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And welcome to cruise at all. Now we've really want it a team of | :01:00. | :01:15. | |
drops. We manage our brand-new name on that world famous trophy. -- we | :01:16. | :01:24. | |
might have. Excellent pot. We might have a new favourite for the | :01:25. | :01:26. | |
tournament. The world number one finishes in | :01:27. | :01:56. | |
style. It really has been a brilliant championship so far. The | :01:57. | :02:00. | |
quarterfinals did not disappoint last night either, because Marco Fu | :02:01. | :02:05. | |
almost blew a neat frame advantage in his match against Barry Hawkins. | :02:06. | :02:08. | |
Alan McManus had come from behind to beat John Higgins. Coming into the | :02:09. | :02:18. | |
night I thought, Win 3-1 in the first session and then take it from | :02:19. | :02:25. | |
there. Fascinating all Scottish battle. Has played is lovely, great | :02:26. | :02:33. | |
shot. What a shot. Alan McManus is just one frame behind. Lovely | :02:34. | :02:39. | |
credits to Alan, he played great. Looked like he was really enjoying | :02:40. | :02:45. | |
it at the end. Can you believe what you're seeing is that he is rolling | :02:46. | :02:51. | |
back the years and goes ahead of John Higgins, 12-11. One up with two | :02:52. | :02:56. | |
to play, I thought, right, I'll get a chance. John Mr red in the middle | :02:57. | :03:00. | |
and bagged six, I don't know how he missed it. Can you believe what | :03:01. | :03:09. | |
you've just seen? John cannot. This place can you make you crack and I | :03:10. | :03:12. | |
missed a couple of unforgivable balls in the last session. It was | :03:13. | :03:20. | |
criminal. McManus has won four frames in a row to knock out before | :03:21. | :03:26. | |
times champion John Higgins, gets himself into the semifinal for the | :03:27. | :03:31. | |
first time in 23 years. At the very end I thought I would be playing one | :03:32. | :03:35. | |
table tomorrow, which will be an enormous thrill. Barry Hawkins has | :03:36. | :03:43. | |
done so deep, if the cat cannot -- get off to good start there could be | :03:44. | :03:48. | |
some tension again. Started coming back with a strong and started to | :03:49. | :03:54. | |
cue the balls beautifully. The brick building of Barry Hawkins has been | :03:55. | :03:57. | |
out of the top drawer, he claws another one back. Now he only trails | :03:58. | :04:03. | |
by 10-9. It still was not coming easy but I felt better that like I | :04:04. | :04:07. | |
was up for the challenge more. I won a key frame to go, 11-9 instead of | :04:08. | :04:14. | |
ten each. Marco Fu dog as deep as he possibly could to keep a two frame | :04:15. | :04:20. | |
lead. Every I was one or two shots away from clinching it and could not | :04:21. | :04:27. | |
that ball under pressure. -- dug as deep. That is the easiest ball he | :04:28. | :04:32. | |
has missed in this match. Marco missed some unbelievable balls to | :04:33. | :04:39. | |
fishmeal. -- finish me off. You can miss anything when you're under | :04:40. | :04:42. | |
pressure. I fancied winning all Day long. Towards the end I was able to | :04:43. | :04:51. | |
make one of the best clearances of my life to get to the semis. | :04:52. | :04:57. | |
Fabulous game, standing ovation from this crowd. Marco Fu somehow found | :04:58. | :05:02. | |
something, the 30-11 Victor, one of the best matches I've ever seen. | :05:03. | :05:08. | |
Danty nitty-gritty of the Crucible, Yupeng sitting next your opponent | :05:09. | :05:11. | |
for the first three rounds and suddenly he's over there. Here I am! | :05:12. | :05:17. | |
It's a long way! Nice to see you. The first thing you notice is the | :05:18. | :05:21. | |
space. Cramped as to table and now you have so much space, you could | :05:22. | :05:25. | |
have a couple more rows. I'm not surprised they've not thought of | :05:26. | :05:31. | |
that. Don't give them any ideas. Seriously, an entirely different | :05:32. | :05:34. | |
persona. This is where it comes into its own, two gladiators with wooden | :05:35. | :05:40. | |
sticks smashing it other and for me this venue is superb. No blood and | :05:41. | :05:44. | |
guts, just a few mental scars. This table can be the best or worst place | :05:45. | :05:49. | |
for the players. What about the semifinals? Deng versus McManus, | :05:50. | :05:53. | |
both on qualifiers. Yes, their seventh match in the campaign and | :05:54. | :05:57. | |
balls are doing quite well considering, their freshers daisies, | :05:58. | :06:01. | |
Dean has had some more time but Alan McManus is like Peter Pan at the | :06:02. | :06:08. | |
moment. 300-1 shot at the side of the tournament, unbelievable so far. | :06:09. | :06:12. | |
Has been fantastic, great to see. Add in the practice room upstairs he | :06:13. | :06:17. | |
has been looking fresh and great and is up for it. And the semifinal? I | :06:18. | :06:21. | |
think whoever wins it is a great story, Mark Selby has come through | :06:22. | :06:25. | |
under the radar to some degree. For a world number one that is | :06:26. | :06:29. | |
astonishing. Yes, and Marco Fu, what a great story. Whoever wins, it will | :06:30. | :06:34. | |
be fascinating from now on in. The funny thing is, even though you've | :06:35. | :06:36. | |
got to this stage, you're only halfway through the number of frames | :06:37. | :06:40. | |
you need to win, you have to monitor and decline to be champion. Eight | :06:41. | :06:45. | |
sessions and come along way so far, that is lots of walking around and | :06:46. | :06:48. | |
quite a long distance from your chair to the table, so it can be | :06:49. | :06:53. | |
quite draining. A marathon of the mind. They think it's funny, it | :06:54. | :07:01. | |
isn't. The semifinals get underway the cycling with Ding Junhui taking | :07:02. | :07:06. | |
on Alan McManus. Both players had to qualify to get to the Crucible, | :07:07. | :07:08. | |
meaning their achievement in getting this -- to the semifinal is more | :07:09. | :07:13. | |
incredible. Adding a drop -- dropped out of the talks 16 and has not | :07:14. | :07:17. | |
three lead players along the way, that McManus started his playing -- | :07:18. | :07:26. | |
campaign three weeks ago. We will have one qualifier in the final. I | :07:27. | :07:34. | |
will quantify manifests to enjoy it. Play hard and if I play well I will | :07:35. | :07:38. | |
give him plenty of problems and if I turn up and play my game I will be | :07:39. | :07:46. | |
happy regardless. Last time we played I played great, had also | :07:47. | :07:54. | |
lucky shots and had a hand in the match, this time it another chance | :07:55. | :08:01. | |
to go. He is just arriving, and all some player. When he is on song, he | :08:02. | :08:08. | |
probably has the best cue ball control on tour. He's coming into | :08:09. | :08:11. | |
form again and like myself came through quite strongly and | :08:12. | :08:17. | |
qualifying gave him a good foundation, in -- to come in. I'm | :08:18. | :08:25. | |
looking forward to playing him. He is a tough player to play. I've | :08:26. | :08:33. | |
played a few times and he beat me. I think we played a few times in PBC | :08:34. | :08:38. | |
and once at the Crucible. He has very good safety and put me under a | :08:39. | :08:49. | |
lot of pressure. Alan McManus, aged 45, makes the last four for the | :08:50. | :08:53. | |
first time since 1993. They've played each other for times. Dane | :08:54. | :08:58. | |
leads by 3-1, they played once at the World Championships back in | :08:59. | :09:03. | |
2013, when in Game one 10-5 in the first round. The Crucible is packed. | :09:04. | :09:13. | |
Good afternoon, what a match in prospect and what a story for the | :09:14. | :09:17. | |
two men waiting backstage. One rolling back the years in style, the | :09:18. | :09:21. | |
other carrying the old and expectations of a nation on a short | :09:22. | :09:24. | |
list. We cannot wait for this drama to start. Welcome to the semifinals | :09:25. | :09:31. | |
of this year prospect field World Snooker Championship. -- get freaked | :09:32. | :09:37. | |
to limit. Please welcome a man who produced | :09:38. | :09:58. | |
the most sensational story last night, beating John Higgins to book | :09:59. | :10:03. | |
his first Crucible semifinal for 23 years. He has become the oldest man | :10:04. | :10:10. | |
to make the one-table set-up here since Ray Reardon in 1985. What an | :10:11. | :10:17. | |
incredible fortnight for the man who takes it all! In his famous tartan | :10:18. | :10:24. | |
strides, he is the pride of Glasgow. Raise the Roof, here is Alan at the | :10:25. | :10:26. | |
Angles McManus. And his opponent, a player peaking | :10:27. | :10:55. | |
at just the right time. He came through qualifying and reminders us | :10:56. | :11:00. | |
all why he is an 11th time ranking event winner. This is his first | :11:01. | :11:04. | |
appearance in the semifinals for five years and an entire nation are | :11:05. | :11:09. | |
junior and live from back home, ladies and gentlemen, enter the | :11:10. | :11:10. | |
Chinese Dragon, Ding Junhui. MUSIC: Uptown Funk | :11:11. | :11:14. | |
by Mark Ronson feat Bruno Mars. Great noise inside this wonderful | :11:15. | :11:35. | |
arena. Two men who know what is going through the minds of Ding | :11:36. | :11:40. | |
Junhui and Alan McManus are Dennis Taylor and Stephen Hendry. Good | :11:41. | :11:43. | |
afternoon. Very good afternoon to everyone. This is when the Crucible | :11:44. | :11:49. | |
comes into its own. The one table. Thank you, cameras away now free two | :11:50. | :12:03. | |
please. The first frame. Alan McManus won the toss and he will get | :12:04. | :12:08. | |
this fresh semifinal underway, quite incredible after 23 years he is back | :12:09. | :12:17. | |
at the one table. -- first semifinal. | :12:18. | :12:36. | |
Amazing performance, John and Stephen were saying both of these | :12:37. | :12:49. | |
guys had incredible qualifiers. This is their seventh match in the World | :12:50. | :12:50. | |
Championship. I do think that some of the pressure | :12:51. | :13:07. | |
and expectation from China has been lifted being a qualifier, maybe that | :13:08. | :13:12. | |
pressure has not been as intense as in previous years. I watched him in | :13:13. | :13:19. | |
that Chinese tournament where he put himself out of the top 16, he was | :13:20. | :13:25. | |
under a huge amount of pressure, but here is in the semifinal with as | :13:26. | :13:31. | |
good a chance as ever to lift the title and be the first Asian player | :13:32. | :13:36. | |
to do so. There is a lot of snooker to be played before we have a | :13:37. | :13:39. | |
winner. They are both good tactical players. | :13:40. | :13:58. | |
Alan McManus against John Higgins, John missed some easy ones, but some | :13:59. | :14:04. | |
of our's tactical play opened the balls off to limit up as if to say, | :14:05. | :14:09. | |
do it, and if you cannot, I have the balls for it. -- I can get the balls | :14:10. | :14:18. | |
to do it. If we look at the tournament pot success, they are | :14:19. | :14:19. | |
both very close. You would expect Damon to be heavier | :14:20. | :14:31. | |
scorer. -- Ding. Alan has been knocking them in well. | :14:32. | :14:38. | |
Very close on their highest breaks as well. Straightaway has a lovely | :14:39. | :14:48. | |
angle if he wants to go straight into the pink. I think he has too, | :14:49. | :14:57. | |
not many loose threads available. -- loose reds. Did not quite get the | :14:58. | :15:07. | |
pink full on the face. It's the left-hand side of the pink, lucky to | :15:08. | :15:13. | |
avoid the corner pocket with the cue ball. | :15:14. | :15:37. | |
Good cueing, always test of the action on this type of shot into | :15:38. | :15:47. | |
these difficult middle pockets. Interesting to see how the table | :15:48. | :15:53. | |
plays, so much and so many problems at the start of the tournament, they | :15:54. | :15:56. | |
seems to get better in the quarterfinals. -- they seemed. They | :15:57. | :16:05. | |
always get to pick one of the tables to use in the semifinals but I think | :16:06. | :16:08. | |
everyone knows which one it was going to be this time. As we | :16:09. | :16:14. | |
mentioned, the arena changes completely when you get down to the | :16:15. | :16:18. | |
one-table situation, changes for the people watching at all because there | :16:19. | :16:21. | |
is no noise coming from the other table, when you're watching at home | :16:22. | :16:25. | |
can hear the applause and wonder why they are clapping, because it's not | :16:26. | :16:30. | |
for the table you're watching, it is the other table, but complete | :16:31. | :16:39. | |
silence now. Still have got a red to the right corner. No better place to | :16:40. | :16:49. | |
place and occur -- to play snooker. Everyone says we need to go | :16:50. | :16:55. | |
somewhere bigger, but it would not have this atmosphere. | :16:56. | :17:13. | |
It is a bit of a test now. He has not got on the black, long straight | :17:14. | :17:23. | |
blue. Every player when they turn professional, their ambition is to | :17:24. | :17:26. | |
become world champion and they want to do it at the Crucible. Long may | :17:27. | :17:33. | |
that continue, listening to Barry Hearn and Jason Ferguson speaking, | :17:34. | :17:38. | |
very little chance of moving away from Sheffield. | :17:39. | :17:47. | |
