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Hello again. It is the start of
round three here at the bet way | 0:00:33 | 0:00:39 | |
United Kingdom championship in the
Barbican Centre in York. It is an | 0:00:39 | 0:00:43 | |
all Welsh match tonight with Ryan
Day, the world number 19, who for | 0:00:43 | 0:00:48 | |
the last 20 years as a professional
has been trying to win a trophy and | 0:00:48 | 0:00:52 | |
a Gojun at the start of the season
he had never managed to do so but he | 0:00:52 | 0:00:55 | |
is a winner now. He is playing his
great friend Mark Williams who was | 0:00:55 | 0:01:01 | |
one of the men of the moment this
season, having claimed the most | 0:01:01 | 0:01:05 | |
recent big title on offer, the
Northern Ireland Trophy in Belfast a | 0:01:05 | 0:01:09 | |
couple of weekends ago. It is the
first time in 19 occasions that the | 0:01:09 | 0:01:13 | |
two of them have met, as both of
them are now proven Trophy winners. | 0:01:13 | 0:01:19 | |
What difference would that make? Let
us find out. The all Welsh combo is | 0:01:19 | 0:01:26 | |
commented on by an all Irish combo,
Ken Doherty and Dennis Taylor. | 0:01:26 | 0:01:33 | |
Just OK. He was hoping to leave
black or pink there and for a moment | 0:01:39 | 0:01:42 | |
at 40 had not brought it back far
enough that is fine. | 0:01:42 | 0:01:52 | |
Should be OK. He has a slight ankle
and he needs to play with a bit of | 0:02:02 | 0:02:05 | |
pace to get out from behind the
yellow. Maybe he is straight on it. | 0:02:05 | 0:02:12 | |
Plenty of cue power at the site. See
the reverse side there, the normal | 0:02:12 | 0:02:17 | |
angle would have taken that backing
in cannon Green but because he | 0:02:17 | 0:02:20 | |
played the white hand side the white
shot off to the left. It made it | 0:02:20 | 0:02:23 | |
look easy. | 0:02:23 | 0:02:33 | |
A nice positional shot into the
bottom pocket. The choice of coming | 0:02:38 | 0:02:44 | |
down for the black or back-up for
the blue here. | 0:02:44 | 0:02:55 | |
He may take the least red here. He
has a chance at the back but he may | 0:02:59 | 0:03:04 | |
take the least red at the back of
the pack. If you can leave a nice | 0:03:04 | 0:03:07 | |
angle on this red, it looks a bit
straight. I was going to he left a | 0:03:07 | 0:03:11 | |
nice angle he could've disturbed a
few more reds and filled beyond the | 0:03:11 | 0:03:14 | |
black. He will not be happy with
that. Just a couple more inches | 0:03:14 | 0:03:20 | |
towards the black with that cue
ball. You can see the tip of his | 0:03:20 | 0:03:28 | |
cue, that is where he wants to leave
the cue ball. | 0:03:28 | 0:03:32 | |
He is thinking about disturbing
those reds and a couple of shots | 0:03:38 | 0:03:41 | |
time. This is a cue shot coming up.
He will play this with a lot of | 0:03:41 | 0:03:45 | |
pace. If this works out it will give
him a chance to win the frame. | 0:03:45 | 0:03:56 | |
A bit unlucky. He opened the reds up
nicely. He has to be careful here. I | 0:04:06 | 0:04:12 | |
think you can put the red in the
left corner but he will can in the | 0:04:12 | 0:04:15 | |
pink any might be able to push it
towards the left middle pocket and | 0:04:15 | 0:04:18 | |
he has to be careful that he doesn't
Cameronette into the pocket. It it | 0:04:18 | 0:04:26 | |
depends what sort of pace he wants
to play on this as to whether he | 0:04:26 | 0:04:30 | |
finishes on the pink or the blue. He
hit it a little bit too hard. The | 0:04:30 | 0:04:38 | |
same shot with less pate -- pace
would have been perfect. The pink | 0:04:38 | 0:04:42 | |
would not have come off the cushion
so far and now he is faced with a | 0:04:42 | 0:04:46 | |
tricky one. He has to get this one.
It is the sort of shot that players | 0:04:46 | 0:04:51 | |
practice. He is looking at the
middle pocket. Sometimes a player | 0:04:51 | 0:04:57 | |
would prefer to play her thin snick
than a long straight putt. Where | 0:04:57 | 0:05:10 | |
will the cue ball finish? Not bad. | 0:05:10 | 0:05:17 | |
This looks really good. He has
stunned in and out of the baulk. For | 0:05:36 | 0:05:43 | |
the pink. | 0:05:43 | 0:05:49 | |
He didn't want that kiss on the
blue. Trying to avoid the blue. Just | 0:06:00 | 0:06:05 | |
for the two reds on the pink spot.
Again he is left with a difficult | 0:06:05 | 0:06:10 | |
choice here. He could put this red
that is on the pink spot into the | 0:06:10 | 0:06:18 | |
left-hand corner pocket but he is
not 100% sure with the cue ball is | 0:06:18 | 0:06:22 | |
gone. He may use the red closest to
the left-hand middle pocket to try | 0:06:22 | 0:06:27 | |
and slow the cue ball down. He tried
to hit that right next to the middle | 0:06:27 | 0:06:39 | |
pocket but he is in a bit of No
Man's Land here and struggling. | 0:06:39 | 0:06:45 | |
That was a good recovery. He has
judged it nicely. He has a nice | 0:07:15 | 0:07:22 | |
angle on this red. | 0:07:22 | 0:07:25 | |
A good pot. | 0:07:31 | 0:07:36 | |
One good positional shot here of
brown or green. He should win the | 0:07:41 | 0:07:45 | |
frame. | 0:07:45 | 0:07:51 | |
He has had to work hard for this,
hasn't it? | 0:07:56 | 0:08:01 | |
Yes, as long as you keep knocking
the mean you are going to win the | 0:08:05 | 0:08:08 | |
frame. It is always nice if you can
keep close control but sometimes you | 0:08:08 | 0:08:12 | |
have got to work your points. He has
got terrific cue power, has Ryan | 0:08:12 | 0:08:24 | |
Day. That shot is an indication
there of it. | 0:08:24 | 0:08:29 | |
Just the black, leave Mark needing a
snooker and the reds are not ideally | 0:08:37 | 0:08:40 | |
placed. Make sure you pot the black. | 0:08:40 | 0:08:44 | |
There is only one snooker here
needed at the moment. | 0:08:54 | 0:08:58 | |
I don't think the double is on.
Maybe if you played it a little bit | 0:09:04 | 0:09:07 | |
on the left-hand side he could
create the angle to double it, but | 0:09:07 | 0:09:11 | |
is he just playing safe, just a
safety shot? That nice break of 65, | 0:09:11 | 0:09:20 | |
you would think might just be enough
to give him the frame and it should | 0:09:20 | 0:09:24 | |
be 1-1. | 0:09:24 | 0:09:29 | |
Mark will carry on because it is
only the one snooker needed and I am | 0:09:42 | 0:09:46 | |
looking at the situation of the
table, as he looks at the other | 0:09:46 | 0:09:50 | |
table. The yellow was in the perfect
place, the yellow snooker in behind. | 0:09:50 | 0:09:57 | |
It doesn't matter about the yellow
now, that is the show. Mark will | 0:09:57 | 0:10:02 | |
stay in the seat. I think Mark
Williams has not gone out as well as | 0:10:02 | 0:10:13 | |
Ryan Day. Yes. I do not think he is
100% with it at the moment. It | 0:10:13 | 0:10:27 | |
remains to be seen how he can cope
with it. This will certainly settle | 0:10:27 | 0:10:33 | |
Ryan Day. He looked a bit edgy in
the opening exchange of the first | 0:10:33 | 0:10:37 | |
frame and the beginning of this
frame but a couple of good pots has | 0:10:37 | 0:10:40 | |
kept the break going. He is going to
win this frame quite comfortably | 0:10:40 | 0:10:48 | |
will stop you never really settled
down until you win your first frame. | 0:10:48 | 0:10:56 | |
This will settle him down nicely. | 0:10:56 | 0:11:00 | |
A couple of little exhibition shots.
