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Hello again. After the dramatics on
Saturday of the exits of the world | 0:00:33 | 0:00:40 | |
number one, Mark Selby, and prior to
that, earlier in the week, of the | 0:00:40 | 0:00:43 | |
world number three Ding Junhui, all
of the top seeds left in this year's | 0:00:43 | 0:00:48 | |
Betway United Kingdom championship
are taking nothing for granted in | 0:00:48 | 0:00:51 | |
the early stages, especially not the
world number six, Shaun Murphy. | 0:00:51 | 0:00:55 | |
Despite the fact he's a terrific
season so far, three big finals and | 0:00:55 | 0:01:00 | |
he's converted one of them, the
Champion of champions title, he knew | 0:01:00 | 0:01:04 | |
he could be in for a bit of a tough
match against the world number 69, | 0:01:04 | 0:01:08 | |
Liam Highfield. The Stoke potter who
after all went on a run to the last | 0:01:08 | 0:01:13 | |
16 in this very championship here,
12 months ago. We are going to watch | 0:01:13 | 0:01:17 | |
this one, best of 11 frames, in the
company two former world champions, | 0:01:17 | 0:01:21 | |
Dennis Taylor and Ebdon. -- Peter
Ebdon. | 0:01:21 | 0:01:30 | |
COMMENTATOR:
Was Liam Highfield knocking the | 0:01:37 | 0:01:39 | |
excellent long red in, Shaun Murphy
will be sitting on his feet now | 0:01:39 | 0:01:45 | |
thinking, I wish I'd taken the red
into the yellow pocket. Unusual for | 0:01:45 | 0:01:49 | |
him to turn a shot like that down.
He's a very aggressive player, very | 0:01:49 | 0:01:54 | |
attacking. That's a poor positional
shot. Just didn't get through the | 0:01:54 | 0:02:01 | |
cue ball there. He knew his red
wouldn't go past the pink and has | 0:02:01 | 0:02:04 | |
tried to come up past it, to leave
it for the middle. He might be able | 0:02:04 | 0:02:10 | |
to cut in, three reds to the right
of the pack, may be played as a shot | 0:02:10 | 0:02:14 | |
to nothing. Yeah, that one there,
closest to the black, you can just | 0:02:14 | 0:02:21 | |
see enough of that I think to try to
cut it in. Well played. | 0:02:21 | 0:02:26 | |
Now back in a reasonable position.
He'd love to get on the red, near | 0:02:29 | 0:02:37 | |
the right corner pocket, but the
white has just run a little bit too | 0:02:37 | 0:02:41 | |
far to make it a comfortable blue to
drop on that. | 0:02:41 | 0:02:45 | |
But he should be OK, one decent shot
here, if he plays the cannon and | 0:02:48 | 0:02:55 | |
finishes on a red. Well, a little
bit more pace would have been better | 0:02:55 | 0:03:04 | |
there. | 0:03:04 | 0:03:06 | |
Red into the centre here, but this
really did -- this is really tricky, | 0:03:12 | 0:03:17 | |
very difficult cueing. That was
really tough. | 0:03:17 | 0:03:21 | |
Shaun looks as if he is considering
taking the thin cut into the left | 0:03:57 | 0:04:01 | |
centre. Make cannon into the red,
closest to the right centre, and | 0:04:01 | 0:04:10 | |
that would stop the cue ball, and
would be on the blue. If he misses | 0:04:10 | 0:04:14 | |
the cannon on the red, he could be
onto the black, into the left | 0:04:14 | 0:04:23 | |
corner, so decided to play it as a
screw shot. With right-hand side, | 0:04:23 | 0:04:29 | |
controlled the cue ball well. But
not ideally on a colour. | 0:04:29 | 0:04:37 | |
That's a good pot, never easy when
you are digging down into the cue | 0:04:48 | 0:04:54 | |
ball, raising the butt of the cue,
he played it with a touch of | 0:04:54 | 0:04:57 | |
right-hand side as well which made
the pot even more difficult. So it | 0:04:57 | 0:05:01 | |
was a good pot, under the
circumstances. A couple of very good | 0:05:01 | 0:05:06 | |
pots, this is now a very good
opportunity for Shaun Murphy to | 0:05:06 | 0:05:09 | |
extend his lead. | 0:05:09 | 0:05:11 | |
Can he get on the red that's near
the right corner? Yeah, he can. | 0:05:17 | 0:05:25 | |
Because removing this red clears the
path for the black into the same | 0:05:25 | 0:05:28 | |
pocket and he's taking the red.
Let's see if he can knock in a | 0:05:28 | 0:05:35 | |
reasonable break here. | 0:05:35 | 0:05:37 | |
Is not aggressive enough for you?
That was the order of the day. He's | 0:05:54 | 0:06:00 | |
given himself an excellent
opportunity now. Couldn't have the | 0:06:00 | 0:06:08 | |
reds sitting much better than this.
It was a shot off the black that | 0:06:08 | 0:06:12 | |
opens them up, shot that left the
table like this. | 0:06:12 | 0:06:20 | |
But that cue action, even when he's
in among the balls, he still pulls | 0:06:27 | 0:06:32 | |
his cue back quite a long way. It's
just his natural way of playing, we | 0:06:32 | 0:06:37 | |
keep talking about the Rolls-Royce
cue action that he has and sometimes | 0:06:37 | 0:06:41 | |
when you're in close control it can
be a little bit of a disadvantage. | 0:06:41 | 0:06:48 | |
But that pause and then delivering
the cue, that's the key to this game | 0:06:48 | 0:06:54 | |
of snooker. | 0:06:54 | 0:06:57 | |
Very well controlled stun runs
through from Shaun Murphy. When he's | 0:07:31 | 0:07:38 | |
in full flow, he really is a
beautiful play at the watch. He | 0:07:38 | 0:07:43 | |
times the ball so well. I remember
when he beat John Robertson in the | 0:07:43 | 0:07:46 | |
final of The Masters, a little while
ago. I think it was as well as I've | 0:07:46 | 0:07:53 | |
ever seen anybody time the ball
Forster P cued so well in that | 0:07:53 | 0:07:57 | |
tournament. -- he cued so well in
that tournament. When he won the | 0:07:57 | 0:08:05 | |
world title against Matthew Stevens,
he came behind in that and it was | 0:08:05 | 0:08:09 | |
incredible how he played. I remember
travelling down on the coach with a | 0:08:09 | 0:08:13 | |
lot of the Welsh supporters and they
thought Matthew would be world | 0:08:13 | 0:08:17 | |
champion, but Shaun had other ideas.
Talking about is break-building, | 0:08:17 | 0:08:20 | |
he's made 438 centuries in his
career. Well, he's going to have to | 0:08:20 | 0:08:30 | |
pot the long blue, a trademark of
Shaun Murphy. Not safe, so there's a | 0:08:30 | 0:08:37 | |
bit of pressure on this. Let's see
if it goes right in the heart of | 0:08:37 | 0:08:43 | |
pocket. No. So even with that cue
action, when you know the importance | 0:08:43 | 0:08:51 | |
of the shot, even the great players
can miss. | 0:08:51 | 0:08:54 | |
Well, the chance is there for Liam.
He had a bit of a chance in the | 0:09:01 | 0:09:05 | |
opening frame, even though he was 60
odd behind. What can he make of this | 0:09:05 | 0:09:11 | |
opportunity? Big pressure on Liam
Highfield here. He knows the | 0:09:11 | 0:09:19 | |
importance of this visit. He really
wants to get a foothold in this | 0:09:19 | 0:09:26 | |
match and draw level. | 0:09:26 | 0:09:29 | |
The pink is on the right side of the
table for him, being a left-hander. | 0:09:40 | 0:09:45 | |
So the balls are there for him. It's
just about keeping himself together | 0:09:45 | 0:09:49 | |
now. | 0:09:49 | 0:09:51 | |
The company of John, any harder,
that would have stayed out. | 0:10:18 | 0:10:23 | |
He'll have to come up for the blue
here. He'd rather stay for the | 0:10:34 | 0:10:41 | |
black, but underscrewed it slightly,
so it's imperative he gets the other | 0:10:41 | 0:10:45 | |
side of the blue. Doesn't want to
come up short. I think he's just | 0:10:45 | 0:11:00 | |
about OK, a glance at the
scoreboard. 17 behind. | 0:11:00 | 0:11:05 | |
He's trying to work out as to
whether he'll need the pink, adding | 0:11:11 | 0:11:16 | |
the score up in his head there. | 0:11:16 | 0:11:19 | |
As Peter said, the pink won't be a
problem, being a left-hander he can | 0:11:37 | 0:11:43 | |
drop in behind that if he gets that
far. | 0:11:43 | 0:11:47 | |
And once again, must get the good
angle on the blue, so he can drop | 0:12:07 | 0:12:11 | |
writing behind the pink. -- right in
behind the pink. Needs to run, and | 0:12:11 | 0:12:20 | |
it's come up short. Wow, that's made
such a difference. If it was the | 0:12:20 | 0:12:27 | |
other side of the blue, he just
rolls it in, gets about 18 inches | 0:12:27 | 0:12:31 | |
behind the pink. Now he's got to
force it in. And that's a pretty | 0:12:31 | 0:12:37 | |
good effort, if it keeps running.
