13:22. | :13:26. | |
matches they've played. They have both been very, very | :13:27. | :13:27. | |
consistent. We got so used to Ding against | :13:28. | :14:30. | |
McManus, when he got in the frame-winning it in one visit. He | :14:31. | :14:34. | |
needs to do that tonight in these first two frames. One of the first | :14:35. | :14:39. | |
two frames - a chance here, because that is what will give him the | :14:40. | :14:43. | |
inspiration to get back into this match properly. | :14:44. | :14:48. | |
Even if he wins frames scapily it will give him that encouragement | :14:49. | :14:58. | |
that he's playing well enough. Taking this red off the pink spot | :14:59. | :15:39. | |
there, which helps. If that red is on the pink spot, | :15:40. | :15:47. | |
that means a pink will spot. And want that kiss like that. | :15:48. | :15:51. | |
I think he would play around the back of that one. | :15:52. | :15:55. | |
That was a very poor positional shot. He's played a few of them | :15:56. | :16:02. | |
today, just very tentative. He's just not been his normal, | :16:03. | :16:19. | |
positive stuff when he's been in among the balls today. | :16:20. | :16:25. | |
The bad shot was the red, not to get on to the pink nicely. That pink was | :16:26. | :16:30. | |
just about missable. This is not the start Ding was | :16:31. | :16:31. | |
looking for this evening. It gives you more confidence if your | :16:32. | :16:43. | |
opponent has two chances and scores very little. | :16:44. | :17:31. | |
I think the one above the black spot will pass. He will probably play | :17:32. | :17:39. | |
high on this one so he's got the one in the middle just in case. | :17:40. | :17:44. | |
This is the sort of shot, if your new tip was a bit soft it will be | :17:45. | :17:54. | |
hard to judge this coming out from that red to the corner. | :17:55. | :18:10. | |
He's played a lot of snooker with it, so I don't think the tip is any | :18:11. | :18:17. | |
issue now in this match. He did make sure he got really high | :18:18. | :18:22. | |
there with the cue ball. Played for the red just above the black spot. | :18:23. | :18:26. | |
What you cannot do is finish low. At least he knows he's got the one in | :18:27. | :18:31. | |
the middle pocket in case he went too high. He played for the one just | :18:32. | :18:33. | |
above the black spot. It is very awkward to get on that | :18:34. | :18:39. | |
black. I think that's OK - he's landed on | :18:40. | :19:06. | |
the black. Not quite high enough. | :19:07. | :19:42. | |
Going to try and scau back and get to the blue or baulk colour here. If | :19:43. | :19:50. | |
you don't bite into the cue ball immediately and kiss that he has to | :19:51. | :19:52. | |
screw into the cue ball here. He didn't really fancy it because he | :19:53. | :19:56. | |
played it so slowly. Ding's body language tells us it is | :19:57. | :21:03. | |
very tight. Just pot off the left-hand but I | :21:04. | :21:18. | |
think it is risky to play it slowly. Just see that left-hand. He's taking | :21:19. | :21:38. | |
it on though. He's got it. | :21:39. | :21:53. | |
Very, very good shot. Excellent! | :21:54. | :21:56. | |
APPLAUSE That was an excellent pot. | :21:57. | :22:11. | |
Those shots are no problem if you are straight shot behind the cue | :22:12. | :22:15. | |
ball, but at an angle and the cue ball was tight in the cushion - so | :22:16. | :22:19. | |
excellent cueing there. He's played the cue ball in an | :22:20. | :22:35. | |
area... Could do it to stop a little bit, could do with it to stop. That | :22:36. | :22:41. | |
was a little bit clumsy. Looked to his friends in the | :22:42. | :22:54. | |
players' boxes there. OK, no problem potting the red. It's got to get top | :22:55. | :22:58. | |
side of the blue. I say no problem, he's having to cue right over the | :22:59. | :23:00. | |
top of this red. That is just because he played for | :23:01. | :23:17. | |
two reds. You have to play for two sometimes, don't you? Yes. Just a | :23:18. | :23:23. | |
clumsy positional shot from Ding. He had a huge margin for error to get | :23:24. | :23:28. | |
in either ball but hit it far too hard. | :23:29. | :23:32. | |
He needs to get in a frame and make a big break to get his timing. | :23:33. | :23:38. | |
A touch of left-hand side and you see the cue ball had a couple of | :23:39. | :24:22. | |
feet to stopping there. Normally Ding's position is so | :24:23. | :24:23. | |
pin-point. His game is all about scoring. | :24:24. | :24:36. | |
He's not been doing that so far. That is why when he comes to the | :24:37. | :24:39. | |
table he's just not relaxed at all. He has to make sure he doesn't kiss | :24:40. | :24:58. | |
his red 4-ball and just kiss the half ball to be on both reds, not | :24:59. | :25:00. | |
just one. He's 27 points in front. He doesn't | :25:01. | :25:13. | |
need to move that red off the cushion. He can get two reds, two | :25:14. | :25:17. | |
colours, I will be very surprised if he plays any other than just to roll | :25:18. | :25:20. | |
it in for the pink. Play for the blue instead, that's no | :25:21. | :25:25. | |
problem. He will get the first frame on the | :25:26. | :25:35. | |
board. It is a frame that will hurt Ding because he will know he's had | :25:36. | :25:37. | |
three chances in this frame. These long matches are all about | :25:38. | :25:50. | |
momentum. Ding won the last two frames of the afternoon session, so | :25:51. | :25:54. | |
he would have liked to have kept that momentum going tonight by | :25:55. | :25:57. | |
getting a quick start. And it has not happened. | :25:58. | :26:07. | |
He would have liked to have potted this last red. We can see it doesn't | :26:08. | :26:24. | |
pot. Ding likely to come back to the table here, being only 41 points | :26:25. | :26:30. | |
behind, unless Mark gets in tightly behind the black, then he may decide | :26:31. | :26:31. | |
not to. Times when you miss that off a | :26:32. | :27:06. | |
cushion. A player of his class shouldn't do that. | :27:07. | :28:41. | |
No high breaks in this opening frame. The worrying thing for Ding | :28:42. | :29:06. | |
Junhui, he's had three glorious chances to win this opening frame. | :29:07. | :29:12. | |
He just let his head drop a little bit sometimes. | :29:13. | :29:20. | |
It is hard to overstate how popular a sportsman Ding Junhui is in China. | :29:21. | :29:33. | |
27% of the entire television audience yesterday watched him reach | :29:34. | :29:39. | |
his first Crucible final. Those shot are from Beijing this afternoon, | :29:40. | :29:43. | |
showing he was very much prime-time viewing attraction again in the | :29:44. | :29:46. | |
opening session today. It is a Mayday holiday there. | :29:47. | :29:52. | |
It is getting more popular in China now because Ding Junhui made a huge | :29:53. | :30:00. | |
contribution to it. Ding Junhui... Go, go. Go! | :30:01. | :30:08. | |
Snoo he's pretty determined and -- He's pretty determined and talented. | :30:09. | :30:11. | |
Of course I wish him all the best and I hope I can see him go all the | :30:12. | :30:13. | |
way up to the top. The sport is hugely popular there | :30:14. | :30:24. | |
now and Ding was the first Chinese player to ever beach at the Crucible | :30:25. | :30:28. | |
when he made his debut in 2007. Expectations have been significant | :30:29. | :30:32. | |
and perhaps at times, Steve, quite debilitating. What has been your | :30:33. | :30:36. | |
experience of his popularity and the effect on him over there? It is hard | :30:37. | :30:40. | |
to judge because we don't live in the country. But we tend to get the | :30:41. | :30:43. | |
feeling he's a massive superstar over there, earning plenty of money, | :30:44. | :30:48. | |
but the one thing he has not got it is found on the world trophy, | :30:49. | :30:51. | |
possibly. Everything is in place when. We don't really know how much | :30:52. | :30:55. | |
pressure he's under. In some ways, John, there's no more pressure than | :30:56. | :30:59. | |
100% at the Crucible, regardless of what is going on back in China. | :31:00. | :31:04. | |
Absolutely, as much as he's sitting there, all he will be thinking about | :31:05. | :31:07. | |
at the moment is losing the first frame this evening because it was a | :31:08. | :31:16. | |
major blow for his chances, he would have been three behind instead of | :31:17. | :31:19. | |
five behind. This is going to be a real test for him now, five frames | :31:20. | :31:20. | |
behind. COMMENTATOR: Ding comes to the | :31:21. | :31:37. | |
table. A little bit deflated, he will be, after the first frame. As I | :31:38. | :31:42. | |
said before, after winning the last two frames this afternoon, he would | :31:43. | :31:48. | |
have been wanting to come out firing tonight in the first frame. | :31:49. | :31:54. | |
GASPS FROM CROWD A foul and a miss. Mark Selby, four. | :31:55. | :32:12. | |
And you always tend to err on the thin side at your first attempt at | :32:13. | :32:16. | |
this shot. Just trying to catch the outside red but if he gets this red | :32:17. | :32:21. | |
full, he will be splitting the bunch. You have to be so precise | :32:22. | :32:22. | |
with this. GASPS FROM CROWD | :32:23. | :32:40. | |
Foul. On the outside of the pack, bears pots. He will put it back | :32:41. | :32:47. | |
again. -- there is pots. Can he see a red full ball? Not happy with that | :32:48. | :32:57. | |
miss for the second time. He can't quite understand what is happening. | :32:58. | :33:01. | |
A big part of the cheeks. He can't afford to miss this... GASPS FROM | :33:02. | :33:05. | |
CROWD A foul and a miss. Mark Selby, four. | :33:06. | :33:16. | |
People talk about how many points you don't worry about giving away, | :33:17. | :33:19. | |
you don't really worry about giving 40 away if you get the shot right. | :33:20. | :33:24. | |
You just don't want to smash them up and leave them in. I don't know, 40 | :33:25. | :33:32. | |
might be a bit strong but I know what you are saying! You feel like | :33:33. | :33:38. | |
you can make four or five, there. Like you say, if he catches it too | :33:39. | :33:42. | |
thick, it will be a disaster for Ding Junhui but in the end, he | :33:43. | :33:44. | |
played it very well. GASPS FROM CROWD | :33:45. | :34:47. | |
Well, you would not think he was the same player that played yesterday. | :34:48. | :34:52. | |
He just seems totally bereft of confidence. I don't know, since | :34:53. | :35:01. | |
frame one today, he's just looked intimidated, to me, by Mark Selby. I | :35:02. | :35:08. | |
think in fairness, it must have been a shock to the system because Mark | :35:09. | :35:12. | |
Selby has played, by his own standards, very poorly throughout | :35:13. | :35:15. | |
the championship and still got to the final so he was expecting to get | :35:16. | :35:22. | |
off to a poor start, but when he saw Mark Selby's early good scores, it | :35:23. | :35:26. | |
was such a shock to the system, he's not unable to handle it, and as you | :35:27. | :35:29. | |
say come he's been intimidated by him since then. -- as you said, he's | :35:30. | :35:33. | |
been. APPLAUSE | :35:34. | :35:49. | |
That was excellently played. So much power in the cue ball, here. Lots of | :35:50. | :35:54. | |
left-hand side, to get the cue ball careering into the reds. Unlucky to | :35:55. | :35:59. | |
catch a loose one, he could have opened up more. I was thinking, if | :36:00. | :36:04. | |
he had called the pack a little bit thicker, he had two reds to bring | :36:05. | :36:07. | |
the black interplay so that is what he was trying to do, to bring the | :36:08. | :36:12. | |
black into play but he still has the pink on so he can hopefully score 40 | :36:13. | :36:16. | |
or 50 points without reply and hopefully a little more. | :36:17. | :36:25. | |
At the interval this afternoon, he came straight out and asked what the | :36:26. | :36:30. | |
Leicester score was. He was delighted to know that they just | :36:31. | :36:33. | |
drew with Manchester United. APPLAUSE | :36:34. | :37:22. | |
13. That was an example of very good timing, there, the action he got on | :37:23. | :37:26. | |
the cue ball for such a soft shot was excellent. | :37:27. | :37:34. | |
He's looking at this red to the left corner as a possibility of canning | :37:35. | :37:40. | |
the black but the only problem is, the red is so close to the black, | :37:41. | :37:43. | |
you can't play the cannon because the cue ball will end up too close. | :37:44. | :37:57. | |
It will be a few shots before he can get the black interplay, here. -- | :37:58. | :38:03. | |
into play. If the pink, when it goes back on | :38:04. | :38:14. | |
its own spot, does not pot into the bottom right-hand corner, he will | :38:15. | :38:18. | |
play the blue. If it does... Oh, dear. Now, then, how is his tip? It | :38:19. | :38:25. | |
is brand-new. It is OK. He had a look, there. The man who puts all of | :38:26. | :38:35. | |
Mark Selby's tips on is a very good player, almost professional himself. | :38:36. | :38:44. | |
Ye aimed so low on the cue ball, Mark Selby, when he is playing a | :38:45. | :38:51. | |
screw shot. -- he aims so low. You would have to say, once he's | :38:52. | :38:54. | |
miscued, he's been very fortunate not to leave an easier shop than | :38:55. | :39:02. | |
this. It will finish on the black, possibly, if this goes in. Good | :39:03. | :39:09. | |
shot. APPLAUSE An unexpected chance for Ding | :39:10. | :39:14. | |
Junhui. He's got to start taking advantage of these chances. He keeps | :39:15. | :39:20. | |
on having a close look at his tip, Mark Selby. Hopefully for him, it | :39:21. | :39:22. | |
has not made a dent in it. I'm sure it's OK but it puts a bit | :39:23. | :39:35. | |
of doubt in your mind the next time you have to play a deep screw shot, | :39:36. | :39:39. | |
doesn't it? Following the cue ball through the reds, here. It is not | :39:40. | :39:45. | |
guaranteed, trying to finish on the black to the left corner. | :39:46. | :39:54. | |
Well, he has changed his mind, played the percentage shot where he | :39:55. | :39:59. | |
was more guaranteed to be in position. | :40:00. | :40:08. | |
As we always explain in commentary, you are just playing areas, you | :40:09. | :40:12. | |
don't particularly know if you are going to get on the blue or pink, | :40:13. | :40:16. | |
but you just play into an area where you will get onto the blue ora book | :40:17. | :40:21. | |
colour. But he's a bit betwixt and between, not nicely on any of them. | :40:22. | :40:25. | |
If this blue goes in, you could expect him to win the frame because | :40:26. | :40:28. | |
the red and black are in a fine position now. APPLAUSE | :40:29. | :40:35. | |
If it was the Ding Junhui of yesterday you would say it was an | :40:36. | :40:38. | |
absolute certainty to win the frame from here, but I'm not sure he's got | :40:39. | :40:42. | |
his confidence anywhere near where it was yesterday. | :40:43. | :41:24. | |
It is hard to believe, really, after nine frames, his highest break has | :41:25. | :41:34. | |
been 52. Just a little series of 30 breaks since then. Yesterday, he | :41:35. | :41:36. | |
made seven centuries, was it? Playing a little cannon on the red | :41:37. | :41:45. | |
to the right of the pink spot, here. He has five open reds, even if he | :41:46. | :42:07. | |
takes the black, he's going to need one of the tricky ones. They are not | :42:08. | :42:15. | |
too tricky, but when you are low on confidence and desperate to get | :42:16. | :42:17. | |
frames on the board, nothing is easy. You start to see problems | :42:18. | :42:21. | |
before they are even there. If this is dead straight, he really | :42:22. | :42:52. | |
needs to get into the cue ball to play for the red in the opposite | :42:53. | :42:56. | |
corner, the one he just screwed around the back of. He can't afford | :42:57. | :43:04. | |
to finish short. He could stun up the line. That is OK. So, 16 points | :43:05. | :43:13. | |
in front, three loose reds, which will put him 40 points in front so | :43:14. | :43:16. | |
he's going to need at least a red and a colour of the three difficult | :43:17. | :43:22. | |
reds. Mark Selby was in the balls, thinking it was a great chance to go | :43:23. | :43:26. | |
8-2, like I said in commentary, getting on the pink was not an | :43:27. | :43:29. | |
option because it would not have potted in the right-hand corner but | :43:30. | :43:31. | |
that was a bad miscue. 47. That has eclipsed his high break of | :43:32. | :44:17. | |
52 in the third frame. Just stun across the face of the red with the | :44:18. | :44:21. | |
red in the opposite corner. He could just hold it. Now, he's got to get | :44:22. | :44:27. | |
one more red and a colour after this red. | :44:28. | :44:37. | |
We will see after this shot which red he is going to play for. From | :44:38. | :44:45. | |
that angle, this is not the best angle, here. Is he going to play for | :44:46. | :44:53. | |
one of the two reds below the black bastion mark -- below the black? | :44:54. | :44:57. | |
Well, he has played that nicely. I always, when it was match ball, I | :44:58. | :45:11. | |
always hated getting the cue ball cleaned because I wanted to keep | :45:12. | :45:14. | |
going, keep the rhythm going, and when you stop to pause, maybe you | :45:15. | :45:17. | |
think about the importance of the shot a bit more. Yes, naturally, he | :45:18. | :45:23. | |
wants to get onto the black but the important thing is, make sure you | :45:24. | :45:32. | |
don't miss this red. APPLAUSE Just the black needed now. Make sure | :45:33. | :45:38. | |
you get on the red on the left-hand side cushion and pot it. The last | :45:39. | :45:43. | |
thing he needs is 15 or 20 minutes of trying to get out with snookers. | :45:44. | :45:51. | |
APPLAUSE Steve Davis, John Higgins and Mark | :45:52. | :45:54. | |
Selby, three people you would never have wanted to carry on against, if | :45:55. | :46:00. | |
they need four or five snookers, you would have felt happy but if they | :46:01. | :46:03. | |
only needed one, it was always dangerous. This is just as important | :46:04. | :46:10. | |
as any other ball in this break. GASPS FROM CROWD | :46:11. | :46:16. | |
Oh, 76 is not going to be enough, Mark Selby will carry on but barring | :46:17. | :46:22. | |
those snookers, Ding Junhui has done very well. | :46:23. | :46:45. | |
APPLAUSE One. | :46:46. | :47:17. | |
Now, obviously it means nothing, really, but I think it will be good | :47:18. | :47:47. | |
for Ding Junhui to clear the colours, here, just keep potting | :47:48. | :47:49. | |
balls. Well, he's not cleared the colours, | :47:50. | :48:15. | |
he has missed the yellow but he gets his first frame on the board to | :48:16. | :48:23. | |
night. He still has a four frame deficit, 7-3. STUDIO: We saw Mark | :48:24. | :48:26. | |
Selby with a miscue earlier in the frame and just to get your | :48:27. | :48:29. | |
perspective on this, he changed the tip of his cue last night after the | :48:30. | :48:32. | |
semifinal and we were talking about how big a gamble that was. Why would | :48:33. | :48:36. | |
a professional like you need to do it and why would you want to do it | :48:37. | :48:40. | |
at such a critical time in the championship? Apparently, that it | :48:41. | :48:44. | |
had become rock hard, it was probably getting very low, he's been | :48:45. | :48:48. | |
playing it throughout the tournament and chalking the tip is basically | :48:49. | :48:52. | |
scraping away the surface so it where that pretty quickly as you | :48:53. | :48:56. | |
play a lot of snooker like you do in a World Championship. He must have | :48:57. | :48:59. | |
felt like he was getting the feel but the trouble is, going to a | :49:00. | :49:03. | |
brand-new tip, it goes from being rock-hard to potentially quite soft | :49:04. | :49:07. | |
and spongy. Whether it affected that particular shot is hard to save stop | :49:08. | :49:11. | |
but it's been a gamble? He felt he had to take it because he was | :49:12. | :49:15. | |
telling me when he was screwing back, he could almost hear the | :49:16. | :49:19. | |
contact on the ball. It is something he had to do but it's a gamble. It | :49:20. | :49:24. | |
happened to be in a final many years ago, I split mine in the semifinal | :49:25. | :49:27. | |
and I did not have one that was broken in. I'm an advocate of having | :49:28. | :49:31. | |
a few tips that you have broken in knocking around so you can swap them | :49:32. | :49:35. | |
in. A lot of people have asked on social media about why players don't | :49:36. | :49:38. | |
have another cue ready but the trouble is, everyone is different. | :49:39. | :49:43. | |
Every tip is going to be different but every cue is different so the | :49:44. | :49:46. | |
dynamics of the cue changes so the best thing that you can do is what | :49:47. | :49:49. | |
John said, have some spare tips you have broken into but the problem is, | :49:50. | :49:53. | |
glueing them on perfectly is always difficult. Ding Junhui to break | :49:54. | :49:58. | |
having got his first frame on the board this evening. COMMENTATOR: I | :49:59. | :50:01. | |
totally agree with Steve Davis about the cue and the tip. Of course, most | :50:02. | :50:05. | |
people go throughout their careers with the same cue as well. This is | :50:06. | :50:07. | |
the missed you. -- miscue. Interesting to see whether Ding | :50:08. | :51:34. | |
decides to play a bit more aggressive safety, now, just to try | :51:35. | :51:38. | |
to get the ball is open. That is what you would like to play, he does | :51:39. | :51:42. | |
not want to be playing Mark Selby at his own game. I'm a bit surprised he | :51:43. | :51:48. | |
did not play it bigger than that. He can win a safety battle against Mark | :51:49. | :51:53. | |
Selby but you would say it is not the best idea. Especially over a | :51:54. | :52:04. | |
long, four session match. You would say -- can see the 10% difference so | :52:05. | :52:09. | |
it is plain to see who can win the majority of the tactical exchanges. | :52:10. | :52:15. | |
If Ding can start getting in early on frames and winning them in one | :52:16. | :52:17. | |
visit, it would be interesting to see how Selby reacts. Lots of times, | :52:18. | :52:22. | |
you always played the thick safety because he wanted the balls in open | :52:23. | :52:27. | |
play. When you score like Ding, who I think is probably the second best | :52:28. | :52:30. | |
break-builder in the game at the moment. Exactly, you have to play to | :52:31. | :52:32. | |
your strengths. That was a good shot. APPLAUSE | :52:33. | :52:49. | |
Has not got the cue ball on the cushion but when you are sitting | :52:50. | :52:52. | |
across, those shots are so easy to catch thick. -- hitting across. If | :52:53. | :52:59. | |
Mark Selby is playing the loose red here, you've got to be careful he | :53:00. | :53:02. | |
does not catch it then because he could knock another red over the | :53:03. | :53:06. | |