A nice pot that one. He has not | 0:11:47 | 0:11:54 | |
bothered to take the black but Ryan
Day will not be bothered. A nice | 0:11:54 | 0:11:57 | |
break at the end there for him and
he levels the matchup and it is 1-1. | 0:11:57 | 0:12:11 | |
Mark Williams breaks off in this
third frame. He will go into the mid | 0:12:16 | 0:12:23 | |
session with a two frame advantage.
That is not the best break. The | 0:12:23 | 0:12:29 | |
Green will have rescue. It hasn't
and that may be down to the tip. | 0:12:29 | 0:12:37 | |
When you are trying a bit side on
the tip it is a little bit different | 0:12:37 | 0:12:44 | |
with the new tip. | 0:12:44 | 0:12:55 | |
Ryan McLaughlin to win this frame
and go in level at the mid session | 0:12:57 | 0:13:00 | |
interval. | 0:13:00 | 0:13:10 | |
He can putt this red and hold the
cue ball exactly where the readies. | 0:13:19 | 0:13:26 | |
A couple of reds just above the
black will pot into the same pocket | 0:13:33 | 0:13:37 | |
as the black. | 0:13:37 | 0:13:47 | |
He has got a nice angle and a lot of
cue power, as you mentioned. There | 0:13:55 | 0:14:00 | |
are a couple of ways he can play
this, with a bit of top spin and get | 0:14:00 | 0:14:07 | |
the cue ball through the pack of
reds and to the black but also stun | 0:14:07 | 0:14:12 | |
through the gap. He's going for the
top spin through the pack. It hasn't | 0:14:12 | 0:14:20 | |
worked out. | 0:14:20 | 0:14:30 | |
There is someone in his light owns
-- line of sight there. I think the | 0:15:23 | 0:15:36 | |
players were coming back from the
mid-session interval at the next | 0:15:36 | 0:15:41 | |
table and they didn't bother to have
a look. You should always have a | 0:15:41 | 0:15:44 | |
little look and see if the player is
playing in the site. He just gave | 0:15:44 | 0:15:53 | |
Judd Trump the dirtiest look ever as
he walked out. | 0:15:53 | 0:16:05 | |
Black doesn't go on the spot. He
will be disappointed with that. I am | 0:16:06 | 0:16:14 | |
not quite sure where it putts into.
He is coming round to see if it | 0:16:14 | 0:16:18 | |
putts into that bottom right-hand
corner and if it does he will try | 0:16:18 | 0:16:21 | |
and get it back on the spot
immediately. He is saying that is | 0:16:21 | 0:16:25 | |
not too bad and he can stun up for
that black if you pot this red. | 0:16:25 | 0:16:31 | |
They are not perfectly placed. Those
five reds around the pink spot are | 0:17:05 | 0:17:11 | |
just covering each other somewhat.
Maybe the one that is closer to the | 0:17:11 | 0:17:19 | |
pink spot might be available in a
couple of shots time. We will find | 0:17:19 | 0:17:29 | |
out now whether it is available I
mean, he has so many options here. | 0:17:29 | 0:17:37 | |
You could go for the red near the
cushion that also. Being a | 0:17:37 | 0:17:42 | |
left-hander, that is the one he has
played for. | 0:17:42 | 0:17:54 | |
That looks to be a little bit
straight black. He needs a slight | 0:17:55 | 0:18:00 | |
angle here and he has got a little
bit to work with there. | 0:18:00 | 0:18:15 | |
They were covering each other into
the corners, that is why he played | 0:18:19 | 0:18:22 | |
this one into the middle. He is
normally very proficient at this | 0:18:22 | 0:18:31 | |
type of shot into the middle pocket.
Just a bit short of pace. He can | 0:18:31 | 0:18:37 | |
only drop this blue in and then the
red from the distance. | 0:18:37 | 0:18:50 | |
With the pink ear, it is a little
bit of a distraction if he takes the | 0:18:51 | 0:18:56 | |
one to the corner. They just can
disturb your concentration. | 0:18:56 | 0:19:04 | |
That is exactly what happened. I
don't know if he got a heavy contact | 0:19:09 | 0:19:12 | |
there but bridging over and the
yellow was near his sleeve and you | 0:19:12 | 0:19:17 | |
are just a little bit conscious
about it. He was up off the shot. He | 0:19:17 | 0:19:26 | |
knew the minute he hated that it
wasn't in. A chance Orion. Can he | 0:19:26 | 0:19:33 | |
snatch this frame? | 0:19:33 | 0:19:35 | |
-- a chance for Brian. | 0:19:39 | 0:19:41 | |
The red of the black will putt into
the left centre. | 0:19:46 | 0:19:49 | |
He doesn't really want to go off the
blue. You would prefer to stay on | 0:20:03 | 0:20:08 | |
the black kid. I think any sort of
cannon would do him here, as long as | 0:20:08 | 0:20:11 | |
he doesn't get one of the reds full
ball and stick there. Keep your eye | 0:20:11 | 0:20:17 | |
on the black so, you don't want to
miss that. Well, he didn't miss the | 0:20:17 | 0:20:25 | |
black but he missed the cannon and
it looked a natural. | 0:20:25 | 0:20:37 | |
This looks a very good line behind
the yellow. He has played that very | 0:20:49 | 0:20:53 | |
well. An excellent shot. Both
players having a look. Players will | 0:20:53 | 0:21:05 | |
always let the referee have a look
as well, just in kiss you happen to | 0:21:05 | 0:21:10 | |
miss the reds and the referee will
know exactly where to replace the | 0:21:10 | 0:21:13 | |
cue ball. Mark has to be careful
here and try and nestle into the | 0:21:13 | 0:21:23 | |
three reds. Without trying to leave
anything. That is a lovely shot. It | 0:21:23 | 0:21:35 | |
is a lovely shot. He may have left
this red into the bottom right-hand | 0:21:35 | 0:21:39 | |
corner pocket but it is not easy,
particularly with the rest. | 0:21:39 | 0:21:45 | |
This would be some pot if he takes
it on. He knew straightaway that it | 0:22:16 | 0:22:25 | |
wasn't going in. | 0:22:25 | 0:22:28 | |
Has he left it into this left-hand
centre pocket? I think he has, and | 0:22:33 | 0:22:38 | |
he can play a nice little cannon on
the black. He just has to | 0:22:38 | 0:22:47 | |
concentrate on this thread. If the
red goes in it is a natural angle of | 0:22:47 | 0:22:51 | |
the cue ball into the flat and try
knock it over the corner pocket and | 0:22:51 | 0:22:59 | |
if the red goes in it is a great
opportunity to steal this frame. The | 0:22:59 | 0:23:06 | |
red is there. Cannon on the black
wasn't what he would have hoped. | 0:23:06 | 0:23:14 | |
Still a bit of life in this frame.
He could roll up behind the black | 0:23:18 | 0:23:26 | |
here and it wouldn't be a bad shot.
A dead weight. | 0:23:26 | 0:23:30 | |
A bit of a chance Orion here. He
could cut the red in and if you | 0:24:01 | 0:24:05 | |
should putt it it will be on the
yellow and if he misses it won't | 0:24:05 | 0:24:08 | |
leave anything. Much too thin and a
little bit on the hard side. | 0:24:08 | 0:24:15 | |
This is not as straightforward to
take it on now because the White | 0:25:11 | 0:25:15 | |
will go near the left corner pocket
if he takes the popcorn. That is why | 0:25:15 | 0:25:22 | |
he refused it but it looks to be a
pretty good cue ball, this. In fact, | 0:25:22 | 0:25:27 | |
it looks to be a very good cue ball.