First test for Ding Junhui. The tricky thing if he cannot just | :17:48. | :17:56. | |
stunned the blue in because he will leave himself hampered by the blue | :17:57. | :18:00. | |
when it is re-spotted. He has to work the cue ball a bit. It makes it | :18:01. | :18:03. | |
more difficult. I don't know why he was bringing it | :18:04. | :18:17. | |
all the way to this question, but missed it by a long way. He took a | :18:18. | :18:22. | |
long time over this shot and in the end he did not even get it in the | :18:23. | :18:27. | |
jaws of the pocket. Luckily he did not get on his intended red. I can | :18:28. | :18:32. | |
only presume he was playing for the red. The left-centre. Could you? No | :18:33. | :18:47. | |
problem. Thank you. There was something on the cloth, maybe a | :18:48. | :18:48. | |
little fly. The perfect length of the safety | :18:49. | :19:35. | |
shot. Blue, pink and red are awkward there for coming down that side of | :19:36. | :19:38. | |
the table. Ding will have to make sure he gets a thin contact or he | :19:39. | :19:44. | |
will put them into one of those balls. He has hit it much too thin. | :19:45. | :19:56. | |
But nothing easy for Alan McManus here. Funny, in the match last night | :19:57. | :20:07. | |
he had a go at a fourball plant when they were congregated over the other | :20:08. | :20:13. | |
side of the table and misty fourball plant -- and he missed. The next | :20:14. | :20:21. | |
shot he knocked a three-ball plant in. That is why he is called Angles | :20:22. | :20:23. | |
McManus. You can see Alan just lifts his head | :20:24. | :20:34. | |
as he delivers the cue, it is something he has always done. | :20:35. | :20:39. | |
Probably has the longest pause in the game. Very deliberate style. You | :20:40. | :20:46. | |
can see the head, slightly, very unusual. Similar to Marco Fu, the | :20:47. | :20:53. | |
only two players that seem to do that. Another excellent safety shot, | :20:54. | :21:04. | |
using the cheque to straighten the ball up when it hit the back | :21:05. | :21:11. | |
cushion. APPLAUSE | :21:12. | :21:19. | |
Ding raises his hand to acknowledge that fluke. You would expect Alan to | :21:20. | :21:25. | |
get the better of these exchanges, if the frames go tactical it would | :21:26. | :21:29. | |
definitely favour Alan. I could not agree more. I think that | :21:30. | :21:45. | |
is why Ding will try and keep the ball is open and not get involved or | :21:46. | :21:47. | |
to tactical. Please make sure your phones are | :21:48. | :22:04. | |
switched off. The referee just telling the audience to make sure | :22:05. | :22:14. | |
your forms are switched off. -- your mobile phones. You do not get any | :22:15. | :22:21. | |
forms at the Masters golf, you aren't allowed to take a phone into | :22:22. | :22:27. | |
a cluster. -- into Augusta. It is confiscated if you have a mobile | :22:28. | :22:28. | |
phone. I'm talking about Augusta, Andy | :22:29. | :22:56. | |
Sullivan played in the Masters in the first time, three-time European | :22:57. | :23:03. | |
tour winner last season, very few players have done that in a season. | :23:04. | :23:07. | |
But Andy Sullivan is one of them. And two years ago, for a hole in one | :23:08. | :23:13. | |
he got a flight into space! I don't fancy that one. | :23:14. | :23:30. | |
This has turned into a good opportunity for Ding Junhui to win | :23:31. | :23:42. | |
this first frame. The side bar, 65 points. That is what he has got to | :23:43. | :23:53. | |
get to. You want to win it at this visit, and keep Allen in his seat. | :23:54. | :24:12. | |
Alan will not wanting to get into his scoring stride because he is an | :24:13. | :24:19. | |
excellent front runner. But it will not want to Ding. When he gets a | :24:20. | :24:24. | |
lead he just keeps scoring and scoring, as he has shown before. Big | :24:25. | :24:28. | |
first session. That is interesting, you talking | :24:29. | :24:41. | |
about scoring and scoring, he has made for seven centuries in his | :24:42. | :24:45. | |
career, Marco Fu is around the same number, not many players have made | :24:46. | :24:49. | |
over 400 centuries, the two of them from Asia. | :24:50. | :24:56. | |
Every chance you could have an all Asian final at this year APPLAUSE | :24:57. | :25:04. | |
World Championship. What a story that would be! But that | :25:05. | :25:14. | |
is a long way off. -- at this year 's World Championship. Ding has made | :25:15. | :25:18. | |
five and Alan has made three. The frame is safe now, and he will | :25:19. | :26:07. | |
win the opening frame with one visit. It was not a bad read to | :26:08. | :26:16. | |
start with. Very fortunate the way he got in for this visit. In this | :26:17. | :26:22. | |
match Ding will have to concentrate, he wants to make sure the pots and | :26:23. | :26:26. | |
off both to keep Alan in his seat because if we watch this fluke | :26:27. | :26:32. | |
again, Alan is so good for playing Ding is, he could have a 15 or 20 | :26:33. | :26:41. | |
minute period at the end of frames. That could knock Ding out of his | :26:42. | :26:47. | |
rhythm. He has to keep Alan in his seat and cold. | :26:48. | :27:01. | |
Can he get between the pink and red to leave the possible last red for | :27:02. | :27:13. | |
the corner? Not bad. Very well played. A bit awkward, we'll have to | :27:14. | :27:28. | |
just roll the red in. Possible chance now. It is even more | :27:29. | :27:32. | |
difficult when he's straight on the black. Watch the white, spins right | :27:33. | :27:38. | |
up the table, pleaded beautifully. Very good shot. | :27:39. | :28:03. | |
There is nobody better than the man next to me at starting a match with | :28:04. | :28:08. | |
the century break, they always seem to do it. Doesn't matter if he has | :28:09. | :28:21. | |
snookered himself. 66 centuries this year, tried to bend it round, does | :28:22. | :28:29. | |
not matter. It started with a fluke, but everything else was absolutely | :28:30. | :28:33. | |
perfect. In John Wayne takes the opening frame in style with that | :28:34. | :28:39. | |
magnificent century break. In his 408 career centuries for Ding | :28:40. | :28:44. | |
Junhui, what a fantastic start. Brilliant, never really set us down | :28:45. | :28:49. | |
to get the first frame on the board, Alan hasn't had his hand on the | :28:50. | :28:52. | |
table yet. Redford in to get a great start and keep him cold. -- good for | :28:53. | :29:00. | |
Ding. In years gone by Ding has looked apprehensive because he has | :29:01. | :29:02. | |
had the weight of expectation on his shoulders and looks like a different | :29:03. | :29:06. | |
player now. He might have timed his performances to perfection this | :29:07. | :29:13. | |
week, who knows? Snooker is a cruel game, and Ding flute red, McManus | :29:14. | :29:18. | |
played a decent CV shot, that is how it goes. Things like that can | :29:19. | :29:22. | |
dictate how a session unfolds. -- safety shot. While it is early days, | :29:23. | :29:27. | |
if Ding gets his teeth into it, he can destroy a player very early on, | :29:28. | :29:32. | |
like he did with Mark Williams. It impressed me more than anything is | :29:33. | :29:37. | |
his attitude. Sometimes which team -- he has never looked like he | :29:38. | :29:42. | |
wanted to be here before. The pressure, the venue, and his | :29:43. | :29:45. | |
attitude has been great this time and working with Terry Griffiths has | :29:46. | :29:49. | |
helped him. Has that had a big effect? Yes, it must have. It's can | :29:50. | :29:55. | |
be, little bit like a football manager, change of plan. And | :29:56. | :29:59. | |
regardless of what is being said, Terry would be seeing wise words to | :30:00. | :30:08. | |
Ding. He has told in to calm down. Ding doesn't look like he gets | :30:09. | :30:11. | |
agitated but you would never know unless you in the dressing room. | :30:12. | :30:19. | |
I would think Terry is working with Ding more on the mental side rather | :30:20. | :30:25. | |
than messing with his cueing action. Never a good thing to do if you are | :30:26. | :30:30. | |
having good success. A couple of years ago, Ding won five ranking | :30:31. | :30:34. | |
events, and that was before Terry was with him. Terry would be well | :30:35. | :30:39. | |
aware not to tinker around with that cueing action. He certainly looks | :30:40. | :30:42. | |
more calm. Terry's son, Wayne, is working with | :30:43. | :31:09. | |
Marco Fu. Wayne Griffith has been out in Hong Kong for a fuel years | :31:10. | :31:13. | |
now, has an academy out there, following in his father's footsteps. | :31:14. | :31:19. | |
Terry's other son, Darren, is a golf professional who has just moved to | :31:20. | :31:21. | |
Portugal. Pretty good shot from Alan there. | :31:22. | :31:35. | |
Not easy to come off the side cushion and land in the pack echoes | :31:36. | :31:40. | |
of the red either side. That's why he's giving this a bit more thought. | :31:41. | :31:52. | |
-- in the pack because. Could still leave a pot here, despite coming off | :31:53. | :32:00. | |
two cushions. Don't think you can get through to the one for the right | :32:01. | :32:02. | |
middle. Or can he? No, he cannae. CHUCKLES | :32:03. | :32:19. | |
I like that, Stephen. Finished a little awkward here. | :32:20. | :33:16. | |
Before play today, the honours board, look at the name from 1986, | :33:17. | :33:22. | |
Joe Johnson. He arrived at the Crucible still smiling. Doesn't look | :33:23. | :33:28. | |
any different to when he beat Steve Davis 18-12. What a victory that | :33:29. | :33:32. | |
was. One of the nicest fellas you could wish to meet. He wanted to sit | :33:33. | :33:36. | |
in that seat before the start of play this afternoon. | :33:37. | :33:47. | |
At the moment, Ding is just getting the run of the balls. This is | :33:48. | :33:58. | |
awkward. Very difficult to strike the cue ball in the centre when you | :33:59. | :34:02. | |
are bridging down. Played a containing shot because of that. | :34:03. | :34:08. | |
He's left the red to the middle a little bit. The one to the left of | :34:09. | :34:16. | |
the pink. Send the cue ball up back to the baulk cushion. These matches, | :34:17. | :34:28. | |
they tend to even themselves out. Yeah, especially over three, four | :34:29. | :34:35. | |
sessions, it certainly does. I think some of the tournaments they play | :34:36. | :34:40. | |
these days, best of seven, luck can play a part. Now this is the first | :34:41. | :34:47. | |
chance Alan has had. He can take the red into the right-hand corner, stun | :34:48. | :34:51. | |
off the side cushion, get onto the black, and this would be a | :34:52. | :34:52. | |
confidence booster. He got on the black but was a long | :34:53. | :35:16. | |
way off the pot. It will take Alan a while to settle in after his epic | :35:17. | :35:20. | |
battle with John Higgins yesterday evening. Yes, but he played it in a | :35:21. | :35:28. | |
slightly negative way. Playing off two cushions. Normally in practice | :35:29. | :35:30. | |
you would stun of the side cushion but he knew he would leave a red to | :35:31. | :35:35. | |
the middle if you missed. There was an element of safety. Nice pot to | :35:36. | :35:43. | |
the middle! APPLAUSE We haven't really seen that through | :35:44. | :35:48. | |
the tournaments. He's been positive in the way he has played. | :35:49. | :36:16. | |
I think Ding, Ronnie and John Higgins are the three best | :36:17. | :36:33. | |
break-builders in the game. Always knows exactly when and how to | :36:34. | :36:53. | |
go into the bunch with the cannons. Always plays the right shot. | :36:54. | :37:22. | |
He will be looking for the angle on the blue this time. There is a red | :37:23. | :37:29. | |
up the other end of the table as well, but we know Ding will go into | :37:30. | :37:34. | |
the bunch the first chance he gets. He has hit back to thick! And I | :37:35. | :37:39. | |
thought he had missed. Has to play for the red now. Stun up and leave | :37:40. | :37:44. | |
the gap between the brown and yellow. That just went in-off the | :37:45. | :37:55. | |
right jaw as he looked at it. It's a brand-new cloth and cushions on | :37:56. | :38:01. | |
here. The pockets initially play a bit easier. I think they've been | :38:02. | :38:08. | |
playing easier the whole tournament, but that's a whole new argument, | :38:09. | :38:16. | |
Dennis. Certainly looking for an angle on the blue here. He has lost | :38:17. | :38:27. | |
the cue ball... Has he? Yes. That's the end of break. | :38:28. | :38:42. | |
He has tried to use the pocket, the circle area would be the only | :38:43. | :38:55. | |
possible way to get on a red. Can he bend that around the first red to | :38:56. | :39:00. | |
make the potting angle? I think he's going for it. I don't think he can | :39:01. | :39:08. | |
hit the cue ball clean to play the safety shot. What a shot this is, a | :39:09. | :39:14. | |
sign of how confident he is to try. This is far from easy, has to get | :39:15. | :39:19. | |
lots of right-hand side to swerve around the first red and straighten | :39:20. | :39:26. | |
up. Perfect picture. No. Didn't get enough on it. | :39:27. | :39:34. | |
almost missed the red because he had so much side on that and he hasn't | :39:35. | :40:10. | |
hit it hard enough. This is so tough now. Because if he wants to go into | :40:11. | :40:19. | |