right corner. That is why he's playing a thick contact on it. But | :53:07. | :53:08. | |
it has still gone there. Just trying to rest on... Looking at | :53:09. | :53:50. | |
the way he is playing it, if he comes a bit too far out, the one to | :53:51. | :53:52. | |
the right of the black will pot. Also, the red that is just up from | :53:53. | :54:06. | |
the cue ball near the right-hand side cushion pots to the far yellow | :54:07. | :54:08. | |
pocket, I think. You can see, I think that will be | :54:09. | :54:18. | |
the one that Mark Selby will be taking on. Obviously, the red that | :54:19. | :54:24. | |
is to the left of the cue ball, he does not want to leave that. It | :54:25. | :54:27. | |
might be a reason for him turning this down. And the fact that he has | :54:28. | :54:33. | |
gone up to the Bwlch area to look at where the safe area is -- baulk | :54:34. | :54:38. | |
area. That shows me he's probably not going to take on the pot. | :54:39. | :54:52. | |
This is one of the reasons why he is such a tough match player, 7-3 ahead | :54:53. | :54:59. | |
but still keeping Ding Junhui under severe pressure. I don't think I | :55:00. | :55:02. | |
could have turned that red down to the yellow pocket. You would have | :55:03. | :55:07. | |
played its slow as well and try to cover the pocket with yellow and | :55:08. | :55:08. | |
brown and been on baulk colour. The players who got knocked out in | :55:09. | :55:29. | |
this tournament should look at the way Mark Selby has come through this | :55:30. | :55:32. | |
tournament, he has not played anywhere near his best game but | :55:33. | :55:38. | |
still ground out the results. And Sean Murphy, Judd Trump and those | :55:39. | :55:40. | |
kind of people, I love those people but they seem not to win frames | :55:41. | :55:42. | |
unless they make is 60. -- a 60. What a result he has had there. He | :55:43. | :56:05. | |
had to make that pot but had no idea where the cue ball was going to go. | :56:06. | :56:13. | |
The cue ball was always going to be canning of the red so bound to leave | :56:14. | :56:16. | |
something on, as you could see that, if he had missed it. | :56:17. | :56:36. | |
GASPS FROM CROWD Mark Selby knew that having that | :56:37. | :56:46. | |
little slice of fortune, that pink, you would have expected him to knock | :56:47. | :56:52. | |
it in. I just wonder if he is going to have one of these dodgy second | :56:53. | :56:53. | |
sessions again? Not the best shot that Ding has ever | :56:54. | :57:16. | |
played. He might have to play this blue to the far corner now. He will | :57:17. | :57:25. | |
probably just make sure of the pot and play to the right middle but he | :57:26. | :57:29. | |
can play to the two reds to the right of the black. He is taking the | :57:30. | :57:33. | |
blue onto left middle, so he could lose the cue ball, here. That is OK, | :57:34. | :57:45. | |
got enough cheque side on the white. -- check side. What a chance, 76 in | :57:46. | :57:50. | |
the last frame, his highest break of the match, so hopefully getting more | :57:51. | :57:59. | |
confident. I know you spend a lot of time in China these days, playing a | :58:00. | :58:03. | |
bit of pool. How big a star is Ding in China? He is a massive sporting | :58:04. | :58:09. | |
idol in China. I think now, I've been to about 50 | :58:10. | :58:20. | |
Chinese cities and everywhere you go, the first thing people ask you | :58:21. | :58:25. | |
is, "How is Ding Junhui? Is he going to win the World Championship?" If | :58:26. | :58:30. | |
he does, it will be incredible for him, white scary, even, how popular | :58:31. | :58:38. | |
he will become. -- quite scary. It is noticeable that he has just upped | :58:39. | :58:42. | |
his pace slightly after that 76 in the last frame, and these viewpoints | :58:43. | :58:46. | |
here. I was surprised earlier when I was watching him in the hotel room, | :58:47. | :58:51. | |
his average shot time was very poor, 29 seconds per shot at one time, and | :58:52. | :58:55. | |
now you can see it has gone down to 27. But he is a 20 second man, isn't | :58:56. | :58:58. | |
he? Yes, he is just a scoring machine | :58:59. | :59:13. | |
and that is what he has got to do. That is his biggest strength. | :59:14. | :59:28. | |
He won't be happy with that shot. The reason you said that, he was | :59:29. | :59:39. | |
trying to play to the left of the two reds, pinch a bit more of the | :59:40. | :59:43. | |
pocket but now he has bounced off the Gershon and has a choice of | :59:44. | :59:47. | |
three. Now he is hampered. Still be on the black though, should it go | :59:48. | :59:48. | |
in. You can see by the time he played | :59:49. | :00:01. | |
that shot, really confident on that one. APPLAUSE | :00:02. | :00:25. | |
37. The five reds, that is the first red of the five in the middle of the | :00:26. | :00:39. | |
table. At the Crucible, in Sheffield, no | :00:40. | :01:40. | |
better place than the one-table situation. | :01:41. | :01:46. | |
There were people from Switzerland, Norway, America all in the | :01:47. | :01:52. | |
hospitality room having dinner and then coming to watch this final. We | :01:53. | :01:56. | |
are having people from all over the world coming to watch now. | :01:57. | :02:07. | |
This is starting to feed Ding Junhui's confidence. 76 in the last | :02:08. | :02:14. | |
frame. 61 and counting here. | :02:15. | :02:28. | |
As we said in the previous frame, make sure you pot at least one more | :02:29. | :02:38. | |
red... When you have rhythm going the last thing you want is your | :02:39. | :02:41. | |
opponent to come back to the table and start playing snookers. | :02:42. | :02:45. | |
Just about got the worst angle on the black. Try and move the red as | :02:46. | :02:55. | |
near as his right eye there. We could see the first century from | :02:56. | :03:06. | |
Ding Junhui in this match. The record is Stephen Hendry, 26. | :03:07. | :03:45. | |
That could be another of your records. | :03:46. | :03:58. | |
This will be the 83rd century in the tournament so far. | :03:59. | :04:52. | |
He just found it now - on the up, everybody. 103. | :04:53. | :05:06. | |
-- ton up, everybody. 103. So welcome to the game, Ding Junhui, | :05:07. | :06:35. | |
that's more like it. More than what we expected to see. | :06:36. | :06:43. | |
There was that incredible performance, incredible | :06:44. | :06:44. | |
scoring-performance against Alan McManus. | :06:45. | :06:50. | |
Mark Selby to break. Mark Selby breaks off and that red | :06:51. | :06:57. | |
in that last frame that turned down to the far yellow pocket, it would | :06:58. | :07:02. | |
be dangerous for Mark Selby to go negative and protect his lead. I | :07:03. | :07:06. | |
totally agree. That is what you would think of doing - don't make | :07:07. | :07:11. | |
any silly mistakes. He should kick on with Ding playing poorly. Now | :07:12. | :07:20. | |
103. You play every part of this session, | :07:21. | :07:24. | |
this is the last before the interval... ... He's right back into | :07:25. | :07:33. | |
the match. That is what Terry would have been installing into him. | :07:34. | :07:57. | |
He got that wrong. He hit it quarter-ball. Look at the expression | :07:58. | :08:04. | |
on his face. When he played it, he realised he got the kiss on the | :08:05. | :08:09. | |
pink, how unlucky it was - it tells a story. | :08:10. | :09:00. | |
Very rarely do you see Mark Selby hitting the baulk colours into | :09:01. | :09:05. | |
safety. He didn't get close on the first two | :09:06. | :09:12. | |
attempts. It looked like he would be miles | :09:13. | :10:58. | |
away. It was nearer before he hit it. | :10:59. | :11:06. | |
They obviously played with the running side off the second cushion, | :11:07. | :11:14. | |
seemed to play with that ball to the left-hand side - it just | :11:15. | :11:18. | |
straightened up completely. At least he will know he has to play a little | :11:19. | :11:21. | |
right-hand side. It's not on plain ball - he'll have | :11:22. | :11:57. | |
to play it a little to the right-hand side. He's worried about | :11:58. | :11:59. | |
hitting one of the reds full ball. Needs to come further back towards | :12:00. | :12:14. | |
Ding. Foul and a miss. | :12:15. | :12:55. | |
You think he would be able to see from down there. | :12:56. | :13:29. | |
Got to play it with a little right-hand side. | :13:30. | :13:39. | |
That will be a catastrophe if it is a free ball. No, it's not. | :13:40. | :14:18. | |
Unfortunately he's got to give Mark Selby a 16 point in this frame. | :14:19. | :14:45. | |
I suggest 40 point, being generous there. You don't mind giving 20 | :14:46. | :14:48. | |
points away in that situation. Where's that red going? And the kiss | :14:49. | :15:07. | |
as well. It never rains, but it pours for | :15:08. | :15:12. | |
Ding Junhui supporters. The fluke was the bad thing to take, the kiss | :15:13. | :15:14. | |
on the brown was even worse. A three-ball plant, but look at the | :15:15. | :15:52. | |
kiss on the white here on the brown. The only good thing for Ding Junhui, | :15:53. | :16:02. | |
both black and when the pink goes to its own spot, one pocket, maybe two. | :16:03. | :16:07. | |
The black will be available into the left-hand corner. | :16:08. | :16:30. | |
These reds are perfect with black in open play. | :16:31. | :17:30. | |
That's a shocker from Mark Selby - it really is. | :17:31. | :17:36. | |
Was he trying to push through the reds, or did he think he was playing | :17:37. | :17:42. | |
through the gap? Even the pace, I expect he thought he was going to | :17:43. | :17:51. | |
kiss it - I am stunned by that shot. He's finished nowhere. | :17:52. | :17:56. | |
Let's look at this one again - the pace he plays - I think he might | :17:57. | :17:59. | |
have thought he was going through the gap. | :18:00. | :18:12. | |
He wasn't happy with that shot, was he? He may have to play safe now. | :18:13. | :18:20. | |
I was about to say how it was going to be important for Mark Selby to | :18:21. | :18:26. | |
get back into this final session by winning a frame in one visit, but | :18:27. | :18:32. | |
that ship has sailed now. Yes, when you have the lead that | :18:33. | :18:37. | |
Mark did, 6-2, you think every session, you think, I make sure I do | :18:38. | :18:42. | |
no worse than draw the session. Looking to come out 2-2. | :18:43. | :18:54. | |
Looking at this red. That is the bottom of the three reds below the | :18:55. | :19:00. | |
pink to the right corner. It is a thin cut. | :19:01. | :19:05. | |
No idea where the cue ball is going to end up. | :19:06. | :19:11. | |
Again staying on the side of caution. | :19:12. | :19:27. | |
Some place to play snooker, isn't it? The best. Not a lot of people, | :19:28. | :19:33. | |
not every player likes it. You have been retired a few years, | :19:34. | :19:45. | |
and do you get a buzz when you arrive at Sheffield? I was going to | :19:46. | :19:51. | |
say when I was standing in the arena doing TV work before I started, you | :19:52. | :19:57. | |
get goose bumps. I am very jealous of those players playing today. That | :19:58. | :20:02. | |
sounds like you will make a comeback. You know you want to. | :20:03. | :20:10. | |
Stop it now. Do you remember that Stephen? | :20:11. | :20:19. | |
Unfortunately, I never got near it. I am sure you've got one more in | :20:20. | :20:22. | |
you, Steve. Got to find that cap. | :20:23. | :20:50. | |
He's played the safety. It's gone wrong. | :20:51. | :20:55. | |
At first glance he's not left anything easy. | :20:56. | :21:11. | |
It could be a time when a bad shot by Ding might get him in here. | :21:12. | :21:20. | |
It will be interesting to see whether he plays for the black in | :21:21. | :21:24. | |
the same pocket or plays for the black in the right-hand corner. | :21:25. | :21:31. | |
Didn't quite get into the cue ball enough. | :21:32. | :21:37. | |
Played to get into the black, the same pocket he was playing the red | :21:38. | :21:40. | |
in. Didn't quite get into the cue ball. | :21:41. | :22:37. | |
He's got a decision here, Ding Junhui was if he puts him back in he | :22:38. | :22:47. | |
has every chance of playing the shot right the second time. Would you put | :22:48. | :22:52. | |
him back in from here then? Let him play from where the balls are now? | :22:53. | :23:02. | |
You are not going to answer me then? This is tricky, this. The brown is | :23:03. | :23:05. | |
hampering cueing. Can't get to the right-hand side of | :23:06. | :23:15. | |
the reds to play the easy return to baulk. Possibly see the red is tight | :23:16. | :23:20. | |
on the cushion. When you hit across it is easy to get those thick. I | :23:21. | :23:26. | |
think play from there, I think. A lot going on. | :23:27. | :23:50. | |
-- thinking time going on. When you look at this shot, you | :23:51. | :23:55. | |
think, this is really awkward, I don't fancy playing this. I think if | :23:56. | :24:01. | |
I do am I going to leave mark with a more difficult shot than this? I | :24:02. | :24:06. | |
would think not. You would be happy with that safety shot. | :24:07. | :24:10. | |
This safety shot is tough. Mark Selby has a new tip, if he's | :24:11. | :24:34. | |
playing this red, I think it is a touch a side of it where the tip is | :24:35. | :24:43. | |
a little bit soft he could completely mis-hit this shot. | :24:44. | :24:48. | |
This is the sort of shot where a soft tip is no good. | :24:49. | :25:04. | |
Perfect. Took a long time. He knew Mark Selby could play a telling | :25:05. | :25:15. | |
safety shot. He almost did. The aggressive safety is to take | :25:16. | :25:20. | |
that red away from the black, get the cue ball in behind the brown. | :25:21. | :25:33. | |
It is a decent line. He's just not hit it hard enough. | :25:34. | :25:40. | |
Mark Selby obviously has that 40-point lead. The fact Ding is | :25:41. | :25:46. | |
40-points behind that is why Stephen suggested he bring a black into | :25:47. | :25:51. | |
play, which he has done. Whoever pots the next red is going | :25:52. | :25:53. | |
to be favourite to win this frame. The two cushion escapes has not been | :25:54. | :27:05. | |
really good this evening. He'll have to hit this and get a good safety or | :27:06. | :27:11. | |
miss the ball all together. Hit it and got a good safety. Well done. | :27:12. | :27:52. | |
We mentioned the points were level on aggregate. Look at that - three | :27:53. | :28:00. | |
balls difference between these two players for the whole tournament. | :28:01. | :28:05. | |
I think they played each other 20 times. | :28:06. | :28:09. | |
Lots of right-hand side there. He realised he came very close to | :28:10. | :28:13. | |
it. Mark Selby has won the safety | :28:14. | :28:55. | |
battle, but where that white has finished, maybe not. A bit fortunate | :28:56. | :28:57. | |
there, Ding. He would have been hoping to be on | :28:58. | :29:46. | |
the brown nicely. There wasn't a lot of room to get this red go in. | :29:47. | :29:50. | |
Too risky to pot the brown. Mark Cannon pot is one, looking at | :29:51. | :31:02. | |
the angle, he can pot this red in the corner but he will have trouble | :31:03. | :31:07. | |
missing the kiss on the red and the pink on the way back so he probably | :31:08. | :31:12. | |
won't do it. He will go through the gap, the one just below the pink, | :31:13. | :31:14. | |
the cue ball in behind the yellow. You can see the situation that Ding | :31:15. | :32:42. | |
Junhui is faced with. It is not good. He does not want to slip past | :32:43. | :32:47. | |
this red that is tight on the Gershon, does not want to hit on the | :32:48. | :32:52. | |
left-hand side of it. That is a good shot. Touching ball. It's almost | :32:53. | :33:04. | |
impossible to run up to a baulk colour when you are two or three | :33:05. | :33:07. | |
inches behind it and leave touching ball. He's come the best part of 12 | :33:08. | :33:11. | |
feet to leave that touching ball, amazing. He will be in trouble with | :33:12. | :33:13. | |
his next shot now, though. Mark Selby will be delighted to have | :33:14. | :33:37. | |
come out of this session 2-2 because Ding has started to play a bit. | :33:38. | :34:04. | |
That is pretty good because the red that is tight on the cushion, which | :34:05. | :34:11. | |
is the normal way back to baulk, play it then, you can easily hit it | :34:12. | :34:14. | |
thick and then you have to avoid the cannon on the red and the blue on | :34:15. | :34:17. | |
the way back. This is not straightforward. | :34:18. | :34:50. | |
I mentioned this the last time he played that shot, if that was a bit | :34:51. | :34:55. | |
harder, going past the left-hand side of the red, it could easily | :34:56. | :34:57. | |
leave it on to the right corner. It was fourball on that red, wasn't | :34:58. | :35:21. | |
it, so, OK. -- full ball. This looks quite pacey. Good shot. | :35:22. | :35:38. | |
APPLAUSE If he moves the red that is to the | :35:39. | :35:57. | |
right of the black, it means he cannot play the same shot again. If | :35:58. | :36:01. | |
he can put the white in the same place, he would not risk that shot | :36:02. | :36:04. | |
again, Ding because he would leave the one to the left of the black so | :36:05. | :36:07. | |
maybe worth picking off the red that he is closest to. -- flicking off. | :36:08. | :36:17. | |
He's looking at that angle now. It is all about missing the kiss on the | :36:18. | :36:19. | |
brown if he does play it. Just coming up to a minute and a | :36:20. | :37:11. | |
half. Yes, we have just gone over the 30 | :37:12. | :37:22. | |
minute mark for this frame and I think in Ding Junhui's semifinal, | :37:23. | :37:26. | |
you could count on one hand the amount of frames that went over 30 | :37:27. | :37:30. | |
minutes. This is territory that definitely suits Mark Selby. | :37:31. | :37:59. | |
If it misses the green, it is good but it hasn't so maybe a tempter for | :38:00. | :38:05. | |
Mark Selby, here, either the one that is just on the pink spot, he | :38:06. | :38:07. | |
can cut that in and back to baulk. GASPS FROM CROWD | :38:08. | :38:25. | |
Well, he's been very fortunate, there. He played to get back into | :38:26. | :38:34. | |
baulk. I've got to be honest, like in that session now, how has that | :38:35. | :38:37. | |
White got anywhere near the doors when he has nearly got the pot? He | :38:38. | :38:43. | |
has hit it to thin. Well, obviously, it has flicked off that red, half | :38:44. | :38:49. | |
ball. He could have been left something easier than this. APPLAUSE | :38:50. | :39:00. | |
Decent pot and because he potted the red that it looks like he stopped in | :39:01. | :39:04. | |
time for the green. I thought he was going to sneak behind the yellow but | :39:05. | :39:07. | |
it just goes in the right-hand side of the pocket. | :39:08. | :39:28. | |
Four. It is too early to talk about winning the frame at this visit, I | :39:29. | :39:40. | |
think, and certainly there are enough read there to get right back | :39:41. | :39:42. | |
into this frame. -- enough reds. I was in common terry this | :39:43. | :39:58. | |
afternoon, talking about the turning point in frame two when Ding made a | :39:59. | :40:02. | |
break of 52 and lost it. This could be a similar pattern, getting his | :40:03. | :40:07. | |
own back because Mark Selby has been in control of this frame. Ding would | :40:08. | :40:16. | |
then win the mini-session 3-1 and be right back into the game. 11. His | :40:17. | :40:27. | |
pot success this session tells you that Mark Selby is not in the form | :40:28. | :40:31. | |
he was earlier today. You have to be at least 90-92 at this standard. | :40:32. | :40:39. | |
Mark Selby, just in front on the match in terms of pot success. But | :40:40. | :40:46. | |
should Ding pot three or four more reds, here, I think there will be | :40:47. | :40:52. | |
parity in that department as well. 18. | :40:53. | :41:36. | |
You mentioned he could get right back in the frame and he has done | :41:37. | :41:59. | |
that now. The next red can well, the next two reds, are no real problem. | :42:00. | :42:01. | |
-- red, well. If he's looking to win the frame at | :42:02. | :42:24. | |
this visit, I suggest Greenback from the pink to leave an angle to take | :42:25. | :42:28. | |
that red, the most awkward red of those two by the left cushion. The | :42:29. | :42:32. | |
one closest to the middle pocket will pot so no need to move that but | :42:33. | :42:37. | |
I think he will be stunning for a half ball pink, here. | :42:38. | :42:45. | |
The reason you suggest that is because even if he gets on the red, | :42:46. | :42:51. | |
bringing it into play, he should still be able to pot the one nearest | :42:52. | :42:55. | |
the middle pocket so this is good thinking from Ding if it goes right, | :42:56. | :42:57. | |
and he could win the frame. Can you turn that off, please? Well, | :42:58. | :43:16. | |
now he is looking to pot the red to the left middle and take the other | :43:17. | :43:19. | |
one out with that rather than with the pink. APPLAUSE | :43:20. | :43:28. | |
The problem with this is that if he gets the cannon to think, it will | :43:29. | :43:32. | |
leave the ball on the side cushion. -- toothpick. He's got -- he has got | :43:33. | :43:39. | |
to make a half-ball contact on the red, he does not want to be playing | :43:40. | :43:44. | |
the pink from where the red is. Can you take that out, please? Can you | :43:45. | :43:49. | |
see who it is? A problem with a mobile phone or something. Take it | :43:50. | :43:51. | |
out now, please. APPLAUSE Thank you. It does not look like | :43:52. | :44:16. | |
Ding is playing that cannon now. He was, he got it half ball. APPLAUSE | :44:17. | :44:24. | |
Yes, maybe just the contact was a bit thin, there. Just concentrating | :44:25. | :44:31. | |
on making sure he did not make a full-ball contact to leave the cue | :44:32. | :44:35. | |
ball on the cushion. But still, he has made it into a more makeable | :44:36. | :44:38. | |
red. APPLAUSE APPLAUSE | :44:39. | :45:08. | |
There's no doubt after making those two breaks, he is looking far more | :45:09. | :45:11. | |
composed at the table although straight on the black is no good. | :45:12. | :45:19. | |
Yes, he can get onto the red if he plays the pink in the middle at | :45:20. | :45:23. | |
pace. But it's a lot more difficult, playing it at pace, to get right | :45:24. | :45:26. | |
back over the other side of the table. Yes, if he is straight on the | :45:27. | :45:31. | |
black, all he can do is play for the red to the far green pocket. Unless | :45:32. | :45:38. | |
he chose to play it with a lot of right-hand side, which obviously | :45:39. | :45:44. | |
makes the black missable. So it is the red to the far right corner. And | :45:45. | :45:50. | |
he might even have the angle to go up to play the brown to the | :45:51. | :45:54. | |