Is there a gap? Yes, there is a gap. | 0:25:27 | 0:25:40 | |
Well, that was an uncharacteristic
mistake from Mark Williams. | 0:26:18 | 0:26:29 | |
He could try and cut this red ink
and back up. He will miss the blue | 0:26:31 | 0:26:37 | |
and the black. That could be another
baulk. This looks absolutely perfect | 0:26:37 | 0:26:49 | |
if he can get on this black here. It
looks really good. He may have an | 0:26:49 | 0:26:53 | |
angle on the black. Just the red on
the left-hand side cushion. I | 0:26:53 | 0:27:00 | |
wonder, does he? That would have
been a bonus but even if he doesn't | 0:27:00 | 0:27:04 | |
he can get on the other red but he
could take that red out. Well, what | 0:27:04 | 0:27:10 | |
was that? Ryan. He obviously haven't
got the angle to cannon the other | 0:27:10 | 0:27:18 | |
red out but he should never have
missed the black. He is annoyed with | 0:27:18 | 0:27:23 | |
himself after that one. And he won't
be too happy with that. He is still | 0:27:23 | 0:27:39 | |
not happy with that tip, is he? It
is on the delicate little shots that | 0:27:39 | 0:27:47 | |
he seems to be playing with the
touch of side. Where is that cue | 0:27:47 | 0:27:53 | |
ball going to finish? Is he OK? Does
he have an angle to go on the yellow | 0:27:53 | 0:28:00 | |
finish on the pink and bring the red
interplay? He could drop behind it | 0:28:00 | 0:28:04 | |
possibly but he is looking at the
angle and I think he can do. He | 0:28:04 | 0:28:09 | |
would be playing to move this rather
than dropping behind it, if you have | 0:28:09 | 0:28:13 | |
the right angle, that is. He doesn't
think he has. | 0:28:13 | 0:28:17 | |
He's going to try and come off two
cushions and land on the red. It is | 0:28:41 | 0:28:46 | |
not a bad effort. This is not a bad
effort at all. What a great shot | 0:28:46 | 0:28:51 | |
that was. The great escape. I love
that film. Steve McQueen. | 0:28:51 | 0:29:07 | |
He has all sorts of choices
available. He can play in behind the | 0:29:23 | 0:29:28 | |
black. He could even take on the
pot. He decided on the pot. A half | 0:29:28 | 0:29:44 | |
chance here for Ryan Day. Although
it is the best of 11, when you go | 0:29:44 | 0:29:52 | |
into the mid-session interval it
adds that little bit of pressure if | 0:29:52 | 0:29:55 | |
you are trying to level the score or
get a 3-1 advantage, it is amazing | 0:29:55 | 0:30:01 | |
how you can miss a few balls.
APPLAUSE. That will give him a bit | 0:30:01 | 0:30:09 | |
of confidence he struck that really
nicely indeed. He would love to have | 0:30:09 | 0:30:18 | |
been straight on this brown. He will
have to screw off the side cushion | 0:30:18 | 0:30:25 | |
here. | 0:30:25 | 0:30:27 | |
He is hitting the ball a bit harder
than he needs to at the moment. I | 0:30:35 | 0:30:42 | |
think that is a sign of pressure. If
the pink is not in the way, the | 0:30:42 | 0:30:51 | |
angle on the yellow will be nice. It
looks like it is going into the pink | 0:30:51 | 0:31:00 | |
and he will not be able to get onto
the green that way, so... I'm not | 0:31:00 | 0:31:06 | |
quite sure he will be able to judge
this one, Dennis. As long as he | 0:31:06 | 0:31:15 | |
doesn't go past the middle pocket,
he will be comfortable on the green. | 0:31:15 | 0:31:20 | |
All the way around the ankles, but
will it be hard enough? He will need | 0:31:20 | 0:31:26 | |
to use the rest. A good attempt,
wasn't it? He would settle for that. | 0:31:26 | 0:31:35 | |
No. Why was he screwing it in? He
could played pops in and drop the | 0:31:43 | 0:31:54 | |
green in. Ryan Day is feeling the
pressure out there. | 0:31:54 | 0:31:58 | |
This is a clever little shot. | 0:32:06 | 0:32:09 | |
But other chants this. It will cut
in. As long as avoids the right | 0:32:24 | 0:32:31 | |
middle pocket, if he does attempt
the pot. Be careful of the middle | 0:32:31 | 0:32:39 | |
pocket. No problem. Will it dropped
nicely on the brown? It hasn't. | 0:32:39 | 0:32:47 | |
Worst possible place could have
finished there. Amazing, it goes all | 0:32:57 | 0:33:01 | |
that distance and it drops there. I
think you can cut this brown in. Not | 0:33:01 | 0:33:07 | |
too bad. There is a natural angle
back to the blue. Yes, it's there. | 0:33:07 | 0:33:16 | |
Just that little kiss on the black
has taken this speed out of the cue | 0:33:16 | 0:33:21 | |
ball, but he is still on the blue.
He is ten points in the lead, just | 0:33:21 | 0:33:26 | |
the blue required to go 15 ahead
with 13 left on the table. This | 0:33:26 | 0:33:32 | |
could be free and ball. It is there.
He will be very relieved. Another | 0:33:32 | 0:33:41 | |
frame that has got away from Ryan
Day. He should have won this frame a | 0:33:41 | 0:33:46 | |
couple of times over. | 0:33:46 | 0:33:49 | |
That this pretty good. He was on the
way out the door before the pink | 0:33:59 | 0:34:04 | |
even reached the pocket. Ryan Day is
very, very disappointed. Mark | 0:34:04 | 0:34:11 | |
Williams leads Ryan Day 3-1. | 0:34:11 | 0:34:15 | |
DENNIS TAYLOR: Mark Williams whether
to reflect long pot there, it really | 0:34:42 | 0:34:48 | |
was. That is the sign of an all-time
greats, when you get a chance like | 0:34:48 | 0:34:58 | |
that you go full-blooded for it. | 0:34:58 | 0:35:01 | |
APPLAUSE. | 0:35:14 | 0:35:15 | |
The pink is just away from the reds
somewhat. He may play into them from | 0:36:21 | 0:36:29 | |
the blue because he has the red over
the middle pocket as a bit of | 0:36:29 | 0:36:33 | |
insurance. | 0:36:33 | 0:36:34 | |
That is what he has done. What a
great split. He knew if he wasn't | 0:36:38 | 0:36:43 | |
going to drop nicely on a red, which
is what happened, he has that one | 0:36:43 | 0:36:50 | |
over the middle pocket. Not all the
players would have thought of that, | 0:36:50 | 0:36:55 | |
Ken. Yes, he hit of lovely he got
the apex ball perfectly. He always | 0:36:55 | 0:37:05 | |
had that red over the middle pocket.
He couldn't have played much better. | 0:37:05 | 0:37:11 | |
His opening red is what has created
this chance. He had to take it on | 0:37:11 | 0:37:16 | |
full-blooded and if he had missed it
he would have left some reds on, but | 0:37:16 | 0:37:22 | |
you feel he will get his just
rewards from this position. Well, he | 0:37:22 | 0:37:27 | |
had to play back with a touch of
side, so there was no problem there | 0:37:27 | 0:37:31 | |
with the new tip. The more frames he
plays with it the better it will | 0:37:31 | 0:37:43 | |
become. | 0:37:43 | 0:37:45 | |
He has a perfect angle on the black
to get to those at least for reds. | 0:38:30 | 0:38:44 | |
He is playing the white into an area
where you have multiple choices | 0:38:44 | 0:38:47 | |
sometimes. . Not too many pots away
from securing this frame. I will go | 0:38:47 | 0:39:04 | |
back to that frame before the
mid-session interval, that will play | 0:39:04 | 0:39:08 | |
a big part in this match because
2-2, Ryan Day would have been | 0:39:08 | 0:39:13 | |
feeling very comfortable, but you
could tell he was annoyed at losing | 0:39:13 | 0:39:19 | |
that and it has continued here. He
can't do much about this. It was a | 0:39:19 | 0:39:24 | |
long pot that got Mark in. Yes, he
should have won the fourth frame, | 0:39:24 | 0:39:32 | |
and the one before that, as well. We
had chances. He let it slip | 0:39:32 | 0:39:37 | |
slightly. Mark Williams has
certainly grown in stature in this | 0:39:37 | 0:39:42 | |
match. Has looked a bit more
confident. This is a lovely break he | 0:39:42 | 0:39:51 | |
has put together here. It will not
be easy to make the century because | 0:39:51 | 0:40:01 | |
the 238 macro are on the wrong side
of the table for Mark, as a | 0:40:01 | 0:40:05 | |
left-hander, but they are not on the
cushion, that's for sure. He would | 0:40:05 | 0:40:10 | |
still love to make a century. 403 he
has made in his career, had in his | 0:40:10 | 0:40:20 | |
early days city made a 70, he didn't
really bother to go on to try to | 0:40:20 | 0:40:27 | |
make the century. I think all
players like to make centuries now, | 0:40:27 | 0:40:32 | |
because of the statistics. It wasn't
the big thing 20 years ago, talking | 0:40:32 | 0:40:40 | |
about how many career centuries we
have had, but that all the | 0:40:40 | 0:40:46 | |
statistics now. That is a good pot
to keep the break going. It is a | 0:40:46 | 0:40:56 | |
nice indication of how you are
feeling, how you are playing. He is | 0:40:56 | 0:41:04 | |
certainly playing well. He is coming
off the back of his 19th career | 0:41:04 | 0:41:10 | |
ranking win in Belfast last week.