Needs to pull up. He's going to be | 0:12:37 | 0:12:41 | |
too close to the pink. Oh, dear. But
it was the previous shot, he got the | 0:12:41 | 0:12:49 | |
wrong side of the blue and this
would be a body blow, because he was | 0:12:49 | 0:12:55 | |
odds-on favourite to level the
match. He's so close to the pink, | 0:12:55 | 0:13:00 | |
it's not easy to get it safe. It's
such a shame, because he'd held | 0:13:00 | 0:13:05 | |
himself together so well up to that
point. | 0:13:05 | 0:13:08 | |
He's unlucky there. Just a fraction,
he followed it all the way down and | 0:13:12 | 0:13:21 | |
now that it's flicked the black,
Shaun Murphy could cut this Ping Lin | 0:13:21 | 0:13:25 | |
and the white will go close to the
left middle pocket but if he cuts it | 0:13:25 | 0:13:28 | |
in and it doesn't catch the middle
pocket, he could finish on the | 0:13:28 | 0:13:31 | |
black. Oh, close. | 0:13:31 | 0:13:36 | |
Liam will be absolutely delighted to
see the black going very close to | 0:13:48 | 0:13:52 | |
the top cushion there. We only just
needs this pink, where Shaun Murphy | 0:13:52 | 0:13:57 | |
needs both balls. He can take this
on, just needs to avoid beat in off | 0:13:57 | 0:14:06 | |
into the left-hand black pocket.
Which she has done and that's an | 0:14:06 | 0:14:12 | |
excellent pot, well played, Liam
Highfield. Levelled this match, one | 0:14:12 | 0:14:18 | |
frame each. | 0:14:18 | 0:14:20 | |
Frame three, Shaun Murphy to break. | 0:14:30 | 0:14:33 | |
Not the best break off shot in the
world, with the brown coming to his | 0:14:38 | 0:14:43 | |
rescue. Maybe not. There is an early
chance for Liam Highfield here, | 0:14:43 | 0:14:48 | |
because he can pot this and he can
get on the black. Even the pink | 0:14:48 | 0:14:52 | |
might be available, but it shows you
the importance of a good break off | 0:14:52 | 0:14:58 | |
shot. If he knocks this in he's got
a great opportunity. You can see | 0:14:58 | 0:15:12 | |
what he's doing with the cue there,
that's telling you he didn't push | 0:15:12 | 0:15:15 | |
the cue threw in a straight line. | 0:15:15 | 0:15:18 | |
This is one of the toughest things
about the game of snooker. You had | 0:15:52 | 0:15:57 | |
the opportunity, you played a poor
shot, and you have to go back to | 0:15:57 | 0:16:01 | |
your seat and watched your opponent
pot the balls you know you should | 0:16:01 | 0:16:04 | |
have been taking on. | 0:16:04 | 0:16:07 | |
Liam Highfield got that read in the
middle and showed everybody why he | 0:16:30 | 0:16:34 | |
thought he'd missed it and cued
across the ball. It's probably not | 0:16:34 | 0:16:39 | |
the wisest thing in the world to
show a confident and attacking | 0:16:39 | 0:16:46 | |
player like Shaun Murphy that sort
of negative body language. OK, if | 0:16:46 | 0:16:50 | |
you miss, you miss, but don't let
your opponent know that you've cued | 0:16:50 | 0:16:54 | |
across it, because that will just
give him confidence. | 0:16:54 | 0:16:59 | |
That last shot on the black, he
could have done with a little bit | 0:17:18 | 0:17:22 | |
more pace on the shot. I thought he
was going to have an easy choice of | 0:17:22 | 0:17:27 | |
reds, but the white just stuck in
the reds there stop this is very | 0:17:27 | 0:17:31 | |
awkward. | 0:17:31 | 0:17:33 | |
It's a pretty good shot, but look
where the cue ball has finished. | 0:17:41 | 0:17:50 | |
Shaun was having a good look at the
black cushion there, he feels he got | 0:17:50 | 0:17:54 | |
a bounce there, in the sense that
the cue ball came off the cushion | 0:17:54 | 0:17:59 | |
with a lot more pace than he put
into the shot. It's always one of | 0:17:59 | 0:18:06 | |
the most difficult things for a
player to contend with. | 0:18:06 | 0:18:11 | |
Because it means that you lose
position. And at the highest level, | 0:18:15 | 0:18:22 | |
you don't get that many chances in a
frame, although that is a very, very | 0:18:22 | 0:18:27 | |
poor shot from Liam Highfield. A
total misjudgement. He will be | 0:18:27 | 0:18:33 | |
absolutely devastated with that.
He'll be really annoyed with | 0:18:33 | 0:18:39 | |
himself. | 0:18:39 | 0:18:41 | |
He can't keep giving these type of
opportunities to a player Shaun | 0:19:17 | 0:19:24 | |
Murphy's class, because when he gets
on a roll he can score very, very | 0:19:24 | 0:19:28 | |
heavily, in three, four, five
frames, and disappear in no time at | 0:19:28 | 0:19:36 | |
all. I think one or two signs of
nerves that Shaun had at the start | 0:19:36 | 0:19:48 | |
of this match will be dissipating
very quickly. | 0:19:48 | 0:19:53 | |
You wouldn't expect many long frames
with both these players. They are | 0:21:13 | 0:21:16 | |
both attacking, a bit scrappy, the
balls, that's why it lasted nearly | 0:21:16 | 0:21:22 | |
half an hour. | 0:21:22 | 0:21:24 | |
Doesn't need many more pots, pink,
red, colour. It will be enough. You | 0:21:50 | 0:22:08 | |
see it, 65 ahead, so he only needs
this red, the way they are sitting I | 0:22:08 | 0:22:13 | |
wouldn't be surprised if he doesn't
what we say, doesn't dish up here of | 0:22:13 | 0:22:19 | |
the lot. | 0:22:19 | 0:22:22 | |
Maybe not now that he can and the
red. He's a bit close. You might be | 0:22:36 | 0:22:43 | |
able to pot the pink, but he's got
to be careful he doesn't push this. | 0:22:43 | 0:22:49 | |
Well done. | 0:22:49 | 0:22:52 | |
There is the possibility of a
century. | 0:22:55 | 0:23:08 | |
In fact, he made 37 centuries last
season. He's on 20 so far this | 0:23:24 | 0:23:30 | |
season. | 0:23:30 | 0:23:33 | |
I think the table is playing a bit
better today. It doesn't seem to be | 0:23:38 | 0:23:43 | |
quite as heavy. As you said, the
atmosphere can affect this. It's a | 0:23:43 | 0:23:47 | |
beautiful day in York. The sun was
shining. I was out for a little walk | 0:23:47 | 0:23:57 | |
this morning, a gentle walk, no
jogging for me. Maybe for you. | 0:23:57 | 0:24:04 | |
Interestingly, Liam Highfield was
one of the fittest guys on the | 0:24:04 | 0:24:07 | |
circuit. He's a really serious
runner. Very lean and trim. And that | 0:24:07 | 0:24:13 | |
really helps, especially in the
longer matches. | 0:24:13 | 0:24:17 | |
Yeah, this has been a terrific
effort from the former champion | 0:24:21 | 0:24:25 | |
here, Shaun Murphy. | 0:24:25 | 0:24:28 | |
He overscrewed that slightly. | 0:24:31 | 0:24:35 | |
Just the pink for the century. | 0:24:38 | 0:24:43 | |
Oh! Unlucky, but he won't be too
concerned. It was a great effort, he | 0:24:47 | 0:24:52 | |
got one chance there and he took it
all stop there was enough to win the | 0:24:52 | 0:24:56 | |
frame. He's back in the lead, 2-1. | 0:24:56 | 0:25:01 | |
Just trying to compose himself. He
knows this is a tough shot. That's | 0:25:15 | 0:25:23 | |
very well cued, well played. | 0:25:23 | 0:25:25 | |
And look where he left the cue ball,
he was always going to be on the | 0:25:29 | 0:25:34 | |
black, but had he missed the red,
look where he put the cue ball. That | 0:25:34 | 0:25:38 | |
was a very clever shot. He had no
intention of missing the pot though. | 0:25:38 | 0:25:43 | |
So what chance now, to get right
back into this fourth frame. Well, | 0:25:43 | 0:25:50 | |
he has a chance to go to the
mid-session all square, but there's | 0:25:50 | 0:25:54 | |
an awful lot of balls to be potted
before that happens. Yes, it was a | 0:25:54 | 0:25:59 | |
very clever shot, the way he played
it, he took a bit of pressure out of | 0:25:59 | 0:26:05 | |
the pot because he knew that in
playing it in such a way he wasn't | 0:26:05 | 0:26:09 | |
going to be leaving an opportunity
for Shaun Murphy, should he miss, so | 0:26:09 | 0:26:14 | |
well played, well thought out. | 0:26:14 | 0:26:18 | |
Not ideal here though, the wrong
side of the blue. | 0:26:22 | 0:26:26 | |
Needs to avoid the cannon on the
brown on the way down. Played it | 0:26:32 | 0:26:39 | |
with right-hand side, just needs the
cue ball to run. Well played, well | 0:26:39 | 0:26:43 | |
controlled. He's looked at this pink
a couple of times. It looks as if it | 0:26:43 | 0:26:50 | |
does go. | 0:26:50 | 0:26:51 | |
A chance to play for the black
instead. Shouldn't be too much | 0:27:03 | 0:27:09 | |
trouble here. He can play the black
off one cushion, with top spin and | 0:27:09 | 0:27:14 | |
have the joins Webber choice of at
least two reds into the centre. -- | 0:27:14 | 0:27:22 | |
and have the choice of at least two
reds into the centre. Under him that | 0:27:22 | 0:27:30 | |
and may -- he has underhit that and
may have to take the more difficult | 0:27:30 | 0:27:34 | |
red into the green pocket. He's
taken it into the centre. Now he's | 0:27:34 | 0:27:46 | |
back in prime position. Nice pot. | 0:27:46 | 0:27:49 | |
I think he's just OK for a moment,
thought he had covered that red to | 0:28:06 | 0:28:12 | |
the left middle, but he's OK. Just
four points behind now. It's the red | 0:28:12 | 0:28:18 | |
near the left side cushion that will
be the key to this fourth frame. | 0:28:18 | 0:28:23 | |
That's worked out very nicely. Did
well to avoid the brown and the | 0:29:02 | 0:29:05 | |
green. Didn't intend to get on the
red in that fashion, but it worked | 0:29:05 | 0:29:14 | |
out very nicely for him. He's
probably playing for the red to the | 0:29:14 | 0:29:21 | |
right of the pink. | 0:29:21 | 0:29:25 | |
Just thinking a few shots ahead,
when they decide to give themselves | 0:29:37 | 0:29:41 | |
an ankle on the road to the left of
the pink, to develop the red. Away | 0:29:41 | 0:29:47 | |
from the left-hand side cushion.
