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An excellent part. We may have a new favourite for the tournament! -- | :00:36. | :00:55. | |
pot. Here comes Angles. Absolutely remarkable! The best I've ever seen | :00:56. | :01:05. | |
in my life. The world number one finishes in style! Good evening, we | :01:06. | :01:12. | |
have four players and one table left here inside the Crucible Theatre at | :01:13. | :01:17. | |
this year 's World Championship. The likeability factor is high in our | :01:18. | :01:21. | |
semifinal line-up, we have a quartet of players who are among the most | :01:22. | :01:25. | |
popular and best respected in the sport. Significantly, none of them | :01:26. | :01:30. | |
have won a major title this term, that is about to change for one of | :01:31. | :01:34. | |
them as they hit the jackpot over the next four days. This evening, we | :01:35. | :01:39. | |
have Mark Selby, world number one, about to take on Marco Fu in their | :01:40. | :01:43. | |
first session, but this afternoon brought us a curious and historic | :01:44. | :01:48. | |
event. The first meeting between two qualifiers in the semifinal here | :01:49. | :01:53. | |
since 1978. As 45-year-old Alan McManus red China's new favourite | :01:54. | :02:00. | |
for the title Ding Junhui. -- met China's new favourite. | :02:01. | :02:09. | |
APPLAUSE Ding Junhui takes the opening frame. | :02:10. | :02:25. | |
Ding Junhui leads Alan McManus 2-0. APPLAUSE | :02:26. | :02:42. | |
He is playing superbly well! Taking all four frames. He leaves 4-0. It | :02:43. | :02:57. | |
is awkward... FUNKY MUSIC Terrific, in terms of the gap, it is | :02:58. | :03:02. | |
now 5-2. APPLAUSE | :03:03. | :03:21. | |
Plenty of tonne ups there. It has been the Ding Junhui Show here this | :03:22. | :03:26. | |
afternoon. He takes the session 6-2 frames. | :03:27. | :03:31. | |
Ken Doherty is with us. Four centuries from Ding Junhui today, | :03:32. | :03:35. | |
the record in the semifinal is five, incidentally, shaky ground now! Has | :03:36. | :03:41. | |
the real Ding Junhui finally emerged in this theatre? I think so, without | :03:42. | :03:48. | |
a doubt, we talked about the qualifiers, two in the semifinal, | :03:49. | :03:54. | |
and maybe those three matches are the qualifiers, he was searching for | :03:55. | :03:58. | |
some confidence, Ding Junhui, and I think those three matches have given | :03:59. | :04:02. | |
him that sparkle and confidence that he needs and he has carried it | :04:03. | :04:06. | |
through and is getting better and better every round. As for Alan | :04:07. | :04:11. | |
McManus, a remarkable story, 23 years after his last Crucible | :04:12. | :04:16. | |
semifinal, when Ding Junhui was only six years old, extraordinary! How | :04:17. | :04:20. | |
precarious at 2-6 down is it now? At six years old he was probably still | :04:21. | :04:26. | |
making century break sets I remember that with Alan McManus, it was his | :04:27. | :04:31. | |
big breakthrough into the top 16, it was remarkable. He was the only | :04:32. | :04:35. | |
professional in 1991. The two friends he won could be crucial, it | :04:36. | :04:41. | |
has given him hope -- frames. When it looked precarious at one stage | :04:42. | :04:44. | |
for Alan McManus, he will do again. He's still in the match but he needs | :04:45. | :04:49. | |
a better start. The start that Ding Junhui God, he compounded his lead. | :04:50. | :04:54. | |
But Alan is a great fighter, he is full of heart and will get stuck in | :04:55. | :04:59. | |
-- the start that Ding Junhui got. So much for the fatigue of the | :05:00. | :05:03. | |
qualifiers? We will definitely have a qualifier, a story in itself. | :05:04. | :05:07. | |
As for this second semifinal, it will be competed with the brakeman | :05:08. | :05:16. | |
and professional, Marco Fu. He hasn't got a weakness, I don't | :05:17. | :05:20. | |
think. He is a very good match player. As everyone would | :05:21. | :05:24. | |
understand. He's been here a long time. Here's very comfortable | :05:25. | :05:33. | |
playing at the Crucible, especially the one-table set-up, it will be a | :05:34. | :05:36. | |