Well, every chance now because he | 0:41:10 | 0:41:19 | |
has a nice angle to pot the black
and get onto the yellow. It could go | 0:41:19 | 0:41:26 | |
in and out of the baulk area between
the yellow and brown. That is what | 0:41:26 | 0:41:32 | |
he has played. He will be close to
the yellow here. He will make | 0:41:32 | 0:41:37 | |
contact with the yellow. It might
just have spoiled the century break. | 0:41:37 | 0:41:50 | |
Not that into the middle pocket at
that pace, we know how tight they | 0:41:50 | 0:41:57 | |
are, that was some shot! Great shot.
APPLAUSE. Wonderful break. That is | 0:41:57 | 0:42:11 | |
his 21st-century this season. He
made 26 last season. And a billiard | 0:42:11 | 0:42:21 | |
shot to finish off the break. It
will be too worried about that. He | 0:42:21 | 0:42:27 | |
got in with better reflect long red,
and the rest was history. He is now | 0:42:27 | 0:42:35 | |
leading Ryan Day 4-1. | 0:42:35 | 0:42:39 | |
In most of the frames we have had
their red go up to the end of the | 0:43:00 | 0:43:07 | |
table, or at least 137 macro: the
other end of the table that is a bit | 0:43:07 | 0:43:15 | |
careless, isn't it, Ken? Yes, not
the best shot he has played because | 0:43:15 | 0:43:22 | |
this red can go into the left-hand
corner pocket. The only red he could | 0:43:22 | 0:43:33 | |
possibly lead is the one he is
playing, but that is highly | 0:43:33 | 0:43:37 | |
unlikely. But he has to hit it
better than that. That was a country | 0:43:37 | 0:43:45 | |
mile out. Is a country mile a little
bit different to eight mile in the | 0:43:45 | 0:43:54 | |
city? I think so. | 0:43:54 | 0:44:04 | |
He is not happy with that. The red
up towards the green pocket. | 0:44:29 | 0:44:40 | |
APPLAUSE.
Adam Peaty hit that hard enough. He | 0:44:56 | 0:45:02 | |
wanted to be on the pink to the left
centre. This black is very tricky | 0:45:02 | 0:45:11 | |
and very missable. He is normally
very good with the rest. He is | 0:45:11 | 0:45:19 | |
putting a little bit offside on
this. He has got it. That's an | 0:45:19 | 0:45:25 | |
excellent shot. Very well done. Nice
control. | 0:45:25 | 0:45:31 | |
No. Every time he puts a bit of side
on the cue ball he is struggling | 0:45:58 | 0:46:02 | |
with it. He did not fancy that. He
put a lot of left-hand side. He is | 0:46:02 | 0:46:12 | |
not sure where it is going to go. | 0:46:12 | 0:46:16 | |
Ryan Day really has to take
advantage of these situations, | 0:46:32 | 0:46:37 | |
Dennis. He did in the last frame. He
needs to try and hurt Mark Williams, | 0:46:37 | 0:46:43 | |
get back into this match. He has to
make the most of these | 0:46:43 | 0:46:48 | |
opportunities. | 0:46:48 | 0:46:50 | |
Yet, he has to take this frame
because of the drops 5-2 behind, the | 0:46:58 | 0:47:04 | |
first six, you wouldn't give a much
of a chance. If he wins this, it is | 0:47:04 | 0:47:09 | |
game back on again. | 0:47:09 | 0:47:13 | |
Make no mistake, when Ryan Day gets
on a run he can win frames in a very | 0:47:50 | 0:47:55 | |
short space of time. He made 39
centuries last season, just 12 this | 0:47:55 | 0:48:03 | |
season. 305 in total. He is a
terrific brick builder, that's for | 0:48:03 | 0:48:14 | |
sure. | 0:48:14 | 0:48:17 | |
Nicely played. Delicate little
cannon that. | 0:48:22 | 0:48:29 | |
A couple of reds just below the pink
go into the corner pocket. He will | 0:49:49 | 0:49:56 | |
try to drop onto those. That looks
pretty good. | 0:49:56 | 0:50:01 | |
If he pushes the cue ball through,
he could be on possibly pink or | 0:50:09 | 0:50:12 | |
black. | 0:50:12 | 0:50:15 | |
I keep saying how laid-back Mark
Williams is, but inside he will be | 0:50:33 | 0:50:38 | |
watching Ryan winning the frame here
and thinking about the red that he | 0:50:38 | 0:50:47 | |
tried to cut into the green pocket
when he applied a little bit | 0:50:47 | 0:50:54 | |
offside. That is the only thing he
has been struggling with with the | 0:50:54 | 0:50:59 | |
new tip, when he tries to put side
on. You can't just play the shop | 0:50:59 | 0:51:04 | |
without side would you will lose
your position, but every creditor | 0:51:04 | 0:51:08 | |
Ryan Day here. | 0:51:08 | 0:51:19 | |
A couple more reds and colours away
from winning this frame. | 0:51:21 | 0:51:26 | |
APPLAUSE. | 0:51:39 | 0:51:42 | |
The pink will put him 54 ahead, 67
left. So, one more red and colour. | 0:52:00 | 0:52:11 | |
He has got himself back in this
match now. | 0:52:11 | 0:52:16 | |
You can tell by his body language
and the way he is moving around the | 0:52:22 | 0:52:27 | |
table he is much more relaxed. He
did not look so good a couple of | 0:52:27 | 0:52:31 | |
frames back in his seat. He looked a
little bit edgy, didn't he? He | 0:52:31 | 0:52:44 | |
missed a couple of easy balls, a
couple of Graham Scott a way that he | 0:52:44 | 0:52:48 | |
should have won. -- couple of frames
got away. It was a bad miss from | 0:52:48 | 0:53:01 | |
Mark Williams. He is struggling a
little bit with that tip at the | 0:53:01 | 0:53:07 | |
moment. | 0:53:07 | 0:53:09 | |
It doesn't matter about missing red,
Mark Pitts is cue and concedes the | 0:53:15 | 0:53:22 | |
frame. All of a sudden, Ryan Day is
right back in this match, only one | 0:53:22 | 0:53:28 | |
shot behind -- one frame behind at
4-3. | 0:53:28 | 0:53:34 | |
Dear me. How close was that? He is
having an anxious look to see if he | 0:55:07 | 0:55:14 | |
has left anything. It looked in.
Four or five wobbles in the pocket | 0:55:14 | 0:55:23 | |
there. I think he has left the red.
Or, has he? Ryan had an anxious look | 0:55:23 | 0:55:35 | |
before he went back to his seat. | 0:55:35 | 0:55:38 | |
He could get through to it. | 0:55:44 | 0:55:48 | |
It is not an easy chance just yet
this. Three Lewis reds, and the two | 0:56:07 | 0:56:16 | |
above the black in an awkward spot. | 0:56:16 | 0:56:22 | |
He has served red either side of the
bunch, he can always flick away one | 0:56:32 | 0:56:43 | |
of those if you needed to. | 0:56:43 | 0:56:49 | |
You can see that little mannerism
there, the finger going up and down. | 0:57:00 | 0:57:05 | |
Some players do that, not as many
these days. Remember Tony Mayo, the | 0:57:05 | 0:57:16 | |
left-hander, won the world doubles
with Steve Davis about five times, | 0:57:16 | 0:57:20 | |
it was as if he was playing the
piano is the way his fingers were | 0:57:20 | 0:57:25 | |
dancing around. He had a really bad,
didn't he? It was just the | 0:57:25 | 0:57:32 | |
mannerism. He was like Richard
played in, wasn't he? Marked | 0:57:32 | 0:57:38 | |
straight up off that shot. Very
disappointed. It wasn't the best | 0:57:38 | 0:57:44 | |
positional shot from the previous
black, he wanted to be a bit | 0:57:44 | 0:57:48 | |
straighter on that red. I think he
got a kick. That is why he reacted. | 0:57:48 | 0:57:57 | |
It seemed to straighten up. Let's
have a look. Yeah, heavy contact. It | 0:57:57 | 0:58:14 | |
seemed to jump slightly. A good
chance for Ryan, nice angle on the | 0:58:14 | 0:58:23 | |
black. Into the pack. He will always
be on the red closer to this | 0:58:23 | 0:58:36 | |
right-hand corner pocket. He played
that nicely. On the red to the right | 0:58:36 | 0:58:48 | |
centre also. | 0:58:48 | 0:58:51 | |
The only problem he has with that
red to the middle pocket is that | 0:58:55 | 0:59:01 | |
black is only available to one
corner, that is the one he -- the | 0:59:01 | 0:59:11 | |
reason why he has taken that one
into the corner. You can tell he is | 0:59:11 | 0:59:16 | |
growing in confidence by the way he
is walking around the table. He is | 0:59:16 | 0:59:20 | |
shaking his head because he has
finished straight, but he can screw | 0:59:20 | 0:59:26 | |
back to the 238 macro, or he has the
pink city prepares that. -- | 0:59:26 | 0:59:35 | |
it is as if his cue is a bit sticky.