He's got the opportunity to do that | 0:29:47 | 0:29:53 | |
now, if he wants to. Looks like he
is playing behind the red, though. | 0:29:53 | 0:30:08 | |
He got a kick Paire. -- there. Yes,
and it might have helped him, does | 0:30:19 | 0:30:28 | |
he have a slight angle here? He
could roll it in but this is a tough | 0:30:28 | 0:30:33 | |
one. This is virtually a frame ball.
The difference is 23, to this red. | 0:30:33 | 0:30:47 | |
Blue, pink or black would be enough
that this is an awkward little one. | 0:30:47 | 0:30:58 | |
That was an awkward one. He knew the
importance of that, if he knocked it | 0:30:58 | 0:31:04 | |
in he would have been into the mid
session all square. A little | 0:31:04 | 0:31:09 | |
annoying... | 0:31:09 | 0:31:19 | |
Shaun still has to knock the men,
though. -- knock them in, though. | 0:31:24 | 0:31:30 | |
Not the best shot he has ever
played, did not want to be coming | 0:31:30 | 0:31:34 | |
into the blue there. | 0:31:34 | 0:31:44 | |
Hmm... Can he just cue passed the
blue? No. He got a little bit of | 0:31:56 | 0:32:18 | |
unwanted side on that. A left off...
4-macro to there, when you are | 0:32:18 | 0:32:29 | |
reaching over a ball like that, it's
a possibility. Leading the yellow | 0:32:29 | 0:32:43 | |
and the green. A very thin snooker
this. He can screw along the | 0:32:43 | 0:32:57 | |
cushion, from the yellow towards the
pink and the black. I definitely | 0:32:57 | 0:33:02 | |
think that is the right chart. --
the right shot, to screw the cue | 0:33:02 | 0:33:11 | |
ball in from here. Could not have
played it any better. He is looking | 0:33:11 | 0:33:21 | |
anxiously to see is he has got the
sneaker. -- snooker. He may just be | 0:33:21 | 0:33:33 | |
able to sneak the yellow and play a
safety shot but having said that, if | 0:33:33 | 0:33:37 | |
he does that with the yellow
committee could play into the black | 0:33:37 | 0:33:40 | |
with the cue ball. Playing to swerve
this. Together, a full-ball contact | 0:33:40 | 0:33:51 | |
on the yellow. If you hit it thin
enough and avoid going into the | 0:33:51 | 0:33:58 | |
black, you can get a yellow save and
a White safe. There's the option of | 0:33:58 | 0:34:07 | |
coming off the top cushion and
catching the yellow thin on the way | 0:34:07 | 0:34:10 | |
back. It's a very good shot. Could
not have played it any better. It | 0:34:10 | 0:34:16 | |
was excellent. As Dennis alluded to,
it was fraught with danger because | 0:34:16 | 0:34:23 | |
it was so easy for him to get a
double-kiss, playing with a cheque | 0:34:23 | 0:34:28 | |
side, hoping to avoid a kiss but
that was a gem, could not have | 0:34:28 | 0:34:35 | |
played it better. An excellent shot.
That was equally as good because | 0:34:35 | 0:34:43 | |
there was very little room for
manoeuvre there. Shaun can cut the | 0:34:43 | 0:34:54 | |
yellow in and, if he does, the White
will be heading back up towards the | 0:34:54 | 0:34:59 | |
green, as long as he does not career
into the pink but it is a tough | 0:34:59 | 0:35:03 | |
cart. It is there. How is the kiss
on the brown? It isn't bad. | 0:35:03 | 0:35:20 | |
One good positional shots now. This
would be a steal. For Shaun Murphy. | 0:35:40 | 0:36:00 | |
Liam Highfield has to go to the next
session interval all square but a | 0:36:12 | 0:36:17 | |
slip up and Shaun Murphy pounced. He
now goes to the mid-session interval | 0:36:17 | 0:36:21 | |
leading three frames to one. | 0:36:21 | 0:36:32 | |
Six, having to break... | 0:36:38 | 0:36:42 | |
Liam Highfield breaks off, looking
at frame six. Would liked to have | 0:36:55 | 0:37:04 | |
had the cue ball tip on the baulk
cushion. And that is why. A | 0:37:04 | 0:37:12 | |
wonderful opening pot from Shaun
Murphy. One of the very best in the | 0:37:12 | 0:37:16 | |
business at that type of shot. He
has been a little unfortunate to | 0:37:16 | 0:37:21 | |
finish so tight to the green side
cushion. | 0:37:21 | 0:37:35 | |
He cued that in nicely. He is OK for
pace. An opportunity for playing for | 0:37:41 | 0:37:50 | |
blue or pink here. | 0:37:50 | 0:38:01 | |
That is just OK. Going straight... | 0:38:02 | 0:38:15 | |
Electing to play for the black this
time... | 0:38:20 | 0:38:32 | |
He might play the attacking shot
here and go to the reds and stay on | 0:38:42 | 0:38:46 | |
the black. He played it well. He
would have liked to have seen the | 0:38:46 | 0:38:56 | |
cue ball going away from the side
cushion another few inches. He has | 0:38:56 | 0:39:02 | |
been unfortunate to finish straight
on the black as well. Just off, as | 0:39:02 | 0:39:08 | |
you can see. From the angle. Just
off straight. | 0:39:08 | 0:39:21 | |
He has taken a more difficult pink.
This is really tough. Just composing | 0:39:28 | 0:39:38 | |
himself, some movement behind the
shot. If you miss these, you tend to | 0:39:38 | 0:39:44 | |
miss them thin. There is a lot of
movement going on in the background, | 0:39:44 | 0:39:49 | |
unfortunately. That is twice he has
got up off his shot. He is just | 0:39:49 | 0:39:55 | |
composing himself again. This is
really tough... And that is an | 0:39:55 | 0:40:11 | |
excellent pot. Well played. | 0:40:11 | 0:40:23 | |
A nice cannon between the gap would
do... Was always going to be on a | 0:40:34 | 0:40:42 | |
red, having played it the way that
he did. | 0:40:42 | 0:40:54 | |
The pink was the shot there when he
looked at the black and he took the | 0:40:54 | 0:40:58 | |
more difficult pink to keep the
break going. Sean is one of those | 0:40:58 | 0:41:09 | |
players who could put bitter
disappointment behind him. He missed | 0:41:09 | 0:41:14 | |
an easy red when playing a cannon on
the black but he is such an | 0:41:14 | 0:41:19 | |
experienced campaigner these days,
he quickly forgets about it. He has | 0:41:19 | 0:41:24 | |
come out firing here on all
cylinders. He has gone up a gear | 0:41:24 | 0:41:33 | |
here, Dennis. Steve Davis talks
about the top player sensing danger. | 0:41:33 | 0:41:40 | |
Then, responding under pressure.
Shaun Murphy is certainly doing that | 0:41:40 | 0:41:46 | |
at the moment, despite a kick on the
black there. | 0:41:46 | 0:41:59 | |
This has been an impressive response
from Shaun Murphy. | 0:41:59 | 0:42:11 | |
Very well controlled. Did not have
to be in with a lot of pace. It was | 0:42:17 | 0:42:24 | |
a nice and gentle cannon. Look what
he has done with the reds. Put them | 0:42:24 | 0:42:29 | |
all in positions with a delicate
positional shot there. He has | 0:42:29 | 0:42:35 | |
already got a 57 point advantage.