right-centre, or even the brown to the green, same pocket as he is | :45:55. | :45:59. | |
potting the red, and that would be a good idea, to get the brown away | :46:00. | :46:04. | |
from that awkward position. Yes, I like that choice. | :46:05. | :46:21. | |
APPLAUSE He decided he could hold for the | :46:22. | :46:34. | |
blue, knowing that the other one would go in. He is now 12 points in | :46:35. | :46:40. | |
front. Blue, yellow and green will leave him 22 in front with 22 on the | :46:41. | :46:44. | |
table. That is why I thought he might choose to play for the brown, | :46:45. | :46:50. | |
there. So, Green to brown is the shot. He may risk taking the brown | :46:51. | :46:58. | |
off but I don't think so. 62. If he needed all the balls, I would | :46:59. | :47:00. | |
suggest possibly taking the brown away from there. | :47:01. | :47:11. | |
He does not want to be just off straight. He wants to get as close | :47:12. | :47:16. | |
to the brown as possible. How is the cue ball? APPLAUSE | :47:17. | :47:35. | |
Great shot. That was a great shot. So, just the brown. | :47:36. | :47:44. | |
APPLAUSE What an excellent break this has | :47:45. | :47:52. | |
been. When he came to the table, it did not look like a frame-winning | :47:53. | :47:53. | |
opportunity. APPLAUSE | :47:54. | :47:59. | |
This is a lot more like it. 82. Breaks of 76, a and 89 mean that | :48:00. | :48:28. | |
Ding Junhui is right back in this final, trailing 75. STUDIO: He has | :48:29. | :48:33. | |
won five of the last six and three in a row as Stephen Hendry says and | :48:34. | :48:37. | |
suddenly the real Ding Junhui has appeared inside the Crucible, just | :48:38. | :48:42. | |
as he did in the semifinal, when he made seven centuries, | :48:43. | :48:43. | |
record-breaking feats then and it looks like he has found his rhythm | :48:44. | :48:49. | |
and found his home. Gentleman, how do you rate the way that he has | :48:50. | :48:54. | |
fired back in this evening session? Fantastic, tremendous character. We | :48:55. | :48:57. | |
mentioned earlier in the tournament, the one thing I had been impressed | :48:58. | :49:01. | |
with what it attitude. He has not shirked any issue that came up this | :49:02. | :49:04. | |
week. It was not easy against Judd Trump and Martin Gould was not easy | :49:05. | :49:08. | |
in the first match, he was behind in that one and every time he's been | :49:09. | :49:10. | |
asked a question, he's found something full stop today, it was | :49:11. | :49:15. | |
not looking likely, it was one-way traffic but since then, fantastic | :49:16. | :49:19. | |
and his scoring has come back, the choke has come out of the machine | :49:20. | :49:23. | |
and suddenly he has started potting balls. The importance of the century | :49:24. | :49:27. | |
in the penultimate frame, his 13th of the championship so far. When you | :49:28. | :49:32. | |
are on the comeback trail, it's important you keep up the momentum | :49:33. | :49:35. | |
but if you go back in time to the first session and you think how | :49:36. | :49:39. | |
close Mark Selby was to getting to 7-0, then you start to think about | :49:40. | :49:43. | |
the what ifs of the game which are always quite amazing. It looks like | :49:44. | :49:46. | |
a new model they have sent out, they have rebuilt him! He looked like a | :49:47. | :49:50. | |
rabbit in the headlights to start the World Championship final. It | :49:51. | :49:55. | |
looks like he panicked at the fact he was in the final. But he has | :49:56. | :50:01. | |
steadied the ship and suddenly, it is quite interesting. It sure is and | :50:02. | :50:05. | |
I know Ken Doherty, the 1997 champion has been watching it from | :50:06. | :50:10. | |
the practice room. What have you got? | :50:11. | :50:12. | |
Quite interesting and Stephen Hendry picked up on something particularly | :50:13. | :50:16. | |
from Mark Selby's point of view, 7-3 ahead and look at the situation of | :50:17. | :50:20. | |
the table. Trying to keep the pressure on Ding of course which is | :50:21. | :50:24. | |
no harm but he plays a safety here when he possibly could have been a | :50:25. | :50:27. | |
bit more aggressive. OK, it is a straightforward safety, to ball down | :50:28. | :50:32. | |
to the book area, trying to get it tight to the baulk cushion but | :50:33. | :50:35. | |
Stephen Hendry quite rightly picked up a possibility that he is trying | :50:36. | :50:39. | |
to protect his lead, Mark Selby, instead of trying to be his normal | :50:40. | :50:43. | |
game which is sometimes, you have to be a bit aggressive. This is the | :50:44. | :50:46. | |
situation as we set it up, a very simple shot, off the side cushion | :50:47. | :50:50. | |
but he could have had a go at this red up into the yellow pocket and he | :50:51. | :50:54. | |
could have played it with a touch of safety. Probably being a bit | :50:55. | :50:58. | |
aggressive, taking it on, and if he pots it, he gets on the blue or he | :50:59. | :51:05. | |
is on a baulk colour. If he misses it, he still has yellow, brown, | :51:06. | :51:09. | |
possibly green, if the cue ball travels down here, that he can block | :51:10. | :51:13. | |
with but what Mark Shelby should -- Mark Selby should not do is try to | :51:14. | :51:16. | |
protect his lead and coast the finish line. He's got to be | :51:17. | :51:19. | |
aggressive when he needs to be and passive when he needs to be. But he | :51:20. | :51:26. | |
can't try to coast. It's a long way to coast, a long way | :51:27. | :51:29. | |
to go before tomorrow evening's final session. If you were with us | :51:30. | :51:32. | |
this afternoon in the opening session, you will have seen the | :51:33. | :51:36. | |
great Stephen Fry posing as a question which was maybe a bit | :51:37. | :51:38. | |
easier than the ones he has been throwing at us all week. I wonder | :51:39. | :51:42. | |
what he's got lined up in his last quiz? | :51:43. | :51:49. | |
Hello, we are seeking perfection today in this, our last quiz at the | :51:50. | :51:55. | |
Crucible. We would like maximum effort to get the old grey matter | :51:56. | :51:59. | |
going. Our breer celebrity guests want to go out on the ultimate high | :52:00. | :52:03. | |
as they and you attempt to answer this. In snooker, what were as rare | :52:04. | :52:10. | |
as hen's teeth in the 80s and are now ten a penny? -- hence' teeth. | :52:11. | :52:18. | |
Get involved on social media using this hashtag and we shall discuss it | :52:19. | :52:19. | |
all anon. And we shall leave that with you. It | :52:20. | :52:28. | |
feels like we've been waiting an awfully long time to see Ding Junhui | :52:29. | :52:31. | |
make it into snooker's Premier final. After all, you 29, but he | :52:32. | :52:37. | |
turned pro at 16. He's been turning heads ever since. But despite the | :52:38. | :52:42. | |
fact that he has made his house and his living here in Sheffield, he's | :52:43. | :52:46. | |
never really looked at home in the Crucible, until this year. Rob | :52:47. | :52:51. | |
Walker caught up with him last night after his celebrations, coming | :52:52. | :52:52. | |
through his semifinal. Congratulations. Here you are. Ready | :52:53. | :53:07. | |
for the biggest match of your life and yet, you seem so calm. I don't | :53:08. | :53:12. | |
want to get too excited. I have not finished yet. I have to do the last | :53:13. | :53:20. | |
match. Stay calm. Every time I win a good match, my confidence builds up | :53:21. | :53:25. | |
little bit. Now it is very relaxed and confident to play. You always | :53:26. | :53:29. | |
get a great reception from the crowd as well. I think people feel as | :53:30. | :53:33. | |
though you almost an adopted Yorkshire man because you have lived | :53:34. | :53:37. | |
in Sheffield for ten years. Do you regard this as home? I know | :53:38. | :53:41. | |
Sheffield a lot. When I first moved here, I made it feel like them | :53:42. | :53:45. | |
because I bought a house here and I live in Sheffield. I love here | :53:46. | :53:48. | |
because it is a nice area to live in. Give us an idea as to how much | :53:49. | :53:53. | |
pressure you feel, for instance, when you go to the China Open, when | :53:54. | :53:59. | |
you perform in Beijing. When I play a home game in China, I feel a lot | :54:00. | :54:04. | |
of pressure. I don't want to play badly when I go out there. Have you | :54:05. | :54:10. | |
gained a sense from here in Sheffield, as the tournament has | :54:11. | :54:15. | |
progressed, that the excitement is growing in China? I can't keep away | :54:16. | :54:18. | |
because people, my friends keep sending me things, or sometimes, | :54:19. | :54:22. | |
they know that, they are more excited than me. Are you someone who | :54:23. | :54:29. | |
shies away from TV interviews when you go home, questions about your | :54:30. | :54:33. | |
private life? I will tell you what you want to know. I will not tell | :54:34. | :54:38. | |
you what you don't need to know! It's OK to talk about my life, more | :54:39. | :54:46. | |
what I'm doing. What I'm doing at home is private, OK, I don't mind, | :54:47. | :54:50. | |
but if I don't want to tell, I don't tell. If you were to win the world | :54:51. | :54:55. | |
title, it would obviously be amazing for you but it would also be amazing | :54:56. | :55:03. | |
for snooker in China. I think at the moment, I have to focus on my own | :55:04. | :55:11. | |
game. I have to go the way I groomed, to win world titles. Also, | :55:12. | :55:16. | |
if I win it, -- the way I dream to. Also, if I win it, I will give | :55:17. | :55:19. | |
confidence to some young boy, going on this road, to keep going. They | :55:20. | :55:24. | |
will see that we have got a chance to win world titles. It does not | :55:25. | :55:28. | |
mean that the Chinese people cannot win. We can win and we have got | :55:29. | :55:32. | |
confidence. If we are doing well, we can be there, to win titles. And | :55:33. | :55:37. | |
also, it would be amazing for your family as well. I think sometimes, | :55:38. | :55:42. | |
the sacrifices your parents have made has been overlooked. There are | :55:43. | :55:45. | |
stories about your father having to sleep on the floor to help fund your | :55:46. | :55:51. | |
snooker. My father Don Ilott, got a job for me. -- did a lot. When I was | :55:52. | :56:00. | |
13, maybe we were not living quite so good but he tried to get me fully | :56:01. | :56:07. | |
focused on practice. He has done everything for me and also, we have | :56:08. | :56:15. | |
got the same faith that we can do, we can be successful, we can make | :56:16. | :56:22. | |
it. And yeah, we did. So what an amazing way it would be to reward | :56:23. | :56:27. | |
all of your father's faith and hard work by lifting the trophy on Monday | :56:28. | :56:36. | |
night? Oh, he would cry! LAUGHTER He rarely shows his emotion. He is | :56:37. | :56:40. | |
such a sweet person and a very humble man and very well liked, | :56:41. | :56:44. | |
actually. As usual, he's just going through his paces during the | :56:45. | :56:47. | |
interval, always comes in for a little practice with his coach, | :56:48. | :56:50. | |
Terry Griffiths. When you think this was the man who won the world under | :56:51. | :56:55. | |
21 championship at 15 years old and turned pro at 16, so many people | :56:56. | :56:58. | |
thought he was going to beat Stephen Hendry's record of the youngest | :56:59. | :57:07. | |
Crucible winner but it's taken him a very long time to get here, and into | :57:08. | :57:10. | |
this final. Why? Lots of good players about, simple as that. I | :57:11. | :57:12. | |
don't know if it is many other things. Being away from home cod be | :57:13. | :57:15. | |
easy and we forget that because we are all based here but he had to | :57:16. | :57:19. | |
come and get used to things. -- which can't be easy. Interesting | :57:20. | :57:24. | |
that he's in there practising. I bet he's a lot better than he was when | :57:25. | :57:28. | |
he was 6-0 down, in the early part of the match, when he was in there, | :57:29. | :57:32. | |
trying to knock a feeble thing, 4- direct high that the interval. Far | :57:33. | :57:38. | |
better in there with Terry now. You forget he's 29 now, and other | :57:39. | :57:42. | |
21-year-old, he was playing you in the UK final. He achieved so much | :57:43. | :57:46. | |
before he turned 20, winning three ranking titles. He has been a | :57:47. | :57:51. | |
phenomenon waiting to explode in terms of the Crucible and I guess | :57:52. | :57:57. | |
this year, being a qualifier, in some respects, has that helped his | :57:58. | :58:02. | |
challenge? It may well have done or it may well be that he has got to | :58:03. | :58:06. | |
have played through this amount of snooker before he's matured or of | :58:07. | :58:10. | |
course, it could just be the randomness of how you turn up at the | :58:11. | :58:13. | |
World Championships and get through the matches. I've not seen every one | :58:14. | :58:17. | |
of his matches at the Crucible. There might have been turning points | :58:18. | :58:20. | |
in games he lost that if he had won his first round match, he would have | :58:21. | :58:24. | |
gone on to better things, Wicca. What you can say is a player of | :58:25. | :58:28. | |
doing's standing you think it will be criminal if at some stage he did | :58:29. | :58:32. | |
not win the World Championship but it happens. -- of Ding's standing. | :58:33. | :58:37. | |
And he did not like the venue when he first came, it was like a | :58:38. | :58:41. | |
cauldron, maybe he was under so much pressure. John Higgins did not like | :58:42. | :58:44. | |
it the first time he came but he soon got used to it and won four | :58:45. | :58:48. | |
World Championships but I don't think Ding ever felt at home. When | :58:49. | :58:53. | |
he won the first frame to reduce the deficit to 6-1, there was a tear in | :58:54. | :58:57. | |
his eye today. That is an unusual thing for a player during a game. I | :58:58. | :59:01. | |
think he might be a lot more emotional person and player than we | :59:02. | :59:03. | |
ever thought possible from his deadpan face and the machine-like | :59:04. | :59:09. | |
way he goes about things. He could be so emotional in some ways that it | :59:10. | :59:13. | |
has affected a bit and he's needed more time to mature in that | :59:14. | :59:18. | |
department. -- affected him. As he said in the interview, he is a very | :59:19. | :59:22. | |
private person but a very likeable man and he's trying to become only | :59:23. | :59:25. | |
the third ever qualifier to go on and win the title. That really has | :59:26. | :59:30. | |
been one of the stories of the championship, the story of the | :59:31. | :59:34. | |
qualifiers. They have come barging through, old and new, creating | :59:35. | :59:37. | |
headlines, right from the off, some 15 days ago. Welcome to the Crucible | :59:38. | :59:45. | |
Theatre, the World Snooker Championship, 2016. Steve Davis, | :59:46. | :59:49. | |
this arena is all yours. Oh. Oh, well, what has he done | :59:50. | :00:01. | |
there? Nobody would have called it. Oh, and | :00:02. | :00:31. | |
he has got the blue, Stuart Bingham, you will be back, no doubt about | :00:32. | :00:36. | |
that. This was the shot. It didn't go quite, then he won't leave it on. | :00:37. | :00:38. | |
But, excellent shot. To make the century, he is going to | :00:39. | :00:42. | |
need the pink. Hang on, hang on, hang on, hang on - | :00:43. | :00:58. | |
yes. It's the pink first. And now try to put those back together. | :00:59. | :01:02. | |
We'll join you again in about ten minutes' time. | :01:03. | :01:10. | |
If you can't beat them, stab them. The tension will increase. Are you | :01:11. | :01:31. | |
lining me up there? I hope your eyes are going. Go on. The Crucible | :01:32. | :01:39. | |
Theatre, made by Lego. What a fantastic achievement. Thank you | :01:40. | :01:43. | |
very much. It is a long walk it the table over there. You need a taxi | :01:44. | :01:51. | |
ride to get over to the table. Steve Davis has just had a marriage | :01:52. | :01:53. | |
proposal, live on the BBC. There is no other spot available. | :01:54. | :02:12. | |
What a shot that was! He couldn't have played it any better. The hand | :02:13. | :02:14. | |
shake. Barry Hawkins has done what he has | :02:15. | :02:23. | |
not done for 14 years. Beat Ronnie O'Sullivan on the biggest stage of | :02:24. | :02:27. | |
all. He had to play three qualifying matches to get here. He is here, and | :02:28. | :02:29. | |
he is now in the quarterfinals. Can you believe what you have just | :02:30. | :02:41. | |
seen? John can't. Well, I have never, ever, in the history of | :02:42. | :02:44. | |
playing snooker ever seen that happen off the break off. He is just | :02:45. | :02:51. | |
laughing. Absolutely remarkable. One of the best matches I have ever seen | :02:52. | :02:53. | |
in my life. Smile there, black now, Kieran. | :02:54. | :03:06. | |
Absolutely superb. He wants the crowd to give him a big round of | :03:07. | :03:12. | |
applause. They have responded. The world number one, finishes in style. | :03:13. | :03:22. | |
It's all still to play for. Welcome to a fabulous Friday, here in | :03:23. | :03:30. | |
Sheffield. The old Tartan trousers are bringing a bit of luck. | :03:31. | :03:34. | |
He'll probably glue his fingers to the cue. A little trick shot for the | :03:35. | :03:52. | |
black. There it is, finishing off with a trick shot. Are you watching, | :03:53. | :03:56. | |
are you watching you lot? It has been bizarre at times but | :03:57. | :04:11. | |
brilliant. We hope you have enjoyed the last 15 days with us on the BBC. | :04:12. | :04:18. | |
That last shot you saw with Mark Selby alongside Willie Thorne | :04:19. | :04:22. | |
reminds me this could be the first part of a sporting double for | :04:23. | :04:27. | |
Leicester. So can Mark Selby outfox all comers again? What is your | :04:28. | :04:32. | |
initial thought in reaching your third world final? More relation | :04:33. | :04:37. | |
than anything else. I felt a lot more pressure out there this time | :04:38. | :04:41. | |
than what I did two years ago when I was playing Neil in the semifinal to | :04:42. | :04:45. | |
get to the semifinal. And whether it was to get to another final, another | :04:46. | :04:49. | |
chance to win it for a second time now I have won it before, whether it | :04:50. | :04:54. | |
is that pressure I'm not too sure. I definitely felt more edgy, not just | :04:55. | :04:57. | |
in the semifinal but most matches. Your preparation has been different | :04:58. | :05:00. | |
for this, of course. You took time off. Was that to stay fresh for the | :05:01. | :05:06. | |
Crucible? Yes, and at the minute it seems to have worked | :05:07. | :05:09. | |
performance-wise it has not been too good but as far as results, I'm | :05:10. | :05:13. | |
still in and still have a chance it win. So seems to be working at the | :05:14. | :05:18. | |
moment Was that that to the detriment of your matchplay, not | :05:19. | :05:20. | |
having a couple of matches coming in, do you think you have got away | :05:21. | :05:24. | |
with it a little bit? Possibly, I was still putting in the hours | :05:25. | :05:28. | |
practising at home. When you are playing at home, you feel like you | :05:29. | :05:32. | |
are playing well but because you are not tested, you don't know where | :05:33. | :05:40. | |
your game is at. I didn't practice with anyone coming into the | :05:41. | :05:44. | |
Championships. Joe Perry asked me for a game but we were close to each | :05:45. | :05:50. | |
other in the draw, so I didn't do that. What about your opponent Ding | :05:51. | :05:57. | |
unwi. It'll be tough. Yes, it will, I need to score well. Ding is | :05:58. | :06:02. | |
playing fantastic, I made six or seven centuries in his semifinal. I | :06:03. | :06:07. | |
know I'm up against. I tell myself to be positive and I go out there | :06:08. | :06:12. | |
and I am not. I can't afford to go into my shell against Ding, because | :06:13. | :06:15. | |
I will have no chance of winning Experience, it is the first time | :06:16. | :06:18. | |
Ding has been in a Crucible final. It must count for something. I | :06:19. | :06:21. | |
suppose so, as you say, I need to get off to a good start and | :06:22. | :06:25. | |
capitalise on that. If Ding is going to feel anything, it'll probably be | :06:26. | :06:29. | |
at the start of the match, so if he is edgy there, hope flick capitalise | :06:30. | :06:33. | |
on a good first session. Funny enough, if you win, this will be | :06:34. | :06:38. | |
your first trophy this season, hard to believe, isn't it? It is, I won a | :06:39. | :06:44. | |
small PTC but in main ranking events I have not won anything. For this to | :06:45. | :06:48. | |
be my first tournament, not a bad one in the season. I probably know | :06:49. | :06:52. | |
the answer to this, but what will it mean to you to win two World | :06:53. | :06:55. | |
Championships? It would be amazing, even when I won my first, it was a | :06:56. | :07:00. | |
fantastic feeling. Everyone back home saying I was great and if you | :07:01. | :07:04. | |
win again, it would be et bore. I have given myself a chance by | :07:05. | :07:07. | |
getting into the final again. So I will be trying my hardest. If I win | :07:08. | :07:11. | |
it for a second time, I will quite emotional I think. It'll be a | :07:12. | :07:15. | |
wonderful season for the city of lester, looks like they'll win the | :07:16. | :07:19. | |
Premier League. Mark Selby could win the Championship l you start texting | :07:20. | :07:24. | |
me? No, I'll probably still send you the pictures of the Premier League | :07:25. | :07:28. | |
trophy with Leicester on T unbelievable as far as the Football | :07:29. | :07:33. | |
Club goes. This time last year they were struggling to stay up. This | :07:34. | :07:36. | |
time they have been top of the league for most of the season and | :07:37. | :07:39. | |
look close to doing it. Hopefully they will do it. Monday night | :07:40. | :07:43. | |
hopefully I will do it. From foxes, we are back to hen's teeth. I'll let | :07:44. | :07:53. | |
Mr Fragg explain one last time. Over -- fl fry. Eve the last few decades | :07:54. | :08:00. | |
we have seen fantastic developments in the standards of play, and | :08:01. | :08:04. | |
today's question underlines, that I asked you, what were as rare as | :08:05. | :08:10. | |
hen's teeth in the '80s and are now ten-a-penny. I cue should know it | :08:11. | :08:17. | |
better than anyone. What are as rare as hen's teeth and they are now | :08:18. | :08:24. | |
ten-a-penny. Kicks. Maybe centuries. But they are not ten-a-penny. Well, | :08:25. | :08:28. | |
you should know, you made enough of them. Maximums. But these misses. | :08:29. | :08:36. | |
How many frames go by without a Mrs. A Mrs? Yes, all the wives down the | :08:37. | :08:46. | |