That is why he has gone to clean it. | 0:59:39 | 0:59:48 | |
I know yesterday it was very, very
warm in the arena. John Murphy was | 0:59:48 | 0:59:53 | |
saying it was very hot. | 0:59:53 | 0:59:56 | |
More I think when you get a little
bit nervous your hands start to | 1:00:02 | 1:00:07 | |
perspire a little more. Again he is
in a prime position here. The choice | 1:00:07 | 1:00:17 | |
of going for black or for blue if he
wishes. | 1:00:17 | 1:00:22 | |
Nicely on the blue. He has not gone
too far. He can hold for the reds on | 1:00:28 | 1:00:34 | |
the right and left of the pink spot. | 1:00:34 | 1:00:45 | |
He is coming around to look at the
red at the bottom of the four next | 1:00:49 | 1:00:55 | |
to the pink. The one directly above
the black and to the left, I wonder | 1:00:55 | 1:01:02 | |
if that will putt. He is thinking a
few shots ahead there. | 1:01:02 | 1:01:15 | |
He lost the cue ball. Not 100% sure
whether he needed to go into the | 1:01:22 | 1:01:34 | |
pack there. Yes, he needed a
full-ball contact on the pink and he | 1:01:34 | 1:01:41 | |
didn't get it and that is why he has
gone towards this side cushion. That | 1:01:41 | 1:01:49 | |
is a good recovery. | 1:01:49 | 1:01:53 | |
Right in the centre of the pocket.
Never easy, though. He has played it | 1:01:59 | 1:02:04 | |
nicely. | 1:02:04 | 1:02:14 | |
Amazing where he has put the cue
ball there, he has left himself a | 1:02:29 | 1:02:32 | |
choice of three reds. It is what you
do, you put the cue ball in a | 1:02:32 | 1:02:42 | |
position where you can change your
mind. It gives you a few more | 1:02:42 | 1:02:47 | |
options. | 1:02:47 | 1:02:57 | |
It is like watching a different
player now, isn't it? He has grown | 1:03:00 | 1:03:06 | |
in stature over the last couple of
frames. A choice of pink or black | 1:03:06 | 1:03:13 | |
here and he has taken the pink. This
is the sort of snooker he produced | 1:03:13 | 1:03:25 | |
when he won his first ranking title
in Riga in the first pot of the | 1:03:25 | 1:03:30 | |
season. He beat Mark Williams on the
way to win that tournament. He beat | 1:03:30 | 1:03:36 | |
him in the semifinals 5-4. It has
always been pretty close between the | 1:03:36 | 1:03:44 | |
two in head-to-head 's. | 1:03:44 | 1:03:49 | |
The wrong side of the blue. | 1:03:53 | 1:04:00 | |
That was not the best shot. He
needed to pull that cue ball back | 1:04:15 | 1:04:21 | |
another couple of inches. It is
almost like he decelerated here a | 1:04:21 | 1:04:27 | |
little bit. He is a big lad, though,
he may not need the rest here. That | 1:04:27 | 1:04:40 | |
red is just in his way slightly.
Yes, he has to tuck the waistcoat in | 1:04:40 | 1:04:47 | |
because that could catch that red.
But it is a distraction for him. The | 1:04:47 | 1:05:00 | |
referee is keeping a close eye on
his waistcoat and a red. Where is | 1:05:00 | 1:05:04 | |
the cue ball? He is not perfect. Not
perfect on the black, that is for | 1:05:04 | 1:05:13 | |
sure. He needs a few pops to secure
the frame. -- pops. | 1:05:13 | 1:05:23 | |
Nicely played. A dead weight so he
wasn't running away from this red. | 1:05:34 | 1:05:48 | |
Colour and one more rate would be
enough but he is the wrong side of | 1:05:54 | 1:05:58 | |
blue again to get to the easy red
too from the pink. | 1:05:58 | 1:06:09 | |
Just the medium-range pot needed to
get himself back to all square. A | 1:06:20 | 1:06:24 | |
good performance from the Welshman. | 1:06:24 | 1:06:27 | |
A nice 65 from Ryan Day and that
should level the match up at four | 1:06:59 | 1:07:04 | |
frames all. That is a wonderful
shot. A beautiful shot from Mark | 1:07:04 | 1:07:12 | |
Williams. | 1:07:12 | 1:07:15 | |
He just tags in behind the black and
he has to be careful here, Ryan Day. | 1:07:24 | 1:07:31 | |
46 points ahead and 43 remain on the
table. There is just enough room to | 1:07:31 | 1:07:37 | |
slip round the back of that red. He
would be unlucky to do that. Foul. | 1:07:37 | 1:07:50 | |
That is just unlucky to catch the
jaw of that pocket and all of a | 1:07:50 | 1:07:55 | |
sudden the frame is back on again.
As we show you the shot again with | 1:07:55 | 1:08:02 | |
the reds next to the blue... Oh,
this is a terrific positional shot | 1:08:02 | 1:08:10 | |
he has played here. He had to get on
the black. | 1:08:10 | 1:08:16 | |
And with the blue rarities he can
attempt the snooker. There is no way | 1:08:28 | 1:08:33 | |
he can leave the red. Worth another
look at this. He has hit five | 1:08:33 | 1:08:38 | |
cushions to get on that black. He
did not play that one too well, | 1:08:38 | 1:08:45 | |
though. He pushed the red over
towards the blue here just trying to | 1:08:45 | 1:08:56 | |
get the cue ball on the cushion here
and snooker behind the yellow. He | 1:08:56 | 1:09:06 | |
has found the gap between the yellow
and brown. He has to be careful | 1:09:06 | 1:09:11 | |
here. Obviously he wants to try and
keep the red safe be careful of the | 1:09:11 | 1:09:22 | |
double-kiss here. | 1:09:22 | 1:09:30 | |
Well, I tell you what, Ryan Day
would like to see this red ball | 1:09:56 | 1:10:00 | |
disappear into the pocket here. A
long straight red. Wow. He has | 1:10:00 | 1:10:09 | |
played the snooker. That is OK, as
long as Mark doesn't get out of the | 1:10:09 | 1:10:17 | |
snooker and market safe. Oh, he has
missed it. Only just. Ryan 's choice | 1:10:17 | 1:10:31 | |
of shot, going in behind the green,
proving to be the correct one. | 1:10:31 | 1:10:44 | |
I think he has flicked the snooker. | 1:10:50 | 1:11:01 | |
Just the one snooker needed. Is this
road past the yellow? Only half a | 1:11:06 | 1:11:18 | |
pocket really. That is another
excellent shot. | 1:11:18 | 1:11:29 | |
Foul. Frame conceded. It was going
to be too much wanting you is a | 1:11:38 | 1:11:47 | |
couple of snooker 's. We had a
glimmer of hope there but Ryan Day | 1:11:47 | 1:11:51 | |
continues the fight back from 4-1
and all of a sudden we are for- four | 1:11:51 | 1:11:55 | |
and it is now the best of three. So
Ryan Day breaks off in frame nine. | 1:11:55 | 1:12:09 | |
Six is the magic number for a place
in the last 16. Not the best break | 1:12:09 | 1:12:18 | |
off in the world. He will be
disappointed with that. She just | 1:12:18 | 1:12:29 | |
can't seem to get that cue nice and
smooth. | 1:12:29 | 1:12:37 | |
He might be able to row the Browning
from one of the reds. | 1:12:48 | 1:12:54 | |
No. | 1:13:01 | 1:13:05 | |
I expected Mark to knock that one
in, with what has gone on in the | 1:13:12 | 1:13:18 | |
last three frames. I think that is
why he missed it. Can Ryan Day keep | 1:13:18 | 1:13:29 | |
this run going here? He has breaks
of 39, 76 and 60 five. | 1:13:29 | 1:13:40 | |
That was a nice shot. First the
black in. The angle on the reds now. | 1:13:46 | 1:13:51 | |
Split the pack and try and stay on
the black if you can. He needs more | 1:13:51 | 1:14:02 | |
of that cushion. It is OK. He is on
the black and he has got a nice | 1:14:02 | 1:14:11 | |
angle. There is the shot again. The
way he has been playing, you cannot | 1:14:11 | 1:14:20 | |
really see him miss this black. He
doesn't have much work to do with | 1:14:20 | 1:14:23 | |
the cue ball. There is the pressure,
of course that should he missed he | 1:14:23 | 1:14:28 | |
will leave Mark Williams in. Well...