Well on the way to opening up a two | 0:42:35 | 0:42:44 | |
frame advantage again. | 0:42:44 | 0:42:54 | |
64 points ahead, 75 on the table. | 0:43:04 | 0:43:15 | |
I thought he was going to go on and
make a Huybrechts there. Certainly a | 0:43:58 | 0:44:03 | |
sentry would miss them in the
middle. He will not be too | 0:44:03 | 0:44:06 | |
concerned. He stepped up a gear
there. Now he is back with a two | 0:44:06 | 0:44:13 | |
frame advantage at 4-2. -- I thought
he was going to go on and make a | 0:44:13 | 0:44:25 | |
Huybrechts there, certainly a 100
would miss them in the middle. | 0:44:25 | 0:44:30 | |
There it is. An excellent shot. | 0:44:38 | 0:44:49 | |
That is another one... It wasn't
easy by any means, as Peter | 0:45:20 | 0:45:25 | |
mentioned, a few frames back, these
middle pockets are very very tight. | 0:45:25 | 0:45:36 | |
It is difficult to explain to
people, the player, the clubs, they | 0:45:36 | 0:45:43 | |
think their tables are tight but a
club table is completely different | 0:45:43 | 0:45:47 | |
to these match tables. The middle
pockets are very narrow indeed. On a | 0:45:47 | 0:45:52 | |
normal club table, the middle
pockets are very easy. I have | 0:45:52 | 0:45:58 | |
noticed a distinct change in the cut
of the pockets over the last few | 0:45:58 | 0:46:03 | |
seasons. If you have the Corbel --
if you have the cue ball in hand and | 0:46:03 | 0:46:08 | |
you try and pot the yellow in the
pocket that Shaun Murphy just | 0:46:08 | 0:46:13 | |
missed, you can only drop it in that
way, if you play it with pace at | 0:46:13 | 0:46:18 | |
all, it will not go. They are
playing very, very small. I've seen | 0:46:18 | 0:46:26 | |
more balls missed into the middle
pockets in these last couple of | 0:46:26 | 0:46:30 | |
seasons than in my entire career. | 0:46:30 | 0:46:40 | |
It's an excellent opportunity now,
for Liam Highfield. This is all | 0:46:46 | 0:46:53 | |
about keeping his composure here.
Retaining good control over the cue | 0:46:53 | 0:46:58 | |
ball. | 0:46:58 | 0:47:08 | |
Yes, there's a really good chance
for him. He would have liked to have | 0:47:24 | 0:47:34 | |
got the red away from the pink spot
area, the one to the left. The paint | 0:47:34 | 0:47:40 | |
is still available at the moment.
There isn't a lot that he can do | 0:47:40 | 0:47:53 | |
with the black at the present. --
the pink is still available at the | 0:47:53 | 0:47:59 | |
moment. That will do! Could have
played for the pink but the yellow | 0:47:59 | 0:48:15 | |
was sacked over the pocket. As long
as he got past the blue, he had | 0:48:15 | 0:48:20 | |
agriculture could have got back from
the reds to the yellow. He would | 0:48:20 | 0:48:27 | |
have liked to have been straight on
it, he doesn't want to have to play | 0:48:27 | 0:48:32 | |
a little cannon into the pink. It
should be OK... I say that, he is | 0:48:32 | 0:48:44 | |
now the wrong side of the blue! It
was a careless short, two shots ago, | 0:48:44 | 0:48:50 | |
when he did not leave the correct
angle. It's about making the game as | 0:48:50 | 0:48:55 | |
easy as possible for yourself. If he
was straight on the red committee | 0:48:55 | 0:49:01 | |
wouldn't have had to play the
cannon. -- if he was straight on the | 0:49:01 | 0:49:08 | |
red, he would not have had to play
the cannon. He will be faced with a | 0:49:08 | 0:49:16 | |
difficult next round. He has got
more and more confident. But I tell | 0:49:16 | 0:49:30 | |
you what... This is a tough one, to
keep the break going. He goes in, | 0:49:30 | 0:49:39 | |
and it is nicely on the blue and it
could be a frame-winner but... | 0:49:39 | 0:49:43 | |
Hmm... | 0:49:43 | 0:49:45 | |
That was the problem. On the red, he
has missed it. It was pottable. They | 0:49:56 | 0:50:10 | |
say when you are under pressure it
is always nice to leave yourself | 0:50:10 | 0:50:14 | |
close to the next pot. He is usually
pretty good at this type of shot. | 0:50:14 | 0:50:26 | |
Let's see what Shaun makes of this. | 0:50:26 | 0:50:37 | |
How is your luck here, Shaun? How is
your luck? Not very good! Is he on | 0:50:49 | 0:51:00 | |
it? Maybe... Maybe just? Yes, he is.
That type of shot there, he makes it | 0:51:00 | 0:51:11 | |
look so easy. He barely hits the
ball, but the action he gets on | 0:51:11 | 0:51:16 | |
it... | 0:51:16 | 0:51:26 | |
Having to concentrate on the blue at
the moment. | 0:51:44 | 0:51:56 | |
He played the previous shot very
nicely. The screw on the right-hand | 0:51:56 | 0:52:00 | |
side, a choice of -- a choice of two
reds on the right-hand side. | 0:52:00 | 0:52:18 | |
He wants to get on the right side of
the blue, he wants to play it with a | 0:52:29 | 0:52:34 | |
lot of right-hand side. Content to
play for the pink. I think when you | 0:52:34 | 0:52:41 | |
are so good with the rest, you don't
mind leaving that type of shot. | 0:52:41 | 0:52:54 | |
There are a couple of reds near the
cushions, especially on the | 0:52:59 | 0:53:02 | |
left-hand side of the table, that
will be a key ball. A quick glance | 0:53:02 | 0:53:09 | |
at the scoreboard, but he is still
four points behind. So... He knows | 0:53:09 | 0:53:21 | |
that he is going to need that
difficult red! For others are not | 0:53:21 | 0:53:28 | |
ideally placed... -- the others are
not ideally placed... Removing this | 0:53:28 | 0:53:41 | |
red clears the path from the one to
the left of the black into the same | 0:53:41 | 0:53:46 | |
pocket. Playing for the blue again
here... Ooh, too fake! He's done it | 0:53:46 | 0:53:56 | |
a few times, missing a few balls, I
did not expect him to. They are | 0:53:56 | 0:54:01 | |
proving costly. I'm sure it is fair
to say, he could have had this much | 0:54:01 | 0:54:12 | |
over and done with, can he? Yes. To
be fair to Shaun, the red looked as | 0:54:12 | 0:54:26 | |
if it straight and upon impact say
he may have had a slight kick on the | 0:54:26 | 0:54:31 | |
previous shot. He will not be
worried now because he has a golden | 0:54:31 | 0:54:35 | |
opportunity. We've said a number of
times, nowadays with the equipment | 0:54:35 | 0:54:45 | |
that they have, you can use your own
kind of cue, they played with a long | 0:54:45 | 0:54:51 | |
rest and a long cue and you would
have had no chance of playing it. He | 0:54:51 | 0:54:55 | |
has two screw it back to get onto
the pink. In fact, if anything, he | 0:54:55 | 0:55:05 | |
has screwed it too much. That red is
now clear for the right corner | 0:55:05 | 0:55:14 | |
pocket, the one closest to the
black. This needs some good cueing. | 0:55:14 | 0:55:29 | |
An excellent pot. | 0:55:29 | 0:55:40 | |
Good angle on the black to drop in
behind the difficult red on the | 0:55:55 | 0:56:00 | |
left-hand side of the table. It is
still far from easy, this. 19 in | 0:56:00 | 0:56:13 | |
front. They like to follow. 26, if
you roll the red in. 27 in front, 27 | 0:56:13 | 0:56:26 | |
on the table. This is a tough one,
with the extended rest and the | 0:56:26 | 0:56:34 | |
extension on his cue. As he goes
full blooded and tries to drop it | 0:56:34 | 0:56:42 | |
into the pocket. I think so... That
was always the problem. He needs it | 0:56:42 | 0:56:58 | |
to be tighter in behind the red. All
of a sudden, the chance is there. | 0:56:58 | 0:57:07 | |
Any colour would do for Liam, that
is why he played up the table rather | 0:57:07 | 0:57:14 | |
than playing for the black. If he
can hold himself together here, we | 0:57:14 | 0:57:18 | |
will be all square. | 0:57:18 | 0:57:29 | |
Always the tricky one, brown to
blue. | 0:58:00 | 0:58:11 | |
Using the back cushion and he has
played it well. He has played it | 0:58:21 | 0:58:25 | |
very well! | 0:58:25 | 0:58:35 | |
That is another good clearance under
pressure from Liam Highfield. What a | 0:58:49 | 0:58:54 | |
frame that was. Shaun Murphy, in a
little bit of shock because all of a | 0:58:54 | 0:59:00 | |
sudden it is 4-4. | 0:59:00 | 0:59:07 | |
So, it is yet another lifeline,
thrown to Liam Highfield. Highly | 0:59:22 | 0:59:34 | |
unexpected. Can he retain his
composure? Well, he has the black | 0:59:34 | 0:59:45 | |
back on the pink spot. It is a big
advantage. What a chance. He showed | 0:59:45 | 1:00:01 | |
last season what a good player he
was. He lost 6-5 to Mark Williams in | 1:00:01 | 1:00:07 | |
the UK championship last year, and
he lost 10-9 in the World | 1:00:07 | 1:00:11 | |
Championship to the same player. You
could see the scarlet jump there but | 1:00:11 | 1:00:15 | |
it did not affect the shot much. He
is quite capable, another big shock | 1:00:15 | 1:00:23 | |
if he could pull this off from 4-2
behind, it looked to be plain | 1:00:23 | 1:00:30 | |
sailing for Shaun Murphy. | 1:00:30 | 1:00:33 | |
Just a delicate little hand here,
just to knock the other red away. -- | 1:01:15 | 1:01:20 | |
delicate little cannon here. | 1:01:20 | 1:01:22 | |
Yeah, the reds are not partly placed
because if he get someone to the | 1:02:10 | 1:02:13 | |
right of the little bunch of four,
it will clear the path for another | 1:02:13 | 1:02:18 | |
red. -- the reds are not badly
placed. The other one might go, | 1:02:18 | 1:02:28 | |
which is even better. Yeah, that
will pot clearly. | 1:02:28 | 1:02:33 | |
The two reds, I'm not sure if one of
those will go, so it's not | 1:02:46 | 1:02:50 | |
straightforward run to the winning
line in this frame. I've noticed | 1:02:50 | 1:02:58 | |
that Liam is very happy to play
these soft stun drag shots, and he's | 1:02:58 | 1:03:04 | |
very nearly pulled a few of them
then. It's not really the ideal type | 1:03:04 | 1:03:08 | |
of shot to be playing when the class
is playing a little bit heavy. Yeah, | 1:03:08 | 1:03:15 | |
earlier in the match he just cued
across a few shots like that. | 1:03:15 | 1:03:20 | |
across a few shots like that. | 1:03:20 | 1:03:21 | |
Now, he's a left-hander, so the red
is the wrong side of the table for | 1:03:36 | 1:03:40 | |
him there. He will have to use the
rest, for this one. 36 in front. | 1:03:40 | 1:03:53 | |
Red, colour, red, still needed. | 1:03:53 | 1:03:58 | |
It's harder to get to the red that
he needs. He can't get close behind | 1:04:16 | 1:04:20 | |
that one. It's the left side of the
table. The other two are covering | 1:04:20 | 1:04:24 | |
each other. | 1:04:24 | 1:04:30 | |
Is he going to try and go round the
table? Even then it will be | 1:04:36 | 1:04:42 | |
difficult to get on the red. No.