front roe. Whose misses is that? You know the misplacement of the ball. | :08:47. | :08:50. | |
Maximum, surely. Gentleman yes. It's got to be maximum. Yes. We will go | :08:51. | :08:57. | |
for maximum breaks. Obviously centuries weren't as - well | :08:58. | :09:00. | |
certainly 147s were very rare in the '80s, that would be the answer. I | :09:01. | :09:05. | |
would go for a 147. You don't get any more hen's teeth than you used | :09:06. | :09:10. | |
top of the answer is not hen's teeth, it could be the question. | :09:11. | :09:15. | |
Hen's teeth are as rare as hen's teeth. You have definitely got that | :09:16. | :09:22. | |
right. Yes, what was once rare, is now commonplace, we are talking | :09:23. | :09:25. | |
about maximum breaks. Steve Davis made the first official one in | :09:26. | :09:29. | |
competition in 1982. Also the first on television. His reregard was a | :09:30. | :09:34. | |
Lada car. I'm not going to say anything. But it should be | :09:35. | :09:38. | |
remembered the great Joe Davis was the first man ever to make a 157 in | :09:39. | :09:43. | |
an exhibition match in 1955. That's crazy. That was six years after he | :09:44. | :09:55. | |
had retired from the game. Here in Sheffield, Cliff Thorbourn took the | :09:56. | :09:59. | |
honours for the fist Crucible match. But they were rare. Only eight made | :10:00. | :10:04. | |
in the whole of the 1980s. Fast forward around 30 years. In 2012, 1 | :10:05. | :10:10. | |
#1, more in a single year than a whole decade of the '8 #0s. So far | :10:11. | :10:14. | |
this Deng died over 50. Yes, they maybe more commonplace now, but they | :10:15. | :10:19. | |
rightly remain one of snooker's most celebrated achievement. You could | :10:20. | :10:23. | |
argue that the faster cloths don't make it easier, they make it harder, | :10:24. | :10:27. | |
the bouncy cushions they are always complaining about. The thrill of | :10:28. | :10:30. | |
that moment, though, is still one of the reasons that I love watching | :10:31. | :10:33. | |
this great game. Over the last few days, it has been just as lovely to | :10:34. | :10:37. | |
share with you some weird, wonderful and quite interesting facts about | :10:38. | :10:41. | |
snooker. So, thanks for your company, and enjoy this year's final | :10:42. | :10:51. | |
weekend at the Crucible. Goodbye. And thank you to the wonderful | :10:52. | :10:57. | |
Stephen Fry who was so charming and so genuinely enthusiastic about | :10:58. | :11:00. | |
snooker. He loves the game, John. He certainly does. He loves it. He came | :11:01. | :11:06. | |
up a couple of years to see us, and went to the Winter Gardens. They | :11:07. | :11:09. | |
gave him a signed cue. He would have loved that. It was like all of his | :11:10. | :11:13. | |
Christmases had come at the one time. He was so enthusiastic. Thank | :11:14. | :11:16. | |
you very much Stephen for your help with that. And thank you, too, to | :11:17. | :11:20. | |
all of you who gave us your answers. We do have some winners. We have the | :11:21. | :11:27. | |
lack of Calum Wilson, Jeff Prophet and Vicky Dewery, you are our cue I | :11:28. | :11:32. | |
winners. That's 50 points and minus 200 for everyone else who got it | :11:33. | :11:37. | |
wrong. But it has been great to have the quizes over the last week. Now | :11:38. | :11:41. | |
we are down to the serious stuff. And five more frames. Frame 13. Ding | :11:42. | :11:43. | |
Junhui to break. DENIS TAYLOR: Well, Ding Junhui gets | :11:44. | :11:56. | |
the first frame after the mid-session under way and he will be | :11:57. | :12:01. | |
feeling much more comfortable now. He has won that little mini-session | :12:02. | :12:05. | |
3-1 but straightaway left a possible pot for Mark Selby. Once again, a | :12:06. | :12:11. | |
red goes right next to the black and puts it out of commission. | :12:12. | :12:15. | |
It is turning into a fascinating tussle this, after being #-1 down, | :12:16. | :12:23. | |
superb stuff from the Chinese player. -- 6-0 down. | :12:24. | :12:34. | |
Oh, well, he was a little bit off that shot. He wasn't very confident. | :12:35. | :12:42. | |
I wasn't quite sure whether he was going to hit the black and red. | :12:43. | :12:56. | |
-- a fabulous comeback. Five frames they played in the session and five | :12:57. | :13:07. | |
more tonight. He is a bit unlucky. It was a very | :13:08. | :13:23. | |
positive shot that Ding Junhui took on there. He went full flooded for | :13:24. | :13:28. | |
the cannon and very unfortunate to cover that black. But it just shows | :13:29. | :13:36. | |
you that the confidence has gradually come back he looked very | :13:37. | :13:39. | |
edgy at the start and every credit to him for this comeback. | :13:40. | :14:48. | |
That's pretty good. He has blocked the escape route down the left side | :14:49. | :14:56. | |
of the table. You have to be a bit careful going | :14:57. | :15:05. | |
past the black. He has it get it thin and make sure he doesn't go | :15:06. | :15:07. | |
in-off. Well, he did clip the black but | :15:08. | :15:10. | |
safely back down the table. It looked like it was going to go | :15:11. | :15:29. | |
7-0, you know. This was the shot - if this goes in, wow, it wobbled | :15:30. | :15:31. | |
four or five times. Because he got himself absolutely | :15:32. | :15:46. | |
perfect on the pink. As we see a red go over the right middle pocket. Has | :15:47. | :15:50. | |
he covered it? I think he has, Denis. He has a very easy swerve, | :15:51. | :15:55. | |
but the problem about that is that he doesn't have much control of the | :15:56. | :15:59. | |
cue ball. The cue ball will be going very, very close to this bottom, | :16:00. | :16:01. | |
corner pocket. He hits it very nicely indeed. Watch | :16:02. | :16:23. | |
the cue ball as it hits the top cushion. The side kicks in-off the | :16:24. | :16:27. | |
side cushion and back up nicely for the blue. | :16:28. | :16:33. | |
It is still a pretedy awkward table. With the pink tied up and the black | :16:34. | :16:40. | |
at the moment hampered. So he has to give this a little bit of thought. | :16:41. | :16:46. | |
There are at least six reds nicely-placed but it is not a good | :16:47. | :16:47. | |
chance just yet. There is a red he could possibly | :16:48. | :17:03. | |
have got on into the left-corner pocket. He can't really get on that | :17:04. | :17:10. | |
ideally-placed one just now. Sort of needs to get his arm going | :17:11. | :17:18. | |
again, doesn't he, Denis? He has been kept a little bit cold. | :17:19. | :17:23. | |
He needs to really sort of make a nice break, a frame-winning break in | :17:24. | :17:30. | |
one visit just to get a bit of momentum back. He has certainly lost | :17:31. | :17:32. | |
that now. Yes, make no mistake, Mark will be | :17:33. | :17:42. | |
looking for this little mini-session, to win it. As I say, | :17:43. | :17:48. | |
we have the extra frame to play. There's five more to be played. | :17:49. | :18:12. | |
I suppose the other turning point was when he jumped over the red when | :18:13. | :18:19. | |
he was 30 in front and miscued. Everything seemed to change around | :18:20. | :18:22. | |
and Ding kept getting stronger but little things like that can happen | :18:23. | :18:27. | |
in a long match and they can play a big part in it. This was T he was | :18:28. | :18:32. | |
nicely in, and screwing back for the pink and it wasn't really the tip's | :18:33. | :18:36. | |
fault. It was the way he cued it, just a bit too low. This was it. | :18:37. | :18:45. | |
Oh, he has played that through the gap. | :18:46. | :18:53. | |
Now he has a wonderful angle on the black. He can pot the black. You see | :18:54. | :18:59. | |
the cue ball going through the gap there. A wonderful angle. He can | :19:00. | :19:04. | |
move the red to the left of the black spot and still be on the two | :19:05. | :19:09. | |
reds into the same pocket. He has to get the cannon right on the red, | :19:10. | :19:12. | |
just over the black spot. He has missed it. | :19:13. | :19:23. | |
He just tried to kiss that red out of the way. It was like a half-ball | :19:24. | :19:31. | |
contact. He didn't want to hit it full ball, otherwise he could have | :19:32. | :19:34. | |
snookered himself from the two reds but he has an alternate. It just | :19:35. | :19:39. | |
means he will have to head up for the blue but maybe he can just get | :19:40. | :19:43. | |
through. He has spotted something there. What he is looking at. He is | :19:44. | :19:49. | |
looking to see if he can pot this with the black past the other red. | :19:50. | :19:53. | |
Because he can stun this in and get out on the black but, well, he must | :19:54. | :20:01. | |
feel that if the black goes - well, we'll tell the way he plays the shot | :20:02. | :20:05. | |
whether it is available. No, it is not and he has hit this too hard. | :20:06. | :20:07. | |
Much too hard. He is looking as if he got a bit of | :20:08. | :20:20. | |
a flier off this cushion behind the black. | :20:21. | :20:33. | |
That was about the best he could do. He couldn't keep the white away from | :20:34. | :20:40. | |
the cushion, because he was close to the cushion when he attempted the | :20:41. | :20:43. | |
blue. So it is not straightforward. Back for the blue again here. | :20:44. | :20:57. | |
And that is what can happen, when you just keep getting out of | :20:58. | :21:02. | |
position. He might be able to stretch and reach for the green | :21:03. | :21:07. | |
here. But if you lose close control, that's the sort of thing that can go | :21:08. | :21:14. | |
wrong. If the yellow was on its spot here this would be straightforward | :21:15. | :21:17. | |
around two or three cushions to get back for the reds but. He has to be | :21:18. | :21:22. | |
careful he doesn't hit the yellow here. | :21:23. | :21:31. | |
And he had to be careful not to go in-off. He must have got a lot of | :21:32. | :21:38. | |
action on that. You were right, the yellow was the distraction, he had | :21:39. | :21:42. | |
to avoid that and got a little bit too much side on T | :21:43. | :21:46. | |
-- on it. A free shot. He can still take a pot | :21:47. | :21:54. | |
on and back up towards the green or brown. | :21:55. | :22:04. | |
Well still not in perfect or prime position but still pulling out great | :22:05. | :22:13. | |
pots. I think it is quite evident that his time something not | :22:14. | :22:15. | |
completely there, Denis. He is losing the cue ball quite a bit. He | :22:16. | :22:21. | |
needs another delicate shot here on the blue. Can he hold it? Is he | :22:22. | :22:23. | |
going to go into the pack? He didn't catch it full | :22:24. | :22:39. | |
ball. That is what can happen. If you catch it full ball it'll head | :22:40. | :22:47. | |
towards the corner pocket. A couple of earpieces have got loud. If you | :22:48. | :22:51. | |
have turned them up, can you turn them back down, please. The referee | :22:52. | :22:58. | |
telling some members of the audience to turn their earpieces back down. | :22:59. | :23:04. | |
The second world final Paul has refereed. He has been a top referee | :23:05. | :23:08. | |
for a number of years now. One of the best in the business. | :23:09. | :23:12. | |
He is having a look at the red that's closest to this bottom | :23:13. | :23:18. | |
right-hand corner pocket. I'm not sure if he has enough of it to try | :23:19. | :23:21. | |
to take it on. It doesn't look like he has. He is | :23:22. | :23:36. | |
weighing up his options of where he wants to put the cue ball, so maybe | :23:37. | :23:41. | |
just a good safety shot down behind the green. | :23:42. | :23:47. | |
Mark Selby, 30. Not too bad. But he will be disappointed, Mark Selby, he | :23:48. | :23:55. | |
didn't win the frame on that visit. Attempted the pot with safety in | :23:56. | :24:41. | |
mind. He hit it a little harder than he intended. So I'm sure Mark will | :24:42. | :24:43. | |
get a better cue ball here. He needs to miss the brown, though. | :24:44. | :24:58. | |
He hasn't. He has covered the one near the pocket. The pink is | :24:59. | :25:04. | |
blocking the path through to that. It is who can put in the best safety | :25:05. | :25:09. | |
shot here that can create a chance for himself. | :25:10. | :25:21. | |
Well, the natural angle is to knock the red over the bottom pocket. He | :25:22. | :25:28. | |
has chosen a more difficult safety shot and he has played it pretty | :25:29. | :25:34. | |
good. That's a God shot. That was quite difficult when the red is so | :25:35. | :25:37. | |
close to that top cushion. You have to hit it perfectly. | :25:38. | :25:52. | |
There is not a great deal of difference between them in the | :25:53. | :25:56. | |
safety success department. The tournament safety success rates | :25:57. | :26:13. | |
- 1% the difference. Ding slightly better than Mark, which a lot of | :26:14. | :26:15. | |
people will be surprised by. You are looking at one of the best | :26:16. | :26:29. | |
break-builders the game has ever seen. | :26:30. | :26:47. | |
Trying to get behind green and brown here, if he can straighten the cue | :26:48. | :26:54. | |
ball off this top and side cushion. Couldn't do that. Tried to get | :26:55. | :26:56. | |
behind the yellow. Now, who is going to be the first | :26:57. | :27:17. | |
player to get in behind that green and brown? | :27:18. | :27:28. | |
That was far too thin. He has covered the one he has knocked | :27:29. | :27:34. | |
towards the pocket but wasn't the best from Mark there, by any means. | :27:35. | :27:39. | |
The only problem for Ding Junhui if he tries to get in behind the green | :27:40. | :27:46. | |
and brown, he could leave that red that's near the corner pocket, | :27:47. | :27:49. | |
anywhere Eve where the cue ball is, and in line with that, he would | :27:50. | :27:53. | |
cover it. So is he going to risk trying to get a really good cue ball | :27:54. | :28:00. | |
in behind the green and brown? He doesn't have to do. He can head down | :28:01. | :28:07. | |
hyped the yellow. But -- he can head down behind the yellow. But we shall | :28:08. | :28:09. | |
see. Went for the green and brown. | :28:10. | :28:28. | |
APPLAUSE It was an excellent shot. You couldn't play that just with the | :28:29. | :28:34. | |
normal top spin. There was a lot of left-hand side to check up the cue | :28:35. | :28:38. | |
ball and straighten the angle. Mark is looking at a possible | :28:39. | :28:43. | |
three-ball plant. There you see the two balls in line with hitting the | :28:44. | :28:47. | |
red closest to this right-hand corner pocket. But he's going to | :28:48. | :28:52. | |
have to swerve that cue ball to make a proper contact on those two. Yes, | :28:53. | :28:58. | |
if he can't get to that, I can only see that as an escape route but can | :28:59. | :29:03. | |
he see enough of that cushion to play that? Maybe just. It looks as | :29:04. | :29:07. | |
if he is aiming towards that. He has to get fairly close to the green to | :29:08. | :29:09. | |
pull this off. He played it well. | :29:10. | :29:19. | |
APPLAUSE He might find himself back up behind | :29:20. | :29:30. | |
the green and brown here. Again, using a little bit of left-hand side | :29:31. | :29:32. | |
off the side cushion. You can see clearly those two reds | :29:33. | :29:57. | |
are definitely not plant. It could be made but at the moment the red | :29:58. | :30:03. | |
closest to the white is blocking the path for that. But things removing | :30:04. | :30:08. | |
this, but he could, as Ken said, get in behind the green and brown here. | :30:09. | :30:21. | |
This is a Mark Selby special into the left corner. If he has got a | :30:22. | :30:29. | |
slight angle, he plays the shot so well, with Spain, to come back up | :30:30. | :30:34. | |
the table. This is a test of cueing. -- with spin. He has got a 29 point | :30:35. | :30:48. | |
advantage. A key shot coming up. He plays it so well, that shot. He is | :30:49. | :30:53. | |
one of the best in the business at that shot. Absolutely. It is like a | :30:54. | :30:58. | |
signature shot from Mark Selby. Look at where the cue ball has landed. He | :30:59. | :31:04. | |
didn't try to go up for green or brown. He was walking but he thought | :31:05. | :31:16. | |
he hadn't hit it hard enough. Thank goodness for gravity. He was halfway | :31:17. | :31:22. | |
round the table before the blue dropped in. That's the beauty of | :31:23. | :31:34. | |
these tables. The clocks are so fast and fine that they are beautiful to | :31:35. | :31:44. | |
play on when you are playing well. But if you are off your game, they | :31:45. | :31:49. | |
can make you look silly out there, Ken, can't they? They certainly can. | :31:50. | :32:00. | |
He got a bit of a hard balance of the cushion. He wanted to be | :32:01. | :32:13. | |
straight on the road. -- off the cushion. | :32:14. | :32:33. | |
That's much better. He missed one earlier on into the middle pocket, | :32:34. | :32:40. | |
Ken, when he was four or five frames ahead and it cost him. That was a | :32:41. | :32:45. | |
much better strike. He should win the frame from this | :32:46. | :32:57. | |
visit, you would feel. The pink would put up 56 points ahead. So the | :32:58. | :33:03. | |
loose red just above the free reds and the black and another high value | :33:04. | :33:14. | |
colour and Ding Junhui would need colours -- snookers. Yes, and the | :33:15. | :33:21. | |
other red on the right side of the table is very accessible as well. | :33:22. | :33:25. | |
Just to make absolutely sure. It was probably just what he needed | :33:26. | :33:39. | |
as well, one good pot to try to win the frame from here, just to break | :33:40. | :33:56. | |
Ding's momentum. He has flicked that read, so he may have two take that | :33:57. | :34:02. | |
one to the left. People want one more red to keep Ding Junhui in his | :34:03. | :34:08. | |
seat. He didn't do anything about this. Mark just knocked in a | :34:09. | :34:19. | |
fantastic long red. He is reluctant to take the red just below the black | :34:20. | :34:25. | |
spot. He doesn't want to let Ding in for an easy chance, so he is trying | :34:26. | :34:30. | |
to keep a bit of pressure on. A big target behind green and brown but it | :34:31. | :34:37. | |
is not that good. It is a little bit short. He will be happy with fat, | :34:38. | :34:45. | |
24. Particularly with his opening. He will be disappointed he didn't | :34:46. | :34:48. | |
close out the frame from that position. He is coming up a long way | :34:49. | :34:59. | |
short and he has left another Mark Selby special. He needed 14 point | :35:00. | :35:03. | |
snooker to try -- to tie, did Ding. Well, he got a horrendous cake. Not | :35:04. | :35:43. | |
that it matters, but still not nice to see. -- a horrendous cake. It | :35:44. | :35:51. | |
doesn't matter about missing the pink. He has done what he had to do. | :35:52. | :36:00. | |
He has taken the frame. Mark Selby has opened up a three frame | :36:01. | :36:03. | |
advantage again at 8-5. Well, I like this wonderful camera | :36:04. | :37:21. | |
angle from the back of the theatre at the Crucible. It gives you a | :37:22. | :37:25. | |
sense of how big it is now. It really comes into its own. There is | :37:26. | :37:32. | |
so much more room around the table. You don't have to worry about the | :37:33. | :37:35. | |
partition or the noise from the other table as Mark Selby breaks | :37:36. | :37:42. | |
off. This is the 14th frame. It really is something special, isn't | :37:43. | :37:46. | |
it? When you play at one table venue. When you say how big it is, | :37:47. | :37:52. | |
some people in the sponsors lounge, the first time here at the Crucible, | :37:53. | :37:57. | |
they thought how small the theatre was, even with the one table. If | :37:58. | :38:01. | |
they had been here when there were two tables! We always say, when | :38:02. | :38:08. | |
there are two tables and you are on the cushion, the people in the front | :38:09. | :38:11. | |
row could grab the cue and play be shot for you. -- play the shot. That | :38:12. | :38:24. | |
is a nice little gap but he doesn't think he could get enough side, so | :38:25. | :38:28. | |
he is taking the safe route into the left side of the bunch. Just the | :38:29. | :38:39. | |
side has taken it there and even then it has not quite made it. A | :38:40. | :38:50. | |
file and a miss. When you are playing with that amount of side, | :38:51. | :38:56. | |
you almost slip off the edge of the reds and leave the red on the black | :38:57. | :39:09. | |
spot. Should he be short with the second attempt here, he might look | :39:10. | :39:20. | |
at the red he has an ion. It looks at this time. He has the right pace. | :39:21. | :39:26. | |
A decent shot. Did you lose a frame once with three Mrs? I'm sure I | :39:27. | :39:38. | |
remember that. I did, yes. At the world Championships here. In fact, I | :39:39. | :39:45. | |
was involved in a match with Steve Davis and Steve Davis missed three | :39:46. | :39:54. | |
times, lost the frame and lost the match. He was very disappointed. | :39:55. | :40:09. | |
That was incredible to go into that middle pocket at that pace and that | :40:10. | :40:20. | |
angle. Can he get this thread and can he | :40:21. | :40:35. | |
get himself onto the black? There are a couple of ways of doing this. | :40:36. | :40:39. | |
He could set it up dead straight and screw back with the white, all you | :40:40. | :40:46. | |
could come off the top and side cushion and sit behind the black. He | :40:47. | :40:53. | |
is leaving a slight angle, so he is going to play this with top spin. He | :40:54. | :40:58. | |
is just worried about where the black is going to go. He has got to | :40:59. | :41:05. | |
negotiate the red first to get on the black. It is certainly a test of | :41:06. | :41:20. | |
your cueing, this type of shot. In fact, he was playing up to the blue | :41:21. | :41:29. | |
that, because the black spot was tied up, and a big smile as he looks | :41:30. | :41:34. | |
at Mark Selby and says, there you go. That red could have gone | :41:35. | :41:44. | |
anywhere but he couldn't have left it any easier for Mark. The same | :41:45. | :41:51. | |
problem arises for Mark here. Will the black B pottable? | :41:52. | :42:00. | |
He didn't think it was going to be pottable and he is short on the | :42:01. | :42:11. | |
blue, is he? He may be able to take the black here, Dennis Ross Jamaat | :42:12. | :42:17. | |
he is right on the blue line, so he might have to take the black. If he | :42:18. | :42:24. | |
pots the black and leads the cue ball exactly where the black is, I'm | :42:25. | :42:34. | |
not sure what part he'd have. The more difficult green. Has he got on | :42:35. | :42:38. | |
the red that is causing the problem and stopping both players from | :42:39. | :42:41. | |
getting the black? That was never easy because the way | :42:42. | :43:05. | |