He missed it by a long way. Has he | 1:14:28 | 1:14:39 | |
got away with it? | 1:14:39 | 1:14:41 | |
I think he has got away with it, you
know. I think he has been very, very | 1:14:53 | 1:14:58 | |
fortunate. He is trying to get on
the red to the left centre. The pink | 1:14:58 | 1:15:07 | |
spot to the right is covering that,
so just a safety shot from Mark | 1:15:07 | 1:15:09 | |
Williams. That is an amazing piece
of good fortune from Rion Pierre. | 1:15:09 | 1:15:16 | |
Once he missed the black I am sure
he would have thought he was bound | 1:15:16 | 1:15:20 | |
to have left something. | 1:15:20 | 1:15:25 | |
Well, he was looking at these two
reds into the bottom corner pocket | 1:15:56 | 1:16:00 | |
is a plant but... They may be set
into their but it is a dangerous | 1:16:00 | 1:16:09 | |
shot to take on. I am not sure where
the cue ball is going. He decided | 1:16:09 | 1:16:15 | |
against it. | 1:16:15 | 1:16:20 | |
Foul and a miss. How costly is that
going to be? | 1:17:32 | 1:17:40 | |
Not straight forward here from Mark | 1:18:10 | 1:18:21 | |
Williams straightaway he is faced
with this red with the rest. If he | 1:18:31 | 1:18:42 | |
can get onto the black and the pink
is still available | 1:18:42 | 1:18:53 | |
all of a sudden Mark Williams is
finding things very difficult out | 1:19:07 | 1:19:10 | |
there. Still don't get a lot of
reaction from Mark. He has been | 1:19:10 | 1:19:21 | |
blessed with a terrific temperament
throughout his whole career and that | 1:19:21 | 1:19:25 | |
is why he has been so successful.
Inside he must be not feeling very | 1:19:25 | 1:19:30 | |
comfortable. | 1:19:30 | 1:19:40 | |
It is a wonderful positional shot
from Ryan Day. He bounces off that | 1:19:53 | 1:20:00 | |
cushion to perfection. That is why
was surprised when he was using the | 1:20:00 | 1:20:13 | |
rest are just rolling and screw back
and that makes a pot in a little bit | 1:20:13 | 1:20:17 | |
more difficult. If he drops that in
he would be on the black that Ryan | 1:20:17 | 1:20:23 | |
finished on. | 1:20:23 | 1:20:31 | |
He could go into the three reds just
above the black if he wished, which | 1:20:36 | 1:20:40 | |
he went on this occasion but he
could have done that, still being on | 1:20:40 | 1:20:44 | |
the choice of rights. | 1:20:44 | 1:20:49 | |
Well. Well. It is hard to believe.
He hasn't missed many in these last | 1:21:04 | 1:21:16 | |
few frames. It is unfortunate that
he has covered red. If he pops this | 1:21:16 | 1:21:27 | |
he could finish on the blue. That
has finished a little awkward for | 1:21:27 | 1:21:37 | |
him. Lots of side there. Good
judgment that. | 1:21:37 | 1:21:50 | |
He bite need that rest again. | 1:21:59 | 1:22:08 | |
Just having a look at those six
reds, they are sort of cover in each | 1:22:17 | 1:22:22 | |
other, aren't they? Just coming
around to look to see if there is | 1:22:22 | 1:22:28 | |
one available but that doesn't look
to be so he is going to have to get | 1:22:28 | 1:22:32 | |
a cannon here to develop them. There
was one that must be on but from | 1:22:32 | 1:22:42 | |
that position it is not easy. Has he
spotted something that we couldn't | 1:22:42 | 1:22:51 | |
see? I don't think so. This is a
long pot up past the road in the | 1:22:51 | 1:22:56 | |
blue and into the corner and this is
far from a gimme. | 1:22:56 | 1:23:01 | |
It looks good. Oh! Mark stood up and
blocked our path there. It looked to | 1:23:07 | 1:23:14 | |
be in. I think it just pulled
towards the left and cushion. He | 1:23:14 | 1:23:26 | |
thought it was in when he hit it. He
had a bit of an angle on the black | 1:23:26 | 1:23:36 | |
to possibly play a cannon. That was
the only red he could play for. I | 1:23:36 | 1:23:39 | |
suppose he wanted to be straight on
it. He has just spotted something. | 1:23:39 | 1:23:48 | |
Don't think it is on the red. There
is something in front of on the | 1:23:48 | 1:23:52 | |
clock. You can see it just looks
like a little chalk mark, doesn't | 1:23:52 | 1:23:56 | |
it. Yes, it is when you play a screw
shot you can leave a little chalk | 1:23:56 | 1:24:05 | |
mark on the clock. It is quite funny
that that would be bothering him. He | 1:24:05 | 1:24:13 | |
is having a look at the reds now. He
is going to try and attempt this | 1:24:13 | 1:24:17 | |
red. This is a tough shot. Never
easy that shot. | 1:24:17 | 1:24:31 | |
He knew he was covering the one near
the left corner pocket but the one | 1:24:36 | 1:24:41 | |
he missed caught the black and is
portable. Good cueing there. Very | 1:24:41 | 1:24:54 | |
good cueing. An excellent pot. Right
in the heart of the pocket and it | 1:24:54 | 1:25:02 | |
kept perfectly still as well. He has
a nice angle. The blue as good as | 1:25:02 | 1:25:12 | |
well, if he wants to go into the
pack of the reds from around the | 1:25:12 | 1:25:15 | |
pink. | 1:25:15 | 1:25:21 | |
OK, he is going to try and maybe get
on the blue here. The red to the | 1:25:25 | 1:25:32 | |
right the pink is just above the
line of the paper and it will pass | 1:25:32 | 1:25:37 | |
into the right-hand corner pocket.