the bunch, he has to raise the bottom of the cue into the air. | :40:20. | :40:32. | |
Definitely missable. Brilliant. This red next to the blue goes into the | :40:33. | :40:37. | |
left corner. See how positively he plays, cannoning the blue to leave | :40:38. | :40:48. | |
the options, as an element of safety about it. | :40:49. | :40:57. | |
And there is the element of safety. I always feel if you have that in | :40:58. | :41:03. | |
the back of your mind you never fully commit to the pot, don't give | :41:04. | :41:09. | |
it 100%. Alan is just a bit edgy to get the first frame on the board. | :41:10. | :41:13. | |
Obviously knows how dangerous an opponent he's got. The thing is, if | :41:14. | :41:20. | |
Ding Junhui cuts this in, Alan will be thinking he should have gone | :41:21. | :41:25. | |
full-blooded for the last one. And he has done. | :41:26. | :41:46. | |
The little flick on the yellow could have been better. | :41:47. | :42:00. | |
He's OK, you know. You can get past the blue. Looked like he would | :42:01. | :42:06. | |
snooker himself behind the brown. Can get through to the potting | :42:07. | :42:08. | |
angle. Great shot. To the right side of the | :42:09. | :42:27. | |
blue. He has just let the cue ball drift | :42:28. | :42:54. | |
again. Not a problem, he can still pot it, but to play for the black, | :42:55. | :42:59. | |
he has to go back up the table now. In potting this red he might disturb | :43:00. | :43:02. | |
another couple of them. Yeah, that's OK. When you are | :43:03. | :43:17. | |
playing the cannon, as Stephen suggested, not easy to control the | :43:18. | :43:21. | |
cue ball. But it's pretty good, near the cushion. At far enough away to | :43:22. | :43:29. | |
be comfortable. -- but far enough away. And now, a great chance to | :43:30. | :43:37. | |
take the second frame. Alan might be thinking of that red Stephen | :43:38. | :43:43. | |
suggested he should have gone full-blooded four, and had an | :43:44. | :43:46. | |
element of safety in his mind. He has to maybe just change how he's | :43:47. | :43:58. | |
thinking at the moment. Why not play the positive shot again? He played | :43:59. | :44:01. | |
it previously. Easier said than done. His first appearance in a | :44:02. | :44:09. | |
semifinal for more than 20 years. At the Crucible. He will be feeling it | :44:10. | :44:14. | |
out there, Alan, he will be desperate to get the first frame on | :44:15. | :44:24. | |
the board. Yeah, not easy to come straight out after a match like the | :44:25. | :44:28. | |
one he had against John Higgins. We saw it with Barry Hawkins after he | :44:29. | :44:33. | |
knocked Ronnie O'Sullivan out. A bit of a reaction there. And Barry had a | :44:34. | :44:40. | |
terrific fightback. But Alan needs to get in on the balls with a decent | :44:41. | :44:44. | |
chance, just to settle down here. 53 ahead, he only needs one more | :44:45. | :45:09. | |
red. You can see enough of the cue ball. The pink is a little bit | :45:10. | :45:13. | |
action, but shouldn't affect him. And that is frame number two. -- | :45:14. | :45:17. | |
little bit of a distraction. He's looking good here, Stephen. | :45:18. | :45:25. | |
Yeah, looks very relaxed. You would have to say he's had the | :45:26. | :45:43. | |
run of the balls so far, but when he has got in, he looks like he will | :45:44. | :45:45. | |
clear the table every time. He started with a century. There is | :45:46. | :46:22. | |
every chance he could clear the remaining colours here. | :46:23. | :46:31. | |
Very early days in this semifinal, but the best possible start for this | :46:32. | :46:37. | |
very likeable Chinese player. Just over 17 minutes for this frame. | :46:38. | :47:19. | |
The first frame was just over 16 minutes. | :47:20. | :47:24. | |
APPLAUSE Well, you can't do much better than | :47:25. | :47:32. | |
that. Starting with a century break, following it up with a break of 84. | :47:33. | :47:36. | |
In general we leading Alan McManus 2-0. STUDIO: Ding going past the | :47:37. | :47:46. | |
thousand mark, 1072 balls potted in this Crucible event. Looking | :47:47. | :47:49. | |
fantastic. Hitting the ball beautifully when he's in. This one | :47:50. | :47:57. | |
was superb. He's had a high tariff of difficulty. Ding Junhui out of | :47:58. | :48:00. | |
position on the blue and he decides the only way to keep the break going | :48:01. | :48:06. | |
is to pot the blue, use the jaws of the middle pocket and screw back. | :48:07. | :48:10. | |
There was no danger in the shot, if you messed up, he could still go | :48:11. | :48:18. | |
safe, and even if he went in-off it would not trouble the frame. This | :48:19. | :48:22. | |
could be the Ding Junhui show if we are not careful this afternoon. The | :48:23. | :48:26. | |
cueing, the shot he plays, he gets so much work on the cue ball, | :48:27. | :48:30. | |
hitting through the middle of the white. Beautiful work on it, and it | :48:31. | :48:36. | |
comes back like it's on elastic. Chatting to Terry Griffiths say few | :48:37. | :48:40. | |
days ago in the players lounge, and he said Taiwan Mack decided to take | :48:41. | :48:44. | |
six months off to get his mind right. -- and said Ding. Does he | :48:45. | :48:53. | |
look like a different beast? If a player feels like that and it's the | :48:54. | :48:56. | |
best thing for him, then do it. There's nobody better than yourself | :48:57. | :49:00. | |
for knowing what you like. Working with Terry Griffiths. Stephen said | :49:01. | :49:05. | |
in commentary, there might be no pressure on him this year. Every | :49:06. | :49:08. | |
year in China there is pressure on him to win, but this year he came | :49:09. | :49:12. | |
through as a qualifier. It might be a big factor. | :49:13. | :49:18. | |
COMMENTATOR: Another big factor, Stephen, I think he has his own cue | :49:19. | :49:30. | |
back. The old one that the won five events with. He did swap, but he has | :49:31. | :49:36. | |
an original one back that's had a bit of work done to it. Being | :49:37. | :49:42. | |
comfortable with the cue is so important for a snooker player. It's | :49:43. | :49:44. | |
like an extension of your arm. It was like the cue you won seven | :49:45. | :50:01. | |
world titles with, Stephen. And then an airline company managed to break | :50:02. | :50:05. | |
it in four places when you were not allowed to take the queues on board. | :50:06. | :50:10. | |
You used to be, but it was put in the hold. It wasn't even an | :50:11. | :50:13. | |
expensive cue, but certainly expensive for you. | :50:14. | :50:32. | |
Yeah, it's a snooker player's worst nightmare. When you're cue breaks. | :50:33. | :50:45. | |
So close with that long red, Alan, and with the pace, he's left the red | :50:46. | :50:51. | |
over the pocket. Playing this with lots of right-hand side. | :50:52. | :51:05. | |
That cue ball has just left a lovely angle on the brown if he wants to go | :51:06. | :51:12. | |
one cushion and into the bunch. There it is. APPLAUSE | :51:13. | :51:23. | |
Fantastic shot. Yeah, well predicted, Stephen. And | :51:24. | :51:41. | |
he couldn't have hit it any better. When you are playing well, this is | :51:42. | :51:45. | |
the sort of thing that happens, a red over either corner pocket, and | :51:46. | :51:53. | |
deserved it. His heart must have been in his mouth there. I thought | :51:54. | :51:57. | |
he would lose the cue ball and end up touching the pink, but it stops | :51:58. | :52:05. | |
in time. When Alan is in his seat sometimes you can see him chatting | :52:06. | :52:10. | |
away to himself. Can't do much about this at the moment. Although he had | :52:11. | :52:18. | |
a half chance there. Steve Davis might not be far wrong, if Ding | :52:19. | :52:23. | |
Junhui carries on like this, it could be his show here this | :52:24. | :52:24. | |
afternoon. Yeah, he just scores so heavily, | :52:25. | :52:37. | |
that's his biggest asset. As we said, probably will not get | :52:38. | :52:50. | |
the best of the tactical exchanges, but when you are doing this, who | :52:51. | :52:52. | |
needs safety? Did you ever practice safety shots, | :52:53. | :53:11. | |
Stephen? Never. Just think, you could have won another seven world | :53:12. | :53:15. | |
titles if you'd been a good safety player as well! | :53:16. | :53:37. | |
One nice little cannon here and he would really opened things up. There | :53:38. | :53:43. | |
is one red he could cannon onto and it would be absolutely perfect. | :53:44. | :53:49. | |
Yeah, just a gentle cannon, or he can play at pace, and he will be | :53:50. | :53:54. | |
guaranteed to be on a couple of reds and it would really open up the | :53:55. | :53:55. | |
game. Didn't have to hit too hard. He's off and raining running again. | :53:56. | :55:04. | |
The only one I can think you missed, just came off the jaws of the | :55:05. | :55:08. | |
pocket. Since then, it's been immaculate. And such is his control | :55:09. | :55:16. | |
of the cue ball, you don't expect him to miss because he's not having | :55:17. | :55:24. | |
to play a difficult pot. 96% success so far. Hard to see him keeping it | :55:25. | :55:33. | |
that high in a best of 33, but if it's there or thereabouts, he will | :55:34. | :55:42. | |
be very hard to stop. He really does keep so still on the shot, Ding. | :55:43. | :55:51. | |
Doesn't matter how hard he hits the ball, the head keeps almost | :55:52. | :55:53. | |
perfectly still. Just potted the pink into the | :55:54. | :56:04. | |
left-hand side of the pocket, that's why he has just lost the cue ball is | :56:05. | :56:12. | |
likely. Might have to play a cannon for the pink to left middle here. | :56:13. | :56:15. | |
Screwing back for the pink to the same pocket. He has nudged the red | :56:16. | :56:26. | |
in the way. Amazing, half an inch out of position, and it can take you | :56:27. | :56:30. | |
a few shots to get it back. Would still expect him to pot this blue | :56:31. | :56:35. | |
but he knows in his mind, it's not the shot he should have been | :56:36. | :56:36. | |
playing. APPLAUSE | :56:37. | :56:53. | |
The blue safely negotiated. He has another medium-range pot on this | :56:54. | :56:54. | |
red. Right in the centre of the pocket. | :56:55. | :57:09. | |
That's when you can tell a player is doing well. Sometimes they go in-off | :57:10. | :57:13. | |
the angles, but when you are playing really well, they go right in the | :57:14. | :57:15. | |
heart of the pocket. Doesn't play many roles through | :57:16. | :57:43. | |
shots. Likes to play a stun. APPLAUSE | :57:44. | :58:01. | |
The round of applause telling you the frame has been won. Certainly | :58:02. | :58:07. | |
wouldn't bet against another century. | :58:08. | :58:18. | |
Well, the table looks to be playing absolutely beautifully. Well, it is | :58:19. | :58:27. | |
for one player at the moment. Alan, he's not sure how the table is | :58:28. | :58:30. | |
playing, because he hasn't had a chance. Sat in his chair, far too | :58:31. | :58:39. | |
experienced to be panicking at this stage. But he will be worried a | :58:40. | :58:47. | |
little bit. Because when you're opponent is at the table making | :58:48. | :58:50. | |
sentries every time, you wonder, what can I do to stop this? | :58:51. | :59:22. | |
This is all looking very, very easy. It's like a practice session at the | :59:23. | :59:32. | |
moment for Ding Junhui. There are a few players in the game who can do | :59:33. | :59:36. | |
that, take out their practice game to the match arena, and he's one of | :59:37. | :59:40. | |
them. APPLAUSE Magnificent stuff from this Chinese | :59:41. | :59:51. | |
sensation. Tonne up. That's his seventh, and he's now the | :59:52. | :59:54. | |
frontrunner, overtaking John Higgins, who had six. | :59:55. | :00:07. | |
One more frame to be played before the mid-session interval. We say a | :00:08. | :00:16. | |
player never settles until he gets his first frame on the board. Alan | :00:17. | :00:21. | |
will be doing his utmost to try to take that frame, but will he get the | :00:22. | :00:22. | |
chance? And amazing start from Ding Junhui. | :00:23. | :00:53. | |
Has had to century breaks and an 84 and Leeds Alan McManus 3-0. It is | :00:54. | :01:02. | |
tough out there at the moment. Make that 409 career centuries for him. | :01:03. | :01:06. | |
If you wonder where he is in the practice room and has picked | :01:07. | :01:13. | |
something up for us. Good afternoon. Ding is in imperious form and also, | :01:14. | :01:17. | |
he played one shot, look at this. Set them up for the wonderful | :01:18. | :01:22. | |
century break of receipt he is in a confident mood, what a beautiful | :01:23. | :01:27. | |
split on the reds from the brown. From the initial position, lots of | :01:28. | :01:33. | |
players on the brown, had an open red, some players like to go in the | :01:34. | :01:36. | |
blue but had I wonderful angle of the brown so instead of tracking the | :01:37. | :01:41. | |
loose red getting on a good smashing the pack, he's feeling good, smashes | :01:42. | :01:47. | |
the pack open and the red goes over to the left pocket and over the | :01:48. | :01:52. | |
right pocket, beautiful, set up the century. Are you watching Mark | :01:53. | :01:59. | |
Selby? Mark Selby in the practice room, we get access to that room, | :02:00. | :02:03. | |
we've seen in-off a lot of the Ding Junhui this year. That was a takes | :02:04. | :02:08. | |