he queues at that type of shot, he is striking down on it and I think | :43:06. | :43:11. | |
the yellow has come to his rescue here. He is fortunate. Very | :43:12. | :43:14. | |
fortunate there. The white must have bounced three or | :43:15. | :43:46. | |
four times before it got to the red when you cue like that. He has | :43:47. | :43:51. | |
overcut that but he has played that in a clever way. He knows the red | :43:52. | :43:56. | |
won't go past the yellow. He knows if he cuts that in common he is on | :43:57. | :44:01. | |
the black or the blue and he knew he was covered. A clever shot. I wonder | :44:02. | :44:10. | |
whether Mark have a couple of options. He could try to get a plant | :44:11. | :44:18. | |
onto the red over the corner pack -- corner pocket or he could roll into | :44:19. | :44:23. | |
the pack. If he rolls into the pack, we will have a re-rack here. I | :44:24. | :44:32. | |
wonder if it is touching ball? I don't think they'll bother even | :44:33. | :44:43. | |
saying re-rack. I like how he signalled their that he wanted a | :44:44. | :44:49. | |
re-rack. It is like he wanted a substitute brought on. Look at the | :44:50. | :44:56. | |
White here. Look at this. At least three or four times. That is why the | :44:57. | :45:00. | |
shot was so difficult, when you have the butt of the cue in the ad. You | :45:01. | :45:06. | |
can see the cue action. Striking down on it. How many times does this | :45:07. | :45:13. | |
bounce? That first one has gone two feet? One, two, three, four. That is | :45:14. | :45:20. | |
what happens when you strike down on a ball. Eight ounces before it got | :45:21. | :45:24. | |
to the black. This is a bit of a chance because he | :45:25. | :46:13. | |
can put this and done off the side cushion and get on the black. This | :46:14. | :46:20. | |
is a bit of a free shot for him. -- stun off the side cushion. If he | :46:21. | :46:26. | |
takes the part to the corner and stands of the cushion, he is | :46:27. | :46:32. | |
perfectly on the black. This is all about the putt. -- all about the | :46:33. | :46:37. | |
pot. He is so good into the middle | :46:38. | :46:55. | |
pocket, Ding Junhui. I am just wondering, because he will still | :46:56. | :47:02. | |
have a pot at the black back -- at the black. It is a tough one, but I | :47:03. | :47:12. | |
have seen him put these before. Very tough. You have to be so straight | :47:13. | :47:22. | |
with your cueing here. Just the near part of the pocket but it's not too | :47:23. | :47:27. | |
bad. He was only going to leave that red. I think we'll see Mark Selby -- | :47:28. | :47:36. | |
I don't think we'll see Mark Selby take on the red into the green | :47:37. | :47:39. | |
pocket. It is too risky. Another rewrite? -- re-rack? Because | :47:40. | :48:04. | |
the red is awkward. I can't see a lot that Ding can do here. Only roll | :48:05. | :48:11. | |
into the reds. The problem about screwing of the reds and trying to | :48:12. | :48:17. | |
get the cue ball back behind the black or to the top cushion may | :48:18. | :48:24. | |
leave a part on. He is looking at him, Mark looked at him, but Ding | :48:25. | :48:33. | |
had turned away. Maybe Ding Junhui should have taken a re-rack there. | :48:34. | :48:40. | |
That is pretty good. He has not the red over to the centre. He can't cut | :48:41. | :49:52. | |
this red back into the left centre. And he has got tight enough to this | :49:53. | :49:57. | |
top cushion that it will be very difficult to get down onto the cue | :49:58. | :50:02. | |
ball to screw the cue ball back to the top cushion. A slight bit of | :50:03. | :50:04. | |
bother here. He is coming up to the minute's | :50:05. | :50:38. | |
thinking time here. Attempting the plant. Very risky. | :50:39. | :51:04. | |
Now, has he left a pot on for Ding into the left centre? The red pots | :51:05. | :51:15. | |
but it is certainly not easy. As you said, Dennis, he is so good on the | :51:16. | :51:24. | |
spot into the middle pocket. It is certainly worth having a go at this. | :51:25. | :51:30. | |
Oh, that is brilliant. A perfect shot. That was fantastic cueing. | :51:31. | :51:49. | |
At that pace, he had to be so precise. This is a thin one. Safely | :51:50. | :52:00. | |
in. Ding Junhui did win the tactical battle. Can he take full advantage? | :52:01. | :52:07. | |
That was a tremendous opening red. Just to QB in at that pace into the | :52:08. | :52:11. | |
middle. He judged it, a little cannon on the red to bring me cue | :52:12. | :52:15. | |
ball back for the black. Sometimes in situations like this, | :52:16. | :52:46. | |
particularly when you have read Max around the -- particularly when you | :52:47. | :52:51. | |
have reds around the blue, you quite like to get up and tidy up around | :52:52. | :52:56. | |
the middle pocket. He has played until a couple of reds there and if | :52:57. | :53:00. | |
he can get these into the left corner pocket, he will always have | :53:01. | :53:04. | |
the left centre. A little bit short of pace with the | :53:05. | :53:15. | |
cue ball. Got to play a little cannon, maybe, | :53:16. | :53:30. | |
into the two reds around the pink spot. He is going up for a red navy | :53:31. | :53:50. | |
blue. -- near the blue. If you look at the breaks he has made to get | :53:51. | :53:59. | |
back into this final, he has had breaks of hundred and three, 80 | :54:00. | :54:03. | |
nine. They have both had century breaks. This final is building | :54:04. | :54:09. | |
really nicely and the standard is increasing all the time. | :54:10. | :54:16. | |
This is what I was saying. Getting around the blue. He has got a series | :54:17. | :54:26. | |
of quite easy pots and all the time he is accruing as it -- a sizeable | :54:27. | :54:29. | |
lead. I was just hoping before the final | :54:30. | :54:43. | |
started that both these players would play to the top of their form. | :54:44. | :54:52. | |
It looked all one-sided. 6-0 down. Ding was looking very edgy and a | :54:53. | :54:56. | |
little bit emotional at one stage. But now he's back to his brilliant | :54:57. | :55:02. | |
best. Even though he's three frames behind, he's going along nicely | :55:03. | :55:03. | |
here. He used all of the pocket their for | :55:04. | :55:17. | |
the black but he is still OK. He looks a little bit more in | :55:18. | :55:47. | |
control, doesn't he? He was completely out of sorts in that | :55:48. | :55:57. | |
first session. Oh, that definitely wiped its feet. A reaction from Ding | :55:58. | :55:59. | |
Junhui there. Have a look at this. Can you turn that off please? They | :56:00. | :56:21. | |
have told them. I don't know how many announcements have been made. | :56:22. | :56:34. | |
He is steadying himself up. He knows the importance of the next shot. A | :56:35. | :56:42. | |
nice little cannon here. In fact, he is rolling it. He is not going to | :56:43. | :56:47. | |
risk the cannon. He has gone way up the table because he knew that red | :56:48. | :56:54. | |
was there. A definite little cannon into the two reds behind the pink | :56:55. | :56:59. | |
and then he thought, I might flick off a red and snooker myself, so he | :57:00. | :57:01. | |
thought of the safety positional. But yes, from 7-2 behind, as I | :57:02. | :57:19. | |
mention the three frame-winning breaks, this final is starting to | :57:20. | :57:25. | |
come alive, it has to be said. That was a nice little shot on the red | :57:26. | :57:27. | |
there. He sometimes puts a little bit of | :57:28. | :57:40. | |
unwanted side but he is back in control now. His scoring throughout | :57:41. | :57:44. | |
this championship has been quite amazing. | :57:45. | :57:58. | |
He has already had 13 centuries. I think the record is 16 from Stephen | :57:59. | :58:04. | |
Hendry a few years ago. That is quite some statistic. Especially in | :58:05. | :58:11. | |
a semifinal, to make a record of six centuries, or was it eight centuries | :58:12. | :58:21. | |
in the semi against Alan McManus? Seven centuries he made against Alan | :58:22. | :58:24. | |
McManus. That was a record here at the Crucible. Funnily enough, | :58:25. | :58:35. | |
Stephen Hendry didn't realise he'd made the most centuries with that | :58:36. | :58:39. | |
16. Second in line as John Higgins, who's made 14 here one year. | :58:40. | :58:48. | |
It was 2002 when Stephen Hendry got his 16 centuries here. | :58:49. | :59:05. | |
The middle red between the pink and the other red might pot? It doesn't. | :59:06. | :59:16. | |
Otherwise he might have played about. He will need a cannon onto | :59:17. | :59:19. | |
the other red. He has gone up for the reds on baulk | :59:20. | :59:38. | |
and a little case might have been nice. What a shame. But he will | :59:39. | :59:45. | |
still have a go. The frame is safe. I'm lucky. He will be disappointed | :59:46. | :59:56. | |
that he didn't make the century but, most importantly, he has another | :59:57. | :00:01. | |
frame on the board and he has closed the gap now, but it is Mark Selby | :00:02. | :00:07. | |
who still leads by 8-6. We still have three more to play tonight and | :00:08. | :00:10. | |
John and Steve, it has been interesting to see just what a | :00:11. | :00:14. | |
turnaround he has managed to produce? There was one shot at the | :00:15. | :00:16. | |
start of this that was amazing. Fabulous cueing this. He made a | :00:17. | :00:26. | |
frame-winning break off T but he is right in this match now. Total | :00:27. | :00:29. | |
change around. Complete. It is like a different person out there, isn't | :00:30. | :00:33. | |
it? Yes, he has his foe ku.s you can see he is not worried about | :00:34. | :00:37. | |
anything. He is just concentrating on the balls in hand. That's the key | :00:38. | :00:44. | |
to the game, staying in the present. Not worrying about the future, | :00:45. | :00:47. | |
thinking about how it is going or panning out. He is focussing on what | :00:48. | :00:51. | |
is in front of him. I'm not saying he is not worried but he is | :00:52. | :00:55. | |
focussed. Mark Selby has had the guy come back at him and he has more | :00:56. | :01:00. | |
time to think and ponder in his chair. In the moment, a phrase. | :01:01. | :01:04. | |
Stephen Hendry is watching this in the practice roo. Not sure if he is | :01:05. | :01:09. | |
getting his arm in, with a view to a comeback but Stephen was with us | :01:10. | :01:12. | |
watching that first devastating session from Mark Selby. What do you | :01:13. | :01:17. | |
make of the turn around in Ding Junhui? I'm more interested in the | :01:18. | :01:21. | |
turn around of Mark Seoul bi. I knted believe the way he has come | :01:22. | :01:26. | |
out tonight. He looks a lot like his other matches this he can would. He | :01:27. | :01:32. | |
is not playing like a guy who is 6-2 in front and wants to press home the | :01:33. | :01:36. | |
advantage it win the final. He looks edgy and under pressure. And the | :01:37. | :01:39. | |
under pressure business, we talked about earlier. You couldn't - you | :01:40. | :01:48. | |
talked about Selby's second session syndrome. It has been a problem | :01:49. | :01:52. | |
throughout Championship. Definitely. He puts his effort into getting a | :01:53. | :01:58. | |
good start and takes his foot off the pedal, whether subconsciously or | :01:59. | :02:00. | |
whatever. But he looks like a different player, like at the moment | :02:01. | :02:04. | |
he is struggling for confidence. Interesting observations. Stephen | :02:05. | :02:08. | |
also keeping a little eye on the century breaks because, as you say, | :02:09. | :02:13. | |
13 centuries Ding Junhui has made and Stephen's record of 16 is | :02:14. | :02:15. | |
certainly within range. DENIS TAYLOR: It certainly is, Hazel | :02:16. | :02:26. | |
but an interesting observation from the seven times world champion | :02:27. | :02:27. | |
there. I was watching this afternoon's | :02:28. | :02:40. | |
session back at the hotel. When he was 6-0 up, I picked out one shot. | :02:41. | :02:46. | |
He took a risky red on. He had a very straightforward safety shot and | :02:47. | :02:49. | |
he still nearly won that frame when he wobbled the blue, we showed you | :02:50. | :02:55. | |
earlier to go 7-0 up. Since then, things have turned around, it has to | :02:56. | :03:03. | |
be said. Can Ding Junhui start with this nice long pot? | :03:04. | :03:15. | |
Hit it on the wrong side. It was his turn to get away with it. He had a | :03:16. | :03:23. | |
result there. These things happen, when you start playing well, cueing | :03:24. | :03:27. | |
well, you get the rub of the green, when you are struggling, if you miss | :03:28. | :03:31. | |
a shot like this, you stick your opponent in. | :03:32. | :03:36. | |
It was interesting what Stephen Hendry said in the practice room. He | :03:37. | :03:44. | |
is definitely right. I think we are seeing Mark Selby going into his | :03:45. | :03:48. | |
shell a little bit, even though he had | :03:49. | :03:51. | |
He is normally so good with his safety game, his B game but at 6-2 | :03:52. | :03:59. | |
up you want to press home your advantage. The worst thing he can | :04:00. | :04:06. | |
do, is go into his shell. Of course the flip side of that is that your | :04:07. | :04:11. | |
owe Pope ented is putting you under that bit more pressure because you | :04:12. | :04:15. | |
know that any chance you get, he is going to make a frame-winning break. | :04:16. | :04:18. | |
-- your opponent. He is certainly matching Mark Selby | :04:19. | :04:28. | |
in the safety department. That's for sure. Brown and yellow is the target | :04:29. | :04:31. | |
to get in behind here. A little bit on the thin side. So a | :04:32. | :04:52. | |
tactical exchange now to see who makes the first mistake. | :04:53. | :05:16. | |
Now, will Mark Selby take a big risk? Maybe not. The red into the | :05:17. | :05:23. | |
right corner but he would have to get it, so he is ignoring that and | :05:24. | :05:27. | |
looking immediately at the safety shot. | :05:28. | :05:45. | |
Better length of the cue ball this time. An excellent shot. He plays | :05:46. | :05:56. | |
that shot so well. Judged it nicely, off four cushions. There maybe a gap | :05:57. | :06:01. | |
between the green and blue. Having a look at the right to the | :06:02. | :06:15. | |
bottom right-hand corner pocket, too, but that's fraught with a lot | :06:16. | :06:16. | |
of danger. That will do nicely. He doesn't want | :06:17. | :06:41. | |
to leave a touching ball. Touching ball. | :06:42. | :06:48. | |
Could be back in the same position again. Sometime in these situations, | :06:49. | :06:54. | |
Denis, though, I think I would prefer not to snooker your opponent | :06:55. | :06:58. | |
on the pack of reds, because he is going to keep playing that shot. You | :06:59. | :07:02. | |
would like to force him into playing a more difficult safety shot to try | :07:03. | :07:04. | |
to get the cue ball back to baulk. Looks short of pace that one. When | :07:05. | :07:24. | |
you are striking over a ball and down on the cue ball like that, it | :07:25. | :07:28. | |
is so difficult to judge the pace of it. That's what Ding Junhui is faced | :07:29. | :07:31. | |
with. Now, he missed the other one in the | :07:32. | :07:40. | |
opposite corner when he was rolling it. Let's see what he does with | :07:41. | :07:41. | |
this. APPLAUSE | :07:42. | :07:49. | |
WHISTLING We have a few whistlers in, which is | :07:50. | :08:06. | |
unusual. Of it deserved it, the pot and held the cue ball perfectly. | :08:07. | :08:12. | |
Well, he couldn't have cued that any better. That was excellent. Not only | :08:13. | :08:17. | |
the pot but the position, as you said. | :08:18. | :08:23. | |
Holding the cue ball perfectly for the black. The thing I like about | :08:24. | :08:29. | |
that particular shot. He didn't take trooch time over it, did he? He -- | :08:30. | :08:34. | |
didn't take too much time over it. He made up his mind straightaway he | :08:35. | :08:38. | |
was going for the more difficult pot. | :08:39. | :08:40. | |
Yes, he zrnt a deleer mind at the start of this match. But I tell you | :08:41. | :08:47. | |
what, he certainly has now. Because four out of the last five frames he | :08:48. | :08:53. | |
has made breaks of 76, 103, 89 and 86. | :08:54. | :09:04. | |
He is' going to have to get the extension on the rest to take this | :09:05. | :09:16. | |
red. If he pots it, he is automatically coming out on to the | :09:17. | :09:23. | |
black. He has looked at that and back looking at the other red. And | :09:24. | :09:25. | |
that's going to be his choice. Just lost his concentration | :09:26. | :09:42. | |
momentarily there. It's been a while since he has | :09:43. | :09:55. | |
missed something like that. There again, Mark Selby throws his | :09:56. | :10:23. | |
little extension on the ground in frustration. That's a poor shot from | :10:24. | :10:28. | |
his standard. No real pressure on there. Playing | :10:29. | :10:48. | |
ball around the back of the black. He is nicely on the blue. He can try | :10:49. | :11:01. | |
and get on this red just to the right of the pink here. | :11:02. | :11:13. | |
He keeps his head so still on the shot, does Ding Junhui. He really | :11:14. | :11:20. | |
does. Watch his head here as he delivers the cue. | :11:21. | :11:36. | |
Well, I never thought I would be saying this, Ken, but there is | :11:37. | :11:41. | |
possibility, you know that Ding could have an overnight lead after | :11:42. | :11:46. | |
being 6-0 behind. He has two more frames after this and the way he is | :11:47. | :11:50. | |
playing, you know, I wouldn't put it past him. I mean he is just taking | :11:51. | :11:56. | |
it frame at a time now. But the momentum is with him. | :11:57. | :12:01. | |
He spotted a little plant. This will be a little Brucie bonus. There you | :12:02. | :12:10. | |
see it. It is directly in line. The angle he has on this as well. He can | :12:11. | :12:16. | |
go into the other reds and bring some more reds into play here. | :12:17. | :12:25. | |
Mm, well he brought some reds into play but wanted to be nicer on this | :12:26. | :12:32. | |
pink. Well, what a tester he is faced with as we show you this split | :12:33. | :12:37. | |
again. He has a long blue which will give him better position on the next | :12:38. | :12:41. | |
red but if he cuts the pink in, he is running away from the reds. | :12:42. | :12:56. | |
He never even looked at the blushing it was much easier to get position | :12:57. | :13:10. | |
but probably a slightly more difficult pot. He still has a pot on | :13:11. | :13:17. | |
to the right corner. He is looking to see if he could take it on and | :13:18. | :13:26. | |
get himself on to the black. A very key shot coming up here. | :13:27. | :13:36. | |
He is looking good. He is looking very good now, is Ding Junhui. He is | :13:37. | :13:48. | |
a man on a mission at the moment. He is playing a lot more aggressive, a | :13:49. | :13:53. | |
lot more self-assured, a lot more confident. | :13:54. | :14:13. | |
He is a lot more focussed, it has to be said. I think he is really | :14:14. | :14:19. | |
enjoying this now. He wasn't at the beginning. It is a whole new ball | :14:20. | :14:20. | |
game. Yes, he is not flifrnling at the big | :14:21. | :14:31. | |
shots. He is taking them on. It is a sign of confidence. -- he is not | :14:32. | :14:40. | |
flinching. He will need one more. He is thinking a few shots ahead here. | :14:41. | :14:44. | |
Obviously the loose red at the bottom of the back of five will pot. | :14:45. | :14:48. | |
He is worried about his next red after that. | :14:49. | :14:55. | |
So he may need one more little cannon into that cluster of four | :14:56. | :14:59. | |
reds. Purposely played to go low on the | :15:00. | :15:17. | |
black. A cannon into the left-hand side of that bunch of four would be | :15:18. | :15:22. | |
perfect. Yes, that's the cannon he would love. He could open all four | :15:23. | :15:24. | |
reds up. It's OK. He pushed it to the middle | :15:25. | :15:37. | |
pocket. Didn't quite work out as he intended but he was always going to | :15:38. | :15:41. | |
be on something once he got that cannon. | :15:42. | :16:02. | |
We showed you earlier in this match how many people were watching this | :16:03. | :16:10. | |
back in China. It's now 5.00am and I bet there's still a lot watching. It | :16:11. | :16:13. | |
is 5.00 in Beijing. It really is a fabulous performance, | :16:14. | :16:31. | |
considering he lost the first six frames. Just a red and a colour away | :16:32. | :16:38. | |
from closing the gap to just one frame. | :16:39. | :16:47. | |
He is just getting the cue ball cleaned. | :16:48. | :16:55. | |
Well, there is an awful lot of experience sitting in that chair, | :16:56. | :17:02. | |
but it is over half an hour since he last potted a ball. | :17:03. | :17:25. | |
Yes, and he will want to make sure that Mark Selby doesn't come back to | :17:26. | :17:36. | |
the table. Just play on and Mark Selby will need one snooker -- this | :17:37. | :17:40. | |
blue and Mark Selby will certainly need one snooker. The red will | :17:41. | :17:45. | |
certainly put played to the frame. It is amazing, has finished up on | :17:46. | :17:50. | |
the red that he looked at when he missed into the top corner. He | :17:51. | :17:54. | |
studied this shot and decided to take the other one. Virtually in an | :17:55. | :17:58. | |
identical position. I mean the frame is safe now. But you know what Mark | :17:59. | :18:05. | |
Selby is like. So Ding will want to make sure this red drops in. | :18:06. | :18:22. | |
No, but at least he hasn't left it right over the pocket. One snooker | :18:23. | :18:28. | |
to tie at the moment. He could have done without this, as | :18:29. | :18:37. | |
we show you the miss with the rest. Because you know what Mark Selby is | :18:38. | :18:43. | |
like. He could keep this frame going for quite some time. Ding would have | :18:44. | :18:48. | |
liked to have got it over with and got on with the next. | :18:49. | :18:57. | |
He could possibly just slide off this red and try to get up behind | :18:58. | :19:00. | |
the green with the cue ball. Pretty good. An excellent shot. He | :19:01. | :19:20. | |
has to be careful here, Ding unwi. Even though he leads by 71 points, | :19:21. | :19:27. | |
if he was to let Mark in with a chance, there are a couple of reds | :19:28. | :19:32. | |
near the pink. You know he would be looking to pot four reds, four high | :19:33. | :19:36. | |
value colours. He would have to stay on the black to just leave himself | :19:37. | :19:38. | |
needing the one snooker. Just landing on this red. Doesn't | :19:39. | :19:52. | |
want to go in-off it, that's for sure. Well, he has a big target | :19:53. | :19:59. | |
here, Mark Selby. You can just glance off this red. Knock the red | :20:00. | :20:04. | |
into the four reds and get that cue ball up behind the yellow and brown. | :20:05. | :20:09. | |