He's coming towards the red. He | 1:04:42 | 1:04:50 | |
wants to go round the back of it
now, which he has. It was a great | 1:04:50 | 1:04:55 | |
effort. He put everything into the
pot there. He almost cannoned that | 1:04:55 | 1:05:01 | |
red out. | 1:05:01 | 1:05:03 | |
I'm wondering if Shaun Murphy can
pot red into the middle Loft the | 1:05:15 | 1:05:19 | |
blue here. He's not looked at it. A
chance to get a good cue Balde here, | 1:05:19 | 1:05:28 | |
send it towards the brown. -- cue
ball. Just about OK. | 1:05:28 | 1:05:37 | |
Liam can just click the red thin.
He's played that very well, unless | 1:05:43 | 1:05:51 | |
the blue goes in. | 1:05:51 | 1:05:54 | |
That would have been disaster. He
would have left free ball there. | 1:06:07 | 1:06:12 | |
Yeah, it was close to just flipping
the blue in. | 1:06:12 | 1:06:16 | |
Now, he had to play this on the
thick side to get over behind the | 1:06:23 | 1:06:26 | |
green. | 1:06:26 | 1:06:29 | |
He needs this red and any colour
from the brown upwards to leave | 1:06:39 | 1:06:47 | |
Shaun needing a snooker. | 1:06:47 | 1:06:51 | |
Could have done without the kiss on
the brown bear, just wondering, it's | 1:07:21 | 1:07:24 | |
a natural angle, if he can take this
pot Iqbal cannon into the two reds, | 1:07:24 | 1:07:31 | |
which would be the last thing he
would want to happen. He's such a | 1:07:31 | 1:07:34 | |
good long potter, he doesn't want to
cannoned the reds, he'd have to | 1:07:34 | 1:07:38 | |
force it a little bit and that makes
the pot more difficult. A big shot | 1:07:38 | 1:07:42 | |
coming up. He's digging down, far
from easy, this. | 1:07:42 | 1:07:50 | |
Yeah, the white was bouncing around,
as you could see there, but it was a | 1:08:04 | 1:08:09 | |
frame-winner, had he have knocked it
in. | 1:08:09 | 1:08:12 | |
I'm just wondering if Shaun Murphy
might be tempted to play the cross | 1:08:16 | 1:08:19 | |
table double here. Might be a little
bit thin for that. But the blue is | 1:08:19 | 1:08:26 | |
over the middle. And I wouldn't
blame him for taking it on. Because | 1:08:26 | 1:08:32 | |
he can get a good cue ball. | 1:08:32 | 1:08:37 | |
It would certainly give him a chance
to win the frame in this visit, if | 1:08:46 | 1:08:52 | |
he did play the cross table double.
And he's not certain to leave the | 1:08:52 | 1:08:57 | |
red if he misses it. | 1:08:57 | 1:09:00 | |
I think he did try and he got the
worst possible kiss. It's what you | 1:09:08 | 1:09:17 | |
call the TDK, the dreaded double
kiss, and it could have cost him. | 1:09:17 | 1:09:23 | |
The dreaded double kiss. So all of a
sudden, from 4-2 behind, Shaun is | 1:09:23 | 1:09:37 | |
going to have to win the last two
frames. Who would have thought. | 1:09:37 | 1:09:43 | |
Just a little bit of adrenaline
there, he overscrewed that. | 1:09:51 | 1:09:57 | |
This red to make absolutely sure and
keep Shaun in his seat. | 1:10:01 | 1:10:06 | |
It's not over just yet, this frame.
OK, Shaun needs a snooker, but... I | 1:10:12 | 1:10:24 | |
think it was just a little bit of
adrenaline, when he screwed the blue | 1:10:24 | 1:10:28 | |
in here, just overscrewed it. | 1:10:28 | 1:10:32 | |
Another double-kiss coming up. | 1:10:41 | 1:10:45 | |
He had a terrific shock yesterday,
when Scott Donaldson played | 1:11:06 | 1:11:11 | |
fantastically well to knock out the
defending champion, Mark Selby. Is | 1:11:11 | 1:11:16 | |
there another shock on the cards
here today? | 1:11:16 | 1:11:21 | |
Shaun still coming to the table, but
Liam well past the winning post you | 1:11:30 | 1:11:36 | |
would say, in this frame. | 1:11:36 | 1:11:39 | |
I'm surprised Shaun is playing on
here. | 1:11:57 | 1:12:01 | |
There's the difference, 53, with
only 35 on the table. He's just | 1:12:06 | 1:12:12 | |
signalled over to Liam. He concedes
the frame. What a turnaround from | 1:12:12 | 1:12:20 | |
4-2 behind, all of a sudden Liam
Highfield is now just one frame away | 1:12:20 | 1:12:25 | |
for another big shock. | 1:12:25 | 1:12:27 | |
Needs the angle here to help him out
and if he kisses the brown, he's OK. | 1:12:51 | 1:12:58 | |
The white was heading up into the
corners there, but that angle in the | 1:13:02 | 1:13:08 | |
middle pocket just helped things. | 1:13:08 | 1:13:10 | |
Shaun knows how tough it is to win
the frame that gets you over the | 1:13:15 | 1:13:21 | |
line. The more experienced. He knows
that Liam Highfield will be under | 1:13:21 | 1:13:27 | |
it. | 1:13:27 | 1:13:29 | |
Well, I don't honestly believe that
Shaun felt he was going to get | 1:13:32 | 1:13:37 | |
another chance in this match, not
one that red went into the right | 1:13:37 | 1:13:41 | |
centre. He probably thought that was
it. So this is an unexpected | 1:13:41 | 1:13:49 | |
opportunity. | 1:13:49 | 1:13:51 | |
He might be hampered slightly here,
because of the green and he's got to | 1:14:01 | 1:14:06 | |
get a little bit of action on the
cue ball. He took the other red, | 1:14:06 | 1:14:14 | |
which he's just played a little bit
too hard. Have to take the blue book | 1:14:14 | 1:14:21 | |
into the corner now. -- he will have
to take the blue up into the corner | 1:14:21 | 1:14:28 | |
now. I mean, the pink back on it
spot in a couple of goes time would | 1:14:28 | 1:14:38 | |
really help this situation. | 1:14:38 | 1:14:40 | |
Amazing. That Rolls-Royce cue action
has let him down on a pretty | 1:14:47 | 1:14:58 | |
straightforward pot there. He was
aware looking at the pink, so he was | 1:14:58 | 1:15:03 | |
a few shots ahead. Well, another
chance for Liam Highfield. | 1:15:03 | 1:15:09 | |
Listen, at this stage of this
player's Korea, the chance of taking | 1:15:13 | 1:15:20 | |
a big scalp, everything is not
straightforward. Straightaway he's | 1:15:20 | 1:15:27 | |
left himself almost straight on this
red, which means he's got to get a | 1:15:27 | 1:15:34 | |
lot of action on the cue ball. It's
amazing. It's all about the tension | 1:15:34 | 1:15:42 | |
at the moment that is causing these
slight errors. | 1:15:42 | 1:15:45 | |
Shaun did look at the pink when he
was at the table. Peter has told us | 1:15:55 | 1:16:06 | |
a good few times how tight the
middle pockets are. He doesn't want | 1:16:06 | 1:16:11 | |
to be playing this with too much
pace. | 1:16:11 | 1:16:13 | |
He's going to need both reds with
colours to secure this match. It's | 1:16:30 | 1:16:35 | |
not going to be easy. | 1:16:35 | 1:16:37 | |
Once again, that was just pressure.