seven, I bet he missed six browns before he did that. That is the best | :02:09. | :02:11. | |
I've ever seen him in a Demel. I'm overawed. More overawed with Ding, | :02:12. | :02:17. | |
he looks like a machine. It will be tough. Very early in his semifinal | :02:18. | :02:25. | |
for McManus but it is damage limitation for the rest of the | :02:26. | :02:28. | |
session and he has really had his hand at the table. Did he not get | :02:29. | :02:32. | |
the pink shirt memo that did you not get the pink shirt memo today? Thank | :02:33. | :02:37. | |
you! People -- fourth frame. Ding Junhui to break. I think Steve | :02:38. | :02:45. | |
Davies has been wearing some lovely shirts at this year APPLAUSE | :02:46. | :02:50. | |
World Championship, for a change. -- at this year's. Alan McManus | :02:51. | :03:02. | |
somehow has to try and get himself a chance. | :03:03. | :03:09. | |
It would not be a bad thing just to have attacked goal frame to perhaps | :03:10. | :03:19. | |
not Ding out of his stride. Noes a tactical. Look at the success rate, | :03:20. | :03:24. | |
it's gone to 97 and we've had three frames. 131 four Alan McManus, | :03:25. | :03:31. | |
eight, but he hasn't had a chance. He is left with a shot, we were | :03:32. | :03:59. | |
clocking about it and one of the best shots in the match was a red | :04:00. | :04:04. | |
similar to this from the top end of the table into the middle pocket, | :04:05. | :04:08. | |
Allen said it was one of the best shots he played the match. He is | :04:09. | :04:20. | |
looking at the two reds banged the pink -- behind. They're going to the | :04:21. | :04:25. | |
left of the pocket and I don't think he can make it from there. It would | :04:26. | :04:30. | |
squeeze the second red away from the pocket rather than into which, but | :04:31. | :04:36. | |
maybe he can squeeze this one. He would need date it a very thin. He | :04:37. | :04:40. | |
is refusing the one in the middle and will scatter everything, taking | :04:41. | :04:52. | |
this plant on. To me, that club was not on. | :04:53. | :04:59. | |
Strange choice, but I'm surprised he didn't just try and roll the rate in | :05:00. | :05:16. | |
and get on the blue. It was certainly a risky shot. You have to | :05:17. | :05:21. | |
give him the benefit of the doubt, he thought it was a certainty. When | :05:22. | :05:28. | |
you've been and called for three frames, striking the cue ball at | :05:29. | :05:33. | |
that distance where you're aiming becomes difficult. I agree with the | :05:34. | :05:36. | |
straightforward red was probably the shot. Looks amused by what is | :05:37. | :05:43. | |
happening at the moment. -- per amused. -- per amused -- bermused. | :05:44. | :05:58. | |
The plant he took an opened all the game up and as we show you this, | :05:59. | :06:13. | |
very nice of red. Ding Junhui is in straightaway with a decent | :06:14. | :06:14. | |
opportunity. Another example of how he's getting | :06:15. | :06:34. | |
another lovely run of the balls. On another Day that cannon could have | :06:35. | :06:39. | |
blocked the black. Still available to the left, possibly to the right. | :06:40. | :06:44. | |
When you are struggling little things go wrong. It is amazing, he | :06:45. | :06:50. | |
played the cannon and it didn't tie anything up. As he flicks the red, | :06:51. | :06:55. | |
it knocks the other red and when things are not going well, you will | :06:56. | :06:56. | |
tie black up. But it is not the perfect angle to | :06:57. | :07:12. | |
roll the same. He might catch the other red slightly. But not a | :07:13. | :07:18. | |
problem. What a position he has the reds in. | :07:19. | :07:40. | |
Doesn't need to move the tube or any distance at all. Just keep potting | :07:41. | :07:46. | |
them, you are bound to be an red. -- to move the cue ball. He was warming | :07:47. | :07:54. | |
up, this is how he would have them. You mentioned earlier about these | :07:55. | :07:59. | |
little screw shops, this is the perfect example. It all looks so | :08:00. | :08:05. | |
easy. But it takes years of practice to perfect. | :08:06. | :08:28. | |
Did not quite get the white as far as he wanted. Might need a change of | :08:29. | :08:44. | |
plan. The pink goes into the left corner, so it wasn't imperative he | :08:45. | :08:49. | |
stayed on the black. He is looking for 71 to give himself all four | :08:50. | :08:51. | |
frames in this first session. I'm sure Alan, well, he's got to | :08:52. | :09:19. | |
head straight to the practice room because he has not had any practice | :09:20. | :09:23. | |
here, that is for sure. If we go back to the previous frames when he | :09:24. | :09:27. | |
played those middle-distance parts and screen back for safety to take | :09:28. | :09:33. | |
on such an attacking shot like in this frame, seems contradicted the | :09:34. | :09:40. | |
way he was going to Dott -- the way he was going before. This session | :09:41. | :09:44. | |
for McManus, just get out of it what you can. | :09:45. | :09:52. | |
Is it a reprieve? Looking at Ding Junhui's face as he walked around, I | :09:53. | :10:04. | |
think he is just OK. He can get in-off the right | :10:05. | :10:15. | |
jaw. From our position it looks like there is plenty of room and as if he | :10:16. | :10:21. | |
can force it to get onto the black. He can just roll it. Hang on. Seems | :10:22. | :10:37. | |
to be plenty of room. And a big cheer from the Crucible crowd as we | :10:38. | :10:44. | |
show you that shot where he sent the red onto the other red. If the red | :10:45. | :10:49. | |
wasn't there it would have been in the middle of the pocket, but he | :10:50. | :10:52. | |
needed to put it off the left-hand side. Now, Allen with a chance. | :10:53. | :11:07. | |
Nothing is easy at the moment, the way he is feeling. He will be very | :11:08. | :11:09. | |
tense and very tight. He got a lot of encouragement from | :11:10. | :11:22. | |
the crowd there as he came to the table. | :11:23. | :11:38. | |
The obvious problem in making this a frame-winning chance is that red on | :11:39. | :11:47. | |
the left cushion. Might not be thinking about that just now, to get | :11:48. | :11:54. | |
back in the frame, pop some balls -- pot some balls and get your arm | :11:55. | :12:01. | |
moving. That is a sign of tension, the black did not go in the middle | :12:02. | :12:06. | |
of the pocket and he missed the cannon. Still on this bread. -- | :12:07. | :12:11. | |
still on this red. Tries to skew -- screw the cue ball | :12:12. | :12:33. | |
back, he might play for the blue to avoid leaving himself awkward in the | :12:34. | :12:34. | |
red closest to the right middle. I don't expect it to cause much of a | :12:35. | :12:47. | |
problem. He could do without the distraction. | :12:48. | :13:03. | |
You are absolutely right. It is a little awkward, but did not have a | :13:04. | :13:11. | |
great deal to do with the cue ball. It is a very early in this | :13:12. | :13:16. | |
semifinal, but this is a key frame from Alan's point of view. | :13:17. | :14:20. | |
He finished awkward again. I still expected him to part of that but he | :14:21. | :14:26. | |
had to force it to get position. Each time he was having to bridge | :14:27. | :14:31. | |
over balls, and he got a bit of the right-hand side that was unwanted | :14:32. | :14:36. | |
and it threw the ball off line. Just was not able to have the cue ball | :14:37. | :14:41. | |
under complete control on a break. That is purely a sign of tension. | :14:42. | :15:02. | |
Let's see, from this angle you cannot see if he has got bit of size | :15:03. | :15:10. | |
that he did not intend. When you're striking down on the cue ball like | :15:11. | :15:11. | |
that it can happen. I have just detected there, just as | :15:12. | :15:25. | |
he delivered the cue he is slightly right of centre. | :15:26. | :15:43. | |
If he decelerates on the way through, that is what will happen. | :15:44. | :16:35. | |
They will be a lawful lots to think about in the mid-session -- Allen | :16:36. | :16:44. | |
will have a lot to think about in the mid-session break and what he | :16:45. | :16:47. | |
wants to think about is a positive thoughts on how he played with John | :16:48. | :16:54. | |
Higgins and will work to forget these four frames quickly. He is | :16:55. | :17:03. | |
going to be behind. It is damage limitation. The difference between | :17:04. | :17:09. | |
losing 6-2 or 5-3. It could be massive in the context of the match. | :17:10. | :17:16. | |
Even 6-2 and 7-1 could mean a lot. He still wants to put them all, even | :17:17. | :17:40. | |
though we are going to the mid-session interval. Just over one | :17:41. | :17:45. | |
hour for these first four frames. As Steve Davies said, the moment it | :17:46. | :18:16. | |
is the Ding Junhui show. Maybe interval can change things around. | :18:17. | :18:34. | |
Allen had no chance in the three opening frames, the only chance on | :18:35. | :18:39. | |
that one, and he made a mess bridging over the pink and Ding | :18:40. | :18:45. | |
Junhui, well, he is playing superbly well. He takes all four frames and | :18:46. | :18:52. | |
Leeds 4-0. Solid style by Ding Junhui, he joked on Tuesday night | :18:53. | :18:55. | |
that after eating Mark Williams that he did not win the slick with a | :18:56. | :19:00. | |
session to spare so here it looks like you can have a Day off and it | :19:01. | :19:04. | |
looks like that headspace has worked a tree full Shaun Murphy won the | :19:05. | :19:09. | |
first three frames of his semifinal against Barry Hawkins and went on to | :19:10. | :19:14. | |
win the match and reach the final. It goes to show you need a really | :19:15. | :19:17. | |
good start in the semifinal like this. Myself and Steve were cocky | :19:18. | :19:22. | |
about the fluke in the first frame. It sounds ridiculous to say the | :19:23. | :19:27. | |
distance they will play over but the first frame is important. Noes were | :19:28. | :19:32. | |
speaking about. Even in the second frame he got luck and lost position | :19:33. | :19:35. | |
which could just squeeze past the red and potted the great red we | :19:36. | :19:40. | |
spoke about. He has capitalised on his before urging early on but looks | :19:41. | :19:43. | |
so clinical you can see this ending with a session to spare. I don't | :19:44. | :19:47. | |
know how McManus can dig himself out of the hole because he tried to but | :19:48. | :19:52. | |
he hasn't had any table time, he has got a goodly practice table and | :19:53. | :19:56. | |
tried kick-start things today. I know we laughed about Ding Junhui | :19:57. | :19:59. | |
finishing the match with Mike Williams was one session to spare | :20:00. | :20:03. | |
and he said I'm looking forward to having a Day off, cannot have a | :20:04. | :20:09. | |
massive effect when you're about to play one of the biggest matches of | :20:10. | :20:12. | |
your life? I think it can, you will want breathing space. You must have | :20:13. | :20:15. | |
had sessions which you want to spare. Wonderful when you do it, you | :20:16. | :20:19. | |
feel like you are one up on your opponent because you're fresh and it | :20:20. | :20:26. | |
is draining. The year I won the championship, I won one as a session | :20:27. | :20:29. | |
to spare but I got the best team talk ever, so I went racing the next | :20:30. | :20:39. | |
Day. The rub is that OK, I'm not sure how the sessions planned out, | :20:40. | :20:45. | |
I'm not sure if Dean would finish in the afternoon on the Saturday, but | :20:46. | :20:50. | |
if he was to win without having to play that last session he would get | :20:51. | :20:54. | |
all of Saturday off in preparation for the final. That is how important | :20:55. | :20:59. | |
it could be. There's lots of ifs. We have seen intervals that have | :21:00. | :21:02. | |
changed managers and people come back and Allen has got to get to | :21:03. | :21:07. | |
frames of the next four, at least a 6- did get a foothold in and at | :21:08. | :21:11. | |
least John Higgins and Ali Carter, he was behind in both of those | :21:12. | :21:15. | |
comeback to win them. One of the big problems is doing is one of the best | :21:16. | :21:21. | |
front runners there is. You use the words Billy but when he is on the | :21:22. | :21:25. | |
table it is all him. He is clinical. How you turn around it is clinical. | :21:26. | :21:29. | |
He needs some chances and a few mistakes from Ding at the base of | :21:30. | :21:35. | |
help. Thank you both. The players will be out shortly. In the | :21:36. | :21:39. | |
meantime, let's have some fun in the interval. We would love to hear from | :21:40. | :21:49. | |
you on today's UI. -- cue I. Hello, it's time for our daily dose of smog | :21:50. | :21:58. | |
related fun. I celebrity cue is including Alan and Steve are all set | :21:59. | :22:01. | |
for today's question. I trust you are as well. Rats, owls and | :22:02. | :22:09. | |
aardvarks all suffer from daunting is that is what is it and why might | :22:10. | :22:14. | |
that be tricky? Get involved in social media and I shall return. | :22:15. | :22:25. | |
Thank you to Mr Stephen Fry. Get in touch with us and use the hashtag | :22:26. | :22:29. | |
BBC snooker. Weeping having fun over the last 15 days with our wonderful | :22:30. | :22:33. | |
pop quiz. Is have been. Today our Vic Tim, I mean, | :22:34. | :22:44. | |
contestant is 11 times ladies world champion, Rhiannon Evans. Thank you. | :22:45. | :22:54. | |