He needs to try to bounce the cue ball off the baulk cushion. He has | :20:10. | :20:13. | |
to try to get really tight behind the yellow or brown here. | :20:14. | :20:34. | |
He has found a gap. There is always a gap. | :20:35. | :21:01. | |
And have a look at this shot - oh, not quite. | :21:02. | :21:09. | |
Well, as I mentioned Ding Junhui could have gone without thing a grow | :21:10. | :21:17. | |
vagus, had he rolled that red in with the extension on his cue and | :21:18. | :21:19. | |
the rest. -- aggravation. Well, has he got the gap this time? | :21:20. | :21:59. | |
No, not this time for that red over the left-hand corner pocket. I'm | :22:00. | :22:04. | |
just wondering will he attempt the one over the right corner. It is a | :22:05. | :22:08. | |
very fine cut, isn't it? He will play the one on to the one over the | :22:09. | :22:12. | |
pocket and get the white through the gap back down. | :22:13. | :22:23. | |
Not quite a big pocket. If that red was near the right corner pocket, he | :22:24. | :22:41. | |
could play the one red in-off it and get himself on to the black but it | :22:42. | :22:46. | |
is not a big pocket. He would have to pot the red direct, if he takes | :22:47. | :22:52. | |
this on. , which it looks as if he is going to do. It is a must-get | :22:53. | :22:58. | |
pot, otherwise the frame is over. -- he has got it. Ding has got to | :22:59. | :23:19. | |
sit there and think - why didn't I roll that red in? He tried to, but | :23:20. | :23:23. | |
he should have put more into it. Amean this is a gem he has pulled | :23:24. | :23:25. | |
out here. The problem though for Mark Selby, | :23:26. | :23:40. | |
when he pots this black, it looks like it won't spot on its own spot. | :23:41. | :23:45. | |
So it is going to go up on to the brown spot. | :23:46. | :23:48. | |
Now, what it does, is bunches three colours together up in the baulk | :23:49. | :23:56. | |
area, just for good positions for snookers, but the problem is, he | :23:57. | :24:01. | |
needs one snooker with four reds and four blacks and all the colours to | :24:02. | :24:02. | |
time. -- to tie. He can get on the black | :24:03. | :24:19. | |
here. He has played it well. He is on the black. He played that very | :24:20. | :24:23. | |
well. He has a nice angle on the black as well. He can get back down | :24:24. | :24:28. | |
for the reds. This looks good. Approximates pretty | :24:29. | :24:51. | |
good. And he can get back on the black -- pretty good. He can get | :24:52. | :24:55. | |
back on the black again, believe it or not. | :24:56. | :24:59. | |
Oh, he almost screwed into the middle pocket. | :25:00. | :25:21. | |
And look at this shot he has played. He needs to keep on running and now | :25:22. | :25:31. | |
he requires a terrific shot. The black sown available into the right | :25:32. | :25:33. | |
corner or the middle pocket. Played for the pink this time, which | :25:34. | :25:51. | |
means he is going to need two snookers but as Ken said. Look where | :25:52. | :25:58. | |
those three colours are now. The yellow, the brown and the black, for | :25:59. | :25:59. | |
snookers. Yes, and he probably wants to keep | :26:00. | :26:08. | |
the last red on the table for the possibilities of a free ball. He | :26:09. | :26:13. | |
could try and knock the pink in and leave a nice angle on the red, that | :26:14. | :26:20. | |
he could try to knock the red up towards those baulk colours. | :26:21. | :26:27. | |
Trying to get the cue ball behind the pink. Oh, a big bounce. He was | :26:28. | :26:34. | |
OK, though. He can do it either way. He can send the white around the | :26:35. | :26:38. | |
angles to get in behind the three colours, or he could, as you said | :26:39. | :26:45. | |
maybe get the snooker in behind the pink and send the red up there. It | :26:46. | :26:49. | |
is always better to get the white in behind one of those colours. I think | :26:50. | :26:53. | |
that's what he might attempt. He might hit three, possibly four | :26:54. | :26:54. | |
cushions here to lay the snooker. It hit four cushions, did he find | :26:55. | :27:14. | |
the gap? He hasn't found the gap but it is a straightforward escape for | :27:15. | :27:20. | |
Ding Junhui here. He wants to try to put as much distance between the cue | :27:21. | :27:22. | |
ball and the red. There mightk another gap T wasn't | :27:23. | :28:06. | |
going to be a snooker if he didn't hit the blue. He will have fwoend | :28:07. | :28:09. | |
this slightly. The problem with this, if you try to swerve t the | :28:10. | :28:13. | |
white will go towards the yellow before the swerve kicks in. He will | :28:14. | :28:17. | |
have to be careful here that he doesn't hit the yellow and just a | :28:18. | :28:21. | |
little touch of side, that's all it needs. He can maybe just catch the | :28:22. | :28:23. | |
edge of it. Oh, decision time for Mark Selby. | :28:24. | :28:44. | |
Ideally he would like to keep the red on the table but if he pots red | :28:45. | :28:51. | |
and pink he is going to need two four-point snookers but one would | :28:52. | :28:57. | |
almost be guaranteed, should he get the cue ball up into a baulk area | :28:58. | :29:05. | |
and play the behind the yellow and brown. So it is a decision he has it | :29:06. | :29:08. | |
make sheer. -- here. He decided against T a good line if | :29:09. | :29:25. | |
it gets behind the brown. This is an excellent shot. A very good line. | :29:26. | :29:27. | |
Superb shot. -- He really does know his way around | :29:28. | :29:38. | |
these angles. We have angles McManus, who got to the semi--final | :29:39. | :29:42. | |
and now we have sat-nav Selby finding his way around the table for | :29:43. | :29:49. | |
that fantastic snooker. And Ding has to hit, let's see, one, two, three, | :29:50. | :29:53. | |
four cushions, the way he is looking. | :29:54. | :30:03. | |
Well, this is a tough escape. Can't go into baulk and around by the | :30:04. | :30:10. | |
green. It looks like the blue may be in his way. So may have to come | :30:11. | :30:17. | |
across the table twice across here. The other way I like, with the rest, | :30:18. | :30:21. | |
you know, the first line is a little bit out but he could come off two | :30:22. | :30:25. | |
cushions and land on it. It'll probably be slightly easier than | :30:26. | :30:28. | |
having to go off more cushions. I think maybe if he goes across the | :30:29. | :30:46. | |
side cushion and tries to miss the right-centre pocket and then back | :30:47. | :30:48. | |
across the black spot towards the red as well. I give one alternate, | :30:49. | :30:58. | |
that is the other way, tries across to land on the red. He has so many | :30:59. | :31:06. | |
ways of getting there, but which one will he pick? I think I like the one | :31:07. | :31:15. | |
you just put up. Of course, the referee can't call this because when | :31:16. | :31:23. | |
your opponent needs sneakers, they can't call a miss. I think the | :31:24. | :31:36. | |
cushions are skidding is likely -- slightly. | :31:37. | :31:44. | |
Somewhere near that line would get him into the red. | :31:45. | :32:00. | |
Foul. Mark Selby, fall. What about that? Again, the fact that the black | :32:01. | :32:17. | |
is next to the brown and the yellow does make a big target for Mark | :32:18. | :32:21. | |
Selby. He has got him again, I think. It is | :32:22. | :32:40. | |
amazing that some 14 minutes ago it looked like a frame was all over. | :32:41. | :32:45. | |
Roll this in and Mark Selby concedes. He just heated to thin. We | :32:46. | :32:52. | |
always knew this was going to happen with Mark Selby. I think it was the | :32:53. | :32:58. | |
second frame this afternoon that Mark Selby needed a snooker, got it, | :32:59. | :33:05. | |
and won the frame. It will definitely be playing on Ding's | :33:06. | :33:09. | |
mind. There is the possibility of a one-cushion escape but when you are | :33:10. | :33:16. | |
playing off a cushion, the cue ball can slide and miss. I think the | :33:17. | :33:24. | |
harder you hit it, the more it will slide. It will be interesting to see | :33:25. | :33:28. | |
what pacey plays out. Just a nice easy pace to make sure you hit the | :33:29. | :33:33. | |
red. Don't force it. Once again, the big target of | :33:34. | :33:54. | |
yellow, brown and black. If he can leave the cue ball where the red is, | :33:55. | :34:04. | |
he will send the ball up the table, leaving him the blue to snooker Ding | :34:05. | :34:13. | |
behind. He doesn't want the red going to close to the corner pocket. | :34:14. | :34:16. | |
He wants it away from the cushion. He has blocked off the escape right | :34:17. | :34:45. | |
-- escape route. He will need an angle to come round and hit the | :34:46. | :34:52. | |
baulk, so he is going to have to be a little bit careful here because if | :34:53. | :34:55. | |
you play it with a swerve off the map, sometimes the white can go | :34:56. | :35:01. | |
towards the brown. He will have to be a little bit careful here. | :35:02. | :35:12. | |
He played it well. Played it very well. | :35:13. | :35:28. | |
That was a good swerve, wasn't it? Almost got the snooker back. -- a | :35:29. | :35:42. | |
snooker back. Welcome back, Selby. How is he going to get the cue ball | :35:43. | :35:44. | |
back to baulk? Surely not? Well, Ding is shaking | :35:45. | :36:11. | |
his head. He can't believe it. Another little swerve that had Mark | :36:12. | :36:21. | |
smiling. Shouldn't be a problem. I'm just looking. The pink has gone into | :36:22. | :36:27. | |
a pit -- a terrific position to get a snooker in behind. That is as well | :36:28. | :36:33. | |
as the three colours that Mark keeps trying to get behind. If he does get | :36:34. | :36:39. | |
a chance, the pink Mac is -- the pink is in a fantastic position to | :36:40. | :36:42. | |
get a snooker in behind. When you are looking for the | :36:43. | :37:00. | |
sneakers, you have got to keep the object safe also. -- snookers. It is | :37:01. | :37:11. | |
as if you are trying to double the bread. But you are screwing the red. | :37:12. | :37:18. | |
He has made sure he's got the red fairly safe. You don't always have | :37:19. | :37:34. | |
to play for the snooker. You can wait for another chance. | :37:35. | :37:42. | |
This is now the longest frame in the match so far. Newly 35mm. -- 35 | :37:43. | :37:53. | |
minutes. Quite a quick frame compared to the | :37:54. | :38:05. | |
one that Mark Selby played against Marco Fu. The longest in the history | :38:06. | :38:12. | |
of the Crucible. 76 minutes, one of the frames lasted. As I say, it | :38:13. | :38:21. | |
looked like this would be a quick frame until Ding didn't knock in the | :38:22. | :38:24. | |
fairly straightforward red. That was a wonderful shot. He has | :38:25. | :38:52. | |
got him in a tough snooker here. There is enough room behind this | :38:53. | :39:00. | |
red. I'm not sure if he can get him off swerve behind the right-hand | :39:01. | :39:04. | |
side of the yellow and try to kick the red of the baulk cushion. This | :39:05. | :39:13. | |
is quite a tricky snooker for Ding to hit the red here. OK, he can come | :39:14. | :39:21. | |
off to cushions, the right-hand side cushion and baulk cushion, but the | :39:22. | :39:25. | |
yellow is quite close to the red. That is what he'd like to do but as | :39:26. | :39:29. | |
you mentioned, there was enough room to sail around the back of the red | :39:30. | :39:34. | |
will stop you wouldn't want to see that, would you, but Mark Selby | :39:35. | :39:43. | |
would like to see that. They would be a free ball if he did that, and | :39:44. | :39:47. | |
that is why he is taking a lot of time on this. | :39:48. | :39:58. | |
A good hit. Now, has he left the red on? It doesn't look like it. I think | :39:59. | :40:09. | |
if Mark Selby was on this red, he would put it and try to put the | :40:10. | :40:18. | |
black. -- potty and try to pot the black. A few shots ago, he had the | :40:19. | :40:26. | |
chance to put the red and the black but he elected to keep the red on | :40:27. | :40:31. | |
the table. Ding would love to see this red | :40:32. | :41:17. | |
disappear but he would rather cut the red in man have an easy snooker | :41:18. | :41:23. | |
because he wants to get the frame over with. | :41:24. | :41:39. | |
He has played the snooker and is he coming up short? As you can see, he | :41:40. | :41:49. | |
can come off the side cushion and if you send the red up the table, the | :41:50. | :41:55. | |
White will towards the three colours, so I went be surprised if | :41:56. | :41:58. | |
he doesn't come close to getting a snooker from a snooker. | :41:59. | :42:13. | |
The red's coming toward the corner pocket, but look at the cue ball. | :42:14. | :42:25. | |
There was always a possibility that could happen but can he just swerve | :42:26. | :42:34. | |
this? He might pot this, but his main concern is to hit it. | :42:35. | :42:49. | |
Oh, that was close. It just hit enough of the red, a quarter-ball | :42:50. | :42:57. | |
contact on the red, and the cue ball would have been in the pocket. He | :42:58. | :43:02. | |
has put the yellow out of commission. That is one good thing | :43:03. | :43:09. | |
from being -- that is one good thing from Ding's point of view. | :43:10. | :43:36. | |
Well, can you believe it? He flicked that completely and finished on the | :43:37. | :43:47. | |
black. It is now 25 minutes since Ding missed the red with the long | :43:48. | :43:51. | |
rest and it's amazing what has happened here. All that momentum he | :43:52. | :43:59. | |
has built up and/or the rhythm with all the breaks of 76, 103, 86, all | :44:00. | :44:07. | |
of a sudden, he has had half an hour of tactical play he could have done | :44:08. | :44:16. | |
without. He is the master in this position, isn't he, Mark Selby? Such | :44:17. | :44:21. | |
great knowledge of the angles? This will certainly help him put the | :44:22. | :44:24. | |
black back on it spot and bring in that safe yellow that you mentioned, | :44:25. | :44:31. | |
hoping to play and possibly cue ball behind the brown. He is working out | :44:32. | :44:35. | |
where he wants to leave the cue ball when he popped this black. -- pots | :44:36. | :44:46. | |
this black. He wants to be very precise with his cue ball here. Make | :44:47. | :44:48. | |
the snooker as easy as possible. He wants to get an open play and try | :44:49. | :45:17. | |
to get this cue ball behind the brown. | :45:18. | :45:28. | |
There is a gap through but he's keeping the object ball safe. There | :45:29. | :45:36. | |
you can see there is just enough room. Although it's tight, isn't it? | :45:37. | :45:43. | |
It's very tight and the way Ding Junhui is looking, he's going to | :45:44. | :45:46. | |
come off the side cushion. He doesn't fancy going between the blue | :45:47. | :45:55. | |
and black. It must be very tight. Right behind it. He'll know better | :45:56. | :45:59. | |
than anyone and he and he feels he can't go past the blue and black. | :46:00. | :46:20. | |
Well, has he got a jammy snooker back? Not quite. | :46:21. | :46:55. | |
As I say, the pink is the best ball to get a snooker behind, because it | :46:56. | :47:04. | |
would be almost impossible to get from behind there. He almost got | :47:05. | :47:11. | |
there. It would have come off this cushion and in behind the pink. | :47:12. | :47:47. | |
I thought Mark might be able to keep playing when Ding missed that read | :47:48. | :47:56. | |
the long rest for quite awhile but I didn't think it would be an hour. | :47:57. | :48:10. | |
Can he see enough of the yellow to take the pot on here? No, I don't | :48:11. | :48:16. | |
think so. Snooker to, by the looks of it. -- snooker could. The this | :48:17. | :48:29. | |
shot. Can Ding get in behind the pink and put Mark in a tough | :48:30. | :48:33. | |
snooker? Just a bit too much pace. It might | :48:34. | :49:07. | |
not be a bad idea to pot the yellow here. He could get the cue ball very | :49:08. | :49:12. | |
close to the green. He could try to lay a snooker behind the brown, so | :49:13. | :49:16. | |
it's quite possible he might pot the yellow here. | :49:17. | :49:26. | |
He really wanted to be on the opposite side of you. It would have | :49:27. | :49:51. | |
been quite straightforward to get snooker whereas now it is a little | :49:52. | :49:57. | |
bit more difficult. He will have to cue -- screw the cue ball in and it | :49:58. | :50:01. | |
is a very delicate chop. -- shot. He is attempting the snooker but | :50:02. | :50:24. | |
look what he is doing with the object ball every time. He is | :50:25. | :50:25. | |
keeping it safe. That is a pretty good effort but | :50:26. | :50:59. | |
easy to hit and once again, coming off the cushion. Mark Selby is so | :51:00. | :51:08. | |
good at this type of shot. Can he get the green safe again? And can he | :51:09. | :51:14. | |
possibly get a snooker behind the brown. He has done it a couple of | :51:15. | :51:20. | |
times where he has been in a snooker and he has got a snooker back. | :51:21. | :51:37. | |
Not this time. This could be a chance. The green will go into the | :51:38. | :51:46. | |
left corner but he will have to be a little bit careful. If he plays with | :51:47. | :51:51. | |
top spin, the White will come off and head towards the top pocket. He | :51:52. | :52:02. | |
could stun it. He didn't even attempt a pot. He just played the | :52:03. | :52:07. | |
snooker. So both players playing for snooker is at the moment. | :52:08. | :52:32. | |
And he's played another great shot there. It's not a snooker but... | :52:33. | :52:37. | |
APPLAUSE I just sense that when Ding missed | :52:38. | :52:53. | |
that shot when he was 71 points in front, I sensed that Mark Selby | :52:54. | :53:00. | |
might come back and 31 minutes later we are still here in this rain. -- | :53:01. | :53:04. | |
frame. I'm not sure how many snooker 's | :53:05. | :53:26. | |
Ding has put Mark Selby in or how many snooker 's Mark Selby has put | :53:27. | :53:34. | |
Ding in but there have been quite a few. | :53:35. | :54:00. | |
He is playing to nestle onto it so that he doesn't leave the green on. | :54:01. | :54:08. | |
I think Ding Junhui will be playing another snooker in behind the brown, | :54:09. | :54:11. | |
a little thin one. They've been playing on the green | :54:12. | :54:38. | |
for just over five minutes. He's going to try to get in behind the | :54:39. | :54:40. | |
black and send the green up there. This is a chance and if he knocks | :54:41. | :55:36. | |
this green in, I think we will hear a terrific round of applause from | :55:37. | :55:37. | |
this Crucible ploughed -- crowd. That's what happens when you are | :55:38. | :56:04. | |
playing around for over 40 minutes since you last potted the ball. The | :56:05. | :56:13. | |
concentration that he has got to put into this as well. We'll was tend to | :56:14. | :56:18. | |
forget about the old referee. Well, he's not that old. Can he hate the | :56:19. | :56:27. | |
cushion first -- heat the cushion first again and send the greenback | :56:28. | :56:30. | |
at the table? Just a little too hard but what an | :56:31. | :57:04. | |
effort. A good try. There will be an unbelievable cheer if Ding can slot | :57:05. | :57:11. | |
the green in but can he after all the tactical play? Oh, and this | :57:12. | :57:22. | |
could be a chance now to get in behind the pink. He can come off | :57:23. | :57:26. | |
one, two, three cushions. If the judges this right, he can get the | :57:27. | :57:33. | |
green safe also, but he can get in tight behind the thinking. | :57:34. | :57:38. | |
Here it comes but it is not hard enough. It's behind the brown but it | :57:39. | :57:52. | |
is easy to hit. The pace wasn't there. Coming up to 56 minutes now, | :57:53. | :58:00. | |
this frame. He is looking at the potting angle, | :58:01. | :58:41. | |
which tells us he is looking to pot this and then look for a snooker. | :58:42. | :58:54. | |
There is a gap through, as you can clearly see. | :58:55. | :59:18. | |
He has tried to double up into the corner and now Mark Selby will pop | :59:19. | :59:27. | |
the green and look for a good angle on the brown to get in behind that | :59:28. | :59:29. | |
pink. He's going to try to land somewhere | :59:30. | :59:41. | |
in the core of the D-Day with the cue ball. -- the D there. | :59:42. | :00:02. | |
Well, too hard. He will probably try to pot the brown and play the | :00:03. | :00:14. | |
snooker on the blue but he is running out of options, that is the | :00:15. | :00:20. | |
only problem. He didn't play a good shot there. He didn't get the white | :00:21. | :00:22. | |
anywhere near where he wanted. So that's what he has attempted to | :00:23. | :00:53. | |
do and that's not absolutely perfect. | :00:54. | :01:00. | |
He needed to run that cue ball another six or eight inches. He has | :01:01. | :01:05. | |
one cushion off the top cushion to nestle that cue ball behind the | :01:06. | :01:07. | |
pink. Well, how will Ding Junhui play | :01:08. | :01:25. | |
this? Cut it over the pocket, or double it said it around the angles? | :01:26. | :01:29. | |
The only problem with that, if he tries to double the blue, it'll,back | :01:30. | :01:34. | |
round towards the black, but it is one of those sorts of situations, it | :01:35. | :01:38. | |
doesn't matter where the blue is, there is going to be a chance for a | :01:39. | :01:41. | |
snooker. Well, that's not the best shot. He | :01:42. | :01:51. | |
has given a chance for Mark Selby to get right around the table and in | :01:52. | :01:55. | |
behind the pink. That was a poor shot from Ding. | :01:56. | :02:03. | |
He probably should have knocked over the green pocket or put it over the | :02:04. | :02:11. | |
yellow pocket. He has an angle here, if he can judge it, he can get | :02:12. | :02:16. | |
somewhere in hooind that line and the pink ball. | :02:17. | :02:23. | |
He hasn't hit it hard enough again. Over the hour Mark and Ding Junhui | :02:24. | :02:31. | |
is faced with a very difficult pot. A pot that will bring a terrific | :02:32. | :02:33. | |
round of applause, if it goes in. Ander in chance for Mark Selby. To | :02:34. | :03:01. | |
get in behind the pink. He has had two or three attempts. One of these | :03:02. | :03:05. | |
attempts he is going to get in behind it. -- and another chance. | :03:06. | :03:19. | |
Too narrow. This time, surely, Ding. Well, he normally would knock it in | :03:20. | :03:29. | |
but everything that has gone on for the last 50 minutes, has been quite | :03:30. | :03:30. | |
amazing. CHEERING AND | :03:31. | :03:40. | |
APPLAUSE And there it goes. At last. After | :03:41. | :03:54. | |
61-and-a-half minutes, Ding Junhui knocks the blue in. But, hang on. | :03:55. | :03:58. | |
There is only two snookers needed. We could have another half hour | :03:59. | :04:12. | |
here, knowing Mark Selby. He led by 7146-and-a-half minutes | :04:13. | :04:56. | |