big challenge for me. There will be no favourites as such, I won't go | :05:37. | :05:40. | |
out there believing that I'm one of the favourites. I will play one | :05:41. | :05:44. | |
frame at a time. I will stay focused and see what happens. It will be a | :05:45. | :05:50. | |
very tough game. I still have a long way to go. Two matches, but it is | :05:51. | :05:57. | |
still a long way to go. I will take it one match at a time, one pot at a | :05:58. | :06:02. | |
time. Sat in the semifinal now, I feel like I played all season and | :06:03. | :06:06. | |
not had a day off, that is what the tournament does to you, it is so | :06:07. | :06:10. | |
long and mentally and physically draining. It is the same for | :06:11. | :06:14. | |
everyone else, the last man standing is the strong list. You cannot | :06:15. | :06:18. | |
predict the nerves you will feel out there, hopefully I will stay calm | :06:19. | :06:22. | |
and relaxed and play good snooker -- is the strongest. There is the | :06:23. | :06:30. | |
situation, Marco Fu survived a furious comeback against Barry | :06:31. | :06:34. | |
Hawkins last night, dishing up... That's appropriate! Dishing up one | :06:35. | :06:37. | |
of the greatest clearances we've seen to win it. Ten years since his | :06:38. | :06:42. | |
previous appearance in the last four. Mark Selby won the title two | :06:43. | :06:45. | |
years ago, the fourth time in total he's been in the semifinals. After | :06:46. | :06:51. | |
13 days of grass, effort and tension, what a significant moment | :06:52. | :06:56. | |
it will be for the two of them. -- graft. Let's hand over to our MC, | :06:57. | :07:00. | |
Rob Walker. Good evening ladies and gentlemen, | :07:01. | :07:04. | |
this fabulous arena takes on a different feel when we get down to | :07:05. | :07:09. | |
the one-table set-up. Some of the sport's ultimate showdowns have | :07:10. | :07:14. | |
happened at the semifinal stage at the Betfred World Snooker | :07:15. | :07:19. | |
Championships. We are ready for another night of entertainment, the | :07:20. | :07:23. | |
Sheffield crowd are ready to roar once more! CHEERING | :07:24. | :07:26. | |
APPLAUSE Please welcome a player making his | :07:27. | :07:46. | |
first appearance in the one-table set-up for 10-year is, here after a | :07:47. | :07:51. | |
brilliant clearance last night against the resurgent Barry Hawkins, | :07:52. | :07:55. | |
twice a ranking event winner, he's one of the sport's most important | :07:56. | :07:59. | |
global ambassadors. Raise the roof, from Hong Kong, it's | :08:00. | :08:01. | |
Marco Fu! APPLAUSE | :08:02. | :08:25. | |
And his opponent, a player of immense self belief who never loses | :08:26. | :08:30. | |
his cool under pressure. Nine years after his worst semifinal, he's back | :08:31. | :08:36. | |
for a fourth crack at the one-table set-up, multiple Masters champion | :08:37. | :08:39. | |
and world champion of course two years ago, poised and ready for | :08:40. | :08:44. | |
another massive night here at the Crucible, world number one, the | :08:45. | :08:46. | |
Jester from Leicester... Mark Selby! It is the best of 33 frames played | :08:47. | :09:08. | |
over four sessions between now and Saturday night for these men, the | :09:09. | :09:13. | |
first to 17 is the target as we extend the duration and difficulty | :09:14. | :09:17. | |
from here on in. John Virgo and Willie Thorne will keep us company | :09:18. | :09:19. | |
this evening. Good evening. | :09:20. | :09:24. | |
COMMENTATOR: Good evening Hazel, and good evening everyone to the start | :09:25. | :09:28. | |
of the first session, the first of four sessions in the first three | :09:29. | :09:34. | |
sessions. Eight frames, then the possible nine... In this semifinal, | :09:35. | :09:41. | |
it promises to be an absolute cracker. I'm looking forward to it, | :09:42. | :09:42. | |
the players were, -- were commenting. This was one of | :09:43. | :09:53. | |
the best sessions I ever commentated on. Mark Selby is getting better and | :09:54. | :10:00. | |
better, he is nowhere near his best by any stretch of the imagination. | :10:01. | :10:06. | |
That is your worst possible start, isn't it? You caught the end red | :10:07. | :10:15. | |