It doesn't have to disturb the reds | 1:25:37 | 1:25:47 | |
here. | 1:25:47 | 1:25:50 | |
That is OK. When he pops this loo he
will be able to take the red to the | 1:26:19 | 1:26:26 | |
extreme right of the four, and leave
a nice angle on this. It leaves a | 1:26:26 | 1:26:30 | |
nice angle so that when he putts
this red tape can go into the three | 1:26:30 | 1:26:33 | |
reds below the pink and still be on
pink or black year and this will | 1:26:33 | 1:26:37 | |
certainly open things up. | 1:26:37 | 1:26:44 | |
Was he on the black? No. The red has
come over and covered the black. If | 1:26:48 | 1:26:57 | |
he was on the blackberry would be
frame over but now he has to | 1:26:57 | 1:27:02 | |
negotiate a tough pink. This is
running slightly away from the reds. | 1:27:02 | 1:27:11 | |
The one next to the black goes, and
that was a delicate little screw | 1:27:11 | 1:27:19 | |
shot he played there, especially
being hampered. It was a much better | 1:27:19 | 1:27:25 | |
shot than it looked. | 1:27:25 | 1:27:28 | |
The black will put him 20 points
ahead and just the colour now. Take | 1:27:38 | 1:27:43 | |
one-frame advantage with a possible
two to play. | 1:27:43 | 1:27:54 | |
Typical Mark Williams, this. He
virtually sat out for three frames. | 1:27:55 | 1:28:00 | |
Ryan came back from 4-1 down. But he
won three terrific frames and he | 1:28:00 | 1:28:12 | |
will have to win two in a row if he
was going to get through to the next | 1:28:12 | 1:28:15 | |
round. | 1:28:15 | 1:28:23 | |
We mentioned when he was sitting in
his seat about his temperament and | 1:28:31 | 1:28:34 | |
he is showing exactly what a great
temperament he has. He has great | 1:28:34 | 1:28:37 | |
experience. Great composure. | 1:28:37 | 1:28:44 | |
It was a wonderful opening pot, as
well. It left on a tough opener, but | 1:28:54 | 1:29:04 | |
he duly obliged with good cueing and
has set up this nice break. | 1:29:04 | 1:29:13 | |
APPLAUSE. That was a terrific long
blue. | 1:29:30 | 1:29:38 | |
APPLAUSE. Nice break of 72 from the
former champion here, Mark Williams. | 1:29:46 | 1:29:55 | |
He leads his compatriot Ryan Day
5-4. | 1:29:55 | 1:30:00 | |
He did not want that. If it keeps
running he is OK. Yes, it has gone | 1:30:27 | 1:30:33 | |
past the baulk line, so it is OK. It
has come far enough. If he misses | 1:30:33 | 1:30:41 | |
the brown it was going to be
perfect, but as it has turned out, | 1:30:41 | 1:30:45 | |
not a bad kiss. Ideally he would
like to get on either of the 238 | 1:30:45 | 1:30:56 | |
macro the black spot. It would free
up the black into one of those | 1:30:56 | 1:31:03 | |
pockets. There is a gap, of course
between blue and pink. That would | 1:31:03 | 1:31:16 | |
really set himself up nicely if you
could get on one of these reds | 1:31:16 | 1:31:22 | |
beside the black spot. It is on the
way towards this red. Pretty good. | 1:31:22 | 1:31:36 | |
Could have done with another six or
eight inches, he been nicely on that | 1:31:36 | 1:31:43 | |
37 just to the right of the back
spot. You can't believe that, can | 1:31:43 | 1:31:56 | |
you? Trying to free up the black
spot has knocked the red just to the | 1:31:56 | 1:32:04 | |
left of the black spot. That the red
is going to cover the black spot | 1:32:04 | 1:32:10 | |
now. At least he has the pink in the
clear. The blue is there if he needs | 1:32:10 | 1:32:18 | |
it. That 87 Matt Gore and next to
the black spot has booted out of | 1:32:18 | 1:32:26 | |
commission for the time being. | 1:32:26 | 1:32:32 | |
He was trying to get on the pink
there into the corner pocket, but | 1:32:47 | 1:32:53 | |
just overran it slightly. He was
always going to be onto the blue to | 1:32:53 | 1:32:58 | |
the green pocket. | 1:32:58 | 1:33:05 | |
Has he screwed this cue ball far
enough? The first red won't go. | 1:33:23 | 1:33:31 | |
Building up a nice little lead. | 1:33:54 | 1:33:56 | |
Can he keep things going here? It
would take centre at deciding frame. | 1:34:16 | 1:34:24 | |
Who would have thought that when
Mark Williams led 4-1? | 1:34:24 | 1:34:30 | |
Has he gone a little bit too far
from comfort here? He does not | 1:35:03 | 1:35:07 | |
really want to be playing cannons at
this stage. He wanted to be | 1:35:07 | 1:35:14 | |
straighter on this red, but he will
have to caman this one and player | 1:35:14 | 1:35:22 | |
with a lot of screw. He is the wrong
side of the blue so he needs one | 1:35:22 | 1:35:32 | |
more good positional shot and we
could have at deciding frame. The | 1:35:32 | 1:35:41 | |
fact that brown was off the spot
there has made it a little bit | 1:35:41 | 1:35:48 | |
easier. He has played that inch
perfect. Great spot. The pink goes | 1:35:48 | 1:35:56 | |
into the corner left pocket. Nice
little angle. Think will put him 64 | 1:35:56 | 1:36:08 | |
ahead, so just one more red after
this pink. There has been some good | 1:36:08 | 1:36:22 | |
scoring, Dennis. Yet, from 4-1 down,
he had the 65. Mark had a fine 72 in | 1:36:22 | 1:36:34 | |
the last frame. Ryan's highest break
has been 76, this coming at just the | 1:36:34 | 1:36:43 | |
right time for him. | 1:36:43 | 1:36:45 | |
This is his fifth break over 60 in
the match, so good quality. | 1:36:56 | 1:37:04 | |
Just moving that red from the black
spot, so he can keep the break and | 1:37:15 | 1:37:29 | |
pink century, it would certainly
give him confidence going into the | 1:37:29 | 1:37:32 | |
final frame. | 1:37:32 | 1:37:35 | |
Just on the black. It doesn't
matter. Mark concedes the frame. Can | 1:37:49 | 1:38:05 | |
you believe it? To Welshman out
there and we have at deciding frame. | 1:38:05 | 1:38:11 | |
It will be exciting, it is 5-5. | 1:38:11 | 1:38:15 | |
APPLAUSE. Foul and amiss. -- a miss. | 1:38:44 | 1:39:02 | |
Foul. That was very careless by Ryan
Day. He has left a free shot for | 1:39:38 | 1:39:51 | |
Mark Williams. He does not miss many
of those. | 1:39:51 | 1:39:56 | |
APPLAUSE. | 1:39:56 | 1:39:59 | |
The loose red at the bottom of the
pack will be his choice here after | 1:40:08 | 1:40:12 | |
the green. He has a nice angle to go
into the pack. This will certainly | 1:40:12 | 1:40:24 | |
open things up. | 1:40:24 | 1:40:26 | |
That one was a long way away. | 1:40:36 | 1:40:40 | |
He seemed to get a heavy contact
there, that is for sure. Ryan played | 1:41:21 | 1:41:32 | |
a careless shop and went in off into
the right corner. He was just | 1:41:32 | 1:41:37 | |
playing as safety shop and put the
white straight the pocket and Mark | 1:41:37 | 1:41:43 | |
knocked in the red to the right hand
was in amongst them until he got | 1:41:43 | 1:41:47 | |
that heavy contact. | 1:41:47 | 1:41:51 | |
What sort of an angle does he have
on this red here? Of course, he has | 1:42:08 | 1:42:14 | |
the red to the right corner. | 1:42:14 | 1:42:23 | |
Just having a look to see if the red
up love the black, will that pot? I | 1:42:31 | 1:42:43 | |
think the red should pot. He would
love to get that out of the way as | 1:42:43 | 1:42:53 | |
soon as possible. Not quite sure
whether pink will have to go. Just | 1:42:53 | 1:43:04 | |
behind its own spot. That will tie
up the pink for the moment. The | 1:43:04 | 1:43:15 | |
referee just getting the pink in
line, then we'll slide at nearer to | 1:43:15 | 1:43:25 | |
the reds without touching them. I am
not sure if the black pots. I don't | 1:43:25 | 1:43:33 | |
think so. We will soon find out. It
definitely does, then. | 1:43:33 | 1:43:38 | |
This will certainly open things up
for Ryan Day. A great opportunity. | 1:43:51 | 1:43:57 | |
Ryan keeps wiping the cloth, that is
the chalk marks that he is brushing | 1:43:57 | 1:44:03 | |
off the table. It really has been a
terrific performance from 4-1 down. | 1:44:03 | 1:44:14 | |
We know Mark has missed a few shots,
but overall he has played all right, | 1:44:21 | 1:44:26 | |
just the new tip on certain shots
when he was putting side on he | 1:44:26 | 1:44:30 | |
wasn't getting them. | 1:44:30 | 1:44:33 | |
If you look at the standard, Marcus
had breaks of 54, 44, 102, 72. It | 1:44:39 | 1:44:47 | |
has been a pretty high standard
game. It has been. There we see | 1:44:47 | 1:44:54 | |
evidence of a bit of adrenaline rush
from Ryan Day. He has had back quite | 1:44:54 | 1:44:59 | |
a way to far. | 1:44:59 | 1:45:02 | |
Only 137 macro to go at now, the
back of the pack. He can roll this | 1:45:09 | 1:45:15 | |
and come off to conditions. -- two
cushions. Will he risk bringing a | 1:45:15 | 1:45:29 | |
few more reds into play, or will he
just play up for the blue and leave | 1:45:29 | 1:45:34 | |
an angle to get into the reds? This
is the only red available to him at | 1:45:34 | 1:45:40 | |
the moment. It all depends how he
feels. He is going into the reds. In | 1:45:40 | 1:45:53 | |
fact, he could hold this end of the
table. He has played that lovely, | 1:45:53 | 1:46:01 | |
hasn't he? He has brought the pink
interplay. The red to the left of | 1:46:01 | 1:46:16 | |
the bunch of reds goes into the
pocket. | 1:46:16 | 1:46:20 | |
This is the only other red available
to him, so it is imperative he gets | 1:46:30 | 1:46:39 | |
a good angle on the pink this time.