So close. Didn't even hit the jaws, | 1:16:51 | 1:17:03 | |
really. | 1:17:03 | 1:17:06 | |
Could have done without that kiss on
the brown bear. Yes, not the best | 1:17:18 | 1:17:23 | |
safety shot in the world from Shaun
Murphy, at the time when he needed a | 1:17:23 | 1:17:29 | |
really good safety shot. | 1:17:29 | 1:17:32 | |
Oh, that's a wonderful pot a
wonderful pot. Well, Shaun will be | 1:17:35 | 1:17:45 | |
getting quite anxious as we show you
that terrific long pot from Liam | 1:17:45 | 1:17:50 | |
there, and he's got an angle on the
brown to get onto the red. If he | 1:17:50 | 1:17:55 | |
could finish about 18 inches either
side of this red. And this looks | 1:17:55 | 1:18:03 | |
pretty good to me, if it bounces off
the question. He's in pretty good | 1:18:03 | 1:18:08 | |
shape. That's an excellent shot. | 1:18:08 | 1:18:11 | |
As we show you the positional shot
again, he still needs this red, and | 1:18:19 | 1:18:26 | |
any colour above the yellow would
leave Shaun needing a snooker is, so | 1:18:26 | 1:18:30 | |
this is the key. No. That just pure
tension and pressure. So near, but | 1:18:30 | 1:18:42 | |
yet still so far away from this
upset here. | 1:18:42 | 1:18:47 | |
It's not a straightforward table, is
it, to clear up from, with the black | 1:19:00 | 1:19:04 | |
on the side question, the green near
the right cushion. -- the black on | 1:19:04 | 1:19:11 | |
the side cushion. Lots of tension
out there for both players. | 1:19:11 | 1:19:15 | |
He's hit it a bit too hard now. Is
he just about OK? I think he can | 1:19:39 | 1:19:48 | |
take it in the left corner, but it
could have been a lot easier than | 1:19:48 | 1:19:52 | |
this. It certainly could. The only
thing is it is a good angle. We | 1:19:52 | 1:19:58 | |
should be on the brown, if he gets
it. It's a great shot. That's a | 1:19:58 | 1:20:04 | |
great shot. Unfortunately he
couldn't control the cue ball. Yeah, | 1:20:04 | 1:20:15 | |
it was as if he put everything into
the pot there. And look where he is | 1:20:15 | 1:20:20 | |
finished. | 1:20:20 | 1:20:21 | |
I think once he potted the green, he
thought he would be on the brown, | 1:20:23 | 1:20:31 | |
but look where it finish. | 1:20:31 | 1:20:33 | |
Well, if this was in practice, Shaun
Murphy would probably cut the brown | 1:20:47 | 1:20:51 | |
in with loads of Czech side, but
this isn't practice. | 1:20:51 | 1:20:56 | |
Needs to pull up a little bit, if he
can get past the blue. | 1:21:03 | 1:21:09 | |
Where is the brown going? Where is
that brown going? Well, it's going | 1:21:40 | 1:21:46 | |
to be all about the black. He
thought he could see enough of that | 1:21:46 | 1:21:51 | |
to pot it. | 1:21:51 | 1:22:02 | |
I'm just thinking of a couple of
frames ago, Shaun Mr red. It was in | 1:22:13 | 1:22:18 | |
the same position that the black is,
so if he pots the blue and drops in | 1:22:18 | 1:22:24 | |
behind the black, it's not going to
be easy. It will be interesting to | 1:22:24 | 1:22:27 | |
see if he leaves an angle on the
pink to see if you can bring the | 1:22:27 | 1:22:32 | |
black into play. I was just going to
suggest that and he's got that | 1:22:32 | 1:22:35 | |
angle. He's got the angle to move
the black, if he wants to. | 1:22:35 | 1:22:49 | |
If he plays the black, he needs to
be right behind it. He's played the | 1:22:52 | 1:22:56 | |
cannon. This is a really, really
tough black. If he decides to take | 1:22:56 | 1:23:05 | |
it on, that is. There's an awful lot
of pressure on this and this is | 1:23:05 | 1:23:08 | |
really tough. | 1:23:08 | 1:23:11 | |
Make your mind up time for Shaun
Murphy. Is the crossed table double | 1:23:23 | 1:23:29 | |
on? He may have looked at that, but
it's all down to how he feels. | 1:23:29 | 1:23:40 | |
It might be on, almost, but he
always knew he could get it safe. | 1:23:42 | 1:23:54 | |
Here we go, we've got the tensions
of a black ball fight. One player to | 1:23:54 | 1:24:01 | |
win the match, the other to stay in
it. Oh, the double kiss, but it's | 1:24:01 | 1:24:07 | |
not bad. | 1:24:07 | 1:24:09 | |
Will he get a chance to shut the
match out? Good shot from Shaun | 1:24:15 | 1:24:26 | |
Batt, acknowledged by Liam. Just
tapped the table. | 1:24:26 | 1:24:31 | |
Oh, what a time to catch the jaw of
the middle pockets. Well, he's had a | 1:24:39 | 1:24:46 | |
couple of golden opportunities to
knock Shaun Murphy out and we'll | 1:24:46 | 1:24:50 | |
show you the black just catch the
middle pocket. And in it goes, and | 1:24:50 | 1:24:56 | |
somehow Shaun Murphy has kept
himself in this year's Betway UK | 1:24:56 | 1:25:01 | |
Championship, for all the world it
looked as if he was out. No wonder | 1:25:01 | 1:25:05 | |
he's smiling. We are down to a
decider. | 1:25:05 | 1:25:17 | |
Good safety shot from Shaun Murphy.
Lots of pressure on every single | 1:25:38 | 1:25:41 | |
safety shot now. | 1:25:41 | 1:25:52 | |
Yeah, as John Parrott always says,
the deciding frame, all you do is | 1:25:53 | 1:25:56 | |
you need at least one chance. Who's
going to get that first chance? This | 1:25:56 | 1:26:05 | |
is a little gem here, if you missed
the brown he would have had the | 1:26:05 | 1:26:10 | |
snooker again. | 1:26:10 | 1:26:12 | |
Good opportunity here though to
possibly get the cue ball behind the | 1:26:22 | 1:26:25 | |
brown. Unlucky. Good effort. I'm
just wondering if we'll see a Shaun | 1:26:25 | 1:26:38 | |
Murphy special, but there's quite a
bit of pressure on Shaun as well. | 1:26:38 | 1:26:41 | |
But this type of shot here, he's one
of the best in the game at it. | 1:26:41 | 1:26:51 | |
You've got the perfect picture. Can
he deliver that cue in a straight | 1:26:51 | 1:26:55 | |
line? There's the answer. So the
first chance falls to the former UK | 1:26:55 | 1:27:07 | |
champion. Shaun will be looking to
move the red away from the black as | 1:27:07 | 1:27:18 | |
soon as he possibly can. | 1:27:18 | 1:27:22 | |
If he can get to the red off either
the yellow or green, but he needs to | 1:27:29 | 1:27:36 | |
be accurate with his positional play
here. | 1:27:36 | 1:27:47 | |
Yeah, we did see that red
previously. I don't think it goes, | 1:27:48 | 1:27:52 | |
baby that's why he didn't play to
get on it. It was very, very tight | 1:27:52 | 1:27:56 | |
-- maybe that's why he didn't play
to get on it. I think he can get | 1:27:56 | 1:28:01 | |
through to the one for the right
middle pocket. | 1:28:01 | 1:28:05 | |
I mean, they're not ideally placed.
The reds are open but they're all | 1:28:13 | 1:28:17 | |
sort of covering each other
somewhat. We'll find out now if that | 1:28:17 | 1:28:28 | |
red pots next to the black, but he's
got the other one just above it. You | 1:28:28 | 1:28:33 | |
see, I don't think you can get on
that even if he finished short, so | 1:28:33 | 1:28:37 | |
he's got to leave that for the time
being. | 1:28:37 | 1:28:42 | |
That helps his cause somewhat, but
once the pink goes back on its sport | 1:28:46 | 1:28:54 | |
it's still not going to be available
into all pockets. Well, he's just | 1:28:54 | 1:29:01 | |
got to sit there and hope that
something will go wrong here for | 1:29:01 | 1:29:04 | |
Shaun. And I think it has gone
wrong, straightaway. | 1:29:04 | 1:29:14 | |
It's not too bad, let's have a look
how he's finished it. Yeah, he's | 1:29:18 | 1:29:22 | |
just OK. Looks as if he can play up
for the blue here. And there's a few | 1:29:22 | 1:29:36 | |
obstacles in the way. | 1:29:36 | 1:29:38 | |
There are a few obstacles in the
way. He wants to be ultra-careful. | 1:29:49 | 1:29:54 | |
He doesn't want to get down, can the
read and put himself of position. -- | 1:29:54 | 1:30:04 | |
cannon the red. This is the most
difficult thing about our incredible | 1:30:04 | 1:30:09 | |
game. Liam Highfield is really
struggling in his seat, now. He is | 1:30:09 | 1:30:14 | |
really going through it. It's a
tough game to handle mentally. You | 1:30:14 | 1:30:19 | |
have to be so, so strong. The
disappointment paw always far | 1:30:19 | 1:30:25 | |
outweigh the victories and it is
very difficult to handle. Even when | 1:30:25 | 1:30:29 | |
you have not taken your chances...
It is even tougher. Shaun Murphy is | 1:30:29 | 1:30:42 | |
calling on all of his experience
here. You can tell by the expression | 1:30:42 | 1:30:47 | |
on his face as he left the arena,
they levelled. He's pleased to be in | 1:30:47 | 1:30:55 | |
this UK's championship this year,
still. Now, he's well on his way to | 1:30:55 | 1:30:59 | |
a victory. Already 37 in front. He
had to get himself in the perfect | 1:30:59 | 1:31:13 | |
position to get on that red next to
the black and I think this time he | 1:31:13 | 1:31:19 | |
has just about managed it...? Yes.
That is exactly where he needed the | 1:31:19 | 1:31:24 | |
cue ball. | 1:31:24 | 1:31:34 | |
Hmm, well, hang on a minute, Liam.
Let's see what Shaun has done with | 1:31:44 | 1:31:51 | |
his positional shot. Is he just OK?