much too thick. You have to get 90% or above to win in this class of | :10:16. | :10:23. | |
opposition. With Marco Fu, that is about right but that percentage is a | :10:24. | :10:27. | |
bit low for Mark Selby. He won't be happy with this break. Giving Marco | :10:28. | :10:34. | |
and easy start. The safety is a little low for both players. These | :10:35. | :10:41. | |
are the Huybrechts. We know that they are very capable of winning | :10:42. | :10:46. | |
frames in one visits -- these are the high breaks. | :10:47. | :10:57. | |
This is the break. It is far too thick. | :10:58. | :11:11. | |
Rob Walker, when he was introducing the players, he said it was ten | :11:12. | :11:18. | |
years since Marco Fu was last in the semifinals of a World Championship. | :11:19. | :11:27. | |
Just giving this every consideration, this is where he will | :11:28. | :11:32. | |
play to leave the cue ball. He must have had thoughts of maybe playing | :11:33. | :11:42. | |
the pot. Getting it back into play. In the end, it was undecided. He | :11:43. | :11:52. | |
tried to pinch a little bit. A nice and easy starter, disappointed he | :11:53. | :12:00. | |
only got six points. Entitled to be a little nervous, of | :12:01. | :12:05. | |
course, in the first frame. In such a big match. | :12:06. | :12:12. | |
It's funny, when you say that Mark Selby has not been at his best so | :12:13. | :12:27. | |
far in the tournament. I think he's the kind of player who does not | :12:28. | :12:31. | |
strive to be his best, really, he's quite happy to take what is there. | :12:32. | :12:35. | |
If he gets a scrappy frame, it makes him concentrate it bit harder. His B | :12:36. | :12:45. | |
game is exceptional, and he is one of those players who puts every | :12:46. | :12:50. | |
adversity out of his mind. Not many players do that. Some players, if | :12:51. | :12:53. | |
they had not played at their best, the headstrong. -- their head's | :12:54. | :13:03. | |
drop. Some tension in the arm, short of pace in this positional shot. | :13:04. | :13:08. | |
Trying to come off the edge of the reds. | :13:09. | :13:17. | |
That was a lazy option, I think he was unlucky. The White stopped when | :13:18. | :13:22. | |
it hit the first red, and suddenly, it took off! I thought for a moment | :13:23. | :13:31. | |
it wouldn't go to the middle, it just about squeezes in. Nicely | :13:32. | :13:41. | |
played. Interesting to see where the pain will pot when it is re-spotted | :13:42. | :13:50. | |
-- pink. All of the angles covered. That is | :13:51. | :13:57. | |
the beauty of the Crucible, it only holds just over 900 people but | :13:58. | :14:01. | |
everyone has a good view of the action. | :14:02. | :14:11. | |
He just needed a bit more side. I don't think Mark Selby will be | :14:12. | :14:20. | |
tempted by the brown. I think it would be a safety. | :14:21. | :14:35. | |
Both of these players are exceptional safety players, he | :14:36. | :14:40. | |
decided that the safety is not guaranteed, it looks like he will be | :14:41. | :14:41. | |
taking the brown on. Very good. That was an excellent | :14:42. | :15:02. | |
shot. If that cue ball had been a couple of inches away from the | :15:03. | :15:06. | |
cushion, it would have been inch perfect, to pot the red above the | :15:07. | :15:11. | |
black. Let's watch it again. It was a big shot to take on early in the | :15:12. | :15:16. | |
match. It will be a confidence booster, he knocked it in as clean | :15:17. | :15:21. | |
as a whistle. Just an edge, you can flick the blackout, I think it will | :15:22. | :15:25. | |
be going close to the cushion. Just knock it into a position where it | :15:26. | :15:34. | |
pots... If this black goes in, from nowhere, he has got the ball in open | :15:35. | :15:35. | |
play. That's always the danger, when you | :15:36. | :15:51. | |
think that you are going to be running into a ball, he tries to | :15:52. | :15:57. | |
develop the red. It's human nature. You take your eye off the pot | :15:58. | :16:02. | |
slightly, it you think if the red had not been there, he would have | :16:03. | :16:06. | |
got that. How has he got away with it? Touching ball has been declared | :16:07. | :16:09. | |