That one to the left is not on | 1:46:39 | 1:46:43 | |
either. This is the shot coming up.
It is key to this deciding frame. | 1:46:43 | 1:47:03 | |
That is nicely played. He didn't
have to do too much. The one at the | 1:47:03 | 1:47:10 | |
back of the little bunch of six will
go. If this works out, Ken, he could | 1:47:10 | 1:47:16 | |
be in the next round. He has to
judge this nicely, bring the reds | 1:47:16 | 1:47:23 | |
interplay. If he is on a colour here
it could be all over. It is not | 1:47:23 | 1:47:28 | |
ideal. | 1:47:28 | 1:47:30 | |
Sheik of the head. If he wasn't so
close to the cushion it would be OK. | 1:47:34 | 1:47:42 | |
Can he judge a little cannon onto
the red beside the blue? A good and | 1:47:42 | 1:47:50 | |
he has played really well. That is a
great shot. That could be yet, | 1:47:50 | 1:47:57 | |
Dennis. -- be it. Just going back to
when he beat Mark Williams in Riga | 1:47:57 | 1:48:08 | |
and went on to win his first ranking
title, he is a different player now. | 1:48:08 | 1:48:14 | |
This is the deciding frame and much
more confident now he has won his | 1:48:14 | 1:48:18 | |
first ranking title. A few more to
be potted here. 52 ahead, 58 now. | 1:48:18 | 1:48:29 | |
Red and colour just required. It
would mean Mark Williams needing a | 1:48:29 | 1:48:38 | |
snooker. We have already had so many
shocks in this championship, and | 1:48:38 | 1:48:42 | |
this will be another one. Mark
Williams coming here after winning | 1:48:42 | 1:48:48 | |
the Northern Ireland Trophy. | 1:48:48 | 1:48:53 | |
How has he missed the cannon on the
pink? He can't believe it. Big | 1:49:07 | 1:49:11 | |
target. It seemed a natural, didn't
it? Marc Sneyd say snooker, fair | 1:49:11 | 1:49:24 | |
enough, but the little smile just
tells you, what have I done their? | 1:49:24 | 1:49:32 | |
What has he done here? Dear me.
Trying to put the red on the | 1:49:32 | 1:49:40 | |
cushion, but he has made a big
mistake. | 1:49:40 | 1:49:46 | |
Mark almost stole an earlier frame
needing to snookers. | 1:49:56 | 1:50:03 | |
He still needs a couple of snookers. | 1:50:15 | 1:50:25 | |
He might try and doubled this across
the other side of the table. That | 1:50:30 | 1:50:36 | |
looks pretty good. It is a tall
order for Mark to try to get a | 1:50:36 | 1:50:49 | |
couple of snookers, especially when
you're in one yourself. | 1:50:49 | 1:50:55 | |
That is a pretty good shot from
where he was, with the cue ball | 1:51:02 | 1:51:07 | |
close to this cushion. He has the
pot on, but if he misses it, he | 1:51:07 | 1:51:19 | |
gives Mark Williams a chance. He has
missed it and it has left him a | 1:51:19 | 1:51:26 | |
chance. OK, he needs to high value
colours with this, and maybe player | 1:51:26 | 1:51:37 | |
snooker on the red beside the black.
He will want to leave that red | 1:51:37 | 1:51:46 | |
there, the one to the left of the
black. | 1:51:46 | 1:51:51 | |
There is a little bit of life left
in this match just yet. | 1:51:56 | 1:52:00 | |
He needs this cue ball to go... It
is OK. Just... He will try to | 1:52:10 | 1:52:22 | |
snooker him behind the black. He
needs a couple of snookers, but | 1:52:22 | 1:52:30 | |
there is always the chance he could
get our free ball if he gets a good | 1:52:30 | 1:52:34 | |
snooker here. He wants to get this
red close to the baulk collars. He | 1:52:34 | 1:52:44 | |
has overscrewed that. | 1:52:44 | 1:52:48 | |
Mark Williams is 40 points behind,
red and Blackwood put him 32 points | 1:53:08 | 1:53:19 | |
behind with 27 on the table. | 1:53:19 | 1:53:27 | |
It'll be interesting to see what
Mark Williams will do here. He could | 1:53:37 | 1:53:45 | |
get yellow, green, brown and blue
and leave just one snooker on the | 1:53:45 | 1:53:50 | |
pink. What would you do, Dennis? I
think that is what he has in mind, | 1:53:50 | 1:53:57 | |
but he will only have one ball to
play the snooker behind, though. | 1:53:57 | 1:54:04 | |
Still glancing around at the
scoreboard. | 1:54:04 | 1:54:09 | |
So, very important that he gives
himself a chance when he pots the | 1:54:14 | 1:54:19 | |
blue to try to get in behind the
black. If he wanted, he could play | 1:54:19 | 1:54:28 | |
the snooker of the blue, but he
would leave a couple of snookers. I | 1:54:28 | 1:54:33 | |
think the right shot is to pot the
blue. He would only need one snooker | 1:54:33 | 1:54:41 | |
on the pink. That this is what he is
looking at. Somewhere just in line | 1:54:41 | 1:54:52 | |
with the pink. Just above the spot
somewhere, moved the pink up to the | 1:54:52 | 1:55:01 | |
baulk area. You would feel that this
might be the best chance he has to | 1:55:01 | 1:55:08 | |
get the snooker. Of a couple of
cushions, try to get this behind the | 1:55:08 | 1:55:18 | |
black. It is a bit pacey. | 1:55:18 | 1:55:24 | |
He has played the alts or over, as
we call it. He can get across the | 1:55:40 | 1:55:46 | |
table twice to get back to the black
here. Not enough side, didn't quite | 1:55:46 | 1:55:54 | |
get enough on it. | 1:55:54 | 1:55:57 | |
He will move the pink towards the
yellow pocket. | 1:56:06 | 1:56:14 | |
That is a bit short of pace. He
needed the pink down close to the | 1:56:30 | 1:56:36 | |
top cushion. | 1:56:36 | 1:56:39 | |
He has knocked the black into a
better position. You don't always | 1:56:49 | 1:56:56 | |
have to play the snooker, keep it
safe until you get a better chance. | 1:56:56 | 1:57:03 | |
That said, he's just played the
safety shot, but he now knows that | 1:57:03 | 1:57:07 | |
the black is in a much better spot
if he gets a chance to get in behind | 1:57:07 | 1:57:11 | |
it. | 1:57:11 | 1:57:14 | |
That is very good from Ryan. | 1:57:24 | 1:57:29 | |
That could be the end. He didn't
catch that as he intended. He wanted | 1:57:42 | 1:57:47 | |
to try to keep the pink safe. | 1:57:47 | 1:57:51 | |
That is a fabulous win for Ryan Day.
He was 4-1 down against his good | 1:57:58 | 1:58:03 | |
friend. He battled back, won three
in a row, then went one behind. He | 1:58:03 | 1:58:10 | |
has taken the decider and he will be
delighted. | 1:58:10 | 1:58:13 | |
He defeats Mark Williams 6-5. What a
comeback, from 4-1 behind Ryan Day | 1:58:13 | 1:58:20 | |
wins five of the last six to seven
Mark Williams home. He goes into the | 1:58:20 | 1:58:24 | |
fourth round for only the third time
in all of his attempts. Great win | 1:58:24 | 1:58:30 | |
for Ryan Day. | 1:58:30 | 1:58:31 | |
At one o'clock this afternoon we
will be back with what promises to | 1:58:35 | 1:58:40 | |
be a cracking afternoon of snooker.
We have two of the superstars of | 1:58:40 | 1:58:45 | |
1992, that when they both came on
the circuit. Ronnie O'Sullivan and | 1:58:45 | 1:58:51 | |
John Higgins. Not to be missed. We
will catch you at one o'clock sharp. | 1:58:51 | 1:58:56 | |
Goodbye for now. | 1:58:56 | 1:58:59 |