ago he missed a red with a long rest and we are still playing. | :04:57. | :05:09. | |
Funny enough, he conceded a frame earlier when he needed two snookers, | :05:10. | :05:16. | |
Mark. But I think he has put so much effort in to this, that he wants to | :05:17. | :05:19. | |
try for the two snookers. Now, can he see enough of this to | :05:20. | :05:33. | |
play a drag shot and send that pink right over the pocket or into the | :05:34. | :05:38. | |
pocket. It is what we call, when your opponent needs snookers, you | :05:39. | :05:39. | |
play the in or over shot. Is it in, or is it over? It's | :05:40. | :05:51. | |
neither. He can get around behind the black here, believe it or not. | :05:52. | :06:03. | |
Ken, I think we'll have to go and have a lie down after this frame. I | :06:04. | :06:33. | |
think we all will, that's right. What it does is put Ding through the | :06:34. | :06:54. | |
wringer. As you said, over 45 minutes ago now, this frame should | :06:55. | :07:00. | |
have been well and truly finished and whatever momentum Ding had, it | :07:01. | :07:05. | |
is certainly gone now. He has clawed another frame back, barring snookers | :07:06. | :07:10. | |
but any sort of confidence that he builds up, that's evaporated. | :07:11. | :07:14. | |
It's very close to the pocket but I think he can hit it thin enough to | :07:15. | :07:21. | |
attempt the snooker and keep the pink out of the pocket. | :07:22. | :07:34. | |
He is not far off getting the snooker. He has got the snooker. And | :07:35. | :07:43. | |
Ding Junhui will have to be careful he doesn't hit this and go in-off T | :07:44. | :07:49. | |
if he hits it on the right side, the white could go in. That's why he is | :07:50. | :07:51. | |
playing it very slowly. That's another good effort, eh? | :07:52. | :08:20. | |
Unbelievable? APPLAUSE Sat-nav Selby strikes | :08:21. | :08:25. | |
again. Ding unlucky. A straightforward | :08:26. | :08:37. | |
swerve. Another couple of inches and it was a lot more difficult. | :08:38. | :08:43. | |
The crowd are still heavily involved in this very long frame, a frame | :08:44. | :08:49. | |
that has been going now over 66 minutes. | :08:50. | :08:58. | |
76 minutes, I mentioned is the longest-ever frame played in | :08:59. | :09:05. | |
Crucible history. And this is the second-longest frame in this year's | :09:06. | :09:06. | |
World Championship. Ye, it is in. At long last, Ding | :09:07. | :09:26. | |
Junhui manages to take the frame. He had to wait an awful long time but | :09:27. | :09:31. | |
he has got the frame and he's just one frame behind now. 8-4, 8-7, | :09:32. | :09:36. | |
sorry, to Mark Selby. Don't worry, Denis, we P are all | :09:37. | :09:44. | |
struggling after that. What an amoussing effort from Mark Selby | :09:45. | :09:49. | |
but, oh, 45 minutes' worth after Ding Junhui could have killed off | :09:50. | :09:53. | |
that frame. He was still chasing him and all because of this. We said | :09:54. | :09:58. | |
earlier today, if you don't get game ball and get it down, this is what | :09:59. | :10:02. | |
you can put yourself through, through the wringer, he is so adept | :10:03. | :10:06. | |
at what he does. I mean to keep the balls on the table for that long to | :10:07. | :10:10. | |
have a chance to win that, it is incredible ring craft. He is an | :10:11. | :10:14. | |
animal on the table, Mark Selby. OK, there are people out there don't | :10:15. | :10:17. | |
like Mark Selby because they think he is too slow. He think he slows it | :10:18. | :10:25. | |
down, thinks it is boring. All he is doing is playing what he gets given | :10:26. | :10:30. | |
to him. Houdini would have had a job to get out of that. He is a | :10:31. | :10:36. | |
machinester on the table. Whilst it is draining for people watching and | :10:37. | :10:40. | |
the players, it is hard for Ding. He knows full well this guy will never | :10:41. | :10:44. | |
go away. If he wins a frame like that, he will go to sleep tonight he | :10:45. | :10:48. | |
will have nightmare abouts Mark Selby in the frame. The good news | :10:49. | :10:53. | |
was he won the frame. This afternoon he didn't. The good news, is after | :10:54. | :11:00. | |
all the play that went on, he won. Mark Selby laid 13 snookers. Stephen | :11:01. | :11:05. | |
Hendry, that's the kind of snooker you were not particularly keen on | :11:06. | :11:08. | |
but you have to admire his tenacity in trying to chase that frame, | :11:09. | :11:12. | |
surely. I am still trying to catch my breath. It was so exciting. It | :11:13. | :11:17. | |
was phenomenal safety play. I have to admit you have to take your hat | :11:18. | :11:22. | |
off it him. Although it is snooker I don't enjoy watching, the skill | :11:23. | :11:25. | |
involved and not only, Ding laid just as many snookers as Mark. Every | :11:26. | :11:32. | |
time he got a snooker, he never left a ball, it was incredible. We have | :11:33. | :11:36. | |
two more to go. We'll stay with the snooker tonight on BBC two. It is a | :11:37. | :11:41. | |
bloomin good job it is a bank Holiday Monday tomorrow. | :11:42. | :11:43. | |
Frame 16, Mark Selby to break. Denis Taylor: So, frame 16. DEN | :11:44. | :12:03. | |
DOHERTY: Mark Selby breaks off. I think Ding, as he goes out of the | :12:04. | :12:08. | |
arena, that's just a little gesture. He was glad to get that one over | :12:09. | :12:12. | |
with, wasn't he? Oh, well, he is still going for his | :12:13. | :12:38. | |
shots, isn't he? Playing in a very positive frame of mind but | :12:39. | :12:41. | |
unfortunately for Ding, well, he thought this was the only red he | :12:42. | :12:46. | |
could possibly leave and that's exactly what has happened. | :12:47. | :12:59. | |
Well we talk about knocking Ding Junhui out of his rhythm. It's also | :13:00. | :13:05. | |
going to affect Mark Selby, the world number 1. He has played so | :13:06. | :13:12. | |
much safety in that last frame. I suppose he is one of these players | :13:13. | :13:20. | |
that can do that and then, when he gets the chance, he can knock | :13:21. | :13:23. | |
winning contribution in. He is close to this blue. He has to get that tip | :13:24. | :13:26. | |
away. And he did. Well you can see he had to make sure | :13:27. | :13:38. | |
he pulled the cue away quickly there. It would be just typical of | :13:39. | :13:43. | |
Mark Selby to knock in a frame-winning break here, after that | :13:44. | :13:52. | |
last frame. I don't thinks is going to affect Mark Selby, much more than | :13:53. | :13:56. | |
it possibly would have affected Ding, knowing he had the frame in | :13:57. | :14:00. | |
his pocket but for that one red that he missed with the extension. And | :14:01. | :14:05. | |
Mark Selby put up a very brave fight to keep the frame alive. | :14:06. | :14:10. | |
Now where does the pink go? There is no room on its spot, so directly | :14:11. | :14:17. | |
behind its own spot in line with the black and the top cushion. | :14:18. | :14:33. | |
That was a good idea from Paul Connor, he used both fingers. A lot | :14:34. | :14:43. | |
of refes use one finger, it is more steady. You can to be careful with | :14:44. | :14:47. | |
those white gloves, they can be slippy. | :14:48. | :15:01. | |
When he pots this red, will the red just above the black, will that pot | :15:02. | :15:09. | |
into the same pocket? Oh, didn't go into the right part of the pocket. | :15:10. | :15:14. | |
Now, does the black cover this red? Yes, that was a bit of a slip-up | :15:15. | :15:33. | |
early on from Mark Selby. I don't even know if he can get through to | :15:34. | :15:37. | |
the other one. He might have to take the one into the top corner, up past | :15:38. | :15:42. | |
the blue and green. And just running through for the blue here. | :15:43. | :15:46. | |
He got a kick as well into the bargain, but he is OK. I'm sure the | :15:47. | :15:55. | |
white jumped a little bit. Maybe it is just me but I detected. Let's | :15:56. | :15:59. | |
have a look. Yes, it certainly jumped. But didn't affect it that | :16:00. | :16:02. | |
time. Well, he didn't get into the shot | :16:03. | :16:16. | |
full ball. He might have dropped on absolutely nothing. OK, he opened | :16:17. | :16:19. | |
the reds but when he glanced off the side of them, he has been unlucky | :16:20. | :16:24. | |
not to finish on something but he didn't get the cannon. As you can | :16:25. | :16:29. | |
see here, he hit the red half ball instead of full ball. So he is going | :16:30. | :16:32. | |
to have to wait for another chance. He looked up to the heavens there. | :16:33. | :16:47. | |
He felt he was very unlucky not to. Look at the split on the reds. | :16:48. | :16:52. | |
Plenty came out but as you said, Denis, just hit the wrong side of | :16:53. | :16:54. | |
the pack. You are absolutely right, Ken. There | :16:55. | :17:22. | |
are a couple of reds that Ding Junhui can have a go at. He is | :17:23. | :17:27. | |
looking to see if he can take that one nearest the titch his cue and he | :17:28. | :17:32. | |
has the one tloeft of the pink shot as a free shot also. But it is the | :17:33. | :17:40. | |
one to the right -- nearest to the tip of his cue. It is the one to the | :17:41. | :17:46. | |
right that he feels will get him nearest the black. Let's see what | :17:47. | :17:51. | |
that last frame has taken out of the rhythm of Ding Junhui. He is back. | :17:52. | :18:10. | |
Can he get through the one near the pocket, or through the one to the | :18:11. | :18:18. | |
left middle? Well, he can't get to that one, that's for sure. Maybe he | :18:19. | :18:22. | |
can get to the one to the middle pocket. | :18:23. | :19:00. | |
I think Ken, this is such an important frame from Mark Selby's | :19:01. | :19:09. | |
point of view. 6-0 in front and all of a sudden, Ding Junhui will draw | :19:10. | :19:15. | |
level. And I think Mark will give this every chance he has here. There | :19:16. | :19:18. | |
is one more frame it be played after this and this is a key shot coming | :19:19. | :19:23. | |
up. He is already 34 points in the lead. This could really open things | :19:24. | :19:27. | |
up, if the cannon works out and he pots the black, of course. | :19:28. | :19:36. | |
Played to perfection. Yes, played nicely. Moved that one out of the | :19:37. | :19:46. | |
red of the black. And he can pot this, play a little cannon on the | :19:47. | :19:50. | |
red in front of it. That will open the other red into the same corner | :19:51. | :19:57. | |
pocket and now he should win the frame from this. What it does, it'll | :19:58. | :20:03. | |
reassert himself and of course make sure that he has a lead going into | :20:04. | :20:06. | |
the next session tomorrow afternoon. This has been a terrific fightback | :20:07. | :20:26. | |
from Ding Junhui. Breaks of 76, 103, 89, 86. | :20:27. | :20:44. | |
A slight angle to try to pot the red. It could go wrong, so that's | :20:45. | :20:53. | |
yes has gone up for the blue. Well, so much side spin on that. A bit of | :20:54. | :20:57. | |
tension in the arm of Mark Selby. Well, that didn't go into the middle | :20:58. | :21:11. | |
of the pocket either. He is struggling a bit here. | :21:12. | :21:14. | |
Yes, that's why the cue ball has finished up in the reds there. And | :21:15. | :21:23. | |
have a look at the green. In-off that left jaw. But this is where his | :21:24. | :21:29. | |
height - he is well over six feet. He can lean across and bridge over | :21:30. | :21:31. | |
the reds. A big advantage. He has a little bit of angle here. I | :21:32. | :21:45. | |
think the reds are all covering each other. I'm not sure if there is one | :21:46. | :21:50. | |
available. If not, he has to get the cannon right. And he has missed the | :21:51. | :21:58. | |
cannon. He is 61 points in front. So plenty left on the table. He arced | :21:59. | :22:03. | |
that too much. It was heading towards the pink and all of a sudden | :22:04. | :22:07. | |
with the top spin - just look at this, it is coming towards the pink | :22:08. | :22:12. | |
and then, look at the arc he got on that. | :22:13. | :22:16. | |
It came from that poor positional shot going back up for blue. | :22:17. | :22:19. | |
Straightforward and overshot it. He is going to open the reds here. | :22:20. | :22:36. | |
He doesn't want the red going over this right-hand bottom corner | :22:37. | :22:37. | |
pocket. APPLAUSE | :22:38. | :22:54. | |
So it gives Ding the opportunity, possibly, if he could bring the reds | :22:55. | :22:59. | |
all into play, or there is, if he can clip the very back red... Well, | :23:00. | :23:07. | |
if he can't clip that, he can certainly bring the reds into play. | :23:08. | :23:09. | |
Maybe just on this for a pot. It's attritional stuff, isn't it | :23:10. | :23:30. | |
Denis? It really is. I mean Ding Junhui led the last frame by 71 | :23:31. | :23:36. | |
points at one stage and it looked a formality. And we had the | :23:37. | :23:41. | |
second-longest frame in this year's World Championship, with Mark Selby | :23:42. | :23:45. | |
battling back. A bit of a chance here. This is a sort of a shot to | :23:46. | :23:50. | |
nothing. Overcut it this time and the white | :23:51. | :24:00. | |
is coming back up the table. So Ding may take this on. There is a shot on | :24:01. | :24:06. | |
for Ding here and he can get on the black. I think he can get enough | :24:07. | :24:12. | |
screw on it to go across the table. And finish on the black or the pink. | :24:13. | :24:19. | |
That's the shot that is available to him. The other shot that would be | :24:20. | :24:22. | |
very attacking, would be to pot the red and cannon the three reds, bring | :24:23. | :24:26. | |
them into play because the pink is over the pocket. He has two choices | :24:27. | :24:28. | |
here. Snr he played for the pink. Didn't | :24:29. | :24:45. | |
have to force it in for the black because of the pink over the pocket. | :24:46. | :24:51. | |
So it is not ideally-placed, though. He is going to have to get quite a | :24:52. | :24:57. | |
lot of bottom own this to screw it back. -- on this. | :24:58. | :25:01. | |
He may have the angle to screw back into those three reds there. Oh, | :25:02. | :25:04. | |
wow. Well, that should be end of frame. | :25:05. | :25:13. | |
He will be very disappointed. Just the red needed. That's what he | :25:14. | :25:20. | |
attempted. Tried to pot the pink and screw back into the reds. | :25:21. | :25:32. | |
I tell you what, that was a bit of a chance for Ding there. Maybe a | :25:33. | :25:41. | |
slight sign of fatigue, Denis. Well, as I say, that last frame took | :25:42. | :25:46. | |
so much out of both players, you would have to say. I mean we are at | :25:47. | :25:50. | |
the 16th day here at the Crucible. It does drain you mentally. | :25:51. | :26:01. | |
Mark Selby, 6. So 59 points on the table. Mark Selby has a 66-point | :26:02. | :26:43. | |
advantage. Can just get past the brown for the | :26:44. | :27:01. | |
potting angle. A long way off the pot. Ding can get | :27:02. | :27:13. | |
three reds, three blacks here. He can look for the two snookers, | :27:14. | :27:32. | |
because there is always the chance of a free ball. | :27:33. | :27:57. | |
Now, how will Ding Junhui go about getting the two snookers. We saw how | :27:58. | :28:03. | |
good Mark Selby was at T If he can get this red in a black | :28:04. | :28:14. | |
and get the white in such a way he can roll tight up behind the pink... | :28:15. | :28:18. | |
Well, he may not be able to do that now. I would have loved to have left | :28:19. | :28:26. | |
the black in such a way where you could screw back. See where the | :28:27. | :28:29. | |
white is now, if he had of had the white there, he could have rolled | :28:30. | :28:33. | |
tight in behind the pink and sent the red up towards the brown but I | :28:34. | :28:38. | |
don't think he can get into that position now. | :28:39. | :28:46. | |
You see he is thinking now about it. He should have given it more thought | :28:47. | :28:53. | |
before that last shot. Yes, should have been more straight on this | :28:54. | :28:54. | |
black. Don't get me wrok, you can still | :28:55. | :29:04. | |
play the snooker but the one where he would have rolled tight in behind | :29:05. | :29:08. | |
the pink would have been very difficult to escape from. He is | :29:09. | :29:14. | |
going to try to get the red behind the black here and get the ball up | :29:15. | :29:16. | |
behind possibly the yellow or brown. Do you know, he got a kick there. He | :29:17. | :29:31. | |
did get a heavy contact. He is looking at the red there, as you can | :29:32. | :29:36. | |
see. I think Mark can just see enough of this to take the cut on. | :29:37. | :29:57. | |
Having the cue ball cleaned. We did see him look at the red. Let's have | :29:58. | :30:04. | |
a lack at this one here. Yes, a clear kick. | :30:05. | :30:10. | |
Well, that tells you it was a kick, that lovely smile from Ding, there. | :30:11. | :31:01. | |
Ding is thinking, I wonder if I can get my own back on Mark Selby here | :31:02. | :31:08. | |
and do what he did to me in the previous frame. A good opportunity | :31:09. | :31:16. | |
here. Just didn't get enough screw on the cue ball. He may have left | :31:17. | :31:23. | |
this red. Just another couple of inches and the cue ball behind the | :31:24. | :31:26. | |
pink would have been a very tough snooker. A chance for Mark Selby. | :31:27. | :31:34. | |
That should be enough now. That will be a bit of a relief to him. It | :31:35. | :31:44. | |
guarantees him a lead going into tomorrow's session. One more frame | :31:45. | :31:51. | |
to play of course in this session. He'll be feeling a lot better now, | :31:52. | :31:57. | |
when T, Ken? Every chance that Ding could have levelled it after being | :31:58. | :32:04. | |
six frames down. Wouldn't that have been something? But he is bound to | :32:05. | :32:07. | |
have a lead going into tomorrow, as you have said. | :32:08. | :32:13. | |
Will it be one or will it be three? That is the question. | :32:14. | :32:22. | |
It will be an interesting last frame in the session. | :32:23. | :32:58. | |
As the guys say, he is guaranteed a lead going into tomorrow, but this | :32:59. | :33:05. | |
will be a very interesting frame here, despite the fact it's nearly | :33:06. | :33:09. | |
midnight. It has been a gruelling day for them. How mentally tiring it | :33:10. | :33:14. | |
is to play this kind of snooker? Buried. That is one of the reasons | :33:15. | :33:20. | |
why if you come -- if you can possibly avoid that style, you do. | :33:21. | :33:29. | |
The world Championships is a marathon and you recover, but it is | :33:30. | :33:36. | |
training. I lost half a stone during championship campaigns. Not just the | :33:37. | :33:41. | |
tension but you are not eating. They have been out there for ages. They | :33:42. | :33:45. | |
grab some food but it is very difficult to get your body clock is | :33:46. | :33:49. | |
right for this. It is tough, isn't it? That was a fabulous frame for | :33:50. | :33:55. | |
Mark Selby after what they have had before. Sometimes you can be | :33:56. | :34:00. | |
forgiven for not putting the ball in the next frame. He is a fabulous | :34:01. | :34:05. | |
match player. To play a frame of that length and still produce after | :34:06. | :34:11. | |
that is remarkable. You have got to say both men have shown fantastic | :34:12. | :34:17. | |
character. They have indeed. This is a huge frame. For all the effort | :34:18. | :34:27. | |
Dean has -- Ding has put in to come from six behind, he will be | :34:28. | :34:31. | |
disappointed if he goes into tomorrow three frames behind. It was | :34:32. | :34:36. | |
interesting hearing Steve Davis talk about getting hungry in the long | :34:37. | :34:41. | |
sessions. I remember playing him in 1979 and they brought out a plate of | :34:42. | :34:52. | |
sandwiches. -- here in 1979. I've never seen that at the Crucible. | :34:53. | :34:59. | |
Sometimes you see players bring a banana out with them and have a bite | :35:00. | :35:03. | |
or two. He is quite right. When players haven't eaten for a long | :35:04. | :35:07. | |
time, it is draining out there. Your concentration wavers. A big frame | :35:08. | :35:16. | |
for both Mark Selby and Ding Junhui. That is an excellent start. OK. He | :35:17. | :35:27. | |
would have liked to be straight on this yellow but he has got a | :35:28. | :35:32. | |
wonderful angle. He can go offside cushion, top cushion into the pack | :35:33. | :35:37. | |
of reds. He doesn't have to do that. He could try to get on the loose red | :35:38. | :35:41. | |
as well. He has a wonderful angle on the yellow. | :35:42. | :35:47. | |
He decided to play for the loose red and he has played it very, very | :35:48. | :35:55. | |
well. An excellent shot. He knows there are a few more reds after this | :35:56. | :35:56. | |
that will be available. If he gets to the one on the edge of | :35:57. | :36:15. | |
the bunch, he will clear the path for another one. In fact, now, he | :36:16. | :36:21. | |
has left it low. He will be opening quite a few of the red Sox. You have | :36:22. | :36:26. | |
got to make sure you get yourself onto the black with the screw back | :36:27. | :36:30. | |
all run through. It looks like this greenback. -- screw back. He decided | :36:31. | :36:40. | |
not to come back off the side cushion. A nice angle on the black. | :36:41. | :36:48. | |
Straightaway, he has made it awkward for himself. Another six inches up | :36:49. | :37:06. | |
the table and he was in prime position. Just watch this cue ball | :37:07. | :37:12. | |
as it comes off the cushion. It didn't quite get there. You can | :37:13. | :37:16. | |
still cut it in but he is going towards the reds here. Where is the | :37:17. | :37:23. | |
cue ball going to finish? It needs to pull up. He has got the yellow | :37:24. | :37:31. | |
into the right middle this time and there is a red that has stayed up at | :37:32. | :37:36. | |
end of the table. He is talking it up high and the yellow. -- tucking. | :37:37. | :37:47. | |
Under the circumstances, not a bad choice. When he finished short and | :37:48. | :37:53. | |
he cut the red in, you never know where the new ball is going to | :37:54. | :37:55. | |
finish and it ran away into the safety zone. He wouldn't have been | :37:56. | :38:01. | |
too happy with the roll-up either. He really wanted to block the path | :38:02. | :38:09. | |
on the left-hand cushion as we look. You can come off the side cushion | :38:10. | :38:19. | |
and nestle in the pack of reds. He has got to play it dead weight and | :38:20. | :38:23. | |
it could go wrong but he has got a big target. That is the shot that | :38:24. | :38:30. | |
Ken was talking about and if he does play it dead weight, they're rather | :38:31. | :38:33. | |
couple of things that could go wrong if he is not spot on. | :38:34. | :38:51. | |