He wanted to cannon the pink. A full | 1:31:51 | 1:32:01 | |
ball. They are all covering one
another so perhaps it isn't all over | 1:32:01 | 1:32:08 | |
just yet for Liam Highfield? Shaun
was looking at a plant there, | 1:32:08 | 1:32:17 | |
Dennis, having run out of position
it would be very dangerous. I think | 1:32:17 | 1:32:21 | |
that he can play this red with the
rest, and screw the cue ball around | 1:32:21 | 1:32:29 | |
the ankles to the right-hand side,
and if the red goes in he can play a | 1:32:29 | 1:32:34 | |
snooker with a Billy McCullough,
potentially the brown. I think those | 1:32:34 | 1:32:40 | |
are the value shots, especially with
a 45 point lead. He needs to play | 1:32:40 | 1:32:46 | |
this with some pace, though. If he
plays to cut the red in, he could | 1:32:46 | 1:32:52 | |
leave it. That red does not go, he
is playing a safety shot. I thought | 1:32:52 | 1:32:59 | |
that the red went in, my apologies.
So, he is in the driving seat. It | 1:32:59 | 1:33:11 | |
has to be said, he should have shut
that match out there. He knows it. | 1:33:11 | 1:33:21 | |
It has thrown a lifeline to Liam
that he did not expect to be | 1:33:21 | 1:33:26 | |
getting. For all the world, he would
have been convinced to sitting in | 1:33:26 | 1:33:31 | |
his seat that he would be out of
this year's UK championship. This is | 1:33:31 | 1:33:39 | |
a tough pot that he has taken on
here. That could be the end. That | 1:33:39 | 1:33:55 | |
was a huge shot that he took on
there. He is normally so good at it | 1:33:55 | 1:34:00 | |
but under these kinds of conditions
and what happened in the previous | 1:34:00 | 1:34:05 | |
frame, when he knows in his heart of
hearts that he should have won the | 1:34:05 | 1:34:10 | |
match. But every credit to Shaun
Murphy. He thought that he was on | 1:34:10 | 1:34:19 | |
his way out, but far from it, now. | 1:34:19 | 1:34:31 | |
He has come up a little short here,
he should have been straight on the | 1:34:32 | 1:34:37 | |
red to make it as easy as possible
for himself. | 1:34:37 | 1:34:50 | |
I think he got a miscue there, it
was a positional shot but what a | 1:34:52 | 1:34:57 | |
time to miscue it. This match has
had a bit of everything. Deep screw | 1:34:57 | 1:35:05 | |
shot on the left-hand side, a miscue
at that vital time... And another | 1:35:05 | 1:35:10 | |
lifeline. Can Liam Highfield take
the opportunity this time? It is | 1:35:10 | 1:35:19 | |
there. An excellent shot, well
played. I've been around the blocks | 1:35:19 | 1:35:33 | |
it a few times but my hands are
starting to perspire in the | 1:35:33 | 1:35:37 | |
commentary box. This is getting very
exciting. We thought it was over in | 1:35:37 | 1:35:43 | |
the last frame... We thought it was
over there and then Sean miscues, | 1:35:43 | 1:35:48 | |
what else do we have in store for
you? | 1:35:48 | 1:36:00 | |
These balls may look
straightforward... This is a huge | 1:36:16 | 1:36:19 | |
test of character for Liam
Highfield. He will be under | 1:36:19 | 1:36:29 | |
incredible pressure out there. He
did not cue that very well, either. | 1:36:29 | 1:36:34 | |
They have got heavy contact but it
goes to show what pressure can do. | 1:36:34 | 1:36:44 | |
This time, if he had the red up the
other end of the table, which came | 1:36:44 | 1:36:49 | |
to the rescue. The keyboard is the
red next to the brown. A long way to | 1:36:49 | 1:37:02 | |
go before he gets to the final red
but the chance is there. I'm sure | 1:37:02 | 1:37:10 | |
that Liam would be delighted to get
that far, Dennis. Then, potentially, | 1:37:10 | 1:37:18 | |
play a snooker. He has not played
this very well... Did not play it | 1:37:18 | 1:37:25 | |
very well at all. Lost a cue ball
there. This red is no gimme, with | 1:37:25 | 1:37:38 | |
the rest. If he misses it, it will
save right over the pocket. Well | 1:37:38 | 1:37:51 | |
played... There was a bit of
pressure. He has gone a little too | 1:37:51 | 1:38:02 | |
far, he has to take the blue into
the corner but should be able to | 1:38:02 | 1:38:06 | |
take the red. Both were available
but it would have been better in the | 1:38:06 | 1:38:11 | |
middle pocket. No problem. So far,
so good. He is looking at the black | 1:38:11 | 1:38:27 | |
to make sure that it passes the red.
It must be tight, that is why he has | 1:38:27 | 1:38:42 | |
played for the pink. | 1:38:42 | 1:38:53 | |
He got a kick and some heavy contact | 1:38:54 | 1:38:57 | |
There. I will not blame him for
that. Let's have another look. Yes, | 1:39:00 | 1:39:07 | |
the pink leopard off its spot.
Unbelievable! -- the pink Spring off | 1:39:07 | 1:39:16 | |
its spot. 18 points behind, and the
red next to the brown is going to be | 1:39:16 | 1:39:21 | |
a key ball. Webb there could still
be some drama in this match, where | 1:39:21 | 1:39:28 | |
that red is. | 1:39:28 | 1:39:39 | |
If he does not get on the road to
put the pot on, it's an easy snooker | 1:39:41 | 1:39:47 | |
behind the brown. Make sure you have
plenty of chalk on the tape because | 1:39:47 | 1:39:51 | |
he is going to have to play this
with a lot of screw and side. He | 1:39:51 | 1:40:08 | |
would have preferred a better angle
than this, Dennis. This is a lot of | 1:40:08 | 1:40:14 | |
cue power. He is going to need all
of it here. Where he is pointing the | 1:40:14 | 1:40:20 | |
tip of the cue, he isn't even going
to take the black on. I don't know | 1:40:20 | 1:40:25 | |
what he was pointing the cue at, if
he does not get on the red, he | 1:40:25 | 1:40:30 | |
leaves himself in such a position he
does not get the snooker. You don't | 1:40:30 | 1:40:36 | |
want to overthink it. Well, he is
not taking the pot on. It is a tough | 1:40:36 | 1:40:46 | |
one to hit. It is a tough one to
hit, Dennis. But, should he hit the | 1:40:46 | 1:40:54 | |
red? Where the yellow and the pink.
He may even look a snooker? I | 1:40:54 | 1:41:03 | |
wouldn't be surprised with how this
match has gone so far. Playing a | 1:41:03 | 1:41:08 | |
trick shot here, now they look to
the referee to put these back! A | 1:41:08 | 1:41:14 | |
free ball, Sean may take the black
and leave the balls where they are. | 1:41:14 | 1:41:20 | |
Having a look at the scoreboard,
take the black as the extra red. 23 | 1:41:20 | 1:41:25 | |
is the difference. The black only
counts as a point. | 1:41:25 | 1:41:46 | |
Maybe he should have them put back?
Oh, dear! He looks at the referee | 1:41:49 | 1:41:56 | |
and says, yes please! Well, we could
be here a while. But we have the | 1:41:56 | 1:42:01 | |
monitor to help... | 1:42:01 | 1:42:11 | |
He had a choice, he could have
potted the black and played for the | 1:42:13 | 1:42:16 | |
blue down, then got the snooker on
the last red. Liam Highfield is in | 1:42:16 | 1:42:30 | |
such a hole here... | 1:42:30 | 1:42:41 | |
23 is the difference. If he was to
miss again, he could only afford two | 1:42:42 | 1:42:56 | |
more misses. He sits in his seat and
reflects on what has gone on. I | 1:42:56 | 1:43:00 | |
should have been in the next round.
He really has gone through it in | 1:43:00 | 1:43:06 | |
this match. I feel sorry for him, he
has done so well, from 4-2 down, to | 1:43:06 | 1:43:12 | |
get three in a row, it looked like
he got victory, and it would have | 1:43:12 | 1:43:16 | |
been terrific to knock out the
former champion. | 1:43:16 | 1:43:28 | |
This is tough for the referee and
the marker who has the modest. With | 1:43:37 | 1:43:44 | |
so many balls move to... I mean, we
can show you where they were | 1:43:44 | 1:43:50 | |
originally. That is the position.
The blue is on its spot. They will | 1:43:50 | 1:43:57 | |
get there eventually. The shot that
Liam was trying, he was trying to | 1:43:57 | 1:44:04 | |
hit the cushion and make the angle.
It was not a natural angle when he | 1:44:04 | 1:44:09 | |
was trying to get out of the
snooker, he tried to come off the | 1:44:09 | 1:44:13 | |
side cushion and you are swerving
the ball. We can show it again. This | 1:44:13 | 1:44:19 | |
was the attempt. It isn't a natural
angle. He was trying to make it but | 1:44:19 | 1:44:25 | |
got too much on it. That is why he
hit the green. He is playing a deep | 1:44:25 | 1:44:34 | |
screw shot off the side cushion.
Just to square the angle up. It is a | 1:44:34 | 1:44:43 | |
shame that this match will finish
with this. It's the last thing you | 1:44:43 | 1:44:48 | |
want. You cannot blame Sean, he is
completely in the driving seat, he | 1:44:48 | 1:44:53 | |
knows what has gone on in this
match. All he is concerned about is | 1:44:53 | 1:44:59 | |
getting into the next round. He has
one foot there already. We cannot be | 1:44:59 | 1:45:07 | |
too far from it now... We could see
a fracture of the red, I cannot see | 1:45:07 | 1:45:14 | |
it any more. Lets see where they
were. That is where they were. It is | 1:45:14 | 1:45:24 | |
pretty good, this. That is not bad.