-- are a victim. In case you don't know the rules, five questions, | :22:55. | :22:57. | |
every one you get right you can take a read of the table, then you put | :22:58. | :23:01. | |
all the reds and finish with the black and to let you know and the | :23:02. | :23:06. | |
crowd know that Rhiannon is sporting an injury. What happened? I sprained | :23:07. | :23:11. | |
my ankle. No interesting story. A good excuse for getting the lowest | :23:12. | :23:15. | |
time and making me feel better with two minutes 11 seconds? It should | :23:16. | :23:19. | |
not make you feel better. One minute is the best time I Mark Allen. Who | :23:20. | :23:25. | |
was runner-up to Alison Fisher in the ladies Snooker World | :23:26. | :23:28. | |
Championship the year you were born, 1985? Stacey. Stacey Hilliard, | :23:29. | :23:43. | |
correct. You played in the prequalifying round of this season's | :23:44. | :23:48. | |
event in Gibraltar. Who went on to win the title? Did you take an | :23:49. | :23:55. | |
interest after you lost that stop I went home. I have no idea. Marco Fu? | :23:56. | :24:04. | |
Where did that come from? Correct. It is on his green in front of me. | :24:05. | :24:14. | |
You came close to beating Ken Doherty in the qualifying rounds | :24:15. | :24:17. | |
last year in the World Championship. What was the score? 10-8. That is | :24:18. | :24:24. | |
not the question. Who was the referee? My life... It is so hard | :24:25. | :24:35. | |
sometimes. You do not notice a good referee is there. No idea. Tatiana | :24:36. | :24:46. | |
Woollaston. Tatiana! Who won the ladies World Championship under 20 | :24:47. | :24:52. | |
wonderment earlier this month. Joanna Shute. The sharper Sanjiv. | :24:53. | :25:03. | |
The Indian girl! She must have been playing the same time. | :25:04. | :25:11. | |
Multiple-choice. Vera Selby, who won the first ever women's World | :25:12. | :25:16. | |
Championship, she won it in what city? It is a multiple-choice | :25:17. | :25:22. | |
question, so the whole, Brixham, Middlesbrough or London? Michelle? | :25:23. | :25:34. | |
Crowd? Solihull. Middlesbrough. Even with help! You can take to the reds. | :25:35. | :25:49. | |
It is not the world. And your time starts when you strike the cue ball. | :25:50. | :25:55. | |
We are off and running, nice first read. Very fluent amongst the bowls. | :25:56. | :26:09. | |
The art of this is making sure you get the cue ball under control and | :26:10. | :26:13. | |
not walking too far, especially with a limp today. This is very good so | :26:14. | :26:24. | |
far. A little bit! A bit of Ronnie O'Sullivan, switching hands at the | :26:25. | :26:27. | |
top of a hat. Things are going very well. Time so far is very good. 40 | :26:28. | :26:39. | |
seconds so far. Back for the red in the middle, gone a little far but | :26:40. | :26:43. | |
still controlling it. Has not even talk show cue, there is the first | :26:44. | :26:47. | |
mistake. That will be difficult to beat one minute now. Two minutes 11 | :26:48. | :26:56. | |
seconds. That is looking we are on one minutes now. Plenty of time. Ken | :26:57. | :27:00. | |
Doherty. He was at one minute 55. And now | :27:01. | :27:23. | |
just the black. This is a good score. A good time! 130, and that | :27:24. | :27:34. | |
will be time. The time is one minute 34, putting you above Kyren Wilson | :27:35. | :27:38. | |
but job -- below John Parrott. Congratulations. That was all about | :27:39. | :27:48. | |
getting reds. Let's throw to another red, to Ken Doherty. Thank you, I'm | :27:49. | :27:52. | |
in the practice room, we've had lots of e-mails about the break off, | :27:53. | :27:57. | |
which has become very important these days because so many good | :27:58. | :28:02. | |
players are so good at the long pot. With a conventional break off you | :28:03. | :28:05. | |
are always wary of the bottom to reds, this one which sometimes comes | :28:06. | :28:09. | |
and lands in this position or sometimes this rare here, which | :28:10. | :28:14. | |
lands in this position, leaving your opponent with a possible break to | :28:15. | :28:21. | |
pot, however Darren Hindley from Lancashire has asked why don't | :28:22. | :28:26. | |
players break off from this position, cue ball as close to the | :28:27. | :28:30. | |
green as possible, try and break off between the blue and pink is try and | :28:31. | :28:35. | |
use the right-hand side to bring it around the ankles. The problem with | :28:36. | :28:39. | |
this is that you have less of a target to hit and what happens when | :28:40. | :28:43. | |
you're breaking off from here, you got to hit this red, and it is | :28:44. | :28:49. | |
sometimes more difficult. We will try it now, lots of right-hand side. | :28:50. | :28:55. | |
That wasn't too bad. And it's brought plenty of reds into play. It | :28:56. | :29:01. | |
might be the new break, well done. There you go. Thank you, any views | :29:02. | :29:08. | |
on breaking off? Did he hit the pink? You got to catch it quite | :29:09. | :29:12. | |
accurately. I think that break was first played by Steve James in the | :29:13. | :29:18. | |
90s, he did it for a while. It puts your opponent in lots of trouble | :29:19. | :29:22. | |
sometimes but every cable breaks differently, and no two referees set | :29:23. | :29:26. | |
the balls up exactly the same. A lot of ex-factors in that. Let's tell | :29:27. | :29:32. | |
you about a wonderful programme on BBC radio six music that is to | :29:33. | :29:40. | |
refit. We did this last year. It is on Monday at 9pm on six music. | :29:41. | :29:46. | |
Terrific programme and what they will do is they will use a song | :29:47. | :29:50. | |
title or band with a red in followed by a black and all of the colours. | :29:51. | :29:54. | |
Weeping asking the players for their suggestions. 99 red balloons. Read | :29:55. | :30:04. | |
by Daniel Merriweather. Yellow, yellow. Coldplay, yellow. Earl | :30:05. | :30:09. | |
Green, I like him. Pretty green eyes by Ultra beet. That is a little bit | :30:10. | :30:16. | |
more modern. James brown. Brown eyed girl. Golden brown. California blue. | :30:17. | :30:31. | |
Blue suede shoes. Blue dabber di dabber die. Pretty in pink. Pink, I | :30:32. | :30:39. | |
went to see her in concert, and she was... Nice. Black and Gold, Sam | :30:40. | :30:43. | |
Smith. The black album, was there a black album? | :30:44. | :30:49. | |
None of them mentioned shaking Stevens, Green door. Showing my age! | :30:50. | :30:58. | |
One track that reminds me of being on holiday, Blue by simply red, | :30:59. | :31:11. | |
lovely. Yellow, a six twin, the Richard Dean James album. | :31:12. | :31:22. | |
Aphex Twin. We are asking you what Mark Williams and an aardvark have | :31:23. | :31:38. | |
in common. They are both sufferers from Daltonism. What is that? I have | :31:39. | :31:45. | |
no idea. The fear of watching Timothy in movies. He wasn't a very | :31:46. | :31:51. | |
good James Bond! Can't let go of the cue? What's that called? Can't let | :31:52. | :32:01. | |
go of the cue itis. It never really caught on as a name. It is like the | :32:02. | :32:11. | |
yips? It could be colour-blind. Peter Ebdon and Mark Williams, | :32:12. | :32:15. | |
sometimes they have to ask the referee if a brown get s moved up | :32:16. | :32:24. | |
towards the reds. Let's go for colour blindness. Funnily enough, if | :32:25. | :32:29. | |
you were watching television of mine in the Hotel room, there is no brown | :32:30. | :32:36. | |
on the table. There are 16 reds. It wouldn't be colour blindness, would | :32:37. | :32:45. | |
it? Peter Ebdon has that. That would make sense. I think we would have to | :32:46. | :32:51. | |
say colour blindness. I think it might be something to do with the | :32:52. | :32:57. | |
nervous system. I don't know, but colour blindness seems the obvious | :32:58. | :33:00. | |
one. BELL Let's go with that. We know the | :33:01. | :33:08. | |
popularity of snooker rocketed in the 1970s with the advent of colour | :33:09. | :33:15. | |
television. But when not all households had colour TV sets, and | :33:16. | :33:21. | |
it was once said in commentary, from those of you watching in | :33:22. | :33:23. | |
black-and-white, the pink is next to the green. Daltonism is colour | :33:24. | :33:31. | |
blindness, discovered by John Dalton in the 1700s. He inadvertently | :33:32. | :33:36. | |
bought his mother a pair of racy stockings for her birthday, and they | :33:37. | :33:43. | |
were bright scarlet, an act that scandalised his deeply Quaker | :33:44. | :33:47. | |
family. Dalton thought they were blue. The red - green variety is | :33:48. | :33:53. | |
predominantly a genetic condition inherited from your mother, and it | :33:54. | :33:57. | |
affects one in 12 men, including at least three of the top players in | :33:58. | :34:00. | |
the snooker, Mark Allen, and two world champions, Peter Ebdon and | :34:01. | :34:06. | |
Mark Williams. That it doesn't seem to have held them back! Mark | :34:07. | :34:10. | |
realised he was colour-blind as a youngster, and wasn't sure whether | :34:11. | :34:13. | |
it was a red man or Green man on traffic lights until he was hit by a | :34:14. | :34:21. | |
purple bus! He says that he's had to learn a sequence of what the balls | :34:22. | :34:24. | |
lookalike to me, and work it out from there. After the grey, red, | :34:25. | :34:32. | |
orange, yellow, page, chocolate, lilac and back. That's how he sees | :34:33. | :34:38. | |
it. I fear a rather different version of snooker loopy is on the | :34:39. | :34:39. | |
way. We have learned an awful lot over | :34:40. | :34:51. | |
the last week. Well done to Aaron Wood, Chris Smedley, Esther Aubry | :34:52. | :34:56. | |
and Samantha Remund, all four of you among the many of you getting it | :34:57. | :35:00. | |
right. I assume you didn't use an Internet search engine. I trust you. | :35:01. | :35:04. | |
What's the problem with Timothy Dalton? One of the best James Bond | :35:05. | :35:09. | |
films of all time. The Living Daylights. It's not that bad, but | :35:10. | :35:17. | |
Daniel Craig takes a bit of beating. Who will scare the living daylights | :35:18. | :35:21. | |
out of Alan McManus? How important is this frame? Massive. He needs to | :35:22. | :35:30. | |
get a foothold in this match. Actor Dennis Taylor and Stephen Hendry. | :35:31. | :35:35. | |
COMMENTATOR: It's all very interesting. I love Stephen Fry, | :35:36. | :35:45. | |
he's brilliant. A foothold in the match, he just wants a frame on the | :35:46. | :35:48. | |
board. That's what Alan McManus is looking for. | :35:49. | :35:56. | |
Played with lots of side there, didn't want to career into the red | :35:57. | :36:00. | |
's. Very interesting at the interval, | :36:01. | :36:14. | |
mentioned Alan should go to the practice table, but Ding Junhui went | :36:15. | :36:17. | |
as well. Wouldn't have thought he wanted practice, but he doesn't want | :36:18. | :36:19. | |
to interrupt that rhythm at all. A typical example, when you are | :36:20. | :36:33. | |
struggling a little bit, you always catch the baulk colour with your | :36:34. | :36:37. | |
safety shot. When you are playing well you always seem to slide past | :36:38. | :36:41. | |
and finish on the cushion. The brown is a good target to get behind. Ding | :36:42. | :36:47. | |
will not want to push the boat out. He will carry on playing. I don't | :36:48. | :36:52. | |
know if he wants to try to quit this in again with side. Exactly the same | :36:53. | :36:59. | |
shot as he played previously. What he could do with Alan here is | :37:00. | :37:18. | |
just a good old grinding frame. There was a player up in the | :37:19. | :37:21. | |
Champion's lounge who was pretty good at that. Cliff Thorburn has | :37:22. | :37:27. | |
arrived with Alan Robidoux. Great to see both of those players over from | :37:28. | :37:36. | |
Canada. And that's a pretty good shot from Alan McManus. | :37:37. | :38:16. | |
That's telling you what he was thinking about, quickly changed his | :38:17. | :38:23. | |
mind. Was going to have a go at the red down the right-hand side, but he | :38:24. | :38:28. | |
will nestle onto the two reds near the cushion. | :38:29. | :38:35. | |
A little bit narrow, doesn't quite reach. Foul and a miss, Alan McManus | :38:36. | :38:48. | |
four. Alan Cumming to the table. Quickly backed away. -- Alan, coming | :38:49. | :38:55. | |
to the table. As long as Ding members the path to the cue ball, | :38:56. | :39:02. | |
with a bit more pace, you will be safe. -- remembers the path. | :39:03. | :39:19. | |
That's a better pace. In fact, it is coming narrow. Foul and a miss, Alan | :39:20. | :39:32. | |
McManus, four. Alan will have a good look this time, but everything is | :39:33. | :39:42. | |
safe. I think what Alan is hoping would happen, if he hits the first | :39:43. | :39:47. | |
red in such a way, it might leave on a possible pot. Ding doesn't have to | :39:48. | :39:52. | |
play the same shot, the first shot he looked at was to try to pot the | :39:53. | :39:56. | |
red down the right-hand side of the table. Maybe get on the black. He's | :39:57. | :40:01. | |
got to hit it this time, otherwise he loses the frame. Three misses and | :40:02. | :40:12. | |
you are out. One of these days it will happen where the player miscues | :40:13. | :40:14. | |
on the third attempt. APPLAUSE | :40:15. | :40:31. | |