by the referee, Brendan Moore. There is the referee, a local man. | :16:10. | :16:27. | |
He comes from Sheffield. Either two on the left into the middle... You | :16:28. | :16:32. | |
think snow could on both of them, but playing safe. Maybe he could not | :16:33. | :16:36. | |
get to the left-hand one of the two, that does not deem it the right shot | :16:37. | :16:47. | |
to play. Unlucky not to leave. He just underhit it slightly, he will | :16:48. | :16:54. | |
be a little annoyed. A clear run back to the ball, should have found | :16:55. | :17:00. | |
the cushion. Worse still, you can get through to this red. | :17:01. | :17:08. | |
Always had that little bit of a head movement, Mark Selby, as he plays | :17:09. | :17:16. | |
the shot. I don't think he's got away with this one... I think he | :17:17. | :17:21. | |
will get through to the red in the middle. | :17:22. | :17:48. | |
Alongside the blue, normally speaking, but with that red, there | :17:49. | :17:51. | |
is no problem with position. You can always tell when there is | :17:52. | :18:29. | |
some tension in the arm, really, the player seems to hit the ball hard | :18:30. | :18:33. | |
but get a little movement on the cue ball. The timing is not quite there, | :18:34. | :18:38. | |
he's not bad on the brown or green. If you wanted to play the green, he | :18:39. | :18:44. | |
could, but he has played the brown. There are a couple of loose threads, | :18:45. | :18:50. | |
that is what he's playing for. -- a couple of loose reds. | :18:51. | :18:57. | |
He is having a close look. A little shake of the head, what does that | :18:58. | :19:07. | |
tell us? It tells us all about fractions! A fraction away from | :19:08. | :19:12. | |
being on this red... I think he thinks that he can turn it over, a | :19:13. | :19:20. | |
touch, to the left-hand side here... Yes. So, just about on it, and now | :19:21. | :19:32. | |
potting this black, surely, it will come off of the side cushion into | :19:33. | :19:35. | |
the cluster and bring the other reds into play? He has got a bridge to | :19:36. | :19:47. | |
the right middle. -- he has got a red to the right middle. He hit them | :19:48. | :19:56. | |
well. He deserved better, didn't he? Then to play that shot, he deserves | :19:57. | :20:02. | |
much better than that. Read in the middle, cannot get top side of the | :20:03. | :20:04. | |
blue. The pink in the middle. Very unlucky there. It is amazing, | :20:05. | :20:29. | |
he was playing the red, he knew that he would not have good position on | :20:30. | :20:34. | |
the collar, it was a case of making certain, the red... It nearly | :20:35. | :20:43. | |
dropped. So, I will let off Mark Selby! | :20:44. | :20:52. | |
If you can get good position on the blue here... Both players haven't | :20:53. | :20:58. | |
got the timing right so far. How can he get on the blue from this? | :20:59. | :21:11. | |
He played that nicely. A bit unfortunate, in all honesty. | :21:12. | :21:20. | |
Hampered by the red, he may elect to play the yellow. He must feel by | :21:21. | :21:25. | |
dropping the blue in, he automatically comes on the red that | :21:26. | :21:36. | |
is just below the pink. So, that made it a little easier. So long as | :21:37. | :21:41. | |
you don't have a lot of work to do with the cue ball... On this red, | :21:42. | :21:43. | |
the black is available. Just a little lower, he may be able | :21:44. | :22:04. | |
to nudge it, playing it through, he cannot the red and black towards | :22:05. | :22:13. | |
this pocket... Adjusting nicely. Yes, pushing it in such a way that | :22:14. | :22:19. | |
he can stop the white debt here. -- debt | :22:20. | :22:28. | |
-- dead here. The problem is, that ball could stick on them, he may | :22:29. | :22:35. | |
decide to go to the middle pocket and play the cannon off the blue. | :22:36. | :22:41. | |
Play up for that one first, not a bad idea, a big target to govern | :22:42. | :22:46. | |
from the blue, with that red and pink. In two shots time, he will try | :22:47. | :22:51. | |
to hit the pink at the same time, bringing both of those reds into | :22:52. | :22:57. | |