Give me the picture... Yes, I think | 1:45:24 | 1:45:35 | |
that you are almost there... Yes,
that looks good to me. And I think, | 1:45:35 | 1:45:47 | |
really, our referee deserves a round
of applause here! Well... Thank you. | 1:45:47 | 1:45:57 | |
It sums it up! Well done! Liam comes
to the table, will he attempt the | 1:45:57 | 1:46:10 | |
same shot again? I hope he does not
hit the green again. Just | 1:46:10 | 1:46:22 | |
double-checking, I think it is
almost spot on. It is like a trick | 1:46:22 | 1:46:28 | |
shot that he tries here. Ooh! He may
go back again but at least that is a | 1:46:28 | 1:46:39 | |
bit easier to replace this time!
Once again, a free ball. Now, 27 is | 1:46:39 | 1:46:50 | |
the difference, to pot the. -- to
pot the blue. It is a shame, that | 1:46:50 | 1:47:04 | |
the outcome of this brilliant match
will be decided on a fewer missed | 1:47:04 | 1:47:09 | |
shots. But, those are the rules.
Third time lucky for Liam... Foul. A | 1:47:09 | 1:47:24 | |
miss. Shaun Murphy for a free ball.
Now... If he misses this time, it | 1:47:24 | 1:47:43 | |
would be a tidy but if Sean takes
the black as a free ball, he would | 1:47:43 | 1:47:49 | |
not need that difficult last red,
now. Once again, he is putting them | 1:47:49 | 1:47:56 | |
back in. Would you just check,
please? If he misses the red this | 1:47:56 | 1:48:13 | |
time, he would be 35 behind. If he
does not hit one of the higher | 1:48:13 | 1:48:18 | |
valued colours... There is no other
easy escape route. He will get such | 1:48:18 | 1:48:34 | |
a raw if he escapes from this. It is
a tough shot that he is attempting. | 1:48:34 | 1:48:48 | |
He needs to hit it up further along
the commission, with all of that | 1:48:48 | 1:48:53 | |
back spin that he is playing...
Brilliant! Ooh! Will the blue come | 1:48:53 | 1:49:00 | |
to the rescue? He has! He looks at
Sean and smiles. Suddenly, there are | 1:49:00 | 1:49:10 | |
smiles all round. What is going to
happen next in this match? This is a | 1:49:10 | 1:49:19 | |
brilliant escape, having to make the
cue ball out, to hit the red. He | 1:49:19 | 1:49:26 | |
thought it was over the end, he
looks down the line, and he has got | 1:49:26 | 1:49:31 | |
the snooker. Ooh... | 1:49:31 | 1:49:48 | |
31 is the difference, there is still
plenty of tension. Plays the cue | 1:49:48 | 1:49:54 | |
ball up and down, the red across the
table, behind the back. It is a | 1:49:54 | 1:49:59 | |
corker. What a shot that is. | 1:49:59 | 1:50:11 | |
Well, what a finish to this match.
If he can take this from behind, get | 1:50:16 | 1:50:26 | |
a snooker behind the black... Ooh,
he has hit the black. It is a free | 1:50:26 | 1:50:34 | |
ball. I tell you what, it is a free
ball. He could bring the yellow into | 1:50:34 | 1:50:40 | |
play, get in behind pink and
suddenly, Liam... In fact, you can | 1:50:40 | 1:50:46 | |
see enough of the pink to take the
pot on. Would you be taking this | 1:50:46 | 1:50:57 | |
pink on, Dennis? There's a chance he
did not think he would get the way | 1:50:57 | 1:51:00 | |
the situation was... It is there.
Suddenly, he is right back in the | 1:51:00 | 1:51:15 | |
deciding frame. What a finish! | 1:51:15 | 1:51:27 | |
Did well to play for the gap between
pink and brown there. The balls are | 1:51:38 | 1:51:45 | |
at his mercy. Can he hold himself
together? To knock out the former UK | 1:51:45 | 1:51:53 | |
champion. | 1:51:53 | 1:52:04 | |
He needs it to pull up. He has gone
too far. The brown is slightly in | 1:52:04 | 1:52:09 | |
the way of putting the blue. Going
up and down the table... Just a | 1:52:09 | 1:52:18 | |
little bit of adrenaline there, he
would have been much better | 1:52:18 | 1:52:21 | |
finishing even shorter, because he
had the brown and the pink. He | 1:52:21 | 1:52:27 | |
overhit it slightly. Can he avoid
these colours and get back to the | 1:52:27 | 1:52:31 | |
yellow? Missing the black, he
hasn't. | 1:52:31 | 1:52:47 | |
This looks OK. | 1:52:59 | 1:53:09 | |
As we show you the gap there, Shaun
needs yellow, green and brown to | 1:53:11 | 1:53:17 | |
seal a victory. | 1:53:17 | 1:53:27 | |
With 12 points the difference, if
Liam can get a chance, he will not | 1:53:29 | 1:53:35 | |
need a difficult black, yellow to
pink would be enough for him. There | 1:53:35 | 1:53:45 | |
have been so many twists and turns
towards the end of this match, it | 1:53:45 | 1:53:50 | |
has been incredible. Some
unbelievable drama, here. At the | 1:53:50 | 1:54:00 | |
Betway UK championship. You can
screw the yellow and missed the | 1:54:00 | 1:54:10 | |
pink, leaving the white on the
cushion that he is concerned that | 1:54:10 | 1:54:15 | |
the yellow does not career into the
black. Needs to be a bit careful. | 1:54:15 | 1:54:21 | |
Just decided on a containing safety
there. It's all right, but it may | 1:54:21 | 1:54:30 | |
have handed the advantage to Liam,
if he can get a good cue ball behind | 1:54:30 | 1:54:34 | |
the pink or stopping behind the
black, there are a couple of | 1:54:34 | 1:54:37 | |
options. That is OK. No matter how
good a player you are, to come off | 1:54:37 | 1:54:52 | |
the cushion and hit the yellow, to
get it safe you need some good | 1:54:52 | 1:54:56 | |
fortune. | 1:54:56 | 1:55:06 | |
It does cut the yellow... | 1:55:10 | 1:55:21 | |
This is a very thin cynic, and he
plays it on the right-hand side | 1:55:22 | 1:55:25 | |
which means he will have to play two
overcut it, allowing for the throw. | 1:55:25 | 1:55:30 | |
And he didn't. Can you believe this
match? It's quite incredible. The | 1:55:30 | 1:55:41 | |
reason why the yellow went thick was
because of the right-hand side, that | 1:55:41 | 1:55:45 | |
he imparted on the cue ball. Can
Shaun Murphy play a good positional | 1:55:45 | 1:55:50 | |
shot here? It is too card, much too
hard. He still needs the green and | 1:55:50 | 1:56:01 | |
the brown. Well, the number of times
that we have told you that this is | 1:56:01 | 1:56:11 | |
the best player in the game, using
the rest, does he need it now? | 1:56:11 | 1:56:27 | |
A good green. Some good cueing is
needed on the brown. | 1:56:28 | 1:56:41 | |
Just push the cue through in a
straight line, the man in the | 1:56:46 | 1:56:51 | |
studio, John Parrott, was brilliant
from this position. Unfortunately | 1:56:51 | 1:56:55 | |
for Sean he needs to get this, he
played it with dead weight but what | 1:56:55 | 1:56:59 | |
a great shot! | 1:56:59 | 1:57:09 | |
Sometimes you get a bit confused,
but Liam does need a snooker. As | 1:57:14 | 1:57:28 | |
Peter said, we've had absolutely
everything in this deciding frame. | 1:57:28 | 1:57:33 | |
Surely Liam can get the snooker and
keep it going? He has potted the | 1:57:33 | 1:57:38 | |
blue and he did not want to. It is
going to be tough to get a good | 1:57:38 | 1:57:46 | |
snooker with the black sat as it is.
A possible snooker here. He has not | 1:57:46 | 1:57:52 | |
hit it hard enough, has he? No. | 1:57:52 | 1:58:04 | |
What an incredible deciding frame
that was! Smiles all round. A great | 1:58:10 | 1:58:14 | |
match in the end. Liam Highfield was
4-2 down, winning three in a row and | 1:58:14 | 1:58:21 | |
then it looks like he was going to
knock out Shaun Murphy that in the | 1:58:21 | 1:58:24 | |
end he puffs his cheeks and scrapes
over the line, 6-5. | 1:58:24 | 1:58:31 | |
end he puffs his cheeks and scrapes
over the line, 6-5. STUDIO: You want | 1:58:31 | 1:58:33 | |
drama committee gets drama at the
Betway United Kingdom championship, | 1:58:33 | 1:58:37 | |
Shaun Murphy 3-1, then 4-2 up, then
having to win the last couple of | 1:58:37 | 1:58:42 | |
frames. A fantastic match this
evening. We hope you've enjoyed the | 1:58:42 | 1:58:45 | |
show. There will be plenty more
theatre to enjoy when we resume live | 1:58:45 | 1:58:50 | |
coverage at 1pm this afternoon when
Graeme Dott, the former world | 1:58:50 | 1:58:54 | |
champion, takes on the juggernaut
Judd Trump. Not to be missed. Good | 1:58:54 | 1:58:58 | |
night! | 1:58:58 | 1:58:58 |