Well, he was forced into it. It was the first shot he thought about, and | :40:32. | :40:36. | |
then he thought to play safe. He had two attempts, then had to hit a red. | :40:37. | :40:41. | |
Look what he does. You don't see them any better than that. Yeah, | :40:42. | :40:46. | |
excellent cueing from underneath the baulk cushion. | :40:47. | :40:57. | |
Just dropping the black in, automatically on the red into the | :40:58. | :41:02. | |
right-hand corner. What a sickener for Alan McManus, | :41:03. | :41:27. | |
Dennis, wasn't it? What's the old saying, it never rains, but it | :41:28. | :41:33. | |
pours. All depends on how many he makes from this. | :41:34. | :42:20. | |
That's not as planned, played the cue ball to get through the gap to | :42:21. | :42:29. | |
the red to the left corner. Now it looks I could will be the red to the | :42:30. | :42:33. | |
far left corner pocket, the yellow pocket. If he can screw the cue ball | :42:34. | :42:38. | |
back for the black, should he miss, you will not leave anything. | :42:39. | :42:43. | |
He might even take it onto the left middle. No, left corner. APPLAUSE | :42:44. | :43:19. | |
I think there's quite a few of those reds available. There's at least | :43:20. | :43:39. | |
three available after this one. Yeah, perfect on the black, so he | :43:40. | :43:43. | |
can come back past whether White is at the moment and he will have the | :43:44. | :43:48. | |
choice of reds. We'll probably see that when he's down potting the | :43:49. | :43:54. | |
black. And there you can see them, three of them lined up. In fact, | :43:55. | :44:03. | |
when he... Could have done with another couple of inches. Might have | :44:04. | :44:09. | |
to play for the pink now. As he removes this, it's clearing the path | :44:10. | :44:12. | |
for another read into the opposite corner. -- another red. | :44:13. | :44:43. | |
Is there enough room for the pink? If not, it will have to be the brown | :44:44. | :44:51. | |
spot, the highest available. In fact, the only spot available at the | :44:52. | :44:52. | |
moment. Hit that a little bit harder than | :44:53. | :45:27. | |
intended, but no problem. On another day, if you are struggling, that | :45:28. | :45:31. | |
white wood, another inch or so and it would be awkward. But having | :45:32. | :45:38. | |
missed the escaped twice, he decided he might as will take on the pot. | :45:39. | :45:45. | |
And what a pot it was. Looks like it will be a frame-winner. 89% long pot | :45:46. | :45:57. | |
success. Alan has only had a go at two long pots and missed both of | :45:58. | :46:06. | |
them. In between yellow and pink with left-hand side, come off two | :46:07. | :46:11. | |
cushions. The cue ball needed to be closer to the pink. That's why the | :46:12. | :46:15. | |
cue ball has come to the middle of the table. This is now a tricky shot | :46:16. | :46:18. | |
to go on to the black. There is a chance he could get on | :46:19. | :46:34. | |
the black here. If he screws this in. Would go near the left corner | :46:35. | :46:44. | |
pocket, but could come onto the black through a couple of cushions. | :46:45. | :46:58. | |
Rolled it in, and perfect. I say perfect, as we show you the shot | :46:59. | :47:02. | |
again, I think he's just the correct side of the blue. Yes. | :47:03. | :48:11. | |
It just looks inevitable when he gets in, that another frame will be | :48:12. | :48:15. | |
over. APPLAUSE John Pulman, seven times world | :48:16. | :48:36. | |
champion and BBC commentator used to say when somebody was like this, | :48:37. | :48:44. | |
"He's playing like a symphony or guest out there". | :48:45. | :48:51. | |
This will be his third century in this semifinal. Eight in this year's | :48:52. | :49:15. | |
World Championships. He's a potting machine. Doesn't matter about the | :49:16. | :49:24. | |
red. He's unstoppable at the moment, is Ding Junhui. He takes another | :49:25. | :49:28. | |
frame with a century break. It's now 4-0. In fact, it's 5-0! Absolutely | :49:29. | :49:42. | |
amazing. He first thought about taking the shots down the right side | :49:43. | :49:46. | |
of the table, then thought to keep it tight and come off the side | :49:47. | :49:50. | |
cushion. The first attempt was so close, Stephen. Yeah, eventually | :49:51. | :49:56. | |
parted the red and I was surprised he didn't go for it it in the first | :49:57. | :50:07. | |
place. -- potted the red. Hit this one a bit harder, and it took a | :50:08. | :50:12. | |
slightly different angle, missing by a long way. Covered his eyes, what | :50:13. | :50:20. | |
have I done?! And that was probably the best shot of the match, without | :50:21. | :50:25. | |
a doubt. Not only potted it, but got on the black and made the century. | :50:26. | :50:31. | |
You have to say, from then on it looked inevitable that he would win | :50:32. | :50:33. | |
the frame. It's also easy for Ding Junhui at | :50:34. | :50:43. | |
the moment, under no pressure whatsoever from his opponent. Having | :50:44. | :50:50. | |
a lovely time, coming to the table and making century breaks. | :50:51. | :51:07. | |
Believe it or not, as Ding Junhui breaks off, it's his 100th frame in | :51:08. | :51:16. | |
this year's World Championship, including the three qualifying | :51:17. | :51:22. | |
rounds he had to win to get here. Alan McManus has played 114 frames, | :51:23. | :51:27. | |
but he still looks fresh. It's just that he can't get in on the balls. | :51:28. | :51:32. | |
-- in a among the balls. It's amazing the difference a Day | :51:33. | :51:52. | |
makes. Well, he got a flick on the red, but | :51:53. | :52:21. | |
Alan can take this red on to the right-hand corner. It's a bit of a | :52:22. | :52:29. | |
free shot and he's being urged on by this Crucible crowd. Many Ding | :52:30. | :52:35. | |
Junhui supporters in here, but they are a fair crowd and don't want to | :52:36. | :52:38. | |
see everything one side. They would love to see Alan get started and | :52:39. | :52:42. | |
this might be the one to get him going. | :52:43. | :52:46. | |
Excellent pot, and played at an excellent pace. Could easily have | :52:47. | :53:05. | |
rattled in the jaws of the pocket and stayed there. | :53:06. | :53:16. | |
That's OK. I thought he was taking a slight risk going into the bunch | :53:17. | :53:24. | |
there because he didn't have the best angle, but he will be delighted | :53:25. | :53:27. | |
with the outcome. The red above the black at the | :53:28. | :53:49. | |
bottom of the bunch goes to the left corner. You will have to play this | :53:50. | :53:53. | |
with a touch of left side to get the cue ball to the right-hand side of | :53:54. | :53:57. | |
the table. It's quite it have shot, he could go into the bunch. Yellow | :53:58. | :54:02. | |
McKee could do, the first shot was aggressive of the black. He has | :54:03. | :54:06. | |
played the one inside shot, and that was well hit. He could do. Well hit | :54:07. | :54:19. | |
shot. Might even be one to the left of the pink. | :54:20. | :54:30. | |
I think you will go into the bunch this time. No, you will screw off | :54:31. | :54:46. | |
two cushions for the reds I was talking about into the left corner. | :54:47. | :54:58. | |
The one on the right is definitely available. | :54:59. | :55:06. | |
He's looking at this red now in the bunch... He's gone back, that would | :55:07. | :55:15. | |
have been an aggressive shot to open up the reds. Changed his mind again. | :55:16. | :55:31. | |
He had options on three reds there. I think just a bit of adrenaline | :55:32. | :55:37. | |
kicked in. Played for the blue but has the baulk colour is available | :55:38. | :55:38. | |
for him. I think he's just OK. Wants to be | :55:39. | :55:47. | |
fairly straight on this. He thought he had missed that one. | :55:48. | :56:10. | |
Went in-off the jaw, and back in prime position again. The red | :56:11. | :56:17. | |
touches the left jaw as we look at it. Perfect angle on the black this | :56:18. | :56:21. | |
time. Having a look at the bunch. Not a good pack to go into if he | :56:22. | :56:31. | |
screws it. Better stunning into it. And he has played that screw shot | :56:32. | :56:37. | |
and is nothing. Got more screw than stun there. | :56:38. | :56:47. | |
It wasn't the easiest pack to go into directly from the black. Debtor | :56:48. | :56:53. | |
being high on the black and using the cushion. -- better being. | :56:54. | :58:05. | |
Little bit of an awkward frame with that red over the middle pocket. The | :58:06. | :58:16. | |
safety zone is back behind the black and close to the cushion. | :58:17. | :58:34. | |
That's pretty good. Might be forced into taking a tough pot on here. | :58:35. | :58:46. | |
Because there's nowhere you can get back with the cue ball near the | :58:47. | :58:50. | |
cushion. But there are a couple of possible cuts. He's looking at the | :58:51. | :58:56. | |
one into the right middle pocket. Not quite a big pocket, I don't | :58:57. | :59:00. | |
think it will go in-off the red close to the pocket, that it's a | :59:01. | :59:06. | |
very thin one. Also a very thin one, if he can see enough of it, to the | :59:07. | :59:12. | |
left middle pocket. Well played. But he hasn't dropped | :59:13. | :59:41. | |
nicely on a colour. Put everything on the pot, and hoped he would have | :59:42. | :59:46. | |
a bit of luck with positioning. This time he hasn't. | :59:47. | :00:10. | |
Just thinking if he rolled to the yellow all the brown. He can snooker | :00:11. | :00:25. | |
him on that red on the pocket. I think he has left a path through to | :00:26. | :00:30. | |
this one. I wonder if he tries to flick it away. I thought that even | :00:31. | :00:38. | |
using big yellow, to cue behind the brown. I think the better option. | :00:39. | :00:57. | |
He did try to knock the red away. You see that lovely smile that he | :00:58. | :01:04. | |
has that you see now and again. Slight movement up and down, someone | :01:05. | :01:58. | |
in the first few rows. Of course, the crowd are further away from the | :01:59. | :02:02. | |
table now when you have got two tables, if you are striking from the | :02:03. | :02:06. | |
cushion people on the front row could almost grab your cue. Not now, | :02:07. | :02:14. | |
plenty of room around the table. And it makes it much easier, and the | :02:15. | :02:21. | |
cameraman can get around, two tables, fantastic job with very | :02:22. | :02:26. | |
little room and now plenty of room in the Crucible. Every player's | :02:27. | :02:31. | |
ambition is to play a one-table situation. It is amazing, a lot of | :02:32. | :02:36. | |
great players have never managed to play at a one-table situation at the | :02:37. | :02:39. | |
Crucible. He will be feeling a little bit | :02:40. | :03:25. | |
better now, will Alan. 64 ahead. Sorry, he only needs this red. | :03:26. | :03:30. | |
APPLAUSE So Alan McManus's semifinal has at | :03:31. | :03:41. | |
last got underway. Well, did he catch that? A little | :03:42. | :04:04. | |
trick catch. He is 71 in front with 59 on the table. He got an awkward | :04:05. | :04:12. | |
kiss, there. He has changed his mind, he didn't catch it. | :04:13. | :04:12. | |
Backhanded. James coming back to the table, but | :04:13. | :04:28. | |
the final snooker and Alan McManus has got a frame on the board. | :04:29. | :04:50. | |
Alan knocking this long read in to make absolutely certain. | :04:51. | :05:06. | |
Being will be trying to get three reds and three | :05:07. | :05:12. | |
blacks, and the snooker that is needed. The pink, just, might | :05:13. | :05:26. | |
eventually, mean he needs an extra snooker. | :05:27. | :05:41. | |
Little surprises carrying on, it is four snookers at the moment that is | :05:42. | :05:45. | |
required. I can't think of many more difficult | :05:46. | :06:09. | |
opponents in the game to get for snookers against and Alan McManus. | :06:10. | :06:20. | |
Angles, as he is known. Especially the way that thing is scoring, | :06:21. | :06:26. | |
scoring heavily, just get on with the next frame. Showing how | :06:27. | :06:36. | |
determined he is. He is not letting McManus have the frames easily. | :06:37. | :06:54. | |
That is the first snooker, Alan just has too be careful, that he does not | :06:55. | :07:06. | |
leave a free ball. It is not a bad opening snooker. If he misses the | :07:07. | :07:10. | |
red and hits it with any pace, he will have a free ball. If he plays | :07:11. | :07:15. | |
it softly and misses the red, he will leave a chance to get the | :07:16. | :07:20. | |
snooker behind the yellow again. Let us see if he can live up to his | :07:21. | :07:22. | |
nickname, angles. Foul, Ding Junhui four. He made sure | :07:23. | :07:31. | |
that he did not leave a free ball. He had a great shot Pharaoh for the | :07:32. | :08:41. | |
long pause, that Alan McManus had in the free delivery is of the cue. | :08:42. | :08:50. | |
Just watch, as he pulls the cue back, and he stops and then through. | :08:51. | :08:58. | |
I suppose there is a joke there somewhere, why the long pause? | :08:59. | :09:42. | |
I'm with you Stephen, the way that Dean was playing, I would not have | :09:43. | :09:50. | |
wanted a tactical battle, to knock yourself out of a rhythm. That is | :09:51. | :09:52. | |
what is happening at the moment. That was a thunderous kick but it | :09:53. | :10:13. | |
might have worked to his advantage. He has got the snooker, and a big | :10:14. | :10:20. | |