play. 13 points is the lead. After this red, the cannon from blue to | :22:58. | :23:09. | |
those two reds, if it goes right... It could be a frame-winner. You tend | :23:10. | :23:14. | |
to play this hard, it pushes the second red on or off the cushion. | :23:15. | :23:20. | |
The line I'm looking, I think it could run into the black but if you | :23:21. | :23:24. | |
play it slow, you can finish on nothing. More pace than you would | :23:25. | :23:29. | |
normally expect. That was the problem. A little unlucky I suppose, | :23:30. | :23:38. | |
but as you say, I would have favoured... He needed to go thinner | :23:39. | :23:43. | |
than that. But it was never going to be easy to develop one of those reds | :23:44. | :23:50. | |
into the perfect potting position. Certainly play into the middle, but | :23:51. | :23:54. | |
it is tricky. APPLAUSE | :23:55. | :23:58. | |
Couldn't play... It looks better than that. That is a | :23:59. | :24:10. | |
super spot. After black, red, black, 35 points in front. He will have to | :24:11. | :24:14. | |
play that little pink, he will need that red. Marco Fu needs snookers. | :24:15. | :24:31. | |
He needs a good angle on the blue. Welcome he's got it, if he plays the | :24:32. | :24:36. | |
blue into this left corner pocket. -- well, he has got it. He has | :24:37. | :24:43. | |
parted a much more difficult shot than this. Swinging it around. | :24:44. | :24:50. | |
He looks to have played it well, slowing it up a fraction. APPLAUSE | :24:51. | :25:00. | |
Just one of those slightly awkward ones, playing into a blind pocket, | :25:01. | :25:06. | |
you had to pick out the angle and trust yourself. | :25:07. | :25:07. | |
Rate for -- red for the frame... Marco will | :25:08. | :25:21. | |
be very disappointed, he's had two chances to win the opening frame. | :25:22. | :25:29. | |
That black has gone committee will not be getting another one, Mark | :25:30. | :25:33. | |
Selby is now 40 ahead with just 27 remaining. | :25:34. | :25:42. | |
there was a little bit of tension in his arm, but at the end of the day, | :25:43. | :25:55. | |
the first frame goes to the world number one, Mark Selby. | :25:56. | :26:00. | |
From the semifinal stages onwards, we've moved indoors because we are | :26:01. | :26:04. | |
right in our bubble studio, in touching distance of the table here. | :26:05. | :26:09. | |
A fantastic view, we can really soak up the nurse and tension. I think it | :26:10. | :26:14. | |
is inevitable at the start, to have a favourite... There is some force | :26:15. | :26:22. | |
frame tension in the semifinal. They played this competition this year, | :26:23. | :26:26. | |
feeling the table, the table has changed, a new cloth. It's | :26:27. | :26:32. | |
acceptable that they will miss some chances. Marco Fu was unlucky with | :26:33. | :26:37. | |
the split but this is why John Parrott calls Mark Selby the Hoover, | :26:38. | :26:42. | |
when he gets a chance... He played a cannon, as the lads said in | :26:43. | :26:46. | |
commentary, look at how confident he plays this shot. Into the pocket, | :26:47. | :26:50. | |
playing the cue ball off of the angles, going for the black. A | :26:51. | :26:55. | |
lovely shot under pressure. OK, Mark Selby has | :26:56. | :27:00. | |
one. COMMENTATOR: This is a possible match that could go all the way. | :27:01. | :27:11. | |
Marco Fu has played better in this tournament than Mark Selby, but we | :27:12. | :27:13. | |
know that Mark Selby can improve. This looks a long way off. Foul, a | :27:14. | :27:44. | |
miss. It was a missed judgment. I can't make my mind up whether he is | :27:45. | :27:48. | |
playing on one cushion or two. I thought that it was a two ocean | :27:49. | :27:53. | |
escape, I'm surprised he went off the one cushion. -- two Ocean | :27:54. | :27:59. | |
escape. Considering that he can get through to the potting angle of the | :28:00. | :28:11. | |
red, he could play it in the middle. He will be wishing that he had them | :28:12. | :28:15. | |
replaced. Having said that, he's not let this red -- left this red too | :28:16. | :28:27. | |
easy. It is nice to see that Marco was in | :28:28. | :28:32. | |
a positive frame of mind, playing that red. | :28:33. | :28:34. |