If he doesn't get the right contact, you could leave one to the right | :38:52. | :38:57. | |
middle pocket. But he might have the risk that. | :38:58. | :39:07. | |
I think it's the only shot he has, Dennis. The red just to the left of | :39:08. | :39:19. | |
the pink spot, if he can try to get that full ball, he may be OK. OK, | :39:20. | :39:30. | |
you may leave a red into the right centre, but... He would have to be | :39:31. | :39:33. | |
so precise. The other risky one with beta the | :39:34. | :39:49. | |
side cushion, hit the red and try to get the white back into the baulk | :39:50. | :39:55. | |
area. He has hit the wrong side of it. Where is he going to finish? | :39:56. | :40:01. | |
I'll tell you what, there is only one possible part, the one into the | :40:02. | :40:11. | |
right pocket, and he hit the wrong side of that. I don't think there is | :40:12. | :40:15. | |
anything available into the left middle pocket. The one at the end | :40:16. | :40:27. | |
but that is eighth in -- a thin heat needed. | :40:28. | :40:34. | |
I think he's OK with one that into the left middle and he can get on | :40:35. | :40:40. | |
the black. It's not that then. I thought it was thinner than that. | :40:41. | :40:44. | |
Looking at that shop there, the overhead shot, it looks better. The | :40:45. | :40:50. | |
reason he doesn't like this red into the right centre is because the ones | :40:51. | :40:57. | |
next to it are pottable. This red is left -- less Russia. He went to be | :40:58. | :41:06. | |
leaving anything if he misses. That is an excellent shot and look at the | :41:07. | :41:12. | |
position. Look at the cue ball. Had he missed the red, he wasn't leaving | :41:13. | :41:17. | |
anything. He worked it out very well. What an excellent pot. | :41:18. | :41:26. | |
I think Ding Junhui, for a split second thought he'd got away with | :41:27. | :41:30. | |
that last mistake. That shot was in so much trouble. He | :41:31. | :42:00. | |
thought if he could hit the red on the other side, hit the wrong side, | :42:01. | :42:07. | |
and for a moment thought he might have got away with it. Regardless of | :42:08. | :42:11. | |
what happens here, Ding Junhui has won this session. If Mark opens up | :42:12. | :42:18. | |
the three frame advantage, it Ding has still wonder session 5-4. At one | :42:19. | :42:28. | |
stage, it looked like he may even have an overnight lead, the way he | :42:29. | :42:29. | |
was playing. I think if Mark Selby wins this | :42:30. | :42:42. | |
frame, I think he'll certainly be more happy of the two. It could have | :42:43. | :42:59. | |
been so much closer. And that's just about perfect. A gentle cannon and | :43:00. | :43:06. | |
his opened the whole game up. What a day we're in for tomorrow. Bank | :43:07. | :43:11. | |
holiday Monday at the Crucible and regardless of what happens in this | :43:12. | :43:13. | |
frame, it's going to be a belter. You'd have to say, from Mark Selby's | :43:14. | :43:30. | |
point you, he has shown incredible resolve here. A few frames ago, it | :43:31. | :43:37. | |
looked like Ding was closing within one, possibly even levelling up the | :43:38. | :43:43. | |
match, but he has come back very, very strong indeed, Mark Selby, as | :43:44. | :43:48. | |
he gets a horrendous kick. And that is end of break. Ding Junhui has | :43:49. | :43:56. | |
been thrown a lifeline, not by a mistake, and he has turned to the | :43:57. | :44:07. | |
crowd and said, unbelievable. I mean, the frame is over and now he's | :44:08. | :44:10. | |
faced with a situation where he's got to try to push a colour safe. | :44:11. | :44:18. | |
Twists and turns at the Crucible Theatre. Late-night drama on the | :44:19. | :44:28. | |
first night of the final. Coming up to 11:45 p.m.. So frustrating, isn't | :44:29. | :44:38. | |
it? Just playing a simple follow-through, wanting to get on | :44:39. | :44:43. | |
the black and couple of reds and it's a three frame lead and all of a | :44:44. | :44:48. | |
sudden he's got to play a safety shot here. Possibly the yellow onto | :44:49. | :44:57. | |
the side cushion. The cue ball as close to this baulk cushion as | :44:58. | :45:03. | |
possible. He just gave himself a slap on the back of the head their | :45:04. | :45:10. | |
own -- on his way round the table and he really is frustrated. It is | :45:11. | :45:16. | |
frustrating, particularly with that kick there. You just have to get on | :45:17. | :45:20. | |
with it. It's part of the game. No point beating yourself up. | :45:21. | :45:27. | |
This is the slap on the back of their head. That will certainly wake | :45:28. | :45:47. | |
him up, that's for sure. But a clever shot to try the | :45:48. | :46:02. | |
blackout. Yes, maybe. I think I might have preferred to have the | :46:03. | :46:07. | |
yellow tied up instead. He went need the black, Ding, if he does get a | :46:08. | :46:18. | |
chance. He can win the frame with just the pink. I'm not sure if that | :46:19. | :46:21. | |
was the correct shot. It remains to be seen. | :46:22. | :46:53. | |
He got himself into a bit of a ruck in his semifinal, thinking about | :46:54. | :47:00. | |
shot for five minutes. I -- I think that is the longest anyone has ever | :47:01. | :47:11. | |
thought about a shot. That was about the best he could do but he's left a | :47:12. | :47:14. | |
possible pot on for Mark Selby. There is no easy return safety shot | :47:15. | :47:53. | |
here. So he is just looking to see if he was to leave the red up in the | :47:54. | :48:04. | |
left jaws, can he find a gap if he takes this on? | :48:05. | :48:08. | |
What a shot. What a shot. Not only the part, but to find the there. -- | :48:09. | :48:25. | |
not only the pot, but to find the there. I would give him ten out of | :48:26. | :48:32. | |
ten for that. That is not a good angle on the green, I don't think, | :48:33. | :48:36. | |
so he might put another colour safe here. Brown, possibly, and get a | :48:37. | :48:42. | |
good cue ball. He has got a 50 point advantage. He has got the black | :48:43. | :48:56. | |
safe. He is going to get the brown says. Yes, just past the left centre | :48:57. | :49:06. | |
towards the black. He needs a good cue ball though. | :49:07. | :49:34. | |
He's in a good position, Mark Selby, but it would only take one good shot | :49:35. | :49:42. | |
from Ding to come back into this frame. That was close. I think he | :49:43. | :49:53. | |
can get through to the one on the pocket. He's got a long straight | :49:54. | :49:58. | |
red. He wouldn't be taking that on because there is no colour | :49:59. | :50:03. | |
available. He can just get past that one. It's a bit of a guide, you | :50:04. | :50:08. | |
know. If he passes the first red, you would think he would tap in the | :50:09. | :50:11. | |
one on the pocket. He's coming to look at the angle but it's one of | :50:12. | :50:16. | |
those situations where the other red is quite a good guide. If you pass | :50:17. | :50:21. | |
the first red, there's every chance you will this in. This could be a | :50:22. | :50:25. | |
frame-winner. How can you overcut and their white | :50:26. | :50:59. | |
is in -- the white is in. Foul. How can he overcut and it the whiting? | :51:00. | :51:15. | |
Amazing. -- and get the white in. We saw that horrendous kick when the | :51:16. | :51:21. | |
frame was almost over. Seven hours of tough match sneaker. He might be | :51:22. | :51:26. | |
able to get the black out here from this red. He tried to. It was close | :51:27. | :51:33. | |
but he's going to get back into the frame. That's all it took, just one | :51:34. | :51:43. | |
possible and Mark Selby will be cursing his luck. He had a terrible | :51:44. | :51:50. | |
kick on the red when it looked like he was going to win the frame, he | :51:51. | :51:58. | |
potted a good long ball and never got on. There is the attempt at his | :51:59. | :52:00. | |
pot. I am thinking back to the shot when | :52:01. | :52:31. | |
Mark tried to get the brown safe and that could play a part. He didn't. | :52:32. | :52:38. | |
An awful lot of balls to be potted before we get there. He couldn't | :52:39. | :52:44. | |
hold for the pink but he has got a slight angle on the blue, to get the | :52:45. | :52:55. | |
cue ball close to these two reds. Now, he has an angle on this red. I | :52:56. | :53:02. | |
wonder if he will attempt to take this off the cushion here. He would | :53:03. | :53:07. | |
still be on the brown. It might be a bit risky. | :53:08. | :53:19. | |
What a steal this would be but it is so difficult. The chance is there. | :53:20. | :53:29. | |
He didn't think he was going to get a chance in this final frame of the | :53:30. | :53:38. | |
session. Surely he hasn't snookered himself? Does the red pass the other | :53:39. | :53:45. | |
red. What a terrible shot Ding Junhui has just played there. He had | :53:46. | :53:51. | |
got so much margin for air around if he goes too far, he has got the red | :53:52. | :53:56. | |
to the middle pocket. What a mistake there, Ken. Yes, definitely. Fatigue | :53:57. | :54:05. | |
is setting in. There's no doubt about it. His concentration has | :54:06. | :54:08. | |
gone. He will be very, very disappointed. That's what happens | :54:09. | :54:14. | |
when you do get a bit tired. You miss straightforward shots back just | :54:15. | :54:17. | |
let your concentration lapse. There are couple of ways he could | :54:18. | :54:50. | |
try to play this. He could try to drop-in to the red closest to the | :54:51. | :54:55. | |
top cushion. That is a very delicate shot. It's a very easy escape but | :54:56. | :55:07. | |
it's one of those, it's difficult to keep the reds in a safe position. | :55:08. | :55:12. | |
The one you suggested, coming up this cushion and landing on the back | :55:13. | :55:20. | |
road, that's a tough shot. If he's coming off the cushion at pace, no | :55:21. | :55:24. | |
matter how good you are, you are relying on a little bit of good | :55:25. | :55:30. | |
fortune to get safe. Maybe a hit and hope here, Dennis? He could always | :55:31. | :55:38. | |
be jammy with one. No, he is playing a delicate one. Foul and a miss. He | :55:39. | :55:49. | |
tried to glance of the red and missed it by a mile. How do you pick | :55:50. | :55:56. | |
the correct spot out after you missed it by that margin? He doesn't | :55:57. | :56:01. | |
have to play the same shot again? I think he's getting tired also. There | :56:02. | :56:08. | |
is so much side on that. It's incredible what happens on this 12 | :56:09. | :56:14. | |
foot 6' speaker table. There's a possible pot stop --. The | :56:15. | :56:36. | |
only thing, Ken, if he takes that long one up into the corner, he will | :56:37. | :56:40. | |
leave the one to the right and that is the one he will play safe off. | :56:41. | :56:46. | |
That's not a bad outcome. He has judged that nicely. What has he done | :56:47. | :56:53. | |
here? What has he done here? I think both players have lost a little bit | :56:54. | :56:58. | |
of concentration. There is a lot of tension out there. It is the last | :56:59. | :57:02. | |
frame in the session. They must be mentally tired at the moment, that | :57:03. | :57:09. | |
is the shore. That is a real schoolboy error. He looks very | :57:10. | :57:19. | |
tired. But as Steve Davis said. Off to bed. They are back at two | :57:20. | :57:26. | |
o'clock. You have a good night sleep, the adrenaline gets going | :57:27. | :57:31. | |
again. You have work your whole life to try to become world professional | :57:32. | :57:36. | |
champion. Mark has done it once. Ding is trying to do it for the | :57:37. | :57:38. | |
first time. Now Ding needs a bit of good | :57:39. | :58:18. | |
fortune. Not only does he need to hit the red, he needs to knock it | :58:19. | :58:20. | |
safe. Mark Selby only needs to read to | :58:21. | :58:24. | |
leave Ding needing a snooker. Well, it's going to be a possible | :58:25. | :58:50. | |
pot for Mark Selby to go out. This is a frame-winner. It's not a gimme | :58:51. | :58:54. | |
by any means. APPLAUSE | :58:55. | :59:19. | |
He has given the table a good old hammering there. That is what it | :59:20. | :59:24. | |
means to Mark Selby. He is going to lose the session but have a look at | :59:25. | :59:29. | |
that. Do you think he is trying? He will lose the session 5-4 but what | :59:30. | :59:31. | |
an important last that makes absolutely sure of the | :59:32. | :59:49. | |
frame. They are not greatly placed for | :59:50. | :00:55. | |
snookers. The black is out of play. Brownlie is not the best, either. -- | :00:56. | :01:01. | |
Brown. Not quite. A little bit of a swerve | :01:02. | :01:14. | |
will get him, or even if he doesn't fancy that it is easy off the side | :01:15. | :01:20. | |
cushion. Side cushion it is and he would like to keep the yellow from | :01:21. | :01:22. | |
behind. A chance now for Ding. Will he try | :01:23. | :01:51. | |
to lay a snooker on the brown? That is not a bad solution. He can get | :01:52. | :01:57. | |
the cue ball down below the brown somehow. Straightforward. Let's see | :01:58. | :02:07. | |
if he has thought about it. Know, and that is down to concentration, I | :02:08. | :02:10. | |
think. -- no. Maybe he feels if he pots the green | :02:11. | :02:27. | |
it takes out his options. He is pretty good at swerving the ball, | :02:28. | :02:36. | |
Mark Selby. It seems a bit more of a swerve is needed this side to go the | :02:37. | :02:41. | |
cushion as well. He has gone straight around them and hit the | :02:42. | :02:52. | |
yellow direct. Ken said, if you can plot the yellow and green, and where | :02:53. | :02:57. | |
the other white is, you can send that brown down the cushion. I don't | :02:58. | :03:06. | |
think he's even contemplating that. Another decent effort, but easy to | :03:07. | :03:13. | |
hit. An excellent attempt. A good line | :03:14. | :04:25. | |
with the cue ball, and again straightforward escape for Mark | :04:26. | :04:35. | |
Selby. That is the only problem with getting the snooker behind the blue | :04:36. | :04:39. | |
and pink, it will always be a fairly comfortable escape. You want to get | :04:40. | :04:42. | |
tight in behind the colour. Mark Selby might get the snooker | :04:43. | :05:11. | |
back. Almost slipped past the blue for the | :05:12. | :05:49. | |
snooker. He might try to clip the yellow onto | :05:50. | :06:06. | |
the brown. He is coming around to have a look at the cue ball, back up | :06:07. | :06:13. | |
towards the green. He could take the yellow on and try to pot it. | :06:14. | :06:32. | |
Well, both these players will sleep well this evening. Play started that | :06:33. | :06:40. | |
seven o'clock, and now it is five past midnight. | :06:41. | :06:51. | |
As I say, regardless of the outcome of this frame, Ding has to be very | :06:52. | :07:05. | |
proud of himself. To battle back from 6-0 behind. Even if he was | :07:06. | :07:08. | |
three behind it is still terrific performance. | :07:09. | :07:36. | |
It is Ding's turn to try to keep the object ball safe. He is looking for | :07:37. | :07:44. | |
a snooker but you don't always have the chance to get a snooker. | :07:45. | :08:01. | |
Believe it or not, that has promoted the brown into a better position. He | :08:02. | :08:14. | |
has the snooker here, so Mark Selby can slip past the blue with lots of | :08:15. | :08:24. | |
right-hand side. As I mentioned, the Brownlees in a perfect spot if Ding | :08:25. | :08:28. | |
can get a chance to get in behind it. | :08:29. | :09:03. | |
And this is the chance that Mark Selby has been waiting for. This to | :09:04. | :09:12. | |
make absolutely certain of this final frame. | :09:13. | :09:29. | |
It has been a tough old night at the Crucible Theatre. We have had a | :09:30. | :09:36. | |
little bit of everything, including the second longest frame in this | :09:37. | :09:42. | |
year's championship. 33 the difference with 25 on. Two | :09:43. | :10:03. | |
snooker is now needed. It is not far away. Is he in behind the brown? | :10:04. | :10:15. | |
Almost. It just came away from the pocket. | :10:16. | :10:58. | |
He wants to get in behind the brown, and that is pretty good. An | :10:59. | :11:08. | |
excellent shot. He can't swerve the cue ball this time, it is not | :11:09. | :11:11. | |
straightforward to hit this green. He would have to go very close to | :11:12. | :11:34. | |
the blue to come off two cushions and hit the green. He has gone | :11:35. | :11:41. | |
across to one cushion, and that is not straightforward, twice across, | :11:42. | :11:53. | |
good escape! That wasn't the easiest of snookers to get out of. | :11:54. | :12:11. | |
Ding is doing a Selby on Selby at the moment! | :12:12. | :12:34. | |
It will have to be a very good snooker to try and force four points | :12:35. | :12:50. | |
from Mark Selby, that is for sure. He is having a chat with a gentle | :12:51. | :12:57. | |
Iniesta him, -- the gentleman next to him. I think he is a Coventry | :12:58. | :13:13. | |
supporter. I often wondered, whether they send people to that live in | :13:14. | :13:21. | |
Coventry. There is the chance to get in behind | :13:22. | :13:42. | |
the brown, believe it or not. He can double the green backed up the table | :13:43. | :13:47. | |
and come across. Two snookers needed. Too hard. | :13:48. | :14:22. | |
Dear me! That was almost like an explosion, wasn't it? Have a look at | :14:23. | :14:33. | |
this. This is an amazing last frame. How | :14:34. | :15:14. | |
long ago is it since Mark Selby got that horrendous kick. We would have | :15:15. | :15:23. | |
all been tucked up in bed now. He is already dozing off. It does take it | :15:24. | :15:28. | |
out of you mentally, it really does. It was 31 minutes ago, Mark Selby | :15:29. | :15:49. | |
was in the balls, and it looked like it would be over in a matter of | :15:50. | :15:52. | |
seconds, and that happened. And we are still here. | :15:53. | :15:59. | |
He could have got himself in trouble, here. He needed to hit that | :16:00. | :16:09. | |
a bit harder. If he can get this in behind the blue and centre that | :16:10. | :16:16. | |
green over towards the brown... He could get him in a tough snooker. | :16:17. | :16:25. | |
He has decelerated. He tried that and just didn't hit it. That is a | :16:26. | :16:34. | |
sign of tiredness, for sure. Trying to screw in behind the blue, send | :16:35. | :16:42. | |
the green towards the brown, and he does quit on the shot. | :16:43. | :17:05. | |
Amazing. Now, an opportunity for Ding to get over behind the brown. I | :17:06. | :17:16. | |
don't know why he didn't just drop green almost dead weight into the | :17:17. | :17:24. | |
pocket. I think maybe they are not thinking straight. The concentration | :17:25. | :17:30. | |
is gone. Mark is obviously very tired. | :17:31. | :18:17. | |
Let's see if he can get in behind the blue. I think there is a gap, he | :18:18. | :18:37. | |
has found the gap. What has he spotted? Is there something on the | :18:38. | :18:41. | |
green? This is tough to hit. This could be | :18:42. | :19:38. | |
the end of the session. The Great Escape he has stuck the green up. | :19:39. | :19:57. | |
Absolutely incredible. He just wants to get out of the Crucible and get | :19:58. | :20:03. | |
to bed. Not quite hard enough. He will | :20:04. | :20:24. | |
probably not this one in after missing that sitter. You wouldn't | :20:25. | :20:28. | |
put it We have been on this green ball for | :20:29. | :21:02. | |
coming up to not far off 12 minutes. A little thin one, keep the green | :21:03. | :21:08. | |
safe and come down and knock the black of cushion. Promote it. That | :21:09. | :21:10. | |
would help. That is what he tried but the middle | :21:11. | :21:30. | |
pocket cot in the way. That was one way of getting a snooker almost. He | :21:31. | :21:36. | |
could double this up into the right I don't think Ding will want to pot | :21:37. | :22:11. | |
this. The Brownlees in a decent position. -- the brown is in a | :22:12. | :22:20. | |
decent position. Excellent shot. Holding his cue above his head! It | :22:21. | :23:30. | |
is only a green. It has been a hard day's night here, but what a | :23:31. | :23:35. | |
fascinating tussle, and brown has done so well from 6-0. He was 6-2 | :23:36. | :23:45. | |
down going into this evening's session. Playing with an extension | :23:46. | :24:00. | |
on his cue. And Ding has had a look at the referee, and Mark Selby will | :24:01. | :24:07. | |
be delighted to have lost this session five frames to four. Mark | :24:08. | :24:13. | |
Selby has opened up a three frame advantage. It is 10-7 to the world | :24:14. | :24:21. | |
number one. It sure has been a hard day's night. Mark Selby, great | :24:22. | :24:31. | |
tenacity from him, but also from Ding, because despite the fact he | :24:32. | :24:35. | |
has been trailing 6-0 in this final, he came back and was emotionally | :24:36. | :24:40. | |
overwhelmed earlier. Here he is, with nine snookers in the last | :24:41. | :24:49. | |
frame. Two warriors out there today. The balls have conspired to make it | :24:50. | :24:57. | |
long session snooker. Then Ding just rolled one down into the corner and | :24:58. | :25:00. | |
Mark Selby gets back into it. On another day the frames were much | :25:01. | :25:07. | |
quicker, but you have to go to those. This is an astonishing level | :25:08. | :25:15. | |
of safety play. Frame 15 was you thought going to be a bit of a | :25:16. | :25:21. | |
turning point for Ding, because he won that. But it is Selby who has | :25:22. | :25:28. | |
come out and pinched the last two. He has amazing mental fortitude. | :25:29. | :25:35. | |
Most people would have been well wilting. His eyes were so tired, he | :25:36. | :25:42. | |
was gone, but he keeps going. Ding looked as fresh as anything. He | :25:43. | :25:50. | |
looked like the night porter from hell, Mark Selby, but Ding looked | :25:51. | :25:57. | |
fresh. This is his eight match. He has played three just to get into | :25:58. | :26:02. | |
the Crucible. You do wonder how much it has taken out of them. You talk | :26:03. | :26:08. | |
about getting a good night sleep, but surely a session might this, two | :26:09. | :26:15. | |
weeks like this, catches up to you. If they have another game like this | :26:16. | :26:19. | |
tomorrow it will be a war of attrition. Ding is showing strength | :26:20. | :26:24. | |
and fortitude, so who knows what we are in for. The only good thing is | :26:25. | :26:30. | |
no morning sessions. They are playing in the afternoon and | :26:31. | :26:34. | |
evening. They really do need a rest. They do, and we need a rest. I'm | :26:35. | :26:39. | |
sure you need a rest as well. Get some sleep, because act three of | :26:40. | :26:44. | |
this fascinating drama will be on the go at 2pm. Sleep well, and we | :26:45. | :26:54. | |
will see you soon. Thank you for being with us today. More of the | :26:55. | :26:56. | |
same coming soon. | :26:57. | :26:59. |