smile. They are talking about the cushion, and how that bounce, yes, | :10:21. | :10:27. | |
an explosion, Alan. Sometimes Alan is very animated. | :10:28. | :10:49. | |
He might pop this, Alan. He might pot this. | :10:50. | :11:43. | |
Not quite. How would you describe a kick if you asked Alan McManus to | :11:44. | :11:48. | |
describe a kick? Alan is going to describe, that is | :11:49. | :12:31. | |
what a kick is and I have never seen it quite described like that before. | :12:32. | :12:33. | |
Well done, Alan. APPLAUSE Well, he is having a little whistle | :12:34. | :12:52. | |
to himself Alan, he has got a frame on the board. Doesn't matter about | :12:53. | :13:03. | |
missing the green. He has had to wait an awful long time, but at | :13:04. | :13:08. | |
last, Alan McManus has got the frame on the board that he has been | :13:09. | :13:13. | |
looking for but he still trails 5-1. STUDIO: Relief all round in the | :13:14. | :13:19. | |
theatre 14 McManus? Delighted to get the first frame on the board, two | :13:20. | :13:23. | |
very big frames coming up and if he could win one of those it would be | :13:24. | :13:28. | |
great. There was a funny shot Steve, it is interesting, you are playing a | :13:29. | :13:32. | |
shot like this, doing is trying to get a snooker and he's trying to | :13:33. | :13:36. | |
flick the red away with a brown and it is amazing when you think there | :13:37. | :13:40. | |
are two parts of it hammy times you don't get one of them right. As long | :13:41. | :13:44. | |
as he gets the cue tight yellow, but because he's trying to do things? He | :13:45. | :13:51. | |
had a couple of options for shots, he tried to play a very aggressive | :13:52. | :13:56. | |
snooker, he could have rolled in behind the ground, but he was | :13:57. | :14:00. | |
worried that Alan McManus, potting into a pocket. He needs a bit of | :14:01. | :14:06. | |
help as we said earlier. A couple more things going awry like that and | :14:07. | :14:10. | |
you never know, whether you could get up a session 5-3. Interesting to | :14:11. | :14:16. | |
hear the boys in commentary, talking about going for a couple of | :14:17. | :14:21. | |
snookers. What is your view, would you almost conceded the frame and | :14:22. | :14:27. | |
crack on? The one thing about doing, is scoring, I would have said OK pal | :14:28. | :14:31. | |
that is enough. Some players you might think you might have a chance | :14:32. | :14:35. | |
with but not Alan McManus, you won't get for snookers against him. | :14:36. | :14:44. | |
Allen gets frame seven underway. A good length of the cue ball for the | :14:45. | :15:02. | |
length of, but it has not covered the reds. | :15:03. | :15:13. | |
He is a bit concerned about knocking a red over the left corner if he | :15:14. | :15:20. | |
plays off the pack. Off the side cushion. | :15:21. | :15:31. | |
Touching ball would help Alan's cause here. | :15:32. | :15:44. | |
The referee saying that it is touching ball, one of the top | :15:45. | :15:47. | |
referees now from Belgium. A very good one as well, and he is a | :15:48. | :16:08. | |
nurse, he manages to get time off to referee some of the major events. | :16:09. | :16:10. | |
Very likeable man. Well of course, he is a good friend | :16:11. | :16:34. | |
of the young Belgian player, that didn't qualify this year, but we | :16:35. | :16:38. | |
have seen him over the last couple of seasons, one to watch is Luca. | :16:39. | :16:47. | |
Interesting to see if he plays a positive safety shot around the | :16:48. | :16:54. | |
angles, opens it up. No, it is more of a containing safety shot. I was | :16:55. | :17:04. | |
talking early in the match, it is a great length, against John Higgins | :17:05. | :17:07. | |
he was playing it totally different. Opening the reds up, this time he is | :17:08. | :17:10. | |
trying to keep them tighter. He is a very, very clever matchplay | :17:11. | :17:23. | |
Alan McManus, and you could probably sense that he could put John under | :17:24. | :17:30. | |
pressure like that. In, I think the last thing that he wanted to do was | :17:31. | :17:32. | |
get the reds in the open. Much too thick. There is a red for | :17:33. | :18:50. | |
the right corner, the only problem for Alan, is it is going to be | :18:51. | :18:56. | |
awkward because he has cannoned the red behind the black bear. As he put | :18:57. | :19:04. | |
the eggs in the basket, hoping that he gets a good cannon on the red and | :19:05. | :19:09. | |
possibly finishes on the black. He could stun it in, and finds the gap. | :19:10. | :19:15. | |
That is what he is attempting, finishing on the blue, or the | :19:16. | :19:21. | |
colour. He hit it too thin, didn't intend to cannon the red. Where is | :19:22. | :19:23. | |
this red going to finish? Very awkward frame now. There is a | :19:24. | :20:21. | |
possible pot to the left corner, and the way that he is lining himself | :20:22. | :20:26. | |
up, he will take it on. What a shot this would be. Maybe not. The way he | :20:27. | :20:36. | |
got down, I thought he would immediately have a go at it but he | :20:37. | :20:40. | |
knew if he had a tubal there, that red was not cuttable. I'm just | :20:41. | :20:47. | |
wondering Steve, do you think he can possibly take one into the middle | :20:48. | :20:50. | |
pocket into the black as a free shot? As I said earlier players very | :20:51. | :20:57. | |
rarely get the cue ball team to play a safety shot. He is taking this | :20:58. | :21:06. | |
read on. Simulating the cue ball, close to the bunch. | :21:07. | :21:31. | |
He could have left something a bit easier, this, having to bridge over | :21:32. | :21:38. | |
the bunch. The reds almost straight, that is awkward. | :21:39. | :21:48. | |
Very difficult to control the cue ball from that position. | :21:49. | :22:11. | |
Well, a great pot. As we show you it again, and the white bouncing all | :22:12. | :22:35. | |
over the table. Does this read, go between the dots reds. -- the other | :22:36. | :22:46. | |
two reds. It might, look at that for a gap and he has found it! A couple | :22:47. | :22:58. | |
of fabulous pots from Alan McManus. It is going to make him feel much | :22:59. | :22:59. | |
better. The crowd urged that all of the way, | :23:00. | :23:18. | |
they thought he had not hit it hard enough. As a player, you know this | :23:19. | :23:21. | |
will be going, don't you? He has kept that rest because if he | :23:22. | :23:58. | |
takes it away and just catches the blue, it is a foul. You cannot leave | :23:59. | :24:10. | |
it there, Alan. That was a bit tricky. And look how close it is to | :24:11. | :24:17. | |
the red as well. LAUGHTER APPLAUSE | :24:18. | :24:24. | |
Do you know Stephen, the great Fred Davis, ten times champion of the | :24:25. | :24:34. | |
world, he would have expected the referee to take it away! | :24:35. | :24:44. | |
That is one for the rules, could you ask the referee, you have played the | :24:45. | :24:51. | |
shot, could you ask in to remove the rest? We will have to find out after | :24:52. | :25:04. | |
this session. Oh dear, Alan, Alan, he missed that by a mile. That was a | :25:05. | :25:14. | |
very poor strike. Again, that is massive to separation, delivering | :25:15. | :25:19. | |
the cue there. -- massive deceleration. | :25:20. | :25:33. | |
Things just going off the boil a little bit. In that ten minutes that | :25:34. | :25:43. | |
he wasted, going for snookers in the last frame, it has not affected his | :25:44. | :25:48. | |
rhythm. A little birdie has whispered in my ear, that players | :25:49. | :25:52. | |
responsible for taking the rest away but I remember back in the old days, | :25:53. | :25:58. | |
Fred used to leave the rest there, and the referee used to lift it off | :25:59. | :26:00. | |
the table. It's just got an extra little flick, | :26:01. | :26:23. | |
that red which has left it cuttable. Well, has he blocked the pocket? | :26:24. | :26:54. | |
That might be the end of the break? That would have happened in the | :26:55. | :26:57. | |
first four frames, on the yellow and the brown. Off the green hand in | :26:58. | :27:04. | |
behind the blue seems to be the only shot here. Well he has got plenty of | :27:05. | :27:15. | |
other shots part he wouldn't mind putting the cue ball behind the | :27:16. | :27:18. | |
blue. It looks natural from the green. | :27:19. | :28:36. | |
Look where the black has gone. Slip up from Dean, the blue is over the | :28:37. | :28:45. | |
pocket but he has pushed the black into the bunch. Alan will settle for | :28:46. | :28:58. | |
any sort of chance. Can he pot this read, get an angle on the blue and | :28:59. | :29:00. | |
then somehow, get up into the bunch? He might be able to, I think that he | :29:01. | :29:19. | |
can miss the brown here. Take it back up to the reds. There is one | :29:20. | :29:25. | |
thereat the back. A little bunch of reds and pinks and black. As long as | :29:26. | :29:30. | |
he does not cannon the brown, he can drop on that. And a couple of others | :29:31. | :29:35. | |
are available. Has long as he misses the brown. And he hasn't. Still a | :29:36. | :29:46. | |
possible one to the right of the black spot. Which should have been | :29:47. | :29:47. | |
better. Very unlucky. Opens the reds and the | :29:48. | :30:57. | |
black up, but it has not finished nicely on a red, and unfortunate | :30:58. | :31:15. | |
affair. This is quite a thin one. Not as thin as I thought. Another | :31:16. | :31:22. | |
one in-off the jaw of the pocket. It seemed to run straight, I thought | :31:23. | :31:53. | |
it was in initially, but... If you touch the jar, this is what happens. | :31:54. | :32:04. | |
You hit both of the jars, it was the little cannon that he played on the | :32:05. | :32:15. | |
pink, that went slightly straight. APPLAUSE | :32:16. | :32:30. | |
He's given himself a good telling off there. | :32:31. | :32:47. | |
That meant that he could not control the cue ball. As well. | :32:48. | :33:08. | |
Long on the right-hand side... That caused the White to finish up where | :33:09. | :33:11. | |
it has. Now then! No rhythm to that short. | :33:12. | :33:43. | |
Just going back to read, as we mentioned, the time when you did, | :33:44. | :33:49. | |
what was he doing playing for four sneakers? He's lost some rhythm. | :33:50. | :33:53. | |
That did not help, when he was messing around. He should have just | :33:54. | :34:01. | |
got on with it. He is going to win this match by playing to his | :34:02. | :34:06. | |
strengths, not by trying to outfox McManus in the safety Department. | :34:07. | :34:14. | |
Concentrating his own strength, winning the frames in one visit, if | :34:15. | :34:19. | |
he gets dragged into a tactical battle, what can go wrong? | :34:20. | :35:19. | |
He can win this frame without having to play any cannons. | :35:20. | :35:31. | |
These three reds are in pretty good shape. He might be able to get on | :35:32. | :35:37. | |
the one that is nearest the pocket from here, that will free the other | :35:38. | :35:45. | |
one for the same pocket. Just make sure that you do not Snooker | :35:46. | :35:52. | |
yourself, if you will pay for that one -- play for that one. | :35:53. | :36:28. | |
He just needs one more rate, then he has his second frame on the board -- | :36:29. | :36:36. | |
one more red. Just two hours and counting, McManus | :36:37. | :37:22. | |
will be a lot happier than we are looking at now. It does not matter | :37:23. | :37:30. | |
what happens, Ding Junhui will stay in his seat this time. | :37:31. | :37:44. | |
Alan McManus with his highest break of the match so far, that break of | :37:45. | :37:53. | |
46. It gives him a second frame, she closes the gap. It is 5-2. | :37:54. | :38:00. | |
Let's have a look at this, Alan McManus is the fifth oldest | :38:01. | :38:06. | |
semifinalist in Crucible history at 45 years, 98 days. Eddie Charlton | :38:07. | :38:14. | |
made the last four. 52 years old, John Pullman. Fred Davies made the | :38:15. | :38:23. | |
semifinals at the age of 64. That was way back in 1978. | :38:24. | :38:28. | |
I know how much you love your music, especially you, Steve, I'm looking | :38:29. | :38:33. | |
at what was number one the last time McManus reached the semifinal at the | :38:34. | :38:40. | |
Crucible, in 1993... Think Britpop. Cadge a good go? That was the 1980s! | :38:41. | :38:47. | |
It was George Michael, and Queen. They did a live EP. Let's go back to | :38:48. | :38:56. | |
the snooker. If Alan McManus can get 5-3 into the next session, he's in | :38:57. | :39:01. | |
with a chance. Bizarrely, Ding Junhui will be kicking himself, for | :39:02. | :39:05. | |
the most part, as the dominant player, I agree with the | :39:06. | :39:08. | |
commentators, I don't know what he was playing around, you should have | :39:09. | :39:12. | |
continue doing what he has done, the game is changing, is not kept that | :39:13. | :39:17. | |
rhythm, Alan has a foothold in the match. If he gets out of it 5-3 we | :39:18. | :39:23. | |
will be delighted. Sometimes you see long frames, and matches, people win | :39:24. | :39:28. | |
frames in blocks. It is difficult for the player in front to maintain | :39:29. | :39:33. | |
the level of relentlessness that you sometimes need, even if you are 5-0 | :39:34. | :39:38. | |
in front, to win 8-0, it gets harder and harder. He is letting him off of | :39:39. | :39:45. | |
the her, this is a big frame. Dennis, I remember you saying when | :39:46. | :39:48. | |
Judd Trump beat Ding Junhui in the semifinals 2011, is you said it was | :39:49. | :39:54. | |
one of the best semifinals you'd ever seen, are we looking at another | :39:55. | :40:01. | |
epic today? Well, McManus is on his way back, that was an incredible | :40:02. | :40:06. | |
semifinal. I thought Ding Junhui would be the world champion... | :40:07. | :40:09. | |
Sorry, Judd Trump would be the champion. He played unbelievable | :40:10. | :40:12. | |
snooker but he lost to John Higgins. But, Alan McManus, he is as fresh as | :40:13. | :40:22. | |
a daisy out there. That is what he is looking at, no | :40:23. | :41:07. | |
easy return to the safety area. It might be the slightest gap between | :41:08. | :41:12. | |
the yellow and blue, but it looks very tight. You have to get back | :41:13. | :41:25. | |
down the table. That is OK, as long as it does not bounce too far. Well | :41:26. | :41:35. | |
judged. I'm just looking at the frame times for the match so far, | :41:36. | :41:41. | |
Denis. These frames that Ding Junhui has been winning, they are all | :41:42. | :41:47. | |
around 11, 14, minutes. The others are over 22 minutes. That shows what | :41:48. | :41:52. | |
will happen if these frames go tactical for a majority of the time. | :41:53. | :41:58. | |
Good safety from Ding Junhui. The reds are up, but he has left one. | :41:59. | :42:06. | |
But what a test for Alan McManus, which ever side of the table he | :42:07. | :42:10. | |
goes. There is one to the left, another to the right. | :42:11. | :42:33. | |
He has taken one around the back of the black. That is a poor attempt, | :42:34. | :42:47. | |
did not fully commit there. He is decelerating badly on a lot of | :42:48. | :42:51. | |
shots, it is the long cue action, that's what happens when you | :42:52. | :42:52. | |
decelerate, you miss it thin. Doing that rarely has that problem, | :42:53. | :43:10. | |
he has a shot with a impact cue action -- Ding Junhui rarely has | :43:11. | :43:19. | |
that problem. This is not what he wanted to see in the last frame. | :43:20. | :43:26. | |
Ding Junhui is back in amongst the balls. Just a little careless | :43:27. | :43:32. | |
positional shot there. Two or three inches too far with the cue ball, | :43:33. | :43:36. | |
you want it to roll through for the black. | :43:37. | :44:09. | |
Yes, it is amazing, the difference in the cue actions, as Stephen was | :44:10. | :44:53. | |
saying, Ding Junhui does not bring the cue back very far at all before | :44:54. | :45:00. | |
delivering. Alan has the deliberate long poles, quite a way back before | :45:01. | :45:07. | |
he delivers the cue, Ding Junhui is more compact. -- pulls. No two cue | :45:08. | :45:24. | |
actions the same in the game, it is all about knocking the ball into the | :45:25. | :45:30. | |
pockets. As John used to say those years ago, part as many balls as you | :45:31. | :45:36. | |
can. Big Break, used to love that show! | :45:37. | :46:11. | |
It is incredible, how close Ding Junhui's tip gets to the cue ball, | :46:12. | :46:23. | |
when he is addressing it. Not even a shadow on the cue ball when his tip | :46:24. | :46:26. | |
approaches it, watch this... Look at that stop I suppose if you | :46:27. | :46:47. | |
thought about it, you would not be able to do that, it's automatic, all | :46:48. | :46:59. | |
of those years of practice. Another left-hander, Jimmy White, a player | :47:00. | :47:03. | |
who addresses, sometimes he will further the white and play a foul | :47:04. | :47:07. | |
shot but he's like that. He has the tip of the cue right on the cue | :47:08. | :47:19. | |
ball. Could have worked out a lot better. Yes, this was never | :47:20. | :47:26. | |
guaranteed, because the reds are so close to the black ball. Possibly | :47:27. | :47:34. | |
did not need to play that with more pace and top spin to carry the cue | :47:35. | :47:35. | |
ball through the reds. Screwing the cue ball off the | :47:36. | :47:47. | |
cushion, and on again, for the black. A good shot. APPLAUSE | :47:48. | :47:59. | |
I don't know whether Alan is saying "Good shot". He does talk away to | :48:00. | :48:09. | |
himself. I think that he just thought, perhaps, Ding Junhui had | :48:10. | :48:12. | |
lost position? He would come back to the table, and then he produces that | :48:13. | :48:18. | |
excellent read to the middle. He tells little stories in the chair, | :48:19. | :48:24. | |
Denis. Possibly not for repeating during the day... But what is it | :48:25. | :48:32. | |
about the Asian players? It is amazing, the middle pocket, they are | :48:33. | :48:36. | |
so good. James Watson, he would pot some fantastic balls into the middle | :48:37. | :48:46. | |
pockets. Ding Junhui is right up there, he never appears to miss. The | :48:47. | :48:47. | |
middle pockets. The reds next to the pink, potting | :48:48. | :49:02. | |
into the left corner, let's see this short again. Excellent cue ball | :49:03. | :49:13. | |
control. As has been the pattern in this match, whenever Ding Junhui | :49:14. | :49:17. | |
gets in, it is frame over. The two frames that he has not, he has lost. | :49:18. | :49:26. | |
He has made three century breaks, and 84 and a 64, has Ding Junhui. I | :49:27. | :49:36. | |
suppose that, when you think about it, 5-0 behind, Alan McManus, he | :49:37. | :49:41. | |
would have loved to have got out of it 5-3, but at 6-2, he would | :49:42. | :49:48. | |
probably take it when he was 5-0 behind. 96%, that is terrific. A | :49:49. | :49:53. | |
high break of 131. APPLAUSE Wouldn't that be something? | :49:54. | :50:14. | |
If he made four centuries in his first session? It is going to be | :50:15. | :50:16. | |
difficult, but it is a possibility. He has already made eighth | :50:17. | :50:42. | |
centuries, we've had 68 in this years Bedford World Championship, 86 | :50:43. | :50:45. | |
is the record number centuries made at the Crucible. -- BetFred. And the | :50:46. | :50:56. | |
highest number of centuries ever made at the Crucible in the World | :50:57. | :51:02. | |
Championship, Stephen was just asking me... It is 16. John Higgins | :51:03. | :51:09. | |
has had 14. I'm surprised you did not notice that. | :51:10. | :51:27. | |
He would have to think, with that record, if Ding Junhui was to make | :51:28. | :51:35. | |
the final... It would be in jeopardy. | :51:36. | :51:49. | |
Plenty of tonne ups there, what a session. | :51:50. | :52:03. | |
I didn't know Kevin was in. What a player. And what a pundit. And what | :52:04. | :52:17. | |
a session we have had here from Ding Junhui. Yes, he has been a machine | :52:18. | :52:27. | |
today. He has had a 132, his highest so far | :52:28. | :52:49. | |
this year. Can have the evening off, they will be back at ten o'clock | :52:50. | :52:56. | |
tomorrow for the second session, this has been a delight to watch. | :52:57. | :53:07. | |
APPLAUSE It does not matter about the black, | :53:08. | :53:13. | |
it has been the Ding Junhui show here this afternoon. Alan McManus | :53:14. | :53:16. | |
would be too disappointed, he got two frames out of it but in the end | :53:17. | :53:21. | |
after that magnificent display, Ding Junhui takes the session 6-2. | :53:22. | :53:29. | |
STUDIO: Four centuries for Ding Junhui in this match, this has been | :53:30. | :53:33. | |
brilliant from that young man? Superb, we've been entertained this | :53:34. | :53:37. | |
afternoon, his matchplay has been fantastic and to be honest I think | :53:38. | :53:41. | |
he needed to win the last frame, the way he dominated, if he did not come | :53:42. | :53:46. | |
out 6-2, he would have been kicking himself. After an excellent start | :53:47. | :53:50. | |
from Ding Junhui, with the help of a bit of fortune, I think Alan McManus | :53:51. | :53:54. | |
would say, fair play. I have a couple of frames, that's the best I | :53:55. | :53:58. | |
could have expected. He was shaking his head in the last when he thought | :53:59. | :54:02. | |
that Ding Junhui had lost position, but it was a fair reflection on this | :54:03. | :54:08. | |
afternoon 's play? Yes, I think Alan has been unlucky, coming back in the | :54:09. | :54:12. | |
first session after John Higgins last night, that was hard fought. He | :54:13. | :54:16. | |
can rest this evening and come back tomorrow fresh. I think he will play | :54:17. | :54:19. | |
better. There were times when I was watching that, I was reminded, do | :54:20. | :54:24. | |
you remember sitting in the studio in Alexandra Palace when Ronnie | :54:25. | :54:28. | |
O'Sullivan strode Ricky Walden in the Masters semifinal? Yes. It was | :54:29. | :54:34. | |
really into -- destroyed. That match was over in about 47 minutes? The | :54:35. | :54:40. | |
most bizarre statistic ever, Ronnie had a 97% pot rate, Ricky Walden was | :54:41. | :54:49. | |
100%. Ronnie won 6-0. He is clinical, after Ding Junhui went to | :54:50. | :54:52. | |
the interval, we said that he would split the atom in his dressing room, | :54:53. | :54:56. | |
everything was going right. Let's look at this evening's match, that | :54:57. | :55:01. | |
begins at seven o'clock. World number one Mark Selby takes on Marco | :55:02. | :55:05. | |
Fu. FUNKY MUSIC | :55:06. | :55:12. | |
He hasn't got a weakness, I don't think. | :55:13. | :55:16. | |
He is a very good matchplay. Everyone would understand. He's been | :55:17. | :55:22. | |
here for a long time. He is very comfortable playing at the Crucible, | :55:23. | :55:26. | |
especially the one-table set-up. It will be a big challenge for me. | :55:27. | :55:31. | |
There's not going to be any favourites as such, I won't go out | :55:32. | :55:34. | |
there believing that I'm one of the favourites, I will go out there and | :55:35. | :55:38. | |
play one frame at a time and stay focused, see what happens. It's | :55:39. | :55:43. | |
going to be a very tough game. I'm still a long way to go, with two | :55:44. | :55:50. | |
matches, but it is a long way to go. Just take it one | :55:51. | :55:50. | |
matches, but it is a long way to go. Just take it one match at a time, | :55:51. | :55:55. | |
one ball at a time. Sitting in the semifinal, I feel like I've played | :55:56. | :55:59. | |
all season and not had a day off. That is what the tournament does to | :56:00. | :56:03. | |
you, it is so long, mentally and physically draining, but it is the | :56:04. | :56:07. | |
same for everyone else. Whoever is the last man standing is strongest. | :56:08. | :56:10. | |
You cannot predict the nerves you will feel when you go out there so | :56:11. | :56:14. | |
hopefully I can stay calm and relaxed and play good snooker. Nine | :56:15. | :56:23. | |
wins to Marco Fu's two. Selby leads the head to head. They've played | :56:24. | :56:29. | |
each other in semifinals in the 2006 Masters qualifying, they met the | :56:30. | :56:34. | |
first time in 2006. Mark Selby won that one. In the World Open in 2014. | :56:35. | :56:40. | |
They also met. Very much going the way of Mark Selby when you look at | :56:41. | :56:42. | |
those way of Mark Selby when you look at | :56:43. | :56:42. | |
those graphics? World number one, we way of Mark Selby when you look at | :56:43. | :56:44. | |
said that those graphics? World number one, we | :56:45. | :56:46. | |
said that he's come under the radar considering he's world number one, | :56:47. | :56:52. | |
when you play matchplay like he does, I Debaty 's been at his best | :56:53. | :56:59. | |
but it's the semifinal. But Marco held his own last night? He's been | :57:00. | :57:05. | |
in excellent form. The scoreline of nine matches to two, it seems that | :57:06. | :57:09. | |
Mark Selby gets the better of Marco Fu, but you could argue and three | :57:10. | :57:13. | |
the record books out for this situation, judging by the way that | :57:14. | :57:18. | |
Marco is playing, he is buoyed up by that. Mark Selby is a very clinical | :57:19. | :57:21. | |
player in the same way that Ding Junhui is. Marco was possibly that | :57:22. | :57:28. | |
kind of style, if you have two players with a similar style but one | :57:29. | :57:32. | |
is slightly better than the other, it is harder for the lesser | :57:33. | :57:36. | |
fractionally. Do you believe, Steve, given that Mark Selby was pushed in | :57:37. | :57:40. | |
the first and second rounds, especially by Sam Baird late on | :57:41. | :57:42. | |
Saturday evening, that he's coming into the quarterfinals and the | :57:43. | :57:48. | |
semifinal in better shape? He's been up and down, he's not been dominant | :57:49. | :57:52. | |
in all sessions but I think he is happy that he's got here with | :57:53. | :57:55. | |
relatively little fuss. His experience showed in the last match, | :57:56. | :57:59. | |
I think he outmatched Kyren Wilson. He outmatched played him. Mark | :58:00. | :58:07. | |
Selby, to be honest, that has gotten through so far. Marco Fu was under a | :58:08. | :58:12. | |
lot of pressure, Barry Hawkins, last night? And what has it taken out of | :58:13. | :58:17. | |
him? We will find out tonight. If Mark Selby wins the title and | :58:18. | :58:21. | |
Leicester City wins the Premier League on Sunday... My phone will be | :58:22. | :58:24. | |
horrendous! I've enjoyed your company, thank you very much. Hazel | :58:25. | :58:28. | |
will be back at seven o'clock with further coverage. We will see you | :58:29. | :58:31. | |
then, goodbye for now. | :58:32. | :58:34. |